Latest / To All the Men I've Tolerated Before / Patreon Release: Lisa Frankenstein

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Patreon Release: Lisa Frankenstein · To All the Men I've Tolerated Before

0:00
Speaker 1: Hey, Team Tolerator. It's Natalie and I am here this
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Speaker 1: week with a special Spooky season surprise. I am going
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Speaker 1: to release the full review that we did with Darcy
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Speaker 1: from our final Girls episode, both of our Tortured Poets
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Speaker 1: Department episodes, and both of our Wrestling episodes together. On Patreon,
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Speaker 1: we reviewed Lisa Frankenstein. You know I love horror. You
0:27
Speaker 1: know I love comedy horror. You know that there have
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Speaker 1: been a bunch of episodes where I've just brought up
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Speaker 1: Lisa Frankenstein because I love Lisa as a character. So
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Speaker 1: here is the full review. As our last episode of
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Speaker 1: the month, October. Wanted to give me a gift with
0:44
Speaker 1: a longer Spooky season, so there is an extra week
0:48
Speaker 1: in October. We're going to take it off since it
0:51
Speaker 1: is the official day of Halloween. That's a gift to me.
0:55
Speaker 1: That's a gift to you for all of the people
0:58
Speaker 1: who don't want to juggle one more thing when it
1:00
Speaker 1: comes to costumes, trigger treating, candy, kids, fall festivals, all
1:06
Speaker 1: of it. Here is our review of Lisa Frankenstein that
1:10
Speaker 1: was released on Patreon. Make sure that you also go
1:14
Speaker 1: to Patreon and check out all of our other free
1:16
Speaker 1: content like all of our Team Tolerator check ins all
1:19
Speaker 1: of our Misogyny Meltdown episodes, blog postsetter up there for free,
1:24
Speaker 1: and don't forget by joining our five dollar tier, you
1:28
Speaker 1: get every episode early and ad free. Have a happy
1:32
Speaker 1: Halloween and I will see you next time. Hey, Patreon members,
1:58
Speaker 1: thank you so much for supporting the show this month.
2:02
Speaker 1: As you know, for March, we are celebrating women and
2:05
Speaker 1: the work of women. So I have one of my
2:09
Speaker 1: favorite women here, Darcy from our wrestling episodes, and she's
2:13
Speaker 1: joined Elizabeth to talk to us about horror. And that's
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Speaker 1: what we're doing today. We're gonna celebrate Lisa Frankenstein because
2:21
Speaker 1: there's been nothing earlier since the Barbie Movie than Lisa Frankenstein.
2:27
Speaker 2: Agreed, I loved this movie.
2:31
Speaker 1: I So I've been going to Cheap Movie Night pretty religiously.
2:36
Speaker 1: I go at least two or three times a month. Okay,
2:39
Speaker 1: So I am at a point where people are seeing
2:44
Speaker 1: trailers for the first time that I feel like I've
2:46
Speaker 1: been waiting on the movie for years, and that's how
2:51
Speaker 1: it was for like Lisa Frankenstein. I'm like, when's Lisa
2:53
Speaker 1: Frankenstein coming out? When I want it?
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Speaker 2: Now right. I didn't know about it until I think,
3:01
Speaker 2: like I could think it maybe like heard a little
3:03
Speaker 2: bit about it, but only a month before it came out.
3:08
Speaker 2: I feel like I kind of like I was like,
3:10
Speaker 2: what is this and I just knew where to what.
3:12
Speaker 2: I was like, I'm going to see it regardless. I
3:14
Speaker 2: didn't really know what to expect, but I definitely exceeded
3:18
Speaker 2: my expectations. Well, I mean, right before I went to
3:22
Speaker 2: the movie, I found out that it was the same
3:24
Speaker 2: writer as Jennifer's Body. Uh huh, and that was like, oh, okay,
3:28
Speaker 2: so this movie is gonna be awesome. Yeah it was.
3:32
Speaker 2: It sure was.
3:33
Speaker 1: Let me go ahead and read this little synopsis for
3:35
Speaker 1: everyone who didn't make it to the movie theater. Although
3:38
Speaker 1: Lisa Frankenstein is streaming, Doe asked me what platform, but
3:42
Speaker 1: I know you can rent it somewhere. Lisa Fraankenstein is
3:45
Speaker 1: a twenty twenty four American comedy horror filmed directed by
3:49
Speaker 1: Zelda Williams in her feature length directorial debut, We Love
3:55
Speaker 1: to See It, and written by Diablo Cody, the writer
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Speaker 1: of Jennifer's Body. Another cult family classic, amazing family classic
4:06
Speaker 1: for sure. The film stars Katherine Newton, Cole Sprouse, Lisa, Liza.
4:13
Speaker 1: I saw that Z and went Lisa. That's that's where
4:18
Speaker 1: I would go to, Liza Soberano, Henry Elkingberry, Joe prest
4:24
Speaker 1: and Carla Ugeno. I've never been able to say her
4:28
Speaker 1: last name correctly. The plot follows a misunderstood teenage goth
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Speaker 1: girl who meets and develops a relationship with a reanimated
4:36
Speaker 1: Victorian era corpse. And Cody has gone ahead and let
4:43
Speaker 1: us know that Lisa Frankenstein is in fact set in
4:46
Speaker 1: the same fictional universe as Jennifer's body.
4:50
Speaker 2: Yes, yes, we're just about anything can happen, about anything
4:55
Speaker 2: going to happen. I where do you want to start?
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Speaker 2: I mean we maybe go through like the characters a
5:02
Speaker 2: little bit. Yeah yeah. Should we just gusha on Lisa
5:06
Speaker 2: for a little bit, Yeah, yeah we can. I love
5:10
Speaker 2: her and I didn't even realize that she is actually
5:14
Speaker 2: the same girl. It's in Freaky. Have you seen Freaky?
5:17
Speaker 2: I haven't seen Freaky? Oh you haven't. Oh it's get you.
5:21
Speaker 2: You would love it, you would love it. But she
5:22
Speaker 2: starts in that too, and it just kind of like
5:25
Speaker 2: makes sense. They have like a similar vibe. I guess
5:28
Speaker 2: kind of thing. But I loved the character, like front
5:31
Speaker 2: to back, like she was just amazing. I love her
5:34
Speaker 2: acceleration into like goth clothes and like her attire that
5:39
Speaker 2: she was wearing. That was a big thing for it.
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Speaker 1: Some background on Lisa. She is currently living with her father,
5:47
Speaker 1: her stepmother, and her stepsister because her mother was brutally
5:51
Speaker 1: murdered during a break in. Yeah, and it was only
5:53
Speaker 1: like a year or two before, right, because men get
5:56
Speaker 1: remarried quickly, quickly. Because her father did what a lot
6:02
Speaker 1: of men do and just band aid married someone else,
6:06
Speaker 1: he just fully expects that Lisa is over it too. Yeah,
6:11
Speaker 1: there's no therapy in the Lisa Frankenstein universe, though there
6:16
Speaker 1: are self help books on tape, Yes, doing it in person,
6:21
Speaker 1: do it in person, or just keep listening to doctor
6:24
Speaker 1: Phil on a cassette tape right right.
6:27
Speaker 2: What I love the most about.
6:29
Speaker 1: Lisa is she's insecure in the most confident way.
6:36
Speaker 2: Yeah. I think that's a really good way to put it.
6:38
Speaker 1: She realizes that she's a weirdo, and she's like, I'm
6:41
Speaker 1: just weird, So I'll just stand here quietly while my
6:44
Speaker 1: very pretty stepsister takes me to a party, or I
6:50
Speaker 1: will I'm pretty sure that the boy I like doesn't
6:53
Speaker 1: like me back, but I will write him a check
6:56
Speaker 1: yes or no letter and drop it in his locker.
6:59
Speaker 2: Like she's just your.
7:01
Speaker 1: Quintessential like romantic teen girl who's.
7:04
Speaker 2: Like, yes, I love like how when it opens it
7:11
Speaker 2: has like the like the cemetery, and like her like
7:13
Speaker 2: hanging out in the cemetery, and I just I love
7:16
Speaker 2: that it's like an it's like an abandoned cemetery in
7:19
Speaker 2: the middle of you know, it's in the middle of
7:21
Speaker 2: the cutthrough whatever that is between neighborhoods, I guess. But
7:26
Speaker 2: she's in love with this. I wouldn't say she's in love.
7:29
Speaker 2: She's like enamored with this tombstone that has like a man. Actually,
7:36
Speaker 2: I don't know, how would you like a sculpture. It's
7:38
Speaker 2: like a bust. It's like a bust on top of
7:40
Speaker 2: the Yeah, and she just is so I don't she
7:44
Speaker 2: like makes what does she say like I wish I
7:46
Speaker 2: was with you or I wish I was with you.
7:49
Speaker 2: It's just it's so weird. And I love when she's
7:52
Speaker 2: telling Tappy's the sister. And I love when she's telling
7:55
Speaker 2: Tafi in the car like about it and like that's weird,
8:00
Speaker 2: and she's like, no, no, it's like totally normal. Like
8:03
Speaker 2: I love how nonchalant she was about her hanging out
8:06
Speaker 2: in the.
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Speaker 1: Cemetery, right, She's like, my mom's dead, I hang out
8:10
Speaker 1: in cemeteries. I have done what many sixteen year old
8:14
Speaker 1: girls have done before me, and I have created an
8:18
Speaker 1: entire backstory for a man that I will never know,
8:22
Speaker 1: and I'm in love with him.
8:24
Speaker 2: And that's fine. It's so good. It's so good.
8:29
Speaker 1: I also feel like she made up a lot about
8:32
Speaker 1: his backstory, but for because this is like eighties nineties.
8:37
Speaker 2: Yeah, eighteen eighty nine, I think is good. Yeah, it's
8:41
Speaker 2: the brink of the nineties.
8:43
Speaker 1: Yep, for someone who doesn't have the Internet. She like
8:47
Speaker 1: knows a lot about the Corpse.
8:51
Speaker 2: She doesn't know a lot about the Corps. I didn't
8:53
Speaker 2: really think about that. I feel like, did we ever
8:57
Speaker 2: even get the name? Oh no, it's a kind of
9:01
Speaker 2: or like, as I'm looking up right.
9:04
Speaker 1: Now, because I was just wondering that too, I was like,
9:06
Speaker 1: do we just continue to call him.
9:08
Speaker 2: The corpse because so he's I did notice he was
9:11
Speaker 2: credited as the creature, oh, which I loved because it
9:17
Speaker 2: the whole movie has like very universal monsters vibes obviously
9:21
Speaker 2: with Frankenstein, and I was like going more towards Bride
9:24
Speaker 2: of Frankenstein, but it's also kind of like Creature from
9:28
Speaker 2: the Black Lagoon vibes, Like I just love like that
9:31
Speaker 2: old school monster vibe, and I just felt like Lisa
9:35
Speaker 2: frank And then also like the Lisa frank aspect of it,
9:39
Speaker 2: where it was just so bright and colorful, and I'm
9:42
Speaker 2: not sure if it was intentional, but I hope it was.
9:45
Speaker 1: Annie and I looked it up because she's a texted
9:47
Speaker 1: me and she goes, am, I late to the joke,
9:50
Speaker 1: or is Lisa Frankenstein a play on Lisa Frank And
9:54
Speaker 1: I was like, I haven't heard that, so maybe it's
9:58
Speaker 1: just a wild coincidence. And then I googled it and
10:01
Speaker 1: they were like, no, we were paying homage to Lisa
10:05
Speaker 1: frank And I was like, that's why the dopamine hit
10:07
Speaker 1: me so hard.
10:09
Speaker 2: Right right. I could totally see it. There was also
10:12
Speaker 2: I did a little bit of research. I thought it
10:15
Speaker 2: was really cool. Oh, her name is Lisa Swallows. We
10:17
Speaker 2: forgot to like put her full name in it, because
10:21
Speaker 2: like every time she gets a cough in the neighbor.
10:24
Speaker 2: Like in school, they're like, Lisa Swallows, please come to
10:29
Speaker 2: the principal's office. And I just like, nobody ever, like
10:33
Speaker 2: makes a joke about her name. No one ever talks
10:36
Speaker 2: about like that's being her last name. And I don't
10:40
Speaker 2: know why, it just it just kills me. It's so funny.
10:42
Speaker 1: No, it is funny, and it's even funnier that no
10:45
Speaker 1: one even says anything about it.
10:48
Speaker 2: Yeah, like like in this day day, people would just
10:50
Speaker 2: be making fun of the name. I feel like most movies,
10:53
Speaker 2: I feel like we would make fun of the name, like
10:55
Speaker 2: at least have some character, especially because it's in a
10:58
Speaker 2: high school. Yeah, she has people that are mean to her,
11:01
Speaker 2: so it's like it could fit. Maybe she didn't want to,
11:05
Speaker 2: Like I mean, I feel like there's definitely probably some
11:08
Speaker 2: type of maybe like an ideal. I don't know. I mean,
11:12
Speaker 2: the name is funny. I'm trying to think if like
11:14
Speaker 2: there was like you know what I mean, like if
11:16
Speaker 2: it's like stepping up in humor, you know what I mean,
11:19
Speaker 2: like yeah, not punching down, yes, yes, but yeah. I
11:23
Speaker 2: also saw though that she named her Lisa after for
11:28
Speaker 2: weird science. Oh that is the woman that they create.
11:33
Speaker 2: I've only seen it once, like a long time ago.
11:35
Speaker 2: But the woman that they like reanimate is her name
11:38
Speaker 2: is Lisa. Oh okay, just all of these tie ins. Yes,
11:43
Speaker 2: it's so so good.
11:45
Speaker 1: So we kind of talked about how it's a movie
11:49
Speaker 1: that's kind of about brief but it's also a movie
11:52
Speaker 1: that's kind of about puberty and it's honestly, when the
11:56
Speaker 1: credit started to roll, I looked at my friend and
11:58
Speaker 1: I went, I was just like really romantic.
12:04
Speaker 2: I lost like the one. Well, there's like a line
12:09
Speaker 2: that I really expected at the end of the movie,
12:11
Speaker 2: but I'll wait until we kind of get towards that,
12:14
Speaker 2: so I don't like jump.
12:15
Speaker 1: The gun and by the way, onto all the men
12:18
Speaker 1: that I've tolerated before. Because we are not a normal
12:21
Speaker 1: movie podcast, we believe in spoilers, I'm gonna tell you
12:25
Speaker 1: the entire plot of the movie.
12:27
Speaker 2: I think that's fair. I mean, so if you haven't
12:29
Speaker 2: seen it yet, pause it, can see it and come back.
12:33
Speaker 2: I mean, I feel like the movie's not like I mean,
12:35
Speaker 2: there's there's funny things about that could be spoiled, but
12:37
Speaker 2: I feel like it's not like that far batch from
12:39
Speaker 2: what you would.
12:39
Speaker 1: Expect we get to know Lisa and Tappy and their
12:42
Speaker 1: differences pretty quickly because they're getting ready. Well, Tappy is
12:46
Speaker 1: begging Lisa to come to a party. Yes, yes, and
12:51
Speaker 1: why doesn't?
12:51
Speaker 2: Why does it make her go? Do they just the
12:54
Speaker 2: parents can make her girl? No?
12:55
Speaker 1: I think I think Tappy is obsessed with their family
13:01
Speaker 1: working out, and so there are something so loving and
13:06
Speaker 1: caring about Tappy where she's like, your dad married my
13:09
Speaker 1: mom and we're family. You're my sister, and I will
13:12
Speaker 1: take care of you, and it's not like gross or condescending,
13:16
Speaker 1: especially because Tappy is a cheerleader who's like really preppy
13:20
Speaker 1: and always has that preppy in her voice. It was
13:23
Speaker 1: nice to just see that, Like I was like, no,
13:25
Speaker 1: I actually buy it that Tappy cares right right.
13:30
Speaker 2: I know. She's such like a unique character because like
13:33
Speaker 2: you kind of feel like really bad for her at
13:35
Speaker 2: times and then other times they're like what the hell
13:37
Speaker 2: are you doing? She just gets so like when she
13:39
Speaker 2: gets emotional, it's really funny to me. You know, she
13:42
Speaker 2: kind of has like this like not fake crime because
13:46
Speaker 2: it's not fake, but it's take this dramatic yes, you know,
13:50
Speaker 2: reaction to things.
13:51
Speaker 1: Yeah, she's a caricature of a popular girl to be sure.
13:55
Speaker 2: Oh yeah, oh yeah. So they go to this party.
13:59
Speaker 2: She has this crush this loser guy. I don't remember
14:02
Speaker 2: his name.
14:03
Speaker 1: I know either men are irrelevant. I am confused because
14:06
Speaker 1: we never learned this popular guy has a friend who
14:11
Speaker 1: is also a goth girl who is like very not
14:14
Speaker 1: obsessive possessive of him.
14:17
Speaker 2: Do we ever get closure on that about why that
14:20
Speaker 2: would be. Were they brother and sister? Were they cousins?
14:24
Speaker 2: Like I don't know, Like in the beginning, I thought
14:27
Speaker 2: they were like boyfriend girlfriend or something, but then I
14:31
Speaker 2: don't know. But like she also has like really weird vibes. Yeah,
14:36
Speaker 2: because she is me. She's feel like me. Yeah. She
14:40
Speaker 2: basically blows up Lisa's spot and everything later on in
14:45
Speaker 2: the movie well and she will just kidding. She is
14:48
Speaker 2: at the party. At the party, she drugs Lisa, yes,
14:53
Speaker 2: while she sees that Lisa's like trying to be so normal. Yes, yes,
14:59
Speaker 2: and she just wants to talk to this boy and
15:01
Speaker 2: pay drug her. What does she have that drink?
15:04
Speaker 1: I wondered, though I don't know. He says something. It's
15:06
Speaker 1: like Kuai leads or something. It was like it was
15:09
Speaker 1: like a jungle juice mixture that was also laced with acid.
15:14
Speaker 2: Oh my god, it was so bad. She was like,
15:18
Speaker 2: so she automatically like gets gets high very fast.
15:21
Speaker 1: Yeah, she starts tripping to the point where we're tripping too,
15:26
Speaker 1: And I will say that that like crush boy, he
15:30
Speaker 1: was like concerned about that. He's like, I can't believe
15:32
Speaker 1: that you did that. But does he follow her into
15:34
Speaker 1: the house to be like, hey, Lisa, you're about to
15:37
Speaker 1: trip your balls off. Why don't we just put you
15:39
Speaker 1: in a car or something right right.
15:42
Speaker 2: Like look out for something after that, and then there's
15:46
Speaker 2: that lab partner.
15:48
Speaker 1: So then her dorky lab partner is like, we're fellow nerds.
15:52
Speaker 1: I'll take care of you, like we'll go get find
15:54
Speaker 1: you a couch or whatever, like clearly something has happened
15:57
Speaker 1: to you. And he like, and even I got tricked
16:02
Speaker 1: by it, even though I know that nerds can be
16:05
Speaker 1: creeps too.
16:06
Speaker 2: Yeah.
16:07
Speaker 1: Yeah, So this little incel takes her up to a
16:10
Speaker 1: bedroom and then like she's tripping and she might be
16:14
Speaker 1: imagining being on the moon, I think.
16:16
Speaker 2: At this point.
16:18
Speaker 1: Yeah, And all of a sudden, you hear him go
16:21
Speaker 1: does that feel good? And he's like massaging her breast is.
16:26
Speaker 1: She has no idea and then he calls her like
16:28
Speaker 1: a coptis and tries to make her give him a
16:31
Speaker 1: hand dub.
16:32
Speaker 2: It's so fucking weird. It's so fucking weird. I he's
16:37
Speaker 2: such a creep. He just like he just gives me
16:39
Speaker 2: the GBS and like he just like thought that it
16:43
Speaker 2: was just gonna happen for him like that.
16:45
Speaker 1: I think what's so fun about movies like Jennifer's Body
16:48
Speaker 1: and Barbarian and Lisa Frankenstein is that the directors and
16:52
Speaker 1: the writers want to remind you that, like the monster
16:55
Speaker 1: is always the monster. And I know that like a
16:58
Speaker 1: lot of white bros Are gonna told me, like ooh,
17:00
Speaker 1: Stephen King did that first. There was always like a
17:04
Speaker 1: human monster compared to the real monster. And you are correct.
17:09
Speaker 2: Good for you. It is something that happens in horror
17:12
Speaker 2: that I'm like, no, because like, as a woman, I
17:16
Speaker 2: understand that I have to be on my guard even
17:20
Speaker 2: when you don't come off as monstrous, or even if
17:23
Speaker 2: I've known you for twenty years, do you know? Side
17:25
Speaker 2: note and you could leave us in here or not.
17:28
Speaker 2: But I just watched a prevasy the young woman for
17:30
Speaker 2: the first time. Oh man, my mind alone. Yeah, so
17:35
Speaker 2: it's kind of it's kind of a similar vibe. I
17:37
Speaker 2: won't go into that, but if anybody here hasn't seen that,
17:40
Speaker 2: it's a great media. I feel like, for if you
17:42
Speaker 2: like horror and like the thrillerness of it, it's great.
17:46
Speaker 2: I feel like for your audience.
17:47
Speaker 1: If you love villainous women, which I do, and I
17:50
Speaker 1: think like Lisa is on her way to being like
17:53
Speaker 1: a villainous woman.
17:55
Speaker 2: Yeah. Well so she ends up leaving the party, takes
18:00
Speaker 2: the shortcut, tells the corpse band, I wish I was
18:03
Speaker 2: with you. Yes, And somehow this like I don't really
18:08
Speaker 2: understand how, but I guess it's like that's the part
18:11
Speaker 2: that they're in the Staby universe. Somehow, all of a sudden,
18:13
Speaker 2: there's like a green storm. There's greenish blue clouds, and
18:18
Speaker 2: we can tell that something has happened. And is the
18:21
Speaker 2: Timson stuck stuff by lightning? Mm hmm, yes, yes, And
18:25
Speaker 2: I think like it takes a while for him to
18:27
Speaker 2: like show up, I think right.
18:28
Speaker 1: Because she's home alone, her family has gone out for pizza.
18:33
Speaker 1: She's listening to records.
18:35
Speaker 2: Her sitting on the couch with the popcorn in her lab.
18:39
Speaker 2: I was like, I feel that, Like that is like
18:41
Speaker 2: I think she was watching Day the Dad. I I member, oh, yeah,
18:45
Speaker 2: she might have been watching Day of the Dad. Yeah,
18:47
Speaker 2: And like I was just like, girl, that's like my
18:50
Speaker 2: company zone too. But what happens next?
18:54
Speaker 1: Well, as a woman who has experienced a break in
18:58
Speaker 1: before that resulted in the death of her own mother,
19:02
Speaker 1: the creature Browsehole Sprouse is trying to like beat down
19:08
Speaker 1: the glass door to get into her home, and eventually
19:12
Speaker 1: he does and she runs for him for like thirty seconds,
19:17
Speaker 1: and then all of a sudden, she's like, do you
19:19
Speaker 1: want to listen to air supply? Like by friend Sam
19:21
Speaker 1: said out loud, She's like, your mom was murdered during
19:24
Speaker 1: the breaket and you're just like, hey, weird zombie man,
19:28
Speaker 1: do you want to chill bright?
19:31
Speaker 2: Like is at one point he buys me like hiding,
19:33
Speaker 2: and she's like, you know, kind of like what is happening,
19:37
Speaker 2: but like it's kind of weird how nonchalant she is
19:40
Speaker 2: about it. She's just like, oh, you're the guy, because
19:44
Speaker 2: oh he brings her up the rosary. Oh yeah, that's
19:46
Speaker 2: how she knows because she had her.
19:48
Speaker 1: Mom's a Rosa Rosary of the Grave and then she's like, oh,
19:53
Speaker 1: my one true love the headstone.
19:56
Speaker 2: Yes, and he was like, I saw this twice in theater.
19:58
Speaker 2: I don't know if I told you that, but I
20:00
Speaker 2: did see it twice. So that's why I got like
20:01
Speaker 2: a really I was like really happy when you ask me,
20:04
Speaker 2: because I was like, oh, I got like a lot
20:06
Speaker 2: a lot in here. He's like kind of makes it
20:08
Speaker 2: seem like I don't know if he like touches it
20:10
Speaker 2: because he can't really talk, so like I don't know
20:11
Speaker 2: if he like touches his car or things. He's like
20:15
Speaker 2: makes it seem like, well, we're friends. Yeah, And she's like, well,
20:19
Speaker 2: I didn't want to be like this is the best.
20:22
Speaker 2: She goes, I wanted to be with you, like dead dead.
20:27
Speaker 2: I wanted to be dead with you.
20:28
Speaker 1: And I was like at this point in the movie,
20:32
Speaker 1: I turned to my friend and I go, I've never
20:34
Speaker 1: felt anything harder.
20:35
Speaker 2: No, I didn't want you to come here. I wanted
20:38
Speaker 2: to be dead, like I wanted to be with you.
20:43
Speaker 2: And then he cries and we find out that his
20:46
Speaker 2: tears apparently may smell like, yeah, she's just like rotten eggs.
20:51
Speaker 2: It's terrible. And it's like, why only the why do
20:55
Speaker 2: only his tears? Right? Why doesn't his entire who he is?
21:00
Speaker 2: Gooey in the beginning and she puts it in the
21:02
Speaker 2: shower with all of us clothes up.
21:04
Speaker 1: He does look like the creature from the Black Lagoon
21:07
Speaker 1: because he's like dripping in mud and rain, right, you
21:10
Speaker 1: know what.
21:11
Speaker 2: I didn't even like really put that together, but I'm
21:13
Speaker 2: sure that was, yeah, okay's part of it.
21:16
Speaker 1: There are moments where he looks like the creature from
21:18
Speaker 1: the Black Lagoon. There are moments where he looks like
21:20
Speaker 1: what I would can consider like the Green Man from
21:24
Speaker 1: like Witchcraft, you know, like how men like the Green Man,
21:28
Speaker 1: or like ins from Lord of the Rains, where it's
21:30
Speaker 1: almost like he looked like Bark Like for some part
21:33
Speaker 1: of it, I think the funniest part about like Lisa
21:38
Speaker 1: Frankenstein just being like, oh right.
21:41
Speaker 2: We're a couple. You're like we're friends?
21:45
Speaker 1: Is it threw out the entire movie for some and
21:49
Speaker 1: again for someone who is so insecure and so traumatized,
21:54
Speaker 1: she's so committed to her own bit. It's like I'm
21:58
Speaker 1: the weird girl and yet I have the most main
22:01
Speaker 1: character energy you have ever seen and therefore, of course
22:07
Speaker 1: the zombie man brought me my mother's rosary and came
22:11
Speaker 1: to find me. This would only happen to me. Duh,
22:17
Speaker 1: obviously obviously, And I think that's why I love her
22:21
Speaker 1: so much.
22:22
Speaker 2: Oh my god, she's just she's so funny. Oh there's
22:26
Speaker 2: and then how did the first get so? She Tapy
22:32
Speaker 2: has a canny bet in like her own little garage,
22:37
Speaker 2: own little garage. There just really it's just a very
22:40
Speaker 2: weird setup. And I think she put oh when when
22:44
Speaker 2: Lisa was like UPSat earlier in the movie, she said,
22:46
Speaker 2: just she's maintaining that, and then she got electrocuted. What
22:50
Speaker 2: did you put him in the first time? Do you remember?
22:52
Speaker 1: I think it's a while. So she puts the creature
22:56
Speaker 1: in the closet. She's like, staying here. My family is bad.
23:00
Speaker 1: The stepmother is screaming about her precious moments because they're broken,
23:04
Speaker 1: and she hates Lisa, hates her, hates her so much.
23:09
Speaker 1: Wicked stepmother to the core is so fissed about these
23:13
Speaker 1: precious moments. Is convinced that like Lisa is being a
23:16
Speaker 1: weirdo who breaks things on purpose.
23:19
Speaker 2: She thought this to like trash the house on purpose.
23:21
Speaker 1: Yes, due to her trauma that no one is actually
23:25
Speaker 1: that concerned about. But like the stepmom's always threatening to
23:29
Speaker 1: like hospitalize Lisa over it.
23:31
Speaker 2: Well, she was gonna the right before. Well after this
23:36
Speaker 2: she gets she's sending her like a boarding school.
23:39
Speaker 1: No, because she's like a nurse on a psych ward.
23:42
Speaker 1: She's gonna use her psych ward connections to get Lisa
23:45
Speaker 1: into the psych ward.
23:46
Speaker 2: That makes sense because she does keeps saying it the
23:48
Speaker 2: whole time and whenever she talks when Tappy's like, Mom,
23:52
Speaker 2: do you think you should be talking about your clients
23:55
Speaker 2: like that? Because she was like saying, I don't know
23:57
Speaker 2: something about the mental institution, and I do like that
24:00
Speaker 2: Taffy like kind of calls her mom out sometimes.
24:03
Speaker 1: When she's like acting a fool and Dad is clue
24:06
Speaker 1: this right? Who is this man?
24:08
Speaker 2: Like he literally has the most like, which I think
24:12
Speaker 2: is fitting for the movie. Like he just says like
24:15
Speaker 2: the most like who cares is irrelevant? Yeah, so irrelevant.
24:19
Speaker 2: He's the most irrelevant character. But like it's kind but
24:22
Speaker 2: it's not irrelevant character irrelevant behavior. I guess like his
24:26
Speaker 2: character obviously mad because he's the dad, but he's just
24:28
Speaker 2: such a freaking idiot, Like I feel like he just
24:32
Speaker 2: and who knows if hate. I mean, I don't think
24:35
Speaker 2: he's processed with his trauma either.
24:37
Speaker 1: Oh no, do you know how like when Peyton Staid
24:39
Speaker 1: from One Tree Hill would come in from the sea
24:41
Speaker 1: from his like barge job.
24:44
Speaker 2: Yes, yes, he would ask.
24:46
Speaker 1: Like Ayen two questions about her emotional state. He'd be like, so, Peyton,
24:52
Speaker 1: you heat me up with school, and she'd be like yeah,
24:54
Speaker 1: and then he's like cool, like you gotta love life
24:57
Speaker 1: and you have friends, Okay.
24:58
Speaker 2: Good. Dad doesn't even do that, not at all, Like
25:04
Speaker 2: even when she's so mad about them, or the step
25:06
Speaker 2: I'm so mad about, like her trashing the house. I
25:09
Speaker 2: think Dad's like reading a newspaper. Like he's totally like
25:13
Speaker 2: not even engaged, Like he's just kind of like what
25:16
Speaker 2: the hell. He kind of doesn't seem to really care
25:19
Speaker 2: that she wants to put Lisa in a mental insistencion.
25:23
Speaker 2: He's just like, whatever happens happens. So she has the
25:27
Speaker 2: creature in a closet, and he quickly realizes that the
25:31
Speaker 2: stepmom's not nice to Lisa, so now he's gonna fuck
25:34
Speaker 2: with her shit, and he like drops nasty worms from
25:37
Speaker 2: his corpse body into her cottage. She's no, that's because
25:43
Speaker 2: she's and he's able to sneak behind her because he
25:45
Speaker 2: kind of like drags his leg as he walks. He
25:49
Speaker 2: is able to sneak behind her because she's wearing her
25:51
Speaker 2: phones and listening to like a doctor Phil Cassette or something.
25:57
Speaker 2: It's the intuitive person.
26:00
Speaker 1: So that has she's an mpath and that's why like
26:03
Speaker 1: she thinks everyone else is awful.
26:06
Speaker 2: Yes, oh my god. But the words on that are
26:09
Speaker 2: word killing me. I was like, I wonder if this
26:11
Speaker 2: is like something that was really out in the eighties,
26:14
Speaker 2: because they very well could be like what she was.
26:17
Speaker 2: It says on there like on paths, seclude themselves for
26:20
Speaker 2: a reason, and like all this stuff, and I'm like
26:23
Speaker 2: it just made it seem Yeah, it was clearly. I
26:26
Speaker 2: don't think she's listening to the right helpful audio book
26:30
Speaker 2: or whatever. She's in full aerobic spear like me on
26:34
Speaker 2: aerobic skear. Yeah, oh my god. And then the champoo
26:38
Speaker 2: carpet guys come and they asked the clean and you
26:41
Speaker 2: can eat off my carpets. She's like nuts, she seriously
26:44
Speaker 2: she yells at like the men who are just trying
26:47
Speaker 2: to like, you know, they're just going door the door, crying,
26:49
Speaker 2: knicking carpets and that's when he gets the worm. But
26:53
Speaker 2: of course Lisa gets the blame for that. Yeah, well,
26:57
Speaker 2: because they don't know that there's a corpse when so
27:01
Speaker 2: when Lisa gets home from school, this is all confronted
27:04
Speaker 2: in Lisa's room and she's screaming about sending Lisa away. Yeah,
27:09
Speaker 2: and the creature does he just like come on and
27:12
Speaker 2: tack here? He does.
27:13
Speaker 1: He finds something it's like a sewing machine or something
27:16
Speaker 1: in the closet and he hits her over the head.
27:21
Speaker 2: Oh yeah, and it's just instead she's dead that he
27:23
Speaker 2: takes her ear because he has.
27:26
Speaker 1: A missing ear and he's very insecure about his missing
27:29
Speaker 1: body parts.
27:31
Speaker 2: Yes, and he was very because he doesn't have a
27:34
Speaker 2: hand or an ear, and he's trying to like, yes,
27:37
Speaker 2: I totally forgot because he kept bringing it up and
27:39
Speaker 2: she's like, I'm not a doctor. I couldn't right. This
27:42
Speaker 2: main character energy is like what do you want? I
27:44
Speaker 2: don't know. So he rips off.
27:46
Speaker 1: Stuff OF's ear and he's like motioning to Lisa that like,
27:50
Speaker 1: I have an ear, you should sew it back on
27:52
Speaker 1: to me because she does so like that's her part
27:55
Speaker 1: time high school job at the cleaners, and she goes,
28:00
Speaker 1: I couldn't, I couldn't possibly not until we hide the body,
28:04
Speaker 1: like there's no wrapprimanding that you killed my step bob.
28:10
Speaker 2: She doesn't care at all.
28:11
Speaker 1: No, she's immediately like, of course this has happened every
28:15
Speaker 1: like of.
28:16
Speaker 2: Course, and they bring her back to the cemetery right,
28:19
Speaker 2: and they like throw in empty that really put her
28:22
Speaker 2: in his grave. I think it's his grave. Yeah, they're
28:25
Speaker 2: able to get away with it for a couple of
28:27
Speaker 2: days because she was supposed to be going on a
28:29
Speaker 2: trip that she actually was canceling, but Lisa was the
28:33
Speaker 2: only one that knew, so we play it off to
28:36
Speaker 2: Tappy and Dad that Lisa is on her trip and
28:41
Speaker 2: not missing or dead anywhere.
28:44
Speaker 1: Well, but that's why she puts them in the tanning bed,
28:46
Speaker 1: because she sews on the ear and it doesn't immediately
28:50
Speaker 1: make him hear. So then she was like electricity the
28:54
Speaker 1: tanning bed, and then every time she puts them in
28:57
Speaker 1: the tanning bed, he becomes a little less monstrous and
29:01
Speaker 1: a little bit more boyfriend material.
29:04
Speaker 2: Oh my god, I love the whole tanning bed thing,
29:08
Speaker 2: Like I think it's genius. I think like fitting with
29:12
Speaker 2: Lisa frank five Lisa Frankenstein eighties and just being so like,
29:18
Speaker 2: I don't know, over the top with some shit. It's like,
29:21
Speaker 2: of course it would be a fucking tanning bed. Like
29:24
Speaker 2: it's just so perfect and I never would have thought
29:28
Speaker 2: of it. I feel like tanning beds have like they're
29:31
Speaker 2: usually they're a couple horror movies and they're like traumatic,
29:35
Speaker 2: you know, traumatic deaths, and this one is like the
29:38
Speaker 2: Vehicle of Life, Yeah, which is so eighties.
29:42
Speaker 1: Again, it's so feminine to have like the tanning bed
29:46
Speaker 1: be like a supporting role in the movie.
29:49
Speaker 2: Yes, that's like in place of doctor Frankenstein's like whole
29:54
Speaker 2: contraption and like wheeling Frankenstein up to be electrocuted. Just
29:59
Speaker 2: go with the tanning bed. Just go with the tuning bed.
30:01
Speaker 2: It's already on the fritz. Oh yeah. Because it's very
30:06
Speaker 2: like Rickety and Chaffy got it from like winning a
30:10
Speaker 2: beauty pageant or something. We kind of Lisa kind of
30:12
Speaker 2: gets a taste of this. I don't know what she's
30:15
Speaker 2: I honestly don't know what she's really getting to throw out.
30:18
Speaker 2: I guess just like putting like helping him. No, I
30:21
Speaker 2: don't even think that's it. I think it.
30:23
Speaker 1: I think what I like the most about Lisa and
30:26
Speaker 1: Leka Lisa Frankenstein is it's truly all about her and
30:31
Speaker 1: like normally it's like you gross, why would this be
30:35
Speaker 1: all about you? And I'm like, no, I love that.
30:39
Speaker 1: Like she's a she's a villainous woman, not because like
30:44
Speaker 1: she's actually a murderer or she's Jennifer's body with like
30:49
Speaker 1: the alien shit monster shit going on. She's literally just
30:53
Speaker 1: like a vapid teenager who's like self centered, and it's
30:56
Speaker 1: like that makes you villainous.
30:57
Speaker 2: Lisa, like in right of course. Well, and she starts
31:00
Speaker 2: wearing Taffy's like Halloween clothes Rolloween costumes because they're all
31:06
Speaker 2: like they're like amazing outfits, Like she looks like impeccable,
31:09
Speaker 2: but she definitely does like a huge like one eight
31:12
Speaker 2: on her very ginger snaps. Yes, like this like a
31:18
Speaker 2: totally different vibe when she comes in. I mean, obviously
31:21
Speaker 2: it's goth instead of like two thousands, you.
31:23
Speaker 1: Know, you know, and all of a sudden, you're you
31:26
Speaker 1: commit to being evil and you're hot.
31:29
Speaker 2: Yes, obviously, right, that's just what happens, Like I committed
31:34
Speaker 2: to being evil and now I'm hot. I'm that bitch
31:38
Speaker 2: and I don't even know the school. The people at school,
31:41
Speaker 2: I don't really They kind of don't really react like
31:44
Speaker 2: they became Eve are weird about it. The crush boy
31:47
Speaker 2: and the lab partner boy kind of tilt their heads
31:50
Speaker 2: at it. Like she definitely feels like she's getting noticed,
31:54
Speaker 2: but she still is also so socially like behind everyone
32:00
Speaker 2: that she can't speak to any Well, no, you're right,
32:03
Speaker 2: she can't. She doesn't really ever talk to the either
32:07
Speaker 2: of the boys much. She so she sets up that
32:10
Speaker 2: partner boy to meet her, which we think is going
32:14
Speaker 2: to be the other the crushed guy. We don't really
32:17
Speaker 2: like get that, and ultimately we find you know, he
32:22
Speaker 2: goes to meet her evens is going to get lucky,
32:25
Speaker 2: and she takes him to the cemetery. He freaks out
32:28
Speaker 2: about the cemetery. He does why it's the lyric's place
32:33
Speaker 2: to be. He's like, I'm not going in there, and
32:36
Speaker 2: she's like fine, But the creature cuts off our dude's hand.
32:41
Speaker 2: Phil SIV cuts off the hand, the hand first or after, Oh,
32:46
Speaker 2: I think he starts running. I think he starts running
32:49
Speaker 2: and in mid the Creature throws something at He's like
32:54
Speaker 2: a very accurate shot. He's a very good killer. The
33:00
Speaker 2: best part is.
33:01
Speaker 1: Like the whole premise of the Creature in Lisa's relationship
33:05
Speaker 1: is that she finally has someone who is forced.
33:09
Speaker 2: To do nothing but listen to her.
33:12
Speaker 1: So it's the first time that she's ever felt comfortable
33:15
Speaker 1: speaking to anyone.
33:16
Speaker 2: That's a really, really good point, you know, because it
33:19
Speaker 2: is it because she does his talk and talk and
33:21
Speaker 2: talk to him the whole time.
33:22
Speaker 1: He's just like and then he waves his stump at
33:25
Speaker 1: her and she's like, no, I get it, you need
33:27
Speaker 1: a hand. But I'm telling you that the jello at
33:29
Speaker 1: the cafeteria was weird and it wasn't cold enough, like
33:34
Speaker 1: oh my god. And she always talks to him.
33:36
Speaker 2: About her crush and like losing her virginity to him, yes,
33:41
Speaker 2: which is like very you know. Then the Creature you can.
33:44
Speaker 1: Tell he's in sad. He's sad because because he's given.
33:49
Speaker 1: He was like, I thought you were all into me.
33:53
Speaker 1: The storm gave me a second chance at life that
33:57
Speaker 1: you're supposed to want to fuck me.
34:00
Speaker 2: He gave me this necklace. I said, you wanted to
34:03
Speaker 2: be with me, what do you expect?
34:05
Speaker 1: And she's like, I meant dead I met in the ground.
34:10
Speaker 1: It was like relatable, totally totally. Once he has the hand,
34:15
Speaker 1: then I love a musical number in the middle of
34:19
Speaker 1: a movie for no.
34:20
Speaker 2: Reason because you see, you've seen him trying to play
34:23
Speaker 2: the piano like earlier, and now he has. He goes
34:28
Speaker 2: back in the tanner and.
34:29
Speaker 1: He plays Feelings, which is.
34:35
Speaker 2: Just so funny, Like the whole thing. He gave me
34:37
Speaker 2: laugh so much because like, I guess that what happened,
34:39
Speaker 2: Like if he knows how to read music, Like I'm
34:42
Speaker 2: just like, how did they get it to be so good?
34:45
Speaker 2: But I mean I guess that's he would be able
34:47
Speaker 2: to read music if he's done it before. Yeah, he
34:49
Speaker 2: was like a concert pianist or something. He was perfect.
34:54
Speaker 2: Like she starts singing and she's so like just over that.
34:58
Speaker 2: She's she gets really over the top, like throughout the movie.
35:03
Speaker 1: I love it, Yes, well, because my uncle has also
35:07
Speaker 1: called me out for singing that way in the car
35:09
Speaker 1: where he's like really nably, you know, every goddamn song
35:13
Speaker 1: on the radio because I'm just in the back way
35:15
Speaker 1: and I can't stop this feeling anymore because it's she's
35:20
Speaker 1: got choreography.
35:23
Speaker 2: Yes, she like has the pillow with her at some point.
35:27
Speaker 2: I think she carries a pillow with her. It's the
35:30
Speaker 2: whole thing, and it's really I loved it. I almost
35:33
Speaker 2: forgot about it. I'm glad you brought that up.
35:35
Speaker 1: Oh no, it's my favorite part of the movie. I
35:37
Speaker 1: love when, for no reason whatsoever, there's a musical number
35:43
Speaker 1: within the movie.
35:45
Speaker 2: Right, Oh my god, so good. So then where do
35:48
Speaker 2: we go after that?
35:48
Speaker 1: So then you're gv even though well he she lets
35:53
Speaker 1: him mutually masturbate.
35:54
Speaker 2: Her because in the beginning when he's going through her,
36:01
Speaker 2: which is funny, like, did they have those big vibrators something?
36:04
Speaker 2: Oh yeah, those big ones, right, yeah, vibrators.
36:07
Speaker 1: Were huge in the eighties because they were like back massagers,
36:11
Speaker 1: like Amazon will tell you today that they're still bad massagers.
36:14
Speaker 1: But like I believe the specific one that they're using
36:19
Speaker 1: in the movie is called like the Wand or magic Wond,
36:22
Speaker 1: the Magic Wond, I know exactly what.
36:26
Speaker 2: And that's why I'm was like, hmmm, I didn't know
36:27
Speaker 2: they had him back then. But they do kind of
36:29
Speaker 2: make it look something about it does look very eighties yes, and.
36:36
Speaker 1: I'm watching it and I'm like, what a sex positive
36:38
Speaker 1: queen that Lisa Frankenstein and all of her weird I
36:42
Speaker 1: guess has a has her vibrator already. I was like,
36:45
Speaker 1: I was like in my mid twenties when I.
36:47
Speaker 2: Got rad Yeah, I did not have one in high school,
36:51
Speaker 2: that's right.
36:52
Speaker 1: I was like I was master leading with like weird
36:54
Speaker 1: shit in high school because like you're not letting people
36:57
Speaker 1: know they're mastering.
37:00
Speaker 2: Being pillows. Yeah that's what it is, you know. But yeah,
37:05
Speaker 2: Lisa is advanced compared to us. And she tells him
37:09
Speaker 2: it's a back massager, right, so he's maasaging her back
37:12
Speaker 2: with it because she says like she basically starts to
37:15
Speaker 2: realize like that he has feel like he can feel things,
37:18
Speaker 2: and she's like, wow, I guess it would like suck
37:20
Speaker 2: to sleep in the closet, wouldn't it. When she like
37:23
Speaker 2: invites him into the bad and I just think it's
37:25
Speaker 2: so funny that there's never any any like running into
37:31
Speaker 2: him in the house. It's it almost like isn't even
37:34
Speaker 2: like come close to happening, which is funny, Like just
37:37
Speaker 2: the few times that she shoves him in the closet,
37:39
Speaker 2: like it's like they are in their own little world
37:42
Speaker 2: and somehow Tappy and Dad just don't well.
37:45
Speaker 1: And it does just kind of feel like those first
37:47
Speaker 1: moments in a relationship where you forget that other.
37:50
Speaker 2: People exist, right, right? Oh, is this when she says
37:57
Speaker 2: something about sleeping with him, how sleeping with the creature
38:02
Speaker 2: or with the crush with the creature? Because for some reason,
38:06
Speaker 2: I obviously we know that it happens before she confronts, right,
38:11
Speaker 2: you know, so it had the conversation has to happen first,
38:14
Speaker 2: so like, but that's when we find out the creature
38:18
Speaker 2: has no penis. Penis, he has no penis. There's not
38:22
Speaker 2: really like any other like explanation.
38:26
Speaker 1: And now that I'm thinking about it, I'm like, was
38:29
Speaker 1: Lisa trying to practice all the creatures so she'd be
38:32
Speaker 1: good at it for her crush? Because like, at what
38:35
Speaker 1: point does that come up where he's just like, guess
38:37
Speaker 1: what no penis?
38:38
Speaker 2: Like you know, she thinks, she's well, she's like, we're
38:41
Speaker 2: gonna die. I'm gonna like, I'm gonna get caught. I
38:43
Speaker 2: only have like so much time because like she knows
38:46
Speaker 2: that they're Oh, Taffy gets her gets her Backtuck and
38:50
Speaker 2: she comes home and she's like, I canna call mom,
38:53
Speaker 2: and she calls like all the hotels and she's so funny,
38:56
Speaker 2: but how like she really is like like, oh, the
38:59
Speaker 2: this single hotel she knew with the dance on the
39:01
Speaker 2: phone describing like her mom. He's like, what eye color?
39:05
Speaker 2: And she just takes the phone and she tells him,
39:07
Speaker 2: like tells them like the eye color, hair color, what
39:10
Speaker 2: perfume she's wearing, what clothes she was wearing, like she
39:13
Speaker 2: it's just so funny. I'm like, wow, that is the
39:16
Speaker 2: Tappy character is just she's so observant obviously and like
39:22
Speaker 2: smart I do like I do well, Poor Tappy. At
39:27
Speaker 2: the end, Tappy really goes through well dead too, but
39:31
Speaker 2: Tappy really goes through it because then we're getting to
39:34
Speaker 2: a point where Lisa is like, you know what, like
39:37
Speaker 2: I need to lose my virginity. I'm gonna die. I'm
39:40
Speaker 2: gonna go to jail. I don't think she like always,
39:42
Speaker 2: I think it dissipated dying. And instead of going to jail,
39:45
Speaker 2: like she knew that was how it was gonna end,
39:47
Speaker 2: she goes into the CRUSH's house because he leaves on
39:50
Speaker 2: certain periods like if his car's not if he's not
39:53
Speaker 2: at school, he's at home. And she knows this like
39:56
Speaker 2: because she's a creep and like not because yeah, not
40:00
Speaker 2: because he's ever invited her over or anything. And she
40:04
Speaker 2: goes like she sees his cars there and like busts
40:07
Speaker 2: into the house. But our creature also sees another car
40:12
Speaker 2: that's familiar and it's Taffy's car, and it really sucks.
40:18
Speaker 2: We see Lisa go in and find out that Taffy
40:22
Speaker 2: and crush Boy are intimate. Yeah, they're like super into
40:28
Speaker 2: each other. Something. I hate the way he talks to her,
40:31
Speaker 2: like when she confronts it and he's like, oh, kiddo,
40:34
Speaker 2: he says, kttle, I wanted to like punch in and
40:37
Speaker 2: Taffy Taffy was just being like taffy about it.
40:41
Speaker 1: But then well then the creature comes in because everyone's yelling,
40:47
Speaker 1: which I will say is like a big part of
40:51
Speaker 1: the original Frankenstein story is that, like Frankenstein truly only
40:55
Speaker 1: acts out because other people are screaming and yelling and
40:58
Speaker 1: he gets stressed.
41:00
Speaker 2: Yes, yeah, he just gets worked up. He doesn't know
41:02
Speaker 2: what to do.
41:03
Speaker 1: WHOA So the creature, after being racially profiled in the
41:12
Speaker 1: yard because That was also a favorite part for my
41:15
Speaker 1: personal movie experience.
41:17
Speaker 2: There was this look.
41:18
Speaker 1: There was a woman, she was a black woman, and
41:21
Speaker 1: she had brought her pizza hut into the movie with
41:23
Speaker 1: her and she was just having a solo date. And
41:25
Speaker 1: I was like, queen, love it, love it? Do you
41:29
Speaker 1: want to be back here next week for drive by Dolls?
41:31
Speaker 1: We're here every week, right, we have a scheduled time.
41:36
Speaker 1: We have a scheduled time. And with the when the
41:40
Speaker 1: old man neighbor is like, ah ah, not this kind
41:43
Speaker 1: in my yard, she went.
41:46
Speaker 2: Oh, I just started laughing. Oh my wait, that's in
41:51
Speaker 2: the I don't know if I think I like missed
41:54
Speaker 2: the part that was right before he goes in.
41:56
Speaker 1: Yeah, because he's parked in the car and she's told
41:58
Speaker 1: him not to go anywhere.
42:01
Speaker 2: Oh yeah, yeah, because he just like learns how to
42:05
Speaker 2: drive and he drives.
42:06
Speaker 1: Well, and he like kills that guy because he's mean
42:09
Speaker 1: to a son or something and the sun does not care.
42:12
Speaker 1: This sounds like, thank God, maybe I can have a
42:14
Speaker 1: dreamsickle now.
42:16
Speaker 2: He just he uses a what did he used to
42:19
Speaker 2: call him with that It wasn't a tool. Yeah, and
42:23
Speaker 2: there's something in the car. Oh, it's one of those.
42:27
Speaker 1: Anti device anti theft devices.
42:30
Speaker 2: Like it's an anti theft device, it's not a weapon.
42:33
Speaker 2: And he's driving like two miles an hour, and you know,
42:39
Speaker 2: we obviously kind of related to the fact that like
42:41
Speaker 2: he rode like a horse and buggy before and he's
42:45
Speaker 2: all like embarrassed because and then actually I think was
42:50
Speaker 2: right before, yes, because he drives her too.
42:54
Speaker 1: So everyone's screaming, it's chaos. The creature gets all worked up.
42:58
Speaker 1: He comes lumbering up the stairs and he cuts up
43:03
Speaker 1: the crushes pete us and then Tappy loses her mind
43:06
Speaker 1: and Lisa is screamy.
43:08
Speaker 2: No, that's not what anyone wanted you to do.
43:14
Speaker 1: And doubt Taffy's screamy because Lisa is just like besties
43:18
Speaker 1: with the guy who just killed her boyfriend.
43:23
Speaker 2: And got his wee are off. Oh my god. And
43:28
Speaker 2: so I didn't. I mean I don't know. It took
43:30
Speaker 2: me a second to like understand why. And then he
43:34
Speaker 2: points out like I don't have one. I don't have one,
43:38
Speaker 2: and he uses Taffy like totally loses her mind, like
43:42
Speaker 2: I think she puts her and like she just starts
43:44
Speaker 2: walking with no shoes on, and she's like covered w
43:47
Speaker 2: she's like very she's like, my mom's missing, Like she literally,
43:53
Speaker 2: like at that point, was so concerned about her mom
43:56
Speaker 2: and Lisa just kept being like she's fine, don't okay,
44:02
Speaker 2: Like Lisa is like, you know what, Taffy, I just
44:04
Speaker 2: wanted to say thank you for always being nice to be.
44:07
Speaker 2: You are my sister, you are a sister to be
44:10
Speaker 2: and it.
44:11
Speaker 1: Can't be sweet at all because that's covered in blood
44:15
Speaker 1: and in a feuse steak.
44:18
Speaker 2: Very much in shock, like she's just I don't. I think,
44:22
Speaker 2: I don't know if you see her after that until
44:25
Speaker 2: the flash for yes.
44:27
Speaker 1: And I think and I think, like Lisa being convinced
44:30
Speaker 1: that like, okay, we killed my step we killed Dug
44:33
Speaker 1: the lab partner, and we killed the crush. This is
44:37
Speaker 1: only ending up with me being in a blaze of
44:39
Speaker 1: glory and I have to take control of it is
44:43
Speaker 1: still like part of her main character delusion.
44:46
Speaker 2: It totally is, It totally is and she so I
44:51
Speaker 2: think it goes right after that. Well, I think that no,
44:54
Speaker 2: first she sews on the penis pis. My favorite thing
44:58
Speaker 2: is when he tells heard that and he's like he's
45:03
Speaker 2: like embarrassed to tell her that he did Kevin, you
45:05
Speaker 2: can tell him. She's like, oh, that's like the least
45:08
Speaker 2: important thing about being a man. And I'm like, you
45:11
Speaker 2: know what, that's that's a good point. That is a
45:14
Speaker 2: very good point. Like I love that she said that
45:16
Speaker 2: they end up exact.
45:19
Speaker 1: Yeah, two Ario speed wagons. I can't stop this feeling
45:23
Speaker 1: before how can I forget? And it's the first time
45:26
Speaker 1: that we see Cole Sprouse's actual face.
45:30
Speaker 2: Oh yeah, because he's like finally.
45:33
Speaker 1: Right, because the more she shocks on, the more boyfriend
45:36
Speaker 1: material he becomes.
45:37
Speaker 2: Right. Oh my god. So then fast forward to well
45:43
Speaker 2: after she and him have sex, then she like suicides
45:48
Speaker 2: herself in a tanning that yeah, to avoid the police,
45:52
Speaker 2: and he like sits in a fold out chat at
45:56
Speaker 2: the point with like a tanning like scream. And when
46:00
Speaker 2: that like the last thing that she said to him,
46:02
Speaker 2: I can't remember what it was, but I was like
46:04
Speaker 2: such the whole time. I was like, it's gonna be
46:07
Speaker 2: like we belong dead, like and Bride of Franking's sign,
46:10
Speaker 2: and it wasn't. But you know what, that's okay because
46:14
Speaker 2: it's not the same. It's the own thing, you know.
46:18
Speaker 2: But she like burns up in that and I don't
46:23
Speaker 2: know why, like he didn't he doesn't stay there though, right,
46:26
Speaker 2: and where does he go? So I feel like he
46:29
Speaker 2: left the building and you just see like and of course,
46:32
Speaker 2: because it's just the garage, the whole house isn't like
46:35
Speaker 2: on fire or anything. Yeah, everybody comes to see a
46:40
Speaker 2: flash for well one is they they see each other
46:43
Speaker 2: in the afterlife and she's like covered. They're like together obviously,
46:48
Speaker 2: and she's like covered in bandi or bandages? Is it
46:53
Speaker 2: the afterlife? Though?
46:55
Speaker 1: I literally thought that like the final burnout made him
46:59
Speaker 1: human and then she got to be a zombie and
47:01
Speaker 1: it was a complete role reversal.
47:05
Speaker 2: That's way smarter than what I was thinking. Wow, that
47:10
Speaker 2: would make sense because she is like, so what are
47:13
Speaker 2: we going to do to get her give? I guess
47:16
Speaker 2: just stay banged.
47:18
Speaker 1: Yeah, because I was like, oh, I want the sequel,
47:21
Speaker 1: I want him as the except for I don't because
47:24
Speaker 1: the beauty of this movie too is that, like the
47:26
Speaker 1: main male protagonist is silent the entire movie until the.
47:30
Speaker 2: Very end, exactly when he's reading her poetry.
47:34
Speaker 1: But yeah, like now they just get to be a
47:37
Speaker 1: zombie monster couple for possibly eternity.
47:42
Speaker 2: It's amazing and we see that Tappy and dad are
47:47
Speaker 2: still together. You know, he didn't abandon his stepdaughter, and
47:53
Speaker 2: like we kind of end with her seeing them looking
47:55
Speaker 2: at like visus too stronge and it's a loved wife
48:00
Speaker 2: and like Taffy noticed it that the dad didn't, and
48:03
Speaker 2: it's like she goes, who would break the flowers? Here
48:06
Speaker 2: is it? She could not understand why anybody would really
48:10
Speaker 2: says tombstone flowers and it was all him and he
48:15
Speaker 2: was really cute, I know, and I'm pretty sure that's
48:17
Speaker 2: why I was like, this is the most romantic movie
48:20
Speaker 2: I've ever seen. It is. It's so good. So now
48:26
Speaker 2: I don't know this comparison if it's really off, because
48:30
Speaker 2: I hadn't said it's gonna be in a long time.
48:31
Speaker 2: But part of me wants to watch Warm Bodies again, yeah,
48:35
Speaker 2: because it kind of has a similar vibe. But the
48:38
Speaker 2: but the man zombie is the main character I think
48:41
Speaker 2: in that so it's kind of incredible and he talks
48:45
Speaker 2: the entire time what a crime? I know, Okay, not
48:51
Speaker 2: rewatching it again, No, I love.
48:53
Speaker 1: The movie theater and I was like, I really want
48:55
Speaker 1: to rewatch Jennifer's Body because I'm mean Diablo Cody is
49:01
Speaker 1: just so witty with all of it.
49:04
Speaker 2: It's so good, and I kind of love that, like
49:07
Speaker 2: they came out so far apart, like they're fifteen. Like
49:10
Speaker 2: it's not like she's I mean I really looked at
49:13
Speaker 2: her discuss or her filmography and like, wasn't I didn't
49:18
Speaker 2: know a lot of stuff. I think she has a
49:20
Speaker 2: lot of music videos in between, which I think is
49:22
Speaker 2: kind of cool, Like she doesn't. It seems like she
49:25
Speaker 2: may not like rush a project until you know she's ready,
49:30
Speaker 2: which I think is great. You know, things take longer,
49:33
Speaker 2: but well, and as you know, I'm the most.
49:36
Speaker 1: Grateful that you, Elizabeth and other people have really gotten
49:41
Speaker 1: me back into horror, because.
49:44
Speaker 2: You know, there's.
49:45
Speaker 1: Mainstream horror and it does really lean towards the male gaze.
49:49
Speaker 1: And now all of a sudden, my world has like
49:51
Speaker 1: opened up to ginger staffs and like Lisa Frankenstein in
49:55
Speaker 1: All Heather's the Craft and you remember, I'm like, oh,
50:00
Speaker 1: you know, women have always owned horror, like all of
50:04
Speaker 1: the cult classics are women.
50:07
Speaker 2: And like the Final Girl is like such like it's
50:11
Speaker 2: such a thing, like it's such a trope in like
50:14
Speaker 2: eighties horror, especially like slashers and stuff, and you know,
50:18
Speaker 2: in the eighties, there's a really great documentary about the
50:22
Speaker 2: rise and fall of the slasher film and they kind
50:24
Speaker 2: of show I don't know if these guys are like
50:26
Speaker 2: music porters or whatever, but they're very anti horror and
50:29
Speaker 2: they say that like horror is like demeaning to women
50:33
Speaker 2: and like all this, like they flip the whole narrative.
50:36
Speaker 2: And I just remember being so frustrated, and I think
50:39
Speaker 2: a lot of women in horror probably were because like,
50:41
Speaker 2: you clearly aren't even paying attention because the women, I mean, yes,
50:45
Speaker 2: there's things and obviously there's overexploitation of you know, there's
50:49
Speaker 2: like you know, they had boobs in every movie back then,
50:53
Speaker 2: but like it wasn't that's not like what the movie
50:57
Speaker 2: is about, Like that was just to get the people
50:59
Speaker 2: in the theater. I feel like mostly, you know what
51:01
Speaker 2: I mean.
51:02
Speaker 1: Because think of how poorly they marketed Jennifer's Body to
51:06
Speaker 1: where I think that women were kind of turned off
51:09
Speaker 1: by the idea of Jennifer's body and then it was
51:14
Speaker 1: what the marketing never clicked until it became a cult classic,
51:18
Speaker 1: was oh, no, Jennifer's Body is for the girlies.
51:21
Speaker 2: Yeah, right. I didn't see it right away. We had
51:25
Speaker 2: it on DVD. Michael watched it, and I remember him
51:28
Speaker 2: telling me like years before, you know, you should probably
51:32
Speaker 2: watch it. I think it's a biked. But I wasn't, like,
51:36
Speaker 2: I don't know. I just didn't think it seemed that good,
51:39
Speaker 2: like and I didn't really know. I don't feel like
51:42
Speaker 2: and that isn't the way it is now obviously, you know,
51:44
Speaker 2: so you only really heard people, you know, and what
51:47
Speaker 2: they talk about it, and nobody really talked about it.
51:49
Speaker 2: So but then I want to say, it was like,
51:52
Speaker 2: so it came out two thousand and nine. I want
51:54
Speaker 2: to say at third twenty sixteen. Twenty fifteen was probably
51:57
Speaker 2: the first time I like sat down and watch it
51:59
Speaker 2: and I was like, holy shit. Ginger Snaps was the
52:02
Speaker 2: same way. I feel like. I watched them kind of
52:04
Speaker 2: like close together, like with the Senior or something, where
52:08
Speaker 2: like I was just like, these movies are fucking amazing, amazing,
52:12
Speaker 2: How do I ever live? Right? Like I was like,
52:15
Speaker 2: how I like, I'm mad because I used to see
52:18
Speaker 2: like the Ginger Snaps like tape at Blockbuster, and I
52:22
Speaker 2: just like it never seemed I didn't really like Monster
52:25
Speaker 2: movies back then, Like I didn't really watch any. Now
52:29
Speaker 2: I'm like, where we'll sign me up? Like the back
52:32
Speaker 2: then it wasn't necessarily which I don't even know if
52:34
Speaker 2: they said that on the case. So like whatever I
52:36
Speaker 2: read on the case, I didn't seem we would always
52:39
Speaker 2: pick something up.
52:39
Speaker 1: I will be a little bit embarrassed when they make
52:42
Speaker 1: Twilight into a scripted series because I'm gonna have to
52:45
Speaker 1: watch it, Like, you know, how are we not gonna
52:48
Speaker 1: watch it?
52:49
Speaker 2: I never watched the ovisuals. Well, I never watched the
52:52
Speaker 2: movies either, but I read all the books. Okay I
52:55
Speaker 2: didn't did they see this? I was really into Truly
52:59
Speaker 2: Blood True Blood simultaneously happening at that point, and I
53:05
Speaker 2: was very into True Blood and I don't know I
53:08
Speaker 2: yet Twilight the books are good? Is that the one?
53:13
Speaker 2: Because I remember I compare that and fifty Shades Degree
53:18
Speaker 2: and make their popularity when they came out, and I
53:21
Speaker 2: know one of them was poorly written, was it fifty
53:23
Speaker 2: Shades Degree?
53:24
Speaker 1: They're both poorly written, but fifty Shades of Gray takes
53:27
Speaker 1: the competition because fifty Shades is based off of Twilight fanfit.
53:33
Speaker 2: Yes, yes, my friend just told me that I had
53:36
Speaker 2: no idea. I had no idea, so like, and Twilight's
53:39
Speaker 2: written for like young adults, so like you kind of
53:42
Speaker 2: get a pass like with your wearing. I know, I
53:45
Speaker 2: maybe I do want Christina see it, though, but I
53:48
Speaker 2: never wanted to watch it because like they're so cheesy
53:50
Speaker 2: and like.
53:51
Speaker 1: Yeah, well, I don't know this that when I was
53:54
Speaker 1: a teenager watching the first well, I guess I was
53:57
Speaker 1: a sophomore in college watching the first Twilight movie. Twilight
54:01
Speaker 1: turned me off of Kristen Stewart to the point where
54:04
Speaker 1: I was like, she can't act. She's kind of shitty, right, God, Like,
54:10
Speaker 1: she's not my type of woman that I want to
54:13
Speaker 1: be watching. And now I'm literally counting down minutes until
54:18
Speaker 1: I can go see Love Lives Lies Bleeding. There's something
54:21
Speaker 1: about cinema currently that's so feminine and so gay that
54:25
Speaker 1: gay coded feminine. I find this boomy, even though every
54:29
Speaker 1: relationship is very hetero in the movie, to be so
54:32
Speaker 1: gay coded, just like Jennifer's body.
54:36
Speaker 2: Yeah, definitely, I could definitely see that.
54:39
Speaker 1: Lisa gives me real, big, chaotic bisexual energy. Yes, it
54:44
Speaker 1: could be that all chaos bisexuals our main characters and
54:48
Speaker 1: we just walked through life, being like, of course the
54:51
Speaker 1: store would be robbed while I'm here. This is but
54:55
Speaker 1: yet another chapter in my life.
54:58
Speaker 2: Right, my story.
55:03
Speaker 1: What's great about Katherine Newton is she pulls off this
55:07
Speaker 1: very subtle way of It's like Katherine Newton isn't acting
55:12
Speaker 1: for the camera. Lisa Swallows is acting for life. You
55:18
Speaker 1: know those people who think that, like they're walking through
55:21
Speaker 1: scenes and like every the way that they stand is
55:25
Speaker 1: very cinematic. The way that they talk is very cinematic.
55:29
Speaker 2: Yeah, that's so. That's such a good point.
55:32
Speaker 1: I know because I do it same from there. It's
55:37
Speaker 1: a hell of a it's a hell of a time
55:39
Speaker 1: to be alive, to be a woman who loves film,
55:42
Speaker 1: because it feels like due to the writer strike, that
55:46
Speaker 1: all of the smaller studios, yeah like will follow the
55:50
Speaker 1: strike rules and they actually got to produce their movies
55:54
Speaker 1: and now they're getting movies like Drive By Dolls, which
55:58
Speaker 1: is about two lesbians. Love life is bleeding. Lisa Frankenstein
56:03
Speaker 1: is going to be a cult classic at some point.
56:05
Speaker 1: And it's just like I can't get enough of the
56:10
Speaker 1: I loved that American fiction. I believe one best screenplay
56:16
Speaker 1: Last Night at the Oscars. Okay, I haven't seen that. Yeah,
56:20
Speaker 1: it won one of the writing awards, and now I'm
56:24
Speaker 1: insecure about what the writing awards are called for the Oscars.
56:27
Speaker 1: But I think it was like original screenplay.
56:30
Speaker 2: Or maybe yeah, because adapted they do original and adapted.
56:34
Speaker 1: Yeah, maybe it was adapted screenplay because I think American
56:37
Speaker 1: Fiction is based.
56:38
Speaker 2: Off of the book.
56:39
Speaker 1: Okay, I loved American Fiction because it finally feels like
56:44
Speaker 1: white men got out of my movie theater, right. It
56:50
Speaker 1: finally feels like, yeah, it feels like safe to decenter
56:54
Speaker 1: white men and heteronormativity from my movie experience.
56:59
Speaker 2: Right, which is really wonderful when you start to experience
57:03
Speaker 2: it right, you know.
57:05
Speaker 1: Okay, And I also have to make sure that you
57:07
Speaker 1: and everyone else is aware of Zendaiya's movie that's going
57:11
Speaker 1: to be coming up this spring or summer that's not Dune.
57:14
Speaker 1: It's called The Challengers and it's about her being a
57:18
Speaker 1: tennis prow who gets injured and her way to cope
57:23
Speaker 1: with being injured is to sexually torture like two white
57:26
Speaker 1: boys and like hin them against one another. And I
57:29
Speaker 1: was like, this is also gay. I can't explain it.
57:32
Speaker 1: It might just be how I'm feeling.
57:35
Speaker 2: Oh my god, that sounds so good. A married h
57:43
Speaker 2: But it's like it stars Katherine Isabel who Ginger, and
57:49
Speaker 2: she's a med student, like she's like to be a surgeon.
57:54
Speaker 2: She's in med school, but like she can't make the bills.
57:57
Speaker 2: She's like, you know, kind of run, you know, put
58:00
Speaker 2: for her money or whatever, and finds herself in these
58:03
Speaker 2: in this situation where there's this underground market of like
58:08
Speaker 2: body modification that like isn't like legally done, so she
58:14
Speaker 2: starts doing it like just like little projects at first,
58:19
Speaker 2: and then because I think she fails out of like
58:22
Speaker 2: med school or something, but there's a little something that
58:25
Speaker 2: happens in it and she gets her her REVCT. Honestly
58:31
Speaker 2: like one of my like it's one of my favorite,
58:33
Speaker 2: like especially like feminine feminist movies. It was directed by
58:36
Speaker 2: the Soskas, the Twins. We really didn't done like a
58:39
Speaker 2: whole lot of popular.
58:41
Speaker 1: All right, well, I am going to tell the Tolerators
58:43
Speaker 1: goodbye because we gave them a very Is there any
58:46
Speaker 1: lasting thing you did want to meet? Bring up that
58:49
Speaker 1: Zelda Williams is the daughter of Robin Williams.
58:52
Speaker 2: I totally forgot and I text you that earlier. It
58:55
Speaker 2: was off. Zelda Williams have Robin Williams daughter. I think
58:58
Speaker 2: that's really cool.
58:59
Speaker 1: That does make I think it's very cool that after
59:03
Speaker 1: everything that Robin Williams went through, that Zella does now
59:06
Speaker 1: create any films.
59:08
Speaker 2: Yeah, and that she's on like behind the camera where
59:11
Speaker 2: maybe you don't have as much pressure as you know,
59:14
Speaker 2: like obviously Robin had. You know, I hope she. I
59:19
Speaker 2: hope she makes one movies, but I hope both of
59:21
Speaker 2: them makes one movies.
59:22
Speaker 1: They were a great team. They were I honestly, instead
59:26
Speaker 1: of the Marvel universe, I could do a Diablo Cody
59:29
Speaker 1: every year.
59:31
Speaker 2: Oh you too, bring it on. She can tackle any
59:34
Speaker 2: like she kind of so she did like a cull
59:36
Speaker 2: possess and then you know you have this like Creature's
59:40
Speaker 2: Monster movie. I mean, there's a lot of other options
59:43
Speaker 2: that she could do. You know, she could do like
59:46
Speaker 2: a well where movie would probably be two English nois,
59:49
Speaker 2: but I would be here for for it. Vampire.
59:51
Speaker 1: I could see her having a very Lost Boys vibe
59:55
Speaker 1: for a vampire movie.
59:57
Speaker 2: Oh yeah, and it would be with women and it
1:00:00
Speaker 2: would be amazing because Lost Boys is amazing. But there's
1:00:03
Speaker 2: so many men, but there's so many men. There's only
1:00:05
Speaker 2: two women in the whole fucking cast. Honestly, Now then
1:00:08
Speaker 2: we think about it, it's like the mom, the girl,
1:00:11
Speaker 2: and then the little girl, the three. Oh.
1:00:13
Speaker 1: I'm gonna ask you this because I asked Jad this
1:00:16
Speaker 1: when we did a recording for International Women's Month too.
1:00:19
Speaker 1: How are you celebrating womanhood this month for March? Well,
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Speaker 1: I am celebrating womanhood by there's probably a few different things.
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Speaker 1: I well, like quick drinking a couple of days ago.
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Speaker 1: Not that this is like I feel like, it's just
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Speaker 1: kind of like it was.
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Speaker 2: It's like the first time that I like have made
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Speaker 2: this decision like solely on my own, and like not
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Speaker 2: like I've done it because Michael's quit drinking before and
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Speaker 2: I've just kind of like been there as like a
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Speaker 2: partner with that. But like so I feel like I'm
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Speaker 2: really focusing on like my like health and like getting
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Speaker 2: back mentally too, because I'm in therapy. It just went
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Speaker 2: back to therapy, So I'm working on being like a
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Speaker 2: new a whole new woman over here, just trying to
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Speaker 2: like be be better.
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Speaker 1: I guess yeah, I could honestly give up drinking tomorrow
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Speaker 1: and I don't think anyone would notice, because.
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Speaker 2: Like that's how little I ever care about drinking. That's awesome.
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Speaker 2: I grew up with a family that is very the
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Speaker 2: alcohol is very pushed, so it's like very abnormal to
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Speaker 2: not drink. So it took a while so I get
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Speaker 2: to that point, you know.
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Speaker 1: But I now Coca Cola that I have to put
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Speaker 1: myself all the twelve step program if I want to
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Speaker 1: give up Coca Cola.
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Speaker 2: Yeah, I'm really really a big pop girl too, so
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Speaker 2: I totally understood. I was saying it to my therapist today.
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Speaker 2: I was like, part of it is like when I
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Speaker 2: wasn't drink, because there was like a good year where
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Speaker 2: I didn't drink, and I was like drinking so much more.
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Speaker 2: I was like working out more. I felt like I
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Speaker 2: just like felt physically so much better. And I'm like, well,
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Speaker 2: now then I went back to like kind of like
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Speaker 2: having a drink, you know, here and there, and then
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Speaker 2: it's like I'm already dealing with trying to rehydrate myself
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Speaker 2: from my coffee and my pop. Yeah, and then you're
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Speaker 2: adding in alcohols like only making it ten times worse,
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Speaker 2: you know. So like that was that was like component too.
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Speaker 2: I love my pop. I love pop. Thank you Darcy
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Speaker 2: for bed here to talk about Lisa Frakin's side. It
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Speaker 2: was so much fun. It was so much fun. I'm
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Speaker 2: really glad you had me on. I loved it. Thanks
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Speaker 2: Patreon members and tolerators for helping support the show.
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Speaker 1: I hope you have a fantastic Women's International Month, and
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Speaker 1: I hope that you're enjoying all of the insane blog
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Speaker 1: posts that I'm writing and the little snippets of the
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Speaker 1: misogyny email down. It's time to start having fun in
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Speaker 1: my brand of feminism.
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Speaker 2: Yes, yes, fun is on the horizon. We're ready.
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Speaker 1: We're ready. We've decentered men and now we're making fun
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Speaker 1: of