Latest / Lama Lena Teachings / How to Listen to Your Heart When the Ego Shouts Louder — English/Spanish (May 2019)
Transcript
- 0:15SPEAKER_02: Okay.
- 0:16SPEAKER_02: Okay.
- 0:43SPEAKER_02: Thank you.
- 0:44SPEAKER_02: Thank you.
- 1:00[music]
- 1:14SPEAKER_02: Yandudang Yandrun Lama Nala,
- 1:18SPEAKER_02: Sulu Vah De,
- 1:27SPEAKER_01: Palkandu Shandang Yarmepa, Vangarab Dura-Jijin Chakpah,
- 1:36SPEAKER_02: Jethi Dhan Nisumepah,
- 1:54SPEAKER_03: I think tonight's teaching is to be about the ego and the heart.
- 1:58SPEAKER_03: It has a title.
- 2:09SPEAKER_02: But I am not certain what that title means to you.
- 2:14SPEAKER_03: What actually are you asking for?
- 2:16SPEAKER_03: Somebody say something.
- 2:39SPEAKER_03: Por favor, uno a la vez, levanten la mano, gracias.
- 2:45SPEAKER_03: Perdón, señor, no la escucho.
- 2:50SPEAKER_03: The Lama had asked me to speak.
- 2:55SPEAKER_03: Señor, hable, por favor.
- 3:00SPEAKER_03: Don't call me, sir.
- 3:01SPEAKER_03: Ok, bueno.
- 3:02SPEAKER_03: ¿Quiere hablar?
- 3:07SPEAKER_03: Perdón, señor.
- 3:08SPEAKER_03: Disculpe.
- 3:11SPEAKER_03: Peace and emptiness.
- 3:17SPEAKER_01: Ah, tricky words.
- 3:29SPEAKER_02: Peace is only part.
- 3:33SPEAKER_02: Peace is not violence, is it?
- 3:36SPEAKER_03: Peace is not what, Lama?
- 3:37SPEAKER_02: Violence.
- 3:38SPEAKER_03: It is not agitation,
- 3:42SPEAKER_01: is it?
- 3:43SPEAKER_01: Therefore, peace is limited.
- 3:45SPEAKER_02: The fruition, the goal of practice is not limited.
- 3:49SPEAKER_03: It is not
- 4:09SPEAKER_03: No es la paz del modo que ustedes la piensan.
- 4:15SPEAKER_03: Esa palabra.
- 4:19SPEAKER_03: Estamos refiriéndonos a algo que está vacío de características.
- 4:25SPEAKER_03: Ya que no es ni azul,
- 4:28SPEAKER_03: ni amarillo, ni verde, no tiene un color por el cual ustedes pueden describir.
- 4:35SPEAKER_01: No es ni redondo, ni cuadrado, no es grande,
- 4:40SPEAKER_03: ni es pequeño.
- 4:40SPEAKER_03: Está vacío de estas cosas, de las características.
- 4:43SPEAKER_01: Y nosotros nos guiamos y vivimos basándonos en
- 4:46SPEAKER_02: características.
- 4:48SPEAKER_03: Por estas cosas y aquellas cosas.
- 5:06SPEAKER_02: And to us, everything is either this or
- 5:09SPEAKER_03: that.
- 5:14SPEAKER_02: When we say empty, we refer to something being empty of this is and that's.
- 5:22SPEAKER_03: But I am still not clearly understanding these questions.
- 5:35SPEAKER_03: Pero todavía en realidad no comprendo la palabra, perdón, la pregunta del grupo.
- 5:47SPEAKER_03: ¿Cómo la vacuidad y la paz se relacionan con el corazón y con el ego?
- 5:54SPEAKER_03: ¿Alguien más me puede decir?
- 5:56SPEAKER_00: En realidad la pregunta va enfocada.
- 6:03SPEAKER_03: Actually, the question is focused on in how in practical terms on a day-by-day basis,
- 6:20SPEAKER_02: Sometimes we have difficulties determining what one should
- 6:23SPEAKER_02: in either another practice or in our life.
- 6:25SPEAKER_03: And sometimes it seems to
- 6:26SPEAKER_03: be that our habits, our tendencies,
- 6:50SPEAKER_03: Lead us to make decisions that are actually not the best ones.
- 7:03SPEAKER_03: So the question is how to have more clarity about what we should listen within ourselves.
- 7:11SPEAKER_02: I understand now what you are, I think, speaking of.
- 7:21SPEAKER_02: Y uno
- 7:25SPEAKER_03: de los problemas es que nosotros percibimos la iluminación
- 7:32SPEAKER_03: como si fuera esto o aquello.
- 7:37SPEAKER_03: Es pacífico, pero no es agitación.
- 7:41SPEAKER_03: Pensamos de este modo.
- 7:44SPEAKER_03: Es de esto, viene de esto, pero no viene de aquello.
- 7:49SPEAKER_03: Está abierto, pero no está cerrado.
- 7:56SPEAKER_03: Nosotros lo limitamos.
- 7:59SPEAKER_02: Y al
- 8:04SPEAKER_03: limitarlo, limitamos las posibilidades de nuestra experiencia.
- 8:12SPEAKER_03: Con mucha frecuencia, en el día a día, siempre
- 8:15SPEAKER_02: hay que elegir esto o eso.
- 8:18SPEAKER_03: Estamos siempre eligiendo esto o
- 8:22SPEAKER_02: aquello.
- 8:25SPEAKER_03: ¿Debiera sentarme aquí o debiera ir más allá?
- 8:29SPEAKER_02: En cada momento.
- 8:35SPEAKER_03: El problema es que nosotros lo hacemos binario.
- 8:38SPEAKER_02: ¿Esto o aquello?
- 8:40SPEAKER_03: ¿Esto o aquello?
- 8:46SPEAKER_03: ¿Debiera limpiar la casa o debiera irme a la fiesta?
- 8:51SPEAKER_03: Esto o aquello.
- 8:58SPEAKER_03: Y esto bloquea.
- 9:02SPEAKER_03: En nuestra capacidad de poder percibir lo que no es ni esto ni aquello.
- 9:11SPEAKER_02: This creation of the material.
- 9:15SPEAKER_03: Esta creación de limitaciones para nosotros mismos,
- 9:24SPEAKER_03: que lo hacemos al tratar de conseguir lo que queremos
- 9:28SPEAKER_02: y tratar
- 9:31SPEAKER_03: de escapar de lo que
- 9:33SPEAKER_03: no queremos.
- 9:37SPEAKER_03: Continuamente hacemos esto.
- 9:39SPEAKER_02: Instead of the hero,
- 9:43SPEAKER_03: En vez de estar aquí y ahora,
- 9:48SPEAKER_03: en la totalidad de este momento tal cual es,
- 9:56SPEAKER_03: en la total satisfacción de lo que
- 10:00SPEAKER_02: es,
- 10:04SPEAKER_03: sin la necesidad de describirlo ni mejorarlo,
- 10:11SPEAKER_03: tratamos de conseguir algo más.
- 10:18SPEAKER_03: Lo que significa que ustedes no logran sentarse ahí y tener lo que sí tienen.
- 10:25SPEAKER_03: Esto es la picazón primaria.
- 10:32SPEAKER_02: De la disatisfacción.
- 10:35SPEAKER_03: De la disatisfacción.
- 10:41SPEAKER_03: Que crea esa visión en forma de túnel.
- 10:48SPEAKER_03: Donde nos fijamos como en un túnel, en los fenómenos.
- 10:56SPEAKER_03: Como el hombre que tiene un ojo y que está mirando a través de un tubo.
- 11:04SPEAKER_03: Constantemente esto o aquello.
- 11:07SPEAKER_02: Porque no podemos abrir.
- 11:11SPEAKER_03: Porque no podemos abrir nuestros ojos.
- 11:23SPEAKER_03: Más allá de todos los estos y todos los aquellos.
- 11:31SPEAKER_03: En la verdad, hasta entrar a la verdad de los fenómenos.
- 11:44SPEAKER_03: Lo que surge como la pura vitalidad del que mira en forma abierta.
- 11:52SPEAKER_02: Y nunca
- 11:54SPEAKER_03: ha sido nada más que eso.
- 11:58SPEAKER_03: Y es totalmente satisfactorio
- 12:05SPEAKER_03: simplemente como es.
- 12:07SPEAKER_03: En este ahora
- 12:13SPEAKER_03: ¿Alguna vez tuvieron unos pocos momentos o una o dos horas donde ustedes han estado
- 12:20SPEAKER_03: aquí y ahora mismo?
- 12:22SPEAKER_03: A veces
- 12:44SPEAKER_02: Justo después
- 12:48SPEAKER_03: de que ese accidente casi no los mató y ustedes pararon costado del
- 12:57SPEAKER_03: camino,
- 13:03SPEAKER_03: dándose cuenta que ese camión no los chocó y no los tiró a la zanja,
- 13:09SPEAKER_02: At such times you may spontaneously experience this.
- 13:14SPEAKER_03: Where is enough in this moment to simply be
- 13:20SPEAKER_02: alive in this moment?
- 13:26SPEAKER_03: I'm sorry.
- 13:27SPEAKER_02: Where is enough in this moment to simply be alive
- 13:31SPEAKER_03: in this moment?
- 13:32SPEAKER_03: Have you ever had such an experience?
- 13:38SPEAKER_03: Algunas
- 13:43SPEAKER_02: personas
- 13:48SPEAKER_03: manejan coches muy veloces y también saltan de los aviones para
- 13:55SPEAKER_03: tener esta experiencia una y otra vez.
- 14:02SPEAKER_03: Pero como cualquier droga que se toma con demasiada frecuencia,
- 14:08SPEAKER_03: Se convierte en algo menos y menos eficaz.
- 14:19SPEAKER_03: En tibetano, el corazón y la mente
- 14:28SPEAKER_03: tienen el mismo significado.
- 14:33SPEAKER_03: Del mismo modo que aquí en Occidente,
- 14:40SPEAKER_03: Para mucha gente que piensan con una mente científica,
- 14:44SPEAKER_02: que están
- 14:48SPEAKER_03: de manera profunda metidos en esa cultura,
- 14:52SPEAKER_02: el
- 14:54SPEAKER_03: cerebro y la mente, está todo en la cabeza de ustedes.
- 15:01SPEAKER_02: Ellos dicen, ¿sabes, como westerners, vamos a la locura?
- 15:07SPEAKER_03: Ustedes saben que los occidentales hacemos este movimiento para indicar el estar loco.
- 15:16SPEAKER_03: Y giramos nuestro dedo señalando a la cabeza.
- 15:21SPEAKER_02: Los tibetanos lo
- 15:24SPEAKER_03: hacen así, él está loco.
- 15:29SPEAKER_03: Él está loco.
- 15:36SPEAKER_03: Entonces, para hablar sobre cuestiones del corazón,
- 15:43SPEAKER_02: yo estoy
- 15:45SPEAKER_03: hablando de cuestiones de la mente.
- 15:52SPEAKER_03: El corazón, el cual crea
- 15:57SPEAKER_03: la experiencia.
- 16:01SPEAKER_03: La cual experiencia las experiencias.
- 16:08SPEAKER_03: La cual experiencia las percepciones,
- 16:13SPEAKER_03: el pensamiento y los sentimientos.
- 16:19SPEAKER_03: Todo ese embrollo, los cuales son los fenómenos.
- 16:27SPEAKER_02: El Ego.
- 16:38SPEAKER_03: Nosotros en Tibet no tenemos esa palabra,
- 16:41SPEAKER_03: pero lo llamamos el estar autocentrado o el focalizar en uno mismo.
- 16:54SPEAKER_03: Se considera como el prestar demasiada atención a uno mismo, la atención centrada en uno mismo.
- 17:04SPEAKER_03: Cuando nosotros prestamos mucha atención a nosotros mismos,
- 17:10SPEAKER_03: y del modo que nos estamos sintiendo,
- 17:14SPEAKER_03: y lo que estamos pensando, y lo que estamos percibiendo,
- 17:24SPEAKER_03: eso tensa ese embrollo.
- 17:27SPEAKER_03: Entonces lo hace muy duro, no interactivo,
- 17:36SPEAKER_03: Lo hace muy difícil el no mirar o pispiar adentro de
- 17:42SPEAKER_02: ese
- 17:44SPEAKER_03: tubo.
- 17:46SPEAKER_03: Es una sensación de estrés
- 17:50SPEAKER_03: tarde en la noche cuando no pueden conciliar el sueño y
- 17:58SPEAKER_03: vuestro corazón está muy activo con la esperanza y el miedo
- 18:07SPEAKER_03: Usualmente con la preocupación.
- 18:09SPEAKER_03: Y en esos momentos,
- 18:15SPEAKER_03: aun si vuestra vida está yendo muy bien,
- 18:19SPEAKER_03: va a encontrar algo del cual preocuparse.
- 18:29SPEAKER_03: Aunque en la mañana les parezca algo muy tirado de los pelos,
- 18:34SPEAKER_02: Pero a las 2 de
- 18:39SPEAKER_03: la mañana cuando están despiertos
- 18:42SPEAKER_03: y lo que ustedes hallan y
- 18:46SPEAKER_02: va
- 18:46SPEAKER_02: a estar muy cercano a ustedes,
- 18:53SPEAKER_03: muy cercano a su vida,
- 18:56SPEAKER_03: muy cercano a vuestra familia, muy cercano a vuestro trabajo, a vuestro mandala.
- 19:06SPEAKER_03: Es improbable que ustedes se flippen
- 19:11SPEAKER_03: a las 2 de la mañana
- 19:17SPEAKER_03: sobre la última mariposa azul de Borneo.
- 19:23SPEAKER_03: Van a flipar sobre sus niños, vuestros trabajos, Vuestras cuentas a pagar.
- 19:35SPEAKER_03: Vuestras esperanzas.
- 19:39SPEAKER_03: Si ustedes han hecho las cosas bien o no.
- 19:42SPEAKER_02: Vuestros temores.
- 19:46SPEAKER_02: Esto no
- 19:47SPEAKER_03: es así.
- 19:49SPEAKER_03: Eso es el ego.
- 19:52SPEAKER_03: Eso es el... Focalizar en uno mismo.
- 20:01SPEAKER_02: Does this answer what you are asking?
- 20:02SPEAKER_02: Can we bring the table closer to you?
- 20:02SPEAKER_03: The mic is too far from you and they cannot hear much.
- 20:03SPEAKER_03: Yes, it does.
- 20:04SPEAKER_03: How is this now?
- 20:04SPEAKER_03: Can we bring the table closer to you?
- 20:05SPEAKER_02: The mic is too far from you and they cannot hear much.
- 20:11SPEAKER_02: Yes, it does.
- 20:11SPEAKER_02: How is this now?
- 20:11SPEAKER_02: Can we bring the table closer to you?
- 20:12SPEAKER_03: The mic is too far from you and they cannot hear much.
- 20:13SPEAKER_03: Yes, it does.
- 20:13SPEAKER_03: How is this now?
- 20:14SPEAKER_03: Can we bring the table closer to you?
- 20:15SPEAKER_03: Can we bring the table closer to you?
- 20:16SPEAKER_03: The mic is too far from you and they cannot hear much?
- 20:18SPEAKER_03: Yes, it does.
- 20:19SPEAKER_03: How is this now?
- 20:19SPEAKER_02: Can we bring the table closer to you?
- 20:21SPEAKER_02: Can we bring the table closer to you?
- 20:22SPEAKER_03: Can we bring the table closer to you?
- 20:23SPEAKER_03: Can we bring the table closer to you?
- 20:24SPEAKER_03: Can we bring the table closer to you?
- 20:26SPEAKER_02: Can we bring the table closer to you?
- 20:26SPEAKER_02: Can we bring the table closer to you?
- 20:28SPEAKER_03: Can we bring the table closer to you?
- 20:29SPEAKER_03: Can we bring the table closer
- 20:33SPEAKER_03: I think Lama, she's referring to the people through via webcast.
- 20:40SPEAKER_02: Yeah.
- 20:41SPEAKER_03: Yeah, I would like to chat with people
- 20:59SPEAKER_03: All over the world, they can hear you because they speak English.
- 21:03SPEAKER_03: So people who are somewhere else in the planet, can you hear Lama now?
- 21:07SPEAKER_03: Lama, will you say something, please?
- 21:09SPEAKER_02: Yeah, testing, one, two, three, testing.
- 21:14SPEAKER_02: Hi, guys.
- 21:15SPEAKER_02: How about now?
- 21:19SPEAKER_02: Can you hear me any better?
- 21:22SPEAKER_02: Are you going to be with me?
- 21:24SPEAKER_03: Creo que hay una forma de poder acercar el micrófono que esté, si lo mueven hacia Lama.
- 21:30SPEAKER_03: ¿Entienden lo que digo?
- 21:32SPEAKER_02: Creo que no va
- 21:34SPEAKER_02: por la caja, ¿no?
- 21:39SPEAKER_02: ¿Es lo que está siendo transmitido
- 21:41SPEAKER_03: por la Internet y va por el blog?
- 21:52SPEAKER_03: Lo que se está tramiteando vía la internet pasa por esa caja.
- 21:56SPEAKER_03: Yes.
- 21:57SPEAKER_03: Quizás la puedes
- 21:59SPEAKER_02: levantar.
- 22:02SPEAKER_02: Está todo.
- 22:04SPEAKER_03: Quizás la limitación de la internet.
- 22:08SPEAKER_03: It's so high that it picks up even the sound of a fly.
- 22:14SPEAKER_03: Sure.
- 22:16SPEAKER_03: So everything is there, you know, all together.
- 22:19It's...
- 22:24SPEAKER_03: So everything goes so they hear everything besides you.
- 22:33SPEAKER_02: Well then I think this
- 22:35SPEAKER_03: may be the best.
- 22:36SPEAKER_03: No, it doesn't work.
- 22:36SPEAKER_03: Just an idea but it didn't work.
- 23:07SPEAKER_03: Oh, I think that Lama always looks at you when she answers.
- 23:11SPEAKER_03: So she becomes distant from the mic and then can't hear her.
- 23:17SPEAKER_02: I'll
- 23:21SPEAKER_01: just move this around
- 23:23SPEAKER_03: with me.
- 23:29SPEAKER_03: Así va cuando yo hablo, cuando voy de aquí para allá.
- 23:34¿Qué tal así, si lo pongo justo al lado de mi boca?
- 23:43SPEAKER_02: ¿Este micrófono está encendido?
- 23:44SPEAKER_03: Sí, está seguro.
- 23:45SPEAKER_03: Sí.
- 24:03SPEAKER_03: I don't know, Lama.
- 24:04SPEAKER_01: I'm not into the techie aspect.
- 24:12SPEAKER_03: Okay, they can hear over there somewhere, but here he has it turned off.
- 24:18SPEAKER_02: Okay, so when you guys in the back can't hear me, wave your arms in the air.
- 24:24SPEAKER_03: But Lama, they need to hear me here.
- 24:27SPEAKER_03: They need to hear you over there.
- 24:30SPEAKER_03: No, they can't hear me fine here, right?
- 24:34SPEAKER_03: The problem
- 24:39SPEAKER_03: is people who are far away, they need to hear you.
- 24:42SPEAKER_03: So he says that he has your mic off and on to them far away.
- 24:47SPEAKER_03: So it should work.
- 24:48SPEAKER_02: Okay, well, it's the best thing to do.
- 24:54SPEAKER_02: Sometimes the karma is knocked out if you're broke out.
- 24:57SPEAKER_03: Es lo mejor que estamos procurando hacer lo mejor que podemos
- 25:00SPEAKER_03: a veces el cargo que tenemos es que el webcam no sea necesariamente perfecto.
- 25:08SPEAKER_03: Entonces, nosotros tratamos.
- 25:14SPEAKER_03: A veces funciona.
- 25:23SPEAKER_03: No podemos arreglar todo.
- 25:26SPEAKER_03: Lo que sea que ustedes piensan que sería perfecto,
- 25:36SPEAKER_03: nunca van a conseguir eso.
- 25:41SPEAKER_03: Yo los desafío
- 25:45SPEAKER_03: a que planeen algo para mañana a la
- 25:48SPEAKER_02: tarde.
- 25:50SPEAKER_02: Yo enseño mañana a la mañana, ¿verdad?
- 25:53SPEAKER_03: ¿También estoy enseñando a la tarde?
- 25:56SPEAKER_03: Ok.
- 26:00SPEAKER_03: Yo quiero que ustedes hagan un plan para mañana a la tarde.
- 26:09SPEAKER_03: Un plan perfecto de cómo ustedes pasarían una tarde perfecta.
- 26:12SPEAKER_03: Y
- 26:15SPEAKER_02: después fíjense a ver qué pasa.
- 26:21SPEAKER_03: Yo les apuesto que lo que pase
- 26:26SPEAKER_02: no será preciso lo que se plantea.
- 26:29SPEAKER_03: No va a ser exactamente lo que ustedes planearon.
- 26:32SPEAKER_03: Quizás ustedes planean tener un picnic.
- 26:40SPEAKER_03: Pero después un amigo inesperado aparece y pasa algo más.
- 26:47SPEAKER_03: Donde nos enrollamos.
- 26:52SPEAKER_03: Normalmente en las cuestiones del día a día.
- 26:58SPEAKER_03: Esta tarde que todo sea del modo que nosotros queremos que sea.
- 27:08SPEAKER_03: Este es el patrón básico del deseo y la aversión.
- 27:12SPEAKER_02: Que se manifiestan como el
- 27:16SPEAKER_03: ego se flipea.
- 27:27SPEAKER_03: El mejor antídoto
- 27:29SPEAKER_02: va a ser tener un
- 27:31SPEAKER_03: buen sentido del humor.
- 27:32SPEAKER_03: Cuando las cosas se van para la mierda,
- 27:34SPEAKER_03: van a tener que reírse de esa mierda y considerar fertilizar el jardín.
- 27:57SPEAKER_01: Phenomena arises not
- 28:03SPEAKER_01: according to your hopes and plans
- 28:10SPEAKER_01: nor even particularly according to your fears.
- 28:14SPEAKER_03: It arises according to the intersections
- 28:25SPEAKER_03: Se manifiesta de acuerdo a las intersecciones de vuestro karma
- 28:29SPEAKER_03: personal, de vuestro karma grupal y de los factores contribuyentes.
- 28:36SPEAKER_03: ¿Cómo se manifiesta esto?
- 28:38SPEAKER_03: Por ejemplo, digamos que ustedes tienen un karma muy fuerte
- 28:55SPEAKER_01: To die of prostate cancer.
- 29:01SPEAKER_01: But you happen to be born as a woman.
- 29:03SPEAKER_03: Well
- 29:06SPEAKER_01: then obviously this will not happen in this life.
- 29:13SPEAKER_01: Because you do not have a prostate.
- 29:17SPEAKER_01: The contributing necessary factors.
- 29:23SPEAKER_01: Are not within the group karma of women.
- 29:30SPEAKER_03: A group of which you are a member.
- 29:35SPEAKER_01: Karma is not only your personal crap.
- 29:38SPEAKER_03: Personal crap.
- 29:41SPEAKER_03: El karma no es solo la mierda personal de cada uno de ustedes.
- 29:45SPEAKER_03: But it is shared.
- 29:48SPEAKER_03: Pero está compartida.
- 29:51SPEAKER_01: There is The karma of being a homo sapiens.
- 29:53SPEAKER_01: There is the karma of Spain.
- 29:55SPEAKER_01: The culture of Spain.
- 29:56SPEAKER_01: And how the karma of that culture affects you.
- 29:59SPEAKER_01: The conquistadors.
- 30:00SPEAKER_03: The inquisition.
- 30:24SPEAKER_03: Crap coming.
- 30:27SPEAKER_03: Some of that local.
- 30:32SPEAKER_01: And each country and each culture
- 30:37SPEAKER_01: has done its nasty things in the past.
- 30:40SPEAKER_03: Including the Tibetans.
- 30:41SPEAKER_03: And so such manifests
- 30:52SPEAKER_03: Y entonces de tal modo esto se manifiesta en el presente y en
- 30:59SPEAKER_01: el futuro.
- 31:01SPEAKER_03: Ustedes no pueden controlar el karma del grupo del cual ustedes son miembros del pasado.
- 31:16SPEAKER_03: And when you do purification,
- 31:21SPEAKER_03: even though we give lip service,
- 31:27SPEAKER_01: that's slang, you're going to have to change the slang.
- 31:32SPEAKER_03: Yeah, I know.
- 31:35SPEAKER_01: To doing it for the sake of all sentient beings.
- 31:43SPEAKER_01: Really, be honest, you're trying to do it to rescue yourself from your crap.
- 31:47SPEAKER_03: However,
- 31:47SPEAKER_03: just as you are an ecology rather than an individual made up
- 31:50SPEAKER_03: of many intersecting biomes
- 32:10SPEAKER_03: Hechos de varios biomas que los interceptan.
- 32:14SPEAKER_03: De los cuales
- 32:18SPEAKER_01: todos ellos están hechos de criaturas individuales.
- 32:22SPEAKER_03: Y de los cuales todos ellos juntos piensan sobre ellos mismos como ustedes.
- 32:41SPEAKER_01: And threats
- 32:48SPEAKER_01: about what's going to happen to the entire ecology at 2am.
- 32:51SPEAKER_01: Will it get sick?
- 32:52SPEAKER_01: Will it die?
- 32:53SPEAKER_03: So you, all of you are members
- 33:08SPEAKER_03: Entonces todos ustedes son miembros de una ecología más grande que piensa que
- 33:15SPEAKER_03: nombre de ella es Gaia.
- 33:17SPEAKER_03: Este planeta es un ser viviente del cual ustedes son el bioma.
- 33:22SPEAKER_03: Ustedes, todos ustedes,
- 33:36SPEAKER_01: And the bugs and the birds.
- 33:38SPEAKER_03: And the fish in the sea.
- 33:39SPEAKER_01: And this galaxy, Gaia, and many others like her who
- 33:42SPEAKER_03: think they are individuals.
- 34:05SPEAKER_01: Are a member of a balanced ecology called the solar system.
- 34:09SPEAKER_03: Which thinks it's alive.
- 34:10SPEAKER_03: An entity.
- 34:11SPEAKER_03: Which thinks its brain is in the sun.
- 34:13SPEAKER_01: Stars are like that.
- 34:15SPEAKER_03: But they themselves are but the biome of the galaxy.
- 34:37SPEAKER_01: The stars themselves are but members of the biome of the
- 34:40SPEAKER_03: galaxy.
- 34:45SPEAKER_01: And the galaxies themselves are but the biome of the local group.
- 34:51SPEAKER_03: Orbiting the still point that thinks it's somebody just like you do.
- 35:02SPEAKER_03: Que piensan que es aliencha como ustedes se piensan a sí mismos.
- 35:07SPEAKER_03: Entonces esa sensación del ser un único ser que nace y
- 35:12SPEAKER_01: muere de tener algo real que
- 35:14SPEAKER_03: tiene continuidad de momento a momento, de vida en vida
- 35:33SPEAKER_01: That illusion is also ego.
- 35:40SPEAKER_03: Decisions made to try to protect or perfect or improve a lump like that.
- 35:47SPEAKER_03: Un montón como ese.
- 36:03SPEAKER_01: A entity
- 36:10SPEAKER_01: are based on ego
- 36:14SPEAKER_01: and will lead to the proliferation
- 36:17SPEAKER_03: of hopes and fears,
- 36:18SPEAKER_03: which is what discontent is made of.
- 36:28SPEAKER_03: Las cuales es de lo cual el descontento o la desatisfacción está hecha de.
- 36:37SPEAKER_01: La palabra perfecto se usa para describir la iluminación.
- 36:42SPEAKER_03: Pero eso es una palabra graciosa de usar.
- 36:43SPEAKER_03: No es exactamente lo que queremos decir.
- 37:00SPEAKER_03: Perfecto.
- 37:01SPEAKER_01: Está perfectamente satisfecho con lo que es.
- 37:07SPEAKER_01: Exactamente en el momento del aquí y del ahora.
- 37:12SPEAKER_01: En cada aquí y ahora.
- 37:14SPEAKER_03: Con el que mira de manera clara y abierta.
- 37:31SPEAKER_03: Without seeing
- 37:35SPEAKER_01: the constriction
- 37:39SPEAKER_01: of rejecting hope and fear and
- 37:43SPEAKER_03: grasping renunciation
- 37:44SPEAKER_03: or the constriction
- 37:57SPEAKER_01: Of grasping hope and fear and
- 38:01SPEAKER_03: trying to achieve perfection.
- 38:04SPEAKER_03: When the heart is permitted to relax into the here and now, giggling at the fretfulness
- 38:28SPEAKER_01: Which arises as no thing in no place.
- 38:32SPEAKER_03: Think of a worry right now.
- 38:37SPEAKER_03: Pick one.
- 38:39SPEAKER_03: There's something you're
- 38:42SPEAKER_01: worried about.
- 38:43SPEAKER_01: You
- 38:43SPEAKER_03: got kids?
- 38:43SPEAKER_03: Those will usually work.
- 38:56SPEAKER_01: One always worries about the kid.
- 38:58SPEAKER_03: Okay.
- 38:58SPEAKER_03: Worry.
- 38:59SPEAKER_03: Think about what you're going to do about it.
- 39:10SPEAKER_03: What you should do about it.
- 39:24SPEAKER_03: Lo que debieran hacer.
- 39:26SPEAKER_01: Sienten aquí con vuestro gui, con el plexo solar, ¿pueden sentir como una tensión aquí?
- 39:32SPEAKER_03: Ese es el aspecto de la sensación física del sentirse frikiado o preocupado.
- 39:58SPEAKER_03: What does it mean to be freaked?
- 40:00SPEAKER_02: Afraid.
- 40:03SPEAKER_03: Is that what you're asking?
- 40:04SPEAKER_03: It's clear.
- 40:27SPEAKER_01: Pueden sentir vuestra preocupación, el que han elegido en este momento como ejemplo.
- 40:34SPEAKER_03: No dejen de preocuparse por algo, tenemos que hacerla grande, la preocupación.
- 40:52SPEAKER_01: Can you feel both the tightness here that comes and hear the words
- 41:00SPEAKER_01: that you are saying to yourself?
- 41:02SPEAKER_03: Pueden sentir la tensión que sienten aquí y las palabras que ustedes se dicen a sí mismos.
- 41:09SPEAKER_01: So what you have is
- 41:11SPEAKER_01: a tangle entangle entanglement
- 41:15SPEAKER_03: lo que ustedes tienen es un embrollo
- 41:18SPEAKER_01: of sensation of
- 41:19SPEAKER_01: a sense organ this is your yi De la sensación
- 41:23SPEAKER_03: de los órganos, de los sentidos.
- 41:25SPEAKER_03: Esta es vuestra gui.
- 41:26SPEAKER_01: Es tener una sensación que y y una historia
- 41:29SPEAKER_03: las palabras que ustedes se dicen
- 41:31SPEAKER_03: a sí mismos y una emoción que nosotros nombramos la preocupación.
- 41:50SPEAKER_03: Entonces realmente estas no son tres cosas por separado.
- 41:57SPEAKER_01: Cuando nosotros nos sentamos y nos preocupamos es una combinación de la sensación
- 42:03SPEAKER_01: que está
- 42:04SPEAKER_03: aquí del órgano de la sensación que es
- 42:07SPEAKER_01: una percepción
- 42:13SPEAKER_01: The story we're talking to ourselves about what we're worried about
- 42:17SPEAKER_01: and why we are worried about and what we're going to do about what we're worried
- 42:21SPEAKER_01: about.
- 42:21SPEAKER_03: And one of the base 51 human emotions named worry.
- 42:23SPEAKER_03: But you can't really separate.
- 42:42SPEAKER_03: Pero realmente no lo pueden separar.
- 42:44SPEAKER_03: La percepción, bueno, la sensación, la historia y el sentimiento.
- 42:50SPEAKER_03: Todo esto junto es lo que fabrica la preocupación.
- 43:05SPEAKER_01: So all of these
- 43:07SPEAKER_03: things,
- 43:10SPEAKER_01: traditionally we approach them one by one.
- 43:13SPEAKER_03: Traditionally we first approach thought.
- 43:16SPEAKER_03: Then once we are good at that.
- 43:32SPEAKER_03: Nos ocupamos del sentimiento.
- 43:35SPEAKER_03: Después que somos ya buenos con eso, nos ocupamos de la percepción.
- 43:38SPEAKER_03: La percepción aquí no es solo la sensación que están
- 43:42SPEAKER_01: percibiendo con ese órgano de la sensación.
- 44:00SPEAKER_01: But those sensations of the eyes and ears which you have seen and heard in the past
- 44:06SPEAKER_03: that you are interpreting as a specific problem.
- 44:09SPEAKER_03: Can you see that these three
- 44:26SPEAKER_03: Thoughts, feelings, and perceptions.
- 44:28SPEAKER_03: Can really not be taken separately.
- 44:30SPEAKER_03: They really are all a big bilbla.
- 44:31SPEAKER_03: Construction, no, call it a mess.
- 44:32SPEAKER_03: A mess?
- 44:33SPEAKER_01: Yeah.
- 44:53SPEAKER_01: A bilblah is when you have some yarn that you're knitting with.
- 44:57SPEAKER_03: Un
- 45:03SPEAKER_03: molde de enliado.
- 45:05SPEAKER_03: Por ejemplo, cuando ustedes tienen una bola de lana.
- 45:09SPEAKER_01: And you also have some young kittens.
- 45:11SPEAKER_03: Y también tienen unos gatitos.
- 45:12SPEAKER_03: Y se juntan por unas horas los gatitos.
- 45:20SPEAKER_01: Afterwards, what you have is what the Tibetans called a Bilbla.
- 45:25SPEAKER_03: It is generally used to describe a tangle of strings.
- 45:27SPEAKER_03: But since karmic patterns are also sometimes called lines or strings,
- 45:49SPEAKER_03: Pero como a veces los patrones kármicos también a veces se llaman líneas o cuerdas,
- 45:55SPEAKER_01: también se pueden referir a esto.
- 45:57SPEAKER_03: ¿Ustedes tienen una palabra en español para referirse a cómo esa bola de lana,
- 45:59SPEAKER_01: el aspecto de esa bola de lana después de que los gatitos jugaron con ella?
- 46:03SPEAKER_01: MS.
- 46:19SPEAKER_01: A mess.
- 46:22SPEAKER_01: So, it is an entanglement.
- 46:28SPEAKER_01: I like the word bilba, which is more than just a mess, but an entanglement of mess.
- 46:34SPEAKER_03: If you try to pull one, so have a new word.
- 46:49SPEAKER_03: Entonces, consigan una palabra nueva.
- 46:54SPEAKER_03: Describe the entanglement
- 46:59SPEAKER_01: of thoughts, feelings, and perceptions that cannot be separated.
- 47:03SPEAKER_03: So when we separate them to work with them, it is a false separation.
- 47:14SPEAKER_03: Entonces cuando los separamos para poder trabajar con ellos es una separación ficticia.
- 47:21SPEAKER_01: Solo estamos fingiendo
- 47:23SPEAKER_01: que los estamos tomando uno a la vez.
- 47:25SPEAKER_03: Porque ellos están conectados en forma de embrollo.
- 47:27SPEAKER_03: Embrollo-ment, esa es la palabra.
- 47:44SPEAKER_03: Esa es la palabra.
- 47:47SPEAKER_03: Entonces vamos a
- 47:50SPEAKER_01: fingir que podemos separar la parte del pensamiento, la historia.
- 47:54SPEAKER_03: Siga manteniendo la preocupación o vuelvan a traerlo si se olvidan de ella.
- 47:58SPEAKER_03: Piensen bien duro.
- 48:14SPEAKER_01: Me, I have a teenager.
- 48:17SPEAKER_01: I have a teenager.
- 48:18SPEAKER_03: They are worrisome.
- 48:19SPEAKER_03: I have a stubborn teenager.
- 48:22SPEAKER_03: A pig-headed, self-willed, determined,
- 48:28SPEAKER_01: stubborn 13-year-old.
- 48:40SPEAKER_03: Es una adolescente de 13 años, muy cabeza dura, muy tozuda y muy autocentrada.
- 48:48SPEAKER_01: Esa es la historia que yo me digo a mí misma.
- 48:50SPEAKER_03: Estoy diciendo esta historia basándome en las cosas que he visto de ella o
- 48:54SPEAKER_01: cosas que
- 48:54SPEAKER_01: he vivido con ella.
- 49:07SPEAKER_01: Which I interpret as pigheaded stubbornness.
- 49:10SPEAKER_03: And willfulness.
- 49:11SPEAKER_03: I made that interpretation up.
- 49:13SPEAKER_03: It's a story I tell myself.
- 49:15SPEAKER_03: The story you tell yourself.
- 49:35SPEAKER_01: About the problem you have chosen to personify the emotion of worry.
- 49:40SPEAKER_03: For this practice.
- 49:41SPEAKER_03: Also has a story.
- 49:42SPEAKER_03: What is that story made of?
- 49:44SPEAKER_03: Don't answer.
- 50:04SPEAKER_01: With an idea.
- 50:07SPEAKER_01: That would be simply making up another story and slapping it on top of the first
- 50:12SPEAKER_03: story.
- 50:19SPEAKER_01: That's like when you have dark circles and you put on a little bit of white makeup
- 50:25SPEAKER_01: and then you realize that you look like you're wearing goggles.
- 50:28SPEAKER_01: So on top of that you slap on some darker makeup.
- 50:32SPEAKER_03: Entonces es como si ustedes,
- 50:34SPEAKER_03: cuando tienen ojeras y se ponen como un maquillaje blanco y entonces es como que
- 50:39SPEAKER_03: tuvieran esas antiparras
- 50:42SPEAKER_01: puestas.
- 50:43SPEAKER_03: I didn't
- 50:43SPEAKER_01: hear you,
- 50:44SPEAKER_03: Lama.
- 50:44SPEAKER_01: Now you look gray so you put rouge on top of that.
- 50:47SPEAKER_03: Entonces ahora ustedes están grises ahí y entonces ponen el lápiz labial arriba.
- 50:53SPEAKER_01: And then you put your glasses on and look and it's really bad.
- 50:56SPEAKER_03: Y después se ponen sus anteojos y se miran y se ve bien feo.
- 51:01SPEAKER_01: You all know who wear makeup that you really can't do
- 51:04SPEAKER_03: that.
- 51:08SPEAKER_01: Well, you can't do that with stories either.
- 51:11SPEAKER_01: Slap another one on top and think it's going to correct it.
- 51:13SPEAKER_03: Instead, while you are telling yourself the story right in that moment,
- 51:29SPEAKER_03: Justo en ese momento, mientras ustedes están diciendo ustedes mismos
- 51:32SPEAKER_01: esa historia.
- 51:34SPEAKER_03: Esta es la historia.
- 51:35SPEAKER_01: Y voy a dar una
- 51:36SPEAKER_03: analogía.
- 51:37SPEAKER_01: Ustedes están mirando a través de esa historia.
- 51:41SPEAKER_03: Al que mira en forma abierta e infinita, que es el
- 52:01SPEAKER_03: Without stopping
- 52:03SPEAKER_01: the story.
- 52:05SPEAKER_03: Or
- 52:09SPEAKER_01: laying another story about Tawa on top of the story.
- 52:13SPEAKER_03: Try it.
- 52:14SPEAKER_03: Don't stop the story.
- 52:16SPEAKER_03: Keep it going.
- 52:26SPEAKER_01: She won't do her homework and no matter how hard I try and sit her down,
- 52:32SPEAKER_01: if she does it,
- 52:33SPEAKER_01: then she throws it away and doesn't turn it in and she's flunking out in school and
- 52:39SPEAKER_01: that, that, that.
- 52:40SPEAKER_01: Go on, do your own.
- 52:41SPEAKER_01: You don't need mine, you got one.
- 52:43SPEAKER_01: Thank you.
- 52:45SPEAKER_01: Ella no hizo la tarea para
- 52:50SPEAKER_03: el hogar y entonces después no se sienta y no la hace y
- 52:53SPEAKER_03: no la entrega Sigan hablando dentro de ustedes mismos.
- 52:57SPEAKER_03: Miren a través de esas palabras transparentes sin sustancia.
- 53:04SPEAKER_03: Después de todo, esas son falsas.
- 53:22SPEAKER_01: Carecen de sustancia y de
- 53:24SPEAKER_03: duración.
- 53:25SPEAKER_03: Mirenlas directamente.
- 53:26SPEAKER_03: Mientras las miran, miran a través de ellas.
- 53:27SPEAKER_03: Miren cómo surgen, se manifiestan, que mira de forma abierta e infinita.
- 53:53SPEAKER_01: Dissolve in the infinite open awareness of mind itself.
- 53:57SPEAKER_03: Again and again, afresh in each moment.
- 53:59SPEAKER_03: Arising and dissolving, arising and dissolving.
- 54:01SPEAKER_03: No object, no thing, no substance.
- 54:20SPEAKER_03: Se manifiesta y se disuelve.
- 54:22SPEAKER_03: No hay objeto, no hay una cosa, no hay sustancia.
- 54:28SPEAKER_01: Arises and dissolves.
- 54:45SPEAKER_01: It is not enough to think.
- 54:47SPEAKER_03: No es suficiente el pensar.
- 54:50SPEAKER_03: I see now that I made that story up
- 54:57SPEAKER_01: having had sensations of my sense organs
- 55:00SPEAKER_01: and interpreting them into a description
- 55:02SPEAKER_03: of reality and
- 55:03SPEAKER_01: then finding
- 55:03SPEAKER_03: that my emotions
- 55:19SPEAKER_01: Encuentran esta descripción preocupante.
- 55:21SPEAKER_03: Entonces, preocupándome al respecto de ellas.
- 55:23SPEAKER_01: Y en vez de percibir la naturaleza de los fenómenos tal cual es,
- 55:29SPEAKER_03: yo trato de arreglar cosas desde la fuera de mí.
- 55:50SPEAKER_01: Poking at what I thought was causing the sensations.
- 55:55SPEAKER_03: Not recognizing the difference between the sensations and the interpretation of the sensations.
- 56:12SPEAKER_01: Believing my story,
- 56:14SPEAKER_01: feeling about my story,
- 56:16SPEAKER_01: acting on my feelings of my story,
- 56:18SPEAKER_01: trying to fix my story by fixing external phenomena.
- 56:24SPEAKER_03: Creyendo en mi historia.
- 56:29SPEAKER_01: I forgot Lama, it was too far.
- 56:31SPEAKER_01: Got it.
- 56:31SPEAKER_01: Trying to fix my story by fixing external phenomena.
- 56:37SPEAKER_03: Tratando de arreglar mi historia al tratar de arreglar los fenómenos exteriores.
- 56:43SPEAKER_01: Not recognizing the difference between sensation and interpretation of sensation.
- 56:47SPEAKER_01: This understanding is helpful.
- 56:48SPEAKER_01: However, it doesn't really work effectively.
- 57:13SPEAKER_03: Because it itself is a story.
- 57:17SPEAKER_03: It
- 57:20SPEAKER_01: is a story on top of the story.
- 57:27SPEAKER_01: You're still trying to fix things.
- 57:30SPEAKER_03: So while watching, Tawa, Tawa,
- 57:43SPEAKER_01: The view.
- 57:47SPEAKER_01: Infinite open awareness.
- 57:51SPEAKER_01: The ground of mind in which this story as thought is arising and vanishing.
- 57:58SPEAKER_03: The feeling.
- 57:58SPEAKER_03: The feeling.
- 58:09SPEAKER_03: The flavor of discontent called worry.
- 58:12SPEAKER_03: This emotion of the heart.
- 58:14SPEAKER_01: The story is transparent.
- 58:16SPEAKER_01: But we are worried.
- 58:40SPEAKER_03: That very sensation of the Yi that we call worry recognize that there are two parts to it.
- 58:50SPEAKER_03: One is a sensation right here
- 59:06SPEAKER_03: But like any sensation,
- 59:10SPEAKER_01: we are interpreting it by naming it.
- 59:15SPEAKER_01: We name anxiety, worry, stress.
- 59:20SPEAKER_01: The naming is another story.
- 59:22SPEAKER_01: Let your attention expand.
- 59:34SPEAKER_01: To the infinite open awareness.
- 59:37SPEAKER_03: Of the ground of mind itself.
- 59:38SPEAKER_03: The great mother Dharmakaya.
- 59:39SPEAKER_01: Which gives birth to all phenomena.
- 59:42SPEAKER_03: Of itself, as itself, in no way separating from itself.
- 1:00:03SPEAKER_03: Feel the sensation without its name, naked.
- 1:00:05SPEAKER_03: It is the pure energy of vitality.
- 1:00:07SPEAKER_01: All sensations arise
- 1:00:34SPEAKER_01: Vanish and change, arising again, fresh and slightly different.
- 1:00:39SPEAKER_03: All sensations.
- 1:00:40SPEAKER_03: The manifestation of the innate vitality of open awareness.
- 1:01:02SPEAKER_01: The sparkle of that luminous lucidity.
- 1:01:06SPEAKER_03: Accept.
- 1:01:07SPEAKER_03: Do not fight.
- 1:01:08SPEAKER_03: Do not grasp.
- 1:01:09SPEAKER_03: Don't try to keep.
- 1:01:12SPEAKER_01: Don't try to
- 1:01:14SPEAKER_03: get rid of.
- 1:01:14SPEAKER_03: That sensation of pure energy
- 1:01:32SPEAKER_03: De energía pura.
- 1:01:38SPEAKER_02: Who.
- 1:01:40SPEAKER_01: Quien.
- 1:01:41SPEAKER_01: What.
- 1:01:42SPEAKER_01: Que.
- 1:01:45SPEAKER_03: Siente la sensación.
- 1:01:48SPEAKER_01: Turn around and gaze into your own eyes.
- 1:01:53SPEAKER_03: Desenvuelta y échale un vistazo adentro de vuestros propios ojos.
- 1:01:58SPEAKER_01: The perceiver.
- 1:02:00SPEAKER_01: El perceptor.
- 1:02:03SPEAKER_01: The experiencer.
- 1:02:08SPEAKER_01: Not other than the experience.
- 1:02:11SPEAKER_03: Who thinks your thoughts.
- 1:02:13SPEAKER_03: The thoughts themselves think themselves.
- 1:02:29SPEAKER_01: Who feels the feelings, feelings themselves that feel themselves.
- 1:02:35SPEAKER_03: Es solo la vitalidad de los sentimientos mismos que se sienten a sí mismos.
- 1:02:40SPEAKER_02: No tiene
- 1:02:45SPEAKER_03: otra forma de existencia además de este momento.
- 1:02:52SPEAKER_01: As a Bilblah.
- 1:02:55SPEAKER_01: Como un Bilblah.
- 1:02:58SPEAKER_03: Of all those thoughts,
- 1:03:04SPEAKER_03: feelings,
- 1:03:07SPEAKER_03: and perceptions
- 1:03:09SPEAKER_01: that have arisen in this moment
- 1:03:14SPEAKER_01: and that dissolve in this moment.
- 1:03:18SPEAKER_01: Never to reoccur again.
- 1:03:19SPEAKER_01: Never to be lost in the fullness
- 1:03:20SPEAKER_03: of time.
- 1:03:28SPEAKER_03: There is absolutely no one to fix nothing.
- 1:03:30SPEAKER_03: Do not try to stop worrying.
- 1:03:31SPEAKER_03: No traten de parar
- 1:03:32SPEAKER_01: de preocuparse.
- 1:03:55SPEAKER_01: Do not try to continue worrying.
- 1:04:03SPEAKER_01: Relax.
- 1:04:07SPEAKER_01: Let go.
- 1:04:11SPEAKER_01: Leave the thoughts, feelings, and perceptions of which you are made.
- 1:04:17SPEAKER_03: Dejen los pensamientos, los sentimientos y las percepciones de los cuales están hechos.
- 1:04:24SPEAKER_01: You who are infinite open
- 1:04:27SPEAKER_01: awareness vast and unlimited empty of occurrence and yet
- 1:04:56SPEAKER_01: Vital.
- 1:04:59SPEAKER_01: Luminous, alive.
- 1:05:08SPEAKER_01: Sparkling, shimmering.
- 1:05:10SPEAKER_01: With all things that arise.
- 1:05:15SPEAKER_03: Fresh in each moment, nothing is grasping.
- 1:05:23SPEAKER_03: Frescas y nuevas en cada momento.
- 1:05:25SPEAKER_03: No se agarra nada.
- 1:05:27SPEAKER_01: No se finge nada.
- 1:05:28SPEAKER_03: Permítanse a sí mismos el manifestar
- 1:05:33SPEAKER_03: como lo hacen y el disolverse como lo hacen.
- 1:05:53SPEAKER_01: Without seeking to
- 1:05:55SPEAKER_03: repair anything.
- 1:06:01SPEAKER_01: For as infinite open awareness there is nothing wrong with you to fix.
- 1:06:07SPEAKER_03: Leave it be as it is.
- 1:06:24SPEAKER_01: On a day-to-day basis,
- 1:06:29SPEAKER_01: you get up in the morning and you are faced with decisions.
- 1:06:37SPEAKER_01: What must I do?
- 1:06:38SPEAKER_01: What is required?
- 1:06:40SPEAKER_03: To maintain the things I am attached to.
- 1:06:42SPEAKER_03: My home, my family, my ambitions.
- 1:06:53SPEAKER_03: Mi casa, mi familia, mi ambición.
- 1:06:57SPEAKER_01: Para lograr las cosas que yo deseo lograr hoy.
- 1:07:00SPEAKER_03: Por ejemplo, como la ropa para lavar.
- 1:07:03SPEAKER_01: O tan complejo como trabajar en
- 1:07:07SPEAKER_03: una ambición muy vieja que tengo.
- 1:07:21SPEAKER_01: How shall I avoid today the things I fear?
- 1:07:23SPEAKER_03: Such as disorganization and making mistakes.
- 1:07:25SPEAKER_03: Relax.
- 1:07:25SPEAKER_03: Allow the phenomena to dance freely.
- 1:07:49SPEAKER_03: Permitan que los fenómenos dancen libremente.
- 1:07:52SPEAKER_03: No los pueden parar.
- 1:07:54SPEAKER_03: Ustedes no desearían hacerlo.
- 1:07:55SPEAKER_03: Una vez que comprendan que no son nada más que chispas de lucidez.
- 1:08:18SPEAKER_03: We speak of emptiness.
- 1:08:21SPEAKER_03: Darmakaya, Nature of Mind.
- 1:08:22SPEAKER_03: Empty of characteristics.
- 1:08:23SPEAKER_01: Empty of this is and that's.
- 1:08:44SPEAKER_03: Pero esa misma vacuidad es vital.
- 1:08:47SPEAKER_03: No es un vacío.
- 1:08:48SPEAKER_03: No es un lugar grande
- 1:08:54SPEAKER_01: oscuro
- 1:08:56SPEAKER_03: intrastelar.
- 1:09:14SPEAKER_03: Which is empty of planets.
- 1:09:19SPEAKER_01: When it is empty of characteristics, it is not only empty of planets.
- 1:09:23SPEAKER_03: But it is empty of the lack of planets.
- 1:09:25SPEAKER_03: In Tibetan we say that emptiness is of the nature of clear light.
- 1:09:44SPEAKER_03: El vacío de la mente clara.
- 1:09:48SPEAKER_01: Por lo menos nosotros,
- 1:09:49SPEAKER_01: los americanos de mi generación,
- 1:09:51SPEAKER_03: en los años 70 había una tendencia muy grande de consumo del LCD que se llamaba
- 1:09:54SPEAKER_03: luz clara.
- 1:10:10SPEAKER_01: Of which most of us have partaken in those days.
- 1:10:13SPEAKER_03: And which causes you to see amazing wow lights.
- 1:10:20SPEAKER_03: So we associate that word with that.
- 1:10:22SPEAKER_03: The word Selwa.
- 1:10:23SPEAKER_03: In Tibetan clear.
- 1:10:40SPEAKER_01: It's the same word that would be applied to a glass.
- 1:10:43SPEAKER_03: Transparent.
- 1:10:44SPEAKER_03: Tibetans are extremely visual people.
- 1:10:45SPEAKER_03: Culturally.
- 1:10:45SPEAKER_03: Circumstantially by their environment in the
- 1:10:50SPEAKER_01: old country.
- 1:11:08SPEAKER_03: Circunstancialmente debido al medio ambiente en el campo.
- 1:11:09SPEAKER_03: Donde el peligro se lo veía antes de poder olerlo
- 1:11:14SPEAKER_01: o tocarlo.
- 1:11:28SPEAKER_01: We Westerners are more evenly mixed between seeing folks, hearing folks, and tactile folks.
- 1:11:36SPEAKER_03: Nosotros, los occidentales, somos más una mezcla de los visuales, los táctiles, los auditivos.
- 1:11:45SPEAKER_01: Tibetans are almost pure visual.
- 1:11:48SPEAKER_03: Los tibetanos son casi puramente visuales.
- 1:11:50SPEAKER_01: Eso es lo que se requiere para poder
- 1:11:56SPEAKER_03: Sobrevivir en ese tipo de topografía.
- 1:12:00SPEAKER_03: Donde hay muchas cosas que comen a la gente.
- 1:12:03SPEAKER_03: Entonces para el tibetano es la luz por la cual ustedes pueden ver.
- 1:12:10SPEAKER_03: El ver para un tibetano significa el percibir.
- 1:12:25SPEAKER_01: That which permits perception is light.
- 1:12:32SPEAKER_01: When it is dark, you cannot see, you cannot perceive.
- 1:12:35SPEAKER_03: So when a Tibetan refers to the word light, they mean that which gives the ability to perceive.
- 1:12:55SPEAKER_01: The transparent which gives the ability to perceive.
- 1:13:04SPEAKER_03: Is the nature of the emptiness.
- 1:13:07SPEAKER_03: Es la naturaleza de la vacuidad.
- 1:13:14SPEAKER_01: So don't be thinking something oh wow.
- 1:13:17SPEAKER_03: Entonces no se pongan a pensar en algo oh wow.
- 1:13:21SPEAKER_01: For the clear light nature.
- 1:13:23SPEAKER_03: Para la naturaleza de la luz clara.
- 1:13:25SPEAKER_03: Miren aquí entre mis dos manos.
- 1:13:27SPEAKER_03: No hay nada ahí.
- 1:13:28SPEAKER_03: Está vacío.
- 1:13:31SPEAKER_03: No hay nada que ver cuando ustedes enfocan los ojos en ese espacio.
- 1:13:36SPEAKER_03: Transparente.
- 1:13:36SPEAKER_03: Ustedes pueden ver a través de esto.
- 1:13:52SPEAKER_03: But when I pick up an object
- 1:13:58SPEAKER_01: and place it in that space,
- 1:14:03SPEAKER_01: because of the light in that space bounces off of it,
- 1:14:12SPEAKER_03: Ustedes ven el objeto, tienen esa percepción.
- 1:14:16SPEAKER_03: Si estuviera totalmente oscuro aquí y yo hiciera esto,
- 1:14:18SPEAKER_03: aunque ustedes enfocaran los ojos en este espacio,
- 1:14:21SPEAKER_03: ustedes no podrían ver un objeto en él.
- 1:14:22SPEAKER_03: Por lo tanto,
- 1:14:42SPEAKER_01: For a Tibetan.
- 1:14:46SPEAKER_01: Transparent light.
- 1:14:48SPEAKER_01: La luz transparente.
- 1:14:50SPEAKER_01: Refers to that insubstantial.
- 1:14:54SPEAKER_03: Transparentness.
- 1:14:55SPEAKER_03: Transparencia.
- 1:14:56SPEAKER_01: Que no se puede agarrar ni que se puede ver en sí misma.
- 1:15:12SPEAKER_01: But which permits.
- 1:15:15SPEAKER_03: Sources.
- 1:15:15SPEAKER_03: All perception.
- 1:15:16SPEAKER_03: The vitality.
- 1:15:17SPEAKER_01: The aliveness.
- 1:15:19SPEAKER_03: The lucidity.
- 1:15:37SPEAKER_01: No los pensamientos,
- 1:15:40SPEAKER_03: los sentimientos y las percepciones,
- 1:15:44SPEAKER_01: pero la vitalidad, que es la habilidad del pensar, del ver y el percibir.
- 1:15:49SPEAKER_03: Esto es lo que significa la naturaleza de la mente Sambhogakaya.
- 1:16:05SPEAKER_02: Donde todos
- 1:16:06SPEAKER_02: los dioses nacen.
- 1:16:08SPEAKER_03: Nosotros nos referimos
- 1:16:12SPEAKER_03: a todos estos arquetipos como manifestaciones del Sambhogakaya.
- 1:16:24SPEAKER_01: They are simply symbolic, archetypical representations of the innate vitality of mind itself.
- 1:16:32SPEAKER_03: They're you guys.
- 1:16:33SPEAKER_03: You're them.
- 1:16:34SPEAKER_03: They're not up there on a pedestal outside of you to be prayed to.
- 1:16:50SPEAKER_03: No están ahí en un pedestal afuera de ustedes para que ustedes les vayan a rezar.
- 1:16:55SPEAKER_03: Oh yeah, we treat them that way for the little kids.
- 1:16:58SPEAKER_03: Bueno, se los enseñamos así a los niñitos.
- 1:17:01SPEAKER_01: In K-rim.
- 1:17:02SPEAKER_03: In what?
- 1:17:03SPEAKER_03: K-rim.
- 1:17:04SPEAKER_03: In K-rim.
- 1:17:06SPEAKER_01: Path of accumulation.
- 1:17:07SPEAKER_03: El sendero de la acumulación.
- 1:17:10SPEAKER_01: Pero no en el Zogchen.
- 1:17:11SPEAKER_01: Pero no en el Zogchen.
- 1:17:13SPEAKER_01: And not in Mahanotara Tantra.
- 1:17:16SPEAKER_03: Y tampoco en el Mahanotara Tantra.
- 1:17:19SPEAKER_01: In all of the great tantras, not Kriya, which is kind of for kids,
- 1:17:29SPEAKER_01: but the Mahatantras and the Anuttara Tantras.
- 1:17:32SPEAKER_03: One recognizes oneself as their deity.
- 1:17:42SPEAKER_01: One recognizes and perceives oneself as the innate vitality of the universe.
- 1:17:47SPEAKER_03: Not me, I'm that and you aren't.
- 1:17:48SPEAKER_03: No, yo, tú eres, tú no eres.
- 1:17:50SPEAKER_03: But we're all that.
- 1:17:51SPEAKER_03: It is what sentient beings share.
- 1:17:54SPEAKER_03: Comparten.
- 1:18:11SPEAKER_03: Where they are all interconnected.
- 1:18:18SPEAKER_01: Is the same vitality.
- 1:18:23SPEAKER_01: That vitalizes all of us.
- 1:18:30SPEAKER_01: With the ability to think, feel, and perceive.
- 1:18:34SPEAKER_01: With thoughts, feelings, and perceptions.
- 1:18:41SPEAKER_01: The nature of mind.
- 1:18:43SPEAKER_03: Are
- 1:18:49SPEAKER_01: seemingly more individualistic.
- 1:18:53SPEAKER_03: For it is they themselves that arise in
- 1:19:08SPEAKER_03: Dharmakaya, Nature of Mind.
- 1:19:14SPEAKER_01: As the manifestation of the clear light nature.
- 1:19:17SPEAKER_03: It is the shimmer, the sparkle, of the light of clear light.
- 1:19:39SPEAKER_03: We create with our lucidity as our lucidity the sense of self which is
- 1:19:47SPEAKER_01: the very manifestation of that clear light nature of emptiness
- 1:20:10SPEAKER_01: As phenomena.
- 1:20:16SPEAKER_01: We are.
- 1:20:22SPEAKER_01: The vitality of infinite open awareness.
- 1:20:25SPEAKER_03: Manifesting as a lump.
- 1:20:26SPEAKER_03: An intersection.
- 1:20:40SPEAKER_03: A bilbla of thoughts,
- 1:20:46SPEAKER_03: feelings and perceptions that arise in this moment and dissolve in this moment
- 1:20:50SPEAKER_03: and have no actual existence.
- 1:21:08SPEAKER_01: Other than as this moment.
- 1:21:14SPEAKER_03: And when we scrabble and grab onto Nirmanakaya nature of mind in strong feeling of hope and fear
- 1:21:40SPEAKER_01: And turn our face away from our own true nature.
- 1:21:43SPEAKER_03: That which has been our own true nature from beginningless time.
- 1:21:49SPEAKER_03: Through endless time.
- 1:21:50SPEAKER_01: That which has never known confusion.
- 1:22:07SPEAKER_03: Eso que nunca ha conocido la confusión.
- 1:22:13SPEAKER_03: Nosotros le damos vuelta la cara a eso y nos agarramos
- 1:22:18SPEAKER_03: a la idea del mañana siendo mejor y empezamos a manotear y a rayar el tiempo
- 1:22:36SPEAKER_03: Trying to get everything to be perfect.
- 1:22:39SPEAKER_03: Oops.
- 1:22:39SPEAKER_03: Fortunately, we arise new and fresh in each moment.
- 1:22:41SPEAKER_03: And each moment contains a choice.
- 1:23:03SPEAKER_03: Y cada momento contiene una elección.
- 1:23:07SPEAKER_03: To grab.
- 1:23:08SPEAKER_03: El agarrar.
- 1:23:11SPEAKER_01: Or to let go and leave it be.
- 1:23:13SPEAKER_01: O el soltarlo y dejarlo ser.
- 1:23:17SPEAKER_01: Regardless of what choice the last moment made of itself.
- 1:23:21SPEAKER_03: Más allá de qué elección tomó el último momento.
- 1:23:27SPEAKER_01: Each moment brings its own choice.
- 1:23:30SPEAKER_03: Cada momento trae su propia elección.
- 1:23:34SPEAKER_03: In Mahamudra,
- 1:23:37SPEAKER_03: the moving,
- 1:23:41SPEAKER_01: the personality,
- 1:23:44SPEAKER_01: the constantly changing thinks it's an entity thing,
- 1:23:48SPEAKER_03: the illusion of being, repeatedly returns its attention,
- 1:24:04SPEAKER_03: Torna esa atención a su propia naturaleza.
- 1:24:09SPEAKER_01: La quietud del que mira en forma abierta e infinita.
- 1:24:14SPEAKER_01: Y entonces
- 1:24:15SPEAKER_03: llega a reflejar
- 1:24:27SPEAKER_01: Since it's constantly arising new and different in each moment,
- 1:24:31SPEAKER_03: its shape, its pattern, your personality changes to reflect what it focuses on.
- 1:24:37SPEAKER_03: And so the confusion of the moving
- 1:24:55SPEAKER_03: Reflecting the wisdom of the stillness.
- 1:24:57SPEAKER_01: Recognizing itself as the dance of stillness arises as such without conflict.
- 1:25:26SPEAKER_01: Or need.
- 1:25:27SPEAKER_03: O necesidades.
- 1:25:29SPEAKER_03: Or hope.
- 1:25:30SPEAKER_03: O esperanzas.
- 1:25:32SPEAKER_01: Or fear.
- 1:25:33SPEAKER_03: O miedo.
- 1:25:35SPEAKER_03: In Dzogchen.
- 1:25:36SPEAKER_01: In Dzogchen.
- 1:25:39SPEAKER_01: The practitioner.
- 1:25:41SPEAKER_01: El practicante.
- 1:25:43SPEAKER_01: Is nothing more than the practice they do.
- 1:25:46SPEAKER_03: No es nada más que la práctica que realiza.
- 1:25:50SPEAKER_01: In the relaxation of the cutting through, Treksha.
- 1:25:54SPEAKER_03: En la...
- 1:25:56SPEAKER_03: La realización del cortar el trecho.
- 1:26:00SPEAKER_01: Where trecho
- 1:26:02SPEAKER_01: is not done.
- 1:26:04SPEAKER_03: Cuando no se hace el trecho.
- 1:26:07SPEAKER_01: But being.
- 1:26:09SPEAKER_03: Se es.
- 1:26:13SPEAKER_01: It is not that there is a confused you doing trecho.
- 1:26:17SPEAKER_03: No es que hay un ustedes confuso que hace el trecho.
- 1:26:24SPEAKER_01: No es que ustedes están aquí enfocando vuestra atención en la mente natural que está allí.
- 1:26:30SPEAKER_03: Es como deslizarse adentro de una bañera caliente, con agua caliente en el invierno.
- 1:26:52SPEAKER_01: And relaxing into what you really
- 1:26:55SPEAKER_03: are.
- 1:27:00SPEAKER_01: Zogchen is not something you do.
- 1:27:02SPEAKER_03: Zogchen no es algo que ustedes hacen.
- 1:27:05SPEAKER_01: It's something you are.
- 1:27:07SPEAKER_01: Es algo que ustedes son.
- 1:27:10SPEAKER_01: And in recognizing your own face.
- 1:27:13SPEAKER_03: Y al conocer vuestra propia cara.
- 1:27:16SPEAKER_01: The true face of natural mind.
- 1:27:18SPEAKER_03: La cara verdadera de la mente natural.
- 1:27:26SPEAKER_01: Where the infinite open awareness cannot be separated from its innate vitality,
- 1:27:31SPEAKER_01: which of course cannot be separated from the manifestation of that vitality as
- 1:27:36SPEAKER_01: the sparkle of phenomena.
- 1:27:39SPEAKER_03: You simply notice
- 1:27:52SPEAKER_03: Simplemente ustedes lo notan.
- 1:27:55SPEAKER_01: Que las cosas están bien
- 1:27:57SPEAKER_03: como son.
- 1:27:58SPEAKER_03: Y no requieren que ustedes las arreglen.
- 1:28:01SPEAKER_03: No significa que ustedes se quedan quietos y tienen la intención de abstenerse, de moverse.
- 1:28:22SPEAKER_03: You simply rest in the here and now.
- 1:28:28SPEAKER_01: As the manifestation of the awareness of the here and now in
- 1:28:31SPEAKER_03: each moment as it is.
- 1:28:33SPEAKER_03: And that moment might be moving or not.
- 1:28:52SPEAKER_01: And there's no difference between.
- 1:29:02SPEAKER_01: Did this answer the original question?
- 1:29:08SPEAKER_01: About how to decide what to do in the morning?
- 1:29:11SPEAKER_03: Faced with the
- 1:29:22SPEAKER_01: Needs and wants of the ego and the dreams of the heart.
- 1:29:26SPEAKER_03: Afrontando las necesidades y los deseos del ego y las necesidades del corazón.
- 1:29:32SPEAKER_01: No pueden.
- 1:29:36SPEAKER_03: A propósito.
- 1:29:38SPEAKER_01: Entonces relájense.
- 1:29:39SPEAKER_01: La mente mirándose a sí misma.
- 1:29:52SPEAKER_01: Recognize your own true face
- 1:29:59SPEAKER_01: and relax into this very moment of the isness.
- 1:30:03SPEAKER_03: Without either doing or refraining from doing, freely allowing
- 1:30:20SPEAKER_01: The dance of stillness which is this moment to manifest as it will.
- 1:30:24SPEAKER_03: This is how confusion arises as wisdom.
- 1:30:26SPEAKER_03: And there is nothing to grasp or reject.
- 1:30:29SPEAKER_03: Para agarrar o para rechazar.
- 1:30:51SPEAKER_01: The dreams of the heart or of the ego.
- 1:30:55SPEAKER_03: Are there questions?
- 1:31:28SPEAKER_03: According to how she's speaking, and it's such a pleasure to hear it.
- 1:31:41SPEAKER_03: Because when she speaks, it gives you that sensation of relaxation of the present moment.
- 1:31:51SPEAKER_03: But that in the everyday life,
- 1:31:57SPEAKER_03: For instance, I tell myself many times, relax and let go.
- 1:32:02SPEAKER_03: I
- 1:32:12SPEAKER_03: want to tell you, it's not that it's so easy.
- 1:32:15SPEAKER_03: What she says
- 1:32:22SPEAKER_03: in practice is another story completely unrelated.
- 1:32:26SPEAKER_03: So, So,
- 1:32:30SPEAKER_03: my question,
- 1:32:37SPEAKER_03: is there anything simpler that simply relax?
- 1:32:45SPEAKER_01: Practice.
- 1:32:46SPEAKER_03: Sometimes that we can actually practice.
- 1:32:51SPEAKER_01: Yeah, practice, look.
- 1:32:54SPEAKER_01: I'm going to hold up a piece of paper.
- 1:32:56SPEAKER_03: Miren, voy a levantar un pedazo de papel.
- 1:33:00SPEAKER_03: There's a word on it.
- 1:33:02SPEAKER_03: Written.
- 1:33:04SPEAKER_01: I want you to look at the paper with your eyes.
- 1:33:06SPEAKER_03: Quiero que miren al papel con los ojos.
- 1:33:09SPEAKER_03: Without reading the word.
- 1:33:11SPEAKER_03: Sin leer la palabra.
- 1:33:26SPEAKER_01: Any success?
- 1:33:27SPEAKER_01: And it's not even in your language.
- 1:33:30SPEAKER_03: I last used this in France.
- 1:33:36SPEAKER_01: I had one that says Casa, but I don't know where it is.
- 1:33:44SPEAKER_01: You weren't always like that with reading.
- 1:33:50SPEAKER_03: Remember when you were a little kid and it was difficult?
- 1:33:56SPEAKER_01: Tenían estos libros con muy poquitas
- 1:33:58SPEAKER_03: palabras y muchos dibujos.
- 1:34:00SPEAKER_03: Y leer las palabras requería mucho
- 1:34:03SPEAKER_01: esfuerzo en vez de ser inevitable.
- 1:34:07SPEAKER_03: ¿Recuerdan esa época?
- 1:34:09SPEAKER_03: Entonces, ¿qué pasó?
- 1:34:10SPEAKER_03: ¿Qué pasó?
- 1:34:24SPEAKER_01: How'd you get from there to can't not read
- 1:34:26SPEAKER_03: something?
- 1:34:36SPEAKER_01: You practiced, didn't you?
- 1:34:38SPEAKER_01: Practicaron, ¿verdad?
- 1:34:41SPEAKER_01: I used to hide from the mean girls in junior high school in a book at the top of a tree.
- 1:34:47SPEAKER_03: In a book?
- 1:34:49SPEAKER_01: Yeah, I'd go up a tree with a book and I'd just sit in the tree and read all day
- 1:34:52SPEAKER_01: and nobody would ever find me.
- 1:34:53SPEAKER_03: Yo me escapaba cuando estaba en los primeros años de la secundaria de las compañeras
- 1:34:58SPEAKER_03: con un libro y me subía arriba de un árbol y así es como me escapaba de ellas,
- 1:35:02SPEAKER_03: de todo el mundo.
- 1:35:06SPEAKER_01: Sospecho que muchos de ustedes también se escondieron
- 1:35:09SPEAKER_03: adentro de los libros.
- 1:35:10SPEAKER_03: Aunque no veo el tipo de árbol por aquí donde ustedes puedan treparse.
- 1:35:22SPEAKER_01: Maybe you fall into one of those little caves in the desert with your
- 1:35:26SPEAKER_03: book.
- 1:35:31SPEAKER_01: And nobody can find you.
- 1:35:36SPEAKER_03: You kind of
- 1:35:37SPEAKER_01: have to take the practice of trekshok.
- 1:35:40SPEAKER_03: The way you took learning to read as a little kid.
- 1:35:53SPEAKER_01: The basic assumption that you've got to do this.
- 1:35:59SPEAKER_01: There's no possibility in life of not learning to read, is there?
- 1:36:06SPEAKER_01: There's no possibility in life of not learning to read and succeeding in life.
- 1:36:12SPEAKER_01: In our culture it is so intensively written.
- 1:36:14SPEAKER_03: No hay posibilidad en la vida de no aprender a leer y tener éxito en la vida en esta sociedad.
- 1:36:21SPEAKER_01: Entonces ustedes siempre supieron que iban a aprender
- 1:36:24SPEAKER_03: a leer.
- 1:36:24SPEAKER_03: Ustedes siempre supieron que estaban iluminados.
- 1:36:26SPEAKER_03: Tienen que tener ese sentimiento y medio
- 1:36:28SPEAKER_01: como que
- 1:36:45SPEAKER_01: So what do you practice in easy steps?
- 1:36:49SPEAKER_03: That stillness, look at it right now.
- 1:36:51SPEAKER_03: That infinite, empty, open awareness.
- 1:36:54SPEAKER_03: Your own mind.
- 1:37:16SPEAKER_01: See that?
- 1:37:17SPEAKER_03: I want
- 1:37:22SPEAKER_01: to hear some heads rattle, you know.
- 1:37:26SPEAKER_03: See that?
- 1:37:26SPEAKER_03: Yes, we do see it.
- 1:37:27SPEAKER_03: So all you need to do is keep returning your attention to that.
- 1:37:42SPEAKER_03: Es seguir trayendo la atención a eso.
- 1:37:47SPEAKER_01: Mientras caminan, mientras hablan.
- 1:37:49SPEAKER_03: Mientras comen, mientras duermen.
- 1:37:51SPEAKER_03: En todo momento y en toda ocasión.
- 1:37:54SPEAKER_03: Reconozcan lo que ya han notado.
- 1:38:11SPEAKER_03: Dharmakaya, nature of mind.
- 1:38:16SPEAKER_03: Frequently,
- 1:38:19SPEAKER_01: your attention is going to go all tunnel focus.
- 1:38:22SPEAKER_03: On this or that.
- 1:38:23SPEAKER_03: But at some point you're going to notice that it's done that.
- 1:38:27SPEAKER_03: Again.
- 1:38:41SPEAKER_01: And as soon as you notice, relax a bit,
- 1:38:48SPEAKER_01: wiggle your body,
- 1:38:49SPEAKER_01: take a deep breath in through your nose and blow it out through your mouth.
- 1:38:52SPEAKER_03: Shake it off, do something symbolic.
- 1:38:55SPEAKER_03: And relax and open your attention.
- 1:39:16SPEAKER_01: Don't try to hold it open.
- 1:39:19SPEAKER_03: Have you ever eaten canned spinach?
- 1:39:21SPEAKER_01: Do they have that nasty substance
- 1:39:26SPEAKER_03: here in Spain?
- 1:39:27SPEAKER_03: It's an American analogy.
- 1:39:40SPEAKER_01: You can put olives in a can without ruining
- 1:39:45SPEAKER_03: them.
- 1:39:47SPEAKER_01: But this is not true of spinach or
- 1:39:50SPEAKER_03: asparagus.
- 1:39:55SPEAKER_01: They get nasty and slimy when you try to preserve them by canning.
- 1:40:06SPEAKER_01: This is an analogy.
- 1:40:08SPEAKER_03: Tawa.
- 1:40:10SPEAKER_01: Tawa.
- 1:40:12SPEAKER_01: The view.
- 1:40:13SPEAKER_01: La visión.
- 1:40:14SPEAKER_01: You cannot preserve it.
- 1:40:16SPEAKER_03: No pueden conservarla.
- 1:40:18SPEAKER_03: Or hold it.
- 1:40:20SPEAKER_03: O mantenerla.
- 1:40:21SPEAKER_03: Or keep it.
- 1:40:23SPEAKER_03: O guardársela.
- 1:40:24SPEAKER_01: De un momento al otro.
- 1:40:28SPEAKER_01: You can only repeat it.
- 1:40:30SPEAKER_03: Solo pueden repetirla.
- 1:40:32SPEAKER_01: Again and again.
- 1:40:34SPEAKER_03: Una y otra vez.
- 1:40:36SPEAKER_01: And that's your trick.
- 1:40:39SPEAKER_03: That's your key to the practice.
- 1:40:44SPEAKER_01: Repetition.
- 1:40:48SPEAKER_01: All the time,
- 1:40:49SPEAKER_01: while you're walking about, while you're at work, while you're talking to somebody.
- 1:40:54SPEAKER_03: Wait a while before you try it
- 1:40:55SPEAKER_01: while driving.
- 1:40:57SPEAKER_03: What about driving a remote?
- 1:40:59SPEAKER_03: Don't do that as the first step.
- 1:41:05SPEAKER_03: No lo hagan en primera instancia cuando están manejando el coche.
- 1:41:09SPEAKER_01: O cuando están operando, manejando máquinas pesadas o un serrucho eléctrico, cosas así.
- 1:41:13SPEAKER_03: Una vez que ya sean buenos en hacer esto, lo pueden tratar, pero no al comienzo.
- 1:41:19SPEAKER_03: Por razones obvias.
- 1:41:36SPEAKER_03: Por razones obvias, por razones evidentes.
- 1:41:39SPEAKER_01: Si lo tratan de hacer cuando están manejando,
- 1:41:42SPEAKER_01: quizás no prestan atención
- 1:41:44SPEAKER_03: a la forma en que están manejando.
- 1:41:46SPEAKER_03: Y no estamos aquí abandonando el sentido común.
- 1:41:57SPEAKER_01: La práctica va acoplada al sentido común, no sin el sentido común.
- 1:42:02SPEAKER_03: En la llanura del Tibet, donde está el factor del viento que es de 30 o 60
- 1:42:07SPEAKER_01: grados bajo cero,
- 1:42:23SPEAKER_01: And many things which eat people.
- 1:42:30SPEAKER_03: Those who abandoned common sense.
- 1:42:36SPEAKER_01: Didn't last long enough to get enlightened.
- 1:42:42SPEAKER_01: It is a Tibetan goes without saying.
- 1:42:44SPEAKER_03: No es preciso decirlo para los tibetanos.
- 1:42:52SPEAKER_01: Que la meditación va con el sentido común, no en lugar del sentido común.
- 1:42:56SPEAKER_03: Es algo que es tan obvio que los tibetanos a veces olvidan decírselo
- 1:43:00SPEAKER_03: a los occidentales y a veces causan accidentes serios.
- 1:43:20SPEAKER_01: Like the mantra that protects against AIDS.
- 1:43:22SPEAKER_01: AIDS?
- 1:43:22SPEAKER_01: AIDS.
- 1:43:24SPEAKER_01: AIDS.
- 1:43:24SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:25SPEAKER_01: AIDS.
- 1:43:27SPEAKER_03: AIDS.
- 1:43:27SPEAKER_03: AIDS.
- 1:43:27SPEAKER_03: AIDS.
- 1:43:27AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:28SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_01: AIDS.
- 1:43:29SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:30SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:31SPEAKER_03: AIDS.
- 1:43:33SPEAKER_01: AIDS.
- 1:43:33SPEAKER_01: AIDS.
- 1:43:33SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:34SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:35SPEAKER_01: AIDS.
- 1:43:36SPEAKER_01: AIDS.
- 1:43:36SPEAKER_01: AIDS.
- 1:43:36SPEAKER_03: AIDS.
- 1:43:36SPEAKER_03: AIDS.
- 1:43:36SPEAKER_03: AIDS.
- 1:43:37SPEAKER_03: AIDS.
- 1:43:37SPEAKER_03: AIDS.
- 1:43:37SPEAKER_03: AIDS.
- 1:43:37SPEAKER_03: AIDS.
- 1:43:37SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:38SPEAKER_03: AIDS.
- 1:43:39SPEAKER_03: AIDS.
- 1:43:39SPEAKER_03: AIDS.
- 1:43:39SPEAKER_03: AIDS.
- 1:43:39SPEAKER_03: AIDS.
- 1:43:39SPEAKER_03: AIDS.
- 1:43:40SPEAKER_03: AIDS.
- 1:43:40SPEAKER_03: AIDS.
- 1:43:40SPEAKER_03: AIDS.
- 1:43:40SPEAKER_03: AIDS.
- 1:43:40SPEAKER_03: AIDS.
- 1:43:41SPEAKER_03: AIDS.
- 1:43:41SPEAKER_03: AIDS.
- 1:43:41SPEAKER_03: AIDS.
- 1:43:41SPEAKER_03: AIDS.
- 1:43:41SPEAKER_03: AIDS.
- 1:43:42SPEAKER_03: AIDS.
- 1:43:42SPEAKER_03: AIDS.
- 1:43:42SPEAKER_03: AIDS.
- 1:43:42SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:43SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:44SPEAKER_03: AIDS.
- 1:43:45SPEAKER_03: AIDS.
- 1:43:45SPEAKER_03: AIDS.
- 1:43:45SPEAKER_03: AIDS.
- 1:43:45SPEAKER_03: AIDS.
- 1:43:48SPEAKER_01: We lost an entire center due to that misunderstanding in America.
- 1:43:52SPEAKER_01: Back in the 70s, an entire center.
- 1:43:55SPEAKER_03: Of young people.
- 1:44:03SPEAKER_01: No, in America.
- 1:44:04SPEAKER_03: No, in America.
- 1:44:06SPEAKER_01: Will you repeat it?
- 1:44:07SPEAKER_01: We lost an entire center due to that misunderstanding.
- 1:44:11SPEAKER_01: Okay, in America.
- 1:44:12SPEAKER_01: In America, back in the old days.
- 1:44:18SPEAKER_03: Por esta confusión, este malentendido en Norteamérica.
- 1:44:22SPEAKER_01: Se murieron.
- 1:44:29SPEAKER_01: El maestro tibetano olvidó decir que
- 1:44:32SPEAKER_03: el mantra se usa con el condón.
- 1:44:34SPEAKER_03: No en lugar del condón.
- 1:44:48SPEAKER_01: My own teacher, Wander
- 1:44:50SPEAKER_03: Rinpoche,
- 1:44:53SPEAKER_01: taught that mantra in California
- 1:44:58SPEAKER_01: during the AIDS epidemic.
- 1:45:02SPEAKER_03: And he also wasn't going to mention that.
- 1:45:07SPEAKER_01: Because of course they know that.
- 1:45:13SPEAKER_01: How could anyone think otherwise?
- 1:45:19SPEAKER_01: There are cultural differences.
- 1:45:21SPEAKER_01: In the Tibetan Plateau, you will not last 48 hours without common sense.
- 1:45:25SPEAKER_03: So it's assumed that if you're alive and adult,
- 1:45:28SPEAKER_01: you have some.
- 1:45:45SPEAKER_03: Que si estás vivo y eres un adulto, tienes algo de sentido común.
- 1:45:52SPEAKER_01: Por lo tanto,
- 1:45:54SPEAKER_01: practiquen el Trekkchok
- 1:46:00SPEAKER_03: o Shine and Lakdong, ya sea con el Zogchen o con el Mahamudra, como ustedes les guste,
- 1:46:14SPEAKER_01: With common sense, not instead of common sense.
- 1:46:18SPEAKER_03: Con el sentido común, no en vez del sentido común.
- 1:46:22SPEAKER_01: Entonces cuando están manejando o están operando equipo pesado y herramientas
- 1:46:26SPEAKER_03: eléctricas presten atención al camino y a las herramientas eléctricas.
- 1:46:43SPEAKER_01: At least sufficiently not to cut off your arm.
- 1:46:46SPEAKER_03: But at all other times,
- 1:46:47SPEAKER_03: not focus your attention,
- 1:46:51SPEAKER_03: but open your attention into the infinitude that is your own real face.
- 1:47:18SPEAKER_01: There's a trick to doing it quickly and easily.
- 1:47:26SPEAKER_01: You only need the trick for a while and then you can do it without it,
- 1:47:29SPEAKER_01: but the trick is really helpful in the beginning.
- 1:47:32SPEAKER_03: See your attention.
- 1:47:45SPEAKER_01: Follows your eyeballs.
- 1:47:52SPEAKER_03: So, look with your eyes at this tanka.
- 1:47:57SPEAKER_03: What are you paying attention to?
- 1:47:59SPEAKER_01: Now, without paying attention to it,
- 1:48:10SPEAKER_03: Look with your eyes at this statue.
- 1:48:15SPEAKER_01: The one over here, without putting your attention on it, just look at it with your eyes.
- 1:48:19SPEAKER_03: Your attention follows your eyeballs around, doesn't it?
- 1:48:23SPEAKER_03: So, in order to shift
- 1:48:26SPEAKER_01: your attention,
- 1:48:42SPEAKER_01: From its habitual bad habit of tunnel focus on phenomena.
- 1:48:47SPEAKER_03: Which is usually done with your eyes focused on this thing or that thing.
- 1:48:53SPEAKER_03: Unfocus your eyeballs for a moment.
- 1:49:11SPEAKER_03: No fijen los ojos por un rato.
- 1:49:17SPEAKER_01: Y abran la atención en la mente natural.
- 1:49:19SPEAKER_03: ¿Ven cómo el truco de los ojos es útil?
- 1:49:22SPEAKER_03: Háganlo con frecuencia.
- 1:49:40SPEAKER_03: Hasta que sea automático.
- 1:49:42SPEAKER_03: Mientras, pero no en lugar de.
- 1:49:44SPEAKER_03: Caminar, hablar, sentarse, comer.
- 1:49:47SPEAKER_03: Sea lo que sea que están haciendo mientras lo están haciendo.
- 1:50:12SPEAKER_01: Relax your attention
- 1:50:19SPEAKER_01: into the infinite open awareness of natural mind
- 1:50:23SPEAKER_03: without shoving it off of what you're doing.
- 1:50:26SPEAKER_03: I refer to last night's teaching about meditating
- 1:50:29SPEAKER_01: while thinking.
- 1:50:42SPEAKER_03: Yo me refiero a las enseñanzas de anoche del meditar mientras pensamos.
- 1:50:48SPEAKER_01: El que debe convertirse en el meditar mientras sentimos.
- 1:50:51SPEAKER_01: Y también mientras percibimos.
- 1:50:53SPEAKER_03: Al principio, pareciera como que existe un ustedes
- 1:51:12SPEAKER_03: Looking at an it, that illusion
- 1:51:20SPEAKER_03: passes
- 1:51:23SPEAKER_01: as you become more accustomed to this.
- 1:51:27SPEAKER_03: Eventually it feels as if you,
- 1:51:41SPEAKER_03: Are looking at yourself.
- 1:51:43SPEAKER_03: That's in the middle.
- 1:51:44SPEAKER_03: At the end,
- 1:51:46SPEAKER_03: there is neither a looker nor a looking nor a looked at that can be
- 1:51:50SPEAKER_03: in any way distinguished from each other.
- 1:52:19SPEAKER_01: Does this answer your question?
- 1:52:24SPEAKER_01: Very well.
- 1:52:26SPEAKER_01: Are there other questions?
- 1:52:28SPEAKER_01: Guys, it's only a matter of repetition.
- 1:52:30SPEAKER_01: That's all you gotta do.
- 1:52:31SPEAKER_01: The same way you learn to read.
- 1:52:33SPEAKER_03: Es una cuestión de repetición.
- 1:52:35SPEAKER_03: Es todo lo que deben hacer.
- 1:52:36SPEAKER_03: Es del mismo modo que aprendieron a leer.
- 1:52:40SPEAKER_01: And it's no harder than learning to read.
- 1:52:42SPEAKER_01: And it's no harder than learning
- 1:52:46SPEAKER_03: to read.
- 1:52:49SPEAKER_01: Which seemed really, really hard when you were three or four.
- 1:52:57SPEAKER_01: Remember learning to drive?
- 1:53:00SPEAKER_01: I remember thinking,
- 1:53:02SPEAKER_01: I'm never going to be able to drive a car, eat a sandwich and hold a conversation.
- 1:53:06SPEAKER_03: Yo me acuerdo que yo decía,
- 1:53:08SPEAKER_03: yo nunca voy a poder aprender
- 1:53:09SPEAKER_03: a manejar mientras hablo y tengo un sándwich en la mano.
- 1:53:12SPEAKER_01: Yo no sé cómo la gente puede lograr hacer eso.
- 1:53:14SPEAKER_03: ¿Recuerdan?
- 1:53:14SPEAKER_03: ¿Y ahora?
- 1:53:15SPEAKER_03: Ni siquiera ahora piensan en
- 1:53:18SPEAKER_01: que estar conduciendo cuando conducen.
- 1:53:34SPEAKER_01: Well, do it again, but this time with Trekshock.
- 1:53:36SPEAKER_03: Same process.
- 1:53:37SPEAKER_03: Practice.
- 1:53:38SPEAKER_03: Other questions.
- 1:54:03SPEAKER_03: When we were children and we were adolescents, we were encouraged to read.
- 1:54:14SPEAKER_03: So the ones who were very much into reading.
- 1:54:19SPEAKER_03: So...
- 1:54:30SPEAKER_03: So we have read many books and many novels and books on Buddhism and medicine and why not.
- 1:54:38SPEAKER_03: But one day,
- 1:54:41SPEAKER_03: teacher told me,
- 1:54:48SPEAKER_03: stop reading that much and put it to practice.
- 1:54:54SPEAKER_03: Because the more you read, the more concepts you put into your mind.
- 1:55:07SPEAKER_03: And the idea is just not to store concepts or live by concepts.
- 1:55:15SPEAKER_03: What's your opinion about that?
- 1:55:17SPEAKER_01: Completely true.
- 1:55:18SPEAKER_03: However, for those of us who are compulsive readers,
- 1:55:28SPEAKER_03: And
- 1:55:32SPEAKER_01: who are almost like drug addicts if we can't get something to read for a few days.
- 1:55:37SPEAKER_03: I recommend reading anything Dharma.
- 1:55:39SPEAKER_03: There is a time for reading Dharma.
- 1:56:00SPEAKER_03: In the beginning and
- 1:56:06SPEAKER_03: very late
- 1:56:10SPEAKER_01: in your practice.
- 1:56:14SPEAKER_03: But there is a middle
- 1:56:17SPEAKER_01: where you're better off to just do it
- 1:56:19SPEAKER_03: and avoid the trap
- 1:56:20SPEAKER_03: of thinking too much about it.
- 1:56:27SPEAKER_03: Y evitar la trampa de pensar en demasía sobre
- 1:56:34SPEAKER_03: muy pocos tibetanos leen de la forma
- 1:56:40SPEAKER_03: que leemos los occidentales.
- 1:56:43SPEAKER_03: Muy pocos tibetanos es lo que un occidental consideraría
- 1:56:47SPEAKER_01: que es una persona
- 1:57:01SPEAKER_03: Most of my Tibetan friends and
- 1:57:06SPEAKER_01: many of the students
- 1:57:10SPEAKER_01: can recite the written word,
- 1:57:12SPEAKER_01: can say it out loud,
- 1:57:14SPEAKER_03: but haven't a clue what it says.
- 1:57:16SPEAKER_01: To read is to say out loud in Tibetan.
- 1:57:30SPEAKER_01: There's no such thing as reading silently.
- 1:57:33SPEAKER_01: That's not reading.
- 1:57:42SPEAKER_01: So we don't have to tell the Tibetans to put the damn book down and practice instead.
- 1:57:47SPEAKER_03: So if a teacher told you that, I'm going to bet it was a westerner.
- 1:57:56SPEAKER_03: Entonces, estoy segura que si un maestro le dijo eso, le apuesto que era un occidental.
- 1:58:00SPEAKER_01: Entonces,
- 1:58:02SPEAKER_01: que sabe exactamente lo eruditos que podemos ser y lo
- 1:58:05SPEAKER_03: apegados que podemos estar
- 1:58:08SPEAKER_03: a nuestros pensamientos.
- 1:58:09SPEAKER_03: De muchas maneras, el tibetano analfabeto lee mucho más fácil esto.
- 1:58:24SPEAKER_01: Not being as invested
- 1:58:31SPEAKER_01: in intellectual understandings.
- 1:58:35SPEAKER_03: Being much more experiential.
- 1:58:42SPEAKER_01: But yes,
- 1:58:43SPEAKER_01: for us literate westerners who compulsively read,
- 1:58:46SPEAKER_01: I strongly recommend at a certain point near practice stop reading about dharma.
- 1:58:51SPEAKER_03: Sí, pero no es cierto.
- 1:58:52SPEAKER_03: Nosotros los occidentales educados,
- 1:58:55SPEAKER_03: sí, les recomiendo muchísimo que en algún momento dejen de leer el Dharma.
- 1:59:00SPEAKER_01: Y para ustedes, algunos de ustedes que realmente están muy
- 1:59:05SPEAKER_03: enganchados con el leer, los desafío.
- 1:59:07SPEAKER_03: Mediten mientras leen.
- 1:59:08SPEAKER_03: Traten.
- 1:59:23SPEAKER_01: You won't run off the road.
- 1:59:28SPEAKER_03: I've seen people try to read
- 1:59:29SPEAKER_01: while driving.
- 1:59:31SPEAKER_03: Bad idea.
- 1:59:31SPEAKER_03: But meditating while reading is fair game.
- 1:59:32SPEAKER_01: But don't do it while reading Dharma.
- 1:59:48SPEAKER_03: Pero no lo hagan mientras leen el Dharma.
- 1:59:50SPEAKER_01: Se van a confundir entre las ideas que están leyendo y la práctica.
- 1:59:54SPEAKER_03: Léanlo cuando están leyendo algún tipo de folletín médico,
- 1:59:57SPEAKER_03: un libro de cocina o ciencia ficción,
- 1:59:58SPEAKER_01: algo que no sea Dharma.
- 2:00:18SPEAKER_01: Dare you.
- 2:00:20SPEAKER_03: It's hard.
- 2:00:23SPEAKER_03: It's harder than while walking.
- 2:00:28SPEAKER_01: Or drinking tea.
- 2:00:31SPEAKER_03: But it's doable.
- 2:00:34SPEAKER_01: Just not easy.
- 2:00:36SPEAKER_01: Which is why I dare you to try.
- 2:00:38SPEAKER_03: Since you're going to be reading anyway.
- 2:00:47SPEAKER_01: You're not going to stop.
- 2:00:48SPEAKER_01: Even if I tell you to stop, you're not going to stop.
- 2:00:50SPEAKER_03: ¿Verdad?
- 2:00:51SPEAKER_03: ¿Alguna otra pregunta antes de que cerremos la sesión de hoy?
- 2:00:54SPEAKER_01: No, la señora que está atrás y después usted.
- 2:00:57SPEAKER_01: Sí, usted.
- 2:01:17SPEAKER_03: Perhaps my question seems to be a bit ridiculous.
- 2:01:28SPEAKER_03: If you could give us, please, a practical example of how to do Trekshaw while we're eating.
- 2:01:34SPEAKER_03: You relax.
- 2:01:39SPEAKER_03: Usted se relaja.
- 2:01:43SPEAKER_01: You open your attention.
- 2:01:45SPEAKER_03: Usted abre la atención.
- 2:01:50SPEAKER_03: Into the natural mind itself.
- 2:01:57SPEAKER_01: You pick up a piece of food, you repeatedly open your attention.
- 2:02:03SPEAKER_01: You don't grasp the attention.
- 2:02:05SPEAKER_03: You simply don't constrict.
- 2:02:08SPEAKER_03: Find your mouth and put the food in it.
- 2:02:27SPEAKER_01: Return your attention to openness.
- 2:02:29SPEAKER_03: At first it feels a little clumsy.
- 2:02:32SPEAKER_03: At first do it at home in case you miss your mouth.
- 2:02:51SPEAKER_03: At home in case you miss your mouth
- 2:02:53SPEAKER_01: and make a mess.
- 2:02:54SPEAKER_03: But in very short order, you will find that you are actually able to multitask.
- 2:03:17SPEAKER_03: You're a woman.
- 2:03:18SPEAKER_03: Do you have babies?
- 2:03:20SPEAKER_03: Do you plan to eventually?
- 2:03:23SPEAKER_03: No.
- 2:03:23SPEAKER_03: Because
- 2:03:27SPEAKER_01: if you have babies, you can't not multitask.
- 2:03:30SPEAKER_03: You probably multitask anyway.
- 2:03:31SPEAKER_03: Even if you haven't been forced to buy a kid yet.
- 2:03:46SPEAKER_01: You will be able to multitask your attention.
- 2:03:52SPEAKER_01: Kind of like the way you keep your eye on the road while driving
- 2:03:56SPEAKER_01: and you're still like talking to somebody or eating something.
- 2:03:59SPEAKER_03: You don't keep your eye on the road by staring at it.
- 2:04:10SPEAKER_03: Usted no mantiene sus ojos en la ruta al mirar fijamente a la ruta.
- 2:04:17SPEAKER_01: Usted siempre está, tú sabes.
- 2:04:20SPEAKER_03: Usted mantiene los ojos
- 2:04:23SPEAKER_01: en la ruta en una forma dinámica.
- 2:04:26SPEAKER_03: Ahora, esto es una analogía, y las analogías nunca son tan perfectas.
- 2:04:36SPEAKER_03: Okay, esto es una analogía, y las analogías no siempre son totalmente perfectas.
- 2:04:41SPEAKER_01: Pero su visión del que mira de manera abierta e infinita debe
- 2:04:49SPEAKER_03: ser tan dinámica,
- 2:04:50SPEAKER_03: no muerta, no muerta,
- 2:05:05SPEAKER_01: Held still as your view of the road while driving.
- 2:05:11SPEAKER_01: Your eyes don't have to jump around while looking at natural mind
- 2:05:15SPEAKER_01: because you don't see it with your eyes.
- 2:05:18SPEAKER_03: At first it will feel as if there's a you looking at something else.
- 2:05:33SPEAKER_03: Al principio puede parecer como que hay un usted mirando a otra cosa.
- 2:05:39SPEAKER_01: Esa es una ilusión la cual va a pasar con la práctica.
- 2:05:42SPEAKER_03: Esa es la disociación que la sufren todos los seres sintientes.
- 2:05:56SPEAKER_01: That is the disassociation that keeps us from being in the here and now.
- 2:06:00SPEAKER_03: In the natural state, it's called duality.
- 2:06:02SPEAKER_03: Through practice you get over it.
- 2:06:03SPEAKER_03: Make sense?
- 2:06:03SPEAKER_03: And you had a question.
- 2:06:29SPEAKER_03: In actual fact, the more you speak it becomes clearer.
- 2:06:37SPEAKER_03: It reminds me what you're talking about.
- 2:06:48SPEAKER_03: When you look at a picture with this kind of tunnel vision,
- 2:06:52SPEAKER_03: And then you move, you're looking, then you see the three dimensions.
- 2:06:59SPEAKER_03: I'm asking if it's similar.
- 2:07:05SPEAKER_03: A little?
- 2:07:05SPEAKER_03: Not quite.
- 2:07:07SPEAKER_03: No exactamente.
- 2:07:11SPEAKER_01: When you look at a flat picture like this,
- 2:07:14SPEAKER_03: you only see part of it.
- 2:07:15SPEAKER_03: Solo ves una parte de él.
- 2:07:22SPEAKER_01: And when you look at another part of it, you can't see the first part of it.
- 2:07:25SPEAKER_03: But when you take the tube away, you can see the whole picture.
- 2:07:28SPEAKER_01: For as long as you are point focusing, which is a habitual
- 2:07:32SPEAKER_03: reflex that you have built over eons,
- 2:07:49SPEAKER_03: Que es un hábito de reflejo que has creado o construido a través de eones.
- 2:07:56SPEAKER_03: Aún los insectos miran en forma fija.
- 2:08:00SPEAKER_03: Todo mira en forma fija.
- 2:08:04SPEAKER_01: Entonces tomate un recreito, un descanso de ese hábito.
- 2:08:07SPEAKER_01: Una de las cosas que ayudan
- 2:08:19SPEAKER_03: It's to take a deep breath in through your nose.
- 2:08:25SPEAKER_01: And then blow it out gently through your mouth slowly like this.
- 2:08:46SPEAKER_01: Of course you can't do that continuously or you'll hyperventilate and get dizzy.
- 2:08:57SPEAKER_01: But you can do it sometimes to help you.
- 2:09:03SPEAKER_01: There are other practices which help also like sitting with your head in the shade.
- 2:09:09SPEAKER_01: Don't do any of the sky-gazing practices with the sun on your head.
- 2:09:13SPEAKER_03: But simply take yourself to a high place and look out at the sky with your head in the shade.
- 2:09:20SPEAKER_03: And you do this properly, your eyes actually dilate.
- 2:09:43SPEAKER_03: As they unfocus.
- 2:09:47SPEAKER_01: And if the sun shines on them when they are dilated they can be injured.
- 2:09:51SPEAKER_03: Which is why you keep your head in the shade when you do skydazing.
- 2:09:55SPEAKER_03: Skydazing.
- 2:10:03SPEAKER_03: Por eso decimos que cuando están mirando el cielo,
- 2:10:07SPEAKER_03: practicando mirando el cielo, la cabeza debe estar a la sombra.
- 2:10:11SPEAKER_01: Y usualmente no se hace entre las once de la mañana y las dos de la tarde cuando el
- 2:10:16SPEAKER_01: sol está verticalmente arriba de nuestra cabeza.
- 2:10:33SPEAKER_03: Or late afternoon.
- 2:10:33SPEAKER_03: Facing west in the morning.
- 2:10:34SPEAKER_03: And east in the evening.
- 2:10:36SPEAKER_01: To protect the eyes.
- 2:10:37SPEAKER_03: Because they're really hard to replace.
- 2:10:39SPEAKER_03: But to gaze directly at the empty sky.
- 2:11:07SPEAKER_03: With your eyes.
- 2:11:10SPEAKER_01: Helps to release point focus.
- 2:11:13SPEAKER_03: Ayuda a soltar ese foco fijo.
- 2:11:17SPEAKER_01: Of eyes and mind.
- 2:11:18SPEAKER_03: Oh wow.
- 2:11:23SPEAKER_01: Yeah, it's a really good practice if you have opportunity.
- 2:11:27SPEAKER_01: Es una muy buena práctica.
- 2:11:29SPEAKER_01: You just go to a high place, you know, so that you're not You have great places around here.
- 2:11:35SPEAKER_03: In this part of Spain.
- 2:11:36SPEAKER_03: The sky is very big.
- 2:11:37SPEAKER_03: It's not difficult to go to a place where you can,
- 2:11:39SPEAKER_03: you know, see the sky without going like that.
- 2:11:56SPEAKER_03: El cielo es muy vasto aquí,
- 2:11:58SPEAKER_03: es fácil poder mirar el cielo sin tener que hacer esto,
- 2:12:02SPEAKER_03: así doblar el cuello de este modo.
- 2:12:03SPEAKER_01: Y sentate y relájate en Trekshok.
- 2:12:05SPEAKER_03: Con tu visión hacia el cielo en el cielo.
- 2:12:08SPEAKER_03: Mirar al cielo.
- 2:12:08SPEAKER_01: Muy útil.
- 2:12:26SPEAKER_01: Are there other questions before we close
- 2:12:30SPEAKER_02: for today?
- 2:12:31SPEAKER_03: Call on Tara in the Kriya Tantra form.
- 2:12:34SPEAKER_03: Not Mahana Tantra.
- 2:12:36SPEAKER_03: Kriya Tantra.
- 2:12:38SPEAKER_03: Green Tara.
- 2:12:40SPEAKER_03: La Tara Verde.
- 2:12:54SPEAKER_01: Seen as other than you.
- 2:12:56SPEAKER_03: Que la vean como alguien que
- 2:13:02SPEAKER_01: no eres tú.
- 2:13:03SPEAKER_03: Y entregale la bola de hilos que simboliza tus preocupaciones.
- 2:13:09SPEAKER_03: Y pídele que se encargue de esa cuestión por ti.
- 2:13:23SPEAKER_03: If you can do this,
- 2:13:27SPEAKER_03: with intensity of faith and trust,
- 2:13:33SPEAKER_01: in the universal mother archetype of Green Tara,
- 2:13:37SPEAKER_03: not only will you be able to relax from your worries,
- 2:13:50SPEAKER_01: But she actually will deal with the problem for
- 2:13:52SPEAKER_03: you.
- 2:13:58SPEAKER_01: And you will have the experience of it being fixed.
- 2:14:08SPEAKER_01: So when the anxiety and the worry and the fear and the fret.
- 2:14:13SPEAKER_03: Cuando la ansiedad y la preocupación y el miedo y la amenaza.
- 2:14:18SPEAKER_03: It's too big
- 2:14:21SPEAKER_01: to simply sit and look through it and see Trektro.
- 2:14:24SPEAKER_03: Call Tara.
- 2:14:25SPEAKER_03: Say the words.
- 2:14:25SPEAKER_03: O Jetsundroma la Chicheno.
- 2:14:26SPEAKER_03: O Jetsundroma la Chichemo.
- 2:14:45SPEAKER_01: That means, oh, great Tara, hear me.
- 2:14:48SPEAKER_03: Eso significa, oh, gran Tara, escúchame.
- 2:14:53SPEAKER_01: I got a problem.
- 2:14:54SPEAKER_03: Yo tengo un problema.
- 2:14:56SPEAKER_01: It's like this.
- 2:14:58SPEAKER_01: Es así.
- 2:14:59SPEAKER_01: Describe the problem in simple terms.
- 2:15:02SPEAKER_01: She's a telepath.
- 2:15:03SPEAKER_01: You don't have to say all of it.
- 2:15:04SPEAKER_01: Just, you know, name it a bit.
- 2:15:06SPEAKER_03: Describan el problema de alguna manera.
- 2:15:08SPEAKER_03: No tienen quien contarle todo.
- 2:15:09SPEAKER_03: Ella sabe.
- 2:15:11SPEAKER_03: Ya un poquito cuéntenle.
- 2:15:14SPEAKER_01: Could you take care of this for me?
- 2:15:17SPEAKER_01: Because I'm at a loss.
- 2:15:18SPEAKER_01: I can't.
- 2:15:19SPEAKER_01: I can't fix it and I can't seem to stop worrying about it.
- 2:15:23SPEAKER_03: For this to work, you need a symbol of the form of Tara.
- 2:15:26SPEAKER_03: A picture or a statue
- 2:15:47SPEAKER_01: To help you to visualize her as actually being real in front of you.
- 2:15:52SPEAKER_03: You need to say the words out loud.
- 2:15:54SPEAKER_03: You need to invoke the chakra of intent, which is your speech chakra.
- 2:16:09SPEAKER_03: Tienen que decir las palabras en voz alta, no vocalizarlas nada más.
- 2:16:13SPEAKER_03: Tienen que usar el chakra de la intención, que es el chakra de la garganta.
- 2:16:18SPEAKER_01: Estamos haciendo magia acá.
- 2:16:19SPEAKER_01: Tienen que seguir las instrucciones.
- 2:16:21SPEAKER_03: Y tienen que crear la certeza en la mente de ustedes.
- 2:16:23SPEAKER_03: Tienen que confiar en eso.
- 2:16:37SPEAKER_01: If you do these three
- 2:16:38SPEAKER_03: things,
- 2:16:41SPEAKER_01: not only will you experience relief from your stressor,
- 2:16:45SPEAKER_03: but she'll actually fix the problem for you.
- 2:16:49SPEAKER_03: Ella va a arreglarles no solo...
- 2:17:05SPEAKER_03: No solo van a tener alivio de lo que los está estresando,
- 2:17:08SPEAKER_03: sino que ella va a arreglarles el problema para ustedes.
- 2:17:14SPEAKER_01: Oh, oh, Tara, hear me.
- 2:17:21SPEAKER_01: Or, oh, venerable Tara, hear me.
- 2:17:23SPEAKER_01: Oh, Tara, venerable, escúchame.
- 2:17:25SPEAKER_03: Oh, venerable Tara, escúchame.
- 2:17:29SPEAKER_03: You can say it in Spanish, you
- 2:17:31SPEAKER_01: just have to call her by name.
- 2:17:34SPEAKER_03: Pueden decirlo en español, solo tienen que llamarla por su nombre.
- 2:17:39SPEAKER_01: O mientras
- 2:17:42SPEAKER_03: están hablándole a la imagen de ella, una estatua de ella.
- 2:17:51SPEAKER_01: And trusting,
- 2:17:53SPEAKER_01: really having the faith that she is there in hearing you
- 2:17:57SPEAKER_01: and feeling like you're actually talking to her.
- 2:17:59SPEAKER_03: Y confiar, realmente tener la fe que ella está ahí escuchándole y que ella los va a ayudar.
- 2:18:06SPEAKER_01: Para poder hacer la magia del Sambhogakaya,
- 2:18:09SPEAKER_01: tienes que trabajar
- 2:18:10SPEAKER_03: con los portales del cuerpo, de la voz y de la mente.
- 2:18:11SPEAKER_03: Una forma de intento
- 2:18:32SPEAKER_01: And of the adamantine, unshakable trust of open awareness.
- 2:18:37SPEAKER_03: Or the magic won't work.
- 2:18:40SPEAKER_03: Now, you don't have to be perfect.
- 2:18:54SPEAKER_03: Ahora, no tienen que ser perfectos.
- 2:18:57SPEAKER_03: You aren't gonna be perfect.
- 2:18:59SPEAKER_03: No van a ser perfectos.
- 2:19:01SPEAKER_03: That's okay.
- 2:19:02SPEAKER_03: Eso está bien.
- 2:19:04SPEAKER_01: Go through the full motions.
- 2:19:06SPEAKER_03: Hagan, vayan paso a paso.
- 2:19:09SPEAKER_03: To the best of your ability.
- 2:19:12SPEAKER_03: Dentro de vuestra capacidad.
- 2:19:14SPEAKER_03: And it will work.
- 2:19:16SPEAKER_03: Y va a funcionar.
- 2:19:25SPEAKER_02: If there is somebody very upset on a
- 2:19:30SPEAKER_03: very intense kind of argument,
- 2:19:36SPEAKER_03: does it work?
- 2:19:39SPEAKER_01: It works on anything, but you can't really do it in public without alarming people.
- 2:19:45SPEAKER_03: So you will have to depart from the place of argument.
- 2:19:55SPEAKER_03: And go
- 2:19:58SPEAKER_01: and do it.
- 2:19:59SPEAKER_01: It is also helpful.
- 2:20:05SPEAKER_03: Instead of keep on going around it, right?
- 2:20:07SPEAKER_03: Keep on doing what I'm doing.
- 2:20:09SPEAKER_01: Yeah, no, no, no.
- 2:20:10SPEAKER_01: You have to give it over to Tara.
- 2:20:17SPEAKER_01: There, and it's helpful to say the mantra.
- 2:20:21SPEAKER_03: Y también sirve mucho decir el mantra de ella mientras lo haces.
- 2:20:29SPEAKER_01: Es como que fija el patrón
- 2:20:32SPEAKER_03: del hechizo, de la magia.
- 2:20:34SPEAKER_01: La tara verde es la más simple a la cual
- 2:20:37SPEAKER_03: relacionarse de las 21 taras.
- 2:20:50SPEAKER_01: Although there are also specific forms of
- 2:20:54SPEAKER_03: Tara contained within
- 2:21:00SPEAKER_01: Green Tara
- 2:21:03SPEAKER_01: but also manifesting separately for different kinds of problems.
- 2:21:08SPEAKER_03: It's simpler to just do Green Tara and let her decide how to manifest.
- 2:21:23SPEAKER_01: But because we are complex people who like to do complex things,
- 2:21:28SPEAKER_03: some of us enjoy working with the different 21 different versions of the 21 Taras.
- 2:21:31SPEAKER_03: And working with number three or number
- 2:21:33SPEAKER_01: seven for this or
- 2:21:44SPEAKER_03: Nos gusta trabajar algunos de nosotros con las 21 taras, es hacer la número 3, la número 7.
- 2:21:48SPEAKER_03: Y eso está bien, no importa cómo quieran hacerlo.
- 2:21:49SPEAKER_03: Porque estamos cortos de
- 2:21:52SPEAKER_01: tiempo esta noche,
- 2:21:53SPEAKER_01: en vez de darle las 21,
- 2:21:54SPEAKER_03: las diferentes mantras, y cómo funciona, y cómo aplicarlos, etcétera.
- 2:22:15SPEAKER_03: Lama, there is a question over there.
- 2:22:17SPEAKER_02: Yes.
- 2:22:22SPEAKER_02: Oh.
- 2:22:23SPEAKER_02: Oh, okay.
- 2:22:37SPEAKER_03: I think I believe she answered the question because I'm doing the 21 Tara practice
- 2:22:41SPEAKER_03: and I was just going to ask you if it's okay to ask, um,
- 2:22:46SPEAKER_03: for the fixing a problem when,
- 2:22:49SPEAKER_03: when you have one, when you're doing that practice or just simply do the practice.
- 2:22:54SPEAKER_01: No, if you're in for this purpose of being able to relax from
- 2:22:58SPEAKER_01: a specific problem well enough to enter into treachery.
- 2:23:09SPEAKER_01: When that specific problem is bugging you so much that it's interfering with your track shock.
- 2:23:13SPEAKER_03: Then you actually have to take that specific problem and hand it over to Tara.
- 2:23:30SPEAKER_01: But if you are not having that with your this problem or that problem,
- 2:23:34SPEAKER_01: you're simply knowing that there will be problems because you're a sentient being.
- 2:23:39SPEAKER_03: But at the moment,
- 2:23:40SPEAKER_03: none of them are big enough to interfere with your being able to practice stretcher.
- 2:23:44SPEAKER_03: Shall I say none of them
- 2:24:01SPEAKER_01: So big.
- 2:24:07SPEAKER_01: Then just doing the 21 Taras is quite
- 2:24:09SPEAKER_03: sufficient.
- 2:24:16SPEAKER_01: This method was given as a solution to a particular thing where a specific problem
- 2:24:22SPEAKER_01: at times is interfering with one's ability to relax into treachery.
- 2:24:26SPEAKER_03: That's when you do this.
- 2:24:27SPEAKER_03: Other questions.
- 2:24:28SPEAKER_03: Si esta práctica se hace mentalmente, ¿qué cosa?
- 2:25:02SPEAKER_03: If the practice is done mentally, is it as effective as we hand the problem to her?
- 2:25:09SPEAKER_03: No.
- 2:25:11SPEAKER_03: You have to say it out loud.
- 2:25:14SPEAKER_01: Or it doesn't work as well.
- 2:25:16SPEAKER_03: There is magic in speech.
- 2:25:28SPEAKER_01: Why do you think throughout every culture among humans?
- 2:25:32SPEAKER_03: In the stories, they talk about magic words.
- 2:25:43SPEAKER_01: To release the genie from the bottle or to do this or that the witch or
- 2:25:48SPEAKER_01: the wizard says something to do that.
- 2:25:51SPEAKER_01: There's always magic words.
- 2:25:52SPEAKER_03: Because words are magic.
- 2:25:55SPEAKER_03: How you describe something creates its reality.
- 2:26:11SPEAKER_03: Escribes algo, crea la realidad de la misma cosa.
- 2:26:16SPEAKER_01: Y hacerlo en voz alta es más intenso que hacerlo
- 2:26:20SPEAKER_03: silenciosamente.
- 2:26:21SPEAKER_03: Otras preguntas.
- 2:26:23SPEAKER_03: Ella levantó primero.
- 2:26:24SPEAKER_03: No te escucho.
- 2:26:44SPEAKER_03: To look into a space.
- 2:26:46SPEAKER_03: There
- 2:26:52SPEAKER_03: are always things that are in front of me, even if I go to a mountain.
- 2:27:04SPEAKER_03: What would be the correct way?
- 2:27:07SPEAKER_03: Lying down on my back looking at the sky or sitting like so looking at the sky?
- 2:27:12SPEAKER_01: It is better to sit
- 2:27:15SPEAKER_01: with your channels in alignment
- 2:27:20SPEAKER_01: and simply raise your
- 2:27:22SPEAKER_01: where your eyes are pointing
- 2:27:24SPEAKER_03: and inch or two above the horizon.
- 2:27:26SPEAKER_03: You don't have to be unable to see the ground
- 2:27:40SPEAKER_03: No tenés que necesitar ver la Tierra
- 2:27:45SPEAKER_01: o el horizonte.
- 2:27:47SPEAKER_01: Solo estás mirando un poquito más arriba de la línea del horizonte.
- 2:27:51SPEAKER_03: Generalmente, cuando tratamos de mirar al cielo cuando estamos acostados
- 2:27:56SPEAKER_01: de espaldas,
- 2:28:06SPEAKER_01: First of all, it is really hard to figure out how to do that without the sun striking our head.
- 2:28:12SPEAKER_03: Second, if you relax properly into that, you're going to fall asleep.
- 2:28:15SPEAKER_03: Better to do it in the seven point position, the standard lotus position of sitting.
- 2:28:34SPEAKER_03: Mejor hacerlo en la postura de los siete puntos, la postura lotus estándar sentados.
- 2:28:41SPEAKER_01: O el medio lotus, como normalmente te sientes.
- 2:28:44SPEAKER_03: El truco es tener los canales bien alineados.
- 2:28:46SPEAKER_03: La última pregunta.
- 2:29:05SPEAKER_03: Then in order to beg Tara to help us with a problem, is it allowed?
- 2:29:21SPEAKER_03: Oh, and we should use the Om Tare Tu Tare mantra.
- 2:29:24SPEAKER_03: And I wonder if you can give this to us because there are some people here
- 2:29:27SPEAKER_03: who have never been given that mantra.
- 2:29:30SPEAKER_01: Yes, repeat after me.
- 2:29:32SPEAKER_03: Si, repitan conmigo.
- 2:29:35SPEAKER_01: Om.
- 2:29:37SPEAKER_01: Tare, Tare, Tutare, Ture, Ture, Soha,
- 2:29:46SPEAKER_01: Om,
- 2:29:49SPEAKER_01: Tare, Tutare,
- 2:29:51SPEAKER_01: Tutare, Ture, Soha,
- 2:29:54SPEAKER_01: Om, Tare, Tutare, Ture, Soha,
- 2:29:58SPEAKER_03: Om, Tare, Tutare,
- 2:30:02SPEAKER_01: Ture, Soha,
- 2:30:05SPEAKER_01: Om Tare Tutare Ture Soha.
- 2:30:07SPEAKER_03: Om Tare Tutare Ture Soha.
- 2:30:10SPEAKER_01: So, that mantra is sung by someone
- 2:30:13SPEAKER_03: of beautiful voice who is not tone deaf.
- 2:30:15SPEAKER_01: Who is not deaf.
- 2:30:33SPEAKER_01: Not who is able to sing on key.
- 2:30:35SPEAKER_03: Is available on YouTube.
- 2:30:37SPEAKER_03: Google it.
- 2:30:38SPEAKER_03: And you will find it.
- 2:30:39SPEAKER_03: It's much better than my trying to sing.
- 2:31:07SPEAKER_01: Would one person run up to my room for
- 2:31:10SPEAKER_03: me?
- 2:31:13SPEAKER_01: Quickly, in my square suitcase is a bag that has eyes on it and says look at your mind.
- 2:31:24SPEAKER_01: Can you run up and bring that down?
- 2:31:25SPEAKER_01: Okay.
- 2:31:30SPEAKER_01: Because I think I have a gift in there and I think I have enough for all of you.
- 2:31:34SPEAKER_03: Which has become appropriate due to the questions that have been asked.
- 2:31:38SPEAKER_03: So while we are waiting for that to get here,
- 2:31:59SPEAKER_03: Entonces, mientras esperamos que eso llegue, hay
- 2:32:03SPEAKER_01: una pregunta más.
- 2:32:04SPEAKER_01: ¡Ah!
- 2:32:04SPEAKER_03: Todos están satisfechos.
- 2:32:05SPEAKER_03: ¡Qué lindo!
- 2:32:06SPEAKER_03: Entonces, dejamos recordar.
- 2:32:20SPEAKER_03: Entonces,
- 2:32:22SPEAKER_03: permitámonos recordar que nosotros,
- 2:32:24SPEAKER_03: los seres
- 2:32:25SPEAKER_01: sintientes, estamos todos en esto juntos.
- 2:32:28SPEAKER_03: Nosotros, nuestros integrantes
- 2:32:31SPEAKER_01: de la ecología, los
- 2:32:33SPEAKER_03: insectos en nuestros intestinos,
- 2:32:50SPEAKER_01: And the critters who share with us being a member of Gaia.
- 2:32:57SPEAKER_03: We're all in this together.
- 2:32:58SPEAKER_03: So may any benefit benefit us all.
- 2:33:20SPEAKER_03: Cualquier beneficio, nos beneficiamos todos.
- 2:33:40[music]
- 2:33:55SPEAKER_02: We are complete.
- 2:33:56SPEAKER_03: Thank you, Lama.
- 2:34:02SPEAKER_01: This is a bilblah.
- 2:34:04SPEAKER_03: Okay.
- 2:34:05SPEAKER_03: Come on.
- 2:34:26SPEAKER_03: Come to Mama.
- 2:34:30SPEAKER_01: Who's got scissors?
- 2:34:33SPEAKER_01: Oh, maybe not, maybe it unties.
- 2:34:37SPEAKER_03: Okay, so come up.
- 2:34:39SPEAKER_03: Quizás en el centro, no sé cómo lo hacen generalmente.
- 2:34:55SPEAKER_01: You need to have an image of green Tara.
- 2:34:59SPEAKER_01: This amulet.
- 2:35:21SPEAKER_03: Necesitan una imagen de la tara verde.
- 2:35:23SPEAKER_01: Este amuleto tiene la green tara de un lado porque
- 2:35:27SPEAKER_03: ella es práctica.
- 2:35:28SPEAKER_01: Ella es la madre que sabe cómo limpiar ese lío antes de
- 2:35:31SPEAKER_03: que empiece a crear patas y cabezas.
- 2:35:51SPEAKER_01: Y del otro lado tenemos a la Tara Blanca.
- 2:35:53SPEAKER_03: Es el que mira de manera abierta, infinita, más allá del tiempo, más allá
- 2:35:57SPEAKER_01: del espacio.
- 2:35:58SPEAKER_01: La inmortalidad innata y natural.
- 2:36:00SPEAKER_01: La mente misma.
- 2:36:28SPEAKER_03: No saquen el nudo, no lo desaten el nudo.
- 2:36:31SPEAKER_03: En el nudo está la magia.
- 2:37:08SPEAKER_03: No se preocupe, no se me terminaron.
- 2:37:15SPEAKER_01: Pero tenemos otro tipo, esta es la tara verde.
- 2:37:18SPEAKER_03: Pero en el reverso está el mantra.
- 2:37:20SPEAKER_03: Siéntanse
- 2:37:23SPEAKER_01: libres de hacer un truque
- 2:37:25SPEAKER_03: entre ustedes, de los dos tipos.
- 2:37:38SPEAKER_01: Que los dos funcionan muy bien.
- 2:37:39SPEAKER_03: Hasta que todos tengan la clase que quieran.
- 2:38:17SPEAKER_02: Lama,
- 2:38:30SPEAKER_03: There's a person here telling me that there are people who will not be able
- 2:38:33SPEAKER_03: to come tomorrow,
- 2:38:34SPEAKER_03: so they just come in this line to get a blessing from you or they should
- 2:38:40SPEAKER_01: wait.
- 2:38:43SPEAKER_03: No, por favor,
- 2:38:44SPEAKER_03: los que no puedan venir mañana, esperen
- 2:38:47SPEAKER_03: a que termine esta cola y después hacen otra cola para la bendición porque solo
- 2:38:51SPEAKER_03: tengo dos manos.
- 2:38:55SPEAKER_01: We will finish this quickly.
- 2:38:57SPEAKER_03: Pero vamos a terminar esto rápido, ¿ok?
- 2:39:01SPEAKER_01: But I want to give this.
- 2:39:02SPEAKER_03: Ah, these are green and white taras.
- 2:39:30SPEAKER_01: You see, I have two kinds and I sometimes confuse them.
- 2:39:34SPEAKER_03: Come to the end of the line.
- 2:39:57SPEAKER_02: Come to the end of the line.
- 2:39:59SPEAKER_03: Vayan al final de la cola.
- 2:40:01SPEAKER_03: Si quieren una bendición, vayan al final de la cola.
- 2:40:07SPEAKER_03: Oh, Lama, she's asking you for another one for her mother.
- 2:40:10SPEAKER_03: She came yesterday.
- 2:40:11SPEAKER_03: Yes, and I'm telling her go to the end of the line again.
- 2:40:14SPEAKER_03: Sí, le estoy diciendo a los dos,
- 2:40:15SPEAKER_03: por favor, que vayan al final de la cola de vuelta para recibir otra.
- 2:40:39SPEAKER_01: Has everyone got one?
- 2:40:41SPEAKER_03: Who has not received one yet?
- 2:40:43SPEAKER_03: First ones first.
- 2:41:04SPEAKER_01: Okay, I have run out.
- 2:41:09No, I don't have more.
- 2:41:13SPEAKER_02: Come, person who didn't get one.
- 2:41:34SPEAKER_03: Tell him to come here.
- 2:41:34SPEAKER_03: Yes.
- 2:41:35SPEAKER_03: I asked that before.
- 2:42:06SPEAKER_01: So I will give to,
- 2:42:09SPEAKER_01: since you didn't get one, let me give you a mala to use for the practice instead.
- 2:42:15SPEAKER_03: The other person who didn't get one, do you want a mala instead?
- 2:42:33SPEAKER_03: The mantra I gave, if you say that mantra, it is magic words.
- 2:43:03SPEAKER_03: Here is a magic tool.
- 2:43:04SPEAKER_01: Like Harry Potter has.
- 2:43:06SPEAKER_03: So you can do magic too.
- 2:43:08SPEAKER_01: Does he know Harry Potter?
- 2:43:11SPEAKER_01: No.
- 2:43:32SPEAKER_01: No hay más, se han terminado.
- 2:43:35SPEAKER_03: Ok, ahora los que no pueden venir mañana,
- 2:43:40SPEAKER_01: tengo casi suficiente.
- 2:43:40SPEAKER_01: Venga, permítame
- 2:43:41SPEAKER_03: ofrecerle esto.
- 2:43:42SPEAKER_03: Usted tiene que venir más cerca.
- 2:43:43SPEAKER_01: No puedo alcanzarla así.
- 2:44:31SPEAKER_02: Bébetela y luego te limpia en la cabeza el resto.
- 2:44:35SPEAKER_02: Así es, digo.
- 2:44:36SPEAKER_02: Sí, está bueno.
- 2:45:06SPEAKER_00: Si las personas que van a recibir la bendición esta noche,
- 2:45:09SPEAKER_00: porque no vienen mañana,
- 2:45:10SPEAKER_00: quieren entregarle una cata o alguna ofrenda,
- 2:45:12SPEAKER_00: lo pueden hacer dejando la ofrenda encima de su mesa o ofreciéndole la cata para que
- 2:45:17SPEAKER_00: os la ponga.
- 2:45:26SPEAKER_00: Y si tampoco venís mañana y queréis colaborar con el centro,
- 2:45:28SPEAKER_00: con las donaciones, también podéis dejarlas en las cajas que hay a la entrada.
- 2:45:32SPEAKER_00: ¿Puedo decir a la gente a beber
- 2:45:34SPEAKER_01: si no saben?
- 2:45:37SPEAKER_00: This is for you to bless it because it contains some malas.
- 2:46:07SPEAKER_00: That they want to be blessed.
- 2:46:41Thank
- 2:46:48SPEAKER_02: you.
- 2:47:14SPEAKER_01: Please come forward, do not stay back there.
- 2:47:30SPEAKER_01: Could you ask people to come forward, not to stand back there, but to come up?
- 2:47:39SPEAKER_03: Sí, por favor, vayan pasando, no se queden atrás, así la línea va un poco más rápido.
- 2:47:45SPEAKER_03: Gracias.
- 2:47:47SPEAKER_02: Gracias.
- 2:47:50Gracias.
- 2:48:13SPEAKER_02: Okay.
- 2:48:26SPEAKER_02: You can move it back a little bit.
- 2:48:31SPEAKER_02: I just have to pack up a little bit.
- 2:48:37SPEAKER_02: Yes, everything that came out of this bag.
- 2:48:41SPEAKER_02: Should go.
- 2:49:11SPEAKER_02: Thank you.
- 2:49:12SPEAKER_02: Thank you.
- 2:49:55Thank you.
- 2:50:22SPEAKER_02: No, there is a man who did not get one.
- 2:50:55SPEAKER_02: We found her.
- 2:51:21SPEAKER_02: Thank you.
- 2:51:52Thank you.