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Haunt (2019) – The Halloween House You Should’ve Stayed Out Of | Two Cents: We See Scary Movies · Two Cents: We See Scary Movies

• 0:00
  Welcome back to Two Cents. We see scary movies where the
• 0:02
  fake blood might be corn syrup, but the fear is always real.
• 0:06
  I'm Talon. If there's a wrong door to open,
• 0:09
  a creepy noise to follow, or a killer to insult, I'm your girl.
• 0:13
  With me is Dan, who thinks haunted house is just another
• 0:16
  way to describe being around people.
• 0:19
  This week we're taking a tour through Haunt, a Halloween
• 0:22
  attraction that promises, screams, delivers.
• 0:25
  I've got daddy issues, energy and proves once again that
• 0:28
  nothing good ever comes from signing a waiver.
• 0:30
  Let's get into it. All right, so Hans starts off
• 0:43
  with you see a man like doing some drilling and welding, just
• 0:46
  putting something together, kind of like one of those like 80s
• 0:49
  montage videos where you know they're preparing for the bad
• 0:52
  guy. We see a bunch of masks sitting
• 0:54
  behind him while he works. I don't know what all the all
• 0:57
  the masks were, but one of them was a clown mask.
• 0:59
  And we see ads for an extreme haunted house printing up off of
• 1:03
  their printer. He's also appearing to set up
• 1:06
  some sort of tripwire. Now the haunted house Flyers do
• 1:11
  say it's an extreme haunted house, so the the tripwire does
• 1:15
  make sense to a degree I guess. Yeah, I mean, it's pretty
• 1:19
  extreme. I mean, it's not super extreme,
• 1:21
  but typically you're not expecting to trip over in a
• 1:23
  haunted house on purpose, right? So now we're on a suburban St.
• 1:27
  and Carbondale, IL and we have a a prompt that comes up saying
• 1:32
  the campus is closing. I don't know what campus closes
• 1:35
  around Halloween time, but apparently this one does.
• 1:38
  Halloween must be a big deal in that town.
• 1:41
  Must be we're going through the town, we're seeing some shots of
• 1:44
  pub kid. We end up stopping at this one
• 1:46
  house. All of a sudden pumpkin comes
• 1:48
  flying out of the air and it hits the door and smashes all
• 1:51
  over the place. A young girl in a cat costume
• 1:54
  looks looks at the door and opens it after after it gets
• 1:58
  banged on. A truck drives away and she's
• 2:01
  yelling to Harper, who happens to be upstairs putting makeup on
• 2:04
  over a black eye. Where she got that, we don't
• 2:07
  know yet. We hear a muffled voice.
• 2:11
  There's Harper in this room and she turns on.
• 2:13
  None of the living dead fucking love that movie.
• 2:16
  So there's a big knock on her bedroom door.
• 2:18
  The cat girl, which we learn later is Bailey.
• 2:21
  If her boyfriend threw a pumpkin at their door, she's like, oh,
• 2:24
  no, that's not something he do. Cat girl grabs the phone.
• 2:27
  Well, or I should say Bailey grabs her phone or she's like,
• 2:31
  you should break up with him. And she types in, you know, it's
• 2:34
  over, but doesn't send it yet. Harper's making excuses.
• 2:37
  Well, he's just an alcoholic. That's it.
• 2:39
  He's, he's just an alcoholic. Is, is that where your black eye
• 2:43
  came from? Harper?
• 2:45
  Never know. No, I mean, the guy doesn't see.
• 2:48
  I mean, he's, he's dressed an alcoholic.
• 2:50
  So Bailey said that she came into the room last night after
• 2:54
  they both passed out and saw the black eye on Harper's face,
• 2:58
  assuming that maybe before they went to bed that there was no
• 3:02
  black eye. Now I have sleep apnea and from
• 3:05
  I understand when I didn't have my machine I used to flail
• 3:09
  around a lot and so my ex-wife would get the brunt of it.
• 3:14
  I had no idea because I was completely asleep.
• 3:16
  Maybe that's what her boyfriend has and he's just not treated
• 3:20
  and he's just like flailing around.
• 3:22
  Yeah, he could be flashbacks or something from my mom, so.
• 3:26
  Harper looks somewhat defeated, and she asks Bailey, Did you see
• 3:29
  the bruise? She kind of said that she did,
• 3:31
  but you know. Yeah, no, she was saying.
• 3:33
  Do you see a bruise because she covered it with makeup.
• 3:35
  Yeah. Right, right, right, right.
• 3:36
  OK, that makes a little bit more sense now.
• 3:39
  But yeah, did you see the bruise?
• 3:40
  So we have two other girls that pop in, one of them is Mallory
• 3:44
  and the other one doesn't really say their name throughout the
• 3:47
  movie and I don't ever recall it being said in the subtitles, but
• 3:51
  her name is Angela. The only reason why I know that
• 3:54
  is because I went to faithful IMDb and because I had to sort
• 3:58
  out some names because by the end they got a little confusing.
• 4:01
  So the two girls pop in and I believe Mallory.
• 4:05
  It appears that she's some sort of medical student.
• 4:07
  Ironically, she's dressed up as a nurse for Halloween.
• 4:10
  Gleaned a whole lot of shit. Everybody in her family who
• 4:12
  seems to be in the medical profession, correct?
• 4:14
  Yeah, she pops in. She's like, oh, the audible
• 4:17
  plate on your face was swelling in a bunch of other medical
• 4:21
  stuff. He says 0 Harper, you should
• 4:23
  come out with us. And Harper is like, it'll be
• 4:25
  weird without a costume. It's weird if you have a black
• 4:27
  eye. Yeah, I mean.
• 4:30
  Yeah, if you take the make them off, you can make pretend that's
• 4:32
  your costume, like you're a boxer or something.
• 4:33
  Right. I mean, and by no means am I
• 4:35
  trying to make light of of domestic violence because you
• 4:38
  know that that is horrible shit. But just some of the things that
• 4:42
  they writers put in here along with, you know, the things that
• 4:45
  are happening, you know, sometimes it just doesn't make
• 4:48
  sense to me. And so I make fun.
• 4:49
  Yeah, there was some stuff later on and I was like, are they
• 4:52
  doing what I think they're doing right?
• 4:53
  I was like, what the heck? So that's our weekly disclaimer
• 4:56
  of that. We're really not horrible
• 4:57
  people. We we just have random thoughts.
• 5:00
  That's when we're talking about this stuff, right?
• 5:02
  All right. So our Mailer is like, oh, it's
• 5:03
  Halloween. Weird is good.
• 5:05
  All the while, Harper's looking at her phone and looking at the
• 5:07
  text conversation between her and her boyfriend, who says says
• 5:12
  his name is Sam. It appears that he's a little
• 5:15
  angry that she's not speaking to him.
• 5:18
  So all the other girls leave and she watches a little bit more of
• 5:21
  Night of the Living Dead. It's a part where Barbara and
• 5:25
  it's the old version, the black and white version, and Barbara's
• 5:27
  in the house telling all the people in the house about how
• 5:30
  one of the zombies grabbed her. She's like freaking.
• 5:33
  Those part where she's freaking. It's like she grabbed me.
• 5:35
  He grabbed me. Harper looks at her phone and
• 5:38
  sends the it's over text that Bailey had typed in.
• 5:42
  So now we're at the bar with the four girls having a grand old
• 5:45
  time, shooting shots and all this other stuff, and we see
• 5:49
  that they're drinking spider vodka and apparently there's a
• 5:53
  tarantula in the bottom of the bottle, kind of like a tequila
• 5:57
  worm. Right.
• 5:59
  But it's a spider and you. Have to look up to see if that
• 6:01
  thing is real. I did not.
• 6:03
  I didn't either. I did not, but but so one of
• 6:07
  them's talking about how she's freaked out by spiders and and
• 6:10
  yadda yadda yadda. Who knows, it could be the same
• 6:13
  spider from Fever Lake. You never know.
• 6:17
  I bet that's one busy spider. It is.
• 6:20
  It's probably part of SAG. Certain likes to party so
• 6:23
  they're having selfies and and all kinds of fun.
• 6:26
  Bailey ends up walking over and greets 2 guys.
• 6:30
  She ends up passing by 1 and goes to the other and the one
• 6:33
  she walks past seems a little dejected so he's looking at
• 6:37
  Harper and he's summoned over. At this point we learned that
• 6:40
  his name is Nathan. Harper crawls onto the table
• 6:43
  towards him and they awkwardly greet each other like, hey, hey,
• 6:47
  Nathan's like, what do you want? She's like, well, you waved me
• 6:50
  over here after Bailey walked off.
• 6:52
  He's like, no, I was just trying to get another drink, man.
• 6:54
  Harper was all concerned that she was going to feel weird.
• 6:57
  Now she's feeling foolish because she thought this cute
• 7:01
  guy was calling her over and he just wanted alcohol.
• 7:03
  Then he asks, how do you know Bailey?
• 7:05
  She explains all. She's my roommate and shit.
• 7:07
  And he's like, Oh yeah, I've heard of you.
• 7:09
  And then we hear a Big Bang. We see a guy named Evan who's,
• 7:13
  like, really mad at something, and he's punching at drinks, and
• 7:17
  one of them flies over and gets all over Harper again.
• 7:21
  She was afraid to feel weird. Now she's embarrassed.
• 7:25
  We know that this guy's name is Evan because Nathan says, what
• 7:30
  the hell, Evan? Nathan apologizes, you know, on
• 7:33
  Evan's behalf. And the reason why Evan is so
• 7:37
  upset is because two of his costume partners didn't show up,
• 7:41
  so he cannot complete his Human Centipede costume.
• 7:44
  Right. So that that was his big upset
• 7:49
  and they're telling him there's people who probably don't want
• 7:52
  to be on the ascend of the human centipede because he was the
• 7:55
  head of it, which is totally understandable.
• 7:58
  Like I wouldn't want to be in the middle person.
• 7:59
  And at this time, I don't know if like nobody likes Evan or if
• 8:04
  they're just annoyed by him, but they they don't really look like
• 8:07
  that. They're really enjoying their
• 8:09
  time with him at this point. So Harper looks at her phone and
• 8:15
  there's a photo underneath Sam Stuff saying guess my costume.
• 8:18
  And she's like all weirded out by it.
• 8:20
  And we never really find out what the costume was.
• 8:23
  Yeah, I really tried looking hard at that picture to figure
• 8:26
  out what the fuck it was, and I don't know.
• 8:28
  And they never revealed it. It.
• 8:29
  Yeah. The ultimate mystery for the
• 8:31
  rest of my life, I'm. It's gonna be nagging at me.
• 8:33
  What was that cost you? I don't think I'll be able to
• 8:36
  sleep tonight. Yeah, that's that's gonna be a
• 8:37
  rough. One, my watch is gonna be like,
• 8:39
  man, you slept like shit last night.
• 8:41
  Was it because you couldn't figure out what that costume
• 8:42
  was? I'll be, yeah.
• 8:43
  Yeah, yeah. I mean, if Amazon can't help you
• 8:46
  out, yeah. Oh, wait a minute, now I feel
• 8:48
  happy again. It's those deals days, you know
• 8:52
  they they make you happy. You feel so good more.
• 8:56
  So now Harper's outside in an alley and we see this guy
• 8:59
  closing up a gate and she's trying to text on her phone.
• 9:02
  Apparently it's her Uber or whatever driving service.
• 9:06
  They decided to call it here. Then there's a man in a red robe
• 9:09
  that shows up to the gate and he's just like looking at her.
• 9:13
  Nathan comes out and scares the shit out of her and the the guy
• 9:18
  in the red robe is gone at this point.
• 9:20
  Like, I don't know if you ran away or disappeared or whatever,
• 9:23
  but he's. Gone.
• 9:24
  At this point I thought it was closed and everybody had left
• 9:26
  and they left her. I was like why are her friends
• 9:28
  just leaving her here? It was.
• 9:32
  It was an awkward, needless scene.
• 9:33
  Yeah, it was. It was a very pointless scene.
• 9:36
  They could have all just walked out together and been done with
• 9:38
  it. And Nathan, which I didn't
• 9:41
  discuss earlier, he's just in a playing baseball uniform for
• 9:45
  costume. He's bragging about how he won
• 9:47
  the worst costume award, you know, cuz I guess now he wants
• 9:51
  to flirt with Harper. Maybe the alcohol kicked in
• 9:54
  finally. He's just like, hey, I mean, not
• 9:57
  that she's an ugly girl or anything, but, you know,
• 10:00
  obviously he wasn't that interested or in the beginning,
• 10:02
  but now, you know, the alcohol is like, hey.
• 10:05
  Right. And.
• 10:06
  That's just like a stuff he won. We never see it again.
• 10:09
  I was bombed. I wanted to know what the fuck
• 10:11
  was in that bag. Too right?
• 10:12
  Another mystery never solved. Exactly.
• 10:15
  It's almost like Pulp Fiction. And what's in the briefcase?
• 10:18
  You never know. It's just have theories.
• 10:21
  You just have theories. You don't really know.
• 10:23
  You know, it could be Marcel's soul.
• 10:25
  Maybe that's what the the bag is.
• 10:27
  It's Marcel's soul. It just was pushed onto this so
• 10:32
  there's more awkward dating talk.
• 10:34
  I have really no patience for all that shit.
• 10:36
  Well, there's a slightly significant thing here because
• 10:39
  this is where apparently he got hit with the line drive to the
• 10:43
  temple and it fucked up his face, although I couldn't tell.
• 10:46
  His face looked just fine and she even said it looked just
• 10:48
  fine. That was like the scariest thing
• 10:49
  that ever happened to him. And he asked her, has anything
• 10:52
  scary ever happened to you? What's the scariest?
• 10:54
  And she's like, right, I know. And he's like, you never had
• 10:57
  anything scary happen to you? She's like, well, I had a really
• 10:59
  good childhood. Yeah, and and and at that point
• 11:01
  we see a shot of a white picket fence house and and it just
• 11:06
  briefly flashes and she's discussing her childhood, how
• 11:09
  good it was with her parents. And she corrects and says, well,
• 11:13
  she had. Then we hear like a weird noise
• 11:17
  and they both look to see trick or treaters running around.
• 11:21
  So now the friend group is all together again, talking about
• 11:24
  random crap like whatever was going on in the alley was all
• 11:28
  done and they're all back together again and they're
• 11:30
  walking down the road together. So again, a completely worthless
• 11:34
  and needless scene. And that and that respect.
• 11:37
  I mean they could have introduced all the parent
• 11:40
  conversation in a different way. But they could have just had it
• 11:43
  in the car. They could have had it in the
• 11:45
  car. As well, while they were walking
• 11:47
  down the street, the two of them could have been lagging behind a
• 11:48
  little bit. Just a little chit chat about
• 11:50
  it. So as they're talking, Evan
• 11:52
  finds one of the extreme haunted house Flyers and like, hey,
• 11:55
  let's go do that. Most of the people are like,
• 11:57
  Nah, we're good. They all end up in a car driving
• 12:00
  towards it. There was no, aw, come on.
• 12:03
  There was no pushing. There was no nothing.
• 12:05
  It was just they said no. And then they're in the car
• 12:08
  driving to it. It was kind of half and half.
• 12:10
  The other two girls, Mallory and Angela, they wanted to go.
• 12:13
  Bailey and Harper didn't want to go, and I don't even know what
• 12:16
  Nathan wanted to do. Yeah, I don't think Nathan
• 12:18
  really give a shit at that point.
• 12:20
  But there was really no like, it was like, no, yeah, OK, let's
• 12:23
  go. Like what?
• 12:25
  Southern Car. Because usually it's like, come
• 12:27
  on, what's the worst that could happen, you know?
• 12:29
  But now it's just like, no, no, yes, yes.
• 12:32
  OK, we'll go twist my arm. Yeah, we see the same truck that
• 12:39
  peeled out after the pumpkin throwing incident is following
• 12:42
  them. Now.
• 12:43
  Harper's looking out the window and sees the truck following.
• 12:46
  She asked for them to turn around and the truck follows.
• 12:49
  She's constantly looking like she's in fear at this point, you
• 12:53
  know which also, by the way, I mean, she was completely soaked
• 12:56
  and now she's completely dry. Yeah, it could be waterproof.
• 13:00
  Maybe it's waterproof. Did you make that?
• 13:01
  So Harper again asks if anybody else saw the truck.
• 13:04
  No one's answering. There's a long dark pause, and
• 13:07
  then we hear a big noise again. They stop, there's a set of
• 13:11
  lights that come on and it says haunted house.
• 13:13
  They drive towards the road and end up at the haunted house,
• 13:17
  which I thought is kind of odd because like most haunted houses
• 13:21
  at this time of year and the fact it's supposed to be
• 13:24
  Halloween would be insanely packed.
• 13:26
  Yeah, there'd be a line out on the regular road.
• 13:29
  I've got plenty where it's like that.
• 13:31
  Yeah, there was like 1 car there and one group in front of them.
• 13:34
  Right. So there was really nothing
• 13:35
  going on at this haunted house, especially with how many Flyers
• 13:38
  are being printed on. So as stated, there's a small
• 13:41
  line, there's like another group of people.
• 13:43
  Harper is hesitant, you know, as everybody else is excitedly
• 13:47
  complaining about it, which I thought was really weird, you
• 13:50
  know, because they're, you're excited about it, but they're
• 13:52
  complaining at the same time. It's like you do it or don't you
• 13:55
  know? Right.
• 13:55
  Yeah, She and Bailey were the two that really not wanting to
• 13:58
  do it. Right.
• 13:59
  So they all approach towards the house and they see a guy in a
• 14:02
  clown costume. They're trying to talk to him,
• 14:04
  and he's just quietly standing there.
• 14:05
  The group is asking about tickets, and, you know, the
• 14:08
  clown is just still staring at them.
• 14:11
  He ends up lifting his hands and as if to say, you know, pick a
• 14:14
  hand any. And so Bailey ends up selecting
• 14:18
  one hand. There was nothing in it.
• 14:19
  Bailey selects the other hand and there was nothing in it.
• 14:22
  The clown just stares at her and does the what's behind your ear
• 14:27
  trick. But again, he's not talking.
• 14:29
  He's just doing it very slow and creepily.
• 14:31
  And he pulls out a key. That's where I put my keys.
• 14:35
  So Bailey ha ha. I have a little look behind my
• 14:38
  ear. It's one of those body
• 14:39
  modification things. Yeah, I'm along with that.
• 14:42
  I just put them in places no one can see them, right?
• 14:44
  Right, right. Everybody has their kinks.
• 14:46
  So Bailey walks over to the lock box.
• 14:49
  Because we're finding out non verbally that they have to sign
• 14:53
  waivers and they have to stash their phones.
• 14:55
  But there's nobody saying any of this to them.
• 14:57
  She just instinctually knew that she had to go over to the lock
• 15:00
  box. No, no, he, he pointed to it and
• 15:04
  then he gave he, you know, did the whole trick with the key.
• 15:06
  She went and unlocked it inside. That was the thing that had the
• 15:09
  papers that they with the rate waivers on them.
• 15:12
  And so she and then they you can keep going the phone thing, I
• 15:16
  guess. Always ruining my vibe.
• 15:21
  OK, so the clown did point at it, you know, because I did
• 15:23
  forget about that. The clown did point at it and
• 15:26
  she got the box open and there was a bunch of clipboards with
• 15:29
  waivers and she's reading the waivers and it's kind of like
• 15:33
  something that you get from a Kami Manor.
• 15:35
  You can't be responsible for you getting hurt.
• 15:37
  You're going to be subjected to some nasty stuff.
• 15:39
  You can't sue us if you know anything happens.
• 15:42
  Yeah, yeah. Don't touch anybody.
• 15:44
  It was kind of your basic regular old thing like don't
• 15:47
  touch anybody, don't this, don't that, blah, blah, blah, Right,
• 15:50
  Yeah. So as they're going over the
• 15:53
  waiver, they end up hearing like a loud scream coming from
• 15:56
  inside. And they're excited now.
• 15:58
  Yeah, Like, yeah, this sounds awesome.
• 16:00
  So when they're done doing all their stuff, they had to put
• 16:03
  their phones in the lock box because they couldn't bring them
• 16:05
  in with them. So as they approach the door, we
• 16:08
  hear maniacal screaming and laughter.
• 16:12
  They walk through and we see a typical haunted house sort of
• 16:17
  set up. You have to fake spider webs and
• 16:20
  creepy, you know, furnishings and whatnot.
• 16:24
  Evan ends up making fun of Bailey because the skeleton pops
• 16:27
  out and scares the crap out of her.
• 16:30
  She ends up putting her cat ears on the skeleton and they're
• 16:34
  walking through this disorienting, disorienting room.
• 16:38
  It's like that room like where you're walking through and has
• 16:40
  like the the spiral. So it.
• 16:42
  Makes it look like the entire. Room is spinning.
• 16:45
  Yeah. Harper looks a bit scared of it,
• 16:46
  but she's going through it anyway, which I understand
• 16:49
  because those rooms hit me. You know, it depends on like,
• 16:53
  what's going on with me or whatever.
• 16:55
  Like there's sometimes where they don't bother me and then
• 16:57
  it's other times like Oh my God, this sucks.
• 16:58
  I love them because I'll go through without holding on to
• 17:01
  the rails and it automatically makes my entire body want to
• 17:05
  bend in half. So I bend over the rail and then
• 17:08
  I walk myself down until I get to the end.
• 17:11
  Again, everybody has their kinks.
• 17:12
  I. Love it.
• 17:16
  So she ends up approaching the the final door on the other side
• 17:20
  and she hears some like subtle chatter going on.
• 17:22
  The group goes into another room where Evan finds a glass wall
• 17:27
  and the way he finds is he bounces off it.
• 17:30
  Is this where they had Mallory? No, no, no, this was This girl
• 17:33
  was actually in the group right before them.
• 17:35
  Yeah, yeah. They come across a woman in a
• 17:39
  mask, witch's mask, that is pulling a tarp that appears to
• 17:44
  have somebody wrapped up in it. She unwraps the tarp and we see
• 17:48
  the girl that was in line when they first showed up to the
• 17:52
  haunt. The witch picks up a hot fire
• 17:55
  poker while the girl is screaming.
• 17:57
  Harper's really creeped out. What she's going to learn is
• 18:00
  Harper is scared and creeped out a lot in this movie.
• 18:03
  Although she is portrayed as a strong like Laurie Strode type
• 18:08
  character, she's very creeped out and scared too.
• 18:10
  Yeah, she's scared, but still strong.
• 18:13
  Yeah, it right. It's a.
• 18:15
  Conundrum. Exactly.
• 18:16
  The witch pushes the fire poker in the girl's face.
• 18:19
  A bunch of smoke appears and then the witch and the girl
• 18:22
  disappear. Another door opens for them to
• 18:24
  walk through. They're at a maze intersection.
• 18:27
  One says safe, the other says is not safe.
• 18:31
  So they do the right thing and they split up.
• 18:34
  Right. Harper doesn't know exactly
• 18:38
  where she wants to go, but she ends up following Mallory and
• 18:42
  Angela, I wrote Mallory. It's so when they got to the
• 18:48
  point where they had to figure out which way to go, Nathan
• 18:50
  decided three of them were going to go one way and three were
• 18:53
  going to the other way, and one way was.
• 18:55
  Fucking Nathan. It's weird.
• 18:59
  I was like, why is he deciding who's going which way?
• 19:01
  Evan, Harper and Mallory go one way, Bailey, Nathan and Angela
• 19:05
  go, the other go safe. They go to the Safeway and the
• 19:08
  other ones go. The other three go the not
• 19:10
  Safeway. OK, so it's partially right.
• 19:12
  She followed Mallory. Yeah, Mallory and Evan.
• 19:16
  Yeah, Mallory and Evan went the not Safeway.
• 19:19
  Yeah. Which is really smart.
• 19:21
  And this area has a whole bunch of real spiders in it, which
• 19:25
  Mallory's not a fan of. They come to three coffins.
• 19:29
  Bailey is in a room where there's a lot of bags with oil
• 19:33
  hanging from the top of it. And the reason why you know,
• 19:36
  it's oil is it's dripping down and she touches it and it's also
• 19:40
  on the walls and stuff. Drift on Nathan's shirt and she
• 19:44
  was like what is that? And she touched it and they
• 19:46
  thought it was like fake oil paint for like blood.
• 19:49
  I guess. She's like, no, this is oil.
• 19:51
  They're like, is it probably it's cheaper than paint?
• 19:53
  And she's like, no, it's not cheaper than paint.
• 19:57
  Yeah, we're, we're dealing with a bunch of brainiacs here.
• 20:00
  I mean, right? Go ahead.
• 20:03
  It was tons of oil. The walls were covered in oil.
• 20:05
  There were big bags of oil. Things like. 33 huge trash bags
• 20:09
  for like 3 or 4. You know, you can definitely
• 20:12
  tell these kids aren't going to school for their master's
• 20:14
  degrees in anything, right? They open up the coffins that
• 20:17
  they come across and there's nothing in them.
• 20:20
  They realize that it could be a puzzle of some sort.
• 20:23
  Now we're we're going back and forth and back and forth.
• 20:25
  Yeah, yeah, yeah. It gets a little confusing
• 20:28
  between the back and forth, yes. Yeah, 'cause we're back now over
• 20:31
  to the people with the with the not Safeway.
• 20:33
  We're bailing them with the oil was in the Safeway.
• 20:35
  Right. Which really neither.
• 20:37
  Neither way is safe if you really put it that way, right?
• 20:40
  I wonder if they did that on purpose.
• 20:42
  Maybe I was thinking that maybe they were going to be like the
• 20:45
  Safeway was just to think them out and they were going to
• 20:47
  actually be the worst way was the Safeway and the other way
• 20:51
  was be fine. It doesn't how it turns out,
• 20:53
  right? So they open up all the coffins.
• 20:56
  Harper looks a bit confused because there's nothing in them,
• 20:59
  and as they're opening and closing the doors, Mallory hears
• 21:02
  a noise behind one of them, as if there's a door opening and
• 21:05
  closing. Harper thinks there's a door
• 21:08
  that only opens when the coffin is closed, so that that helps.
• 21:13
  Evan goes into the the said coffin of interest to check it
• 21:18
  out. They close the door.
• 21:19
  Harper listens and hears the other door open and Evan says it
• 21:24
  worked. Harper is scared again.
• 21:27
  She appears to be slightly claustrophobic when she's
• 21:31
  sitting in the coffin. She yells to Mallory that she's
• 21:35
  gone through like everything's fine.
• 21:37
  She made it through, so now it's Mallory's turn.
• 21:40
  She gets into the coffin, and she's waiting for a considerable
• 21:43
  amount of time. Nothing's happening.
• 21:45
  A blue light appears over her head.
• 21:47
  It looks like there's a little hatch on the top, and there's a
• 21:50
  tarantula sitting on top. And then a bunch of spiders
• 21:54
  start falling on her. For someone who's afraid of
• 21:56
  spiders, the way she says she's not freaking out quite as bad as
• 22:00
  one would think. But they knew that girl was
• 22:02
  afraid of some spiders. Correct.
• 22:04
  You know, maybe, maybe they were in the bar, who knows, Maybe
• 22:08
  that the people who are in the haunts, maybe, maybe they, they
• 22:11
  overheard her. Perhaps.
• 22:13
  So she finally gets through the door and they're in a blue room,
• 22:17
  find some sort of receipt on the ground listing out the masks and
• 22:21
  like some of the stuff that the haunts people bought for the
• 22:24
  thing. And so he feels slightly better
• 22:27
  because he feels like it's all game.
• 22:29
  Yeah, he makes Angela feel better because she's freaking
• 22:31
  out because she's like wiping all the spiders off of her.
• 22:33
  And he's like, this receipt they bought spiders, They're not
• 22:35
  real. They're not real.
• 22:36
  So it's like trying to help her feel better too.
• 22:39
  Better too. And we see a passage on the
• 22:41
  wall, there's a bunch of arrows pointing at it, almost like that
• 22:45
  that meme where it says it's like free hugs and it's like a
• 22:48
  couple arrows pointing to like a black hole, right?
• 22:51
  That's what it reminded me of, just with a lot more arrows and
• 22:54
  no free hugs. Yeah.
• 22:58
  Harper is completely noped out. She's like, yeah, no, no, I'm
• 23:02
  not doing it. And I kind of agree with her on
• 23:05
  that. At this.
• 23:07
  Point. Because whether this whole thing
• 23:08
  is fake or not, like, yeah, no, I'm good, good.
• 23:12
  I will sit here and die. Yeah.
• 23:15
  Rather than go through that hole, Evan says, hey, I'll go
• 23:17
  first. Now we're over at the Baileys
• 23:20
  group and they're messing with a two way mirror.
• 23:22
  Was that a quick scene where they're messing with a two way
• 23:24
  mirror and then all of a sudden we're back to Harper again?
• 23:27
  They did a lot of that. Yeah, they were looking at the
• 23:29
  mirror, he touched it, they realized there was no gap.
• 23:32
  So they were like, oh, it's two way mirror.
• 23:33
  And it was also one of those kind of fun mirrors that make
• 23:35
  you look funny. But it was just a quick little
• 23:37
  nothing scene. Yeah, another one of those
• 23:39
  scenes that they really could have done without.
• 23:41
  Yeah. So now we're back to Harper, and
• 23:43
  she reluctantly goes through the passageway while Evan and
• 23:46
  Mallory are already going through.
• 23:48
  Evan finds the way where they're supposed to go.
• 23:51
  Harper and Mallory follow him because I guess he's become the
• 23:54
  leader of their group, even though he's not the brightest
• 23:57
  person in the whole movie. We hear a creaking sound, almost
• 24:00
  as if it was some sort of animal.
• 24:02
  Harper asks who's there, as if they're going to answer again.
• 24:06
  You know, when you yell out to the void and say, who is it?
• 24:10
  It's not that they're going to yell out and say it's me, Steve,
• 24:16
  you know? Who's Steve?
• 24:19
  I'm your mom's friend. Remember Me?
• 24:21
  Like does it matter who it is? Right.
• 24:25
  Yeah. You hear a noise.
• 24:25
  It's like I don't give a shit. Just keep going.
• 24:29
  I don't care who it is. It could be Gandhi giving me $10
• 24:32
  million. I'm out.
• 24:34
  Gandhi, you have $10. No, but that's what I'm saying
• 24:38
  is if Gandhi showed up and he had $10 million and he's like,
• 24:42
  here, this is yours, because I'm not going to take it.
• 24:45
  I don't care. Fuck you, Gandhi.
• 24:49
  So they all get through to the next room.
• 24:51
  Mallory seems to be missing again.
• 24:54
  Mallory keeps disappearing. You know, Mallory was stuck in
• 24:57
  the coffin. That's where she disappeared the
• 24:59
  first time, and now she's disappeared again.
• 25:01
  And. This girl needs to be in the
• 25:02
  middle. Rebecca Camellia's group and
• 25:07
  they see three holes in the wall and a bunch of like X-rays and,
• 25:11
  and like MRI's and shit believe it's Angela goes 1st and she
• 25:16
  scares the group because she puts her arm through and she's
• 25:19
  like pretending that she's being grabbed or whatever.
• 25:21
  We find out, oh, it's a funny joke.
• 25:23
  We're not in this creepy place. We don't know what's going on,
• 25:26
  but you know, ha ha ha ha. Let's joke around and traumatize
• 25:29
  each other, which in this case I probably would too.
• 25:33
  Yeah, I feel like that's something to do in that
• 25:36
  instance. And there's a hole in the wall
• 25:37
  and you have to stick your whole arm in there.
• 25:39
  Someone's going to act like, Oh my God, Oh my God, something's
• 25:41
  out my arm. Yeah, always.
• 25:43
  It's classic. So Nathan is up next.
• 25:46
  He reaches in pretty far. He's describing like, oh, it's
• 25:49
  small, it's smooth and squishy, like oh, you know, do you have
• 25:54
  Evan's balls? He pulls out a grape.
• 25:56
  Now he doesn't know where this grape was, and he ends up eating
• 26:00
  it anyway. He doesn't know if it's laced,
• 26:02
  he doesn't know how old it is, he doesn't know if it's been up
• 26:06
  someone's rectum right I. Was like, he's going to eat
• 26:09
  that. I was like, what of all the
• 26:12
  things I wouldn't do in this house is eat the food.
• 26:15
  I wouldn't eat some random food that I just pulled out of a hole
• 26:18
  that I don't know anything about or anybody thing about the
• 26:21
  people that put it there like. Correct.
• 26:24
  I mean, it's bad enough what they're going through, not going
• 26:27
  to eat the food. Bailey reaches in, and she's
• 26:30
  looking all confused. She doesn't feel anything.
• 26:33
  She moves her arm around, moves it in a little further, and
• 26:36
  she's like, it's not working. She reaches in again because she
• 26:39
  pulled out a little bit. Then she goes back in.
• 26:42
  She gives up. And when she pulls her arm out,
• 26:44
  she realizes that she lost the ring that she was wearing, which
• 26:48
  happened to be Harper's mother's ring, which she borrowed from
• 26:51
  the night before for her costume that we didn't discuss earlier.
• 26:55
  That was why she was in Harper for his bedroom and she saw the
• 26:58
  black eye and all that stuff because she was there stealing
• 27:00
  jewelry. Yeah, I thought she was dressed
• 27:03
  as a cat, but I think she was dressed as a cat burglar at.
• 27:08
  One point throughout the scene, you hear that it's fell because
• 27:11
  you hear like a little clink. Nathan also puts his hand in to
• 27:14
  try to help. He says that somebody touched
• 27:17
  him. He feels something, somebody
• 27:19
  brushed by or whatever. He bangs against the wall,
• 27:23
  screaming. Then he starts laughing like,
• 27:25
  oh, you know, let's let's further traumatize the
• 27:27
  situation. Bailey is now freaking out
• 27:30
  completely because something actually does have her.
• 27:33
  She finally gets her arm out. There's a little delay, but
• 27:36
  we're looking at her arm and there's like a razor sharp line
• 27:40
  on her arm and it's starting to bleed.
• 27:43
  Harper and Evan are yelling at Mayor of Mallory as she's still
• 27:47
  missing because now we're back to Harper and.
• 27:50
  And Evan. Yeah.
• 27:52
  And the guy in the red robe shows up.
• 27:54
  Evan says their friend is in there.
• 27:56
  Can you help us find them? Not really thinking anything of
• 28:00
  it because they still think that this is a Hardy har har
• 28:03
  situation. He doesn't speak but turns on
• 28:06
  the electricity to another door. Electricity being the lights for
• 28:10
  them to continue on that way. He follows them a little bit.
• 28:13
  Harper sees an emergency exit. While they're walking towards
• 28:16
  that door, we hear a loud banging from the door that's
• 28:20
  supposed to be going into, which is always comforting.
• 28:23
  Evan opens it and there's nothing there, but we hear
• 28:26
  chainsaw noises. They walk up some stairs to a
• 28:28
  bunch of speakers playing the noise in this in the middle of
• 28:32
  the speaker. There's there's another hole
• 28:34
  that they have to go through in the wall, Mind you, like all
• 28:36
  these holes are black, ominous, like you can't see any lights
• 28:40
  coming from them whatsoever. Harper this time says, I'll go
• 28:43
  first go, Harper. We find that it's a slide.
• 28:48
  She slides, she slides down and there's a man with a chainsaw at
• 28:52
  the bottom. Basically it's, you know, a
• 28:54
  Walmart leather face. Right as he's going to Harper,
• 28:57
  he stops when Evan comes out of the slide.
• 29:00
  Leatherface. Not really his name in this,
• 29:02
  it's just my cutesy little nickname for him.
• 29:05
  Goes after Evan pretty hard, too.
• 29:08
  Like he's actually like, really going at him.
• 29:10
  Evan pushes him away and says, you know, you're in my safe
• 29:14
  space. As they're walking away, Evan
• 29:16
  picks up Harper off the ground and says, I shouldn't have
• 29:20
  pushed him, but that's the least of your worries.
• 29:23
  But right, yeah, maybe you shouldn't have pushed him.
• 29:25
  Keep your hands off. The Haunt actor just stares at
• 29:28
  him as they walk off. Evan and Harper come to a red
• 29:31
  door and they go through it. The Bailey gang is in this room.
• 29:34
  Yell at them not to let the door close, but they do because
• 29:37
  that's that's what happens in every horror movie don't close
• 29:40
  that oh fuck it's closed They see Bailey's arm like Oh my God,
• 29:46
  what happened She says oh you stopped hurting so I mean that
• 29:50
  OK, maybe she's lost enough blood where the pain stops she.
• 29:53
  Doesn't feel anything anymore. Right, they ask.
• 29:55
  They ask where Mallory is. The witch appears with another
• 29:59
  girl wrapped in a tarp. Nathan is asking the person in
• 30:02
  the witch mask for help. We see that Mallory is in the
• 30:05
  tarp this time and a fire poker comes out again with from the
• 30:09
  witches holding it. Everybody's upset about this.
• 30:12
  Mallory appears to be passed out at this point.
• 30:14
  Yeah, she's out. The witch pushes the fire poker
• 30:17
  through Mallory's head as the curtains close.
• 30:21
  Everybody at this point is convinced what just happened is
• 30:24
  completely real. So another door opens.
• 30:26
  It's an asks if we they can get the key to get their phones.
• 30:29
  Harper was like hey, you know I saw an emergency exit over here.
• 30:32
  Evan thinks he can pick the lock to the emergency exit.
• 30:36
  He was given a box Bobby pen. He tries as everybody
• 30:39
  anticipates his success, but the Bobby pen breaks.
• 30:43
  Everybody's like, I thought I could pick locks like, well, I
• 30:45
  could do it with lockers. This is not the emergency door
• 30:48
  though. This is just the door in the
• 30:50
  room they're in. The emergency door is back on
• 30:52
  the other floor above where the slide is.
• 30:54
  They have to go to that one. This is just a regular door.
• 30:57
  Yeah, that's OK. That's that is legit my mistake.
• 31:00
  Yeah. And this there was an emergency.
• 31:02
  Door and this door, the lock to them, they just think that is
• 31:05
  like like a bolt lock. On one side you'd have a turn
• 31:08
  thing and the other side you can unlock it.
• 31:10
  When he jumps up, he's like, well, I couldn't do it because
• 31:12
  it's a double lock, because it's locks on both sides.
• 31:14
  Right, so Evan at this point thinks he can go find the
• 31:17
  crowbar so they could pry the door off its hinges.
• 31:20
  Nathan agrees to go try to find one.
• 31:23
  He comes up to an indoor alley, at least that's what it looks
• 31:25
  like, an indoor alley. This is the key that that Bailey
• 31:29
  had. So he has the key and he puts in
• 31:31
  his hand. This is the lock box key, right?
• 31:34
  Yes, the. Lock box key.
• 31:36
  So he has the key in his hand as as a weapon.
• 31:39
  Now if we know anything about lock box keys, they're typically
• 31:42
  not that long. This.
• 31:43
  One was huge. This one was absolutely huge.
• 31:45
  I mean, this looked like, you know, a door on top of a door
• 31:50
  sort of lock, like an extra long lock.
• 31:52
  Right. This is like a, have you ever
• 31:53
  seen a, I think security deposit boxes, they kind of have
• 31:58
  slightly longer keys. This is bigger than that, yeah.
• 32:02
  Yeah, it was, although the box did look like a security box,
• 32:05
  like a safety deposit box. But still, like you said, this
• 32:09
  key is humongous compared to even that type of a key, right?
• 32:13
  The pipe next one has holes and it's the only reason why that's
• 32:15
  partners because it starts spewing out steam, which scares
• 32:19
  him a little bit. And we're back into Frank Group
• 32:22
  in. They're all upset, you know,
• 32:23
  they're not happy. Everyone is looking for Mallory,
• 32:26
  even though they saw what happened.
• 32:27
  He's still trying to find her. He thinks he sees a trapdoor
• 32:30
  somewhere in this area. Yeah, he asked for one of the
• 32:33
  girls to reach for the fire poker.
• 32:35
  None of that makes sense. Yeah, this is so in this scene
• 32:39
  because where the where Mallory was killed by that witch woman.
• 32:43
  This didn't have the glass. This had a chain link fence and
• 32:46
  then just the tarp. And he could see through the
• 32:48
  tarp because there was like an opening and he could see that
• 32:50
  fire poker. And I don't think there was a
• 32:52
  trapdoor in this. I think he was just.
• 32:54
  I don't know. I don't.
• 32:55
  Oh. Well, I did write, he thinks.
• 32:58
  I did write that he thinks he sees a trapdoor.
• 33:00
  Oh yeah, yeah, yeah. OK, so but he sees the poker and
• 33:03
  so he his arm can't get through the space, so he asks the nurse
• 33:08
  girl, Angela to reach in and get it.
• 33:10
  Nathan as as they're doing this, Nathan is walking through this
• 33:15
  part of a hallway, and it appears that there's a bunch of
• 33:18
  figures with sheets on them. Those are ghosts.
• 33:21
  Hello. Not real ones.
• 33:27
  Real ones don't wear sheets. We all know that.
• 33:32
  They wear the period. They wear the period clothes
• 33:34
  that they died in. Whatever the most ghost I know
• 33:40
  is from the Peanuts gang. And they had what?
• 33:43
  About the ghostest with the mostest.
• 33:47
  Oh, that would do that's. Right.
• 33:50
  Come on. Casper.
• 33:51
  I remember Casper. OK, so he sees a bunch of
• 33:55
  mannequins, or we can assume that they're mannequins with
• 33:58
  sheets on them. There's a figure that looks more
• 34:02
  human that's in the middle of all of these.
• 34:05
  He walks slowly towards it when a loud hissing noise comes up
• 34:09
  from underneath him, scaring the keys out of his hands.
• 34:12
  Or I should say key, not keys, but there's the key out of his
• 34:16
  hand and it falls down a metal grate.
• 34:18
  We have to believe, I mean, the way this is taking place, it's
• 34:21
  like we have to believe that the people who are running this
• 34:24
  haunt have anticipated in great detail and amazing accuracy
• 34:30
  exactly what these people are going to do.
• 34:32
  And the fact that it just so happened that this guy was came
• 34:36
  back up with the security box key and they knew that if they
• 34:41
  blew this steam through this grate, he was going to jump and
• 34:44
  drop this key. Right.
• 34:46
  You know they planned for everything.
• 34:48
  They did. They were amazing.
• 34:50
  You know, I mean, I like having contingency plans, but these
• 34:53
  people had contingency plans for the contingency plans for the
• 34:57
  backup plan that has a contingency plan as well.
• 35:01
  I. Know.
• 35:02
  On top of the contingency plan. Right, These guys are amazing.
• 35:08
  So at this point, the figure that he sees is gone and he
• 35:11
  appears to be mixed in with the others, which, you know, he lost
• 35:14
  the key for nothing. He's going back to the sky for
• 35:16
  nothing. If he's just going to just going
• 35:17
  to disappear, right? I'm not going to say that he's a
• 35:20
  ghost. Nathan walks towards a door as
• 35:23
  one would trying to find a way out when a mannequin falls over.
• 35:27
  Now we see the person again and he's walking back away from
• 35:31
  Nathan. Nathan's like, oh, can you help
• 35:34
  us? Can you help us?
• 35:35
  And he's completely ignoring what Nathan has to say.
• 35:38
  The lights come on and the ghost man asks if Nathan needs help.
• 35:43
  He only asked for help 2 seconds ago and you're now asking him do
• 35:48
  you need help? Maybe the 16 times I said can
• 35:52
  you help me and my friends isn't enough of a hint.
• 35:54
  So the ghost, which we will now call Mitch because we later find
• 35:59
  out he calls himself Mitch. Nathan asks Mitch to come back
• 36:02
  and help his friends. Mitch says I got to get
• 36:05
  something first. Don't know what he's talking
• 36:07
  about because right now, right now, Mitch seems helpful.
• 36:10
  Right now he seems like he's a nice guy.
• 36:12
  He wants to. Help voice.
• 36:13
  Very kind voice. You know, he's, he's seemingly
• 36:17
  on the up and up right now. So he says he's got to get
• 36:19
  something. We're back at the friend group
• 36:22
  and they're all crying at this point except for Evan, but all
• 36:25
  the girls are crying and Bailey's trying to explain the
• 36:28
  ring incident. This is where Harper starts
• 36:30
  talking about how she grew up in a haunted house which she loved
• 36:34
  and hated at the same time. So now we go down memory lane.
• 36:38
  She says that she has good memories of the house, but it's
• 36:43
  also the house where he hurt her mom.
• 36:47
  And that's all she says. He hurt her mom.
• 36:49
  She says that I was hiding under a bed when he threw my mom
• 36:53
  across the floor, knocking her ring off her hand.
• 36:56
  So I suppose we can assume that, you know, this is dad knocking
• 37:00
  around. Mom Harper has recurring dreams
• 37:02
  about going back to the house, terrified of her dad.
• 37:05
  Oh, deductive reasoning. But Mom comes out and says Dad
• 37:09
  is gone and the house is no longer haunted.
• 37:12
  So apparently Dad was the ghost. Scooby Gang didn't pick that one
• 37:15
  up. No, Angela is still trying for
• 37:22
  the poker while Evan is guiding her.
• 37:25
  Evan's really not helping out at the at this point.
• 37:27
  He's really not. He's just more moral support
• 37:30
  than anything else. Hey, good job.
• 37:32
  Go. Oh my God, you're almost there,
• 37:34
  right? Angela is so close to getting
• 37:37
  the fire poker. She's finally gets her fingers
• 37:39
  on it and boot comes down and Smash is on her hand.
• 37:44
  Yeah, she does not like this. No, it hurts, I'm sure.
• 37:48
  Because of this movement, the poker moves and Evan is able to
• 37:51
  get it and he's banging on the door again.
• 37:53
  One of those situations where the people trying to keep you
• 37:56
  captive, you banging on the door is not going to make any bit of
• 37:58
  difference, right? Mitch comes in and sees that
• 38:00
  Bailey's bleeding. He's like, Oh no, we need to get
• 38:03
  her out of here, really. Thanks for letting us know,
• 38:06
  Sherlock. You think No, she says that.
• 38:09
  Right says that he's got the keys to get out.
• 38:12
  Everybody looks at him and they seem confused.
• 38:15
  Don't know why. I mean, why wouldn't a haunt
• 38:17
  actor have some sort of key to let people out if it got too
• 38:20
  extreme? Yeah, and they became super
• 38:22
  suspicious of him all of a sudden.
• 38:24
  Like here's this guy, he sounds normal, he's talking normal.
• 38:27
  He's acting like he's going to help you and you're fine until
• 38:30
  he acts like he's really going to help you and then all of a
• 38:33
  sudden you're super suspicious. Right.
• 38:35
  Like who the fuck are you now? Like why are you helping us?
• 38:38
  Like why? You know, why do you have the
• 38:40
  keys? It's like, who knows?
• 38:42
  He could be the guy that set the whole thing up and he's the
• 38:44
  safety guy. Right, he's the maintenance man.
• 38:47
  So Nathan says that they just want to leave.
• 38:50
  They don't want to talk to anybody.
• 38:52
  They don't want to talk to your manager, you know, they don't
• 38:54
  want to be caring about this whole thing.
• 38:56
  They just want to go. Mitch gets his keys and says
• 38:58
  I'll, I'll let you guys out. So he opens up the door in the
• 39:02
  room that they're in. They run to another door.
• 39:04
  Evan is frustrated that he can't push the door open.
• 39:07
  Like he's struggling really hard and someone points out that the
• 39:10
  door says pull, Yeah. This is the emergency door they
• 39:12
  were trying to get to, yeah. Correct.
• 39:14
  When they opened up the door, they see the wall is completely
• 39:17
  bricked over. It's like yellow bricks or
• 39:19
  something almost like the yellow brick road access or something.
• 39:22
  Mitch says, oh, I remember there would be an exit there.
• 39:25
  So he's confused on on why that it's blocked off.
• 39:29
  Harper mentions the tunnel. Hey, you know we got the tunnel,
• 39:31
  we can go in, we can all go through that.
• 39:33
  Mitch says you know they would all have to go 1 by 1 because
• 39:36
  there's a trick door that activates if there's too many
• 39:39
  people there and then they become part of the show if they
• 39:42
  go through it. Weren't they all in that tunnel
• 39:44
  before together? Is that the same tunnel, or is
• 39:46
  it a different tunnel? Because they're going back now,
• 39:48
  I think, the way they came in. I think it was a different
• 39:54
  tunnel, but for budgetary reasons it seems like it's the
• 39:58
  same tunnel. Well, cuz what's his name?
• 39:59
  Evans. Like I'll go first cuz I think I
• 40:01
  remember the way through it through the maze cuz basically
• 40:05
  they they're backtracking instead of going through the
• 40:07
  rest of the haunted house. They're going back the way they
• 40:09
  came in and they're going back through the way the not Safeway,
• 40:13
  Yeah, cuz. Mitch said that would be faster
• 40:15
  if they just backtracked and go through the rest of.
• 40:17
  It, well, no, Mitch was like, I thought Mitch said that we were
• 40:20
  almost the end and that would be faster to just go all the way
• 40:22
  through it than to go back 'cause they'll end up splitting
• 40:26
  up again at some point or something anyway.
• 40:29
  But Evan was like, I'll, I, I think he's like, I, I'm pretty
• 40:32
  sure I remember how to get through.
• 40:33
  So I feel like it's the same tunnel, which was confusing
• 40:35
  'cause they were all in that tunnel at the same time.
• 40:37
  I don't know, I thought that part was weird.
• 40:38
  It didn't make a lot of sense. I feel like a big hole there, no
• 40:41
  pun intended. Right.
• 40:42
  Maybe it was just that he was pointing out the trick door so
• 40:46
  when it activates. Yeah, maybe.
• 40:49
  So Evan says that their friend is dead from all of this.
• 40:52
  Mitch dismisses it. Like I know she's not dead.
• 40:55
  She's probably outside waiting for you guys.
• 40:57
  You know, that's a big deal. I can't remember why they split
• 40:59
  up here. Do you remember why they split
• 41:01
  up here? Because they do split up in some
• 41:03
  way. Yeah, no, it's like trying to
• 41:05
  follow The Walking Dead when they split up, get back
• 41:07
  together, split up. After a while, you forget why
• 41:09
  they split up. Yeah, because I just know that
• 41:11
  they did. Because what's her name?
• 41:12
  Harper ends up with Mitch's keys and.
• 41:16
  Well, that that comes that comes a little after this I.
• 41:19
  Just don't. I don't know why.
• 41:20
  I literally just watched this today.
• 41:22
  I don't know why we're over with this part.
• 41:23
  So Mitch says, you know we're extreme but we're safe, right?
• 41:27
  OK. Evan gets mad at him and yells
• 41:29
  for him to tell him his name. I don't know why you know that's
• 41:32
  such a big deal because, you know, who cares what his name
• 41:35
  is? Yeah, why does it fucking
• 41:37
  matter? He want to know his whole
• 41:38
  fucking name? I was like, the first name is
• 41:39
  fine, who cares? Do you think you know this guy?
• 41:42
  So at this point, you know they call him Mitch because his name
• 41:45
  is Mitch. Harper asks him.
• 41:47
  So he says his name is Mitch. Nathan asks him his last name
• 41:51
  and to take the mask off and don't know really what the last
• 41:54
  name really means or taking the mask off does anything right.
• 41:58
  I mean, you know, like it's not like you know this person
• 42:02
  because you haven't haven't said one thing about recognizing his
• 42:05
  voice or anything. So it's not like, you know, I
• 42:07
  mean, it could be Jim Bob from the local convenience store.
• 42:10
  I don't know but. And it's like, well, all the way
• 42:14
  through this whole time from, you know, the truck following
• 42:18
  them and all that. And even when you get to the
• 42:21
  through the haunt house, I felt like they were trying to make us
• 42:24
  believe that her boyfriend has something to do with this
• 42:26
  haunted house. But I'm thinking this can't be
• 42:29
  her boyfriend because she would recognize his voice.
• 42:32
  But the way they're doing it, it makes it seem like they're
• 42:35
  trying to show, you know, like he doesn't want to show you
• 42:38
  because it's her boyfriend. That's just the feeling I got
• 42:40
  through the whole thing was they want you to think it was her
• 42:43
  boyfriend. And at different points, though,
• 42:45
  she thought that different ones could have been her boyfriend.
• 42:48
  Yeah. And it made it seem that way,
• 42:50
  Yeah. Right, right.
• 42:51
  Evan takes lead about finding a key to get out because he says I
• 42:56
  know how to pick a lock. Yeah, it shows.
• 42:58
  Yeah, you did a great job last time.
• 43:01
  Heard that before. I don't know.
• 43:02
  I, I don't know if if you got this or if I messed it up, but I
• 43:06
  do remember them saying that the order the people were going to
• 43:09
  go in was Mitch was going to go first.
• 43:12
  Well, this is what I thought was stupid.
• 43:14
  So Evan was going to go first because this is Nathan again.
• 43:17
  Decided who was going to go where when.
• 43:19
  OK, see, I thought for some reason I thought he said Mitch
• 43:22
  was going to go first, then Evan.
• 43:24
  Evan was going to go first, then Mitch, then Nathan, who now has
• 43:28
  the crowbar to keep Mitch in line and case, you know,
• 43:32
  whatever, I don't know, and then Bailey and then Harper was going
• 43:35
  to be last. So, and I don't know why they
• 43:38
  picked those two in that order or whatever.
• 43:40
  Right. But Mitch never took off his
• 43:41
  mask. No, You know, so they still
• 43:44
  don't trust him because he's still got the mask on.
• 43:46
  Right. Even though he's handed his keys
• 43:48
  over, he's been acting like he's super helpful and they're still
• 43:51
  all of a sudden for no reason. Don't trust him.
• 43:54
  Right. Yeah.
• 43:55
  Because at this point, as they're discussing the order and
• 43:57
  where Harper is selected last, she tells Mitch that she wants
• 44:00
  his keys. So they start going through the
• 44:02
  tunnel one by one. Everybody else is at the tunnel
• 44:05
  entrance when they're hearing noises.
• 44:07
  Harper goes to a locked door to open it, and this is where she
• 44:10
  asks what key is it? And Mitch is like all sarcastic,
• 44:14
  the yellow one, obviously, because there's like, the door
• 44:17
  is yellow. So apparently, you know, you
• 44:19
  match the color to their color. That makes sense.
• 44:21
  She tries the key, but it doesn't seem to work.
• 44:24
  At least that's what I got out of it.
• 44:25
  Didn't look like it worked because she's just stuck
• 44:27
  listening at the door because. She wanted to lock that door
• 44:30
  because there was a weird noise coming from the other side of
• 44:33
  the door. And she because I remember this
• 44:34
  part because I was like, you idiot, do you think Mitch is the
• 44:37
  only one that has fucking keys in this whole place?
• 44:39
  Because she goes to, she goes and locks it, thinking that's
• 44:43
  going to keep whoever's on the other side from coming in,
• 44:44
  because I remember how stupid she was.
• 44:47
  And I thought that she was trying to get through the door.
• 44:50
  No, no, no. She was trying to keep whatever
• 44:52
  out. Oh, no, no.
• 44:53
  Now I now I get that, you know, but I thought she was trying to
• 44:57
  like, open the door and I'm like, that doesn't make sense.
• 44:59
  Yeah. I know that's what I was
• 45:01
  thinking. I was like, why is this?
• 45:02
  I don't remember where she went. Why was she going somewhere that
• 45:05
  I remembered? Because I remember I, I yelled
• 45:07
  at the TVA lot in this movie. And that was one of the times I
• 45:10
  yell, I'm like, what are you locking it for?
• 45:12
  You think he's the only one with the set of fucking keys?
• 45:14
  Girl, really. I was like, somebody this is a
• 45:17
  double lock. Somebody's going to unlock it,
• 45:19
  right? So anyway, so she was just
• 45:21
  trying to hold the old whoever was back there off so they could
• 45:23
  get through. Yeah.
• 45:24
  So Evan finally gets through and he yells out I'm through.
• 45:28
  Mitch now goes through. Evan thinks he remembers the
• 45:30
  maze, but he has no clue. And this is again where I yell
• 45:34
  at the TV. I'm like, Evan, you dumb ass
• 45:36
  motherfucker, why are you leaving?
• 45:38
  Wait till Mitch gets there and then wait until Nathan gets
• 45:41
  there. What are you fucking doing, you
• 45:42
  moron? And he takes off and goes
• 45:44
  through the maze. And this is where there's going
• 45:46
  to be a lot of back and forth. Yeah.
• 45:48
  You know, Mitch comes through the other side and we hear some
• 45:51
  ominous music playing. He stands up, Jason style, and
• 45:55
  he looks around the room. Now we're at Nathan, and he's
• 45:58
  nervous because Mitch hasn't told them that he's through yet.
• 46:01
  And it does take a little bit of time because we see Mitch in
• 46:05
  that room dragging some wood over towards the opening.
• 46:09
  And Mitch finally says, yeah, I'm through.
• 46:11
  Harper's still at the other door, listening for the noises
• 46:14
  and the banging that's going on. Evan is now running through the
• 46:17
  maze. Nathan is going through the
• 46:18
  tunnel as he hears some banging going on.
• 46:21
  And now we see Mitch sealing off the tunnel.
• 46:24
  He's hammering the entrance shut.
• 46:27
  Evan is being watched by someone else through a two way mirror.
• 46:30
  Harper hears the door creaking and handle turning, the weather
• 46:33
  she's at still. Nathan is trying to get through
• 46:35
  the tunnel and he's banging on the newly sealed entrance
• 46:39
  because he knows that that's the entrance but right can't get
• 46:42
  through so he's banging on it. Mitch picks up the hammer that
• 46:45
  it was using and he goes on his merry way.
• 46:47
  Harper's trying to prevent the door from opening the best she
• 46:49
  can. You know, she's like really
• 46:51
  trying hard, like to let the the thing open because now all of a
• 46:54
  sudden she's hearing like, locks and keys, keys and kind of like
• 46:58
  what you said, as if like, you know, yeah, Mitch is the only
• 47:01
  one that has keys. Right.
• 47:03
  So at this point, at the tunnel, we still have Angela and Bailey
• 47:07
  as Harper's trying to prevent the door.
• 47:10
  You know she can't hold it off anymore, so she tells the girls
• 47:12
  to run. Right, right, right.
• 47:14
  And they're like, Oh no, we need to wait for Nathan's signal,
• 47:17
  right, bitches? Fuck that shit.
• 47:19
  I know. Go.
• 47:22
  No, no, I was like just go, just go.
• 47:24
  Who fucking cares? So the guy in the red robe
• 47:26
  bursts through, knocking Harper down.
• 47:28
  He bolts towards the girls by the the entrance.
• 47:32
  Bailey starts, you know, books it through the tunnel.
• 47:34
  Angela's behind her, but she ends up getting pulled out by
• 47:38
  the leg, drops to the floor. And we see that the guy in the
• 47:42
  red robe has a devil mask, and he plunges his pitchfork right
• 47:46
  into her head. And this death scene looks a lot
• 47:49
  like Mallory's kill scene. So there's really not much
• 47:52
  variety going on here. Harper's looking at this all in
• 47:56
  total. Fear.
• 47:57
  Devil pulls the pitchfork out of out of Angela's head, and she
• 48:00
  drops down with a thud. He turns his attention to Harper
• 48:04
  and chases her as she runs. She opens the red door, which
• 48:08
  she's no afraid of stepping back.
• 48:12
  Yeah, we can cut that part out. Basically she gets to the red
• 48:16
  door, finds the red key, gets through it, and then closes it
• 48:19
  and puts the red key back in because again, and this is me
• 48:22
  yelling, they have keys. Right, Yeah.
• 48:25
  Did she break the key off? Yeah, yeah.
• 48:26
  She was holding the key in there to keep him from putting his key
• 48:30
  in and turning in, I guess. And she was keeping it like that
• 48:32
  so that he couldn't get through, but it ended up breaking, yeah.
• 48:34
  Now we see Bailey going through the tunnel, she hears Nathan
• 48:37
  yelling out to him and then all of a sudden he stops.
• 48:40
  We see Nathan on the floor as he fell through the trap door that
• 48:44
  it appears that he's been knocked out from the fall,
• 48:49
  Hopper still staring at the door that she just went through, and
• 48:55
  the person on the other end starts banging on it violently.
• 48:58
  Evan ends up outside and he sees the lock box or where the lock
• 49:02
  box used to be. Right.
• 49:04
  Yeah. Because it is now missing.
• 49:06
  So their phones are missing, the lock box is missing, the waivers
• 49:09
  are missing. Everything's missing, right?
• 49:12
  We see a custom person in in the hunt again, walking with the
• 49:17
  box. He's got a creepy clown mask, so
• 49:20
  now he'll be considered clown going forward.
• 49:23
  Is this I could try to figure this out?
• 49:25
  Was this the same clown that was at the front when they first
• 49:27
  went in? I think.
• 49:29
  So yeah, I think it was the same mask.
• 49:30
  Yeah. He puts the box on the table,
• 49:33
  takes his mask off, but we don't see him right away and he slams
• 49:36
  the mask on the table. Nathan, though he's not in the
• 49:39
  same room, jumps up awake at the same time that the mask was
• 49:44
  slammed on the table, making you think that they're in the same
• 49:46
  room, but they're. Not right, Yeah.
• 49:48
  He looks around the room that he's in.
• 49:50
  Evan is outside. He's all confused, you know,
• 49:52
  because that's another thing about this movie.
• 49:54
  Everybody looks confused no matter what they're doing,
• 49:56
  either confused or fearful. One of the two, he looks into
• 49:59
  the dark because it's pitch black out and he ends up seeing
• 50:03
  Mitch. He asks Mitch where is
• 50:05
  everybody? Mitch says all.
• 50:06
  They're all behind him. This is where we're starting to
• 50:09
  question Mitch. Yeah, because earlier nobody
• 50:12
  trusted him, but I did. Now he's acting weird and creepy
• 50:17
  because he says everybody's behind them when they're not.
• 50:20
  We know better. Mitch walks closer to Evan.
• 50:24
  We now see all the cell phones that they had were dumped on the
• 50:27
  table and the clown is going through them.
• 50:30
  This is where Harper breaks the key off into the door.
• 50:33
  After she locks it, the devil comes through anyway.
• 50:37
  She drops to the floor, begging him not to hurt her.
• 50:40
  He looks on, takes the hood off, but not the mask.
• 50:43
  Right away. He kneels in front of her.
• 50:45
  Then he pulls off the mask. But be as he's doing that,
• 50:49
  Harper asks. Sam, don't hurt me.
• 50:51
  Yeah, So she says, she says that.
• 50:53
  And before he takes off his mask, and this is where they try
• 50:56
  to make you think, oh, it's going to be Sam because she's
• 50:59
  like, Sam, don't hurt me. And then all of a sudden he's
• 51:01
  like stops. Then he pulls the mask up and we
• 51:03
  think it's going to be Sam. And he says.
• 51:05
  Damn. And a gravely voice.
• 51:07
  His face has like clown tattoos. He's got body modifications of
• 51:12
  like, spikes coming out of his head.
• 51:14
  He looks like a generic Darth Maul from Yeah.
• 51:17
  Very much. Star Wars.
• 51:19
  Oh, totally. Yes.
• 51:20
  Yeah, he's the Dollar Tree version, Yeah.
• 51:23
  That that's the, the vibe he's putting off, right?
• 51:26
  So the clown is still going through the cell phones.
• 51:28
  I mean, there's only 6 cell phones.
• 51:30
  I don't know how many you have to go through.
• 51:31
  And what's he going through for? I'm like, what do you like?
• 51:34
  I was literally like, what do you did You is are you doing
• 51:36
  this because you need a fucking phone?
• 51:37
  Is that why you have this whole haunted house?
• 51:39
  You need phones? Like what the fuck?
• 51:40
  In in in this situation, maybe he was just trying to find the
• 51:44
  survivors weaknesses, you know? Like in.
• 51:47
  Right. But I mean like in terms of like
• 51:49
  if, if they send a text to like one another saying, oh, I love
• 51:52
  you, I love you too. OK, now I'm going to kill that
• 51:54
  person in front of that person. Maybe, I don't know, I didn't
• 51:57
  understand I was going through them.
• 52:00
  I'm, I'm, I'm reading into it, I'm creating back story.
• 52:05
  So as he's going through the phones, one of them rings.
• 52:08
  He answers it. Why?
• 52:10
  Who knows, but Sam, Sam's on the other end saying you know, who
• 52:13
  the fuck is this? Right, Sam's pissed.
• 52:16
  Was this a man answer my girl's phone?
• 52:18
  Right. Apparently I she didn't listen
• 52:20
  to me the first time, Clown asks.
• 52:24
  You know who you're trying to reach, Sam, says Harper.
• 52:27
  This is now when we see the clown's face.
• 52:30
  His face is also modded to look like a clown, like he's got
• 52:34
  clown tattoos on his face, like clown makeup on his face, and
• 52:38
  his face is distorted into looking like a clown.
• 52:41
  Yeah, I don't know why he needed the clown mask.
• 52:43
  No idea, he tells Sam on the phone.
• 52:47
  You're too late, Sam. And hangs up.
• 52:49
  I also felt like this guy was kind of old.
• 52:51
  Yeah, you do seem a little older.
• 52:53
  Yeah. Sam looks confused and miffed at
• 52:55
  the same time. Confift, if you will.
• 52:59
  I felt like I needed to make up a word.
• 53:02
  I need to write that down. How do you spell that?
• 53:04
  CONFIFF ED2M's a mash up of confused and miffed confift.
• 53:14
  I can't remember that word. I love new words.
• 53:17
  Thank you. Is that from the Latin?
• 53:22
  The Latin word of pisses in office.
• 53:27
  So Sam goes back to his truck. Don't know why, you know,
• 53:30
  because Sam at this point doesn't know where anybody is.
• 53:32
  So he gets to his truck and he starts driving off Clown walks
• 53:35
  away from the phones and he ends up microwaving three of them.
• 53:39
  Yeah. I mean, he could have just broke
• 53:40
  them, you know, I, I don't know why we have to microwave them,
• 53:45
  but. I don't know.
• 53:46
  I was like, what is he doing this for?
• 53:48
  Right point of this Why would you want to risk a microwave
• 53:51
  fiber, right? Exactly.
• 53:53
  Step on them, smash them against the wall.
• 53:55
  Did you think you were in Gremlins?
• 53:57
  Like what are you going on? Confused movies and clown.
• 54:02
  As he's microwaving the phones, he looks over at a map, which
• 54:05
  apparently is a map of the haunt, but he's focusing on the
• 54:09
  red door room. Yeah.
• 54:11
  So now we're back at Harper and Devil.
• 54:13
  Devil tells Harper, oh, you have a pretty mask.
• 54:16
  You should take it off so we can see who you really are.
• 54:19
  As he says this, the curtain behind them opens because we're
• 54:23
  on a chain link fence and there's a curtain behind them.
• 54:25
  It opens and Nathan has a nail gun and he starts shooting at
• 54:28
  the Devil, tells Harper to run. She does.
• 54:31
  Devil falls over. Harper ends up getting out of
• 54:33
  the door. Devil runs to the gate and stabs
• 54:36
  it with his pitchfork. Evan is outside with Mitch, and
• 54:40
  Evan is looking back at the entrance door that he came out
• 54:43
  of. Asking again, where is
• 54:46
  everybody? Mitch asks.
• 54:47
  Oh, do you still want to see my face?
• 54:49
  What? You know, that's a little odd,
• 54:51
  but I mean, of course he's trying to do it to be scary.
• 54:54
  Evan is, guess what, confused. We see Mitch, not Mitch,
• 54:59
  confused, just confused. He was not confessed.
• 55:02
  No, just confused. Mitch has a hammer we see in his
• 55:05
  hand. It's being covered by his robes
• 55:07
  a little bit, so you can assume that Evan doesn't see it.
• 55:10
  And when Mitch is asking about seeing his face, Evan's like,
• 55:13
  yeah, I'm fine, I just want to go home.
• 55:15
  Mitch ends up giving Evan his address.
• 55:18
  Evan is not happy that he knows his address.
• 55:21
  Mitch says, well, my face is in a work in progress, but I think
• 55:25
  you'll like it. We're back to Nathan running
• 55:27
  through the maze back at Mitch, because again, one of those
• 55:30
  useless scenes that didn't really need to happen.
• 55:32
  But now we see Mitch's mask on the ground with blood flowing
• 55:36
  from behind it. We see a sneaker that's in it,
• 55:39
  and Evan is laying upside down. Mitch pulls a hammer out of the
• 55:43
  back of Heaven's head. So we can assume through
• 55:46
  deductive reasoning that Mitch possibly hit Evan in the head
• 55:51
  with a hammer. Now, I'm using my contextual
• 55:53
  clues here. Yes.
• 55:54
  Now, his modded face is is really weird looking.
• 55:58
  Yeah. I think it's supposed to be the
• 55:59
  ghost that he is in the mask. Yeah, but it looks more like
• 56:04
  Jason Voorhees as a child. Right.
• 56:06
  Yeah. But just white.
• 56:07
  Like really, really white. He's breathing heavy after he
• 56:10
  looking at Evan. He sticks the hammer in Evan's
• 56:14
  mouth and he pulls back, ripping the skin off like his lips and
• 56:18
  like part of his face back, right.
• 56:20
  Harper's running through the ghost mannequin section of the
• 56:23
  haunt that we saw earlier where we ended up meeting Mitch for
• 56:26
  the first time. She's running up the stairs and
• 56:28
  she comes across a red bucket. She walks slowly towards it.
• 56:32
  She looks in and she sees like dead animals and in various
• 56:35
  states of decay. She reaches in and is glopping
• 56:39
  around. Yeah, I was like, because
• 56:41
  they're they had a spray pin on the wall, reach inside or
• 56:44
  something like that. And I was like, and it's just
• 56:46
  hanging from a rope. I'm like, just turn it over.
• 56:49
  I would have flipped that fucker over and just pulled out
• 56:51
  whatever I needed from that. I would have reached into all
• 56:53
  that goop. Not no one was in there.
• 56:56
  And I used the term glopping because that's what the subtitle
• 56:59
  said she was doing. I.
• 57:03
  Don't even know there was a word.
• 57:05
  I don't know all kinds of new words today.
• 57:06
  Yeah, yeah, she was glopping. OK.
• 57:09
  She pulls out a flashlight out of the bucket and as soon as she
• 57:13
  does the buckets pulled up and the lights go out as if we
• 57:16
  couldn't see that coming. It's pretty dark.
• 57:19
  It's a lot of times they still have like a lot of light.
• 57:22
  Well I feel like they did immerse you in by making it a
• 57:26
  lot darker so it sets the mood quite nicely.
• 57:29
  She slowly walks the way she came.
• 57:31
  There's a part of the walls tarped off and as she's walking,
• 57:36
  door to her right creaks back to Nathan.
• 57:39
  He's walking through a backstage area and ends up kicking the
• 57:44
  ring that Bailey lost. He looks over to the side and
• 57:47
  we're we're on the backside of the gum hole bag.
• 57:53
  When he looks on the floor, he sees some razor blades.
• 57:56
  So this is how Bailey got cut. We learned that this is the same
• 58:00
  room that the clown was in and he's going for the phones.
• 58:04
  He hears a noise so he grabs 1 and hides behind one of the
• 58:07
  tarps. He hears footsteps and banging.
• 58:10
  Not like trying to scare him, just the guy is like moving
• 58:13
  stuff around or whatever. There's a shadow that starts
• 58:16
  walking by him and they stop at the tarp looking at it and he's
• 58:21
  trying really hard not to breathe.
• 58:23
  You know, very loudly. Right.
• 58:25
  He held his breath. This whole time.
• 58:26
  I'm like, dude, you just knocked over some paint or something.
• 58:28
  Right, so there it's a bit of time that passes between them
• 58:33
  and they're, they're almost face to face when the figure ends up
• 58:38
  moving on. He holds his breath a little
• 58:40
  longer until the person walks away, and then he relieves
• 58:43
  himself. He no, he didn't pee.
• 58:46
  He just relieved himself of breath.
• 58:51
  Like I missed that part. Back to Harper, she's walking
• 58:56
  through the door that creaked open.
• 58:59
  She's hearing like these clanking sounds and she's seeing
• 59:02
  that there's like a lot of makeshift weapons and traps like
• 59:06
  a bunch of knives, sword males, other types of sharps that are
• 59:10
  all over the place. She needs sees a a knife wind
• 59:13
  chime moving. About favorite type of wind
• 59:15
  chime by the way. Right.
• 59:17
  You know, it's, it's pretty great.
• 59:19
  It's very welcoming. Yes.
• 59:21
  Harper says hello again, as if someone's going to answer.
• 59:25
  As she's walking backwards, we learn that she walked over a
• 59:30
  thing of nails that were in the floor.
• 59:32
  So she's walking backwards and we think that she's going to
• 59:35
  step on the nails, but she doesn't, at least not right now.
• 59:38
  A creepy masked person comes out of the darkness, and that's when
• 59:42
  she steps back really hard and steps on the nails.
• 59:45
  We see another creepy person in a mask and a dark robe sitting
• 59:49
  in the chair. And then we go back to Nathan
• 59:51
  again, One of those quick, weird shots, Like, they do a lot of
• 59:54
  quick weird shots in this movie. Yeah.
• 59:56
  We're back to Nathan. He comes out of the tarp.
• 59:59
  And as he comes out, Mitch is standing there.
• 1:00:01
  And it's like, you know, where are my friends?
• 1:00:03
  While he's doing this behind his own back, he's trying to set an
• 1:00:07
  alert to whoever is paying attention as to where they are.
• 1:00:11
  Google Maps, you know, makes a. Ping noise, which is always
• 1:00:15
  helpful. Thanks Google.
• 1:00:16
  And Mitch hears this because it's pretty loud.
• 1:00:19
  He gets mad that Nathan is doing this, so he texts Nathan, but
• 1:00:23
  Nathan is way too squirrely for him and gets away.
• 1:00:26
  Now we're back at Sam. He's in his truck when he gets
• 1:00:29
  the location pang from Harper's phone.
• 1:00:32
  He turns around and drives back to the facility that they're at.
• 1:00:36
  So now back at Harper, she's in complete pain from stepping on
• 1:00:40
  the nails, and she pulls her foot off and stands up and she
• 1:00:43
  does a relatively good job for just having like 3 or 4 nails
• 1:00:47
  stuck through her heel, right? And she sees a knife trapdoor on
• 1:00:51
  the other side. And I think at this point the
• 1:00:54
  door behind her was closed because I don't know why she
• 1:00:57
  didn't go back through it. Yeah, So I think that's the only
• 1:01:00
  way out. So she sees these knives.
• 1:01:02
  Now we're back at Nathan. He finds a ladder.
• 1:01:04
  He goes up and there's like a hatch that he's able to get
• 1:01:08
  through. And he sees the exit and the
• 1:01:10
  outside back to Harper. She sees how the right door
• 1:01:14
  works and she's tracking the the rope with her flashlight to
• 1:01:18
  where it is and she follows it to a creepy guy.
• 1:01:20
  The creepy guy that that came out in the dark said I don't
• 1:01:23
  know what mask that he had. I think it was a vampire.
• 1:01:27
  And he's cutting the the rope. Now she's back on the floor.
• 1:01:30
  She's crawling fast, but she gets her stuff caught on a
• 1:01:33
  sticky pad that was like a flytrap, like a super.
• 1:01:36
  Duper flytrap. Really super duper sticky She's.
• 1:01:40
  Screaming in pain as she's trying to lift her hand up and
• 1:01:43
  she pulls both hands up and skin comes off like, I mean, and I'm
• 1:01:47
  not talking like the first or second layer or I'm talking
• 1:01:50
  about like the seven layer dip. Yeah, right.
• 1:01:57
  But she ends up like bolting it to the door, even though she's
• 1:02:00
  in all this pain and she's able to get through before the knives
• 1:02:03
  come down. It looked like whether she like
• 1:02:07
  she would have either gotten stuck in that room because the
• 1:02:09
  door was closed or she would have gotten hit by the knives.
• 1:02:12
  I think that where that sticky stuff was, it would have trapped
• 1:02:15
  her right to where when those knives came down, it would
• 1:02:17
  probably would have split her in half, right?
• 1:02:18
  So yeah. So if she didn't have cat like
• 1:02:22
  reflexes she would have been a goner.
• 1:02:24
  She walks into another room and it looks like it's a child's
• 1:02:27
  bedroom because it's got a pink bed.
• 1:02:29
  It's got dolls, stuffed animals. She pushes her, pushes the
• 1:02:33
  dresser that's by the door. In front of the door behind the
• 1:02:37
  dresser, there's some backward letters and it's very, very,
• 1:02:40
  very tricky to read. She can't read them because
• 1:02:44
  they're backwards. So she pulls out a mirror.
• 1:02:46
  You could read them right. Absolutely.
• 1:02:49
  Yeah, Yeah. I was like, she needs some.
• 1:02:51
  I mean just so happens to have a mirror in her pocket.
• 1:02:54
  Right. And I have a bachelor's degree
• 1:02:56
  and I'm working on my masters. So yeah, I could read it.
• 1:03:02
  But I was like you can read that you need to turn around and use
• 1:03:06
  the mirror. That's exactly what I said.
• 1:03:08
  I'm like, really? You can't read that?
• 1:03:11
  I'm like, I understand you're under a lot of pressure and
• 1:03:13
  you're stressed out, but really? Yeah, right.
• 1:03:16
  I thought it was stupid that she went in this room in the 1st
• 1:03:18
  place, but I was like, this is a trap.
• 1:03:20
  Where you gonna go, girl? I was like, what the fuck are
• 1:03:22
  you doing anyway? This whole room, I yelled a lot
• 1:03:24
  at the team. So she pulls out the mirror and
• 1:03:29
  she stands, you know, towards the letter selfie style and the
• 1:03:33
  backwards letters that she had trouble reading said find the
• 1:03:36
  key to escape the hunt. Really not too hard, Harper,
• 1:03:40
  but, you know, OK. And she sees another door on the
• 1:03:44
  other end, and ironically, it says the end with an elaborate
• 1:03:48
  lock on it, right? She tries the key ring that she
• 1:03:51
  has on the door, but it's not working.
• 1:03:53
  She looks through another dresser and finds a piece of of
• 1:03:57
  wallpaper. Yeah, I'm sure to look at the
• 1:04:01
  wall that has. A it's like really, It's like
• 1:04:10
  you, you deduced all this from this stupid lining of in this
• 1:04:15
  drawer that oh, let me turn around and look at the wall and
• 1:04:18
  look at the wallpaper. Wow.
• 1:04:26
  No, but she can't read backwards.
• 1:04:28
  But anyway, this was an Eli Roth movie, by the way.
• 1:04:33
  What's that? This is an Eli Roth movie.
• 1:04:36
  Oh. Yeah, he produced it.
• 1:04:39
  No wonder why. I'm surprised it wasn't gorier.
• 1:04:42
  Not not not to piss off, you know, the rest of our fan base,
• 1:04:46
  but I have not liked one single Eli Roth movie with the
• 1:04:50
  exception of Sacrament. I think we talked about it
• 1:04:54
  before. Like we didn't talk about in
• 1:04:56
  depth, but I think we mentioned it and we talked about.
• 1:04:58
  I don't know if I've seen sacrament.
• 1:05:00
  I've seen of course hostel. Eli Roth is one of those names
• 1:05:04
  where I, I hear it. It's like, Oh yeah, you know,
• 1:05:05
  he's pretty good. But then I watch his stuff.
• 1:05:07
  I'm like, oh. OK, yeah, most of his stuff is.
• 1:05:10
  Well, Hostel was really, really gory, so I was surprised that
• 1:05:14
  this one didn't have more gore in it, giving that it was his.
• 1:05:17
  Well, it wasn't. He wasn't the director, he was
• 1:05:19
  just the producer. But.
• 1:05:20
  Right, but his producer still has a a lot of say in what goes.
• 1:05:23
  On right, yeah, but yeah, So anyway, go ahead she.
• 1:05:26
  Sees in the wall the wallpaper is slightly newer and the same
• 1:05:30
  shape of wallpaper that she found in the dust floor.
• 1:05:34
  She removes the new piece of wallpaper and we come across
• 1:05:38
  another brain teaser. It's more backwards wording.
• 1:05:42
  She pulls out this mirror and this time it says dolls see all,
• 1:05:48
  so she had a hard time with that one.
• 1:05:50
  Harper looks around the room and she sees the dolls on the shelf,
• 1:05:53
  which there are many of. Lots.
• 1:05:56
  She goes through the books and tears out tears about some
• 1:06:00
  dolls, and until she finds the one that she needed, she
• 1:06:04
  instinctually removes the face of said doll and we have yet
• 1:06:08
  another major calamity. Paper a note that she still
• 1:06:13
  needs that mirror on. It's good thing she kept a
• 1:06:15
  mirror because like, she really needed it this time.
• 1:06:19
  And it says there's something under the bed.
• 1:06:22
  She turns to the bed and looks scared, like is there a monster
• 1:06:26
  there? And it's a pretty high bed.
• 1:06:28
  Yeah, it is, you know, exceedingly high.
• 1:06:30
  I mean, I can probably fit under it.
• 1:06:32
  We don't know what's going on with Bailey, Nathan or Sam at
• 1:06:35
  this point, you know, because they're supposed to be there,
• 1:06:37
  but we have no idea what's going on with any of them.
• 1:06:40
  Harper walks to the bed just continually, like, staring at
• 1:06:43
  it, like it's going to do something.
• 1:06:45
  She takes the blankets off and on the fitted sheet she sees
• 1:06:49
  like blood all over it, assumingly soaked into the
• 1:06:51
  mattress. She breathes really heavy in
• 1:06:54
  fear. I thought that was completely
• 1:06:55
  unnecessary. Yeah.
• 1:06:57
  I was like, what? There was no point of having the
• 1:06:59
  blood on the bed. No.
• 1:07:01
  Nothing. She looks under the bed and
• 1:07:03
  crawls under it. Well, this is what I think is
• 1:07:06
  crazy because first of all, she gets gets the end of the bed.
• 1:07:10
  She gets right up to it. And I'm like, why?
• 1:07:12
  This bed is really tall. You do not have to get that
• 1:07:15
  close to that bed because there could be, if there's somebody
• 1:07:17
  under there, why do you want to be that close?
• 1:07:19
  Go all the way back, get down, look, see what you you can see.
• 1:07:24
  And then she crawls from the bottom of the bed, under the bed
• 1:07:28
  all the way to the back because it's all the way up to where
• 1:07:31
  almost where the head is of the bed.
• 1:07:33
  Like, why didn't you just go at it from the side and just pull
• 1:07:35
  that thing out? Why do you want to be stuck
• 1:07:37
  under this fucking bed, you idiot?
• 1:07:39
  I was, I guess. Well, I mean, one, yeah, it's
• 1:07:42
  more dramatic, absolutely. But also it does set up for what
• 1:07:46
  comes next to his extent because it's a she has the flashback or
• 1:07:49
  whatever. But I was just like, in real
• 1:07:51
  life, who who would do this? I would not do.
• 1:07:54
  This spoilers. All I said was flashback.
• 1:07:57
  I didn't saying what it was a flashback of.
• 1:07:59
  It could have been numb. As she crawls under the bed, she
• 1:08:04
  sees a spooky little music box. Kind of looks like something
• 1:08:08
  that you would find on the set of Wednesdays.
• 1:08:10
  Yeah, it's like a haunted house, like a decrepit old house.
• 1:08:12
  Yeah, Yeah. She plays it and Pop goes the
• 1:08:15
  Weasel is playing as the song and when it stops it pops open.
• 1:08:21
  This really funky looking key pops out.
• 1:08:23
  Yeah, and she was like, I thought I was like, I know what
• 1:08:25
  she's gonna do with that. Yeah.
• 1:08:28
  Are you saying that there was some foreshadowing?
• 1:08:30
  A. Little bit, a little bit.
• 1:08:33
  And she's and I don't mean just to unlock the door.
• 1:08:36
  Oh, I don't know. I get you.
• 1:08:38
  I smell what you're cooking. You are the rock right now.
• 1:08:41
  She starts hearing a banging on the door that she had blocked
• 1:08:44
  off and apparently the dresser was not really heavy enough
• 1:08:47
  because there's a couple bangs and then the person pushes
• 1:08:51
  through. We see a person walking in who
• 1:08:54
  has like black shoes and Gray pants, and we hear a voice
• 1:08:58
  saying, where are you hiding? She doesn't tell them, you know,
• 1:09:02
  I mean, she should know from her own experience that, you know,
• 1:09:04
  when you yell out something, you don't say anything, right?
• 1:09:07
  You know, because now she's in the reverse position.
• 1:09:10
  And now she's doing what she what they were doing to her.
• 1:09:13
  Yeah, yeah. You know, like see how it feels?
• 1:09:16
  Right. She's like, oh now I know why
• 1:09:18
  they never answered me. Right.
• 1:09:19
  And so now we're going back down memory lane again and the times
• 1:09:22
  that her dad will come into her bedroom as she was a kid and she
• 1:09:25
  was hiding trying to find her, you know, and we can assume what
• 1:09:30
  what the family relation was like at this point, which again,
• 1:09:33
  it is horrible. What do you mean?
• 1:09:35
  I'm assuming that you know he was probably like molesting her.
• 1:09:38
  I didn't get that at all. Well, I mean the kids trying to
• 1:09:40
  hide while he's like trying to find her and.
• 1:09:42
  Well, I thought because what he was saying that had to do with
• 1:09:45
  her mom. I thought because because this
• 1:09:47
  is going back to what she had said earlier about her and her
• 1:09:51
  dad and her mom. So I just thought she was hiding
• 1:09:53
  because of what was going on with her dad and her mom.
• 1:09:55
  And then you see something it could have been.
• 1:09:57
  I didn't. I didn't take it that way at
• 1:09:58
  all. OK, go ahead.
• 1:09:59
  Now Devil is there so whatever flashback that she was having
• 1:10:04
  that Talon ruined cuz she said there's a flashback coming well.
• 1:10:10
  You didn't even tell the whole flashback yet.
• 1:10:13
  Are you done with the flashback part?
• 1:10:14
  Well, she was. She was just trying to find her
• 1:10:15
  and she was just hiding under the bed.
• 1:10:17
  Well, she was hiding in the bed and it flashes back and you can
• 1:10:19
  see her and you can see where he throws her mom across the room
• 1:10:23
  in the hallway and the ring comes flying out and the rings
• 1:10:26
  there. And she reaches out and grabs
• 1:10:27
  the ring, which is the ring that Bailey lost.
• 1:10:29
  This is a pertinent part of the storyline because she's in an
• 1:10:32
  abusive relationship and her father was an abuser too.
• 1:10:36
  Then, of course, she had the whole ring thing.
• 1:10:38
  And again, it kind of plays a part in the whole how they make
• 1:10:40
  it seem like up until we see Sam in his truck somewhere, Sam the
• 1:10:45
  ex-boyfriend was a red herring the whole time because they
• 1:10:49
  really kind of tried to make it seem like it was Sam.
• 1:10:51
  It had something to do with this thing going on anyway.
• 1:10:53
  But yeah. So flashback over, the devil man
• 1:10:56
  is in the room and he's again telling her, oh, come out, you
• 1:11:01
  know, come on out, you know, take off your mask.
• 1:11:04
  He bends down and she stabs him in the eye with the key.
• 1:11:08
  Very rude, but. Saw that coming.
• 1:11:11
  He saw that coming. He falls over, she opens the
• 1:11:19
  door that she found the key on, she turns it and it's basically
• 1:11:23
  like a saw lock where it takes like 45 minutes to turn and open
• 1:11:27
  and everything. I was like, come on door, hurry
• 1:11:29
  up. As as the door is going on we
• 1:11:31
  hear more pop goes the weasel and when it get reaches to the
• 1:11:35
  end of the song a gunshot comes through the door.
• 1:11:38
  Right. I was like, girl, are you going
• 1:11:40
  to really stand right in front of that door?
• 1:11:41
  Have you not learned anything? Well, where you are?
• 1:11:44
  Because I mean, I knew something was going to be there.
• 1:11:46
  I wasn't expecting a gun, but I I just knew that something was
• 1:11:49
  going to be there. Like the way it was set up, I
• 1:11:52
  was like out from in front of this damn door.
• 1:11:54
  I mean, an alligator could jump out, I don't know whatever, but
• 1:11:57
  just get out from in front of this fucking door.
• 1:11:59
  Yeah, I mean, I, I always have to be cautious of jumping
• 1:12:03
  alligators, especially if it's at work.
• 1:12:05
  You know, whenever I go into the Med room, I never know when
• 1:12:08
  they're going to jump out. At this point, Nathan hears it,
• 1:12:13
  and he looks back because we see him like again, like one of
• 1:12:15
  those quick shots. He hears a shot, turns around,
• 1:12:19
  and then we see the shotgun and it's resetting itself.
• 1:12:22
  The door that she came through that got blasted apart opens up
• 1:12:26
  and Harper was hit, but she's not fatally hit.
• 1:12:29
  She crawls into the room while the devil is yelling about his
• 1:12:33
  eye. You know, that's the other
• 1:12:34
  thing. Like the people in this movie,
• 1:12:36
  they're confused and scared. The other people, they're not
• 1:12:41
  happy that they're getting hurt, you know, So he's not happy
• 1:12:44
  about losing his eye. The gun ends up going off again
• 1:12:48
  to to nothing. I think that's just a plot
• 1:12:50
  device to let us know that it's. Still, yeah, I don't know how
• 1:12:55
  many. How many shit were they called?
• 1:12:57
  Rounds. Or in this shotgun.
• 1:12:59
  Yeah, shells. Or in this shotgun, right.
• 1:13:03
  But there's. Well, we know three at least.
• 1:13:05
  Yeah, because we got the one that caught Harper, right?
• 1:13:08
  And we got the one that didn't work.
• 1:13:10
  Like that didn't hit anybody. But I always felt like you had
• 1:13:13
  to constantly almost reload these like a shotgun.
• 1:13:16
  I mean, was it like a regular shotgun?
• 1:13:17
  I think it was the devil man catches up to Harper and he's on
• 1:13:21
  top of her choking her and now he's like punching her hard.
• 1:13:25
  The gun resets again and each time the gun is resetting it,
• 1:13:28
  it's to the tune of Pop goes the weasel.
• 1:13:30
  Devil man is now just staring at Harper.
• 1:13:33
  She pushes her thumb up into his eyes whole, whole right and
• 1:13:38
  pushes his head up. The gun goes off and catches the
• 1:13:41
  top of his Dome, blowing it completely up and.
• 1:13:45
  He dies. Bye bye devil.
• 1:13:46
  The gun resets again. The devil man falls over, Harper
• 1:13:51
  pushes him off. She stands up walk towards the
• 1:13:54
  gun as it goes off again, not knowing if there's anything else
• 1:13:58
  in there. I was like, why is she standing
• 1:14:00
  up? But she knows this gun keeps
• 1:14:02
  going off. Just stay down and crawl past
• 1:14:04
  it, you idiot. But she stands up and then she
• 1:14:06
  puts her hand out like, yeah, she puts her.
• 1:14:09
  Hand out like stop, don't shoot right What the?
• 1:14:13
  Hell. But it clicks, it's empty.
• 1:14:16
  Yeah. Now again, keep in mind she's
• 1:14:18
  walking really well for having like 3 nail holes in her, in her
• 1:14:22
  heel, a shotgun blast to the chest or stomach area.
• 1:14:26
  Granted, it didn't seem like it did a lot of damage because she
• 1:14:30
  was probably far enough away, but still, you know?
• 1:14:33
  Or maybe I don't know. Right.
• 1:14:34
  I mean, it would still hurt. She tries to pull the gun off of
• 1:14:38
  its stand, which I don't know really why, but she did.
• 1:14:42
  The lights come on. She looks behind her towards a a
• 1:14:45
  plywood door because it looks like the way this looks, it's
• 1:14:48
  it's almost like they're in a semi trailer truck, like in the
• 1:14:52
  back. That's ultimately not where they
• 1:14:53
  were, but that's just what it looked like.
• 1:14:55
  Yeah, they had made a very long and narrow yeah.
• 1:14:58
  So now we flash out to Clown. He's at their minivan.
• 1:15:02
  He breaks out the window, he's looking for the keys and I
• 1:15:06
  believe he finds the keys up in the visor, which I don't know
• 1:15:09
  why people do that. He didn't he.
• 1:15:12
  Didn't find the. Keys.
• 1:15:13
  He didn't find the keys. OK, Evan had the keys on him,
• 1:15:16
  but he didn't find the keys. I just didn't know why he cared
• 1:15:19
  about the van. Like what was he why was he
• 1:15:21
  looking for the keys? What was he doing with the van
• 1:15:23
  being? Is that why he?
• 1:15:24
  Could have been trying to hide it.
• 1:15:26
  Maybe I just thought maybe Evans wanted to, you know, like the
• 1:15:29
  cell phones. Maybe he just needed a van.
• 1:15:31
  All this to get a Van I. Mean he probably wanted to live
• 1:15:33
  by the river. Maybe.
• 1:15:36
  Crown guy looks for keys, doesn't find him.
• 1:15:39
  He walks back towards the building and now we see two
• 1:15:42
  other lesser known creepy guys and costumes and we don't really
• 1:15:46
  know who they are because some of these guys, you know, they're
• 1:15:49
  common throughout the beginning and towards the end, we just
• 1:15:52
  keep being introduced to do ones that we have no idea where they
• 1:15:55
  came from at this point. Like he's going into into the
• 1:15:57
  building, into the room where they had the cell phones and
• 1:16:00
  everything. And that's where the two new
• 1:16:02
  creepy guys are. And he turns on the lights to
• 1:16:04
  all of the rooms in the in the building Mitch is standing in
• 1:16:08
  front of the one with the black robe and the creeping mess that
• 1:16:11
  we saw earlier in that quick shot and asks if if they're
• 1:16:17
  ready and skeleton. Yeah, it was like Skeletor.
• 1:16:20
  Yeah, yeah. It was like a demonic skeleton
• 1:16:23
  sort of face. Yeah.
• 1:16:25
  Starts walking through the haunt and they're going through each
• 1:16:28
  room looking at some of the carnage that was left behind.
• 1:16:32
  When this person was walking through, I was like, why are
• 1:16:35
  they walking so slowly and creepily?
• 1:16:37
  They don't have anybody they need to scare anymore.
• 1:16:39
  Like what are they doing? Is this person, the way this
• 1:16:42
  person looked almost it looked like they were like the head
• 1:16:45
  person. Like they had been sitting back
• 1:16:47
  this whole time waiting for everything to happen and they
• 1:16:50
  were just going to go through and check out the scene.
• 1:16:53
  But they were walking so slowly and so precise.
• 1:16:56
  Like I was like, why? Why are you?
• 1:16:57
  Just go through it, dude. Like what are you?
• 1:16:59
  No, it's so slow for Why do you mean so creepy?
• 1:17:01
  Yeah, like you, I thought it was like some sort of like, final
• 1:17:04
  ultimate boss. Sort of.
• 1:17:05
  Yeah. But Harper walks up behind him
• 1:17:07
  and knocks him out. Then with the devil's pitchfork,
• 1:17:11
  she stabs him. As the camera pans up over to
• 1:17:14
  the person, we see that there are hands that are tied.
• 1:17:18
  Harper takes off the mask. And it was Bailey all along.
• 1:17:21
  I actually was shocked at this part because I completely forgot
• 1:17:26
  about Bailey because the last time we saw her was when she was
• 1:17:30
  going through the tunnel following Evan and Nathan and
• 1:17:33
  everybody else, and then I just completely forgot she existed.
• 1:17:35
  It's. Like I.
• 1:17:37
  Mean not not expecting enough because like you, I thought this
• 1:17:40
  like the final boss guy and I was like, oh, OK, that was
• 1:17:42
  quick. She got rid of this guy quickly
• 1:17:44
  and then Oh no fuck it's Bailey shit.
• 1:17:46
  I mean, I was shocked to find out that Bailey was the head
• 1:17:49
  leader of all of this. Yeah.
• 1:17:56
  Harper lifts her up, hugging her Bailey's like some of Bailey's.
• 1:18:00
  Finally, words are coming for you, and Bailey dies.
• 1:18:06
  Now, in this scene, Harper just stabbed one of her best friends,
• 1:18:11
  Right. OK.
• 1:18:12
  She doesn't even say sorry. All she says is no, no, no, no,
• 1:18:17
  no, no. Oh, my God.
• 1:18:18
  I'm so sorry. I didn't mean to.
• 1:18:20
  No, no, no. Where's the apology?
• 1:18:23
  Bailey. Bailey.
• 1:18:24
  Yeah, maybe show an apology note later on.
• 1:18:28
  Ended in the mail. Right, so now we're at Sam's
• 1:18:30
  truck. He gets out and he's going into
• 1:18:33
  the haunt. Apparently he's the knight in
• 1:18:35
  shining armor of this group. Yeah, at this point I was like,
• 1:18:37
  you got to be fucking kidding me.
• 1:18:38
  They're going to make this abusive boyfriend the savior of
• 1:18:43
  this group, the hero. I was like, no fucking way.
• 1:18:47
  What the fuck? So he's walking through the
• 1:18:49
  haunt utilizing Harper's GPS signal, and he comes up across
• 1:18:55
  this pipe that is like smoking, almost like smoke rings.
• 1:18:59
  Looks at it, turns him, is walking down the hallway very
• 1:19:03
  cautiously. There's a figure in the
• 1:19:06
  foreground. It's Clown.
• 1:19:07
  As he's stepping towards Clown, he trips the tripwire that was
• 1:19:12
  set up earlier and something hits him in the neck.
• 1:19:15
  I thought it was like a sleeping dog or something.
• 1:19:18
  Yeah, that's what I thought. Too, it comes out of the pipe he
• 1:19:21
  looked at, nails him in the neck.
• 1:19:23
  He pulls it out and it's a massive screw.
• 1:19:26
  Did not expect Sam to get screwed in this, but you did.
• 1:19:30
  Clown guy walks towards him, picks up a brick and drops it on
• 1:19:33
  Sam's hand. Because at this point, Sam's not
• 1:19:36
  quite dead yet. You know, Monty Python hasn't
• 1:19:38
  come to collect his body yet. He finds a sledgehammer and he
• 1:19:42
  stands over Sam's body and he golf swings his head.
• 1:19:46
  So he golf swings the sledgehammer to Sam's head.
• 1:19:48
  So now we can assume Sam's gone. So we now know for sure that Sam
• 1:19:53
  is not part of this. Right.
• 1:19:55
  Hopper is back hearing the Chainsaw Guy and and going
• 1:19:59
  through the plywood door that that she was in and there's a
• 1:20:02
  hammer banging on on the other side and she's freaked out, you
• 1:20:06
  know, because we all think that because of the sledgehammer that
• 1:20:09
  it could be clown. We learned that it's Nathan and
• 1:20:12
  he's going to save her from Walmart.
• 1:20:13
  Leatherface. Mitch ends up stopping Nathan
• 1:20:17
  from being the hero by body checking him and knocking him
• 1:20:21
  over. And kicking the shit out of
• 1:20:23
  them. Harper finds some shotgun shells
• 1:20:25
  on the ground. I I don't know how they're not
• 1:20:28
  spent. They're there.
• 1:20:30
  Walmart Leatherface is coming closer.
• 1:20:33
  Somehow she is able to load the shotgun and get a shot off just
• 1:20:38
  as the Walmart Leatherface gets near her enough to be able to
• 1:20:41
  cut her with a chainsaw. He actually, I was like, oh,
• 1:20:44
  she's now got a sawed off shotgun because his chainsaw was
• 1:20:47
  going through the end of the OR whatever reason.
• 1:20:50
  I don't know why, but it was going through the end of the
• 1:20:52
  shotgun and I think it sawed it off enough, made it short
• 1:20:56
  enough. So when she shot it off,
• 1:20:58
  somehow, miraculously, it got the guy.
• 1:21:00
  She shot him. I was like, oh.
• 1:21:02
  He's dead and Mitch is still beating the shit out of him, out
• 1:21:05
  of Nathan, and he pulls out his hammer and he goes to put it in
• 1:21:09
  Nathan's mouth when Harper breaks through the damaged
• 1:21:12
  plywood wall. Mitch ends up asking Nathan if
• 1:21:15
  he still wants to know his name. I'm assuming at this point his
• 1:21:18
  last name because we all know his name is Mitch, right?
• 1:21:21
  And Harper comes up behind him, hitting him in the head with
• 1:21:24
  something, I don't know what it was, but hits Mitch in the head
• 1:21:28
  and she helps Nathan up and pulls him away again.
• 1:21:31
  I don't know how, because of the injuries that she has, she's the
• 1:21:33
  one that's helping Nathan, right?
• 1:21:35
  Where to go, Nathan? Way to be the knight in shining
• 1:21:38
  armor, the savior of the group. Well, he was choking.
• 1:21:41
  He kept choking. And after when they when they
• 1:21:44
  kept walking after this, he kept going.
• 1:21:48
  I'm like, dude, really? Did he choke me that bad?
• 1:21:50
  Come on now. As they're walking out, she
• 1:21:52
  looks over to the side and she sees Sam's body.
• 1:21:55
  No emotion, just walks off. So Harper and Nathan come to the
• 1:21:59
  ladder that Nathan found earlier.
• 1:22:02
  They're going up. As Harper gets through, it comes
• 1:22:05
  slamming down and blocking Nathan from getting through.
• 1:22:10
  He's still alive. Nothing happened to him.
• 1:22:12
  He's he's just blocked from leaving.
• 1:22:14
  And we see the witch lady who killed Mallory earlier.
• 1:22:18
  I've forgotten about. Yeah, yeah.
• 1:22:20
  Well, no, that was Angela. You forgot about Angela.
• 1:22:22
  Well, I also forgot about this witch lady.
• 1:22:24
  I was like, when I saw her, I was like, oh, yeah, yeah, she's
• 1:22:26
  still left. Yeah.
• 1:22:28
  So she she ends up kicking the lid down South.
• 1:22:31
  Nathan can't get out and the witch asks Harper, do you think
• 1:22:35
  you're the only one that's made it this far?
• 1:22:36
  Nathan is banging on the lid as if it's going to do anything.
• 1:22:40
  At that point the witch starts walking closer to Harper.
• 1:22:44
  Nathan pops out, grabs her by the ankles, pulls her she face
• 1:22:48
  plants down onto the ground. Nathan pulls her closer to the
• 1:22:52
  lid and Harper slams her head in the lid at least four or five
• 1:22:56
  times. Yeah, nice.
• 1:22:58
  Then Nathan pulls the witch down.
• 1:23:00
  After Harper's all done playing, Nathan looks down like God damn.
• 1:23:05
  At this point Clown is walking through the oil bag alley.
• 1:23:09
  Yeah, he lights a lighter and sets the wall on fire because
• 1:23:13
  that also has some oil on it. So he's he's burning the place
• 1:23:17
  down. Harper sees one of the people,
• 1:23:19
  like one of the hunt people coming and tells Nathan go and
• 1:23:25
  they're both running. And then Nathan stops, runs back
• 1:23:28
  and gets his baseball back for his for him from his costume.
• 1:23:31
  So they end up reaching a fence at the same time.
• 1:23:34
  It's one of those barbed wire fences on the top and so
• 1:23:38
  Harper's trying to climb over ends up chasing them.
• 1:23:41
  Nathan gets all manned up and starts walking towards them, not
• 1:23:44
  understanding the fact that the guy had a gun on him still.
• 1:23:48
  He raised the gun, shot Nathan in the stomach, but he's all
• 1:23:51
  bulked up with adrenaline, runs to the guy, disarms him with the
• 1:23:55
  baseball bat, and then smashes him in the head with the bat.
• 1:23:58
  We see inside the building, it's slowly Catching Fire as Clown
• 1:24:02
  looks on. Hopper and Nathan are at this
• 1:24:06
  point going through the woods and Nathan's gunshot starting to
• 1:24:11
  have difficulties because he's having trouble walking.
• 1:24:13
  Hopper is still doing a fantastic job walking.
• 1:24:16
  Yeah, and carrying Nathan, basically.
• 1:24:18
  And carrying Nathan, she's a tough, tough one.
• 1:24:21
  They make it to the road and they see Sam's truck and they
• 1:24:23
  drive off at dawn. This is where the movie could
• 1:24:27
  have ended quite easily by the way.
• 1:24:29
  I was like oh good, it's over. Then I was like oh shit it's
• 1:24:32
  not. This was like a 2 hour movie.
• 1:24:34
  Hour and a half. My thing that I said two hours.
• 1:24:36
  Maybe it wasn't well, maybe it just about like 2 hours.
• 1:24:41
  As they're driving off their sirens now, we see Harper and
• 1:24:44
  Nathan at a hospital. They're they're loading Nathan
• 1:24:48
  up on a Gurney and, and getting them all set.
• 1:24:50
  They're holding hands because remember, they just met at the
• 1:24:54
  beginning of the night. And now all of a sudden they're
• 1:24:57
  holding hands and, you know, doing like things that couples
• 1:25:00
  would do. Whenever you go through a
• 1:25:01
  traumatic experience with someone like that, you're going
• 1:25:04
  to you're bound to fuck. Yeah, exactly.
• 1:25:07
  Exactly. I mean.
• 1:25:09
  There's nothing around it. None.
• 1:25:11
  Whatsoever. That's part of the movie magic,
• 1:25:14
  right? So he's being taken away and at
• 1:25:18
  this point she's holding the ring that her mom had and she
• 1:25:22
  starts crying. We see her drive to her
• 1:25:24
  childhood home. She knocks on the door and her
• 1:25:27
  mother appears. They embrace it crying.
• 1:25:29
  There's some weird shots of the house.
• 1:25:32
  They come back to the mother and daughter as they hug.
• 1:25:36
  Clown pops up behind them and she jumps up out of bed and
• 1:25:41
  she's still in the hospital. Her hands are bandaged up.
• 1:25:44
  She looks at the ring, realizing that that part was a dream.
• 1:25:48
  She was hoping that it looked like she was hoping that the
• 1:25:51
  whole thing was a dream. But the nurse comes.
• 1:25:54
  But the nurse comes in saying that you know her friend is
• 1:25:56
  fine, but she needs to sign some release forms.
• 1:26:01
  But. But at this point though, the
• 1:26:05
  nurse already broke HIPAA because she's not supposed to
• 1:26:08
  tell her what her how her friend's doing because that
• 1:26:11
  breaks his privacy. I.
• 1:26:13
  Also love that. Well, you haven't said it yet,
• 1:26:15
  so I won't ruin it. So now we see a clipboard and a
• 1:26:23
  truck with a release form on it. There's a sledgehammer in the
• 1:26:27
  back and a clown mask on the rearview mirror.
• 1:26:31
  A white van pulls up to Harper's mother's house.
• 1:26:34
  Now we see the clown, and he's standing at the end of at the
• 1:26:37
  road, staring at the house. He breaks in the house and looks
• 1:26:40
  down. He's stuck on flypaper sticky
• 1:26:42
  tape, kind of like where Harper was on.
• 1:26:44
  Yeah. We hear Pop goes Louise on the
• 1:26:47
  background. He's getting a little scared,
• 1:26:49
  and he gets himself out. I mean, he fucks up his boots,
• 1:26:53
  you know, which is kind of rude. I mean boots are expensive.
• 1:26:56
  No shit. As he gets out of it, he ends up
• 1:26:59
  falling over and he ends up falling on on nails on the floor
• 1:27:04
  again. He's not happy that this is
• 1:27:06
  happening. He looks up and he sees a
• 1:27:09
  shotgun missing on the wall because like you see over
• 1:27:12
  exaggerated dust and the silhouette of a shotgun.
• 1:27:16
  Harper steps out of the dark, lifts the shotgun up and says
• 1:27:20
  let's lift your mask up and shoots him.
• 1:27:23
  That's the end of the movie. Now, a weird part of this to me,
• 1:27:27
  aside from the other weird things, there was an acoustic
• 1:27:30
  version of Rob Zombie's. Dragula.
• 1:27:33
  Playing. Yeah, it was the IT wasn't.
• 1:27:36
  Horrible. No, the the person's name was
• 1:27:38
  Lissie LISS. i.e. wasn't horrible, but it was very
• 1:27:42
  strange at the same time. And a movie.
• 1:27:45
  And a movie. So the ending was stupid.
• 1:27:48
  Just gonna say I hope God I hope it don't piss anybody off but.
• 1:27:55
  I don't know, Haunt seems to be like one of those movies that
• 1:27:57
  goes around in the circles and you know.
• 1:28:00
  Does it? No.
• 1:28:05
  So when she's in the hospital room and the nurse comes in and
• 1:28:08
  she's like, we just need you to fill out these release forms,
• 1:28:11
  She gives the nurse a look like my God, release forms.
• 1:28:15
  They know where I live. First of all, why she thought
• 1:28:18
  the guy even made it out of the fire up in flames warehouse, I
• 1:28:21
  don't know. But she immediately, right, she
• 1:28:25
  immediately knew this guy was going to go to her house, her
• 1:28:28
  mom's house, who I don't think still lived there.
• 1:28:30
  So I don't know what she was worried about and I don't know,
• 1:28:34
  kill her mom that isn't there. So she goes and sets up all
• 1:28:37
  these traps for this guy. And I was like, what?
• 1:28:41
  I was like, this is stupid. Like they literally could have
• 1:28:44
  ended it when they got into Sam's truck and we're driving
• 1:28:48
  away and sirens were going off. That could have been it.
• 1:28:51
  That have been done. This whole extra little part
• 1:28:53
  here where they're at the hospital was completely
• 1:28:56
  unnecessary. And when she woke up from her
• 1:28:58
  dream, I thought for a brief moment that she looked at her
• 1:29:02
  hands and she's looking at whatever.
• 1:29:03
  I thought for a moment that maybe all of that was a dream
• 1:29:07
  and she had really gotten beaten up by her boyfriend and this is
• 1:29:10
  all about being abused and domestic abuse or whatever,
• 1:29:13
  which would have been a better than the ending that they gave
• 1:29:17
  us. And I think it would have been a
• 1:29:18
  decent story. Yeah, yeah.
• 1:29:20
  Like all of that was just her rendition of what it felt like
• 1:29:24
  to be in this abusive relationship with this asshole.
• 1:29:27
  And it would have made his part in the movie make more sense
• 1:29:30
  because honestly, his part in the movie was pointless.
• 1:29:33
  It was just whatever. I mean the only reason they had
• 1:29:36
  him in the movie was to make the intensity seem like he was part
• 1:29:41
  of what was going on. So he was really, I don't know.
• 1:29:44
  I was like this ending is so dumb like why?
• 1:29:47
  Why is this the ending? I would love to know if there
• 1:29:50
  was an alternate ending or if that was the original alternate
• 1:29:53
  ending and they decided to make that the real ending.
• 1:29:55
  Like a director's cut? Yeah, yeah, yeah.
• 1:29:57
  So anyway, it reminded me a little bit of a couple of other
• 1:30:02
  movies. It kind of reminded me.
• 1:30:03
  Have you ever seen Escape Room? Yeah, I kind of had that
• 1:30:06
  feeling. The first one I've only seen.
• 1:30:08
  The first one I haven't seen. The other one, well there there
• 1:30:09
  there was a couple made called escape room.
• 1:30:12
  They had nothing to do with each other.
• 1:30:14
  They came around the same time, just both with the same name and
• 1:30:19
  then they also have escape room 2 which came after one of them
• 1:30:24
  the the better of the two. I'm not sure which one that I
• 1:30:28
  watched, but it was all I can really remember is like it was
• 1:30:32
  in a big warehouse or whatever and everybody died and the girl
• 1:30:35
  got out at the end and you know, just, you know, the same.
• 1:30:39
  But I kind of had that feeling to me, the movie did and it kind
• 1:30:42
  of a little bit, but not as well done reminded me of the other
• 1:30:46
  the 1:00 We we did no escape a little bit, just the feeling of
• 1:30:50
  it kind of, you know, because they're all trapped in whatever.
• 1:30:53
  So it all kind of has the same feeling in terms of just how you
• 1:30:55
  feel. But I don't know, it was an OK
• 1:30:58
  movie. I felt like there were a lot of
• 1:30:59
  holes in the movie that like they just fucking had a plan for
• 1:31:03
  everything. Like they, those motherfuckers
• 1:31:05
  had a plan and a backup plan and a backup plan for the backup
• 1:31:09
  plan. And I'm like, this is really far
• 1:31:11
  fetched. I mean, I realize it's just a
• 1:31:13
  scary slasher style movie, whatever.
• 1:31:16
  But I was just like, I don't know.
• 1:31:18
  Oh, I will say though, I was glad because at one point when
• 1:31:21
  they were going to go back out and go through the tunnel and to
• 1:31:24
  go back out the front way, I was super bummed because I thought
• 1:31:27
  that's what that what they were going to do.
• 1:31:28
  Because I curiosity in me not knowing what was in the rest of
• 1:31:32
  this haunted house was like, fuck, I want to know what's
• 1:31:34
  going on in the rest of this haunted house.
• 1:31:35
  So I was I was a little irritated at first, but then I
• 1:31:39
  was like, Oh, good, good. They're going to go through the
• 1:31:40
  rest of this house so I can see what else is going on.
• 1:31:42
  So I was I was happy about that. I would give this movie, I don't
• 1:31:47
  know, 3 1/2 cents, maybe four cents, maybe somewhere in there,
• 1:31:52
  3 1/2 to 4 cents. I mean, it wasn't spectacular.
• 1:31:54
  It had its bumps that I was just like whatever.
• 1:31:57
  I didn't hate it, but it certainly isn't a favorite.
• 1:32:01
  I liked it better than other Eli Roth movies, whether he's
• 1:32:05
  directed or produced, right. I was frustrated with the extra
• 1:32:09
  characters that didn't really need to be there, like Angela
• 1:32:12
  and Sam. I understand that they were
• 1:32:14
  plot, plot devices, you know, to make things like creepy and and
• 1:32:19
  throw you off the track or whatever.
• 1:32:21
  But, you know, they really had no real you could cut them out.
• 1:32:25
  It wouldn't make it. It wouldn't have made of any
• 1:32:27
  kind of difference. Yeah, the only use for Angela
• 1:32:29
  was just an added death scene. It looked exactly the same as
• 1:32:32
  Mallory's death scene, right? You know, and that's, and that's
• 1:32:35
  what disappointed me, you know that the two death scenes were
• 1:32:39
  basically the same exact thing. Yeah.
• 1:32:42
  You know, the only difference was when the devil pulled his
• 1:32:45
  pitchfork out. That was that was the only
• 1:32:47
  difference of of two, which was a little frustrating, you know,
• 1:32:52
  because I like to have my death scenes with a little variety.
• 1:32:55
  Yeah, it's nice enough. There's some salt and pepper in
• 1:32:57
  there. Exactly.
• 1:33:00
  Some of the plot holes I didn't really realize until you
• 1:33:02
  mentioned them and like having them all predict everything
• 1:33:10
  that's going to happen, like Nathan losing the key and the
• 1:33:13
  and the great and things like that.
• 1:33:15
  The random shots annoyed me. They weren't needed.
• 1:33:19
  I mean, there was a lot of things in the movie that if they
• 1:33:22
  got them out and tightened it up a little bit, I think it could
• 1:33:26
  have been a little bit better. Yeah.
• 1:33:29
  As far as the ending, I love a good revenge part of the story,
• 1:33:33
  you know, So I love the fact that she was able to get her
• 1:33:36
  revenge. I just didn't like where they
• 1:33:38
  put it. Yeah.
• 1:33:39
  And how they did it. I mean, I not this, like, the
• 1:33:42
  scene itself was fine. It's just where they put it and
• 1:33:46
  how it was set up like that. That's the part that that got
• 1:33:49
  weird to me because it was almost like, like when they went
• 1:33:53
  to the house, it almost reminded me like the ending of Nightmare
• 1:33:56
  on Elm Street. Yeah, a little bit like, like
• 1:34:00
  just like looking at the house and and then like when the guy
• 1:34:03
  goes in, it kind of reminded me of when Freddie turns that girl
• 1:34:07
  into a cockroach and she can't get out.
• 1:34:10
  Right. You know, so like little things
• 1:34:12
  like that, you know, I could see whether or not it was influenced
• 1:34:15
  by those things. I could see some of that
• 1:34:17
  influence. But at the same time, like, I
• 1:34:19
  didn't necessarily like the idea that she was doing like the same
• 1:34:22
  exact thing as what they did. Because I don't know if you've
• 1:34:25
  ever seen like I Spit on Your Grave the remake.
• 1:34:28
  But no, I haven't seen the remake.
• 1:34:30
  Oh God damn, it's good. I loved it.
• 1:34:32
  I mean, I don't I don't love what happens to the girl, but I
• 1:34:35
  love the the revenge that she gets and and I really bring that
• 1:34:39
  up because like everything that she did for revenge was much
• 1:34:42
  different than what they did to her.
• 1:34:44
  You know, I feel that that's what could have been better with
• 1:34:47
  this because again, like, I like a good revenge movie as much as
• 1:34:51
  I like horror movies. And I feel like they could have
• 1:34:53
  given her a better story arc for that.
• 1:34:56
  If that's the route that they were going to go.
• 1:34:58
  I feel like they could have done a little bit better with that.
• 1:35:01
  Yeah, I agree. I mean, I didn't If she had
• 1:35:03
  gotten her revenge, maybe at the warehouse it would have made a
• 1:35:06
  little more sense, but just that whole it was just so weird.
• 1:35:09
  It's like she is this girl couldn't fucking read backwards,
• 1:35:12
  but she but a nurse telling her, oh, I need you to fill out these
• 1:35:18
  release forms. She suddenly connects the dots.
• 1:35:21
  What? Like that part irritated me.
• 1:35:23
  I was like, there's no way this girl just put those two things
• 1:35:27
  together. But she did it before.
• 1:35:28
  But what was the other thing that was like, oh, she put it
• 1:35:30
  together and I was like, what? But I can't remember what it
• 1:35:32
  was. But yeah, it's like.
• 1:35:33
  The key and the door working together matching the the color
• 1:35:37
  of the door to the key. Well then there was something
• 1:35:39
  else and I, and I know I talked about it, I'll know when I go
• 1:35:41
  through the edit that what it was.
• 1:35:43
  But there was something else that she put together.
• 1:35:45
  And I was like, how did she put those two things together?
• 1:35:47
  Like, out of nowhere, Like, what the fuck?
• 1:35:50
  Or maybe it may not have been her.
• 1:35:51
  Maybe it was one of the other characters.
• 1:35:52
  But somebody else put something like, just pulled around their
• 1:35:55
  ass. Like, what the fuck?
• 1:35:56
  Did you come up with that? Yeah.
• 1:36:00
  So when we talk about if it was on TV and I was just slipping
• 1:36:03
  through stations and I couldn't find something to watch, I'd
• 1:36:06
  probably put it on. You know, I mean, I wouldn't go
• 1:36:08
  seeking it, but if it was there, I'd probably watch it just
• 1:36:12
  because of the parts that I did like.
• 1:36:14
  I would give it a four and a half cents.
• 1:36:16
  Okay, we're about. We're not that far off.
• 1:36:18
  Well. You were talking, I thought you
• 1:36:18
  were going to give it like an 8. No, no, no, no, not even close
• 1:36:23
  to an 8. It's got like a 6.3 on IMDb, so
• 1:36:27
  all right. Is there anything else you'd
• 1:36:28
  like to add to this? Put a sock on it.
• 1:36:30
  We've got socks, all right, So Aunt reminds us that sometimes
• 1:36:34
  the scariest thing isn't what's behind the mask, it's realizing
• 1:36:37
  you paid for it. Nothing says Happy Halloween
• 1:36:39
  like funding your own murder. Next week we're keeping the
• 1:36:42
  Halloween chaos going with Night of the Demons, for the party
• 1:36:45
  goes from bad to possessed faster than you can say lipstick
• 1:36:48
  scene. You can find it almost anywhere,
• 1:36:50
  Roku, Tubi, Budo, Amazon Prime, et cetera.
• 1:36:53
  And as always, be scared, be prepared and don't get caught in
• 1:36:58
  the dark.