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It Ends with Us · To All the Men I've Tolerated Before

• 0:21
  Speaker 1: Hey, tolerators, this is to all the men I've tolerated
• 0:24
  Speaker 1: before with Nea Lee Katona, your weekly look at everyday misogyny. Okay,
• 0:29
  Speaker 1: Chris DeRosa is back. You need to know introduction. He's
• 0:32
  Speaker 1: not getting one today. He was just here for Wicked,
• 0:36
  Speaker 1: and then he begged and then pleaded and then bossed
• 0:41
  Speaker 1: me to watch and ends yeah, and then bullied this
• 0:47
  Speaker 1: yeah to watch it ends with us. So here we are.
• 0:50
  Speaker 1: I'm going to make him talk to me about workplace
• 0:52
  Speaker 1: harassment despite the fact that we have to also talk
• 0:55
  Speaker 1: about this movie because of the Blake Lively and Justin
• 0:59
  Speaker 1: Boloney drop. So, Chris, what do you have to say
• 1:02
  Speaker 1: for yourself?
• 1:04
  Speaker 2: I watch this again? Okay, First and foremost, please know that,
• 1:08
  Speaker 2: like the next time you.
• 1:09
  Speaker 3: Come here, we will be going on a pilgrimage to
• 1:11
  Speaker 3: all of the locations in this movie, because every single
• 1:14
  Speaker 3: one of them was shot other than like whatever Her
• 1:18
  Speaker 3: Wherever Her Like childhood home is every single one of
• 1:22
  Speaker 3: the places in this movie I recognized as a place
• 1:25
  Speaker 3: in my neighborhood.
• 1:26
  Speaker 1: So and we will be wearing up to five layers
• 1:31
  Speaker 1: of laurels.
• 1:32
  Speaker 2: Yeah, with like overalls, like or like Her. One of
• 1:36
  Speaker 2: my notes is like, I love her car heart jacket
• 1:39
  Speaker 2: and paint splattered pants and we're a hook and loser.
• 1:43
  Speaker 1: And we're crimping our hair.
• 1:48
  Speaker 2: You never thought that the hair crimp was going to
• 1:49
  Speaker 2: come back to you.
• 1:51
  Speaker 1: She had really hot curly hair at the Super Bowl,
• 1:54
  Speaker 1: but like, there's a time in a place for really
• 1:57
  Speaker 1: hot crimped hair, and I just don't feel like this
• 2:00
  Speaker 1: movie was it.
• 2:03
  Speaker 2: It's also just like there's so many things wrong. I
• 2:07
  Speaker 2: don't even know where do we begin?
• 2:09
  Speaker 1: Where do we begin? First off, this movie was to
• 2:13
  Speaker 1: launch her skin line, no.
• 2:14
  Speaker 2: Her hair line, her hair line, her hair hairline.
• 2:17
  Speaker 1: So why was all the hair in the movie bad?
• 2:20
  Speaker 2: I didn't think. I thought that her hair was actually good,
• 2:23
  Speaker 2: and I actually do like the curly hair thing. But
• 2:26
  Speaker 2: it's just like.
• 2:27
  Speaker 1: So I thought everyone looked to dehydrate it. I was like,
• 2:32
  Speaker 1: why did we all look so dry?
• 2:34
  Speaker 2: Hasan said the same thing as Son was like, why
• 2:36
  Speaker 2: does she look like she needs to like scrub her face?
• 2:39
  Speaker 1: They all did it?
• 2:40
  Speaker 2: And I wrote, the light Sepia filter over the whole
• 2:42
  Speaker 2: movie is incredible, But I think that's what it was like.
• 2:45
  Speaker 2: There was like a color correction happening.
• 2:48
  Speaker 1: The only one who looks wonderful. Is Jenny Slate?
• 2:51
  Speaker 2: Yes, and she's also the only person that acts well
• 2:54
  Speaker 2: in the movie, so like it's weird. Yeah, the cepia
• 2:59
  Speaker 2: tones that are happening throughout are just not great for me.
• 3:02
  Speaker 2: I'm not enjoying them. Like again, I know what that
• 3:06
  Speaker 2: street looks like. That's not what it looks like, do
• 3:08
  Speaker 2: you know what I mean? It's like I walk down
• 3:09
  Speaker 2: that street so like, like I've been in that restaurant before.
• 3:13
  Speaker 2: I know that it's not all like beige tones, you
• 3:16
  Speaker 2: know what I mean?
• 3:17
  Speaker 1: And I need everyone to note how differently Chris and
• 3:19
  Speaker 1: I are talking about it. When we were talking about
• 3:21
  Speaker 1: the lighting and Wicked not being our favorite, we were like,
• 3:24
  Speaker 1: but that's us nitpicking because we're so in love with
• 3:27
  Speaker 1: everything else that's happening, and we're just like everyone looks
• 3:30
  Speaker 1: dehydrated and it actually ruined this movie.
• 3:33
  Speaker 2: Yeah, but it also is like not a filter like
• 3:38
  Speaker 2: the lighting lick. It is not a filter. Do you
• 3:40
  Speaker 2: know what you put over something? And like I just yeah, no,
• 3:47
  Speaker 2: it was so bad. Okay, can let's continue.
• 3:49
  Speaker 1: Okay, here's my wild note. This movie, like the movie
• 3:55
  Speaker 1: itself and possibly the book that I won't rain.
• 3:59
  Speaker 2: It.
• 4:01
  Speaker 1: It has good bones, you know when you like it's
• 4:05
  Speaker 1: like when you're dating a loser but you see the
• 4:08
  Speaker 1: potential in the loser.
• 4:09
  Speaker 2: Or you're like, oh, like this person isn't like yeah, yeah,
• 4:13
  Speaker 2: I know what you mean. Yes.
• 4:14
  Speaker 1: Like first off, like I felt like Harry Styles because
• 4:17
  Speaker 1: I was like, well, It Ends with Us is a movie.
• 4:21
  Speaker 1: It did all the movie things, like there were lines,
• 4:25
  Speaker 1: they were delivered, there was set, there was scenes.
• 4:28
  Speaker 2: Yeah, there was a beginning, a middle, and an end. Yeah,
• 4:31
  Speaker 2: like it technically is a movie.
• 4:34
  Speaker 1: It was aesthetically pleasing in some parts. I was like,
• 4:37
  Speaker 1: pretty flower walls, Okay, yeah.
• 4:41
  Speaker 2: The really nice apartments that they're in the whole time.
• 4:43
  Speaker 1: The whole time. In case anyone doesn't know, I didn't
• 4:46
  Speaker 1: write down a synopsis for It Ends with Us because
• 4:49
  Speaker 1: I just thought that everyone, like you and I were
• 4:51
  Speaker 1: perpetually online. But It Ends with Us is a movie
• 4:55
  Speaker 1: that came out at the end of twenty twenty four,
• 4:59
  Speaker 1: if not on the cut twenty five. And it's that
• 5:02
  Speaker 1: movie where Blake Lively was like, get your girls, put
• 5:05
  Speaker 1: on your florals. We're going out. It's movie night. And
• 5:09
  Speaker 1: the movie's about domestic violence. And then justin Boloney and
• 5:15
  Speaker 1: I will not be using his correct name because he
• 5:17
  Speaker 1: has not earned by respect. He's the guy that decided
• 5:22
  Speaker 1: that he cured toxic masculinity by cosplaying as Nick Lache
• 5:27
  Speaker 1: in his proposal video. Oh brother, brother not, that's what
• 5:33
  Speaker 1: he did. And so he's on the man Enough podcast
• 5:38
  Speaker 1: where he's like, are we man enough to feel? Are
• 5:42
  Speaker 1: we man enough to treat women right? And according to Blake, no.
• 5:47
  Speaker 2: Yeah, no truly though, and every other day is a
• 5:51
  Speaker 2: new discovery of like a two minute voice note that
• 5:54
  Speaker 2: came out today, like like just every day it's a
• 5:59
  Speaker 2: new article, which I'm not into.
• 6:01
  Speaker 1: But the movie is based on a Colleen Hoover book,
• 6:04
  Speaker 1: and she's a very like controversial figure in herself, Like
• 6:10
  Speaker 1: technically she is a pioneer of the self publishing book
• 6:15
  Speaker 1: talk world.
• 6:16
  Speaker 2: Sure it shows, by the way.
• 6:18
  Speaker 1: Yeah, however, if you ask, here's the thing, and I'm
• 6:23
  Speaker 1: gonna end up like insulting people who are like close
• 6:25
  Speaker 1: to me, because I'm like, if you ask people who
• 6:28
  Speaker 1: enjoy reading books that are above a third grade reading level,
• 6:34
  Speaker 1: then you're then they're like, these books are bad. But
• 6:37
  Speaker 1: it's a very easy book to tuck into a white
• 6:40
  Speaker 1: lady book club because it's about domestic violence and romance
• 6:45
  Speaker 1: and what do you in unplanned pregnancy and technically white
• 6:49
  Speaker 1: women like look at that book and go, there's themes.
• 6:53
  Speaker 2: About us. And I think the other thing is like
• 6:57
  Speaker 2: it's like it is giving the illusion of like this
• 7:03
  Speaker 2: movie is like saying things, you know what I mean,
• 7:06
  Speaker 2: like ooh, like look at this, like this bold comment
• 7:09
  Speaker 2: on domestic violence. But it's just like simply isn't doing that? No? Right?
• 7:15
  Speaker 1: My last th is the whole thing is an after
• 7:19
  Speaker 1: school special. It is an extended It is an extended
• 7:24
  Speaker 1: Degrassi movie. Like they should have put it on the end.
• 7:29
  Speaker 2: Hey yeah, yeah, as in Noggin, Yes.
• 7:33
  Speaker 1: As inn Listen when Nagat it was knagging when the
• 7:36
  Speaker 1: cartoons were on, and then at four pm it switched
• 7:38
  Speaker 1: over for the teens and that's when it became the end. Yeah, correct, correct,
• 7:44
  Speaker 1: But it is it. It moves like a Degrassi episode,
• 7:48
  Speaker 1: which might be why I didn't hate it, because I
• 7:52
  Speaker 1: was like, oh, I've watched this before. I am a millennial.
• 7:55
  Speaker 1: I've watched for Boy Meets World. I've tried to watch
• 7:58
  Speaker 1: teenagers talk about their parents being mean to one another.
• 8:04
  Speaker 1: But yeah, the whole thing, including her like bedside ted
• 8:08
  Speaker 1: talk to him. I was like, what an afterschool special?
• 8:13
  Speaker 2: Whenever She's like, what will you say when your daughter
• 8:15
  Speaker 2: says this to you right now? Do you mean yes?
• 8:18
  Speaker 1: Which we can? We can't go there.
• 8:19
  Speaker 2: First, No, we have so many more things to get
• 8:21
  Speaker 2: through before that, like so many.
• 8:24
  Speaker 1: Let me talk about how the movie has good bones,
• 8:27
  Speaker 1: because I do think that they attempted something that was
• 8:31
  Speaker 1: really smart, but they couldn't pull it off because no
• 8:34
  Speaker 1: one on the writers, the directors, no one was talented
• 8:38
  Speaker 1: on the set except for Jenny Slate.
• 8:40
  Speaker 2: Except for Jenny Slape.
• 8:44
  Speaker 1: I think they tried to gone girl us where it's
• 8:48
  Speaker 1: like flowers, my name is, my name is Lily Blossom Bloom.
• 8:53
  Speaker 2: I'm just to give literally kill me now.
• 8:56
  Speaker 1: Yeah, I'm just a girl. I have a weird relationship
• 9:01
  Speaker 1: with my mom, and I have nothing nice to say
• 9:03
  Speaker 1: about my dad, and I'm whisked away to the city
• 9:07
  Speaker 1: and I have a really sexy meet cue on the
• 9:09
  Speaker 1: roof of a stranger's building because I break into people's
• 9:14
  Speaker 1: apartments and it sets it up like this is going
• 9:19
  Speaker 1: to be an epic romance movie. And I was like, okay,
• 9:23
  Speaker 1: and then the tone's gonna flip like Gone Girl, because
• 9:27
  Speaker 1: I literally remember reading Gone Girl, flipping the page spoiler
• 9:31
  Speaker 1: for Gone Girl and Ben afflex why all of a sudden,
• 9:35
  Speaker 1: the point of view has shipped in and Ben Affleck's
• 9:37
  Speaker 1: dead wife is like, ha ha, I'm alive because I
• 9:40
  Speaker 1: hate Ben Affleck, and I'm like.
• 9:42
  Speaker 2: What, Yeah, but he didn't do it. No, that's not
• 9:48
  Speaker 2: what happened at all.
• 9:49
  Speaker 1: But I could tell that they were trying. I'm like,
• 9:52
  Speaker 1: they are really trying to build up this romance, so
• 9:56
  Speaker 1: then when he becomes a jerk, it hits harder. But
• 10:00
  Speaker 1: no one actually ever made me feel bad that he's
• 10:03
  Speaker 1: a jerk. You know what I'm saying. I should be
• 10:06
  Speaker 1: the most enraged that a man is abusing a woman
• 10:08
  Speaker 1: on screen, and yet everyone was like two above and
• 10:12
  Speaker 1: too evolved to actually have feelings about it.
• 10:17
  Speaker 2: Yeah. Like even when Jenny Slay like hears that like
• 10:20
  Speaker 2: her brother is an abuser, She's like, as his sister,
• 10:24
  Speaker 2: I should tell you to like take him back, but
• 10:27
  Speaker 2: as your friend, I can never let you do that.
• 10:29
  Speaker 2: And I was like, give me seventeen breaks, please and
• 10:33
  Speaker 2: thank you. Like it was just so serious the whole
• 10:37
  Speaker 2: I said, every scene turns into the most serious scene.
• 10:40
  Speaker 2: Why does the scene when Jenny Slay turn into a
• 10:43
  Speaker 2: Jenny Slay's baby turn into a proposal? I want to
• 10:46
  Speaker 2: die was one of the answers, And then I said,
• 10:48
  Speaker 2: every scene that has to do with domestic violence turns
• 10:51
  Speaker 2: into justin Baldoni's star turned scene, Like, every scene turns
• 10:54
  Speaker 2: into like again, every scene where what is his name
• 11:00
  Speaker 2: list is in? It is so hot.
• 11:02
  Speaker 1: He's so hot he can be on the podcast.
• 11:04
  Speaker 2: Every scene with him is like when at one point
• 11:08
  Speaker 2: he just goes, this is the second time they've seen
• 11:10
  Speaker 2: each other since they were children, and they're in a
• 11:11
  Speaker 2: bathroom that you and I will be in.
• 11:13
  Speaker 1: One day re enacting this scene.
• 11:15
  Speaker 2: They're like, how many people do you think go into
• 11:17
  Speaker 2: that restaurant every fucking day? And it's like truly, They're like, get.
• 11:20
  Speaker 1: Out now, I'm writing in a heart of my Collarbode.
• 11:22
  Speaker 2: When we go, no, he goes. She's like, it wasn't
• 11:26
  Speaker 2: a thing, It wasn't you know, it was an accident,
• 11:28
  Speaker 2: blah blah. He goes, leave him, Leave him now. I
• 11:31
  Speaker 2: was like, go away, what is happening right?
• 11:35
  Speaker 1: Because then I ended up. I was like, don't tell
• 11:38
  Speaker 1: her what to do.
• 11:39
  Speaker 2: I I'm like don't like be concerned for her only
• 11:42
  Speaker 2: until like she's not there anymore, and then you're not
• 11:45
  Speaker 2: concerned anymore.
• 11:47
  Speaker 1: You're not texting, you're not checking in. Here's another thing
• 11:52
  Speaker 1: about Lily Blossom Blue. We will use her folding the
• 11:56
  Speaker 1: entire time. Of course, her abusive father is Owen Hunt
• 12:00
  Speaker 1: from Grey's Anatomy, and Owen Hunt loves nothing more than
• 12:03
  Speaker 1: to make a woman's life miserable, So as far as
• 12:08
  Speaker 1: I know, this movie is also Gray's Anatomy. Cannon, I
• 12:13
  Speaker 1: kept being like.
• 12:14
  Speaker 2: What why is this movie two hours and ten minutes long?
• 12:17
  Speaker 2: You know what I mean? And then I keep thinking
• 12:20
  Speaker 2: of all the scenes, and it's like they have no
• 12:22
  Speaker 2: room because I keep being like, why are all these
• 12:25
  Speaker 2: scenes so straight to the point of like seriousness? But
• 12:29
  Speaker 2: that's like, it's weird that I feel like I'm spending
• 12:32
  Speaker 2: no time within a scene and yet like it's two hours.
• 12:36
  Speaker 2: It's two hours and ten minutes long, do you know
• 12:38
  Speaker 2: what I mean?
• 12:38
  Speaker 1: The book has to span fifteen years because the time
• 12:43
  Speaker 1: moves so weird. In this movie, we will be talking
• 12:47
  Speaker 1: to Jenny Slate and then the next time we see her,
• 12:49
  Speaker 1: she's six months pregnant, and then the next time we
• 12:54
  Speaker 1: see her, there's a baby, yeah, And I'm like, how
• 12:57
  Speaker 1: long have they been? We never saw their marriage. We
• 13:00
  Speaker 1: only saw it in a flashback their wedding, So I
• 13:03
  Speaker 1: was like, so they got married, but like when? And
• 13:07
  Speaker 1: I was like I need a time? How quickly are
• 13:11
  Speaker 1: we moving through time?
• 13:13
  Speaker 2: And like how are we moving so quickly? And yet
• 13:14
  Speaker 2: we see nothing?
• 13:15
  Speaker 1: Do you know what I mean?
• 13:16
  Speaker 2: It's like, how are we like spanning this much time
• 13:18
  Speaker 2: and yet nothing is seen? Like do you know what
• 13:20
  Speaker 2: I mean? Like every scene, it's like there's no lead
• 13:23
  Speaker 2: up to them doing the most dramatic part of the
• 13:25
  Speaker 2: thing that they need to do, do you know?
• 13:26
  Speaker 1: Huh yes, now, so that aesthetic of like it's like
• 13:30
  Speaker 1: that they were trying to prove like in another life,
• 13:33
  Speaker 1: on an alternate plane of existence. This is a romance
• 13:37
  Speaker 1: that they write books about, right.
• 13:40
  Speaker 2: Like that's the part. The tone of it is so.
• 13:43
  Speaker 1: Wrong and you should be here in your florals with
• 13:47
  Speaker 1: your girlfriends and that's why I gave you a dress code. Yeah,
• 13:51
  Speaker 1: but and it does like speak to the gaslighting that
• 13:54
  Speaker 1: comes with domestic abuse and part and intimate partner abuse.
• 13:59
  Speaker 1: And for a moment I fell into it because I
• 14:01
  Speaker 1: kept texting you and Julia, I was like, technically, everything
• 14:05
  Speaker 1: that is happening is an accident, Like he burns his
• 14:09
  Speaker 1: hand and when she goes towards him because his hands burnt,
• 14:13
  Speaker 1: he throws it up and it hits her. I'm like accident.
• 14:16
  Speaker 1: She stumbles down the stairs. I was like, accident, And
• 14:19
  Speaker 1: then you guys would wait, yeah, yes, and I will
• 14:23
  Speaker 1: say that the use of me and the audience thought
• 14:29
  Speaker 1: it happened this way. And then when I could finally
• 14:32
  Speaker 1: decide I need to leave you because you're abusive, then
• 14:37
  Speaker 1: the memories came back to me in the way that
• 14:39
  Speaker 1: they really were, and it was he actually hit her
• 14:42
  Speaker 1: because he was pissed about burning the pertata, and then
• 14:45
  Speaker 1: he like threw her down the stairs because they were
• 14:47
  Speaker 1: in another argument, and he triggered. The whole movie is
• 14:51
  Speaker 1: a trigger warning. He marital raped her, basically is what happened.
• 14:57
  Speaker 2: Like assaults her?
• 14:58
  Speaker 1: Yes, yeah, he assaults her, and like yeah.
• 15:04
  Speaker 2: Right, whish ps. Why was that scene the scene that
• 15:07
  Speaker 2: I thought was acted the best?
• 15:08
  Speaker 1: Oh no, oh.
• 15:09
  Speaker 2: No, say that. But I thought that scene was actually
• 15:12
  Speaker 2: the best.
• 15:12
  Speaker 1: Sceno because Justin had practiced it every day on set
• 15:16
  Speaker 1: by abusing Blake Lively.
• 15:20
  Speaker 2: No, it's so horrible for me to say, but I
• 15:22
  Speaker 2: must speak on two that I thought that was the
• 15:23
  Speaker 2: best scene in the whole movie.
• 15:25
  Speaker 1: Well yeah, because Okay, I also wrote a note to myself.
• 15:28
  Speaker 1: I was like, Okay, when Blake Lively was younger and
• 15:34
  Speaker 1: I was a teenager, was she a better actress or
• 15:38
  Speaker 1: was I stupid?
• 15:41
  Speaker 2: And what did you think? How did you what? Like
• 15:44
  Speaker 2: what conclusion did you come to?
• 15:46
  Speaker 1: We all love Gossip Girl, right, and she had us
• 15:50
  Speaker 1: in a hold on Gossip Girl, like she was very
• 15:53
  Speaker 1: good at being Serena whatever Serena's last name is in
• 15:58
  Speaker 1: Gossip Girl. And then she was good in the Sisterhood
• 16:02
  Speaker 1: of the Traveling Hants, like there was depth to that
• 16:06
  Speaker 1: role because in Sisterhood of the Traveling Hants she's also
• 16:09
  Speaker 1: assaulted by a soccer coach, like a summer coach camp
• 16:14
  Speaker 1: uh type deal, And and it was good. The Sisterhood
• 16:20
  Speaker 1: of the Traveling Hants movies are good. It's a solid
• 16:23
  Speaker 1: cast and they've all remained friends. And so I was like,
• 16:28
  Speaker 1: I happened to Blake likely because like the Age of
• 16:30
  Speaker 1: Adeline not good. I don't think I've seen a green lantern.
• 16:36
  Speaker 1: Not good. Yeah, the Age of Adeline where it's like
• 16:40
  Speaker 1: Tuck Everlasting, but she's a lady yeah yea, yeah yeah
• 16:44
  Speaker 1: ever lasting and Harrison Ford's the love interest and his
• 16:48
  Speaker 1: son brother yeah yeah uh yeah. Also not a great story.
• 16:56
  Speaker 2: For it was like she's like fine in the movie,
• 16:58
  Speaker 2: I'm not as I am no where near. She is
• 17:01
  Speaker 2: the least of my worries acting wise other than Jenny Slade,
• 17:03
  Speaker 2: as we've already said when it comes to like her
• 17:06
  Speaker 2: lines are less cringe to me.
• 17:10
  Speaker 1: I got missed off because I was like, why are
• 17:13
  Speaker 1: you acting like you're too evolved to actually walk us
• 17:16
  Speaker 1: through how upset you are about this? Like we never
• 17:21
  Speaker 1: had a cathartic screaming or crying or flashback. And I'm
• 17:27
  Speaker 1: not saying that everyone has to deal with like abuse
• 17:29
  Speaker 1: or trauma in the same way, but it can't be
• 17:31
  Speaker 1: you left him, then he gets to build a crib
• 17:35
  Speaker 1: for you because you and your mom just can't figure
• 17:37
  Speaker 1: it out.
• 17:38
  Speaker 2: Yeah No, that's like the ultimate like throw me off
• 17:41
  Speaker 2: of a bridge, please, Yeah, Like if only a man
• 17:44
  Speaker 2: was here to do this, Like that's truly what that is,
• 17:46
  Speaker 2: and that is like the funny funniest part is that
• 17:50
  Speaker 2: that is text book like misogyny. Do you know what
• 17:55
  Speaker 2: I mean? That is like only a man can use
• 17:57
  Speaker 2: a tool that is like one oh one of like
• 18:00
  Speaker 2: being a feminist, which he says that he is, is
• 18:03
  Speaker 2: like to not have that. But then I also go
• 18:05
  Speaker 2: back and forth of like how much was that like
• 18:08
  Speaker 2: in the book that this fucking idiot wrote.
• 18:10
  Speaker 1: You know, because well, because I kept telling Julia, I go,
• 18:15
  Speaker 1: I guess I have to blame Boloney for how like.
• 18:21
  Speaker 2: True to the book, like yeah, or like how.
• 18:24
  Speaker 1: He comes off as like the good guy abuser, like
• 18:27
  Speaker 1: he's a good abuser, like he he abuses you, but
• 18:30
  Speaker 1: he's also like a good one because he listens about
• 18:34
  Speaker 1: it or which.
• 18:36
  Speaker 2: But also like which I think is like part of
• 18:38
  Speaker 2: the thing I think. I like to me, that's like
• 18:40
  Speaker 2: makes nuance and I think is actually interesting versus is wrong.
• 18:46
  Speaker 2: I don't know, like it makes me. It makes you
• 18:47
  Speaker 2: think that he's like, oh no, I don't think, like,
• 18:49
  Speaker 2: yes'm I'm an abuser. He thinks that, like I got
• 18:51
  Speaker 2: mad and this happened. And then he's like once she
• 18:55
  Speaker 2: gives him that again the Ted talk when they're in
• 18:57
  Speaker 2: like the labor bed together, he's like, you're right, I
• 19:00
  Speaker 2: am a monster you know.
• 19:02
  Speaker 1: But how much time did we waste on the crib
• 19:05
  Speaker 1: and the nursery of it all, and just like shots
• 19:08
  Speaker 1: of her walking around places when we could have had
• 19:10
  Speaker 1: like a conversation about why she was Yeah, a real scene.
• 19:14
  Speaker 2: But then that's my that's my thing is like so
• 19:19
  Speaker 2: much there is so much real estate here, and yet
• 19:22
  Speaker 2: like everythne has to be boiled down to like introline, introline,
• 19:26
  Speaker 2: intro line, then like exactly what I need to say
• 19:29
  Speaker 2: here in this scene and then we're gone, Yeah, you
• 19:31
  Speaker 2: know what I mean?
• 19:32
  Speaker 1: And yet and why are we gone? Because if he
• 19:35
  Speaker 1: had had a sit down, if she had had to
• 19:38
  Speaker 1: sit down with Jenny Slate, I'd be like, I'm laming
• 19:41
  Speaker 1: your brother. He literally threw me down the stairs. And
• 19:44
  Speaker 1: Jenny slatep's like, oh my god, please never speak to
• 19:47
  Speaker 1: my brother again. I wouldn't be able to be your
• 19:49
  Speaker 1: friend or respect you, which is kind of what she says.
• 19:53
  Speaker 1: What she says, Yeah, And then we cut to Jenny's
• 19:57
  Speaker 1: Slake calling her brother and me like you're coming to
• 20:00
  Speaker 1: my house now, and it's like she confronts him on
• 20:04
  Speaker 1: it coming.
• 20:05
  Speaker 2: To a house aka walking across the hallway and right.
• 20:08
  Speaker 1: Yes, we're you're coming over for dinner tonight, and it's
• 20:12
  Speaker 1: him and maybe even her like ignorant husband who's just
• 20:16
  Speaker 1: like a good time guy.
• 20:17
  Speaker 2: Yeah, I can't with them with the onesies and the
• 20:20
  Speaker 2: hoodies and the like. While she's giving birth to his child,
• 20:23
  Speaker 2: he has like a like ugly like wanna be babe
• 20:26
  Speaker 2: hoodie on it, and I'm like, what the fuck is
• 20:28
  Speaker 2: happening here? Like every remind me to come back to
• 20:32
  Speaker 2: the wardrobe anyway.
• 20:32
  Speaker 1: Yes, So, and we have like a dinner scene where
• 20:36
  Speaker 1: he's trying to riddle it out right, like yeah, I
• 20:39
  Speaker 1: was just like really frustrated, and my job's a lot
• 20:42
  Speaker 1: because I'm a nerve of surgeon and like Big Little
• 20:47
  Speaker 1: Lies did the nuance better with the scars guard of
• 20:52
  Speaker 1: it all, Yes, with Nicole Kinman playing into it, talking
• 20:56
  Speaker 1: to her therapist about like, well he can't be bad
• 20:58
  Speaker 1: because I'd be too, And we're talking about like being
• 21:02
  Speaker 1: baited into our emotions or coping mechanisms or dual memories
• 21:07
  Speaker 1: or things. Big Little Eyes took I think what Colleen
• 21:11
  Speaker 1: Hoover was trying to do and actually did it in
• 21:14
  Speaker 1: a way where I'm like everyone's respected, everyone gets to
• 21:19
  Speaker 1: go home.
• 21:20
  Speaker 2: Yeah, sure, I agree.
• 21:21
  Speaker 1: Feeling scene and maybe it's because of Nicole Kidman, I
• 21:25
  Speaker 1: don't know.
• 21:26
  Speaker 2: I mean it is it is, I mean our living
• 21:29
  Speaker 2: movie star that we have left.
• 21:30
  Speaker 1: Hello Nick.
• 21:32
  Speaker 2: Yeah, Like and again it's like that would be a
• 21:34
  Speaker 2: cool scene to see, like Jenny say, and then what
• 21:36
  Speaker 2: is the part with like her brother, like the brother
• 21:39
  Speaker 2: that died and that's like the crux of how he
• 21:41
  Speaker 2: became an angry person.
• 21:42
  Speaker 1: But it's like what but no one's talked to him
• 21:45
  Speaker 1: about it ever.
• 21:46
  Speaker 2: And like that doesn't mean any It was like clearly
• 21:48
  Speaker 2: an accident, so then he becomes an abuser because he
• 21:51
  Speaker 2: killed his brother accidentally.
• 21:52
  Speaker 1: But like I needed something, like I just needed something
• 21:57
  Speaker 1: to like give meat to it. There was no wait
• 22:00
  Speaker 1: to anything. Everything felt so like I kept telling myself like, well, yeah,
• 22:06
  Speaker 1: it's technically a movie.
• 22:09
  Speaker 2: Yes it is, like and it's like a it's like
• 22:11
  Speaker 2: and now this scripted line that I need to deliver
• 22:14
  Speaker 2: to have the plot go forward will go now? Yes, yeah,
• 22:17
  Speaker 2: you know what I mean? And I wrote, I wrote.
• 22:21
  Speaker 1: Who adapted the script? Was it Colleen?
• 22:25
  Speaker 2: Some charlatan? Who knows? And I'm like not getting into
• 22:30
  Speaker 2: all my theories about like the on set behavior yet
• 22:33
  Speaker 2: because I just like we're saving it, like we just can't.
• 22:36
  Speaker 2: But like again, this is like remember that this is
• 22:39
  Speaker 2: the like version where Blake Lively like has salvaged the script.
• 22:43
  Speaker 2: Do you know what I mean? Like this is a
• 22:45
  Speaker 2: good version of the movie. Do you know what I mean?
• 22:47
  Speaker 1: Like, because everyone should give Chris five dollars so they
• 22:50
  Speaker 1: can listen for the rest of the year of him
• 22:53
  Speaker 1: and Dominic covering the Blake Lively justin Blooney Trial. They're
• 22:57
  Speaker 1: going full cereal. They will be covering in Multipex part
• 23:01
  Speaker 1: on Cereal. Yeah, because when Chris said, I think Blake
• 23:06
  Speaker 1: Lively is a professional and she knows exactly what to do.
• 23:09
  Speaker 1: She walked onto the set and she went justin Zamoran
• 23:13
  Speaker 1: and the script is bad. And I called that in
• 23:16
  Speaker 1: our group text from day one. I was like, he's
• 23:21
  Speaker 1: big mad and big poudy because he had to be
• 23:25
  Speaker 1: confronted with a woman who was better than him, and
• 23:29
  Speaker 1: he is mister loves women, respects women, wants women to
• 23:34
  Speaker 1: succeed right up until it's threatening to him. Hence the
• 23:39
  Speaker 1: fake allyship.
• 23:41
  Speaker 2: I agree with you, I wrote that. I said him
• 23:48
  Speaker 2: telling her to shut up is the first red flag
• 23:50
  Speaker 2: of his anger when he's like to shut up and
• 23:53
  Speaker 2: she's like trying to tell him something and they're on.
• 23:55
  Speaker 1: That rooftop or whatever, and he's like shut up.
• 23:58
  Speaker 2: Yeah.
• 23:59
  Speaker 1: Well, and he's was she the entire time, I want
• 24:01
  Speaker 1: to have sex with you and she's like no, and
• 24:03
  Speaker 1: then he's like, then I get to touch you a
• 24:04
  Speaker 1: certain way and she's also like no, and he's like
• 24:08
  Speaker 1: I get one kiss. No, that's frat boy behavior.
• 24:11
  Speaker 2: It's funny. Yeah, yeah, yeah, well no, He's like I
• 24:13
  Speaker 2: want to bang you so bad and she's like, no,
• 24:15
  Speaker 2: you may not, and then like takes her clothes off
• 24:17
  Speaker 2: and has like the hottest lingree that you've ever seen
• 24:19
  Speaker 2: in your life, and she's like and now we will
• 24:21
  Speaker 2: sleep together, do you know what I mean? And now
• 24:23
  Speaker 2: we will sleep side by side, not touching each other
• 24:25
  Speaker 2: in this band. And I'm like, oh my god.
• 24:28
  Speaker 1: Well because I almost was into that too, because I
• 24:31
  Speaker 1: was like, oh, they're both toxic because I love with
• 24:34
  Speaker 1: like two toxic tick people.
• 24:35
  Speaker 2: Sure, and like let it go, yeah, like let let
• 24:37
  Speaker 2: him let him out each other.
• 24:38
  Speaker 1: Yeah yeah, yeah, because I think that's what happened on set,
• 24:41
  Speaker 1: because Okay, I have listened to this equation because maybe
• 24:44
  Speaker 1: we do just move on from the script was bad.
• 24:47
  Speaker 2: No, No, I have so many more notes of why
• 24:49
  Speaker 2: the script is bad though, that I need to run
• 24:51
  Speaker 2: through because I don't go for it. Okay, so I
• 24:54
  Speaker 2: said this them. The quote them not having sex scene
• 24:58
  Speaker 2: is super hot, but also makes no sense. Like when
• 25:01
  Speaker 2: he takes his shirt off and you see his body
• 25:03
  Speaker 2: like and he has that button on shirt, it's like
• 25:04
  Speaker 2: out of control, like absolutely out of control. This is
• 25:08
  Speaker 2: also when I noticed that they were all dehydrated. But
• 25:10
  Speaker 2: also and then again, she's like, I'm not gonna have
• 25:14
  Speaker 2: sex with you, but like, let me slip off this,
• 25:17
  Speaker 2: let me slip off this like law, this like dress,
• 25:19
  Speaker 2: and I'm gonna have this like matching hot like I
• 25:23
  Speaker 2: am asking to be fucked yesterday lingerie outfit that I
• 25:28
  Speaker 2: will now reveal to you and I will have you
• 25:30
  Speaker 2: take off my like sequined my like sequined boots. Do
• 25:34
  Speaker 2: you know what I mean? That like are like not real,
• 25:36
  Speaker 2: like basically every foot fetishes wet dream that I'm like
• 25:39
  Speaker 2: worn in.
• 25:41
  Speaker 1: Honestly, I have this conspiracy theory because Blake brought all
• 25:44
  Speaker 1: of her own wardrobe in every day. I think those
• 25:47
  Speaker 1: are tailor's swift's boots like that, I feel like I.
• 25:49
  Speaker 2: Think that they are. I think that they are. I
• 25:52
  Speaker 2: think that they are. And then they like get naked,
• 25:55
  Speaker 2: get quote unquote naked, and then like fall asleep together,
• 25:58
  Speaker 2: and I'm like, what is this scene? Like what is
• 26:01
  Speaker 2: the point of this?
• 26:02
  Speaker 1: And then their boyfriend girlfriend.
• 26:04
  Speaker 2: It just it doesn't make any again, it doesn't make
• 26:06
  Speaker 2: any sense to me other than to like show us
• 26:08
  Speaker 2: their bodies, which I'm fine looking at because she looks
• 26:12
  Speaker 2: so good at it, like body be banging on her too,
• 26:16
  Speaker 2: Like when she takes her little dress off, I was like, whoa, yeah.
• 26:19
  Speaker 1: Like she's yeah, Lively's job is to be gorgeous, like
• 26:24
  Speaker 1: its a real shitty way, like that's what she's made
• 26:27
  Speaker 1: her be.
• 26:28
  Speaker 2: And does it well, does it very well? Like which
• 26:32
  Speaker 2: I'm fine again, I'm fine with us like parading their
• 26:34
  Speaker 2: bodies around to then like have them be like in
• 26:36
  Speaker 2: a scene together sexually. But it like is like where
• 26:39
  Speaker 2: she's like and you will respect me and not it's
• 26:42
  Speaker 2: solusory to me.
• 26:43
  Speaker 1: I don't know. It's so after school special.
• 26:45
  Speaker 2: Yes, And then whenever Jenny say pops in and she's like,
• 26:49
  Speaker 2: oh no, you've had sex with my brother, Like what's
• 26:52
  Speaker 2: gonna happen. And then and then which ps at least
• 26:55
  Speaker 2: she acts it well. When he goes, this is different,
• 26:59
  Speaker 2: I was like, this is Twilight coded, like whenever they're
• 27:02
  Speaker 2: like Bella, I want to destroy you, but I will
• 27:06
  Speaker 2: respect you.
• 27:07
  Speaker 1: The fuck up? Is every book talk book just.
• 27:13
  Speaker 2: In disguise The answers yes, the answer is yes, and
• 27:17
  Speaker 2: tell me I'm wrong, though, he goes, this is different.
• 27:20
  Speaker 1: Oh, it's so bad, right, it's so bad.
• 27:25
  Speaker 2: And then my next note is this slow mo montage
• 27:28
  Speaker 2: of them quote unquote trying to date turns into like
• 27:31
  Speaker 2: a hot and heavy fucking on a balcony during the day,
• 27:34
  Speaker 2: and it's very odd.
• 27:35
  Speaker 1: It's very hot.
• 27:35
  Speaker 2: There's a thing where they're like holding hands in again,
• 27:37
  Speaker 2: this is that footage where they're like where he's like, look,
• 27:39
  Speaker 2: I wasn't sexually harassing her during this scene, you know
• 27:43
  Speaker 2: what I mean. And it's like them like trying to
• 27:44
  Speaker 2: it's like them like holding hands and like doing a
• 27:46
  Speaker 2: slow mo shot of them like informal wear on a
• 27:49
  Speaker 2: roof there and now I will mount you on this
• 27:53
  Speaker 2: roof like it is so weird, which brings me over
• 27:57
  Speaker 2: to her side a little bit because I'm like, why
• 27:59
  Speaker 2: are you like simulating sex in this weird scene that's
• 28:03
  Speaker 2: supposed to be like you two like enjoying your like
• 28:08
  Speaker 2: love no love, yes, Like why can't you be at
• 28:10
  Speaker 2: the farmer's market like holding hands and while he's like
• 28:12
  Speaker 2: holding like a paper bag full of like long stemmed carrots,
• 28:15
  Speaker 2: you know what I mean? Like that is it? That
• 28:18
  Speaker 2: makes sense to me? Whereas again the scene we didn't
• 28:22
  Speaker 2: need to see where they're were ps. They're at a
• 28:24
  Speaker 2: party that's like fully raging, where he's like, it's time
• 28:27
  Speaker 2: for me to get ready for bed, and she's like
• 28:29
  Speaker 2: me too, and then they take they like sexually do
• 28:32
  Speaker 2: a like clothing removal for each other and then not fuck,
• 28:36
  Speaker 2: Like that didn't need to exist in this movie for
• 28:39
  Speaker 2: then us to like in this montage see them finally
• 28:42
  Speaker 2: have sex kind of do you know what I mean?
• 28:45
  Speaker 2: Like it doesn't make any sense?
• 28:46
  Speaker 1: Like well, because here's the thing too, The whole premise is,
• 28:53
  Speaker 1: you know how like my whole theme of my life
• 28:57
  Speaker 1: is feminine rage. But make it funny. Sure, sure they're
• 29:01
  Speaker 1: Colleen Hoover's goal was domestic violence, but make it kind
• 29:05
  Speaker 1: of sexy. And that's why you got tricked, Like not
• 29:10
  Speaker 1: that survivors get tricked. But I feel like that's Colleen's
• 29:13
  Speaker 1: bite set.
• 29:14
  Speaker 2: Yeah, Like the whole point of like the scene is
• 29:16
  Speaker 2: that he like could have r worded her in this
• 29:18
  Speaker 2: scene when she's well, he's gonna where she's in every way.
• 29:22
  Speaker 2: What men would say is quote unquote asking for it,
• 29:24
  Speaker 2: you know what I mean, Because she's wearing like a
• 29:25
  Speaker 2: seether like nipple cover bikini tops as lingerie and is like,
• 29:31
  Speaker 2: now we'll sleep together, but not touch, you know, and
• 29:34
  Speaker 2: so but instead it's like he's respectful this time and
• 29:38
  Speaker 2: doesn't r word her.
• 29:39
  Speaker 1: Well, and here's what fucked because he's playing the like
• 29:42
  Speaker 1: redeemable abuser the entire time, which my friend did say
• 29:45
  Speaker 1: is how it plays out in the book, like they're
• 29:48
  Speaker 1: trying to very heavy handedly. I feel like, but don't
• 29:52
  Speaker 1: just like leave him out in the cold about it.
• 29:55
  Speaker 1: He's still but he still is.
• 29:56
  Speaker 2: The father of your child, and so like yeah, right, yeah.
• 30:00
  Speaker 1: But it's like throughout the whole book he's still a
• 30:02
  Speaker 1: good boyfriend. He's still like it's like there your mom
• 30:06
  Speaker 1: and your aunt and you finally said I'm leaving Ryland
• 30:10
  Speaker 1: or whatever the fucking.
• 30:13
  Speaker 2: Names. Give me a break.
• 30:15
  Speaker 1: I'm leaving Ryle, and then your mom and your aunt
• 30:18
  Speaker 1: who were never allowed to divorce their husbands because of Catholicism.
• 30:22
  Speaker 2: Yeah, are like why Yeah, they.
• 30:24
  Speaker 1: Take your hand and they go why would you do that?
• 30:26
  Speaker 1: And you like, he pushed me down a light up stairs?
• 30:29
  Speaker 1: He pushed you down of light of stairs. And then
• 30:31
  Speaker 1: they follow you up with did he say he was sorry?
• 30:33
  Speaker 1: And maybe buy you like a car or something afterwards,
• 30:36
  Speaker 1: And then you have to be like, he did say
• 30:39
  Speaker 1: he was sorry. We did get my favorite take out
• 30:42
  Speaker 1: the next day, and then they go marriage saved, like
• 30:45
  Speaker 1: that's the whole.
• 30:48
  Speaker 2: Yeah, no, of course it is. And again it's like
• 30:50
  Speaker 2: we're spending the real estate of like, oh, here's this
• 30:54
  Speaker 2: like will they won't they like? And then he respects
• 30:56
  Speaker 2: her and then they have sex like when they say
• 30:58
  Speaker 2: they love each other, which is so like gross to
• 31:01
  Speaker 2: me and so Christianity, you know what I mean, and
• 31:03
  Speaker 2: like blue give me a break. But then it's so
• 31:06
  Speaker 2: it's like we wasteaw that real estate there to not
• 31:08
  Speaker 2: then have these like cathartic moments that were like that
• 31:11
  Speaker 2: we're working to the entire movie because like the parts
• 31:15
  Speaker 2: of her when she's younger with the guy, like those
• 31:18
  Speaker 2: I like liked those scenes, like they weren't as bad
• 31:22
  Speaker 2: and they weren't as like they weren't as like oh brother,
• 31:25
  Speaker 2: Like it was very like you see them like hanging
• 31:28
  Speaker 2: out and like watching like The Ellen Show after after
• 31:31
  Speaker 2: school and they like she like like you can shower
• 31:34
  Speaker 2: at my house and he's like okay, and they like
• 31:36
  Speaker 2: you're like building character there, which like they don't do
• 31:39
  Speaker 2: any of it, like whenever it's Blake and Justin, it's
• 31:41
  Speaker 2: all just like just and this is my The other
• 31:44
  Speaker 2: theory is that it's justin trying to like he really
• 31:46
  Speaker 2: thinks he's like getting nominated for awards and Best Director
• 31:49
  Speaker 2: from doing this.
• 31:50
  Speaker 1: Like well, and let's talk about how fucked it is
• 31:52
  Speaker 1: that he's the one who like read the book called
• 31:55
  Speaker 1: Colleen and was like, I deserve the rights of this movie.
• 31:58
  Speaker 1: Like number one, it's fucked that you wanted to play Ryle.
• 32:03
  Speaker 1: It's fucked that you wanted to be my Catholic aunt
• 32:08
  Speaker 1: telling me behind the scenes, Ryle's a good guy. No
• 32:10
  Speaker 1: one should ever think about divorcing him. Yeah, it's fucked
• 32:15
  Speaker 1: that you thought that you were the authority figure on
• 32:20
  Speaker 1: a woman centered story about domestic abuse, Like get fucked
• 32:26
  Speaker 1: like I cannot. I if I had his address, I get,
• 32:31
  Speaker 1: I would write him a card that said, get fucked,
• 32:34
  Speaker 1: Just get fucked. And the fact that like Colleen Hoover,
• 32:38
  Speaker 1: who is clearly a woman who is still living with patriarchy,
• 32:41
  Speaker 1: went this will be perfect. And then the two of
• 32:44
  Speaker 1: them together gave me the redeemable movie of the year
• 32:48
  Speaker 1: for all abusers, like just like coaching abusers on how
• 32:53
  Speaker 1: to be like, but I'm nice, but I didn't do
• 32:56
  Speaker 1: this well, and she.
• 32:58
  Speaker 2: Like doesn't have the like, what is the climax of
• 33:01
  Speaker 2: this film? None, there isn't one, Like what is the climax?
• 33:04
  Speaker 1: I guess it's supposed to be When she gives them
• 33:06
  Speaker 1: a ted talk on the hospital bed after she.
• 33:08
  Speaker 2: While he's holding their child. While he is holding their child.
• 33:11
  Speaker 1: By the way he is holding their child, she has
• 33:13
  Speaker 1: just named that child after the dead brother, and he went,
• 33:16
  Speaker 1: what a perfect gift for me? And I went, why
• 33:18
  Speaker 1: does he get that? Why does he get that? Also,
• 33:22
  Speaker 1: the movie ends with them taking that baby to Owen
• 33:25
  Speaker 1: Hunt's Gray Owen hunts Evil Gray, with the vibes the
• 33:30
  Speaker 1: mom going I never left your dad because I couldn't.
• 33:32
  Speaker 1: Even though we fully watch Owen Hunt strangle her on
• 33:38
  Speaker 1: a couch and she's like it just never got bad
• 33:41
  Speaker 1: enough for me to feel like I needed to. And
• 33:43
  Speaker 1: then Blake levelily was like, of course, I'll introduce his
• 33:46
  Speaker 1: spirit to my baby. I was like, no generational curses.
• 33:51
  Speaker 2: And it doesn't make any sense. And again it's like
• 33:53
  Speaker 2: she's at peace with her father.
• 33:54
  Speaker 1: It's like, no, no, no, I knew, like didn't earn.
• 33:57
  Speaker 2: Any again, like in this movie, you did not earn
• 33:59
  Speaker 2: her hat that that would be a good movie of
• 34:00
  Speaker 2: her being like having to struggle with like her father's
• 34:03
  Speaker 2: sins after he died. That's an interesting movie. Yes, we
• 34:06
  Speaker 2: did not. That was not the movie that I watched.
• 34:08
  Speaker 1: No ever ever, or even struggling with, because I've watched
• 34:14
  Speaker 1: women do this when men have been bad to them,
• 34:17
  Speaker 1: but they're still caught up on the good part of it,
• 34:21
  Speaker 1: or they've moved past the man because he's been so awful,
• 34:26
  Speaker 1: but then something catastrophic happens to that man and they're like, well,
• 34:29
  Speaker 1: now I can only dwell on the good parts because
• 34:31
  Speaker 1: your brain hopes we have to survive well.
• 34:35
  Speaker 2: And I think the part of it too is that
• 34:37
  Speaker 2: like it's like we see that we see that her
• 34:38
  Speaker 2: mom is like she had this in her family before,
• 34:41
  Speaker 2: and so she's much more apt to like be okay
• 34:44
  Speaker 2: with it because of that, and like do what Like
• 34:47
  Speaker 2: there's so many times she's like, I didn't turn into
• 34:49
  Speaker 2: my mother and he's like, yes, you did, remember, like
• 34:51
  Speaker 2: what's his name? Does? And I'm like this, give me
• 34:54
  Speaker 2: a break with both of you, you know what I mean.
• 34:55
  Speaker 2: It's like that's so much of it. But again we
• 34:59
  Speaker 2: don't like we don't like explore that at all. No,
• 35:02
  Speaker 2: it's like in passing that she like comes to these realizations.
• 35:05
  Speaker 2: It's very similar to like and just like that season
• 35:08
  Speaker 2: two where many of the climate all of Charlotte's storylines
• 35:12
  Speaker 2: are like Charlotte realizing that she's being an idiot and
• 35:15
  Speaker 2: then like that's the end of the storyline that we've
• 35:17
  Speaker 2: like spent twenty five minutes of this forty seven minute
• 35:20
  Speaker 2: episode like building up Charlotte.
• 35:22
  Speaker 1: We're just at a dinner party and all of a sudden,
• 35:24
  Speaker 1: Charlotte announces and now I understand gender fluidity, and we're like, okay, Charlotte.
• 35:29
  Speaker 2: Yeah, And she's like or whenever she goes to like
• 35:32
  Speaker 2: she's so nervous to like be she needs to be
• 35:34
  Speaker 2: skinny whenever she goes to like the art gallery whenever. Member,
• 35:37
  Speaker 2: So she wears like triple spanks to the art gallery
• 35:40
  Speaker 2: and then the art gallery owner is fat, and then
• 35:42
  Speaker 2: she's like, oh my god, I'm an idiot, Like I'm
• 35:47
  Speaker 2: definitely skinnier than you. So that's great. That's the climax
• 35:50
  Speaker 2: of this episode. Am I wrong at all?
• 35:54
  Speaker 1: No, that's it. That's it. Oh. In my screenwriting workshops,
• 35:58
  Speaker 1: someone challenged to find the theme of Emily and pre
• 36:02
  Speaker 1: and I turned my mic on and I was like,
• 36:04
  Speaker 1: the only theme of Emily and Purri is.
• 36:07
  Speaker 2: To wear stopping first one.
• 36:10
  Speaker 1: That's the title. And I like, ribing it's.
• 36:12
  Speaker 2: Not, it's not you like getting me mad is what
• 36:14
  Speaker 2: you like to get continue?
• 36:17
  Speaker 1: And so I was like, the theme of Emily in
• 36:20
  Speaker 1: Paris is to wear stupid hats. It's the only point
• 36:23
  Speaker 1: in the entire store. No, rightfully so, and they laughed,
• 36:28
  Speaker 1: and I went no. Darren Starr himself said.
• 36:32
  Speaker 2: Yet, like the creator. Maybe you've heard of him.
• 36:35
  Speaker 1: He said, stop trying to find meaning in my stupid parish.
• 36:40
  Speaker 2: I'm here to do a parade of hot ass men
• 36:44
  Speaker 2: in front of you. That and these women like are
• 36:47
  Speaker 2: getting it, like Eiffel towered no pun intended, I mean
• 36:51
  Speaker 2: every episode, and that's the point. And I'm like, I'm
• 36:54
  Speaker 2: aligning up for.
• 36:55
  Speaker 1: That, because do you know what else? I think it
• 36:59
  Speaker 1: is so fucked The abuse in the movie almost has
• 37:05
  Speaker 1: the same vibe as the alleged abuse on set, where
• 37:10
  Speaker 1: like one of them is like, I'm just the guy
• 37:13
  Speaker 1: who's reacting to my environment, and then like a woman
• 37:19
  Speaker 1: isn't going to show her public face about this, so
• 37:22
  Speaker 1: she's instead just gonna email people a bunch of action
• 37:25
  Speaker 1: lawsuit actions. She's like, it's like it's the same kind
• 37:31
  Speaker 1: of like icky thing, and now the world split on it. Yeah,
• 37:37
  Speaker 1: And as you know, Chris, I don't know if you know,
• 37:41
  Speaker 1: you've been on three times, but I run a feminist
• 37:43
  Speaker 1: podcast and we pride ourselves on the intersectional feminist here
• 37:48
  Speaker 1: onto all the men I've tolerated before. And did I
• 37:53
  Speaker 1: want racist Blake Lively to be the reason I ever
• 37:58
  Speaker 1: got to talk about like work harassment in Hollywood. No,
• 38:02
  Speaker 1: she's a racist, But okay, so now we can do
• 38:05
  Speaker 1: my insane calculation that I made this is why this
• 38:10
  Speaker 1: all happened, So it says, this is why I can
• 38:14
  Speaker 1: believe that Blake is an asshole who also experienced being
• 38:17
  Speaker 1: harassed by another asshole. Yes, so white supremacy created the
• 38:23
  Speaker 1: privilege that Blake and Ryan thrive under. They are literally
• 38:27
  Speaker 1: the poster children for the white racist experience. White supremacy
• 38:34
  Speaker 1: also created the misogyny that allows Justin to take the
• 38:37
  Speaker 1: suffering of women inflicted by men and build a brand
• 38:41
  Speaker 1: off of it by being the better guy, just making
• 38:44
  Speaker 1: money hand over foot by me and like, but I'm
• 38:46
  Speaker 1: above it. So therefore white supremacy on top of white
• 38:50
  Speaker 1: supremacy turned into twisters, and we got this cluster buck
• 38:55
  Speaker 1: because they're both two very privileged people being like, well
• 38:59
  Speaker 1: I get to do this. Well, I get to do this,
• 39:01
  Speaker 1: and I get to do this, and I'm a misogynist.
• 39:04
  Speaker 2: Well, and here's the other thing. Is like, if Justin
• 39:07
  Speaker 2: was this feminist icon that he says that he is,
• 39:09
  Speaker 2: he would have read this book and been like, what
• 39:11
  Speaker 2: the fuck is this not? I need to option this
• 39:15
  Speaker 2: so I can make it a film and be ryle
• 39:18
  Speaker 2: yeah and be in it the star. Like if he
• 39:22
  Speaker 2: really was like I'm a feminist and like I need
• 39:24
  Speaker 2: to like I'm like up trying to uplift women, Like
• 39:26
  Speaker 2: this book is not it.
• 39:27
  Speaker 1: Right, no and again, and this is how like the
• 39:31
  Speaker 1: book mirrors the abuse on set before Ryle and uh
• 39:36
  Speaker 1: Lily Blessom Bloom have that we're naked but we're not
• 39:40
  Speaker 1: touching seeing.
• 39:41
  Speaker 2: My favorite scene in the home.
• 39:44
  Speaker 1: The entire movie is him going but you like me
• 39:48
  Speaker 1: and her going I haven't figured that out yet, and
• 39:50
  Speaker 1: him going but you liked me and her being like
• 39:53
  Speaker 1: hmm okay, and he's like, but we're friends because you
• 39:56
  Speaker 1: like me. And what's justin Boloney's defend for I Abuse Blake.
• 40:02
  Speaker 1: Here are all the text message where she was nice.
• 40:05
  Speaker 2: To be so true though, oh my god, that's like
• 40:08
  Speaker 2: really bad.
• 40:09
  Speaker 1: I know. Come, I'll come on for one of the
• 40:12
  Speaker 1: serial episodes.
• 40:14
  Speaker 2: You might have to because the time that is like.
• 40:16
  Speaker 1: Really real, that's really real, because you're sorry.
• 40:20
  Speaker 2: He's like, no, we're friends, like she was. She p
• 40:23
  Speaker 2: has that text that's like, I'm just in my trailer
• 40:25
  Speaker 2: like milking or whatever, pumping, milking, milking you. I'm disgusting, milky, milky.
• 40:35
  Speaker 2: I'm sorry to everyone. I'm just pumping in my trailer
• 40:41
  Speaker 2: like that is absolutely not an invitation for him to
• 40:44
  Speaker 2: come into her trailer.
• 40:44
  Speaker 1: Heay, please don't chat with me. Please don't like.
• 40:47
  Speaker 2: She's saying, like, I'm just like doing this menial task
• 40:50
  Speaker 2: that I can set aside, like to come.
• 40:52
  Speaker 1: Meet you somewhere, and he made it and he.
• 40:55
  Speaker 2: Was like, no, look at this text, or she invites
• 40:56
  Speaker 2: me in her trailer. I'm like, I'm not reading her
• 40:58
  Speaker 2: inviting you anywhere. I'm reading her. I am not busy
• 41:01
  Speaker 2: so I can meet you somewhere to do this.
• 41:03
  Speaker 1: No. Yeah, so yeah, And you know I hate nothing
• 41:08
  Speaker 1: more than like every guy's defense of but I thought
• 41:12
  Speaker 1: you liked me.
• 41:13
  Speaker 2: Yeah, yeah, yeah, Hence why I beat you in the
• 41:15
  Speaker 2: face and push you down right.
• 41:17
  Speaker 1: We've built a million in cells off of it.
• 41:19
  Speaker 2: Which is why I'm like watching you breasted your kid
• 41:22
  Speaker 2: and are showing you a video of my wife giving
• 41:24
  Speaker 2: birth naked.
• 41:25
  Speaker 1: Because like, here's the fucked up reason in my head
• 41:27
  Speaker 1: that I think that we never like move past the
• 41:32
  Speaker 1: blake and justin dynamic because we all experience it at
• 41:35
  Speaker 1: some point in our life. It is because women have
• 41:41
  Speaker 1: been conditioned to fond to men that we just want
• 41:44
  Speaker 1: to leave, Like if I smile enough, if I don't move,
• 41:49
  Speaker 1: if I go, You're right, we are friends. I like you.
• 41:52
  Speaker 1: He'll get bored he'll get distracted and he'll leave, and
• 41:55
  Speaker 1: then I'm safe. And then men have never been conditioned
• 41:59
  Speaker 1: to believe that they're unlikable.
• 42:01
  Speaker 2: Yeah, sure, no agree.
• 42:03
  Speaker 1: So Justin's just walking through set me like, and she
• 42:06
  Speaker 1: likes me and we're the best of friends, and they're
• 42:07
  Speaker 1: gonna name their next kid after me. And I'm gonna
• 42:10
  Speaker 1: go watch her breastfeed right now and have my friend
• 42:14
  Speaker 1: look at her coutor.
• 42:17
  Speaker 2: I think that they he thought that's what it was
• 42:19
  Speaker 2: gonna be. But every person that I've spoken to about
• 42:22
  Speaker 2: her on set says that she is a monster, So
• 42:25
  Speaker 2: I don't I think that he thinks that that's what
• 42:27
  Speaker 2: it was gonna be. And then she was like, no,
• 42:29
  Speaker 2: I'll just be here by myself, not with you, and
• 42:32
  Speaker 2: I think he was like heartbroken.
• 42:34
  Speaker 1: And then he snapped yeah, and because of the ego
• 42:36
  Speaker 1: of it all. And I will say that like him
• 42:39
  Speaker 1: getting to hold onto the shred of I think she
• 42:41
  Speaker 1: liked me all along is like a double down on
• 42:44
  Speaker 1: the delusion because then men love to be like, she's
• 42:48
  Speaker 1: just so sarcastic and funny. That's why she's telling me
• 42:52
  Speaker 1: to fuck off and die. Yeah, that's so funny. Blake
• 42:58
  Speaker 1: and it's like, no, I literally I told you to
• 43:00
  Speaker 1: talk up and die because I wish you would. Yeah, yes,
• 43:04
  Speaker 1: but what if I'm a little romp we had in
• 43:06
  Speaker 1: the middle of everyone's workday. It's like it's ridiculous, ridiculous,
• 43:13
  Speaker 1: and like, here's the thing. My friend laid it out
• 43:17
  Speaker 1: in a text message to me when we were like,
• 43:19
  Speaker 1: oh god, how do we even navigate this because we've
• 43:21
  Speaker 1: got plantation king and queen over here being like women
• 43:26
  Speaker 1: don't deserve to be harassed at work, and I'm like,
• 43:28
  Speaker 1: I do believe that. Why did you get married on
• 43:32
  Speaker 1: a plantation so I could back you in that? And
• 43:36
  Speaker 1: then we have a man and we know I'm never
• 43:38
  Speaker 1: going to take his side because of my own prejudice
• 43:42
  Speaker 1: against men, and technically he's the ally king, and literally, women,
• 43:52
  Speaker 1: I guess a lot of women were listening to the
• 43:54
  Speaker 1: man in a podcasts and holding out home. I think that,
• 43:59
  Speaker 1: like straight women really thought, like, look, there is a
• 44:01
  Speaker 1: good one and if Justin can be an ally, my
• 44:04
  Speaker 1: husband too will stop treating me like trash, Like I like,
• 44:08
  Speaker 1: you know, like we get so bocked down with it,
• 44:10
  Speaker 1: like like a shred of hope, shred of hope. Mine's
• 44:13
  Speaker 1: Dave Bautista with the pippoles like I love him. If
• 44:18
  Speaker 1: Dave Bautista hugged me, it would heal me. All of
• 44:21
  Speaker 1: my issues would be gone. But so like I think
• 44:24
  Speaker 1: a lot of people like we love to make a
• 44:29
  Speaker 1: woman a hero and then throw her right in the trash.
• 44:31
  Speaker 1: And we see it all the time, Beyonce, Taylor, Swift,
• 44:34
  Speaker 1: all of them.
• 44:35
  Speaker 2: Sure, Brittany, Brittany.
• 44:38
  Speaker 1: We love to put a man on a pedestal for nothing.
• 44:42
  Speaker 1: He started a podcast. We love to put him on
• 44:46
  Speaker 1: a pedestal for nothing. And then when someone goes, he
• 44:49
  Speaker 1: pushed me down the stairs, we go, no, he did it.
• 44:53
  Speaker 1: He's our one good one. That's why we put him there.
• 44:58
  Speaker 2: Well, one of my notes is every seas that has
• 45:00
  Speaker 2: to do with domestic violence turns into Justin Baldoni's star
• 45:02
  Speaker 2: turn scene like his acting. And then the next note
• 45:06
  Speaker 2: is every scene turns into the most serious scene like
• 45:09
  Speaker 2: it his he It's there's so much acting with the
• 45:12
  Speaker 2: capital A in the worst way, like it's like so
• 45:15
  Speaker 2: much acting and it's like again like oh, right in
• 45:17
  Speaker 2: this moment where it's supposed to be like domestic like
• 45:20
  Speaker 2: we're supposed to be like uncovering that he's like an abuser.
• 45:22
  Speaker 2: He's it's like him like doing his like best work
• 45:25
  Speaker 2: that he thinks he's doing, do you know what I mean?
• 45:27
  Speaker 2: And trying to be like and again like stealing every
• 45:29
  Speaker 2: scene away from the main character.
• 45:32
  Speaker 1: And that's how and that's how you know he's a
• 45:33
  Speaker 1: fucking creep because he's getting off on getting to be Rile,
• 45:37
  Speaker 1: Like I'm gonna be Rile and I'm gonna do it
• 45:40
  Speaker 1: justice and he will be everyone's number one bad guy.
• 45:44
  Speaker 2: Like yes, the only scene that I really liked was
• 45:47
  Speaker 2: whenever he brings that magazine home and is like read it,
• 45:49
  Speaker 2: like read it now like that, I was like scared
• 45:52
  Speaker 2: and it was like, oh no, like she's gonna get it,
• 45:54
  Speaker 2: like uh oh, you know what I mean. Like I
• 45:56
  Speaker 2: was like she's done for like a run, run, you
• 45:58
  Speaker 2: know what I mean. Like that part was like very
• 46:00
  Speaker 2: well done and I felt very real when.
• 46:03
  Speaker 1: Blake wrote it.
• 46:06
  Speaker 2: Blake write in and like I think that, like I
• 46:11
  Speaker 2: don't know. The movie was just so bad.
• 46:13
  Speaker 1: Can I tell you something funny that happened today because
• 46:16
  Speaker 1: my sister tried to watch the Morning Show on Apple TV.
• 46:19
  Speaker 2: Oh brother, okay, and so my sister knows.
• 46:23
  Speaker 1: I try to watch the Bordage Show on Apple TV,
• 46:26
  Speaker 1: and I couldn't get through the first episode. That show's
• 46:28
  Speaker 1: so bad. I go, have you not heard that that's
• 46:31
  Speaker 1: the worst show in existence?
• 46:34
  Speaker 2: Have I watched every single episode of it? Guilty as Charged?
• 46:37
  Speaker 1: And then she texted me, I literally can't tell what
• 46:41
  Speaker 1: side of me too, each woman is on. But I
• 46:45
  Speaker 1: think it's correct, but I think it's the wrong side.
• 46:48
  Speaker 1: And I texted back, just like Blake Lively, Yes, yes,
• 46:53
  Speaker 1: when life imitates art, Because here's the thing. If Blake
• 46:56
  Speaker 1: Lively has filed all of these lawsuits or whatever you
• 47:00
  Speaker 1: call them, I didn't pay attention to a lot of
• 47:02
  Speaker 1: the pequal jar. I'm but a girl. But if she
• 47:06
  Speaker 1: files all of this bullshit, and I get and I
• 47:10
  Speaker 1: hate using it as a verb, but it's the last
• 47:12
  Speaker 1: time we were in this position, and I get fucking
• 47:14
  Speaker 1: amber hearded again where a woman was finally standing up
• 47:19
  Speaker 1: for something that we've all experienced and all done, and
• 47:21
  Speaker 1: she was in a position of power where she could
• 47:24
  Speaker 1: do it, and then everyone went finding such a standoo guy,
• 47:28
  Speaker 1: though never not one day and then and then it's
• 47:36
  Speaker 1: and then it's all for not because it all gets
• 47:39
  Speaker 1: torn down and we have you, and I have personal
• 47:41
  Speaker 1: friends who are still affected by the Amber Herd thing,
• 47:46
  Speaker 1: who had real life consequences. So what I'm worrying is
• 47:50
  Speaker 1: is that, like ants, I wish I had saved the article.
• 47:54
  Speaker 1: It was on my feed when we were still allowed
• 47:56
  Speaker 1: to peruse meta and it be about women. There was
• 48:02
  Speaker 1: an article that was like, Blake Lively just killed me too,
• 48:06
  Speaker 1: because it's like, so she comes out with it, and
• 48:10
  Speaker 1: instead of the public being like, that's right, girl, we're
• 48:14
  Speaker 1: on it, people are like, you're too fucking pretty and
• 48:17
  Speaker 1: rich to ever like have anything bad happened to you.
• 48:20
  Speaker 1: Stop bitching, and it's and we're now all in this
• 48:23
  Speaker 1: very toxic cycle and I can't, like I literally can't
• 48:28
  Speaker 1: go through it again. Like I need, I honestly need
• 48:31
  Speaker 1: him to lose, whether or not it's all true, and
• 48:34
  Speaker 1: that's bad and not justice.
• 48:37
  Speaker 2: Yeah no, And I think her the most damning part
• 48:41
  Speaker 2: on her end is that like she then wretched control
• 48:46
  Speaker 2: of the movie away from him.
• 48:49
  Speaker 1: Right, which honestly, I'm a petty bitch and I've.
• 48:52
  Speaker 2: Probably would have been incredible, but it's like, you know
• 48:56
  Speaker 2: what I mean, professional, it's not profession and it's not
• 49:00
  Speaker 2: this industry standard and so it's like very much her
• 49:04
  Speaker 2: overstepping all of that stuff. And so it like that's
• 49:08
  Speaker 2: the thing, is that, like she doesn't stand up for
• 49:13
  Speaker 2: herself until it's like way after does that make sense?
• 49:18
  Speaker 2: Like and I'm I'm like so cautiously bringing this to
• 49:22
  Speaker 2: the stage because I know where I am right now,
• 49:25
  Speaker 2: but like to me and again, like every like, she
• 49:28
  Speaker 2: can do whatever she wants to do and it's not
• 49:30
  Speaker 2: on her too. I just think that because of the
• 49:36
  Speaker 2: immense power that she wields, she has a responsibility to
• 49:41
  Speaker 2: wield it correctly, and she did not.
• 49:43
  Speaker 1: You know, I must be so dumb. And that's why
• 49:46
  Speaker 1: I thought Blake Lively was a good actress when we
• 49:48
  Speaker 1: were younger, because I literally can't wrap my head around
• 49:53
  Speaker 1: that everyone thinks that Ryan Reynolds and Blake Lively are
• 49:56
  Speaker 1: so powerful. I'm like, it's like when the government keeps
• 50:00
  Speaker 1: trying to tell us that China's bad and TikTok's bad,
• 50:03
  Speaker 1: and then I text people, how often am I supposed
• 50:05
  Speaker 1: to be thinking about China? Because I don't. It's the
• 50:09
  Speaker 1: same with Blake Lively and Ryan Reynolds. I'm like Ryan
• 50:11
  Speaker 1: Reynolds berly in movies Blake Lively never in a good one.
• 50:15
  Speaker 2: Yeah.
• 50:16
  Speaker 1: I understand that they're a hot couple with a lot
• 50:18
  Speaker 1: of money and then they use that money poorly and
• 50:21
  Speaker 1: they do a lot of bullshitty white people things, but
• 50:25
  Speaker 1: to call them powerful is like one step too many
• 50:28
  Speaker 1: for them, where I'm like, well, who's taking those two
• 50:32
  Speaker 1: idiots seriously?
• 50:33
  Speaker 2: Well, I will say that like he did like completely
• 50:37
  Speaker 2: get control of Deadpool? Well, like do you know what
• 50:40
  Speaker 2: I mean? Like this has happened before, like she's taken
• 50:43
  Speaker 2: a page out of his book, but not like during
• 50:45
  Speaker 2: the movie being made Yea, So it's like he did,
• 50:49
  Speaker 2: I understand what you're saying, and you are right. However,
• 50:51
  Speaker 2: they do they do wield something.
• 50:52
  Speaker 1: See, it's that fucking Marvel. I wish Marvel would die
• 50:55
  Speaker 1: because we're still we keep getting idiots with power like
• 50:59
  Speaker 1: Chris Crawt, and I'm like, let it die.
• 51:02
  Speaker 2: Yeah. Well but that's and that is really the thing
• 51:05
  Speaker 2: is like I believe everything that she says about like
• 51:09
  Speaker 2: him being gross to her and all these weird things
• 51:11
  Speaker 2: that happen on set one hundred million percent. But then
• 51:14
  Speaker 2: it's like instead of her being like, hey, like that's
• 51:17
  Speaker 2: not okay, she instead like does something shitty back to him,
• 51:20
  Speaker 2: which I'm like, Okay, that's not good either. No, do
• 51:24
  Speaker 2: you know what I mean? It's like that doesn't that
• 51:25
  Speaker 2: doesn't help your case at all.
• 51:27
  Speaker 1: No, But is it my dream? Ye, it's my dream
• 51:32
  Speaker 1: to just like sore all the bad things that someone
• 51:35
  Speaker 1: has done and then hand them to Vulture after not
• 51:38
  Speaker 1: having one conversation with you about Boutries.
• 51:41
  Speaker 2: And I think the other thing that I will remind
• 51:43
  Speaker 2: you is that she does say when she's on set,
• 51:48
  Speaker 2: there should be an intimacy coordinator. Whenever she's on set,
• 51:51
  Speaker 2: there should be this thing, not like there needs this
• 51:53
  Speaker 2: needs to happen in the movie for everyone. Yeah.
• 51:56
  Speaker 1: Well yeah, because she is a selfish white lady.
• 51:58
  Speaker 2: Like that's the other part is said. It was like
• 52:00
  Speaker 2: everyone is like desperate to go back to work and
• 52:02
  Speaker 2: keep earning money, and she was gonna hold up the
• 52:04
  Speaker 2: entire production until he she like used the strike against
• 52:08
  Speaker 2: Justin to get her way, which I which good on her,
• 52:11
  Speaker 2: but like the hardworking people were like suffering because.
• 52:15
  Speaker 1: Well, because she's she's the mean girl at school, So
• 52:19
  Speaker 1: like the mean girl at school will be like I
• 52:22
  Speaker 1: have to be safe, but don't worry. Jenny slate. You're
• 52:26
  Speaker 1: not pretty enough to be her rest.
• 52:28
  Speaker 2: Yeah, I'm like, actually.
• 52:33
  Speaker 1: We know her, we grew up with her, We've written
• 52:36
  Speaker 1: scripts about her, Like, literally, that's her attitude. Of course,
• 52:40
  Speaker 1: the intimacy coordinator would only need to be here for me.
• 52:44
  Speaker 1: I am the commodity trophy here.
• 52:47
  Speaker 2: Yeah, did you see me in my seat through underwear? Yeah?
• 52:51
  Speaker 1: Yeah, that bad man's gonna touch me in a way
• 52:53
  Speaker 1: I don't like. But he'd never do it to Jenny
• 52:55
  Speaker 1: because she's not pretty enough. Yeah, like really though, no, really,
• 53:00
  Speaker 1: that's I'm I'm sure that is her wretched, putrid vibe. Yeah,
• 53:05
  Speaker 1: And yet you won't catch me taking Boloney's side because
• 53:10
  Speaker 1: I can't. No, I can't stand that he's building a
• 53:13
  Speaker 1: career out of being like I'm man enough to be
• 53:17
  Speaker 1: good to women.
• 53:18
  Speaker 2: And like, after watching this movie again and like actually
• 53:20
  Speaker 2: paying attention to it, which I did not do when
• 53:22
  Speaker 2: I was drunk on a flight the first time I
• 53:23
  Speaker 2: watched it, like, I was like even more enraged, and
• 53:26
  Speaker 2: I was like, oh, you are such a sham in
• 53:28
  Speaker 2: every single way, because no person that is remotely knows
• 53:31
  Speaker 2: what femininem, knows what feminism even is, or is friends
• 53:35
  Speaker 2: with a woman would ever like watch this and be like, yes,
• 53:39
  Speaker 2: this is totally tackling like domestic violence, and like we're
• 53:42
  Speaker 2: like like, you know, we done me. You know time
• 53:45
  Speaker 2: is up. You know what I mean? Like not one
• 53:47
  Speaker 2: person would say.
• 53:48
  Speaker 1: That, yeah so and again, Hey, maybe we all could
• 53:53
  Speaker 1: have flown under the radar about this movie. Like, bad
• 53:55
  Speaker 1: movies get made all the time.
• 53:58
  Speaker 2: And the only reason the movie is so successful is
• 53:59
  Speaker 2: because as we all watched it, because of the drama. Right,
• 54:02
  Speaker 2: it's a terrible movie.
• 54:04
  Speaker 1: Like my dad keeps trying to call or get me
• 54:07
  Speaker 1: to watch what my sister calls quote unquote Oil Yellowstone,
• 54:12
  Speaker 1: which is Billy Bob Thornton's Landman show. Brother.
• 54:15
  Speaker 2: I like, I saw the previews for that. How was that?
• 54:18
  Speaker 1: Oh? I didn't watch it. I went downstairs to like
• 54:22
  Speaker 1: get a snap, And in the two minutes that I
• 54:24
  Speaker 1: was downstairs, I heard Billy Bob Thornton sexually harassed a woman,
• 54:30
  Speaker 1: be transphobic, and use a slur, like a racist slur,
• 54:34
  Speaker 1: and I was like, I will go upstairs.
• 54:35
  Speaker 2: Yeah, like this is just too much for me.
• 54:37
  Speaker 1: Stop telling me the show is good.
• 54:40
  Speaker 2: Yeah, no, yeah, Do you feel.
• 54:42
  Speaker 1: In a good place to move to the closing out?
• 54:45
  Speaker 2: Yes?
• 54:46
  Speaker 1: Okay, what should we have lears.
• 54:48
  Speaker 2: Wait, I'm so sorry. No, I'm not. The clothing in
• 54:50
  Speaker 2: this movie alone was.
• 54:53
  Speaker 1: And it's clothing. And I'm like, you had good outfits.
• 54:59
  Speaker 2: Made them buy you stuff? Oh like when she had those,
• 55:03
  Speaker 2: which she probably kept. Like when she goes to the
• 55:06
  Speaker 2: flower shop, she has that really nice Valentino bag with
• 55:09
  Speaker 2: the vs everywhere. Uh huh, that's like that new canvas
• 55:12
  Speaker 2: bag that like is probably like a seven thousand dollars bag,
• 55:16
  Speaker 2: do you know what I mean? And she has those
• 55:18
  Speaker 2: like lubatons that had the heel on them that like
• 55:20
  Speaker 2: are in like a like a like a shot like
• 55:23
  Speaker 2: she was making them buy her all but and all
• 55:24
  Speaker 2: Jenny Jenny Slates wearing Valentino the entire movie, and they're
• 55:28
  Speaker 2: number one.
• 55:29
  Speaker 1: I still don't know what Jenny Slate's job is.
• 55:31
  Speaker 2: She what's to work at the flower shops?
• 55:33
  Speaker 1: Oh, that's right, she got a part cash She's a
• 55:35
  Speaker 1: cashier because she's bored.
• 55:37
  Speaker 2: Yes, because she's rich and bored.
• 55:39
  Speaker 1: She owns a flower shop that we never watched one
• 55:42
  Speaker 1: person walk into.
• 55:43
  Speaker 2: No, only the only the other characters in the show.
• 55:47
  Speaker 1: And then he's a neurosurgeon, so so.
• 55:49
  Speaker 2: He's texting her and is like, please let me come
• 55:51
  Speaker 2: see you. It's like, you know where she is. She
• 55:53
  Speaker 2: has a business, Like like where else would she be
• 55:56
  Speaker 2: from the hours of eleven am to four pm then
• 55:58
  Speaker 2: other than her her flow.
• 56:00
  Speaker 1: But that like pisses me off again because he's like, look,
• 56:02
  Speaker 1: how respectful I'm being. I'm not showing up at your
• 56:05
  Speaker 1: flower shop to yell at you your empty flower shop.
• 56:11
  Speaker 1: I don't even do we see flowers of the flower shop?
• 56:14
  Speaker 2: Do well again? We will again, we will walk by it.
• 56:18
  Speaker 1: I'm we I'm wearing eighteen layers and.
• 56:21
  Speaker 2: I know that. Please not that the flower shop. When
• 56:23
  Speaker 2: when I tell you, okay, imagine if I live on
• 56:25
  Speaker 2: like how do I say this to not like say
• 56:27
  Speaker 2: my real address, Like if I live on like tenth
• 56:31
  Speaker 2: Street and Avenue B. This this flower shop is on
• 56:41
  Speaker 2: eighth Street and Avenue C.
• 56:43
  Speaker 1: How did you not watch this movie? Being film? I
• 56:46
  Speaker 1: don't know, Like that's so surreal to be watching a
• 56:50
  Speaker 1: movie and me like this and that's.
• 56:52
  Speaker 2: My that's my block. Like that there is a super
• 56:57
  Speaker 2: U Forrester that's in the background of the shop that
• 57:00
  Speaker 2: like she's walking down and I was like.
• 57:03
  Speaker 1: Is that my car?
• 57:06
  Speaker 2: And it wasn't because I would never be parking my
• 57:08
  Speaker 2: car there because it would just like I wouldn't have
• 57:11
  Speaker 2: my car parked because I parked in the garage, So
• 57:13
  Speaker 2: it's like it wouldn't be on the street there. But
• 57:14
  Speaker 2: I was like, is that my car? Like it could be.
• 57:19
  Speaker 1: Well, the clothing was terrible, and.
• 57:21
  Speaker 2: The clothing was like, oh I'm making It was such
• 57:24
  Speaker 2: amateur hour the whole time, like it's like, oh, I'm
• 57:26
  Speaker 2: making a movie, so I'm gonna have this like weird.
• 57:29
  Speaker 2: Like again, they're not just wearing like I'm wearing right
• 57:31
  Speaker 2: now a Haines gray zip up hoodie. Like instead of that,
• 57:34
  Speaker 2: he's wearing like the guy like what's his name, Ryle
• 57:36
  Speaker 2: is wearing like this like Hollister esque. Remember when we
• 57:40
  Speaker 2: used to wear like the Hollister hoodies that were like
• 57:41
  Speaker 2: destroyed on purpose. He's like wearing one of those that's
• 57:44
  Speaker 2: probably from like some fancy designer. It's probably like a
• 57:47
  Speaker 2: Mesquino hoodie. And it's like, oh, it's weird and cool
• 57:51
  Speaker 2: and different. It's like he could just be wearing a
• 57:53
  Speaker 2: gray hoodie, do you know what I mean? But instead
• 57:55
  Speaker 2: it has to be this like oh, every single thing
• 57:57
  Speaker 2: is like every person's wearing like an outfit two to
• 58:02
  Speaker 2: ten at every time, at all times, and I'm like,
• 58:06
  Speaker 2: or just.
• 58:06
  Speaker 1: Wear a T shirt like and like and you know,
• 58:09
  Speaker 1: like one of the things that like pisses off my
• 58:12
  Speaker 1: Capricorn brain is like, if you're going to write a book,
• 58:14
  Speaker 1: why wy don't you write a book? Well, if you
• 58:16
  Speaker 1: were going to make a movie, why wouldn't you make
• 58:17
  Speaker 1: a movie? Well, because like.
• 58:20
  Speaker 2: They thought that they were, he thought that he was.
• 58:22
  Speaker 2: That's the problem.
• 58:23
  Speaker 1: Okay, Well, bloney, I have news for you. Bodies Bodies Bodies, better,
• 58:28
  Speaker 1: better movie. Oh my god, better wardrobe too. In Bodies
• 58:34
  Speaker 1: Bodies Bodies.
• 58:35
  Speaker 2: I mean, it just was so bad everything about it again,
• 58:37
  Speaker 2: like every decision that they made was the wrong decision.
• 58:40
  Speaker 1: Because you know what I'm saying, Like, I watch bad movies.
• 58:42
  Speaker 1: I love bad movies. I want a med movie to
• 58:45
  Speaker 1: come out every year, every.
• 58:47
  Speaker 2: Single I like knows what it is this thought that
• 58:49
  Speaker 2: it was like an Oscar.
• 58:50
  Speaker 1: Contender and the Meg movie at least goes the extra
• 58:54
  Speaker 1: mile to make up fake science and then explain the
• 58:57
  Speaker 1: fake science to me, Like Twisters not an Oscar movie,
• 59:04
  Speaker 1: but a beautifully crafted story that also was about climate
• 59:07
  Speaker 1: change at the end of the day. Yeah, we could
• 59:11
  Speaker 1: have done it. We've done it with less. But it
• 59:14
  Speaker 1: was a very student film.
• 59:16
  Speaker 2: Ass Yeah, it was student film again, I said. She
• 59:19
  Speaker 2: walked onto that seat and it was amateur hour and
• 59:21
  Speaker 2: she was like, what the fuck did I just get
• 59:22
  Speaker 2: myself into?
• 59:24
  Speaker 1: And you're right too. Again, everyone gives Chris enough money
• 59:27
  Speaker 1: to get on the page around too, Like I say,
• 59:30
  Speaker 1: for dollars, I was like, it's five dollars, right, I
• 59:33
  Speaker 1: don't even know how much it is?
• 59:34
  Speaker 2: Is five for that?
• 59:36
  Speaker 1: Here it's five because like literally it's Court TV. Judge
• 59:42
  Speaker 1: Judy is going to be bang in a gabble at
• 59:44
  Speaker 1: some point. Yes, uh, what is our lesson from you
• 59:49
  Speaker 1: making me watch it? Ends with us?
• 59:51
  Speaker 2: Oh god, what is our lesson?
• 59:54
  Speaker 1: Don't believe men?
• 59:58
  Speaker 2: Our lesson is like, yeah, don't believe men one and two, Like, like,
• 1:00:07
  Speaker 2: I'm upset that all of the drama has overshadowed the
• 1:00:10
  Speaker 2: fact that this is like a harmful film.
• 1:00:12
  Speaker 1: Yeah, it's harmful.
• 1:00:13
  Speaker 2: It actually is a harmful film.
• 1:00:16
  Speaker 1: People left up trigger. Also, it's held us in a
• 1:00:20
  Speaker 1: choke hold for a year, so we're just like everyone's
• 1:00:23
  Speaker 1: just reliving their trauma because neither one of them can
• 1:00:26
  Speaker 1: shut up.
• 1:00:28
  Speaker 2: I yeah.
• 1:00:30
  Speaker 1: Also, Netflix made me pay extra to watch it.
• 1:00:34
  Speaker 2: What do you mean?
• 1:00:35
  Speaker 1: Remember I told you that when I first tried to
• 1:00:37
  Speaker 1: watch it ends with us. I'm poor, So I have
• 1:00:39
  Speaker 1: the Netflix with ads and I went to click on
• 1:00:42
  Speaker 1: the movie and Netflix that and I quote mainly, poor
• 1:00:45
  Speaker 1: people don't get to watch this movie. You have to
• 1:00:48
  Speaker 1: be on an AD free plant.
• 1:00:51
  Speaker 2: Oh my god.
• 1:00:54
  Speaker 1: So I had to pay extra to watch it.
• 1:00:56
  Speaker 2: Horrible, horrible.
• 1:01:00
  Speaker 1: I And I think that, like maybe that's the lesson too,
• 1:01:03
  Speaker 1: is like, if you're gonna take on a story that's
• 1:01:06
  Speaker 1: gonna affect a lot of people, maybe you put as
• 1:01:12
  Speaker 1: much care into it as Leimniesen did Schindler's List, Like
• 1:01:16
  Speaker 1: you know, you know what I'm saying.
• 1:01:18
  Speaker 2: Like, but also too, it's like where are there like
• 1:01:19
  Speaker 2: domestic violence survivors that are like consultants on the movie?
• 1:01:22
  Speaker 2: Do you know what I mean? It's like we.
• 1:01:24
  Speaker 1: Don't have to be said that he worked with them
• 1:01:26
  Speaker 1: or he just he's like I just know how that feels.
• 1:01:29
  Speaker 2: They're like yeah, like oh god, and the fact that
• 1:01:34
  Speaker 2: he was out there on the red carpet saying like
• 1:01:36
  Speaker 2: we're here to like change lives and like teach people
• 1:01:39
  Speaker 2: about domestic violence, and it's like no, like you say that,
• 1:01:43
  Speaker 2: like he like you let him be in the delivery
• 1:01:46
  Speaker 2: room with you when you have his child, and like
• 1:01:48
  Speaker 2: and I'm sorry to say, like you should have borne it?
• 1:01:51
  Speaker 2: Like who right? Am I wrong? Though? But am I wrong?
• 1:01:54
  Speaker 2: Like you should have aborted his child?
• 1:01:56
  Speaker 1: I don't want it's yeah, it's like you have to again,
• 1:02:01
  Speaker 1: if you're going to do it, do it well or else.
• 1:02:03
  Speaker 1: I'm man. Yeah, Like.
• 1:02:09
  Speaker 2: I can't wait to bring you to every single place
• 1:02:10
  Speaker 2: that they're in in that movie.
• 1:02:12
  Speaker 1: I know, for Hassan, I have to take my photoa
• 1:02:14
  Speaker 1: and you and I reinacting saints when we're.
• 1:02:17
  Speaker 2: Like pushing up each other up against the wall during
• 1:02:19
  Speaker 2: that in that bathroom and again I'm sure that there's
• 1:02:21
  Speaker 2: like a hole in the wall from so many people
• 1:02:23
  Speaker 2: doing it.
• 1:02:23
  Speaker 1: One I have a giant heart.
• 1:02:28
  Speaker 2: Like we're gonna get there and sit and be like
• 1:02:30
  Speaker 2: get at that sit at that exacting table, and you're
• 1:02:32
  Speaker 2: gonna have that heart on your like like your deco latage,
• 1:02:35
  Speaker 2: and the server is gonna come over and be like,
• 1:02:37
  Speaker 2: oh you know what I mean, so annoyed and.
• 1:02:41
  Speaker 1: I'm gonna be like, I'm sorry, are you annoyed because
• 1:02:43
  Speaker 1: I'm here with my new abusive husband and you missed me,
• 1:02:51
  Speaker 1: and he's gonna and we'll tip him really well for
• 1:02:54
  Speaker 1: the for the bread.
• 1:02:55
  Speaker 2: Like Okay, I know we're done, but like why why
• 1:02:59
  Speaker 2: would why was the why did the brother need to
• 1:03:01
  Speaker 2: be dead?
• 1:03:03
  Speaker 1: Because because Chris, I don't know if you know this,
• 1:03:05
  Speaker 1: but every abuser has to have a catalyt catalyst.
• 1:03:09
  Speaker 2: But like he's mad that his brother's dadded his hand,
• 1:03:12
  Speaker 2: like he's upset and that means.
• 1:03:13
  Speaker 1: He's a murderer. He told her that whole story and
• 1:03:17
  Speaker 1: she's like, I can't imagine being the other little boy,
• 1:03:19
  Speaker 1: and he goes it fucked him up for life, and
• 1:03:22
  Speaker 1: I was like, that's when you should have picked up
• 1:03:23
  Speaker 1: that it was him. He was the little boy.
• 1:03:26
  Speaker 2: Yeah, oh god. Again, like so many scenes about that
• 1:03:32
  Speaker 2: and like I again the scene with you Jenny's like
• 1:03:34
  Speaker 2: calling him across the hallway to like have dinner, where
• 1:03:36
  Speaker 2: she like brads him like that, that's a better scene.
• 1:03:38
  Speaker 1: That's a better scene.
• 1:03:39
  Speaker 2: Definitely a better scene than that weird like montage on
• 1:03:42
  Speaker 2: that roof where then they like she like mounts him,
• 1:03:45
  Speaker 2: which again again I'm on her side of like she's
• 1:03:48
  Speaker 2: like why am I doing this? Like why am I
• 1:03:50
  Speaker 2: spreading my legs open and jumping on top of you
• 1:03:52
  Speaker 2: right now?
• 1:03:52
  Speaker 1: Like why did you show me the home video of
• 1:03:55
  Speaker 1: your cousin giving birth?
• 1:03:56
  Speaker 2: I don't understand, Okay, I need you to think about
• 1:03:59
  Speaker 2: the fact that they like what would you have done
• 1:04:02
  Speaker 2: if she was completely naked whenever in that giving birth seat?
• 1:04:06
  Speaker 1: What would I have done?
• 1:04:07
  Speaker 2: That's what he wanted her to do.
• 1:04:09
  Speaker 1: I would, oh if I was watching it or if
• 1:04:11
  Speaker 1: I was on set.
• 1:04:12
  Speaker 2: Now, if she was. If you watched this movie and
• 1:04:14
  Speaker 2: then she goes to push the baby out and you
• 1:04:17
  Speaker 2: see her nipples, I don't know, what would you do?
• 1:04:20
  Speaker 1: I literally don't know if our friendship would have survived it.
• 1:04:24
  Speaker 1: Have you seen Nosparatu yet?
• 1:04:26
  Speaker 2: No?
• 1:04:26
  Speaker 1: Okay, are you going to probably not let me do it?
• 1:04:30
  Speaker 1: So Emma Corbin Corbett from The Crown is in Nosparatu.
• 1:04:36
  Speaker 2: Sure I like her? Yeah?
• 1:04:38
  Speaker 1: I can't remember if Emma is using them pronouns I
• 1:04:40
  Speaker 1: knew that they used to. Emma is playing a woman
• 1:04:45
  Speaker 1: who is the Nosparatu's victim's best friend. Nosfaratu kills her
• 1:04:52
  Speaker 1: via the rat plague, so she's being you like the
• 1:04:56
  Speaker 1: other girl wakes up and she's being eaten by plague
• 1:04:59
  Speaker 1: rats and I didn't clock it, but thank god my
• 1:05:02
  Speaker 1: sister did because two days later I get a text
• 1:05:05
  Speaker 1: message from my sister. She goes, you know, I was
• 1:05:07
  Speaker 1: fucking thinking about Nosferatu and film bros. And you can
• 1:05:10
  Speaker 1: tell that that movie was directed by a man, because
• 1:05:12
  Speaker 1: why the fuck was her left titty out while she
• 1:05:15
  Speaker 1: was being eaten by rats? Like was that necessary at all?
• 1:05:20
  Speaker 1: She just like full nip out. She's by rats and
• 1:05:26
  Speaker 1: her and her titties out. And I was like, because
• 1:05:30
  Speaker 1: mon are.
• 1:05:30
  Speaker 2: Terrible, Like you didn't need to do Like again didn't.
• 1:05:34
  Speaker 1: So if he had done that, I would have texted you.
• 1:05:36
  Speaker 1: And I was like episode of I don't know.
• 1:05:39
  Speaker 2: No, and also like again like we would all be
• 1:05:41
  Speaker 2: like what is happening? Like have you ever seen a
• 1:05:44
  Speaker 2: even if it's true that women give birth naked? Which
• 1:05:47
  Speaker 2: I don't think that it is, like like maybe sure
• 1:05:50
  Speaker 2: that even if that's true, Like have you ever seen
• 1:05:52
  Speaker 2: it in a movie and or TV show? I have not.
• 1:05:54
  Speaker 1: I watched every sister while give birth in a bathtub
• 1:05:58
  Speaker 1: and no one got naked.
• 1:06:00
  Speaker 2: Yeah, like they.
• 1:06:01
  Speaker 1: Get a special they get a special bathing suit. No
• 1:06:05
  Speaker 1: one gets naked for their water birth? Why would you
• 1:06:07
  Speaker 1: get naked for the laying on the bed bird?
• 1:06:09
  Speaker 2: Thank you?
• 1:06:12
  Speaker 1: That's that's the part.
• 1:06:13
  Speaker 2: It's like, as much as I think that she's an
• 1:06:14
  Speaker 2: absolute monster in every single way, like I'm like, but
• 1:06:16
  Speaker 2: she is right, Like why would like like he was
• 1:06:19
  Speaker 2: trying to like look at her tits whileever they did
• 1:06:21
  Speaker 2: this like scene, you know what I mean.
• 1:06:23
  Speaker 1: God, here's my manifestation. I really hope that a year
• 1:06:29
  Speaker 1: from now, when let's hope the Cereal series is over
• 1:06:34
  Speaker 1: and we've moved.
• 1:06:35
  Speaker 2: On, if only every single day it's making it longer
• 1:06:38
  Speaker 2: and longer for.
• 1:06:38
  Speaker 1: Us, that at the end of this there isn't more
• 1:06:44
  Speaker 1: a readable like harm done that's now written down that
• 1:06:49
  Speaker 1: all judges have to follow from now on. Yeah, like,
• 1:06:53
  Speaker 1: because that's what happened, and I don't like it. So
• 1:06:58
  Speaker 1: I hope that there's no more harm done legally and
• 1:07:02
  Speaker 1: that Blake's lawyers win, because if Blake's lawyers don't win,
• 1:07:07
  Speaker 1: there are a hell of a lot more consequences for
• 1:07:10
  Speaker 1: a hell of a lot more of us. And as
• 1:07:13
  Speaker 1: we've learned, and I would like to manifest that because
• 1:07:17
  Speaker 1: of all of this, well, Colleen Hoover did announce on TikTok.
• 1:07:21
  Speaker 1: I think that she's giving up writing. She should and
• 1:07:25
  Speaker 1: she should. We are getting that Anne Hathaway movie that
• 1:07:29
  Speaker 1: is apparently her best book. But I hope we never
• 1:07:33
  Speaker 1: get the sequel to it ends with us, even though
• 1:07:36
  Speaker 1: I would like to see that at this man in
• 1:07:38
  Speaker 1: a more front facing role.
• 1:07:40
  Speaker 2: That's like. The other thing is like a lot of
• 1:07:45
  Speaker 2: people are saying like, oh, they're like fighting over the
• 1:07:47
  Speaker 2: rights to the sequel, and I'm like, the sequel to what? Well?
• 1:07:50
  Speaker 2: Because to say in this story.
• 1:07:52
  Speaker 1: Because here's the thing another Twilight, Hunger Games, Harry Potter, bullshit.
• 1:07:57
  Speaker 2: What they all.
• 1:07:58
  Speaker 1: Trained authors to do was why would make one book
• 1:08:00
  Speaker 1: when you can make three? Because why I make one
• 1:08:02
  Speaker 1: movie when you can make three? So he buys the
• 1:08:06
  Speaker 1: rights to this book, thinking and then I get two
• 1:08:09
  Speaker 1: more hit movies and oscars out of this.
• 1:08:12
  Speaker 2: Yeah, no, trurely two more oscars as well.
• 1:08:14
  Speaker 1: Yeah yeah, And god, and just like the Divergent movie series,
• 1:08:20
  Speaker 1: it was just too bad for me to want to
• 1:08:22
  Speaker 1: look at the sequel.
• 1:08:25
  Speaker 2: My god, why did I I feel like I watched
• 1:08:27
  Speaker 2: all of those and like, as a joke, it was great,
• 1:08:29
  Speaker 2: but I did love what's the same The.
• 1:08:31
  Speaker 1: Hot guy that's with THEO James who's in white Lotus. Chris,
• 1:08:36
  Speaker 1: do you have a manifestation.
• 1:08:39
  Speaker 2: I want I want this to I don't know what
• 1:08:43
  Speaker 2: I want, my fan, I don't know what my manifestation is.
• 1:08:45
  Speaker 2: I want men to stop being gross. Yeah, just I
• 1:08:49
  Speaker 2: want there to I know this, I found it. Okay,
• 1:08:51
  Speaker 2: this is it. I want people that are acting in
• 1:08:54
  Speaker 2: movies to not direct them as well.
• 1:08:56
  Speaker 1: Yes, you are so right.
• 1:08:57
  Speaker 2: Okay. Every single thing and in her world that she
• 1:09:01
  Speaker 2: was upset about would have been combated if he was
• 1:09:07
  Speaker 2: not the director and the star. Correct, because then there's
• 1:09:10
  Speaker 2: three people in the dance together, not him being the
• 1:09:13
  Speaker 2: director and then also being on her.
• 1:09:16
  Speaker 1: And this is how I feel compelled to do it,
• 1:09:19
  Speaker 1: and this is how I want the scene to play out.
• 1:09:21
  Speaker 2: Another person that then says no, no, no, Well, like
• 1:09:26
  Speaker 2: that looks weird, So why don't you do this? You
• 1:09:27
  Speaker 2: know what I mean? Like all this could be avoided,
• 1:09:30
  Speaker 2: all of it, but instead he had to direct everything.
• 1:09:35
  Speaker 2: Who does he think he is?
• 1:09:37
  Speaker 1: Who does he think he is himself? Oh? I'm running?
• 1:09:42
  Speaker 2: Never ps, never forget that we were like at the
• 1:09:46
  Speaker 2: Academy Museum the day that Maestro is like having its
• 1:09:49
  Speaker 2: premiere on the rooftop. I know, like they were setting
• 1:09:53
  Speaker 2: up the red carpet and like we were like leaving
• 1:09:56
  Speaker 2: there and like people were going to start showing up soon.
• 1:09:58
  Speaker 1: Every time dovin it goes, I own the money, I
• 1:10:00
  Speaker 1: like kissed the stuy.
• 1:10:02
  Speaker 2: Yeah, her of us, But we were there.
• 1:10:04
  Speaker 1: We were there. Bradley Cooper probably saw me and was like,
• 1:10:08
  Speaker 1: that looks like a fun gal. She looks, Yeah, Chris,
• 1:10:15
  Speaker 1: you know our friendship survived this, and I'm just really
• 1:10:18
  Speaker 1: proud of us. I'm gonna come and visit and we're
• 1:10:21
  Speaker 1: gonna go to the flower shop. I am gonna buy.
• 1:10:25
  Speaker 1: I'm gonna buy and press those flowers.
• 1:10:29
  Speaker 2: It's not I mean it is nothing so you can't
• 1:10:31
  Speaker 2: actually but it's not a real flower shop.
• 1:10:32
  Speaker 1: Just oh damn.
• 1:10:35
  Speaker 2: It was a yoga studio. And then it turned into
• 1:10:37
  Speaker 2: just like they have all these different film sets there,
• 1:10:40
  Speaker 2: but the building that you see in the background of
• 1:10:41
  Speaker 2: it one of them when she's walking up the one time,
• 1:10:44
  Speaker 2: is a really good brunch place that will have brunch
• 1:10:46
  Speaker 2: and we can just like look at as we're at brunch,
• 1:10:48
  Speaker 2: we can like look over and see it, and then
• 1:10:51
  Speaker 2: we'll go down to Jersey city and walk where they're
• 1:10:53
  Speaker 2: like walking when he's like, let's date and she's like maybe,
• 1:10:57
  Speaker 2: and we're reenacting it protect and we'll reenact that and
• 1:11:00
  Speaker 2: then we'll go to dinner at the place where where
• 1:11:02
  Speaker 2: at root quote unquote roots where you have your.
• 1:11:05
  Speaker 1: Heart, where I have a djojo sewell size like literally, well, Chris,
• 1:11:12
  Speaker 1: make sure everyone knows where uh they can find you
• 1:11:15
  Speaker 1: in case people have.
• 1:11:16
  Speaker 2: Forgotten, wait, can we really quickly? I will do that,
• 1:11:19
  Speaker 2: but never forget. Also, whenever in the movie Whenever, she's
• 1:11:22
  Speaker 2: like my mom's coming to visit and he's like, okay,
• 1:11:24
  Speaker 2: like can I meet her? And she's like what grows?
• 1:11:27
  Speaker 2: And I was like, what, like made no sex at all?
• 1:11:33
  Speaker 2: Anyway you can find you can find me at the
• 1:11:37
  Speaker 2: Christa Roza. You can find my show at Fixing Famous.
• 1:11:40
  Speaker 1: People, and you can find us at Man. I've tolerated
• 1:11:43
  Speaker 1: pod on Instagram and K one two four on a
• 1:11:46
  Speaker 1: bunch of socials like Instagram and TikTok and the Blue One.
• 1:11:50
  Speaker 1: And remember out there, tolerators, you don't have to file
• 1:11:53
  Speaker 1: through anything you're tolerating, including a movie that's really trying
• 1:11:58
  Speaker 1: to be something, but at the end of it at
• 1:12:00
  Speaker 1: all it's just a whisper of what could have been
• 1:12:03
  Speaker 1: a movie. Smiles are for joy,