Latest / Two Cents: We See Scary Movies / Cherry Falls (2000) | When Being a Virgin Gets You Killed

Transcript

Cherry Falls (2000) | When Being a Virgin Gets You Killed · Two Cents: We See Scary Movies

• 0:02
  Welcome back to Two Cents. We see Scary Movies, the podcast
• 0:05
  where we watch horror films and slowly realize the real villains
• 0:09
  might actually be us. Because when we keep watching
• 0:11
  movies like this, it signals maybe we should make more.
• 0:15
  This month's theme is Kills Like Teen Spirit, which means high
• 0:18
  school horror, questionable morals, and adults who
• 0:21
  absolutely do not think their choices through.
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  I'm Talon, a person who watched this movie and kept asking,
• 0:26
  wait, why are we doing this? And with me, as always, it is
• 0:30
  Dan who watched Cherry Falls and responded by mentally filing
• 0:33
  complaints against half the cast.
• 0:35
  You're actually kind of accurate.
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  That was my guess and we watched the same movie.
• 0:47
  Today's movie is Cherry Falls. Let's get into it before we get
• 0:55
  into it. Welcome to Season 2.
• 0:58
  We made it to a second season. Woo Hoo.
• 1:01
  Yeah, not without my own fuck ups.
• 1:03
  So the reason why we didn't have a November or December or
• 1:05
  January or February was mainly because of November, because we
• 1:08
  recorded an episode for, well, well, almost recorded an episode
• 1:12
  for November. We did the whole thing and I
• 1:14
  realized I forgot to press fucking record.
• 1:18
  This this can be filed underneath Lost media.
• 1:22
  Yeah, it's funny, when I opened Riverside, it's set up where it
• 1:25
  has each of our episodes and I have one the studio for it and
• 1:29
  it just says empty. I was like, damn, thanks for
• 1:36
  rubbing it in anyway. So then when we didn't record
• 1:41
  that, one realized also there were two Thursdays of that month
• 1:44
  because Thursdays only record that we weren't going to be able
• 1:46
  to do it anyway. One of them being Thanksgiving
• 1:48
  and one because I had to do something else.
• 1:50
  And that was like, well, November is a bust.
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  And I was like, well, let's just put it off, take a break and
• 1:55
  we'll come back with the Season 2.
• 1:57
  But we were also busy. We're busy too.
• 1:59
  We're both, in case anybody cares and wants to know, we are
• 2:02
  both writing well. I've written a book, he's
• 2:04
  writing a book, and I've also been doing a bunch of other
• 2:07
  stuff. We have a website now if anybody
• 2:09
  wants to see it. It's two cents. scarymovies.com.
• 2:13
  I just learned about it, I already know what it is.
• 2:17
  So if you want to visit our website that would be fantastic,
• 2:21
  but it also has links to, well, it has links to my book and then
• 2:23
  it has a link, potential link to Dan's book when his is finished.
• 2:27
  Well, that's what I was going to ask is what, what what can they
• 2:30
  find on our our website links to our books, well, yours and then
• 2:35
  when mine if it comes out and then what else can they find on?
• 2:39
  Well, right now they can of course find our episodes.
• 2:41
  It's just it's for our episodes and a home that I will
• 2:44
  eventually expand on. But this is just the base for
• 2:47
  now. And then in my book, I wrote
• 2:48
  this book with my son, who is now 14, but we started it when
• 2:53
  he was 9 and working out for five years.
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  And it's a technological horror called Friendos.
• 2:59
  And if anybody would like to go check it out, it's available on
• 3:02
  Amazon. Wow, Are you ready?
• 3:08
  For the movies, I don't know all.
• 3:12
  Right. Wasn't that one of wasn't that
• 3:14
  one of your tag lines for the book?
• 3:16
  Are you ready? Oh yeah, yeah, yeah, yeah, yeah.
• 3:18
  That what the heck was my typeline?
• 3:20
  I had to take a break because I was getting totally because I
• 3:23
  have a, you have the standard version of the book, but we are
• 3:26
  also coming out with an interactive version of the book,
• 3:29
  which if anybody out there is into AR GS, it should be a whole
• 3:32
  lot of fun. And we're working really hard on
• 3:34
  making it a very cool Arg so. Is is that like a new Choose
• 3:38
  your Own Adventure sort of book? Remember those I loved?
• 3:41
  Those, I loved those. I loved those as a kid.
• 3:46
  No, it's not really a choose your own adventure, sure, but
• 3:48
  you can do a whole lot of stuff. There's websites and all kinds
• 3:51
  of crazy codes and stuff that you gotta figure out and secret
• 3:54
  pictures and secret videos and all kinds of fun stuff.
• 3:58
  Anyway, all right, so we can get into this movie I guess, right?
• 4:04
  Yeah. All right, let's get into it.
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  So the movie opens with a teenage guy, Rod, and a girl,
• 4:12
  Stacy, and they're parked in a car in the middle of the woods.
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  They're making out. The guy starts rambling about
• 4:17
  celestial beings and ancestors and some weird cosmic excuse for
• 4:22
  why they should be having sex, right?
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  It's an interesting tactic, I guess.
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  I mean guys always come up with weird shit and that was probably
• 4:30
  takes the cake. Right.
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  Yeah. Although there is something that
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  comes up in just a second that I'm guessing he really is into
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  it. So he decides he's going to make
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  his move and he's unsuccessful at it.
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  It pisses Stacy off. She scratches his face.
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  I mean she really like reacting. Oh yeah, A.
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  Little. Extremely.
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  It was a situation where he was not really trying to force
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  himself. No, no, he was just, you know,
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  trying to make his move. And she was like, absolutely
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  fucking not scratch, right? So yeah.
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  So after that, she gets out of the car, she's upset.
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  And then she basically tells him if you keep this up, you're
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  getting nothing. So he follows her out.
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  He's, you know, whispers some sweet nothings in her ear about
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  how he wants his first time to be with her.
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  And she's like, aw, shucks. And she eventually gets the only
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  gets back in the. Because.
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  Because that line always. Always.
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  So that's when we see another vehicle that has been sitting in
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  the woods, then drives up behind the car, headlights blaring, and
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  it focuses on the back of Rod's car and the license plate says
• 5:33
  Sup Nova. Now I'm not.
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  I don't think he's saying like, what's up Nova, right?
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  I think it's up for Supernova. His car wasn't a Nova either.
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  So because he wasn't driving a Nova but he was talking about
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  all that celestial shit, I think he's actually just committed to
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  this celestial theme. Like he's really into the stars.
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  And it wasn't just him trying to get her pants, although I think
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  it helped. Or he thought so Ron, they're
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  like, what the hell is this? So Ron gets out of the car to
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  see what's going on. He starts calling out names like
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  Ben and Mark, thinking maybe it's one of his friends messing
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  with him. But as he gets closer to the
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  car, he sees it's there's someone sitting in the car with
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  this long, scraggly dark hair that he doesn't recognize.
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  And he's like, what the heck. But before he can really, truly
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  react, the door swings open, knocks him down.
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  The driver gets out and immediately starts attacking him
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  with a knife and just stabbed frantically like crazy.
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  I don't know how he survived that because it was a lot of
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  stabbing. Back inside the car, Stacy is
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  screaming his name, Rod, Rod, Rod.
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  And she's freaking out. So she decides to lock the doors
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  because obviously, she probably just assumes Rod's a Garner.
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  Why not lock the doors? Don't help him.
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  Right. And and let's and let's add that
• 6:44
  these were like cars that did not have electric locks.
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  Yeah, it was an old car. It was.
• 6:51
  Push button knots, yeah. And it also looked like they had
• 6:54
  the roll down windows. Yep.
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  Yeah, they did. So she locks the doors, and then
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  you can hear Rod as he's he's crawling, obviously, because you
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  can't see him. But he's gotten closer to the
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  car and he's moaning and groaning.
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  You can tell he's badly hurt. He's calling out her name.
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  After some hesitation, she decides to unlock the door.
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  And I'm like woman. Yeah, no, he's already gone.
• 7:16
  He's dead. Lock that damn door.
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  What are you doing? So she unlocks it to help him.
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  And as soon as she does and he starts to crawl up into the car,
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  the attacker returns, stabs him again in the back, pulls him
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  out. Then he starts just wildly
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  swinging this knife inside the car.
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  And I'm assuming he's probably slashing up her legs and stuff,
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  but she's her back's up against her door and she's like trying
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  to kick at him and, you know, do all this stuff.
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  And then they are slashing at her.
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  So then she opens up her door, gets out, the person runs
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  around, grabs her, throws her up against a tree, basically rubs a
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  knife across her face, rubs blood on her lips, and then
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  moves in like they're going to kiss her, which you're assuming
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  is what happens. And then it fades out and it's
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  the end of the opening scene. And welcome to Cherry Falls.
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  Yay. It's a very good opening.
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  Welcome. Yeah, it's warm and friendly.
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  You need something to hook them in When we cut to our main
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  character, Jodi Markham, who's portrayed by Brittany Murphy,
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  sitting in a car with her boyfriend Kenny, and they're
• 8:15
  parked right outside her parents house.
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  It's night time, it's late, they're making out.
• 8:19
  Thanks for getting all hot and heavy.
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  And Kenny keeps trying to push things further.
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  Jodi shuts him down, reminding him that she's already 15
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  minutes late, 15 minutes past curfew.
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  Kenny makes a side comment about how 6th graders are allowed to
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  stay alert and she is. He then mutters and this.
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  OK, so this show, I watched it on whatever it was something and
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  it did not have captions. I don't know where you watched
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  it and if you looked at captions, but it did not have
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  captions when I watched when I watched it.
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  So he said something that I, I rewound it several times to try
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  to understand what he was saying because I didn't have the
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  captions to back it up. But it was something along the
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  lines, because I still don't know what he said exactly, but
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  it was something along the lines of guys can die if they stay a
• 9:01
  virgin or something like that. Yeah.
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  Yeah. And Jodie fires back.
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  Yeah, that's right up there with global warming.
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  And then that's when Kenny suddenly he sits up and he
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  decides they should break up because, you know, yeah, it's
• 9:13
  we've been dating for a year. I've got nothing.
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  We need to break up, right? Comes off as a complete.
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  Insult it it it's time. Right.
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  Put up or shut up? Right.
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  So now Jody's confused and upset.
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  And then while they're having this little conversation that's
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  a group arguing about the breakup or whatever, you can see
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  headlights pulling up behind them.
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  And for a second it feels like it's going to be the opening
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  scene all over again. But it's not.
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  It's Jody's mom, Pam Markham. And then we go into this weird
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  exchange between Pam and Kenny right in front of Jody.
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  Yeah, it was very predatory, It was.
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  So weird. I was like, what?
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  So it's it's it's some really awkward, uncomfortable flirting
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  going on. So Pam bums a cigarette from
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  Kenny, mentions that her husband doesn't let her smoke in the
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  house and calls this her one guilty pleasure, which I highly
• 10:01
  question. I'm pretty sure she has other
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  guilty pleasures. Oh yeah.
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  Oh yeah, definitely. If her dad is still up and Pam
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  looks up at the house and she says the coast is clear, but you
• 10:12
  might want to get up there quick.
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  There's this exchange. But then Kenny looks at her, the
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  mom and says, Miss Markham, your headlights are on.
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  It's. So fucking weird.
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  And it's obviously meant to be this kind of double entendre
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  like her. And right, it's on her car on,
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  but her headlights are on, you know, whatever.
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  Right, Right. Right.
• 10:30
  And then of course. Yeah.
• 10:31
  So and then she's like, she compliments him on being
• 10:33
  observant. And oh, how observant.
• 10:36
  Right. So there's a lot of this in this
• 10:39
  movie. There's a lot of sexual innuendo
• 10:41
  that goes absolutely nowhere to, by the way.
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  But then The thing is, it was right in front of her daughter.
• 10:47
  Yes, it was very weird. There's a bunch of this and
• 10:49
  there's one that's really, really, really super crunch
• 10:53
  later on that we get to that is this weird sexual thing that I
• 10:58
  don't know. It's just weird.
• 10:59
  I don't know why it's in there. OK, so before Jody gets out, she
• 11:02
  asks Kenny, is this goodbye or goodnight?
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  Kenny replies. I think that's up to you.
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  Which basically translate to if you sleep with me it's good
• 11:09
  night, if you don't, it's goodbye.
• 11:11
  Right. Right.
• 11:12
  Jenny then sneaks into her house while her mom stays outside
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  smoking. And so she tells her, you know,
• 11:17
  quietly go upstairs. It looked like mom was drunk.
• 11:20
  You know, she, she the way she was talking, she, she was drunk
• 11:22
  and stuff. When Jodie finally gets to her
• 11:24
  room, her dad is already there waiting for her.
• 11:26
  He immediately starts telling about her being late and grounds
• 11:28
  her for the next two Fridays. She throws the what Kenny said
• 11:31
  back at him about, you know, 6th graders are able to stay out
• 11:34
  later than she can. And he fires back with something
• 11:37
  along the lines of, well, not every 6th grader is the
• 11:39
  sheriff's daughter or something like that.
• 11:41
  So this is where we find out that her dad is the sheriff.
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  Then we have a weird scene that I was like, what is happening
• 11:47
  here? So can we go to the scene?
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  Jodie is asleep. You see the clock, It's 3:30 in
• 11:51
  the morning. You hear a phone ring in the
• 11:53
  other room. You hear the dad answer.
• 11:55
  Sheriff Markham. He says, OK, I'll be down there
• 11:58
  as soon as I can. Now that part makes sense.
• 12:00
  It's clearly setting up what's coming next because those they
• 12:03
  found the bodies. He's got to go and see what's
• 12:05
  going on at the crime scene. But this is when it gets weird
• 12:08
  and then all of a sudden you see this hand come on to the screen
• 12:11
  and it's sticking straight out. So I'm like, is she
• 12:15
  sleepwalking? Because you know how when they
• 12:16
  make fun of sleepwalkers, they put their hands, arms straight
• 12:19
  out, whatever, like a mummy. So her hands straight out.
• 12:23
  And then she pushes back her curtains really slowly and you
• 12:26
  can see her dad, you know, leaving in his police car.
• 12:29
  And then you see her. And I was like, her eyes looked
• 12:32
  closed and I was like, she is sleepwalking.
• 12:34
  I was like but I couldn't tell her she was actually
• 12:38
  sleepwalking or maybe she was. She kept her head straight but
• 12:41
  just kept her eyes pointed down and it made her eyes look like
• 12:43
  they were closed. But then she slowly turns her
• 12:46
  head towards the viewer or the camera eyes are closed and then
• 12:50
  she Oh no, wait a minute, she does say Daddy.
• 12:57
  Yeah. Weirdness.
• 12:59
  She turns her head, looks at the camera, opens her eyes,
• 13:02
  basically breaks the 4th wall because she's looking right at
• 13:05
  the camera and then it cuts away.
• 13:07
  I'm like what the fuck was that for?
• 13:09
  What was that all about? Why do we, why don't we set it
• 13:11
  up like she's sleepwalking and then.
• 13:13
  What is that the way the way this director and the writers
• 13:18
  did this, Like I really questioning their intentions
• 13:22
  towards young girls because there's some really awkwardness
• 13:28
  in this movie, Yes. It's I should have looked to see
• 13:30
  what year it was. I I feel like I know it was a
• 13:32
  2000 something but. Yeah, it was 2000 and two or
• 13:36
  three I think. Yeah, so, but I was like, what
• 13:39
  the fuck is this shit? I guess she goes back to bed.
• 13:43
  I don't know. Her dad, of course, drove away.
• 13:44
  Actually, it was 1999. OK, so now her dad is responding
• 13:48
  to the crime, but this is the part that I thought was weird
• 13:51
  too, because now it's morning. Now he left at 3:30 in the
• 13:54
  morning. I don't know how big his fucking
• 13:57
  jurisdiction is, but it's got to be the size of Texas because now
• 14:00
  the sun's up. I'm like, how long did it take
• 14:02
  him to fucking get to this crime scene?
• 14:04
  Because it was 3:30 in the morning.
• 14:06
  It was dark. It's night time, middle of the
• 14:08
  night, but it's daylight when he gets to the crime scene.
• 14:11
  I was like OK that's weird he just has a big jurisdiction I
• 14:14
  guess. So when he arrives one of his
• 14:16
  death deputies is already there. And this deputy, she seems to be
• 14:19
  his right hand girl because she's with him all the time.
• 14:23
  She explains what they found. The boy Rod was discovered face
• 14:26
  down in the water near waterfall and river.
• 14:28
  He had multiple stab wounds. The girl Stacy, she was found
• 14:32
  and they show her she's positioned between 2 trees and
• 14:35
  one of her arms is raised up and nailed to the tree and there's a
• 14:39
  large amount of blood pooled beneath her which tells them
• 14:42
  that what had occurred occurred while she was still alive.
• 14:45
  So they were bothered by that. Then we cut back to Jodie.
• 14:48
  She's getting ready for school. She heads out the door at some
• 14:50
  point she ends up walking up the steps of her school and her best
• 14:54
  friend Timmy shows up and he writes some kind of gossip
• 14:56
  column for a, an actual paper paper, I think not just like a
• 15:00
  school paper. He's a really fast talker.
• 15:02
  He uses a lot of rapid fire slang.
• 15:03
  And immediately, soon she knows what's going on.
• 15:06
  So he's tells her he needs all the deeds from her dad even and
• 15:09
  even offers her a byline. So it looked good on her college
• 15:12
  app locations. She has no idea what he's
• 15:14
  talking about. So he's like, what, You haven't
• 15:16
  heard about Ron Stacey? And he tells her that you're
• 15:19
  dead. And he tells her that they're
• 15:21
  dead in like 10 different ways, right?
• 15:24
  Like every puzzle. But you can say dead does it.
• 15:28
  So then he tells her to look around.
• 15:29
  So she starts looking around and she notices that everybody's sad
• 15:32
  and holding on to each other and comforting each other.
• 15:34
  And then he points her head towards Kenny, who is now
• 15:37
  comforting some other girl already.
• 15:40
  So then Timmy runs off into the school and Jody's just standing
• 15:42
  there staring at Kenny. So then we have a scene where
• 15:45
  we're in the principal's office, and this is where, again, it's
• 15:49
  leaning into the sultry sexy looks and suggestive smiles and
• 15:53
  whatever. So the secretary walks in and
• 15:57
  tells the principal that Sheriff Markham is there.
• 15:59
  And the principal, who is Tom, smiles like he's oddly pleased
• 16:03
  in a special kind of way, and then tells her to send him in.
• 16:07
  And when the sheriff comes in, she's still hanging out in the
• 16:09
  doorway, but she's giving him these sexy eyes.
• 16:12
  And nothing comes of this. It's just something they decided
• 16:15
  to put in there for no reason whatsoever because we don't see
• 16:18
  those two hook up later. We never see her again, right?
• 16:21
  It's nothing. It's list.
• 16:22
  The sheriff and the principal are talking and when they first
• 16:25
  initially see each other, Tom is the principal.
• 16:27
  He's like, oh, it's been a while.
• 16:29
  And I'm like, why has it been a while?
• 16:31
  I mean, you're the principal and he's the sheriff.
• 16:34
  You guys are both the heads of something in this town.
• 16:36
  And they give off the feeling. Yeah, they give off this feeling
• 16:40
  like it's a small town, but they and his daughter goes to school
• 16:43
  there. Like, how?
• 16:43
  How have they not seen each other?
• 16:45
  I don't know. It.
• 16:46
  It was weird. Oh, and Cherry Falls, by the
• 16:47
  way, is just outside of Richmond, VA, but it is still
• 16:50
  portrayed as though it's a small town.
• 16:52
  And there's something later that signifies how small it is
• 16:55
  actually for being just outside of Richmond.
• 16:57
  So anyway, they talk. Tom's saying a whole bunch of
• 16:59
  shit about how the cast the classes are canceled but all the
• 17:02
  kids are still at school. They stay there.
• 17:04
  Yeah, that that makes no sense. Right.
• 17:06
  And then he's asking the teachers to be there and talk to
• 17:09
  the students to help them process what happens.
• 17:11
  And the sheriff doesn't care. He's like, I just want to talk
• 17:13
  to the students who knew Ron Stacy?
• 17:15
  I want to go to their classes. So then we go to the English
• 17:19
  class, and this is where we get an introduction to a vast
• 17:21
  majority of the characters in this movie.
• 17:23
  The teacher, Mr. Marleston, who is played by Jay Moore, is
• 17:26
  sitting on his desk trying to have an open discussion about
• 17:28
  what happened. He says some students might feel
• 17:30
  upset, others might not. One girl breaks down crying
• 17:32
  because years earlier, in like, the 8th grade, she told Rod to
• 17:35
  go away, and she hopes he dies. And now she feels guilty.
• 17:38
  So. And then some of the kids
• 17:40
  snicker and then the teacher shuts that down.
• 17:42
  But in this scene, this is where we meet.
• 17:44
  Of course, we have Jodie. She's in this class.
• 17:46
  Her friend looks like probably one of her closest friends,
• 17:48
  Sandy, who's sitting right next to her.
• 17:50
  Then we have Mark, who we find out was a close friend of Rods.
• 17:54
  And he is seems like he's high all the time.
• 17:57
  He was kind of adult. And then Ben, who is Mark's
• 18:00
  sarcastic bestie. There's this other girl, Cindy,
• 18:02
  and she's like one of the popular girls.
• 18:04
  She makes a comment about how she wants to see this guy fried
• 18:07
  in an electric chair, and JD Qualls is in it, and he's like
• 18:11
  kind of a nerdy kid. But there's a lot of people in
• 18:14
  this movie that I was surprised to see in this movie because
• 18:17
  even the sheriff, the sheriff is played by Michael Bain.
• 18:19
  And I was like, I mean, granted, he hasn't done much high profile
• 18:23
  shit since Terminator, but still.
• 18:25
  I was like, wow, all these people are in this movie.
• 18:28
  Interesting. How'd this happen?
• 18:29
  So they're discussing and then the sheriff comes in with the
• 18:32
  principal. He just basically says, if
• 18:34
  anybody knows anything, let us know.
• 18:36
  Then we go to lunch. So at lunch, Jody and Sandy are
• 18:39
  sitting together and they're watching Kenny with another
• 18:41
  girl. Sandy has a crush on Mark who
• 18:44
  And she's watching him eat and he's eating like an idiot.
• 18:47
  He's like all bent over his bowl of chips and just putting his
• 18:50
  face in it and picking the chips up with his tongue and she's
• 18:53
  mesmerized. So, Sandy.
• 18:55
  Well, it's sexy. Yeah, so Jodie, of course,
• 18:58
  notices that she's staring at him and she's like, you've been
• 19:00
  staring at him all year, let's just go over there and talk to
• 19:02
  him. And she's reluctant and she
• 19:03
  doesn't want to do it, but she convinces her and forces her to
• 19:05
  go. So they go sit down with Mark
• 19:07
  and Ben at their table, and they're just chit chatting and
• 19:10
  having casual conversation when all of a sudden some girl comes
• 19:13
  storming into the cafeteria, finds this other guy, starts
• 19:17
  yelling and screaming at him and hitting him and all this stuff.
• 19:20
  And her name is Annette, and Annette is pissed off at this
• 19:22
  guy because this guy is telling everybody in the school that she
• 19:25
  gave him a Hummer. Yeah.
• 19:27
  And he's like, that's a compliment if a guy tells you
• 19:29
  that, right? Yeah, 'cause like, you're good
• 19:32
  or something. Yeah.
• 19:33
  Yeah. So then the principal and Mr.
• 19:36
  Marlston, the English teacher, break it up.
• 19:38
  The principal takes Annette to the office.
• 19:39
  And then we just have a quick shot where Jodi asks the others
• 19:43
  at the table what's going on. And Ben says, you know, tells
• 19:47
  her that the Hummer thing. And she's like, oh, do you think
• 19:50
  she really did it? And Ben says something along the
• 19:52
  lines like she's no, she thinks fellatio is a Shakespeare
• 19:55
  character. Then we get this quick shot of
• 20:02
  someone's hands with red fingernails sharpening knives,
• 20:05
  and this is just a foreshadowing shot.
• 20:07
  It lasts only a few seconds. But and and let's let's comment
• 20:11
  on the fact that the hands did not look feminine.
• 20:14
  Right. Yeah, they were lighter,
• 20:17
  heavier, feminine. Yes, the nails made it.
• 20:20
  The tips of the fingers look feminine, the rest, not so much.
• 20:24
  Then we go to Annette's house and her parents are heading out
• 20:27
  for the night. Someone with long dark hair is
• 20:29
  watching from outside in their car.
• 20:31
  The parents leave, they go. We see a scene for no reason of
• 20:34
  them, like we need to know where they're going.
• 20:36
  They go to a bar and like, like we need to know this.
• 20:38
  And then all of a sudden you're inside the house.
• 20:41
  There's a knock at the door. Annette goes to the door.
• 20:43
  She has it locked with a chain. Annette's like, hello, who is
• 20:48
  it? And the person claims to be her
• 20:50
  mother's friend. She gives the name Laura Lee
• 20:52
  Sherman. She's like, you know, oh, you're
• 20:53
  and she's like, oh, my mom's not here.
• 20:55
  She went out and Laura Lee's like, oh, it must have been some
• 20:57
  misunderstanding. She's like, can I just leave her
• 20:58
  a note? And you can tell the whole time
• 21:00
  Annette's a little apprehensive, but then she's like, oh, well,
• 21:03
  it's just some lady. It it'll probably fine.
• 21:05
  She opens the door dumb. And as soon as she opens the
• 21:08
  door, because this person attacks immediately like they
• 21:11
  attacked Rod immediately as soon as they got.
• 21:15
  Yeah, there's no weeding. Yeah, there's no surprise.
• 21:18
  And then a reaction. I mean, she opens that door and
• 21:21
  she just starts slamming the door on Annette's head.
• 21:25
  Just bam, bam, bam, bam, bam, bam.
• 21:26
  And then we cut to the parents showing up the house, obviously
• 21:30
  very drunk. Like they are so drunk, their
• 21:33
  cars swerving as they're pulling up.
• 21:34
  They're barely getting up the steps to the front door.
• 21:37
  But then they notice the door is open, so they go in.
• 21:40
  They're like Annette, Annette. They start to sober up pretty
• 21:42
  quickly when they realize that there's something wrong.
• 21:44
  And then the mom into a room, it's blood everywhere and she
• 21:47
  screams. So then.
• 21:50
  And let's just, well, let's just point out the fact that Annette
• 21:53
  had about like 4 seconds of screen time.
• 21:56
  Yeah. It was like one of those
• 21:57
  characters that came in and left.
• 22:00
  And there's no reason why they should have done that.
• 22:02
  You know, they could have used another character that was in
• 22:05
  the movie a little longer, right?
• 22:07
  You know, to give it some sort of.
• 22:10
  But her only set up was the fight in the cafeteria.
• 22:13
  Yeah, and then it immediately goes to her murder.
• 22:15
  Yeah. And and that was and that was
• 22:17
  it. Like it?
• 22:18
  Yeah, it wasn't like a main character.
• 22:20
  It cuts to this really strange scene where the sheriff is
• 22:24
  showing showing Jodi's self-defense moves.
• 22:26
  He shows her a maneuver, she tries it on him.
• 22:29
  They get tangled up and she falls and he falls directly on
• 22:33
  top of her. And they just kind of stare at
• 22:35
  each other really close and super in a super uncomfortable
• 22:38
  way that no daughter, their father should be looking at each
• 22:41
  other right position because she's locked her on the floor on
• 22:45
  her back. And he's it's almost like when
• 22:48
  you have two people who are actually a couple or almost a
• 22:51
  couple, like they're flirting around and they are goofing off
• 22:54
  and they fall down and the guy falls on top of the girl and
• 22:57
  they're really close. And then they and then they kiss
• 23:00
  because of the situation. That's exactly like it was.
• 23:04
  And it was like, why are they doing this?
• 23:06
  Why are we doing this at all? This is so weird but thank God
• 23:10
  we are saved by the bell because the phone rings.
• 23:12
  Phew. So he hops up and then she lays
• 23:15
  there and they show her and she kind of looks almost
• 23:17
  disappointed. I'm like what the fuck?
• 23:22
  It's so weird. So the sheriff gets the call
• 23:24
  about Annette's murder and immediately leaves.
• 23:26
  When he arrives at the house, we finally get to see Annette's
• 23:29
  body. She's been tied up to some sort
• 23:31
  of wagon wheel that's mounted on the ceiling.
• 23:33
  The FBI is there and they start talking about similarities,
• 23:36
  similarities between this murder and the earlier one with Robin,
• 23:39
  Rod and Stacy. So then the next scene, we see
• 23:42
  the sheriff and his deputy. They're at the morgue and
• 23:44
  they're talking to the medical examiner and he explains that
• 23:46
  the word virgin was carved into the inside of the thighs of all
• 23:50
  three victims, Rod and Stacy, as well well as a net and he
• 23:53
  confirms that both girls were actually virgins.
• 23:56
  He says he can't of course be certain about Rod because you
• 23:59
  can't tell the guy right? He didn't but none of them
• 24:01
  engaged in any sex prior to being killed.
• 24:04
  She. Hasn't had sex recently.
• 24:05
  Right. Yeah.
• 24:06
  So he points out that whoever is doing this somehow knows who is
• 24:11
  and isn't a virgin, which means they have a very specific method
• 24:15
  of choosing their victims, and they're good.
• 24:17
  At it, apparently. And I also have to point out the
• 24:19
  fact that I think I've heard the, I heard the word hymen more
• 24:22
  in this scene than I have my entire life, right.
• 24:25
  Yeah, in this whole movie, because they talk about later
• 24:28
  on, they say Stacy says it's a Hyman Holocaust.
• 24:33
  Right. Yeah.
• 24:34
  So yeah, they say hymen a lot. Then once he realizes that
• 24:37
  virgins are being murdered, the sheriff decides to go home.
• 24:41
  And he goes into Jody's room, and she's in bed asleep.
• 24:44
  And he wakes her up. And he, in a awkward, roundabout
• 24:47
  way, basically asks her if she's still a virgin.
• 24:50
  And she says yes, of course. And he kind of pauses and has a
• 24:54
  face. And so she then she asks him if
• 24:57
  he's disappointed that she's searching.
• 24:59
  I laughed so hard. That part, I was like, what?
• 25:02
  OK, So he says no, of course not.
• 25:04
  You're still my little girl. Which OK, Still, yeah.
• 25:08
  Yeah, very weird. So then the sheriff is talking
• 25:13
  to his deputy. It's like the next day.
• 25:15
  I guess the time in this movie is weird.
• 25:18
  So the sheriff is. Then we see him talking to his
• 25:21
  deputy. He tells her he wants to call a
• 25:22
  town meeting for all the parents but no kids and have it at the
• 25:25
  school gym. She questions whether it's smart
• 25:27
  to reveal the killer's signature, because then it makes
• 25:29
  it hard to figure out, because if people know what the
• 25:32
  signature is, you could have copycats or whatever, or people
• 25:34
  will know and you can't discern. He was who?
• 25:36
  He decides we're going to tell them anyway, specifically that
• 25:39
  virgin children are being targeted.
• 25:40
  Then we go back to the school where Jodie goes into her
• 25:43
  English class and school's over, and so she goes to the English
• 25:46
  classroom to hand in a paper that apparently she could not
• 25:49
  hand in during class. I don't know why She and her
• 25:51
  teacher, Mr. Marleston, have this really uncomfortable flirty
• 25:54
  exchange. They recite anyway, some poet.
• 25:59
  I want to say Emerson, but it's not TS Eliot.
• 26:01
  So they recite TS Eliot, she starts, and then he joins in and
• 26:04
  they recite it together at the same time.
• 26:06
  It was very weirdly romantic. It was.
• 26:11
  So while they're talking, Jodi looks over the door.
• 26:15
  Teachers like what? And she's like, I think I saw
• 26:16
  someone in the hallway. She runs to go follow.
• 26:19
  And he's like, no, no, no. So they walk together.
• 26:22
  At some point, they start holding hands.
• 26:25
  Why? Why, Why wait?
• 26:26
  Why? Like, why are we doing this?
• 26:29
  But it was like off and on. Like they would hold hands and
• 26:31
  they would stop and they would hold hands and then they would
• 26:32
  stop. They end up walking through the
• 26:34
  halls and down into the cafeteria.
• 26:36
  The cafeteria, of course, lights are off, but there's still some
• 26:39
  light coming in from the windows.
• 26:40
  He tells her to stay put. He walks further into the
• 26:43
  cafeteria. He finds a crushed out
• 26:46
  cigarette. And then he picks it up and then
• 26:48
  he tosses it. And when he tosses it, it hits a
• 26:51
  boot and there's obviously someone wearing this boot, and
• 26:56
  the boot has a marking on it on the outer toe area near the
• 26:59
  pinky, and it's a big boot. And it had like this, these 4
• 27:04
  squares that were white and they were together in a way that
• 27:07
  looked like a diamond, but they were four individual squares.
• 27:09
  So it's very distinctive. And they made sure they pointed
• 27:12
  it out. He doesn't look any further.
• 27:13
  He goes back to where Jodie's standing and they walk out of
• 27:16
  the room and then they show another shot of the boot and the
• 27:18
  boot moves. So that way, you know, there's
• 27:20
  somebody actually in the boot. Then they go out in the hallway
• 27:22
  and he's like, well, I gotta go to this meeting your dad's
• 27:24
  having. And she then is like, can we
• 27:27
  talk again? And he's like, yeah, of course.
• 27:30
  And she's like, no, just the two of us.
• 27:35
  And he, he gets a little awkward.
• 27:37
  Like, you can tell he knows it's kind of awkward.
• 27:39
  And he kind of turns and he fumbles around with his hands.
• 27:41
  He's like, yeah, yeah, that's fine.
• 27:42
  That's OK. Sure.
• 27:43
  So he's like, now you just go, go on home.
• 27:45
  And so she runs off. Then we see the parents are
• 27:48
  filing into the high school gym. And this is where it really
• 27:51
  feels like Cherry Falls is not a big town because all of these
• 27:54
  parents fit into one section of bleachers on one side of the
• 27:58
  gym. It's not like they're filling up
• 28:00
  the whole gym with tons of seats.
• 28:01
  So it's not a big town. So the principal, Tom, as the
• 28:05
  people are filing in, he goes up to the sheriff and he tells him
• 28:08
  you can't seriously tell these parents that a killer is
• 28:11
  targeting virgins. And he says, you know.
• 28:13
  Weird. He says the sheriff, you know,
• 28:18
  you as a sheriff, you have responsibilities.
• 28:20
  And the sheriff snaps back and says they both know what it's
• 28:23
  like to walk away from responsibilities.
• 28:25
  Very clear foreshadowing, right? But I also want to say that is
• 28:30
  this really a conversation you should have in the high school
• 28:33
  gym? And they're and they're not.
• 28:35
  Oh, the whole, the whole, the whole thing or the conversation
• 28:38
  is between the principal and and and the sheriff.
• 28:40
  The the whole thing. Well, the whole thing, Yeah,
• 28:42
  yeah, yeah. You know, like, I feel like this
• 28:44
  would be like a town hall sort of meeting.
• 28:47
  Or I mean, unless like the town is so small that they don't have
• 28:51
  a Community Center that they have to use the gym for
• 28:53
  everything. Yeah, they must, I guess because
• 28:56
  originally the deputy was like, we don't have a facility big
• 28:59
  enough to hold the whole town and he was like, well it's just
• 29:03
  going to be parents for one and we'll just do it in the gym.
• 29:07
  And it's obviously not a big town.
• 29:09
  Like even though it took him 3 hours to get to the crime scene,
• 29:11
  but whatever. So.
• 29:13
  And he hasn't seen the principal in years, apparently.
• 29:18
  So. So then he's basically says,
• 29:22
  fuck off to the principal. I've got to do this.
• 29:25
  We got to let him know it's dire.
• 29:27
  Oh, the principal does say if you tell the parents that
• 29:29
  they're killing virgins, we're going to have a fuck fest on our
• 29:32
  hands. So about the chaos that's going
• 29:37
  to erupt and that it's going to be panic.
• 29:40
  And the sheriff says it's The sheriff says that's better than
• 29:43
  a pile of dead teenagers. Yeah, like they're encouraging
• 29:47
  like, a sex party for the teenagers, like, right.
• 29:50
  What the hell? And later on he, there's another
• 29:53
  scene where he, you can tell he very much does not care that
• 29:55
  there's going to be a giant sex party or that there could be a
• 29:57
  giant sex party. I'm getting ahead of myself.
• 29:59
  So now we see Jodie who is upstairs.
• 30:01
  So the gymnasium is, you know, it's a big gym and of course
• 30:04
  it's high. So it's takes up two floors and
• 30:07
  on the outer part of the gymnasium that the upper floors
• 30:10
  are there and there's windows that aren't really windows.
• 30:13
  They just have these grates or whatever in front of them.
• 30:15
  So Jodie's upstairs looking down through this grated window that
• 30:18
  overlooks the gym. And Timmy shows up and surprises
• 30:21
  her. And she's like, what are you
• 30:22
  doing here? He's like, I got to get the
• 30:23
  scoop. They're watching as the sheriff
• 30:24
  announces that all the victims were virgins.
• 30:26
  And so parents are starting to question.
• 30:28
  One parent asks, am I supposed to just lock my daughter in the
• 30:31
  basement? And another parent makes a
• 30:32
  comment about, oh, you don't have to worry about your
• 30:34
  daughter. Yeah, you know, and so the first
• 30:39
  parents, like, what is that supposed to mean?
• 30:41
  And he gets up and this whole brawl takes place.
• 30:43
  So there's this all this chaos, all the parents are fighting.
• 30:46
  And the entire meeting just devolves into parents yelling
• 30:48
  and screaming. And the sheriff just stands
• 30:50
  there, does nothing like let's it just go on.
• 30:54
  Doesn't even try to calm it down.
• 30:56
  No, no. Hey, let's get you know, Yeah.
• 30:59
  So he's not very effective. No, he just stands there like a
• 31:02
  doofus. So of course Timmy's like all
• 31:03
  excited. He's like, he starts taking
• 31:05
  pictures, although the pictures he takes are he's like 3 feet
• 31:09
  away from the window. So it's not like he's he's just
• 31:11
  taking a picture of the window. It's not down looking at the
• 31:13
  people down there fighting. And then he needs to use his
• 31:15
  phone, but he doesn't have his battery's almost dead.
• 31:17
  So he asks to use Jodie's phone and she's worried that she won't
• 31:20
  get her phone back. He's like, he'll just be a
• 31:21
  second. I just, I got to use the phone.
• 31:22
  I got to call this in. So he gets on the phone.
• 31:24
  He's talking to whoever. He's like, it's hard to hear
• 31:26
  you. I don't have a good signal.
• 31:27
  Let me go out somewhere where I can find a signal.
• 31:28
  And then finally we do see the sheriff yell at everybody to
• 31:31
  calm down, but then that's it. Jodie's just watching and she's
• 31:34
  like, oh daddy, she says daddy a lot.
• 31:40
  She does, and it's not like father, daughter, sort of daddy.
• 31:45
  No. That she's in the way that she's
• 31:48
  saying it. Yeah, she could be like, she's
• 31:51
  Dad. No, she's like Daddy.
• 31:56
  So after she she watches for a little while as her dad is
• 31:59
  failing to control the crowd, she decides to go find Timmy to
• 32:01
  get her phone back. So she goes down the same door
• 32:04
  that he went down. Of course, he's been gone for a
• 32:06
  bit, so she doesn't know exactly where he's he went, but she just
• 32:09
  goes down the stairs. And as she goes down, it gets
• 32:11
  darker and darker. She wanders down through this
• 32:13
  hallway and she ends up in a locker room.
• 32:16
  And she's walking through the locker room and there's all
• 32:18
  these, you know, showers, and there's a bunch of curtains, and
• 32:21
  she's pulling back each curtain. And then she gets to one
• 32:23
  curtain, and she almost pulls that curtain back, and she hears
• 32:26
  the phone ring. She's like, oh, is that for me?
• 32:29
  So then she walks down the corridor a little bit further,
• 32:33
  and then we get this long shot on the shower curtain.
• 32:35
  She didn't pull back the nothing.
• 32:38
  So then we go over to around the corner and she sees this locker
• 32:42
  and it has the word virgin carved into it, so she opens it.
• 32:45
  Timmy's dead falls out. Oh, no, yeah.
• 32:49
  I, I couldn't believe it. I was devastated.
• 32:52
  So he falls out onto her and her phone falls out.
• 32:56
  She grabs it. She's screaming.
• 32:58
  Of course she runs out the door into the hallway, then to
• 33:02
  another door. When she opens that door, the
• 33:04
  bad guy's there. So she screams again.
• 33:06
  She takes off up the upstairs, she's running through the halls.
• 33:09
  There's this whole thing where she's running and running.
• 33:11
  Then he basically catches up to her.
• 33:12
  They get a little bit entangled, fall down, they get back up.
• 33:15
  It looks like she's trying to use her dad move that he taught
• 33:18
  her. Doesn't really work out.
• 33:20
  He slams her into a locker and knocks her out.
• 33:23
  Then we see him take her and carry her into the most well
• 33:27
  equipped science room I've ever seen.
• 33:30
  Like I don't know how students didn't fit in there.
• 33:31
  There was so much shit in that room, but it was a really cool
• 33:34
  room. I don't go down science room
• 33:35
  like that when I was a kid, but he takes her in there.
• 33:38
  He then lays her down, he switches knives, and he takes
• 33:42
  out, I guess, his special virgin carving knife.
• 33:48
  Well, you don't. You don't have that.
• 33:49
  I have a perioding knife, a chef knife, a virgin knife, a bread
• 33:53
  knife. I got to get with it.
• 33:59
  So he pulls out the knife and he he likes to write virgin on the
• 34:04
  inner thigh of his victims. So he starts to write the V,
• 34:09
  which of course triggers Jodi to wake up.
• 34:11
  She knocks him back with her. You know, she kicks him back.
• 34:14
  They rumble and she's crawling all over desks and up.
• 34:17
  She gets higher and higher in the air.
• 34:19
  And there's this big shark that's hanging on a wire or a
• 34:22
  couple wires and she finds a box cutter and she slices through
• 34:27
  the one of the wires and the shark goes down and swings and
• 34:31
  knocks him into a not a fish tank, but like almost a small
• 34:35
  glass Arboretum, like it has like plants in it or something.
• 34:38
  And it looks like he's knocked out.
• 34:39
  So she's able to get out of the room.
• 34:41
  She's running out of the hall. And of course, when she turns
• 34:43
  the corner, somebody's there. So she's like, and she's going
• 34:45
  to stab them while it's her dad. So she yells, she's like,
• 34:48
  they're in that room. They're in that room.
• 34:50
  So the dad puts her with the deputy.
• 34:52
  The dad goes in the room and of course the killer is gone.
• 34:55
  They made it out of window. And he stares out the window for
• 34:57
  a while. You can hear someone running.
• 34:59
  He doesn't tell anybody to go out there and get them.
• 35:02
  He just stares out the window like, good job, you're doing a
• 35:05
  great job at this. Then we go to the police station
• 35:07
  and they want Jody to give a description of the attacker as
• 35:09
  they drop a composite on the computer.
• 35:11
  As this composite starts coming together and everybody's
• 35:14
  standing around, her dad's there, the deputy, the FBI,
• 35:18
  they're all standing around, and it starts to become clear.
• 35:21
  You can see that the sheriff is bothered by this face that's
• 35:24
  coming together as though he might recognize it.
• 35:27
  But when the deputy asks him directly if he recognizes her,
• 35:30
  he says no. Then some kid bursts into the
• 35:34
  main part of the police station demanding that he's the killer,
• 35:37
  and apparently this kid comes in and confesses to everything that
• 35:40
  goes on in town because they're used to him.
• 35:42
  And just completely at random too, like we don't know who this
• 35:45
  guy is. He just shows up, starts
• 35:47
  confessing and he tries to what? I couldn't tell if he was trying
• 35:51
  to bite the cop or kiss the cop. Probably kiss it's this movie,
• 35:55
  right? Sexy eyes.
• 36:01
  So he's just like a weird scene transition.
• 36:06
  I'm guessing they're using it as a way to get everybody out of
• 36:08
  the Sheriff's Office because that's where there's they are
• 36:10
  all are to go deal with this guy, which just leaves the
• 36:13
  sheriff and Jodie. But it was really kind of dumb.
• 36:16
  Like they could have found another way to do it.
• 36:18
  It was. Oh absolutely.
• 36:21
  This whole movie was weird. Yeah.
• 36:24
  So. So after everybody leaves the
• 36:27
  office to go deal with this nut guy, the sheriff tells Jody, you
• 36:31
  know, your mom's on her way. I have to go into.
• 36:33
  Well, actually, he goes into his office.
• 36:35
  I'm not sure whose office this was, but his office is right
• 36:37
  next to this space. So he goes into his office
• 36:39
  because he has to make a phone call.
• 36:40
  So Jody's just sitting there and she's looking at him as he's
• 36:43
  making this phone call. And then we see what he's
• 36:45
  saying. He's called the principal and
• 36:47
  he's like, are you alone? And the principal's like, yeah.
• 36:50
  And. With this movie, you don't know
• 36:53
  what that means. So he's like, I'm going to fax
• 36:56
  you something. And so he faxes the composite
• 36:58
  drawing and he's like, do you recognize that person?
• 37:01
  The person was like, maybe. And he's like, it's Laura Lee
• 37:06
  Sherman. And he's like, doesn't that look
• 37:09
  like Laura Lee Sherman to you? And then Tom, the principal,
• 37:12
  he's like, my God, she's been missing for 25 years.
• 37:15
  Nobody's heard from her. Why would she suddenly show up
• 37:17
  now as some sort of psycho killer?
• 37:20
  So, yeah, these two clearly share a whole secret history
• 37:23
  together, and they both know exactly who Laura Lee Sherman
• 37:25
  is. And we have yet to figure out
• 37:27
  who this is, but they're tied to her in some way.
• 37:29
  The principal has way too much going on with law enforcement at
• 37:33
  this point. Yeah, now they, they haven't
• 37:36
  seen each other in years. So now they're like talking like
• 37:38
  they've known each other forever, which they currently.
• 37:39
  Have right. I mean, it's kind of like
• 37:41
  Murder, She Wrote. You know when Angela Lansbury's
• 37:44
  character was like, involved with like, all this police
• 37:46
  stuff, but she's just a fucking author.
• 37:48
  You know and. No matter.
• 37:49
  Where she goes. Right.
• 37:51
  And and this movie, it's like guy's a principle, but he seems
• 37:55
  to be like really vested in law enforcement.
• 37:59
  He's the go to guy. But only now, right before who?
• 38:06
  Who's the sheriff? Right.
• 38:08
  Like I have no idea who you are. I haven't seen you in a long
• 38:11
  time and now they're best buds. Yeah.
• 38:15
  So while this conversation is going on, Jodie, of course, is
• 38:18
  watching her dad. She decides he's acting weird,
• 38:21
  which I don't know. I mean, he's the sheriff.
• 38:23
  I mean, he's going to, I would think, yeah, he's allowed to
• 38:25
  call somebody on the phone because they he wants to put
• 38:28
  something out maybe about this attacker.
• 38:30
  Like, I don't know what's so weird about what he's doing, but
• 38:32
  she thinks it's weird. So she makes up the receiver on
• 38:35
  the desk that she's at, and she eavesdrops.
• 38:38
  And she does hear a brief part of the conversation, and she
• 38:41
  hears the name Laura Lee Sherman.
• 38:43
  And then her dad notices her and she hangs up really fast.
• 38:46
  So then he comes in freaked out, crazed.
• 38:48
  Were you listening to me? What did you hear?
• 38:52
  So she just plays it off like nothing, nothing.
• 38:54
  I was just trying to call mom and couldn't figure out how to
• 38:56
  get the line that goes out. And so now it's all way too
• 39:00
  tense for a normal phone call. But anyway, a lot of panicky
• 39:03
  energy. Not suspicious at all.
• 39:05
  So then Sandy shows up, So the sheriff steps away to go still
• 39:09
  deal with this loud guy that's in the station who's still
• 39:11
  yelling and carrying on not being the killer.
• 39:14
  As Sandy comes into the word, Jody was sitting and she sits
• 39:17
  down. She's like, Oh my God, I can't
• 39:18
  believe this happened. Everybody's talking about it.
• 39:20
  We're so worried about you. And then she drops the big news
• 39:24
  that word got out the killer is targeting virgins.
• 39:27
  So now all the teens have decided the logical response is
• 39:30
  to throw a giant lose your virginity party.
• 39:33
  Basically an orgy. Yes, at one point Sandy even
• 39:38
  says you just need a floor big enough.
• 39:43
  So Jodie, like you don't you want your first time to be with
• 39:46
  someone special? You're making this sound like
• 39:48
  it's a flu shot and Sandy and he's basically just trying to
• 39:55
  pitch it like this is how you save your life.
• 39:57
  You lose your virginity, and also don't let Kenny lose his
• 40:01
  virginity to that other girl. These are Sandy's priorities
• 40:04
  now. So then Jody's mom shows up.
• 40:06
  Well, maybe. Maybe the idea is that she's
• 40:09
  fucking Ken vicariously through her daughter.
• 40:12
  Well, this is Sandy, her best friend.
• 40:14
  Oh. Sandy her best.
• 40:15
  Friend. Yeah, this is not her.
• 40:17
  Friend, See, this is where this movie brings me.
• 40:19
  This is where this movie fucking brings me.
• 40:21
  Yeah, that'd be super extra special.
• 40:23
  Weird. I swear to God this this movie
• 40:25
  would have been better as a porn.
• 40:27
  Right. Because the story is just as
• 40:30
  flimsy as theirs. Right.
• 40:32
  Yeah, yeah, yeah. Next thing you know, pizza guy
• 40:34
  walks in, someone has a problem with their plumbing and this
• 40:36
  police station. It's crazy.
• 40:38
  Anyway, so that's not true. That's just the porn version.
• 40:46
  So Jodie's mom shows up ready to take her home and Jodie's like,
• 40:49
  actually I'm thinking about going to school with Sandy.
• 40:52
  So this is when I get because the time in this movie was so
• 40:56
  confusing. So the thing that happened at
• 40:59
  the school happened after 6:00 PM because 6:00 PM was the time
• 41:02
  that they had the meeting with the parents.
• 41:04
  Yes. And so it was at night time, all
• 41:07
  that stuff had to happen. It was probably a good probably
• 41:10
  7:30, almost 8:00. They just waited till the next
• 41:13
  day to take her to the PlayStation and get her
• 41:15
  composite. They didn't take her immediately
• 41:17
  while she still had it fresh in her head.
• 41:19
  Or did they take her and school still open like what it was?
• 41:23
  I hated the time the way they did dealt with time in this
• 41:25
  movie. So she was like, I was thinking
• 41:27
  about going to school with Sandy.
• 41:29
  The sheriff comes in and he shuts that down immediately.
• 41:31
  He's like, no, you're going home with your mother.
• 41:33
  Jodi argues that she just wants to see her friends and Sandy's.
• 41:36
  She's like, she'll be safe with us.
• 41:38
  And then the deputy walks in and does this weird, sultry little.
• 41:41
  I'll keep an eye on her, sheriff.
• 41:45
  OK. Yeah.
• 41:47
  This movie, it was very weird, but that's why I'm saying it.
• 41:51
  I really think, you know, because sometimes Hollywood
• 41:53
  they'll have like a stack of scripts and like they'll, you
• 41:56
  know, go through them or whatever.
• 41:58
  I really think that they they took this script and looked at
• 42:01
  it and said, oh, this was made for porn.
• 42:04
  But I think this would be better as a feature film.
• 42:06
  So we're just going to take this and shoot it as is, but we're
• 42:10
  going to make it a regular movie, right?
• 42:14
  Because everybody talks like it's sexual.
• 42:17
  It's so. Strange.
• 42:18
  Hey, daddy. Hey, I can take care of her.
• 42:22
  Oh, your headlights are on? What the fuck?
• 42:25
  I mean, I understand it was 99, there was a different time, but
• 42:29
  it wasn't this. Bad right?
• 42:31
  And my notes I have when she says this, I'll keep an eye on
• 42:35
  her, Sheriff, I said. Like she's auditioning for a
• 42:38
  very different kind of movie. And so Jodi and Sandy end up
• 42:45
  going to the school. She gets her way and she goes to
• 42:47
  school. As they walk in, they see a big
• 42:48
  memorial banner for the four dead kids.
• 42:51
  Then the bell rings and kids start to flood the hallway.
• 42:53
  They see Jodi. They swarm her like she's a
• 42:56
  celebrity that survived something.
• 42:58
  Her English teacher is stuck behind the crowd, Mr. Marlston,
• 43:02
  and he's like trying to get through and get to her.
• 43:04
  And she like walks by. And because all these kids are
• 43:07
  all over her and she's like waving at them.
• 43:08
  It's it's a really stupid moment.
• 43:11
  And then as they're walking along, all of a sudden the hand
• 43:14
  reaches out. It's Kenny, and he grabs and
• 43:16
  pulls her near. And then it's funny because if
• 43:17
  you watch the kids behind her who were all around her, they
• 43:20
  all kind of go and shrug and walk away.
• 43:23
  Who? Cares.
• 43:26
  Like we had her, now he's got her.
• 43:30
  So he pulls her in and he says, Oh my God, I thought I lost you.
• 43:34
  I couldn't have lived without you.
• 43:36
  And basically he's just like, come with me tonight to the big
• 43:39
  everyone lose their virginity party.
• 43:41
  Right, that's his way in, literally and figuratively.
• 43:45
  Yeah, you have to now. So.
• 43:49
  So Jody says she can't because she told her dad she'd be going
• 43:52
  home right after school. Kenny gets a little defensive
• 43:54
  and he's like, well, if you don't want to go with me, just
• 43:56
  say so. Don't blame your dad, OK?
• 43:59
  She repeats that she really has to be home.
• 44:02
  Then he notices the sheriff's deputy hanging about.
• 44:04
  She's like, I don't know, 8 or 9 lockers down, just hanging out
• 44:07
  watching. He's like, who's that?
• 44:09
  And Jody says that's my bodyguard.
• 44:10
  And he's like, oh, so Jody. Jody tells him that she has to
• 44:13
  be home by three. And he's still like, but you'll
• 44:16
  come with me later, right? And she says she'll think about
• 44:19
  it with this, you know, her head's tilted down and her eyes
• 44:21
  are up and wide and open and she's like grinning and gets
• 44:24
  instantly happy and does this little.
• 44:27
  He turns around, walks off, does a leprechaun leap and clicks his
• 44:30
  heels together, runs off, and she giggles about it.
• 44:38
  So what if that was like a direction?
• 44:40
  OK, now turn around, walk down the hallway, jump up, click your
• 44:43
  heels together. Good.
• 44:44
  All right, so now the kids are planning their night and Cindy,
• 44:49
  who's the popular snotty girl, decides that she's going to
• 44:51
  educate all the girls on what's about to happen.
• 44:53
  So she's out on the school lawn and she's standing up on these
• 44:58
  steps or this bleachers or something.
• 45:00
  All the girls are huddled down on the ground around her and
• 45:03
  they're all like looking up at her and Aww.
• 45:08
  The Queen is speaking. Right.
• 45:10
  So she basically turns it into a sex Ed apocalypse edition and
• 45:17
  she's like, men are horrible at sex, It's going to suck.
• 45:21
  And all the girls are questioning her about like
• 45:24
  contraception, if they're going to have orgasms.
• 45:26
  And she's like, fuck no. And yes, contraception, but
• 45:29
  you're going to have to provide it.
• 45:31
  So everybody's asking all these questions and it's whatever.
• 45:33
  So then we cut to Mark and Ben and some other guy who's sitting
• 45:36
  in the back seat of their car and they're smoking pot.
• 45:39
  And the discussion, of course, is the dumbest possible version
• 45:42
  of a teenage boy sex logic. You know, they're talking about.
• 45:46
  He asked me, are there really probably three holes or
• 45:48
  something And they joke about holes and and then how they have
• 45:52
  to after this is over. They need to find someone who
• 45:54
  kills only girls that that don't do blow jobs.
• 45:57
  So, you know, that kind of conversation is going on.
• 46:00
  Then we see a news reporter. So he's outside the bottom of
• 46:03
  the steps of the school and he's reporting on the fact that the
• 46:06
  teenagers are planning a giant sex party.
• 46:08
  And as we see the reporter, we also get cuts to the principal
• 46:10
  inside the school and he's watching the news report because
• 46:13
  it's apparently live and he's got a he's got a flyer.
• 46:16
  The news guys got the reporters got a flyer and it's a popular
• 46:20
  cherry party and they are going to have it at a secret location.
• 46:24
  But everybody knows the location is because this town isn't very
• 46:28
  big apparently. But this location is some an old
• 46:30
  hunting lodge, which is a nice fucking hunting lodge by the
• 46:34
  way. It was a.
• 46:35
  Very nice house I was. Thinking like a little cabin in
• 46:38
  the woods. No.
• 46:39
  So the news reporter, news reporter is out there and he's,
• 46:42
  you know, talking and all this other stuff about what's going
• 46:44
  on. And then the bell rings and
• 46:47
  everybody comes out. You know, they'll leave their
• 46:50
  classrooms. They're all acting like it's the
• 46:52
  last day of school. They're throwing papers in the
• 46:54
  air. They're all screaming and
• 46:55
  hooting and hollering and woo Hoo, we're about to get laid.
• 46:58
  And they're all running outside. They run down the front steps
• 47:01
  and all the girls grab the news reporter and basically start
• 47:05
  tearing, practically tearing his clothes off.
• 47:07
  They're kissing him. They're they've got him down on
• 47:10
  the ground. Then all the kids are jumping on
• 47:12
  cars and they're shaking the news van.
• 47:15
  It gets totally crazy and out of control.
• 47:18
  It's very and they're supposed to be just having sex so they
• 47:20
  don't die. Right.
• 47:22
  I'm guessing they're all virgins and they're super excited.
• 47:26
  Finally, we can do it and have a reason.
• 47:29
  And shaking this car is going to make us do it better.
• 47:33
  And then we cut to Jodie's mom, who's at home baking the worst
• 47:37
  batch of cookies ever because she's obviously an alcoholic.
• 47:41
  That is her other only vice that she's got left.
• 47:44
  Yes. Because she's got a whole bottle
• 47:47
  of looks like Jameson whiskey, and she's got the newscast on
• 47:51
  and she's watching that. She's got a pile of burnt
• 47:53
  cookies in a cookie on a cookie sheet.
• 47:55
  So as she's there watching this and drinking, Jodi comes home
• 47:59
  and her mom hugs her and they talk about what a weird day it
• 48:02
  must have been at school. Jodi tries to take a bite of a
• 48:04
  cookie and her mom's like, oh, those are burnt, don't eat
• 48:06
  those. Then she's like, let me get you
• 48:08
  some water. So she pours her glass of water
• 48:10
  from the sink and then just stands there and drinks it
• 48:13
  herself. Never gives it to Jodi, which I
• 48:19
  thought was hilarious and very on brand for this mom.
• 48:22
  Yes. So they're talking about what's
• 48:25
  going on, and then Jody decides to ask her mom about Laura Lee
• 48:29
  Sherman. So her mom looks surprised, you
• 48:32
  can see it on her face like she's shocked to hear the name
• 48:34
  but she acts like she doesn't know the name at all.
• 48:37
  Jodi says well I heard dad talking to the principal and he
• 48:39
  said that she disappeared 25 years ago.
• 48:41
  Wouldn't that be small town news?
• 48:43
  Like wouldn't you guys notice and have a big thing about it?
• 48:46
  And her own's like, well I've lived here my whole life and
• 48:48
  I've never heard of her. Then she tries to shut it down
• 48:50
  and tells Jodi to go lay down and rest and it's been a long
• 48:53
  hard day. So Jodi agrees and acts like
• 48:54
  she's going to a room, but then waits for her mom to turn around
• 48:57
  to drink some more whiskey and quietly sneaks out, which I'm
• 49:00
  sure is not hard to do. I do have to say this scene was
• 49:03
  very reminiscent of Nightmare on Elm Street when Nancy was asking
• 49:07
  her mom about Freddie. Yes, I.
• 49:09
  Would sit there was like, God, this feels so familiar.
• 49:13
  That's what it is. OK, right.
• 49:15
  You're right. So then we cut to the sheriff at
• 49:18
  his office loading bullets into a gun.
• 49:20
  His gun. Not just any gun, his gun.
• 49:22
  I'm guessing his deputy comes in and he tells her he's going to
• 49:25
  West Virginia. She's like, West Virginia, we
• 49:27
  need you here. Everything is on fire.
• 49:29
  Yeah, I I couldn't, I couldn't figure out what was in West
• 49:32
  Virginia. Laura Lee Waters.
• 49:34
  I mean, Laura Lee Waters, Laura Lee Sherman is in West Virginia
• 49:40
  because he did say earlier on that he blast he'd heard when he
• 49:43
  was talking to the principal, he said he did the last he'd seen
• 49:46
  he she was living in West Virginia.
• 49:48
  So that's why he's going there. OK, I guess I missed that part
• 49:51
  because like, West Virginia was like, what?
• 49:53
  Why? Like weird.
• 49:54
  I couldn't tell if like, he was coming from West Virginia or if
• 49:57
  he was or going like, I had no idea.
• 50:00
  I just knew West Virginia was in there and I didn't know why.
• 50:02
  And it would have been on brand for the movie to just say, hey,
• 50:06
  I'm going to West Virginia with no explanation.
• 50:09
  But it would be more like I'm going to West Virginia.
• 50:13
  Right, right. But they live in Virginia, so
• 50:16
  they're in Virginia outside of Richmond.
• 50:18
  He's going 3 hours away to West Virginia.
• 50:20
  So she's like all freaking out because there's so much going
• 50:23
  on. He's like, yeah, there's
• 50:24
  something I have to do. That's what he says to her.
• 50:26
  And she's like, fine. And then she reminds about the
• 50:28
  big party tonight. He's like a party.
• 50:29
  What party? And she explains the party and
• 50:31
  he's like, do you know where it is?
• 50:32
  And she's like, no, it's a big secret.
• 50:36
  Everybody knows. Yeah, and he's, and the way this
• 50:40
  whole thing is going, it feels like that he's asking because he
• 50:43
  wants to get some, not because he wants to break it up.
• 50:47
  I may not go to West Virginia. So.
• 50:51
  So she says she'll find out where it is.
• 50:53
  And she asks what she should do. And he says to just treat her
• 50:56
  like any other party. If something happens, go in.
• 50:59
  Otherwise leave it alone. So again, he's like very
• 51:02
  nonchalant about the giant sex party, doesn't care if all the
• 51:04
  kids are having sex. He's fine with it.
• 51:06
  But he also tells her that he might be gone a while.
• 51:08
  So then we see Jodie at the local library and she's on the
• 51:11
  microfilm machine and she's going through the Cherry post
• 51:15
  trying to find information on Laura Lee Sherman.
• 51:17
  And then, of course, when she finally gets to the tiny little
• 51:20
  article about her, she hears a strange noise.
• 51:23
  So she looks down the long library aisle.
• 51:26
  And then she gets up, grabs a small bust statue, and starts
• 51:30
  walking through the aisles. And she's walking through the
• 51:31
  aisles backwards. Before you go too far, because
• 51:34
  of this movie, I completely forgot about microfiche.
• 51:37
  Yeah. And like how that all that stuff
• 51:40
  works and everything, 'cause I'm, I'm looking at it, I'm
• 51:42
  like, why does she have a spool of film and then she starts
• 51:47
  using it like on the microfiche machine, whatever that was
• 51:50
  called. It's like, yeah, I remember that
• 51:53
  now. Yeah, I chose to call it.
• 51:54
  I know we called it microfiche, but I chose to call it microfilm
• 51:57
  because I didn't know anybody know what microfiche was?
• 52:01
  But it was this big, huge thing that you had a big like a screen
• 52:06
  that was opaque and weird, and you'd put the film in this other
• 52:10
  part and it would shoot the film up and you would see what was in
• 52:13
  old periodicals or whatever. Books.
• 52:16
  Whatever. This was all pre Internet I
• 52:18
  guess back in 1999. So she starts walking down in
• 52:23
  between all the bookshelves and she's walking backwards because
• 52:26
  she only cares what's behind her and not what's actually behind
• 52:28
  her now. So she's walking backwards and,
• 52:31
  and as she's walking through, she knows that there's somebody
• 52:34
  there. She can hear stuff.
• 52:35
  She's starting starts to get tense and fast and she can feel
• 52:38
  that somebody's there. I don't know why she didn't just
• 52:40
  try to find her way out of the library instead of getting in
• 52:43
  between all these bookcases. But then all of a sudden there's
• 52:46
  something behind her. She bumps into it.
• 52:48
  She turns around and screams. It's her mom.
• 52:50
  And her mom absolutely fucking loses it full volume in the
• 52:55
  library, no less, yelling and screaming and and she's yelling
• 52:59
  at her. What are you what you're doing
• 53:01
  here? Why are you at the library?
• 53:03
  What the library? Why aren't you at the sex party?
• 53:09
  Right. Like she's just going off
• 53:11
  because she's at the library. And and and.
• 53:14
  The thing is, you're supposed to be quite in the library and mom
• 53:18
  is not respecting the rules. But they seem to be the only
• 53:20
  ones there. I didn't even see a library.
• 53:23
  That's true. So Jodi's like, OK, then.
• 53:27
  And then they end up at a table still in the library.
• 53:30
  And she's like, tell me about Laura Lee Sherman.
• 53:31
  Tell me. Tell me right now.
• 53:33
  So they sit down, and her mom is whispering now, but she talks
• 53:37
  about how Laura Lee Sherman was a girl who said she was raped by
• 53:42
  a group of high school seniors. And Jodi's like, OK, yeah.
• 53:47
  And she's like, well, they weren't prosecuted.
• 53:50
  Nothing happened. She's like, why weren't they
• 53:52
  prosecuted? And she's like, because they
• 53:53
  were good kids from a good home and a good family, and they were
• 53:57
  star football players, you know, the same small town shit.
• 54:01
  So she's like, well, who was it? Who was it mom?
• 54:03
  And she's like, well, there were two guys that they, as soon as
• 54:06
  it happened, after it happened, they left town.
• 54:08
  She's like, OK, And who were the other two guys?
• 54:10
  And she's like 1 was the principal.
• 54:12
  She's like the principal. She's like, yeah.
• 54:14
  She's like, well, there was one more.
• 54:15
  Who was the other one? Her mom was like.
• 54:18
  I can't remember. She's like, who was it, mom?
• 54:22
  Who was it? And she starts yelling at her
• 54:24
  mom. Who was it?
• 54:25
  So finally your mom starts crying and she's like, OK, OK,
• 54:28
  he was your dad, but he was so drunk he basically passed out.
• 54:31
  He didn't rape her. And so then of course she's all
• 54:34
  upset. And like, what the hell?
• 54:37
  Are you kidding me? So now Jody's all devastated to
• 54:40
  find out that Daddy is a baddie. And then she also finds out that
• 54:48
  Laura Lee did go to the police. They didn't do anything about it
• 54:51
  because of the good kids, good families, football, blah, blah,
• 54:54
  blah. And basically they were just,
• 54:56
  you know, small town protection system fully engaged because she
• 54:59
  was supposedly also kind of a weird girl.
• 55:02
  Like, that matters. So then we cut back to Sheriff
• 55:04
  Markham, who is now in West Virginia and what he thinks is
• 55:07
  Laura Lee Sherman's house. And it's this old falling down
• 55:11
  house in the middle of field in the middle of nowhere.
• 55:14
  He goes in with his gun drawn and the house is a rack.
• 55:17
  It's old and decayed, falling apart.
• 55:19
  Creepy. He barely looks around.
• 55:20
  He looks in one room, and then he immediately decides, Yep,
• 55:24
  it's going, let's go in the basement.
• 55:25
  Doesn't look at any other part of the house, just immediately
• 55:28
  to the basement, because that's how it always is.
• 55:30
  It's always the safest place, yeah.
• 55:32
  He goes down and it's of course got that whole nightmare by but
• 55:35
  there's a crib and a rocking chair.
• 55:37
  There's also chains hanging from the ceiling, some stuff that
• 55:41
  looks like some weird bondage shit going on.
• 55:44
  Yeah, why? Why is this here with the baby
• 55:46
  crib? What are you doing?
• 55:48
  This is a weird baby room dungeon setup we got going on
• 55:53
  here. Very strange.
• 55:54
  He walks around a little bit and he goes over to the crib and
• 55:57
  there's a blanket that he can tell is covering something up.
• 56:00
  And then you can tell that by the way he is, he's worried that
• 56:02
  there's actually some child underneath his blanket.
• 56:04
  But when he pulls it back, it's just a doll.
• 56:06
  So then he stands there and he's like, yeah, this is weird.
• 56:09
  And looking around you can tell that it's strange, but he
• 56:11
  doesn't find anybody. He feels that it's off, but then
• 56:14
  he decides he's going to leave. And of course, as he's walking
• 56:16
  out and you see a shot from inside the house through the
• 56:19
  doorway at him walking to his police car.
• 56:22
  And then we see the side of a long haired figure kind of step
• 56:25
  into frame, barely there, but you know, they're there.
• 56:29
  And they watch him leave. Spooky.
• 56:31
  So then his deputy radios him just as he gets to the car and
• 56:34
  tells him the principal wants to meet him that evening to talk
• 56:36
  about Laura Lee Sherman. He's like, OK, I'll look into
• 56:39
  it. And then we jump to Kenny's
• 56:41
  house. So Kenny's up in his room and
• 56:44
  he's playing the guitar. And we see Jodi show up outside
• 56:46
  on her bicycle and she waves and he's like all excited.
• 56:50
  And he's like, oh, you're early and has her come in.
• 56:53
  So they're laying on the bed and he's on one of the bed.
• 56:56
  She's on the other of the bed. Her legs are on top of him on.
• 56:59
  Her This was so weird too. All I can say about this is this
• 57:03
  movie is so weird. That's the word of the day for
• 57:06
  this movie. Weird.
• 57:08
  So he she's got her feet basically up on his chest and
• 57:12
  his face kind of. And they're talking and she's
• 57:15
  talking about how her just found out her parents suck and her
• 57:17
  dad's a hypocrite and that she can't believe that she's let her
• 57:20
  parents run her life and she's made every decision based on her
• 57:23
  parents her whole life and blah, blah, blah.
• 57:25
  And she's super, you know, pissed off about it, but it's
• 57:28
  got her in the mood. Right as she's sitting there,
• 57:33
  they show Kenny's boot, and it's the same boot that we saw in the
• 57:37
  cafeteria earlier. Oh no.
• 57:40
  So we now think Kenny's the bad guy.
• 57:43
  So she takes his boot off and as they're talking, she tells him
• 57:47
  out of nowhere to bite her toe, her big toe.
• 57:50
  So she shoves it in his mouth and he bites on it and she's
• 57:54
  pushing around. She's like, bite it harder,
• 57:56
  harder. Yeah, I don't understand why her
• 57:59
  toe was in his mouth at that point.
• 58:01
  You know, I'm. I don't a foot guy, I'm not a
• 58:03
  foot guy, I can't stand feet and that part was just like
• 58:06
  disgusting to me. But at some point, how much
• 58:09
  harder can you get before he starts breaking skin and biting
• 58:12
  it off because she's harder? Harder, harder and.
• 58:15
  He's like, OK, OK. And she starts taking her other
• 58:18
  foot and slapping him in the face.
• 58:19
  She's like harder, harder. And he's finally, she slaps him
• 58:22
  a little too hard and he spits her toe out of his mouth and
• 58:26
  he's like, disgusted and he's like, what the fuck, Jody?
• 58:29
  Well, I mean, that's how that's how you turn somebody is by
• 58:33
  making them suck your toe and I didn't kick them in the face.
• 58:36
  Haven't you ever tried that? All the time.
• 58:38
  That's the only thing I do. What are we talking about here?
• 58:41
  This is easy. He seems appalled and upset by
• 58:44
  this. And then.
• 58:45
  But she sits up, climbs over top of him.
• 58:48
  She's kneeling over his waist, and she's got her, you know, her
• 58:51
  legs around his hips. And she takes her shirt off, and
• 58:54
  she's like, let's do it. And he's like, yeah, So she's
• 58:57
  all into, you know, kissing him and doing whatever.
• 58:59
  But then he stops her. He says that the only reason
• 59:02
  that she wants to do it right now is because she's mad at her
• 59:04
  parents and she gets upset about this.
• 59:06
  She's like, what? Don't you love me?
• 59:08
  Don't you love my body? And he's like, yes, I love your
• 59:11
  body, I love you, but I want you to want me because you actually
• 59:15
  want me, not because you're angry and pissed off.
• 59:17
  So now we have a total role reversal where Kenny now is the
• 59:22
  I want it to be a special moment kind of guy.
• 59:25
  And she's like, let's fuck. Like right now.
• 59:28
  Come on, bite my toes. Bite my toes.
• 59:31
  I don't want to walk tomorrow, not because the sex.
• 59:38
  I want you to make me walk funny.
• 59:45
  So, so then she gets pissed and irritated and she puts her shirt
• 59:49
  back on and backs off. And then she gets like that kind
• 59:52
  of almost like a sexy vixen. I don't know how to explain it,
• 59:56
  but she's suddenly like, she's a mature woman kind of thing.
• 59:59
  I I don't know, it's a weird thing she suddenly gets into
• 1:00:02
  because she backs off and she's like, you know, this is stupid.
• 1:00:05
  I'm leaving. I have somebody else I can, you
• 1:00:07
  know, go hang out with. And he's like, you found better,
• 1:00:09
  you know, you have better company.
• 1:00:10
  And she's like, yeah, maybe I do.
• 1:00:12
  And I'm not going to that stupid kids sex party.
• 1:00:15
  And he's like, he's like, well, do you have somebody else in
• 1:00:18
  mind? And she's like, maybe.
• 1:00:20
  And he's like, Mr. Marlston. Marlston.
• 1:00:22
  Never get his name right, Mr. Marlston.
• 1:00:24
  And she's like, why would you say that?
• 1:00:26
  How do you know? And he's like, I've seen you
• 1:00:31
  with him. And then she snaps and makes it
• 1:00:33
  into a whole thing. Oh, you're spying on me.
• 1:00:35
  But she's singing in a very coy manner.
• 1:00:38
  She's like, do I have to start looking for you around every
• 1:00:40
  corner? And then she's like, I didn't
• 1:00:43
  know you had such a sick mind, the girl, you just had your toes
• 1:00:46
  in his mouth and you were asking him to basically bite them off.
• 1:00:49
  What are you talking? About right And and and you're
• 1:00:51
  admitting slightly that you want to have sex with your teacher.
• 1:00:55
  Right. Yeah, exactly.
• 1:00:56
  So then she puts her jacket on and she goes to leave.
• 1:00:59
  He grabs her from behind, trying to hug her, and she twists out
• 1:01:02
  of it. And then she's running out the
• 1:01:03
  door. He's yells if you leave now, you
• 1:01:06
  can never come back. And it's over.
• 1:01:08
  And that was that. So then we go back to Sheriff
• 1:01:10
  Markham. He goes to the school, to the
• 1:01:12
  principal's office. It's late in the evening.
• 1:01:14
  He walks in, goes inside, opens the principal's office door and
• 1:01:18
  you can tell by his face if something's wrong.
• 1:01:21
  So he slowly walks over to the principal.
• 1:01:23
  You then see principal's head face and on his forehead it
• 1:01:28
  writes Virgin Knot. And that was carved into his
• 1:01:31
  forehead, and now he's dead. So as he's looking at him, out
• 1:01:34
  of nowhere, someone comes behind the sheriff and swings.
• 1:01:38
  Something hits him in the back of the head and knocks him out
• 1:01:40
  cold. So then we jump to the party.
• 1:01:43
  Now, this party that apparently nobody knows where it is.
• 1:01:47
  The cops are all over the place. The cops are everywhere.
• 1:01:50
  They've set up a perimeter to protect these virgin kids.
• 1:01:53
  It's like, OK, so the kids are all piling into this huge
• 1:01:58
  hunting lodge, there's a big bonfire going.
• 1:02:00
  Cops are basically there just to keep the peace I guess while
• 1:02:03
  this whole Team Chaos Popular Cherry party is going on inside.
• 1:02:08
  And there's a big banner, as I recall, there's a big banner.
• 1:02:12
  Yeah, the. Yeah, no, yeah, nobody knows
• 1:02:15
  where it is, but Nope. No big secret.
• 1:02:18
  So basically, at this point, the movie does a little tour through
• 1:02:20
  the house. It's slow music.
• 1:02:22
  Kids are slowly dancing, they're talking, they're hanging out.
• 1:02:25
  They're starting to pair off, figuring out who's going with
• 1:02:27
  who. They're all coupling up for
• 1:02:30
  this, you know, weird end of the world prom thing or saving us
• 1:02:33
  from the end of the world prom thing.
• 1:02:35
  Sandy finds Mark, they start dancing.
• 1:02:37
  At some point they end up making out.
• 1:02:39
  Ben is hanging out with the Super cool popular chick that
• 1:02:42
  was giving everybody pointers and she's basically negotiating
• 1:02:45
  with him about what she's going to get out of this business deal
• 1:02:48
  and ultimately gives in by giving.
• 1:02:51
  She wants a bunch of CDs and something else.
• 1:02:53
  The camera was. Yeah, CDs both imported and
• 1:02:58
  domestic and right, there's like a couple other things too, Yeah.
• 1:03:02
  So then Kenny shows up and the girl that he had been seeing
• 1:03:05
  after the breakup with Jody comes up to him.
• 1:03:07
  She's all over him. She's kissing him, she's trying
• 1:03:09
  to escalate things. And then he stops her.
• 1:03:11
  He's like, I cannot believe I, this is happening to me twice.
• 1:03:14
  And I've stopped a girl from trying to get in my pants.
• 1:03:16
  She's like, oh, tell me what's wrong.
• 1:03:17
  I love a challenge. And he's like, you know what, So
• 1:03:20
  do I? And then he puts his Cape on and
• 1:03:22
  he takes off out of the school, out of the out of the lunting
• 1:03:25
  lodge because he's now going to go in get his woman back.
• 1:03:30
  So then we cut to the teacher's house, and Mr. Marlston is
• 1:03:33
  struggling with this big trunk he has pulled out of his car and
• 1:03:36
  got on his front steps, front porch, and he's trying to get it
• 1:03:39
  inside. Nobody rides up on her bicycle
• 1:03:41
  and asks if he needs help. He's like, yeah, actually I do.
• 1:03:44
  She's like, cool. And he's like, well, it's going
• 1:03:46
  to the basement, though, so it's a bit of a walk.
• 1:03:48
  And she's like, sure, I go over to the basement door and of
• 1:03:52
  course, there's, you know, steps that go down.
• 1:03:54
  He starts talking to her and he can tell her there's something
• 1:03:57
  wrong. She says that she found about
• 1:03:58
  something about her dad and he's like, like what?
• 1:04:01
  That he's a liar, a fraud and a criminal.
• 1:04:02
  And she looks at me like, yeah, actually.
• 1:04:06
  So then he shoves the trunk down the stairs, so it goes and lands
• 1:04:12
  them on the steps. So Jody's looks at him and it's
• 1:04:14
  like, what's a trunk? And he says, and it comes off in
• 1:04:17
  a way that could be a joke but might not be a joke.
• 1:04:21
  And he says your dad. Then she looks at him and he's
• 1:04:23
  like, or maybe mine. And she thinks maybe he's
• 1:04:26
  messing around. So she brings down, opens it,
• 1:04:29
  and there's her dad all taped up, bloody and beaten inside
• 1:04:32
  this trunk. She looks around and sees, yeah,
• 1:04:35
  yeah, what? The dogs.
• 1:04:36
  She looks around and sees the wig, the disguise stuff, all
• 1:04:40
  kinds of stuff, all the stuff that was being used for him to
• 1:04:43
  disguise himself as Laura Lee Sherman.
• 1:04:46
  So this is the moment where we now realize it was the teacher
• 1:04:51
  the whole time. It's the big review but, but
• 1:04:55
  really we don't really know because it's just sitting on the
• 1:04:58
  side. It could be somebody else's.
• 1:04:59
  Yeah, she just thinks this is his house.
• 1:05:01
  He's just rented it just today. Yeah, that that was that was the
• 1:05:05
  big reveal. I was not surprised I figured
• 1:05:08
  that out early on. So then we bounced back to the
• 1:05:10
  party for a second, just more shots of people making out, and
• 1:05:13
  then back to the teacher's basement.
• 1:05:15
  Now Jodie strapped down on some kind of chair.
• 1:05:18
  Like, oh, you forgot. You forgot the part that you
• 1:05:20
  know, he just fucking decks her. Like when she figures out
• 1:05:22
  everything, he just fucking hauls off and decks her, like,
• 1:05:25
  hard. Yeah.
• 1:05:26
  He does because that's how he knocks her out to get her
• 1:05:28
  strapped down. That's right.
• 1:05:29
  Yeah, he does not. He knocks her out.
• 1:05:31
  And this, this was probably the most convincing part of the
• 1:05:34
  movie because I'm just like, damn, he fucking knocked her
• 1:05:37
  shit out. So, yeah, he knocks her out.
• 1:05:40
  He straps her down to this. You know, it wasn't like a
• 1:05:43
  dentist's chair. It's more like a mortician's
• 1:05:45
  table. But you could move.
• 1:05:46
  I don't know, It's kind of weird chair.
• 1:05:48
  And then of course, the dad, the sheriff, he's tied up to a
• 1:05:51
  regular chair. The teacher demands the sheriff
• 1:05:54
  tell the story as to why this is taking place.
• 1:05:58
  Like what happened that made him pissed off at the sheriff.
• 1:06:02
  And the sheriff, of course, doesn't want to.
• 1:06:03
  And the teacher threatens Jody. But Jody's like, my mom already
• 1:06:06
  told me the story. You're not going to shock me.
• 1:06:08
  I already know. So thanks mom for ruining it.
• 1:06:13
  Spoilers, Mom. Yeah, spoiler alert.
• 1:06:16
  So the sheriff still panics, though.
• 1:06:18
  He's like, don't tell her, don't tell her.
• 1:06:20
  Joey's like, I already know, though.
• 1:06:22
  But the sheriff tells the story anyway.
• 1:06:24
  So this, they do a flashback scene.
• 1:06:26
  We're back in high school. Him, Tom, the principal, and two
• 1:06:29
  other guys were driving along in their car.
• 1:06:31
  They come across Laura Lee Sherman, who's in her, who's
• 1:06:34
  outside of her car, broken down on the side of the road.
• 1:06:36
  They all get out and Tom is distinctly intoxicated, like
• 1:06:40
  he's falling down, basically passes outside the car when he
• 1:06:44
  gets out and lays there on the pavement while the other three
• 1:06:47
  guys go over to Laura Lee. And she's at, you know, saying
• 1:06:49
  that she's, you know, I need a ride, I need this or whatever.
• 1:06:52
  And they all start just fucking with her, like being total
• 1:06:54
  assholes. And ultimately they grab her and
• 1:06:57
  lay her down on top of a picnic table.
• 1:06:59
  And the three of them do rape her.
• 1:07:01
  And then after they do that, they go over to the sheriff,
• 1:07:04
  pick him up off the ground and lay him on top of her and force
• 1:07:08
  him to rape her. Well, he's telling this story.
• 1:07:11
  He's like, even though I was drunk and I was barely
• 1:07:13
  conscious, I still knew what I was doing.
• 1:07:16
  He's like screaming out. I still knew what I was doing.
• 1:07:18
  I knew what I. Was doing and, and at the same
• 1:07:20
  time he wasn't doing anything. His friends were holding him up.
• 1:07:24
  I don't know how, I don't know how they got him inserted, but
• 1:07:28
  you know, they, they just kept on like moving on back and
• 1:07:31
  forth. So like, he had no control over
• 1:07:33
  what was going on. Right, right.
• 1:07:35
  So while he's telling this story, we see shots from the
• 1:07:39
  flashback. We also see shots of the teacher
• 1:07:42
  putting makeup on and putting the wig on and getting into the
• 1:07:48
  Laura Lee Sherman character. And I have to say, Jay Moore
• 1:07:50
  looks pretty good in makeup. I was.
• 1:07:54
  Surprised because as Jay Moore, he doesn't necessarily have a
• 1:07:57
  very feminine face, but once he put the makeup on, it actually
• 1:08:00
  worked. It did.
• 1:08:01
  It looked more feminine. He didn't.
• 1:08:03
  I guess he doesn't have sharp sharp features.
• 1:08:06
  He probably contoured. Yeah, that's probably.
• 1:08:09
  What he did, the sheriff is crying and you know he's all
• 1:08:13
  upset because he knew what was happening and he still knew what
• 1:08:16
  he was doing. And the teeth.
• 1:08:17
  Then Mr. Ralston starts twisting his knife very emotionally,
• 1:08:22
  saying, you know, Laura Lee was in love with him.
• 1:08:24
  As he's getting up in the sheriff's face, she's like, did
• 1:08:26
  you know that she was in love with you?
• 1:08:27
  She wrote poems for you. She wrote songs about you and
• 1:08:30
  stories about you, but she never got to tell you before.
• 1:08:33
  And after it happened, she couldn't tell you or anyone, Oh,
• 1:08:36
  except for me. And then we get a flashback of
• 1:08:39
  him when he was a kid in the crib and you see Laura Lee,
• 1:08:43
  who's just beating him mercilessly with a belt or
• 1:08:46
  whatever she's got, I guess. And she's just hitting him over
• 1:08:49
  and over, I guess, as she's telling him the story.
• 1:08:51
  And then he says it's hard living with someone who looks
• 1:08:53
  like the person you love and hate and then calls the sheriff
• 1:08:56
  dad. Another big twist.
• 1:08:59
  Oh, no. So because of that, he decided
• 1:09:04
  he was going to come back to town to punish everyone by
• 1:09:07
  killing their perfect virginal kids.
• 1:09:09
  And then Kenny shows up in his hot rod of a car.
• 1:09:13
  We get a shot of, you know, Kenny outside driving up.
• 1:09:15
  Then we get a shot of the teacher back inside.
• 1:09:18
  He's going back over to Jody because he wants to finish
• 1:09:20
  riding virgin on her thigh because he didn't get to finish
• 1:09:22
  it before because he was so rudely erupted by Jaws.
• 1:09:25
  So. I know that was rude.
• 1:09:27
  Yeah, obnoxious. So you can see the first part of
• 1:09:31
  the V there and it's stitched up and then it's.
• 1:09:33
  Poorly. Yeah, so he starts to go carve
• 1:09:36
  the other side of the V into her leg to finish this rich role he
• 1:09:40
  has. And the doorbell rings and then
• 1:09:42
  he's like. What the fuck?
• 1:09:43
  This is the door now who decides to stop doing their serial
• 1:09:47
  killer shit just because a doorbell rings?
• 1:09:51
  Who does that? What apparently this?
• 1:09:55
  Guy apparently this guy and of course we know it's it's Kenny
• 1:09:58
  so Jody and the sheriff immediately tried screaming and
• 1:10:02
  he covers her mouth tapes it up goes over tapes up the sheriff's
• 1:10:05
  mouth of course and then because you know of course the serial
• 1:10:09
  killer always answers the door like it's no big deal of.
• 1:10:12
  Course. He answers the door.
• 1:10:14
  He's in this robe, he has taken the wig off.
• 1:10:16
  And he asks Kenny, what are you doing here in the middle of the
• 1:10:20
  night? And Kenny asks where Jody is and
• 1:10:22
  Marlson plays dumb like he doesn't know where she is, she's
• 1:10:25
  not here. Then Kenny points out her bike,
• 1:10:27
  it's right there. Marlson denies it.
• 1:10:29
  Marlson says why are you looking at me weird?
• 1:10:32
  And then Kenny says why are you wearing lipstick?
• 1:10:35
  And Marlson says because it makes me feel pretty.
• 1:10:37
  And when he says this you can see him pull out a small knife.
• 1:10:40
  But Kenny just punches him in the gut and knocks him back.
• 1:10:44
  Runs inside the house and smart move.
• 1:10:47
  He literally turned around and shot and locked the door.
• 1:10:50
  I was like because I was yelling lock the door, lock the door and
• 1:10:53
  he actually did he. Listened to me and and I might I
• 1:10:55
  might point out the fact that Kenny is huge compared to the
• 1:11:00
  future like the the actor. The actor was much bigger than
• 1:11:05
  Jay Moore. Like height like.
• 1:11:08
  He was a funny. Kid and he also had a big head
• 1:11:10
  compared to the compared to him and the only reason why I
• 1:11:13
  remember that is because I watched it just before we did
• 1:11:16
  all this and his head was fucking huge.
• 1:11:18
  Yeah, he was. I would say he's at least
• 1:11:20
  probably 63. He looked like a really tall
• 1:11:23
  person, or Jay Moore is just really short.
• 1:11:25
  Yeah, I think, I think it's Jay Moore is really short.
• 1:11:27
  So Kenny locks the door and starts yelling for Jodi and then
• 1:11:31
  downstairs while he's while he's upstairs looking through the
• 1:11:33
  house, the sheriff manages to knock over the chair he's in and
• 1:11:37
  scooch his way over to a big mirror that fortunately is right
• 1:11:40
  there near him that he can knock over and make a loud crash sound
• 1:11:44
  so Kenny knows where they are. So Kenny hears it, runs
• 1:11:48
  downstairs to the basement, finds Jodi, rips the tape off
• 1:11:52
  her mouth, unties her hands. She starts to untie her feet
• 1:11:55
  while he goes over to try and free the sheriff.
• 1:11:57
  And outside we see the teacher grab an axe and chops his way
• 1:12:02
  back inside through the door. Then he comes down to the
• 1:12:05
  basement and a fight ensues. The sheriff gets loose, lands a
• 1:12:09
  punch, but the teacher cuts him in the neck and the sheriff is
• 1:12:14
  falls down and of course Jody's screaming and.
• 1:12:17
  And yeah. 'Cause he, 'cause he had a knife
• 1:12:19
  and he plunged it into his neck. Yeah, and Kenny grabs Jody's
• 1:12:23
  like, come on, we got to go, we got to go.
• 1:12:24
  And she's still screaming for Daddy.
• 1:12:27
  Daddy. The teacher turns around to go
• 1:12:31
  attack Jodi, but the dad, who's still alive, does grab something
• 1:12:36
  and plunges it into the teacher's legs.
• 1:12:38
  So now the teacher's pissed, turns back around, takes the
• 1:12:40
  axe, and just axe the fuck out of the dad.
• 1:12:42
  Dad's done. Over.
• 1:12:43
  Bye bye, Sheriff Margo, Kenny and Jodi run out of the house
• 1:12:47
  and instead of just getting this car and driving away because
• 1:12:50
  they had plenty of time to do that, no, they just go running
• 1:12:54
  into the woods. And apparently the secret house
• 1:12:57
  is very close to the teacher's house because they have to run
• 1:13:00
  very far. They show up at the sex party
• 1:13:03
  house. They run up to it and they're at
• 1:13:04
  the steps and a cop stops them. He's like, where are you guys
• 1:13:07
  going? What are you doing?
• 1:13:08
  Stop kids. And Jody tells him screaming.
• 1:13:11
  She's like, it's the teacher, it's Mr. Marleston, he's the
• 1:13:13
  killer. He's at his house.
• 1:13:15
  He just killed my dad. They're there.
• 1:13:16
  You need to go stop it. You'll go get him.
• 1:13:18
  So then the cop recognizes her. He's like, Jody, is that you?
• 1:13:21
  And she's like, yes. And then she's like trying to
• 1:13:24
  convince him to go. So the cop radio is the
• 1:13:26
  sheriff's deputy, the one that's like the right hand girl, and
• 1:13:29
  tells her the sheriff is dead and the killer is Mr. Marlston,
• 1:13:33
  the English teacher. And the movie does this thing
• 1:13:36
  right here because they show her receiving this information over
• 1:13:39
  her walkie-talkie. And she lifts her head up.
• 1:13:42
  She's walking normally when she hears the sheriff's dead.
• 1:13:44
  She lifts her head up and back, her mouth open.
• 1:13:47
  But instead of just relying on her acting, they decide she
• 1:13:51
  sucks. We're going to slow this down
• 1:13:54
  and do some wobbly thing with the camera so that we all know
• 1:13:59
  how devastated she really is. It was.
• 1:14:02
  Just I was like, why are we doing?
• 1:14:03
  This. So then we go back to Jodi and
• 1:14:05
  Kenny and the cop, and they're trying to convince him to leave.
• 1:14:07
  And he's like, I can't leave my post, I can't just split.
• 1:14:10
  And the second he says split, the axe comes down and splits
• 1:14:12
  his head open. Yeah.
• 1:14:14
  Like ha ha ha funny joke. Yeah, so Jody and Kenny scream
• 1:14:18
  and they run into the house. The teacher, Mr. Marlston, he
• 1:14:22
  can't yank the axe free, so he's like son of a bitch.
• 1:14:24
  So he ditches it and pulls out one of his knives and he follows
• 1:14:27
  them into the house. So.
• 1:14:28
  Well, also this axe. This axe was very shiny, brand
• 1:14:31
  new. Yes, it.
• 1:14:33
  Was because it was supposedly used to chop wood and you would
• 1:14:36
  think that'd be some scratches on it even from one use.
• 1:14:39
  This was a perfectly shiny brand spanking new axe.
• 1:14:44
  Yeah, when he pulled it out originally at his house, it was
• 1:14:46
  in a piece of wood, right? And it was shiny, brand new.
• 1:14:49
  Yep, absolutely. They run inside and we see that
• 1:14:53
  most of the kids are not downstairs anymore where they
• 1:14:55
  originally all were dancing and whatever.
• 1:14:56
  The only two down there are Mark and Sandy and they're still slow
• 1:14:59
  dancing. They didn't go up with all the
• 1:15:00
  other kids. I don't know why all the kids
• 1:15:02
  went upstairs, but they did. So then Jodi and Kenny went
• 1:15:04
  upstairs and they burst into a room and all the kids are packed
• 1:15:07
  together half naked, naked, trying to save their lives.
• 1:15:11
  Jodi. Jodi screams that Mister Marlson
• 1:15:15
  is the killer and when he she says that he appears and says
• 1:15:18
  class dismissed and then it's so he kids are running and all over
• 1:15:26
  the place back and forth screaming and he's slashing
• 1:15:29
  through them and they're stampeding basically.
• 1:15:32
  Kenny gets separated from Jody in the rush and he's like
• 1:15:36
  underneath a bunch of kids. Somehow he suddenly got under a
• 1:15:39
  bunch of kids. She gets pulled off into another
• 1:15:41
  room. The kids are all running out of
• 1:15:43
  the room and managed to mostly of them managed to get past the
• 1:15:47
  teacher, but they're get bottlenecked on the staircase.
• 1:15:50
  So they're piling up on the staircase and the way the
• 1:15:52
  staircase is is it goes down, there's a landing, then it turns
• 1:15:56
  and goes down again. So they're all trying to get
• 1:15:58
  down the steps. As they're doing that.
• 1:16:00
  The sheriff's deputy, that's his right hand girl, I never got her
• 1:16:04
  name. She is going up and gets to the
• 1:16:06
  landing. And as she gets to the landing,
• 1:16:08
  all the kids start coming down and knock into her.
• 1:16:10
  So there's a big pile up there at the platform and they're all
• 1:16:14
  just stuck on the stairs like no one can seem to get along this.
• 1:16:17
  Corner. Yeah.
• 1:16:18
  No one's moving. It's just.
• 1:16:20
  It's piling up and piling up. Finally, the pushing gets to the
• 1:16:23
  point where it's so bad they're so piled up, the railing does
• 1:16:26
  break and kids go flying off the side.
• 1:16:29
  That clears the jam enough for most people to start running
• 1:16:31
  outside. Then we go back to Jodi and she
• 1:16:34
  keeps, you know, running around upstairs in other places.
• 1:16:36
  She then suddenly is alone. She was pulled into a room by
• 1:16:40
  some other kids, but then she was by herself.
• 1:16:41
  I don't know where those kids went.
• 1:16:43
  So she finds this. They went down stairs.
• 1:16:46
  But they went to the other way. This is a back staircase that
• 1:16:49
  those kids figured out. Maybe she surprised in this
• 1:16:51
  house. This house was that big.
• 1:16:53
  So she opens this tiny door, and JD Quall's character and some
• 1:16:59
  girl are in there. And they're, you know, in the
• 1:17:01
  midst of saving their lives. So she goes and runs back out of
• 1:17:07
  that room but runs straight into Mr. Marleston.
• 1:17:10
  He grabs her, gets her on the ground, starts choking her.
• 1:17:13
  But then Kenny shows up and locks him in a chokehold.
• 1:17:16
  He's behind him, you know, with his arm around his neck.
• 1:17:18
  But Marleston elbows him in the gut and then turns around and
• 1:17:21
  slashes Kenny across the chest. Kenny drops the floor.
• 1:17:24
  He's bleeding. He's hurt.
• 1:17:26
  And again, it's a weird slow motion moment where we see this
• 1:17:30
  happen. And then we look at Jodi and
• 1:17:32
  it's all weirdly slow. Yeah.
• 1:17:34
  Whatever they really want us to feel it.
• 1:17:37
  You know, honestly, I'm surprised that they didn't write
• 1:17:39
  him to the script when he was choking it.
• 1:17:41
  Choke me harder, Daddy. Yeah, I didn't look to see what
• 1:17:49
  this movie was rated. I know it wasn't X, but was it
• 1:17:53
  R? I don't know I I think it was PG
• 1:17:58
  13 maybe? Yeah, that's what I would have
• 1:17:59
  figured. It was PG13, but they basically
• 1:18:01
  took the porn script and they had to get it cleaned up for PG.
• 1:18:04
  So that's they probably originally did say choke me down
• 1:18:07
  your daddy, but they decided we probably might have to change
• 1:18:11
  that. You can bite her toes, but don't
• 1:18:13
  choke her. It's a no no.
• 1:18:18
  That would give us an R rating for sure.
• 1:18:20
  Marlon turbans back to Jodi. She has this flashbacks of every
• 1:18:24
  interaction she's had with him, whether as the teacher or as the
• 1:18:27
  creepy Laura Lee Sherman. And he lunges towards her.
• 1:18:31
  And Jodi finally gets to use the move her dad taught her.
• 1:18:34
  Not quite in the same way, but she does grab his arm and twist
• 1:18:37
  him and shoves him through the French doors which go out onto a
• 1:18:40
  porch. And he manages to.
• 1:18:42
  And this is quite a bit of space between where she does this and
• 1:18:45
  where he falls off the porch railing.
• 1:18:47
  But I guess she pushed him hard enough that he was he could not
• 1:18:50
  catch his footing and he stumbled all the way across the
• 1:18:53
  porch and flipped over the railing.
• 1:18:55
  Yes. Yeah.
• 1:18:57
  And then became and then became impaled.
• 1:19:00
  Yes. So the lower landing where the
• 1:19:02
  steps are that go up into the house, the railing, the hand
• 1:19:06
  rail on that was off and I don't remember why it was off, but
• 1:19:09
  maybe it's just because it was an old rundown house.
• 1:19:10
  But even though it wasn't that old and rundown, so the posts
• 1:19:13
  were sticking up. Everywhere.
• 1:19:14
  It was bottlenecked there too, yeah.
• 1:19:16
  Probably. So he lands on that.
• 1:19:19
  Of course it goes through him, he's laying there, eyes are
• 1:19:21
  closed, we assume he's dead. Everyone stares.
• 1:19:24
  And then Mark being Mark walks up and starts messing with him
• 1:19:28
  and he takes the wig off and everybody's like no Mark don't
• 1:19:31
  don't. And as soon as he takes the wig
• 1:19:32
  off Marlon's eyes snap open and he grabs Mark and everyone
• 1:19:35
  screams. Then the deputy, she finally
• 1:19:37
  makes her way outside and points 2 guns at him and just fires
• 1:19:41
  none. Stuff just goes gun to Kimbo.
• 1:19:43
  Just freaking just lays out. I don't know.
• 1:19:46
  I mean. Right.
• 1:19:48
  And, and every police officer knows how to effectively go gun
• 1:19:53
  to Kimbo and just start freaking shooting.
• 1:19:56
  Right, So then we see Jodi on the balcony.
• 1:19:58
  She's looking down. Kenny staggers out to her,
• 1:20:01
  barely holding on, but he's made it outside.
• 1:20:04
  The kids are huddled together on the stairs, shaking and covered
• 1:20:06
  in blood. Jodi and Kenny are up top,
• 1:20:09
  almost in her close huddle together.
• 1:20:11
  There's almost a kiss, but not quite, before we change scenes.
• 1:20:14
  So then we have Jodi and her mom inside the.
• 1:20:17
  The police station, the FBI is questioning Jody about
• 1:20:20
  everything that went on. And they asked her why the
• 1:20:22
  sheriff was in West Virginia. She's like, I don't know.
• 1:20:24
  And then they keep trying to press why did the the teacher go
• 1:20:30
  on this mad killing spree? Like she's supposed to know and
• 1:20:33
  right, I don't know. I mean, she knows, but she's
• 1:20:36
  like, but technically if she didn't like, why would she know?
• 1:20:39
  I mean, she does, she does know, but most of the time.
• 1:20:42
  Right. I mean, it would be fair to
• 1:20:45
  assume that she didn't know anything about this stuff,
• 1:20:47
  right? And the way the questions were
• 1:20:50
  being done, it's like he was being accusatory of whatever it
• 1:20:53
  is that her husband was doing she somehow had something to do
• 1:20:56
  with. Yeah, They almost made it seem
• 1:20:58
  like Jodi and her mom were or Jodi or somebody had some part
• 1:21:02
  in this. They were.
• 1:21:03
  They were questioning her in a really weird way.
• 1:21:05
  He asks Jodi, you know, more questions about is there
• 1:21:08
  anything else you need to tell us?
• 1:21:09
  And the mom says, I think you have asked my daughter enough
• 1:21:13
  questions, We're going home. And she shuts it down.
• 1:21:15
  And then the sheriff's deputy, deputy, she puts on this big
• 1:21:18
  smile like, yeah, you tell him. Shakes her head Yes, a little
• 1:21:22
  bit. Right.
• 1:21:23
  So then they walk out to the car, and as they're getting in
• 1:21:26
  the car, Jody looks across the street and she thinks she sees
• 1:21:29
  Mr. Marlston dressed as Laura Lee Sherman.
• 1:21:31
  But then a school bus passes by and he's gone.
• 1:21:34
  No way. Can't.
• 1:21:35
  Believe it. Is there going to be a Cherry
• 1:21:37
  Falls 2? No.
• 1:21:42
  Thank God. So then the final shot is we see
• 1:21:46
  the actual Cherry Falls because there's a waterfalls thing with
• 1:21:49
  a river and it turns blood red. And it's a very poor digital
• 1:21:54
  coloring. Yes, it like slowly creeps in
• 1:21:57
  over the water. All right, So what are your
• 1:22:01
  thoughts on the movie Dan? This was a poorly written piece
• 1:22:05
  of shit. God.
• 1:22:07
  Like I said throughout the whole thing, it was weird.
• 1:22:10
  The adults were too much into the kids sex lives.
• 1:22:13
  The idea of a virgin killer was dumb.
• 1:22:19
  Now don't get me wrong, you know I I tend not to try to blame the
• 1:22:23
  actors for for certain pieces because they can only do what
• 1:22:28
  they're being directed to do. Unless like, they're really,
• 1:22:31
  really bad actors, then you can put the blame on them.
• 1:22:35
  But for the most part, the directors and the screenwriters,
• 1:22:38
  they, they fucked this movie up pretty bad.
• 1:22:43
  You know, unlike Fever Lake, this one doesn't have a story.
• 1:22:47
  You know, the senior lake, you know, we both agreed that it
• 1:22:49
  does have a story in there, that if it was done properly it could
• 1:22:53
  have been a really decent movie. But this didn't.
• 1:22:56
  This had nothing redeeming to it.
• 1:22:58
  The only thing I can say is that it was watchable at least at
• 1:23:02
  least the second time because I fell asleep the first time.
• 1:23:06
  It was confusing through most of it.
• 1:23:09
  I didn't know what was going on, and that was with watching it
• 1:23:12
  with full attention. Yeah, you don't even know about
• 1:23:16
  West Virginia. And there was a whole scene.
• 1:23:18
  Right. And I don't know, it just was
• 1:23:22
  not, it's not something that I would necessarily recommend, but
• 1:23:27
  because of the fact that it was somewhat watchable, I would give
• 1:23:31
  it three cents. OK so I feel like what they were
• 1:23:35
  trying to do with this movie and I like the idea, but it was
• 1:23:39
  poorly executed. So in most horror movies,
• 1:23:42
  especially horror movies about the 80's, the virgins were the
• 1:23:46
  ones that lived. They were the ones that, for
• 1:23:48
  whatever reason, the slasher guy never got.
• 1:23:52
  They were. The IT was, it was the morality
• 1:23:54
  of the story. You know, if you were a good
• 1:23:56
  girl and you know, you eat your vitamins and you know all that
• 1:24:02
  stuff, and then you'd be, you'd be safe from the killer.
• 1:24:05
  Right, because the killer knows, right?
• 1:24:08
  So I feel like what they were trying to do was flip that
• 1:24:11
  narrative and make it and take that trope that the virgin
• 1:24:14
  always lives and flip it to where the virgin dies, which
• 1:24:19
  could have been done if they had done it in a better way.
• 1:24:22
  They just, it was almost like they wanted it to be a serious
• 1:24:27
  twist on the trope, but it turned into something kind of,
• 1:24:30
  it wasn't even campy. It wasn't, it was, I don't know.
• 1:24:33
  There's some things that were a little too much, of course, like
• 1:24:36
  all the weird sexual innuendo that and and most of it going
• 1:24:39
  nowhere. They just, it's like they just
• 1:24:41
  put it in there to put it in there just because we're so
• 1:24:44
  dumb. We have to have some sort of
• 1:24:45
  weird sexual thing going on in every movie we watch.
• 1:24:49
  I mean, I realize this is coming out of the 80s and the 80s was
• 1:24:52
  like that where there was a lot of sex and nudity and there
• 1:24:56
  wasn't any real nudity in this movie either.
• 1:24:58
  No, no there wasn't. There was.
• 1:24:59
  There was 11 boob shot. Yeah, that was when the girl,
• 1:25:03
  the Annette, the dead girl, yeah, she was on the morgue
• 1:25:05
  table. Yeah.
• 1:25:06
  So, so I, I think that was what they were trying to do.
• 1:25:09
  Maybe I'm giving them a little more credit than they're due.
• 1:25:12
  But at the same time, like with the premise though, like how did
• 1:25:15
  the teacher know that all these people were virgins?
• 1:25:17
  Well, that I assumed was because he's a teacher and he hears them
• 1:25:22
  all talk like when he had the conversation with Jodi in his
• 1:25:25
  room when she was handing in the paper after she excited TS
• 1:25:28
  Eliot. She's like, is that the way it
• 1:25:30
  is in real life? Is it always so sad and glum and
• 1:25:33
  nobody finds the right person or whatever shit she was saying?
• 1:25:36
  And he assumed that she was upset because of the break up
• 1:25:39
  with Kenny And he said, I realize you and Kenny just
• 1:25:42
  recently broke up and she gets all pissy.
• 1:25:43
  She's like what you think I'm just all my whole life is just
• 1:25:46
  based around one boy and that's what my whole life is.
• 1:25:49
  So he obviously hears things. And I, my mom, she used to be a
• 1:25:52
  substitute teacher and she was like, you would not believe the
• 1:25:55
  shit that kids talk about openly in front of teacher in school.
• 1:25:58
  She's like, it's see the stuff I know about these kids.
• 1:26:01
  So, so he would know, I think based on just what you know,
• 1:26:06
  kids are talking about. So I, I do think that part would
• 1:26:09
  work. But I still think that like the
• 1:26:12
  whole thing with Annette, how does he know?
• 1:26:14
  I mean, yeah, Annette was really upset that the guy said that she
• 1:26:18
  gave him a Hummer, which doesn't make her a not a virgin, I
• 1:26:21
  guess. But how he knows that was true
• 1:26:24
  or not true or if they didn't engage in sex, if that did
• 1:26:27
  happen, like how did he know specifically that that did or
• 1:26:30
  didn't happen? I don't know.
• 1:26:31
  Just because she was super upset about it doesn't mean that it
• 1:26:34
  didn't happen. Whatever.
• 1:26:36
  So I think that's what they were trying to do.
• 1:26:39
  They just didn't do it. Well, they're they, it was
• 1:26:43
  almost, I don't know if it was like satirical, maybe like
• 1:26:46
  because it wasn't campy, but it was almost like it was a, a
• 1:26:48
  weird satire maybe that they didn't really execute because
• 1:26:53
  there were lines in there that they said that they thought that
• 1:26:56
  they did on purpose, but they just didn't land the way I think
• 1:26:59
  they land. Like split?
• 1:27:02
  Yeah, like that one and just some of the over the top stuff
• 1:27:05
  that they did it just, I don't know, it was like they were
• 1:27:07
  trying to make an 80s slasher film in reverse and it just or
• 1:27:12
  reverse engineer it in some way or or whatever, I don't know.
• 1:27:15
  But it just didn't. It just didn't work it.
• 1:27:16
  Didn't land. Yeah, I would probably give this
• 1:27:20
  and again, yeah, the ACT by the way, the acting was fine except
• 1:27:23
  for honestly, I didn't really I don't know how much I liked
• 1:27:26
  Brittany Murphy's acting. Just speak and it may not even
• 1:27:28
  be her fault and it was probably direction because of all the
• 1:27:31
  weird daddy and this the sultry over because she was really
• 1:27:35
  played up the big eyes sultry pouty look a lot and it was just
• 1:27:40
  too much. But it could have just been that
• 1:27:42
  was the way they directed her to do it, but they wanted her it to
• 1:27:44
  be that over the top, sultry, sexy 415 year old, you know,
• 1:27:49
  virgin, whatever. I don't know.
• 1:27:53
  I don't know. I don't know who they were
• 1:27:54
  trying to appeal to in this movie, but I would probably give
• 1:27:57
  it maybe 2 1/2 three cents. I'd probably be right in there
• 1:28:02
  with you. Like was better than this.
• 1:28:04
  I won't say that for sure. Again, not a bad movie for a
• 1:28:11
  thriller. I wouldn't classify it as
• 1:28:13
  horror. Cherry Falls or Lake Mungo.
• 1:28:15
  Lake Mungo no Cherry Falls is just sucks all around.
• 1:28:18
  Oh, yeah, yeah, yeah, right. So, all right.
• 1:28:21
  So do you have anything else you'd like to add or are we
• 1:28:23
  wrapping? This put a sock on it, we can
• 1:28:25
  put. A sock on it.
• 1:28:27
  Now we're leaving Cherry Falls, a towel that responds to trauma,
• 1:28:30
  secrecy, and bad leadership by making everything worse.
• 1:28:33
  And in two weeks, where we headed to Dan.
• 1:28:36
  All the boys love Mandy Lane all.
• 1:28:38
  The boys love Mandy Lane. Where can we see this movie?
• 1:28:41
  Where can we see it? YouTube.
• 1:28:45
  Yes, YouTube. Yeah, YouTube was the only place
• 1:28:47
  we could find it. They had to do some funky stuff
• 1:28:50
  to make it bypass the copyright, but it's there, Yeah.
• 1:28:55
  It's a movie that asks a much simpler question than Cherry
• 1:28:57
  Falls did. What if everyone agrees someone
• 1:28:59
  is perfect and that turns out to be the problem?
• 1:29:02
  So join us next week for jealousy, entitlement, and a
• 1:29:05
  body count that doesn't require a town meeting, a flyer for
• 1:29:08
  several. Wildly irresponsible adults.
• 1:29:11
  Until then, be scared, be prepared, and don't get caught
• 1:29:15
  in the dark.