Latest / To All the Men I've Tolerated Before / Still Comfy? Mrs. Doubtfire

Transcript

Still Comfy? Mrs. Doubtfire · To All the Men I've Tolerated Before

• 0:00
  Speaker 1: Hey, Team Tolerator. We are still on our summer break
• 0:04
  Speaker 1: from new episodes of To All the Men I've Tolerated before,
• 0:08
  Speaker 1: So this week I will be giving you one of
• 0:11
  Speaker 1: our Still Comfy movie reviews with Julia Washington from pop
• 0:16
  Speaker 1: Culture Makes Me Jealous and Jelly Pop's book Club. Still
• 0:20
  Speaker 1: Comfy is where Julia and I were live once a
• 0:23
  Speaker 1: week giving movie reviews about our favorite comfort movies from now,
• 0:29
  Speaker 1: our youth, our teenage years, just whenever we felt comforted
• 0:34
  Speaker 1: by a movie and then we felt like we should
• 0:37
  Speaker 1: revisit it to make sure we could still feel comfortable
• 0:39
  Speaker 1: about it. Enjoy this audio version of Still Comfy if
• 0:44
  Speaker 1: you would like to see the video version. I have
• 0:47
  Speaker 1: linked the YouTube playlist for our Still Comfy videos in
• 0:51
  Speaker 1: the show notes, and there is also our Patreon page
• 0:55
  Speaker 1: linked in the show notes. Patreon members are getting new
• 0:59
  Speaker 1: content throughout the summer, whether it be on our free
• 1:03
  Speaker 1: tier or any of our paid tears. Whether it be
• 1:09
  Speaker 1: teen Tolerator check in, Misogyny, Meltdown episodes, blog post, or
• 1:14
  Speaker 1: early access to episodes you might hear this fall that
• 1:18
  Speaker 1: will be ad free. Make sure to check out any
• 1:22
  Speaker 1: of our Patreon tiers. They are all offering free trials.
• 1:27
  Speaker 1: Have a great summer. I will see you this fall
• 1:30
  Speaker 1: with all new episodes of two all the men I've
• 1:33
  Speaker 1: tolerated before. Hello, Hello, children in Oh are you so
• 2:03
  Speaker 1: cozy and comfy? For tonight's movie. Oh, now it's getting weird.
• 2:07
  Speaker 1: Now it's like weird, weird.
• 2:09
  Speaker 2: Yeah, why you'd make it weird?
• 2:12
  Speaker 1: I don't know.
• 2:15
  Speaker 3: I can't hang. I gotta go. It was really cool.
• 2:18
  Speaker 1: It was almost on right up until it became like
• 2:21
  Speaker 1: a boo from the Simpsons and I was like, nope,
• 2:24
  Speaker 1: gotta gotta jump.
• 2:25
  Speaker 3: I can't.
• 2:29
  Speaker 1: I never said I was Robin Williams.
• 2:31
  Speaker 3: Nobody said that either.
• 2:35
  Speaker 1: No one ever said I was.
• 2:37
  Speaker 2: There's only one Hi, Welcome, it's your channel.
• 2:45
  Speaker 1: You have to do the intro. I know, I did
• 2:47
  Speaker 1: the funny bit. I did the funny bit, and then
• 2:49
  Speaker 1: you do the really intro.
• 2:51
  Speaker 3: I know, friends, Welcome to still come Tuesday. I am
• 2:54
  Speaker 3: so emotional.
• 2:55
  Speaker 2: I just finished Britney Spears memoir, so it's gonna be
• 2:58
  Speaker 2: a lot. I apologize that I can't compartmentalize enough to
• 3:03
  Speaker 2: continue on the rest of my day.
• 3:06
  Speaker 3: But we are here today. We are gathered here today.
• 3:09
  Speaker 2: I am Julia Washington, the host of pop culture makes
• 3:12
  Speaker 2: me jealous, where we analyze pop culture through the lens
• 3:16
  Speaker 2: of race or gender, and sometimes both.
• 3:18
  Speaker 3: I'm joined by my co host.
• 3:21
  Speaker 1: I'm Natalie fired Out, the host and producer of the
• 3:25
  Speaker 1: podcast to all the men I've tolerated before, internationally renowned
• 3:30
  Speaker 1: podcast and look at weekly look at everyday misogyny. I
• 3:36
  Speaker 1: would be putting my info in the chat, except for
• 3:39
  Speaker 1: our third party streaming platform logged me out, and therefore
• 3:43
  Speaker 1: if I try to join the chat now, it will
• 3:46
  Speaker 1: kick me out of the show. So we're just doing this.
• 3:51
  Speaker 2: So apparently they're also having a hard time with the
• 3:53
  Speaker 2: revelations in Brittany's memoirs.
• 3:55
  Speaker 1: Honestly, we're all just having hard times, sang well.
• 4:00
  Speaker 2: We are here today to talk about the nineteen ninety
• 4:04
  Speaker 2: one Robin Williams classic starring Sally Field, Fields Fields, Matthew Lawrence,
• 4:14
  Speaker 2: Matilda and.
• 4:16
  Speaker 3: The older sister I forgot her name.
• 4:19
  Speaker 1: It's Maria, It's Maura something, Mara something, It's fine. Pierce Brosnan,
• 4:27
  Speaker 1: Pierre Sprosnan is also in this movie.
• 4:29
  Speaker 2: And Hattie Pierce Brosnan fresh off of the Remington Steel
• 4:34
  Speaker 2: And it's been thirty years since thirty two years since
• 4:40
  Speaker 2: this movie has been released and was widely received. So
• 4:49
  Speaker 2: I don't even know where to begin. It's over two
• 4:52
  Speaker 2: hours long, and I love this movie and I watch
• 4:56
  Speaker 2: it all like I put it.
• 4:57
  Speaker 3: I didn't, Okay, so here's the thing.
• 4:59
  Speaker 2: Badly, I put the movie on, and normally I put
• 5:02
  Speaker 2: the movie on and then it puts around the house
• 5:04
  Speaker 2: because it's just one and I pay attention to what
• 5:07
  Speaker 2: I want to pay attention to. This time, I sat
• 5:09
  Speaker 2: down with my handy dandy notebook and I was watching it,
• 5:14
  Speaker 2: and I.
• 5:14
  Speaker 3: Was like, this movie is long.
• 5:17
  Speaker 1: It's long.
• 5:18
  Speaker 3: It feels long.
• 5:19
  Speaker 2: Yeah, but when you're like painting or cleaning the house
• 5:24
  Speaker 2: or whatever, puts it around doing other stuff, it doesn't
• 5:26
  Speaker 2: feel like it's so long. It's like, oh, we're already there. No,
• 5:29
  Speaker 2: this movie was like why are we still in this scene?
• 5:33
  Speaker 2: Could have ended it a couple of minutes ago.
• 5:35
  Speaker 1: Yeah, I think I made a full last meal in
• 5:38
  Speaker 1: the middle of it. Yeah, I will say that I
• 5:43
  Speaker 1: do not think. Part of the reason why I think it.
• 5:46
  Speaker 2: Oh it's nineteen ninety three. I'm so sorry. That's why
• 5:50
  Speaker 2: we're doing it because it's been thirty years.
• 5:51
  Speaker 1: Yeah, fail, I think the reason why its so long
• 6:01
  Speaker 1: is that this? I think this was one of Williams's
• 6:05
  Speaker 1: least funny roles. I think he's funnier when he just
• 6:08
  Speaker 1: gets to be him yeah, or the guy from Jumanji.
• 6:13
  Speaker 3: Yeah.
• 6:14
  Speaker 2: Because Okay, here's the thing that was really like sticking
• 6:17
  Speaker 2: in my head after watching it, Like there's a scene
• 6:23
  Speaker 2: at the end where Daniel's like, how dare you, Miranda?
• 6:27
  Speaker 3: You did this?
• 6:28
  Speaker 2: You took my kids away from me, And the whole
• 6:31
  Speaker 2: time I was like, and during the whole movie where
• 6:34
  Speaker 2: I'm actually paying attention to it versus having it on
• 6:36
  Speaker 2: in the background and enjoying the bits that are fun,
• 6:39
  Speaker 2: it's why is this Miranda's fault?
• 6:42
  Speaker 3: Why is Miranda the bad guy? Why is Miranda the one.
• 6:45
  Speaker 2: Who is being treated like all of this chaos is
• 6:49
  Speaker 2: caused because of her?
• 6:51
  Speaker 3: Yes, she initiated the.
• 6:52
  Speaker 2: Divorce, but sir, you brought barn animals into her fucking house.
• 6:57
  Speaker 1: Right, and you never took anywhere responsibility. And she initiated
• 7:03
  Speaker 1: the divorce, but she didn't decide that you were an
• 7:05
  Speaker 1: unfit parent.
• 7:07
  Speaker 3: The court did the court did.
• 7:09
  Speaker 1: You had no house, you had no job, and so
• 7:13
  Speaker 1: they were like, where are we supposed to give these kids?
• 7:16
  Speaker 1: To you half of the time.
• 7:17
  Speaker 2: And not only that, once you've lied and tricked everybody
• 7:23
  Speaker 2: by pretending to be an old, maybe Scottish kind of
• 7:27
  Speaker 2: english woman, you're upset that the court has decided that
• 7:33
  Speaker 2: you probably need to have supervised visits with your children.
• 7:37
  Speaker 1: Yeah, I mean I don't agree that.
• 7:40
  Speaker 2: If somebody as a person who spent a lot of
• 7:42
  Speaker 2: time in family court.
• 7:43
  Speaker 3: Uh huh.
• 7:44
  Speaker 2: You best believe I would not have said, oh no, sorry,
• 7:47
  Speaker 2: I've had a change of heart. I think it's fine,
• 7:50
  Speaker 2: give him fifty percent custody. I'dam been like I would
• 7:53
  Speaker 2: like to know weekly updates to ensure my child's safety.
• 7:56
  Speaker 1: Thanks, thank you. I so that last court scene where
• 8:03
  Speaker 1: his custody is like fully revoked, Yeah, it's such a
• 8:08
  Speaker 1: tricky court scene for me, because yes he lied and
• 8:14
  Speaker 1: yet and yes he tricked everyone, and yes there is
• 8:17
  Speaker 1: just cause to like question his like supervision of the children.
• 8:23
  Speaker 1: But instead of leaning on you made the court mistrust you.
• 8:28
  Speaker 1: You're a liar. How is she supposed to feel safe
• 8:32
  Speaker 1: if you went to these extreme measures to get back
• 8:35
  Speaker 1: into a home that you were not welcomed in, They
• 8:38
  Speaker 1: just like lean towards like your sexual deviant right cross dressing.
• 8:43
  Speaker 1: I was like, oh, I started this movie and I
• 8:45
  Speaker 1: was like, that's right. This movie is like one of
• 8:48
  Speaker 1: the first times that I saw like a healthy gay
• 8:50
  Speaker 1: couple on screen and I was like, with those two
• 8:53
  Speaker 1: loving Broadway making shit out of plaster. And then by
• 8:56
  Speaker 1: the end, I was like, this movie is transphobic as fuck, yeah,
• 9:00
  Speaker 1: which TikTok had told me.
• 9:02
  Speaker 3: But it's all of that. It's all of the like little.
• 9:05
  Speaker 1: Things where it's like, this is how we justify that
• 9:08
  Speaker 1: he's a bad man, right, and like Matthew Lawrence's immediate
• 9:13
  Speaker 1: transphobia is what kills me.
• 9:16
  Speaker 3: Yes, yes, when he's like don't touch me.
• 9:20
  Speaker 2: Yeah, Like I get that you're there, but don't you
• 9:22
  Speaker 2: know it's and it's like I want it re edited, Like,
• 9:28
  Speaker 2: don't remake it, just re edit it, because you could
• 9:31
  Speaker 2: re edit this movie where you do kind of where
• 9:35
  Speaker 2: you do remove the transphobia, and also some of the
• 9:38
  Speaker 2: other parts where you're just like why is this scene
• 9:41
  Speaker 2: still going?
• 9:42
  Speaker 1: And again I think the TUTSI MSSA's Doubtfire get away
• 9:47
  Speaker 1: with having modern day musicals currently in theaters h because
• 9:53
  Speaker 1: they're like, well, TUTSI MSA's Doutfire weren't trance, they were
• 9:59
  Speaker 1: in drag because we don't say cross dressing anymore correct.
• 10:04
  Speaker 3: I honestly don't know.
• 10:05
  Speaker 1: So they were in drag, and I was like, okay,
• 10:08
  Speaker 1: but drag is also seen as in these movies as
• 10:13
  Speaker 1: like a sexual deviancy. Right, And we're already fighting so
• 10:18
  Speaker 1: much in this country about like being allowed to go
• 10:22
  Speaker 1: to drag shows and drag people, being safe at your
• 10:26
  Speaker 1: library and being safe in your bars where your children
• 10:29
  Speaker 1: have no reason to be but you're still mad, right,
• 10:33
  Speaker 1: And so to be watching Missus Stapfire and I'm like,
• 10:36
  Speaker 1: oh god, they didn't even at no point did they
• 10:40
  Speaker 1: say this is because you're a liar. They were just like,
• 10:43
  Speaker 1: we're just really, you need a psyche val you put
• 10:46
  Speaker 1: on a dress one time. I'm like, no, it's so homophobic.
• 10:51
  Speaker 2: You know what's interesting, Natalie, because my takeaway this time
• 10:54
  Speaker 2: I complete.
• 10:56
  Speaker 3: I superimposed the liar part.
• 11:00
  Speaker 2: I always just included that in the in the resolution
• 11:04
  Speaker 2: of the film where he's getting reprimanded by the judge,
• 11:08
  Speaker 2: and you're like, and you're right, there's no mention of
• 11:12
  Speaker 2: him being a lot, which which.
• 11:14
  Speaker 3: Which then led me to why are we continuously making.
• 11:19
  Speaker 2: Films remove the phobia where we are meant to sympathize
• 11:28
  Speaker 2: with the person with the man who's done the wrong thing,
• 11:32
  Speaker 2: the lying, the deceitfulness of.
• 11:35
  Speaker 3: It all, the you know, the how dare you do
• 11:38
  Speaker 3: this to me? Attitude? But he's been the bad guy
• 11:43
  Speaker 3: the whole time.
• 11:45
  Speaker 1: Right, And I think I write on my notes And
• 11:50
  Speaker 1: then at the end of the movie, he still he
• 11:53
  Speaker 1: still wins. He went like fucking justin Timberlake. Sally Field
• 11:57
  Speaker 1: feels bad for him. She goes to judge of her
• 12:00
  Speaker 1: own accord and he gets.
• 12:02
  Speaker 2: To be on TV what and her kids, her kids
• 12:06
  Speaker 2: are even like, how dare you do this to dad?
• 12:09
  Speaker 3: Mom? And it just really broke my heart because.
• 12:12
  Speaker 2: It's like, that's an opportunity to be like, listen, I
• 12:16
  Speaker 2: love your dad.
• 12:16
  Speaker 3: He did it to himself. He did this to himself.
• 12:20
  Speaker 3: I can't.
• 12:20
  Speaker 2: And I loved her speech when she's like talking to
• 12:24
  Speaker 2: missus doubtfire, when he's like prodding her about what went wrong,
• 12:28
  Speaker 2: and she's like, I didn't like who I was becoming
• 12:30
  Speaker 2: with him. I'm the heavy, I'm the one doing the discipline,
• 12:34
  Speaker 2: I'm the one doing all these things, and he gets
• 12:36
  Speaker 2: to be the super fun guy and I don't like that.
• 12:40
  Speaker 2: I want to have fun with my children too, and
• 12:42
  Speaker 2: I thought, thank god, they gave her something that's, you know,
• 12:47
  Speaker 2: kind of redeeming, but still she's the bad guy.
• 12:49
  Speaker 3: Also, sorry, pause, Hi, Mario show. We're so glad you're here.
• 12:54
  Speaker 2: And friends, if you are watching us, we don't know
• 12:56
  Speaker 2: you're here unless you tell us in the comments, So
• 12:58
  Speaker 2: drop a comment in the comment Welcome Mario, Welcome Mario.
• 13:03
  Speaker 3: Always enjoy your presence.
• 13:05
  Speaker 1: Mario. How old were you the first time Missus Doubtfire
• 13:08
  Speaker 1: made you uncomfortable? Because I think there's a good point
• 13:11
  Speaker 1: in saying that, Like when we were kids, I do
• 13:15
  Speaker 1: believe because we were children of them, you know, nineties. Yeah,
• 13:19
  Speaker 1: so I do believe that it was very easy to
• 13:23
  Speaker 1: watch those court scenes and go, oh, they're mad at
• 13:26
  Speaker 1: Robin Williams because he lied, and like the homophobia and
• 13:31
  Speaker 1: the sexual deviancy completely.
• 13:34
  Speaker 3: Yeah.
• 13:34
  Speaker 1: The thing that I think it made it click in
• 13:36
  Speaker 1: my head is every time I hug my children, the
• 13:41
  Speaker 1: babysit like the court appointed babysitter looks at me like
• 13:45
  Speaker 1: I'm abedient, And I.
• 13:46
  Speaker 3: Was like, oh, yeah, because that's how.
• 13:49
  Speaker 1: They would immediately assume a man who Because it's also
• 13:55
  Speaker 1: a lack of Nuance on the General Public's Part two.
• 13:59
  Speaker 1: He was a man who was wearing a dress for
• 14:03
  Speaker 1: a drag or to be in some sort of counterculture
• 14:07
  Speaker 1: or queer culture or anything like that. He was taking
• 14:11
  Speaker 1: an extreme stance to gaslight his the mother of his children,
• 14:16
  Speaker 1: and his children to get to continue to be in
• 14:19
  Speaker 1: their lives, which is bad. It's bad, but it's not
• 14:24
  Speaker 1: part of the queer community. And that's what they made
• 14:27
  Speaker 1: it out to be, right, which he then plays into
• 14:30
  Speaker 1: a lot of the queer community is full of predators.
• 14:34
  Speaker 1: They're liars. They're trying to trick you, men who are
• 14:39
  Speaker 1: going to be in drag. That's what they're trying to do.
• 14:41
  Speaker 1: They're trying to trick you. They're always making fun of.
• 14:45
  Speaker 2: Me, but they give us a little bit of allyship
• 14:50
  Speaker 2: through the representation of his brother and his brother's partner,
• 14:53
  Speaker 2: because you can't help but not love that couple.
• 14:56
  Speaker 3: They are just so.
• 15:00
  Speaker 2: Honestly, probably my first exposure to a queer couple, a
• 15:04
  Speaker 2: gay couple, because I was eight nine when this movie
• 15:07
  Speaker 2: came out, so so like that to me was like, Oh,
• 15:11
  Speaker 2: I love these men, Like who are these men?
• 15:14
  Speaker 3: I love them so much?
• 15:16
  Speaker 2: And it wasn't like a oh, I love them because
• 15:18
  Speaker 2: I want to be with them kind of thing, and
• 15:19
  Speaker 2: there's like a sexual awakening component. It was like, oh,
• 15:23
  Speaker 2: they're fantastic, m how do I get into their sphere?
• 15:28
  Speaker 3: Honestly, it really does like blood. It like conflates the
• 15:32
  Speaker 3: two in a way that is just not okay.
• 15:35
  Speaker 1: Which is how we used to get away with casual sexism,
• 15:38
  Speaker 1: homophobia and racism in the nineties. Absolutely yeah, because we
• 15:43
  Speaker 1: were like, h you can't call us homophobic.
• 15:46
  Speaker 3: Look how nice the gay guy was.
• 15:50
  Speaker 1: And then they like put the actual representation on a
• 15:54
  Speaker 1: pedestal and it's like, but ten minutes ago you it's
• 16:00
  Speaker 1: And my favorite part I think of the whole movie
• 16:03
  Speaker 1: is when they're trying on the different faces of him,
• 16:07
  Speaker 1: because there's never a moment of toxic masculinity where he's like, no,
• 16:13
  Speaker 1: if I'm going to be a chick, I want to
• 16:14
  Speaker 1: be prettier or like anything like that. It's literally they
• 16:17
  Speaker 1: put a mask on him and then he's Barbara streisand
• 16:20
  Speaker 1: for thirty seconds, or he's Yeddel from Ya Yenta from Fiddler.
• 16:30
  Speaker 1: I was just gonna say Matchmaker and I'm.
• 16:31
  Speaker 3: Like, no.
• 16:34
  Speaker 1: That song is part of a full music Hall. Yeah,
• 16:39
  Speaker 1: that's probably my first interaction with No. My grandma used
• 16:42
  Speaker 1: to make.
• 16:42
  Speaker 3: Us watch Fiddler on the Roof all the time.
• 16:48
  Speaker 1: But like, that's the that's the most fun part of
• 16:52
  Speaker 1: the movie. It's not I think that they really thought
• 16:57
  Speaker 1: and it probably was the most fun part in the
• 16:58
  Speaker 1: movie in the early nineties that Robin Williams pitying himself
• 17:05
  Speaker 1: up against Pierce Brosnan while in an old lady dress
• 17:08
  Speaker 1: was supposed to be the fun of the movie. But
• 17:10
  Speaker 1: I was like, this makes me feel so gross. Yeah,
• 17:14
  Speaker 1: because he's interfering in a relationship that he would not
• 17:19
  Speaker 1: have access to, because he's lying, like.
• 17:25
  Speaker 2: Yeah, and in lying in such an extreme way. And I,
• 17:29
  Speaker 2: you know, now having gone through again family court and
• 17:34
  Speaker 2: trying to date and navigating co parenting and truly sitting
• 17:39
  Speaker 2: down and watching this movie versus just putting it on
• 17:42
  Speaker 2: in the background and paying attention to the parts that
• 17:44
  Speaker 2: I enjoy it. Really, I'm on Miranda's side, what a
• 17:49
  Speaker 2: violation like her this whole time, this whole time, this
• 17:52
  Speaker 2: whole time. Scene hit differently this time because I, while
• 17:57
  Speaker 2: I have been very open about my feelings and what
• 18:00
  Speaker 2: I've been through with all of the stuff in the
• 18:05
  Speaker 2: single parenthood that I have experienced. There are still a
• 18:08
  Speaker 2: lot of elements that I haven't talked about. And this
• 18:12
  Speaker 2: movie really like hit that chord in me that made
• 18:16
  Speaker 2: me feel like I can't believe I love this movie,
• 18:22
  Speaker 2: Like I can't believe that this was something that I
• 18:24
  Speaker 2: sat through and felt for Daniel Hillard versus Miranda all
• 18:30
  Speaker 2: these years, because I know what it's like now to
• 18:33
  Speaker 2: be Miranda, and now that I'm truly paying attention to
• 18:35
  Speaker 2: this film, it makes me so upset because of the
• 18:38
  Speaker 2: times that I've been painted poorly for no reason, for
• 18:42
  Speaker 2: absolutely no reason.
• 18:45
  Speaker 1: And Miranda isn't even like the like she's the first
• 18:48
  Speaker 1: of many. She's the first of many moms who have
• 18:51
  Speaker 1: been made to feel like a drag yeah or you know,
• 18:55
  Speaker 1: the hammer or whatever, while Dad just gets to be
• 18:58
  Speaker 1: the guy who like brings goats. Now, Yeah, like Matthew
• 19:01
  Speaker 1: Lawrence was like turning fourteen or something, why did he
• 19:04
  Speaker 1: want a petty?
• 19:04
  Speaker 2: And Zue he's turning twelve, Okay, but the point is
• 19:08
  Speaker 2: the same. Like they were standing on the kitchen table dancing.
• 19:13
  Speaker 1: Milla while a horse was wandering there.
• 19:16
  Speaker 3: Yeah, like even like.
• 19:18
  Speaker 2: Now it's like, no, I don't know any man who
• 19:22
  Speaker 2: would be like, yeah, let's stand on the dining room table, Like,
• 19:26
  Speaker 2: I don't know any grown ass man in his forties
• 19:29
  Speaker 2: or above who'd be like.
• 19:30
  Speaker 3: You know, it's a great idea, dancing on the table.
• 19:33
  Speaker 2: In their own home, in their own home, like you
• 19:37
  Speaker 2: eat there. Like there was just so many things that
• 19:40
  Speaker 2: were ridiculous about Daniel that you're just like this, She's
• 19:43
  Speaker 2: not wrong.
• 19:44
  Speaker 3: He is truly a child.
• 19:47
  Speaker 1: And I also don't appreciate the fact that he used
• 19:50
  Speaker 1: Missus doubtfire as a way to scold Miranda about things
• 19:54
  Speaker 1: that she was unhappy about. Came to Daniel, she like,
• 19:58
  Speaker 1: she's about to talk some man chi about him and
• 20:00
  Speaker 1: to missus outfire, and he's like, oh, dear, I know
• 20:04
  Speaker 1: that you wouldn't talk badly about the children's father while
• 20:08
  Speaker 1: they're in the room. Why don't we send them upstairs.
• 20:10
  Speaker 1: I was like, three minutes ago, three minutes ago, you
• 20:14
  Speaker 1: literally told baby tiny Matilda that you were going.
• 20:17
  Speaker 3: To poison her mother with dysentery.
• 20:21
  Speaker 1: Right, yeah, right.
• 20:23
  Speaker 3: And that's the other part of it too, because he's
• 20:25
  Speaker 3: allowed the space to talk poorly of their mother, wish
• 20:32
  Speaker 3: her dead, terrify the five year old because five year
• 20:35
  Speaker 3: olds don't want their like they had the concept of that,
• 20:37
  Speaker 3: Like that's scary. Mmm.
• 20:40
  Speaker 2: Oh it just made me so frustrated. And I think
• 20:45
  Speaker 2: he's like, there wasn't.
• 20:46
  Speaker 3: Enough shirtless Pierce Brosnan for this guys.
• 20:50
  Speaker 1: Also, because it's been a while since. As I watched
• 20:53
  Speaker 1: the movie, I go, I thought I remembered Pierce Brostan
• 20:56
  Speaker 1: like being a jerk, and I'm like, no.
• 20:58
  Speaker 3: No, you're he his delight.
• 21:00
  Speaker 1: Paul just a really nice, rich guy. Yeah, just just
• 21:04
  Speaker 1: the guy she should have married. And so that first
• 21:10
  Speaker 1: scene because truly, the only thing that we know about
• 21:15
  Speaker 1: Daniel before the divorce goes down and we're supposed to
• 21:18
  Speaker 1: take his side that would make him quote unquote a
• 21:22
  Speaker 1: good responsible father is that he doesn't want children to
• 21:26
  Speaker 1: think smoking is cool, right, Like I was like, ah,
• 21:30
  Speaker 1: because he's a cadman.
• 21:31
  Speaker 3: Yeah.
• 21:32
  Speaker 2: In California, I'm trying to think of when it was outlawed,
• 21:34
  Speaker 2: but I have memories of being asked smoking.
• 21:36
  Speaker 3: Or non smoking when I was growing up.
• 21:39
  Speaker 1: I don't think it was outlawed until I was in college.
• 21:42
  Speaker 2: For your state where you were, because in California, California,
• 21:45
  Speaker 2: I feel like it was one of the first ones
• 21:49
  Speaker 2: because I remember Seattle outlawed it, like in the early
• 21:54
  Speaker 2: two thousands.
• 21:56
  Speaker 1: I want to say, yeah, so I'm going to college
• 22:00
  Speaker 1: two thousand and seven to two thy and eleven. Yeah,
• 22:03
  Speaker 1: and I remember walking into restaurants that still smoked like
• 22:07
  Speaker 1: smoke even though they no longer had a smoking such.
• 22:09
  Speaker 3: Yeah.
• 22:10
  Speaker 2: I mean this house that I'm in, the Pete the
• 22:13
  Speaker 2: original owners were smokers, and somebody removed some of the
• 22:17
  Speaker 2: popcorn ceiling, and now one of the room smells like smoke.
• 22:21
  Speaker 3: It lasts forever. It's not great. Okay. Do you want
• 22:24
  Speaker 3: to know the value.
• 22:28
  Speaker 2: Of the home because she gives a true a real
• 22:31
  Speaker 2: address for their address, Like, that's a real house, real address.
• 22:37
  Speaker 2: It is five point three it's valued at five point
• 22:40
  Speaker 2: three million dollars.
• 22:41
  Speaker 1: That's ridiculous.
• 22:42
  Speaker 3: I know number one.
• 22:44
  Speaker 1: I thought it was like a town home, but I
• 22:48
  Speaker 1: have like no concept.
• 22:50
  Speaker 2: Oh, looking at these photos, I'm like, did they film
• 22:54
  Speaker 2: actually inside the house?
• 22:58
  Speaker 3: I'm surprised I could find photos of it the inside anyway.
• 23:02
  Speaker 1: Also, I think we're supposed to find him like really
• 23:04
  Speaker 1: redeemable and commendable because he becomes the partner she always
• 23:08
  Speaker 1: begged him to be through his series of lies and
• 23:11
  Speaker 1: as we know, I'm fucking tired of that narrative. But
• 23:15
  Speaker 1: I'm tired because he says we'll go to family counseling
• 23:19
  Speaker 1: and she's like, no, it's too late.
• 23:21
  Speaker 3: I'm done. I need to be done.
• 23:24
  Speaker 1: And that's never respected when it's the woman who's like, no,
• 23:27
  Speaker 1: I'm done.
• 23:28
  Speaker 3: And it's always because and for him, it's out of the.
• 23:30
  Speaker 2: Blue, and it's always the suggestion of therapy is always
• 23:34
  Speaker 2: out of desperation, and it's never truly valued because therapy
• 23:39
  Speaker 2: can be really healing and either bring you back together
• 23:44
  Speaker 2: or highlight that maybe it's time to be a part.
• 23:47
  Speaker 2: But when it's thrown out like that, when you're trying
• 23:50
  Speaker 2: so when you're just like, this is exhausting, I can't
• 23:53
  Speaker 2: do it anymore. The lack of recognition that he is
• 23:56
  Speaker 2: draining his wife and then let's do therapy, it's it's
• 24:02
  Speaker 2: a it's an empty it's an empty solution because he's
• 24:05
  Speaker 2: not willing to change. He just doesn't want his life
• 24:07
  Speaker 2: to change.
• 24:08
  Speaker 1: Well, And the whole thing is like her greatest sin
• 24:12
  Speaker 1: is that she took a grown up job because he
• 24:14
  Speaker 1: was never going to.
• 24:16
  Speaker 2: Yeah, like, oh, how like she had a viable career
• 24:20
  Speaker 2: that she could have moved forward in because you can't
• 24:23
  Speaker 2: keep a job. Yeah, And it's not like he's a
• 24:26
  Speaker 2: marginalized person who's facing like prejudices at work, which is
• 24:32
  Speaker 2: rendering him constantly looking for new work. He is doing
• 24:36
  Speaker 2: things like well, I can't and cool whatever. You can't
• 24:39
  Speaker 2: morally encourage children to smoke, got it good for you.
• 24:44
  Speaker 1: But they truly like and I would be real interested
• 24:48
  Speaker 1: in to note. How often do you take a voiceover
• 24:51
  Speaker 1: job where you didn't know that that was coming up?
• 24:55
  Speaker 1: And I've had a discussion with someone I've I.
• 24:59
  Speaker 2: Mean, I've been given a script in advance and I've
• 25:01
  Speaker 2: done voiceover work.
• 25:04
  Speaker 3: Right, So I don't know what nineteen ninety three was like.
• 25:08
  Speaker 2: I do know that in like the heyday of the radio,
• 25:11
  Speaker 2: you were given the script like minutes before you had
• 25:15
  Speaker 2: to go on air, But that was, you know, ninety
• 25:20
  Speaker 2: years ago.
• 25:22
  Speaker 1: Well, and then like there's so much there's so much
• 25:27
  Speaker 1: about the like nineties Mother in films.
• 25:30
  Speaker 3: On its late Jewels, you should do an entire series
• 25:34
  Speaker 3: ninety act just thinking that, Yeah, about.
• 25:37
  Speaker 1: The late nineties Mother m hm oh, because the only
• 25:42
  Speaker 1: movie I can think of where the dad is like
• 25:46
  Speaker 1: really fucking a drag is Beethoven because Bonnie Hunt. You
• 25:51
  Speaker 1: just can't bring Bonnie Hunt down.
• 25:53
  Speaker 3: No, you sure can't.
• 25:54
  Speaker 1: You share can't. So it's literally Beethoven.
• 25:58
  Speaker 3: Yeah.
• 25:59
  Speaker 2: Another no I wrote down was Daniel's Matt at Stu
• 26:02
  Speaker 2: hates his situation, but it's completely.
• 26:08
  Speaker 3: But it's completely of his own doing.
• 26:10
  Speaker 2: So, like you hate a man that's better than you,
• 26:13
  Speaker 2: who's better for your Like I'm not gonna say he's
• 26:15
  Speaker 2: better for his children, but like there's definitely a stability.
• 26:18
  Speaker 3: Yeah, am I boring you?
• 26:20
  Speaker 1: No? I have itchy eyes. We know that I'm struggling today.
• 26:26
  Speaker 3: Oh, I'm sorry. And it just and it just I
• 26:29
  Speaker 3: hate it. And you know this.
• 26:31
  Speaker 2: I hate when you have non married couples dating who
• 26:36
  Speaker 2: are co parenting.
• 26:37
  Speaker 3: And then the the other partner is like.
• 26:42
  Speaker 2: Unnecessarily mean to the new partner, like there's no reason
• 26:46
  Speaker 2: for it.
• 26:47
  Speaker 1: Like he's just a man.
• 26:49
  Speaker 3: He didn't like.
• 26:51
  Speaker 1: It's not like he came to town and then Marina
• 26:55
  Speaker 1: and then Mariana like had a couple of meetings with
• 26:57
  Speaker 1: him and then was like, I'm going to divorce William, right,
• 27:02
  Speaker 1: she went home divorced him. And then Pierce Brosnan came
• 27:07
  Speaker 1: to town and I was like, yeah, that's what's supposed to happen.
• 27:10
  Speaker 2: Yeah, And man, I was like, Pierce Broston, You're so cute. Also,
• 27:16
  Speaker 2: like I forgot how much I loved nineties Pierce Brosnan, Like.
• 27:22
  Speaker 1: We love nineties Pierce Broston.
• 27:24
  Speaker 2: Like early nineties, like late eighties, early nineties, because we
• 27:27
  Speaker 2: used to watch Remington Steel all the time. And I'm wondering.
• 27:31
  Speaker 2: So then I got me wondering, like do I continue
• 27:33
  Speaker 2: to watch this movie? Because I love Pierce Broston's character,
• 27:38
  Speaker 2: like he recognizes and understand like he's so controlled in
• 27:43
  Speaker 2: a way that doesn't I don't know, it doesn't feel
• 27:45
  Speaker 2: stuffy to me. It might feel stuffy to other types
• 27:47
  Speaker 2: of people, but I also grew up in a stuffy environment.
• 27:50
  Speaker 2: So like when he's talking to the guy at the
• 27:52
  Speaker 2: pool and he's just like, yeah, great kids, blah blah
• 27:55
  Speaker 2: blah this stuff.
• 27:55
  Speaker 3: And the guy's like, are you kidding me?
• 27:58
  Speaker 2: Like you never wanted kids, and he's like yeah, but
• 28:00
  Speaker 2: you know, sometimes you change. And these kids are amazing,
• 28:04
  Speaker 2: and like what am I gonna do about that? Because
• 28:06
  Speaker 2: I really like their mom and she comes with kids,
• 28:08
  Speaker 2: so I've changed.
• 28:10
  Speaker 1: Like and Robin Williams throws fruit to Adam.
• 28:14
  Speaker 2: Yeah, and it's like, I'm sorry, are you threatened by
• 28:17
  Speaker 2: a man who has his shit together?
• 28:19
  Speaker 3: Is that it?
• 28:20
  Speaker 1: Yeah?
• 28:21
  Speaker 2: And because the difference is is Robin, you're not even
• 28:25
  Speaker 2: like Daniel. You're not even trying to get your shit together.
• 28:28
  Speaker 2: Like if he was trying to get his shit together,
• 28:31
  Speaker 2: then I would be Then I'd be like, yeah, okay,
• 28:33
  Speaker 2: I'm trying, like I'd be yeah, i'd be mad too,
• 28:36
  Speaker 2: like I'm fucking trying, homie.
• 28:38
  Speaker 3: But he's not even trying. He's being deceitful. That is
• 28:42
  Speaker 3: what he's doing. Yes, well just try.
• 28:50
  Speaker 1: Well it's the same thing about like on our Britney
• 28:53
  Speaker 1: Spears episode that dropped today, when I'm like, well, they
• 28:55
  Speaker 1: want to be a father right up until it comes
• 28:58
  Speaker 1: to parenting.
• 29:00
  Speaker 2: Mm hm.
• 29:00
  Speaker 1: Like he wanted to be the goat guy. Yeah, he
• 29:03
  Speaker 1: don't want to be the guy making dinner, and then
• 29:05
  Speaker 1: he ends up being the guy that makes dinner and
• 29:08
  Speaker 1: he realizes, well, I guess if this is the only
• 29:10
  Speaker 1: way that I'll get what I want, I'll watch the
• 29:14
  Speaker 1: Amish Cooking Channel and figure out how to roast chicken.
• 29:17
  Speaker 1: And it's like, I refuse to make you to have
• 29:20
  Speaker 1: you feel commendable for that, Like you're not making sacrifices.
• 29:24
  Speaker 3: Yeah, like see how hard your wife has been.
• 29:27
  Speaker 1: Go ahead, your wife is paying you to take care
• 29:31
  Speaker 1: of your own children, and you're accepting that money.
• 29:34
  Speaker 3: I did the math. It was fifteen. It's fifteen dollars
• 29:37
  Speaker 3: an hour.
• 29:38
  Speaker 2: So nineteen ninety three, he's making fifteen dollars an hour
• 29:42
  Speaker 2: to watch his children.
• 29:43
  Speaker 3: Because she's like, oh, three kids, three.
• 29:45
  Speaker 2: Hundred dollars a week, so it's like, okay, three hundred
• 29:47
  Speaker 2: dollars a week from four to seven. That's like roughly
• 29:49
  Speaker 2: twenty hours, right, mm hmm. So this man's making fifteen
• 29:53
  Speaker 2: dollars a week in nineteen ninety three to watch his children,
• 29:56
  Speaker 2: to watch.
• 29:56
  Speaker 1: His own children, to make them go in their room
• 29:58
  Speaker 1: and do their homework.
• 30:00
  Speaker 2: He plays air guitar mm hmmm with dude looks like
• 30:05
  Speaker 2: a lady playing in the background.
• 30:09
  Speaker 1: Which, as we know, I love aerosmith. I know that's
• 30:12
  Speaker 1: not a great one. M m. That's not a great one.
• 30:15
  Speaker 1: Steve Tyler hm mmm.
• 30:17
  Speaker 3: Yeah.
• 30:20
  Speaker 1: But and then he ropes her two oldest kids into it,
• 30:27
  Speaker 1: and it's like, when has the call ever been lie
• 30:30
  Speaker 1: to your other parent? So this can continue to go.
• 30:34
  Speaker 2: On right, because again he's the victim.
• 30:40
  Speaker 3: He's playing the victim. He don't tell mom.
• 30:44
  Speaker 2: None of the stuff. And those kids are old enough
• 30:46
  Speaker 2: in the state of California to stand up in front
• 30:49
  Speaker 2: of a judge to say, hey, here's what I would like.
• 30:53
  Speaker 2: He lost that right when he lied and manipulated his
• 30:58
  Speaker 2: way back into their lie waves.
• 31:01
  Speaker 3: Which those kids should be pissed about, and they're not.
• 31:04
  Speaker 2: That's the thing, and that's part of the like conditioning
• 31:08
  Speaker 2: that we went through in our generation, right, Like, this
• 31:11
  Speaker 2: is the conditioning that goes into like, hey, guys and
• 31:15
  Speaker 2: gals and gays, these types of men are fine.
• 31:21
  Speaker 1: Well, And if anything, that oldest daughter should be pissed
• 31:25
  Speaker 1: because I was like, oh, Mom went out of town.
• 31:28
  Speaker 1: Therefore the oldest daughter is going to be like mom said,
• 31:31
  Speaker 1: you're grounded, because it's not Dad backing up Mom. It's
• 31:34
  Speaker 1: gotta be her imposed upon oldest daughter. Third parent child,
• 31:39
  Speaker 1: right right.
• 31:40
  Speaker 2: The parenthified child, which is another thing that is really
• 31:43
  Speaker 2: hard and unfair to do to children, And that's what
• 31:46
  Speaker 2: he's kind of done to the eldest daughter.
• 31:48
  Speaker 3: Yeah, and.
• 31:51
  Speaker 1: Oh my god, And just like I do find it
• 31:55
  Speaker 1: odd that this is the second movie that we've watched
• 31:59
  Speaker 1: where like it's like, no, stepdads are cool, it's the
• 32:03
  Speaker 1: stepmoms you gotta watch out for. And I'm like, it's
• 32:06
  Speaker 1: never those stepmoms you have to.
• 32:07
  Speaker 3: Watch out for. That's interesting, Yeah, it's never.
• 32:12
  Speaker 1: How do they not that stepdads can't be cool?
• 32:15
  Speaker 3: But I'm like, it's never those step moms they have
• 32:19
  Speaker 3: to watch out for. Yeah, that's interesting.
• 32:22
  Speaker 2: I wonder if that's because they're trying to normalize stepdads
• 32:26
  Speaker 2: because stay moms.
• 32:26
  Speaker 3: Are so common.
• 32:28
  Speaker 2: I mean, I have more stepmom stories in our family
• 32:31
  Speaker 2: because people have died in childbirth or you know what
• 32:34
  Speaker 2: have you throughout our family history than we do stepdads.
• 32:38
  Speaker 1: Maybe or maybe just like the rest of the world,
• 32:45
  Speaker 1: they all want to favor men. They try and convince
• 32:48
  Speaker 1: us some and are good people.
• 32:50
  Speaker 3: I mean, Disney hates women.
• 32:52
  Speaker 1: Disney hates women. Disney it's very.
• 32:55
  Speaker 2: Evident throughout all of the stories that they have borrowed
• 32:59
  Speaker 2: from Grim Disney and the MCU, Like the MCU hates
• 33:04
  Speaker 2: women and hates women.
• 33:08
  Speaker 1: Why out of every Avenger did black widow sacrifice herself?
• 33:12
  Speaker 3: I like, and and when you get to thor and
• 33:15
  Speaker 3: Love and Thunder, why is nay port why why? Like
• 33:20
  Speaker 3: it's like it's like we get to me Thorn for
• 33:23
  Speaker 3: a week, and and.
• 33:25
  Speaker 2: I know Sony owned, technically owned Spider Man, but we
• 33:28
  Speaker 2: also lose ant May.
• 33:30
  Speaker 1: Why do we lose ant May? Marissa to May? You
• 33:34
  Speaker 1: want to take Marisa to May from me?
• 33:37
  Speaker 3: Yeah? They did, and I cried and I'm happy. I
• 33:42
  Speaker 3: was livid.
• 33:42
  Speaker 2: And then after my son and I saw Love and Thunder,
• 33:44
  Speaker 2: he was like, Disney hates women.
• 33:47
  Speaker 3: And I was like, I'm so glad you got there
• 33:49
  Speaker 3: on your own.
• 33:50
  Speaker 1: Yeah, look at that. Have you noticed that they've been
• 33:52
  Speaker 1: murdering mothers for decades?
• 33:54
  Speaker 3: Decades?
• 33:56
  Speaker 1: God, I saw had to be eaten by a barracuda.
• 34:00
  Speaker 2: I saw a TikTok of these people who dressed up
• 34:03
  Speaker 2: as all the murdered moms and Disney movies.
• 34:05
  Speaker 1: Did you see it for the Halloween Bash or whatever
• 34:08
  Speaker 1: it is.
• 34:08
  Speaker 3: Yeah, yes, yes, justice for moms.
• 34:13
  Speaker 1: But also there were dads too, because it was like
• 34:15
  Speaker 1: Tarzan's dad mulled by a tiger.
• 34:17
  Speaker 3: Oh that's true. Yeah, that's right.
• 34:20
  Speaker 1: But anyways, what I'm saying is, and I think what
• 34:28
  Speaker 1: makes me so sad is that this is the one
• 34:30
  Speaker 1: that I like returned to Robin Williams with I know
• 34:33
  Speaker 1: much affection for Robin Williams.
• 34:36
  Speaker 2: And you know what, I owe you an apology because
• 34:38
  Speaker 2: I knew it and I still forced the issue and
• 34:41
  Speaker 2: I knew that you hadn't seen anything since.
• 34:43
  Speaker 1: Yeah, because I wanted to do Hook. That's what I
• 34:47
  Speaker 1: wanted to re enter Robin Williams with, not even Aladdin.
• 34:50
  Speaker 3: Why didn't we do Hook?
• 34:52
  Speaker 1: I think we were supposed to do Hook, and then
• 34:54
  Speaker 1: I think it ended up getting shuffled around.
• 34:58
  Speaker 3: And then it like dropped on accident marriage. Yeah, it's
• 35:02
  Speaker 3: on our list. It's on our list. Yeah, that would
• 35:04
  Speaker 3: have been a good one to do for Spooky season. Yeah.
• 35:08
  Speaker 1: And then I did Adam's Family because I knew we
• 35:10
  Speaker 1: had Missus Doubtfire come out with which Adam's Family was
• 35:13
  Speaker 1: a bop.
• 35:13
  Speaker 3: Yeah, it was a great film.
• 35:15
  Speaker 2: So what we're learning is that all of Natalie's picks
• 35:17
  Speaker 2: hold up and all.
• 35:19
  Speaker 1: Is always your picks.
• 35:21
  Speaker 3: It is always my picks.
• 35:22
  Speaker 2: This is why I'm like, I have so much deprogramming
• 35:25
  Speaker 2: to do, and it's been taking for fucking ever. It's
• 35:27
  Speaker 2: gonna take the rest of my life to d program.
• 35:30
  Speaker 1: But next week we're doing Sister Act two, which is
• 35:32
  Speaker 1: technically your pick on my channel.
• 35:35
  Speaker 3: That's one of my favorite movies in the entire world.
• 35:37
  Speaker 1: Everyone's favorite fucking movie.
• 35:40
  Speaker 3: Wait again.
• 35:41
  Speaker 1: I love original Sister Act. I love the original one too.
• 35:45
  Speaker 3: I like the second one better than the first.
• 35:47
  Speaker 1: Everyone likes the second one better. The music's better. Well,
• 35:50
  Speaker 1: and Lauren Hill and Lauren.
• 35:51
  Speaker 3: Hill's ill it if you want to be somebody, Oh
• 36:00
  Speaker 3: my god, we're gonna next week. We're just gonna sing
• 36:03
  Speaker 3: for an hour. I can't wait. I can't wait. I
• 36:13
  Speaker 3: can't wait.
• 36:13
  Speaker 1: It's gonna be great. No, Honestly, part of me is like,
• 36:23
  Speaker 1: do we watch both?
• 36:26
  Speaker 3: I mean, yeah, but I'm gonna I'm just gonna talk
• 36:28
  Speaker 3: about the second one.
• 36:29
  Speaker 1: That's fine, I'm gonna want to watch both.
• 36:32
  Speaker 3: I'm so excited for the third one. That's not why
• 36:34
  Speaker 3: we're here, though.
• 36:35
  Speaker 1: That's not why we're here.
• 36:35
  Speaker 3: We're here to be mean to Robin Williams, which feels terrible.
• 36:39
  Speaker 3: I know, and it's like, is it even his fault?
• 36:43
  Speaker 1: He was best friends with my favorite gorilla. Okay, he
• 36:49
  Speaker 1: was best friends with my favorite gorilla. And I know
• 36:52
  Speaker 1: that that man was a good man. I know that
• 36:55
  Speaker 1: that man was a kind man. There was some kid
• 36:58
  Speaker 1: who loved him and a mom g or something, and
• 37:01
  Speaker 1: he became that kid's penn pal.
• 37:04
  Speaker 2: There's a book alias Medam doubt Fire.
• 37:11
  Speaker 1: Oh, it's based on a book this is.
• 37:13
  Speaker 2: Based on which was written by a woman. The screenplay
• 37:16
  Speaker 2: is written by a woman. Two women worked on the
• 37:19
  Speaker 2: screenplay Crime Against Women. So now, so now we have
• 37:23
  Speaker 2: to take it to Jellypop's Book Club so we can
• 37:25
  Speaker 2: do a book to screen adaptation m H.
• 37:28
  Speaker 3: Side by side comparison.
• 37:30
  Speaker 2: Because I wonder Robin Williams is a producer, so yeah,
• 37:33
  Speaker 2: I guess he is to blame partially, Robin.
• 37:37
  Speaker 3: According to IMDb, Robin, you and I.
• 37:40
  Speaker 1: Are going to have to sit on that, like we're
• 37:42
  Speaker 1: just really going to have to hold hands about that later.
• 37:45
  Speaker 3: Forget that Chris Columbus directed. I love Chris Columbus's stuff.
• 37:52
  Speaker 1: You're just naming people now, okay.
• 37:54
  Speaker 2: But other people who pay attention to those things knows
• 37:56
  Speaker 2: what I'm talking about. Name one more movie that Chris
• 38:01
  Speaker 2: Columbus did.
• 38:02
  Speaker 3: Yeah, Home Alone, I Hate Home Alone.
• 38:07
  Speaker 2: Houston, Home Alone, Hold on Well, Chris Columbus directed the
• 38:16
  Speaker 2: uh missus Doubtfire, but he also directed There's Something Else
• 38:23
  Speaker 2: that No, that's producer. I don't want producer credits. I
• 38:25
  Speaker 2: want director credits.
• 38:29
  Speaker 3: He did the screen version of Rent. He did nine Months.
• 38:33
  Speaker 3: Oh yeah, he did direct Home Alone. No, I hate
• 38:38
  Speaker 3: Home Alone. He did Adventures in Babysitting. He directed Adventures.
• 38:42
  Speaker 1: I love Adventures in Babysitting. I fuck with Adventures in
• 38:45
  Speaker 1: Babysitting so much. I love the opening of Adventures in
• 38:49
  Speaker 1: Babysitting where she's singing, why can't I think of the song?
• 38:56
  Speaker 3: But I don't know.
• 38:57
  Speaker 2: I'm I'm too busy confirming kissed me. I know all
• 39:02
  Speaker 2: of the words to that song.
• 39:06
  Speaker 3: Anyway, So yeah, so yeah, Now we.
• 39:10
  Speaker 2: Have tried to Jellypop's book Club, so I can do
• 39:12
  Speaker 2: screen adaptation.
• 39:15
  Speaker 1: So I do think that there is one redeemable thing
• 39:18
  Speaker 1: about this movie, and it's that Sally Field's character doesn't
• 39:21
  Speaker 1: get beaten down into the point where she takes Daniel back.
• 39:24
  Speaker 2: Yeah was original goal. Yeah, she holds strong. I do
• 39:28
  Speaker 2: appreciate that she stands firm in her Maria.
• 39:32
  Speaker 3: Then he kissed me, kiss me. This is the song
• 39:37
  Speaker 3: she sings in the beginning, Yes it is, that's right.
• 39:39
  Speaker 3: Then he asked me to be his brat.
• 39:42
  Speaker 1: Yeah, now I got it.
• 39:43
  Speaker 3: Now I got it. It's fine.
• 39:44
  Speaker 2: Everyone were Okay, the three of us make between the
• 39:49
  Speaker 2: three of us, we know everything about everything. But yeah,
• 39:55
  Speaker 2: we were saying we appre like, yeah, we'd absolutely the
• 39:59
  Speaker 2: fact that she's onswer ground in a way that keeps
• 40:02
  Speaker 2: stays true to what she wanted at the beginning of.
• 40:03
  Speaker 1: The movie, because there would be like a ton of
• 40:06
  Speaker 1: movies that would be like and then her and then
• 40:08
  Speaker 1: the sequel is her and she realizes that Daniel had
• 40:12
  Speaker 1: it in him all along to be a good father,
• 40:15
  Speaker 1: and she's like, and I think this is like a
• 40:18
  Speaker 1: great point that me and Stephanie try to make when
• 40:22
  Speaker 1: women who are also mothers are leaving their husbands. And
• 40:25
  Speaker 1: then people are like, he could try her, he could
• 40:28
  Speaker 1: he could wake up one day and be a good father.
• 40:30
  Speaker 1: And it's like, well, yeah, no, that's what we want.
• 40:32
  Speaker 1: But just because he can be a good father doesn't
• 40:34
  Speaker 1: mean it has to be in my house.
• 40:36
  Speaker 3: And he's not been doing it.
• 40:38
  Speaker 2: So like, if I play the lottery for fourteen years
• 40:41
  Speaker 2: and I never win, how is that different than waking
• 40:45
  Speaker 2: up and wishing that he's a good father every day.
• 40:47
  Speaker 1: Also, a lot of us get married when we're still
• 40:50
  Speaker 1: really immature, and then Sallyfield had to mature real quickly
• 40:54
  Speaker 1: because she was with a grown toddler.
• 40:56
  Speaker 2: Yeah, and that happens a lot for women. It happens
• 41:00
  Speaker 2: a lot for women. And then again back to the
• 41:03
  Speaker 2: patriarchy is bad for everybody. So then the guys who
• 41:05
  Speaker 2: do really want to be a good dad and step
• 41:07
  Speaker 2: up to be a good dad, they're also treated like
• 41:09
  Speaker 2: shit because it's not normal, right, and it is.
• 41:13
  Speaker 1: Really immature to just like literally never have Miranda's back
• 41:17
  Speaker 1: in front of those kids, right. And she was like,
• 41:20
  Speaker 1: I was going to do the nice thing. I was
• 41:22
  Speaker 1: going to come home with a cake and be like, hey,
• 41:25
  Speaker 1: your report card sucks, but it's still your birthday. It's
• 41:29
  Speaker 1: still your birthday. We can still celebrate as a family.
• 41:32
  Speaker 1: And she goes, I fucking come home to the zoo
• 41:35
  Speaker 1: the zoo, like how dare yes? And it's like, well,
• 41:40
  Speaker 1: that's why we never get on top of anything, because
• 41:44
  Speaker 1: we're ready to make a concession in the way that
• 41:49
  Speaker 1: our boundaries are still met and our expectations are still known,
• 41:53
  Speaker 1: and we're just bulldozed.
• 41:55
  Speaker 2: Right right, And she yeah, and that's probably what her
• 41:59
  Speaker 2: life is been like, and not it probably we know
• 42:01
  Speaker 2: that's what her life has been like for fourteen years.
• 42:03
  Speaker 3: And when she finally is like, I'm not allowing you
• 42:05
  Speaker 3: to do this to me anymore, He's like, no, no, no, wait,
• 42:08
  Speaker 3: I won't. I'll be dood I'll be good, a good man,
• 42:12
  Speaker 3: a good man. It's like, will you though.
• 42:16
  Speaker 2: There is something though that it that I do take
• 42:19
  Speaker 2: away from that, that I did take away from this
• 42:21
  Speaker 2: movie all these years that I still say and do
• 42:25
  Speaker 2: and again sitting down watching it rather than having it
• 42:28
  Speaker 2: on the background, it was a reminder that this is
• 42:31
  Speaker 2: something that I do that I get from Missus doutfire.
• 42:34
  Speaker 1: Is it a Moraine face mask? Is it a cool
• 42:37
  Speaker 1: whip face mask?
• 42:38
  Speaker 2: No? No, well that just makes me feel itchy. There's
• 42:44
  Speaker 2: a scene where as Missus doubtfire, Robin Williams.
• 42:47
  Speaker 3: Goes, let's do please, let's do please.
• 42:52
  Speaker 2: So whenever anybody's like do you want to do something,
• 42:54
  Speaker 2: I'm like, that's my response, let's do please, right.
• 42:58
  Speaker 1: And like no shit to Robin Williams. Like the voice
• 43:02
  Speaker 1: was on poet point. As we saw in the very beginning,
• 43:05
  Speaker 1: I couldn't do the voice for more than thirty seconds.
• 43:08
  Speaker 3: Yeah yeah, hello.
• 43:12
  Speaker 1: Hello, yeah no, I like we get our we get mannerisms. Like,
• 43:24
  Speaker 1: every once in a while, I'll still have a nightmare
• 43:27
  Speaker 1: about that little girl drowning in a pool and then
• 43:29
  Speaker 1: Beethoven has to go and save her. Yeah, little baby
• 43:33
  Speaker 1: redhead cut.
• 43:36
  Speaker 3: Yeah, we need to do Beethoven. We haven't done that
• 43:38
  Speaker 3: one yet.
• 43:39
  Speaker 1: You don't don't like it because it's secretly John Hughes's movie.
• 43:46
  Speaker 2: Maybe it's the sequels I don't like. You Like, I
• 43:51
  Speaker 2: read up Beethoven and then I bring up it's John
• 43:53
  Speaker 2: Hughson and yeah, that's a.
• 43:56
  Speaker 1: John Hughes movie, And I'm like, fuck you.
• 43:58
  Speaker 3: I would rerobably still watch Almost Fire if you stop
• 44:02
  Speaker 3: telling me.
• 44:05
  Speaker 2: Too.
• 44:06
  Speaker 3: I'm sorry. I'm always like, let's just add it back
• 44:12
  Speaker 3: to the list.
• 44:12
  Speaker 1: We'll just land it back to because you bring it up.
• 44:14
  Speaker 3: We need to talk about it.
• 44:15
  Speaker 1: And I love Bonnie Hunt. I think that Bonnie Hunt
• 44:19
  Speaker 1: should be having some sort of.
• 44:21
  Speaker 3: Like really big career resolution.
• 44:24
  Speaker 1: Like renaissance, like Marissa Tom Yeah, a mini driver.
• 44:29
  Speaker 3: She needs to get to the MCU. That's why.
• 44:32
  Speaker 2: Another thing that I wrote down was the fake calls
• 44:37
  Speaker 2: before the doubt fire call. What all of the fake
• 44:42
  Speaker 2: calls that he makes to her before becoming okay, but
• 44:46
  Speaker 2: here's dangerous and here but also here's the thing.
• 44:50
  Speaker 3: I was like, oh discrimination.
• 44:53
  Speaker 1: Discrimination, yes, because I was like, I also have so
• 44:58
  Speaker 1: many notes. I'm like every about this one called like
• 45:02
  Speaker 1: it's a series of phone calls and he's like poor
• 45:06
  Speaker 1: people and ethnic people and mean dominatrix people, and I'm like,
• 45:14
  Speaker 1: Robin Okay. So there is a comedy special that my
• 45:21
  Speaker 1: mom used to reenact for me that I've never seen,
• 45:25
  Speaker 1: but it is like Robin Williams doing impressions from around
• 45:29
  Speaker 1: the world, and her favorite bit is French people let
• 45:32
  Speaker 1: baby smoke cigarettes.
• 45:34
  Speaker 3: Oh God, And.
• 45:35
  Speaker 1: He's speaking with a French accent and he's like, why
• 45:38
  Speaker 1: cannot I tie have my cigarette the baby. The baby
• 45:41
  Speaker 1: does not want the second hand smoked. The baby loves
• 45:43
  Speaker 1: the cigarette, and he's like, putting those cigarette on the baby. Oh,
• 45:47
  Speaker 1: I should do that bit all the time. I've never
• 45:49
  Speaker 1: even seen it.
• 45:50
  Speaker 2: Oh my gosh.
• 45:52
  Speaker 1: And I'm like, if I watched Robin Williams's stand up,
• 45:57
  Speaker 1: would it ruin all of his movies for me? Because
• 46:00
  Speaker 1: I have avoided Bob Saggot's stand up because I know
• 46:04
  Speaker 1: how raunchy it is. And no one wants Danny Tanner
• 46:07
  Speaker 1: talking about tits and ass. No, that's not who he
• 46:11
  Speaker 1: is to me.
• 46:12
  Speaker 3: No, that's not who he is.
• 46:14
  Speaker 2: So no, I've never yeah, I don't know, and it
• 46:19
  Speaker 2: just like it it felt very icky's icky.
• 46:23
  Speaker 1: It's just that casual nineties racism.
• 46:26
  Speaker 3: M yeah.
• 46:29
  Speaker 1: Yeah, it's that blurred line that we used to not
• 46:33
  Speaker 1: have in the nineties about like, well, what is comedy
• 46:37
  Speaker 1: and what is punching down?
• 46:39
  Speaker 3: Right?
• 46:40
  Speaker 2: Right?
• 46:40
  Speaker 3: And yeah, go ahead? When So when Robin.
• 46:45
  Speaker 1: Williams became best friends with my favorite gorilla, Cocoa the Gorilla, yes,
• 46:49
  Speaker 1: he always attributed it to because he's so hairy and
• 46:53
  Speaker 1: so Coco the Gorilla actually wanted to be his wife,
• 46:56
  Speaker 1: like like he's like so he would do this whole
• 46:59
  Speaker 1: stand up bit about like how attractive he was to
• 47:03
  Speaker 1: Coco the Gorilla, and I was like, that's punching up
• 47:05
  Speaker 1: because you're talking about yourself, right, Coco the Gorilla. I
• 47:08
  Speaker 1: was like, that's funny because that probably is it. You
• 47:11
  Speaker 1: probably are making her like really comfortable because she fucking
• 47:15
  Speaker 1: looked like yeah, and he was kind to my favorite
• 47:19
  Speaker 1: gorilla and she was so sad when he died. And
• 47:25
  Speaker 1: but then it's like, so it's one thing to be
• 47:28
  Speaker 1: making fun of yourself and not making it at the
• 47:31
  Speaker 1: expense of coke of the gorilla. Right, It's another thing
• 47:35
  Speaker 1: to like be making these phone calls and you're like,
• 47:38
  Speaker 1: you're making fun of other people's cultures to then be
• 47:41
  Speaker 1: like they're too dangerous to be around your kids, right,
• 47:44
  Speaker 1: And that's it.
• 47:45
  Speaker 3: Because it's like it it just made me very uncomfortable.
• 47:53
  Speaker 2: And I think it's one of those things that I
• 47:54
  Speaker 2: don't I walk away during because it's like, oh, yeah,
• 47:57
  Speaker 2: I know it's gonna happen now, because he's gonna call
• 47:59
  Speaker 2: and fuck with her and then and be missed out fire.
• 48:01
  Speaker 2: But watching it this time, I was just like the nineties, man,
• 48:05
  Speaker 2: this is why we all have to deep program. This
• 48:07
  Speaker 2: is why we all have a problem with understanding, you know,
• 48:12
  Speaker 2: why racism is bad.
• 48:16
  Speaker 1: Hey, everybody, have you heard racism not so trendy anymore? Hey, everybody.
• 48:27
  Speaker 3: I guess here's my point.
• 48:30
  Speaker 2: It's the casualness of it that means this normal, and
• 48:34
  Speaker 2: that's the problem. And that's and I think when we
• 48:37
  Speaker 2: because we've had we have conversations regularly on my show
• 48:41
  Speaker 2: about the blatantness of the phobias and the isms, but
• 48:46
  Speaker 2: the it's the casualness of it that makes it harder
• 48:51
  Speaker 2: because you're signaling.
• 48:54
  Speaker 3: That it's okay, it's funny.
• 48:56
  Speaker 2: And that's why when you have really bad medians tell
• 49:01
  Speaker 2: really racist jokes and you're and they're like, well, you
• 49:04
  Speaker 2: can't take a joke, and it's like and not even comedians,
• 49:07
  Speaker 2: when you have a guy say something racist and well,
• 49:10
  Speaker 2: you can't take a joke and being funny, and it's like, no,
• 49:13
  Speaker 2: you're not being funny, you're being racist. But also you
• 49:17
  Speaker 2: probably watched Missus Stutfire as well and thought it, like,
• 49:21
  Speaker 2: didn't think deep enough about maybe that's not okay.
• 49:24
  Speaker 1: And now I want to rewatch Jumanji because Jamanji has
• 49:29
  Speaker 1: like jungle stuff in it.
• 49:32
  Speaker 3: Yeah, added to the list.
• 49:36
  Speaker 1: And as you know, I thought that George of the
• 49:38
  Speaker 1: Jungle was a wholesome film, yeah, with the smiling Brendan Fraser.
• 49:43
  Speaker 1: And then you were like, Natalie, they're in Africa. I go,
• 49:46
  Speaker 1: they are in Africa, but the white man is the
• 49:50
  Speaker 1: butt of their jokes. I thought it was fine, and
• 49:53
  Speaker 1: they're like, he's like and then you were like, no,
• 49:56
  Speaker 1: why is George of the Juggle the king of Africa?
• 49:58
  Speaker 1: I go, that is also confused now that you said
• 50:03
  Speaker 1: it out loud, because he's the elusive white ape. I
• 50:07
  Speaker 1: don't know.
• 50:07
  Speaker 3: I didn't write the script. I didn't write the story.
• 50:11
  Speaker 1: Yeah, but anyways, I still danced, I mean around the fire.
• 50:18
  Speaker 2: Lesley Man was still good in that movie. And I
• 50:21
  Speaker 2: love that guy that plays Lionel. I love that guy
• 50:25
  Speaker 2: every time.
• 50:25
  Speaker 3: Yeah, he's ah, what's his name?
• 50:29
  Speaker 1: Every time he pops up in a movie, I'm thrilled.
• 50:32
  Speaker 2: I think he's my favorite. And he's an easy A, right,
• 50:35
  Speaker 2: he's the teacher in Easy A. Yeah.
• 50:36
  Speaker 3: I think that might be my favorite of his roles
• 50:38
  Speaker 3: because he's just so chill.
• 50:40
  Speaker 1: I also love that gay man with the raspy voice
• 50:42
  Speaker 1: from this movie. Every time he's in a movie, I'm like.
• 50:45
  Speaker 3: Oh, Harvey something, Harvey something.
• 50:47
  Speaker 1: He's like the Rosie O'Donnell where it's like you just
• 50:50
  Speaker 1: feel like you're at home, because he used to be
• 50:52
  Speaker 1: in all of the movies.
• 50:54
  Speaker 3: Yeah, yeah, he there is something comforting about him. I agree, Harvey.
• 51:01
  Speaker 3: It's gonna bother me what his name is.
• 51:05
  Speaker 2: But and again I think, and maybe I've had this
• 51:08
  Speaker 2: conversation with you before, but it's like, I really do I.
• 51:14
  Speaker 3: Firestein Firestein?
• 51:17
  Speaker 1: Oh okay, yeah, I do remember it looking like Weinstein
• 51:20
  Speaker 1: when I was looking at it, Are we fu watching
• 51:24
  Speaker 1: a Weinstein movie? God damn it.
• 51:27
  Speaker 2: But again it's like I think that thank you. Yep,
• 51:30
  Speaker 2: Mario got there. I don't know if he got there
• 51:32
  Speaker 2: before me, but he got there.
• 51:33
  Speaker 1: Hairspray. Yeah, he did the mom in the original run
• 51:37
  Speaker 1: of Hairspray.
• 51:37
  Speaker 2: Yes, yes, And and I think again, one of the
• 51:41
  Speaker 2: things that I was always kind of a comfort in
• 51:44
  Speaker 2: this film was that couple. Yes, there's something about them
• 51:48
  Speaker 2: that's very wonderful. But then it also when you look
• 51:54
  Speaker 2: at everything else, you're just like, fuck you guys. You
• 51:56
  Speaker 2: cann't have done better for them, Like you still you
• 51:59
  Speaker 2: just plugged them in as a token to be like,
• 52:01
  Speaker 2: we're not shitty.
• 52:02
  Speaker 3: It's San Francisco. There has to be a gay couple.
• 52:05
  Speaker 1: Well, and then I was like, well, how nice is
• 52:07
  Speaker 1: it to have a film that people were going to
• 52:09
  Speaker 1: watch with their families and his brother is in an
• 52:12
  Speaker 1: active gay relationship, if not marriage, right, and his kids
• 52:16
  Speaker 1: know the partner and everything, right, That's not something that
• 52:19
  Speaker 1: happened in my house. Just because you were gay didn't
• 52:22
  Speaker 1: mean I knew your partners.
• 52:23
  Speaker 3: Right, Yeah, Pullan calls them aunt Jack and everything.
• 52:28
  Speaker 1: And I was like yes, that's right. Nineties, we got
• 52:31
  Speaker 1: this right. We're in a family fun film that plays
• 52:34
  Speaker 1: on Disney and on Cable, and there's gay people in it.
• 52:37
  Speaker 1: And then I was like, nope, never mind, we're still homophobic. Yeah,
• 52:42
  Speaker 1: we just called drag queens deviance.
• 52:44
  Speaker 3: And tokenizing the gay couple.
• 52:47
  Speaker 1: It's tokenizing and I can never feel comfort ever.
• 52:51
  Speaker 3: So that leads us to our final question. There's your answer,
• 52:55
  Speaker 3: you're coming over.
• 52:57
  Speaker 1: I can only feel comfort should I be watching You
• 53:00
  Speaker 1: Return to Me, which has nothing rott in it.
• 53:03
  Speaker 3: Ever?
• 53:07
  Speaker 1: For the Adams Family, which also has nothing rotten in
• 53:11
  Speaker 1: it ever? Also, do you?
• 53:14
  Speaker 3: So?
• 53:15
  Speaker 1: I went on an Adams Family rabbit hole. So there's
• 53:19
  Speaker 1: Adams Family, and then there's Adams Family Values. And then
• 53:23
  Speaker 1: there was a TV show that I think used to
• 53:25
  Speaker 1: be on like ABC Family that you could watch. Did
• 53:28
  Speaker 1: you never watch the TV show?
• 53:30
  Speaker 2: Remember when I told you that you don't have cable, Well,
• 53:34
  Speaker 2: we didn't have cable growing up. And then also, like
• 53:36
  Speaker 2: anything that was remotely similar to the Adams Family was
• 53:39
  Speaker 2: not a vibe in our house.
• 53:40
  Speaker 1: I had forgotten that I had watched the live action
• 53:42
  Speaker 1: TV show until I saw photos of it.
• 53:44
  Speaker 3: I was like, oh, yes, I have watched that.
• 53:46
  Speaker 1: Yeah. Yeah, so then to try and link the TV
• 53:50
  Speaker 1: show storyline to the original, not the original, but the
• 53:54
  Speaker 1: Adams Family movie with the Angelica Houston. They tried to
• 53:57
  Speaker 1: tell get her back and that man had already died,
• 54:01
  Speaker 1: and she's like, I won't do it without him.
• 54:03
  Speaker 3: Oh love.
• 54:05
  Speaker 1: And there are Adam's Family movies with a whole new cast.
• 54:08
  Speaker 2: Yeah.
• 54:09
  Speaker 3: I didn't know that.
• 54:11
  Speaker 2: Yeah, but I love that because you can't. Their chemistry
• 54:15
  Speaker 2: is so fantastic. My comfort level, Natalie, is that I
• 54:22
  Speaker 2: don't have any like I walked away feeling this movie's
• 54:26
  Speaker 2: too long, not really okay with the casual isms and phobias.
• 54:31
  Speaker 2: And I stand by if they recut it to be
• 54:35
  Speaker 2: less time and to cut out some of the things
• 54:39
  Speaker 2: that aren't great. Yeah, I think it could work, but
• 54:44
  Speaker 2: well I probably. Well I still put it on in
• 54:45
  Speaker 2: the background to clean the house. Probably.
• 54:48
  Speaker 1: It's got a good soundtrack. Yeah, I think it's nice
• 54:51
  Speaker 1: to hear it Robin Williams's.
• 54:53
  Speaker 3: Voice, you know, And we'll see. I'll report back if
• 54:58
  Speaker 3: I actually do, because you know, I don't know.
• 55:02
  Speaker 2: It's just it's so nice to watch a movie about
• 55:05
  Speaker 2: San Francisco, or not about in San Francisco that doesn't
• 55:08
  Speaker 2: feel like they're trying.
• 55:09
  Speaker 3: Too hard to make it San Francisco.
• 55:12
  Speaker 1: Yeah, And I love that.
• 55:13
  Speaker 2: It's like movies that take place in New York or
• 55:16
  Speaker 2: movies that take place in New York. It's not it's
• 55:18
  Speaker 2: not like New York's the third character.
• 55:19
  Speaker 3: It's just New York.
• 55:21
  Speaker 2: And I feel like a lot of times when they
• 55:22
  Speaker 2: make movies in San Francisco, they try to make San
• 55:24
  Speaker 2: Francisco another character and movie in it.
• 55:28
  Speaker 1: Yeah, like that iconic scene of Anne Hathaway trying to
• 55:31
  Speaker 1: drive up the hill in the Yeah.
• 55:34
  Speaker 2: One of the most steep hills, or like in Wedding
• 55:37
  Speaker 2: Planner when they have like the people going down the
• 55:40
  Speaker 2: you know, the and there's just like, like I get it,
• 55:44
  Speaker 2: Like you're including things about San Francisco because that's you know,
• 55:50
  Speaker 2: icons of San Francisco. But we don't do that about
• 55:53
  Speaker 2: movies in New York. I mean, yeah, maybe there's the
• 55:55
  Speaker 2: occasional liberty a statue of liberty or like the Brooklyn
• 55:58
  Speaker 2: Bridge or whatever, but like, I don't know anyway, plug
• 56:02
  Speaker 2: all your shit.
• 56:02
  Speaker 3: Where can people find you? This week?
• 56:04
  Speaker 1: Hi? Everyone, my name is Nathley Katona. I'm the host
• 56:09
  Speaker 1: of All the men I've tellery did before your weekly
• 56:11
  Speaker 1: look at every Day Misogyny. This week, we released our
• 56:15
  Speaker 1: episode on the early release date for the Patreon because
• 56:19
  Speaker 1: today Britney Spears released her memoir Do You Not Have It?
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  Speaker 3: I put it in my stack of that I that
• 56:26
  Speaker 3: I've read. I meant to bring it in and be
• 56:28
  Speaker 3: like the woman.
• 56:29
  Speaker 1: And me prayers up for Brittany every day when you
• 56:32
  Speaker 1: have a moment and it's wonderful, it's really well done.
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  Speaker 3: It's so good.
• 56:38
  Speaker 1: So everyone who kept sucking their teeth and being like,
• 56:41
  Speaker 1: but is it? Yes, it's good, It's gonna be good.
• 56:45
  Speaker 2: And in the acknowledgment, she even writes, I bet you
• 56:47
  Speaker 2: thought from my Instagram this whole book would be emoji's.
• 56:51
  Speaker 3: So she knows love that girl.
• 56:55
  Speaker 1: I don't think Britney Spears has ever been dumb one
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  Speaker 1: day in her life her and just because something that
• 57:01
  Speaker 1: a real raw deal, they sure did.
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  Speaker 3: Is that your only episode this week.
• 57:04
  Speaker 1: Is the great Yeah, because I just decided to move
• 57:07
  Speaker 1: my Patreon teaser to next week, so it took the
• 57:10
  Speaker 1: place of my original episode. Then we did this missus.
• 57:14
  Speaker 3: Datfire tomorrow night, you're doing something.
• 57:18
  Speaker 1: Oh yeah, tomorrow Mario and I are talking about scary
• 57:22
  Speaker 1: movies on Instagram. On Instagram at men. I've tolerated pod
• 57:27
  Speaker 1: and natalik one too.
• 57:28
  Speaker 2: FO.
• 57:28
  Speaker 1: I have PMD D brain. I That's why I yawned,
• 57:32
  Speaker 1: because I have period exhaustion.
• 57:34
  Speaker 3: What time are we watching? You talk about eight PA.
• 57:37
  Speaker 1: I'll never watch eastern five pm Pacific. You can't watch
• 57:43
  Speaker 1: any of the movies that I watched, but.
• 57:45
  Speaker 2: I will listen to you and Mario talk about them
• 57:48
  Speaker 2: because you guys are my friends, and I support my
• 57:51
  Speaker 2: friends work.
• 57:51
  Speaker 3: I believe like I was live texting you during one.
• 57:53
  Speaker 3: I was like, yeah, I'd be able to watch this one.
• 57:55
  Speaker 1: It's just like dinner but tens and I was like, oh,
• 57:58
  Speaker 1: they're stabby so much, have angels. Oh there's a gun.
• 58:02
  Speaker 2: And then the other night, when you're like giving me
• 58:04
  Speaker 2: updates of what's happening in the movie, it was like, Natalie,
• 58:07
  Speaker 2: I have a delicate flower.
• 58:09
  Speaker 1: And literally it just went from knocking in the wall.
• 58:12
  Speaker 1: I was like, damn it, I'll hear that in my
• 58:14
  Speaker 1: own house and I heard it today and then and
• 58:18
  Speaker 1: then I was like, well, here's our first spider and
• 58:21
  Speaker 1: I'm done.
• 58:25
  Speaker 3: I'm so, I'm I'm just a sad little Darling.
• 58:29
  Speaker 1: So yeah, that's where you can find me. We did
• 58:31
  Speaker 1: our episode on the Woman and Me and the best
• 58:34
  Speaker 1: part is when I start cussing people because I've already
• 58:37
  Speaker 1: believed that you've decided that the book is shitty.
• 58:39
  Speaker 3: Yeah.
• 58:40
  Speaker 2: Right, And we will be back in a couple of
• 58:43
  Speaker 2: weeks with an episode about the book specifically. Yes, this
• 58:49
  Speaker 2: week a same I've got our it's a it's a
• 58:51
  Speaker 2: shared episode that we did. Julia Washington host a Pop
• 58:54
  Speaker 2: Culture makes Jealous for Aline Top Culture with the ones
• 58:56
  Speaker 2: that recent gender and sometimes both.
• 58:58
  Speaker 3: You can find my episode we shared it.
• 59:03
  Speaker 2: Natalie does a little you know, she has things a
• 59:06
  Speaker 2: little different on her show.
• 59:07
  Speaker 3: I encourage you to listen to both.
• 59:09
  Speaker 2: Yeah, because on Natalie show, we do some manifestations at
• 59:13
  Speaker 2: the end of.
• 59:13
  Speaker 1: It has facts she puts like little news clips like
• 59:21
  Speaker 1: Nady said this and it's true against.
• 59:25
  Speaker 3: Against a lots.
• 59:27
  Speaker 2: I didn't move my normal episode. So tomorrow the Great
• 59:32
  Speaker 2: Muppet Caper with Alrenthia Carter drops. It's a good episode. Uh,
• 59:37
  Speaker 2: you know, you should tune in because Arenthia is an
• 59:39
  Speaker 2: amazing writer and comedian.
• 59:42
  Speaker 3: So I'm so excited to share that with everybody.
• 59:45
  Speaker 1: We love the fucking Muppets.
• 59:47
  Speaker 3: Yes, we have actually a lot of Muppets episodes coming
• 59:49
  Speaker 3: out this season.
• 59:51
  Speaker 2: I also host Jelly Pops book Club, where we read
• 59:54
  Speaker 2: Booked a screen adaptations and last week we read Every
• 1:00:00
  Speaker 2: Are After but that is not a screen adaptation, but
• 1:00:03
  Speaker 2: we made a case for why it should be a
• 1:00:05
  Speaker 2: screen adaptation. So you can find that wherever you find
• 1:00:08
  Speaker 2: your podcasts. I want everyone to go listen to it
• 1:00:11
  Speaker 2: because it's new, and I would like more numbers.
• 1:00:15
  Speaker 1: Hi, everyone, if you could just like click on our stop,
• 1:00:19
  Speaker 1: if you could like google my name and click everything
• 1:00:23
  Speaker 1: that you see, just google my name. We were going
• 1:00:26
  Speaker 1: to see my old high school photos.
• 1:00:28
  Speaker 3: Google my name. They're probably there.
• 1:00:31
  Speaker 1: Yeah.
• 1:00:32
  Speaker 2: We work really really hard on a lot of things,
• 1:00:34
  Speaker 2: and we network and we do all the things and
• 1:00:38
  Speaker 2: still here we are.
• 1:00:39
  Speaker 1: And if you don't have access to the woman and
• 1:00:44
  Speaker 1: me for whatever reason, I think the pre order book
• 1:00:49
  Speaker 1: numbers were insane and one hour with Jules and I
• 1:00:53
  Speaker 1: being like, hey, things were bad for Brittany And if
• 1:00:56
  Speaker 1: you're still sitting there going wow, no, if just didn't
• 1:00:59
  Speaker 1: Timberlake was a bad guy. Chris de Rosa and dominic
• 1:01:03
  Speaker 1: Nick did fixing famous people where they tried to fix
• 1:01:07
  Speaker 1: Justin Timberlinke, even though he doesn't deserve it.
• 1:01:09
  Speaker 2: It's a very good episode and once you read Britney's book,
• 1:01:14
  Speaker 2: you're gonna be on my team and Natalie's team with
• 1:01:19
  Speaker 2: justice for Brittany and Janet because Justin.
• 1:01:23
  Speaker 3: Not a great guy. Straight to hell.
• 1:01:27
  Speaker 2: Friends, we are going to be on Natalie's channel next
• 1:01:30
  Speaker 2: week talking about.
• 1:01:32
  Speaker 3: One of my favorite movies, Sister II Too. I'm so
• 1:01:35
  Speaker 3: excited about that, and I think that's it. I think
• 1:01:39
  Speaker 3: that's all we got this week. So Natalie, why don't
• 1:01:41
  Speaker 3: you close us out?
• 1:01:42
  Speaker 1: So remember everybody, Hey, friends, Hi, everybody. Uh, prayers up
• 1:01:49
  Speaker 1: for Brittany wherever you are. Whenever you can go, listen
• 1:01:53
  Speaker 1: to both of our episodes because they'll be the same
• 1:01:56
  Speaker 1: but different, and that's comforting. That's what comfort shows are
• 1:01:58
  Speaker 1: all about, being the same but different, and that's how
• 1:02:02
  Speaker 1: Hollywood keeps getting us to watch all those reboots.
• 1:02:05
  Speaker 3: Yes it is.
• 1:02:07
  Speaker 1: And most important, uh, hug your mother and tell her
• 1:02:11
  Speaker 1: that she has always been writing your father's an asshole.
• 1:02:14
  Speaker 1: And most importantly, stay cozy, stay company.
• 1:02:18
  Speaker 3: See you next time, friends,