Latest / Closing Sales in Nigeria - Sales For The Nigerian Business Person: The Sales and Marketing Blueprint / The Rock & Kemi Adetiba: Mastering the Art of Movie Sales in Nigeria

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The Rock & Kemi Adetiba: Mastering the Art of Movie Sales in Nigeria · Closing Sales in Nigeria - Sales For The Nigerian Business Person: The Sales and Marketing Blueprint

• 0:01
  Hello and welcome, my name is Tavishima Aidi.
• 0:04
  I saw sales and marketing challenges and I'm making
• 0:06
  today's recording at an undisclosed location in Abuja.
• 0:10
  What happens to be raining at the moment?
• 0:12
  So don't be surprised if you hear some interruptions in the
• 0:14
  background. Now, the goal of this podcast is
• 0:16
  business education. And if you are impressed by the
• 0:19
  time you're not listening, please tell your friends and
• 0:21
  family members in Nigeria and abroad so they can benefit from
• 0:25
  the questions that we tackle. They can do that by subscribing
• 0:28
  on Spotify, YouTube, Apple or any player of their choice.
• 0:32
  And if you would love to connect with me, then please call SMS or
• 0:36
  WhatsApp me on 08064662140. Today on the podcast, I would
• 0:43
  like us to look at how to sell Nigerian movies.
• 0:47
  The reason why is because Kami Editiba has come up with another
• 0:51
  banger. Whether you like it or not, The
• 0:53
  thing is certified like banker status because people all over
• 0:59
  Nigeria and abroad really love the series.
• 1:04
  It's a series on Netflix To Kill a Monkey and it's gotten a
• 1:10
  couple of us talking. Well, First off, me and my wife
• 1:12
  watch it. You know, we, we enjoyed it.
• 1:15
  I used to be in the creative space.
• 1:16
  I started off as a wedding photographer.
• 1:18
  I still currently handle documentaries for NGOs and
• 1:22
  corporations. And so I still know the people,
• 1:26
  you know, a couple of people in the field.
• 1:27
  And so we've been discussing the merits of that series, you know,
• 1:32
  whether technical merits or how the thing has been sold.
• 1:36
  So there's been a lot of conversation around how to kill,
• 1:39
  sorry to kill a monkey. And then the earlier stuff that
• 1:41
  she has done, like what's it called, King of Boys and all of
• 1:46
  that. So there's been a lot of talk
• 1:48
  about that, but the reason why this topic in particular came on
• 1:53
  my radar is because there are other film producers, you know,
• 1:57
  up and coming that do really correct stuff, really nice
• 1:59
  stuff. And one of them has sent me a
• 2:01
  link a while ago to her stuff. I had a look at it, a look at
• 2:05
  it, and I thought the thing was really cool.
• 2:08
  And so I told her, now look, this thing is nice, but you're
• 2:11
  just sending links out to people.
• 2:13
  Instead of sending links, why not promote this thing?
• 2:15
  Ha, a dirty bar came a dirty bar came.
• 2:18
  A database is the director behind the movie To Kill a
• 2:22
  Monkey, also King of Boys and then the wedding party with
• 2:27
  Banky W as the lead actor and then his now wife.
• 2:33
  But you know, back then they were not I mean they were
• 2:36
  dating, but it was Loki. So this lady now she responded,
• 2:41
  that's the the movie director who's, you know, young up and
• 2:44
  Comer. She was like, oh, Chemi style
• 2:46
  is, you know, how we are promoting movies is is too
• 2:49
  expensive. And you know, a conversation
• 2:54
  followed and it just reminded me about the good old days back
• 2:56
  when I was in the field in wedding photography.
• 2:59
  Because there's unfortunately amongst creatives in the
• 3:04
  creative space, like the level of beef is, is, is too high.
• 3:07
  And it's too, it's, it's unwarranted.
• 3:12
  So it's nice to be competitive and I get it.
• 3:16
  But there's always this thing in the Niger creative space that
• 3:20
  when somebody makes it, when somebody blows, you know, people
• 3:22
  are like, you know, she's not even that great.
• 3:25
  And it's not even that good. And it's because of connection,
• 3:30
  you know, is this is this is that is that, you know, and all
• 3:33
  kinds of excuses when the correct attitude should be OK.
• 3:38
  This person has obviously dumped something successful.
• 3:42
  What are the systems, What are the processes?
• 3:44
  What do the person go through? What can I learn from this?
• 3:46
  So I can use this to, you know, enhance my craft and also to
• 3:50
  improve my own ministry. So that's the reason why I'm
• 3:53
  making today's podcast episode because I think in creative
• 3:56
  circles, we need to let go of some of these issues.
• 4:01
  So it was not uncommon for a wedding photographer back in the
• 4:04
  day. I don't call in specific names
• 4:06
  like, you know, somebody star begins to shine and the person
• 4:09
  is, you know, beginning to book gigs all over the place.
• 4:11
  You know, Cano, you see the guy there.
• 4:13
  Lagos, the guy is there, but I caught the guy is there, you
• 4:17
  know, as in travelling all over the the place, destination
• 4:20
  wedding. The guy is there and people
• 4:21
  like, you know, his his style is not even that.
• 4:25
  It's not even that good. You know, he's just packaging
• 4:26
  and he's using to deceive customers.
• 4:31
  And we need to take a different approach when it comes to those
• 4:34
  of us who are creatives. In quote, we focus too much on
• 4:38
  technical production, on writing and direction, movie and story
• 4:42
  craft, editing, composition skills and all those sorts of
• 4:45
  things. But we should be.
• 4:47
  What we don't pay enough attention to is the selling
• 4:49
  aspect, and I think that is what has made Chemi Aditiba stand
• 4:53
  out, not just Kimmy Aditya, because apart from Kenny Aditya,
• 4:56
  I also like to use The Rock, Dwayne Johnson as another
• 5:00
  example of people who understand that it's not just about making
• 5:04
  the movie, it is about selling the movie.
• 5:06
  And that's the reason why these people are successful.
• 5:08
  And one of the reasons why I like to use The Rock is because
• 5:10
  people who say The Rock is an actor, he's just a wrestler.
• 5:14
  The guy can't do anything. The guy is one note, the guy
• 5:17
  doesn't have skill. But whether I would like it or
• 5:19
  not, the guy is outselling everybody.
• 5:22
  The Rock is outselling everybody, no matter how
• 5:24
  talented they are. So it's not just about making
• 5:26
  this thing, it's about selling this thing.
• 5:29
  It's not just about movie craft and stage craft.
• 5:32
  We also need to learn sales and marketing and promotion craft as
• 5:35
  well. So that's the focus of today's
• 5:38
  episode. Forgive me, I'm not putting
• 5:41
  everything together too eloquently.
• 5:43
  So to begin with, let's just look at Cameo Daisy by Let's
• 5:47
  Look at The Rock. Let's see the reason why their
• 5:50
  movies are successful, whether you agree with how good the
• 5:53
  movies are or how bad the movies are or how well put together the
• 5:57
  movies are or how badly put together the movies are, whether
• 6:00
  the actors are great or whether the actors are rubbish.
• 6:02
  Let's look into why these movies even sell.
• 6:05
  Now, first of all, for Cameo, she employs diverse marketing
• 6:09
  strategies. She's not just the one track
• 6:11
  person. And that is one thing that I was
• 6:13
  trying to get this young film producer to see.
• 6:16
  Now look, every time you do stuff, it's great stuff, but all
• 6:19
  you're doing is just sharing links amongst your friends and
• 6:21
  family and quite frankly, that is not how you're going to get
• 6:24
  your movie to blow. If it is just by sharing links
• 6:27
  with friends and family members, Nigerian movies or movies that
• 6:32
  take the international stage would not be anywhere.
• 6:35
  So you need to go beyond what you're doing, beyond link
• 6:39
  sharing and you need to start thinking of much more diverse
• 6:41
  marketing strategies. Now, one thing that Cameo Databa
• 6:44
  does very well, and by the way, those of you who say Cameo
• 6:46
  Databa style is too expensive, I will agree with you in a sense
• 6:51
  because there's some things that she does to promote her movies
• 6:53
  that cost money. Same thing like The Rock,
• 6:57
  there's some things that he does to promote his movies that cost
• 7:01
  money. But let me start with the things
• 7:03
  that are free. And you will see how even if
• 7:07
  somebody's success is made because they spent a ton of
• 7:10
  money promoting their movies, there's a bunch of free stuff
• 7:12
  that you can see and you can emulate and you can use to
• 7:14
  promote your own movies as well. So came here database.
• 7:18
  She's really we good with early teasers and engagements on
• 7:21
  Instagram, on Twitter and all these things, you know, coming
• 7:24
  soon. This, this, this that that that,
• 7:26
  you know, before the movie has dropped, she's already building
• 7:29
  some suspenseful chemistry. I started the game.
• 7:31
  This one actually is tweeting. This one actually is what is she
• 7:34
  tweeting about? What is this whole thing about?
• 7:36
  Was the same thing with King of Boys, You know, so for me, quite
• 7:39
  frankly, it was a shock when the movie dropped and I saw that
• 7:41
  King of boys was a woman. I'm like, OK, because from all
• 7:44
  the teasing and everything I saw, I thought King of Boys was
• 7:47
  going to be, how will I put it? Yeah, I knew it was going to be
• 7:52
  a gangster flick, but I thought it was going to be like, you
• 7:54
  know, a guy. So there's plenty of teasing,
• 7:57
  plenty of anticipation. And that is one thing that
• 8:00
  creators, movie producers in Nigeria don't do.
• 8:02
  Well, you drop this movie. This movie is beautiful.
• 8:07
  This movie is wonderful. But The thing is, you didn't do
• 8:09
  any pre buzz. No pre no teasing campaign, no
• 8:13
  nothing. So those of you who make movies,
• 8:18
  please copy can be edited by in that sense be putting out early
• 8:22
  teasers, you know coming soon These these these engaging with
• 8:25
  people on Instagram engaging with people on Twitter.
• 8:27
  Oh, sorry about that. Some some media just left the
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  car horn going now. Wow.
• 8:36
  Anyway, those are the interesting things about making
• 8:39
  podcast episodes live. You know, all sorts of things
• 8:42
  just happened. And then so like I said, I came
• 8:44
  here later. But she does early teasers and
• 8:45
  she does early engagement. She's very good with putting out
• 8:48
  behind the scenes content. So, you know, she's working on
• 8:50
  the project. You don't know what the title
• 8:52
  is. You have an idea of who it might
• 8:54
  be. But then you now see a
• 8:55
  screenshot of her and somebody else.
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  Like, OK, Cami is now doing something with this guy and
• 9:02
  you're you're curious and The thing is building.
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  And then she puts out character posters.
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  OK, like I said, she's ready. She really puts out teasers, you
• 9:11
  know, things like that. You can see she's not waiting
• 9:13
  until the movie drops before she's trying to sell it.
• 9:17
  In fact, look at the recent Marvel movies that have been
• 9:19
  coming out. You know, like Fantastic Four.
• 9:22
  They have been teasing Fantastic Four scenes.
• 9:25
  It's like since last year, like half of last year, we've been
• 9:28
  knowing that, OK, Fantastic Four is in the making.
• 9:31
  Something is going down. You know, this is Mr. Fantastic,
• 9:34
  this is Storm, this is this person, this is that person.
• 9:37
  Oh, Galactus is going to be in the movie air for real.
• 9:40
  Galactus is coming. Finally.
• 9:42
  We'll see him on screen. You know, they've been teasing,
• 9:46
  they've been whining on scene since last year that this thing
• 9:49
  is coming up. Nigeria movie makers, you all
• 9:52
  should be doing the same thing too.
• 9:54
  Then. Camera Database is also very
• 9:56
  good at direct fan interaction. I mean, she shows up on
• 9:59
  Instagram, you know, Q&A, you can get to ask her questions.
• 10:02
  Tell me, I like this movie. I like this one, this one, this
• 10:05
  one should have done like this. Why did you do like this?
• 10:07
  Why'd you do like that? She's accessible, she's
• 10:08
  available, she's talking to people.
• 10:11
  These things are also building anticipation for her movies or
• 10:14
  when the movie drops and she's available and she's talking to
• 10:17
  people. You know, this thing also
• 10:19
  generates more buzz. And then guess what?
• 10:22
  Based on conversations that she's having with people now,
• 10:24
  you don't think is going to inform the movie ideas that you
• 10:28
  will have in the future. Nigerian movie producers,
• 10:32
  directors, you guys should be engaging with your people.
• 10:35
  Between Q&A like Emirate about those live chats, she responds
• 10:39
  to comments. Does that one cost money?
• 10:47
  In fact, the common thing is the one that even if that like it's
• 10:51
  just masterful. Somebody does a review about the
• 10:55
  movie, she sees it, she will like it, she will comment, she
• 11:01
  will now, you know, maybe act one of the actors and then
• 11:05
  she'll now share it on her profile.
• 11:08
  That is user generated content. She's amplifying user generated
• 11:12
  content. People are seeing different
• 11:13
  perspectives. We are beginning to feel the
• 11:15
  gist, feel the vibe about the movie, the person who created
• 11:19
  the original thing and she shared your own whatever.
• 11:21
  I mean, you now, you now start feeling good about yourself,
• 11:26
  like a simple me, a humble me. I did movie review.
• 11:29
  The almighty director saw my whatever.
• 11:31
  I thought my thing was good enough that she even shared on
• 11:34
  her Instagram handle. Even me, my I'll be proud and
• 11:37
  I'll start talking on it one-on-one with my people.
• 11:39
  I did movie review and something, something Chemi saw
• 11:43
  it, she liked it. She even put it up on her
• 11:45
  status. Can you see how Chemi's getting
• 11:49
  organic buzz around her stuff without having to pay?
• 11:53
  Then she's also very good at leveraging the cast and crew,
• 11:56
  you know, getting people to promote, you know, promote and
• 12:01
  talk about the project. And then she uses her own reach,
• 12:03
  you know, as a big time in quote director, you know, to amplify
• 12:07
  that reach. Like I said, act the person, put
• 12:10
  it on her profile, you know, all those sorts of things.
• 12:13
  So even for somebody that you're definitely broke, there's some
• 12:17
  creativity that you can put to creating some anticipation
• 12:22
  before your movie drops. Instead of you make this movie
• 12:25
  in secret, The thing is out, it's wonderful, but then you
• 12:28
  just share links between family and friends.
• 12:31
  That is not how you're going to get your movie to blow.
• 12:33
  So the expensive part is yes came out about those traditional
• 12:36
  media and PR. So she's doing media interviews,
• 12:40
  press screenings, press premieres because people will
• 12:43
  say yes, she's been out Toronto International Film, first of
• 12:46
  all, Cannes International Film Festival.
• 12:48
  Yeah, I understand that one requires major bar because I
• 12:52
  don't know about the application process or the application fee,
• 12:55
  but at the very least you must have visa, at the very least you
• 12:57
  must buy ticket. At the very least, you should
• 12:59
  have money for hotel, so you know, if you're struggling for
• 13:04
  school fees or if you're struggling for your daily bread,
• 13:07
  it's not the kind of thing that you can do.
• 13:09
  But before we get to that level, before you say what she does is
• 13:12
  too expensive. I can't promote my movie that
• 13:14
  way. Can you see that there's a whole
• 13:15
  bunch of free stuff that she's doing that you are not doing?
• 13:19
  You are only sending out links to your family members and to
• 13:22
  your friends saying, please watch my YouTube channel.
• 13:26
  Please subscribe to my YouTube channel.
• 13:28
  Please share my video. It is not like that that your
• 13:31
  movies were to become a blockbuster.
• 13:33
  It is not so creatives, please when somebody blows, it's not a
• 13:39
  matter of saying it's too expensive.
• 13:41
  She's from a rich family. She has the connects.
• 13:44
  It is this it is that woe is me, I'm from a poor family and so
• 13:47
  look, that is not the attitude. Some people will say she's not
• 13:51
  even that good self. This person is a better movie
• 13:53
  director and like, and so, so you're better than her.
• 13:57
  So another person is better than her.
• 13:59
  Are you, are you moving your market?
• 14:00
  Are you selling your stuff like she's selling it?
• 14:03
  Making it is one thing. Selling it is another thing
• 14:06
  altogether. And that's the reason why I also
• 14:08
  talk about the rock. People who say the rock, the guy
• 14:11
  know the axe that the guy is flat.
• 14:12
  The guy is one note, you know, but it doesn't matter.
• 14:16
  It doesn't matter whatever it is, even when he was in Jumanji,
• 14:20
  I said the rock in Jumanji. Are you sure this thing can
• 14:22
  work? But the guy made it work.
• 14:26
  He sells movies. It's about selling the movie.
• 14:30
  It's not just about making the movie.
• 14:33
  Now The Rock self, if you notice, and that's the reason
• 14:35
  why I look at The Rock and I look at Cameo Databa and I use
• 14:37
  them as my examples. It's the same thing with The
• 14:39
  Rock. In fact, The Rock said that
• 14:41
  social media is his primary marketing hub.
• 14:44
  Social media already on his phone, the same phone that you
• 14:48
  have. So for him too, is all about
• 14:50
  engagement, talking to people, dropping teasers, responding to
• 14:55
  people's comments once in a while, dropping motivational
• 14:58
  messages. In fact, he likes to share
• 15:00
  workout routines that oh, I'm going to be in Shazam.
• 15:05
  You know, he had been doing this thing since Wendy Shazam.
• 15:07
  Sorry, not Shazam, Black Adam. I can't remember when Black Adam
• 15:10
  came out, but I think like the year before or two years before,
• 15:15
  he already started posting workout workout routines.
• 15:17
  I'm going to be in Black Adam. I'm now getting in shape and
• 15:20
  he's now showing us this is how they bench.
• 15:22
  These are the squats, this is how they do crunch, you know,
• 15:24
  all these kinds of things. You know, boys be seen boys be
• 15:28
  getting motivated like ah, correct the rock, ah correct.
• 15:32
  Black Adam. Is it true Black Adam?
• 15:35
  Is he going to fight with Shazam?
• 15:37
  People are already getting motivated and I'm top those of
• 15:40
  us who are fitness not OK, well, I'm not fitness not anymore.
• 15:43
  But those of you who are fitness not not you will see.
• 15:45
  You will see. Let me even copy his routine
• 15:47
  self. Let me be benching like the rock
• 15:49
  so I'll be like the rock. You see, he's doing this like 2
• 15:54
  years before the film has dropped you.
• 15:58
  You're making the wonderful movie in secret.
• 16:01
  Dropping it today and then now just sharing link.
• 16:05
  Subscribe to my channel, watch my video, tell your friends,
• 16:09
  share it with other people. The Rock also does lots of
• 16:13
  behind the scenes. Oh we just finished the shoot
• 16:15
  blah blah blah this is my Co star Something something
• 16:17
  something we did this incredible stunt blah blah blah.
• 16:20
  Lookout this movie dropping in summer theaters 2020 whatever
• 16:26
  behind the scenes. Give me all kinds of reviews.
• 16:31
  All that is free. Movie directors, actors,
• 16:36
  producers, Nigerian producers, actors.
• 16:39
  You can be doing this thing for free.
• 16:40
  The app is already on your phone.
• 16:42
  If you don't have idea get ChatGPT, get Google Gemini and
• 16:48
  just enter a simple prompt. I am a Nigerian movie director.
• 16:51
  I'm currently working on the script.
• 16:54
  Script is about this disease dot dot dot dot dot.
• 16:56
  The movie is supposed to drop in two years.
• 16:58
  I'm thinking of simple promotional ideas that can be
• 17:02
  done in the cost effective way on social media.
• 17:06
  Give me a simple 18 month plan. An 18 month plan that can be,
• 17:14
  you know, executed to generate some buzz around the movie.
• 17:17
  You know, of course, give it some more details.
• 17:18
  Then hit send. It'll come up with something.
• 17:21
  Some of the things will make sense.
• 17:22
  The one that makes sense, put it on one side.
• 17:24
  The one that is crap, Delete. Now.
• 17:28
  Start trying to execute on those things.
• 17:30
  If idea is your problem, AI tools are here to make the job
• 17:34
  easier for you. Anyway.
• 17:37
  Yes, the Rock also spends money because it is rumoured.
• 17:39
  I have not you know is gist that I'm hearing so I can't tell you.
• 17:44
  I know this for a fact, but I hear that he pays the the movie
• 17:48
  studios pay him. That's minus the money that
• 17:51
  they're giving him for the film. They give him one M $1 million
• 17:56
  cash for promotion and that he does promotions, paid promotions
• 18:02
  as well for the movies. I mean, think about that.
• 18:08
  You know, some of us Nigerians will look at things from a short
• 18:10
  sighted perspective. You say is it not another
• 18:12
  person's film? Why am I promoting another
• 18:15
  person's film? He he knows what's up.
• 18:18
  I want to be a leading man. I want to be a superstar
• 18:21
  blockbuster. Something, something, something
• 18:23
  in order to do that, people gas to see my face.
• 18:26
  They need to know me. I need to be in circulation, I
• 18:28
  need to be around. So yes, he's promoting another
• 18:31
  person's film. The other person might make more
• 18:34
  money compared to him, but for him, he's looking at the long
• 18:38
  picture, the long game. If I'm promoting and everything
• 18:43
  I appear in is guaranteed to be a hit, then go.
• 18:46
  They rush me. People will be rushing for me.
• 18:48
  People be looking for me. That's now.
• 18:51
  I will not become a big star on the screen and that's why he's
• 18:54
  getting these roles. Even though people will say the
• 18:57
  Rock, he's flat, the guy know the ACT, he's one note, there's
• 19:01
  your Muslim, Muslim, Muslim nothing.
• 19:03
  That's why he's making it. So please.
• 19:08
  OK, 20 minutes. Some of what I'm trying to say
• 19:10
  is, is not just about creating film up and down because we have
• 19:13
  creative talent in Nigeria. It's not just about creating
• 19:16
  these things. It's also about selling and
• 19:19
  promoting this thing. It is called the movie business
• 19:23
  for a reason. You guys are paying attention to
• 19:25
  the movie aspect. You're forgetting the business
• 19:29
  aspect. If you don't do the business
• 19:32
  aspect, if you don't make money, then after a while your wife
• 19:36
  will start asking you questions that, look, I love you and I've
• 19:39
  been supporting you, but you've been doing this thing for 15
• 19:42
  years now. We're not seeing any new returns
• 19:45
  and I'm tired of doing all the work.
• 19:48
  It's too much for me. Can you go and see if you can
• 19:51
  get your job back at Zenith Bank?
• 19:53
  It's not that your wife is being a bad wife, it's just that,
• 19:56
  look, it's the harsh reality. It is movie business.
• 20:00
  If the money is not coming in through the business side, you
• 20:02
  know your poor wife is suffering and you know it's too much on
• 20:07
  our head or the other way around.
• 20:11
  They say you're like Cameo Databa.
• 20:12
  You know, you're the you're the one that is doing the movie
• 20:15
  thing. After a while, your spouse is
• 20:17
  thinking, look, we've been on this thing for a while now.
• 20:20
  When are we going to see something tangible?
• 20:24
  It's not just about creating fine art.
• 20:26
  We also have to sell this thing. So in my own opinion, too many
• 20:32
  young bloods in the Nigerian space, creative space.
• 20:35
  You're paying attention to technical production, you're
• 20:37
  paying attention to writing and direction, you're paying
• 20:40
  attention to movie craft, story craft, you know all these sorts
• 20:43
  of things. But that is not all.
• 20:45
  There are other things that you should be paying attention to.
• 20:47
  You should be paying attention to sales, you should be paying
• 20:50
  attention to promotions, you should be paying attention to
• 20:52
  merchandising. That is something that came here
• 20:55
  Dirty Bird did for King of Boys. You know, I heard that she
• 20:58
  printed some stuff I didn't see sharp.
• 20:59
  I heard that there was like T-shirts and you know, stuff
• 21:02
  like that. Merchandising, what people do
• 21:05
  that very well. Like take Star Wars, it was
• 21:09
  merchandising. They made, they made shirts,
• 21:12
  they made face cap, they made toys, they made all kinds of
• 21:15
  things because it's about making money.
• 21:18
  It is the money that will support all the other things
• 21:20
  that you need to do. And in my own opinion, I think
• 21:25
  this is the reason why in Africa now, if anybody says animation,
• 21:30
  they would think of South Africa first before Nigeria.
• 21:33
  I think because S Africans have figured out that, look, it's not
• 21:36
  just about technical craft, but also have to be able to sell the
• 21:38
  thing. So Nigerian, South African
• 21:41
  animators, that's what they're doing.
• 21:42
  They're trying to improve their craft, but they're also trying
• 21:44
  to sell the thing. South African animation, you can
• 21:48
  see it on DSTV, you can see it on other platforms.
• 21:50
  Nigerian animators, where are you?
• 21:52
  You will keep creating nice stuff, correct stuff, dope stuff
• 21:56
  and then just drop it on YouTube, nothing else.
• 21:59
  That is not how Nigerian animation, Nigerian cinema is
• 22:02
  going to blow. It's not just by making stuff,
• 22:04
  dropping on YouTube and then sharing link.
• 22:06
  Please subscribe to my channel. Please share with your friends
• 22:08
  and family members, support my channel.
• 22:11
  It's not like that anyway. 20 minutes.
• 22:14
  So let me bring it to a close. That's all for today, remember
• 22:17
  if you would love to connect then please call, send a message
• 22:20
  or WhatsApp me on 08064662140. Thank you for your time and
• 22:26
  attention. I'll catch you next time.
• 22:28
  Same place in your headphones or in your speakers.