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Still Comfy? Love, Actually · To All the Men I've Tolerated Before

• 0:21
  Speaker 1: Showtime. Here we go and we are live. Okay, good
• 0:26
  Speaker 1: Hello everybody, our friends on the YouTube's and people listening
• 0:32
  Speaker 1: and watching the playback. This is still comfy with Jules
• 0:35
  Speaker 1: and Nat. And on this week's episode, we are discussing
• 0:39
  Speaker 1: the rom com holiday favorite Love Actually. I'm your host
• 0:46
  Speaker 1: of Pop Culture Makes Me Jealous, Julia Washington, where we
• 0:49
  Speaker 1: analyze pop culture through the lens of race or gender
• 0:52
  Speaker 1: and sometimes both, And I'm joined by my regular co
• 0:57
  Speaker 1: host Natalie Katona, who I will like introduce herself now.
• 1:01
  Speaker 2: Hi everyone, I'm Nabli Katona, host of All the Men
• 1:05
  Speaker 2: I've Tolerated before, your weekly look at every day misogyny.
• 1:10
  Speaker 2: And although the holidays made me stress cry the entire weekend,
• 1:15
  Speaker 2: I did manage to watch Love Actually last night because
• 1:18
  Speaker 2: I felt like it fit the theme of just being
• 1:22
  Speaker 2: morosely disappointed in the holidays.
• 1:26
  Speaker 1: And if you were watching, because we are using a
• 1:29
  Speaker 1: third party app to stream, we don't know you're here,
• 1:33
  Speaker 1: so tell us in the comments say hello. And if
• 1:36
  Speaker 1: you're watching the replay, you can still respond to us
• 1:39
  Speaker 1: in the comments because we look at those things and
• 1:43
  Speaker 1: it's time stamped, so we know at which point you're
• 1:45
  Speaker 1: referring to so to do. A quick summary for those
• 1:50
  Speaker 1: who maybe don't watch Love Actually as much as I do.
• 1:54
  Speaker 1: Here's the description from IMDb. Love Actually follows the lives
• 1:59
  Speaker 1: of a very different couples in dealing with their love
• 2:01
  Speaker 1: lives and various loosely interrelated tales, all set during a
• 2:06
  Speaker 1: frantic month before Christmas in London, England. And it starts
• 2:12
  Speaker 1: a lot of folks. We've got Emma Thompson, We've got
• 2:15
  Speaker 1: Liam Neeson, We've got Hugh Grant.
• 2:18
  Speaker 2: We have a British person there in the movie.
• 2:21
  Speaker 1: Yeah, pretty much, and even like local to Britain fame
• 2:25
  Speaker 1: folks as well. Martin Freeman, isn't it when he's a
• 2:28
  Speaker 1: little baby? Posts the office pre Sherlock pre mcu. Jeez,
• 2:35
  Speaker 1: I loved him and I just love him.
• 2:38
  Speaker 3: Yeah, he's a little baby.
• 2:40
  Speaker 1: Please don't ever play a gross character that I'm aware of,
• 2:42
  Speaker 1: because that will drastically change my relationship with you and
• 2:45
  Speaker 1: I can't handle that. So I just kind of want
• 2:51
  Speaker 1: to dive in. There's eight couples. I counted seven.
• 2:58
  Speaker 2: Do they count the musician and his manager as like
• 3:02
  Speaker 2: the final couple.
• 3:03
  Speaker 1: That's kind of what I was thinking too.
• 3:07
  Speaker 3: Har Liam Neeson and that random blonde.
• 3:09
  Speaker 1: Lady Claudia Schiffer look alike, who actually was Claudia Schiffer
• 3:13
  Speaker 1: or his dead wife.
• 3:15
  Speaker 2: Or the dead wife. M h. Now do you just
• 3:21
  Speaker 2: do you want to do it couple by couple or
• 3:23
  Speaker 2: do you want to do it stream of conscious?
• 3:27
  Speaker 1: You know that's a hard that's hard because they're all
• 3:30
  Speaker 1: like the like the descripture says, they're all loosely interconnected.
• 3:34
  Speaker 1: So here's the couples. I have the Prime Minister and Natalie,
• 3:38
  Speaker 1: Jamie and Aurelia, Mark and Juliet. So the Prime Minister
• 3:41
  Speaker 1: Natalie that's Hugh Grant storyline. Jamie and Aurelia that's Colin Firth.
• 3:46
  Speaker 1: Mark and Juliet that is Kiara Knightley and her her
• 3:52
  Speaker 1: the dude she did not marry. Yeah, Carl and Sarah
• 3:55
  Speaker 1: that is Rodrigo what is his last name? I forget
• 3:58
  Speaker 1: his last name? And Laura Lenny Mia and Harry that's
• 4:02
  Speaker 1: Alan Rickman and his subordinate just Judy and Jack that
• 4:08
  Speaker 1: is Martin Freeman. They are the couple who are the
• 4:10
  Speaker 1: stand ins for the porn which we can talk about
• 4:13
  Speaker 1: that at some point. I h listed Sam and Joanna,
• 4:16
  Speaker 1: which is the little boy who's now grown as an adult,
• 4:20
  Speaker 1: and his love interests that we allus run. Yeah, he's
• 4:24
  Speaker 1: so cute. And so those are the eight couples I heard,
• 4:29
  Speaker 1: the seven couples I have. And then of course you
• 4:31
  Speaker 1: do have Billy Mack and his manager, which I guess
• 4:33
  Speaker 1: you could totally qualify because at the end he is like,
• 4:36
  Speaker 1: turns out you're the one I fucking love because I
• 4:38
  Speaker 1: just spent the last forty years.
• 4:39
  Speaker 2: With you exactly. And here's the thing, Bill Night only
• 4:43
  Speaker 2: man I trust in this movie. He's the only one
• 4:46
  Speaker 2: ever telling the truth.
• 4:47
  Speaker 1: I wanna say. He's so honest. His character's so honest.
• 4:50
  Speaker 1: And what's interesting is that when I was watching the
• 4:54
  Speaker 1: twenty year anniversary special with Diane Sawyer, they talk about
• 4:58
  Speaker 1: how he was just a stand in. That character hadn't
• 5:01
  Speaker 1: been cast yet, so he was just a stand in
• 5:03
  Speaker 1: for the table read, and he did such a brilliant job.
• 5:06
  Speaker 1: They were like, hey, do you want the role?
• 5:08
  Speaker 2: How dad? They reduce Bill Nye to the stand in, And.
• 5:14
  Speaker 1: You know, he's this accomplished theater actor like most British
• 5:17
  Speaker 1: people are, because they have actual academies and schools for
• 5:21
  Speaker 1: teenagers to study this craft and it's like a respected thing,
• 5:27
  Speaker 1: and so yeah, I thought that that was like the
• 5:29
  Speaker 1: most interesting thing I learned from the twenty year special
• 5:32
  Speaker 1: from Diane Sawyer.
• 5:34
  Speaker 3: I love Bill Nye in all iterations.
• 5:38
  Speaker 2: Anytime Bill Nye pops up in anything, I'm like, oh,
• 5:41
  Speaker 2: is he gonna get naked like at the end of Lovee?
• 5:43
  Speaker 1: Actually, well, he really is a brilliant actor, which you know,
• 5:47
  Speaker 1: and he's the opener. He's he's what opens the movie
• 5:51
  Speaker 1: because they're redoing that song love is all Around, but
• 5:55
  Speaker 1: it's like Christmas is all around instead.
• 5:57
  Speaker 2: The ghost of Hugh Grant opens the movie with the
• 6:00
  Speaker 2: entire monologue about how love, like Christmas, is all around.
• 6:05
  Speaker 2: And I'm like, in a very post COVID like meltdown
• 6:10
  Speaker 2: the world is ending mindset, I'm like, would Hugh Grant
• 6:13
  Speaker 2: still make this monologue about how love is in fact
• 6:17
  Speaker 2: all around?
• 6:19
  Speaker 3: Because that's not what I'm seeing at target.
• 6:22
  Speaker 1: Yeah. Well, and you know, they do have very specific
• 6:26
  Speaker 1: locations that they're talking about, right two thousand and so
• 6:29
  Speaker 1: this movie is in two thousand and three, so we're
• 6:30
  Speaker 1: two years after nine to eleven, and they do reference
• 6:33
  Speaker 1: that in the film because I think nine to eleven
• 6:35
  Speaker 1: is one of the few worldwide events where the entire
• 6:39
  Speaker 1: world was like, the fuck just happened? Not cool? And
• 6:44
  Speaker 1: so placing it at that sort of space of the
• 6:48
  Speaker 1: airport and in the airport has changed so much. And
• 6:52
  Speaker 1: how we behave in the airport, we're allowed to do
• 6:55
  Speaker 1: and not do in the airport has changed so much,
• 6:57
  Speaker 1: and even since two thousand and three. I don't know,
• 7:01
  Speaker 1: but I think it's here's the thing. Here's the thing.
• 7:05
  Speaker 1: I don't know where we're gonna start, so I'm just
• 7:07
  Speaker 1: gonna dive into what bothers me the most.
• 7:09
  Speaker 2: Oh Okay, I thought you were about to be like
• 7:11
  Speaker 2: a love actually apologist, Like I realize that in our
• 7:15
  Speaker 2: year of the Lord and Savior twenty twenty two, that
• 7:18
  Speaker 2: we have decided that love actually is trash. But I'm
• 7:22
  Speaker 2: here to tell you that I watch it every Tuesday
• 7:24
  Speaker 2: for the holidays season.
• 7:26
  Speaker 1: Listen. First of all, Okay, I'm gonna address what you
• 7:29
  Speaker 1: just said. I do watch it on Thanksgiving every year
• 7:32
  Speaker 1: after with a huge glass of wine. Hello, Mario, we
• 7:36
  Speaker 1: miss you too. Welcome to the show. It is an
• 7:40
  Speaker 1: annual tradition. But here's the thing. Every year I find
• 7:46
  Speaker 1: something new where I'm just like, well, This is just
• 7:49
  Speaker 1: not great. This scenario is just not great and this year,
• 7:55
  Speaker 1: and usually it's the por the porn standing scenes because
• 7:58
  Speaker 1: you literally don't need these characters. They don't tie in
• 8:01
  Speaker 1: to anybody but Colin Fistle's friend whose name I forget,
• 8:05
  Speaker 1: who's sort of like this connector in a way, but
• 8:08
  Speaker 1: you really don't need them because they're not connected in
• 8:10
  Speaker 1: the same way as like some of the other storylines.
• 8:14
  Speaker 2: But yet they're the ones that I think are the
• 8:16
  Speaker 2: only ones that take time to form a connection where
• 8:19
  Speaker 2: they have things in common.
• 8:20
  Speaker 1: I don't know if it's frozen on all ends or
• 8:22
  Speaker 1: just mine and they're with us there we go, okay,
• 8:28
  Speaker 1: so they're the only ones who are actually forming a relationship.
• 8:31
  Speaker 1: That's where you were going.
• 8:31
  Speaker 2: They're the only one, like you know, they're thrusting against
• 8:34
  Speaker 2: one another and whatever, but they're chatting about like their
• 8:36
  Speaker 2: hobbies and their mom. Yeah, and.
• 8:40
  Speaker 1: It's super sweet and like genuinely talking, like when I've
• 8:45
  Speaker 1: never seen anything more romantic than when they're like cut
• 8:48
  Speaker 1: her titties and he's like, okay, I know, he's like
• 8:51
  Speaker 1: hold on, but he also like do you mind? He
• 8:54
  Speaker 1: also yeah, which I love because the conversation of consent
• 8:59
  Speaker 1: wasn't really happening in two thousand and three.
• 9:01
  Speaker 2: No, Martin Freeman is our first intimacy coordinator.
• 9:05
  Speaker 1: Yeah, and he taught us all what we needed to
• 9:08
  Speaker 1: know this time around. Though. What was really just like,
• 9:12
  Speaker 1: oh fuck no, was all of the workplace romances, yes,
• 9:18
  Speaker 1: which you know twenty years ago we were brainwashed into
• 9:22
  Speaker 1: believing that's what you were supposed to do to have
• 9:24
  Speaker 1: a relationship, to get booed up was shop around work,
• 9:29
  Speaker 1: because where else are you going to meet somebody.
• 9:31
  Speaker 2: In our capitalistic hell hole?
• 9:34
  Speaker 1: Uh huh. And the only one that isn't a subordinate
• 9:38
  Speaker 1: boss situation is Laura, Lenny and Rodrigo. They're colleagues, whereas
• 9:43
  Speaker 1: everybody else is a boss employee scenario.
• 9:48
  Speaker 2: It makes me so sad that that beautiful man's name
• 9:51
  Speaker 2: is Carl, Like, it just doesn't sit right back here
• 9:56
  Speaker 2: when you're trying to make love to a Carl.
• 10:00
  Speaker 1: I've seen in when Harry mtc Sally. You don't make
• 10:02
  Speaker 1: love to a Sheldon.
• 10:04
  Speaker 2: A Sheldon like, there's just like this sensation right at
• 10:07
  Speaker 2: the back of my throat when I was like Carl
• 10:12
  Speaker 2: that it's never getting sexier than that. And he's a
• 10:15
  Speaker 2: beautiful man who gorgeous, who we don't see in movies
• 10:20
  Speaker 2: very often. I'm like, where is this man?
• 10:22
  Speaker 1: He's a Brazilian actor. I think he's a I think
• 10:25
  Speaker 1: he's primarily, you know, based in Brazil. I don't know.
• 10:30
  Speaker 1: Maybe it was shaken.
• 10:32
  Speaker 2: I started The White Lotus last night, and The White
• 10:34
  Speaker 2: Lotus could use carl from Love. Actually it's a perfect
• 10:40
  Speaker 2: movie for help.
• 10:41
  Speaker 1: Oh, the season finale of The White Lotus is a Sunday, right,
• 10:45
  Speaker 1: do I know? I don't know, Mario, if you're still watching,
• 10:47
  Speaker 1: you're the one who told me when the season finale was,
• 10:49
  Speaker 1: and I told you I would start watching it fortis
• 10:51
  Speaker 1: before this season finale.
• 10:54
  Speaker 3: Do we only have one season or do I have
• 10:56
  Speaker 3: two seasons?
• 10:57
  Speaker 1: There's two seasons. Yeah, the second season started a few
• 11:00
  Speaker 1: weeks ago. And because I don't know how many episodes
• 11:02
  Speaker 1: are in each season, but I don't like to I
• 11:05
  Speaker 1: want to. I want to wait until the end of
• 11:07
  Speaker 1: until I can get through all. Guess it's coming the Sunday. Okay,
• 11:10
  Speaker 1: the season finale of White Lotus is coming the Sunday,
• 11:12
  Speaker 1: which means I will start season one on Thursday seven episode.
• 11:16
  Speaker 1: So maybe I should actually started Friday.
• 11:18
  Speaker 2: I I accidentally started the sex Lives of College Girls
• 11:24
  Speaker 2: when they were in like episode four of season two,
• 11:27
  Speaker 2: and I was like, fuck, now I have to watch
• 11:29
  Speaker 2: this like weekly at.
• 11:32
  Speaker 1: Least there's two episodes at a time, as opposed to
• 11:35
  Speaker 1: one a week.
• 11:36
  Speaker 2: I have not caught on to that. I am as
• 11:38
  Speaker 2: they would call it a more on.
• 11:40
  Speaker 1: Okay, so here's my next question. Mm hmm, the Prime
• 11:47
  Speaker 1: Minister a predator or a really sweet story? Do you know?
• 11:57
  Speaker 1: Did you can come up ring?
• 12:01
  Speaker 3: Because here's my problem with Hugh Grant.
• 12:03
  Speaker 2: I would love my dream world, like if we could
• 12:08
  Speaker 2: rewrite the timeline. This is the timeline I want to
• 12:11
  Speaker 2: be in. I want Hugh Grant and Colin Firth to
• 12:14
  Speaker 2: be these very bumbly awkward, overly polite, I don't know
• 12:19
  Speaker 2: what to do with my hands, let alone my face,
• 12:22
  Speaker 2: Matt Like it's a dream.
• 12:24
  Speaker 1: Isn't that? Literally Hugh Grant in every rom com minus
• 12:27
  Speaker 1: Bridget Jones.
• 12:28
  Speaker 2: Correct. I just want Hugh Grant and Colin Firth to
• 12:31
  Speaker 2: have coffee together every day and just be like Hugh.
• 12:36
  Speaker 3: At the waitress like that's all I want.
• 12:38
  Speaker 2: But then we have to remember that when you and
• 12:40
  Speaker 2: I were very young, Hugh Grant was one of the
• 12:43
  Speaker 2: very first sex addicts that we were ever exposed to.
• 12:47
  Speaker 1: Poor Liss Hurley. She took it like a cham.
• 12:50
  Speaker 3: Like I am justice for Liz Hurley.
• 12:54
  Speaker 2: So then like my mind's like, ah, he's always trigging
• 12:56
  Speaker 2: me into believing that he's a good guy, and here
• 12:58
  Speaker 2: he is, like fucking the help. But he's got those
• 13:03
  Speaker 2: baby blues and he's just bumblebumble bumble. And there's something
• 13:09
  Speaker 2: about their first interaction where she says shit a series
• 13:13
  Speaker 2: of times and then it escalates to fuck yeah, where
• 13:16
  Speaker 2: I'm like, he's so cute in that interaction because there's
• 13:20
  Speaker 2: like a little like aha moment to him that makes
• 13:24
  Speaker 2: me believe that there was a genuine connection. And then
• 13:28
  Speaker 2: he's so awkward and I don't know what to do
• 13:31
  Speaker 2: with my hands, but I don't know where to place
• 13:34
  Speaker 2: him on the predator list.
• 13:36
  Speaker 1: Well because later, because we know that his sister in
• 13:39
  Speaker 1: the movie is Emma Thompson's character, and later when they
• 13:43
  Speaker 1: are staking into the primary school, she literally says to him,
• 13:46
  Speaker 1: up twenty years ago, you would have been his type.
• 13:50
  Speaker 1: So that establishes a massive age gap.
• 13:53
  Speaker 2: Yeah it shared does?
• 13:55
  Speaker 3: It shared does?
• 13:58
  Speaker 2: And they refer to her as like the hebby girl
• 14:00
  Speaker 2: is trying to mad and they're trying to make it
• 14:03
  Speaker 2: like Hugh Grant shouldn't be attracted to her, and I
• 14:06
  Speaker 2: was like, she's the cutest girl in the show, like.
• 14:10
  Speaker 1: And it's like when he's like, would we call her
• 14:14
  Speaker 1: she's in the assistance, like what that's a pretty sizable ass,
• 14:18
  Speaker 1: huge thighs and you're just like she literally says. Natalie
• 14:22
  Speaker 1: literally says I was dumped because my boyfriend thought my
• 14:26
  Speaker 1: thighs were too thick, and now everyone's calling her fast
• 14:28
  Speaker 1: like are you kidding me?
• 14:33
  Speaker 2: Meanwhile, Hugh Grant wants some thighs wrapped around his face,
• 14:36
  Speaker 2: like he's like I can't wait to be crushed by
• 14:38
  Speaker 2: those thighs.
• 14:41
  Speaker 1: And she's not even sad or like large, like she
• 14:45
  Speaker 1: to me looks like your average woman of that age.
• 14:51
  Speaker 2: Yes, honestly.
• 14:53
  Speaker 4: The thing that I have the biggest problem, I mean
• 14:54
  Speaker 4: with the gorgeous face, yeah, beautiful to the Hugh Grant
• 14:59
  Speaker 4: romance is that I was like, I just feel like
• 15:01
  Speaker 4: it's really irresponsible for us to be making national policy
• 15:07
  Speaker 4: based off of you being fragile.
• 15:08
  Speaker 2: Because Billy Bob Thornton felt up the girl that you like,
• 15:12
  Speaker 2: I was like, but then we did dedicate an entire
• 15:14
  Speaker 2: show called Scandal around that concept.
• 15:18
  Speaker 1: And I think too, because there is this view that
• 15:22
  Speaker 1: America is the bully. I think for me, that's it's
• 15:25
  Speaker 1: always been deeper than that. It's always been like, you know,
• 15:28
  Speaker 1: Billy Bob Thornton hitting on Natalie was like the final
• 15:31
  Speaker 1: straw of like, you know what, you guys are not
• 15:34
  Speaker 1: good for us, so we're going to take a stand
• 15:37
  Speaker 1: as opposed to like it just being you know, him
• 15:40
  Speaker 1: being fragile.
• 15:41
  Speaker 2: And let me be clear, even from when this movie
• 15:43
  Speaker 2: first hit the media, when they cast Billy Bob Thornton
• 15:49
  Speaker 2: as the president of these United States, I was like, yes,
• 15:53
  Speaker 2: I go, Billy Bob Thorton is the representation of every
• 15:56
  Speaker 2: president we've had except for Obama.
• 15:58
  Speaker 1: About how I have predators still wrong? Thank you, Mario.
• 16:04
  Speaker 2: I thought he was laughing because I'm so funny. He's
• 16:06
  Speaker 2: laughing because you can't spell.
• 16:08
  Speaker 1: We all know I can't spell. This is not new, oh,
• 16:13
  Speaker 1: ellen Ada.
• 16:16
  Speaker 3: But Billy Baldwarton is our predator president.
• 16:19
  Speaker 2: The fact that he hasn't even tried to run for
• 16:21
  Speaker 2: president for me like blows my mind because I was like, no,
• 16:25
  Speaker 2: This is our truest representation of America and American men
• 16:32
  Speaker 2: in politics, unless you are Obama, who was a baby
• 16:36
  Speaker 2: angel and a ray of sunshine in my life. Everyone
• 16:39
  Speaker 2: else Billy Bob Thorton, like it just auto fills now.
• 16:43
  Speaker 1: Yeah, yeah, I get that. I totally get that. You know,
• 16:46
  Speaker 1: twenty issue years nineteen years ago, I was like, oh
• 16:49
  Speaker 1: my god, I love how he's so sweet about her,
• 16:53
  Speaker 1: and I love that he's.
• 16:55
  Speaker 2: Like, you know, just so, I don't know, I just
• 17:00
  Speaker 2: thought of we're seeing her from that guy that wears
• 17:02
  Speaker 2: Angelina Jelly's blood. Yeah.
• 17:05
  Speaker 1: Is this so it's two thousand and three. Is this
• 17:06
  Speaker 1: the Angelina era for Bob Billy Bob Thornton.
• 17:09
  Speaker 2: I don't know.
• 17:12
  Speaker 1: Hmmm. Interesting either way. Now, as a grown ass adult
• 17:18
  Speaker 1: who's had, you know, several instances that could be qualified
• 17:21
  Speaker 1: as sexual harassment in the workplace, I'm not comfortable with,
• 17:25
  Speaker 1: like your boss being attracted to an employee, Like I'm
• 17:29
  Speaker 1: over that a particular story trope, if you will.
• 17:34
  Speaker 2: Also, because I think this was a perfect segue into
• 17:37
  Speaker 2: how I don't like I haven't watched this movie since
• 17:40
  Speaker 2: Alan Rickman died, and it's because I didn't need this
• 17:44
  Speaker 2: movie to be part of my grieving process because I'm
• 17:46
  Speaker 2: mad at.
• 17:47
  Speaker 1: Him the whole movie and he and so for me,
• 17:51
  Speaker 1: that storyline was really hard because he's kind of like, well,
• 17:56
  Speaker 1: I'm just sort of going along following this woman's money,
• 18:00
  Speaker 1: where really it's like, sir, you're the boss. You have
• 18:04
  Speaker 1: it in your power to shut that shit down, but
• 18:08
  Speaker 1: instead you're letting her do it and being that person
• 18:12
  Speaker 1: who's like, well, I don't know what I'm doing because
• 18:15
  Speaker 1: I've never been been attractive to super hot women before.
• 18:18
  Speaker 1: What do I do now? And You're like, you shut
• 18:22
  Speaker 1: it down. You're the boss, you shut it down.
• 18:24
  Speaker 2: Well, and my whole thing is I was like, love
• 18:26
  Speaker 2: actually should have been my first like Ford way into
• 18:30
  Speaker 2: realizing that that's how easy it is to distract straight
• 18:34
  Speaker 2: men from air form. They're like fully developed relationships. Is
• 18:39
  Speaker 2: like literally just sitting in a chair and like suggesting
• 18:42
  Speaker 2: that your legs.
• 18:43
  Speaker 3: Are open, that's enough for them to throw their marriage away.
• 18:47
  Speaker 1: And buy you a gold necklace and.
• 18:49
  Speaker 2: Buy you a three hundred dollars necklace.
• 18:51
  Speaker 1: Like, honestly, Natalie, I wish it were that easy because
• 18:54
  Speaker 1: I used to be a very hot woman at one point,
• 18:57
  Speaker 1: and no one ever bought me jewelry that expensive?
• 19:00
  Speaker 2: But did you basic attraction them before lunch?
• 19:05
  Speaker 1: In a version of not necessarily like I just.
• 19:08
  Speaker 2: Full on wearing a skirt situation. I just combined basic
• 19:14
  Speaker 2: instinct and fatal attraction.
• 19:16
  Speaker 1: But we all know, we all know what you meant.
• 19:18
  Speaker 2: Well close in the chair, it makes sense, yeah, Sharon
• 19:23
  Speaker 2: Stone in the chair, it makes sense.
• 19:25
  Speaker 1: But like literally because because fatal attraction is a man's
• 19:27
  Speaker 1: worst nightmare, right, and basic instinct is like whatever, but
• 19:32
  Speaker 1: the point is.
• 19:33
  Speaker 2: Eye contact with him and then opened her legs and
• 19:38
  Speaker 2: Alan Rickman was like Emma Thompson, who ys me with rage,
• 19:44
  Speaker 2: Like the idea that Emma Thompson would ever be wronged
• 19:48
  Speaker 2: like literally drives me to violence. I'm like, oh, I'm.
• 19:52
  Speaker 1: So do you want to hurt Eric Banna because he
• 19:54
  Speaker 1: cheated on her when they were married?
• 19:56
  Speaker 2: Eric Bana? How the fuck dare you? I'm coming him coming?
• 20:00
  Speaker 2: Do not walk these streets, Eric Banna, And don't think
• 20:04
  Speaker 2: that I'm gonna not scream at you. You're not that
• 20:07
  Speaker 2: good looking. You weren't the best looking person in Troy.
• 20:12
  Speaker 2: Stop it. I'm gonna find does he walking these streets thinking?
• 20:20
  Speaker 2: He say, because I didn't know that A he got
• 20:23
  Speaker 2: to marry Emma Thompson and like he daughter, absolutely not,
• 20:31
  Speaker 2: I am going to find him.
• 20:34
  Speaker 1: It was the late eighties. She actually recently just opened
• 20:37
  Speaker 1: up about how hard that was for her and what
• 20:39
  Speaker 1: it did for her something.
• 20:40
  Speaker 2: It's hard for me right now, Emma, it's hard for
• 20:43
  Speaker 2: me right now.
• 20:46
  Speaker 1: The other part that's really hard about that storyline is
• 20:48
  Speaker 1: that they have this really beautiful moment about Joni Mitchell,
• 20:52
  Speaker 1: and she's like, Joni Mitchell taught me to love like
• 20:55
  Speaker 1: you are welcome. And then and then the gift he
• 20:58
  Speaker 1: gets her is a Joni Mitchell, which is really thoughtful,
• 21:02
  Speaker 1: but not the thoughtful gift she thought, no, And that
• 21:07
  Speaker 1: makes me mad because it's like, well, what is like
• 21:10
  Speaker 1: you are perpetuating this. I'm a bumbling fool who only
• 21:13
  Speaker 1: thinks with my penis troupe.
• 21:16
  Speaker 2: Yeah, I love Joni Mitchell, and I credit Emma Thompson
• 21:20
  Speaker 2: to it because I'm obsessed with her. I'm sessed with
• 21:24
  Speaker 2: her and she is beautiful and she's so wickedly smart
• 21:29
  Speaker 2: and witty and all of it that like, literally Eric
• 21:33
  Speaker 2: Vahannon cannot walk these streets and not that I'm going
• 21:36
  Speaker 2: to give him a piece of my mind.
• 21:37
  Speaker 1: She's too good for him. She probably was always too
• 21:39
  Speaker 1: good for him.
• 21:42
  Speaker 2: It's like, it's like, how, oh, who cheated on? Mini Driver?
• 21:45
  Speaker 2: And I was like, that's it. I'm lining in the
• 21:47
  Speaker 2: world up, Oh Damon right now? Damon? Do you know
• 21:52
  Speaker 2: how we say Matt Damon's name because they put him
• 21:55
  Speaker 2: in that puppet movie Matt Damon, That's how I say
• 21:58
  Speaker 2: his name. I can't say his name the correct way.
• 22:02
  Speaker 2: And he gatd on. Mini Driver also a beautiful woman
• 22:07
  Speaker 2: on the Mini Driver like I will literally just light
• 22:10
  Speaker 2: the world on.
• 22:11
  Speaker 1: Fire, convinced her to be his under his with his
• 22:15
  Speaker 1: talent agent, which ultimately tanked her career. For hot second,
• 22:19
  Speaker 1: I just finished her memoir by way of Celebrity book Club,
• 22:22
  Speaker 1: and so they recapped it. So then I was like, well,
• 22:24
  Speaker 1: that sounds like an amazing memoir, and so I downloaded
• 22:27
  Speaker 1: it and read it.
• 22:28
  Speaker 2: Honestly, like the fact that I still don't have a
• 22:31
  Speaker 2: chance with Mini Driver and Emma Thompson, even though they
• 22:34
  Speaker 2: let the Eric Vannas of the world and the Matt
• 22:36
  Speaker 2: Damon's of the world touch them. Yeah, I'm gonna light
• 22:40
  Speaker 2: this house on fire, Penelope pack our shit.
• 22:44
  Speaker 1: Well, I don't need you to be homeless, but also
• 22:47
  Speaker 1: if you let your own sit on fire, it's not
• 22:49
  Speaker 1: a felon, as I also don't need you to be
• 22:51
  Speaker 1: a felon.
• 22:53
  Speaker 2: You know, when the when the violence hits, it hits.
• 22:56
  Speaker 2: I tested multiple people who were at you last night.
• 22:59
  Speaker 2: The mirror thought that Alan Rickman would look at a
• 23:03
  Speaker 2: woman that wasn't Emma Thompson ever filled me with violence
• 23:08
  Speaker 2: from my toes to my head. It very much felt
• 23:11
  Speaker 2: like when I thought I wasn't getting Taylor Swift tickets.
• 23:14
  Speaker 1: Who, by the way, a bunch of Swifties filed lawsuits
• 23:18
  Speaker 1: from thirteen different states against ticket Master about that whole.
• 23:20
  Speaker 3: Departmental because make fun of us, basic bitches.
• 23:23
  Speaker 2: We love Taylor Swift all you want, but who's changing legislation.
• 23:28
  Speaker 2: Who's all of a sudden rock in the boat?
• 23:30
  Speaker 1: Yeah yeah, I do want to add too, that Emma
• 23:34
  Speaker 1: Thompson Alan Rickman storyline in the end after the Christmas play,
• 23:39
  Speaker 1: and she's like, I caught you, you piece of shit,
• 23:44
  Speaker 1: and she's very emotionally distraught because this is her entire life.
• 23:48
  Speaker 1: That performance is beautiful one two, and then she has
• 23:52
  Speaker 1: to turn around and make her children feel loved and supported.
• 23:57
  Speaker 1: And cared for. Like that scene in itself perfectly encapsulates
• 24:04
  Speaker 1: what it's like to have a full range of emotions
• 24:07
  Speaker 1: when you are a woman and a mother and a
• 24:10
  Speaker 1: mother with a family and a husband, like all of it.
• 24:13
  Speaker 1: Like I that scene gets me every time because nineteen
• 24:18
  Speaker 1: years ago, I felt the emotion I felt for her.
• 24:21
  Speaker 1: Fast forward nineteen years I'm a mother myself. I've had
• 24:24
  Speaker 1: multiple relationships myself, and it's it's just you're there. There's
• 24:30
  Speaker 1: no better performance.
• 24:32
  Speaker 2: You know what I'm gonna I'm gonna make Penelope, right,
• 24:35
  Speaker 2: Emma Thompson a thank you card, because maybe that's why
• 24:38
  Speaker 2: I decided to uncancel Christmas and put the Christmas tree up,
• 24:42
  Speaker 2: because Emma Thompson had to be there for her kids
• 24:44
  Speaker 2: even though Alan Rickman is an emotionally stunted asshole, and
• 24:48
  Speaker 2: Penelope loves the Christmas tree. So I was just looking
• 24:51
  Speaker 2: at her crying, yeah, and I was like, I'm gonna
• 24:55
  Speaker 2: put the Christmas tree up for you because it is
• 24:58
  Speaker 2: not your involved that everyone what I shared name with
• 25:01
  Speaker 2: is an emotionally stunted asshole. That is not on you.
• 25:05
  Speaker 2: He's not on you.
• 25:06
  Speaker 1: It's not her fault.
• 25:08
  Speaker 2: She's yeah. So she's gonna write Emma Thompson and thank
• 25:11
  Speaker 2: you letter, and that's how we're gonna become friends.
• 25:14
  Speaker 1: I love that. Okay. So we talked to the Prime Minister,
• 25:17
  Speaker 1: we talked to Alan Rickman, and also Alan.
• 25:20
  Speaker 2: Rickman and Emma Thompson seem to have a very strong marriage,
• 25:24
  Speaker 2: and I think that that's what pisses me off more
• 25:26
  Speaker 2: because it's like it truly doesn't matter how strong your
• 25:29
  Speaker 2: marriage is if they get distracted.
• 25:32
  Speaker 1: Yeah, and Senny, and how dare you get distracted because
• 25:37
  Speaker 1: you clearly love your wife? Like that was the other
• 25:39
  Speaker 1: part for me where it was just like I don't understand,
• 25:42
  Speaker 1: like you clearly are in love with Emma, Like what
• 25:44
  Speaker 1: is happening?
• 25:45
  Speaker 2: And how far would have gone if she did not
• 25:48
  Speaker 2: know about the necklace because we knew where it was
• 25:50
  Speaker 2: heading right right. And then he's like, oh, I guess
• 25:54
  Speaker 2: I'm a dick. Do you think, Sir Alan Rickman, do
• 25:59
  Speaker 2: you think do you think?
• 26:01
  Speaker 1: Do you think was he unighted?
• 26:03
  Speaker 2: I don't know. Oh, okay, I assume that they're all
• 26:06
  Speaker 2: knighted and to just avoid to avoid like insulting them,
• 26:13
  Speaker 2: they're all Sir Alan Rickman, Oh my god, I love it.
• 26:17
  Speaker 2: Sir Colin Firth, even in the hot leather Pants from
• 26:21
  Speaker 2: What a Girl Wants Sir Colin Firth.
• 26:24
  Speaker 1: All right, so it takes us to Jamie and Aurelia.
• 26:27
  Speaker 2: I love Colin Firth, and this movie just makes me
• 26:29
  Speaker 2: so disappointed.
• 26:30
  Speaker 1: Because again it's another employee, subordinate situation.
• 26:35
  Speaker 2: In another situation where she can't even communicate her consent
• 26:39
  Speaker 2: to you. Yeah, like you saw her boobs in like
• 26:43
  Speaker 2: a department store or barra and you're like, you are
• 26:46
  Speaker 2: exactly who will make my ego and my penis forget
• 26:51
  Speaker 2: that my girlfriend is fucking my brother right now?
• 26:54
  Speaker 1: Yeah, parts of me this time around were still like
• 26:57
  Speaker 1: us is still really cute though, because he's it's just
• 27:00
  Speaker 1: like it shows that, you know, in Okay, I know
• 27:05
  Speaker 1: you're gonna rip me to shreds for.
• 27:07
  Speaker 2: This as an apology tour.
• 27:09
  Speaker 1: I'm a prepared for that. But here's what I love
• 27:11
  Speaker 1: about their storyline. How it shows that you can still
• 27:15
  Speaker 1: sort of exist next to each other and feel safe
• 27:20
  Speaker 1: and comfort and it's not like and it's so like
• 27:27
  Speaker 1: the you know how music is like the universal language.
• 27:30
  Speaker 1: It's like telling us that love is also a universal language, right,
• 27:34
  Speaker 1: Like it doesn't matter that there's a language barrier. They
• 27:36
  Speaker 1: can parallel exist and still find comfort.
• 27:39
  Speaker 2: You sound like the parents that won't, like learn sign
• 27:42
  Speaker 2: language when their child is deaf. It's like, why do
• 27:45
  Speaker 2: we have to he knows we like him.
• 27:47
  Speaker 1: No, that's I feel like that's different because they do.
• 27:49
  Speaker 1: They both do in the end, go and learn. Yeah,
• 27:53
  Speaker 1: there's language so they can communicate.
• 27:56
  Speaker 3: I just need you to know that the whole idea
• 28:00
  Speaker 3: that like the vibes will send me to love because
• 28:04
  Speaker 3: it's just your pheromones.
• 28:06
  Speaker 2: Do you know how many times I fucked a narcissist
• 28:08
  Speaker 2: because the vibe felt good. I was like, this feels okay,
• 28:11
  Speaker 2: this feels like it won't emotionally damage me for about
• 28:15
  Speaker 2: three more months, so might as well do it now.
• 28:18
  Speaker 2: The pheromones. I mean, could you imagine how easy it
• 28:25
  Speaker 2: is to gaslight someone who doesn't speak your language. You're
• 28:29
  Speaker 2: just making up what that person is saying to you.
• 28:32
  Speaker 1: But they're not talking to each other. That's the thing that.
• 28:36
  Speaker 2: They're just talking in the atmosphere.
• 28:39
  Speaker 1: They're near each other, existing around each other, and it's
• 28:42
  Speaker 1: not unsafe. I think that's the part that gets me.
• 28:45
  Speaker 2: So you're saying that Colin Firth gets to be a
• 28:48
  Speaker 2: romantic in this movie because he didn't sexually assault his housekeeper.
• 28:54
  Speaker 1: It's not even sexually assault hers that he like was
• 28:59
  Speaker 1: like in a position where he's not He's just not
• 29:05
  Speaker 1: a terrible person, Natalie, He's not a terrible guy. Like,
• 29:08
  Speaker 1: that's the bar?
• 29:09
  Speaker 2: Where's the bar in the situation?
• 29:11
  Speaker 1: I don't know where the bar is.
• 29:12
  Speaker 3: The bar is on the ground. You do know where
• 29:14
  Speaker 3: the bar is. The bar is on the ground.
• 29:18
  Speaker 1: Could have been. He could have taken his pain and
• 29:20
  Speaker 1: anger out on Aralia or anybody else, and he doesn't.
• 29:24
  Speaker 2: So he was a perfect, perfectly closed off, polite brit Man.
• 29:29
  Speaker 2: And you're like, you know what, what a romantic? Let
• 29:33
  Speaker 2: me get that bar? Say?
• 29:34
  Speaker 1: Did I say? I guess I'm implying there's romance.
• 29:37
  Speaker 2: Okay, let me get that bar. Let me the bar
• 29:40
  Speaker 2: is on the ground. The bar is on the ground.
• 29:44
  Speaker 2: Also on his end, too, all he did was see
• 29:46
  Speaker 2: her breast, and he's like, and I will never think
• 29:50
  Speaker 2: of anyone else again.
• 29:52
  Speaker 1: No, I think it started sooner than that. I think
• 29:54
  Speaker 1: it starts sooner than that for.
• 29:56
  Speaker 2: Him with what with what context? Could have started sooner
• 30:00
  Speaker 2: than that?
• 30:00
  Speaker 1: When the what's her face? Introduces them the person who
• 30:04
  Speaker 1: coordinates it. I think he sees her and goes, oh wow,
• 30:07
  Speaker 1: she's really pretty and like, rather than being like Hugh
• 30:11
  Speaker 1: Grant's character, it's like I'm fucked. He's like more polite
• 30:15
  Speaker 1: and reserved about it.
• 30:20
  Speaker 2: So we're now ready to move onto that relationship literally
• 30:23
  Speaker 2: only being based upon him being broken up with and
• 30:27
  Speaker 2: her being pretty and accessible.
• 30:30
  Speaker 1: That's literally every relationship that starts after a breakup.
• 30:36
  Speaker 3: And is that where's that bar?
• 30:40
  Speaker 2: So?
• 30:40
  Speaker 1: Instead of like, I'm not I'm not saying.
• 30:46
  Speaker 3: So, instead of using his cabin time to do circle
• 30:49
  Speaker 3: breasts and grow and reflect and be like why do
• 30:53
  Speaker 3: I date women who want to fuck my brother? Instead
• 30:57
  Speaker 3: he put he glombed all of what he wanted his
• 31:02
  Speaker 3: original girlfriend to be onto a woman who is just
• 31:06
  Speaker 3: there to clean his house and make his.
• 31:08
  Speaker 1: I don't agree with that.
• 31:09
  Speaker 2: I did not even talk to her.
• 31:12
  Speaker 1: I think he's using the writing the novel to work
• 31:15
  Speaker 1: through his emotions and frustrations about that scenario with his
• 31:19
  Speaker 1: brother and girlfriend. I think ker murder, Yes, I think
• 31:25
  Speaker 1: he's My theory is is that his girlfriend is the
• 31:29
  Speaker 1: one a character that's like his girlfriend who was cheating
• 31:31
  Speaker 1: with his brother and his brothers.
• 31:36
  Speaker 2: I know.
• 31:36
  Speaker 1: That's what writers do.
• 31:38
  Speaker 2: You know, that's what novelists do. A great romantic like
• 31:45
  Speaker 2: Lead because he took all of his anger and crazy
• 31:48
  Speaker 2: and put it in a book instead of killing his housekeeper,
• 31:51
  Speaker 2: because that could have been the watcher.
• 31:53
  Speaker 1: I'm not saying instead of killing his housekeeper. I'm saying
• 31:56
  Speaker 1: that's what writers do. They take their emotions, they take
• 32:00
  Speaker 1: their pain.
• 32:00
  Speaker 2: They tried to find the bar and it's gone. It's
• 32:05
  Speaker 2: just like it left. Penelope, did you knock her around
• 32:08
  Speaker 2: the bar? Do you think, Manela? I didn't hear her
• 32:13
  Speaker 2: knocks on the floor. It's on the floor. And I
• 32:18
  Speaker 2: love Colin Firth. I am t what was my favorite
• 32:21
  Speaker 2: part of Mama Mia? Fuck the rest of that movie
• 32:26
  Speaker 2: A Mama Mia is watching Colin Firth look like a moron.
• 32:30
  Speaker 1: That's what he does movies, because think about him and
• 32:33
  Speaker 1: Bridget Jones, Yes.
• 32:36
  Speaker 2: And that that is how they guesslight Iss jewels by
• 32:39
  Speaker 2: looking like lovable dupuses, because that's how Hugh Grant did
• 32:42
  Speaker 2: it too, because how you Grant did it too, And
• 32:46
  Speaker 2: then he cheated on Elizabeth Hurley.
• 32:50
  Speaker 1: And then herself by doing movies like Nodding Hill and
• 32:57
  Speaker 1: Love Actually and whatever other rom coms.
• 32:59
  Speaker 3: And then do you remember how hard we made fun
• 33:01
  Speaker 3: of that sex worker?
• 33:02
  Speaker 2: Was her name Diamond?
• 33:05
  Speaker 1: Oh? I don't remember.
• 33:07
  Speaker 2: Anyways, I get her picture is seared into my brain
• 33:10
  Speaker 2: because did we make fun of Hugh Grant for cheating
• 33:13
  Speaker 2: on Elizabeth Hurley? No, we made fun of how this
• 33:17
  Speaker 2: sex worker looked and that she was able to bag
• 33:20
  Speaker 2: Hugh Grant.
• 33:25
  Speaker 3: It's how they get us with the whole. Like, I'm
• 33:28
  Speaker 3: just a dupist. Watch me try to wedge into these
• 33:31
  Speaker 3: rock and roll leather.
• 33:32
  Speaker 2: Pants, Amanda Vines. I love Colin Firth. I'm always on
• 33:38
  Speaker 2: team Colin Firth. I love to watch him bumble around.
• 33:41
  Speaker 2: But like, I feel like their story is.
• 33:44
  Speaker 1: The laziest Okay, okay, that's fair, which begs me to ask,
• 33:53
  Speaker 1: who is the least cringey coumple.
• 33:55
  Speaker 2: I told you it's a porno couple.
• 33:58
  Speaker 1: Oh that's right, you did say that.
• 33:59
  Speaker 2: I love the porno couple. I think that they That
• 34:03
  Speaker 2: is actually what a meet cue is.
• 34:05
  Speaker 5: Yeah. Yeah, And technically I wouldn't even classify them as
• 34:11
  Speaker 5: like one of those weird workplace romances because they're clear, like,
• 34:15
  Speaker 5: because in that business, you're always on different sets, So
• 34:19
  Speaker 5: this is the first time they've encountered one another out one.
• 34:22
  Speaker 1: Yeah, in this scenario they are colleagues though, yeah, in
• 34:25
  Speaker 1: this time and place, they are colleagues. Oh so I
• 34:28
  Speaker 1: didn't even have them classified as colleagues. When I was
• 34:30
  Speaker 1: listing off my situation the situations, I was thinking of
• 34:33
  Speaker 1: Harry and Mia Maya, Mia whatever, Yeah, Carl and Sarah,
• 34:38
  Speaker 1: and then I was thinking of the Prime Minister Natalie. Yeah,
• 34:43
  Speaker 1: so there's actually more because then there's just Judy and Jack.
• 34:49
  Speaker 2: Yeah, it's a borno couple. They're the actual ones who
• 34:52
  Speaker 2: are like, this is funny. We have to be naked,
• 34:55
  Speaker 2: and like, let me remind everyone in the audience that
• 35:00
  Speaker 2: not Colin Firth, because I don't think he would ever
• 35:02
  Speaker 2: be able to pull it off, but Colin Farrell when
• 35:05
  Speaker 2: they were shooting. No, it wasn't about Colin Ferrell. It
• 35:08
  Speaker 2: was another one of my heart throbs. When they were
• 35:11
  Speaker 2: filming the Alexander movie, Bell Kelmer used to throw the
• 35:16
  Speaker 2: lighting so he could rub up against a naked Angelina
• 35:20
  Speaker 2: Jolie Moore. I remember that being a headline, Like I'm like,
• 35:24
  Speaker 2: so we're just talking about this that's so gross And
• 35:29
  Speaker 2: now we have intimacy coordinator.
• 35:32
  Speaker 1: Yeah, but also I'm curious. I don't know a whole
• 35:35
  Speaker 1: lot about the industry and how pornography has made I
• 35:39
  Speaker 1: just know that they have to take STD tests. That's
• 35:41
  Speaker 1: what I know. Also, but I'm wondering how often do
• 35:45
  Speaker 1: you have stand ins like that for lighting and stuff
• 35:48
  Speaker 1: like that. I'm confused by that this was.
• 35:51
  Speaker 2: A watch through because this time he like I actually
• 35:54
  Speaker 2: clocked him mentioning that he had stood in for Brad
• 35:57
  Speaker 2: Pitt and I.
• 35:58
  Speaker 1: Was like, yeah, he yeah, for like seven years into
• 36:01
  Speaker 1: bed or something like that.
• 36:02
  Speaker 2: Yeah, And I was like, so is it a porno
• 36:05
  Speaker 2: or are they honestly just doing stand in four sex
• 36:09
  Speaker 2: scenes that would be in a movie until the actors
• 36:14
  Speaker 2: can be on set and feel like they don't have
• 36:17
  Speaker 2: to do this for hours.
• 36:19
  Speaker 1: Oh that's a good, that's a great.
• 36:20
  Speaker 2: Because they also look like the like the porno with
• 36:23
  Speaker 2: the biggest budget I've ever seen there, like in Buckingham Palace.
• 36:28
  Speaker 1: So it's like maybe a period piece.
• 36:30
  Speaker 2: Yeah. So I'm like, I wonder if it's just like
• 36:32
  Speaker 2: some smutty like Bridgerton like Harriet piece and they're like, well,
• 36:39
  Speaker 2: we're not gonna make I'm trying to think of another
• 36:45
  Speaker 2: distinguished English actress who isn't in this.
• 36:48
  Speaker 1: Movie from that era from two thousand and three. We're
• 36:54
  Speaker 1: just in general, oh, like Emma Watson or something.
• 36:57
  Speaker 2: So we're not gonna make Emma Watson be rubbed up
• 37:00
  Speaker 2: against by Billy Boyd for three hours. We're instead of
• 37:07
  Speaker 2: going to bring in these stand ins. Get the lighting right,
• 37:10
  Speaker 2: get the angles right, and get the shots right. So
• 37:12
  Speaker 2: when Emma Watson has to get naked, she only has
• 37:16
  Speaker 2: to be naked for twenty five minutes.
• 37:19
  Speaker 1: But also that's the assumption that you're working with a
• 37:21
  Speaker 1: cast where both leads are the same coloring, so you
• 37:25
  Speaker 1: can do pre lighting like that. Well, because like my
• 37:29
  Speaker 1: sister and I, you can't do the same lighting on
• 37:30
  Speaker 1: my sister and I and we come from the same parents.
• 37:33
  Speaker 1: You just can't. It's the light.
• 37:35
  Speaker 2: Then they would have different stand ins.
• 37:38
  Speaker 1: Right, which actually then brings to love Actually is not
• 37:41
  Speaker 1: a diverse movie.
• 37:44
  Speaker 2: There's one black guy and his friend is trying to
• 37:47
  Speaker 2: fuck his wife, and I'm like, why Rick from Walking Dead?
• 37:50
  Speaker 1: There's two. There's the one who's friends with Colin Fisele
• 37:54
  Speaker 1: who goes to the US, who is the connector for
• 37:58
  Speaker 1: just Judy, And there's another one that he connects but
• 38:05
  Speaker 1: then yeah, yeah, and then the other Sam and Julia
• 38:08
  Speaker 1: is that his name Sam?
• 38:10
  Speaker 2: Yeah?
• 38:12
  Speaker 1: No, Sam is the kid, but yeah, I don't know
• 38:15
  Speaker 1: how to say his last night.
• 38:17
  Speaker 3: But I literally poked my brainstorm out of the colnth
• 38:24
  Speaker 3: Thistle part of the movie because I was like, I
• 38:26
  Speaker 3: cannot sit through this.
• 38:29
  Speaker 1: But at the end though, when he walks into like
• 38:32
  Speaker 1: a Wisconsin bar and he's like and they're like, oh my.
• 38:37
  Speaker 2: Jones, so I was sorry.
• 38:40
  Speaker 1: I was like, girl, I cannot tell you how many
• 38:44
  Speaker 1: times I have been in that scenario. Not the whole
• 38:46
  Speaker 1: we sleep naked in bed and you can join us ship,
• 38:48
  Speaker 1: but the whole like, oh, that guy's from England. Let's circle.
• 38:52
  Speaker 1: Let's circle and see how he picks the.
• 38:54
  Speaker 2: Trope is completely valid. It's not the American part that
• 38:58
  Speaker 2: pisses me off. It's literally everything that leads up to
• 39:01
  Speaker 2: the America part where he's like sexually harassing like waitresses
• 39:06
  Speaker 2: and co workers, and then he's like bitching to his friend.
• 39:09
  Speaker 2: I don't understand why I'm single. I'm so nice and
• 39:12
  Speaker 2: charm me. I told Brenda she was too fat to
• 39:16
  Speaker 2: date me anyways, But I'm a nice guy, like that's
• 39:22
  Speaker 2: what I'm like. No, I was like, I will not.
• 39:25
  Speaker 3: This is like, this is like pre love is blind.
• 39:28
  Speaker 2: I shouldn't have to know that. This is how men
• 39:30
  Speaker 2: talk to about us to their friends. Yeah, you know
• 39:36
  Speaker 2: I had to like I had to like poke it
• 39:37
  Speaker 2: out of my brain. I was like, we're gonna erase it.
• 39:40
  Speaker 2: It's too traumatizing.
• 39:42
  Speaker 1: Yeah, do you want to talk about Mark and Juliet?
• 39:45
  Speaker 1: Is that Kiera Knightley m hm is because that scene
• 39:49
  Speaker 1: it's say it's Carol Singers the cue card. Shit shows
• 39:52
  Speaker 1: up in so much stuff now.
• 39:54
  Speaker 2: Shit like that's something that's cute. It's like, it's not
• 39:57
  Speaker 2: cute to betray your best friend. But in Minty to
• 40:00
  Speaker 2: his wife, like you're in love with her.
• 40:03
  Speaker 1: You know what I appreciate about it is that he's like,
• 40:05
  Speaker 1: here's why I've been a dick. I'm letting it go now.
• 40:08
  Speaker 1: I like that's like, like I appreciate that he's not
• 40:11
  Speaker 1: like continuing on. I appreciate that he's like, hey, I've
• 40:15
  Speaker 1: been a dick because it turns out I'm in love
• 40:16
  Speaker 1: with you. But I'm also gonna stop now because it's
• 40:18
  Speaker 1: gonna ruin everything.
• 40:20
  Speaker 2: This is also where I have to break it to
• 40:22
  Speaker 2: you that number one. I don't know what it is
• 40:24
  Speaker 2: about Kiara Knightley, but I hate her.
• 40:27
  Speaker 1: That's the way a lot of people do.
• 40:29
  Speaker 2: Everyone's vibe, everything about her face pisses me off. Before
• 40:33
  Speaker 2: we knew that Johnny Depp was an asshole, I believe
• 40:35
  Speaker 2: she had ruined the pirates of the care franchize for me,
• 40:41
  Speaker 2: Like there's some there are just people. When I see them,
• 40:45
  Speaker 2: I'm like, their face pisses me off. Edward Cullen from Ann,
• 40:51
  Speaker 2: Kristen Stewart from Twilight, They piss me off, like my
• 40:55
  Speaker 2: whole body. Their face pops up and I'm like, I
• 40:58
  Speaker 2: fucking just can't. Josh Grobin. Also, I would punch Josh
• 41:03
  Speaker 2: Grobin in the throat. And he's done nothing wrong. I
• 41:05
  Speaker 2: find sure he will do and he has the voice
• 41:09
  Speaker 2: of an angel. But Sue Sylvester one time said on Glee,
• 41:14
  Speaker 2: fuck you Josh Groban, and I was like, that's exactly
• 41:17
  Speaker 2: how I felt the entire time.
• 41:20
  Speaker 1: Oh my god. Okay, So but but back to Juliet
• 41:24
  Speaker 1: and Mark.
• 41:26
  Speaker 2: So this is also where I have to bring it
• 41:27
  Speaker 2: to you that I do believe that love can be
• 41:31
  Speaker 2: a choice, and there are certain situations where you pump
• 41:35
  Speaker 2: the break on it.
• 41:36
  Speaker 1: Yeah, I literally what does he here?
• 41:39
  Speaker 2: A nightly? She literally says, you've never liked hanging out
• 41:43
  Speaker 2: with us, so like he got hard once at a
• 41:46
  Speaker 2: bar and was like, I'm in love with my best friends.
• 41:48
  Speaker 1: Why he doesn't have to say anything to her for
• 41:53
  Speaker 1: him to be in love with her? Like that's I
• 41:55
  Speaker 1: think something like being in someone's presence. Doesn't this one.
• 42:00
  Speaker 2: Mean No, it's creepy. It's creepy. I'm also over it's
• 42:04
  Speaker 2: a very usque concept where I was at the bookstore
• 42:08
  Speaker 2: stocking you and we've never had any interaction ever in
• 42:14
  Speaker 2: your It's.
• 42:15
  Speaker 1: Not that they haven't had interaction ever. He's the best
• 42:19
  Speaker 1: friend of her husband, so they've had situations they've like
• 42:22
  Speaker 1: I interpreted it as they've hung out a lot, and
• 42:27
  Speaker 1: Mark is like, I can't do this because I'm in love.
• 42:31
  Speaker 1: Like every time I hang out with you guys, and
• 42:33
  Speaker 1: she opens her mouth, I'm falling more and more in
• 42:35
  Speaker 1: love with her, and it's hard, and so it's like
• 42:38
  Speaker 1: a like it's like a defense mechanism to be a dick.
• 42:41
  Speaker 3: Correct, But I do think that at some point you
• 42:44
  Speaker 3: just puhmed.
• 42:45
  Speaker 2: The brakes on it. You literally date anyone else does.
• 42:49
  Speaker 2: That's the whole point.
• 42:53
  Speaker 1: But that's the whole point of his story, because it's like, well,
• 42:57
  Speaker 1: you know, he it's like, how long it's I think
• 43:00
  Speaker 1: it's it's not that I think that getting caught is
• 43:03
  Speaker 1: the point for him where he's like, oh fuck, I
• 43:06
  Speaker 1: have to stop. I think that's what it is for him.
• 43:10
  Speaker 3: He's the Uncle Keith of this movie.
• 43:12
  Speaker 2: Like, I've just been living my life, planning a wedding,
• 43:18
  Speaker 2: going to trivia with my soon to me husband. His
• 43:21
  Speaker 2: weird ass friend doesn't speak to me and is often
• 43:26
  Speaker 2: very rude. And then, just like Uncle Keith did to Karen,
• 43:31
  Speaker 2: he shows up on my porch and he's like, have
• 43:36
  Speaker 2: you not noticed that? Surprise? I'm in love with you
• 43:40
  Speaker 2: and you're meant to be with me. No, it is,
• 43:43
  Speaker 2: it's to you should have taught I need someone to
• 43:47
  Speaker 2: page pen badly, because he would. He would he would
• 43:51
  Speaker 2: agree with me. I know someone.
• 43:53
  Speaker 1: I mean, I don't know if he will, dude, I
• 43:55
  Speaker 1: don't know if he would agree with you specifically about
• 43:57
  Speaker 1: love is actually, but somebody on Twitter did say to
• 44:00
  Speaker 1: him like, oh my god, I'm obsessed with Joe. I
• 44:03
  Speaker 1: want this character Toda and Penn Badgley was like, no,
• 44:07
  Speaker 1: you don't. What is wrong with our culture that this
• 44:10
  Speaker 1: is deemed a desirable situation.
• 44:13
  Speaker 2: So and Joe from You is the extreme because he
• 44:17
  Speaker 2: actually murders and harms people. But I am also saying
• 44:20
  Speaker 2: that the Uncle Keiths and Rick in Love is Blind
• 44:23
  Speaker 2: are as creepy because they're just like silently in your vicinity,
• 44:30
  Speaker 2: making up these love stories in their head about you,
• 44:35
  Speaker 2: and then one day you're just living your life and
• 44:39
  Speaker 2: they're like, bah, but that's.
• 44:41
  Speaker 1: Something that we are sold as women that we should want.
• 44:46
  Speaker 1: You want somebody to notice that you're adorable, to notice
• 44:49
  Speaker 1: that you're intelligent, to notice that you're all these things,
• 44:51
  Speaker 1: and to come to you and say, hey, I've noticed
• 44:54
  Speaker 1: all of these amazing things about you that no one
• 44:57
  Speaker 1: else has noticed.
• 44:58
  Speaker 2: And I'm saying that now this is the time where
• 45:01
  Speaker 2: I am always going to call this out as creepy.
• 45:03
  Speaker 2: The Uncle Keys of the World and the Rick that's
• 45:07
  Speaker 2: not his name, and the Love is Love actually movie,
• 45:11
  Speaker 2: but he's Rick from The Walking Dead with a baby
• 45:13
  Speaker 2: face Mark in Love. Actually, they're creepy. They are creepy people,
• 45:19
  Speaker 2: men who just sit next to you glaring at you
• 45:22
  Speaker 2: at trivia and then one day show up at your
• 45:24
  Speaker 2: house and then they're like, you didn't realize that.
• 45:26
  Speaker 1: But glaring is a very specific connotation that that that
• 45:32
  Speaker 1: aligns with being creepy. Like I don't think like glaring
• 45:36
  Speaker 1: is what Joe does. I think Mark is not glaring
• 45:40
  Speaker 1: because in that first scene when he's looking through his
• 45:43
  Speaker 1: video camera watching Juliette dance and have a good time,
• 45:47
  Speaker 1: he's literally like Laura Lenny's character literally pulls up to
• 45:51
  Speaker 1: him and is just like, are you in love with him?
• 45:52
  Speaker 1: Because she's sensing the love vibe and the adoration. It's
• 45:58
  Speaker 1: not glaring.
• 45:59
  Speaker 3: And I I'm saying that on the eve of my honeymoon.
• 46:06
  Speaker 2: If I'm just sitting around you like, yeah, babe, strain
• 46:09
  Speaker 2: that popcorn. We're gonna put it round the tree. And
• 46:13
  Speaker 2: fucking Eric Banna shows up on my porch with Q cards.
• 46:19
  Speaker 1: If Eric Banna shows up on your porch, We've got
• 46:22
  Speaker 1: other problems.
• 46:23
  Speaker 2: Right because I'm gonna get violent.
• 46:24
  Speaker 1: But it's not been known to be a good person.
• 46:27
  Speaker 1: I feel like it's like Owen Wilson.
• 46:30
  Speaker 3: If Owen Wilson shows up.
• 46:32
  Speaker 1: On my also a questionable person.
• 46:36
  Speaker 2: Questionable people. I can't who are we supposed to pick
• 46:39
  Speaker 2: Timothy shall Am. I he's just.
• 46:42
  Speaker 1: Follow Doomwatch. She's got a list of people who have
• 46:45
  Speaker 1: never been reported as being creepy or cheaters or all
• 46:49
  Speaker 1: that kind of stuff.
• 46:52
  Speaker 2: It took Jeremy Runner's wife like decades to be like, uh,
• 46:56
  Speaker 2: now that this Avengers series is wrapping up for him,
• 47:00
  Speaker 2: hope that Disney Plus show goes real. Well he pushed
• 47:04
  Speaker 2: me down the stairs or whatever he did that, I
• 47:07
  Speaker 2: just always blinked at as pushed me down the stairs,
• 47:10
  Speaker 2: because Christian bo did that to his mother in law once.
• 47:16
  Speaker 2: But I'm just saying, if Uncle Keith, if Chad Michael
• 47:22
  Speaker 2: Murray shows up on my forge and I'm just living
• 47:28
  Speaker 2: my life, and or or even because let's take it
• 47:32
  Speaker 2: back before we're at the que cards.
• 47:35
  Speaker 6: If I am sitting in Chad Michael Murray's garage studio
• 47:41
  Speaker 6: and I'm like, pop in that tape and it's all
• 47:44
  Speaker 6: these creepy close up shots of me, I'm concerned.
• 47:48
  Speaker 2: And she said through that whole movie, I was like, girl,
• 47:51
  Speaker 2: get up. I was like, women need to start having
• 47:53
  Speaker 2: more self reservation. I'm like, girl, get up, He's gonna
• 47:56
  Speaker 2: put you in that joke cube in his basement, get
• 48:00
  Speaker 2: up because it's creepy. It is creepy for me to
• 48:03
  Speaker 2: believe that I'm just living my life thriving. And you're
• 48:10
  Speaker 2: just like, soa, because this is what Uncle Keith does,
• 48:12
  Speaker 2: and I'm pretty sure this is what Rick does too,
• 48:14
  Speaker 2: and you're just like soulking on the peripheral of my
• 48:18
  Speaker 2: success and my hot girl shit. And you're like, well,
• 48:22
  Speaker 2: let her do that hot girl shit and I'm in
• 48:25
  Speaker 2: love with her. But you've never actually like and this
• 48:29
  Speaker 2: is where it kind of differs with uncle Keith, because
• 48:31
  Speaker 2: Uncle Keith had like a father role in Karen's kid,
• 48:35
  Speaker 2: so they did have very intimate conversations. But with this
• 48:40
  Speaker 2: Rick man, and it's like, so, you've never sat down
• 48:44
  Speaker 2: and talked to me about my hopes, my dreams, why
• 48:48
  Speaker 2: I'm so good at hot girl shit whatever. You've just
• 48:53
  Speaker 2: gotten a little bit of a tickle in your dick
• 48:57
  Speaker 2: and you're like, ah, and now you're making it my problem.
• 49:02
  Speaker 2: I have to live for the rest of my marriage
• 49:05
  Speaker 2: knowing that every time you're looking at me, you're thinking creepy,
• 49:09
  Speaker 2: salacious things and you have to be around because how
• 49:12
  Speaker 2: am I supposed to broach that with my beautiful new husband, I.
• 49:17
  Speaker 1: Think, I mean, I'm not like going to bat for
• 49:21
  Speaker 1: their scenario, but I do think that it's all about perception.
• 49:24
  Speaker 1: You're viewing it as creepy and him being you know,
• 49:28
  Speaker 1: pervy about his intentions, and not everyone sees it that way,
• 49:32
  Speaker 1: because when I watched the movie, while I you know,
• 49:37
  Speaker 1: do think it's shitty for him to like pull her
• 49:39
  Speaker 1: into the whole like I love you, that's why I'm
• 49:41
  Speaker 1: a dick and now I'm going to be done scenario.
• 49:44
  Speaker 1: I don't think that he's sinister in his intentions or
• 49:48
  Speaker 1: his feelings for her, But.
• 49:49
  Speaker 2: You taught us that we never truly know that. And
• 49:52
  Speaker 2: then One Tree Hill taught us that even when you
• 49:56
  Speaker 2: had intimacy with the moment that you let the down,
• 50:01
  Speaker 2: then Uncle Keith is creepy. Uncle Keith, so reggy is
• 50:05
  Speaker 2: also creepy. This whole scenario where we're just supposed to
• 50:08
  Speaker 2: be interrupted in our lives because some man has chosen
• 50:12
  Speaker 2: to choose us. It's a very creepy scenario because I
• 50:17
  Speaker 2: didn't have any hand in it.
• 50:20
  Speaker 1: But that's the structure of our society. So in two
• 50:23
  Speaker 1: thousand and three, that's a very romantic thing because that's
• 50:26
  Speaker 1: literally what we are told as little girls, like wait
• 50:29
  Speaker 1: until you're chosen. It's gonna be your day soon, Like
• 50:32
  Speaker 1: how wonderful will it be when you get chosen by
• 50:35
  Speaker 1: this loving, wonderful, amazing man. Isn't it so great that
• 50:39
  Speaker 1: this man saw you and saw you for who you
• 50:42
  Speaker 1: are and chose you?
• 50:45
  Speaker 2: But then also, that's why love actually has made other
• 50:49
  Speaker 2: people uncomfortable For the last twenty years. We watched it
• 50:52
  Speaker 2: and we're like, that's cute this Christmas, and then we
• 50:56
  Speaker 2: watched it in our mid twenties and we were like,
• 50:59
  Speaker 2: wait a minute, it none of these people should be
• 51:03
  Speaker 2: together at the end of this movie except for maybe
• 51:06
  Speaker 2: the porno couple and the second graders, and the whole
• 51:12
  Speaker 2: sexualization of children is like, why are third graders dating.
• 51:18
  Speaker 1: Again? It's a you know, our culture does loves to
• 51:21
  Speaker 1: do that whole like, oh, they're so cute their boyfriend girlfriend,
• 51:24
  Speaker 1: and they don't We don't allow for kids of opposite
• 51:27
  Speaker 1: genders or non gendered to be non gendered one into
• 51:31
  Speaker 1: two to just form relationships that won't lead to romance.
• 51:35
  Speaker 2: But this show is called still Comfy, Folks because we
• 51:38
  Speaker 2: took a movie from two thousand and three and wait, Naveley,
• 51:41
  Speaker 2: Would you just want a man to never speak to
• 51:44
  Speaker 2: you ever? But then one day show up on your
• 51:46
  Speaker 2: porch and be like, I'm obsessed with you, and I'm like, no,
• 51:48
  Speaker 2: we've all watched you.
• 51:52
  Speaker 1: Now. We've all watched you now. But because years ago
• 51:55
  Speaker 1: you was still just but a novel. I think you
• 51:58
  Speaker 1: was a novel fifteen years ago when it was published.
• 52:01
  Speaker 2: Right, That's why we do the still comfy part where
• 52:04
  Speaker 2: it's like, are we still comfortable.
• 52:06
  Speaker 1: Not even ten years ago?
• 52:08
  Speaker 2: It can be it's still comfortable. We've all seen love
• 52:12
  Speaker 2: is blind, We've all we've all been through things collectively. Yeah,
• 52:18
  Speaker 2: but like Emma Thompson is the only person who can
• 52:21
  Speaker 2: do it. If Emma Thompson wants to watch this video
• 52:24
  Speaker 2: and watch how hard I went for her about Eric
• 52:26
  Speaker 2: Fanna and when that's a woman who's gonna protect me
• 52:29
  Speaker 2: till the end of my days and show up on
• 52:32
  Speaker 2: my porch, she's more than welcome. Rick from The Walking Dead, No,
• 52:38
  Speaker 2: absolutely not.
• 52:41
  Speaker 1: Well, what that twenty year anniversary special with Diane Sawyer
• 52:45
  Speaker 1: highlighted was just how much people still love this movie.
• 52:48
  Speaker 1: So that leads us into you know, we know this
• 52:50
  Speaker 1: film didn Ah, Well, there's homophobia, there's transphobia, there's fat phobia,
• 52:55
  Speaker 1: there's lack of diversity, but people still love this movie
• 53:02
  Speaker 1: and go hard for this movie.
• 53:04
  Speaker 2: I need all of the apologists to come for me
• 53:06
  Speaker 2: in the comments, because I only hang out with people
• 53:09
  Speaker 2: who have taste like I do, where they're all like,
• 53:11
  Speaker 2: that's a weird movie. It's a weird movie. And I'm like,
• 53:16
  Speaker 2: you're right, like we you know, we grew up, we
• 53:19
  Speaker 2: all went through some relationships ourselves, and now we're like,
• 53:22
  Speaker 2: love is not actually happening this Christmas.
• 53:28
  Speaker 1: And so I keep singing this Christmas but that song isn't.
• 53:31
  Speaker 3: In the movie because I can't remember the Bill Nime song.
• 53:35
  Speaker 2: I can't remember it, and I've tried. I've tried to.
• 53:39
  Speaker 2: I'm like, I know that it ends instead of love.
• 53:43
  Speaker 2: It's like love is all around, but it's Christmas is
• 53:46
  Speaker 2: all arounround, but around is in the middle of the
• 53:49
  Speaker 2: phrase because it ends on Christmas. That's why he keeps
• 53:52
  Speaker 2: fucking it up.
• 53:57
  Speaker 1: I feel it in my fingers, I feel it in
• 53:59
  Speaker 1: my tes Christmas is all around us, and so the
• 54:03
  Speaker 1: feeling grows, Oh there it is, and you know what.
• 54:09
  Speaker 2: Bill Nye was all like, this is some crack of shit,
• 54:13
  Speaker 2: and that's why he's the only honest man in this movie.
• 54:16
  Speaker 1: Have you seen him in About Time?
• 54:18
  Speaker 2: Yes? About Time is the correct way that time traveler's
• 54:23
  Speaker 2: wife should have gone. That is actually a beautiful love story.
• 54:27
  Speaker 1: So sad because all.
• 54:29
  Speaker 2: Of the time travel shit and like all of the
• 54:31
  Speaker 2: sadness and all of his like obsession over keeping their
• 54:34
  Speaker 2: love story allive doesn't happen until they're already in like
• 54:39
  Speaker 2: an established soul make situation. He doesn't go back to
• 54:45
  Speaker 2: Rachel McAdam. Is it Rachel McAdams in both movies. Yeah,
• 54:50
  Speaker 2: he doesn't go back to Rachel McAdams. When she's four
• 54:54
  Speaker 2: years old. It was like, hey come here, well and
• 54:58
  Speaker 2: he I mean, hey, daddy has been over here.
• 55:01
  Speaker 1: They he can't really like there's more control at About Time.
• 55:04
  Speaker 1: They have more control about where they go. I think
• 55:06
  Speaker 1: it's more than just a love story between Rachel McAdams
• 55:10
  Speaker 1: and that guy who is very translucent. I think it
• 55:14
  Speaker 1: also is a love story between father and son.
• 55:17
  Speaker 2: The translucent ginger.
• 55:18
  Speaker 1: Yeah, he's but I can't remember his name.
• 55:22
  Speaker 2: One of he's friends with my new soulmate Emma Thompson.
• 55:26
  Speaker 2: You're gonna have to get it together. You can't just
• 55:28
  Speaker 2: call him the translucent ginger while I'm keeping Emma Thompson safe.
• 55:34
  Speaker 1: Not to justify it, but people have called me some
• 55:37
  Speaker 1: pretty horrific things based on my racial identity. So I
• 55:40
  Speaker 1: feel like it's I mean, if I struggle, it's it's okay.
• 55:45
  Speaker 1: I don't know if that's fucked up. I shouldn't have said.
• 55:47
  Speaker 3: That, right, because, as you know, I was knee deep.
• 55:51
  Speaker 2: I was elbows deep in the love is Blind comments
• 55:54
  Speaker 2: after the Internet turned against the nib and they were like,
• 55:58
  Speaker 2: hole is a cute white man. He was in the right,
• 56:01
  Speaker 2: which I also feel is like love actually in a nutshell,
• 56:05
  Speaker 2: Like all of these cute white men said a thing,
• 56:07
  Speaker 2: so they must be right. Like So anyways, I was
• 56:14
  Speaker 2: reading comments because I hate myself and this beautiful I
• 56:19
  Speaker 2: didn't click on your profile, honey, so if you're watching,
• 56:22
  Speaker 2: please don't take this seriously. And if you cry yourself
• 56:25
  Speaker 2: to sleep tonight, I'll send you a T shirt. But
• 56:30
  Speaker 2: she wrote on Zennis Instagram posts, She's like, I really
• 56:35
  Speaker 2: just feel like Zanam could have taken it better that
• 56:38
  Speaker 2: Cole didn't find her attractive, because I've been a ginger
• 56:42
  Speaker 2: all my life, and do you think I'm everyone's preference,
• 56:45
  Speaker 2: and I'm like, oh, you really hit that point right
• 56:47
  Speaker 2: out of the ballpark.
• 56:49
  Speaker 1: I mean, it's completely different. Gingers aren't a race.
• 56:52
  Speaker 2: At all.
• 56:55
  Speaker 3: At all, youirdos.
• 56:58
  Speaker 1: I would like to actually see an updated version of
• 57:01
  Speaker 1: Love actually, because what I do think the movie does
• 57:04
  Speaker 1: do well for those of us who are hopeless romantics,
• 57:07
  Speaker 1: which is not necessarily Natalie in this camp, but it
• 57:11
  Speaker 1: does leave you feeling like kind of warm and fuzzy
• 57:14
  Speaker 1: if you remove all of the issues, if you transport
• 57:17
  Speaker 1: yourself back to the two thousand and three ram com vibe,
• 57:20
  Speaker 1: because it's the first of its kind to tell multiple
• 57:23
  Speaker 1: stories in a romantic comedy scenario. And being this stupid,
• 57:28
  Speaker 1: hopeless romantic that I am, I do walk away being like, fuck,
• 57:31
  Speaker 1: I just would love to be in love in a
• 57:35
  Speaker 1: pure and innocent and sweet sort of way.
• 57:38
  Speaker 2: We did do it in a very cute way when
• 57:40
  Speaker 2: we took four weddings and a funeral and made it
• 57:43
  Speaker 2: a same guy.
• 57:44
  Speaker 1: It's the same writer I know.
• 57:47
  Speaker 2: So he's clearly taken a women's class or two. I
• 57:50
  Speaker 2: don't know, maybe he's spoken to his mom and sisters
• 57:52
  Speaker 2: and it was like, hey, what creeps you out?
• 57:55
  Speaker 3: And what doesn't when it comes to dating.
• 57:58
  Speaker 1: Well, our Weddings in a Funeral came like years before
• 58:00
  Speaker 1: Love Actually the mini series, Oh that's that's Mandy Kayling,
• 58:06
  Speaker 1: the mini series, Mindy Kayling. I thought you meant the
• 58:10
  Speaker 1: movie because funeral Bridget Jones. What's the other one. They're
• 58:15
  Speaker 1: all this guy who wrote Love. Actually, No, I thought
• 58:18
  Speaker 1: that godding Hill that's the other one.
• 58:20
  Speaker 2: When Mindy Kaylen took the concept of four weddings and
• 58:25
  Speaker 2: a funeral and she made it into a mini series
• 58:28
  Speaker 2: and even included the cheating affair moment, yeah, it's like
• 58:34
  Speaker 2: how I could never get on board with the book
• 58:37
  Speaker 2: series and the movie series.
• 58:39
  Speaker 3: Something borrowed because.
• 58:43
  Speaker 2: Snow White from One Tree Hill, who's Whitney cummings best
• 58:46
  Speaker 2: friend and I love her so I'm sorry, I can't
• 58:48
  Speaker 2: remember your name right now.
• 58:49
  Speaker 1: No White from One Tree Hill.
• 58:51
  Speaker 3: Not One Tree Hill, Once upon a Time.
• 58:53
  Speaker 2: Jennifer Goodwin, Jennifer Goodwin is how Jennifer Goodwin just like
• 58:58
  Speaker 2: because she's the main character, she never takes responsibility for
• 59:02
  Speaker 2: it because our main characters are like in rom coms,
• 59:06
  Speaker 2: are like just unbath themable. And then when like Kate
• 59:09
  Speaker 2: Hudson shows up and she's like, clearly my boyfriend is here,
• 59:12
  Speaker 2: and she's like, no, just just chick it, Like like
• 59:17
  Speaker 2: I literally just saw a TikTok about it. I was like, man,
• 59:19
  Speaker 2: I hated that movie and I could never read the books,
• 59:23
  Speaker 2: even though I guess the sequel is about Kate Hudson's
• 59:26
  Speaker 2: character doing hot girl shit.
• 59:29
  Speaker 1: I mean, I mean yes and no, I mean she
• 59:32
  Speaker 1: because the book. What bothered me about the book to
• 59:34
  Speaker 1: screen adaptation on that one is there are there is
• 59:37
  Speaker 1: a whole chapter where Jennifer Goodwin's character does go home
• 59:42
  Speaker 1: and it's like, what the fuck is going on in
• 59:44
  Speaker 1: my life? And I think it's her mom. It's just like, bitch,
• 59:47
  Speaker 1: here's the reality check you need, and you don't get
• 59:51
  Speaker 1: that in the movie.
• 59:53
  Speaker 2: So I think, what like love actually perpetuates, is this
• 59:58
  Speaker 2: myth that fits love?
• 1:00:00
  Speaker 3: It just automatically gets to be okay.
• 1:00:03
  Speaker 2: And I think when Mindy Kaylene updated like Four Weddings
• 1:00:06
  Speaker 2: and a Funeral, we got to see more of the
• 1:00:10
  Speaker 2: I made a choice, it turned out to be an
• 1:00:13
  Speaker 2: icky choice. There have been icky consequences, and now I
• 1:00:18
  Speaker 2: am working through these consequences. Yeah, So I think, like Hugh.
• 1:00:24
  Speaker 1: Grant, there's a lot of elements of love actually and
• 1:00:27
  Speaker 1: for and Mandy Kayley, the weddings in a funeral right.
• 1:00:30
  Speaker 2: And but there's also room for all of these things
• 1:00:34
  Speaker 2: to develop where because love actually is just this like weird.
• 1:00:38
  Speaker 3: Hodgemdge vignette movie.
• 1:00:42
  Speaker 2: It's just like.
• 1:00:44
  Speaker 3: Emma Thompson forgave Alan Rickman and maybe You're tummy doesn't
• 1:00:47
  Speaker 3: feel great about it?
• 1:00:48
  Speaker 1: Did she though? Because I like she's my house scene
• 1:00:52
  Speaker 1: where they pick him up from the airport, she's like
• 1:00:54
  Speaker 1: fuck her and like welcome back, assle.
• 1:00:57
  Speaker 2: I think she did the like the I'm forgiving you
• 1:01:01
  Speaker 2: for the kid's forgiveness.
• 1:01:03
  Speaker 1: See don't I didn't get that vibe. I did not
• 1:01:05
  Speaker 1: get that vibe.
• 1:01:06
  Speaker 2: It's something about like the kiss on the cheek and
• 1:01:10
  Speaker 2: still meeting him at the airport or whatever. You can
• 1:01:13
  Speaker 2: tell that they're not separated, and you can tell that
• 1:01:16
  Speaker 2: she's like still trying.
• 1:01:18
  Speaker 3: So she did the I'm gonna forgive you this much.
• 1:01:24
  Speaker 2: So I can be in the house with you.
• 1:01:26
  Speaker 1: I don't know. I didn't get that vibe. I've done
• 1:01:28
  Speaker 1: a lot of things for my son, for his dad,
• 1:01:31
  Speaker 1: but it's definitely not been like a you know what
• 1:01:34
  Speaker 1: I mean, Like the whole picking up from the airport,
• 1:01:36
  Speaker 1: like and I'm sure Drew's done the same for me too,
• 1:01:39
  Speaker 1: like he like, we literally had a scenario where they
• 1:01:43
  Speaker 1: picked us up from the airport and spent the day
• 1:01:47
  Speaker 1: together because we've been gone for so long and like,
• 1:01:50
  Speaker 1: so that way the boy in the in the and
• 1:01:52
  Speaker 1: his dad could have time together. But it wasn't like
• 1:01:55
  Speaker 1: like if you saw us, you would think that we
• 1:01:57
  Speaker 1: were a family and a couple, which technically we were
• 1:02:04
  Speaker 1: a family, but we definitely had like So I guess
• 1:02:06
  Speaker 1: that's why I don't see Emma Thompson's character in the
• 1:02:08
  Speaker 1: same light, because I've done this scenario where it's like
• 1:02:12
  Speaker 1: our lives are separate, but if you see us in
• 1:02:13
  Speaker 1: a moment, you wouldn't know that, Yeah, because we vibe
• 1:02:17
  Speaker 1: as a family.
• 1:02:18
  Speaker 2: Well. And I think my thing was is because she
• 1:02:23
  Speaker 2: does that switch right off the bat of like she's
• 1:02:26
  Speaker 2: confriended him and now has taken care of the kids.
• 1:02:29
  Speaker 2: My brain logically went, oh, she did the I'm gonna
• 1:02:32
  Speaker 2: forgive you this much because we've got kids in the
• 1:02:35
  Speaker 2: room thing, and that has carried on into whatever their
• 1:02:39
  Speaker 2: stress and tense dynamic is.
• 1:02:42
  Speaker 1: Yeah, So I.
• 1:02:42
  Speaker 2: Think like I think love actually is just this movie
• 1:02:47
  Speaker 2: that perpetuates this myth that like, we don't question love,
• 1:02:51
  Speaker 2: and I think this is how we all ended up
• 1:02:53
  Speaker 2: in toxic relationships with the people that we shared DNA with.
• 1:02:57
  Speaker 2: It's because you're not allowed to talk to the people
• 1:03:01
  Speaker 2: who love you about how their love affects you and like, Hi, Hello,
• 1:03:08
  Speaker 2: I'm a thirty four year old woman who lives on
• 1:03:10
  Speaker 2: my own and has my own brain and heart, and
• 1:03:12
  Speaker 2: I would like to have a grown up conversation about
• 1:03:14
  Speaker 2: why you can't say that to me?
• 1:03:17
  Speaker 1: Yeah, And I think a lot of that is because
• 1:03:20
  Speaker 1: there's this idea about family where you're just like, you
• 1:03:24
  Speaker 1: don't question it, you should be grateful because it could
• 1:03:27
  Speaker 1: be worse. And for those who have it worse, there's
• 1:03:31
  Speaker 1: this perpetuation of like, you can't you really shouldn't talk
• 1:03:34
  Speaker 1: sit about your family because it could be like mine.
• 1:03:36
  Speaker 2: And I think we transfer that into our romantic relationships.
• 1:03:44
  Speaker 2: It's not tomorrow because today is Monday. It's not even
• 1:03:48
  Speaker 2: tomorrow if today was for Still Company, Tuesday, because it's Thursday.
• 1:03:53
  Speaker 2: On Thursday, I am recording an episode about all or
• 1:03:57
  Speaker 2: nothing thinking and how that presents itself in my relationships
• 1:04:01
  Speaker 2: and that starts in your families, like we're all in,
• 1:04:05
  Speaker 2: we all have each other's backs, like and to a
• 1:04:08
  Speaker 2: certain extent, it's how you guess like kids into never
• 1:04:10
  Speaker 2: telling their teacher that you hit them once a week
• 1:04:13
  Speaker 2: or whatever. But when you take that into a romantic
• 1:04:17
  Speaker 2: sense like love actually, where it's like, well, you know,
• 1:04:21
  Speaker 2: I'll stick around because Alan Rickman and I have been
• 1:04:23
  Speaker 2: married for thirty years, and like he didn't fuck the
• 1:04:26
  Speaker 2: secretary or Laura Lenny's relationship with her ill brother, yeah,
• 1:04:33
  Speaker 2: and how that is now going to affect her romantic
• 1:04:36
  Speaker 2: relationships because she can't be all in on Carl and
• 1:04:39
  Speaker 2: he's probably gonna expect a little bit to be like
• 1:04:43
  Speaker 2: all in on, which I'm sorry, I do need a
• 1:04:46
  Speaker 2: reboot to see if Laura Lennie eventually gets sticked down
• 1:04:50
  Speaker 2: by Carl.
• 1:04:51
  Speaker 1: They did do something especial for Red Nose Day a
• 1:04:54
  Speaker 1: couple of years ago, post for Alan Rickman's death, and
• 1:04:57
  Speaker 1: I can't I.
• 1:04:58
  Speaker 3: Get some dicking down for Red.
• 1:05:00
  Speaker 1: Well, I don't know if they did something, but they
• 1:05:02
  Speaker 1: did like a like a where are they now type
• 1:05:04
  Speaker 1: of situation for Red Nose Day with the love actually
• 1:05:07
  Speaker 1: cast and the writer of the film. You know wrote
• 1:05:12
  Speaker 1: scenarios for each couple, but and I think he did
• 1:05:15
  Speaker 1: something special for Emma Thompson because Alan Rickman was no
• 1:05:18
  Speaker 1: longer with us. But that does exist. But to the
• 1:05:22
  Speaker 1: Carl and Sarah scenario, when she has him in her
• 1:05:26
  Speaker 1: flat and he's like in her brother's calling and calling
• 1:05:30
  Speaker 1: and calling, and he's literally like will it make him better?
• 1:05:34
  Speaker 1: And she admits that it won't and still answers the phone. Anyway,
• 1:05:38
  Speaker 1: that was so that to me, that was just like
• 1:05:41
  Speaker 1: so heartbreaking because it showed that she was to me,
• 1:05:45
  Speaker 1: it showed she was too afraid to accept the fact
• 1:05:48
  Speaker 1: that Carl could really, actually truly be in love with
• 1:05:51
  Speaker 1: her as well. And then also she found comfort in
• 1:05:55
  Speaker 1: the toxic relationship she has with her brother and is
• 1:05:57
  Speaker 1: unwilling to move from that, or the unwillingness is stemming
• 1:06:01
  Speaker 1: from fear to move from that, And that broke my
• 1:06:04
  Speaker 1: heart because listen, if a hot Brazilian were to be like, hey, girl,
• 1:06:09
  Speaker 1: I am so into what you are doing with this,
• 1:06:13
  Speaker 1: I'd be like peace, mom, bye, dad, see your family.
• 1:06:17
  Speaker 1: I'm heapy, I'm sorry, I'm learning Portuguese. I'm out.
• 1:06:21
  Speaker 2: Who fell? That's too bad? How inconvenient.
• 1:06:26
  Speaker 1: Though I also don't want to. I also would like
• 1:06:28
  Speaker 1: to be the hottest one in the relationship. That is
• 1:06:30
  Speaker 1: something that is very shallow about me. But I'm not
• 1:06:32
  Speaker 1: gonna say no if a person I find to be
• 1:06:35
  Speaker 1: very attractive to be like and it's and it's I've
• 1:06:39
  Speaker 1: almost said, rescue you from your toxic family, and that's
• 1:06:42
  Speaker 1: not what it is, but it's it's definitely the like.
• 1:06:45
  Speaker 1: I will build a new family with you that makes
• 1:06:47
  Speaker 1: you feel love and comforted.
• 1:06:49
  Speaker 2: And I will complain about these bumbling, charming, British dufices
• 1:06:56
  Speaker 2: for this movie. But you won't hear me say a
• 1:06:58
  Speaker 2: bad thing about Carl. He handles that whole situation, and
• 1:07:03
  Speaker 2: I think, and I think it's because we don't know
• 1:07:07
  Speaker 2: where they end up at the end of the movie
• 1:07:09
  Speaker 2: that I can still have faith that he handled that
• 1:07:12
  Speaker 2: with grace and kindness and acceptance or whatever. Because we've
• 1:07:18
  Speaker 2: also been told that once someone takes their pants off,
• 1:07:22
  Speaker 2: there better be a little bit of business or else
• 1:07:24
  Speaker 2: you've disappointed someone to the point of no return to
• 1:07:28
  Speaker 2: where we made up a medical term about it.
• 1:07:32
  Speaker 1: Yeah, and I think that's why. I think that's why
• 1:07:35
  Speaker 1: Carl is my favorite.
• 1:07:36
  Speaker 2: Yeah, he's so cute, he's so kind, he's you know,
• 1:07:40
  Speaker 2: he's for the most part silent in the movie, and
• 1:07:42
  Speaker 2: as we know, that's my preferred type. Quiet won't talk
• 1:07:46
  Speaker 2: to me.
• 1:07:49
  Speaker 1: And Louise, and.
• 1:07:52
  Speaker 2: So you won't hear me talking about about Carl or
• 1:07:55
  Speaker 2: Martin Freeman because they're actually kind men who invested in
• 1:07:59
  Speaker 2: the women that they were seeking.
• 1:08:00
  Speaker 1: Now, yeah, yeah, you know what. Actually, Martin Freeman might
• 1:08:03
  Speaker 1: be my favorite dude in the whole film because he
• 1:08:06
  Speaker 1: is genuinely interested in Judy and makes polite conversation and
• 1:08:11
  Speaker 1: is respectful during their entire situation in scenarios. And I
• 1:08:16
  Speaker 1: just feel like that's who Martin Freeman probably is in
• 1:08:18
  Speaker 1: real life, and it makes me happy because I love
• 1:08:21
  Speaker 1: him in the MCU, like I just fail me with
• 1:08:27
  Speaker 1: it there it is. I don't know if it was
• 1:08:29
  Speaker 1: me or you, but I did.
• 1:08:30
  Speaker 2: Never that he loved him in the MCU. No. I
• 1:08:33
  Speaker 2: have always team pro Do Bagans, mostly because I don't
• 1:08:37
  Speaker 2: write fan fiction. But the fan fiction in my head
• 1:08:40
  Speaker 2: when I'm alone in the dark in my room is
• 1:08:43
  Speaker 2: that Martin Freeman and Benedict Cumberbatch makes sweet, sweet love
• 1:08:47
  Speaker 2: with one another, but he's still smog of the dragon
• 1:08:50
  Speaker 2: and he's still pro to bag Ins. The hobbit he
• 1:08:53
  Speaker 2: anatomically works and we don't really have to go into
• 1:08:57
  Speaker 2: the science of it. But it's gentle but also a
• 1:09:00
  Speaker 2: little scary, which is also kind of what I did.
• 1:09:04
  Speaker 1: You know what I love about Benedett Cumberbatge when he
• 1:09:07
  Speaker 1: and his now wife announced they were getting married. It
• 1:09:10
  Speaker 1: was just a simple statement made in the paper, and
• 1:09:14
  Speaker 1: like the announcement sections that used to exist when hard
• 1:09:17
  Speaker 1: pick card copies of papers.
• 1:09:19
  Speaker 2: Mario just gave me devastating news on accident. No, I
• 1:09:22
  Speaker 2: did not know that Christy Ali passed away today. What
• 1:09:25
  Speaker 2: I'm literally finding this out live on the Internet. And
• 1:09:28
  Speaker 2: now we have to drop dead gorgeous, which is the
• 1:09:31
  Speaker 2: one I thought I was worried the most about doing
• 1:09:33
  Speaker 2: on this show. It didn't age well, but I quote
• 1:09:36
  Speaker 2: the whole movie.
• 1:09:37
  Speaker 1: Yeah, he posted a comment on there and I just
• 1:09:40
  Speaker 1: now saw it. That's really sad. I have to watch
• 1:09:43
  Speaker 1: Cheers tonight.
• 1:09:44
  Speaker 2: Oh my god, I can't. I can't.
• 1:09:50
  Speaker 1: She's not even old.
• 1:09:52
  Speaker 2: No oh, oh had seventy more.
• 1:09:56
  Speaker 1: She had cancer.
• 1:09:57
  Speaker 2: That's really had cancer.
• 1:09:59
  Speaker 1: That's what according to Variety, she had cancer.
• 1:10:01
  Speaker 2: That's what Alan Rickman and David Bowie did to me.
• 1:10:03
  Speaker 3: They didn't even give me.
• 1:10:04
  Speaker 2: Like an Instagram inspirational heads up.
• 1:10:08
  Speaker 1: I mean, topic Grooseman did the same thing. Nobody knew
• 1:10:11
  Speaker 1: that he had colon cancer, and then you know, the
• 1:10:13
  Speaker 1: Internet ridiculed him for being so skinny, and then two
• 1:10:16
  Speaker 1: weeks later he passed from colon cancer.
• 1:10:18
  Speaker 2: And I need everyone to know that we need to
• 1:10:20
  Speaker 2: collectively be kinder because I'm tired of getting blindsided because
• 1:10:24
  Speaker 2: the celebrities won't share their struggles with us because we're
• 1:10:27
  Speaker 2: not nice.
• 1:10:29
  Speaker 1: I mean, I mean, I'm gonna say the collective Internet.
• 1:10:32
  Speaker 1: I feel like I would have been very understanding and
• 1:10:34
  Speaker 1: posted and given her encouraging posts. I know I choose
• 1:10:38
  Speaker 1: to be kind on the Internet. If I'm gonna be
• 1:10:40
  Speaker 1: a dick, I'm gonna side text my best friend and
• 1:10:42
  Speaker 1: talk shit there. I'm not going to do that on
• 1:10:44
  Speaker 1: the Internet.
• 1:10:45
  Speaker 2: Oh can we do it Takes Two with Google?
• 1:10:49
  Speaker 1: I love that movie.
• 1:10:51
  Speaker 2: My sister and I watched it Takes Two for every day,
• 1:10:55
  Speaker 2: multiple times for an entire summer. That summer it came
• 1:10:59
  Speaker 2: out on being we literally melted the tape.
• 1:11:02
  Speaker 1: I watched it in the theater. Okay, so you know what,
• 1:11:05
  Speaker 1: let's wrap up so you and I can both have
• 1:11:07
  Speaker 1: some time to like deal with our emotions.
• 1:11:10
  Speaker 3: When it comes to William Neeson.
• 1:11:12
  Speaker 1: You know what, that's okay because that one has to
• 1:11:14
  Speaker 1: deal with grief and death. So we'll just you know what,
• 1:11:17
  Speaker 1: We'll just we'll just, we'll.
• 1:11:18
  Speaker 2: Just I do have a comment about Liam Neeson, Okay,
• 1:11:22
  Speaker 2: because Liam Neeson's wife, Natascha Richardson from The Parent Trap
• 1:11:28
  Speaker 2: died tragically.
• 1:11:29
  Speaker 1: And the very famous Red Gray family.
• 1:11:33
  Speaker 2: Yeah, because she died tragically in a skiing accident while
• 1:11:37
  Speaker 2: they were on vacation. When I do see clips of
• 1:11:40
  Speaker 2: him in this movie, I just my brain puts in
• 1:11:43
  Speaker 2: their situation, even though that's not the plot of the
• 1:11:46
  Speaker 2: movie at all.
• 1:11:47
  Speaker 1: I'm like, and it happened years after this movie was filmed,
• 1:11:50
  Speaker 1: I know.
• 1:11:50
  Speaker 2: And I'm like, poor Liam Neeson. Her son was.
• 1:11:55
  Speaker 1: Has said that he did you tell me this? Who
• 1:11:58
  Speaker 1: told me this? Maybe it was Mario, their son, and
• 1:12:00
  Speaker 1: it said that when he misses his mom the most,
• 1:12:02
  Speaker 1: he puts on the Parent Trap because that's the most
• 1:12:04
  Speaker 1: like who she really was.
• 1:12:06
  Speaker 2: So I'm sad. Liam Neeson also isn't a really bad
• 1:12:13
  Speaker 2: guy in this movie.
• 1:12:15
  Speaker 1: Yeah, I think he's sweet because of the age I
• 1:12:20
  Speaker 1: was when the film released. In the age he is
• 1:12:22
  Speaker 1: in the film, He's not the one that I'm drawn to.
• 1:12:27
  Speaker 2: I will also say that this was the only time
• 1:12:31
  Speaker 2: I paid attention to the funeral slideshow and when he
• 1:12:36
  Speaker 2: was clearly with that little boy, when that little boy
• 1:12:39
  Speaker 2: was a baby, even though it's his stepson. I was like,
• 1:12:43
  Speaker 2: why are you so weird about this kid if you've
• 1:12:45
  Speaker 2: known this kid since he was an infant? And then
• 1:12:47
  Speaker 2: like Emma Thompson is like, why are you being weird?
• 1:12:50
  Speaker 2: And he's like, you're right.
• 1:12:51
  Speaker 1: Yeah, yeah, when he admits that, you know, he it
• 1:12:55
  Speaker 1: was up to you know, his mom was the one
• 1:12:57
  Speaker 1: who was the one who always like had those conversations
• 1:13:00
  Speaker 1: with him. He never felt he needed to do that,
• 1:13:02
  Speaker 1: and then now he needs to step up. Okay, so
• 1:13:05
  Speaker 1: we're just gonna rap because uh I can't focus because
• 1:13:09
  Speaker 1: I really want to read these articles about christiality and
• 1:13:12
  Speaker 1: because that's uh so, Natalie, tell everybody what we're all the.
• 1:13:19
  Speaker 2: Things about you do comfy question?
• 1:13:22
  Speaker 1: Oh fuck yeah, Okay, I'm like, I'm like having a
• 1:13:26
  Speaker 1: hard time focusing. So yeah, go ahead. Are you still comfy?
• 1:13:31
  Speaker 1: What's your comfort level? Are you still comfy with love.
• 1:13:33
  Speaker 2: Actually no, maybe if Mindy Kalen wanted to redo it
• 1:13:38
  Speaker 2: and like make it diverse, maybe a min.
• 1:13:43
  Speaker 1: And a mini series rather because any Cannes.
• 1:13:45
  Speaker 2: Rather, so I could feel emotionally invested into this obsessive love,
• 1:13:51
  Speaker 2: because right now it's coming off as really obsessive and
• 1:13:55
  Speaker 2: not a natural love that fostered between a bunch of people.
• 1:14:00
  Speaker 2: I could be on board. The twenty twenty two namily
• 1:14:03
  Speaker 2: has seen you well.
• 1:14:05
  Speaker 1: And I think the vignettes are because vignettes were so
• 1:14:08
  Speaker 1: new in twenty twenty in two thousand and three, and
• 1:14:10
  Speaker 1: now we have a better handle on how to succinctly
• 1:14:13
  Speaker 1: tell vignette stories in one to in a two hour period.
• 1:14:17
  Speaker 1: I think if somebody were to step up and update
• 1:14:20
  Speaker 1: the script, I think it could be done, like thinking
• 1:14:23
  Speaker 1: it could be better. So Mandy, Kaylene Mario, thank you
• 1:14:27
  Speaker 1: so much. I appreciate you for telling us anyway. It's
• 1:14:29
  Speaker 1: a I was already having a hard time with grief
• 1:14:32
  Speaker 1: today because it's the anniversary of a friend's passing and
• 1:14:34
  Speaker 1: Facebook reminded me this morning, so I was already in
• 1:14:36
  Speaker 1: a weird headspace about death. So yeah, you know, you
• 1:14:38
  Speaker 1: don't have to apologize death.
• 1:14:40
  Speaker 3: Come I'm sure my sister tried to text me and
• 1:14:42
  Speaker 3: my phone's.
• 1:14:42
  Speaker 2: Just on do not disturb. She is usually the person
• 1:14:45
  Speaker 2: who will say, before you open your phone, another Glee
• 1:14:49
  Speaker 2: actor has died, so you might as well know now
• 1:14:53
  Speaker 2: because that shall be cursed.
• 1:14:55
  Speaker 1: Yeah, and it's just it's just been a lot. It's
• 1:14:57
  Speaker 1: just been a lot. There's been an outside a celebrit death.
• 1:15:00
  Speaker 1: I've had a lot of death happen in the last
• 1:15:02
  Speaker 1: eight weeks in my life, So it's just there's just
• 1:15:04
  Speaker 1: a whole lot of that happening and keeping your shit
• 1:15:08
  Speaker 1: together to you know, work through is not always easy.
• 1:15:12
  Speaker 2: And to a lesser extent, my holiday cheer died over
• 1:15:16
  Speaker 2: the weekend. So I'm not comfortable with this movie. Yeah,
• 1:15:20
  Speaker 2: if if Manny, Kylene or Emma Thompson want to call
• 1:15:23
  Speaker 2: me for how we could flesh this out and make
• 1:15:26
  Speaker 2: it better, I'm available if you're filming a sex scene
• 1:15:30
  Speaker 2: or a porno with plus size actresses and you need
• 1:15:34
  Speaker 2: stand ins.
• 1:15:35
  Speaker 3: I also felt like I could do that job.
• 1:15:37
  Speaker 2: So.
• 1:15:39
  Speaker 1: I do want to add Well, for me, I want
• 1:15:41
  Speaker 1: to say I'm not super comfortable with Love Is actually,
• 1:15:45
  Speaker 1: and I've actually had issues with it, probably going on
• 1:15:48
  Speaker 1: like eighteen years, but I do watch it to sort
• 1:15:52
  Speaker 1: of jump start the holiday season into the winter for
• 1:15:55
  Speaker 1: me at the end of Thanksgiving every year, and I
• 1:15:58
  Speaker 1: don't know if I'll ever stop doing that.
• 1:16:00
  Speaker 3: If I'm gonna be honest, I yeah, I mean comfort
• 1:16:02
  Speaker 3: movies become your comfort movies.
• 1:16:04
  Speaker 2: I'm trying to think what crampis. But also Elf. I
• 1:16:08
  Speaker 2: love Elf, which came out when I was older, so
• 1:16:12
  Speaker 2: that doesn't Also the Santa Claus, which we canceled doing
• 1:16:16
  Speaker 2: today so we could talk about them. Actually that's the
• 1:16:20
  Speaker 2: Santa Claus and Tim Allen Badman, because.
• 1:16:23
  Speaker 1: Yeah, say, I feel like it's okay if we don't
• 1:16:25
  Speaker 1: give Tim Allan a platform, that's.
• 1:16:26
  Speaker 3: Right, because Tim Allen Badman.
• 1:16:27
  Speaker 2: In case we didn't know. And if you want to know,
• 1:16:30
  Speaker 2: oh it is Crampis Day. Happy Crampis knocked everyone. And
• 1:16:35
  Speaker 2: remember Crampas doesn't care kids, if you're a productive drone
• 1:16:39
  Speaker 2: to capitalism. He only cares if you're an asshole so
• 1:16:42
  Speaker 2: he can put you in your set in his sack
• 1:16:44
  Speaker 2: and beat you with a stick. He's my preferred Christmas deity.
• 1:16:50
  Speaker 1: Nice Nice, Tell everybody where they can find you.
• 1:16:53
  Speaker 2: You can find the soft, soothing tones of my Voice
• 1:16:56
  Speaker 2: every Thursday on to all the men I've tolerated before.
• 1:17:00
  Speaker 2: We are currently on our holiday break, so we are
• 1:17:03
  Speaker 2: not really sing any new tolerator contact. But our season
• 1:17:09
  Speaker 2: two finale, Jules was on with a handful of our
• 1:17:12
  Speaker 2: other favorite guests and we talked about women's safety and
• 1:17:15
  Speaker 2: what that looks like due to our society and this week.
• 1:17:21
  Speaker 2: Last week we did Now and Then for Still Comfy,
• 1:17:24
  Speaker 2: and this week we're doing Mama Mia. So you'll hear
• 1:17:28
  Speaker 2: me talk nicely about Colin Firth for Mama Mia.
• 1:17:33
  Speaker 7: That was me doinga yeah exactly that.
• 1:17:43
  Speaker 1: And Tomorrow night friends over on Instagram, Natalie and I
• 1:17:46
  Speaker 1: will be discussing the next episodes five and six of
• 1:17:49
  Speaker 1: The Crown and that will be on Instagram Live at
• 1:17:53
  Speaker 1: four thirty episodes five and six. So far The Crown
• 1:17:56
  Speaker 1: has been a snows fest and that is general consensus
• 1:18:01
  Speaker 1: of the Internet, so I feel like we're not alone. Also,
• 1:18:04
  Speaker 1: this week on pop Culture makes Me jealous Tomorrow's excuse me.
• 1:18:08
  Speaker 1: Our episode that's dropping Wednesday is Loot. It's the about
• 1:18:13
  Speaker 1: the Apple Plus original series that starts maya Rootolph and
• 1:18:17
  Speaker 1: the premises this woman receives millions upon millions upon millions
• 1:18:22
  Speaker 1: of dollars in a divorce settlement, and it rings familiar
• 1:18:28
  Speaker 1: of Mackenzie Scott Jeff Bezos's divorce, but it has a
• 1:18:32
  Speaker 1: very different turn and a lot of comedic elements. And
• 1:18:35
  Speaker 1: it starts, like I said my Rudolph and Mikayla J Rodriguez,
• 1:18:40
  Speaker 1: I think we're on funches, bunch of people, bunch people,
• 1:18:43
  Speaker 1: super fun, super fun, super.
• 1:18:44
  Speaker 2: Fun, and plot that show tomorrow for Tuesday. Good news everyone,
• 1:18:51
  Speaker 2: I'm back in on The Crown, And you want to
• 1:18:53
  Speaker 2: know why because I come from a long, long line
• 1:18:56
  Speaker 2: of basic white bitches, and I love the Romanovs, and
• 1:18:59
  Speaker 2: I pretend to know a lot about the Romanovs. So
• 1:19:02
  Speaker 2: if you want to hear all the connections I've made
• 1:19:05
  Speaker 2: to the Grand Duchess Anastasia, you're gonna want to tune
• 1:19:08
  Speaker 2: in tomorrow on Instagram. Because they opened the episode six
• 1:19:14
  Speaker 2: of The Crown with murdering the Romanovs, and I texted Jewels, like,
• 1:19:19
  Speaker 2: you didn't warned me that all of my Romanov trauma
• 1:19:21
  Speaker 2: was gonna get triggered.
• 1:19:23
  Speaker 1: Yeah, you know that he wasn't a very humanitarian right
• 1:19:27
  Speaker 1: like he was actually probably? Yeah?
• 1:19:30
  Speaker 2: No, I have read and listened and watched so many
• 1:19:34
  Speaker 2: things about the Romanovs that I truly understand that he
• 1:19:39
  Speaker 2: was a little scamp who got put into a job
• 1:19:42
  Speaker 2: that he didn't deserve nor should he have had.
• 1:19:46
  Speaker 3: The tragedy for the Romanovs.
• 1:19:48
  Speaker 2: For me is that there was an entire family of
• 1:19:51
  Speaker 2: young women and children and a little broken boy who
• 1:19:56
  Speaker 2: were murdered because their father couldn't get his shit together.
• 1:20:00
  Speaker 1: Yeah. Yeah, okay, that's fair, that's fair. Say he is
• 1:20:03
  Speaker 1: a has a. He as a person probably had it
• 1:20:08
  Speaker 1: coming in that era. Great, Yeah, but absolutely, you're right.
• 1:20:13
  Speaker 1: It's sad that the children were victim too.
• 1:20:16
  Speaker 2: I was sunk line and sinker to that Meg Ryan
• 1:20:20
  Speaker 2: anaesthesia cartoon, and when it came out that she may
• 1:20:23
  Speaker 2: have been found alive, I was like, I'm here, I'm waiting.
• 1:20:31
  Speaker 1: Okay, friends, we will not be back with a movie
• 1:20:34
  Speaker 1: still Comfy until twenty twenty three, so stay tuned for
• 1:20:38
  Speaker 1: announcements regarding that. But you can catch us on Instagram
• 1:20:40
  Speaker 1: Talk in the Crown and Natalie, why don't you say
• 1:20:44
  Speaker 1: our closing tag?
• 1:20:46
  Speaker 2: Hey everyone, the holidays are hard, so I just want
• 1:20:49
  Speaker 2: you to remember to stay cozy and stay comfy.
• 1:21:00
  Speaker 1: Doy