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Summer Break: Still Comfy? The Sandlot · To All the Men I've Tolerated Before

• 0:21
  Speaker 1: It's still there. We go. Hello, everybody, welcome to Still
• 0:27
  Speaker 1: Comfy with Jewels and Nat.
• 0:29
  Speaker 2: Tonight we are talking about the Sandlot and I am
• 0:34
  Speaker 2: going to introduce myself and then I'm gonna let Natalie
• 0:37
  Speaker 2: introduce herself. I'm Julie Washington, the host of pop Culture
• 0:39
  Speaker 2: Makes Me Jealous, where we analyze pop culture through the
• 0:42
  Speaker 2: lens of race or gender and sometimes both.
• 0:44
  Speaker 1: And my co host is I'm Natalie Katona, the host
• 0:47
  Speaker 1: of To All the Men I've Tolerated Before, your weekly
• 0:50
  Speaker 1: look at every day misogyny. I mean, I mean it's
• 0:56
  Speaker 1: every day. And Jewels made me watch an entire movie
• 0:59
  Speaker 1: about sports again and men in sports and men coming
• 1:03
  Speaker 1: of age, all of my favorite heavy hitters. I know
• 1:06
  Speaker 1: it's gonna be a great ride.
• 1:07
  Speaker 2: I'm gonna give a summary of the movie real quick
• 1:10
  Speaker 2: for everybody who may not have seen this film, And
• 1:13
  Speaker 2: if you're born between the years of eighty one and ninety,
• 1:17
  Speaker 2: I don't know how you haven't yet.
• 1:19
  Speaker 1: Here we go.
• 1:20
  Speaker 2: It's the summer of nineteen sixty two and Scotti Small's
• 1:23
  Speaker 2: is the nu kid in town. After becoming friends with
• 1:26
  Speaker 2: the neighborhood boys who played baseball every day, the leader
• 1:29
  Speaker 2: of the group, Benny Theudjet Rodriguez, destroys their only baseball
• 1:34
  Speaker 2: with an impressive at bat. When the kids think their
• 1:37
  Speaker 2: day is over, Scotty offers a baseball from his stepfather's office.
• 1:41
  Speaker 2: When it's Scotty's at bat, he smacks that ball over
• 1:44
  Speaker 2: the fence of the home with the dreaded guard dog
• 1:47
  Speaker 2: known as the Beast. The team is impressed, and Scotty
• 1:52
  Speaker 2: is sent into a panic, stating that they have to
• 1:56
  Speaker 2: get that ball back. When asked why, Scotty says it's
• 2:01
  Speaker 2: signed by some lady named Babe Ruth.
• 2:06
  Speaker 1: The team goes into a frenzy. How can Scott not
• 2:08
  Speaker 1: know who Babe Ruth is?
• 2:10
  Speaker 2: With the realization that a priceless piece of baseball history
• 2:13
  Speaker 2: needs to be reclaimed, the team sets out on their
• 2:15
  Speaker 2: greatest and most difficult adventure of their entire lives.
• 2:21
  Speaker 1: I'm pretty sure I only know who Babe Ruth is
• 2:23
  Speaker 1: because of this movie. Why would I have any other
• 2:27
  Speaker 1: pinpoint to who Babe Ruth is? Yeah, ye, that's the
• 2:29
  Speaker 1: Candy bar. Well, it's the university sent you. Your family
• 2:34
  Speaker 1: doesn't sport, right? I Mean, I remember so much about
• 2:40
  Speaker 1: the nineties Bulls, but my sister does it, and I
• 2:43
  Speaker 1: was like, I thought we watched basketball every night when
• 2:45
  Speaker 1: the Bulls were playing, like in their prime. Yeah, because
• 2:48
  Speaker 1: the nineties was pretty they were pretty hot, and basketball
• 2:51
  Speaker 1: was like theater the thing. Yeah, it was like they
• 2:55
  Speaker 1: were so theatrical. I was in it to win it.
• 2:58
  Speaker 1: And then we're a hockey family, but like barely okay,
• 3:03
  Speaker 1: And every once in a while someone will say a
• 3:05
  Speaker 1: football team name and I'm like, oh you care. My
• 3:11
  Speaker 1: brother in law likes the Bears. The Bears, the Bears, Oh,
• 3:16
  Speaker 1: I guess, because yeah, you are pretty close.
• 3:18
  Speaker 2: Where you're from originally is probably closer to Chicago, So
• 3:21
  Speaker 2: that would be your major major teams.
• 3:24
  Speaker 1: Yeah, I was gonna be. I was gonna be like,
• 3:26
  Speaker 1: Indiana doesn't have a pro football team, and I was like, yes,
• 3:29
  Speaker 1: it does. You fucking more on the Colts. Oh yeah,
• 3:32
  Speaker 1: I walk that stadium every year at gen Co. Oh
• 3:36
  Speaker 1: my god, that's so funny. I love it. So let's
• 3:40
  Speaker 1: set the stage. The movie opens.
• 3:43
  Speaker 2: It's adult Scottie Small's walking through the halls of Dodger
• 3:47
  Speaker 2: Stadium to the announcers box and he's reminiscing about the
• 3:51
  Speaker 2: summer thirty years ago. Then we flash back to nineteen
• 3:55
  Speaker 2: sixty two and Benny is running from three minut home,
• 4:02
  Speaker 2: but then he's getting caught between the third basement and
• 4:05
  Speaker 2: the catcher trying to throw him out. He ultimately gets
• 4:08
  Speaker 2: past them and scores the running win. And this is
• 4:11
  Speaker 2: clearly so the watcher understands that Benny is a badass
• 4:16
  Speaker 2: and the nater of all pickles.
• 4:18
  Speaker 1: Benny. Benny has one move and it's I'll just keep
• 4:22
  Speaker 1: running back and forth until they're tired. Everyone should know
• 4:25
  Speaker 1: that that's Benny's move, right, which it's.
• 4:28
  Speaker 2: You know, it's baseball, so they don't run a lot,
• 4:30
  Speaker 2: so that's.
• 4:30
  Speaker 1: Not that hard true.
• 4:32
  Speaker 2: Truly, we are a sport family. My sister's super in football.
• 4:36
  Speaker 2: Football is not my jam unless I well, I just
• 4:40
  Speaker 2: really like the tight little pants that I'm okay with.
• 4:44
  Speaker 2: But we grew up on baseball. Both of our grandfathers
• 4:47
  Speaker 2: were baseball people. I pro created with somebody who has
• 4:53
  Speaker 2: a baseball family, so the legends live on.
• 4:57
  Speaker 1: So have you this movie? I can't remember.
• 5:01
  Speaker 2: Have you seen this movie before today? Before we covered
• 5:03
  Speaker 2: it today?
• 5:04
  Speaker 1: This is the movie that my male cousins always made
• 5:08
  Speaker 1: us watch in someone's basement. Okay, this is that's the
• 5:12
  Speaker 1: distinct memory I have of this movie. It's never a
• 5:14
  Speaker 1: movie I turned on by choice. It's never like, it's
• 5:16
  Speaker 1: not a movie we went to the movie theater to
• 5:18
  Speaker 1: see whatever, like one of my cousins and like line
• 5:22
  Speaker 1: them up would be like the Sandlots on and then
• 5:26
  Speaker 1: the parents would be like, do not come up these stairs.
• 5:29
  Speaker 1: No one wants to look at you. Watch the Sandlot.
• 5:32
  Speaker 1: We are all drinking up here and talking shit on you.
• 5:36
  Speaker 1: A Sandlot a movie I do not watch by choice.
• 5:39
  Speaker 2: We're fat, Get your ass to California in the early nineties,
• 5:44
  Speaker 2: and I'm over here like every day watching the Sandlot
• 5:47
  Speaker 2: every single day during summer break every year for thirty years.
• 5:51
  Speaker 2: When I told Stephanie that we were doing the Sandlot today,
• 5:54
  Speaker 2: she immediately thought we were doing now and Then, and
• 5:57
  Speaker 2: I was like, I was like, We've already done that,
• 6:00
  Speaker 2: but yes, it is the foil to now and Then.
• 6:02
  Speaker 2: If I had to pair two movies for a household
• 6:05
  Speaker 2: that had a baseball loving family and a family and
• 6:09
  Speaker 2: a sibling that loved Christina Ricci, I would make them
• 6:11
  Speaker 2: one of the two for five dollars DVDs at Walmart. Yeah,
• 6:16
  Speaker 2: I could see that, didn't didn't now and then come
• 6:19
  Speaker 2: out like four years later. Maybe I don't know, but
• 6:23
  Speaker 2: I could see that for like as millennials as elder
• 6:26
  Speaker 2: millennials too.
• 6:28
  Speaker 1: I think when the Sandlot was eventually sold in a
• 6:30
  Speaker 1: tube pac it was with the Sandlot too. No, it
• 6:34
  Speaker 1: wasn't with the Sanmlot too. It was like the Sandlot.
• 6:37
  Speaker 1: And like, is it like the Big Green?
• 6:39
  Speaker 2: I think it has Yeah, it was the Big Green,
• 6:42
  Speaker 2: which ham is also in the Big as the goalie Hamilton,
• 6:48
  Speaker 2: the babe Porter.
• 6:50
  Speaker 1: I love him, long ball Porter. I would talk to
• 6:53
  Speaker 1: him today. He's so funny.
• 6:56
  Speaker 2: They they not all of the cast, but some of
• 7:00
  Speaker 2: the cast still goes around and does stuff as like
• 7:03
  Speaker 2: Sandlot people. And I know pod Mute's World had Marty
• 7:08
  Speaker 2: York on a couple of.
• 7:10
  Speaker 1: Because he got to be one of the kids sitting
• 7:12
  Speaker 1: in the back of the class. So you know, they
• 7:15
  Speaker 1: of course talked to him a little bit about that.
• 7:18
  Speaker 2: And for the most part, so it's like it's like
• 7:21
  Speaker 2: Marty York who played yeah, yeah, the kid who played
• 7:24
  Speaker 2: Scottie Small's who looks like a normal human, you know
• 7:27
  Speaker 2: what I mean, Because like Marty Yorke grown up is
• 7:29
  Speaker 2: like ripped looks like he could be a model type
• 7:33
  Speaker 2: of guy. Right like he's like, he's still like he's hot.
• 7:37
  Speaker 2: And then the rest of them look like normal men.
• 7:40
  Speaker 1: As they should do. You know who doesn't look like
• 7:43
  Speaker 1: a normal man? Connected to the Sandlot? No, babyface Dennis
• 7:49
  Speaker 1: Leary gives me the eek. I'm like, nope, I don't
• 7:53
  Speaker 1: like it. No. I like rugged, broken, old ass Dennis Leary,
• 7:57
  Speaker 1: but baby face Dennis Leary. I was like, he looks
• 7:59
  Speaker 1: like he hits women. Oh see.
• 8:02
  Speaker 2: I think this is where my like kind of like
• 8:05
  Speaker 2: not rat pack style, but kind of rat pack style
• 8:09
  Speaker 2: obsession with men appearance wise started.
• 8:13
  Speaker 1: I think it.
• 8:13
  Speaker 2: I think it dates back to Dennis Leary in The Sandlot.
• 8:17
  Speaker 1: I forgot it was Dennis Leary. So I was like
• 8:19
  Speaker 1: immediately like, who's this creep? He's always playing a creep.
• 8:22
  Speaker 1: And then I had to like walk that back because
• 8:26
  Speaker 1: and he wasn't a creep in this movie. You know what.
• 8:28
  Speaker 1: I don't like what? So Number one, I forget how
• 8:32
  Speaker 1: little the kid was when his dad died. I think
• 8:35
  Speaker 1: he said he was a baby, Okay, but I still
• 8:38
  Speaker 1: feel like we met Bill three weeks ago and we're
• 8:42
  Speaker 1: still trying to call him dad. And I'm like, just stop,
• 8:45
  Speaker 1: just call him Bill, whose feelings are getting hurt. Well,
• 8:49
  Speaker 1: it is the sixties. It was just a real like
• 8:53
  Speaker 1: I don't know why irritated I mean Bill, I mean,
• 8:56
  Speaker 1: Dad was like, just call him Bill.
• 8:59
  Speaker 2: They had bonded yet, because men don't need to bond
• 9:02
  Speaker 2: not Apparently this is not a thing men need to do.
• 9:07
  Speaker 1: The look of the look of disappointment when Bill watched
• 9:10
  Speaker 1: that kid throw a ball for the first time, and
• 9:12
  Speaker 1: I was like, technically this was your fault.
• 9:14
  Speaker 2: I mean, I feel like I feel like the SMA
• 9:18
  Speaker 2: is like, well, my parents are much older in nineteen Well, yeah,
• 9:26
  Speaker 2: my dad was much older than these children in nineteen
• 9:28
  Speaker 2: sixty two, he was.
• 9:29
  Speaker 1: Already in high school.
• 9:30
  Speaker 2: But I feel like this movie is exactly what people
• 9:34
  Speaker 2: in their like forties in the nineties felt like the
• 9:38
  Speaker 2: sixties were, Like yeah, especially with that scene when they're
• 9:43
  Speaker 2: playing baseball at night and like nobody gives a shit.
• 9:47
  Speaker 1: They're all like running through the neighborhood. Like, to be fair,
• 9:50
  Speaker 1: that was my childhood in the nineties. Like, I like
• 9:52
  Speaker 1: how you think that only people who didn't care about
• 9:54
  Speaker 1: their kids in the sixties and the seventies. Now the
• 9:56
  Speaker 1: people who raised me also didn't care. Maybe that's an
• 10:00
  Speaker 1: isolated event.
• 10:01
  Speaker 2: No, I don't think it is, because we also grew
• 10:03
  Speaker 2: up with the hole when the street light comes on
• 10:05
  Speaker 2: you come home.
• 10:07
  Speaker 1: It's because we were pre cell phones and they can't
• 10:10
  Speaker 1: track us.
• 10:11
  Speaker 2: Yeah, and you know, everyone on the everyone knew everybody
• 10:14
  Speaker 2: on the block, like y, we.
• 10:16
  Speaker 1: Knew every single neighbor.
• 10:18
  Speaker 2: There was like a you know, a call tree situation,
• 10:22
  Speaker 2: so like you could not get away with anything because
• 10:26
  Speaker 2: you know, the people across the street were gonna rat
• 10:28
  Speaker 2: you out. Yeah, or the people around the corner for
• 10:30
  Speaker 2: crying out loud like there was no Now I'm like
• 10:33
  Speaker 2: I could.
• 10:33
  Speaker 1: I've met my new neighbors. I don't remember their names. Well,
• 10:38
  Speaker 1: all of my old neighbor. All of my neighbors are
• 10:42
  Speaker 1: lovely older women who probably are just making sure that
• 10:45
  Speaker 1: I'm safe. Oh that's adorable, just watching my ins and
• 10:50
  Speaker 1: outs all the time, being like is she bringing over today?
• 10:54
  Speaker 1: There's that wild neighbor of ours, that wild neighbor. Oh
• 10:58
  Speaker 1: my goodness, ain't watching Mary first sight with their cat again?
• 11:02
  Speaker 1: The windows open today? I didn't know today, I didn't
• 11:05
  Speaker 1: notice that door dash number one. I got taco bell
• 11:10
  Speaker 1: delivered to me via door dash, which I understand is
• 11:12
  Speaker 1: a bougie bitch thing to do. But I just had
• 11:15
  Speaker 1: so many things to do, and I say it wasn't
• 11:19
  Speaker 1: feasible for me to be in the car and also
• 11:21
  Speaker 1: going to Taco bell. Yeah. And he put it on
• 11:25
  Speaker 1: one of the porch chairs right in front of my
• 11:28
  Speaker 1: window where I'm sitting watching Married at First Sight? Did
• 11:31
  Speaker 1: I notice? No? Did I notice that Penelope noticed? No,
• 11:34
  Speaker 1: I'm primed and ready for murder. Please tell me your
• 11:38
  Speaker 1: front door was locked. Never gonna see it coming. My
• 11:41
  Speaker 1: front door is always locked because I'm worried that the
• 11:43
  Speaker 1: door knob's gonna fall off one day, so I just
• 11:46
  Speaker 1: tried to not open it. Yeah, I got that, and
• 11:50
  Speaker 1: I support your decision to door dash food.
• 11:52
  Speaker 2: Sometimes our days are packed full and it's just, you know,
• 11:55
  Speaker 2: hard to hop in the car and go get something
• 11:57
  Speaker 2: real quick. Yeah I'm busy, yeah, ah, like Bill booked
• 12:02
  Speaker 2: busy and bougie.
• 12:03
  Speaker 1: Yeah, like Bill, who has no time to teach a
• 12:08
  Speaker 1: kid how to throw a ball. I thought kids were
• 12:10
  Speaker 1: born knowing how to throw balls, And now I know
• 12:12
  Speaker 1: how my dad probably felt teaching me Frisbee. I thought
• 12:16
  Speaker 1: I was a born natural at frisbee. He just exasperated
• 12:20
  Speaker 1: Natalie again and Adalie's in the wrist in the wrist,
• 12:25
  Speaker 1: but Annie and I were just talking about those onto
• 12:28
  Speaker 1: the to all the man I'm tolerated before on her
• 12:30
  Speaker 1: art in the Gatekeeping in the Art World episode that
• 12:34
  Speaker 1: when you're doing things like teaching someone how to draw,
• 12:37
  Speaker 1: or teaching someone how to like flick a frisbee or whatever,
• 12:40
  Speaker 1: and it's literally those fine motors, like how the fuck
• 12:43
  Speaker 1: do you tell someone like this is how you I
• 12:46
  Speaker 1: remember being in gym class and then being like you
• 12:49
  Speaker 1: just have to like caress the basketball with the and
• 12:53
  Speaker 1: then you just o.
• 12:54
  Speaker 2: But I'm like, wait, well, when Benny explains to Scotty
• 12:59
  Speaker 2: how to release, like how to throw the ball, like
• 13:01
  Speaker 2: that's a really good That's literally how my son's father
• 13:05
  Speaker 2: and I taught him how to throw the ball at
• 13:07
  Speaker 2: two years old, because it just you know, just throw
• 13:11
  Speaker 2: it and then let it go, just let it go,
• 13:13
  Speaker 2: Like it was such a like Benny the jet Rodriguez
• 13:16
  Speaker 2: taught millions of the little boys and girls how to
• 13:20
  Speaker 2: throw a baseball with that scene, Benny, I love it, Benny.
• 13:27
  Speaker 2: Over the weekend, my son and I watched Indiana Jones
• 13:29
  Speaker 2: because apparently tis the season. Karen Allen is in Indiana Jones,
• 13:34
  Speaker 2: but this movie came out twelve years after Indiana Jones.
• 13:38
  Speaker 2: My child has been watching The Sandlot since he.
• 13:42
  Speaker 1: Was in Utero.
• 13:43
  Speaker 2: He was my guest for when we covered this on
• 13:45
  Speaker 2: the show. And he goes, No, One, thee looks really familiar,
• 13:51
  Speaker 2: and I said, baby, that's that's Scottie Small's mom. And
• 13:55
  Speaker 2: he's like, oh, yeah, he doesn't have a name. She
• 14:00
  Speaker 2: his mom on IMDb.
• 14:03
  Speaker 1: Yeah, because what are they gonna what did they call
• 14:05
  Speaker 1: her mom? Bill got a name, and Bill got a
• 14:09
  Speaker 1: name because he was the stepdad. The dog got two names.
• 14:13
  Speaker 2: The beast in her Slash Hercules, I met one of
• 14:17
  Speaker 2: the dogs who played the bet slash Hercules.
• 14:19
  Speaker 1: Have I never told you the story? No?
• 14:21
  Speaker 2: You know, I love a dog, so you know. My
• 14:24
  Speaker 2: dad was a cop grunt when I was a kid. Yeah,
• 14:27
  Speaker 2: And every year they did a big summer picnic out
• 14:29
  Speaker 2: at the reservoir. And one year I don't know if
• 14:33
  Speaker 2: he was a guest of somebody or if he was
• 14:35
  Speaker 2: also part of the department. And he has this huge dog,
• 14:39
  Speaker 2: and I love mongs, and so you know, I'm like
• 14:42
  Speaker 2: petting the dog or whatever, and we're just like chatting.
• 14:44
  Speaker 2: In hindsight, probably a little creepy to be like letting
• 14:48
  Speaker 2: a dude talk to a bunch of children with a
• 14:50
  Speaker 2: dog like that, but.
• 14:53
  Speaker 1: At the time it was really cool.
• 14:54
  Speaker 2: And he told us that she they used a female
• 14:58
  Speaker 2: dog for one of the some of the scenes was
• 15:01
  Speaker 2: in the sandlot, and he got to be all on
• 15:02
  Speaker 2: set and stuff, and I was just like.
• 15:04
  Speaker 1: That's so cool, my god.
• 15:07
  Speaker 2: So no pictures though, because apparently that's the one time
• 15:10
  Speaker 2: my dad didn't feel like photographing us.
• 15:13
  Speaker 1: Well, I have a photo of me and the dog
• 15:15
  Speaker 1: from Finding Neverland, who I believe all started its dog
• 15:18
  Speaker 1: career in Annie. I love that. And he would only
• 15:24
  Speaker 1: kiss me on the cheek. Oh he was supposed to
• 15:27
  Speaker 1: be doing he was doing press, and I interrupted because
• 15:31
  Speaker 1: I was like a dog, a dogy. And then the
• 15:34
  Speaker 1: kids really liked me, so I was like dogs and children,
• 15:36
  Speaker 1: I'm in And the dog took my hand. He was like,
• 15:39
  Speaker 1: we shall hold hands. Oh, he kissed me on the cheek.
• 15:43
  Speaker 1: And the little and the woman who comes to do
• 15:46
  Speaker 1: press sometimes at the theater, she was like, we tried
• 15:50
  Speaker 1: for twenty minutes for that dog to kiss me on
• 15:52
  Speaker 1: the cheek and I'm like, I don't know, I'm pretty.
• 15:55
  Speaker 2: And dogs have a really good sense of someone's soul.
• 15:58
  Speaker 1: Right, And I know I would say, like, well, don't
• 16:01
  Speaker 1: come off so desperate, but I am so desperate for
• 16:04
  Speaker 1: dog's attention it just radiates off of me. I can't
• 16:08
  Speaker 1: be at festivals because I'm looking at someone's dog being like,
• 16:11
  Speaker 1: you want to fuck around and find out and they're
• 16:12
  Speaker 1: like yeah, and then they were like yanking their like
• 16:16
  Speaker 1: owner unsuspectedly away and.
• 16:19
  Speaker 2: Dog it's a dog well and with the beast slash hercules.
• 16:25
  Speaker 2: I love how they make it so exaggerated before they
• 16:29
  Speaker 2: actually see.
• 16:30
  Speaker 1: Him, because that's exactly how things feel in your head.
• 16:34
  Speaker 2: Yes, especially when you're a kid, because your frame of
• 16:36
  Speaker 2: reference is so small in the world. And Squints, who
• 16:39
  Speaker 2: later goes on to be on several shows like Boyman's
• 16:43
  Speaker 2: World and Gilmour Girls, is like the shit stir of
• 16:47
  Speaker 2: the situation, who's like, we cannot.
• 16:51
  Speaker 1: That dog murdered people. We cannot do, we cannot, we
• 16:56
  Speaker 1: cannot ask for it back. The owner is a terrible.
• 17:01
  Speaker 2: Which turns out to not be true.
• 17:03
  Speaker 1: But every neighbor This is the note I wrote down
• 17:06
  Speaker 1: that every neighborhood has a neighbor that you don't fuck
• 17:09
  Speaker 1: with and a dog that you don't fuck with, and
• 17:11
  Speaker 1: sometimes they live together and sometimes they live separately. Ours
• 17:14
  Speaker 1: was definitely like giving enough child molester vibes. And then
• 17:17
  Speaker 1: a dalmatian in a different house. I was like, that
• 17:21
  Speaker 1: dog will eat you if you're standing too close to
• 17:23
  Speaker 1: his fence. And that's just like. It was the angriest
• 17:26
  Speaker 1: dalmatian I've ever seen, and it was always outside. Oh oh,
• 17:34
  Speaker 1: And we told people who were like, don't fuck with
• 17:36
  Speaker 1: that dog. It's gonna eat you, eat you, even it
• 17:39
  Speaker 1: be small, but it be mighty. He ate the boneses
• 17:44
  Speaker 1: and all the bones and all.
• 17:49
  Speaker 2: But before we get into the pickle of it all,
• 17:51
  Speaker 2: I specifically wanted to discuss with you the pool scene.
• 17:55
  Speaker 2: So let me set the stage. The sandlot is too
• 17:58
  Speaker 2: hot to play. The boys to play baseball, so the
• 18:01
  Speaker 2: boys convince the boys. I play the boys, so Benny.
• 18:06
  Speaker 2: The boys convince Benny that they should go to the
• 18:08
  Speaker 2: community pool instead rip community pools. As they are enjoying
• 18:13
  Speaker 2: their time, they're distracted by the lifeguard Wendy Peppercorn squints
• 18:19
  Speaker 2: darling lover girl, and he literally says, I can't take
• 18:23
  Speaker 2: it anymore.
• 18:24
  Speaker 1: She just sits.
• 18:25
  Speaker 2: They're lotioning and oiling and lotioning anyway. So then he
• 18:29
  Speaker 2: gets out of the shallow end and walks into the
• 18:31
  Speaker 2: deep end. Meanwhile, his friends are there's commentary from his
• 18:35
  Speaker 2: friends that are things like squints can't swim and he's
• 18:37
  Speaker 2: heading to the deep end.
• 18:38
  Speaker 1: What is happening?
• 18:40
  Speaker 2: So then Squintce jumps into the deep end. Wendy realizes
• 18:44
  Speaker 2: Squince isn't surfacing, so she dives in after him. She
• 18:48
  Speaker 2: pulls him out of the water like this lifeguard should do.
• 18:52
  Speaker 2: Then she begins mouth to mouth cp R. After several
• 18:57
  Speaker 2: attempts of trying to provide air and then checking his chest,
• 19:02
  Speaker 2: Squints at the strategic point where she's checking his chest,
• 19:07
  Speaker 2: opens his eyes and smiles at the crowd that has
• 19:09
  Speaker 2: gathered around him.
• 19:10
  Speaker 1: The crowd is.
• 19:11
  Speaker 2: Confused because he was just floating in the pool acting
• 19:15
  Speaker 2: a dead He recloses his eyes and when he places
• 19:19
  Speaker 2: her lips against his lips to resume the air part
• 19:24
  Speaker 2: of CPR, and he holds her head down against his
• 19:28
  Speaker 2: and kisses her. She is squirming the whole time, clearly
• 19:32
  Speaker 2: not thrilled by the situation, and when she finally breaks away,
• 19:36
  Speaker 2: she screams, you little pervert, and then throws them out
• 19:39
  Speaker 2: of Rosable forever the whole summer, no forever that day,
• 19:43
  Speaker 2: which implies to me they got to come back. So, Natalie,
• 19:48
  Speaker 2: since your show and sometimes mine is rooted in everyday misogyny,
• 19:54
  Speaker 2: I thought this would be a really fun scene to
• 19:56
  Speaker 2: discuss with you.
• 19:58
  Speaker 1: Well, I can't imagine why I watched that scene. It
• 20:01
  Speaker 1: brought me back to the foil of this movie now
• 20:05
  Speaker 1: and then, and all I can think about was the
• 20:07
  Speaker 1: different ways that Truny thora Birch's character is technically the
• 20:12
  Speaker 1: sexualized sexy one, and how innocent and cute and like,
• 20:16
  Speaker 1: I was like, that's that's exactly how I felt in
• 20:19
  Speaker 1: the middle school too, when I was like, I'm the
• 20:21
  Speaker 1: sexy one and you'll never know what I'm gonna be
• 20:24
  Speaker 1: up to, literally doing nothing. It's the air of illusion, right.
• 20:31
  Speaker 1: And then the way that Wendy Peppercorn is sexualized in
• 20:36
  Speaker 1: this movie, and I was like, Oh, that's the difference
• 20:38
  Speaker 1: between the male gaze and the female gaze. And that's
• 20:40
  Speaker 1: what you get for letting men write movies.
• 20:43
  Speaker 2: Uh huh, big time. Because Wendy's like, I don't know sixteen. Oh, Mario,
• 20:48
  Speaker 2: I just saw your comments. I apologize, welcome, we love you. Oh,
• 20:53
  Speaker 2: and he said, I'm gonna I'm gonna show this while
• 20:55
  Speaker 2: we're talking about Wendy Peppercorn.
• 20:57
  Speaker 1: I love Marley Shelton.
• 21:01
  Speaker 2: And I, you know, I just and we have this
• 21:05
  Speaker 2: conversation a lot, you and I, And then we also
• 21:07
  Speaker 2: have this conversation a lot on my show where when
• 21:10
  Speaker 2: you have a story, like how would this dand lot
• 21:15
  Speaker 2: handle that scene if it were a female director, Because
• 21:19
  Speaker 2: when you have a female story written by a woman
• 21:22
  Speaker 2: and it's directed by a woman, the translation doesn't get lost,
• 21:25
  Speaker 2: like the nuance is still there. But when you have
• 21:28
  Speaker 2: a female writer and then a male director, there's something missing. Well,
• 21:32
  Speaker 2: And then I think it would have fallen into like
• 21:36
  Speaker 2: that babysitter trope where it's like you're in love with
• 21:39
  Speaker 2: your babysitter and she's literally making you mac and cheese,
• 21:42
  Speaker 2: and like literally that's the only interaction she's having with you.
• 21:45
  Speaker 1: So I feel like that same would just literally be
• 21:48
  Speaker 1: little squints just instead of swimming with his friends, just
• 21:51
  Speaker 1: like mouth breathing at the base of the lifeguard tower
• 21:56
  Speaker 1: and her just like being like, go get me a
• 21:57
  Speaker 1: hot dog. Yeah, my wa needs to be refilled. I
• 22:02
  Speaker 1: need more lotion please, because they do. Sorry, go ahead. Well,
• 22:07
  Speaker 1: the thing that pisses me off about it is at
• 22:09
  Speaker 1: the end when they're walking away and she sees them
• 22:13
  Speaker 1: walking away. Then all of a sudden, she's decided it's
• 22:15
  Speaker 1: cute and she's grinning and winking at them. I was like,
• 22:18
  Speaker 1: do not boys will be boysless he sexually assaulted you
• 22:21
  Speaker 1: at work. So I'm watching.
• 22:23
  Speaker 2: This movie for the millionth time and I'm watching this scene.
• 22:27
  Speaker 2: I'm like, Okay, thank God, like, yes, fight back, Wendy,
• 22:30
  Speaker 2: call him a perver, call it like you see it.
• 22:32
  Speaker 1: This is fantastic. This is holding up after all these years.
• 22:36
  Speaker 1: And then when they're leaving and she's just like, no,
• 22:43
  Speaker 1: she boys will be boysed it. I was like, damn it, Wendy,
• 22:46
  Speaker 1: damn it, like you lit on you kids, you took
• 22:50
  Speaker 1: a shot. And then at the end of the movie,
• 22:52
  Speaker 1: Squints's little like update is that he married. They got
• 22:56
  Speaker 1: married Wendy Peppercorn, and then he impregnated her nine times,
• 23:00
  Speaker 1: and I was like, that's gross. They're at least like
• 23:05
  Speaker 1: I don't know, I'm not no, because I think they're
• 23:07
  Speaker 1: twelve and she's sixteen. I guess it's not that cross
• 23:12
  Speaker 1: as adults, fair, but twelve and sixteen is such a
• 23:17
  Speaker 1: big difference. You want to marry the dude that sexually
• 23:21
  Speaker 1: assaulted you at your lifeguard job. I don't understand. We
• 23:24
  Speaker 1: know that's a red flag for me.
• 23:27
  Speaker 2: This, Ladies and Gentlemen, is the nineteen sixties where things
• 23:31
  Speaker 2: like that were deemed okay.
• 23:33
  Speaker 1: And I feel like by the time they be married,
• 23:35
  Speaker 1: it would be the seventies and Wendy Peppercorn should have
• 23:37
  Speaker 1: been sexually liberated in getting abortions and stuff. Okay, that's
• 23:42
  Speaker 1: the future I want. Yeah, I love that.
• 23:45
  Speaker 2: I love that for her, for her to be sort
• 23:47
  Speaker 2: of like a glorious synim. But if this is nineteen
• 23:50
  Speaker 2: sixty two and she oops, I did that backwards because dslexia,
• 23:56
  Speaker 2: And she's sixteen, so she's born forty.
• 23:58
  Speaker 1: Six, So okay, So that tracks she'd be on the
• 24:02
  Speaker 1: cusp of the seventies. And time time is relative. Maybe
• 24:07
  Speaker 1: it was sixty eight when the seventies got a going.
• 24:10
  Speaker 1: We don't know.
• 24:10
  Speaker 2: We weren't there and they're in the San Fernando Valley. Mario,
• 24:13
  Speaker 2: if you're still listening, can you confirm they're in the
• 24:16
  Speaker 2: San Fernando Valley right in southern California.
• 24:20
  Speaker 1: Mario is a.
• 24:20
  Speaker 2: Dodgers fan, which in theory I shouldn't be friends with
• 24:24
  Speaker 2: him because we are strictly black and orange.
• 24:28
  Speaker 1: In this house.
• 24:30
  Speaker 2: He will know what that means.
• 24:33
  Speaker 1: But I well, in this see now, I'm just being
• 24:37
  Speaker 1: logical about him. Like this.
• 24:38
  Speaker 2: In the sixties, how small was the San Fernando Valley
• 24:42
  Speaker 2: and did people did have a small dumb mentality where
• 24:44
  Speaker 2: people didn't really.
• 24:45
  Speaker 1: Leave money marrying.
• 24:48
  Speaker 2: They're marrying whomever. Yes, the San Fernando Valley, think you are.
• 24:51
  Speaker 2: So they're marrying whoever because it's a small town and
• 24:53
  Speaker 2: they don't get out.
• 24:55
  Speaker 1: You know what I mean. That pissed me off the most.
• 24:57
  Speaker 1: So and I knew for when day I knew beat
• 24:59
  Speaker 1: for beat that she was gonna wink at him, she
• 25:01
  Speaker 1: was gonna boys be boys, like I'm pre writing my notes.
• 25:05
  Speaker 1: And then I was like, I'm pretty sure at the
• 25:06
  Speaker 1: end of this goddamn movie they say that she marries
• 25:09
  Speaker 1: him and like does a callback to this, and it's
• 25:12
  Speaker 1: truly the only gross scene in the movie. Yeah, it
• 25:15
  Speaker 1: really is.
• 25:18
  Speaker 2: When one time, when I was a kid watching this
• 25:19
  Speaker 2: movie at the neighbor across the streets house because they
• 25:21
  Speaker 2: had a son who was like maybe two years younger
• 25:23
  Speaker 2: than I am, and we're and the mom had never
• 25:26
  Speaker 2: seen it before, so she like sat down and watched
• 25:28
  Speaker 2: it with us. But she came halfway through and she goes, oh,
• 25:33
  Speaker 2: did this story really happen? Are these people real?
• 25:38
  Speaker 1: I mean, are they his bunny based off of a
• 25:41
  Speaker 1: real Dodgers.
• 25:44
  Speaker 2: Not to my knowledge, but I but that was the
• 25:48
  Speaker 2: first time in my child in my child brain, that
• 25:51
  Speaker 2: I thought, you're a fucking idiot. But obviously, in a
• 25:54
  Speaker 2: you know, ten year old's way about.
• 25:57
  Speaker 1: Adulto, I own was googled about whether or not James
• 26:02
  Speaker 1: Earl Jones it's not this movie is not based on
• 26:05
  Speaker 1: real people. Go like, if there was an African American
• 26:07
  Speaker 1: player that went blind before they could actually like do
• 26:10
  Speaker 1: stuff with the Dodgers and like was friends with Babe Ruth.
• 26:14
  Speaker 1: I was like, I wonder if that's true. I wonder
• 26:16
  Speaker 1: if James Earl Jones is based on some poor guy
• 26:19
  Speaker 1: that like just got to live out his days with
• 26:21
  Speaker 1: his giant s TALC because he went blind before he
• 26:24
  Speaker 1: could get like famous.
• 26:27
  Speaker 2: There was the you know, the Negro league that was
• 26:30
  Speaker 2: pretty popular and during the time when the leagues were
• 26:34
  Speaker 2: still segregated. So it's not I'm not saying that there
• 26:38
  Speaker 2: really was that character in Babe Ruth's life.
• 26:40
  Speaker 1: I'm just saying, like the reality, like the real the
• 26:45
  Speaker 1: it's realistic to say that Babe Ruth would know one
• 26:48
  Speaker 1: black man. I mean, yeah, one black man. Yeah, how
• 26:55
  Speaker 1: many black men? One? One? One?
• 26:59
  Speaker 2: Because there's a lot of our argument or discourse in
• 27:02
  Speaker 2: the baseball community about whether or not the statistics pre
• 27:05
  Speaker 2: integration should even matter because you had these heavy hitters
• 27:09
  Speaker 2: in the Negro League. It's called the Negro League, and
• 27:11
  Speaker 2: not just calling that because that's literally what I was called,
• 27:14
  Speaker 2: but it.
• 27:14
  Speaker 1: Is called for people who aren't familiar. I just wanted
• 27:17
  Speaker 1: to say scientifically. I just wanted to make that clear,
• 27:21
  Speaker 1: so no one's like coming for me.
• 27:23
  Speaker 2: And I have a really awesome book, actually a really
• 27:26
  Speaker 2: awesome children's book about the na Jewels.
• 27:29
  Speaker 1: Will send you a book, I.
• 27:30
  Speaker 2: Will send it to you. It's fantastic. It's a great read.
• 27:33
  Speaker 2: At one point I had four copies because I loved
• 27:35
  Speaker 2: it so much, and I was worried that when my
• 27:38
  Speaker 2: boy was little he would like make it sticky and
• 27:40
  Speaker 2: then oh, Yeah, that's sticky. But you know, there's this
• 27:44
  Speaker 2: discourse about how whether or not statistics before integration should
• 27:47
  Speaker 2: even count because how true are they when you have
• 27:50
  Speaker 2: these really amazing heavy hitters playing in the Negro League
• 27:53
  Speaker 2: and not even having a chance to play against who
• 27:55
  Speaker 2: are considered quote the professionals, when they're just as good
• 27:59
  Speaker 2: and I love.
• 28:00
  Speaker 1: I'm most as It's almost as a segregation was a
• 28:04
  Speaker 1: thing that happened because it only benefited white men. Mmmmm hmm, yep,
• 28:10
  Speaker 1: did I get it. It's almost as if they're trying
• 28:16
  Speaker 1: to recreate that now in Congress because so many things
• 28:19
  Speaker 1: aren't benefiting white men currently, like their personalities. Yeah, just
• 28:25
  Speaker 1: you know, it's what my fault. Your personality sucks. Your
• 28:29
  Speaker 1: personality sucks, Like, stop punishing me, because I bet you
• 28:33
  Speaker 1: Bill sucks. I bet you like Bill's not great to
• 28:35
  Speaker 1: build a life with. Oh I'm willing to bet that.
• 28:39
  Speaker 2: Even though I found Dennis Leary sexy as Bill that
• 28:44
  Speaker 2: you know, he's clear, he's probably somebody born forty years prior, right,
• 28:48
  Speaker 2: So he's like the late teens, early twenties, so he's
• 28:51
  Speaker 2: living through World War two, the Depression, so he's that
• 28:56
  Speaker 2: silent generation guy who's probably like, don't expect shit for me,
• 29:00
  Speaker 2: because my contribution is paying for the house.
• 29:06
  Speaker 1: Take me to the airport. Mom who does not have
• 29:10
  Speaker 1: a name, woman speak to her with her given name, your.
• 29:16
  Speaker 2: Mom, and I, well, your dad, and you know, it's
• 29:18
  Speaker 2: just a whole lot of that.
• 29:19
  Speaker 1: So it's very you know, very much through the child's.
• 29:21
  Speaker 2: Lens in that case, right, because like, I don't know
• 29:25
  Speaker 2: if your parents did this when they were married, but
• 29:27
  Speaker 2: mine might have been married for almost fifty two years
• 29:29
  Speaker 2: and they still your mother, your father, your mother, your father, well,
• 29:34
  Speaker 2: like certain like given names aren't used unless your uh
• 29:40
  Speaker 2: can't find somebody in public. Mario wants to know who
• 29:43
  Speaker 2: our favorite character is. I, as a young teen girl,
• 29:48
  Speaker 2: had a big old crush on Benny the Jet Rodriguez.
• 29:52
  Speaker 1: Yeah, I do remember mann. He was cute. I do
• 29:54
  Speaker 1: remember when my cousins wanted to watch it and be like,
• 29:57
  Speaker 1: we haven't gone to the Lama again, Because like I
• 30:00
  Speaker 1: I just didn't like maybe I was always born to
• 30:03
  Speaker 1: lead a life that just constantly talked about how misogyny
• 30:09
  Speaker 1: is bad, but like I was so disinterested in anything
• 30:12
  Speaker 1: that had an all male cast. I was like, this
• 30:14
  Speaker 1: is what you're making me do you don't want to
• 30:17
  Speaker 1: know what they think.
• 30:19
  Speaker 2: You know what's interesting about that, Natalie, is when I
• 30:21
  Speaker 2: think about all the movies that I love from the nineties,
• 30:24
  Speaker 2: they're predominantly male casts.
• 30:27
  Speaker 1: Name them and then while I come up with an answer,
• 30:32
  Speaker 1: my favorite character is the dog, the rookie of the Year.
• 30:36
  Speaker 1: They're all sports movies, Jewels. Is this how your dad
• 30:40
  Speaker 1: chose to connect with you? Because my dad chose to
• 30:42
  Speaker 1: connect with me through D and D and that's how
• 30:45
  Speaker 1: they he chose to be me as a person. No,
• 30:49
  Speaker 1: mine was through music.
• 30:51
  Speaker 2: So I used to have pretty heavy, extensive knowledge about
• 30:55
  Speaker 2: the funk scene, which I have since deleted to make space.
• 30:59
  Speaker 1: For other things. I love the funk saying, I mean
• 31:01
  Speaker 1: when the Jams come on, Dayton is the home of funk.
• 31:05
  Speaker 1: I live in the home of funk.
• 31:07
  Speaker 2: That track my well, my dad grew up in Cleveland,
• 31:09
  Speaker 2: so that track say maybe Cleveland is the home of funk,
• 31:13
  Speaker 2: and like Dayton's like, we're the home of funk?
• 31:15
  Speaker 1: Did you know? Did you really know? Well?
• 31:18
  Speaker 2: And too like I think the sport thing skipped a
• 31:20
  Speaker 2: generation because my dad could give or take, like he
• 31:23
  Speaker 2: could love it or leave it, whereas like me and
• 31:26
  Speaker 2: both of my grandfathers were like baseball.
• 31:29
  Speaker 1: Season, big baseball season.
• 31:32
  Speaker 2: Like before like when they started delaying television, it was
• 31:36
  Speaker 2: a travesty for my baseball watching game because you would
• 31:40
  Speaker 2: turn on K and B R and listen to the
• 31:42
  Speaker 2: which is the radio station am side here in California,
• 31:47
  Speaker 2: to listen to the Giant's play. But then you'd mute
• 31:50
  Speaker 2: the TV because the commentators on the television weren't as good,
• 31:55
  Speaker 2: and you'd listen to that voice I forget his name,
• 31:58
  Speaker 2: he passed away?
• 32:00
  Speaker 1: Did he pass away? Shit?
• 32:02
  Speaker 2: And I don't remember, and you listen to him call
• 32:04
  Speaker 2: the game, watching the game, and it was so it
• 32:08
  Speaker 2: was absolutely beautiful. And then they started delaying TV and
• 32:12
  Speaker 2: you couldn't see that anymore.
• 32:14
  Speaker 1: Is it the guy that they wrote kind of like
• 32:16
  Speaker 1: into the Not Dead Yet ABC comedy that we like, No,
• 32:23
  Speaker 1: he's it's not that guy, okay, because and I was
• 32:27
  Speaker 1: gonna be like, he's dead, he's on that Dutch show.
• 32:29
  Speaker 1: Yeah he's on that, but but you know it's Yeah.
• 32:34
  Speaker 1: It was such a good time. I laughed the most
• 32:38
  Speaker 1: at the dog bits about like the dog being a
• 32:40
  Speaker 1: monster and the big like animatronic pot and like and
• 32:44
  Speaker 1: then that dog just running through town and everyone screeching
• 32:46
  Speaker 1: about it. I was like, that was so fucking confused.
• 32:49
  Speaker 2: I loved the scene where they're running through the picnic.
• 32:52
  Speaker 1: Yeah, but I will say that my favorite speaking character
• 32:56
  Speaker 1: is the shit talking umpire because he's just a twelve
• 32:59
  Speaker 1: year old, just like your fly is undone, and like
• 33:02
  Speaker 1: he's just so good at it. He even fucks around
• 33:04
  Speaker 1: with his own players. He's like, ah, man, is that
• 33:07
  Speaker 1: your sister out there? She's naked? You think she'll let
• 33:12
  Speaker 1: me take her to problem? Like kids are just striking out,
• 33:16
  Speaker 1: but no one's hitting him. I was like, how come
• 33:19
  Speaker 1: someone isn't sucked this kid? I love him.
• 33:23
  Speaker 2: I okay, So I know that you're like a sport
• 33:26
  Speaker 2: movie men, Caz damn Julia.
• 33:29
  Speaker 1: There are no women in this movie who are assaulted
• 33:33
  Speaker 1: or have a name.
• 33:34
  Speaker 2: I know.
• 33:35
  Speaker 1: I know. He's the only root of a name.
• 33:38
  Speaker 2: This is the root of my problems, probably because I
• 33:42
  Speaker 2: really feel like this movie, like especially watching it this
• 33:46
  Speaker 2: time because I knew we're gonna talk about it today.
• 33:48
  Speaker 1: It really like this this style.
• 33:50
  Speaker 2: That I think is sexy on guys, you know, and
• 33:53
  Speaker 2: the different types of guys that I like. There are
• 33:55
  Speaker 2: a lot of Benny's in my life.
• 33:57
  Speaker 1: Uh huh. I mean Benny was a you're in charismanic
• 34:01
  Speaker 1: and also kind person like I love him immediately. See
• 34:05
  Speaker 1: an underdog kid who's like, I don't have any friends
• 34:08
  Speaker 1: and I only wear khakis and my dad's bill or
• 34:11
  Speaker 1: my bill's dad. I'm not sure.
• 34:13
  Speaker 2: Well, he's so sweet about it too. He's not showy
• 34:16
  Speaker 2: about it. He's just very like, Hey, this is the
• 34:18
  Speaker 2: right thing to do, because it's the right thing to
• 34:20
  Speaker 2: do and because we don't want people to feel left out.
• 34:23
  Speaker 1: Yeah, he's a real cute kid.
• 34:26
  Speaker 2: I loved Mike Vitar I mean when they Adam added
• 34:30
  Speaker 2: him to.
• 34:30
  Speaker 1: The Mighty Ducks too movie Happy Girl. I This movie
• 34:39
  Speaker 1: also reminded me of Clueless by how elevated and smart.
• 34:43
  Speaker 1: The dialogue is yeah, the old that's a cute fun fact.
• 34:49
  Speaker 1: Put that on the screen. He did pass away from cancer.
• 34:55
  Speaker 1: Benny No, the older older brother, the one that plays yeah,
• 35:03
  Speaker 1: which makes me sad.
• 35:04
  Speaker 2: Mario.
• 35:05
  Speaker 1: I'm so glad you're here. We have missed you, Mario.
• 35:10
  Speaker 1: It is not the same without you sometimes, Mario. Mario.
• 35:14
  Speaker 1: I went and saw the D and D movie on Saturday.
• 35:17
  Speaker 1: He gave he gave it an A plus, right, it's
• 35:20
  Speaker 1: very funny, it's very good. I think, Mario, you never
• 35:23
  Speaker 1: give a plus's. This is a big deal. The things
• 35:26
  Speaker 1: that people are complaining about, I think, like are just
• 35:30
  Speaker 1: the people who would truly complain about anything that was
• 35:35
  Speaker 1: thrown up on. Because I went to the theater for
• 35:37
  Speaker 1: the original D and D movie that had a cast
• 35:40
  Speaker 1: of nobody's and ask me if I could tell you
• 35:43
  Speaker 1: what that fucking story was. I couldn't. I don't even
• 35:46
  Speaker 1: think that there was one. Uh, But this current D
• 35:51
  Speaker 1: and D movie fucking.
• 35:52
  Speaker 2: Slaps because it's it's the cast is stacked, right, It's like,
• 35:56
  Speaker 2: Hugh Grant you Chris Pine in it.
• 35:59
  Speaker 1: Chris Pine plays a barge so he gets to jump
• 36:02
  Speaker 1: around and sing. I might have to watch it just
• 36:05
  Speaker 1: for that super cute. And then it has Michelle Rodriguez
• 36:08
  Speaker 1: from the Too Fast, Too Furious series franchise good news
• 36:14
  Speaker 1: there will be a new Fast and Furious movie this year,
• 36:17
  Speaker 1: and they say it's gonna be the last one, and
• 36:20
  Speaker 1: I was like, don't you fucking lie to me. You
• 36:22
  Speaker 1: come out with one every calendar year, if not two,
• 36:25
  Speaker 1: you should have stopped at ten. Jason Momoa's in this one, though,
• 36:28
  Speaker 1: and I was like, that makes sense. I go, don't
• 36:30
  Speaker 1: stop until you put Dave Batista is in one, because
• 36:33
  Speaker 1: now Dave Batista has to be in one. No, I
• 36:35
  Speaker 1: need Dave Patista in a rom com. First, well, I
• 36:38
  Speaker 1: wrote one, and by wrote, I mean I conceptualized one
• 36:41
  Speaker 1: with Annie. I love that. It's so basically it's Dave
• 36:46
  Speaker 1: Batista is in love with Jason Momoa and Jason Momoa
• 36:52
  Speaker 1: is trying to teach Dave Batista how to braid his
• 36:54
  Speaker 1: hair and they're having a hard time. So incomes Jason
• 36:58
  Speaker 1: Momoa's best friend Lenny Kravitz to help Dave Batista out,
• 37:04
  Speaker 1: and then they form a threuple and nothing bad happens
• 37:08
  Speaker 1: in the movie. There's no conflict, no one breaks up
• 37:10
  Speaker 1: or whatever. It's just two hours of us watching them
• 37:14
  Speaker 1: communicate and coordinate a polly relationship with a twenty five
• 37:18
  Speaker 1: minute soft but sometimes hard love saying I love that.
• 37:22
  Speaker 2: And Jason Momoa is in his traditional clothing the whole time.
• 37:26
  Speaker 1: Do you mean no clothing?
• 37:28
  Speaker 2: He's just weren't the thing that just covers his front
• 37:31
  Speaker 2: and that's it.
• 37:34
  Speaker 1: Yeah, I don't know, I don't know what it's called him. Sorry, Okay, sure,
• 37:40
  Speaker 1: Jason and then like Jason Momoa and Lenny Kravitz teach
• 37:44
  Speaker 1: Dave Bautista on how to be on a on a motorcycle.
• 37:47
  Speaker 1: I don't know why Dave Batista doesn't know how to
• 37:49
  Speaker 1: do anything in this movie, and it's just Letny K
• 37:52
  Speaker 1: Jason Momo teaching him things that I've seen them do
• 37:55
  Speaker 1: on Instagram.
• 37:57
  Speaker 2: We need to find an animator who can, like at
• 37:59
  Speaker 2: least make this an animated feature for us or an
• 38:02
  Speaker 2: animated short for us, since you know, you know, it's
• 38:05
  Speaker 2: gonna take longer probably to get it.
• 38:07
  Speaker 1: And I might DM Dave Batista and be like, I'll
• 38:10
  Speaker 1: write to you a rom you have to kiss Jason
• 38:14
  Speaker 1: Momoa and it and maybe Paul Rudd and definitely Lenny
• 38:17
  Speaker 1: krab I love it. So you just tell me how
• 38:22
  Speaker 1: you feel about it. Oh my gosh, don't And if
• 38:26
  Speaker 1: you feel badly about it, just don't message me back.
• 38:29
  Speaker 1: Just let me live, Just let me, let me live,
• 38:31
  Speaker 1: Just let me Michelle Rodriguez. There's a surprise cameo from
• 38:37
  Speaker 1: a big movie hot shot star who I literally at
• 38:42
  Speaker 1: one point just said out loud, is that who that is?
• 38:46
  Speaker 1: Are you not saying who it is? On purpose? I
• 38:48
  Speaker 1: don't know. I don't Maria, do you know if that's
• 38:51
  Speaker 1: a surprise cameo or is that something that people are
• 38:53
  Speaker 1: bragging about? Because I hate when like, oh, I found
• 38:58
  Speaker 1: the big bug that I meant to kill before here
• 39:00
  Speaker 1: before a resurface? Is Mario time to respond if he's
• 39:05
  Speaker 1: still watching? But yeah, like h I mean, I don't know.
• 39:13
  Speaker 1: I don't think that anyone who is watching. It's supposed
• 39:16
  Speaker 1: to be a surprise. Okay, well it's supposed to be
• 39:19
  Speaker 1: a surprise, and honestly, like if I wasn't paying attention,
• 39:23
  Speaker 1: I would have missed it. And then like all of
• 39:25
  Speaker 1: a sudden, I like squinted and I was like, is
• 39:27
  Speaker 1: that that is? Okay? You'll tell me offline. It's a
• 39:30
  Speaker 1: real fucking mind fuck.
• 39:31
  Speaker 2: You'll tell me offline, I will, okay.
• 39:34
  Speaker 1: And then Hugh Grant's in it. Yeah. I do love
• 39:38
  Speaker 1: Hugh Grant.
• 39:39
  Speaker 2: Everyone's so mad at him because he's being cranky on
• 39:42
  Speaker 2: red carpets and.
• 39:42
  Speaker 1: Says old as hell, he is old as the hills.
• 39:45
  Speaker 1: He probably can't hear anybody.
• 39:47
  Speaker 2: And also stop asking him stupid questions that he.
• 39:52
  Speaker 1: Can't hear, because like, first of all, he's British.
• 39:56
  Speaker 2: They conquered the world for a fucking reason, Like, don't
• 40:00
  Speaker 2: he's he doesn't have time for your ask nine comments
• 40:03
  Speaker 2: and questions.
• 40:04
  Speaker 1: Just be thoughtful. He doesn't want to walk up to
• 40:07
  Speaker 1: you anyways. I've never seen Hugh Grant do a red
• 40:11
  Speaker 1: carpet interview. I was like, who made him do that?
• 40:14
  Speaker 1: They're like, Hugh, you have to you have time for
• 40:17
  Speaker 1: the D and D movie, for the bad drag.
• 40:20
  Speaker 2: It for the fans, for trying to capture your audience
• 40:25
  Speaker 2: and fold them into DNS.
• 40:27
  Speaker 1: There's some rumor that the cast sat down and played
• 40:29
  Speaker 1: a session of D and D together, or they played
• 40:31
  Speaker 1: out their campaign with their character sheets. I think it's
• 40:34
  Speaker 1: a fucking lie because I don't think you Grant would
• 40:37
  Speaker 1: do it. That's a I don't know by Mario.
• 40:44
  Speaker 2: Okay, so I want to go back to Mario's original question.
• 40:47
  Speaker 1: I said I gave two.
• 40:48
  Speaker 2: I know you gave too. I yes, you said the dog,
• 40:53
  Speaker 2: and then you said Hamilton, the babe Porter, long ball Porter.
• 40:57
  Speaker 1: I just love a fat kid that's got a mouth
• 41:00
  Speaker 1: on him. That's he. That's literally the only character he
• 41:04
  Speaker 1: plays in everything, and I love him every movie. Big Grain.
• 41:07
  Speaker 1: That was a great movie, and I think there's women
• 41:10
  Speaker 1: in that movie.
• 41:11
  Speaker 2: Yes, because I think after the Sandlot they were like, hey, guys, yeah,
• 41:15
  Speaker 2: thrown a girl.
• 41:16
  Speaker 1: And then they were like, no, but we gave you
• 41:18
  Speaker 1: Kenny Denoonz.
• 41:19
  Speaker 2: We got the black people in here, Do we really
• 41:21
  Speaker 2: have to add a girl?
• 41:23
  Speaker 1: And Disney's like, yes, but I will and I will
• 41:28
  Speaker 1: say that male dominated cast movies the way that I
• 41:32
  Speaker 1: remember them, they're the only movies that ever had people
• 41:34
  Speaker 1: of color in them. And I was like, so they
• 41:36
  Speaker 1: were like, girls movie, we don't have to worry about
• 41:38
  Speaker 1: anything else, girls, and that you got a girl in
• 41:40
  Speaker 1: the movie, we don't need black people.
• 41:43
  Speaker 2: But Kenny Denonaz, who is played by I forget the
• 41:47
  Speaker 2: actor's name, but he also is a classic nineties film guy,
• 41:54
  Speaker 2: are we okay?
• 41:55
  Speaker 1: Yeah, I heard a weird noise, but okay, I'm also
• 41:59
  Speaker 1: so so I keep muting to chuck water because you know,
• 42:02
  Speaker 1: when you're like your throat just gets dry in one
• 42:06
  Speaker 1: spot that the water just won't while you're drinking. I
• 42:09
  Speaker 1: hate that. That's my pet peeve.
• 42:12
  Speaker 2: But Kenny de Nunez, who is the only black character
• 42:16
  Speaker 2: in the movie, and he is also not very prominent
• 42:22
  Speaker 2: in the movie, but he has the heater, which is
• 42:26
  Speaker 2: a fast pitch, and I feel like watching it this time,
• 42:32
  Speaker 2: I feel like.
• 42:34
  Speaker 1: I don't remember him pitching at all. He's the pitcher
• 42:38
  Speaker 1: on the team. Oh he's the pitcher the entire time. Yeah, okay, yeah,
• 42:44
  Speaker 1: to be fair, they weren't playing real baseball. They were
• 42:47
  Speaker 1: playing like elevated catch, like they were just throwing things
• 42:50
  Speaker 1: and calling things, and so if I didn't see him pitch,
• 42:54
  Speaker 1: it's literally because that game never stopped a movie.
• 42:57
  Speaker 2: Well, they did play real baseball again. And the school team,
• 43:02
  Speaker 2: oh yeah, who wore their uniforms everywhere.
• 43:05
  Speaker 1: Those little bitches, Those little freaking assholes. I hate those kids.
• 43:13
  Speaker 2: But I love the scene where they come to the
• 43:16
  Speaker 2: sand lot and they start shit talking to each other. Yes, yeah,
• 43:23
  Speaker 2: that was a good scene.
• 43:25
  Speaker 1: When you were rewatching the kid that had the heater,
• 43:29
  Speaker 1: did something come back to you that was like.
• 43:33
  Speaker 2: Oh, I you know, yeah, okay, thank you, because my
• 43:35
  Speaker 2: train I had this moment because I'm struggling with like
• 43:40
  Speaker 2: the idea of ensemble casting right now. Because when I
• 43:43
  Speaker 2: covered Daisy Jones and the Six for a bonus episode
• 43:46
  Speaker 2: for Patreon in March, I found an article from the
• 43:50
  Speaker 2: showrunner who was like, well, you know, we changed these
• 43:53
  Speaker 2: things because it was already a pretty big cast and
• 43:55
  Speaker 2: this character really doesn't do anything, and the actor, if
• 43:58
  Speaker 2: we cast it would have been and you know, like
• 44:01
  Speaker 2: probably annoyed about their small part.
• 44:04
  Speaker 1: I believe we've always been told that there are no
• 44:07
  Speaker 1: small parts.
• 44:08
  Speaker 2: That and even when you're cut and two, like there's
• 44:13
  Speaker 2: a point, there's a For me, that was a moment
• 44:16
  Speaker 2: of like, oh, so you're limited in your own imagination then,
• 44:19
  Speaker 2: because there are a lot of films with ensembles who
• 44:23
  Speaker 2: have minor characters and TV shows who still are successfully
• 44:28
  Speaker 2: like incorporating you know, those characters to not I mean,
• 44:32
  Speaker 2: Kenny didn't elevate the movie, which I think that now
• 44:35
  Speaker 2: that I look back on it after all these years,
• 44:37
  Speaker 2: they really could have used him more in a way
• 44:40
  Speaker 2: because like, yeah, yeah, I was there to like sort
• 44:43
  Speaker 2: of double down on his you know, catchphrases or whatever.
• 44:47
  Speaker 1: Ham was there to sort of.
• 44:48
  Speaker 2: Be the shit talker, and you know, all the other
• 44:51
  Speaker 2: Squints was there to be the predator. You know, you
• 44:56
  Speaker 2: had the twins who were like the smarty pants guys
• 44:58
  Speaker 2: who sort of show up in the end because they
• 45:01
  Speaker 2: can build, they can do like the sciencey ship to
• 45:03
  Speaker 2: try and get the ball back. But they never really
• 45:07
  Speaker 2: use Kenny in any way like that too, Like Bertram
• 45:10
  Speaker 2: also like has this like tie in. You know, they
• 45:15
  Speaker 2: just didn't really use Kenny in the way that they
• 45:17
  Speaker 2: used the other character.
• 45:18
  Speaker 1: Kenny didn't have a role.
• 45:20
  Speaker 2: Yeah, it was almost like, Okay, you're the you're the
• 45:22
  Speaker 2: space filler because you're black, so hang in there.
• 45:27
  Speaker 1: Yeah that was I just know. It's a good beef.
• 45:32
  Speaker 1: It's a good beef. Yeah, it's a good beef.
• 45:36
  Speaker 2: And because I remember Kenny, because Kenny looks like people I.
• 45:40
  Speaker 1: Grew up with, right, and like the sand Luck gets
• 45:44
  Speaker 1: a lot of credit because it has James Earl Jones
• 45:47
  Speaker 1: in it, and they're like, look, black people played baseball, and.
• 45:54
  Speaker 2: You cannot not love James Earl Jones, Like there's nothing
• 45:58
  Speaker 2: wrong that that man can do.
• 46:00
  Speaker 1: You. No, he's wonderful.
• 46:03
  Speaker 2: He's wonderful, he has an amazing voice. He's so adorable
• 46:07
  Speaker 2: in every single phase of his life.
• 46:09
  Speaker 1: I bet that dog loved him.
• 46:11
  Speaker 2: Oh, probably, who doesn't love James Earl Jones.
• 46:14
  Speaker 1: My favorite part of the movie is when the kid
• 46:16
  Speaker 1: is still scared of the dog because the dog is
• 46:18
  Speaker 1: now just like settled down and is like I will
• 46:20
  Speaker 1: sit here now and look at you, and the kid's
• 46:23
  Speaker 1: just like and then the dog gives him a big
• 46:27
  Speaker 1: old kiss. I was like, I love dogs. They're the best.
• 46:30
  Speaker 1: Talks are the best. They're the best, which is why
• 46:34
  Speaker 1: I think we should do Beethoven written by John Hughes.
• 46:38
  Speaker 1: I'm for it. I know I forgot it was a
• 46:42
  Speaker 1: John Hughes movie, but he I think he writes it
• 46:44
  Speaker 1: under his other name, right, and then I get to
• 46:46
  Speaker 1: live in a lie. Yeah, it has my girl Bonnie
• 46:49
  Speaker 1: Hunt in it. Ah, we love Bonnie Hunt in the
• 46:53
  Speaker 1: ant Thora Birch. I think Thora Birch is the little
• 46:55
  Speaker 1: girl in it and the original Yeah, I don't remember.
• 47:00
  Speaker 1: I think. I mean, I'm okay with that. She's the
• 47:03
  Speaker 1: one that drowns on the pool. Yeah.
• 47:07
  Speaker 2: I'm over here trying to think of what other sport
• 47:08
  Speaker 2: movies I can force you to watch.
• 47:14
  Speaker 1: Natalie is like, we're done being friends. Julia, Well, it's
• 47:17
  Speaker 1: just not nice because I took away Army of the
• 47:19
  Speaker 1: Dead because I wanted to watch ever After and I
• 47:23
  Speaker 1: was gonna take it back anyways, because I was like,
• 47:25
  Speaker 1: I really want to watch writing in Cars with Boys
• 47:27
  Speaker 1: because I think it's I think that that is the
• 47:30
  Speaker 1: truest that Drew's ever been able to play herself. Yeah,
• 47:33
  Speaker 1: and I'm on a big Drew Barry board kick. I
• 47:36
  Speaker 1: believe that she's healing us through her talk show.
• 47:40
  Speaker 2: Like her talk show is such a godsend, you know.
• 47:42
  Speaker 2: I just I love the I watched the clips.
• 47:45
  Speaker 1: I don't watch the show. Oh it's not thora Birch.
• 47:49
  Speaker 1: It's some little girl who got to be in Kindergarten Cop.
• 47:54
  Speaker 1: Her name Sarah Rose Carr. She's so cute. That's a
• 48:00
  Speaker 1: movie that brings me back to my childhood. Kindergarten Cup.
• 48:03
  Speaker 1: H I loved Kindergarten Cup.
• 48:05
  Speaker 2: Whenever we'd go to Cleveland to visit family, there's like
• 48:08
  Speaker 2: a handful of movies that were always on rotation because
• 48:10
  Speaker 2: those were like the these are the safe ones that
• 48:13
  Speaker 2: we can have on with everyone in the room kind
• 48:16
  Speaker 2: of because there's a twenty year age gap between myself
• 48:18
  Speaker 2: and my oldest cousin, so you know, and then like
• 48:22
  Speaker 2: there's a smack, there's eight of us total, so then
• 48:25
  Speaker 2: you know, everyone kind of sprinkles in between, so you know,
• 48:29
  Speaker 2: nineteen ninety two, this is a very diverse age group.
• 48:35
  Speaker 2: But Kindergarten Cop was one of the ones that was
• 48:38
  Speaker 2: like this is this is okay to.
• 48:39
  Speaker 1: Have on the TV. Kindergarten cop has like Big Uncle
• 48:42
  Speaker 1: Buck vibes where it's like, should I be watching this
• 48:46
  Speaker 1: as a child? I know it was marketed as a
• 48:48
  Speaker 1: family film. I fucking love Uncle Buck and Uncle Bill
• 48:52
  Speaker 1: Buck too, Like.
• 48:54
  Speaker 2: One of my favorite movies in the entire world, correct
• 48:57
  Speaker 2: as is I don't know why.
• 48:58
  Speaker 1: I feel like this movie is really but Jack with
• 49:01
  Speaker 1: Robin Williams where he's a gina rapidly and has sex
• 49:05
  Speaker 1: with frand Fine as an eleven year old through somelumbly.
• 49:09
  Speaker 1: I don't know. Also, Big, there are so many movies
• 49:15
  Speaker 1: where children get to have like consensual relationships with adults
• 49:19
  Speaker 1: in the movie, and the man who wrote the movie
• 49:22
  Speaker 1: is like, and it's sexy, right.
• 49:25
  Speaker 2: No, you make a very good point, and I feel
• 49:29
  Speaker 2: like we should actually just address that topic as.
• 49:32
  Speaker 1: A whole one a whole and then the entire season
• 49:37
  Speaker 1: of your show to it, like maybe to do with Disney,
• 49:40
  Speaker 1: like maybe, or they are like many seasons where we
• 49:43
  Speaker 1: only hit ten movies each for each one, because you
• 49:46
  Speaker 1: know what the difference is when it comes to Jack
• 49:48
  Speaker 1: and Big and the sand La and all of these
• 49:51
  Speaker 1: gross movies where small child men have sex with mature women.
• 49:58
  Speaker 1: It's like that was hot and cu and it ended
• 50:00
  Speaker 1: in a love story. And then when Brooks Shields does it,
• 50:03
  Speaker 1: it's in a movie about her being a sex worker
• 50:06
  Speaker 1: and it's called Pretty Baby. Yeah, and now she has
• 50:09
  Speaker 1: a documentary about the trauma that she so like. Yeah,
• 50:12
  Speaker 1: not that I'm saying that, like everyone should have an
• 50:15
  Speaker 1: equal chance to like fuck adults or whatever, but there's
• 50:17
  Speaker 1: a stark difference in how like little boys get to
• 50:21
  Speaker 1: have like dating relationships with adult women compared to the
• 50:25
  Speaker 1: trauma that Brooks Shields and a lot of other women
• 50:28
  Speaker 1: were guilt to be like date these grown men. Well,
• 50:31
  Speaker 1: and they.
• 50:32
  Speaker 2: Were forced in Taxi driver too, right, yeah. Yeah, And
• 50:35
  Speaker 2: because Jodie Foster was like thirteen, yea. And I think
• 50:40
  Speaker 2: what it also add to that is little boys get
• 50:43
  Speaker 2: to stay innocent. Little boys are allowed innocence, but little
• 50:48
  Speaker 2: girls are not.
• 50:50
  Speaker 1: Yeah. So that's interesting, and it is hard to do
• 50:55
  Speaker 1: those movies now because I loved Jack what a sad
• 50:58
  Speaker 1: hated Benjamin Button, but I loved Jack.
• 51:02
  Speaker 2: Yeah, Benjamin Button was first of all, Okay, it's a
• 51:06
  Speaker 2: short story.
• 51:07
  Speaker 1: M hmm, it's not even a novella. But it's like
• 51:10
  Speaker 1: a three hour movie.
• 51:11
  Speaker 2: But it's a three So how the hell did you
• 51:16
  Speaker 2: get from like twenty five pages? I don't know if
• 51:19
  Speaker 2: it's twenty five pages, but the point is is it's
• 51:21
  Speaker 2: fucking short.
• 51:22
  Speaker 1: Did you get a three hour movie? I don't understand well,
• 51:28
  Speaker 1: And like, so Jack, should I.
• 51:30
  Speaker 2: Make everybody read this in book club so I can
• 51:32
  Speaker 2: like dissect it?
• 51:33
  Speaker 1: Oh my god? But then I have to watch Benjamin Biden. However,
• 51:37
  Speaker 1: I won't sit down and watch the entire Benjamin button.
• 51:39
  Speaker 1: But will I sit down and watch it in three
• 51:41
  Speaker 1: minute segments that a TikTok user has decided, like, these
• 51:45
  Speaker 1: are the important parts of Benjamin. But fix that fixed movie.
• 51:50
  Speaker 2: Because honestly, there's no reason for a movie to be
• 51:52
  Speaker 2: three hours long anymore.
• 51:54
  Speaker 1: Like that to me?
• 51:55
  Speaker 2: That to me is like change the medium. Because I'll
• 51:58
  Speaker 2: sit for three hour play. I expect to play to
• 52:01
  Speaker 2: be three hours. That's a completely different experience. You want
• 52:04
  Speaker 2: a three hour movie, you have a storytelling problem.
• 52:09
  Speaker 1: I will say that. I think the main difference is
• 52:13
  Speaker 1: is when like little boys are dating grown women comedy right, right,
• 52:18
  Speaker 1: when little girls are dating grown men drama? Right? Lifetime
• 52:22
  Speaker 1: movie lifetime movie Oscar Bait, Like, well, it's like American
• 52:27
  Speaker 1: Pie too with what's his Face's mom? Stiffler's mom. Siffler's mom. Yeah,
• 52:33
  Speaker 1: Jennifer Coolidge, which.
• 52:35
  Speaker 2: Made her career and she deserves every bit of it
• 52:39
  Speaker 2: because she's so good. At the same time, though, it
• 52:42
  Speaker 2: does sort of create this situation again, back to boys
• 52:45
  Speaker 2: get to be innocent for as long as they're allowed
• 52:47
  Speaker 2: to be innocent, and they.
• 52:50
  Speaker 1: Hire likable women like Fran Fine ain't No one's gonna
• 52:54
  Speaker 1: say nothing bad about fran find and getting away with it.
• 52:57
  Speaker 1: The woman in Big she is, she was a likable
• 53:00
  Speaker 1: eighties icon, Marley Shelton. Is that her last name? Yes? Yes,
• 53:09
  Speaker 1: she has bit parts and everything and you always like her.
• 53:13
  Speaker 2: Yeah, and she has an innocent look to her yeah,
• 53:18
  Speaker 2: which also sort of it doesn't add to the situation.
• 53:23
  Speaker 2: It's just it's like almost like they're trying. It's like
• 53:25
  Speaker 2: there's this innocent sex bot scenario that exists, Cape.
• 53:30
  Speaker 1: Blanchet eventually raising an old yet infant benchhapin button as
• 53:38
  Speaker 1: they both just divulge into dementia. Yeah, no one's gonna
• 53:43
  Speaker 1: say anything bad about Capelan Chip. But like the men
• 53:46
  Speaker 1: that they hire, to be like, hey, Brooke Shields, you
• 53:49
  Speaker 1: have to sit in a very tiny g strain on
• 53:53
  Speaker 1: this band's lap and it's like he looks like a
• 53:56
  Speaker 1: gremlin troll. No, yeah, it's traumatic. It's traumatic.
• 54:01
  Speaker 2: And it's still another version of a man's fantasy too,
• 54:04
  Speaker 2: because there's the innocent fantasy and then there's the hypersexualized fantasy.
• 54:09
  Speaker 1: Yes, so either way, it's just like men always getting
• 54:12
  Speaker 1: what they want. Because it's like I got to fuck
• 54:15
  Speaker 1: Ran Fine, who was like a sexy grown up, but
• 54:18
  Speaker 1: I also got to fuck Brookshields when she was like
• 54:20
  Speaker 1: eleven in my head, So it's gross. You all are gross. Yeah,
• 54:26
  Speaker 1: I'm very upset that we were made overboard, Like it's
• 54:30
  Speaker 1: gross though. Anna Faris, I love Anna Faris.
• 54:35
  Speaker 2: Stand behind you, ma'am. Chris Pratt is a dick. I
• 54:40
  Speaker 2: am so mad that he is.
• 54:43
  Speaker 1: Mario In. We're all mad like anybody else. We're all mad.
• 54:50
  Speaker 1: It's like if the Brady Bunch had done Ncanto, and
• 54:53
  Speaker 1: it's like, sure, Greg Brady, right, why not?
• 54:56
  Speaker 2: I mean there's versions of that happening throughout history, right, yes,
• 55:01
  Speaker 2: but we're told us all about it.
• 55:03
  Speaker 1: We're living in twenty twenty three, like fucking make Mario
• 55:07
  Speaker 1: in Italian for one thing, we already meet. Sorry, go ahead,
• 55:10
  Speaker 1: we already meet a Mario movie where a white man
• 55:12
  Speaker 1: played him in a live action movie where it was I.
• 55:16
  Speaker 2: Was gonna say, at least John Lea Wizombo played Luigi.
• 55:19
  Speaker 1: Yeah. Sure, But I'm like, come on, come on, didn't
• 55:26
  Speaker 1: you hear Italians are white? Now? I still don't understand
• 55:30
  Speaker 1: how that works, And I feel like every time we
• 55:32
  Speaker 1: try to discuss it, I end up sounding ignorant because
• 55:35
  Speaker 1: I'm like, I don't understand how that works.
• 55:37
  Speaker 2: I think it depends on I've been kind of digging
• 55:41
  Speaker 2: a little bit more, and I think it depends on
• 55:43
  Speaker 2: the region of Italy. Just like how like Spain isn't
• 55:46
  Speaker 2: Latina or is that?
• 55:49
  Speaker 1: Yeah? Is that what white Lotus was trying to teach
• 55:52
  Speaker 1: us is like in some parts of Italy they get
• 55:54
  Speaker 1: to be white people, but in some parts of Italy
• 55:57
  Speaker 1: where the sex workers live, maybe But I.
• 56:03
  Speaker 2: But then I was like, well, but Spain, Spain is
• 56:05
  Speaker 2: you know, considered white. But Italy's all one country, right,
• 56:08
  Speaker 2: Like there's there's Latin, there's like these Latin ex countries,
• 56:12
  Speaker 2: there's a multitude of them.
• 56:15
  Speaker 1: I think I don't know, I don't know. I need
• 56:19
  Speaker 1: someone I don't know.
• 56:20
  Speaker 2: Uh, we have a large Portuguese population in where I live, and.
• 56:27
  Speaker 1: I need like a New York Times article about this
• 56:30
  Speaker 1: or something. I'm sure one exists. I'm sure. When did
• 56:34
  Speaker 1: Italy come together as an ancient and vote to be white? Like?
• 56:38
  Speaker 2: That's I you know, I'm gonna ask my cousin he
• 56:44
  Speaker 2: moved back.
• 56:45
  Speaker 1: Do you think it's because America wanted to be like
• 56:48
  Speaker 1: really hard for Christopher Columbus, so they had to be
• 56:51
  Speaker 1: like he was a white dude, like Jesus. Oh did
• 56:57
  Speaker 1: I solve it? Wasn't he hired by like France or
• 57:02
  Speaker 1: something to do the exploration? He was, But wasn't he Spanish?
• 57:06
  Speaker 1: I thought he was hired by the Spanish monarch? Oh
• 57:09
  Speaker 1: he was.
• 57:10
  Speaker 2: Yeah, he's Italian, but he was hired by the Spanish.
• 57:13
  Speaker 1: Sorry, yeah, that's right. Yeah, so maybe that's when it happened,
• 57:17
  Speaker 1: when they were like, oh, we couldn't have a non
• 57:19
  Speaker 1: white dude in like discover America. That was also really
• 57:25
  Speaker 1: big dix when it came to the like the indigenous people.
• 57:29
  Speaker 2: Yeah, well he was doing Spain's work, and Spain did
• 57:33
  Speaker 2: do some kind of horrific stuff in the past too, right,
• 57:35
  Speaker 2: So what.
• 57:36
  Speaker 1: You're saying is that they earned it through colonization. Maybe, well,
• 57:41
  Speaker 1: there you have it, everybody, that's how you are.
• 57:45
  Speaker 2: I literally don't know, because, honestly, Natalie, I deleted so
• 57:48
  Speaker 2: much stuff out of my brain because I don't like.
• 57:50
  Speaker 2: This is why people who were in their eighties struggle
• 57:52
  Speaker 2: to remember shit, because there's eighty years of shit you
• 57:55
  Speaker 2: have to remember. Like we talk about it, I'm like,
• 58:00
  Speaker 2: do people just get to decide that one day?
• 58:02
  Speaker 1: I just don't understand.
• 58:04
  Speaker 2: And how does religion factor into it, right, because you
• 58:07
  Speaker 2: know you have the white Anglo Saxon Protestant right, like
• 58:10
  Speaker 2: none of the Italians in my life are Protestant.
• 58:15
  Speaker 1: I don't know. I had to be at a church
• 58:18
  Speaker 1: for the wedding, and for whatever reason, I was too
• 58:21
  Speaker 1: dumb to realize that I might have to sit in
• 58:23
  Speaker 1: a church that day because who still has church weddings?
• 58:28
  Speaker 1: Apparently people in high fucking family. And like my cousin,
• 58:31
  Speaker 1: another one of my cousins, he did laugh when I
• 58:33
  Speaker 1: was like, did you expect to be at church today?
• 58:35
  Speaker 1: And he's like, you know what, we haven't been at
• 58:37
  Speaker 1: church since we were kids. Why would we be at
• 58:40
  Speaker 1: church today? Why would we be at church today? But
• 58:45
  Speaker 1: there wasn't They didn't do communion or anything, and there
• 58:48
  Speaker 1: was no kneeling, And I was like, and I didn't
• 58:50
  Speaker 1: say any like my cousin's wife and I were like,
• 58:53
  Speaker 1: we're not trying to remember all of the chants and
• 58:56
  Speaker 1: the prayers and like the the hand motions. Well, just
• 59:01
  Speaker 1: when a baby Jay.
• 59:03
  Speaker 2: Was leaving for to go back to school, I said
• 59:06
  Speaker 2: something that was rooted in religion and he just like
• 59:10
  Speaker 2: stared at me, and I was like, I didn't.
• 59:11
  Speaker 1: Raise your religion, so you don't get it.
• 59:14
  Speaker 2: So sorry, so sorry, your mother has trauma.
• 59:21
  Speaker 1: I used to get really claustrophobic in church, and that's
• 59:24
  Speaker 1: kind of ease. Just so I was like, have I healed?
• 59:26
  Speaker 1: Has a demon left me? You know what?
• 59:28
  Speaker 2: Once I realized that they don't, that there's a massive
• 59:32
  Speaker 2: misunderstanding that the story of Christ's birth is an allegory
• 59:37
  Speaker 2: and like it's in this there's a unit of a
• 59:41
  Speaker 2: large population of people who believe it to be truth.
• 59:45
  Speaker 2: That's when I was like, I'm good, you guys. I'm
• 59:48
  Speaker 2: allowed to believe in fairy tales to you guys.
• 59:53
  Speaker 1: Something else, Oh, we need to have an offline conversation
• 59:58
  Speaker 1: about because we're going to dive int but like, Soeany
• 1:00:01
  Speaker 1: asked me if I read Daisy Jones in The Six
• 1:00:03
  Speaker 1: and I went, no, but I watched the TV show
• 1:00:05
  Speaker 1: and she's like, well, I was listening to a show
• 1:00:07
  Speaker 1: or watching a TikTok or something about Daisy Jones and
• 1:00:10
  Speaker 1: the Six and I was too dumb because when I read,
• 1:00:14
  Speaker 1: I just read everything for face value and I never
• 1:00:17
  Speaker 1: look for any nuance. She goes, so I didn't realize
• 1:00:20
  Speaker 1: that the little girl, like Billy's little girl, being the
• 1:00:24
  Speaker 1: narrator of the story makes everything an unreliable account. Yes,
• 1:00:30
  Speaker 1: And I was like seventy and she's like, she's like,
• 1:00:34
  Speaker 1: I just took it for face value. I love that.
• 1:00:40
  Speaker 1: Oh bless her, you know Okay. I was like, that
• 1:00:46
  Speaker 1: probably does mean that Billy and Daisy fucked and they
• 1:00:48
  Speaker 1: just didn't want to tell her, Like who wants to
• 1:00:50
  Speaker 1: tell their kid? And I fucked your aunt, Daisy well,
• 1:00:54
  Speaker 1: Ted Moseby. Ted Moseby he told his kids everyone that
• 1:00:58
  Speaker 1: he fucked in the version How I Met your Father, Yeah,
• 1:01:03
  Speaker 1: Sophie something rather Yeah, I just got the creeps from
• 1:01:10
  Speaker 1: the last three episodes I watched from that show. Sorry
• 1:01:14
  Speaker 1: Jesus for John Corbet, honestly, just like number one, what's
• 1:01:19
  Speaker 1: that hair? Oh? So, don't make him creepy. He's never
• 1:01:23
  Speaker 1: been creepy once in his career once. Why are you
• 1:01:26
  Speaker 1: doing this to us? I saw some promo shots for
• 1:01:29
  Speaker 1: just like that season two and same same look. I
• 1:01:32
  Speaker 1: was like, I'm not waking to do this to himself.
• 1:01:35
  Speaker 1: I'm gonna call him. You know, on Instagram you can
• 1:01:38
  Speaker 1: just call people from the medms And I'm gonna call
• 1:01:41
  Speaker 1: him and I'm gonna be like, John, we need to
• 1:01:45
  Speaker 1: have a chat.
• 1:01:46
  Speaker 2: John, time for you to sit down and recognize that
• 1:01:51
  Speaker 2: you are sixty one sir.
• 1:01:54
  Speaker 1: Yeah, I'm gonna call him right after I called Batista
• 1:01:56
  Speaker 1: and be like, listen, I'll write you a round com.
• 1:01:58
  Speaker 1: You're gonna have to his like crabbits. I will pay
• 1:02:02
  Speaker 1: money for that. Everyone will pay money for that. We
• 1:02:06
  Speaker 1: will have viewing parties. Yeah, all right, okay, let's bring
• 1:02:10
  Speaker 1: it all home. Let's bring it all home. Here's the thing.
• 1:02:14
  Speaker 1: When you give me a movie about baseball and little
• 1:02:17
  Speaker 1: boys and there's only like one misogynistic part in it
• 1:02:20
  Speaker 1: because there's only one woman in it? What was I
• 1:02:23
  Speaker 1: suppose one of my notes is how did these kids
• 1:02:26
  Speaker 1: get dip? It's the sixties. Also, no one's bob was
• 1:02:32
  Speaker 1: just going to give them the fifty cents for a
• 1:02:34
  Speaker 1: new ball. Like I love the things that we make
• 1:02:37
  Speaker 1: up as as now her day is over. Like I
• 1:02:42
  Speaker 1: feel like one time, the guys that I used to
• 1:02:44
  Speaker 1: run around with in my neighborhood, like they created like
• 1:02:47
  Speaker 1: a bike ramp in the woods that sat on the
• 1:02:50
  Speaker 1: bike trail that ran through my neighborhood. And I remember
• 1:02:53
  Speaker 1: like one of the boards cracking or whatever. It's like, well,
• 1:02:55
  Speaker 1: what will be dowey today? I was like, we literally
• 1:02:58
  Speaker 1: just found this board on the side of the road.
• 1:03:00
  Speaker 1: Everyone calm down. No one spent money on any of this.
• 1:03:04
  Speaker 1: It's a wonder no one's died, you know.
• 1:03:07
  Speaker 2: What, though that devastation. I don't know about you, but
• 1:03:11
  Speaker 2: asking my parents for anything or.
• 1:03:13
  Speaker 1: Any ary, I would rather again, I would rather just
• 1:03:18
  Speaker 1: steal it. I guess yes, that's why kids take candy
• 1:03:22
  Speaker 1: bars out of convenience.
• 1:03:23
  Speaker 2: Stores, honestly, because then I was thinking about it, and
• 1:03:25
  Speaker 2: I was like, why was it so scary to always
• 1:03:28
  Speaker 2: because everything was.
• 1:03:29
  Speaker 1: A burden, right, And then when I became.
• 1:03:32
  Speaker 2: An adult and started paying for my own shit. It
• 1:03:34
  Speaker 2: was just like, why were you so mad? Like this
• 1:03:38
  Speaker 2: isn't that bad?
• 1:03:39
  Speaker 1: And let me tell you, that's not how kids are
• 1:03:41
  Speaker 1: raised anymore, because I see kids now and I'm like,
• 1:03:43
  Speaker 1: they're asking for what they want. Yeah, they're telling you
• 1:03:47
  Speaker 1: their emotional needs and I'm like, who, I'm sorry what
• 1:03:50
  Speaker 1: They're just walking up to you and be like, I
• 1:03:53
  Speaker 1: know that we have vanilla ice cream, but I'm going
• 1:03:55
  Speaker 1: to pass because I really like chocolate. And I'm like, no,
• 1:03:58
  Speaker 1: I would have eaten the whole fucking car of vanilla,
• 1:04:01
  Speaker 1: so no one had to feel bad about the ice cream.
• 1:04:03
  Speaker 1: And if I didn't, someone would have told me, namily,
• 1:04:05
  Speaker 1: you made your aunt feel bad about the ice cream. Yeah. Yeah,
• 1:04:12
  Speaker 1: kids be wild today. They just have choices in agency.
• 1:04:15
  Speaker 2: And I'm like what, I'm like, I men, Benny no,
• 1:04:20
  Speaker 2: And I'm like over here, like, will I ever feel
• 1:04:23
  Speaker 2: like I can have choice in agency?
• 1:04:25
  Speaker 1: No? Oh?
• 1:04:28
  Speaker 2: Man, No, this is why people think my child is
• 1:04:31
  Speaker 2: spoiled because he has choice and agency.
• 1:04:35
  Speaker 1: Well, and then that's it too. So now the people
• 1:04:37
  Speaker 1: who raised us are watching people watching you and people
• 1:04:42
  Speaker 1: in your age bracket or even like because they are
• 1:04:46
  Speaker 1: such a like widespread of ages in my family. So
• 1:04:49
  Speaker 1: now all of the people who have like dumped their
• 1:04:51
  Speaker 1: kids into the real world are watching other people raise
• 1:04:54
  Speaker 1: small children and they're like, oh, fucking kids are spoiled.
• 1:04:57
  Speaker 1: And I was like, oh number one. Yeah, I spend
• 1:05:02
  Speaker 1: so much of my mental emotional energy like trying to
• 1:05:06
  Speaker 1: be like, this is what non binary means, this is
• 1:05:09
  Speaker 1: what it means for children to have needs, like I
• 1:05:11
  Speaker 1: don't know how did I survive?
• 1:05:13
  Speaker 2: Right?
• 1:05:17
  Speaker 1: That is what she's exhibiting that behavior because she is
• 1:05:20
  Speaker 1: on the spectrum. Yeah, I like, I don't under you
• 1:05:24
  Speaker 1: know that? Yeah? Yeah, but it all boils down to
• 1:05:30
  Speaker 1: we're all spoiled little brats.
• 1:05:33
  Speaker 2: Yeah, every generation is a little different, right, Like it's
• 1:05:35
  Speaker 2: so funny to listen to a certain person in my
• 1:05:38
  Speaker 2: life complain.
• 1:05:38
  Speaker 1: About participation trophies and.
• 1:05:42
  Speaker 2: I want to be it's your fucking parents who started
• 1:05:46
  Speaker 2: the participation tree and you're mad, Like cool, I'm so
• 1:05:51
  Speaker 2: glad you're mad about participation trophies when your parents are
• 1:05:54
  Speaker 2: the ones who fucking started the participation trophy.
• 1:05:56
  Speaker 1: The stupid shit that we make competitive, I say, as
• 1:05:59
  Speaker 1: I make that. I tallied all of the things that
• 1:06:02
  Speaker 1: were funny in my comedy that I said proudly because
• 1:06:06
  Speaker 1: I'm winning, because I'm going to win. There's no point system,
• 1:06:11
  Speaker 1: there's no nothing, but I will win. I think I
• 1:06:13
  Speaker 1: will declare myself a winner at the end of it.
• 1:06:16
  Speaker 1: Sometimes at trivia, when I'm the only person getting the
• 1:06:19
  Speaker 1: questions right, I was like, I'm just gonna start keeping
• 1:06:21
  Speaker 1: score for myself. I go iven here what the team's
• 1:06:24
  Speaker 1: score is. I'm just gonna like, today I got fifteen, right, Natalie.
• 1:06:29
  Speaker 2: This is how you I know that you and I
• 1:06:31
  Speaker 2: are cut from a very similar cloth.
• 1:06:33
  Speaker 1: I do the same shit.
• 1:06:34
  Speaker 2: Because I was never allowed to own anything that I
• 1:06:39
  Speaker 2: did and did well. And I mean inside my family unit,
• 1:06:43
  Speaker 2: that's true. Outside the family unit, that's not true. So
• 1:06:46
  Speaker 2: like I have a lot of external validation from the world,
• 1:06:49
  Speaker 2: but inside my family unit, that's where the crippling of
• 1:06:52
  Speaker 2: like be well.
• 1:06:53
  Speaker 1: And as soon as someone who's blood related to me
• 1:06:55
  Speaker 1: is like, did you get validated?
• 1:06:57
  Speaker 2: That can't be yeah, and then they're like, where's my axe?
• 1:07:01
  Speaker 2: Let me go get my acts real quick because.
• 1:07:03
  Speaker 1: You got validated. I know that my father was trying
• 1:07:07
  Speaker 1: to like connect with me in a very emotional level
• 1:07:10
  Speaker 1: to actually like lead up to the I'm proud of you.
• 1:07:13
  Speaker 1: But all I can remember of this interaction is my
• 1:07:15
  Speaker 1: dad and my sister came to visit for the first
• 1:07:18
  Speaker 1: play that I produced and like to watch it or whatever.
• 1:07:22
  Speaker 1: And I don't even think it was the first play.
• 1:07:24
  Speaker 1: It was the first musical that I directed for the
• 1:07:27
  Speaker 1: middle school and parents, students, kids, siblings, people from the
• 1:07:34
  Speaker 1: street or whatever. Everyone in that auditorium walked up to
• 1:07:38
  Speaker 1: my dad to tell them something that I had done
• 1:07:41
  Speaker 1: at that motherfucking school, and at the end of it,
• 1:07:43
  Speaker 1: my dad went so many people in this auditorium really
• 1:07:47
  Speaker 1: like you, namely, like you're really loved here. And I
• 1:07:50
  Speaker 1: was like, why do you sound shocked? Yeah, He's like,
• 1:07:54
  Speaker 1: I mean every like I haven't been able to sit
• 1:07:57
  Speaker 1: down for ten sucas, and people just keep coming, like
• 1:07:59
  Speaker 1: we hear that you're miss Katona's dad. She's wonderful. I
• 1:08:04
  Speaker 1: was like, I am wonderful. It turns out, it turns
• 1:08:08
  Speaker 1: out against all odds, you ignoring me, against people wanted
• 1:08:14
  Speaker 1: to like me, against all odds, the trauma hit right,
• 1:08:18
  Speaker 1: and I'm actually a pretty decent person.
• 1:08:20
  Speaker 2: But I had a similar experience with my house party
• 1:08:25
  Speaker 2: and my I can't believe how many people showed up
• 1:08:27
  Speaker 2: at your party.
• 1:08:28
  Speaker 1: I can't. I can't believe. Did you you believe.
• 1:08:32
  Speaker 2: How many people drove from out of town to come
• 1:08:36
  Speaker 2: to your party?
• 1:08:38
  Speaker 1: You think? Friends? Thanks, I'm gonna go cry now I'm
• 1:08:41
  Speaker 1: not drunk enough yet, hold on, hold on, And then
• 1:08:46
  Speaker 1: it's so yeah. I'll sit there at trivia and someone
• 1:08:50
  Speaker 1: will say we're having a really great round and I'm like, no,
• 1:08:52
  Speaker 1: I'm having like a really excellent trivia because everyone that
• 1:08:57
  Speaker 1: I've answered is becausin correct, the same shit girlfriend, And
• 1:09:01
  Speaker 1: I don't even care about the ones that I don't know.
• 1:09:04
  Speaker 1: I let them argue for ten minutes, and I'm like,
• 1:09:06
  Speaker 1: I don't know it, and I don't care that I
• 1:09:07
  Speaker 1: don't know.
• 1:09:08
  Speaker 2: It, absolutely, absolutely absolutely, and.
• 1:09:13
  Speaker 1: I'm not learning it. I'm not even gonna pay attention
• 1:09:17
  Speaker 1: to the real You got to rely on someone else
• 1:09:19
  Speaker 1: for that answer. I don't know it. I don't care
• 1:09:21
  Speaker 1: that I don't know it. So, Natalie, were you ever
• 1:09:25
  Speaker 1: comfy with this movie? I know that I gave you
• 1:09:28
  Speaker 1: a lot of shit for making me watch a sports movie.
• 1:09:31
  Speaker 1: I do like the same lot. I think it's funny.
• 1:09:34
  Speaker 1: I think like Clueless. It has a very elevated dialogue
• 1:09:37
  Speaker 1: for kids, and I think that the best kids movies
• 1:09:40
  Speaker 1: are the are the movies. I believe that kids are intelligent. Yeah,
• 1:09:45
  Speaker 1: and when I watch those kids, that is exactly how
• 1:09:48
  Speaker 1: I feel like Mike Gremlin boy cousins probably grew up
• 1:09:52
  Speaker 1: with their gremlin friends that I have met. Like one
• 1:09:56
  Speaker 1: of my cousin's best friends dared him to get his
• 1:10:02
  Speaker 1: hotel room tattooed on him, and then when my cousin faltered,
• 1:10:06
  Speaker 1: he's like, what if I paid for it? So honestly,
• 1:10:12
  Speaker 1: maybe we should be studying, Like is this or he's
• 1:10:15
  Speaker 1: just not that into you? Like, so I do feel
• 1:10:22
  Speaker 1: like it's a very true depiction of childhood.
• 1:10:25
  Speaker 2: I agree, And I think that compared you know, having
• 1:10:28
  Speaker 2: it be a foil to now and then is a
• 1:10:30
  Speaker 2: really good is it actually not? Actually makes perfect sense?
• 1:10:36
  Speaker 2: I mean for me because I didn't always have summers
• 1:10:40
  Speaker 2: filled with roaming the neighborhood with my friends.
• 1:10:42
  Speaker 1: That was like a hit or miss situation because I.
• 1:10:45
  Speaker 2: Am so much younger than or I was so much
• 1:10:48
  Speaker 2: younger than the people in the other kids in my neighborhood.
• 1:10:53
  Speaker 2: And when I did have those summer days where we
• 1:10:55
  Speaker 2: were in the neighborhood doing dumb shit kids stuff, that
• 1:11:00
  Speaker 2: that's what it felt like. Yeah, And I think that's
• 1:11:02
  Speaker 2: why I love this movie so much, because it reminds
• 1:11:05
  Speaker 2: me how good it felt to exist in a group
• 1:11:09
  Speaker 2: that gave you shit but they still loved you. Like
• 1:11:12
  Speaker 2: it wasn't there wasn't any competition, there wasn't any like cruelty.
• 1:11:15
  Speaker 2: It was just like we all actually really enjoy each other,
• 1:11:19
  Speaker 2: but we're also gonna fuck with each.
• 1:11:20
  Speaker 1: Other, right, And I think we're always trying to like
• 1:11:23
  Speaker 1: reclaim those childhood moments, like watching the Fourth of July
• 1:11:27
  Speaker 1: night game and I was like, I can't remember the
• 1:11:29
  Speaker 1: last time I fucking enjoyed the Fourth of July, honestly,
• 1:11:32
  Speaker 1: And I love fireworks. I love boom boom fire But
• 1:11:39
  Speaker 1: so it's like it's the reason that like I always
• 1:11:41
  Speaker 1: sit outside that first night that I see a firefly
• 1:11:44
  Speaker 1: to see how many I can see, because you're like,
• 1:11:46
  Speaker 1: oh my god, you just remember walking home slowly because
• 1:11:51
  Speaker 1: the porch lights were on, but you just wanted to
• 1:11:53
  Speaker 1: watch all the fireflys, yeah, or you caught them as
• 1:11:56
  Speaker 1: you were going, or like what we did.
• 1:11:59
  Speaker 2: One of the things I love in childhood was just
• 1:12:01
  Speaker 2: laying in the grass in the front yard as the
• 1:12:04
  Speaker 2: sun was setting because there was something about the temperature
• 1:12:06
  Speaker 2: that was perfect, and like everyone was just kind of chill.
• 1:12:10
  Speaker 2: I don't know, there was something so pure and innocent
• 1:12:13
  Speaker 2: but also lovely and comforting about it, and it's just like,
• 1:12:17
  Speaker 2: I don't know, the Sandlat brings me back. Sand La
• 1:12:19
  Speaker 2: is one of those movies that brings me back to
• 1:12:21
  Speaker 2: that space and I think feels really good.
• 1:12:23
  Speaker 1: Yeah, and I think for me it's now and then
• 1:12:26
  Speaker 1: it's the Lindsay Lohan Parent Trap. I love parent I
• 1:12:31
  Speaker 1: love that.
• 1:12:32
  Speaker 2: I did not want to like that movie because we
• 1:12:35
  Speaker 2: grew up on the original. I mean when we grew
• 1:12:38
  Speaker 2: up on the original, I mean like, there was a
• 1:12:42
  Speaker 2: chance that my child, if he had come out, she
• 1:12:48
  Speaker 2: would have been Maureen.
• 1:12:54
  Speaker 1: Maureen. That's not right.
• 1:12:58
  Speaker 2: Fuck, keep talking. I'n confess one of their names, Sophie. No, no, no,
• 1:13:02
  Speaker 2: because the mom in the original, oh, Marin O'Hara.
• 1:13:07
  Speaker 1: Yeah, that's gotta be right.
• 1:13:10
  Speaker 2: Because I loved her so much as the mom. She
• 1:13:12
  Speaker 2: was this fiery redhead and just like anyway, So we
• 1:13:16
  Speaker 2: grew up on the original so hard, and I did
• 1:13:18
  Speaker 2: not want to like the real Oh.
• 1:13:19
  Speaker 1: I love the Lindsay Lohan. Yeah, Parent Trap. I don't
• 1:13:23
  Speaker 1: even know if I've seen the original Parent Trap all
• 1:13:25
  Speaker 1: the way through.
• 1:13:27
  Speaker 2: Maybe oh yeah, yeah, Marien O'Hara, but I love and.
• 1:13:31
  Speaker 1: Then like it takes two the Babysitters Club. I love
• 1:13:36
  Speaker 1: the Babysitters And then like I was a big reader,
• 1:13:42
  Speaker 1: so there was like Nancy Drew and the Dear American
• 1:13:45
  Speaker 1: series and like American Girl Dolls and all of it,
• 1:13:48
  Speaker 1: So like those are childhood for me. The Samla was
• 1:13:51
  Speaker 1: a part of my childhood. I do know the entire
• 1:13:53
  Speaker 1: movie beat for be, but like it's not one that
• 1:13:56
  Speaker 1: like when I sit down and I'm like, what shape
• 1:13:59
  Speaker 1: Natalie right into the vibrant woman who's well liked that
• 1:14:04
  Speaker 1: you see today, and it's like, not the Sandlot. The
• 1:14:07
  Speaker 1: Sandlot just told her that people were going to sexually
• 1:14:09
  Speaker 1: assault you at pools, like while you're working. Yeah, and
• 1:14:15
  Speaker 1: then you have to marry them, and to marry I
• 1:14:20
  Speaker 1: do think that the same Lot is the reason why
• 1:14:22
  Speaker 1: one time my sister, when my sister and I were
• 1:14:24
  Speaker 1: in high school, in at Disney World, we bought I
• 1:14:28
  Speaker 1: don't know what the style of fucking bathing suits were
• 1:14:30
  Speaker 1: that year, but like mine was like a deep bee
• 1:14:33
  Speaker 1: or and it had like a ren in between it,
• 1:14:35
  Speaker 1: so like my boobs were kind of supported than my sister.
• 1:14:38
  Speaker 1: She popped up and like you know, you know, bathing
• 1:14:42
  Speaker 1: suits always be uh throwing us right under the fucking
• 1:14:46
  Speaker 1: bus and doing us dirty. So she came out and
• 1:14:48
  Speaker 1: like a kid that was probably like Squintz's size was
• 1:14:53
  Speaker 1: right there as she like came up and had a
• 1:14:55
  Speaker 1: nice little X rated moment at Disney. And I told her,
• 1:14:58
  Speaker 1: I was like, you just popped that kids puberty cheery real,
• 1:15:05
  Speaker 1: Wendy peppercorn over Yeah.
• 1:15:07
  Speaker 2: Yeah, oh, my darling lover girl. That's literally what he
• 1:15:10
  Speaker 2: calls her, Wendy Peppercorn, my darling lover girl. No, that's
• 1:15:14
  Speaker 2: what they make fun of him, yeah, and say.
• 1:15:17
  Speaker 1: And then if they had incorporated the crush, the like
• 1:15:23
  Speaker 1: little crush of like him just mouth breathing at her
• 1:15:26
  Speaker 1: at the pool or whatever. That's adorable. That's adorable. And
• 1:15:31
  Speaker 1: that's how little kids have crushes, They just mouth free that,
• 1:15:33
  Speaker 1: you places. Yeah, but I had to watch that. On Sunday,
• 1:15:38
  Speaker 1: I had to listen to Paris Hilton get groomed. Oh
• 1:15:41
  Speaker 1: my god, the Paris Helton book is so hard. I
• 1:15:44
  Speaker 1: her eighth grade teacher today. And then I had to oh,
• 1:15:47
  Speaker 1: there's coming still, Natalie, And then it all started to
• 1:15:51
  Speaker 1: mesh together because it was a lifeguard who groomed me,
• 1:15:54
  Speaker 1: and I was like, now I'm traumatized. Now I gotta
• 1:15:58
  Speaker 1: call my therapist over the same lot. Yeah, And honestly,
• 1:16:03
  Speaker 1: all I wanted to watch was a movie about a
• 1:16:04
  Speaker 1: dog where the dog doesn't die at the end, because
• 1:16:07
  Speaker 1: we're not watching any of those fucking movies. I'm not
• 1:16:09
  Speaker 1: crying through Homeword Bound. I'm not. There will be no
• 1:16:12
  Speaker 1: Old fucking Yeller where the red Fern girls can fucking
• 1:16:17
  Speaker 1: rotten hell, I'm doing any of it. I would never
• 1:16:21
  Speaker 1: make you watch Old Yeller. That shit is fucking sad
• 1:16:25
  Speaker 1: as hell. I don't want to watch any of the
• 1:16:27
  Speaker 1: movies where the where like the animals, they don't talk,
• 1:16:31
  Speaker 1: but they narrate and the head their fucking experience. I
• 1:16:33
  Speaker 1: don't want to watch Milo and Otis. Oh no, I'm
• 1:16:36
  Speaker 1: not crying my fucking shit through any of that. No.
• 1:16:39
  Speaker 1: Today I watched a TikTok where a family moved away
• 1:16:43
  Speaker 1: and this family, this other family bought the house and
• 1:16:47
  Speaker 1: they found out that when the other family moved away,
• 1:16:50
  Speaker 1: they tied up their ten year dog onto a lead
• 1:16:53
  Speaker 1: in between two chain trees, and they had had that
• 1:16:56
  Speaker 1: dog since it was a puppy, and they abandoned their
• 1:16:58
  Speaker 1: dog and their cat, and I was like, just let
• 1:17:01
  Speaker 1: people know. If you're in a spot where you can't
• 1:17:04
  Speaker 1: take your pets to your next place, that is horrifying
• 1:17:09
  Speaker 1: in so many ways. So now the people who own
• 1:17:11
  Speaker 1: the house are adopting that dog. Her name is Mollie. Hi, Molly,
• 1:17:15
  Speaker 1: you're adorable, and they're trying to adopt the cat. But
• 1:17:18
  Speaker 1: the cat, those cats be skittich.
• 1:17:20
  Speaker 2: Yeah, cats will kind of just cats adopt you, not the.
• 1:17:23
  Speaker 1: Other way around. So the cat's coming around. I'm all
• 1:17:26
  Speaker 1: fucking invested, weeping.
• 1:17:29
  Speaker 2: I'm so that's so devastating if you're in the Stanslas
• 1:17:32
  Speaker 2: County region. Last I checked, there was two hundred and
• 1:17:35
  Speaker 2: sixty six dogs in the animal shelter.
• 1:17:39
  Speaker 1: So's too many dogs.
• 1:17:41
  Speaker 2: If you're in a position to adopt a dog, hit
• 1:17:44
  Speaker 2: the shelter, don't buy.
• 1:17:46
  Speaker 1: Also have your pets spade a neuter.
• 1:17:48
  Speaker 2: Bob Barker was a very reasonable man in that request.
• 1:17:52
  Speaker 2: With that said, sorry, go ahead.
• 1:17:55
  Speaker 1: Yeah no, I was just gonna double down on if
• 1:17:57
  Speaker 1: you can't adopt.
• 1:17:58
  Speaker 2: Foster, Yeah, fostering is helpful too, because you know what,
• 1:18:04
  Speaker 2: two hundred and sixty six dogs is too many to
• 1:18:06
  Speaker 2: be a lot of money.
• 1:18:07
  Speaker 1: They need homes, even if it is short term. If
• 1:18:11
  Speaker 1: we live in the Dayton area in Cincinnati, one of
• 1:18:14
  Speaker 1: the dog rescues allows you to rent a dog to
• 1:18:18
  Speaker 1: go walk it around one of the parks in Cincinnati.
• 1:18:21
  Speaker 1: I love that. So that's how you can volunteer. You
• 1:18:24
  Speaker 1: just like take a dog for an outing. I love that.
• 1:18:27
  Speaker 1: Our shelter is like way out in the country.
• 1:18:30
  Speaker 2: So it's that's too much. That's too that people would
• 1:18:34
  Speaker 2: be unwilling to do something like that, though they could anyway. Whatever,
• 1:18:40
  Speaker 2: I'm gonna slip someone in an idea, and I can't
• 1:18:42
  Speaker 2: say it all live on air.
• 1:18:47
  Speaker 1: So I think at the end of the day, Sandlot
• 1:18:50
  Speaker 1: holds up ish. Yeah, it only has one gross part,
• 1:18:54
  Speaker 1: and it's a gross part that we've seen play out
• 1:18:57
  Speaker 1: and literally every movie if your childhood everything. It's very unfortunate.
• 1:19:03
  Speaker 2: Natalie, what's coming up for you this week? It's like
• 1:19:10
  Speaker 2: me last week when I couldn't remember any of the
• 1:19:12
  Speaker 2: shit going on with my show.
• 1:19:15
  Speaker 1: So this week, on to all the men I've tolerated before.
• 1:19:19
  Speaker 1: It's not. Oh, we're joining the Impostor Syndrome Club with
• 1:19:24
  Speaker 1: Jessemie and Alice and we're talking about why we suffer
• 1:19:28
  Speaker 1: from impostor syndrome. Oh, so they're on this week. Next
• 1:19:32
  Speaker 1: week it's Paige Folker's you might remember her from our
• 1:19:35
  Speaker 1: Mama Mia episode, and we're talking about women in stem,
• 1:19:39
  Speaker 1: including Elizabeth Holmes. Because you know, I got thoughts and
• 1:19:45
  Speaker 1: that was a good show on Hulu. It was a
• 1:19:48
  Speaker 1: good show on Hulu. And I'm like, I don't know.
• 1:19:51
  Speaker 1: And she's the second baby. She has a second baby. Now,
• 1:19:56
  Speaker 1: is she still in lockdown? I think so. I think
• 1:19:59
  Speaker 1: she's house. That's great. Yeah, some girl someone got conjugal visits.
• 1:20:06
  Speaker 1: Good for her. That just means that there's somebody out
• 1:20:10
  Speaker 1: there for everybody, you know, Good for her for me.
• 1:20:17
  Speaker 2: This week, we're dropping Monster in Law featuring Lynn Catalano.
• 1:20:23
  Speaker 2: That is the two thousand and five classic. That is
• 1:20:27
  Speaker 2: Jane Fonda's return to cinema.
• 1:20:31
  Speaker 1: I got screamed up for going to see it. My
• 1:20:34
  Speaker 1: mom was like, I can't believe you went and saw
• 1:20:36
  Speaker 1: a Jane Fonda movie. And I was like, I don't
• 1:20:37
  Speaker 1: know what you're talking about, because I went and saw
• 1:20:39
  Speaker 1: a j Low movie today, right right exactly.
• 1:20:44
  Speaker 2: That comes out Wednesday, tomorrow night. Join us over on
• 1:20:46
  Speaker 2: Instagram as we talk about episodes three and four of
• 1:20:49
  Speaker 2: mad Men, where probably nothing happens except for Donald Draper
• 1:20:53
  Speaker 2: probably harasses some people and smokes and drinks too much.
• 1:20:56
  Speaker 1: Well, I have questions about tomorrow's mad Mon because so
• 1:21:00
  Speaker 1: many confusing things happened.
• 1:21:02
  Speaker 2: I haven't watched the episodes yet. I went to Today,
• 1:21:04
  Speaker 2: but then like, well, it's.
• 1:21:05
  Speaker 1: When Don has a fever and I was like, is
• 1:21:08
  Speaker 1: Don having a fever dream? Am I having a fever dream?
• 1:21:12
  Speaker 1: Where's Muggan? And oh? Yeah? That few I have a
• 1:21:16
  Speaker 1: fever wild? It's fucking wild. And I'm like, I'm actively confused.
• 1:21:21
  Speaker 2: Yeah yeah, okay, So maybe I'll actually watch those tomorrow
• 1:21:26
  Speaker 2: so I can make thorough notes because I didn't realize
• 1:21:28
  Speaker 2: the fever.
• 1:21:29
  Speaker 1: Dream was in this chunk. Yeah.
• 1:21:33
  Speaker 2: So we're talking mad Men season five episodes threes, three
• 1:21:36
  Speaker 2: and four tomorrow over on Instagram. The Jelly Pops Book
• 1:21:41
  Speaker 2: Club book announcement for April. We're reading and passing by
• 1:21:44
  Speaker 2: Nella Larson. It's not too late to join the club.
• 1:21:47
  Speaker 2: Just hit the link in bio on Instagram I'll share
• 1:21:50
  Speaker 2: it in the comments at some point here.
• 1:21:54
  Speaker 1: That's it, and that's that's what she missed on Glee,
• 1:21:57
  Speaker 1: And that's what she missed on Glee. We'll you tomorrow
• 1:22:00
  Speaker 1: night on Madison ab and in Don's Fever Dream So
• 1:22:05
  Speaker 1: Come Feverish or with title and all, I don't know
• 1:22:11
  Speaker 1: and everyone, we just hope that you stay cozy, stay comfy. Bye.
• 1:22:16
  Speaker 1: Then I'm gonna end this