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Villains (2019) Movie Review | Dark Comedy Meets Home Invasion Horror · Two Cents: We See Scary Movies

0:00
Welcome to Two Cents. We See Scary Movies, the podcast
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where we break into horror 1 theme at a time.
0:05
This month we've been kicking in the doors of home invasion
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horror, because apparently there's no safer place to be
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terrified than your own living room.
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I'm Talon, the kind of person who'd break into a stranger's
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house, get distracted by a weird doll collection, accidentally
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trigger a death trap, and somehow blame the thermostat.
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My Co host is Dan, who would probably offer the intruders a
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drink, a monologue, and maybe even a creepy secret from his
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basement, just to keep things interesting.
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This week, we're capping off our Home is Where the horror is
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theme with Villains, a movie that asks the important
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questions. What happens when the burglars
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break into the wrong house and it turns out the homeowners are
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way more unhinged? Let's get into it.
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All right, so as stated as Villains from 2019, it's a dark
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comedy. Still falls into the horror
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category. Humor throughout the whole
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thing, which I absolutely love. So was your vehicle driving down
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the road? We hear a guy and a girl
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talking. Just random stuff like this is
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the last time, we'll never do it again.
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The girl seems nervous and Mail is speaking about Florida and
1:19
how they're going to like it there.
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He's trying to pump her up by giving her nice vision to
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Florida and look, this is the last time they're going to do
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this and everything is going to be OK.
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Then the movie cuts in and we see a girl having a Unicorn mask
1:37
on going into a store. Then we see a guy with a pigeon
1:41
mask trying to rob the store, but they're botching the whole
1:45
thing. They're super nice about it too.
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Yeah, yeah, absolutely. Like the politest robbers you'll
1:50
ever come. Across it's.
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Just a calamity of errors, like they're falling over one another
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and the cashier is just staring at them like what the Hell's
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going on? The guy in the pigeon mask can't
2:02
get the register open and she suggests buying something so he
2:07
tries it and he's able to pop the register.
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They end up leaving the store. She comes back in one more time
2:13
and gives an awkward threat like she's holding the gun in a weird
2:17
way. Like it's you can't take her
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seriously off. Like don't follow us.
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This scene here, the way their energy was in this scene and
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almost throughout the rest of the movie, it gave me the couple
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who were about to rob the restaurant in Pulp Fiction
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vibes. They had that kind of energy.
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They were very lovey dovey. They're very into each other.
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They were very happy and excited and fun almost.
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But they they definitely had that vibe about them and held
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that throughout the whole movie. They were robbing the place and
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there was the guy behind the register and another guy.
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She was trying to handle one guy and the bad guy was trying to
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handle the register guy. They were super nice about it,
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almost funny. It was very high energy and it
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was kind of cute actually, in a weird way.
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But they totally reminded me of the couple from Pulp Fiction.
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So they're driving down the road and they're hyped from all the
3:13
adrenaline and the excitement about the money that they got.
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Later on, we learned that the guy's name's Mickey.
3:20
He's remembering himself being way more of a badass than he
3:23
actually was. He was like, yo, did you see me
3:26
come in and break in and I was doing all this.
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He was flopping over himself like a fish out of water.
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She is all about having sex while they're driving and he's
3:35
like, let's wait until we get further away because we just
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robbed the store. As they're going down the road,
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the car comes to a halt. She pops her head up like,
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what's going on? We find out that they just ran
3:49
out of gas. She makes the observation that,
3:51
you know, we just robbed a store and we ran out of.
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Gas. I said the same thing.
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I was just, I was like, you were just at a convenience store with
3:58
gas. Why didn't you?
4:00
Do right, get gas, or at least gas up before you got to rob a
4:02
place. You got to be prepared.
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It just goes to show that even though they're trying to rob
4:07
people, they're not very well equipped because they don't know
4:12
how to plan ahead. Jules suggests that they go find
4:15
another car. He he scoffs at the idea.
4:18
Like, where are we going to find a car in the middle of nowhere?
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Because that's where it looks like they're where they are.
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Yeah. They're surrounded by woods.
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Yeah, and they argue a little bit.
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Mickey gets out of the car and he starts walking.
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She yells at him to stop and confronts him, tells him to get
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on the ground. She calms him with her hair.
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She's just like, rubbing her hair across his face.
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And then there's this really weird scene where you see her
4:42
face and his face and they just are staring at each other.
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And she says she loves them. And he's all like, I know, like
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a Han Solo throwback. She's like, you need a car wash?
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I was like, what is she talking about?
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Yeah, that's right. He lays down and she bends over
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him. Her hair's hanging down over his
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face. And she moves her hair back and
5:01
forth. And I was like, oh, that's cute.
5:02
What a good idea. And it is a weird look because
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when you see it from her point of view where you see his face,
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it's almost like a surreal moment.
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It's not her hair. It looks like it's almost kind
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of golden angelic view to it where it's colored and.
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And when you look at her, you're you're looking fluffy.
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Yeah. And when you look at from his
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point of view at her, you see her looking over top of him and
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her face almost looks angelic. She actually, throughout the
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movie reminded me of what a young Gwen Stefani looked like.
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That's what she reminded me of. But yeah, I thought it was
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really funny though. She called it a car wash.
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I was like, Oh yeah, it is like a car wash.
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So when they done the car wash, she looks up and he sees a
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mailbox down the road and he's like, Oh my God, you're like a
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hawk woman because you can see things.
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All you gotta do is look down the street and there's a
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mailbox. Yeah, they really compliment
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each other a lot. There there's a lot of
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supporting things going on between.
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They must have just started dating.
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It makes you wonder if they're in the honeymoon period of
6:03
dating where everything is all like sugar cones.
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And everything you do is amazing.
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Flies, right, You know. Oh, you farted.
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That's so cute. So they end up walking towards
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the house that the mailbox belongs to.
6:16
And it's a very nice house. Yeah.
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It's set off into the woods a little bit, looking around the
6:22
house, trying to see if they can get in.
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But all the doors and windows are locked.
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Or she finds a crowbar conveniently laying around that
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crowbar. Did they have the crowbar?
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I thought they. Found.
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No. They used it at the gas station
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at the convenience store. That was her tool to be
6:36
threatening. I guess it's one of those things
6:38
where I'm trying to type and watch at the same time, so I
6:40
thought she had a gun in the. Store no to that crowbar.
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She had the crowbar but he ends up pulling out a hairpin to try
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to pick the lock. He's having trouble and she's
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like let's just get this over with.
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He ends up picking the lock but it's dead bolted.
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She gives her the crowbar. They end up breaking in and
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they're cautiously walking through the house.
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Mickey goes into the dining room and he's just like randomly
7:03
throwing stuff on the floor out of the drawers.
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Yeah, he goes into the kitchen and checks that out.
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At this point they're just rummaging through looking for.
7:11
Whatever the keys the car. Wasn't the keys to.
7:14
Yeah, because before they before they went into the house, they
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looked in the windows of the garage and there's a car in
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there. So they're like, oh, we'll just
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take their car. They're rummaging through the
7:23
house trying to find the keys. So looking for the keys to the
7:26
car, during one of his searches in the dining room, he finds a
7:30
camcorder. He's just looking at it and he
7:33
throws it over his shoulder. The side screen pops open and it
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miraculously turns itself on and you see two people tied to a
7:40
chair, bound and gagged and then flopping around.
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They don't really notice. Even though they're screaming.
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Right, as far as they're concerned, all they did was
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throw the camera over his shoulder, and that was Jewels
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ends up getting herself a bowl of Shredded Wheat.
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Which was? She was hungry.
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That's true, breaking into shit, it's hard work.
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So she ends up asking Mickey if he found anything and he said
8:03
that he couldn't find any keys. So she throws the bowl over her
8:06
shoulder, not her house through. So they're looking for a Plan B,
8:10
what else they can do. She decides they need a word of
8:14
quote. Creative boost, which is
8:16
basically drugs, ends up talking about siphoning gas from the car
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in the garage and bring it back to their car.
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She thinks it's a great idea, so much so that she wants to fuck.
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Him every time he has a great idea.
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She just wants to fuck. Right.
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Apparently that's her love language.
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Like she gets real turned on by great things that he does.
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I want to say something about them looking for these keys.
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So they're looking all over the place for these keys except for
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the garage where the car is. And not that they're necessarily
8:48
going to have the keys in the car, but they never thought to
8:50
look in there. The guy that owns the house does
8:52
tell you it's a half a mile from the main road, so it's another
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mile out to any major road to live that far back, nobody's
8:59
around you. They could just keep their car
9:01
in the garage with the keys in it and be done with it anyway.
9:05
They never looked in the garage for the keys potentially still
9:09
being in the car, which I thought was odd and they also
9:11
dumped on the garage for this other thing.
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But go ahead and tell what they're doing.
9:14
I was thinking that maybe they could have hot wired the car,
9:17
but as disorganized as they were, they probably wouldn't
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know. How to?
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I was surprised that he knew how to pick locks.
9:22
Oh yeah, 'cause they came off as not overly.
9:26
Highly, highly inexperienced. Yeah, like they may not be dumb,
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but they don't feel like they're crook smart, you know, criminal
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smart. I was shocked when he could pick
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that lock. So he.
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Denies her and. Right.
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And says that he needs a hose to be able to siphon.
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So he starts to go into the basement and you can see that
9:47
he's visibly scared to get. That the light doesn't work, the
9:50
light will come on. But again, I thought why
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wouldn't you first try the garage?
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If I had a hose, I'd have in my garage right out my basement
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unless I had a walk out basement with the hose in the back.
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But it's like, try the garage. What's wrong with this garage?
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He's looking. Down and he's really hesitant
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about going down and Jules steps beside him and she looks down
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and she's like, oh, you know, it's really creepy and he's
10:13
trying to be the macho man At this point.
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It's like, oh, there's nothing to be scared of.
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He's petrified, being the big man that he is, Convinces her to
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go with him because he doesn't want to leave her unattended
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upstairs because he's concerned for her safety.
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Which means I don't want to go downstairs alone, so come with.
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Me right? As it looking through the
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basement states that it smells like mold so they're covering
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their nose as they walk. You through which I thought was
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funny because you still have to breathe through your mouth.
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Right, so Mickey finds a flashlight off to the side and
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he picks it up and a God damn Billy Bass scares the shit out.
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You know those Billy Basses I hated?
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Those things existed until this movie.
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You didn't know the things. No, I forgot.
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Oh, you forgot the exists. I was going to say holy shit, a
10:57
big part of the night I. Don't know if they can get away
10:59
from that. Early 2000s.
11:00
Yeah, No. They go back to Mickey as he's
11:03
walking around and he's getting freaked out in the basement and
11:07
asks for her, and she comes barreling out on a tricycle like
11:11
a jigsaw, and he gets scared because he wasn't expecting it
11:17
at that point. They both turn around to the
11:19
corner and scream, and we see a little girl that shackled in the
11:24
basement like this big shame, and it's wrapped around her leg.
11:28
Jules is asking her a bunch of questions and she's just kind of
11:31
staring there. So she's standing there, but
11:34
she's not answering any questions.
11:36
I'm just staring. Like garlic?
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Creepy. Jules wants to save her.
11:40
Mickey wants nothing to do with it, just wants to get the car
11:44
keys and go right. Jules yells at him, saying what
11:48
are you, some kind of monster? He begrudgingly agrees to save
11:51
her and they're trying to figure out how to pick the lock.
11:55
He says he can't, but they can try to get her chains over the
12:00
pole, cut them up or cut the pole, ever.
12:04
And the girls still staring at them.
12:07
The hell are you people? They go back to the kitchen
12:10
looking for something that they could use to help her get out.
12:14
As they're looking through the kitchen, another couple walks in
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and looking at them. And I would say that the guy
12:22
kind of looks like Clark Gable. Yeah, the older style movies.
12:27
And she's fitting the 1950s style homemaker.
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Yeah, they're very old fashioned.
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And she appears to have a baby in her.
12:36
Arms. Yeah, it's all wrapped up.
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Yeah. And Mickey and Jules sees them
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out for a minute and Mickey pulls out a gun.
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The guy states they can have their money.
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Jules is like, we don't want your money.
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And he's like, well, OK, you know, then if you're keen on
12:51
that knife. You can keep.
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That too. Mickey tosses it and asks if
12:55
it's their house. The guy says yes, and Mickey
12:59
asks him a little bit more, like, you know, is it this a
13:01
lease or rental? Do you own it?
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Guys Like yeah, we own it. And Jules is asking why there's
13:06
a little girl chained in the basement and he says it's just
13:09
their daughter. Jules says that they're going to
13:12
take the the girl with her, and Mickey also says that they're
13:16
going to take their car too. The woman says that they just
13:20
can't come in and run amok in their house, and Jules asks if
13:23
they have a cage for the baby she's holding.
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The guy says that they can come up with a compromise.
13:29
Did you feel like they were out and just showed up or do you
13:32
feel like they were in another part of the house all this time
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and then came downstairs? I think.
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They were in the other part of the house because they only had
13:40
the one view. Yes, that's where I was like,
13:41
wait, where's their other car? Where were they all this?
13:45
So I was like, they must have been just in another part of the
13:47
house that whole time that they were ransacking at the
13:49
beginning, and they never came downstairs.
13:52
But yeah, they only had the one car.
13:54
Right. And unless they were coming back
13:56
from a walk. Possibly.
13:57
Or this is what they do, right? Camcorder, This could be
14:01
something that they just let them right, let them have a
14:04
false sense of security and then come out that's true because of
14:07
what they do later on. So the next scene, the guy pours
14:10
a drink from Mickey Scotch and he offers Jules summit.
14:13
She says no, and they're just making small talk over drinks.
14:17
And Mickey still has the gun trained on the guy and the girl.
14:22
And he's being very diplomatic. He's very pleasant through the
14:26
whole thing, right? He's very accommodating.
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Yes. Jules is getting upset.
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The man is like, just state your case.
14:33
Tell us what you want, tell us what you need.
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The guy wants to explain to him what's going on and Mickey's a
14:41
goal for, you know, tell us, tell us your story.
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And he starts going to his past of being a salesman and how
14:48
observant he is and how good of a salesman he is as a result of
14:51
his observing behavior. He pegs them both as being
14:56
thieves based on the car they saw on the road and probably
14:59
walking at some point because they mentioned the broken down
15:01
car. So that's how he pegs them as
15:04
being thieves. He's like, you know, I just
15:06
don't want my daughter taken. They can take the car and leave
15:10
the daughter and he'll report it missing so they have time to get
15:14
away, ditch it, do whatever they need to do.
15:17
And he'll just let bygones be bygones in that case.
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And then you have a fair chance to get away.
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If you take my daughter, I'll have to call the police right
15:26
away and then you'll be bagged immediately.
15:28
He says, wouldn't it be great if you would just be able to go all
15:33
proud of himself? He's like, how did I do, you
15:36
know, and talking about them, right.
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And Mickey states, Hey, we haven't introduced ourselves as
15:41
if you break into someone's house and you want to break
15:44
bread with them and be like, hey, I'm so and so.
15:46
But that's what they do, Mickey. This is where we learn Mickey's
15:49
name. He's like, I'm Mickey and this
15:52
is Jules. The man states his name is
15:54
George, and the wife's name is Gloria.
15:56
Mickey was talking about how impressed he was with George's
15:59
reading of people. And he's like, I want to give it
16:01
a shot now. Mickey's like, well, based on
16:04
your clothes and the house you're in, you're rich, right?
16:07
It's like, no shit. The house that they have and the
16:09
clothes that they wearing, they're very well off.
16:11
It's at least that's the appearance, right?
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And he ends up making a comment on an old TV that they have.
16:17
He's like, you guys are rich, but you have this old hunk of
16:19
junk sitting in your house. And that TV also had a very
16:22
1950s, sixties feel to it. It was just an old looking TV.
16:28
Oh yeah. Absolutely.
16:29
Mickey's like the biggest issue that we have is the little girl
16:33
in the basement, he says. He tells George that he and him
16:37
will go get her free and he sees that her because George doesn't
16:41
want the cops knowing he has a kid locked up in the basement
16:45
and George is looking at him with a little smug grid on his
16:49
face. You got me?
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Yeah, that. Mickey suggests George get the
16:53
keys. Georgia unlocks the chain and
16:56
says he's sorry that Daddy will always love her.
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Mickey and Jules is telling her to come with them and she
17:02
doesn't move. She's just standing.
17:04
Like Stockholm syndrome sort. Mickey still has the gun on
17:07
George while he's trying to convince the girl to go with
17:10
him. Then the girl bites his hand
17:12
when he looks away, and George hits him.
17:14
Because the whole time this was going on in the scene, I
17:17
thought, OK, there's something about this girl.
17:19
I thought maybe the reason they had her chained because she
17:22
grows fangs and eats people. That was where I thought it was
17:25
going. Some sort of monster movie?
17:27
I thought it was going to go in that direction.
17:29
I was like, she bit him, but it was just normal.
17:31
Like she just bit him like a regular person would write you.
17:33
And I was like, oh, OK, so they're normal.
17:36
That's not where we're going. I was a little disappointed.
17:38
But Mickey ends up falling over because where George hit him,
17:42
and as he's falling, he has a flashback to Florida or flash
17:46
forward. Whichever way he's going through
17:50
this flashback, you can hear George and Gloria's voice and
17:53
you don't really know exactly what they're talking about.
17:56
It almost sounded like or she could have been pregnant, or
18:00
they could be talking about murder.
18:03
All we know is, whatever it is, it's something that would make
18:06
Gloria very happy. Yeah, she was saying something
18:08
about it's been a long time and I'd like to, I'd like to.
18:12
It definitely had this, like whatever they were going to do
18:14
was going to please Gloria tremendously.
18:17
So Mickey wakes up and he's chained to a bed and he's
18:20
yelling for jewels. We can hear Gloria in the
18:24
bathroom and we see her through a crack in the door.
18:27
It was kind of like, what do they call those things?
18:30
There wasn't like a regular looking door.
18:32
It was almost like panels. A trifold panel thing.
18:36
Like a Japanese scene. Yeah.
18:39
Or, or like you said, it's escaping you.
18:41
Words. There's a word.
18:42
For it, but it's like a partition that has three panels
18:44
and they fold and it kind of that look to it.
18:47
So you see her and she's putting on some purple clothing, and
18:50
then there's a wig that she lifts up as she's talking.
18:53
So Mickey realizes that Gloria is in the bathroom and he's
18:57
yelling at her, and he swears Gloria's yelling at him not to
19:01
swear at me. She does not like bad words, no.
19:05
She does not like bad words about if he wants to see Jules
19:08
again he's got to be a good boy, and she explained that he's
19:12
going to take him to a place just for the two of them.
19:15
She says George wanted to put him down but she said no.
19:18
And Mickey states that if they don't let him go, he'll, you
19:22
know. He starts to say the F word but
19:26
she starts maniacally laughing at him.
19:28
Right, stops him in his tracks. And now we're back at the little
19:33
girl down in the basement and Jules is trained across from her
19:37
and asking her why she bit Mickey.
19:40
The girl doesn't answer. Jules yells at her to answer and
19:44
the girl just sits there. And we're back at Gloria and
19:47
Mickey. She puts on a record and that's
19:50
when we see her black wig and her purple clothes more closely.
19:55
She looks a lot different than her blonde homemaker.
19:58
Right. She almost has not a flapper
20:01
look. Her hair has that kind of
20:02
flappery look to it. But her clothing, she's got the
20:05
long gloves, almost like a lounge singer from back in the
20:08
50s or whatever, and that kind of dress.
20:11
So she starts doing a strip tease from Mickey and he's
20:14
weirded out by it. Like he's just looking at it
20:16
like. Right.
20:18
And she also lays on top of them.
20:21
She says he's not supposed to see mommy like this.
20:24
Is a little creepy all together. And she reaches down and finds
20:28
that there is no erection popping up and she is comes
20:32
upset about it. She starts in with the self
20:35
esteem. It's like oh you don't find me
20:36
pretty. And she's like I have for
20:37
everything we've done for you and the dance and how the room
20:41
was made-up and everything I did to make myself look pretty for.
20:44
You right. And he's trying to explain
20:46
himself like, no, that's not it. And he's like, just Nope, you're
20:50
a bad boy. Slaps him.
20:51
And she starts choking him. She's like, you know, I can take
20:54
everything away from you and stops and says, if you didn't
20:57
want all the things she can give.
20:59
And she stops midway and leaves. And he's like, confused, like,
21:03
what the hell are you talking about?
21:04
Right. You know, that's how that
21:08
awkward scene ends. She's like, you know, everything
21:10
I can do for you. Well, and he's like, well what?
21:13
What the hell? And so now he's like.
21:15
We're back in the basement, the little girls playing with a toy
21:18
horse, and Jules is trying to talk to her about her childhood
21:21
and how she used to like horses. Alicia like playing with one of
21:25
her plastic horses and the girls just looking down at her toy.
21:30
Now we're back at Gloria and Mickey and she's throwing him
21:33
old pictures of her and George. Mickey at this point is
21:38
completely entertaining her, right?
21:40
Like she's out of the get up that she was in.
21:42
He's completely. Entertained.
21:44
He's figured it out. He's like, Oh my God, you were
21:46
so pretty. There appears to be an old photo
21:48
of a boy and Mickey asks about him and she's like, oh, that's
21:52
Ethan. He's asleep in his crib and
21:55
Mickey looks at her. Weird, all right, Because these
21:57
are old actors, right? And she is continuing to feign
22:01
interest in the photos and keeps asking about them.
22:04
She ended up talking about how her and George would dance the
22:07
night away together as if they're the only ones in the
22:10
world that. She says that he told her one
22:12
time that they were the only two real things in the world and
22:15
everything else was cardboard and plaything right, which she
22:19
thought was the sweetest thing in the world, so romantic.
22:23
During the according, she states that he came over to warehouse
22:26
one night, asked if she could come with them.
22:30
She agreed and she shows a picture and she said this is the
22:33
last picture we took in my father's home.
22:36
Mickey's looking at it closely and it shows a close up.
22:40
When you look at it closely, you can see an arm hanging down from
22:43
a bed or a chair right with blood pooled all over the floor
22:47
underneath it, suggesting they killed her father.
22:51
Mickey's visibly creeped out again and she starts going on.
22:55
Holly never had children but there's still time and I thought
23:00
that was weird because she says that she has a child but then
23:04
she says they've never had children.
23:05
So like her mental state seems to flip flop or that was just a
23:09
plot hole that wasn't plugged? In I think she's just crazy.
23:14
And it's funny how these two people found each other, right?
23:16
How did you find each other? Maybe.
23:18
Maybe they shared some time at a institution.
23:21
Maybe. Maybe that's how they actually
23:22
met. So she puts the book away and
23:24
missed Mickey, asks if they can talk further and she's like, Oh
23:27
yeah, that's fine, what's on your mind?
23:29
He says Hugh. And he goes on to say that the
23:31
damn she performed for him has them all flustered and she's
23:34
like, well, you weren't excited then.
23:36
He's like, you know, I know, but sometimes that happens when I'm
23:39
too wound up and turned on, right?
23:41
And that he was nervous and feels more comfortable now and
23:45
feels that they're meant to do it.
23:47
He says she wants to, but Mickey then says that he knows he was
23:51
bad, offers one more chance if she wants him.
23:55
Right. She looks at him and then kiss
23:57
and she's taken aback for a second and then kiss some more.
24:01
She goes down his chest and he's looking completely skeezed out
24:05
like Oh my God this is so gross. She comes back up and Gloria
24:11
feels that he's getting turned on and he asks to touch her and
24:15
if he can have one of his handcuffs unlocked.
24:19
She kisses him more. She doesn't end up unlocking one
24:22
hand and she starts kissing him more.
24:25
He reaches up, grabs her by the back of the head and the hair,
24:30
and he ends up throwing her onto the floor really hard and he
24:34
ends up unlocking himself. Yeah, and it was funny because
24:37
the thing that he used to convince her, because she wasn't
24:40
going to at first, but what he finally does to convince her to
24:44
unlock his cuffs is he calls her mommy.
24:49
So she's all turned on. And so he runs through the door.
24:52
Gloria is shouting for George and gets to the door.
24:56
Downstairs, a gunshot rings out above and to the side of his
25:00
head. George asks him where he's going
25:04
and he's to get back upstairs. Mickey hesitates and George is
25:08
like hey, you know I'm a crack shot and I missed on purpose so
25:12
get up here. Mickey gradually goes upstairs.
25:16
They're outside the room that they were in.
25:18
Mickey asks if him and Jules can be let go.
25:21
You can hear Gloria crying in the room and George scolds him
25:25
for making a woman cry and that he would blow his brains out if
25:30
he had any. Gloria yells out that Mickey hit
25:32
her head and Mickey again asks to be let go.
25:36
George says one thing for sure and shoots him in the leg.
25:40
Mickey yells out in pain. Jules can hear and yells for him
25:44
and the little girl looks up from her horses.
25:47
George tells him to stop being a Pansy and throws a towel at him.
25:51
The girl looks up and sees George dragging Mickey to the
25:54
pole Jules is tied to. Apparently, he dragged him all
25:57
the way down to the basement. And Jules asks George, what did
26:01
you do? He's like, I shot him.
26:03
And he'll do the same if she doesn't stay quiet.
26:07
He's all nonchalant about it, like, yeah, I shot him.
26:09
What do you think I did? Yeah.
26:11
And this is where we learned that the little girl's name is
26:14
Sweetie Pie. George tells Sweetie Pie to
26:17
watch them. She nods.
26:18
Jules and Mickey are talking about leaving, trying to figure
26:22
out their plan even though they're handcuffed to a hole.
26:24
And Mickey ends up yelling at Sweetie, you know, saying fuck
26:28
you because you're the reason why I'm here.
26:30
And Jules is trying to convince him it's not his fault.
26:33
And Mickey is like, well, did you see what she did, you know,
26:37
referring to her biting him And Jules, like, you know, she's not
26:41
sure what she's doing. She doesn't know what she's
26:43
doing. The girl's about 7 or 8 years
26:47
old, right? She knows what she's doing.
26:49
I'd say somewhere in there. So now we see that broken down
26:51
car and we hear a tow truck as it comes into frame.
26:55
Honestly, I don't think that scene was really needed because
26:59
it was just like a 10 second scene, didn't really need to be
27:02
there. Yeah.
27:02
That's, I think one of the things that we could assume is
27:05
that it got towed or it could have been explained later on
27:09
with the situation that we are going to be going into later.
27:13
Yeah, because I was going to say the only thing that would make
27:16
we need to know or what comes up later.
27:18
And there's this car on the side of the road, which I'm surprised
27:22
maybe it's a semi OK travelled Rd.
27:24
But it doesn't feel like it's a big it's definitely on a big
27:27
road and it's I can't imagine it's travel too much, but.
27:31
So we're back to Mickey and Jules and he's talking about
27:35
living on the beach and they discussed the plans all while
27:38
being chained in the basement because they have no idea if
27:41
they're getting out or not. This could be just a way of them
27:43
trying to get their mind off the situation and giving them some
27:48
hope. He's just trying to lay out this
27:49
beautiful situation that they can go into.
27:52
They're basically talking about when they get to Florida because
27:56
the reason they robbed the gas station is they just needed
27:58
enough money to get all the way to Florida.
28:00
And then once they got to Florida, they were going to
28:01
start collecting shells and different things on the beach
28:05
and rocks and then paint them or just find colorful ones,
28:09
something they were going to sell these seashells by the
28:12
seashore. And that was their, that was
28:14
their plan for the rest of their lives.
28:17
At first when they're talking. About that I thought you were
28:20
talking about. Stealing stuff and selling it.
28:23
Then she starts talking about this huge empire that she wants
28:26
to start. Maybe they're not talking about
28:28
stealing stuff because you can't make a legitimate business out
28:31
of stealing stuff from people and reselling it.
28:34
Well, I think you're right. He did start off by talking
28:37
about stealing things and then reselling them.
28:40
I can't remember exactly how. Their ultimate business.
28:42
Seashells aren't really worth all them.
28:44
I was like, OK, be honest what other people can just say.
28:47
So as they're talking, Jules is grinding her teeth, and Mickey's
28:52
giving her a hard time about it, like, hey, you know you're going
28:54
to destroy your enamel. Yeah, it's funny because she has
28:57
a tongue ring and it's the barbell.
29:01
She keeps pulling it out between clicking it against her teeth.
29:04
This is the second time he said something to her.
29:05
I thought it was hilarious because he's so worried about
29:09
her tooth enamel. The things they worry about are
29:12
so funny because here they are robbing convenience stores and
29:16
breaking into people's houses but they're But he's so
29:18
concerned about her well-being and health.
29:20
She's the same way. I just thought it was hilarious
29:22
messing around with her tongue ring and her teeth because he's
29:24
worried about her enamel. He ends up having an epiphany
29:28
about Jules's tongue ring. He asks.
29:31
Hey, can you get your tongue ring out?
29:33
We can use it to pick the handcuffs.
29:36
Jules is hesitant about the idea, but he ends up convincing
29:39
her to do it and Jules is trying to work it out.
29:43
She's, he tried, he wanted her to do it.
29:45
He doesn't put it in front of her teeth and use her teeth and
29:48
pull her tongue back as she's pulling with her teeth to yank
29:52
it out. And of course she's having a
29:53
hard time, which I would too. But yeah, she's trying to pull
29:57
it out that way. It's whole scene.
29:59
I had my ears. I had my fingers in my ears, and
30:03
then I had two fingers in my my index fingers or my ears.
30:06
And then I had the other fingers over my eyes, but just enough
30:09
space to see. So I was like, Oh my God, I
30:11
don't want to hear or see this happen.
30:13
Sweet. Pea is watching this whole thing
30:15
going down and Jules is having difficulty saying, doesn't think
30:18
she's strong enough. And Mickey's like, Oh no, it's a
30:21
strong tongue. It's the best tongue, the
30:23
greatest tongue. You've never seen a tongue quite
30:26
this strong before. I was expecting him to say that
30:30
it's like the strongest muscle in the whole body, but.
30:33
He just says it's a strong tongue.
30:35
And I just thought that was a really random supportive thing
30:38
that they do. Oh no, your tongue is super
30:40
strong. Mickey suggests that they try to
30:42
face each other. He's explaining that I'll try to
30:45
grab your piercing with my teeth.
30:48
She's like hell. Nah, he convinces her.
30:52
But she's like, OK, sweet peas watching still.
30:55
And she ends up covering her eyes because she knows this is
30:57
going to suck. Smart girl.
30:59
So they were able to face each other in that position and it
31:04
was almost like they were kissing.
31:06
She has her tongue in his mouth and he puts his teeth around it
31:10
ends up yanking her tongue. It looks painful At that second
31:15
George comes in with food. Mickey had just enough time to
31:18
be able to put the tongue ring in his mouth and hide it.
31:21
George ends up pushing Mickey to eat and Mickey says no.
31:26
He tries a couple times and Mickey still says no.
31:29
Jules is you know, her mouth is completely shut because you
31:34
know, God knows what kind of mess that is.
31:36
But he immediately backs off. George is going to have to eat
31:40
sooner or later anyway and he ends up leaving.
31:43
At this point Jules spits out the blood that was in her mouth.
31:45
Mickey's drops the the tongue ring into his hand and The thing
31:50
is is he's having trouble unlocking the handcuffs.
31:53
Jules is not impressed with what's going on.
31:56
After a few tries he ends up getting Jules handcuffs unlocked
32:02
and she's all happy and kissing his face.
32:04
She wasn't trying to fuck him this time but she was kissing
32:07
his face. At that point he's trying to
32:09
tell Jules how to pop his lock and as she's trying she end up
32:14
breaking the tongue ring off into the cuffs.
32:18
Jewel starts beating herself up like Oh my God I screwed up.
32:22
Mickey's super supportive telling her my leg is messed up
32:25
anyway so you're good everything's fine.
32:29
He's being really cool about the whole thing.
32:32
Sweaty pie gets their attention and should they look over and
32:35
she points and we see a laundry sheet.
32:38
Jewels, you know, expresses excitement by saying holy shit.
32:43
Mickey asks if she can get up the shoot.
32:46
Mickey's like, oh, I love you. Jules is now all of Han Solo and
32:50
says I know. Jules starts going up the shoot.
32:54
I have absolutely no idea how she's doing this.
32:58
Yeah, it's not like it was a big shoot.
33:01
When you looked at the shoot, it didn't look nearly as big as
33:04
when she got in the shoot, because when she got in the
33:07
shoot, and of course they show you like the shoot doesn't have
33:09
a front on it, even though it does.
33:12
You would think that she was literally just her hands and her
33:16
toes of her shoes or feet and like they're like, she's got
33:20
some super fucking strength. There is no fucking way she's
33:24
hopping up. She was moving up that damn
33:26
thing. She had amazing spider man
33:28
skills. Yeah, maybe she had sticky web
33:31
fingers and sticky web toes because she was basically spread
33:35
out. Yeah, and it was.
33:36
It didn't make sense. There isn't a lot of this
33:38
movement I wouldn't complain about, but that was definitely
33:41
one of those scenes where I'm like, that's a little too
33:43
unrealistic. Right.
33:44
It was very quiet, but she was quiet also doing it.
33:47
Like she was able to be quiet going up it.
33:50
So as she's going up, she's on the 1st floor, she can see
33:53
Gloria and George doing dishes together.
33:56
George is just saying, hey, you know, I'm going to take care of
33:59
you and everything's going to be fine and everything's great and,
34:03
you know, I'll take care of her. And I got the assumption that he
34:07
was going to kill Jules at some point.
34:09
Right. Yeah.
34:10
And so they stopped doing the dishes and they just start
34:13
dancing in the kitchen. Does.
34:14
Makes no sense to me. She continues shimmying up to
34:18
the second floor. And it appears that the ducks
34:21
went into the hallway because she was in the hallway for a
34:25
second. And then she ends up in the
34:27
baby's room and she sees something in the crib.
34:30
It takes her back for a second. And at this point, I thought it
34:34
was going to be like a mummified corpse of a baby.
34:36
That's. What I thought, I thought it was
34:38
a dead baby. I was just like, so she.
34:41
Picks it up and we see that it's an old doll.
34:45
It's a male doll now. We see George downstairs in the
34:48
basement beating Mickey as to where Jules went.
34:51
Mickey's being sarcastic at criticizing his manhood.
34:56
George states if he doesn't tell the way Jules is, he's not only
34:59
going to kill him but he's going to make it hurt.
35:02
Mickey says oh she's gone so give it up.
35:04
George looks at sweetie pie. He's like oh what are we going
35:07
to? What are we going to do with
35:08
him? And she says nothing as usual,
35:11
But George acknowledges as if she did like, oh, yeah, we could
35:15
do that. But we're our back upstairs, and
35:17
Jules is hiding in a closet. As Gloria comes into the room,
35:21
she picks up the doll, holding it as if it's Rio was rocking it
35:24
back and forth. We have a couple quick shots
35:27
here between the two scenes. Now we're back to George and
35:31
Mickey. George says he thinks Mickey is
35:34
bluffing. And he really likes it when men
35:37
try not to scream. George asked Sweeney Pie if she
35:41
remembers the last one but states, yeah, you're too young
35:44
to remember, but you're going to remember this one.
35:46
And so he pulls out a knife and it goes to cut Mickey's ear off.
35:50
Mickey says stop, Jules is going to the cops.
35:54
They have a meet up spot. And if he doesn't make it to
35:57
that spot, she's going to go to the cops.
35:59
But if he makes it, they'll go on their way.
36:01
Nobody wants the cops involved. Eat the kid, keep the car, we'll
36:05
go on our way. George contemplates the
36:08
situation and asks sweetie pie. Mickey says he doesn't care
36:12
about the girl anymore because she's the reason why he's down
36:15
there and she bit him so fuck her.
36:18
As he's looking at her, George closes his knife.
36:21
We're back to Gloria and Jules. Gloria's holding the doll as
36:25
Jules looks on. Julia turns towards the closet
36:28
and walks towards it. She doesn't get there because
36:31
George ends up calling her to come downstairs because she
36:34
needs to say goodbye to Mickey. Goes downstairs and George has a
36:38
gun on Mickey and ask her if she has any last words for him.
36:42
She says she wishes his things had ended differently.
36:46
We're back to Jules looking in fear.
36:49
George opens the door and says see you in hell.
36:53
Jules runs out with the doll saying stop don't kill him.
36:56
We have a slow MO scene of Gloria looking up with a big
36:59
smile on her face, then it turns into a frown and Jewel says if
37:05
you don't let Mickey go she'll smash the doll.
37:08
Gloria pulls out a gun and shoots at Jules.
37:11
He misses, but Jules drops the doll onto the floor and the head
37:15
was porcelain so it breaks and shatters all over the floor.
37:18
I was like, no. Not the baby.
37:21
No, not necessarily the baby, but just like you know that
37:25
Gloria is going to use real bad George.
37:27
Still has the gun on them as Gloria picks up the doll pieces
37:31
saying it'll be fine it's fine it'll be fine.
37:33
George at this point is upset with the two kids asking what
37:37
did I do to deserve you guys like why are you here?
37:42
The next scene we see food in an oven and the oven Dings and
37:46
Gloria pulls it out. George, Mickey and Jewels are at
37:49
the dinner table. Mickey and Jewels are duct taped
37:52
to a chair and George says cooking always calms Gloria, and
37:57
the more stressed she is, the more in depth her dishes are.
38:00
No, they were about to be murdered, right?
38:03
Any other day of the life of these people.
38:06
They're almost like they are a absolutely.
38:09
That's how they are like, like nothing bad really happens.
38:12
We can always figure it out and everything is the end of the
38:14
episode. Everybody's happy.
38:15
George relates a story saying, one time I spilled coffee on her
38:19
bedspread and shit, I'm making a huge bundt cake.
38:22
He tells them, you guys summoned up a banquet.
38:25
George is eating one of the rolls and they both have one in
38:29
front of them. And he's like, you know, oh, you
38:30
know, these rolls are great working at the two.
38:33
And I thought that that was just like an an ass way of saying,
38:39
you know, hey, I can eat these rolls, You can't.
38:41
But we learned later that wasn't the case.
38:44
Jules asks why the little girl is downstairs.
38:46
Like why sweet peas downstairs? He explains that Gloria wanted a
38:50
child but wasn't able to, so he took things into his own hands.
38:55
Jules asks if he kidnapped her. George avoids the question but
39:00
indirectly answers it by saying you have to do what you have to
39:03
do, especially when you get older.
39:06
So he stated that Sweepy sad, reminding Gloria of what she
39:10
couldn't have on her own. So Gloria asked him to get rid
39:14
of her, and George said that he couldn't bring himself to do
39:17
that. So we put her in the basement.
39:19
So even though it looks like he's being mean, it's him being
39:23
merciful to the little girl. I was also a little confused by
39:26
this whole story because I felt like they were more interested
39:32
in Mickey because he was male and could possibly get Gloria
39:36
pregnant. But the way George is telling
39:39
this story, it's like Gloria was the one that couldn't get
39:43
pregnant, but Mickey at some point was like, oh, you're
39:45
shooting blanks. So I was confused as to which
39:49
one of them could not produce a child because the whole thing
39:54
will I'll take care of her. And the fake baby was a boy and
39:57
she wanted she wanted guys around because she was trying to
40:01
get pregnant. It was a little confusing in
40:03
this story because it made us sound like she couldn't get
40:05
pregnant although. She but they also never would be
40:08
able to have they also never they don't know directly said
40:11
who couldn't have the child, whether it was both of them or
40:15
one of the other, but they made you think that.
40:17
Yeah, they didn't. One of them couldn't have kids,
40:19
but they wouldn't let you know who.
40:21
It was confusing. I'm also wondering if he brought
40:24
it on himself saying he couldn't have kids, but it was actually
40:28
her. He's saying that she couldn't
40:30
have kids. So maybe the doctor said she
40:32
couldn't have kids, but he fed into her delusion saying, well,
40:35
I'm the one that can't have kids.
40:37
So, you know, so this, there's a lot going on there.
40:40
In this story, but in this story, he's making it sound like
40:42
she couldn't have kids, which to me, I thought maybe because they
40:47
do have that whole 1950s vibe about them and being a man, for
40:53
him to not be able to have kids would make him less of a man on
40:57
her that she can't have kids. But yeah, but what's his name
41:01
was like, oh, you're shooting blanks or whatever?
41:03
Yeah, it's going to be feeding each.
41:04
Other's delusions blame me one or the other, but we don't know.
41:07
It's really left up to the viewer to figure out that piece
41:10
for themselves because it could go anyway.
41:12
When George says he's being merciful, he says they haven't
41:16
seen him be mean yet, even though he shot the guy in the
41:19
leg and all the other stuff. Gloria brings the food over to
41:23
the table and George is excited because it's shepherd's pie she
41:27
serves. Everybody sits down and says
41:30
Grace, Jules and Mickey are still duct tapes and Jules asks
41:34
if they're going to kill them. Gloria says you haven't told
41:38
them. George says they're not going to
41:40
kill them. Despite their piss poor
41:42
behavior, they feel that it doesn't make sense as people
41:46
look for them. And he's like, I can certainly
41:49
hide A body but there is DNA everywhere.
41:52
Gloria is like, oh don't be disgusting with the DNA all over
41:55
the place. I'm bound to miss something.
41:57
So I'm going to be found. Is it my plan is that will leave
42:02
the house like Lori and I will leave the house and wait 48
42:06
hours and then call the cops. They'll come and get you.
42:10
You might serve some time, but at least you'll still be alive.
42:14
He's like, you might as well eat because you're going to be in
42:17
these sheriffs for a few days. This is where we find that they
42:20
can actually move their arms. When he was talking about the
42:22
roles, I thought they couldn't move their arms at all.
42:25
And he's being facetious, but turns out their arms were duct
42:29
taped right? Weren't duct taped so much where
42:32
they couldn't move their arm, just the shoulders and.
42:34
Just the show. Arms Kenned, but they could move
42:37
their elbow at that point. George is elated that they have
42:40
their appetites that they're willing to heave at this point
42:42
because they feel a little Connor and so Jules Jules ends
42:46
up asking about screening more like what's going to happen to
42:48
her. George is like the road isn't a
42:51
place for a young girl. So when we call the police
42:54
they'll find her a good place like an orphanage.
42:56
She's like, I hear it's like 5 star hotels and we'll get the
43:00
best treatment. I don't know where he's hearing
43:03
that from, but from the orphanages.
43:05
I know not that good. Gloria ends up asking Jules if
43:09
she's upset about that plan and Jules is like, well, it's better
43:13
than the basement, which I agree.
43:16
Right. Gloria, do you remind me of my
43:17
mother? Her name was Jules.
43:20
Is your name Julia? Well, my mom's name was Julia
43:24
and she had a good heart. You remind me of my mother was
43:27
really sad. My mom ended up dying of cancer
43:30
and it was a slow, painful death.
43:33
But I was beside her the entire time and she's like, before she
43:37
died, she told me to go to the closet because there was a
43:40
package in there and it had a big bow.
43:42
It was really pretty. When I opened the paper, it was
43:46
a doll. And as she said that, she looks
43:49
at Jules with a menacing look and a really creepy smile on her
43:52
face, kind of like the Joker. And she's like, I was told that
43:55
it was a magic doll, Gloria says.
43:57
I was sad over the years where my mother had passed and I
44:01
always had the doll. I always had Ethan referring to
44:04
the doll. And she says she was right.
44:07
The doll was magic. But you took her from me.
44:12
At this point, Jules and Mickey, the ceiling starts to.
44:16
So they're starting to feel woozy because from their
44:19
perspective, everything is getting Wick away and muffled.
44:23
Mickey's like, what's going on? George says, oh, you're going
44:27
through a drug overdose. He's like, and by the way, you
44:30
know, we lied about killing you. What we're going to do is you
44:33
had like a ton of drugs in your bag because they had like a
44:37
bowling ball bag of a bunch of drugs.
44:40
What we're going to do is we're going to wait till you pass out
44:43
and then we're going to inject you with the harder stuff.
44:45
So it just looks like a couple junkies broke into our house and
44:50
died a not so tragic death and nobody will look too hard into
44:54
it because drugs were involved. Gloria and George start
44:57
laughing. Mickey laughs too, but it's more
45:00
because of the drugs than him finding it funny.
45:03
Tim and Jules both passed out around the same time as they're
45:06
going out. George is like, you must be
45:08
stupid if you think we'd call the cops.
45:10
At this point, the doorbell rings.
45:12
Gloria and George look at each other, really confused.
45:15
George gets up to see who it is, confused and annoyed at the same
45:19
time. George opens the door with a gun
45:22
behind his back and it's a police officer.
45:25
He mentions that there was a robbery down the street and that
45:28
they found the car in the road. This is where I feel like they
45:31
could have said there was a car on the road and we had it towed.
45:35
To have easily said. So he asked if anybody
45:37
suspicious was around and George is like no, but if I come across
45:41
anybody like that I'll let you know.
45:42
The officer comments on the smell of dinner and he's like
45:45
I'll get you back to that dinner that you have.
45:47
And George starts to close the door but it's not closing
45:52
properly. The officer asks if he's OK with
45:54
the door. George looks down and we see
45:57
where Mickey used the crowbar to get into the house and he's
46:01
like, oh, it's been busted like that for months.
46:03
I've been meaning to fix it. It was probably moving furniture
46:06
and got caught or whatever. Right there.
46:09
The story. Sounds flimsy and it was also
46:12
funny because he's got caught bringing it into the house when
46:18
that the way that wood was broken, it would have only done
46:22
that if they were taking it out. That's the thing, I.
46:24
And at this point, we do know that the cops name is Officer
46:27
Wells. I forgot to mention that because
46:29
he did introduce himself. When Officer Wells looks at the
46:32
door frame, yeah, he's just like, oh, can I come around and
46:35
take a look? The story is not clicking in his
46:38
head. Like, this doesn't make sense.
46:40
Gorgeous. Like, oh, no, no, you don't have
46:41
to worry about it. We're fine.
46:43
We never have any issues out here.
46:45
Officer Wells is like well you can put your tax dollars to
46:47
work. George finally agrees to bring
46:50
him to the house. Yells to Gloria but they have a
46:53
guest. They start walking towards the
46:55
dining room and there's some intense music playing.
46:59
They end up in the dining room and we see Gloria sitting at the
47:02
head of the table and Mickey and Jules is nowhere to be found and
47:06
Gloria asks who the officer is and he introduces himself.
47:09
George is standing behind him with the gun in his hand,
47:12
looking stressed About the situation, about having the cop
47:15
in there. We're just looking for some
47:17
criminals, nothing to be too alarmed about, just
47:21
precautionary. And Gloria's like, oh, we should
47:23
go to a hotel then officers like, no, it's fine, we're just
47:28
being safe. And he's like, there's a lot of
47:31
food here for the two of you. He ends up looking at George
47:34
when he's saying that at that point, George had hidden the gun
47:37
behind his back again. Gloria sees some duct tape
47:40
remaining on the chair where Mickey was and she rips it off.
47:44
Chance of explaining to the officer.
47:45
It's like, you know, we had a few things going bad and we
47:50
ended up creating a feast as a result.
47:53
Officer Wells shrugs it off and asks if he can look around.
47:58
George says yeah, you certainly can, and he looks at Warrior as
48:03
the officer walks away. He's like you, where are they?
48:06
So she says the gym and we see Jules and Mickey in the gym
48:11
overhead shot. Jules wakes up and she's so
48:14
groggy and we see Mickey, he's face down showing that he's
48:18
still breathing. And she sees their bowling ball
48:22
bag and ends up like flopping over to get to it.
48:27
And at this point, Officer Wells is going into the basement and
48:31
asks if there's anything you should know about.
48:34
George is like, oh, no, it's just a boiler and some old
48:36
boxes. And he starts raising the gun
48:39
towards Officer Wells because he's not facing them.
48:42
We're back to Jules crawling slowly over to the bowling ball
48:45
bag and flopping her arm on it. And she ends up opening it up
48:50
and pulls out some of the drugs that are in there.
48:53
Yeah, hopefully there were some they'd had poke because she
48:56
needed a boost. So at that point the officers
49:00
radio starts to spot her and he turns to answer it.
49:04
He doesn't turn completely around, just enough to get to
49:07
his shoulder speaker and George drops the gun and puts it behind
49:10
him. They say something over the
49:13
radio is like Oh yeah, I have to go.
49:16
As he starts leaving the house, George and Gloria wisham lock
49:19
in, finding the brute still looking for Jules.
49:23
Ends up dumping out some of the powder they had.
49:26
We're assuming it's cocaine. She snorts a little and it hits
49:31
her immediately, like waking up immediately.
49:34
Yeah. At this point she's able to
49:36
crawl much faster and she ends up going over the Mickey trying
49:39
to wake him up. She rolls him over and pour some
49:43
coke out onto the floor and tries to roll him towards it.
49:47
He ends up drooling all over it, ruining it.
49:49
Fucking Mickey. We're back to Officer Wells and
49:52
he's on his way out the door saying don't hesitate to call.
49:56
Contact us if they see or hear anything.
49:59
George's covering the bullet hole with his hand and he's
50:03
awkwardly looking at the officer.
50:06
Wells looks at them both for a minute.
50:09
He's like what the hell is going on and turns to leave.
50:12
We're back to Jules and Mickey and he's on his back this time.
50:16
She has coke underneath his nostrils and blocks his mouth so
50:20
he's forcibly has to breathe it in.
50:22
And Mickey wakes up loudly, and she covers his mouth like he
50:27
doesn't know where he is or what the Hell's going on.
50:30
Yeah, so now we're back to George and Gloria and they're
50:33
talking about the cop coming in and words like I barely had
50:36
enough time to get back to the dining room, enter the gym and
50:42
see that Mickey and Jewels are gone at this point.
50:44
She must be real strong. I don't know how she got down
50:47
there but I guess maybe she has a gym so she must work out.
50:50
So this is the first time we see George becoming frustrated with
50:53
Gloria. He clenches his teeth, stating
50:56
she should have kept watch on them, and she's staring out the
51:00
window. We don't really know what
51:03
they're looking at right now, but she continues to stare as
51:06
George leaves the room. And he's like, we have to go
51:09
find them. They have a shot outside at what
51:12
I think is Mickey's boot. It's just outside in the middle
51:15
of the yard where they can see it.
51:17
Yeah. But what was weird is it's
51:19
facing the window as if someone planted it there.
51:23
Yeah. Foreshadowing.
51:26
So George is in a big rush because he's like, we're far off
51:29
the road, but they could be at the property line by now and
51:32
they could be hiding or whatever.
51:34
Gloria will leave the house and the camera pans through the
51:37
living room and we see that Jules and Mickey were hiding
51:40
behind. This was hilarious.
51:42
They just come out. Right.
51:44
But you could totally see their their outline because the sun
51:48
was outside the curtain and the curtains weren't thick.
51:52
They were pretty thin curtains, so when it panned over to that
51:55
window, absolutely. When you're playing hide and
51:57
seek with your 5 year old, you can't see me.
52:00
Sure. And when I saw them, I started
52:02
laughing and they both came out. They're like, Oh my God, that
52:04
actually worked. And I was like, they were so
52:07
excited about it. I'm like.
52:08
So they run into the kitchen and grab the keys because they were
52:11
just kind of hanging on a hook. They end up running downstairs
52:15
to the basement. George and Gloria are working
52:17
for them through the woods. George is increasingly getting
52:21
pests calling the lying junkies and yells like Gloria asking you
52:25
how did you let them get away. She's really screaming at her.
52:28
Gloria stands for Brown and yells back saying that's enough.
52:33
Now we see Mickey and Jules downstairs unlocking sweetie
52:36
pies chains. She just stands there like this
52:40
kids annoying because all she does is stand there and stare.
52:42
Mickey asks is it because before and he's like you know it was
52:46
just pretend he's like I even wait is that means like you're
52:50
pretend when you wink to be right continues to stand there
52:53
and Gloria's admonishing George for yelling at her while she's
52:56
crying. George says I didn't mean it.
52:59
Gloria cuts him off says no you need to cherish me like you
53:02
promised. You've never yelled at me like
53:04
that before. We're back at sweetie pie and
53:07
still staring at Jules and Mickey.
53:10
Jules is telling Mickey that he needs to apologize because a
53:14
wink is a universal sign of I'm just kidding.
53:18
He agrees to apologize to sweetie pie.
53:21
He's like I'm sorry, but I did wink.
53:24
I do care about you and I want you to come with us.
53:27
George and Gloria are still in the woods.
53:29
George is on one knee and Gloria is facing away from him and
53:33
they're good 9 feet between them.
53:36
George says he's sorry and that the world is all cardboard, but
53:41
them. She thinks that's the sweetest
53:43
thing. And George goes to some biblical
53:45
shit about, you know, love the heavens and the gods and the
53:49
devils and something. So Jules and Mickey and Sweetie
53:53
Pie finally run out of the basement together.
53:56
Like Sweetie Pie's actually running.
53:58
She says, help me forget about them and all of what happened.
54:02
We could start a brand new life just the two of them.
54:05
George agrees with that. And he's like, yeah, just the
54:08
two of us. And if that's what you want,
54:10
that's what you'll get. Jules, Mickey and Sweetie Pie
54:12
get to the car. They start the car.
54:16
George walks to the kitchen because they're back at the
54:19
house and Gloria says she's going to pack.
54:22
He sees the keys are missing and asks if Gloria has seen them.
54:27
She yells out that they're in the dish as she's grabbing
54:30
photos. George goes downstairs to the
54:32
basement with his gun drawn saying I'm really sorry about
54:36
this sweetie pie. So we're assuming that he's
54:39
going to shoot her and he sees that she's missing and he's
54:43
angry about that. Mickey ends up opening the
54:46
garage door with the garage door opener and George can hear the
54:49
clicking of the door. We're back with Mickey and Yule
54:54
sitting in the car and the door is moving very slowly.
54:57
When the door is finally open, George is behind the door with
55:01
his gun pointed at Mickey. He states that Mickey has
55:04
something that belongs to him and he needs to get out, and he
55:07
says get out of the car for a whooping.
55:10
Mickey looks at Jules and says I fucking love you.
55:13
We're having a sappy tender moment.
55:15
I love you so much. As if it's the end, right?
55:19
Jordan's getting more and more pissed, yelling out of the damn
55:22
car. Mickey tells Jules to duck and
55:26
he guns it forward and hits George, which rolls up onto the
55:31
windshield. Blood is everywhere near his
55:33
head on the windshield and he has a smashing into a tree.
55:37
We see Jules and Mickey leaning forward and they sit up.
55:43
Jules is OK but Mickey was shot a couple times because George
55:47
got him in the chest. I.
55:49
Don't know why he didn't duck. Why didn't you duck?
55:51
Jules is upset about this and Mickey's like and Jules has his
55:55
head in her hands. He ends up dying in her hands.
55:58
He lumps forward and Jules tells Mickey's corpse that she loves
56:02
her. She's hugging him, saying she's
56:04
going to miss him, right? A hand comes through the window
56:07
and drags her out of the car. It's George.
56:10
He survived. How did we know that was going
56:13
to happen? He's a mess.
56:14
He's. Still breathing.
56:15
He's a little mad about, you know, almost being chilled.
56:20
He's like, you tried to kill me, but he's never going to die.
56:24
As he chokes Jewels, we see his gun on the ground a little away
56:28
from them. He says that he's going to be
56:30
the last thing that Jewels sees. As he's saying that, we see
56:34
Jewels on the ground and hear the gun click.
56:38
He stops and looks up and we see Sweetie Pie pointing the gun at.
56:41
He lovingly says, oh, sweetie pie.
56:44
And he asks, you know where you got the gun and please give it
56:48
back to Daddy. He's asking her like, did they
56:50
trick you to think that Daddy was a bad man?
56:53
And he's like, why don't you come over?
56:55
We can have ice cream, mint flavored ice cream.
56:58
Sweetie pie takes a shot. It's him in the head, right
57:02
between the eyes. The camera's behind George's
57:07
head looking through the bullet hole at Sweetie Pie.
57:11
He ends up falling off of Jules. Jules gets up, looks at Sweetie
57:15
Pie, walks over and hugs her. Sweetie pie looks down and says
57:20
this is the first time a sweetie pie talks.
57:22
Sweetie pie looks down and says I want to go with you.
57:25
Jules shakes her head in agreement.
57:27
Jules looks over at the car and says she'll be back now.
57:30
She's only three feet away from the kid.
57:32
She moves Mickey's seat back and ends up straddling him while
57:37
rubbing her hair on his dead face.
57:39
Car wash. She stares at Car Wash saying
57:43
that she loves them during the car wash scene because they're
57:45
doing that again, but he just looks at her all deadpan.
57:49
Yeah. She gets out and we see the girl
57:52
standing there and George's dead body with blood around it.
57:55
Gloria comes out with suitcases and says let's go.
57:59
She sees his body, calls his name asking if he's OK.
58:02
George, you OK? She drops the suitcase with a
58:05
smile saying it's time for them to go.
58:07
Like hey George we got to go, it's time we go.
58:09
And she lifts them up and he still looks like a mess with a
58:13
hole in his head. Stay there a little longer,
58:15
that's fine. All the while Jews has the gun
58:18
on her, but drops it when she realizes Gloria wasn't paying
58:21
attention to this completely indelible land.
58:24
Oh yeah, she didn't even notice they were there.
58:27
This lady's so delusional like. Gloria's still holding George,
58:31
smiling, saying we're going to have all these great adventures
58:33
together. At this point she is looking
58:35
towards Jules and Sweetie Pie as they're walking off camera.
58:39
Now we see Jules and Sweetie Pie walking down the road when a
58:43
truck pulls beside them and all the lady is driving and that's
58:46
where they're going. Jules pauses for a second and
58:49
then says Florida. The woman tells them to get in
58:52
and they drive off. We head up to the sky and
58:56
there's a video montage of Jules and Sweetie Pie on the beach
58:59
having a lot of fun. My question on that is like, is
59:03
anybody questioning this kid? Like why isn't she in school?
59:07
Where's her Social Security number?
59:10
Where's her identification? How is this going on by it's a
59:13
movie? And at that point, the credits
59:15
roll, and that was the movie. In that end montage, I think we
59:20
should state that. So two of them ended up opening
59:22
that seashell shop. Almost looked like a lemonade
59:25
stand on the beach. That's right.
59:26
Was it Mickey's Seashell shop? I think it's what it's called.
59:30
They ran. Most of it was them running
59:31
around the beach, but a few times you did see where they
59:33
were behind their little stand selling seashells and that's how
59:36
it ended. I really liked this movie, even
59:40
though it definitely wasn't scary horror.
59:42
It had its comedic moments, dark comedy or whatever.
59:45
I loved the energy of the movie and I think the characters that
59:50
had good energy, they play their parts really well.
59:52
Mickey and Jules from the first scene in the convenience store
59:55
had this high fun bubbly almost innocentness about them as well
1:00:02
just because in like the way they talk to each other and how
1:00:04
they were they were so in love fun moments.
1:00:08
I liked the fact that George and Gloria were so old school 50s
1:00:14
feeling. And that kind of juxtaposition
1:00:17
against Mickey and Jules and how they were like even those two
1:00:23
characters, they were, it was like, you know, like I said
1:00:26
earlier, it was like they were part of ATV show.
1:00:29
Like they weren't even real. Like they were characters from a
1:00:32
old show, like they were the 50s.
1:00:34
And I just really liked all of that.
1:00:36
There was nothing particular about the story that I found too
1:00:40
many holes and there were a few things that were like, well, why
1:00:42
don't they just do this or why do that, You know that they
1:00:44
don't do certain things because that would just end the store
1:00:47
like the whole garage thing. Why didn't they do?
1:00:49
The keys were in the garage and you know, they could have just
1:00:51
left then and out in the movie. So yeah, I get that those things
1:00:55
do happen. The only part that I thought was
1:00:58
weird time wise was when they were finally leaving to get in
1:01:04
the car and the garage and you had George and Florida keep
1:01:10
forgetting her name, Gloria out in the woods.
1:01:13
I was like, why is it taking you so long to get out of this?
1:01:17
Georgia and Gloria we're a decent bit away.
1:01:21
They had all this time. Like why did it take them so
1:01:22
long to get upstairs into the car, open the garage door and
1:01:26
get out of there? That seemed time wise a little
1:01:29
off. But outside of that, I didn't
1:01:32
find any. I sat through the movie enjoying
1:01:34
it or what it was. It was fun and they stumbled
1:01:39
upon a house that just happened to have a couple of weirdos in
1:01:42
there. So they were just robbers or
1:01:44
whatever where these two were weird.
1:01:47
And again, I don't know, like, how did you find each other?
1:01:50
It's amazing that you found each other.
1:01:51
You found someone who's just like you.
1:01:52
Good job that it's a once in a life you can find someone that
1:01:56
fits you so well. So yeah, I liked it.
1:01:59
I think I'm going to give this one an $0.08.
1:02:01
So you used a lot of my talking points because as soon as you
1:02:05
started talking about the fun attitude that Jules and Mickey
1:02:10
had, I instantly started thinking about and I was going
1:02:14
to use the same word juxtaposition of Gloria and
1:02:18
George, how how a bit more serious they were as 1850s
1:02:23
couple are usually portrayed. And just the difference between
1:02:27
them, like the a young couple in love and having fun with
1:02:32
everything and then having a couple that's more established
1:02:36
in their relationship, but they still have that love for each
1:02:39
other. But at the same time, there's
1:02:41
still like some underlining frustration that comes with
1:02:45
really any relationship. And and then just how that time
1:02:49
frame doesn't really look at mental health.
1:02:53
It was more like putting it or not really egging it on.
1:02:57
But yeah, like ignoring it, you know, and.
1:03:01
I mean like in the 50s. And.
1:03:03
Making up scenarios. Which makes the situation worse
1:03:06
for Gloria. You know, the other two, Mickey
1:03:09
and Jules, seem to be the type that, you know, they work
1:03:12
everything out, at least in the honeymoon phase that they're in,
1:03:16
right? Much like you, there wasn't a
1:03:18
lot in this movies that I could really complain about.
1:03:21
I did like it. I thought this was a different
1:03:24
movie because there is another movie that I saw that was a
1:03:27
little bit more like this. And it really could have been
1:03:30
also an episode of the Ozarks where some guys end up breaking
1:03:35
into a house. And it's a similar situation,
1:03:38
but it was a little bit more serious.
1:03:40
But I don't remember the name of the movie.
1:03:42
So I thought, I thought that's what this was a pleasant
1:03:44
surprise that it was a dark humor because I absolutely love
1:03:47
dark humor. Some might say that this isn't
1:03:50
really a horror movie, but I don't know.
1:03:53
It kind of is around at its base.
1:03:55
I do think that the prospect of people wanting to kill you can
1:03:59
be horrific, so that's why, right?
1:04:02
I think that's why I feel like this fits our stuff, because
1:04:07
most people don't want to be killed.
1:04:09
Most people are afraid of that. If you're one of the ones that
1:04:12
doesn't mind, get all the power to you.
1:04:14
But for the most part, people don't like being killed or the
1:04:19
threat of being killed because it's a horrific experience.
1:04:22
Did thoroughly enjoy it. The only parts that I could
1:04:25
really even complain about even just a little bit is the tow
1:04:29
truck scene. It wasn't needed.
1:04:31
The laundry shoe when she's going up to laundry shoe, that
1:04:35
was a little bit ridiculous. And the fact that you could see
1:04:40
them Other than that, because we never have anything so far that
1:04:44
we're like, Oh no, I hate this one.
1:04:45
Really. I loved it.
1:04:47
Well, then we had one. Which one did I just do?
1:04:49
I just did one where I gave it A5 and you were surprised
1:04:55
because you gave it it's 7 1/2 or an 8 or something.
1:05:00
You really loved it. I just edited it.
1:05:03
You mean we don't do these by the week?
1:05:05
So I would give it, I guess say 7 and a half, 8-8 cents.
1:05:09
It was a good little movie. I enjoyed it and I were I would
1:05:13
definitely watch it. I think we'd.
1:05:15
Put a seat in our All right, we have the socks.
1:05:19
That's a wrap on villains. And on our month of home
1:05:22
invasion horror, we've broken into houses, crawled through
1:05:25
basements, dodged arrows, evaded axe wielders, and learned one
1:05:29
very important lesson. Lock your doors.
1:05:32
But maybe not too well, or no one will find your body.
1:05:36
Next week, we're plunging into uncharted waters with our brand
1:05:39
new theme, Terror in the Deep. It's all about the kind of
1:05:41
horror that happens in places you really shouldn't be.
1:05:44
Deep oceans, deep space, deep caves.
1:05:46
Basically, if it feels like a bad idea to go there, we're
1:05:49
going there. And we're kicking things off
1:05:51
with Shark Night because it's about time this podcast finally
1:05:54
covered a shark movie. Until then, be scared to be
1:05:58
prepared and don't get caught in the shark.
1:06:01
I mean the dark.