Latest / Two Cents: We See Scary Movies / The Black Demon (2023) – Killer Shark, Ancient Curse, and a Movie That Made Talon Dumb | Two Cents Podcast

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The Black Demon (2023) – Killer Shark, Ancient Curse, and a Movie That Made Talon Dumb | Two Cents Podcast · Two Cents: We See Scary Movies

• 0:00
  Welcome to two Cents. We see Scary Movies, the podcast
• 0:03
  where we dive into horror films 1 theme at a time.
• 0:05
  And since we're in the middle of terror in the deep, naturally we
• 0:08
  ended up on an oil rig with a giant shark because why drown in
• 0:12
  water when you can drown in corporate corruption?
• 0:14
  First, I'm Talon, the one who would absolutely fall for the
• 0:17
  free boat ride pitch it's stranded on the rig and then try
• 0:20
  to make friends with the shark just to avoid small talk with
• 0:23
  the oil execs. And with me is Dan, who would
• 0:26
  see a prehistoric megalodon circling the rig.
• 0:29
  And immediately, I think, finally, something less
• 0:31
  terrifying than running into my ex.
• 0:34
  This week we're talking The Black Demon, a movie that
• 0:37
  reminds us that the ocean isn't just out to kill you, it's
• 0:40
  unionizing with big oil to make sure it really sticks.
• 0:50
  It's all you, Dan. The movie opens up with, like, a
• 0:54
  really fast overhead shot of the water.
• 0:57
  Yeah, and overlaid, they're giving a tale of a legend of of
• 1:04
  gods and demons this particular island believes in.
• 1:08
  I didn't actually look up to see if talaq.
• 1:12
  I think that's how you pronounce it.
• 1:14
  They pronounced it, they pronounced it a million times
• 1:18
  and and the weight like trying to get them to say it correctly.
• 1:21
  Talaq or something like that. Talaq.
• 1:24
  It's almost my name. It is.
• 1:28
  So I didn't look up anything about it.
• 1:30
  I didn't see if there was any truth in the idea that they
• 1:34
  believe in that. So they're just giving like a
• 1:36
  little brief synopsis of what this God did and what he does
• 1:41
  and why he's angry. I didn't write it down.
• 1:43
  I wasn't going to read it all. I mean, if you guys don't.
• 1:45
  Watch it. It is a.
• 1:47
  It is real. Well, it is.
• 1:49
  It's a. It's a.
• 1:51
  It's a. It's a real belief.
• 1:52
  Right. Yeah, yeah, yeah.
• 1:53
  So he's the Aztec rain God and nature deity, according to
• 1:58
  Britannica. And he's the God of rain storms
• 2:02
  and fertility, vital for agriculture and crop growth.
• 2:05
  OK, they did mention that throughout the movie, just not
• 2:08
  the destiny. Use the word fertility.
• 2:10
  They just seem to be a giver of life.
• 2:12
  Yeah, Giver of Life and a lot about rain, 'cause there's
• 2:15
  something about that later on I figured out, but yeah.
• 2:18
  Yeah, so that's how it starts. It gives like a little synopsis
• 2:22
  of that. It's night time and there's two
• 2:24
  men in a small boat at the oil rig and they're just kind of
• 2:27
  shooting the shit with each other.
• 2:29
  You know, the younger guy is making fun of the older guy,
• 2:32
  which I believe his name was Nacho, making fun of how old he
• 2:35
  is, but then complimenting how experienced he is.
• 2:38
  Like he's glad that he's there. And they're all speaking in
• 2:41
  Spanish at this point. The movie is in English, but
• 2:43
  this part they're speaking in Spanish because the oil rig is
• 2:46
  in a Spanish speaking town. I had to go out because I
• 2:50
  thought, oh, I picked the Spanish version, and then I
• 2:53
  realized, Oh no, no, they're just speaking Spanish.
• 2:55
  Yeah, I did. I did that too because I was
• 2:57
  messing with the the subtitles. So I just wanted to make sure
• 3:02
  that if it was subtitled that everything was on correctly.
• 3:04
  And then later it's like, oh, it's this is in English.
• 3:08
  Oh, the version I watched. Their subtitles were often
• 3:11
  incorrect. They they didn't, Yeah, they
• 3:13
  have the wrong words for what they were saying.
• 3:15
  And it was super funny because there were parts that were like
• 3:18
  in where it was intense, like the shark is coming and it's
• 3:22
  intense. And whoever wrote these
• 3:25
  captions, because it'll always tell you what type of music it's
• 3:28
  playing. It's intense music.
• 3:30
  If it's whatever and it said, what was it hold?
• 3:32
  On I, I think I know what you're talking about, there was a part
• 3:36
  where the shark was coming at someone and it was like really
• 3:40
  creepy music. But in the in the subtitle it
• 3:43
  said oh sentimental music. Yes, sentimental.
• 3:45
  I was sympathetic was in my head.
• 3:47
  I was like, no, it was a sympathetic music.
• 3:50
  It was sentimental music. I was like sentimental music.
• 3:55
  So Nacho tells the the younger guy to shut up and he prepares
• 3:58
  and he dives in the water and we see ominous murky water and
• 4:02
  because this oil rig is leaking oil, so you see like just all
• 4:06
  this murkiness and just clouds everywhere.
• 4:09
  I'm a dummy. I thought for the first like
• 4:11
  part of this movie first, like probably first half of the
• 4:15
  movie. I thought that was blood.
• 4:17
  The whole time I was like my God, how is there still blood in
• 4:22
  this fucking water? What the hell?
• 4:30
  What? People, is it eating?
• 4:32
  Right. Anyway, the older guy swims down
• 4:36
  towards one of the supports on the rig, the guy on top of the
• 4:39
  water, he lights a cigarette and then he throws the match in the
• 4:41
  water and it ignites a little bit of the surface oil.
• 4:45
  Now with the amount of oil that was there, that was a very small
• 4:49
  fire. Yeah, well, to me I was like,
• 4:51
  damn, I didn't know blood burned like that.
• 5:01
  No, actually this is what I was like.
• 5:03
  This is what I thought. Oh, there must be an oil.
• 5:14
  OK, so he throws the match in the water and it ignites a
• 5:18
  little bit of the surface oil and he recognizes it right away
• 5:22
  because he sees the flickering of the fire and he quickly like
• 5:25
  looks around and he starts trying to put the fire out and
• 5:28
  then we're underwater again. As Nacho is going further down
• 5:32
  towards the one of the supports. He sets a bomb to go off in 2
• 5:36
  weeks. So I'm not, I'm not really sure
• 5:38
  why two weeks because. Well it's it's stated this was.
• 5:43
  I missed that part of it. I didn't realize he's the one
• 5:46
  that put the bomb on the rig. They do explain later why it was
• 5:50
  that amount of time. Did they?
• 5:52
  I think I may have missed that explanation.
• 5:54
  If we get to that, if we get to that point, if, if we ever make
• 5:58
  it. We're only three minutes into
• 6:01
  this podcast. We might make it.
• 6:09
  When we when unless somebody knows something that's going on,
• 6:13
  or maybe I do and I don't realize it.
• 6:15
  When we get to that part, it's way near the end when they
• 6:18
  explain why it's the time it is. OK because I know they explain
• 6:23
  why they sent it I just didn't catch why they sent it for that
• 6:26
  long. But anyway.
• 6:28
  So Nacho sets the bomb to go off in 2 weeks.
• 6:31
  As he pulls away, he gets sucked into like this weird spot, like
• 6:37
  just like violently gets pulled and all of a sudden like he's in
• 6:40
  a in a brighter spot than what he was.
• 6:42
  It's a little bit more clear. There's no oil, there's no rig,
• 6:45
  there's nothing. He's just like in this spot and
• 6:48
  he becomes Aquaman because he's like touching the fish and and
• 6:52
  they're coming right up to him. Yep, he touches the bottom of a
• 6:56
  jellyfish, which really would have stung his ass, but you
• 7:01
  know, everything's all funky and great.
• 7:03
  The camera pulls back and he's actually still in the dingy
• 7:07
  water, but he's completely unaware, almost like he's stuck
• 7:10
  in that spot, like he's just not really moving.
• 7:13
  And then again, it's like a first person view and the
• 7:15
  cameras like going up really fast up to him and he gets
• 7:19
  attacked. You hear him scream and that's
• 7:21
  it. Right, right.
• 7:23
  That whole thing, it took me a while to figure out what all of
• 7:27
  that was because they do explain that as well much later on.
• 7:31
  But there were a couple of this happens a couple of times, like
• 7:34
  two or three times. And the first couple of times I
• 7:37
  was like what? Especially the next time it
• 7:39
  happens. So when we get to that, I'll
• 7:41
  I'll share my thought on what I thought at the time.
• 7:45
  I was like, what the fuck? Anyway, go ahead.
• 7:49
  So this scene transition is pretty quick.
• 7:51
  The, you know, the guy gets attacked, he screams and then
• 7:54
  would jump back to the young guy on the surface and he doesn't
• 7:57
  hear anything, but he just kind of feels like something's wrong
• 8:00
  because he's just kind of like looking around.
• 8:02
  And we go back underneath and we see the old guy.
• 8:05
  He's surrounded by blood and he's screaming underwater.
• 8:08
  Oh, that was blood. I thought it was oil.
• 8:16
  So the young guy's trying to radio to him and he's getting
• 8:18
  nothing and he all of a sudden feels the boat move a bit
• 8:21
  unnaturally. He turns his underwater lights
• 8:24
  on and he feels something bump underneath.
• 8:28
  And he looks in the water and we're back in the first person
• 8:30
  view of what appears to be a shark's mouth because the
• 8:33
  cameras like set behind and you see like a shark teeth around
• 8:37
  around. The camera moves towards the
• 8:40
  boat and jumps out of the water and we hear the man scream.
• 8:43
  So from there we cut to a bright, nice sunny day.
• 8:46
  Beautiful music is playing. We see a car driving down the
• 8:49
  road and there's a family in there.
• 8:51
  We don't know this yet, but Paul the father and this is the
• 8:55
  mother, Tommy's the son and Audrey's the daughter.
• 8:59
  Yes. I already don't like Paul.
• 9:02
  I don't know why, He's just got a face I don't like.
• 9:06
  Why? Because it didn't match the
• 9:07
  other faces. What's that?
• 9:14
  What's that reference? Paul is white, as white as can
• 9:17
  be. And the rest of the family, well
• 9:19
  Ennis is Spanish and the other two are obviously mixed.
• 9:22
  So they all have like a Tanner complexion than Paul.
• 9:26
  Paul just seems like a douche to me.
• 9:28
  Well, I will say this about because that's Josh Lucas.
• 9:32
  Is that his name? Yeah.
• 9:33
  I did not like his acting in this movie at all.
• 9:37
  I should probably say this for the end, but I just since we're
• 9:40
  talking about it, I liked him and other I've liked.
• 9:43
  He's a ROM com guy. He you know, he was what sweet
• 9:45
  home Alabama. I liked him and that I mean he's
• 9:47
  but whatever he in this movie, everybody else was fine, but his
• 9:51
  acting in this movie drove me crazy.
• 9:54
  I did not like it. It came off so fake like like
• 9:59
  he, I don't know if it was over acting or under acting or if it
• 10:02
  was acting. I don't know what it was, but I
• 10:04
  did not like it at all and I don't and I like him.
• 10:07
  I like him as an actor but didn't like him in horror is not
• 10:10
  his genre. Yeah, and, and maybe this
• 10:12
  particular type of character isn't his either, you know,
• 10:16
  because as we learn more about him, you know, maybe he's just
• 10:19
  not good at playing that type of character.
• 10:21
  Yeah. So the family's having a good
• 10:23
  time. They're joking with each other,
• 10:24
  laughing, you know, whatever. Everybody's excited except for
• 10:27
  Audrey. Audrey, she's hating on
• 10:29
  everything because she's 15 years old.
• 10:31
  So, you know, everything sucks. I'm just dressed like a little
• 10:34
  pirate, you know? And so he's kind of getting into
• 10:36
  that whole little, little vibe. And they stop at the gas
• 10:40
  station. And as they're approaching, Paul
• 10:43
  goes into the story about how he started with his company called
• 10:46
  Nixon Oil. Around that time, he met on his
• 10:50
  his wife, and that's when they got together, got pregnant, got
• 10:54
  married. So now they they stopped at
• 10:57
  another spot. And Tommy's using his telescope
• 11:00
  and he's looking out at the water and he looks at the rig
• 11:02
  and he asks his dad if that's it.
• 11:04
  And Paul's like, yeah. And he starts discussing, like,
• 11:07
  the job and what he has to do. And I just got to go inspect it
• 11:11
  and, you know, verify if it needs to be decommissioned or
• 11:14
  not. And then this asks Paul if he
• 11:16
  made reservations at the hotel. And like a loser, he says no.
• 11:19
  She gives him a dirty look. Tom is like, oh, you're in
• 11:22
  trouble. He's like, oh, I just figured
• 11:24
  we'd get a room when we got there because it may not be that
• 11:27
  busy. So as they're driving through
• 11:29
  the continuing to talk about a hotel and restaurant, there was
• 11:32
  one that Paul was looking forward to seeing.
• 11:34
  But as they're driving by, it looks rundown.
• 11:37
  There's graffiti all over the place.
• 11:39
  I was like, I wonder what happened to this place?
• 11:42
  We find out later. But driving through and the
• 11:45
  remaining residents are just like staring at them, walking
• 11:48
  like as if you're like in the bad neighborhood, you know, and
• 11:51
  everybody's just like staring at you, like, you shouldn't be here
• 11:55
  because we're going to fuck you up if you stay too long.
• 11:57
  That's kind of like what they're looking like this kids in the
• 12:00
  street, dogs are starving, running around.
• 12:02
  They're they're out of the car. At this point.
• 12:04
  Audrey's looking at an old picture of a hotel on her phone
• 12:08
  and she has it held up towards the the building and then she
• 12:12
  lowers it and we see that that same hotel is dilapidated and
• 12:17
  hasn't looks like it's been in use for quite a long time.
• 12:20
  Paul makes the comment of oh, I should have called 1st.
• 12:23
  And this is like, yeah, you're right.
• 12:24
  So he sees a guy scaling a fish. He approaches him and starts
• 12:29
  talking to him. He's like, hello, hello.
• 12:31
  You know, you speak English and he says it like a few times.
• 12:33
  There's a group of guys off to the side.
• 12:36
  There's like 4 of them. One of them is like, yeah, he
• 12:38
  can't speak English. In fact, he doesn't speak at
• 12:41
  all. None of the guys over there look
• 12:44
  pleasant. They don't look friendly at all.
• 12:46
  They question Paul about what he's doing there and he's like,
• 12:49
  well, I'm just vacationing with my family.
• 12:51
  The man, which we find out later is named El Rey, says that
• 12:54
  that's bullshit because this isn't a place for vacationing.
• 12:57
  Are you an oil man? Paul's like, yeah, I work for
• 13:00
  Nixon Oil. Have you heard of us?
• 13:02
  Then he arrogantly states, we practically built this town
• 13:05
  right there is like, I knew there was.
• 13:07
  Just why we didn't like him, you know, because that would be a
• 13:12
  fairly arrogant thing to say to me.
• 13:14
  And so El Rey looks up with some ominous music playing, and he
• 13:18
  stands. And that's the thing.
• 13:19
  Like, I'm not going to get too much into the music on this one
• 13:22
  because almost every single time it's ominous.
• 13:24
  Except for that, unless it's that one little happy time with
• 13:28
  the family. Everything else is ominous,
• 13:30
  mislabeled as sentimental, but it's ominous.
• 13:33
  That's. Sentimental, ominous music.
• 13:39
  So as David the man looks up, El Rey looks up with the ominous
• 13:42
  music playing. He stands up and he tells Paul
• 13:45
  to take a look around. He's like, are you proud of your
• 13:47
  work? And this comes in and saves the
• 13:49
  day. She starts speaking Spanish to
• 13:52
  El Rey and he's introducing the family.
• 13:55
  El Rey does not look very interested at all.
• 13:57
  He looks like he wants to gut everybody with a fish like a
• 14:00
  fish rather not with a fish. But he's absolutely not
• 14:03
  interested in in learning about the family like he.
• 14:06
  He just wants them gone. At this, Paul and El Rey are
• 14:09
  just standing there staring at each other as innocent speaking.
• 14:12
  And she ends up asking El Rey, you know, if he has kids and
• 14:15
  understands, you know, because they're just trying to take the
• 14:17
  kids on vacation and bring them to their roots and everything.
• 14:21
  And that's when El Rey looks at her.
• 14:23
  She gives them some money. And he's like to help your
• 14:25
  community and could you please help us find a cafe?
• 14:28
  She says all of this in Spanish, and then Paul looks at him kind
• 14:32
  of sarcastically. Please, yeah, it's like, God
• 14:36
  damn it, I wish this man were to get gutted.
• 14:37
  So El Rey sighs and he takes the money and it's gets the kids now
• 14:41
  they're walking through town. I don't know why they didn't
• 14:44
  take the. Car, that's what I said I was
• 14:46
  like they're going to leave their car there.
• 14:47
  Are they? Are you kidding me?
• 14:49
  Right and. And it's quite a distance away
• 14:51
  from where they're going to be. Yeah.
• 14:54
  And so that as they're walking through town we're seeing more
• 14:57
  bad parts and how bad the town really is and how desolate it
• 15:01
  is. So on their walk they end up
• 15:03
  seeing a four headed idol with various trinkets like all around
• 15:07
  it. Tommy asks what it is.
• 15:09
  Paul's like oh I've never seen this here before.
• 15:11
  Asks why it's there. Oh Ray says it's for protection
• 15:14
  and he puts the money in an offering cup.
• 15:16
  Tommy sees a little trinket and he decides to steal it, but he
• 15:20
  leaves a stickers bar. Indiana Jones style.
• 15:22
  Yeah, yeah. And, and, and I'm assuming what
• 15:25
  his thought process was is if Tulak is doing all of this,
• 15:29
  maybe a Snickers bar will help calm him down like the
• 15:32
  commercial suggests. You're angry, dude.
• 15:36
  Angry. Right.
• 15:37
  Maybe this will help and we see various other items like all
• 15:43
  around and you hear like a weird whispering.
• 15:46
  It's about the money though, because I was like, really?
• 15:48
  Does this idol, does it really care about money?
• 15:50
  Does money mean anything to it? It's just paper at this point.
• 15:54
  Like why does it care about money?
• 15:56
  Right, it's paper. Paper and ink to them.
• 15:58
  What? Is it going to do with that?
• 15:59
  Right, they arrived to their their destination and Paul asks
• 16:04
  El Rey, what do you meant by protection?
• 16:06
  He stays from El Dimino or or Demonio.
• 16:09
  That's what it's Demonio. Paul repeats it same way and
• 16:12
  he's like, oh, the demon Tommy runs over and gives El Rey his
• 16:17
  own pirate patch. El Rey just stares at him, takes
• 16:20
  it, is just glaring. They walk off and he's just just
• 16:24
  holding in his hand, staring, and Paul is talking.
• 16:27
  I was like, oh, that was really nice of you.
• 16:28
  That that was really sweet of you.
• 16:30
  Well, The funny thing about that, that scene was El Rey has
• 16:34
  a very distinct scar on his eye. I was like, oh, coming off a
• 16:38
  little rude. Right, right.
• 16:41
  You know, and maybe that's why he was looking at him like, what
• 16:44
  the fuck kid kind of injurist. Yeah, how injurist of you.
• 16:54
  So next thing we see, Paul's on the phone.
• 16:56
  He's like, yeah, yeah, OK, OK, I'll, I'll do it right now.
• 17:00
  And Innis is standing that they'll try to find another town
• 17:05
  to go to and asked Paul what's going on.
• 17:07
  And he says the company is on his ass about doing the
• 17:10
  inspection faster and says he'll go now and he'll be back before
• 17:13
  dawn. He asked her to book them in a
• 17:16
  nice hotel. Andre is upset that they have to
• 17:18
  stay there. Tommy makes fun of her for being
• 17:21
  upset. Paul says it'll only be a few
• 17:23
  hours. You know, he's just going to go
• 17:25
  out and back, which I don't know how that was going to be because
• 17:29
  the way they make the oil rig look and how far it is, Yeah, it
• 17:33
  looks like it's just going to be a few hours just to get there.
• 17:35
  Right, yeah, because he had he even as we know later you'll
• 17:39
  you'll bring it up. He had just even like halfway
• 17:42
  through switch boats like right. What?
• 17:44
  I was like, this seems like really it takes half a day to
• 17:46
  get to this fucking rig. I mean, it's what it seemed like
• 17:49
  also the rig. It was confusing because, OK,
• 17:52
  they called the they called the thing they were being protected
• 17:54
  from. What again?
• 17:56
  Al Demenio. And the name of the rig is El
• 18:01
  De, it's very similar. Yeah, it's very similar
• 18:04
  sounding. It's like della Mento or
• 18:07
  something. Yeah, something like.
• 18:08
  That I was like, did they name the rig the demon too?
• 18:11
  Or is it kept coming up on the, you know, subtitles?
• 18:14
  And I was like, oh, that's really close in name, but which
• 18:18
  I thought was strange. I was like why did they make it
• 18:20
  so similar? Right, so and it's asked him how
• 18:22
  I was going to get there and he's like all the company has a
• 18:25
  boat set up for me in the harbor.
• 18:27
  I was like, ah, can I go like every annoying kid does.
• 18:29
  He says no, I like kids, but sometimes they can.
• 18:32
  Assholes. Right.
• 18:34
  I do, I do. And, and sometimes kids can be
• 18:37
  assholes and annoying and that's what Tommy was being right now.
• 18:40
  I mean, I remember being a kid and being an asshole and
• 18:42
  annoying too so. Absolutely.
• 18:44
  I mean, I'm paying for being an asshole.
• 18:47
  So Tommy asks if he can go and Paul says no.
• 18:50
  At that point we see a couple guys back there.
• 18:52
  We hear some coughing and Paul and Innis look over, but you
• 18:56
  don't see the guys at that point because Paul's big ass head is
• 18:58
  in the way. But he tells her not to worry,
• 19:01
  everything was going to be fine. Tommy's like, Oh yeah, the
• 19:03
  people around here have bigger problems to worry about.
• 19:06
  Paul's like, what was that mean? This is when he's trying to say
• 19:10
  to lock. Yeah, but he's saying it to lock
• 19:13
  and Paul is saying well lock and in.
• 19:16
  This corrects them both in states.
• 19:17
  It's to lock. Yeah.
• 19:20
  Tommy says it's the creepy God painted around town to give more
• 19:24
  context for Paul. Paul is just explaining that's
• 19:28
  their culture, that's what they believe.
• 19:30
  Just kind of dismissing it a little bit.
• 19:31
  He's watching Tommy on his little tablet and he comes over.
• 19:36
  He's like, back in the day, pirates didn't have the
• 19:38
  Internet. And he's like, let's put this
• 19:40
  away for a little bit. And and this agrees.
• 19:43
  I don't know how that kid had the Internet anyway, where they
• 19:45
  were. I know, I know.
• 19:47
  I don't understand either. Yeah.
• 19:49
  They look he barely had power. Right.
• 19:51
  Paul looks at Audrey and Mouse. Be nice.
• 19:54
  She's like, OK. He says his goodbyes.
• 19:57
  He pays the bartender as he's leaving to say, you know, hey,
• 19:59
  keep an eye on my family. So he walks down to the harbor,
• 20:02
  and he talks to the harbor master.
• 20:04
  And the harbor master is just looking at him.
• 20:06
  And he's like, yeah, I'm Paul, wherever his last name was.
• 20:09
  I work with Nixon Oil. And the harbor master is like,
• 20:11
  Oh yeah. I was expecting you, your boats
• 20:14
  down there waiting for you. And Paul's like, hey, can you
• 20:17
  radio the rig, let them know that I'm coming?
• 20:20
  However, mess is like, oh, yeah, no problem.
• 20:23
  And Paul starts walking down. And as Paul is like coming into
• 20:28
  the window view, the Harbor master picks up the mic.
• 20:31
  And then he puts it back down. Yeah, I don't know why that, why
• 20:34
  that was significant, like why he did that.
• 20:37
  Yeah, there's this. He was, explains it.
• 20:39
  Right. He was out of his view or
• 20:40
  anything. Well, like why he did that?
• 20:44
  Like why? Why didn't he let the people on
• 20:45
  the rig know that the guy was coming?
• 20:47
  Like what was the point of that? Like they don't really explain
• 20:49
  why that guy doesn't tell them. Because they already knew he was
• 20:51
  going. Because remember this whole,
• 20:54
  this whole setup was for Paul to get out onto the.
• 20:57
  Rig Yeah, yeah, yeah, but they. So Al Ray knew who he was, the
• 21:04
  harbor master knew who he was, the guy on the boat know who he
• 21:07
  was. The guys on the rig knew he was.
• 21:10
  I mean, of course we're spoiling it for our viewers, all 5 of
• 21:16
  you. Three of them being me.
• 21:28
  Because he ends up pulling a picture of Paul out of the
• 21:31
  calendar and he tears it up. Who does?
• 21:33
  The harbormaster because he had a picture of Paul up up in the
• 21:36
  calendar and he pulls it down and he ends up tearing it up.
• 21:39
  Well, that's what that was. Yeah.
• 21:41
  So it looks like that everybody was in on or paid to do all of
• 21:46
  this to get him out to the ring. If I still don't understand why
• 21:49
  he didn't, I mean, if the guys knew he was coming, he could
• 21:51
  have been like, OK, he's on his way.
• 21:53
  I don't. I mean, I get the ominousness of
• 21:56
  ominousness. Is that a thing?
• 21:57
  Or the sentimentalness, yeah. Sentimentality of it all.
• 22:02
  I was having a hard time keeping it together at this point.
• 22:04
  But yeah, I mean, I don't know, it just, it was such a weird.
• 22:08
  I'm like, OK, because he made it, you know?
• 22:10
  Of course, as he was standing there, he might look like he was
• 22:12
  going to pick it up and and call in, but as soon as he turned and
• 22:14
  walked away, he put it back down.
• 22:15
  Like, I'm not calling it in for this motherfucker kind of thing,
• 22:18
  but it's like, all right, Is that the only reason?
• 22:19
  Like, I don't know. Anyway.
• 22:21
  Yeah. I mean, I think it's just
• 22:22
  because they all knew that he was going to be there because
• 22:24
  most likely where they were pushing him to be, like where
• 22:27
  the company was pushing him to be out there, there, they
• 22:30
  probably all had to set up at a certain time.
• 22:32
  It's just like, hey, you know, you don't have to worry about
• 22:34
  it. Everybody else is already going
• 22:35
  to know. That's what I'm thinking.
• 22:37
  But I, but I also agree they could have said, hey, he's on
• 22:39
  his way, be prepared. But I don't know.
• 22:42
  I I think they just did that just to make it look more like
• 22:45
  we know what's happening. Yeah, I guess that's basic,
• 22:48
  Basically just for viewers to see that there's something weird
• 22:52
  there. Right.
• 22:52
  So Paul walks over to the boat guy, and which I don't know if
• 22:56
  the character's name was actually this or not, but in the
• 22:59
  subtitles or or the X-ray or whatever, like when you pause
• 23:02
  it, the guy's name was Chocolito.
• 23:05
  Yeah. So I mean I.
• 23:08
  Didn't really that was his name because I saw it in the X-ray
• 23:11
  and I was like, his name was Chocolito.
• 23:14
  I mean I am not well versed on Spanish names.
• 23:18
  I am as white as white can be so I don't really understand.
• 23:21
  I I don't know many alternate Spanish names other than the
• 23:25
  common ones, so I don't know if Chocalito is like a legit name
• 23:31
  or if that's just like a nickname forum or.
• 23:34
  Sounds a lot like chocolate. Right.
• 23:36
  Yeah, so, so Chocalito's like, oh, yeah.
• 23:42
  And, and Paul's like, yeah, I think you brought me up there a
• 23:45
  couple years ago. He's like, oh, yeah, yeah, yeah,
• 23:47
  yeah. Paul jumps on the boat while the
• 23:49
  guy is like trying to push it out.
• 23:51
  Paul's like, oh, you got this. He's like, yeah, I'm just
• 23:53
  waiting for a wave. Paul could have been nice and
• 23:56
  try to help out because, I mean, that boat was pretty far.
• 23:59
  It was a land. Yeah, it was a decent sized boat
• 24:02
  too. Right.
• 24:03
  I mean, it was a it was a good sized motorboat.
• 24:07
  And and again, another reason why I didn't like Paul is
• 24:10
  because he seems to be expecting everybody else to do shit for
• 24:13
  him. You know, Paul's asking like,
• 24:16
  what's going on in the town and and where did everybody go?
• 24:19
  And Chocolito says things are really bad and that the demons
• 24:23
  woken up. Paul dismisses that whole thing
• 24:26
  that because Paul is like completely like, you know, yeah,
• 24:28
  I don't believe in demons. All this stuff is like hogwash.
• 24:31
  Some time passes, it brings the camera up to the sky.
• 24:35
  It's bright. And then it turns like somewhat
• 24:38
  darker and some time has gone, they're approaching a dock and
• 24:42
  it has a different boat. And Paul's like, why are we
• 24:44
  stopping? And Chocalito's like, oh, bad
• 24:47
  vibes. And Paul's like, what do you
• 24:49
  mean bad vibes here? I have more money.
• 24:51
  And Chocalito's like, Nah man, I'm good.
• 24:54
  Yeah. I was like, I can't go any
• 24:56
  further. He's like, have this on the
• 24:57
  boat. It's all ready for you.
• 24:59
  And he starts it. And Paul's like, completely
• 25:01
  annoyed, but he gets in the boat.
• 25:03
  He's like, you know, there's no cell service out there.
• 25:05
  And chocolate was like, well, there's a radio.
• 25:07
  Paul's like, never mind, I'll get myself back.
• 25:10
  Paul's like, oh, thanks for nothing.
• 25:11
  And chocolate was like, oh, you're welcome.
• 25:13
  I think they tried to pepper some funny moments into this,
• 25:16
  but it didn't come across as being funny because I think that
• 25:20
  whole, you know, Paul, thanks for nothing.
• 25:21
  And then chocolate was saying, oh, you're welcome.
• 25:23
  With a smile on his face. I thought that that was supposed
• 25:25
  to bring some levity to the movie, but it failed because of
• 25:30
  the sentimental music in the background.
• 25:37
  It's a very sad goodbye, but Chuck Alito came off to me as
• 25:43
  he's just a very happy, optimistic kind of guy.
• 25:47
  He had that kind of energy about him.
• 25:49
  So he's like, oh, you're welcome.
• 25:50
  Like, it didn't even dawn on him the guy was being an ass.
• 25:53
  Yeah, yeah. But.
• 25:55
  Yeah, the sentimental music part really got me.
• 25:57
  So I was, I was torn. Yeah.
• 26:00
  Yeah. I laughed.
• 26:02
  I cry. Right, exactly.
• 26:04
  You just don't know. So Paul goes to the rig in his
• 26:07
  annoyance and Chocalito says a prayer for him because at first
• 26:11
  he's got a big smile on his face.
• 26:13
  And then as Paul gets a little further away, you know, he gets
• 26:16
  all frowny face and does the whole, you know, father, son,
• 26:19
  Holy Ghost, kiss the the thumb thing.
• 26:22
  Now we're back at the cafe, where Tommy is surprisingly back
• 26:26
  on his tablet. It didn't take that long.
• 26:30
  At this point I'm thinking he's a bad kid for doing it and he's
• 26:32
  probably the one that summon the demon because he's pissing
• 26:35
  people. Off technology.
• 26:37
  Right, So he's learning about the various guards of the Aztec
• 26:43
  pantheon, and he's talking about Tulaloc as Innis is looking out
• 26:48
  of the water. And she's like, oh, I feel like
• 26:51
  there's something off. And Tommy's just looking at his
• 26:54
  tablet. He's like, oh, there's no birds.
• 26:56
  And then Audrey looks out, Amos looks out.
• 26:58
  It's like, oh, yeah, there are, there's there is no birds.
• 27:01
  I mean, you at least see seagulls, you know, because
• 27:05
  there's a lot of fishing going on.
• 27:06
  He's a. Very observant child.
• 27:08
  Yes, even though he's stuck on that tablet.
• 27:11
  So he's further talking about Tulaloc, talking about, you
• 27:14
  know, how he controls the rain in the waters and sends
• 27:17
  lightning bolts from the sky and that, you know, he, as you
• 27:21
  stated earlier, he's fertile, but he doesn't use that
• 27:25
  terminology. He just says rages the crops and
• 27:28
  grass and animals and all that stuff.
• 27:30
  Yeah. And then he goes on to say that
• 27:32
  another God stole Tilak's girlfriend.
• 27:34
  So he got mad because he went off with this other God.
• 27:39
  He says at that point, Tilak started ignoring prayers for
• 27:42
  rain because his girlfriend left.
• 27:44
  And Aubrey's like, oh, well, that's a jerk move.
• 27:47
  She's like, that's like Ross cheating on Rachel and Tommy.
• 27:50
  Very angrily says they were on a break.
• 27:54
  Like Jesus Christ, kids, settle down.
• 27:56
  Are you watching Friends? Right.
• 27:59
  I mean, honestly, the age of these kids, why are either of
• 28:01
  them watching Friends? I mean, at this point the
• 28:04
  show's, what, 20 years old? 30 years old?
• 28:06
  And you have like a 15 and a, what, 10 year old watching it?
• 28:10
  I don't think so. I mean, unless Innis is watching
• 28:14
  it and they are catching episodes because of that, but
• 28:18
  yeah. Well the 15 year old I can
• 28:20
  understand but the 10 year old like what the hell is he
• 28:21
  watching this for that he knows this so specifically?
• 28:24
  So again, I think this was one of those moments where they were
• 28:27
  trying to bring some light hearted humor to the movie, but
• 28:30
  again, it fall fell flat because Tom Tommy was a little bit more
• 28:36
  angry than he probably should have been to make it a joke.
• 28:39
  Yeah, he really has written that show.
• 28:42
  Yeah, So he goes potty. There's a few guys at the bar.
• 28:48
  One of them looks over at as Innis is talking to Aubrey.
• 28:52
  He walks over and he starts hitting on her and she's like,
• 28:56
  oh, she's married. And he's like, well, I don't see
• 28:58
  a husband. Are you looking for one?
• 29:01
  He ends up drinking some of their beer and Ennis yells at
• 29:05
  him. He grabs Audrey's arm.
• 29:07
  Ennis tells him to let go as she smashes a beer bottle over his
• 29:10
  head. Now she's holding the man off
• 29:12
  with a broken beer bottle. Tommy comes out of the bathroom
• 29:15
  at this point and you know she rounds up the kids and have them
• 29:19
  go with her. She calls the bartender a
• 29:22
  Bendejo. The guy's friends help him up
• 29:24
  and the family leaves. As they're leaving.
• 29:26
  These guys end up following them.
• 29:28
  I would say that for what happened, these guys are
• 29:31
  following them very slowly. Yeah, like I was like, catch up
• 29:36
  with him. Right.
• 29:38
  You know, because they're not running.
• 29:40
  They're barely even walking fast.
• 29:43
  Right. Maybe they just want to bring
• 29:45
  attention to themselves, although I don't think even in
• 29:46
  town would have stopped them. Right.
• 29:48
  So they they walked that long corridor of St. that where they
• 29:52
  left their car, you know, because again, they were pretty
• 29:54
  far away, you know, considering. But the way the movie was set
• 29:58
  up, they came around that corner a little too quick and they get
• 30:01
  to the car and they see that the tires are slashed.
• 30:04
  Shocker. Right.
• 30:06
  And so they end up running towards the the harbor and they
• 30:10
  see the gentleman who has his own boat.
• 30:13
  I didn't catch the the gentleman's name.
• 30:15
  Yeah, they gave him gave him one.
• 30:18
  Yeah, I don't think so. And so Audrey says, hey, you
• 30:22
  know, we're being followed. And Ennis asks, you know, if you
• 30:27
  if he can take them to the rig as the men are approaching.
• 30:30
  And he's like, no, no, we're we're not doing that.
• 30:33
  And then he ends up seeing the guys.
• 30:35
  He's like, all right, come on. And so he takes off as the four
• 30:39
  guys end up at the dock and they're looking out because,
• 30:43
  like, the guy has blood all over his head and.
• 30:45
  They're with the bottle. Yeah.
• 30:47
  And the four guys are are looking out as looking out on
• 30:51
  the water and then they look over and they see Chocolito with
• 30:54
  the mixed oil boat. And this is the last if we see
• 30:57
  of them. Yeah, we we don't see these guys
• 31:00
  any further. I felt like it was like an
• 31:03
  unfinished plot hole. But at the same time, I guess it
• 31:06
  could have been the end because of the reason why they looked at
• 31:09
  Nixon oils. They probably could have
• 31:10
  understood it's them. Yeah.
• 31:12
  But I feel like that was the whole basis for getting them out
• 31:15
  to the rig, like they had to have some way to get them to go
• 31:18
  out there. Oh.
• 31:20
  True, yeah. So these bad guys are chasing
• 31:22
  them through town. Chasing I I say that with
• 31:25
  quotes, chasing them through town and is how else you know,
• 31:29
  what are the reasons are they going to have to go out to the
• 31:31
  boat other than they feel unsafe?
• 31:33
  I guess so. Yeah, because, I mean, they
• 31:35
  didn't really make any kind of specification that they were
• 31:38
  going to kill Paul's family, but that you're right, I mean, that
• 31:42
  could have been part of it. They just didn't explain that
• 31:44
  part. Yeah, I mean, that was just the
• 31:46
  feeling I got. But no, I mean, it makes sense
• 31:49
  where they were looking at the Nixon oil guy because I thought
• 31:51
  they were going to have him bring them out.
• 31:53
  But then, but then that's like where the whole thing ended, you
• 31:56
  know, for that like that storyline, that's where that
• 31:58
  whole thing ended. So your theory, I think makes
• 32:00
  more sense that they looked at the Nixon oil boat.
• 32:03
  It's like, oh, OK, it's that guy.
• 32:05
  So, you know, they can go off and and do the thing.
• 32:08
  So at this point, Paul is still on the water and but he's he's
• 32:13
  starting to approach the rig because you start seeing huge
• 32:18
  oil blood spills everywhere. Well, this is the Part 2 where
• 32:22
  when he starts going up there 'cause the last scene with the
• 32:26
  oil rig was with the two guys. And of course I didn't notice
• 32:29
  the bomb so I didn't realize it was 2 weeks prior.
• 32:31
  But the the last scene we saw by the rig where the two guys got
• 32:35
  killed by the shark. And when he goes out there and
• 32:38
  he's going through this murky water, that look, and it looked
• 32:40
  red to me. And I was like, Oh my God, their
• 32:42
  blood is still in this fucking water.
• 32:45
  What the fuck? It took me so long, so long to
• 32:49
  figure this out. Yeah, right.
• 32:52
  Even though I saw the guy like the water on fire and I knew
• 32:56
  that was from oil, it just did not register in my brain.
• 32:59
  It happens. So he's he's going through the
• 33:06
  oil spill and as he's approaching the rig he sees like
• 33:11
  a broken air tank and a diving mask and he pulls it out of the
• 33:15
  water and it has dried blood on it.
• 33:19
  My question is, especially where it's been 2 weeks, how is there
• 33:23
  dried blood on a diving mask in the water for two weeks?
• 33:29
  Salt water at that. You got me, man.
• 33:31
  I mean, I just say covered in blood, so I don't know.
• 33:34
  That's true. It wasn't crazy to me.
• 33:39
  Paul finally gets to a spot where he can climb up on the
• 33:42
  rig, and you know, he's talking to himself.
• 33:44
  He's like, where is everybody? He starts yelling out a little
• 33:46
  bit and all you hear is the creaking and the groaning of the
• 33:49
  of the rig and it looks I'm pretty damn abandoned at this
• 33:53
  point. He tries to open up a door and
• 33:57
  it's locked and he's all pissed off and he sees another God
• 34:00
  painting on the wall and he's like oh, corporate won't go for
• 34:03
  this. And he's looking around further
• 34:06
  and he goes into a little cabin where this little Chihuahua and
• 34:11
  starts barking at him. And he's like, oh, are you here
• 34:14
  by yourself? That's the real.
• 34:16
  Demon, right? Yeah.
• 34:19
  And a voice behind him says, Nope, he's not.
• 34:21
  Paul turns around and we see someone standing behind him with
• 34:26
  a machete and crazy eyes. Paul asks, where's Pepe?
• 34:30
  And we don't know who Pepe is. And he just, it's just a man
• 34:33
  that he throws out there. And Junior, which is, OK, so
• 34:38
  Chado is the guy holding the machete.
• 34:40
  And again, we're going to learn this a while later.
• 34:42
  But and then we have Junior, who's his accomplice or
• 34:47
  assistant, protege assistant. And so Junior says, oh, you
• 34:50
  know, Pepe is dead. Paul introduces himself and it's
• 34:53
  like, oh, what's happening? He's like, oh, dude, the
• 34:55
  Hobbermaster call ahead and charter was like, no, radio's
• 34:59
  dead. June.
• 34:59
  He's like, oh, we haven't seen our corporate guy here in a
• 35:02
  while. And they asked how he got there.
• 35:04
  He says the motor boat and that he's alone.
• 35:07
  I don't know how they did this, but because they're in the cabin
• 35:11
  quite a ways away from where where Paul docked and they hear
• 35:16
  the motor of the other boat, like way out in the water,
• 35:21
  right, that has his family. Yeah, but they didn't hear him.
• 35:25
  Again, expansion of reality, but they're asking us to do it a
• 35:29
  little too much. Right.
• 35:31
  Yeah, hear the motor and you know, as stated, it's with the
• 35:34
  family. Now I have to point out the fact
• 35:38
  of how quickly the family got there versus how quickly Paul
• 35:43
  got there. Right, well, I guess it must be
• 35:45
  because Paul had to make the change over into another boat,
• 35:49
  and maybe that took a long time. Maybe their goodbye was longer
• 35:52
  than we knew and because that guy that brought them there
• 35:58
  brought them straight there, he didn't stop at the island and
• 36:00
  make them get on a boat that wasn't there anymore,
• 36:02
  apparently. Obviously so.
• 36:04
  But yeah, because they got there no time after he got there.
• 36:08
  Right, so we see Tommy. He's putting his head over the
• 36:12
  water and it appears that an oil slick starts moving towards
• 36:15
  them, kind of like the raft. Right.
• 36:18
  Like the little sludge thing in the raft is moving fairly
• 36:21
  quickly. So I don't know what that was
• 36:23
  supposed to signify, but the oil was after him.
• 36:27
  So Tommy with his head over the edge and this is like, oh, you
• 36:30
  know, pull your head back in. And we're underneath the water
• 36:34
  now. And we see a shark, you know,
• 36:36
  approach the boat. Audrey puts her hand in the
• 36:38
  water and it's all covered in oil.
• 36:40
  And she looks at it and she's disgusted.
• 36:42
  And a fin comes out of the water on the side.
• 36:44
  And Tommy's like, oh, what's that?
• 36:46
  And we hear a flare gun being fired and the shark goes off to
• 36:50
  the side. Like we see an underwater
• 36:52
  Charlotte sharks like swimming towards us.
• 36:54
  And these years off towards where the flare gun was shot.
• 36:57
  And so the boat is able to continue on its adventure.
• 37:00
  Chado and Junior end up running down the ladders and they're
• 37:04
  banging on the on the rig, you know, trying to make a much
• 37:07
  noise as they can and banging on whatever is in the water to make
• 37:11
  noise. And Paul's like all confused,
• 37:14
  running around asking what they're doing, What are you
• 37:16
  doing? And.
• 37:17
  Why are we doing all this? Right.
• 37:19
  And Tommy uses his telescope and he sees Paul and two guys out
• 37:22
  there at the rig. We see like water violently
• 37:25
  bubbling up and the boats that were there end up tipping over
• 37:29
  and they sink and Paul's again. What's going on?
• 37:33
  Yeah, that was Paul's boat. Paul's boat that he came there
• 37:35
  and was gone. Yeah, back at the other boat,
• 37:38
  Audrey's asking the mother the same thing.
• 37:40
  What's going on? That's a common theme in this
• 37:42
  movie. Everybody's asking what's going
• 37:44
  on. Pay attention.
• 37:46
  You'll see. Just.
• 37:48
  Give it a minute. And it says to hold tight.
• 37:52
  Shadow sets off another flare. Paul asks where the disruption
• 37:56
  is coming from because there's more banging and stuff from the
• 38:01
  shark on on the rig. And Charlo says not where, but
• 38:06
  what is. And he sets off the other flare
• 38:10
  and the captain of the other boat guns it, knocking the
• 38:12
  family back. Chadow and Junior are waving to
• 38:15
  make the boat go faster. I guess.
• 38:17
  You know, it's like, hey, come on, come on, come on.
• 38:19
  Yeah, that's not helping. You know, you're not creating a
• 38:23
  vortex to make the make the boat move faster.
• 38:26
  But apparently in this, it worked because they made it to
• 38:28
  the dock. Paul helps them up into the rig.
• 38:30
  And Paul's like, you know, why are you here?
• 38:33
  She doesn't really have an answer right away.
• 38:35
  And they're hearing noises all around the rig.
• 38:37
  Audrey ends up falling into the water as she falls, and she sees
• 38:41
  all kinds of body parts, arms and feet, mostly right, And
• 38:46
  she's freaked out. She pops up her head.
• 38:48
  She's screaming her head off. The catch on the boat of the
• 38:52
  boat that dropped him off just hightails it out.
• 38:54
  He's like, yeah, I'm done, let's go like.
• 38:56
  He's I'm getting out of here. Yeah.
• 38:57
  And when? When Audrey fell in the water.
• 38:59
  Yeah, When Audrey fell in the water, this.
• 39:03
  I thought, my God, no wonder you have a fucking shark problem.
• 39:07
  You got a bunch of dead body parts all over the fucking
• 39:10
  place. Is this what you're guarding?
• 39:11
  Your rig is through body parts? Because I think that's doing the
• 39:15
  opposite of what you need to have done, Right?
• 39:17
  It didn't dawn on me what the fuck this was.
• 39:19
  There were so many times in this movie.
• 39:20
  I was like, what the fuck is happening?
• 39:22
  I don't understand any of it. Of course, later on, because
• 39:27
  it's similar to the guy who became Aquaman and saw the
• 39:31
  jellyfish and all that shit. But of course, at this point in
• 39:34
  time, you don't realize what this is.
• 39:36
  And and I'm like, why would they have a why would they surround
• 39:39
  themselves with all these body parts?
• 39:40
  And of course, I also thought, are these all the body parts
• 39:43
  from the two guys? The two guys have this many body
• 39:46
  parts that got killed earlier. Like why are they still bombing
• 39:49
  around here? I was like what the fuck?
• 39:52
  I thought, I thought it was more of the people who were running
• 39:55
  the rig like I was there, there, there remained like not just the
• 39:59
  two guys in the boat, but like everybody else's remains at the
• 40:02
  same time. Well, that was because I had the
• 40:05
  two conflicting thoughts I had. It's the two guys that we saw in
• 40:08
  the beginning that died. I was like, there's too many
• 40:10
  body parts. And then I thought, oh, maybe
• 40:12
  the two guys that are left on the rig killed the other people
• 40:15
  and threw their body parts in the water.
• 40:18
  To. Stave off the sharks.
• 40:21
  Yeah. And that would really work.
• 40:24
  Oh, yeah, that that would be that would be the perfect plan,
• 40:26
  yeah. How do you get rid of sharks?
• 40:31
  Keep it fully fed and it won't eat you.
• 40:33
  Right. You know, I mean, that is the
• 40:34
  idea, you know. I mean, you feed a tiger, you
• 40:37
  know enough to pet him for about 1/2 an hour until he's hungry
• 40:42
  again. That was real stupid in this
• 40:44
  movie, Yeah, you know. Well, I mean it.
• 40:52
  You can. Do a lot of OK, I won't save
• 40:55
  you. There's no saving you for this.
• 40:57
  One I got super dumb. Aubrey pops your head up, you
• 41:01
  know the guy. Tie tails it out.
• 41:04
  Now we see underwater and the shark is coming up to get Audrey
• 41:08
  and they pull her out just in the nick of time.
• 41:11
  Which is just bullshit. But where does the shark go?
• 41:15
  This shark is huge mungus. Because it's not a, it's not an
• 41:21
  apparition shark. It's physically there.
• 41:25
  And the shark was coming up very fast.
• 41:28
  Right. And they were in the middle of
• 41:32
  the docking area of the rig, so if the shark did come up, the
• 41:36
  size of this thing would have knocked out the entire deck
• 41:39
  system. Yeah, and it would have totally
• 41:41
  come out of the water. He was huge and he was barreling
• 41:44
  up on her from the bottom. And sharks do.
• 41:47
  And there's no reason it just as soon as it doesn't see
• 41:50
  something, it just gives up and then just stops going to hold
• 41:52
  the brakes. It's got a good braking system.
• 41:54
  I'm like what? I'm So what we do learn, since
• 41:57
  we're talking about this right now, what we do learn later is
• 42:00
  it's a megalodon, one of those big ass prehistoric sharks,
• 42:04
  correct. But but we'll learn why that's
• 42:08
  what it is. So Aubrey is like freaking out.
• 42:10
  She's like, you know, there are bodies in the water and this is
• 42:12
  like, Oh no, there's nothing there.
• 42:13
  And Paul's calmly talking to her.
• 42:16
  At that point, Junior takes Aubrey and Tommy away into the
• 42:18
  cabin, and Paul and Innis are left behind, questioning Shadow.
• 42:23
  What's going on. Like what happened to the boat
• 42:25
  and then all the other mishaps that are happening.
• 42:28
  He tells them, you know, you don't want to know.
• 42:30
  Innis insists on knowing, so Shadow gives her some binoculars
• 42:35
  and points out to the boat that's going away.
• 42:38
  And there's a shark fin that comes out of the water.
• 42:40
  And it's a huge shark fin. Like, I mean, this thing is
• 42:45
  gargantuan. And Innis is like, what is that?
• 42:48
  As the boat goes on, shark comes jumping out of the water
• 42:51
  underneath it, destroying the boat, killing the guy.
• 42:54
  I mean, this is like a quadruple XL shark.
• 42:58
  I mean, oh, yeah, like I said, it is huge, like megalodon huge.
• 43:01
  And Paul works at Charo, says Jesus Christ.
• 43:04
  Charo's like no the black demon. Yeah.
• 43:09
  And Anna's freaks out. She's looking for the kids.
• 43:11
  I hate this art, by the way, That was the that was the only
• 43:13
  part of the movie. I was like, oh, they needed
• 43:15
  sentimental music there. True sentimental or ominous
• 43:21
  sentimental? Truly sentimental is that poor
• 43:25
  dude. I mean, he was just some
• 43:26
  innocent bystander just sitting there out the dock.
• 43:29
  No problems, everything's fine. He was probably the most
• 43:32
  innocent out of this entire movie.
• 43:34
  Right. And you know, he's just doing
• 43:36
  his thing and then a bunch of people show up, desperate
• 43:40
  trouble, which he notices because of those guys after
• 43:42
  them. And he's like, OK, I'll even
• 43:44
  though I don't want to, I don't care how much money you give me.
• 43:46
  I really don't want to go out there because you know, that
• 43:49
  money is he knows that money is going to be worthless.
• 43:51
  He takes them out there, the goodness of his heart, and then
• 43:55
  BAM by Megalodon. Poor guy.
• 43:57
  Yeah, no, I agree. You know, and and that's where
• 43:59
  they should have been. Sad music.
• 44:01
  So Paul is just staring out at the water where the boat used to
• 44:04
  be, and now we're inside and it looks like Junior is making some
• 44:09
  sort of coffee or hot cocoa. Junior and Anna's are just
• 44:12
  staring at each other awkwardly. I don't know if it's because
• 44:15
  they were having googly eyes or if they were having like a
• 44:18
  moment of understanding, but they're just looking at each
• 44:21
  other a little too long. She ends up walking over to
• 44:24
  Audrey and gives her some of the hot cocoa, and then she gives
• 44:27
  Tommy the rest. She goes over to Audrey, helps
• 44:30
  clean her up because she's got oil all over her.
• 44:32
  Not blood, but oil, right? And Tommy hears that strange
• 44:37
  whisper that we heard earlier over his shoulder, because now
• 44:41
  he's acknowledging that there's a whisper.
• 44:43
  Junior looks up over at Tommy and Tommy takes the figure that
• 44:47
  he got from the from the other idol and he put pulls it out of
• 44:51
  his pocket. He sees another box of all these
• 44:53
  little little figures and Junior's looking on.
• 44:57
  To me, it kind of looked like that.
• 44:59
  It was like a box of like Taurus trinkets, things that when it
• 45:02
  was like more of a bustling town, that stuff that people
• 45:06
  just making sell off or right. That's what it looked like to
• 45:09
  me. I thought that's what they were
• 45:10
  trying to say, but they also never really explained the box.
• 45:13
  They just show the box of figures.
• 45:15
  Yeah, I just assumed that they were little idols that they had
• 45:18
  to protect themselves, you know, very much like Greg Brady, right
• 45:22
  when they went to Hawaii. Right, and that didn't seem to
• 45:24
  work though, as I recall. It didn't, he still fell and hit
• 45:28
  his head while he was right. Yep, you know, and I agree with
• 45:32
  the memes that because of those shows, I really thought that
• 45:36
  quicksand was going to be a bigger problem.
• 45:38
  Right. Yeah, we talked about this.
• 45:39
  Yeah, yeah. With quicksand and stop, drop
• 45:42
  and roll. Yes.
• 45:44
  I thought I was going to be on fire a whole bunch.
• 45:45
  Yes, Yep, now I remember. Yep, you know, being in fire and
• 45:49
  quicksand. I suppose the quicksand would
• 45:51
  put the fire out eventually. Yeah, yeah, yeah, I guess if
• 45:54
  you, if you're on fire and you're going to die anyway,
• 45:57
  you're going to figure out which way you want to die.
• 45:59
  So do you jump in quicksand? Because that would probably be
• 46:01
  less painful, but you just drowned in sand maybe?
• 46:05
  Yeah, pretty much. I mean, you'd end up
• 46:07
  suffocating, yeah. Yeah, So I don't know.
• 46:10
  All right, Sure. OK.
• 46:13
  The conundrum. So now?
• 46:19
  Paul asks ask him about the shark and try to give him
• 46:24
  whatever reason and Paul's asking you all how long has it
• 46:26
  been since other people have been here and try to was like
• 46:29
  it's been a long time. I've lost track of time.
• 46:32
  That's not exactly true. But you know what else he says
• 46:37
  you most of the crew either evacuated or died and in this is
• 46:40
  starting to panic because there's no cell service.
• 46:42
  She's starting to freak out those kids in their cell phones.
• 46:45
  She's starting to feel get well. She's feeling guilty about the
• 46:47
  man dying. She's the only one that is.
• 46:50
  Right. Yeah, she's the only one that
• 46:52
  feels bad because like, she wouldn't have died if I didn't
• 46:54
  come out here and yada yada yada.
• 46:56
  Yeah, she felt the same way I felt.
• 46:58
  Yeah, yeah. And Paul's like, well, it's not
• 47:01
  your fault, you know, but it really was.
• 47:03
  So she ends up asking Paul what it is that's out in the water.
• 47:06
  And Paul says, oh, you know, it's just a shark.
• 47:09
  This is where Chad was like, Nah, it's a megalodon.
• 47:11
  And Tommy's like, they're extinct.
• 47:13
  And Paul questions about leaving the rig and, like, what, we're
• 47:16
  going to go. And Chad was like, there's no
• 47:18
  way off the rig and gets annoyed with Paul because he's always,
• 47:21
  he's talking about leaving and cell phones and radios and
• 47:24
  there's like I keep telling you, none of this stuff works.
• 47:26
  Then there's like a Big Bang and a vibration that you hear and
• 47:30
  assumably feel if you're on there.
• 47:32
  And Chado says it's the megalodon.
• 47:35
  Paul says it's on the southern leg.
• 47:37
  That's where they hold the auxiliary lines conveniently
• 47:41
  because it's the only thing that's working right now.
• 47:44
  Right when they were going down towards the southern leg, Paul
• 47:47
  asks Charter what him and Junior do.
• 47:50
  And he's like, whatever is needed to keep this hunk of shit
• 47:52
  together. Paul's like, you know, hunk of
• 47:54
  shit. That's putting it mildly.
• 47:56
  He asks for a full rundown of the RIGS diagnostics.
• 47:59
  Charter says nothing works. And Paul's like, what do you
• 48:01
  mean nothing works? And he's like, what about the
• 48:03
  oil leak? Charter was like, it's been
• 48:05
  leaking for months. He's like for months.
• 48:07
  And Charter says you know them. Mendejos at Nixon Oil knew all
• 48:11
  about it, and they never bothered to send resources to
• 48:14
  help. Yeah, like how the fuck is this
• 48:17
  much oil out in the ocean and no one's doing shit about it?
• 48:21
  Right, exactly. He goes on to explain that him
• 48:24
  and Junior were assigned at a different location and he found
• 48:27
  out about the difficulties of the town, so he came back to
• 48:30
  help, but the mess was a lot bigger than they thought it was.
• 48:34
  He's like, I'd love to gather up all the Nixon Oil bigwigs and
• 48:38
  feed their to Toro. I'm assuming balls, right?
• 48:43
  Again, I don't speak Span and I'm probably slaughtering these
• 48:46
  words. And if there's any Spanish
• 48:47
  speakers out of the five of you, I apologize for slaughtering the
• 48:52
  language. I don't speak it natively or,
• 48:56
  you know, non natively. I don't speak it at all.
• 48:58
  So if I'm messing it up, I apologize.
• 49:01
  So we hear another bang and it almost knocks Paul over the
• 49:04
  railing. This time Chad was like, oh,
• 49:05
  this thing can't take much more. And Paul says it can withstand a
• 49:09
  Category 5 hurricane or tornado. Chad was like, this is not a
• 49:12
  Category 5 tornado at the same time.
• 49:15
  Paul's was it an earthquake? I didn't, I didn't think, I
• 49:19
  didn't think earthquakes were rated as categories.
• 49:22
  I think he wasn't. I could have swore he said
• 49:24
  earthquake. Maybe he didn't say anything.
• 49:26
  I think he's just a Category 5. My brain just went to Earthquake
• 49:30
  because, you know, I was stupid in this movie.
• 49:33
  Yeah, and and I went to Tornado, but.
• 49:36
  It's probably a hurricane out in the middle of the water.
• 49:38
  Right. And it could be a hurricane.
• 49:40
  Yeah, I'm gonna get that earthquake.
• 49:42
  I'm a dummy and this would be made me stupid.
• 49:49
  Well, I mean a hurricane. There's the hurricane wind
• 49:53
  scale, which assigns categories from 1:00 to 5:00, right?
• 49:57
  I thought, I, I thought I wrote earthquake.
• 49:59
  Never mind. No, I said earthquake like a
• 50:01
  doofus. Well, when I was looking it up,
• 50:02
  I wrote Hurricane, but I was trying to look for.
• 50:06
  Tornado. So, Oh yeah, that that's what it
• 50:10
  is. It's magnitude.
• 50:11
  Earthquakes are rated. As magnitude and.
• 50:14
  Hurricanes and tornadoes are categories, right?
• 50:17
  Do tornadoes go up to fives? Yeah.
• 50:20
  Oh, OK. They're rare, but yes.
• 50:24
  OK, So we don't know exactly what category of things that
• 50:28
  they're talking about, but it's bad weather.
• 50:30
  We'll see that category 5 bad weather and and so and you know
• 50:36
  at that point and and and again what I was going to say is
• 50:39
  Paul's not taking into consideration that this thing
• 50:41
  keeps hitting the same spot over and over again right.
• 50:44
  What happens when you keep hitting the same spot over and
• 50:47
  over again? It starts to weaken he.
• 50:49
  Seems so unfazed by all of this. Yeah, and I was like, what the
• 50:54
  fuck, dude? Like, there's obviously some
• 50:56
  shit going on here. Again, I didn't like Paul.
• 50:59
  He was a douchebag. And I couldn't tell if it was
• 51:01
  just the bad act, if he was bad acting, or I was like.
• 51:06
  Or if he was just playing the character so well that he just
• 51:08
  looked like he was bad acting. Maybe, Rhodium says.
• 51:11
  Such a douchebag that he came off as a bad actor.
• 51:14
  That's what it was, yeah. But at this point, after you
• 51:17
  know, they're talking about the Category 5 bad weather says at
• 51:20
  least we have auxiliary. Surprisingly, it goes out at
• 51:24
  that moment. Right.
• 51:25
  Just. Amazing.
• 51:27
  So now we see Shadow Junior and Paul down back at the cabin
• 51:32
  making plans to reset the power. Tommy finds some Spaghettios and
• 51:36
  Paul's like, Oh yeah, that's what they eat down here, you
• 51:38
  know, kind of sounding arrogant again, like, you know, we have
• 51:41
  lobster and clams and they have Chef Boyardee.
• 51:45
  That's what they. Eat which the name of that and I
• 51:49
  don't I've not bought Spanish versions of the food we eat all
• 51:53
  too often instead of like, you know, Taco Bell.
• 51:56
  But. Great.
• 51:58
  You call that Spanish food? It's supposed to be Mexican, but
• 52:02
  it's not, right? But their Chef Boyardee, the
• 52:07
  name, it looks just like Chef Boyardee.
• 52:09
  Everything about it, the coloring, everything about it
• 52:11
  was, but it was Josefina. Interesting.
• 52:14
  Yeah, is Hostafina so. Will that be Josephine?
• 52:18
  Yeah, the American version of that would be Josephine.
• 52:21
  Yeah. So part of the plan shadow and
• 52:23
  junior are getting ready for a dive.
• 52:24
  They Paul setting up the tanks for the bell and and it's a
• 52:28
  scared about the plan, but Paul is telling him, oh, you know,
• 52:31
  the bell should withstand the shark.
• 52:33
  Paul has a lot of assumptions right now that you know the rig
• 52:37
  is going to be fine. The rig can stand or category 5
• 52:41
  bad weather. Especially the guy who isn't
• 52:44
  going to do shit right. You know, the bell should be
• 52:47
  able to handle everything that it comes at.
• 52:50
  You know, it's like Paul and and dismissing all the demon stuff
• 52:54
  is is not helping him at all. But you know, he's he's very
• 53:00
  arrogant about it all and try to tells the kids about, you know,
• 53:03
  books and games like, hey, you know, if you're bored, we got
• 53:05
  books and games. And it's like gets unnecessarily
• 53:08
  pissed off about this. We're not going to get
• 53:11
  comfortable here. Right.
• 53:13
  And then she quickly, I'm sorry, I didn't mean to.
• 53:15
  Maybe that's a good idea to calm everybody down.
• 53:18
  Yes, thank. You need some Hun color or
• 53:21
  something. Stay in the lines.
• 53:24
  Right. Get your shit together.
• 53:28
  Like come on now, what else do you guys going to do?
• 53:31
  Right, exactly. You know, Chef Boyardee and and,
• 53:34
  you know, paint wooden ships, right?
• 53:37
  Like, what the fuck? So Chados still talking, ends up
• 53:39
  talking a little bit about the history of the Reagan.
• 53:42
  He's like he was built, you know, there to provide jobs and
• 53:45
  improve the town. And it worked at first, but
• 53:47
  being in the jurisdiction they were, the company was able to,
• 53:51
  you know, peel back some of the regulations and overlooked a lot
• 53:54
  of the stuff that was going on and nobody really cared about
• 53:57
  it. Chados like this isn't just a
• 53:59
  shark or megalodon, it's a curse.
• 54:02
  And again, Paul Blosenbaugh, like, Oh my God, you know,
• 54:05
  whatever. This is where Chado starts
• 54:07
  saying the the megalodon is an extension of an old God and he
• 54:11
  starts talking about how to walk, gives life, crops and
• 54:14
  rain. And well, that's like we we're
• 54:16
  told this quite a bit. Yeah.
• 54:18
  At the a long time ago, his would only pray for what they
• 54:21
  needed. But many years ago, a flood came
• 54:24
  through and people prayed for more than they needed and became
• 54:27
  greedy. And the flood actually came from
• 54:30
  wrath. And Paul again, blows him off
• 54:33
  like wrath. Oh my God.
• 54:35
  You know, whatever whatever did and that people killed all the
• 54:39
  animals and took over lakes and just we, you know, ravaged the
• 54:42
  land, the people believe that Talaq was pissed and brought the
• 54:46
  megalodon back to Earth. Then he tells Paul I'm.
• 54:50
  Sorry, is this the part where they show all the different
• 54:54
  horrible things that happened to the earth?
• 54:56
  Yes. OK, yes.
• 54:58
  Like all the pollution? Yeah, pollution, sad seals,
• 55:01
  icebergs, all that. Yeah, well, you know when Heidi
• 55:08
  Klum left him, Right, Right. Yeah, yeah.
• 55:11
  I, I, I know that they went, they went through like the
• 55:14
  whole, like there, there's this whole thing where they showed
• 55:16
  like all this horrible Earth stuff.
• 55:20
  Yeah, right. Yeah.
• 55:21
  I thought this was part. OK, yeah.
• 55:24
  It it feels like this was a very like Take Care of the Earth sort
• 55:28
  of movie. Yeah, yeah, yeah.
• 55:30
  I What year did you say this came out?
• 55:31
  2023 that. Wasn't very long ago, no.
• 55:35
  I thought maybe it came out back, you know, when Al Gore
• 55:38
  was. Popular.
• 55:39
  No, No. Yeah.
• 55:40
  And I think that's what it is, is like they hook you in.
• 55:43
  Had like a crack dealer. They hook you in, right.
• 55:45
  And then they, you know, dumped it all on you, right?
• 55:48
  I was like, where did the fuck is this coming from?
• 55:50
  I mean, I get, I mean, obviously there was the thing about the
• 55:54
  whole oil thing. I got, I got that.
• 55:56
  That's what the idea of the movie was.
• 55:57
  But then all of a sudden you're just bombarded with all these
• 55:59
  images of the Earth, you know, on fire, and all this shit's
• 56:04
  happening and seals are dying and polar bears are drowning or
• 56:07
  whatever. And I was like, and I was like,
• 56:10
  holy shit, where's this the sentimental music at?
• 56:16
  But anyway, yeah, you're just out of nowhere all of a sudden.
• 56:18
  Because I felt like they, the point of the movie was I was
• 56:21
  getting the point. And then they did that and I was
• 56:23
  like, my God. Yeah, You know, at first it was
• 56:26
  subtle, and then they, like, just nail it right into your
• 56:28
  head, Right. OK.
• 56:30
  So Shadow at this point tells Paul to ask what his daughter
• 56:34
  saw, and he goes for Audrey. Not not in a violent way, but
• 56:38
  everybody's like, kind of panicked.
• 56:39
  Ennis gets in the way. And then Ennis stops Shadow and
• 56:43
  asks Paul what he saw about the about the shark eating the other
• 56:47
  boat. And Paul's all silent.
• 56:49
  Usually that's what happens when, you know, someone's like,
• 56:52
  on the on the brink of belief and disbelief.
• 56:55
  You know, they don't know what they saw.
• 56:56
  They can't explain it. So I don't know.
• 56:59
  So Charles saying, you know, we're destroying Talox world.
• 57:03
  And yes, this was all in that part where they were showing
• 57:06
  like a bunch of like oil refineries and animals and all
• 57:10
  that. Solution.
• 57:11
  All that stuff. And Charles, like, you know, the
• 57:13
  demon is back and Aubrey asks, you know how it ends?
• 57:17
  Like how how do we stop the stuff?
• 57:19
  And Chado says, you know, it's all about revenge.
• 57:22
  And the only way we can stop is if we kill the megalodon.
• 57:25
  But it will only truly stop when a true sacrifice is made.
• 57:29
  Always. And forever.
• 57:31
  There's always got to be a sacrifice.
• 57:33
  Right. Oh, the way you said it, I
• 57:36
  thought there was something else you're going to add to it.
• 57:38
  So I'm like always and forever like the Bon Jovi song.
• 57:44
  Now Joby shows up. What are you doing on this oil
• 57:48
  rig? I need more oil for my hair.
• 57:54
  We're having a concert to save the planet.
• 57:55
  Right. So, you know, Trato is like, you
• 57:58
  know, it's going to be difficult because all life has been killed
• 58:00
  here. And that's why the town is so
• 58:02
  dry. He won't let it rain.
• 58:04
  All right, And he sees Junior's necklace and asks him what's
• 58:08
  that? And Junior takes it off and
• 58:10
  gives it to him. He's like, oh, it's for luck.
• 58:12
  And Paul, unnecessarily pissed, ends up yelling that's enough.
• 58:18
  It's like, dude, like seriously, pull that butt plug out.
• 58:23
  Give this man a coloring book. You know, he goes on with this
• 58:29
  little tirade, but he's like, I'm not buying this demon thing
• 58:32
  and God explanation. And Innis is trying to interrupt
• 58:35
  him as he continues channels. Like, you know, we're destroying
• 58:38
  the planet. And everything kind of stops at
• 58:41
  this point because we hear a Big Bang again.
• 58:44
  Like, we keep hearing big bangs. Yeah.
• 58:46
  Chatter goes out to the bell. I'm like, the bell dive or the
• 58:49
  diving bell, rather. And Paul ends up, like, looking
• 58:52
  at the family, like, you know, don't listen to them.
• 58:54
  And this reminds them of, you saw the demon, too.
• 58:57
  Paul just leaves because I'm done.
• 58:58
  We have, like, a long shot of the rig closing in with ominous
• 59:02
  music. Real ominous music.
• 59:05
  Right at this point, they're prepping the bell for a dive.
• 59:07
  And Junior asks Paul if he believes he's in Tolok.
• 59:12
  And Paul's like, no, but I know a big ass shark when I see one,
• 59:16
  which is fair. I mean, that that's a fair
• 59:19
  answer. Yeah.
• 59:20
  So as he's saying that, we're under the water and we see the
• 59:23
  megalodon swim by, and we're back up top, and they're
• 59:26
  continuing, you know, preparing the bell.
• 59:28
  Julia and Chado at this point are lowered into the water
• 59:31
  manually, you know, and Paul's watching this.
• 59:34
  He's the one that's sending everybody off to do all The
• 59:37
  Dirty work. Like he's just, you know, you're
• 59:40
  there. They have cameras on them and
• 59:41
  Paul has a screen that they can watch them on and he's holding
• 59:44
  that as they go down to the water.
• 59:46
  So they ask about communication. And I think Junior is the one
• 59:49
  that says the radio should work between the bell and the ring
• 59:52
  and they show them going down into the oilish murky water.
• 59:56
  I feel like that they kept on using the same green screen
• 59:59
  background like it never changed because there are certain parts
• 1:00:03
  where you could tell that it was a green screen And and again
• 1:00:06
  movie magic they have to. To do what they have to do.
• 1:00:08
  But sometimes you can overly tell, and this time, like this
• 1:00:11
  movie, just felt like they kept on reusing the same backdrop.
• 1:00:14
  Yeah, yeah, yeah, definitely. So the bell stops, they they
• 1:00:17
  both open the bottom hatch. Chato and Junior are both
• 1:00:21
  playfully arguing about who's going to go 1st.
• 1:00:24
  And Chato's like you. And Junior is like, oh, of
• 1:00:26
  course. And Chato's like, well, I can't
• 1:00:29
  leave Toro as an orphan. And they both laugh, you know,
• 1:00:32
  at that. And Junior jumps in first he
• 1:00:34
  starts swimming off and then Chato's like right behind him
• 1:00:37
  start swimming towards the legs that they need to go to.
• 1:00:40
  Chado looks around and he sees just clouds of oil just being
• 1:00:44
  pushed around. Chado motions to Paul, like
• 1:00:48
  giving him sign language about what he's going to do or, or
• 1:00:50
  whatever. And Junior at this point is done
• 1:00:54
  doing whatever he needed to do. And he's going back to the bell.
• 1:00:57
  And Chado, as he they're going up, he sees the green lights.
• 1:01:00
  He goes over and he sees the bomb.
• 1:01:02
  At this point, at two hours, like 2 1/2 hours, it's about how
• 1:01:06
  much time they have left. Paul sees it in the camera view.
• 1:01:09
  Chado hears a whispering woman kind of chanting in the
• 1:01:12
  background. And then body parts start
• 1:01:15
  raining around him in the water and he's just sitting around and
• 1:01:19
  he sees an eyeball that is just floating there and looking at
• 1:01:22
  the camera. And then all of a sudden it just
• 1:01:24
  turns around and looks at him. Yeah.
• 1:01:27
  And. This is where I start realizing
• 1:01:29
  that those things aren't there. Yeah, yeah.
• 1:01:33
  Yeah, it took me that long. It's like, but and then it it he
• 1:01:38
  confirms it later with this another scene that happens.
• 1:01:41
  I'm like, oh, OK, I see what's going on.
• 1:01:43
  But yeah, the so the body parts that I thought they were using
• 1:01:46
  as a way to safeguard themselves from sharks, they were never
• 1:01:48
  there when what's your name fell in the water.
• 1:01:50
  And neither was the whole fish jellyfish scene.
• 1:01:52
  Those things weren't there. Right.
• 1:01:54
  So Junior starts to swim really, really fast to the bell and he
• 1:01:58
  gets up and he looks out the window and he sees Chato, who is
• 1:02:02
  back looking at the bomb. So whatever whatever thing that
• 1:02:05
  he was seeing, he was still at the bomb.
• 1:02:08
  It was just in his head that he was seeing everything, but it
• 1:02:11
  looked real to him as as we'll discuss later.
• 1:02:13
  At that point, Junior sees the megalodon coming up towards the
• 1:02:17
  bell and he braces himself like as if to hold the bell in place,
• 1:02:22
  like he's got his arms out, stretching his legs out stretch
• 1:02:24
  like you're not going to crush this.
• 1:02:26
  The megalodon ends up grabbing it and we see on on the surface
• 1:02:31
  that the manual lever is like spinning like a mile a minute.
• 1:02:35
  Oh yeah. And Paul runs over to the, to
• 1:02:38
  the system that holds it in place, and he's punching it
• 1:02:41
  like, really hard, like it's gonna do anything.
• 1:02:44
  I guess there's a button maybe? I was like is he trying to push
• 1:02:46
  a button to stop it? Because I think it's a manual
• 1:02:49
  thing or. Well, he was trying to punch the
• 1:02:51
  button. There was no pressing.
• 1:02:55
  He was punching it. Yeah, because I think it was
• 1:02:58
  smoking. So it's not working.
• 1:03:00
  And then we see Junior and he starts to grunt because, you
• 1:03:03
  know, probably the pressure. We see the bell, it's starting
• 1:03:06
  to crush up a bit. And then we see a long shot and
• 1:03:11
  the bell is broken in half. Chado somehow avoids the shark
• 1:03:15
  of the megalodon and he climbs up the ladder and he gets to
• 1:03:18
  safety. He throws himself against the
• 1:03:20
  wall and Paul is like yelling over and over again.
• 1:03:23
  Where's Junior? Where's Junior?
• 1:03:24
  Where is and Chado sits up and as Junior floats to the top of
• 1:03:29
  the water, he's face down. Paul sees him and he's like
• 1:03:33
  doing everything he can to reach him without getting into the
• 1:03:37
  water because I noticed that he was trying to stay dry.
• 1:03:40
  Yeah. So he's losing like the, I don't
• 1:03:43
  know, like a rope or a cable or something to steady him while he
• 1:03:49
  reaches into the water. He grabs Junior, lifts him up
• 1:03:52
  like he's a rag doll, sees that it's only half of them, and just
• 1:03:55
  like, immediately throws him back in the water.
• 1:03:57
  Like you. Right, so Innis freaks out after
• 1:04:00
  seeing Junior's body and Paul looks up to the window in the
• 1:04:06
  cabin and he sees Aubrey's. Audrey is looking at this whole
• 1:04:10
  thing. I'm just going to call her
• 1:04:11
  fucking Aubrey. The rest of the guy band show.
• 1:04:13
  I'm sorry I. Wonder why you want to call her
• 1:04:15
  that? I don't know.
• 1:04:16
  It's because I used to know an Aubrey and I don't know, it's
• 1:04:20
  just easier for me to say. So I'm changing the the
• 1:04:22
  character's name to Aubrey. You know, the producers can get
• 1:04:26
  the fuck over it because I know they're listening.
• 1:04:29
  Sure. They're the other two, Yeah.
• 1:04:34
  They've just been waiting all this time for us to do this
• 1:04:35
  movie, right. Yeah.
• 1:04:38
  So Paul looks up and sees Audrey in the in the window, and she
• 1:04:42
  steps back and Tommy's again, another person.
• 1:04:45
  What's going on? Audrey's just telling them that,
• 1:04:47
  you know, their parents are just fighting.
• 1:04:49
  Paul's had a sink washing blood off his hands.
• 1:04:51
  Not the figurative blood, but the literal kind.
• 1:04:55
  Yeah. Because we'll learn a little
• 1:04:57
  later why it would be figuratively.
• 1:04:59
  He just says out randomly in the air, you're not taking my family
• 1:05:03
  from me. He scrubs harder, you know,
• 1:05:05
  'cause I guess that angered him. So he scrubs a lot harder.
• 1:05:09
  And Innis is rocking back and forth on the bed and she says
• 1:05:13
  that that he shouldn't have died, died like that because he
• 1:05:16
  was trying to save me. And she's referring to the the
• 1:05:19
  man. Paul is silent.
• 1:05:21
  He's like, oh, everything is going to be all right.
• 1:05:23
  I hate it when people do that. When things are going to shit,
• 1:05:26
  wow, everything's going to be all right.
• 1:05:28
  And I feel like, you know, I feel like it responds
• 1:05:31
  appropriately, says look around. You keep saying that, but it
• 1:05:35
  keeps getting worse. You're stuck on an oil rig out
• 1:05:37
  in the middle of the ocean with a gigantic fucking huge
• 1:05:41
  megalodon. And everybody around you is
• 1:05:43
  dying. Yeah, and even people who could
• 1:05:45
  get away on boats died. What do you what do you think's
• 1:05:48
  going to happen? Right, so she says, you know,
• 1:05:52
  you should really consider the demon story.
• 1:05:55
  He yells at her about it and says you and the kids shouldn't
• 1:05:58
  even be here. You know, I told you to stay
• 1:06:00
  back and but you didn't. She's trying to plead her case
• 1:06:02
  because this is the first time we hear her saying I was trying
• 1:06:05
  to get away from some man at the bar.
• 1:06:07
  This was only supposed to be a couple hours, right?
• 1:06:10
  And he did. Say that.
• 1:06:12
  He did and he says it was supposed to be.
• 1:06:14
  Paul says oh you know, I'll fix it.
• 1:06:16
  OK Paul. Paul comes out and Tommy gives
• 1:06:19
  him some coffee and he asks where's Junior?
• 1:06:21
  Paul's caught off guard like he doesn't know what to say as most
• 1:06:24
  of the time he just caught off guard.
• 1:06:26
  Audrey tells him. Oh he's in the electric room.
• 1:06:28
  Tommy satisfied with this answer and he walks away.
• 1:06:31
  Yeah, never asked. Nope.
• 1:06:34
  And now Charles now is now looking over at the water, just
• 1:06:38
  kind of staring off. And Paul joins them.
• 1:06:41
  Paul asks him about his shirt and he says when he gave it to
• 1:06:44
  him, I can't really wear it right now.
• 1:06:45
  Now I don't know what shirt he's referring to.
• 1:06:48
  This part, I was like this. After all of what just happened,
• 1:06:53
  you go up to Nacho. Is that his name?
• 1:06:57
  Is that the other? Guy.
• 1:06:57
  No, this is Charo. Nacho was the guy that was the
• 1:07:01
  first one that died. Right.
• 1:07:02
  He goes up to this guy Charo, and he the first thing he says,
• 1:07:06
  like what's up with the OR nice shirt or Oh no, he said changed
• 1:07:10
  your shirt. Like that's the first thing
• 1:07:12
  you're going to say changed your shirt.
• 1:07:14
  Like all this shit that just happened, Your his friend, his
• 1:07:17
  best friend just died and you're like changed your shirt.
• 1:07:20
  Nice. And I don't know what special
• 1:07:24
  shirt he had on either. I couldn't remember.
• 1:07:25
  I was like, oh, I didn't realize he was wearing a special shirt.
• 1:07:28
  I Yeah. Neither did I.
• 1:07:31
  I don't know what it was, I don't remember it at all.
• 1:07:33
  Right. So at that point, Palkin feels
• 1:07:36
  like shit, a bit like you can see that in his face.
• 1:07:38
  Channel starts giving his origin story with Junior.
• 1:07:42
  Yeah, He's like, oh, he would do anything that I asked him to do.
• 1:07:45
  He's a good guy. He asked Paul if he saw the
• 1:07:48
  bomb, and Paul's like, yeah, I saw it.
• 1:07:52
  He's like, how much time do we have, child?
• 1:07:54
  I don't know. Paul works out and sees three
• 1:07:57
  ships that appear suddenly, Charles telling him because he's
• 1:08:00
  like waving his arm, Hey, hey, hey, come here, Charles.
• 1:08:03
  Like, no, they're not there, man.
• 1:08:04
  Paul's convinced and he goes to shoot off a flare.
• 1:08:07
  The angle that we see is the ships aren't there.
• 1:08:10
  So when he shoots the flare off, you totally see that they're not
• 1:08:13
  there. And Charles yelling at him.
• 1:08:15
  Like I told you, I keep telling you that the lock plays with
• 1:08:19
  your mind. He makes you see things that
• 1:08:20
  aren't there. Hence the body parts in the
• 1:08:23
  water and the Aquaman scene. Paul looks out again, and this
• 1:08:27
  time he doesn't see anything. And he sits down with Chardo and
• 1:08:30
  they share a little bit of tequila.
• 1:08:32
  Chardo says Mothers nature is holding us accountable for the
• 1:08:35
  spill. I thought it was Tilak that was
• 1:08:38
  holding them accountable. I don't know where Mother Nature
• 1:08:41
  got into all of this. Which is it?
• 1:08:43
  Is it Tilak or is it Mother Nature?
• 1:08:45
  Can't be both unless they're banging.
• 1:08:47
  Yeah, you know. Maybe Mother Nature was the
• 1:08:49
  girlfriend that got stolen. Very true.
• 1:08:51
  That could have been. Paul dismisses the whole thing.
• 1:08:54
  It's like, it's not my fault and not a God.
• 1:08:56
  There's no God that made a shark.
• 1:08:58
  And he's again dismissing it. And although, like when Paul
• 1:09:01
  says this isn't my fault, that's felt a lot of guilt.
• 1:09:05
  Yeah. Like, hey, maybe I caused this,
• 1:09:07
  but it's not my fault. Chado gives him a bit of shit
• 1:09:09
  for being a company puppet. Paul goes off, you know, saying,
• 1:09:13
  oh, we're all puppets. Chado gets up and starts
• 1:09:15
  pointing out all his fancy things, his watch, his shirt,
• 1:09:19
  his cars. Paul basically tells him to
• 1:09:20
  stuff it, that he's earned everything that I've got and I'm
• 1:09:23
  not giving up my things. Chado punches him in the face.
• 1:09:27
  He gets up and Ennis comes out and she magically stops the
• 1:09:31
  fight just with her words, which doesn't usually happen, but she
• 1:09:34
  was able to this time. Paul starts saying this is all
• 1:09:37
  mismanagement, incompetence, it's, you know, not falling
• 1:09:40
  through with things. He's like, that's why the rig is
• 1:09:42
  failing and the shark is just a mutant freak from it all.
• 1:09:45
  We see Tommy in the cabin and he's commonly painting a little
• 1:09:51
  wooden boat that has some little figures in front of it.
• 1:09:55
  Like the wooden figures in front all comes into the cabin.
• 1:09:58
  Tommy asks them if they're leaving and he says yes, but
• 1:10:01
  they've got some work to do. Tommy says Tilak needs a
• 1:10:05
  sacrifice of kids and he starts going into gruesome detail about
• 1:10:09
  what you need to do to kill a child, to sacrifice for Tilak to
• 1:10:14
  stop. And and Paul's like, yeah, no,
• 1:10:16
  don't talk that way. Tommy's like, well, can we leave
• 1:10:19
  when you come back? He's like, yes, I just need you
• 1:10:21
  to find everything to use for, for a boat.
• 1:10:25
  Audrey's like, what the hell do you expect us to look for?
• 1:10:28
  He's like, I don't know anything that could be used.
• 1:10:30
  Then at that point, everybody, all the adults leave the kids in
• 1:10:34
  the cabin again with the dog, the true monster of the story.
• 1:10:37
  Correct. Actually, for Chihuahua, he was
• 1:10:39
  well behaved. Yeah, he was, surprisingly.
• 1:10:42
  And it tells Paul's and you can't do all any of this by
• 1:10:45
  yourself. Idol can help you.
• 1:10:47
  And I don't know how, but try to like ends up in the room.
• 1:10:51
  Yeah. And try to.
• 1:10:53
  Now, this time Chad was asking, what are you doing?
• 1:10:55
  He's like, you're trying to find waterways.
• 1:10:57
  He's banging on the pipes saying I'm working for the cooling
• 1:11:00
  system so I can get the generators working.
• 1:11:03
  Again, I'm not an engineer, so I don't know how any of this
• 1:11:06
  works. And the things that he does, I
• 1:11:08
  don't know how how it all came together, but it came together.
• 1:11:14
  He ends up coming to a valve that he feels is the cooling
• 1:11:17
  valve and he tries to open it and it's stuck.
• 1:11:19
  He can't do anything with it. And a channel comes over and
• 1:11:23
  moves it like it's melted butter, you know, exemplifying
• 1:11:28
  that. What's going to work?
• 1:11:29
  Teamwork. Audrey's looking for stuff
• 1:11:32
  throughout the cabin, and this is also looking for stuff.
• 1:11:35
  She sees more little figures and photos of beaches, pictures,
• 1:11:40
  good feet, you know, just. Just feet stuff, rashes and
• 1:11:43
  stuff too. Like I was like, yeah, how's
• 1:11:45
  that? Just the average everyday photos
• 1:11:47
  you would find in in in a cabin. Then she finds a bunch of
• 1:11:51
  paperwork and she starts to go through them.
• 1:11:53
  We don't know what they are right now, but she starts going
• 1:11:56
  through them. You see Paul grinding some pipes
• 1:11:59
  and Chato was like, what now? He says.
• 1:12:01
  Oh, you can Weld right? Chato just shakes his head.
• 1:12:04
  Yes. Now we're back to Tommy and he's
• 1:12:06
  walking down towards the water. He's carrying the little wooden
• 1:12:10
  boat that he was painting earlier.
• 1:12:11
  Audrey. As she's looking she finds a a
• 1:12:17
  locker that has a lock on it and she gets it unlocked and there's
• 1:12:20
  acetone in it and she just looks at it and like walks away.
• 1:12:23
  Tommy is seen putting the figures in the boat as it's in
• 1:12:27
  the water, labeling them as family members.
• 1:12:30
  Then we're back into the cabin and Audrey is looking for Tommy
• 1:12:34
  because she sees that he's gone. Innis is completely oblivious
• 1:12:38
  that he's gone. He had to walk past her and
• 1:12:40
  she's completely oblivious that he left because she's just
• 1:12:44
  looking at these documents, which we learn is safety
• 1:12:47
  documents that are heavily redacted.
• 1:12:49
  And Tommy puts the boat in the water and prays to to lock to
• 1:12:54
  give them safe passage. As he does, there's an
• 1:12:57
  underwater shot of the shark swimming pass like again, this
• 1:13:01
  is another other thing that I thought that they used over and
• 1:13:05
  over again is the underwater shot of the shark just it's side
• 1:13:10
  like going by the the oil rig. It feels like it was the same
• 1:13:14
  shot each time. So we're back at the at the
• 1:13:18
  little boat that he painted and it floats a little away.
• 1:13:22
  And after he did all this praying, the figurine
• 1:13:25
  representing Paul randomly falls into the water.
• 1:13:29
  Yeah, and it like popped out somehow.
• 1:13:31
  Like it popped right up in the air and then into the water.
• 1:13:33
  Yep. And what is that, kids?
• 1:13:35
  For. Shadowing Ennis is still looking
• 1:13:41
  at the papers and she sees there are many, many, many violations
• 1:13:46
  ignored and we're again seeing the shark is below Paul and
• 1:13:51
  Shardo where they're working. Now we're back to Ennis and she
• 1:13:55
  sees all the signatures on it, and then she goes down to the
• 1:13:59
  final signature and she sees that it's Paul's signature.
• 1:14:04
  So he is to blame for all of this.
• 1:14:08
  What? I am shocked.
• 1:14:13
  It wasn't Tommy and his tablet, it was his dad.
• 1:14:16
  I I can't believe it, can't believe the guy that goes and
• 1:14:20
  inspects everything. Is the one that signed it all
• 1:14:22
  off. And signed it all off.
• 1:14:24
  Yeah, it it specifically said that it was safe and to keep the
• 1:14:28
  rig running even though there was the safety issues.
• 1:14:31
  She has a look of Constipation, confusion that.
• 1:14:35
  'D be a great band name. Constipation, confusion.
• 1:14:42
  I don't know how constipated or my diarrhea.
• 1:14:48
  So we see Tommy. He's still by the water and he's
• 1:14:50
  watching his boat. The Megalo islands are coming up
• 1:14:53
  and hitting where he's at. He falls into the water again.
• 1:14:56
  The shark is fucking huge. How did we not see more of it?
• 1:15:00
  How did it not do more damage? How do you not fall on top of
• 1:15:03
  the shark? Exactly.
• 1:15:06
  So Tommy falls into the water and everybody hears him
• 1:15:08
  screaming and they all come to his rescue and it's jumps in to
• 1:15:12
  save and Paul's telling her no. But he ends up jumping into and
• 1:15:16
  the megalodon is getting close to Tommy again.
• 1:15:19
  And Paul is now doing what Chado and Junior were doing.
• 1:15:23
  He's hitting whatever he can to make noise.
• 1:15:25
  And the shark turns and starts going after Paul.
• 1:15:27
  Tommy and Ennis are pulled to safety.
• 1:15:30
  Paul is able to get out of the water very quickly.
• 1:15:32
  We see it over the water shot and then an underwater shot.
• 1:15:36
  Paul comes in to make sure everybody's OK everybody's
• 1:15:38
  great. Ennis confronts him about the
• 1:15:41
  reports. You know, Paul's playing dumb.
• 1:15:43
  She's like, you did this, this is your fault.
• 1:15:45
  You signed off on Paul's like, what are you talking about?
• 1:15:48
  Like he doesn't know that she saw the safety reports.
• 1:15:50
  Like he's all like, what the hell are you talking about?
• 1:15:53
  And she's like, I saw the reports.
• 1:15:54
  I saw the the safety reports. I saw your signature.
• 1:15:57
  That's when he was like, oh shit, you caught me.
• 1:16:00
  Yep. It's like, well, it's
• 1:16:01
  complicated. Audrey and Tommy again.
• 1:16:03
  Come in. What's going on?
• 1:16:04
  Paul doesn't want to talk about it with the kids.
• 1:16:06
  And this is Innis is like, no, we can tell them they should
• 1:16:10
  know about this since they're on here.
• 1:16:11
  And it starts explaining to them what happened and what Paul did.
• 1:16:15
  Paul's like, it's my job. And this is like, no, look
• 1:16:18
  around. You caused all this.
• 1:16:19
  People are dying because of you. Paul is tone deaf to that.
• 1:16:23
  And it's like, you know, well, I did it for you guys, right?
• 1:16:26
  Yeah, as as if. And this is going to be OK with
• 1:16:28
  that. Yeah.
• 1:16:29
  I mean, honestly, I'm. I'm surprised she wasn't like,
• 1:16:32
  oh, you did it for us. Oh, thank you, baby.
• 1:16:36
  You. You.
• 1:16:37
  Killed the entire town that I grew up in.
• 1:16:39
  Oh so sweet of you. I love you before now.
• 1:16:45
  So Ennis points out the fact that the Tom lost everything
• 1:16:49
  because of all this. Paul does the whole I had no
• 1:16:52
  choice and turning. Ennis turns towards him and very
• 1:16:55
  lightly punches him in the chest and says he did have a choice
• 1:16:59
  and he was just being selfish. She says that you're the monster
• 1:17:02
  here and she runs off. The kids are at this point
• 1:17:05
  looking at him in disappointment.
• 1:17:07
  He walks out with a sad clown expression.
• 1:17:10
  Like that's all I could think of.
• 1:17:10
  When he walked out he looked like like if you painted about.
• 1:17:12
  He looked like a sad clown. Yeah, and no sentimental music.
• 1:17:16
  No, no, none. Or or ominous either.
• 1:17:19
  Yeah, either way. Now again we see an underwater
• 1:17:22
  shot of the megalodon swimming around the rig, and it ends up
• 1:17:27
  swimming past the bomb and I. Don't the only thing about this
• 1:17:30
  shark on the inside, I guess they must have had really big
• 1:17:33
  spaces in between all the bars that are built underwater.
• 1:17:37
  So I'm like, how is this huge fucking shark getting in the
• 1:17:41
  middle of all the getting through these bars and
• 1:17:44
  underwear? Because if he had crushed the
• 1:17:46
  bars to get through, you would think that thing would just
• 1:17:48
  topple over. But I'm like, how is he getting
• 1:17:50
  inside there? I would think that would be the
• 1:17:51
  safest place to be as an underwater.
• 1:17:53
  Somehow he gets in there. It was some huge spaces.
• 1:17:55
  And you know, I didn't think about that until you just
• 1:17:58
  brought it up. I never thought about that.
• 1:18:00
  Like, you know, how did he get into all those spaces?
• 1:18:02
  Because again, it's a huge goddamn shark.
• 1:18:05
  Yeah, he's huge. It's probably like 10 times
• 1:18:08
  bigger than a great white. Oh yeah, at least humongous I
• 1:18:13
  could eat my house. So good.
• 1:18:17
  Point The one time I wasn't dumb in this movie, I redeemed
• 1:18:27
  myself. Right so as he's walking off he
• 1:18:30
  ends up going to like a power power thing that he fixed and he
• 1:18:34
  turns it on and the power turns on it's the auxiliary power, but
• 1:18:38
  he's got the power back on he ends up asking Charter if
• 1:18:41
  they're going to make it and Charter was like no.
• 1:18:44
  Paul starts giving his origin story saying the rig was
• 1:18:47
  beautiful when his first commissioned it was my first job
• 1:18:51
  the sheriff's and tequila again. He goes on talking about how it
• 1:18:54
  was a beautiful thing because they were able to build it
• 1:18:57
  outside of federal districts and they were able to ignore safety
• 1:19:01
  procedures and regulations. It was that's.
• 1:19:03
  Beautiful. Right.
• 1:19:05
  You know, and he's like, at first everything was fine and
• 1:19:08
  then we started curbing back the regulations and, and actually
• 1:19:12
  this is where all the shots of the pollution in the drowning
• 1:19:15
  bears. Oh yeah, this is where.
• 1:19:18
  That's right. You're right.
• 1:19:19
  This is where that is. And that whole thing is is
• 1:19:23
  coming into play. And it's towards the end of the
• 1:19:24
  movie, you know, he starts to explain that when it started to
• 1:19:29
  go bad, he wrote his report documenting all of the safety
• 1:19:33
  issues that he found. And he was called into the
• 1:19:35
  office. They asked him, you know, if if
• 1:19:38
  he enjoyed his job. He said yes.
• 1:19:41
  And they're like, well, you know, this report, we need some
• 1:19:43
  adjustments to it. If you're not willing to do it,
• 1:19:46
  we'll find somebody else who can.
• 1:19:48
  He's like, you know, it was insinuating that he fired.
• 1:19:51
  And he's like, so I told him that I would rewrite it with
• 1:19:53
  less negativity. And he's like, so at that point,
• 1:19:57
  I signed off on everything for years.
• 1:19:59
  And at this point, he's like sitting down and he's looking at
• 1:20:02
  the at the camera because at some point, I guess they left
• 1:20:05
  the camera down in the water because he's looking at the
• 1:20:08
  bomb. Well, he's looking at the 'cause
• 1:20:11
  it took me a second. I was like, why is there still?
• 1:20:14
  Why is it still at two hours and something?
• 1:20:16
  But it was just the recording from when he had gone down
• 1:20:18
  before. Yeah, yeah, 'cause he paused it
• 1:20:21
  and stopped it and. OK, so as he's looking at the
• 1:20:24
  bomb, he's like, I just played my part.
• 1:20:26
  He's like, I just didn't know it was this bad.
• 1:20:28
  He points to the screen on the bomb.
• 1:20:30
  He says this is the same type of bomb my company uses for
• 1:20:34
  demolition. He's like, I think they're using
• 1:20:36
  it to kill me. This is where Chado says, I knew
• 1:20:40
  who you were the first time I heard your name.
• 1:20:42
  Paul's a bit confused. And he's like, I just didn't
• 1:20:45
  know. They're trying to blow your ass
• 1:20:46
  up. And they have a little chuckle.
• 1:20:48
  He's seeing he starts going. Well, this is where the thing
• 1:20:52
  from earlier we were talking about why they set it for two
• 1:20:55
  weeks, because they knew he was coming there.
• 1:20:58
  They were going to send him there to be there within that
• 1:21:01
  two weeks. And that's also why they called
• 1:21:03
  him to say, hey, you need to hurry up and get out there to
• 1:21:05
  the rig because they knew they only had two hours left and they
• 1:21:07
  needed him to die. So yeah, that's that's why they
• 1:21:11
  did it for two weeks. So he starts putting everything
• 1:21:14
  together. He's like my signatures on the
• 1:21:15
  papers, then killing me. It's the perfect scapegoat.
• 1:21:18
  They wouldn't be able to interview me and all this other
• 1:21:20
  stuff. Chido starts explaining.
• 1:21:23
  That's given the speech that your belongings, your
• 1:21:25
  possessions, all of that, that doesn't make a man what what you
• 1:21:29
  do matters. Paul says.
• 1:21:30
  I need to make it right. And Chido walks off.
• 1:21:33
  Paul looks over his shoulder. He has a lot of epiphanies
• 1:21:36
  looking over his shoulder because he sees a label for a
• 1:21:39
  blowout valve and he gets inspiration.
• 1:21:43
  So now we're killing the 80s action movie prepare montage
• 1:21:47
  where he's gathering all his tools and his equipment and all
• 1:21:50
  like all the stuff, and at the same time Chado was trying to
• 1:21:54
  fix the radio. Tommy finds a folded up raft and
• 1:21:58
  Charles like that's all ripped up.
• 1:21:59
  Audrey ends up helping Tommy move it to a different location.
• 1:22:03
  Chado gets the radio working a little bit and he's yelling
• 1:22:06
  Mayday. The Nixon boat picks it up, but
• 1:22:08
  it blows out just as fast as he got it working.
• 1:22:12
  Anice comes in and asks what Aubrey and Tommy are doing.
• 1:22:15
  Everybody's way too damn curious as to what everybody else is
• 1:22:19
  doing. Just stop and look, they have a
• 1:22:23
  raft. What do you think they're going
• 1:22:24
  to do with a raft, right? And so Audrey tells her to go
• 1:22:28
  get the acetone and like, as if Innis knows where it is because
• 1:22:32
  she never showed it where it was, right?
• 1:22:35
  Innis ends up running right over to where the acetone was.
• 1:22:38
  Audrey says we need to use it to make patches for the for the
• 1:22:41
  raft. And this is where Audrey
• 1:22:43
  suddenly becomes a chemist, yes? You know, and, and this is where
• 1:22:46
  arts and crafts time come into play.
• 1:22:48
  Yeah. Because she is cutting up the
• 1:22:51
  life jackets that she found for patches, patchwork and to use
• 1:22:55
  the Styrofoam that's in there. And she uses the acetone to melt
• 1:22:59
  down the Styrofoam to make a adherent for the patches.
• 1:23:03
  Yeah. Genius MacGyver.
• 1:23:06
  No shit. Yeah, she totally MacGyver that
• 1:23:10
  shit. I was like damn.
• 1:23:11
  Right. What school is this girl going
• 1:23:13
  to? Exactly.
• 1:23:14
  And so now we see the idol on shore that we saw earlier where
• 1:23:18
  the stickers bar is AT. Yeah.
• 1:23:21
  And we see Chocalito praying to it.
• 1:23:23
  Not the chocolate bar, but the the idol.
• 1:23:28
  El Rey comes over and tells them, you know, let Tilak do its
• 1:23:31
  do his thing. And he looks down and he sees
• 1:23:34
  the Snickers bar. Very melty Snickers bar.
• 1:23:36
  Very melty. So obviously the whole reason
• 1:23:39
  why this thing's still going on is because Tilak didn't eat the
• 1:23:41
  Snickers bar. Right.
• 1:23:46
  Correct. And so we're back at the rig,
• 1:23:48
  and Paul comes into the cabin watching everybody patch the
• 1:23:51
  raft. He actually doesn't ask anybody
• 1:23:53
  what He doesn't ask them what they're doing this time.
• 1:23:56
  I guess he finally put two and two together, like he's becoming
• 1:23:58
  smart, right? And he looks at Chado fixing the
• 1:24:02
  radio and he walks over and he's like, how long have you been
• 1:24:05
  here? Like you've been here a long
• 1:24:07
  time and you're now just fixing the radio.
• 1:24:10
  He's like, what? He's like, you didn't want
• 1:24:12
  anybody out here. He's like, did did you want to
• 1:24:15
  go down with the rig? Yeah.
• 1:24:17
  Did you want to, like, destroy and go down with it?
• 1:24:19
  Chado says it was for his people.
• 1:24:21
  Like he pretty much knew that this was going to happen.
• 1:24:23
  This is what he was doing it for.
• 1:24:25
  Paul says I'll go seal the leak. He's like, I saw something that
• 1:24:29
  only, I didn't reference it earlier, but Chado had commented
• 1:24:34
  on his shirt and Paul's like, yeah, it's red.
• 1:24:37
  And he's like, no, it's burgundy.
• 1:24:38
  And so he ends up telling Chado in this spot, he's like, I saw
• 1:24:43
  something down there that only red shirts would know.
• 1:24:46
  And Chado looks at him and says burgundy.
• 1:24:48
  Again, a weak attempt at A at a humor piece.
• 1:24:53
  He says, you know, he saw something that he can use down
• 1:24:55
  there. And he says maybe I can appease
• 1:24:57
  the rain God if we can manually seal the valve.
• 1:25:00
  And he's like, then I can grab the bomb and and feed the the
• 1:25:03
  megalodon the bomb. And he says he'll get to the
• 1:25:07
  bell to protect him from the blast.
• 1:25:10
  Charles like it's in half. And he's like, yeah, Charles,
• 1:25:13
  like, then what he's like, then we'll have a bottle of tequila,
• 1:25:16
  Chardo says. No, Paul's like, the megalodon
• 1:25:18
  is there for me, and I know it. So now all of a sudden he's
• 1:25:22
  becoming accepting of the fact that the shark is here for him.
• 1:25:25
  Yeah, it's his fault that shark's there, right?
• 1:25:28
  And he tells Chardo to take his family to safety and take his
• 1:25:31
  bag. Then we hear a big crack of
• 1:25:34
  Thunder. Tommy calls up for Paul and asks
• 1:25:36
  if the raft will work. Audrey asks if he's OK.
• 1:25:39
  Paul says yes with a stupid smile on his face.
• 1:25:42
  He asks if they're all ready to get out of there.
• 1:25:45
  Audrey says yeah, they should pray, pray.
• 1:25:46
  Paul agrees, to Innis's shock. She's like, of all these years,
• 1:25:50
  I've always tried to believe in something, now is the time you
• 1:25:52
  do it. And it happens.
• 1:25:54
  Right, Paul agrees, to Innis's shock.
• 1:25:56
  Like, yeah, you're right, Try to lead some in in prayer and
• 1:26:00
  basically it's for safety. And the camera fades to
• 1:26:03
  underwater shot of the shark and again, swimming by the bomb.
• 1:26:08
  And Paul's ready to go to, to the water.
• 1:26:11
  And this is she's like, oh, now. And Paul's like, you know, he
• 1:26:14
  made mistakes and there's a bomb on the rig and explains the
• 1:26:17
  entire plan that he has. And this, you know, says the
• 1:26:19
  monster's down there. And Paul's like, you know,
• 1:26:22
  remember, that's not the monster.
• 1:26:24
  And she hugs him. And he says his mind is clear.
• 1:26:27
  As a crisis worker, I know what this means.
• 1:26:30
  Yeah, exactly. Yeah.
• 1:26:34
  They kiss and he ends up going down towards the the ladder
• 1:26:38
  where he's going to jump in and try it all tells him that two of
• 1:26:41
  the tanks are empty and this is when it's almost empty.
• 1:26:43
  It's the only one we got. He's like, well, I'll just have
• 1:26:45
  to make do Charles like, well, what happens if you run out of
• 1:26:48
  air? I was like, well then look after
• 1:26:50
  my family because you're family now, some little.
• 1:26:55
  Music. Nope.
• 1:26:59
  Paul was in this one more time because she's up on more on the
• 1:27:04
  rig and she smells love you and Paul looks at her and, you know,
• 1:27:09
  smiles. I love you back.
• 1:27:11
  And he jumps in the water as he's going down.
• 1:27:14
  It kind of looks like the the end scene of Terminator 2 when
• 1:27:19
  T2 was going down to the water. He's giving the kid the thumbs
• 1:27:23
  up. Oh yeah, yeah, yeah.
• 1:27:24
  That's kind of like what it looked like to me without the
• 1:27:27
  thumbs up, right. And he drops straight down and
• 1:27:32
  he drops like a safety belt or a weighted belt or something, but
• 1:27:36
  he drops a piece of equipment off of himself.
• 1:27:39
  Chido is gathering everybody and he like they're trying to get
• 1:27:42
  everything that they need from the cabin and he gets Toro
• 1:27:46
  throws him in a in a carrier and receipt Paul underwater swimming
• 1:27:51
  towards the bomb. It says that he has 6 minutes.
• 1:27:54
  And I got to say this bomb for digital bomb is really, really
• 1:28:00
  loud. It's clicking as if it's like an
• 1:28:03
  old time, like clock set up with that click break.
• 1:28:07
  Digital clocks, as far as I know, don't do that.
• 1:28:11
  Yeah, they don't make a whole lot of noise if.
• 1:28:12
  Any but this one did it must be a different model.
• 1:28:15
  Must be. So he gets near the bomb and he
• 1:28:18
  cuts it off the leg of the rig. He starts swimming towards the
• 1:28:22
  valve that he needs to close, and all he sees in front of him
• 1:28:25
  is murky oil water. He's not looking anywhere where
• 1:28:29
  he needs to be because the valve happens to be right behind him,
• 1:28:32
  and at first he's not looking that way.
• 1:28:34
  And this is where emotional creepy music thing happened,
• 1:28:39
  because it gets a little like, there's like 2 seconds of like,
• 1:28:44
  emotional music, Yeah. Where it says sentimental music
• 1:28:48
  plays. And then as soon as it starts,
• 1:28:51
  it switches to ominous music. Yeah, but sentimental music is
• 1:28:55
  still there, right And so. So when he was doing that,
• 1:28:59
  that's when he was closing the valve.
• 1:29:01
  The all the oil stops and everything is fine in that
• 1:29:05
  respect. He looks at the bell, he like
• 1:29:07
  the diving bell and he pushes off the beam that he was in the
• 1:29:10
  air. Shadow and family get in the
• 1:29:12
  raft and they start rowing away, leaving the rig and Paul behind.
• 1:29:16
  Paul is flame cutting the leg of the pipe and this gives the rig
• 1:29:21
  power and it also stops some of the oil.
• 1:29:26
  So again, I don't know how that works.
• 1:29:28
  I'm not a I'm not a oil rig specialist, so I don't know how
• 1:29:33
  cutting a pipe can stop oil and bring power to the system, but.
• 1:29:39
  It. Yeah, Yeah.
• 1:29:39
  You're not an oil riggiologist. Yes.
• 1:29:42
  No, Yeah, not at all. Not not even a little bit like I
• 1:29:44
  I never got that certificate. All of this stuff that happened
• 1:29:48
  right in here, I was like, did I miss something?
• 1:29:51
  Because because eventually when you get going, he ends up
• 1:29:54
  somewhere and I'm like, how do you end up here?
• 1:29:56
  Like what happened? Like because there was, because
• 1:29:58
  he also looks down at his waist at one point and there's
• 1:30:00
  something not there. And I'm like, what was supposed
• 1:30:02
  to be there? I don't know what's going on
• 1:30:04
  here. So I'm hoping you're telling me
• 1:30:06
  because I don't know what happened here.
• 1:30:09
  So as the rig gets the power and the oil stops, we have some
• 1:30:13
  creepy music playing and the shark starts coming towards him.
• 1:30:16
  He starts swimming up. Instead of going towards the
• 1:30:19
  bell he starts swimming up and one of the one of the metal
• 1:30:24
  cages, it looked like the support beams when it fell down
• 1:30:27
  and it created like a shark cage.
• 1:30:29
  So he gets up in there in the nick of time, right?
• 1:30:32
  And when he gets up there, he looks down at his oxygen tank
• 1:30:37
  and he sees that it's in the red.
• 1:30:38
  So that means, so that means he's got almost no oxygen left,
• 1:30:43
  right. This time real sentimental music
• 1:30:46
  starts playing, right? And he starts talking on the
• 1:30:49
  calm and he's talking like an asthmatic Batman.
• 1:30:52
  I'm Batman, right? And and so we started doing like
• 1:30:57
  a whole Bruce Willis Armageddon speech.
• 1:31:00
  Yeah. You know, like it's, it's his
• 1:31:02
  Doomsday speech. He's telling Chad, oh, he's oh,
• 1:31:04
  there's a gift in the bag for you.
• 1:31:06
  Make sure the right people get it.
• 1:31:08
  He's giving his final speech to everybody.
• 1:31:10
  And honestly, like with the speech going on, this is a long
• 1:31:14
  ass 6 minutes. Yeah, Oh yeah, it.
• 1:31:16
  Really is like from the time you saw the bomb for being 6 minutes
• 1:31:20
  and him giving his speech, it's already been 10 minutes, right?
• 1:31:27
  Movie time. Everybody's all sad about
• 1:31:29
  listening to his final words. A shark is swimming around him
• 1:31:32
  as he's giving his Gettysburg Address of emotion.
• 1:31:35
  He talks to Ennis last, saying he loves her.
• 1:31:38
  And Ennis knows what's going on. But he continues on with his
• 1:31:40
  death speech and it's just crying and says she loves them.
• 1:31:44
  Now we see that we're at 30 seconds of the six minute bomb
• 1:31:48
  that took 10 minutes to go through.
• 1:31:50
  Paul closes his eyes in the water.
• 1:31:53
  Because at this point I didn't understand because he was out of
• 1:31:56
  the, the metal cage at this point.
• 1:31:59
  But they didn't show him drop underneath.
• 1:32:01
  He just, he was still in there when he was giving his, you
• 1:32:03
  know, final eulogy. So he's out of the cage now.
• 1:32:08
  Paul closes his eyes as the megalodon slowly comes up
• 1:32:12
  underneath him. Paul closes his eyes and the
• 1:32:14
  shark comes up and gently takes him in the mouth.
• 1:32:17
  As soon as Paul is in the mouth, the bomb immediately blows up.
• 1:32:22
  The surface sees like everything going on, like the the blowback
• 1:32:26
  of the bomb up in the air. Tommy starts crying.
• 1:32:29
  Charles like, oh, he did it. That's like you think.
• 1:32:33
  Yeah. So we see another boat coming
• 1:32:36
  towards them. Other than the rig, there's
• 1:32:38
  nothing else out there but this one boat.
• 1:32:41
  This boat is going towards the rig and Charo sets off a flare
• 1:32:45
  gun. That's when the boat sees the
• 1:32:48
  other boat and. Fears towards when I was
• 1:32:51
  watching that part, I'm like, they can't see that boat,
• 1:32:53
  they're practically next to each other, how can they?
• 1:32:55
  Does he really need a flare to be seen?
• 1:32:57
  Wow. Right, you know, it made no
• 1:32:59
  sense. On that, no.
• 1:33:00
  The boat gets to the raft and it's El Rey and crew.
• 1:33:04
  Yeah, and. And Chuck Alito, right?
• 1:33:08
  Oh, Chuck, Alito, Chuck, Chuck Alito, Chuck Alito.
• 1:33:12
  So he's bringing everybody up on the boat and Tommy comes near
• 1:33:17
  him. He looks at Tommy and he dipped
• 1:33:19
  his head down to show him that his eye patch is on his head.
• 1:33:22
  This time. He's a lot friendlier.
• 1:33:24
  Like he's a lot happier now. He's super nice, like great guy.
• 1:33:27
  Like this is how like I would have imagined to him in the
• 1:33:29
  beginning. But at the same time, he
• 1:33:32
  probably knew who Paul was and was mad at.
• 1:33:34
  Him. Yeah, yeah, yeah.
• 1:33:35
  He's like tonight son, I'm going to take your mom home and fuck
• 1:33:37
  her like she's mine. I'm your new step daddy, son.
• 1:33:42
  Yeah. He knew what was going on.
• 1:33:48
  Yeah, they help him on the boat and everybody's on there and
• 1:33:51
  they start like going off, but they stopped in for a minute and
• 1:33:54
  they look back and the rig starts falling piece by piece
• 1:33:57
  into the ocean and they're just watching this whole thing
• 1:34:00
  happened. Yes.
• 1:34:01
  And now, isn't that just going to be a huge oil leak now?
• 1:34:04
  You would think, you would think yes, but apparently because he
• 1:34:07
  sealed it, it's OK I guess. That's great, so the lock is
• 1:34:14
  really going to be pissed now. Yeah, exactly.
• 1:34:16
  You know, and so at this point, everybody's they, they see the
• 1:34:22
  water, they see that the the rig is gone and everybody's sitting
• 1:34:27
  down and relief. Everybody seems a bit more OK
• 1:34:29
  than they should be because, I mean, they just lost their dad.
• 1:34:33
  You know. Well, you know this is how it
• 1:34:35
  goes. They cry for 5 minutes and then
• 1:34:37
  everybody fine. Well, that's true and this is
• 1:34:39
  like, you know, everything will be fine, okay, you know all
• 1:34:42
  right, you know if. You say?
• 1:34:45
  So we've got life insurance. We're good.
• 1:34:50
  Tommy looks down at his necklace and that Junior gave him, and he
• 1:34:53
  puts it in the water and floats down.
• 1:34:55
  And it looked like they were trying to do like some sort of
• 1:34:57
  3D thing with it where the CGI looked like it looked like it
• 1:35:01
  was trying to do like some sort of 3D image.
• 1:35:03
  And so they go off into the ocean as it starts to rain.
• 1:35:07
  And we see the wooden boat in the in the water just floating
• 1:35:11
  by. And then all of a sudden, it's
• 1:35:14
  pulled under the water violently.
• 1:35:16
  Yeah. And.
• 1:35:17
  How? Somehow I don't know if it
• 1:35:20
  'cause it's just that little tiny wooden boat, so, and it's,
• 1:35:23
  and it's like, how does it get pulled down?
• 1:35:25
  Who pulls it down 'cause if the shark, the megalodon, that's
• 1:35:28
  huge, you would see some part of that fucking shark, right?
• 1:35:32
  Pulling it down. So yeah, it was pretty ominous.
• 1:35:34
  I don't know if there's gonna be another black demon. 2 black
• 1:35:36
  demons. I mean, apparently they very
• 1:35:39
  well. I mean look at Jaws, you know,
• 1:35:40
  they had great success with Jaws with the first one and the
• 1:35:43
  second one they added a second one.
• 1:35:45
  Yeah, there was 2 Jaws. There was 2 Jaws.
• 1:35:48
  Yeah, Jaws eye. All right, well, that's the end
• 1:35:58
  of that movie. And it was this is, you know, I
• 1:36:04
  I do love a good cheesy shark movie like I was talking last
• 1:36:09
  week, but this is not a cheesy shark movie.
• 1:36:11
  This was trying to be a serious shark movie.
• 1:36:13
  It was. And I didn't enjoy the only
• 1:36:17
  serious shark movie I think I've ever liked is Jaws.
• 1:36:21
  I did like Deep Blue Sea, which is there's some comedic parts to
• 1:36:24
  Deep Blue Sea and it has LL Cool J who is like fucking hot so.
• 1:36:30
  Anyhow, similar L fucking Jackson, yeah, can never go
• 1:36:33
  wrong with. Him no, but that's a that's a
• 1:36:35
  semi serious, I guess shark movie, which I'm OK with most of
• 1:36:40
  the shark movies are so cheesy because I mean like again, what
• 1:36:42
  what more can you do for the shark movie?
• 1:36:44
  Right. This one, it was just, I don't
• 1:36:47
  know if it was taking itself too seriously.
• 1:36:48
  I don't know what it was, but it just, if it had been cheesy, I
• 1:36:51
  would have liked it more than what I I liked it.
• 1:36:55
  But I of course, again, I didn't like the acting by Josh Lucas.
• 1:36:59
  Everybody else was fine, but he was horrible in this movie,
• 1:37:02
  absolutely awful. And he's and I don't think he, I
• 1:37:04
  don't consider him a bad actor. I've seen other things I've
• 1:37:06
  liked him in so it's just not his genre.
• 1:37:08
  I mean, sometimes, sometimes actors just get the wrong movie
• 1:37:12
  and it just doesn't, just doesn't play well.
• 1:37:14
  Yeah, and this shark movie actually didn't, honestly, it
• 1:37:17
  didn't have a whole lot of shark in it like.
• 1:37:20
  It just had a lot of reused footage.
• 1:37:22
  Yeah, and I mean, you get glimpses of shark every once in
• 1:37:25
  a while, but you really didn't see a whole lot of the shark
• 1:37:28
  except for when it jumped out the water and chomped that boat
• 1:37:31
  in half. Right and.
• 1:37:33
  Didn't see a whole lot of shark action.
• 1:37:35
  There's only like 4 times that you saw it.
• 1:37:38
  Yeah, when he jumped out of the water, that time when he came up
• 1:37:42
  to get Paul, when it was coming up to get Audrey.
• 1:37:46
  You saw him briefly. And then I think there was like
• 1:37:49
  one other time. I think it was like when it was
• 1:37:52
  coming up to try to get, no, not Junior Tommy when he was putting
• 1:37:57
  the wood boat in originally. I think that's the only other
• 1:37:59
  time. Yeah, it just didn't really.
• 1:38:02
  They didn't show him much. You know, and and I say like you
• 1:38:06
  a long time ago, how you said that it's hard to judge shark
• 1:38:09
  movies when you have Jaws because you always feel like
• 1:38:12
  that. You're comparing it to that.
• 1:38:14
  Yeah. And with Jaws, you only saw the
• 1:38:17
  shark fin until the end. Yeah.
• 1:38:19
  You didn't see the shark until the end.
• 1:38:21
  You just saw what it may have done.
• 1:38:23
  You know, you saw the remnants of it, but you never actually
• 1:38:26
  saw the shark until the. Yeah.
• 1:38:27
  It just made it so good, yeah. And I think some some movies try
• 1:38:32
  to mimic that, but they try to add the shark in a little bit
• 1:38:36
  more and kind of takes it away. Yeah, and I also think I'm a
• 1:38:40
  little jaded by the cheesier shark movies because they do
• 1:38:43
  show a lot of shark. Yeah, I like to see a lot of
• 1:38:45
  shark. Show me.
• 1:38:46
  Some show me some scaff. Going back to that shark porn,
• 1:38:52
  Yeah, show me that shark baby. So yeah, I mean, this is not,
• 1:39:00
  I'm pretty sure I've seen this movie before, cuz it was like
• 1:39:05
  when you wake up in the morning after you've had a pretty vivid
• 1:39:07
  dream that you can remember, but by the end of the day you only
• 1:39:10
  have an essence of it. So you don't really remember the
• 1:39:12
  details anymore. This is what it was like.
• 1:39:14
  I was like, I remembered some of the essence of this movie, but I
• 1:39:18
  don't remember all the details or even who was in it or
• 1:39:20
  anything like that. I have a couple movies like
• 1:39:23
  that. Yeah, so obviously it didn't
• 1:39:25
  mean a whole lot to me the first time I saw it either, so, but
• 1:39:28
  I'd have to say. Oh, and also just talking about
• 1:39:30
  the size of that shark, when he ate Paul, he literally just went
• 1:39:34
  right up under Paul and Paul just went right into him.
• 1:39:37
  He didn't even have to bite him, he was that big.
• 1:39:40
  Just open his mouth. Yeah, just open his mouth and
• 1:39:43
  Paul just went right in there. Paul.
• 1:39:44
  Paul was probably still alive inside the belly of the shark
• 1:39:48
  when he blew up. He blew up from the bomb, not
• 1:39:51
  from being eaten by the shark. He was that big and somehow was
• 1:39:54
  able to get inside those things. It's under the rig.
• 1:39:56
  I don't know, but I'd have to say maybe AI don't know, maybe a
• 1:40:01
  two. I just wasn't overly impressed
• 1:40:04
  with it. It wasn't, in fact, in the
• 1:40:06
  beginning of the movie, like there were parts where I'd just
• 1:40:08
  get on my phone and like do whatever, you know.
• 1:40:11
  So there were some things I think I missed.
• 1:40:13
  Because I was on my phone a little bit here and there
• 1:40:15
  because I was just like bored and just wasn't into it at all.
• 1:40:18
  So but I mean, all the other actors besides Josh Lucas were
• 1:40:21
  good. I mean, I get the idea of the
• 1:40:23
  movie because it was really more of a, you know, look at what
• 1:40:26
  we've done to the Earth kind of movie, an environmentalist
• 1:40:30
  movie. So I got that.
• 1:40:31
  I get what they were doing there, but it just, I don't
• 1:40:34
  know. I wasn't, it wasn't scary.
• 1:40:36
  There were no scary shark moments.
• 1:40:38
  There was, it was just so yeah, a big old $0.02 for.
• 1:40:44
  Me so I play off you a little bit when it comes to saying that
• 1:40:47
  it really wasn't scary at all. Part of that could be because
• 1:40:50
  I've seen so many damn, like you, I've seen so many damn
• 1:40:54
  horror movies that it's hard to, you know, be jump scared or to
• 1:40:59
  be scared about something in the movie because they use similar
• 1:41:01
  tropes. But overall, I mean, it
• 1:41:04
  definitely had its flaws. I did try watching this a while
• 1:41:08
  ago and I'm not sure why I stopped it, but I end up
• 1:41:11
  stopping it and I never went back to it.
• 1:41:13
  And that was probably when it first hit streaming because it
• 1:41:17
  looked good. And so I tried it and I think
• 1:41:21
  maybe because I thought the whole thing was going to be
• 1:41:23
  subtitled and I didn't at that time bothered to check.
• 1:41:27
  And you know, I have to be like in the mood to sit down and
• 1:41:31
  watch a movie if I'm going to watch in subtitles.
• 1:41:33
  And so I think that's why I may have shut it off was because I
• 1:41:36
  thought that was going to be like that way and I never went
• 1:41:39
  back to it. So I forgot about that when I
• 1:41:43
  suggested this one. And once I got past that first
• 1:41:48
  scene, because again, like you, I was checking to see if like
• 1:41:52
  subtitles were on or if the OR if the dubbing was correct and
• 1:41:56
  what not. But then it turned out it was
• 1:41:58
  just how the movie was in the beginning.
• 1:42:00
  You know, despite some of the things, I mean, you, you brought
• 1:42:03
  to light some things that I didn't think of, you know, like
• 1:42:06
  the shark in the in the water with all the the bars, like
• 1:42:09
  how's he getting through it all? You know, because again, he was
• 1:42:12
  a demon shark, but at the same time they were making him a
• 1:42:15
  physical entity. Yeah.
• 1:42:16
  So it wasn't like he was like supernatural in the sense that
• 1:42:19
  he could go through bars and he can go through like these things
• 1:42:23
  are like he disappears at the drop of a you know, she was
• 1:42:26
  supposed to be like a real empirical thing.
• 1:42:28
  And then, you know, us discussing the guys on the dock,
• 1:42:31
  you know, that, you know, maybe that was their way of getting
• 1:42:34
  the rest of the family out there and and what not.
• 1:42:37
  So, I mean, there's a few things I didn't think of when when I
• 1:42:40
  was watching it. I just realized something, yeah.
• 1:42:44
  When I said that I meant for writing purposes, I meant for
• 1:42:48
  like the writer. Like in order to get the family
• 1:42:51
  to get out on the rig, they had to find a way to get them there.
• 1:42:54
  And so having them being chased by these guys that we never see
• 1:42:58
  again is just the way to get them.
• 1:43:00
  Not because those guys wanted them out on the rig.
• 1:43:02
  I just realized that that's what you thought I meant.
• 1:43:04
  OK, yeah, that's what I thought you meant.
• 1:43:06
  Yeah, yeah, yeah. I just meant for writing.
• 1:43:07
  Purposes. Thanks for ruining that for me.
• 1:43:17
  But this, this is 1 where if was on in the background, you know,
• 1:43:22
  I wouldn't, I wouldn't necessarily shut it off if I had
• 1:43:24
  nothing else to watch, you know, it'd be background noise, like
• 1:43:28
  if I'm playing, you know, on my phone or, you know, playing
• 1:43:31
  together a Lego set or, or whatever, you know, so I
• 1:43:35
  wouldn't necessarily turn it off.
• 1:43:37
  I mean, it definitely had its flaws, but I didn't think they
• 1:43:41
  detracted too much for me. I'd probably give it $0.05.
• 1:43:47
  Like I, I definitely wouldn't go too high with it because it, you
• 1:43:51
  know, much higher would be too generous because of like just
• 1:43:54
  some of the plot holes and how they came to be on the certain
• 1:43:58
  things. And it was just, some of it was
• 1:44:01
  just a little too far fetched, but I didn't think it was
• 1:44:04
  terrible. So $0.05.
• 1:44:06
  All right. Is that all?
• 1:44:08
  Do you have anything else to add?
• 1:44:10
  We can put a sock. On it.
• 1:44:12
  All right, let's put the sock on it.
• 1:44:14
  And that was The Black Demon, a movie where you think you're
• 1:44:17
  signing up for shark mayhem, but what you're really getting is a
• 1:44:20
  lecture on corporate greed with a side of human chum.
• 1:44:24
  Next week, we'll stay deep underwater but switch things up
• 1:44:26
  with the Leviathan, A cult classic from the late 80s where
• 1:44:29
  deep sea miners discover that the only thing more dangerous in
• 1:44:32
  the ocean floor is what's waiting to crawl out of it.
• 1:44:35
  And the best part? You can stream it for free on
• 1:44:37
  Tubi and Pluto. Until then, remember, be scared,
• 1:44:41
  be prepared. And if you see a giant shark
• 1:44:43
  circling your rig, maybe just call it a day and let nature
• 1:44:46
  win.