Latest / To All the Men I've Tolerated Before / Still Comfy? Return to Me

Transcript

Still Comfy? Return to Me · To All the Men I've Tolerated Before

• 0:00
  Speaker 1: Hey, Team Tolerator. We are still on our summer break
• 0:04
  Speaker 1: from new episodes of To All the Men I've Tolerated before,
• 0:08
  Speaker 1: So this week I will be giving you one of
• 0:11
  Speaker 1: our Still Comfy movie reviews with Julia Washington from pop
• 0:16
  Speaker 1: Culture Makes Me Jealous and Jelly Pop's book Club. Still
• 0:20
  Speaker 1: Comfy is where Julia and I were live once a
• 0:23
  Speaker 1: week giving movie reviews about our favorite comfort movies from now,
• 0:29
  Speaker 1: our youth, our teenage years, just whenever we felt comforted
• 0:34
  Speaker 1: by a movie and then we felt like we should
• 0:37
  Speaker 1: revisit it to make sure we could still feel comfortable
• 0:39
  Speaker 1: about it. Enjoy this audio version of Still Comfy if
• 0:44
  Speaker 1: you would like to see the video version. I have
• 0:47
  Speaker 1: linked the YouTube playlist for our Still Comfy videos in
• 0:51
  Speaker 1: the show notes, and there is also our Patreon page
• 0:55
  Speaker 1: linked in the show notes. Patreon members are getting new
• 0:59
  Speaker 1: content throughout the summer, whether it be on our free
• 1:03
  Speaker 1: tier or any of our paid tiers. Whether it be
• 1:09
  Speaker 1: teen Tolerator check in, Misogyny, Meltdown episodes, blog post, or
• 1:14
  Speaker 1: early access to episodes you might hear this fall that
• 1:18
  Speaker 1: will be ad free. Make sure to check out any
• 1:22
  Speaker 1: of our Patreon tiers. They are all offering free trials.
• 1:27
  Speaker 1: Have a great summer. I will see you this fall
• 1:30
  Speaker 1: with all new episodes of two All the Men I've
• 1:33
  Speaker 1: Tolerated Before. Oh, we are live. It did it really quick?
• 2:02
  Speaker 2: I feel like it took a long time.
• 2:04
  Speaker 1: It Nope, we've been live for eight whole seconds at
• 2:07
  Speaker 1: this point. Hi, everybody, it's still comfy movie Monday with
• 2:12
  Speaker 1: and Jewels, and today we are going to be doing
• 2:15
  Speaker 1: my favorite rom com Return to Me. I'm Nat that's
• 2:19
  Speaker 1: Jules Jewels. Introduce yourself. Oh we have we have a watcher.
• 2:23
  Speaker 1: If you are currently watching the live stream, go ahead
• 2:25
  Speaker 1: and say hello in the chat because we can't see
• 2:28
  Speaker 1: you unless you do. And now I know there are
• 2:31
  Speaker 1: two of you.
• 2:32
  Speaker 2: Hey friends, I'm Julia Washington, the host of pop Culture
• 2:35
  Speaker 2: Makes Me Jealous, where we analyze pop culture through the
• 2:38
  Speaker 2: lens of race or gender and sometimes both. And I
• 2:40
  Speaker 2: am the co host of this live stream with Natalie Katona.
• 2:45
  Speaker 1: And I'm Natalie Katona, your host of To All the
• 2:49
  Speaker 1: Men I've Tolerated Before, a weekly look at everyday massogyny.
• 2:53
  Speaker 1: You can catch it every Thursday. Special shout out to Mario.
• 2:57
  Speaker 1: He is in the building. He is ready to listen
• 3:01
  Speaker 1: to me talk about Gorilla's Mario's in the building.
• 3:06
  Speaker 2: You love it with Mario's here?
• 3:08
  Speaker 1: Yeah, Mini Driver, we love Mini Driver.
• 3:11
  Speaker 2: We do love Mini Driver. Hate the way she says Grandpa,
• 3:14
  Speaker 2: but love Mini Driver.
• 3:16
  Speaker 1: I wasn't gonna throw money like that.
• 3:18
  Speaker 2: Unpopular opinion or popular opinion.
• 3:22
  Speaker 1: Only you can tell us in the comments. Jules, are
• 3:25
  Speaker 1: you gonna time this to see if I can do
• 3:27
  Speaker 1: it in a minute?
• 3:28
  Speaker 2: Yeah, give me a ready, yeah steady?
• 3:35
  Speaker 1: Uh huh.
• 3:36
  Speaker 2: Go.
• 3:37
  Speaker 1: In a little known city called Chicago, Illinois, there sits
• 3:40
  Speaker 1: a zoo called Lincoln Park Zoo. That zoo contains a
• 3:43
  Speaker 1: gorilla named Sydney, and he needs a bigger house and
• 3:47
  Speaker 1: David Ducovney's wife is going to give it to him,
• 3:50
  Speaker 1: except for she dies in a tragic car accident. Thus
• 3:54
  Speaker 1: brings in Crazy played by Minie Driver, who is waiting
• 3:57
  Speaker 1: for a heart transplant and gets David to Cup's wife's heart.
• 4:01
  Speaker 1: They fall in love. It's the power of love and souls.
• 4:05
  Speaker 1: And there's a Irish Italian restaurant because why wouldn't there be?
• 4:10
  Speaker 1: And that's your look into today's film.
• 4:14
  Speaker 2: Return to Me, nicely done, thirty eight seconds and thirty
• 4:19
  Speaker 2: got d I was humming it. Could you tell?
• 4:22
  Speaker 1: I could tell? I could tell, all right.
• 4:24
  Speaker 2: And I also threw and returned to me in there
• 4:26
  Speaker 2: a little bit too.
• 4:27
  Speaker 1: See, I can't do return to me. I can only
• 4:30
  Speaker 1: hum it.
• 4:31
  Speaker 2: Okay, Well, m.
• 4:38
  Speaker 1: Let's start at the beginning. And by the beginning, I
• 4:40
  Speaker 1: mean my beginning with this film. I was a third
• 4:44
  Speaker 1: or a fourth grader. I was at the Lincoln Park
• 4:47
  Speaker 1: Zoo and I was pissed because they wouldn't let me
• 4:50
  Speaker 1: go into the monkey House the Gorilla House because I
• 4:55
  Speaker 1: didn't understand that they had shut down the Gorilla House
• 4:57
  Speaker 1: because they actually filmed this movie at the Lincoln Park Zoo.
• 5:02
  Speaker 2: That I feel like that makes sense because the Bonnie
• 5:05
  Speaker 2: Hunt from Chicago.
• 5:06
  Speaker 1: Sure are they all from Chicago?
• 5:08
  Speaker 2: I read that her brother worked at the hospital where
• 5:11
  Speaker 2: the hospital scenes were seen, and he's the reason why
• 5:14
  Speaker 2: they were able to shoot there.
• 5:15
  Speaker 1: Yeah.
• 5:16
  Speaker 2: Also, Mario, Yes, I also want to go to that restaurant,
• 5:20
  Speaker 2: an Italian Irish restaurant, like two of my favorite vibes.
• 5:24
  Speaker 2: I want to battle Angelo for the best sauce.
• 5:27
  Speaker 1: Ooh Angelo, Uncle Angelo. So I'm a fourth grader eating
• 5:32
  Speaker 1: lunch on a hill where a fancy man with the
• 5:34
  Speaker 1: clipboard walks up to me, is like, young lady, would
• 5:37
  Speaker 1: you like to be an extra in this movie that
• 5:39
  Speaker 1: we're filming? And my chaperone was like, there's no way
• 5:42
  Speaker 1: you're catching the bus if that happens. But I did
• 5:44
  Speaker 1: get to watch Bonnie Hunt and Minie Driver and all
• 5:47
  Speaker 1: of those children Irish Catholics.
• 5:50
  Speaker 2: Man, your chaperone is a bummer summer, I know.
• 5:54
  Speaker 1: But she's probably right, and we lived two hours away
• 5:58
  Speaker 1: from the zoo.
• 5:59
  Speaker 2: I mean, watch, be an extra in a movie, Miss.
• 6:05
  Speaker 1: Luber wasn't a thing in the nineties. No, but your parents.
• 6:09
  Speaker 2: Could have, like, I don't know, could have been a
• 6:14
  Speaker 2: whole news story child child, missus bus.
• 6:17
  Speaker 1: I'm sure that there was. I'm sure there was like
• 6:21
  Speaker 1: paperwork that parents have to sign in order for your
• 6:24
  Speaker 1: kid to be an extra in a movie that feels
• 6:26
  Speaker 1: like lawfully right. Yeah, yeah, so I don't know. But anyways,
• 6:32
  Speaker 1: I just got to watch Bonnie Hunt and Minee Driver
• 6:34
  Speaker 1: and it didn't hit me. My mom and I used
• 6:36
  Speaker 1: to watch this movie. We would watch this movie Fools
• 6:40
  Speaker 1: Russian and Must Love Dogs on repeat because we got
• 6:46
  Speaker 1: them as like a box set. I love Must Love Dogs,
• 6:49
  Speaker 1: I love Must Love Dogs. And I also love Fools Russian.
• 6:54
  Speaker 2: So I also love Fools Russian. Currently not a fan
• 6:58
  Speaker 2: of Matthew Perry. No, I hate Matthew Perry. I'll say it,
• 7:02
  Speaker 2: I hate him, but he's not in this movie. David
• 7:06
  Speaker 2: du coveney is damn. Why didn't you love me, David Coney,
• 7:11
  Speaker 2: Why don't you know We're never gonna actually get to
• 7:14
  Speaker 2: talking about this movie.
• 7:15
  Speaker 1: We were just keep singings we are talking about it,
• 7:19
  Speaker 1: and so anyways, I didn't get to be in the movie.
• 7:25
  Speaker 1: To everyone's sad, sugar in, but I love this movie.
• 7:28
  Speaker 1: It's one of my favorite movies. And I didn't realize
• 7:30
  Speaker 1: until ten years later that I watched this movie be filmed,
• 7:33
  Speaker 1: Like it was like our fiftieth watch of it. I
• 7:35
  Speaker 1: was like, Mom, I was there, and.
• 7:37
  Speaker 2: She's like, what are you talking about?
• 7:40
  Speaker 1: I was like, I was like Lincoln Perksu. When this
• 7:42
  Speaker 1: was filmed, I watched Bonnie Hunt Come out of the
• 7:46
  Speaker 1: Gorilla House. I love that this movie contains all of
• 7:50
  Speaker 1: my favorite things. It contains David d'covney, It contains Minnie Driver,
• 7:57
  Speaker 1: It has say it with Me, Guru love, It has
• 8:03
  Speaker 1: a mysticism, and it has pasta and old irishmen.
• 8:08
  Speaker 2: And some old Italian.
• 8:09
  Speaker 1: I love old Italians. They're the closest thing to my
• 8:12
  Speaker 1: great uncles. I I would love to start at the
• 8:19
  Speaker 1: car crash, but it's such a bad size that we're
• 8:22
  Speaker 1: gonna start with the restaurant.
• 8:23
  Speaker 2: And I think I first though that I first saw
• 8:27
  Speaker 2: this movie when I was because it came out when
• 8:29
  Speaker 2: I was sixteen years old.
• 8:32
  Speaker 1: Oh maybe then I probably wasn't in fourth grade because
• 8:36
  Speaker 1: we're not that far apart.
• 8:38
  Speaker 2: Because it came two thousand. It came out in two thousand,
• 8:42
  Speaker 2: so I guess years.
• 8:43
  Speaker 1: To film it. I don't know how long movies take.
• 8:46
  Speaker 2: Especially back then. Who knows right, right, But it came
• 8:49
  Speaker 2: out in two thousand and I was sixteen, and I
• 8:56
  Speaker 2: remember thinking, this is so Roman.
• 9:00
  Speaker 1: It is the purest movie of pure movies. As we know.
• 9:03
  Speaker 1: I've been reading the heart Stopper series, and I send
• 9:06
  Speaker 1: pictures of the heart Stopper graphic novel panels two people,
• 9:11
  Speaker 1: and I'm like, look at this big boy, cradle this
• 9:14
  Speaker 1: littler boy. Like I'm crying, but like I cried throughout
• 9:20
  Speaker 1: alive return to me, Oh all of it.
• 9:22
  Speaker 2: Hello. I was like, this is terrible because Natalie's gonna
• 9:25
  Speaker 2: be like what do you remember? What was it like
• 9:28
  Speaker 2: watching the movie this time? And I'm gonna be like,
• 9:30
  Speaker 2: I don't know. We were two minutes in and I'm bawling, bawling.
• 9:33
  Speaker 1: I cried. As soon as I saw the gorilla. I
• 9:36
  Speaker 1: was like, that gorilla is gonna be sad. The dog,
• 9:39
  Speaker 1: the dog dog. Oh, and I was the door, and
• 9:42
  Speaker 1: I was instantly reminded that that becomes the thing after
• 9:45
  Speaker 1: she dies. So I was like, that dog's about to
• 9:47
  Speaker 1: be sad.
• 9:48
  Speaker 2: That dog's never gonna eat again.
• 9:50
  Speaker 1: He's never gonna eat again. Mel, poor Mel. So I
• 9:54
  Speaker 1: guess we got to start at the beginning. Okay. For
• 9:58
  Speaker 1: one thing, David Duchovny it should be legal. How good
• 10:01
  Speaker 1: looking David du Coveney is in this movie.
• 10:03
  Speaker 2: He is pretty dreamy, and I always remembered him being
• 10:06
  Speaker 2: more like like a cartoon handsome guy, you know what
• 10:10
  Speaker 2: I mean. Like he was like a little cartoony, but
• 10:14
  Speaker 2: a little handsome, And in this one, I was like, oh,
• 10:18
  Speaker 2: maybe you're not so cartoony. Maybe it's the other things
• 10:21
  Speaker 2: I've seen you in that makes you feel cartoony.
• 10:24
  Speaker 1: Yeah. My dad often used to tell me when I
• 10:26
  Speaker 1: was younger that he would never let me anywhere near
• 10:29
  Speaker 1: David ducupney.
• 10:30
  Speaker 2: Why.
• 10:32
  Speaker 1: I believe it was because of the sex addiction. I
• 10:37
  Speaker 1: forgot about the sex addiction.
• 10:41
  Speaker 2: Why he and Tyleoni broke up.
• 10:43
  Speaker 1: Yeah, and then he went to star in the TV
• 10:47
  Speaker 1: show California Vacation that was possibly about his own sex addiction.
• 10:52
  Speaker 2: They were like, hey, you know who would be great
• 10:54
  Speaker 2: in this role. David ducvney. Ironic.
• 10:58
  Speaker 1: He already knows how to do it.
• 10:59
  Speaker 2: Yeah.
• 11:01
  Speaker 1: So my dad was always like, I don't care how
• 11:03
  Speaker 1: many episodes of The X Files you watch, you will
• 11:06
  Speaker 1: never be in the same room with David ducufney.
• 11:09
  Speaker 2: Do you think he's still This is not my business.
• 11:12
  Speaker 2: I'm not gonna ask that question.
• 11:13
  Speaker 1: I haven't seen him since he was in that Netflix
• 11:16
  Speaker 1: show about the lady who wanted to have a better
• 11:21
  Speaker 1: job at that English college and then he he's gonna
• 11:25
  Speaker 1: like be Sandra series. Wasn't that David company? Was I
• 11:31
  Speaker 1: David d'cufney who was playing himself wanting to be like
• 11:34
  Speaker 1: a teacher's assistant or something or an adjunct professor.
• 11:38
  Speaker 2: Girl. I don't remember. I'm gonna look right now because.
• 11:40
  Speaker 1: I remember being like, damn, David, you still look good,
• 11:43
  Speaker 1: and that makes me happy it was either him or
• 11:45
  Speaker 1: John Stamos, because I would have been equally as happy
• 11:47
  Speaker 1: for John Stamos.
• 11:49
  Speaker 2: Do you remember when he was in an episode of
• 11:56
  Speaker 2: Ma'am I think with Sandra.
• 12:00
  Speaker 1: Oh right, yeah, it's called like the Chair, The Chair.
• 12:08
  Speaker 2: I see no, David Ducovney an uncredited I see no,
• 12:13
  Speaker 2: John Stamos.
• 12:15
  Speaker 1: It was someone that I enjoy seeing. I'm terryus.
• 12:18
  Speaker 2: One episode got him towards the bottom. David du Coveney,
• 12:22
  Speaker 2: I love him. Sorry, it took me so long to
• 12:24
  Speaker 2: find it.
• 12:25
  Speaker 1: So Also he's married too in this movie. The lady
• 12:29
  Speaker 1: who plays Nicki the Wife and Niptuck and Nip Tuck
• 12:32
  Speaker 1: is also a show that I used to get my
• 12:34
  Speaker 1: rocks off of as a like pre teen.
• 12:36
  Speaker 2: Yeah, that's veen Asa Redgrave's daughter, Natalie and Natasha Richardson's sister, which.
• 12:40
  Speaker 1: Is fucking hot. She's hot coal from Charmed is hot.
• 12:45
  Speaker 1: They were hot together in Niptuck because the other dude
• 12:48
  Speaker 1: was ugly. Weren't they married in real life or no? Cole,
• 12:53
  Speaker 1: I don't know. David du Coveney and her, I don't know.
• 12:56
  Speaker 2: Uh, Jolie right, Julie Richardson, I don't know.
• 13:01
  Speaker 1: Oh, he was in you people. I didn't see you people.
• 13:05
  Speaker 2: Yeah, he's in you people.
• 13:06
  Speaker 1: God, Oh, Mario was in eighth grade. We were probably
• 13:09
  Speaker 1: around this. Okay, we will talk about Bonnie Hunt and
• 13:12
  Speaker 1: Jim Believe.
• 13:13
  Speaker 2: I don't even see this comment.
• 13:15
  Speaker 1: Oh my gosh, are you not looking at the comments?
• 13:18
  Speaker 2: No, it just wasn't there yet, because the last comment
• 13:21
  Speaker 2: I saw was I was in eighth grade when it
• 13:23
  Speaker 2: came out. And then Mario concurred the chair and then
• 13:27
  Speaker 2: he just commented, you people, Yes, he is in you people.
• 13:29
  Speaker 2: That movie is very controversial and this is not the
• 13:32
  Speaker 2: platform for that conversation. Oh, that's right, he's not tonight.
• 13:37
  Speaker 1: All right, I'm gonna take it off. But anyways, So
• 13:41
  Speaker 1: they have to go to this fancy party because she's
• 13:43
  Speaker 1: a fancy zoo lady aka she's pretty. So the old
• 13:47
  Speaker 1: men will give the zoo money because she wants a thing,
• 13:51
  Speaker 1: and she wants a bigger habitat for Sydney the Gorilla.
• 13:54
  Speaker 1: It's just just fucking yeah. And she's practicing his speech
• 13:59
  Speaker 1: to her speech to him. Yes, what are you hyper
• 14:04
  Speaker 1: focused on currently whether or not.
• 14:06
  Speaker 2: She was married to the guy from Nittuck. I'm putting
• 14:09
  Speaker 2: my phone away. This is this is not the time, Julia,
• 14:15
  Speaker 2: this is not the time.
• 14:15
  Speaker 1: I've moved on. And so she gets her grant for
• 14:21
  Speaker 1: the monkey House and then dies tragically in a headlong collision,
• 14:28
  Speaker 1: but it.
• 14:28
  Speaker 2: Happens off screen, which I really appreciate because I feel
• 14:31
  Speaker 2: like a lot of films these days are like, We're
• 14:34
  Speaker 2: gonna traumatize you to never get in a car again.
• 14:38
  Speaker 1: No, you just see a very like in Shock, David
• 14:41
  Speaker 1: du Covenany trying to cope covered in blood, covered in blood,
• 14:45
  Speaker 1: and David Alan Greer love him be Wilden in this movie,
• 14:49
  Speaker 1: but I love him. He fucks in this movie. Oh yeah,
• 14:53
  Speaker 1: also all and he'll tell you, he'll tell you that
• 14:56
  Speaker 1: he fucks in this movie.
• 14:58
  Speaker 2: He can get it in the eat it, but has.
• 15:03
  Speaker 1: To drive him home and then, like David Duchovny, just
• 15:05
  Speaker 1: has to sit in front of the door and fall
• 15:08
  Speaker 1: asleep and cry with his dog. And truly, that is
• 15:12
  Speaker 1: the only reason I'm safe while I'm out in the world,
• 15:16
  Speaker 1: because I wouldn't want Panela being to wonder where the
• 15:19
  Speaker 1: fuck I was.
• 15:23
  Speaker 2: Yeah mm hmm, yeah. I you know, it's interesting because
• 15:29
  Speaker 2: I always I hm, I have broken some levels of
• 15:37
  Speaker 2: generational trauma I choose to believe. And one of the
• 15:40
  Speaker 2: things that is like doesn't happen in my parent child relationship,
• 15:45
  Speaker 2: me being the child in the scenario, is that like
• 15:48
  Speaker 2: comfort and awareness that like, hey, I'm safe all the
• 15:52
  Speaker 2: time because I have human child who lives five and
• 15:57
  Speaker 2: a half hours away, who, when he does a alert
• 16:00
  Speaker 2: me to being in a situation he doesn't want to
• 16:02
  Speaker 2: be in, still has the wherewithal to let me know
• 16:05
  Speaker 2: when he's safely home, which I really appreciate. I don't
• 16:09
  Speaker 2: think Josephine will notice and let until it's been like
• 16:12
  Speaker 2: five hours and she's like, no one snuggled me, where's
• 16:15
  Speaker 2: my mom? She no longer comes running to the door
• 16:21
  Speaker 2: excited that I'm home. That's calculated, which is the whole
• 16:26
  Speaker 2: point of having a dog, right, because my cat creates
• 16:30
  Speaker 2: me at the garage door. Yeah, she doesn't do it anymore.
• 16:35
  Speaker 1: What did you do to Josephine?
• 16:37
  Speaker 2: I think I've just made a really cozy home.
• 16:40
  Speaker 1: Oh maybe because she's.
• 16:42
  Speaker 2: Just like living her best life. Like the bed super comfy,
• 16:45
  Speaker 2: every couch is super comfy, Like she's like, why am
• 16:48
  Speaker 2: I gonna get up? I'm good?
• 16:51
  Speaker 1: I think I Also, this was the first time I
• 16:55
  Speaker 1: clopped that there's actually a year between David d Covnany's
• 16:59
  Speaker 1: wife dying the heart transplant and then David Dukeveny and
• 17:04
  Speaker 1: Minnie Driver running into one another. I think when you're
• 17:06
  Speaker 1: like a kid, you don't understand timelines and movies.
• 17:09
  Speaker 2: Oh that's interesting because I feel like I've always known
• 17:12
  Speaker 2: because also in addition to that, Bonnie Hunt and Jim
• 17:15
  Speaker 2: Belushi have another baby in that time. So at the
• 17:19
  Speaker 2: hospital when she's getting the heart transplant, there's like three
• 17:24
  Speaker 2: kids or something or four kids.
• 17:26
  Speaker 1: And they feel like there's eight by the end of
• 17:28
  Speaker 1: the movie.
• 17:28
  Speaker 2: Yeah. Yeah. And then even in the final dance credit scene,
• 17:32
  Speaker 2: I was like, is Bonnie Ann's character pregnant right now?
• 17:34
  Speaker 1: Like did they get Irish Catholics? Man baby?
• 17:36
  Speaker 2: But honestly, and so you know, when they go to
• 17:41
  Speaker 2: the gorillas, she's literally holding like what baby is, like
• 17:44
  Speaker 2: a nine month old or something. Yeah, that's an interesting
• 17:49
  Speaker 2: point that you make about kids maybe not necessarily picking
• 17:51
  Speaker 2: up on a timeline, because it is really subtle in
• 17:54
  Speaker 2: the way that they do it right. It's not like
• 17:57
  Speaker 2: a flash over the screen that says one year late.
• 18:00
  Speaker 1: I think what impresses me the most about this movie,
• 18:03
  Speaker 1: besides the David Duchovny and Minnie Driver romance, is that
• 18:07
  Speaker 1: this movie sets the standard for the type of family
• 18:11
  Speaker 1: life I would want everyone to have and the type
• 18:13
  Speaker 1: of friendships that I would want everyone to have.
• 18:16
  Speaker 2: Yeah, yeah, I love Bonnie Hunt and Jim Belushi's relationship.
• 18:21
  Speaker 2: Like she's you know, they have their little corals or whatever,
• 18:25
  Speaker 2: because that's life. But then at the end of the day,
• 18:27
  Speaker 2: he still is attracted to his wife, and he still
• 18:30
  Speaker 2: wants to like be with her intimately, and he's still
• 18:33
  Speaker 2: like body rolls, yeah, which I think is very sweet.
• 18:45
  Speaker 2: They are still and like and even when she takes
• 18:48
  Speaker 2: off his shirt in the kitchen and you could see
• 18:50
  Speaker 2: it in her face or just like fall, my husband
• 18:53
  Speaker 2: is hot, you know, and it's just so sweet. It
• 18:55
  Speaker 2: doesn't have any of that animosity. We've had this conversation
• 18:58
  Speaker 2: recently where there's a lot of relationships demonstrated on television
• 19:01
  Speaker 2: where it's like you hate your spouse.
• 19:03
  Speaker 1: Right, and there's a lot of resentment. And I think
• 19:05
  Speaker 1: the most impressive thing about Jim Belushi's character is he
• 19:10
  Speaker 1: understands that his wife has been best friends with and
• 19:15
  Speaker 1: like her dad or grandpa is best friends with Gracie's
• 19:18
  Speaker 1: dad or grandpa, and he understands that, like his wife
• 19:25
  Speaker 1: has been friends with someone who has been chronically ill. Yeah,
• 19:29
  Speaker 1: and therefore there's like just a certain level of responsibility.
• 19:33
  Speaker 1: So he's never like, Gracie, why are you here right?
• 19:37
  Speaker 1: Why are you crying in my living room?
• 19:39
  Speaker 2: Yeah, She's just aunt Gracie. Like it's very clear, like
• 19:42
  Speaker 2: she's a part of the family. There's no questions about
• 19:46
  Speaker 2: her role and how she fits, which is really sweet.
• 19:49
  Speaker 1: Stephanie will have her kids hype me up if I
• 19:53
  Speaker 1: tell her something and they're around and they need to
• 19:55
  Speaker 1: be distracted by me.
• 19:58
  Speaker 2: I love that.
• 20:01
  Speaker 1: But the level and even David Alan Greer trying to
• 20:05
  Speaker 1: help David d'coveney through all of the ron avenues aka
• 20:09
  Speaker 1: just women he knows, just really obnoxious women, because David
• 20:15
  Speaker 1: Allan Greer fucks and he's like, why aren't you fucking
• 20:19
  Speaker 1: you are.
• 20:21
  Speaker 2: Like your attractive man, get it.
• 20:25
  Speaker 1: Look at that ass. David. A company basically wears the
• 20:28
  Speaker 1: same oversized button downs as the entire cast of One
• 20:31
  Speaker 1: Tree Hill. But I wasn't complaining well, And.
• 20:35
  Speaker 2: Also I feel like because it's I feel like that's
• 20:37
  Speaker 2: a standard uniform for a guy who's on a construction site.
• 20:41
  Speaker 1: And how hot is it that he's on a construction side.
• 20:45
  Speaker 2: M yeah, yeah.
• 20:47
  Speaker 1: But then there's a whole the restaurant because I'm with you, Mario,
• 20:51
  Speaker 1: I want to go to that restaurant so fucking bad,
• 20:54
  Speaker 1: just so goddamn bad. Because so my grandpa used to
• 20:58
  Speaker 1: own a bar. I don't know how old my mom
• 21:01
  Speaker 1: was or how old any of the kids were when
• 21:03
  Speaker 1: my grandpa owned a bar, but like the Irish Italian restaurant,
• 21:07
  Speaker 1: I was like, oh, that would be my family's restaurant.
• 21:10
  Speaker 1: It would just be like people will be like, what
• 21:12
  Speaker 1: do you mean you didn't buy this? And then it's like,
• 21:15
  Speaker 1: we have cabbage but also ravioli. That's a meal I've had.
• 21:22
  Speaker 1: Because I don't know, I like, I grew up believing
• 21:25
  Speaker 1: that like mannicotti was called stuff spaghetti and was in
• 21:30
  Speaker 1: fact a Croatian delicacy.
• 21:32
  Speaker 2: I love that for you.
• 21:35
  Speaker 1: Oh well, I asked my mom. I asked my mom
• 21:37
  Speaker 1: one time at like Olive Garden. I was like, no,
• 21:41
  Speaker 1: why don't they only why don't they ever have stuff
• 21:43
  Speaker 1: spaghetti on the on the menu? Is stuff spaghetti only?
• 21:46
  Speaker 1: Something that? Like did aunt soony make it up? And
• 21:49
  Speaker 1: I was probably eleven, and she was like, you fucking moro,
• 21:53
  Speaker 1: Like it's called Mannicotti, that's what your great aunt calls it.
• 21:59
  Speaker 1: She's like, did you not know that yip yips were sloppy?
• 22:03
  Speaker 1: Joe's I go, no, I knew that.
• 22:07
  Speaker 2: I think it's sweet too, because like his story, I mean,
• 22:10
  Speaker 2: I mean, find an ethnic group that hasn't had a
• 22:12
  Speaker 2: problem with it with with the Irish haven't had a
• 22:15
  Speaker 2: problem with honestly, but it is really sweet that they're
• 22:19
  Speaker 2: like so intertwined with each other. And then I love
• 22:25
  Speaker 2: the way, excuse me, these old men always talk about
• 22:29
  Speaker 2: the crooners of their era and like battle basically do
• 22:33
  Speaker 2: like a battle of the voices, right.
• 22:35
  Speaker 1: Like how would you pay?
• 22:36
  Speaker 2: Like let's build a dream team type of situation.
• 22:39
  Speaker 1: Literally, just like every fifth note is these beautiful old men,
• 22:44
  Speaker 1: these beautiful old men.
• 22:47
  Speaker 2: Yeah. Yeah. This is Carol O'Connor's last film before he passes.
• 22:53
  Speaker 1: And he plays grandpa. Yeah, he plays oh Riley Oh
• 22:59
  Speaker 1: oh oh oh really I would just have loved like
• 23:04
  Speaker 1: to be that man. Well, and then he has to
• 23:07
  Speaker 1: basically raise Gracie because her mom dies so young from
• 23:10
  Speaker 1: I'm assuming the same heart condition.
• 23:12
  Speaker 2: Yeah, because she did say her mom had heart disease.
• 23:14
  Speaker 1: Yeah. God, And I just I love Uncle Angelo. I
• 23:21
  Speaker 1: love that there's also like some other dude who we
• 23:24
  Speaker 1: never understand how he fits in the old man club,
• 23:27
  Speaker 1: but he marries Sophie at the end.
• 23:29
  Speaker 2: Yeah, yeah, he's just one of their old friends from
• 23:31
  Speaker 2: the neighborhood. I love Angelo. Here reminds me of like
• 23:35
  Speaker 2: all of my uncles who are not dead great uncles,
• 23:39
  Speaker 2: not my current and.
• 23:41
  Speaker 1: As you know, my grandpa and great uncles had just
• 23:44
  Speaker 1: a friend of the neighborhood who I thought was my
• 23:47
  Speaker 1: great uncle until I think he passed away, and then
• 23:50
  Speaker 1: my mom was like, no, he wasn't every I was like, well,
• 23:53
  Speaker 1: where did he fall in the birth order of great
• 23:55
  Speaker 1: Grandma's kids? And my mom was like what. I was like,
• 23:59
  Speaker 1: no tells me anything. You're just left to your own
• 24:02
  Speaker 1: devices to figure things out.
• 24:05
  Speaker 2: Natalie, figure it out on your own, right.
• 24:08
  Speaker 1: And I love the vibe of that restaurant because one
• 24:11
  Speaker 1: of the first things we see is another customer just
• 24:15
  Speaker 1: asking Grandpa, O'Reilly about Gracie. Yeah, He's like, are you
• 24:19
  Speaker 1: doing the Rosary? And I was like, oh. I was
• 24:21
  Speaker 1: like to be in a place every day where everyone
• 24:24
  Speaker 1: knows your name is a very my mom's side of
• 24:27
  Speaker 1: the family thing.
• 24:28
  Speaker 2: Yeah, and it's sweet, it's comforting, it's community, it's showing
• 24:34
  Speaker 2: that it's more than just like you know, this is
• 24:37
  Speaker 2: us us, you know, it's very much what a community
• 24:40
  Speaker 2: should be, which is we all know our neighbors and
• 24:43
  Speaker 2: we all you know, commune in some way, whether that
• 24:46
  Speaker 2: be at the neighborhood Italian Irish restaurant, or at the
• 24:50
  Speaker 2: park or whatever it is, you know, and it's it's
• 24:53
  Speaker 2: it's just a really good it's just a really good
• 24:55
  Speaker 2: story and you can tell. Like again, Bonnie Hunt, she wrote,
• 25:00
  Speaker 2: she co wrote it with somebody, right, and then she
• 25:02
  Speaker 2: directed it. So when you have a story that is
• 25:05
  Speaker 2: so pure in its storytelling and its execution and the
• 25:10
  Speaker 2: leader of the execution is a woman, it's done really
• 25:13
  Speaker 2: well because because you imagine in the hands of a man,
• 25:17
  Speaker 2: then you lose the softness of David Duchovny. And even
• 25:21
  Speaker 2: David Alan Greer has a level of softness to you too,
• 25:25
  Speaker 2: where he's very caring and understanding about his friend but
• 25:28
  Speaker 2: still trying to push him in the ways that he
• 25:30
  Speaker 2: knows how. But eventually he's like, y'all play bingo with
• 25:33
  Speaker 2: the old people too, But it's not bingo. He's joking
• 25:36
  Speaker 2: because he's making a stereotype, you know, older people. But
• 25:40
  Speaker 2: it's just so, it's just the way, it's just so,
• 25:43
  Speaker 2: it's just so lovely, it's so pure the way there's
• 25:46
  Speaker 2: no talk like I don't even think. I was like,
• 25:48
  Speaker 2: none of these men are toxic in any way, shape
• 25:50
  Speaker 2: or form.
• 25:51
  Speaker 1: There was no bit of toxic. Every time I saw
• 25:53
  Speaker 1: Jim Belushi, he was holding one of his kids, and
• 25:57
  Speaker 1: as you know, that is like my only qualifier, yes
• 26:00
  Speaker 1: you do get to be called a good dad, is
• 26:02
  Speaker 1: if I look and you are constantly in arm with
• 26:07
  Speaker 1: one of your gremlins.
• 26:08
  Speaker 2: And he's taking them to bed and putting them to bed,
• 26:11
  Speaker 2: like he's not making it. It's his wife's responsibility in
• 26:15
  Speaker 2: that moment because her friend is there and they're having
• 26:17
  Speaker 2: a conversation. He's even trying to set this friend up
• 26:21
  Speaker 2: on dates like he's invested too, And I just we
• 26:25
  Speaker 2: don't see a lot of that really happening anymore in storytelling,
• 26:28
  Speaker 2: and it's I don't know, is it because it maybe
• 26:31
  Speaker 2: doesn't do well and people, the people who make the
• 26:34
  Speaker 2: decisions think that people don't want it, but I think
• 26:36
  Speaker 2: people want it.
• 26:37
  Speaker 1: I think people want it. I think that's what heart
• 26:39
  Speaker 1: Stopper taught me is that I literally just want here,
• 26:44
  Speaker 1: like this will just make my heart feel good and
• 26:47
  Speaker 1: continue to make my heart feel good because my heartfelt
• 26:49
  Speaker 1: good for all of return to me and said, shit
• 26:52
  Speaker 1: still happens.
• 26:53
  Speaker 3: Yeah, exactly exactly, And it's so beautiful the way that
• 26:58
  Speaker 3: he's like, you know, he's what did he say he
• 27:02
  Speaker 3: was he had dated his wife since like they had
• 27:04
  Speaker 3: known each.
• 27:05
  Speaker 2: Other since fourteen and like dated since whatever, and so
• 27:07
  Speaker 2: basically his intact because she, you know, thirty four year
• 27:10
  Speaker 2: old females, so we know she's thirty four, So twenty
• 27:12
  Speaker 2: years of his life is spent with this woman.
• 27:14
  Speaker 1: When he explains to her that they've spent twenty years
• 27:18
  Speaker 1: and he's never actually dated, and then like you think
• 27:21
  Speaker 1: he's gonna ask Minnie Driver to kiss him, and then
• 27:24
  Speaker 1: in Stadhigo, so I was just wondering if I could
• 27:26
  Speaker 1: hold your hand. I'm like, why do you then not
• 27:30
  Speaker 1: understand that that's what we want? Yeah, it's so sweet.
• 27:35
  Speaker 2: And then even still when all of the like turmoil
• 27:37
  Speaker 2: happens and the misunderstanding and oh my gosh, here's where
• 27:40
  Speaker 2: we are. Even at the end, he's like, you know,
• 27:42
  Speaker 2: I loved my wife. I love my wife, she is
• 27:45
  Speaker 2: my world, but I ache for grace and you're just like,
• 27:48
  Speaker 2: I love that you're showing that you can still have
• 27:51
  Speaker 2: romantic loving feelings for a lost one but still are
• 27:55
  Speaker 2: able to like embrace that both can exist, That you
• 27:58
  Speaker 2: can have a current love that you're exploring and have
• 28:01
  Speaker 2: strong feelings for, but you're still able to like live
• 28:04
  Speaker 2: in both worlds of the past, and you're not like
• 28:08
  Speaker 2: holding on in a way that isn't allowing you to
• 28:10
  Speaker 2: be open for possibilities.
• 28:12
  Speaker 1: Well, and even when she has to reveal to him
• 28:15
  Speaker 1: that she is in fact the person who received his
• 28:18
  Speaker 1: wife's heart as a as an organ donor after she died,
• 28:24
  Speaker 1: that was also a lovely way to watch that go down,
• 28:28
  Speaker 1: because no one heightened it, right. He just kind of
• 28:31
  Speaker 1: looks at her and you can tell he's thinking it
• 28:34
  Speaker 1: over it, and he goes, I have to take a walk.
• 28:37
  Speaker 1: And then she doesn't like scream at him that this
• 28:40
  Speaker 1: isn't her fault or anything. She just lets him take
• 28:42
  Speaker 1: a walk. Yeah, And then she decides that she's also
• 28:46
  Speaker 1: just gonna give him like because now she does feel
• 28:48
  Speaker 1: like she is the reminder right of the tragedy that
• 28:53
  Speaker 1: he had at the beginning of the movie. Yeah, which
• 28:56
  Speaker 1: is fair, Which is fair. And then she gets to
• 28:59
  Speaker 1: go to Italy, which is all we ever want. We
• 29:02
  Speaker 1: want to flee men to Italy.
• 29:05
  Speaker 2: Oh yeah, okay, I've never been to Italy, but from
• 29:08
  Speaker 2: my understanding is it there's a high level of objectification
• 29:13
  Speaker 2: that is very vocal.
• 29:15
  Speaker 1: We did see that in The White Lotus. Reste Tanya, Tanya.
• 29:25
  Speaker 2: Congratulations Jeff for Coolidge for winning the SAG Award.
• 29:28
  Speaker 1: Congratulations Aubrey Plaza for just getting caught like cussing men
• 29:32
  Speaker 1: at the SAG Awards when she people are blowing it
• 29:37
  Speaker 1: way out of proportion. Because I watched the clip and
• 29:39
  Speaker 1: I go, I know exactly what she's saying. Jesus Christ too,
• 29:42
  Speaker 1: she was literally shoved. I go, like, you know, they
• 29:46
  Speaker 1: hyped everyone up and she was like literally shoved. That
• 29:49
  Speaker 1: is also my response to being like Jesus fucking Christ like.
• 29:55
  Speaker 1: But the way that they well and I love that.
• 30:00
  Speaker 1: I love that that scene with the waiter who wants
• 30:03
  Speaker 1: to know why she's not painting.
• 30:05
  Speaker 2: Correct, even that is like a gentle soul moment. Too,
• 30:09
  Speaker 2: like she thinks he's gonna walk away and just be
• 30:13
  Speaker 2: like whatever, this chick is taking up my time in space,
• 30:17
  Speaker 2: not tive for me, pulls up a chair and says,
• 30:20
  Speaker 2: I got time time to break my break well.
• 30:23
  Speaker 1: And then even Bonnie Hunt, because as you know, I
• 30:26
  Speaker 1: truly believe that the truest love in your lives are
• 30:29
  Speaker 1: the women who support you. Absolutely they are your true soulmates.
• 30:32
  Speaker 1: Start bringing them to weddings, so you know, Minie driver Gracie.
• 30:38
  Speaker 1: She finds the letter in David Coovney's house about how
• 30:41
  Speaker 1: she and it's the letter she wrote to thank a
• 30:43
  Speaker 1: donor family for the heart and it all comes crashing
• 30:48
  Speaker 1: in on her. She immediately goes to Bonnie Hunt's house
• 30:51
  Speaker 1: and Bonnie Hunt's just like, I'll script it with you.
• 30:55
  Speaker 1: I'll drive you back, will tell him, I'll tell him,
• 30:58
  Speaker 1: I'll sit with you. I'll hold his hand like it's
• 31:02
  Speaker 1: the it's the we can do this because we've always
• 31:05
  Speaker 1: done the hard things. Vibe.
• 31:08
  Speaker 2: Yeah, yeah, it's not the whole. Okay, So you're having
• 31:11
  Speaker 2: a problem, So I'm just gonna wait over here in
• 31:13
  Speaker 2: the corner until you right or just this tea because
• 31:16
  Speaker 2: that's a huge vibe too right now, where it's like
• 31:18
  Speaker 2: I don't have time for whatever drama you have. And
• 31:21
  Speaker 2: again it goes back to the community thing, where it's
• 31:23
  Speaker 2: like we have to figure this shit out to You
• 31:26
  Speaker 2: can't figure this out on your own. No one should
• 31:28
  Speaker 2: have to figure this out. Emotions are big, they're complicated.
• 31:32
  Speaker 2: It's difficult to navigate when you're in the throes of it,
• 31:35
  Speaker 2: and sometimes you need an objective party to step in
• 31:38
  Speaker 2: and say, hey, now I got you.
• 31:41
  Speaker 1: Hey, now.
• 31:44
  Speaker 2: You need to walk through it. Like my son recently
• 31:47
  Speaker 2: went through something and there was just a lot of
• 31:49
  Speaker 2: financial expense in what was going on. And he sent
• 31:53
  Speaker 2: me a message and said, I'm you know, I really
• 31:54
  Speaker 2: appreciate all the support this month. I know it's been
• 31:57
  Speaker 2: a lot of money. And I said, you're still learning
• 32:00
  Speaker 2: to be an adult. You're in school. It's my job
• 32:05
  Speaker 2: to teach you how to adult. So that way, when
• 32:08
  Speaker 2: you're my age, you know what.
• 32:09
  Speaker 1: You're doing right, right, Because again, just like I didn't
• 32:15
  Speaker 1: know that stuff Spaghetti was fucking me and Akati, we
• 32:19
  Speaker 1: don't know until someone tells us the word fucking me
• 32:21
  Speaker 1: and Nakati, right, And.
• 32:23
  Speaker 2: I'm still and there's a lot of stuff about growing
• 32:26
  Speaker 2: up and being like an adult who can take care
• 32:30
  Speaker 2: of herself. That I don't know. And I'm almost thirty
• 32:33
  Speaker 2: nine today.
• 32:34
  Speaker 1: I didn't know what the tornado siren sounded like because
• 32:37
  Speaker 1: I think ours is stupid, and I was like, that
• 32:39
  Speaker 1: could be anything. It's just like a low hum in
• 32:43
  Speaker 1: the air, and I was like, that could be the
• 32:44
  Speaker 1: tornado siren. That could be my hearing going out because
• 32:48
  Speaker 1: I'm stressed.
• 32:48
  Speaker 4: Out, like you know, you know, and it just it
• 32:52
  Speaker 4: it It's breaks my heart that now we kind of
• 32:55
  Speaker 4: live in this world where it's like I ain't got
• 32:57
  Speaker 4: time for your problems, and it's like, well, I don't
• 33:00
  Speaker 4: have time for my problems either.
• 33:01
  Speaker 2: But I don't know what to do and I would
• 33:03
  Speaker 2: like to have somebody to turn to. Now.
• 33:07
  Speaker 1: I will say that there is like a delicate balance
• 33:10
  Speaker 1: because there is like the immediately of like I've known
• 33:13
  Speaker 1: you for two weeks and here are my problems.
• 33:16
  Speaker 2: Yeah, that's different. It's yeah, I'm not saying like there
• 33:20
  Speaker 2: should be like three jumping out of the gate. You're
• 33:23
  Speaker 2: running to me and we've just met, and you you know,
• 33:26
  Speaker 2: it's chaos all the time. There is a healthy balance,
• 33:29
  Speaker 2: like we all life ebbs and flows, and if your
• 33:32
  Speaker 2: life is constantly in a position place of chaos, then
• 33:36
  Speaker 2: I recommend you get a professional who is licensed in
• 33:41
  Speaker 2: mental health in some way to support you, because that
• 33:44
  Speaker 2: is above my ability, right.
• 33:48
  Speaker 1: Oh about the so when the woman tells Grandpa O'Reilly
• 33:55
  Speaker 1: that she's still praying for Gracie and like doing the
• 33:58
  Speaker 1: rosary and whatever, I was like, what does that kind
• 34:02
  Speaker 1: of like community feel like? And then I was like,
• 34:05
  Speaker 1: oh no, that's how it felt every time a neighbor
• 34:08
  Speaker 1: would tell me that they were still looking for Penelope
• 34:10
  Speaker 1: when she was lost, Like I couldn't walk down my
• 34:12
  Speaker 1: street without an old lady taking my hand and being like,
• 34:16
  Speaker 1: we're still just looking for so let us know when
• 34:18
  Speaker 1: she's home.
• 34:19
  Speaker 2: Yeah. Yeah. A friend of mine, her dog had gotten
• 34:23
  Speaker 2: loose a couple of days ago. She posted on Instagram
• 34:26
  Speaker 2: and you know, please screen grab this and share. And
• 34:29
  Speaker 2: I did, but I didn't tagger in it because it's
• 34:31
  Speaker 2: like I don't need you have you put a phone
• 34:33
  Speaker 2: number of people can see your hand, you know, It's like,
• 34:35
  Speaker 2: I don't know, it feels self serving. If I tagged
• 34:38
  Speaker 2: her and we were dming about it, because she was like,
• 34:42
  Speaker 2: thank you so much for sharing and I told, I said,
• 34:44
  Speaker 2: the community is going to come through. I just know it.
• 34:47
  Speaker 2: The next day, the next day, she posted that she
• 34:50
  Speaker 2: got her dog back, and it's like, that's I mean,
• 34:53
  Speaker 2: that's this is the power of the And granted, dogs
• 34:58
  Speaker 2: are not a small situation, because you know a lot
• 35:01
  Speaker 2: of people have dogs in their lives because they love
• 35:04
  Speaker 2: them and all the things. But imagine if it was
• 35:06
  Speaker 2: like a crisis that was a little different, if it
• 35:09
  Speaker 2: was a health crisis or a crisis with a child
• 35:12
  Speaker 2: or you know something else. Like the power that we
• 35:15
  Speaker 2: wield when we support each other and care for each
• 35:18
  Speaker 2: other is just incredible. Yeah, And there's no space for
• 35:23
  Speaker 2: that to exist anymore.
• 35:25
  Speaker 1: Well, and then like, and I truly believe that it
• 35:28
  Speaker 1: should only be about three people, Like you should be
• 35:31
  Speaker 1: taking care of three people, and three people are taking
• 35:34
  Speaker 1: care of you, because if it gets too like far spread,
• 35:39
  Speaker 1: then that like dilutes my energy to help. So I'm
• 35:43
  Speaker 1: thinking about like my famous story of asking a man
• 35:47
  Speaker 1: that I was fucking to go get me a smoothie
• 35:49
  Speaker 1: because I was dying of the flu. I was dehydrated
• 35:52
  Speaker 1: and dying and I was like, smoothie, Kane is going
• 35:56
  Speaker 1: to charge me thirty five dollars to make me delivered
• 36:00
  Speaker 1: the smoothie, and he's like, sucks. It just sucks. And
• 36:04
  Speaker 1: my friend she had worked a nine to ten hour
• 36:09
  Speaker 1: nanny day cleaning someone else's house, right, like watching someone
• 36:14
  Speaker 1: else's kids and dog, and she went to the grocery
• 36:18
  Speaker 1: store after work and then like heed into my house
• 36:22
  Speaker 1: because I give women the key to my house. And
• 36:25
  Speaker 1: I woke up and I had flowers and I had
• 36:28
  Speaker 1: ginger ale, and I had like soft things to put
• 36:30
  Speaker 1: in my mouth. She's like, here's pudding, here's stuff that
• 36:33
  Speaker 1: you can literally just like she had put stuff by
• 36:35
  Speaker 1: the couch. She's like, you're not dying. Yeah, And people
• 36:39
  Speaker 1: die of the flu because you're too sick to deal
• 36:44
  Speaker 1: with it, right, And not everyone My single friends and
• 36:48
  Speaker 1: I talk about that all the time, where it's like, well,
• 36:50
  Speaker 1: not everyone has a backup person to mop the floor
• 36:54
  Speaker 1: when you're depressed. Yeah, we talk about that all the time.
• 36:56
  Speaker 1: When I wake up out of my depression and I'm like,
• 36:59
  Speaker 1: this is what the hell looks like? God, right, damn
• 37:01
  Speaker 1: it right.
• 37:04
  Speaker 2: I went so my birthdays in a few weeks, and
• 37:07
  Speaker 2: as I was trying to figure out what I wanted
• 37:10
  Speaker 2: to do, and we're you know what, I wanted to whatever,
• 37:13
  Speaker 2: and I was like going through the list of people
• 37:15
  Speaker 2: I wanted to invite, and it's like, oh, everyone lives
• 37:20
  Speaker 2: ninety minutes away. M h for like the bulk of
• 37:24
  Speaker 2: the guest list lives ninety minutes away, right, that's real
• 37:30
  Speaker 2: great if I'm having a problem on that needs somebody
• 37:34
  Speaker 2: here in ten minutes right, correct, It's like I need
• 37:43
  Speaker 2: to as much as I struggle with living here and
• 37:45
  Speaker 2: the social circle is really tiny, I really need to
• 37:48
  Speaker 2: figure something out because it's like I don't.
• 37:52
  Speaker 1: Know, well, yeah, it's hard. It's just and it feels
• 37:56
  Speaker 1: like everything is against us currently to be having the
• 38:00
  Speaker 1: kind of community that we see being very possible and
• 38:04
  Speaker 1: return to me, even when Gracie says, I forgot that
• 38:06
  Speaker 1: I have to watch Helen's kids, and David d'covany's like,
• 38:09
  Speaker 1: I'll go watch Helen's kids. I like those kids.
• 38:12
  Speaker 2: Yeah, and it's supposed.
• 38:13
  Speaker 1: To be like they're getting on date mm hmm. Like
• 38:18
  Speaker 1: she shaved your legs beyond above the knee. This was
• 38:21
  Speaker 1: the movie that taught us that if you shave your
• 38:23
  Speaker 1: legs be above the knee for day ure slut, No.
• 38:26
  Speaker 2: Just shave them in general.
• 38:27
  Speaker 1: Oh yeah, oh that's right. Bonnie Hunt was like, don't
• 38:29
  Speaker 1: even take a little bit.
• 38:30
  Speaker 2: Of a razor to it. And then Minnie Driver wore
• 38:33
  Speaker 2: a skirt on the date.
• 38:35
  Speaker 1: Huh.
• 38:35
  Speaker 2: I was like, that's not the advice she gave you.
• 38:39
  Speaker 1: Many char legs look smooth to me, Like this watch
• 38:43
  Speaker 1: through of the movie made me realize how virginal like
• 38:47
  Speaker 1: Minie Driver's life had to be because of her illness.
• 38:50
  Speaker 1: So I was like, david' covany's probably the first man
• 38:52
  Speaker 1: who's ever kissed her, and what a lucky girl.
• 38:55
  Speaker 2: Yeah, well, and he's equally innocent if he's been with
• 38:58
  Speaker 2: his wife since they were fouren, you know, right.
• 39:01
  Speaker 1: And I'm so glad it wasn't one of like those
• 39:03
  Speaker 1: gross dynamics where it's like I'm a girl who's just
• 39:07
  Speaker 1: new to this all because I was in a hospital
• 39:10
  Speaker 1: for a long long time. And I'm you over there,
• 39:14
  Speaker 1: mister playboy, because we've seen that movie. That's how every
• 39:19
  Speaker 1: porno starts, is how every porno starts. It's probably how
• 39:24
  Speaker 1: California Cation started. Honestly, David, could you weigh in?
• 39:30
  Speaker 2: David, I I'm so curious now about his life in
• 39:35
  Speaker 2: tayo Leoni that I need to like google this.
• 39:38
  Speaker 1: Listen. You know what, the only thing that would have
• 39:42
  Speaker 1: made this movie better is Marissa Tomey being in it.
• 39:45
  Speaker 1: I love Marisa tome We love Marissa Tomey. We love also,
• 39:52
  Speaker 1: I would like to talk about like Bonnie Hunt for
• 39:54
  Speaker 1: one thing. I I was like, oh my god, where
• 39:58
  Speaker 1: has Jim Belushi been?
• 40:00
  Speaker 2: Didn't he do a TV show Eight Simple Rules of
• 40:03
  Speaker 2: Dating My Daughter?
• 40:04
  Speaker 1: No, that was John Ritter, but he had it was
• 40:07
  Speaker 1: like grounded for Life? I think was Jim Belushi's.
• 40:14
  Speaker 2: It's hard to remember stuff.
• 40:16
  Speaker 1: I swear to God it was grounded for Life.
• 40:18
  Speaker 2: You're probably right, but I'm just like, I.
• 40:21
  Speaker 1: Swear to the Jesus that Grandpa O'Reilly really really liked
• 40:28
  Speaker 1: the baby Jesus.
• 40:29
  Speaker 2: Okay, how long ago? I gotta scroll rape way back
• 40:32
  Speaker 2: because I am I don't like it.
• 40:34
  Speaker 1: Why would you go straight to Oh? It wasn't grounded
• 40:37
  Speaker 1: for Life either. He did have a sitcom. Yeah, but
• 40:45
  Speaker 1: I looked him up because I knew that one of
• 40:47
  Speaker 1: the Belushies was dead. It turns out it's John. Yeah.
• 40:49
  Speaker 2: John, that was a big, kind of a big deal.
• 40:52
  Speaker 1: Would you like to make a million dollar guess as
• 40:55
  Speaker 1: to what Jim Belushi is doing.
• 40:58
  Speaker 2: Now, well, I'm I'm on IMDb at the moment.
• 41:03
  Speaker 1: You're not gonna find it there, Okay, then tell me
• 41:08
  Speaker 1: he's a cannabis farmer. Really yeah, I had to google it.
• 41:14
  Speaker 1: I was like, where is my friend Jim Belushi? This big,
• 41:17
  Speaker 1: big man who has no toxic masculinity in him. I
• 41:20
  Speaker 1: also never remember Jim Belushi being toxically male in any
• 41:24
  Speaker 1: of the shit that he would do.
• 41:26
  Speaker 2: Yeah, I don't think he was in a sitcom. According
• 41:30
  Speaker 2: to IMDb.
• 41:35
  Speaker 1: He did a lot of voice acting.
• 41:37
  Speaker 2: Yeah, he's got a lot of cartoons, and then he
• 41:41
  Speaker 2: did a.
• 41:41
  Speaker 1: Lot of one spots. Yeah, huh. I wonder why we
• 41:46
  Speaker 1: thought he would starred in one of our favorite sitcoms.
• 41:50
  Speaker 2: What did you say?
• 41:50
  Speaker 1: Grounded for Life? Grounded for Life? But it's a different dude.
• 41:54
  Speaker 2: Yeah, that's a different dude. I did love that show.
• 41:57
  Speaker 2: That is somebody who's last name, her name I can't pronounce,
• 42:04
  Speaker 2: so we won't.
• 42:06
  Speaker 1: Batman should have been better, I don't know. Oh, he
• 42:10
  Speaker 1: was in Koblam. I love Coblam. Oh. Eight Simple Rules
• 42:14
  Speaker 1: was John Rider?
• 42:16
  Speaker 2: No David Spade and James Garner.
• 42:21
  Speaker 1: Oh and John Ritter because David Spade stepped in after
• 42:24
  Speaker 1: John Ridder died. That's the show that John Ridder died on.
• 42:29
  Speaker 2: Right, That's why. But he shouldn't have a higher line item.
• 42:33
  Speaker 1: Because I can't remember. He might have done different more seasons.
• 42:39
  Speaker 1: I never watched that show. I just know that David
• 42:43
  Speaker 1: Spade's the one that took over after John Ritter died.
• 42:46
  Speaker 1: He's like the uncle that moves in or something.
• 42:49
  Speaker 2: Right, and then it promptly failed.
• 42:52
  Speaker 1: I love David Spade back to me.
• 42:55
  Speaker 2: No, I'm not saying bad or good.
• 42:57
  Speaker 1: I'm just saying, like, someone please get ahold of JIMSI
• 43:00
  Speaker 1: and just have him call me. I would love to
• 43:02
  Speaker 1: see Jim. Where's Bonnie Hunt? Where is my Beethoven? Mommy
• 43:06
  Speaker 1: Bonnie Hunt? I need more Bonnie Hunt representation in the
• 43:10
  Speaker 1: twenty twenties?
• 43:11
  Speaker 2: Where is Bonnie Hut?
• 43:13
  Speaker 1: Is she Johnny.
• 43:18
  Speaker 2: Just turning into a googling session.
• 43:24
  Speaker 1: Also the fact that the beautiful old man these beautiful
• 43:27
  Speaker 1: old man that I am obsessed with.
• 43:29
  Speaker 2: Oh, she's an executive producer on a show.
• 43:34
  Speaker 1: Which one her most recent.
• 43:36
  Speaker 2: One is listed as Amber Brown. I've never heard of it.
• 43:39
  Speaker 1: I've never heard of it either.
• 43:40
  Speaker 2: She has a show coming out called Red One, and
• 43:44
  Speaker 2: it's she plays missus Claws.
• 43:46
  Speaker 1: I don't know.
• 43:48
  Speaker 2: She has a lot of voice work.
• 43:50
  Speaker 1: That's usually where the people who I haven't seen in
• 43:53
  Speaker 1: a while are.
• 43:54
  Speaker 2: The Peter Austin Noto show. Have you heard that about that?
• 43:58
  Speaker 2: That's twenty seventeen, and then the Corona Dialogues a Dylan
• 44:04
  Speaker 2: Brodie project.
• 44:07
  Speaker 1: Again. How many things are you gonna read before the
• 44:10
  Speaker 1: hyper focus fades?
• 44:11
  Speaker 2: Okay? Sorry? One more? The Ultimate Playlist of Noise. I've
• 44:15
  Speaker 2: never heard of that.
• 44:16
  Speaker 1: Until we get to Beethoven and I'm like, yeah, that's
• 44:18
  Speaker 1: the one. I just said.
• 44:20
  Speaker 2: No, I'm looking at the most because you said twenty twenties,
• 44:23
  Speaker 2: so I was reading the twenty twenties.
• 44:26
  Speaker 1: I love the Beethoven the movies because I love big Dogs.
• 44:29
  Speaker 2: Weren't those written by John Hughes? Stop? Okay, we can't
• 44:33
  Speaker 2: be real because I'm just gonna keep asking IMDb to
• 44:36
  Speaker 2: confirm what I know.
• 44:38
  Speaker 1: I can't help it. Everywhere that I say makes you
• 44:41
  Speaker 1: google a thing, like I can just be like me
• 44:45
  Speaker 1: in trivia, just living without knowing something for ten minutes.
• 44:49
  Speaker 1: It's ten minutes, but then I'll forget to look it
• 44:52
  Speaker 1: up to see me man, and then we'll never know
• 44:54
  Speaker 1: what Bonnie Hunt's been doing. But she damn is so brilliant.
• 44:59
  Speaker 1: She needs she is, That's what I'm saying. Also, do
• 45:02
  Speaker 1: you know what a fun little thing that I caught
• 45:05
  Speaker 1: this go around? Because I was like, David d' coveney,
• 45:07
  Speaker 1: stop feeding that gorilla French fries. I don't. But then
• 45:11
  Speaker 1: I was looking at the French fries because I was
• 45:13
  Speaker 1: very hyper focused on it. I was like, movie magic.
• 45:15
  Speaker 1: Those are apple slices, and we're gonna have apple slices. Yeah,
• 45:21
  Speaker 1: it's like movie magic. They cut the apples to look
• 45:23
  Speaker 1: like fries. I think that's brilliant.
• 45:25
  Speaker 2: They probably got like one of those like Golden Delicious,
• 45:28
  Speaker 2: so it looks like a fry on the inside, because
• 45:30
  Speaker 2: I'm pretty sure.
• 45:32
  Speaker 1: Oh okay, so we have to talk about the animals
• 45:34
  Speaker 1: and the mysticism of it all. Okay, So how do
• 45:38
  Speaker 1: you feel about the fact that Elizabeth Soul clearly traveled
• 45:42
  Speaker 1: with the heart into Mini driver because it keeps like
• 45:45
  Speaker 1: clicking when David the copany's near, and then like the
• 45:49
  Speaker 1: gorilla is able to like connect with her.
• 45:54
  Speaker 2: I love it, and I'm pretty sure this is one
• 45:57
  Speaker 2: of the reasons why I believe in that stuff a lot,
• 46:01
  Speaker 2: because I feel like your heart is your soul.
• 46:06
  Speaker 1: Yeah. It was one of those things that like I
• 46:09
  Speaker 1: thought about last night where I was like, Okay, when
• 46:13
  Speaker 1: I die and I become a flowering tree, do I
• 46:17
  Speaker 1: believe that my soul stays with the flowering tree that
• 46:21
  Speaker 1: I decided to come with because that's where my body is,
• 46:24
  Speaker 1: Or do I believe that my soul just gets recycled
• 46:27
  Speaker 1: into the next thing that my energy needs to go towards,
• 46:31
  Speaker 1: because like with it traveling with the physical heart, I
• 46:34
  Speaker 1: was like, well, now Elizabeth's soul isn't free.
• 46:40
  Speaker 2: You know, that's an interesting point because Elizabeth's soul can't
• 46:44
  Speaker 2: be free because Sydney's still not taken care of. Oh
• 46:48
  Speaker 2: Sydney the go woolah. Yeah, so it makes sense that
• 46:52
  Speaker 2: she would like stick around to make sure that that
• 46:55
  Speaker 2: like got handled.
• 46:58
  Speaker 1: And as we know, I love sign language speaking gorillas. Yeah,
• 47:04
  Speaker 1: I and it, And then it made me go, is
• 47:08
  Speaker 1: their love actually?
• 47:09
  Speaker 3: Like?
• 47:11
  Speaker 1: Okay, so I'm reading the invisible lives of Addie LaRue
• 47:16
  Speaker 1: and she clearly loves people, but they cannot remember her.
• 47:20
  Speaker 1: So it's like, does that in fact cancel out the
• 47:22
  Speaker 1: love and like, and then she finds another cursed man
• 47:25
  Speaker 1: and it's like, well, now it's just love out of convenience.
• 47:28
  Speaker 1: So then with like David Ducoveney and Minnie Driver in
• 47:31
  Speaker 1: this very pure movie, I was like, does this almost
• 47:34
  Speaker 1: not count because it's his dead wife?
• 47:37
  Speaker 2: No, but I think it counts because it's still many Driver. Yeah,
• 47:41
  Speaker 2: it's not like she became Elizabeth, right.
• 47:45
  Speaker 1: It wasn't like a what's that? What's that movie with
• 47:49
  Speaker 1: like Matthew Roderick where he like or like Robert Downey
• 47:52
  Speaker 1: Junior or some cross some man that looks cross between
• 47:55
  Speaker 1: two of them, where he dies and then he becomes it.
• 47:59
  Speaker 1: He like reincarnates in his daughter's boyfriend's body and starts
• 48:03
  Speaker 1: fucking the mom.
• 48:04
  Speaker 2: Yeah, yeah, you know, I have to look it.
• 48:06
  Speaker 1: Up because I'm just a really fucked movie. We have
• 48:11
  Speaker 1: a lot of fucked movies where men die and they
• 48:14
  Speaker 1: come back in younger bodies and they're like, do I
• 48:16
  Speaker 1: fuck my daughter? Or do I fuck my ex wife?
• 48:19
  Speaker 1: And it's like, you never fuck your daughter?
• 48:21
  Speaker 2: You never? You never. It's so gross.
• 48:26
  Speaker 1: Why was that? Why was that a thing?
• 48:30
  Speaker 2: Why was that?
• 48:31
  Speaker 1: Can someone explain to me who wrote that movie? Now?
• 48:34
  Speaker 1: I refuse to believe that Beethoven is a John Hughes movie.
• 48:37
  Speaker 1: But if you were like Robbie Downey Junior in his
• 48:40
  Speaker 1: Daughter's Boyfriend Fucking Her Mom movie, I was like, John Hughes,
• 48:43
  Speaker 1: he came.
• 48:44
  Speaker 2: Up with that. Yeah, but he John Hughes wrote Beethoven,
• 48:47
  Speaker 2: but he wrote Under. He had a different name. He
• 48:49
  Speaker 2: wrote Under four movies like that.
• 48:51
  Speaker 1: Whatever, it's a beautiful and that's why the man in
• 48:53
  Speaker 1: Beethoven is so angry and he needs a dog to
• 48:57
  Speaker 1: save him, just like David to come and he needed
• 48:59
  Speaker 1: that gorilla to save him. I like, as you know,
• 49:03
  Speaker 1: I think, so I didn't. I was very nervous today
• 49:06
  Speaker 1: during the tornado because the house was making moving water
• 49:09
  Speaker 1: sounds and I was like, oh, that's when you know
• 49:12
  Speaker 1: that the tornado is near you.
• 49:14
  Speaker 2: Oh my god.
• 49:16
  Speaker 1: No. So I was just trying to keep it together
• 49:19
  Speaker 1: for a Penelope because she hates being in the bathroom
• 49:22
  Speaker 1: when we're on like tornado lockdown, and she's like, I
• 49:26
  Speaker 1: was like, I know this is bad, and like we
• 49:30
  Speaker 1: were just trading like stressed tummy noises back and forth.
• 49:33
  Speaker 1: But then five minutes before the official alert was supposed
• 49:37
  Speaker 1: to be done, a friend texted me it was like,
• 49:39
  Speaker 1: my job SAYSA it's done, And I was like, what
• 49:42
  Speaker 1: is your job? No, which it's a college. What do
• 49:46
  Speaker 1: they know? I worked at a college during a tornado.
• 49:49
  Speaker 1: They couldn't get us into the basement, Oh my god,
• 49:52
  Speaker 1: because the keys didn't work. So what does your college know?
• 49:56
  Speaker 1: But anyway, so I was still sitting there, but then
• 49:58
  Speaker 1: I noticed that Penelo had calmed her shit down and
• 50:02
  Speaker 1: was finally purring and could go to sleep. I was like,
• 50:05
  Speaker 1: tornadoes over animals.
• 50:06
  Speaker 2: No, they just know, they just know.
• 50:09
  Speaker 1: They're very intuitive.
• 50:11
  Speaker 2: Can we note that? I can't even imagine, Like I
• 50:17
  Speaker 2: live in California and everyone's terrified because of her, Like
• 50:20
  Speaker 2: everybody doesn't live here is terrified because.
• 50:22
  Speaker 5: Of her earthquakes earthquakes, But I can handle it because
• 50:28
  Speaker 5: they have like systems in place, so like millions of
• 50:33
  Speaker 5: people don't die.
• 50:35
  Speaker 2: But with a tornado, like, how do you even do
• 50:39
  Speaker 2: anything other than burrow into the ground.
• 50:42
  Speaker 1: To stay safe? I wish I know. I was in
• 50:47
  Speaker 1: the bathroom and my sister was like, did you bring
• 50:49
  Speaker 1: a blanket? And I was like, no, it's hard enough
• 50:50
  Speaker 1: getting the fucking cap in here.
• 50:52
  Speaker 2: Terrified of free falling.
• 50:55
  Speaker 1: Maybe I should just start keeping an extra blanket in
• 50:58
  Speaker 1: the spare bathroom, or people doomsday prep.
• 51:03
  Speaker 2: Or not even but not even like doomsday prep, just
• 51:05
  Speaker 2: like emergency preparedness.
• 51:07
  Speaker 1: Right. Also, can we talk about how like in this
• 51:10
  Speaker 1: movie rich people real fucking drag, just like in Titanic.
• 51:16
  Speaker 2: I didn't think they were as much of a drag
• 51:19
  Speaker 2: as the title.
• 51:20
  Speaker 1: David ellen Greer did not want to talk to any
• 51:22
  Speaker 1: of them.
• 51:23
  Speaker 2: David ellen Greer wanted to get it on like he
• 51:26
  Speaker 2: was not having any of it because he was like,
• 51:29
  Speaker 2: y'all are not a vibe.
• 51:31
  Speaker 1: I need to know who directed that woman who was
• 51:33
  Speaker 1: at the party with David ellen Greer, because I know
• 51:35
  Speaker 1: it was not Bonnie. Bonnie would not just have a
• 51:37
  Speaker 1: woman stand there doing.
• 51:38
  Speaker 2: This, doing the dancing. I was like, what is that happening?
• 51:41
  Speaker 1: It wasn't dancing. Dancing would be one. She was like,
• 51:46
  Speaker 1: I'm like, ma'am, ma'am, are you okay?
• 51:49
  Speaker 2: It was like her version of dancing. Yeah, but like,
• 51:52
  Speaker 2: what music do you hear in your head? But that's
• 51:56
  Speaker 2: because the music that was playing at the party and
• 51:58
  Speaker 2: the way you were moving your body. It doesn't make sense.
• 52:03
  Speaker 2: It does not make sense. David Allen Greer, I want
• 52:05
  Speaker 2: to know where you get your ladies. Well, we saw
• 52:09
  Speaker 2: that obnoxious lady who was like, I don't drink tap water, and.
• 52:12
  Speaker 1: I'm like me either. Listen, there's a way nicer way
• 52:15
  Speaker 1: to ask. I don't drink the tap water in Chicago either.
• 52:18
  Speaker 1: I know what they do to the river for Saint
• 52:20
  Speaker 1: Patrick's Day. Okay, but that we gotta to talk about
• 52:24
  Speaker 1: the lady for a moment. I was like, if.
• 52:26
  Speaker 2: There was ever a lesson in how white women behave,
• 52:31
  Speaker 2: this is it. Yeah, because when many Driver's character just porn, Hey,
• 52:39
  Speaker 2: hand me the aquafina and then pours out the water
• 52:42
  Speaker 2: and then feels it with tap water, and then the
• 52:44
  Speaker 2: lady's like, oh, that's the stuff. It's so good. It's
• 52:47
  Speaker 2: just like good, You're so bad, your pretentious little shit
• 52:53
  Speaker 2: who wants Oh my god. I was like, you're This
• 52:55
  Speaker 2: is how I learned. This is how I learned I
• 52:58
  Speaker 2: should have taken Bonnie Hunts advice by watching this and
• 53:02
  Speaker 2: realizing that there's gonna be a lot of women like
• 53:04
  Speaker 2: that in my life and they're all gonna be white.
• 53:07
  Speaker 1: Well, and like the moment that they sit down, she's
• 53:11
  Speaker 1: like where is a waitress? She's singing a song she's
• 53:15
  Speaker 1: singing Buena Sarah, let her be and then she like
• 53:21
  Speaker 1: gets out her puppies. She's like, oh, or Manchi, manchi, manchi.
• 53:25
  Speaker 1: Don't worry, I will just get naked. I'm like, what
• 53:27
  Speaker 1: do you do?
• 53:28
  Speaker 2: And the way she's constantly hitting him in the shoulder
• 53:31
  Speaker 2: and it's not even like a like a oh my god,
• 53:33
  Speaker 2: it's like a boom boom, like I'm just pounding my
• 53:36
  Speaker 2: arm into your like.
• 53:37
  Speaker 1: Hello, this is what I want you to do to
• 53:39
  Speaker 1: me against the wall.
• 53:40
  Speaker 2: Later yeah, I'm just like, honey, do you wanna do
• 53:43
  Speaker 2: you wanna have a chat about why you're still single?
• 53:47
  Speaker 1: And then David Allen Greer Trader, He's like, why are
• 53:50
  Speaker 1: you leaving? Because, bro, you said you tricked me. Yeah,
• 53:53
  Speaker 1: this is gaslighting. This is gaslighting. David Allen Greer, I refuse,
• 53:59
  Speaker 1: I refuse to be part of it. But yeah, that lady.
• 54:04
  Speaker 1: And then I love that those sweet old men when
• 54:10
  Speaker 1: they asked David to company you married and he goes,
• 54:12
  Speaker 1: I was, and they're like, oh no that didn't work out.
• 54:15
  Speaker 1: And he's like, well she's dead. And his Grandpa's like,
• 54:17
  Speaker 1: oh no, I hate to hear it.
• 54:20
  Speaker 2: And I'm like oh, And then they were like, come
• 54:23
  Speaker 2: here and sit down at this table with us and
• 54:25
  Speaker 2: play a poker game cards.
• 54:29
  Speaker 1: And then Sophie walks in and she's like, how the
• 54:31
  Speaker 1: fuck did you get roped into this? And then he
• 54:34
  Speaker 1: helps her cover her flowers.
• 54:37
  Speaker 2: That's really cute.
• 54:38
  Speaker 1: He doesn't even know that he's gonna get laid yet,
• 54:41
  Speaker 1: and he takes an interest in her hobby. Why don't
• 54:45
  Speaker 1: men know that that's more of a turn on than
• 54:47
  Speaker 1: anything else.
• 54:48
  Speaker 2: I don't know, because there's too many Rosses in the world.
• 54:52
  Speaker 2: Fucking ross, worst human, worst character. Everything is the worst.
• 55:01
  Speaker 1: About ross in Ross. I know this truly. This movie
• 55:08
  Speaker 1: set the standard for me. I was like, one day
• 55:11
  Speaker 1: a man who has lovely feathered hair like David Dukufney,
• 55:15
  Speaker 1: soft hair and a butt that looks great in jeans
• 55:19
  Speaker 1: and khakis, Yeah, is going to show up and ask
• 55:23
  Speaker 1: me to hold my hand, and then I will be
• 55:26
  Speaker 1: like our soul's matchup, and he's gonna be like, yeah, baby,
• 55:30
  Speaker 1: they do, and then we're gonna fuck in Italy?
• 55:33
  Speaker 2: Do you you think men still wear khakis?
• 55:37
  Speaker 1: I don't know what men do because I number one,
• 55:41
  Speaker 1: men aren't allowed near me until I get my abortion
• 55:43
  Speaker 1: rights back.
• 55:44
  Speaker 2: All my male friends are married except for Mario, but
• 55:47
  Speaker 2: he lives an hour away, so I don't actually see
• 55:49
  Speaker 2: him in person, So.
• 55:54
  Speaker 1: I guess I have to update my fantasy where Mini
• 55:57
  Speaker 1: driver takes me to Italy and says that it's just again.
• 56:02
  Speaker 1: We talk a lot about how like movies set us
• 56:05
  Speaker 1: up to believe certain things about relationships, But this was
• 56:08
  Speaker 1: the thing that we should have believed, that the relationship
• 56:11
  Speaker 1: was supposed to be.
• 56:12
  Speaker 2: Yes, the actual standard we should expect because it's pure,
• 56:16
  Speaker 2: it's honest, there's shared interest, there's emotional intimacy. We do
• 56:23
  Speaker 2: not see a lot of emotional intimacy and other things.
• 56:27
  Speaker 2: It's straight physical intimacy. So when the physical intimacy wears off,
• 56:32
  Speaker 2: everyone's like, oh, the I want to do one now,
• 56:33
  Speaker 2: And you're like, well, you should have some emotional intimacy too,
• 56:37
  Speaker 2: cirt and ma'am or mam and ma'am or certain.
• 56:40
  Speaker 1: I think also in the very little slice of life
• 56:43
  Speaker 1: that we get with Elizabeth and Bob, it's very much
• 56:49
  Speaker 1: very weare that he is her partner. Yeah, he goes
• 56:53
  Speaker 1: to pick up her dress, he walks the dog in
• 56:56
  Speaker 1: his tuxs because he's a moron, or because.
• 57:00
  Speaker 2: He's just really sweet and wanted to make sure it
• 57:02
  Speaker 2: got done. But he saw the note after he got
• 57:04
  Speaker 2: in his tucks.
• 57:07
  Speaker 1: He his construction company is literally in charge of her
• 57:16
  Speaker 1: lifetime achievement project. Yeah, and some other stupid person would
• 57:21
  Speaker 1: be like nepotism or I don't want to work for
• 57:23
  Speaker 1: the zoo. Zoos don't pay. And by the way, when
• 57:26
  Speaker 1: I was a kid, getting into the Lincoln Park Zoo
• 57:28
  Speaker 1: was free. I don't know if that's still the case.
• 57:30
  Speaker 2: Oh. Interesting, but he's a free zoo. And he even
• 57:34
  Speaker 2: comments like this month, this job doesn't make any money
• 57:37
  Speaker 2: for me, I can pack up and leave. I don't
• 57:39
  Speaker 2: understand why you're trying, because they do. The zoo does
• 57:42
  Speaker 2: try to change some things that Elizabeth wouldn't have approved
• 57:46
  Speaker 2: if she were still with us, And he's like, you
• 57:48
  Speaker 2: have to do it this way or I'm out. You're
• 57:50
  Speaker 2: not gonna find anybody who's going to do it for
• 57:52
  Speaker 2: the low low cost of what I'm doing it for.
• 57:54
  Speaker 1: I cried when the monkey got to go in his
• 57:56
  Speaker 1: new home. I know, as we know, I love Gorilla.
• 58:00
  Speaker 1: It was really sweet. He was really really sweet, and
• 58:03
  Speaker 1: he Sinny did just look so sad, and he looked
• 58:07
  Speaker 1: so confused as to why he was in that tunnel.
• 58:09
  Speaker 1: He's like, why am I in a tunnel?
• 58:12
  Speaker 2: Can I just roam free? Please?
• 58:13
  Speaker 1: That's why I love about gorillas is that they like
• 58:16
  Speaker 1: you can actually see their emotion. I mean, I believe
• 58:19
  Speaker 1: that you can also read dog and cat faces. Truly,
• 58:23
  Speaker 1: I can tell you what any animal is feeling at
• 58:25
  Speaker 1: any moment of the.
• 58:26
  Speaker 2: Haven't you seen Josephine's confused face and her worried face
• 58:30
  Speaker 2: and her happy face? Like I'm sure I post about
• 58:32
  Speaker 2: it all the time. So like.
• 58:37
  Speaker 1: That, I mean that gorilla actor was probably confused as
• 58:40
  Speaker 1: to why he had to interact with David Dukeemney at all.
• 58:43
  Speaker 1: He was probably just a gorilla who happened to be
• 58:45
  Speaker 1: at Lincoln Park Zoo. Like the best behaving gorilla got
• 58:48
  Speaker 1: to be in the movie.
• 58:50
  Speaker 2: Yeah, knee Driver, like this one will win.
• 58:56
  Speaker 1: It's just so sweet. The whole premise is really sweet. Yeah,
• 59:00
  Speaker 1: because it's like it tells you that like second chances
• 59:04
  Speaker 1: are always just around the corner. Yeah, and that you're
• 59:09
  Speaker 1: allowed to be nuanced and conflicted about things. Yeah.
• 59:13
  Speaker 2: I think that's actually the best part about the movie
• 59:16
  Speaker 2: is that it's like two things can exist at once,
• 59:19
  Speaker 2: and you don't have to figure it out all right now,
• 59:22
  Speaker 2: right now, like you can take the time to really
• 59:25
  Speaker 2: get into figuring it out.
• 59:27
  Speaker 1: You sure can. Yeah, David to covenany told us, so, Copany,
• 59:33
  Speaker 1: why don't you love me?
• 59:34
  Speaker 2: But this isn't a bad thing.
• 59:37
  Speaker 1: It's a bad thing for me. Maybe he's been through therapy.
• 59:41
  Speaker 1: We don't know my money.
• 59:43
  Speaker 2: You told me. I can't google anything else on the show,
• 59:46
  Speaker 2: so I can't look up what he's doing.
• 59:48
  Speaker 1: He looked fine on the chair. I just I love it,
• 59:55
  Speaker 1: Oh my god, just like it, like it.
• 59:59
  Speaker 2: Yeah. Actually the X Files is in syndication. It's on
• 1:00:02
  Speaker 2: the cable all the time.
• 1:00:05
  Speaker 1: At first I thought it's been in syndication since I
• 1:00:08
  Speaker 1: was a kid. Yeah, yeah, but you know what I.
• 1:00:11
  Speaker 2: Mean, Like sometimes stuff like will go oh yeah, and yeah,
• 1:00:14
  Speaker 2: it's like still on TV.
• 1:00:19
  Speaker 1: David d'coveny, because like my first note was like, oh
• 1:00:22
  Speaker 1: my god, he's got such a baby face. And mini
• 1:00:25
  Speaker 1: drivers always look like mini driver just like mature and
• 1:00:28
  Speaker 1: beautiful in all of it. But David dukeveny had a
• 1:00:30
  Speaker 1: baby face in this one. And but then I was like, oh,
• 1:00:33
  Speaker 1: but it's criminal. How good looking he is? I know,
• 1:00:38
  Speaker 1: who who the fuck told me that fucking Edward Colin
• 1:00:42
  Speaker 1: that someone did a science experiment, and they were like,
• 1:00:46
  Speaker 1: it's actually Robert Pattinson, who is the epitome of what
• 1:00:51
  Speaker 1: like a beautiful man is supposed to be, Like he's
• 1:00:55
  Speaker 1: the perfect specimen of man. And I was like, have
• 1:00:57
  Speaker 1: you not seen David du Coveney.
• 1:00:59
  Speaker 2: Jason.
• 1:01:02
  Speaker 1: Jason, Jason Moa, David Batista, Michael B.
• 1:01:09
  Speaker 2: Jordan's currently obsessed with looking at Jonathan.
• 1:01:13
  Speaker 1: Major, Yes, Chadwick Bosman, Like, I hate looking at Robert Pattinson.
• 1:01:20
  Speaker 1: He's Pedro Pascal, He's not. I hate looking at Robert
• 1:01:27
  Speaker 1: Pattinson and Kristen Stewart.
• 1:01:29
  Speaker 6: I find that I would prefer a partner who couldn't
• 1:01:40
  Speaker 6: hide behind me if they needed to.
• 1:01:44
  Speaker 1: No short knees, jewels, she just not even.
• 1:01:46
  Speaker 2: Just sort not even so slight, also slight.
• 1:01:51
  Speaker 1: He's shaped like a triangle because I'm like a skinny Natalie,
• 1:01:55
  Speaker 1: I'm five to five and I'm a thick woman. So
• 1:01:58
  Speaker 1: like if you can step behind me and no one
• 1:02:01
  Speaker 1: knows you're there, I'm not. I'm an average heighte woman.
• 1:02:06
  Speaker 1: This is a vagina, but also Robert Pattenson. And my
• 1:02:12
  Speaker 1: point has been made. I hate looking at Robert Pattenson,
• 1:02:16
  Speaker 1: and I think it is criminal that someone paid science
• 1:02:20
  Speaker 1: money science saint cheap. He.
• 1:02:23
  Speaker 2: I will argue that he does have the chin for
• 1:02:26
  Speaker 2: the Batman mask. When he takes it off, You're just like.
• 1:02:32
  Speaker 1: I'm truly so pissed off about how we've ruined Batman.
• 1:02:35
  Speaker 1: Remember when Batman was cool?
• 1:02:39
  Speaker 2: I mean, I always felt like the nineties was the.
• 1:02:43
  Speaker 1: Nineties were the peak.
• 1:02:44
  Speaker 2: Batman's Michael Keaton and the car Too and the cartoon
• 1:02:49
  Speaker 2: that was Actor Rest in Peace. He died last year,
• 1:02:52
  Speaker 2: I think.
• 1:02:52
  Speaker 1: But yeah, I'm gonna say it. I like Nipplegate, George Clooney, Batman.
• 1:02:58
  Speaker 1: I like the nipples.
• 1:02:59
  Speaker 2: Oh, I just thought that one was terrible.
• 1:03:02
  Speaker 1: I like it. It's got everything. It got Batman, it
• 1:03:05
  Speaker 1: got Robin, it got poison Ivy, it's got mister Freeze.
• 1:03:09
  Speaker 1: It's got bad acting, got bad acting, Uma, Thurman's in it.
• 1:03:13
  Speaker 1: They find bad girl. I'm like, this movie's got it all.
• 1:03:16
  Speaker 1: It's got it all, including Georgia Clooney's nipples. And with that,
• 1:03:20
  Speaker 1: I'm gonna ask you, Jules, how comfy are you with
• 1:03:23
  Speaker 1: Return to Me?
• 1:03:24
  Speaker 2: I'm very comfortable with Return to Me. I think that
• 1:03:28
  Speaker 2: it needs to be getting more attention than what it
• 1:03:31
  Speaker 2: gets because it is a beautiful story. It's got heart,
• 1:03:35
  Speaker 2: it's got zero toxic anything. You still feel all the emotions,
• 1:03:40
  Speaker 2: they're still tension.
• 1:03:42
  Speaker 1: They don't use the gorilla to teach us like a
• 1:03:44
  Speaker 1: heart wrenching life lesson or the dog.
• 1:03:47
  Speaker 2: Yeah, and it's just it's just it's a wonderful romantic
• 1:03:51
  Speaker 2: comedy and I it doesn't get enough credit. M H.
• 1:03:57
  Speaker 1: I'm also still very comfy with reasing.
• 1:04:00
  Speaker 2: Zero cringe, literally zero cringe.
• 1:04:02
  Speaker 1: There was one transphobic joke.
• 1:04:04
  Speaker 2: Oh I missed it.
• 1:04:05
  Speaker 1: When she's telling him that she had a surgery and
• 1:04:08
  Speaker 1: she's trying to tell him about her heart surgery. He
• 1:04:11
  Speaker 1: clutches her and goes, oh my god, I thought you
• 1:04:13
  Speaker 1: were gonna tell me that you were a man or something.
• 1:04:15
  Speaker 1: I was like, David Ducubny, we've made it so far.
• 1:04:19
  Speaker 2: I missed that. Okay, well made, there's so far. There's
• 1:04:23
  Speaker 2: one cringe. Sorry, go ahead.
• 1:04:26
  Speaker 1: But I love this movie. I'm with you. I think
• 1:04:31
  Speaker 1: that more people should be watching it. This movie feels
• 1:04:33
  Speaker 1: like it feels like your heart feels when you come
• 1:04:38
  Speaker 1: in from a snow day at school and there's already
• 1:04:41
  Speaker 1: hot cocoa on the stove. Yes, this movie makes me
• 1:04:46
  Speaker 1: want to hug all of my great uncles and they
• 1:04:50
  Speaker 1: have all passed away.
• 1:04:53
  Speaker 2: Yeah, you know, Angela reminds me, like I said, a
• 1:04:55
  Speaker 2: lot of my my the next generation. Yeah, great uncle,
• 1:05:02
  Speaker 2: and even just kind of the way he dressed a
• 1:05:04
  Speaker 2: little bit was reminiscent of my grandpa.
• 1:05:07
  Speaker 1: The way that they talked. Also, my family does get
• 1:05:10
  Speaker 1: into bullshit arguments like that. When I was spending the
• 1:05:14
  Speaker 1: night at my aunt's before my sister's baby shower, we
• 1:05:18
  Speaker 1: were arguing over the correct way to shuffle cards and
• 1:05:21
  Speaker 1: we all had to demonstrate how to shuffle cards, and
• 1:05:24
  Speaker 1: then we were given notes and rankings.
• 1:05:28
  Speaker 2: I love that my grandfather. My mother told the story
• 1:05:31
  Speaker 2: one time, so it gave me insight into the kind
• 1:05:34
  Speaker 2: of man he was to other people, but not to me.
• 1:05:37
  Speaker 2: My So, first of all, my grandfather used to love
• 1:05:40
  Speaker 2: playing card games and he managed to win enough money
• 1:05:43
  Speaker 2: to pay off his house. Like this, we're talking we're
• 1:05:45
  Speaker 2: talking in the sixties, right, so the house whatever. And
• 1:05:50
  Speaker 2: we were visiting one year and my sister was like five,
• 1:05:52
  Speaker 2: so I wasn't even alive yet, and he's trying to
• 1:05:56
  Speaker 2: like teach how to play a game, and like he doesn't.
• 1:05:58
  Speaker 2: He's like pissed that she can't whatever, and like causes
• 1:06:02
  Speaker 2: her to cry. And my mother's like she's a child,
• 1:06:05
  Speaker 2: and he's like, she needs to learn how to play
• 1:06:07
  Speaker 2: this game if she wants to play this game.
• 1:06:10
  Speaker 1: And that's how PEG was, how dare you walk up
• 1:06:12
  Speaker 1: to the table not already knowing this game?
• 1:06:15
  Speaker 2: And it's like and it's so funny because that's not
• 1:06:17
  Speaker 2: how he was with me, But it's like that kind
• 1:06:21
  Speaker 2: of tone is sort of how we felt about when
• 1:06:27
  Speaker 2: children came in. We didn't give them like extra like,
• 1:06:30
  Speaker 2: we didn't give them any grace. It was like you
• 1:06:33
  Speaker 2: need to learn how to figure out how to beat me,
• 1:06:34
  Speaker 2: and you can do that on your own kind of attitude.
• 1:06:37
  Speaker 2: So then when we had some like new little children
• 1:06:40
  Speaker 2: in our family, after my son was like a teenager,
• 1:06:44
  Speaker 2: maybe it was like a junior or senior in high school,
• 1:06:46
  Speaker 2: and I was like, oh, it's okay, honey, like to
• 1:06:48
  Speaker 2: the kids saying it's okay, honey, like, and my son
• 1:06:50
  Speaker 2: was like, are you kidding me?
• 1:06:53
  Speaker 1: No, I'm a dick. During game, he was like.
• 1:06:56
  Speaker 2: You never let anything slide. When I was that age,
• 1:07:01
  Speaker 2: when my pay games, and I was like, I don't
• 1:07:03
  Speaker 2: know what's to happen, but I just don't know. Maybe
• 1:07:05
  Speaker 2: I'm in like grandma mode now or something I.
• 1:07:08
  Speaker 1: Don't know, isn't it. No, my grandma taught me how
• 1:07:10
  Speaker 1: to be a dick during a game. The so, as
• 1:07:14
  Speaker 1: you know, on my mom's side of the family, there's
• 1:07:16
  Speaker 1: like an older cluster of six grandkids, and then my
• 1:07:19
  Speaker 1: youngest uncle had kids later, right, so the younger of
• 1:07:23
  Speaker 1: that older cluster, she always got to cheat at games
• 1:07:27
  Speaker 1: and like baby talk during games and shit like that,
• 1:07:30
  Speaker 1: and us older kids we had like a family meeting
• 1:07:33
  Speaker 1: about it. We were like, we need all of the
• 1:07:36
  Speaker 1: uncles and aunts in here, and we're like, we don't
• 1:07:39
  Speaker 1: know who the fuck you think you are, but she's
• 1:07:42
  Speaker 1: ruining the fun for us because you've just taught us
• 1:07:44
  Speaker 1: how to be dicks during games and competitive and only
• 1:07:49
  Speaker 1: want to win on the circle when they're like red
• 1:07:52
  Speaker 1: flag or green flat or thumbs up, thumbs down? Would
• 1:07:55
  Speaker 1: you cheat at a game to win? Yes? How dare no?
• 1:07:58
  Speaker 1: One answer yes to that?
• 1:08:00
  Speaker 2: Was like honestly, because I was like no, I feel
• 1:08:02
  Speaker 2: like people would be like there was a Mother's day
• 1:08:06
  Speaker 2: my mom cheated at the card game we were playing,
• 1:08:09
  Speaker 2: and she still lost, and her whole anger part anger
• 1:08:13
  Speaker 2: issue with that whole thing was like I even cheated
• 1:08:16
  Speaker 2: and I lost. You guys can let me win on
• 1:08:18
  Speaker 2: Mother's Day?
• 1:08:20
  Speaker 1: No, because we're fucking dick's during games. And that's how
• 1:08:23
  Speaker 1: we learned in the nineties how to play games. Yeah,
• 1:08:26
  Speaker 1: in the nineties, like your grandma's didn't want to fucking
• 1:08:29
  Speaker 1: play with you and teach you like candy Land and
• 1:08:31
  Speaker 1: not have a bee for stakes.
• 1:08:33
  Speaker 2: Oh and we never played Candylan. There was no kids games.
• 1:08:36
  Speaker 2: It was all you're learning how to play Rummy, Rummy,
• 1:08:38
  Speaker 2: you're learning how to play poker, you're learning how to
• 1:08:41
  Speaker 2: play like blackjack. Like why Yeah, Like we only had
• 1:08:45
  Speaker 2: kids games if it was like literally church.
• 1:08:49
  Speaker 1: Right, or if the kids had stuck away to play
• 1:08:51
  Speaker 1: a game. Yeah, you were allowed to play children games
• 1:08:56
  Speaker 1: in the sun room in front of the TV, or
• 1:08:58
  Speaker 1: in my uncle's room while he was at work, or
• 1:09:01
  Speaker 1: if you were sitting at the table and you thought
• 1:09:03
  Speaker 1: that you were fucking playing candy Land. Uh ah gin
• 1:09:05
  Speaker 1: rummy yeah yeah ah oh so yeah, this movie literally
• 1:09:11
  Speaker 1: like it it felt like a like a hug from
• 1:09:15
  Speaker 1: all of my favorite aunts and uncles.
• 1:09:18
  Speaker 2: Yeah, like perfect.
• 1:09:20
  Speaker 1: I'm pretty sure that this movie is why I romanticize
• 1:09:23
  Speaker 1: all of my aunts and uncles and feel like I
• 1:09:24
  Speaker 1: would have been a happier child growing up in their vicinity.
• 1:09:29
  Speaker 2: And honestly, I wouldn't mind seeing like a twenty years
• 1:09:31
  Speaker 2: later film because then you know, Minnie Driver and David
• 1:09:35
  Speaker 2: Ducovni could be reunited and they have a couple of kids,
• 1:09:37
  Speaker 2: and Bonnie Hunt's kids are grown, and you know, we
• 1:09:40
  Speaker 2: get another those generations of like community, love and harmony,
• 1:09:46
  Speaker 2: like this is what And you're like like you like,
• 1:09:49
  Speaker 2: I didn't realize because now my family bearing years are
• 1:09:53
  Speaker 2: probably over because I'm single and whatever. But I was like,
• 1:09:57
  Speaker 2: I feel like when I thought of having a family,
• 1:09:59
  Speaker 2: that's what it would be. Yeah, Like that was the
• 1:10:03
  Speaker 2: realization I had on Sunday, like, oh, if I was
• 1:10:05
  Speaker 2: gonna have a family, that's the way I wanted to
• 1:10:07
  Speaker 2: do it. And then I didn't.
• 1:10:08
  Speaker 1: No, No, it's like kids just falling asleep underneath the
• 1:10:13
  Speaker 1: table and Jim Belushi taking them to bed, Yeah, which
• 1:10:16
  Speaker 1: was so sweet. It was so sweet. And then me like,
• 1:10:19
  Speaker 1: I want to fuck your mom get to bed. Yeah
• 1:10:23
  Speaker 1: that was sweet too. That was sweet. Bonnie Hunt and
• 1:10:28
  Speaker 1: Jim Belushi were hot together. Yeah, they're They're really cute.
• 1:10:32
  Speaker 1: They were hot.
• 1:10:33
  Speaker 2: I wouldn't have minded seeing a spin off from this
• 1:10:36
  Speaker 2: film of Just Their Family now.
• 1:10:38
  Speaker 1: And I understand that this movie would be ruined and
• 1:10:41
  Speaker 1: not as pure if it was PG thirteen instead of PG.
• 1:10:44
  Speaker 1: But every once in a while I was like, this
• 1:10:46
  Speaker 1: movie could use more kissing.
• 1:10:50
  Speaker 2: I think the more kissing would have kept it at pig.
• 1:10:53
  Speaker 1: This movie needs a gentle love scene between many Driver
• 1:10:58
  Speaker 1: and David's company until one or.
• 1:11:01
  Speaker 2: Like the open, like when they're getting there, but then
• 1:11:04
  Speaker 2: it cuts to the next thing.
• 1:11:07
  Speaker 1: Yeah, how is it that something's got to give this
• 1:11:10
  Speaker 1: gross movie about Jack Nicholson gaslighting Helen Hunt into sleeping
• 1:11:14
  Speaker 1: with him one an oscar but no one knows what
• 1:11:17
  Speaker 1: returned to me is when I talk about.
• 1:11:19
  Speaker 2: It because Jack Nicholson I hate.
• 1:11:23
  Speaker 1: I don't hate Jack Nicholson, but I hate that he
• 1:11:26
  Speaker 1: won an oscar for gas lighting Helen Hunt.
• 1:11:28
  Speaker 2: And he's a paternity denier, so.
• 1:11:31
  Speaker 1: Oh, Jack also didn't Is Jack Nicholson the one that
• 1:11:35
  Speaker 1: like threw an actor who used to be a kid actor?
• 1:11:40
  Speaker 1: Is Jack Nicholson? The one that no that was Billy Crystal.
• 1:11:43
  Speaker 1: I think Billy Crystal like pushed a child actor who's
• 1:11:47
  Speaker 1: now a grown actor, and people are like, can we
• 1:11:49
  Speaker 1: stop pretending that Billy Crystal's a nice guy?
• 1:11:52
  Speaker 2: Oh? I feel like that's that story sounds very familiar
• 1:11:55
  Speaker 2: to me, but I can't. I don't know why where
• 1:11:58
  Speaker 2: I heard it, but yeah, all over Instagram. I remember that.
• 1:12:01
  Speaker 2: But like with Jack Nicholson, when you look back at
• 1:12:03
  Speaker 2: some of his films, they're all misogynistic, and not even
• 1:12:06
  Speaker 2: just in the nineties, like the ones that he is
• 1:12:08
  Speaker 2: praised for right like but One Flew Over the Cuckoo's Nest.
• 1:12:13
  Speaker 2: The book itself, I know people praised it, but it
• 1:12:16
  Speaker 2: was like I hated it. I was so sad.
• 1:12:18
  Speaker 1: Catcher in the Rye, Oh stupid book.
• 1:12:21
  Speaker 2: Did I ever tell you about the time I was
• 1:12:23
  Speaker 2: on a date with a guy who's like, I really
• 1:12:24
  Speaker 2: relate to Holden Cawfield, and I was like, reading, are done?
• 1:12:29
  Speaker 2: You don't need to keep my number, thank you.
• 1:12:32
  Speaker 1: I used to argue with teachers about Catcher in the Rye.
• 1:12:34
  Speaker 1: I was like, why is this a classic? They're like,
• 1:12:36
  Speaker 1: what do you mean, why is it a classic? It's
• 1:12:38
  Speaker 1: the human condition? I go, it's just another little white
• 1:12:40
  Speaker 1: boy not taking responsibility for his actions. He might as
• 1:12:44
  Speaker 1: well be in a fraternity instead of the mental hospital.
• 1:12:46
  Speaker 2: He is just chaos. It's all chaos. And like with
• 1:12:50
  Speaker 2: the book once, I had to read it for my
• 1:12:52
  Speaker 2: film to book to film class in grad school, and
• 1:12:56
  Speaker 2: afterwards I was like, this is trash. I am angry
• 1:13:00
  Speaker 2: and goodbye.
• 1:13:01
  Speaker 1: And goodbye, Jules Plug. What's happening this week?
• 1:13:05
  Speaker 2: Okay, so Pals this week on pop culture makes me jealous.
• 1:13:10
  Speaker 2: We still do not have a new episode because I
• 1:13:13
  Speaker 2: started a second job because capitalism dictated it, and I
• 1:13:17
  Speaker 2: need to heat my house because it's cold as fuck,
• 1:13:19
  Speaker 2: and Pgenie takes all my money even though they blow
• 1:13:22
  Speaker 2: up cities. So we do not have a new episode
• 1:13:26
  Speaker 2: this week. With that said, if you join our Patreon,
• 1:13:30
  Speaker 2: you do have a new episode this week. So there's that.
• 1:13:34
  Speaker 1: In the very gushy show Parenthood.
• 1:13:37
  Speaker 2: Yes, next week, the episode about Parenthood is coming out.
• 1:13:42
  Speaker 2: Last week we released two weeks ago, we released the
• 1:13:46
  Speaker 2: episode about Who's the Boss, and it's a very good
• 1:13:49
  Speaker 2: episode and I recommend everybody tune in. And then tomorrow night,
• 1:13:54
  Speaker 2: I am on Natalie's Instagram channel because we're doing still
• 1:13:58
  Speaker 2: Comfy doesday with Wondery Hill and I cried all day
• 1:14:02
  Speaker 2: today because of that.
• 1:14:04
  Speaker 1: All three.
• 1:14:05
  Speaker 2: No, I'm saving the other one for tomorrow.
• 1:14:07
  Speaker 1: The third one out of the set. Yeah, that one
• 1:14:11
  Speaker 1: gets a little lighter. We'll talk about how they chose
• 1:14:14
  Speaker 1: to like help us heal through the trauma.
• 1:14:17
  Speaker 2: But that is the world of pop culture. Makes me jealous.
• 1:14:20
  Speaker 2: Our book club has announced our reading book for March.
• 1:14:25
  Speaker 2: It is Daisy Jones and a sixth and if you
• 1:14:27
  Speaker 2: want to join our book club, hit me up on
• 1:14:29
  Speaker 2: Instagram and everyone.
• 1:14:32
  Speaker 1: This has been the smooth voice stylings of the Nambling Katona,
• 1:14:36
  Speaker 1: host of To All the Men I've Tolerated Before. Last
• 1:14:39
  Speaker 1: week it was the last Thursday of the month, so
• 1:14:43
  Speaker 1: it was our Patreon teaser and it was about my
• 1:14:45
  Speaker 1: trip to visit Elizabeth Kyle, one of our most beloved guests.
• 1:14:50
  Speaker 1: And this week we are talking about fuck me. I
• 1:14:56
  Speaker 1: just posted this episode. Hold on spreaker will tell me
• 1:14:59
  Speaker 1: and it's right here. Oh, it's about our relationship with food.
• 1:15:05
  Speaker 1: There you go with Kiki Athanis and she would probably
• 1:15:09
  Speaker 1: would have related to this movie as well because she
• 1:15:12
  Speaker 1: has a giant Greek family. Oh, I love that, which
• 1:15:16
  Speaker 1: it's because it's not a big oh, but they're going
• 1:15:18
  Speaker 1: to do the third my big fat Greek wedding, Yes
• 1:15:21
  Speaker 1: say yes, And we love John Corbet and I might
• 1:15:24
  Speaker 1: watch and just like that season two because he's going
• 1:15:27
  Speaker 1: to be in it.
• 1:15:28
  Speaker 2: I'm gonna continue to hate watch that show.
• 1:15:31
  Speaker 1: Yeah, uh huh. And tomorrow on our Instagram channel, we
• 1:15:35
  Speaker 1: will be doing One Tree Hill Season three, sixteen through eighteen.
• 1:15:40
  Speaker 1: And if that doesn't ring a bell for you, I
• 1:15:44
  Speaker 1: will tell you that these are the three episodes that
• 1:15:46
  Speaker 1: I think set the show on its course from here
• 1:15:49
  Speaker 1: on out.
• 1:15:51
  Speaker 2: Okay, I'm curious because honestly, they were really they were hard,
• 1:15:59
  Speaker 2: and I'm really trying not to say anything because I
• 1:16:02
  Speaker 2: want to save it all for tomorrow.
• 1:16:03
  Speaker 1: So they're the hard episodes. They are the three hard episodes.
• 1:16:07
  Speaker 1: There's gonna be a lot of prevalent information about where
• 1:16:10
  Speaker 1: our country is with this issue. Where One Tree Hill
• 1:16:14
  Speaker 1: was in the timeline of this issue, Yeah, because there
• 1:16:20
  Speaker 1: was some outdated language like code red used and things
• 1:16:23
  Speaker 1: like that, so it kind of dated it. But I
• 1:16:27
  Speaker 1: think they're the best three episodes, or the best two
• 1:16:30
  Speaker 1: episodes of the entire series. Oh interesting, Yeah, and just
• 1:16:37
  Speaker 1: like that or sex in the City or love Gorillas.
• 1:16:45
  Speaker 1: Everybody that's been another episode of Still Comfy. We hope
• 1:16:50
  Speaker 1: that you stay cozy, stay comfy out there, and we'll
• 1:16:53
  Speaker 1: see you tomorrow night on the river court. But this
• 1:17:00
  Speaker 1: at