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Phone Tap: Crackdown on the Clapdown · Brooke and Jeffrey: Phone Taps

• 0:00
  Speaker 1: It's Brooke and Jeffrey in the morning, and today we
• 0:01
  Speaker 1: call a woman who's about to attend her very first
• 0:04
  Speaker 1: symphony orchestra concert. She's never been to one before, which
• 0:10
  Speaker 1: gives us the perfect chance to teach her proper orchestra etiquette.
• 0:15
  Speaker 2: Because we're the people for that.
• 0:16
  Speaker 1: Yes, just like when you go anywhere like a bowling alley,
• 0:19
  Speaker 1: there's certain rules that you have to follow, new proper shoes,
• 0:22
  Speaker 1: respect other bowlers. The symphony also has some very strict
• 0:26
  Speaker 1: policies regarding applause. Ah, and if she can't follow them,
• 0:31
  Speaker 1: she may not be orchestra worthy. In your phone tap
• 0:34
  Speaker 1: right after this.
• 0:35
  Speaker 2: Brooking Jeffrey's phone tap on the twenties, Oh hello, I'm
• 0:41
  Speaker 2: looking to speak with Bethany.
• 0:43
  Speaker 1: This is she who's calling.
• 0:45
  Speaker 2: Please, Oh lovely, my name is Gloria Tuttenheim. I'm calling
• 0:48
  Speaker 2: from the Symphony and Orchestra. And we notice you purchased tickets.
• 0:54
  Speaker 2: Uh yeah, my husband dead. Oh how wonderful. Well, we
• 1:00
  Speaker 2: deeply appreciate your contribution to supporting the symphonic arts. I've
• 1:04
  Speaker 2: billy never gone before, so I'm kind of excited to
• 1:06
  Speaker 2: see what it's really all about. Oh see, that was
• 1:09
  Speaker 2: going to be my next question, because your name didn't
• 1:12
  Speaker 2: pop up as a prior attendee.
• 1:14
  Speaker 1: Yeah, this meant first time.
• 1:16
  Speaker 2: My husband's a big fan. I just I said I'd
• 1:19
  Speaker 2: go with him sooner or later, and I am listen.
• 1:21
  Speaker 2: That's a lot of words. This all does have me
• 1:24
  Speaker 2: a little concerned. I don't understand about what. I don't know.
• 1:28
  Speaker 2: If you've heard about this then it was in the
• 1:30
  Speaker 2: newspaper recently, the crackdown on the clap down. No, I
• 1:35
  Speaker 2: haven't heard of that. About three weeks ago, we also
• 1:38
  Speaker 2: had a new b attend and after one of the
• 1:41
  Speaker 2: musical interludes, they clapped inappropriately. What and it disrupted the
• 1:46
  Speaker 2: entire set for clapping, Yes, for clapping. We had an
• 1:51
  Speaker 2: obo player walk off crying, and the triangle player has quit.
• 1:54
  Speaker 2: The industry refuses to triangulate. My god, really, Yes, I
• 1:59
  Speaker 2: didn't know clap I think could throw them off.
• 2:01
  Speaker 1: I thought people clapped at these shows all the time.
• 2:03
  Speaker 2: Well they do, but you have to know the right
• 2:06
  Speaker 2: moment to give your manual ovation.
• 2:09
  Speaker 1: But now I'm thinking I shouldn't clap.
• 2:12
  Speaker 2: I don't want to throw anybody off. Oh that would
• 2:16
  Speaker 2: be another terrible mistake, especially where your seats are you'll
• 2:20
  Speaker 2: be close enough to the woodwinds where they can see you,
• 2:22
  Speaker 2: and if they feel underappreciated, they could walk off as well. God, well,
• 2:27
  Speaker 2: that's why I'm here to help you. We're going to
• 2:29
  Speaker 2: do a clap role play over the phone, just to
• 2:32
  Speaker 2: make sure you're ready. I don't understand what am I
• 2:34
  Speaker 2: supposed to do. Well, I'm going to play a little
• 2:36
  Speaker 2: music and when it stops we'll hear what your response is? What? Okay?
• 2:50
  Speaker 2: And we needed you? There? Bet? That was your cue?
• 2:56
  Speaker 2: What have we been talking about? I don't know the rules? Yes,
• 3:01
  Speaker 2: that is obvious. Bean. Now the violinist has given you
• 3:04
  Speaker 2: side eye and it's probably ruined his night and he
• 3:06
  Speaker 2: could shame spiral after the show. Yeah, that seems a
• 3:09
  Speaker 2: little dramatic. I thought we were just practicing arts. Is dramatic?
• 3:13
  Speaker 2: Let's go again? Do I do it now? Hello? No? No? No?
• 3:27
  Speaker 2: Did I do it right? I just needed two gentle
• 3:30
  Speaker 2: collaps there? Why did you do four? Oh? Sorry?
• 3:34
  Speaker 1: Is there a guide or something I.
• 3:36
  Speaker 2: Can follow or beany That's what we're doing now. I'm
• 3:39
  Speaker 2: instructing you pay attention. I need something like that I
• 3:42
  Speaker 2: can read. Are you sure you're wanting to attend the symphony.
• 3:46
  Speaker 1: I don't no anymore. This is getting very complicated.
• 3:50
  Speaker 2: It's music. I thought you just sit back and enjoy
• 3:53
  Speaker 2: the music. Rule. This is a symphony, not a limp
• 3:57
  Speaker 2: biscuit concert. Oh my god, why focus? I am trying
• 4:02
  Speaker 2: really hard. I just don't know what to do. Remember
• 4:05
  Speaker 2: two soft claps like a polite door knock from a
• 4:08
  Speaker 2: shy ghost. What and here we go? What am I
• 4:13
  Speaker 2: supposed to do? Is it now?
• 4:19
  Speaker 1: Uh?
• 4:22
  Speaker 2: Okay? Okay? Was that right? Did I mess it up? Well?
• 4:26
  Speaker 2: I will say a little amateur sounding. I don't know
• 4:30
  Speaker 2: what I'm doing wrong. I'm sorry. Well, maybe you can
• 4:33
  Speaker 2: answer me this. How many claps should you give following
• 4:36
  Speaker 2: a prank phone call?
• 4:38
  Speaker 1: What?
• 4:38
  Speaker 2: It's zero, Bethany, no clapping, just laughing.
• 4:43
  Speaker 1: This is a plank call.
• 4:44
  Speaker 2: You're actually on the radio right now with Brig and
• 4:46
  Speaker 2: Jeffrey in the morning. Bethany, your husband set you up out.
• 4:52
  Speaker 2: Tom said that you're a little nervous because you've never
• 4:54
  Speaker 2: been to the symphony before, so we wanted to get
• 4:56
  Speaker 2: you ready. Oh my god, that poor oval. I already
• 5:00
  Speaker 2: stopped because somebody clapped wrong. And what you did to
• 5:04
  Speaker 2: that violinist. We won't even speak a P. Please forgive me,
• 5:11
  Speaker 2: brook In Jeffrey's phone taps on the twenties