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The Deep House (2021) – When Your Haunted House Comes With a Side of Drowning | Two Cents Podcast · Two Cents: We See Scary Movies

• 0:00
  Welcome to Two Cents. We See Scary Movies, the podcast
• 0:02
  where we dive deep into horror films, 1 theme at a time.
• 0:06
  I'm Tawan, the one who says if liking Lake Mungo makes you a
• 0:09
  genius, then you can just call us stupid while we swim into
• 0:12
  Satan's basement. And with me is Dan, who has had
• 0:15
  a change of heart. He now believes Lake Mungo is a
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  horror movie, mostly because it's still haunting our comments
• 0:21
  section. This week.
• 0:24
  We're going deep. Literally.
• 0:26
  We're talking about The Deep House, a haunted house movie
• 0:28
  that asks the question, what's scarier than a basement full of
• 0:31
  ghosts? How about a basement full of
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  ghosts underwater while your oxygen runs out?
• 0:36
  Let's get into it. So the deep house I believe was
• 0:42
  done in 2013 somewhere around there.
• 0:46
  It feels like that this 10 minutes of credits but we
• 0:48
  finally end up seeing a woman walking down like a wood trail.
• 0:52
  We later find out this woman's name is Tina because as usual we
• 0:56
  don't know their names. At the very beginning we start
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  to get the feel that it's a found footage movie.
• 1:01
  It looks like a mix between found footage and and static
• 1:04
  cameras. She turns around and we see a
• 1:07
  man because she's also recording too, because we have the guy
• 1:11
  whose name's Ben who's filming her and she turns around and
• 1:14
  films him. They're just messing around with
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  each other and they're like, oh, we're going to be walking into
• 1:18
  an abandoned mansion and Ben utilizes a drone and he gets
• 1:22
  close to the cause. Like they end up getting to the
• 1:24
  mansion and they start looking through it with their drone that
• 1:27
  we later learn is Tom for peeping Tom now that they're and
• 1:31
  explicitly already exploring the building.
• 1:33
  Like they didn't show how they got in or anything like that.
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  They're just exploring the building and Ben is giving
• 1:39
  history of the building saying that my a nurse poisoned 7 kids
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  and her ghost is haunting the the building looking for more
• 1:48
  victims. As they explore the rundown
• 1:50
  building, Tina hears a noise. She's like, oh, what's that the
• 1:53
  typical, you know, horror movie, right troops Ben quickly, it's
• 1:57
  just the wind. My question is, why is it always
• 2:00
  just the wind? You know, you're in a in a place
• 2:03
  that's supposed to be haunted. Like why is it the wind?
• 2:06
  You know it could be something else and and you said it way too
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  fast to dismiss it. Like, why do you just assume
• 2:12
  that it's the wind? If you're in a place that's
• 2:14
  supposed to be haunted, wouldn't you assume it's something
• 2:16
  haunting like? Right, exactly.
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  Unless he met his wind. So as as he says that it's just
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  the win. Tina's getting freaked out a bit
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  and Ben ends up walking ahead. He ends up going out of sight of
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  Tina and she's calling his name like Ben, Ben, Ben, and he's not
• 2:36
  answering. So she speaks in French,
• 2:38
  complaining that Ben left her behind.
• 2:41
  She sees what looks like to be satanic imagery.
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  Ben ends up jumping out of the dark and scares the shit out of
• 2:46
  her, which I thought was kind of shitty.
• 2:48
  You know, I find most things funny, but something like that.
• 2:52
  I think that's a bit much. Now we're in a next scene where
• 2:56
  they're in the bathtub. Well, not there.
• 2:59
  It's. She is.
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  There's like a long shot going into a bathtub and Tina pops out
• 3:05
  and looks at her watch. She's essentially training to
• 3:08
  hold her breath underwater because of a future trip that
• 3:11
  they're taking. I wonder if you can guess what
• 3:13
  that is by the title of the movie.
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  I was surprised when it happened.
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  I don't know. I still don't know.
• 3:21
  She sees that Ben is not there and she comes out of the room
• 3:24
  and Ben is filming her. Kind of like creepy.
• 3:27
  She does that annoying girl thing.
• 3:28
  Stop, I'm ugly. She's not ugly by any stretch.
• 3:31
  It's that annoying thing. Ben tells her she's wrong and
• 3:35
  asks her what her time was underwater.
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  She says 3 minutes. Liar.
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  And it was not. Did you mention how did you
• 3:45
  mention how long it was? I don't remember what it was.
• 3:47
  Oh, OK. It was like a minute and a.
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  Half she may not have. Yeah, but she lied.
• 3:51
  OK. I don't know if that's something
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  I would do. I mean, if I can't hold my
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  breath long enough, I'm not going to be like, oh, yeah,
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  yeah, I can hold it long enough knowing I have to probably hold
• 4:00
  it underwater because I'm going to be deep down in the depths of
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  some lake somewhere. Why would I lie about that?
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  Whatever. So I mean, well, I mean, it's
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  kind of like probably like a dude like lying about his penis
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  size. Yeah.
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  How big are you? 3 inches.
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  And then you find out it's like an inch and 1/2.
• 4:16
  Inches is what you're going with.
• 4:17
  That's hilarious. To keep with the motif of.
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  Three. I know, I know. 03 inches.
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  Damn. It'll hit a spot.
• 4:32
  Don't know what one but it'll hit a spot.
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  How do you fit those pants? OK, so when she comes down and
• 4:41
  says that 3 minutes, he's on a truck, you know, packing it up
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  and he jumps down, he's giving her shit for it only being 3
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  minutes. She's like, we're just like
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  doing like a regular dive. We're not doing like a full
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  flood scuba dive, which they ended up doing.
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  Ben's still disappointed and Tina seems very hesitant about
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  what's going on. He ends up like really selling
• 5:00
  her on the idea of the lake. Of course she doesn't want to go
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  and he's selling it to her like, oh, let's go.
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  Everything would be great. And she obviously said at some
• 5:09
  point she was going to do it because otherwise she wouldn't
• 5:11
  be practicing to breathe underwater.
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  She wasn't wouldn't be practicing to hold her breath.
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  So I don't know why she said yes in the 1st place.
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  She's obviously just a big fat liar.
• 5:22
  Yeah, absolutely. So Ben gets in the driver's seat
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  and takes off and Tina's smoking in the in the truck and and I'm
• 5:29
  sure that, well, that will very much help her breathing train,
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  you know that that will definitely open up the lungs
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  and. And get it going.
• 5:39
  Yeah, well, you. Have to breathe real deep when
• 5:41
  you take a drag. As an ex smoker, I know.
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  So I mean, so you probably could hold your breath for like 10
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  minutes because. Only if there's smoke in there.
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  There's no smoke. Forget it like 10 seconds.
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  You know, various shots of scenery, and now we're on a
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  different trail. Ben is narrating the video as he
• 6:01
  approaches Tina. Well, if he's taking a piss,
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  which is always great, you know, at least it's not Mary.
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  Dead Cow. Right.
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  I, when I saw that scene, that's what I thought of.
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  I thought of the dead cow scene from July 9th, July 9th, 9th,
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  because and well, first I was like, what?
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  I didn't realize she was peeing. I was like, what's she doing
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  over there? And I was like, and who's
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  filming? Because I thought they were, I
• 6:23
  thought maybe they were having sex.
• 6:24
  And I was like, Oh my God, is there dead cow?
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  Then I realized it was just then I realized it was just her.
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  I was like, oh, he's filming OK. So now they're back in the car
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  driving, and they're holding hands.
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  They end up parking in a parking lot, and it's a horrible parking
• 6:39
  job, I must say. And they don't appear to know
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  where they're going. He says that it's supposed to be
• 6:44
  a super secret spot that not many people know about.
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  Tina's not happy as she gets out of the car.
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  Ben is now narrating that they're in southwest France in a
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  dying town. He's highlighting a World War 2
• 6:57
  monument, the history of it basically, and it really feels
• 7:01
  like a YouTube style video. It doesn't say YouTube, but it's
• 7:04
  that kind of kind of thing. Like he wants to become like
• 7:06
  rich and famous and ditches job. Yeah, that's his goal.
• 7:10
  I mean, it is his goal, I think through the movie is that that's
• 7:13
  what he wants to do professionally.
• 7:14
  Yeah. She doesn't seem too into it
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  though. Tina end up going to the store
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  and she came back and she said that she asked the store about
• 7:20
  their destination. She said that, you know, they
• 7:22
  can't miss it. They end up at a lake where
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  there is a lot of people swimming, like a lot of people
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  swimming. And Ben is irritated and Tina's
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  like, well, so much for a super secret spot, which she was a
• 7:35
  little bitchy, but I can absolutely understand because
• 7:38
  that would be really, really annoying.
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  Well, she was also relieved. Yeah.
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  We see Ben sitting down watching one of their older videos and
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  Tina joins him with some food. Ben is saying that he feels
• 7:49
  defeated because he only has 50,000 viewers who watched his
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  video. For a lot of people, especially
• 7:55
  in that time frame, you know, that was OK.
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  I mean, it wasn't fantastic, but I mean it was OK.
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  I'd love to have 50,000 views right now.
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  Right. Tina doesn't seem to care and
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  says So what Ben's like. I just want more.
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  At this point. We do too.
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  Yeah. The audience watching this movie
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  so far, like we really want to see more and don't get me wrong,
• 8:14
  you know, I did like this movie. Ben is complaining because, you
• 8:18
  know, everybody there has a GoPro when they they're going to
• 8:20
  taint like all his videos by streaming everything.
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  And Tina reminds them that, you know, part of the trip was to
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  get out of the library and start living for a little bit because
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  he's a history buff and he spends a lot of time in the
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  library researching things. So Ben is cutting into the table
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  with a knife and, you know, he's sarcastically, well, at least
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  you don't have to dive. She looks down like in shame.
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  And he ends up apologizing because he realized that, you
• 8:45
  know, that was kind of a dickhead thing to say.
• 8:47
  If you haven't noticed, he's he's kind of a Dick.
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  I mean, he's not like abusive by any stretch, but he's kind of a
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  Dick. So they're watching people on
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  the lake and everything, and Ben's like, oh, you know, we
• 8:57
  need wine. And she agrees.
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  Now I understand that's right in France, but I didn't realize
• 9:02
  that you could walk up to a few truck and get wine.
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  I like Dang, I mean. It is France after all.
• 9:10
  But right, you know, more power to them if that's actually true.
• 9:13
  Yeah, and they Speaking of the French thing because she does
• 9:16
  this a few times. You've already talked about it
• 9:18
  once, but I had the subtitles on.
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  Did you have subtitles on? Yes.
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  I was so annoyed because whenever she'd speak in French,
• 9:24
  the subtitles would say speaking in French, but I could see under
• 9:28
  the subtitles. They had subtitles turning them
• 9:31
  into English and I couldn't see them and I was like son of a
• 9:33
  bitch, but I didn't want to go through all the shit I had to go
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  through. Did a jump through hoops
• 9:37
  sometimes to turn on and off your fucking captions.
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  So I was like, well I'll guess what she's saying.
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  I don't know based on the context of whatever he says
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  back. But so he ends up walking up to
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  a random man just kind of sitting in a chair.
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  Tina's talking to herself, but a little loud, like narrating her
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  own thought, you know, saying, you know, please don't invite
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  him to drink with us. Please don't invite him to drink
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  with us. Totally with her on that one.
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  Yeah, absolutely. Ben returns.
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  She asks him about the guy. He says that it's Pierre, he's
• 10:09
  just like some Brando guy. He said that the town that
• 10:12
  they're looking for is under the water as it was flooded and
• 10:15
  there's really nothing there anymore.
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  Tina says let's go do something else.
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  Then Ben says Pierre the rando and knows of a different part of
• 10:24
  the lake that runs into the deep woods and he's willing to take
• 10:27
  them there because it's difficult to get to.
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  He says that it's a proper secret.
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  Tina wants to stay and be a tourist rather than go find this
• 10:35
  place again. Ben is pushing.
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  He says that there's a perfectly preserved house under the lake.
• 10:40
  And in that spot that Pierre's talking about, we got some
• 10:43
  dramatic music while we drive, and Pierre's in the van.
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  He's like, really creepily looking at Tina.
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  Ben asks where the house's area was.
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  He says, you know, it's not on any map.
• 10:53
  And Pierre gives a brief history of the flooding. 1984, a freeze
• 10:58
  lake, which is what it was called, says that they ended up
• 11:01
  flooding, flooding the whole town, you know, because they
• 11:04
  were putting a like an electric water plant away, kind of like a
• 11:07
  town in Maine that was flooded by CMP several years ago.
• 11:11
  Yeah, we've had one too. It's the mountain lake is that
• 11:13
  way in Virginia. Yeah, You know, and I guess if
• 11:16
  you go on a clear day and in the middle of the water, like you
• 11:19
  can look down and see the houses that are still there and they're
• 11:21
  not like in the best shape, but you can still see remnants of
• 11:24
  the houses. That would be really cool
• 11:25
  because you can do that in Maine.
• 11:26
  You can't do that in Virginia. Lake.
• 11:28
  Virginia Lake is green as fuck. Like it's dark and murky, you
• 11:30
  can't really see it anything. So Pierre says tourists come to
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  dive just like them. At this point Tina and Pierre
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  are speaking to each other in French.
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  He says that Tina, for being an American, is speaking really
• 11:43
  good French and that it's not common that he comes across
• 11:45
  that. And she tells them that her
• 11:47
  parents had a French upbringing and Ben and her met out of
• 11:52
  history department in New York. She spoke about, you know, his
• 11:55
  life passion of history and that she's not really interested in
• 11:58
  it, but she just goes along for the ride.
• 12:00
  Pierre says that Ben told him he's filming filming of the
• 12:03
  Internet. Mind you, Ben, Ben is sitting in
• 12:06
  the back of the car and he doesn't understand a thing that
• 12:10
  they're saying. So it's really kind of a rude
• 12:13
  conversation at this point. And he was British, right?
• 12:16
  Was he British? OK, Yeah.
• 12:18
  So when Pierre asked about about him filming for the Internet
• 12:20
  team is like, yeah, she says that, you know, he likes filming
• 12:24
  ruins. That's the part of what they do
• 12:26
  together that she likes. She likes the ruins and which I
• 12:30
  would too, you know, that's fun to do.
• 12:32
  You know. She says that, you know, that he
• 12:34
  wants to make a lot of money. Then finally speaks up because
• 12:37
  this goes on for a little bit. He finally, you know, speaks up
• 12:40
  and says, hey, do I need to pay for subtitles?
• 12:42
  I just turned them on. I mean, that was easy.
• 12:47
  They they come to a certain spot and Pierre says that they have
• 12:50
  to go the next few miles by foot.
• 12:52
  Tina doesn't look overly thrilled.
• 12:54
  But they're on the trail walking.
• 12:56
  We see overhead shots of a river and them walking in the forest.
• 13:00
  Pierre says it's a long way, but worth it with the amount of that
• 13:03
  they're walking. I'm winded just from walking,
• 13:06
  watching them, you know? I mean, I'm tired.
• 13:13
  A nap. Pierre points out that you know,
• 13:16
  Ben seems to be the brave one, but Tina seems to be the scared
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  one. They come to an edge of a trail
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  and they look down and they see a lake.
• 13:23
  They're there finally. Again.
• 13:25
  Pierre is creepily staring at Tina as she's preparing her
• 13:28
  diving gear, and like, he's really staring.
• 13:31
  Pierre asks what Ben is holding because Ben has his drone, and
• 13:35
  Ben explains that it's a drone and that it's going to film in
• 13:39
  4K. This is where we learned that
• 13:41
  it's named Tom. Pierre seems like he's like,
• 13:44
  really confused about the whole thing, like, as if he's from
• 13:47
  like, the Stone Age or something, right?
• 13:48
  You know? And Tina says, oh, you know,
• 13:51
  Tom, like, peeping Tom. Pierre looks at her with a sly
• 13:53
  grin. Again with that creepy shit.
• 13:56
  Right. Yeah, I was like, oh, I know
• 13:57
  what that. Is right.
• 13:59
  Pierre compliments Tina's sticker which is basically a
• 14:01
  peace symbol and Ben unasked says it's the cross of Miro and
• 14:06
  symbolizes death of Christendom and says the hippies didn't know
• 14:10
  that when they chose it. Tina is surprised and asks why
• 14:13
  he didn't tell her this. I looked that up.
• 14:16
  That's bullshit. It means peace.
• 14:25
  The guy who made it, it was peace.
• 14:27
  So we'll clear that for the record.
• 14:30
  What an asshole. You know, I mean, I don't want
• 14:34
  this movie, you know, blowing up because we're covering it.
• 14:38
  And then people start thinking that the peace symbol is a
• 14:41
  satanic symbol. So after his little explanation,
• 14:46
  she ends up asking him what it means.
• 14:48
  Personally, I thought she he already told her you're right.
• 14:51
  But he's like, oh, it means peace and evil.
• 14:53
  It still doesn't mean the evil part.
• 14:55
  But. Whatever.
• 14:56
  Pull that out of. So Pierre says something in
• 14:59
  French that is, that is not dead, which can eternal lie.
• 15:03
  But Ben and Tina can't really hear it.
• 15:06
  But we can. We heard it just fine.
• 15:08
  I read it. I read it just fine.
• 15:12
  Earring is another thing. Tina asks what he said and then
• 15:16
  Ben just speaks in French gibberish and Tina laughs.
• 15:19
  Pierce says he didn't say anything, just an old family
• 15:22
  motto. He moves closer to her and
• 15:24
  kneels beside her again in a creepy way.
• 15:27
  He's speaking in French and he says it's a good omen as he
• 15:30
  touches the sticker. Next we see both Tina and Ben in
• 15:34
  the water getting their gear on. Ben reminds her of her training.
• 15:38
  You know the full 3 minute, minute, and 1/2, right?
• 15:42
  Tub training. He promises that it's only going
• 15:44
  to be an hour. How many goddamn movies do we
• 15:47
  hear? Oh, it's only going to be a few
• 15:49
  minutes. It's only going to be an hour.
• 15:51
  It's always an hour. What the hell?
• 15:53
  Like how? What?
• 15:54
  How do you know this? I mean, you don't even know
• 15:56
  where you're going. Right.
• 15:57
  You know if you might as well just say just the tip.
• 16:00
  Yeah, and it's 3 inches. Yeah.
• 16:08
  Then he says when they're done, they'll go back to New York and
• 16:11
  they'll edit the film and the first million followers they'll
• 16:14
  get, they'll get married in Vegas.
• 16:15
  How sweet. Yeah.
• 16:17
  Your whole life is ruled by YouTube videos.
• 16:20
  Pierre says under the water is a great place to propose and says
• 16:24
  to go down the stairs, which confuses them.
• 16:26
  Like they because they still don't really know what's down
• 16:28
  there. And so they.
• 16:29
  Found people go down the stairs. Yeah, I believe so, yeah.
• 16:33
  That makes so much more sense because the whole movie, you
• 16:38
  know, when they get in the house, I'm like, because I
• 16:39
  thought when he, I thought he said go up the stairs.
• 16:42
  No, no, he did say no. I do remember he said go down
• 16:45
  the stairs. But when he said it, I thought
• 16:48
  he meant when you get to the house, go down the stairs.
• 16:51
  Like there were some stairs outside the house and like the
• 16:55
  whole fucking movie. I'm like, because they kept
• 16:57
  going upstairs and I was like, what are they going downstairs?
• 17:02
  I was like, where are these stairs?
• 17:03
  Especially when they first got to the house.
• 17:04
  I'm like, I don't see any fucking stairs.
• 17:06
  There's no stairs out here. I was like, what the fuck was
• 17:08
  that old man talking about? What a weirdo, right?
• 17:13
  Listen to these movies lately confusing the fuck out of me.
• 17:15
  Anyway, you know what it is? Actually, it's because I'm not
• 17:20
  an intellectual. See, you're using your woman
• 17:26
  brain. Yeah, well, I'm not an
• 17:27
  intellectual. You may not know, do you know?
• 17:29
  Did you see the comment that said we weren't intellectuals?
• 17:32
  No, I didn't see that. Yeah, I'm sorry.
• 17:35
  I thought I sent it to you or told you about it, but no.
• 17:37
  Yeah, we. Honestly, it probably did.
• 17:39
  I tend to forget about those. Like I I see them in the moment
• 17:43
  and I comment and then I forget about them.
• 17:45
  But yeah, we're not intellectuals, so that's
• 17:48
  probably why these movies are making me dumb.
• 17:50
  Or I'm I'm dumb and I realize it now.
• 17:52
  And then somebody told me I'm not an intellectual.
• 17:55
  Well, I'm glad they told you, you know, because honestly, I've
• 17:58
  been struggling with that through this whole process.
• 18:02
  Oh, Lake Mungo. Anyway, go ahead.
• 18:05
  The curse of Lake Mungo. We should just make a movie for
• 18:08
  that. So Ben is doing a sound check
• 18:12
  and Tina finally mentions the fact that Pierre gave her the
• 18:15
  creeps and mentioned like his off brand staring at her.
• 18:19
  They start talking about Pierre a little bit more and Ben is
• 18:21
  suggesting that he could probably steal the van.
• 18:23
  Tina's like what do you mean? But then Ben lets her know that
• 18:27
  he has the keys so that can't happen.
• 18:29
  So she feels a little relief. As they're swimming, they're in
• 18:31
  a murky part of the water and Tina's Finn get stuck for a
• 18:34
  moment and they both think it's funny.
• 18:37
  I mean, personally, I don't, you know, I just feel like, can you
• 18:40
  help me out, you know, because I don't think I'd really find it
• 18:42
  funny. You know, again, like I find
• 18:45
  most things funny, but I'm in a spot that I don't know and I'm.
• 18:48
  Don't want to be in? Yeah.
• 18:50
  Don't want to be in and I have limited air so I don't think I
• 18:54
  would find that all that. Funny, you don't want to waste
• 18:56
  your air laughing, that's for sure, right?
• 18:58
  Yeah, I would die because I would laugh too much.
• 19:01
  That's true. Could.
• 19:02
  You imagine the two of us underwater.
• 19:05
  Imagine us, the two of us, underwater, doing this podcast.
• 19:08
  Right. We'd be dead.
• 19:09
  We'd be dead in like 10 minutes, but we're done, OK?
• 19:13
  Right. And we won't even get to the
• 19:15
  podcast. No.
• 19:18
  So Tina ends up begging for help and Ben's like, oh, you know,
• 19:21
  I'll just leave you here and pick you up on the way back.
• 19:23
  And then he goes over and freeze her and.
• 19:25
  She should have taken up on that offer.
• 19:27
  Right. Tina ended up saying that she
• 19:29
  wants to keep going. So it seems like that this was
• 19:33
  the first time she was going on her free will.
• 19:36
  As they're swimming, they see a perfectly intact car, and Tina's
• 19:39
  like completely surprised by this.
• 19:41
  She's like, why isn't the car rotted out and stuff?
• 19:43
  And I'm saying the same thing. Ben's like, oh, it's fairly
• 19:46
  common because there's no salt water here.
• 19:48
  It's like Ben, stop pulling shit out of your ass.
• 19:51
  I mean you don't even know what a fucking peace symbol is, let
• 19:53
  alone a goddamn car underwater that should be like rotted out
• 19:56
  because it was there in 1984 like 30 years.
• 19:59
  Cars that aren't underwater get rusty right from, you know, rain
• 20:05
  and elements and whatever. Like why would it not?
• 20:08
  Like it's? Completely submerged.
• 20:10
  So obviously there's a problem with this car because it looks
• 20:14
  brand new practically. Ben's like, oh, well, it's not
• 20:17
  seawater, it can last. He's like, oh, the car's
• 20:20
  probably needed Britain like him.
• 20:22
  So as they're swimming, Tina asks for a song and he puts on a
• 20:26
  heavy metal, like really loud song.
• 20:28
  And she flips him off. He changes it to like a karma
• 20:30
  rock, and we're seeing a lot of fish as they're swimming.
• 20:34
  Ben is like doing his whole YouTube filming of the area and
• 20:38
  they end up fighting some stairs and they follow them down.
• 20:42
  They start approaching the house and we see the front gates in
• 20:45
  front of them and they look around and see like there's a
• 20:48
  like some sort of religious statue attached to the fence.
• 20:51
  There's a sign on there in French that says no trespassing.
• 20:55
  Tina jokes saying oh, you know, maybe we should go back up and
• 20:57
  that's not a joke. Ben says we can continue.
• 21:00
  Tina starts to notice that like, all the fish are gone.
• 21:03
  OK, so now we have a perfectly intact car, a perfectly intact
• 21:08
  front gate, and there's no fish. OK, so as long as we're all on
• 21:13
  the same page. Yeah, that's normal, Totally
• 21:16
  normal. So as they approach, they come
• 21:18
  to a summit building and Ben says it looks like a private
• 21:22
  mausoleum that's in the garden. So they're not even at the house
• 21:24
  yet. They're they're still like in
• 21:26
  the garden area. Tinda notices the song in her
• 21:29
  speakers are getting like unnaturally weird static sounds
• 21:32
  and and Ben asks her to shut it off.
• 21:35
  He complies. Now keep in mind that there's no
• 21:38
  radio stations. There's nothing that should be
• 21:40
  interfering with them under the water, but they're having some
• 21:44
  random interference. And this is all all to to
• 21:47
  highlight how stupid some characters are when they're
• 21:50
  written into horror movies. Granted, it's to make the horror
• 21:54
  movie progress, but Oh yeah, yeah, yeah, it's still, it's
• 21:56
  still funny to talk about. They never see the signs.
• 21:59
  No, no, I'm not at all. So Ben opens the door to the
• 22:02
  Mosley and Tina's like, Oh no, don't do that, Ben says she's
• 22:05
  too superstitious, and they have God watching over them.
• 22:08
  Then he speaks freakishly in French and floats up with arms
• 22:11
  outstretched, kind of like mimicking an Angel arising or or
• 22:16
  Jesus arising. And they get back to exploring
• 22:19
  and they finally get to the house and they find that the
• 22:22
  front door is locked and. Locks their door underwater.
• 22:25
  What are they afraid of? I don't know, but why did Tina
• 22:27
  knock on the door? Hello, Want to let us in?
• 22:30
  Right now, in doing that, we did find out that the door is made
• 22:34
  out of steel. Ben says maybe we should split
• 22:36
  up. That's always a fantastic idea.
• 22:38
  We have the ominous music playing.
• 22:40
  We see the house through a pan up shot.
• 22:43
  It's a pretty big house. I'm assuming that the pan up
• 22:45
  shot is Tom. So Ben notices that it's
• 22:48
  shuttered and Tina is with him even though they separated.
• 22:52
  Yeah. You know, I, I didn't understand
• 22:54
  that. Like, yeah, she didn't say no,
• 22:56
  but there she was. Right this this whole part here
• 22:59
  like some of this from the mausoleum to the house I missed
• 23:03
  because I got on my phone and so I missed some of these things,
• 23:08
  but I do remember they split up. So I just figured I missed when
• 23:11
  they came back together or whatever they do when they split
• 23:13
  And so I. Don't know they they just never
• 23:16
  split or they or you know, they could have edited that part out.
• 23:20
  But so they end up going to the floor level and he sees they see
• 23:26
  that, you know, that's all boarded up to and they see a
• 23:29
  chimney and Tina says, oh, you know, you can go first.
• 23:34
  They end up finding a small window like near the top and
• 23:37
  they are able to open it and a big fish comes out and scares
• 23:41
  them hitting the drone. So there are some fish there.
• 23:44
  Yeah, there's a fish. And actually, because I wasn't
• 23:46
  paying attention, so I just put my phone down and looked up at
• 23:50
  the screen just as they opened that window and that fish came
• 23:54
  out and it actually jump scared me.
• 23:56
  I was like, because I wasn't watching it to pay attention to
• 23:59
  what was going on. So it actually got me and I was
• 24:01
  like, oh, it got me. I was like, if I were paying
• 24:03
  attention, it probably wouldn't have got me.
• 24:05
  But because I wasn't I, it got me.
• 24:07
  Yeah, yeah, very rarely, but there have been a couple movies
• 24:10
  that have drum scared me. So the fish comes out, hits the
• 24:13
  drone. Tina and Ben are talking a
• 24:15
  little bit and they end up sending the drone in.
• 24:17
  They're watching on the screen as it goes through the house and
• 24:19
  it's showing like the remnants of of the house that's left
• 24:22
  behind, like different paintings, furniture.
• 24:25
  And again, it's all really in good condition.
• 24:27
  It's messy, but it's in good condition.
• 24:29
  Ben thinks that they're in the attic.
• 24:31
  Tina notices that they left the furniture behind.
• 24:34
  Personally, I don't think that's a big deal because people
• 24:37
  abandoned houses and leave stuff behind.
• 24:39
  The fact that, you know, it was flooded, you know, it makes
• 24:43
  sense that they couldn't get everything out.
• 24:44
  So Ben into finding a bottle on a book and he lifts it up and
• 24:48
  the box ends up opening and has a bunch of snow globes in it.
• 24:51
  And he's like, oh, I had some of these as a kid.
• 24:53
  Like, you know, it's some like miraculous, like memory and
• 24:56
  shit. You know, I had a snow globe,
• 24:57
  but it I'm not attached to any memory to it.
• 25:00
  They end up seeing a Rotary phone.
• 25:02
  Tina's like my grandmother had one of those.
• 25:04
  Fuck you, Tina. I had one of those.
• 25:09
  I have one of those actually right now, like I really do,
• 25:13
  but. Is that your cell phone?
• 25:14
  I carry this fuck around everywhere.
• 25:17
  Yeah, it's one of the, it's a black Rotary phone.
• 25:22
  It's like the old, you know, has the thing kind.
• 25:24
  Of like what we see right now in the movie, it's a black Rotary.
• 25:27
  Phone. Yeah, yeah, yeah, yeah.
• 25:28
  All right. So as as they're looking around,
• 25:32
  we end up seeing a figure in the back of them floating and Tina
• 25:35
  freaks right the hell out, which I don't blame her.
• 25:38
  You know, especially like if it's a doll, like that's what it
• 25:41
  was. Kids and dolls at night are
• 25:43
  fucking creepy. My own kids have freaked me out
• 25:46
  and in the middle of the night and my grandmother used to have
• 25:48
  the stall that my cousin and I were deathly afraid of.
• 25:50
  You would think that it was Annabelle the way we and we were
• 25:54
  convinced that when we weren't in the room that it would be
• 25:57
  like looking at us through the doorway.
• 25:58
  Then we walked away. It would look back.
• 26:00
  It was a creepy ass guy. Damn doll man.
• 26:02
  Must have been. But I miss seeing it because I
• 26:05
  miss my grandma. So Ben ends up pushing it off.
• 26:07
  I'm just like ah ha ha ha. It's fine.
• 26:09
  They checked their oxygen, which we're going to do quite a bit
• 26:12
  coming up. So right now they're doing good.
• 26:14
  Ben says that the house doesn't look that long and probably
• 26:17
  won't take them that long. That sounds like a more than an
• 26:20
  hour to me. Yeah, I don't know what he was
• 26:22
  talking about because it was a house.
• 26:25
  Right. It was unless like he's some
• 26:26
  like rich guy that has like a 600 room.
• 26:29
  Mansion. That's a shack.
• 26:31
  Right, right. So they continue to explore
• 26:33
  around and they go into, I think it's the the living room where
• 26:38
  there's like an animal skull on the wall.
• 26:40
  This freaks Ben out momentarily because 1, he doesn't really
• 26:43
  hunt in two. You know, it was just kind of a
• 26:45
  surprise. Tina's like, oh, we can't see
• 26:47
  anything because of all the murkiness.
• 26:49
  Ben's like ladies first. Well, you're right.
• 26:51
  You know, he was being masculine and said, hey, you know, go
• 26:54
  ahead first ladies first. Tina suggests instead to send
• 26:58
  the drone in. At that point, we hear like a
• 27:00
  student distorted voice. And Tina asks Ben what he said.
• 27:04
  It's like, yeah, nothing. She says, I heard a voice and
• 27:08
  he's like, oh, it's probably radio interference again.
• 27:11
  They're the only people on this lake because it's supposed to be
• 27:15
  like the Super secret place that only Pierre knows about.
• 27:18
  And he brings divers out there, but he only brings them out one
• 27:20
  at a time or a couple at a time, right?
• 27:23
  So and. Then I don't know where the
• 27:24
  radio interference is coming from.
• 27:26
  And I can't remember how far down they were.
• 27:28
  They were pretty far down. I don't know what radio signals
• 27:31
  are going down there. Right.
• 27:33
  And so the drone is still looking around the house and he
• 27:36
  notices that it's not putting off an echo.
• 27:38
  He's like, well, that means that there's nothing there, so it's
• 27:41
  fine. He's like, oh, there's no fish
• 27:43
  or creepy dolls, let's go ahead. They're trying to open some
• 27:46
  doors to no avail. Like none of the doors are
• 27:49
  opening that they're trying. And he sees an old fashioned gun
• 27:52
  on the wall. He pulls the trigger, you know,
• 27:54
  just for shits and giggles. It just spouts out like a bunch
• 27:57
  of rust and dirt into the water. I don't know how it got Rust in
• 28:01
  it. I know, I mean the card didn't
• 28:04
  have any rust, so how did the gun get rust?
• 28:06
  Right. It's crazy.
• 28:08
  He sees a painting and he sees a spot on it and he wipes it off.
• 28:12
  It has the name Familial Montagnac, which is basically
• 28:16
  the Montagnac family. You know, the French.
• 28:21
  They're always doing things backwards.
• 28:25
  Actually, it's us that's usually doing the shit back.
• 28:26
  What's the name of the family again?
• 28:28
  Family famille Montagnac Montagnac Montagnac I just.
• 28:34
  Want to hear you say it again? It's funny.
• 28:35
  Montagnac family it. Was a, you know, crazy name.
• 28:39
  Like there's no canoes like good canoes for GNU.
• 28:42
  I used to love this show, yeah. Me too.
• 28:47
  Great space coaster. Yes.
• 28:48
  Is that what it was? Yeah, yeah, yeah.
• 28:50
  Yep. So the picture looks like it's
• 28:51
  some sort of family tree, and they don't completely, like,
• 28:54
  wipe it off, but they just see parts of it and she's like, oh,
• 28:57
  they look like a bunch of freaks.
• 28:58
  It's not very nice if they're in their house to say about them.
• 29:03
  And they're, you know, old people.
• 29:04
  They're like old timey photos. I mean, nobody looked good in
• 29:07
  those old timey photos. No, like freaks.
• 29:09
  Ben says oh, you know, they look like an average French family.
• 29:12
  Tina tells him to shut up. They move back to the skull on
• 29:15
  the wall. Ben wants to do the selfie with
• 29:17
  the skull. Tina doesn't want to theme of
• 29:19
  the movie, but does it anyway. Theme of the movie, of course.
• 29:23
  Yes, they do the whole comment, share, follow thing.
• 29:26
  I really can't stand that when Youtubers do that, you know?
• 29:28
  I know it's a way to try to remind people and it's like a
• 29:31
  marketing thing. Yeah, that's the thing.
• 29:32
  Like I read all this stuff all the time because of course we're
• 29:35
  on YouTube and I have all this other stuff on YouTube.
• 29:37
  They're always like, do the follow, like and share.
• 29:39
  I'm like, do I really? I mean, YouTube has been around
• 29:42
  long enough. Do I really need to remind
• 29:43
  people how to use it? Like they don't know how to
• 29:46
  follow like or share or comment. Well, we know they know how to
• 29:49
  comment, but they know how to. Follow.
• 29:51
  They don't have to comment. But everybody knows if they want
• 29:55
  to follow you, they'll follow you.
• 29:56
  But I don't have to tell them I don't understand.
• 29:58
  It makes me uncomfortable. I do it sometimes but it like I
• 30:01
  feel like I'm treating people like they're dumb, Like I know
• 30:06
  they know how to do this right. Yeah, absolutely.
• 30:09
  And it's just frustrating. But anyway, I digress.
• 30:12
  Tina's like, you know, I really don't like the place.
• 30:15
  Which, duh. Ben agrees.
• 30:16
  He's like, yeah, you know, I agree.
• 30:18
  But I I love it. Yeah.
• 30:20
  Cool, like it. I love it.
• 30:22
  Right. They end up finding a door
• 30:23
  that's open and they go through it looks like a bedroom with
• 30:26
  toys and a lot of like electrical equipment.
• 30:29
  Tina notices that the house was flooded before she was born and
• 30:33
  comments on how it's not decayed, which I think all of us
• 30:36
  are are looking at that as well. They look through the room and
• 30:39
  there's a doll with the same satanic like symbol we saw
• 30:42
  earlier on. The peace symbol.
• 30:45
  No, no. No joking.
• 30:52
  I think I forgot to mention that the doll that they saw, you
• 30:54
  know, first they had like a weird satanic symbol on its
• 30:57
  forehead. Then we see another doll with a
• 30:59
  similar symbol and we see like a bunch of photos of kids.
• 31:03
  And Tina asks, what kind of kids?
• 31:06
  Were they a human? I don't know and Ben's like
• 31:11
  weird kids. Ben is looking around again and
• 31:14
  looks at the bed. It has a sheet hanging from the
• 31:16
  ceiling and we see a human ghost like figure silhouette in it.
• 31:20
  Ben freaks right the fuck out and calls for Tina and she looks
• 31:24
  and at this point she doesn't see anything.
• 31:26
  Ben says oh there's something there.
• 31:28
  He moves closer and the drone starts to flicker.
• 31:30
  Ben's light goes out. Tina's mad she's like this
• 31:33
  better not be one of your pranks because I'm not going to be
• 31:36
  happy. He assures her it's not and
• 31:38
  reiterates what he saw. He moves the sheet and there's
• 31:41
  nothing there. Ben is awfully confused and
• 31:44
  states that he did see something and he's like you know you
• 31:47
  didn't see it. Tinas freaking out, which she's
• 31:50
  freaking out a lot, and that must be using up a lot of
• 31:52
  oxygen. Yeah.
• 31:54
  Ben says, oh, you know, it's probably just a shadow that I
• 31:56
  saw a. Shadow of what?
• 31:57
  Like. Right.
• 31:58
  I mean. You still have the same problem
• 32:01
  like. Right at this point, Tom is
• 32:03
  acting up completely and having a lot of trouble moving, and he
• 32:06
  ends up powering down. We see the screen is black and
• 32:09
  then the drone beeps and it comes back.
• 32:11
  So obviously we're in drone mode and they're still going through
• 32:15
  the house. Ben says, oh, we had to reboot
• 32:17
  it. So now they go down some other
• 32:19
  stairs to a different floor and they see more paintings and the
• 32:22
  front door that they couldn't get through.
• 32:24
  They open it and they see that there's a wall in front of it
• 32:28
  now and it's got a bunch of scratches on it, like someone
• 32:31
  was trying to claw their way out.
• 32:33
  Ben theorizes that someone was trapped in the house.
• 32:37
  Genius. Oh, right.
• 32:39
  When they hear a piano noise like playing, Tina again gets
• 32:43
  freaked out and asks if it's another diver.
• 32:46
  Ben's like, I don't know, you know?
• 32:48
  Which again, the simplistic guy thing, I don't know.
• 32:50
  Like why are you asking me, you know?
• 32:52
  I need details. Right Tina asked if it's Pierre
• 32:56
  messing with them and Ben again says I don't know they go into
• 33:00
  the dining room where they we see candles and other items
• 33:04
  floating around the the table again.
• 33:07
  Ben puts the drone view on Thomas looking around the room
• 33:10
  and detects movement. There's things floating and it's
• 33:13
  looking at them. Tom was beeping and then
• 33:16
  stopped. They they look around to the
• 33:18
  area that they're in, trying to see if they can see anything,
• 33:20
  and they want Tom to go in a little further.
• 33:23
  They're wolf looking around and Tina's like, oh, what's moving?
• 33:27
  Ben says like he doesn't get it because he doesn't see anything.
• 33:30
  Tina asked if Thomas picking them up and Ben's like, no, it's
• 33:32
  impossible. It's a you know, he's programmed
• 33:35
  to ignore us. They come to the chimney and
• 33:37
  he's like, oh, you know, it's probably just some fish going
• 33:39
  back and forth into the chimney and then asks about the piano
• 33:43
  and Ben's like, oh, you know, it's probably a string that
• 33:44
  snapped. No, I mean, it sounded like, you
• 33:47
  know, playing not not a string snapping.
• 33:50
  And Tina at this point, just like the rest of us, is getting
• 33:54
  really annoyed with him explaining everything away.
• 33:57
  Right, You would think so. He sees something, he knows he
• 34:01
  sees something and went up the bed.
• 34:03
  Even if it was a shadow. Shadow of what?
• 34:05
  Then you have a door you open that goes to the outside and
• 34:08
  it's covered by a giant wall with scratches in it.
• 34:11
  Like what are you trying to explain away?
• 34:12
  Like why are you trying to stay there?
• 34:15
  Right, exactly. At that point, I'd be trying to
• 34:17
  find a way out. Right, all right, if you should
• 34:19
  have figured this shit out by now.
• 34:20
  Right. I'm so, you know, she's being
• 34:22
  annoyed with explaining everything away and she's like,
• 34:25
  there's something seriously wrong with this place and we all
• 34:27
  agree. She lists out all the weird
• 34:29
  things that they've encountered and asked him, Don't you think
• 34:31
  that all that's weird? He admits it's weird, but he
• 34:33
  says that there's no such thing as haunted houses.
• 34:36
  OK. Ben explains the excitement he
• 34:38
  has for the film and guilting Tina to go further.
• 34:41
  You know, because he's got like, a lot of excitement for filming
• 34:43
  this place. And, you know, it's like, oh,
• 34:45
  you know, come on, Tina, let's go.
• 34:47
  Don't you want to go further? And Tina relents and agrees to
• 34:50
  go further. So as they're exploring, you
• 34:52
  know, Ben doesn't think that there's much more to see.
• 34:54
  Ben is narrating for the video. You know, he's like, all right,
• 34:57
  we're freaked out, but we're going to continue into the next
• 35:00
  room. They come across missing person
• 35:02
  posters of kids, Thomas beeping again.
• 35:04
  Tom goes into the kitchen. As Tina and Ben watch, Tom comes
• 35:08
  to an emblem with a devil face on it.
• 35:10
  Tom moves through the kitchen and his power cuts out again.
• 35:13
  I'm sorry, but Tom's a piece of shit.
• 35:15
  Yeah, I mean, it looks expensive, but it keeps cutting
• 35:19
  out on them. Yeah, it it does look expensive
• 35:21
  because it can do some shit if it works properly, because the
• 35:24
  whole time they were in there with this, I was like how does
• 35:26
  this thing know to follow them around?
• 35:28
  How does it know like because I'm like how is he doing what
• 35:31
  he's doing Ben and still manning this drone, but it felt like the
• 35:35
  drone was just doing its own thing like it knew where to go
• 35:38
  and what to do and how to do it. So it seemed like a very
• 35:40
  expensive piece of equipment to be fucking going out all.
• 35:43
  Do you know how it's following them magic?
• 35:46
  Yeah, I. Was like, did they tell us?
• 35:49
  I'm like trying to think. They say no, you can you can set
• 35:52
  up like expensive drones to follow you like you can have
• 35:55
  like a receiver on yourself and like it'll.
• 35:57
  Follow you, OK, nerd. If Tina's like, what about the
• 36:05
  batteries? Ben is saying that they're brand
• 36:07
  new. There's a glitch in in their
• 36:10
  electronics and we see an image of Jesus.
• 36:12
  Tina's freaked out and she's going to go check it out and
• 36:15
  Tina's not thrilled. Ben goes through the kitchen and
• 36:18
  we see that there's a Jesus statue and Ben's like, why is
• 36:21
  this in the kitchen? Which I thought the same thing.
• 36:24
  Yeah, and it's huge. It's Jesus on the crucifix and
• 36:27
  it's humongous. Absolutely.
• 36:28
  Ben finds the door behind it and he thinks that it could be a
• 36:31
  secret room. He has trouble opening it and he
• 36:34
  asks for Tina's help. They move the Jesus statue and
• 36:37
  falls to the floor. Very disrespectful of the Jesus.
• 36:41
  I will. I do want to say kitchens creep
• 36:43
  me out. I don't know why.
• 36:46
  Really. But they like, if I had gone
• 36:48
  into that house, I could have gone into every room, but to go
• 36:50
  into the kitchen, it would have creeped me out.
• 36:52
  I don't know what it is about kitchens.
• 36:54
  I think it's because if you have like a desolate, even if you go
• 36:57
  to our like a real abandoned house or whatever and you go
• 37:00
  into the kitchen, there's some, I think it's something about how
• 37:02
  because there's all kinds of stuff in the kitchen and
• 37:05
  typically that's where a lot of like families gather and they do
• 37:08
  stuff and there's tends to be a lot of life in a kitchen.
• 37:11
  So when I see it and it's all just and desolate and despair
• 37:16
  and I don't know, it weirds me out and make it, I get it's
• 37:19
  creepy for me. I don't know.
• 37:20
  Well, I I have a question. Is it because that you sometimes
• 37:25
  feel like you're you think more like a guy?
• 37:27
  What's this? EW, kitchen isn't my place.
• 37:38
  Are you barefoot? Yeah.
• 37:39
  Are you a barefoot get in that kitchen?
• 37:42
  OK, so after the Jesus taught you falls, the door opens.
• 37:46
  Tina, I think at this point just is like, OK, I know we're going
• 37:49
  to be going to this room. So she's just like make this the
• 37:52
  last room and then again promises that'll be the last
• 37:56
  time that they go into another room.
• 37:58
  Tina says it's dark. She tells us it's dark.
• 38:02
  Like no shit it's dark. Well, and then points out the
• 38:05
  obvious, that it's too murky. Yeah.
• 38:07
  Thanks, Ben. So they end up sending Tom back
• 38:10
  in because they got him working again.
• 38:11
  Or although in, you know, I think he's still like having
• 38:14
  some malfunctions, but he's strong enough to be able to go,
• 38:18
  go ahead. They look in the space and Ben's
• 38:21
  like, oh, you know, we'll be fine.
• 38:22
  Tina looks like really shaken. It appears to be like a storage
• 38:26
  area with bikes, fishing equipment, film reels, mannequin
• 38:29
  heads, you know the average stuff that you would have in in
• 38:32
  your. Room off your kitchen?
• 38:34
  Right, right. They look at the film that they
• 38:37
  found in this room and asking what were they filming and Tina
• 38:41
  mentions that she found some film up in the kids bedroom and
• 38:44
  she turns and yells what the fuck is that?
• 38:46
  They find what appears to be two people chained up.
• 38:49
  They both have like some type of like BDSM type mask covering
• 38:53
  their eyes and their mouth and their nose.
• 38:55
  Their cheeks in their forehead are exposed and one appears to
• 38:59
  be male and the other one appears to be female.
• 39:02
  She has a red dress and blonde hair.
• 39:04
  He's more like a farmer type get up like a overalls and like a
• 39:08
  shirt. They move closer.
• 39:10
  Tina says she's leaving and Ben's like, yeah, I agree and
• 39:14
  and I would agree too. And again, keep in mind this
• 39:17
  place was flooded in 1984. Thirty years later and these
• 39:21
  bodies are pristine. Yeah, they're in fact, I thought
• 39:24
  maybe they were just dolls or like some kind of dummies at
• 39:27
  first. Mannequins.
• 39:28
  Yeah, of course I knew that they were.
• 39:30
  But if if you're looking at them you think oh these are just
• 39:32
  mannequins or something hanging here because how would the fuck
• 39:34
  would they be in fully intact? Right, so Ben says we just got
• 39:38
  two more shots, 2 more minutes, Tina's like OK fine, but then we
• 39:41
  need to leave. Ben again points out the
• 39:44
  obvious, that they were probably chained up before the place was
• 39:46
  flooded. Yeah, because that's normal,
• 39:49
  right? Right.
• 39:50
  They were just chained up here before.
• 39:52
  No big deal. Right.
• 39:53
  I mean, that's what the French do.
• 39:59
  Ben points on the floor and he starts like rubbing on it and we
• 40:02
  see it's like a pentagram and he states that it's satanic.
• 40:06
  Because he knows all that satanic shit, by the way, right?
• 40:09
  Yeah, key symbols and all that. Right, right.
• 40:12
  I wouldn't trust him. He points out that the masks
• 40:16
  look like they were torture masks.
• 40:18
  Tina also asks who they were and why they are still intact.
• 40:22
  How would he know? Good.
• 40:23
  Question, Tina. Again, one of those.
• 40:26
  Details, right? Ben says.
• 40:29
  I don't know a A door opens and Ben swims towards it and Tina's
• 40:35
  getting over irritated like what the hell you doing?
• 40:38
  Ben says. You know he's just checking it
• 40:39
  out. Tina scared and he tells her to
• 40:41
  stay stay back. While he goes into the room he
• 40:45
  finds random body parts in jars along with heads and other
• 40:49
  items. Tina is talking to him and he's
• 40:52
  not speaking back. She frantically shines her light
• 40:56
  on him and he finally comes back.
• 40:58
  She asked what was behind the door and he says nothing but
• 41:01
  small cameras. We have some ominous music again
• 41:04
  and we go over the Jesus statue and they're frantically going
• 41:09
  upstairs. Emma says they need to call the
• 41:11
  cops. Why?
• 41:12
  Why? I mean, what are they going to
• 41:14
  do? Ben says no because they'll take
• 41:16
  all our memory cards. Yeah, OK, you know that.
• 41:20
  That's that's priority. Tina's like, oh, it's a crime
• 41:23
  scene. They started swimming towards
• 41:25
  where they came into the house and it's bricked over.
• 41:28
  Oh, no. The ominous music increases and
• 41:30
  Tina's freaking out. And Ben tells her to stop
• 41:33
  because at this time he's telling her, you know, you need
• 41:36
  to calm down because you're going to waste all your oxygen.
• 41:40
  Like you need to chill out because we know that works.
• 41:43
  You know when you tell someone to chill out?
• 41:45
  Right, Right. Yeah.
• 41:47
  Because during this whole time, every time she gets freaked out,
• 41:50
  they check her oxygen, basically.
• 41:52
  They do it a lot. She's always a little bit lower
• 41:54
  than his because she's a little panicked throughout the whole
• 41:57
  thing, so she's using it up. So then he does like some sort
• 41:59
  of breathing exercises and she does calm down, but it's like,
• 42:02
  lady, you're fucking yourself but keep going.
• 42:05
  So, you know, he points out the oxygen and says that she needs
• 42:09
  to breathe calmer like him. She slows down and she looks
• 42:12
  past Ben and there's a ghostly figure with white eyes and mouth
• 42:16
  a gap open. Ben turns and there's nothing
• 42:19
  there. She's freaking out again because
• 42:21
  she says it was right behind him.
• 42:23
  Tina is upset and thinks that they'll never get out of the
• 42:25
  house. Ben says we will, everything
• 42:28
  will be great. He says that you can check the
• 42:30
  windows downstairs and we'll get out that way and we'll be fine.
• 42:33
  They go back downstairs and check the windows and they try
• 42:35
  to break them and they're not breaking.
• 42:38
  There's like thick vines covering them.
• 42:39
  Yeah, there was a whole fence with a bunch of vines on it too.
• 42:42
  Yeah. Right, and Ben is mad at the
• 42:44
  windows because they're not breaking like he's swearing at
• 42:46
  them. He pulls at them and bangs them
• 42:48
  along with Tina, again, not doing anything.
• 42:51
  Something swims past them and Tina convinces herself it was a
• 42:54
  fish. We don't really know it was a
• 42:55
  fish, but that's what we're convincing ourselves.
• 42:58
  She says that there must be another way, and she saw it go
• 43:00
  into the kitchen. So they see it and realize that
• 43:03
  it is, this is a short a fish, but it's going back down to
• 43:06
  where the dead people are, right?
• 43:08
  Tina says. It's their only hope because if
• 43:12
  the fish is going down there, there must be a way out.
• 43:14
  They end up going over the Jesus statue and the eyes are open.
• 43:19
  Right, they were closed. Before they were closed before,
• 43:21
  now they're open. Tina lost the fish.
• 43:24
  She can't find it now. She sees the opening in a small
• 43:27
  window with bars where she assumes that that's where the
• 43:29
  fish was. Some music starts playing in
• 43:31
  their headsets and Tina asks why he turned it back on and Ben's
• 43:35
  like he didn't and doesn't know what she was talking about.
• 43:38
  She sees that the room is more of a well and it's graded over.
• 43:42
  She yells at Ben to turn the music off and he doesn't answer
• 43:45
  her. She looks down for him and sees
• 43:48
  that the couple is gone. Where did they go?
• 43:50
  I don't. Know, I think think I forgot to
• 43:53
  mention the fact that early on when they found them originally,
• 43:56
  they pulled the masks off when they were.
• 43:58
  Looking Oh yeah, at some point they did take the masks off
• 44:01
  that. Yeah, they did, yeah.
• 44:02
  Yeah, I think I forgot to put that in there.
• 44:04
  So she looks and sees that the couple is gone.
• 44:06
  No, she continues to yell at Ben because he's not talking to her
• 44:10
  and she gets caught up in chains.
• 44:11
  She gets caught up in the chains that the couple was on and she
• 44:15
  gets a hook to the leg and she pulls it out and pulls herself
• 44:19
  up to the grate, trying to push it open.
• 44:22
  At this point, the scene is covered in red light, you know,
• 44:24
  to show danger with Robinson. She seems like she's getting
• 44:28
  pulled back down by the chains and getting further caught up,
• 44:31
  and she's screaming and flailing.
• 44:33
  Ben finally comes back and gets her.
• 44:35
  Ben checks on her and she's like, I was calling out to you.
• 44:38
  Like, where were you? He's like, I was right behind
• 44:40
  you the whole time. And he said that he was looking
• 44:43
  for the fish. She says the bodies disappeared.
• 44:46
  And he shows that they're there, right?
• 44:48
  Like they're they're back now. Almost like they never went
• 44:50
  away. Like they they like she was
• 44:52
  seeing or not seeing something, but like the whole time was like
• 44:55
  some kind of weird thing for her.
• 44:57
  Like they had been there the whole time.
• 44:58
  Yeah, right. I mean, actually, this is where
• 45:00
  we're coming up, where they take off the mask.
• 45:01
  Ben gets mad and says they're fucking dead and takes the mask
• 45:05
  off the male. Nothing happens, everything's
• 45:07
  fine but there was a mask on the woman and they take the mask off
• 45:11
  and again nothing also happens. Tina says they must be the
• 45:16
  owners of the house. At that point both her eyes are
• 45:20
  open and their heads are up because when they were
• 45:22
  originally had the mask on their head was down and their eyes
• 45:25
  were closed. Now they're up and awake and
• 45:27
  they start moving towards Tina and Ben and Ben is now panic
• 45:30
  telling her to swim. They swim as the couple follows
• 45:34
  so they go up the stairs into the hallway and they're like
• 45:37
  swimming really fast and the couple is still pretty close
• 45:40
  behind them. They get behind one of the doors
• 45:42
  and they were able to close the door and pushing the old the
• 45:46
  couple out. So Ben points out the chimney
• 45:49
  and Tina's suffocating at this point and Ben again is telling
• 45:52
  her to take shallow breaths. Like seriously Tina, listen to
• 45:56
  Ben and take your shallow breaths.
• 45:58
  He says that he'll send Tom up the chimney to check it out and
• 46:02
  send some light up. So they start moving up the
• 46:04
  chimney. Ben is encouraging and saying
• 46:06
  that they're almost out and they they got to keep going.
• 46:09
  The chimney starts to shake and fall apart around them.
• 46:12
  This is not ideal for their escape.
• 46:15
  No, not at all. No, this is not an ideal
• 46:17
  situation. Right.
• 46:18
  It was very chaotic too. I had a minute trying to figure
• 46:21
  out what the fuck happened. Right.
• 46:22
  We hear Ben say fuck and the crashing stops.
• 46:25
  So I guess if I'm ever in a situation where something's
• 46:28
  crashing, if I yell out the word fuck, it's going to stop.
• 46:32
  So that's good to know. It's the universal word for
• 46:34
  stopping things in their tracks. Landslide fuck right Avalanche
• 46:40
  fuck. So we're back to a black screen
• 46:44
  and Tom powers back up again. We see Tina free floating like
• 46:48
  on the bottom, like on on the floor.
• 46:50
  Tina works, wakes up first looking for Ben.
• 46:53
  And I was actually kind of confused by this part.
• 46:55
  I couldn't tell which was which. Yeah, that's why I said it was
• 46:57
  kind of chaotic and. Yeah, and I had to watch it a
• 47:00
  couple times to figure out who was who.
• 47:01
  So Tina wakes up first and looks for Ben.
• 47:03
  You know, she's just yelling out, hey, you know, I'm stuck in
• 47:05
  the chimney. And she cuts out a rope that she
• 47:08
  was tied to. She falls to the floor, still
• 47:10
  looking for Ben. She yells to Ben and hears some
• 47:13
  noises behind some rubble. Ben is another section, and he
• 47:16
  can't see her, but he can hear her.
• 47:18
  Well, no, at that point he can't hear her because he's still
• 47:20
  passed out. She wakes up to her voice and
• 47:22
  he's struggling to breathe. And we see that his tank is off
• 47:25
  of his body. The way it looks is the tank is
• 47:28
  on Tina's side, but his apparatus is on his side so he
• 47:32
  could still use his his tank. Well, he was in a totally
• 47:36
  different room. That's where I got confused
• 47:38
  because he was in the bedroom upstairs.
• 47:40
  But maybe maybe that's why I'm confused too.
• 47:43
  It was such, it took me forever. I was like, what the hell?
• 47:45
  How did he end up in the bedroom and she's in the basement?
• 47:48
  Still or wherever? Yeah, No, that's true.
• 47:50
  That's true. How do you get there?
• 47:52
  I was. Like right fuck.
• 47:54
  So maybe she fell further down during the collapse and he fell
• 47:57
  on the. Room.
• 47:58
  Yeah, like, yeah, that's, that's all I could figure out.
• 48:01
  It was. It was.
• 48:02
  Because again, that part was like really strange, really
• 48:04
  confusing on how they how they put it together.
• 48:07
  Yeah, yeah. Because they took their, they
• 48:09
  ended up because they took their tanks off to get up into the
• 48:12
  chimney. So that's why they had those
• 48:14
  off. She was ahead of him and then
• 48:17
  all of a sudden everything is going crazy with the chimney
• 48:19
  falling and it's really chaotic and of course she's stuck.
• 48:21
  She has to cut herself out. But then he wake when he wakes
• 48:24
  up, he's like, is he in the bedroom?
• 48:26
  Like what the hell the fuck did he end up in the bedroom?
• 48:28
  And the only thing I could figure was like you said, when
• 48:31
  he when it started falling somehow he fell out into the
• 48:34
  bedroom because you know, the chimney goes all the way up.
• 48:36
  It would end up in a room. You know, it goes through a room
• 48:38
  whenever he must have fallen out of the chimney area somehow into
• 48:41
  the room. And then she just kept going and
• 48:43
  fell all the way back down to the bottom.
• 48:45
  But I was like this is confusing what the fuck.
• 48:47
  Yeah, so as we said, you know, he was struggling to breathe,
• 48:50
  and we see that his tank is off. He gets up and he's pulling on a
• 48:54
  rope that was attached to Tina, and he realizes that it's not
• 48:58
  attached to her anymore. He yells at Tom because Tom's
• 49:01
  not working. Shock.
• 49:03
  Right, because he's looking at it through the viewfinder.
• 49:06
  Because Tina sees Tom and asks Ben to talk to her as she goes
• 49:10
  over to Tom and Tom's kind of being a Dick and moves back up
• 49:14
  as she gets close. Like ha ha ha ha ha.
• 49:18
  Ben is yelling at her that she's upstairs and he's again trying
• 49:22
  to windows with no success. Tina ends up picking up a
• 49:24
  flashlight and she's looking around.
• 49:26
  She reaches for Tom and his light goes from green to red.
• 49:30
  He's pissed off. I would be too if I kept on
• 49:33
  powering off and powering back on.
• 49:35
  He's probably. Been trying to warn them this
• 49:37
  whole time and they're just not listening.
• 49:39
  Right. And he's now, he's just pissed
• 49:40
  off, pissed about it. Pieces of shit.
• 49:43
  We could have been out of here a long time ago.
• 49:45
  I'm trying to tell you. So Tina's still going at Tom so
• 49:49
  Ben could hear her asking for him to talk to her.
• 49:52
  And Ben is still looking around the bedroom and there's like a
• 49:55
  another animal skull, or is it the same skull that I thought
• 49:58
  was in the dining room? I.
• 49:59
  Don't know, maybe the same 1, I don't know.
• 50:01
  It's it gets kind of confusing as they go through the house.
• 50:05
  That's points he comes across a different painting with the
• 50:07
  words in French saying that is not dead.
• 50:10
  And then he realizes what Pierre said was his family motto.
• 50:14
  It gets deeper. I wonder what that he looks at
• 50:18
  the family tree picture and realizes he's the son of the
• 50:21
  family. Yeah.
• 50:23
  That's in the water now. Ben is mad at Tom for not
• 50:26
  working. He can see Tina in the video but
• 50:28
  she can't hear him and she sees a figure.
• 50:31
  He sees a figure move past Tom and yells to Tina.
• 50:34
  He goes under the bed and the woman that was downstairs ends
• 50:39
  up walking over to it and stands over it.
• 50:41
  Ben's light is on. I would say even the dead could
• 50:44
  see this thing. Right.
• 50:45
  Because it was pretty bright. I mean because it was murky.
• 50:48
  Light travels like a small distance and as close as she
• 50:52
  were, she would have seen right the the light.
• 50:55
  And it wasn't like she was blind.
• 50:57
  Yeah, dead people can see too. Right, exactly.
• 51:00
  So now we're back in the kitchen and this is where Tina's at.
• 51:03
  We see a long shot of the dining room table and the chandelier
• 51:07
  light starts to go on and off again.
• 51:09
  I have to say they have better electricity than I do,
• 51:12
  considering that a light breeze knocks out my electricity.
• 51:17
  So Tina's still looking for Ben and she sees the dead guy
• 51:20
  standing there and then he disappears.
• 51:22
  Now she's sobbing and she starts to swim fast.
• 51:25
  Her voice comes through Ben's earpiece as the woman's ghost
• 51:28
  walks away. Thanks, Tina.
• 51:30
  Then a ghost child is behind him.
• 51:32
  This this is the the same ghost that we saw earlier with the
• 51:36
  white eyes in the mouth of gate that Tina saw.
• 51:39
  So now she's behind him under the bed and she lunges at him.
• 51:42
  Now we're back to Tina and she's yelling to Ben as she goes
• 51:46
  upstairs following and and he was feeling OK at this point
• 51:49
  because he's got a green light and now he's pissed off again
• 51:53
  because he goes directly back to the red light.
• 51:55
  Tina again is asking if Ben is there.
• 51:57
  She's trying to open the bedroom door.
• 51:59
  She gets it open and she sees Ben standing there, face is
• 52:02
  facing away from her. She turns him around and his
• 52:05
  mask is cracked and she asks if he's hurt.
• 52:08
  He monetarily says. Monetarily.
• 52:11
  Monotonally. Not monetarily.
• 52:13
  Monotonally. I was like monetarily like with
• 52:17
  some money. Says I am better now and she
• 52:22
  checks his oxygen and he's got 12% and she's only got 8.
• 52:26
  Wonder why Tina? I'm down, Tina.
• 52:30
  He says that she'll die before him.
• 52:32
  He's confused by what she's saying.
• 52:35
  And you know, it's really simple math.
• 52:36
  You know 8% is less than 12%. Correct.
• 52:39
  He says that we're out of danger.
• 52:42
  She says that he's in shock and they should leave.
• 52:44
  She tells him to wake up and she loves him.
• 52:46
  He just stares at her as he says there's something in your suit
• 52:50
  crawling up your neck and Ben says to stay calm.
• 52:54
  It's only a snake. The snake is in her mask and Ben
• 52:57
  tells her just open your mouth. A typical guy thing, you know,
• 53:01
  because you know. He tells her to swallow, you
• 53:04
  know, typical guy, you know. She lifts her mask and releases
• 53:08
  the snake. She puts the mask back on and
• 53:11
  Ben tells her the house knows our fears and Tina's
• 53:15
  continuingly to be confused and Ben says soon there will be
• 53:19
  nothing to fear. Ben goes on and Tina asks where
• 53:22
  he's going and he starts like moving.
• 53:25
  He says the basement and she's like we've already been there.
• 53:28
  He says it's the way. She asks about the way out.
• 53:32
  He says trust me we've heard that already.
• 53:35
  They knock over a large dresser to another door then leads her
• 53:38
  through and she follows. They come to another another
• 53:42
  door and Ben says that's it. Tina thinks that they're leaving
• 53:46
  and it looks like a den, like a like an old tiny den and tells
• 53:50
  her to come in because that's where it all began.
• 53:53
  She asks where's the way out. He says there was never a way
• 53:57
  out and that they're safe here. Penis oxygen is at 5%.
• 54:02
  Ben says that's good. I don't think so, Ben.
• 54:06
  Ben says they belong to the place as they were chosen.
• 54:10
  A family video starts to play a Pierre like an old timey video
• 54:13
  on our old screen in the water. The family video starts to play
• 54:18
  a Pierre and his dad's sharing some, you know, quality family
• 54:21
  moments. Ben explains that they would
• 54:23
  kidnap kids from the local farms and sacrifice them.
• 54:27
  The video shows the father cutting into a bloody body as a
• 54:30
  young Pierre watches. There's a young girl named Sarah
• 54:33
  in the in the video and it happens to be the ghost that got
• 54:37
  Ben and she's in the background. In the video, masked men with
• 54:41
  guns come into the house and Ben explains that it was the locals
• 54:44
  coming for revenge and one took Sarah to her room and killed her
• 54:48
  in her bed. Now, was Sarah like the sister
• 54:51
  to Pierre, or was she like a daughter?
• 54:53
  I think so, yeah. I mean she didn't really have
• 54:55
  much of A role outside of those 2 jump scares and that video,
• 54:59
  but I think she was supposed to be the sister.
• 55:01
  Yeah. OK, Pierre escaped.
• 55:03
  Tina doesn't give a shit about any of this.
• 55:05
  She just doesn't want to die there.
• 55:07
  You know, you should have thought of that before you
• 55:09
  freaked out so much. Ben says that the masks that the
• 55:11
  couple were wearing were masks of shame.
• 55:14
  And then the video screen rips open.
• 55:16
  Tina screams. It's Sarah.
• 55:18
  My God, it's Sarah. Ben says not to be afraid and
• 55:24
  that she will guide them. Ben is now speaking French,
• 55:27
  repeating the family model that is not dead which can eternal
• 55:31
  lie. He stands with Sarah and tells
• 55:33
  Tina to join them. Tina says no and goes through
• 55:37
  the torn screen. She gets out into the basement
• 55:39
  while Ben still stays still stays and says to join them.
• 55:43
  Her oxygen is like really low and she looks up trying to get
• 55:48
  out again. Ben grabs her.
• 55:50
  Ben says he can't stay without her, he's going to kill her so
• 55:53
  they can be together. If I can't have you, nobody
• 55:55
  will. Again, that masculine
• 55:59
  statements. That's the math bullshit right
• 56:01
  there. She fights him as the couple
• 56:06
  comes closer. Ben is telling her it's their
• 56:09
  chance to be part of something. The woman go smiles as Ben tries
• 56:12
  to stab Tina. Tina turns the tables and blocks
• 56:15
  him and stabs him instead. Ben groans in displeasure as as
• 56:20
  as one would right. Tina is sad.
• 56:23
  Ben comes to his senses and asks what happened.
• 56:25
  Tina thinks they found a way out and they're planning when Sarah
• 56:28
  comes up behind Ben and stabs him in the heart.
• 56:32
  Ben Apparently Sarah took his heart.
• 56:37
  Tina is Tina is crying as Ben is pulled back.
• 56:43
  The man ghost is there and looks at Tina.
• 56:46
  The woman ghost is there too. They pull at her.
• 56:48
  Tom is pissed again. Her oxygen is very low.
• 56:51
  She pulls off the suit off her suit to escape.
• 56:54
  The ghosts are watching her as she leaves the house and we have
• 56:58
  some like dramatic music playing up as she moves up the passage
• 57:01
  and it's very narrow, probably the reason for the dramatic
• 57:04
  music. She finds a way out and Tom is
• 57:06
  watching her leave too. Son of a bitch Tom has no
• 57:09
  loyalty. He's loyal to the House now, I
• 57:12
  guess. Right.
• 57:13
  She swims up fast in very deep water with no oxygen like she
• 57:17
  is. She is out.
• 57:18
  She is getting to the top like she's getting relatively close.
• 57:22
  She takes her mask off and slowly passes outgoing back
• 57:26
  down. She sees the lights on sunlight
• 57:28
  close to the top. She is floating as if she were
• 57:31
  raptured and died. A long shot of the pristine lake
• 57:34
  is shown as we fade to black. It would have been night if if
• 57:38
  she had just not lied and had actually gotten to the point
• 57:41
  where she could hold her breath for three minutes.
• 57:43
  She probably could have made it to the top that extra minute and
• 57:46
  1/2. But then creepy Pierre would be
• 57:47
  at the end. Right, Pierre, you know that
• 57:49
  motherfucker, He's like, I did my job, I'm out of here, right?
• 57:55
  Mom and dad needed some friends. Did you watch it all the way
• 57:58
  through the credits? Actually, I did not.
• 58:00
  Oh, OK, because there was an end scene.
• 58:03
  Yeah. So at the end of the credits,
• 58:05
  you see this one girl and she has a look on her face like
• 58:08
  she's a little exasperated and she's walking through the woods.
• 58:12
  You can see and she's gets to a point and she stops and she's
• 58:17
  looking. And then you see another girl
• 58:18
  come up behind her and she looks like they both look like they're
• 58:22
  confused and not happy. I don't know why, but why they
• 58:26
  have that look because I'm sure that's where they wanted to be.
• 58:28
  Because after you see that girl, the second girl, all of a sudden
• 58:32
  it pans over and there's Pierre. He brought them to the lake.
• 58:35
  So they probably weren't happy because Pierre was staring at
• 58:38
  her. Yeah, probably.
• 58:42
  But as we see it just keeps going and going and going.
• 58:45
  Pierre Bastard. It's just, it's just the circle
• 58:49
  of life. Yep, that that's it, Valeo,
• 58:52
  whatever. Q Elton John.
• 59:01
  So this movie I, I didn't, I mean, it wasn't again, it was
• 59:05
  like a fantastic, amazing movie, but it wasn't a horrible movie.
• 59:08
  There were just a few parts that were like that one part with
• 59:11
  this chimney was just confusing. I was like, what the heck is
• 59:14
  going on? The beginning, it took me a
• 59:16
  while to get into it because I the beginning was just kind of
• 59:19
  slow. It was a slow build up, which is
• 59:21
  fine. I mean it's not a big deal, but
• 59:23
  I did get distracted by my phone because of it.
• 59:25
  Well, like I said, 10 minutes of credits, yeah, that we're going
• 59:30
  to cut out. Right.
• 59:31
  Yeah, yeah, exactly. I really have.
• 59:34
  Like when it was over, I was like, I don't know what I have
• 59:36
  to say about this movie exactly, because it wasn't like it was
• 59:40
  something amazing, but it also wasn't bad.
• 59:42
  I couldn't think of any weird plot holes or or things like
• 59:46
  that that were just you could talk about.
• 59:48
  But I mean, it wasn't a bad movie.
• 59:49
  If it were on, I'd watch it again as long as it was at the
• 59:52
  point where they're at the house.
• 59:53
  Anything before that, like, like, like, like Fast forward
• 59:57
  something. But I'd probably give it
• 59:59
  probably 5. $0.05 I really don't have anything to say about it.
• 1:00:02
  I don't know. Like it's acting was good.
• 1:00:05
  There's nothing. The kitchen was creepy.
• 1:00:09
  I would say, Oh, there was one thing I would have, of course
• 1:00:11
  they didn't live and but at the time that they found all the
• 1:00:14
  film, they didn't know they weren't going to live.
• 1:00:17
  But I would have taken that fucking film.
• 1:00:19
  I don't know why they would have left that there.
• 1:00:20
  I've been like, I would have been so fucking curious about
• 1:00:22
  that film, like from 1984 or before, however long old that
• 1:00:26
  was, like that would have been, even if it wasn't a creepy house
• 1:00:29
  that was Satanic and people were trying to kill me.
• 1:00:31
  If I got, you know, it was just like some house, I would take
• 1:00:33
  the film because I would want to know what the fuck's on that?
• 1:00:36
  What was it like back in 1984? Even though I know it was like
• 1:00:38
  back in 84, I would want, I'd want to see it from somebody
• 1:00:41
  else's perspective, but I would take the film.
• 1:00:45
  I would definitely do that. But outside of that, I don't
• 1:00:47
  know. It was fine.
• 1:00:48
  It was a it was a decent movie. Yeah, I've watched it before,
• 1:00:52
  like a while ago, and I do remember liking it at at that
• 1:00:55
  time. And we we do pick on it here and
• 1:00:58
  there, you know, and throughout. But you know, some of the plot
• 1:01:02
  holes are explained, you know, like the car and the house and
• 1:01:06
  the people being, I mean, they didn't really quite explain what
• 1:01:09
  was going on directly, but you got it through context clues.
• 1:01:13
  Oh yeah, if you're an intellectual, you can figure it
• 1:01:15
  out. Right, right.
• 1:01:16
  I mean, I had to have my son pointed out to me, even though
• 1:01:20
  he doesn't want to learn the stuff and the things, he still
• 1:01:24
  was able to be intellectual enough to explain it to me.
• 1:01:27
  So my opinion is not of my own. But yeah, I mean, I, I liked it.
• 1:01:35
  You know, it certainly wasn't like a, a gotcha sort of movie.
• 1:01:39
  I mean, they tried to do a couple jump scares, but, you
• 1:01:42
  know, they they can only do so much with that.
• 1:01:44
  You know, it was it was a decent take on on the horror on the
• 1:01:49
  haunted house, right movies, you know, because, you know, granted
• 1:01:52
  it was just a plain haunted house, but it was underwater,
• 1:01:55
  you know, and right, you know, and it added a little intensity
• 1:02:00
  because of, you know, Tina not calming the fuck down, right.
• 1:02:05
  Yeah, because you did have two elements of death you had.
• 1:02:07
  You could possibly just drown because you stopped breathing,
• 1:02:10
  or you could get killed by some psychos in a house.
• 1:02:13
  Yeah. Right, you know and you know the
• 1:02:15
  ending of the movie, like the the first ending of the movie.
• 1:02:19
  I thought it worked, but I think if they did, like, I don't know
• 1:02:22
  if the DVD has like an alternate ending, but I think it would be
• 1:02:25
  cool, like if there was like an alternate ending where she makes
• 1:02:28
  it and peers right there and, you know, I don't know, like if
• 1:02:32
  he like just her, like, like, you know, yeah, shocked or, you
• 1:02:36
  know, gives her the golden buzzer or, you know, or stabs
• 1:02:40
  her, you know, and kills her and then she goes down to the water.
• 1:02:43
  Yeah. I think something like that
• 1:02:45
  would have added a little bit more to it.
• 1:02:47
  But I feel All in all it was decent.
• 1:02:49
  Yeah, You don't almost have that element of, oh, she made it out,
• 1:02:52
  and then Pierre ends up killing her.
• 1:02:54
  She doesn't make it out. So yeah, that would have been a
• 1:02:56
  nice addition to it, probably, yeah.
• 1:02:57
  Yeah, because have you ever seen the Descent?
• 1:03:01
  Yep, and descent too. Yep.
• 1:03:04
  OK, so I honestly like the the director, I think it's the
• 1:03:08
  regular cut because the director didn't want to do a director's
• 1:03:10
  cut because the regular cut is where she dies in The Cave.
• 1:03:14
  The other one is where she gets out and then the second one
• 1:03:17
  picks up there and the guy kills her, right?
• 1:03:20
  You know, and you know, granted, that's that movie, but I think
• 1:03:23
  that would have worked in this movie.
• 1:03:24
  Yeah, yeah, it would have worked.
• 1:03:27
  But I would say five and a half cents, Yeah, you know, because I
• 1:03:30
  mean, again, I mean, as far as scare factor, it's no lick
• 1:03:34
  Mungo. No, not at all.
• 1:03:41
  But, you know, it was decent overall, right?
• 1:03:44
  I'll probably go back and watch that end scene, too, because I
• 1:03:46
  didn't realize. And you would think because of
• 1:03:48
  Marvel that I'd always watch the end scenes.
• 1:03:50
  Yeah. I was happy that there was that
• 1:03:53
  that was there. I was not expecting it at all.
• 1:03:55
  I didn't think it was going to be anything else, but I was
• 1:03:57
  happy that they had that just for the heck of it.
• 1:03:59
  If you ever wonder, I wonder if those people who live in that
• 1:04:01
  house or who are dead in that house, whatever, it'd be funny
• 1:04:05
  to have a movie from their perspective, like, but it'd be
• 1:04:08
  more of a probably like a comedy maybe because what they do when
• 1:04:12
  nobody's when Pierre doesn't send them the sign, like, hey,
• 1:04:15
  I'm sending somebody down. They're just living their lives
• 1:04:17
  down there. You know, they're kicking,
• 1:04:19
  they're playing the piano, they're watching TV.
• 1:04:21
  That's that's kind of like the the odd zombies or zombie attack
• 1:04:25
  because you know, the zombies are, are viewing the world as if
• 1:04:29
  the world is zombies, but the world is viewing the zombies as
• 1:04:33
  zombies. So it's it's kind of like flips
• 1:04:35
  back and forth. All right, so you have anything
• 1:04:37
  else you want to add? Well, you can put a sock on it.
• 1:04:39
  All right, sock applied. And that's The Deep House, a
• 1:04:43
  movie that proves sometimes the house doesn't just want your
• 1:04:45
  soul, it wants your last breath too.
• 1:04:49
  Next week we're kicking off our October theme, Not just another
• 1:04:52
  Halloween movie, because of course we're covering Halloween
• 1:04:55
  theme horror this month, but not that Halloween movie.
• 1:04:59
  First up is Murder Party, a low budget blood soaked gem you can
• 1:05:03
  stream right now on tube. Be remember, be scared, be
• 1:05:07
  prepared and don't get caught in the dark.