Latest / Cage Match: A Roundabout Way of Meeting Nicolas Cage / Bonus Episode: Longlegs

Transcript

Bonus Episode: Longlegs · Cage Match: A Roundabout Way of Meeting Nicolas Cage

• 0:00
  Oh, God. Oh, my God.
• 0:12
  Better.
• 0:13
  Worse.
• 0:13
  Oh, that's much better.
• 0:15
  Yeah, that's good. Good.
• 0:16
  How are you showing up on the on the mouth noises, oh, meter.
• 0:20
  Mouth nominer. Mouthy.
• 0:25
  I'm getting good at that.
• 0:27
  I wish you weren't.
• 0:29
  This is the worst.
• 0:30
  Yeah. Why can't you just masturbate when you're alone like a normal person?
• 0:34
  Why are you going to sit here and just make the noises with your face?
• 0:37
  That fucking alehouse guy just needs to come in public.
• 0:42
  So fucking weird.
• 0:43
  That makes it into the plant in the corner.
• 0:45
  Mm hmm. You know, it works.
• 0:47
  OK, wait a minute.
• 0:48
  The alehouse has a plant that I could have been coming in.
• 0:50
  Probably. Oh.
• 0:53
  Welcome back to Cajun.
• 0:55
  I'm producer Peter.
• 0:57
  Oh, OK. That's not a segue.
• 1:00
  Nope. Oh, fun fact.
• 1:03
  I like last week learned how segue was spout spelled Nick.
• 1:07
  I'm Nick.
• 1:09
  And I'm Sean.
• 1:10
  This is cage match, apparently.
• 1:12
  Apparently, there are no more rules.
• 1:14
  Also, we have John.
• 1:15
  Now. So are you talking about segue, the rideable or segue?
• 1:20
  I always knew that one. Oh, yeah.
• 1:21
  Oh, see, yeah.
• 1:24
  So good. That's the one I learned about.
• 1:26
  It's a good it's like a cue.
• 1:28
  Kua away. Yeah, way. Yeah.
• 1:30
  Thank you for saying it correctly.
• 1:31
  Yeah, you get it.
• 1:33
  You know, the British pronunciation.
• 1:36
  Quay.
• 1:37
  You. OK, so welcome to the last episode of cage match.
• 1:42
  We never want to see any of you again after this.
• 1:45
  So that was interesting.
• 1:46
  We watched a movie in a movie theater with Nick Cage with lots of people.
• 1:50
  Yeah, no, this is the most amount of people we've ever watched a new
• 1:53
  Nick Cage movie. Remember that time when it was just us?
• 1:58
  Which one?
• 1:59
  Oh, was that Renfield?
• 2:01
  I don't know in the boat theater. Yeah.
• 2:03
  Renfield had like two other people.
• 2:05
  It was still really, really low.
• 2:07
  And it was really weird because we walked in and just looked at your face
• 2:10
  waving at us.
• 2:12
  So happy with that theater.
• 2:14
  This is weird. Which theater is this?
• 2:17
  That's the Admiral Theater over in West Seattle.
• 2:19
  Yeah, the district never been there.
• 2:21
  It's both themed.
• 2:23
  Both themed. Yeah.
• 2:24
  The the doors are the door to the theater is on the same wall as the screen.
• 2:29
  So you walk in and Nick's just staring at you walk in to look at the audience.
• 2:34
  You have to turn around to see this.
• 2:36
  Yeah. So like you leave for a piss and you come back in and everyone's like,
• 2:40
  here's that guy.
• 2:41
  I know what you did.
• 2:43
  You wash your hands.
• 2:45
  Yeah, obviously I did.
• 2:47
  P is sterile. Yeah.
• 2:48
  I just rinse it right off.
• 2:49
  Yeah. Done. You were very efficient.
• 2:51
  I noticed that. Thank you.
• 2:53
  Yeah, I pee a lot. Small bladder often.
• 2:57
  Yeah. You just not drink things.
• 3:00
  No. Oh, I have a little.
• 3:02
  I have a little I have a little sludge at the end of the day.
• 3:06
  Yeah, you don't pee.
• 3:08
  I just did.
• 3:09
  Yeah, but I remember you said you don't pee like you pee once.
• 3:14
  I would say on average, I pee
• 3:18
  probably around three or four.
• 3:21
  So you just feel like a normal person.
• 3:23
  You lied to me about that.
• 3:24
  Sounds normal. That sounds like just the right amount of pain.
• 3:26
  Yeah. OK. I don't know.
• 3:27
  I just never have to pee when everybody else has to be.
• 3:30
  Just add like three more to that.
• 3:31
  And that's a weird pee, which is me.
• 3:33
  Oh, OK. I've been trying to hydrate more.
• 3:36
  Yeah. I got a water bottle.
• 3:38
  Have you been paying more?
• 3:40
  Uh, yeah, I guess.
• 3:41
  There you go. That system works.
• 3:43
  Only one way to find out.
• 3:45
  I could also just be diabetic.
• 3:46
  Yeah. Mix a lot of beet juice into your pee.
• 3:51
  Why?
• 3:52
  Well, it was the beet juice into the.
• 3:54
  Yeah. So he pees and then mixes the beet juice in.
• 3:58
  Do I do this in the toilet or?
• 4:00
  Well, ideally, you do it before you.
• 4:02
  So drink beet juice. Yeah.
• 4:04
  Well, yeah. But if you forget to,
• 4:06
  I guess you could just toss it in your pee.
• 4:08
  Same effect.
• 4:09
  I don't do beet juice.
• 4:10
  I only do asparagus juice.
• 4:12
  Mm hmm. For the odor only.
• 4:14
  Mm hmm. Nice. That's how you know it works. Yeah.
• 4:18
  It's not just be that it makes smell funny.
• 4:20
  So it's like the opposite of pineapple.
• 4:22
  Yeah, I think so. Literally. All right.
• 4:24
  Oh, we're talking about semen again.
• 4:26
  Yeah, of course. OK.
• 4:28
  Well, we got there. We weren't.
• 4:29
  We were this cage match after all.
• 4:31
  I don't know.
• 4:32
  Welcome back to cage match.
• 4:33
  Calling around about me and Nicholas Cage.
• 4:36
  Apparently, we've forgotten how to do this.
• 4:38
  Yeah. So you're Sean.
• 4:39
  I am Sean. You're Peter.
• 4:41
  I am. That's John.
• 4:43
  I thought we already did this.
• 4:45
  We're doing it twice.
• 4:46
  OK. Yeah, I'm John.
• 4:48
  Nick and one of these is going to be good and I'll keep it
• 4:52
  or maybe I'll keep both.
• 4:53
  Keep them all. I some all together.
• 4:54
  Oh, yeah. The super cut.
• 4:57
  We just watched Long Legs.
• 4:58
  That's that's the very that's the end of that very me entering story.
• 5:02
  Yeah. Go support local theaters.
• 5:05
  Yes. It was cool watching a movie with people with people.
• 5:09
  I hated that part of it.
• 5:11
  Whose idea was it to like have theater snacks be just
• 5:16
  crinkly rapper things?
• 5:17
  I mean, I sat next to John.
• 5:19
  He had like Reese's Pieces.
• 5:20
  I was sitting on the other side of John.
• 5:24
  I was so worried that I was making a whole bunch of noise the whole time.
• 5:27
  Oh, you were.
• 5:29
  Yeah, but so were other people.
• 5:30
  I literally I literally like part of some of my Reese's Pieces
• 5:34
  so that I wouldn't crunch them.
• 5:35
  Oh, nice. Like use my tongue to like squish them.
• 5:38
  Nice. Yeah. OK.
• 5:40
  I mean, I'm on board with that.
• 5:42
  But you might have to demonstrate again later.
• 5:46
  Yeah. Popcorn bags there are super loud, too.
• 5:49
  Like you think you could quiet up a popcorn bag.
• 5:52
  Yeah. I didn't realize Sun Chips was selling popcorn.
• 5:56
  It's just going there.
• 5:57
  Yes. The loudest bag that's ever existed.
• 6:01
  I did have a non-alcoholic Blue Moon tasted like a Blue Moon.
• 6:05
  I mean, bars pretty low.
• 6:07
  You know, when you don't fucking drink anymore
• 6:09
  and your options aren't great, anything that kind of tastes like beer works.
• 6:13
  There you go. OK. So we just watch long legs.
• 6:17
  Yeah. Long legs.
• 6:18
  A horror movie.
• 6:20
  It's new. It just came out today for us.
• 6:23
  Just recording.
• 6:24
  Yes. So noise.
• 6:26
  No spoilers and spoilers, right?
• 6:28
  Yeah. So just to give everyone a heads up,
• 6:30
  we're going to talk about the movie for 10 minutes, probably
• 6:34
  in a non-spoilery way as much as we can.
• 6:37
  And then we are going to give a we are going to spoil shit alert
• 6:41
  and we will talk about the rest of the movie.
• 6:43
  What does the spoil shit alert sound like?
• 6:46
  You we you.
• 6:49
  OK. OK.
• 6:52
  I don't know. It just came to me.
• 6:53
  Satan.
• 6:55
  Hail Satan. Hey, spoilers.
• 6:58
  Good point.
• 6:59
  People probably got that vibe.
• 7:02
  I liked this movie.
• 7:04
  I kind of fucking loved it.
• 7:07
  I don't know.
• 7:07
  It's the right amount of like just tense
• 7:12
  90s serial killer like thriller
• 7:15
  with fucking weird.
• 7:18
  And I really like the fucking weird.
• 7:20
  I loved the fucking weird parts of it.
• 7:23
  I was on board until the last five minutes.
• 7:28
  I was going to say I didn't really love the ending.
• 7:30
  I guess. Agreed.
• 7:32
  But I will say that hour and 40 minutes went by fast.
• 7:35
  Yeah. Yeah.
• 7:36
  Which is, I guess, a pretty good marker of a good movie,
• 7:39
  especially for a thriller.
• 7:40
  You don't want a slow thriller.
• 7:42
  Yeah. It's like a simmer.
• 7:44
  Yeah. I think this movie got way too hyped up for me, unfortunately.
• 7:48
  Weird considering no one's talking about it.
• 7:51
  Except us.
• 7:52
  Except the algorithm has been throwing crap at me about long legs for weeks.
• 7:56
  Oh, weird.
• 7:57
  You should stop listening to our podcast, apparently.
• 8:00
  Don't listen to him.
• 8:02
  I loved the photography in it, like the walls of color.
• 8:07
  Yeah. Like it was the screen was constantly just being dominated by
• 8:12
  very monochromatic shots that
• 8:15
  I thoroughly enjoyed.
• 8:17
  It's visually great.
• 8:19
  Fucking Lee Harker, the main character.
• 8:21
  Yeah. Her house.
• 8:23
  I want to live there.
• 8:24
  Uh, if you want to get fucking murdered, for sure.
• 8:27
  Yeah. No, no.
• 8:28
  Her cabin house. Not her.
• 8:30
  No, I know.
• 8:31
  Oh, that also seems like a place that you would get murdered.
• 8:34
  It's just a cabin. Yeah.
• 8:35
  Oh, yeah.
• 8:36
  It didn't work out for Mandy either.
• 8:37
  Where most murders happen.
• 8:39
  Yeah.
• 8:40
  Hmm.
• 8:40
  A stabbing cabin.
• 8:43
  That's what they mean, right?
• 8:44
  He understands. Yeah.
• 8:46
  No, but, uh, Michael Monroe, I thought she did a great job.
• 8:49
  I mean, she has kind of a weird role in that.
• 8:52
  Lee Harker kind of.
• 8:54
  It's a very weird character.
• 8:55
  Doesn't have a lot because everything is sort of repressed.
• 8:59
  But I thought she did a good job.
• 9:02
  And did you ever see It Follows?
• 9:05
  No. Good movie.
• 9:07
  Good horror movie.
• 9:08
  It's her when she was like 18 or something like that.
• 9:11
  She did a really fucking good job in that movie, too.
• 9:14
  Interesting. I don't watch a lot of horror.
• 9:16
  So I don't either.
• 9:17
  This is like outside of my wheelhouse. Mostly.
• 9:20
  I watch a little bit of horror, but not like obsessively.
• 9:23
  I saw the last is it Aronofsky
• 9:26
  that does all the weird body horror shit?
• 9:28
  That's what you're going to say the last airbender
• 9:30
  that is terrifying.
• 9:32
  Yeah, no.
• 9:33
  Here it is. You know, Aronofsky is the social network guy.
• 9:37
  That's Sorkin.
• 9:39
  Damn it. You're thinking of
• 9:41
  Darren Aronofsky did like Requiem for a Dream.
• 9:45
  Oh, that guy. Yeah.
• 9:47
  Body horror. Are you thinking of the guy who did
• 9:51
  Cronenberg? Yes.
• 9:52
  Thank you. The fly.
• 9:53
  Yeah, I went to the last Cronenberg flick.
• 9:55
  That was horror.
• 9:59
  It was definitely very weird.
• 10:00
  But I would be go. Yeah. Yeah.
• 10:02
  Yeah, I don't see a lot of horror stuff.
• 10:04
  So, I mean, I was a little anxious going into it
• 10:07
  because I was like, I don't know how I'm going to feel about this.
• 10:09
  And it didn't feel too horny.
• 10:13
  No, it's creepy.
• 10:14
  Think it's all a thriller. Yeah. Yeah.
• 10:17
  I agree with that.
• 10:17
  Which is still a great place for Nicholas Cade.
• 10:19
  Yeah, there's one pseudo jump scare and it's in the first three minutes.
• 10:22
  Yeah, which it was a dong.
• 10:26
  A long dong, though.
• 10:28
  Yeah. Let's just talk about Nick Cage.
• 10:32
  It's performance in general. Yeah.
• 10:35
  Creepy. Yeah.
• 10:37
  And like as people that have watched a lot of Nick Cage
• 10:41
  movies at this point, did it not feel like he was channeling
• 10:46
  like a lot of other.
• 10:47
  Yeah, there was definitely the mom and dad scream.
• 10:50
  Yeah, literally said mom, dad.
• 10:52
  I mean, he cages out real good in the car.
• 10:56
  Yeah, he gets a good freak out. I liked it.
• 10:59
  He you know, he strikes me as a good hugger.
• 11:03
  Elaborate.
• 11:04
  Oh, he's got like good hand action.
• 11:06
  I know he'd be attentive in a hug to your needs.
• 11:11
  Yeah. And his needs like he'd take care of himself, too.
• 11:14
  Let's be real. He's got business.
• 11:15
  Are we talking about Nick Cage or Nick Cage's character?
• 11:17
  His character. OK.
• 11:19
  Long legs. Yeah.
• 11:21
  Nick Cage, I don't feel like it would be a great hugger.
• 11:24
  He doesn't seem like he wants to be touched a lot.
• 11:26
  Yeah. The actor.
• 11:28
  Yes. I'm trying to track. OK.
• 11:29
  Got it. Just just lean in.
• 11:32
  Yeah. He does not seem like someone who wants to hug.
• 11:34
  He also seems like kind of a Keanu who probably learns that you just
• 11:37
  when you take a picture with people, you put your arms out
• 11:40
  and don't touch anyone. Yeah.
• 11:42
  Operation Don't Get Sued. Yeah.
• 11:44
  Yeah. Smart. Don't don't pull a fucking the flash.
• 11:47
  What? Ezra Miller. Ezra Miller.
• 11:49
  Yeah. Don't don't abduct a French lady and her kid.
• 11:53
  And keep them in your cabin.
• 11:55
  Cops finally come for you, Nick.
• 11:56
  Shh. Don't say my name.
• 11:58
  They can hear. Nick.
• 12:00
  He's Nick. You say it twice.
• 12:03
  They know.
• 12:05
  This feels like we're getting into spoiler.
• 12:07
  All right. Spoiler territory.
• 12:08
  Wait, wait, wait. Before before we get into that movie as a whole.
• 12:12
  I enjoyed it quite a bit.
• 12:14
  Yeah. Same Z's.
• 12:15
  Meh. Fair.
• 12:17
  I think I don't feel bad for having watched it and I have no desire to see it again.
• 12:21
  That's fair. I don't know.
• 12:22
  I don't need to see it again.
• 12:23
  I would probably never watch this again.
• 12:25
  I enjoyed the ride quite a bit.
• 12:26
  Yeah. I mean, well, with a lot of movies like this, once
• 12:30
  the water shot, once it's out there, it's like, yeah, well,
• 12:33
  I know the turn.
• 12:36
  Yeah.
• 12:37
  Speaking of that, nice white wad.
• 12:40
  Spoiler time. Oh, wait, I got a thing before.
• 12:43
  No, say that.
• 12:44
  Speaking of twists.
• 12:46
  I love whenever I see like a Shyamalan trailer in a theater
• 12:51
  with people who don't know there's a Shyamalan movie coming out.
• 12:53
  I didn't know because what was it held the elevator one?
• 12:56
  I was in a theater full of people and this like trailers coming out.
• 12:59
  I was like, oh, oh, oh, like interested sounds.
• 13:03
  And then director M. Night Shyamalan and the entire theater went, oh,
• 13:08
  yeah, I noticed that too.
• 13:10
  And I felt the same with this one.
• 13:13
  We you we you.
• 13:15
  Nicholas Cage just straight up looks like Christopher Walken
• 13:18
  and Michael Jackson had a kid.
• 13:21
  But with with like more powder face makeup
• 13:25
  and like an old timey outfit.
• 13:28
  I love his little vest that his pants and.
• 13:31
  Yeah, that's what I was trying to figure out is like, is the is the pale face
• 13:34
  makeup that he puts on himself or is he supposed to be actively that pale?
• 13:39
  I wouldn't be surprised if he puts it on himself,
• 13:41
  just like he was trying to make himself look like a little porcelain doll.
• 13:46
  I think he looks like a halfway melted Sally Struthers.
• 13:50
  I was like really bad plastic surgery.
• 13:53
  Yeah. Like cheek filler, fucked up nose, super pale.
• 13:57
  Like I think the stringy ass hair.
• 14:00
  I think the look was supposed to like go for trying to like either.
• 14:04
  He's an old rocker trying to like maintain that youth.
• 14:07
  He's trying to like look like an old hair metal rocker.
• 14:11
  The first quick reveal from the beginning, when he's like
• 14:14
  talking to the child, when you just like.
• 14:17
  Yeah, we just seeing.
• 14:18
  You see, yeah, the lips and like the stuff.
• 14:20
  I'm like, oh, they're just going to weird trans
• 14:24
  murderer thing.
• 14:25
  Thinking silence of the lambs are.
• 14:28
  Psycho, like, oh, well, this is this is disappointing.
• 14:32
  But now wasn't that he's just a creepy looking dude.
• 14:35
  Yeah, I never got.
• 14:36
  Why is he called long legs?
• 14:38
  Yeah, his legs aren't particularly long.
• 14:40
  Well, I thought he was going to wear like stilts.
• 14:43
  I mean, murder on stills would have been cool.
• 14:45
  But I think it was all the murders were on the second floor
• 14:47
  than the children that he talks to because he was like, oh,
• 14:50
  and I still have my long legs on and then he bends down to their height.
• 14:56
  OK, I got you. OK, I miss that. Yeah.
• 14:59
  I would have caught that on the second watching that I wasn't going to do.
• 15:01
  I will say one of the first things that comes up is
• 15:05
  Lee is mildly psychic, maybe.
• 15:09
  And that's a plot point for no reason.
• 15:12
  Yeah, that's how she gets assigned to the case.
• 15:15
  And and it's yeah, I'm not sure why otherwise, but kind of like
• 15:20
  just vibe with her moving the plot quickly.
• 15:24
  I mean, she could have also just been good at her job.
• 15:27
  And tied to the case because of past trauma.
• 15:30
  And why would her mom or being just an FBI agent on a case?
• 15:34
  Yeah, I mean, all of those things.
• 15:36
  But then you wouldn't be able to include all the cool
• 15:38
  like visual shots of like snakes and stuff.
• 15:43
  What were the snakes all about?
• 15:44
  Just psychic visions stuff.
• 15:46
  Or they could have just been weird flashes
• 15:49
  because she has trauma.
• 15:51
  That wouldn't be a fun film.
• 15:53
  So the core of this entire film is that it's the devil.
• 15:58
  Yeah, that it's Mr. Downstairs.
• 16:01
  Well, I think he was the man downstairs.
• 16:04
  No, he was friends with the man downstairs.
• 16:05
  Yeah, he's a friend of a friend, a friend of the man downstairs.
• 16:07
  Who is also also the man downstairs.
• 16:10
  And he did technically like literally live downstairs.
• 16:13
  He did live down his mom, her mom's house.
• 16:15
  So, yeah. So he just lived in Lee's house.
• 16:19
  Yes. We saw we saw them.
• 16:21
  OK, so the mom is like the other the other part of this, like
• 16:27
  mother is the accomplice because fucking long legs
• 16:31
  makes these creepy dolls that look like children
• 16:35
  that get specific children, specific children that get delivered
• 16:38
  to their house and the dolls drive the family insane and they kill each other.
• 16:43
  Because it's got a metal ball.
• 16:44
  So it's like, OK, I'm taking back this movie sucks.
• 16:47
  Yeah, this doesn't make any.
• 16:49
  So it's always like a low ring.
• 16:51
  So it's like, OK, it's a sonic thing.
• 16:53
  And he sings a lot. So I'm like, OK, it's a sonic thing.
• 16:55
  But I was just like, we saw the mother leave after one of the murders
• 16:59
  when she's like telling the story and throws up and just gets out of there.
• 17:03
  There was no evidence left behind besides these notes.
• 17:06
  Oh, and there's a fucking room full of creepy dolls
• 17:09
  that look like the children in the back.
• 17:11
  We forgot to mention and some weird vomit that maybe might be related.
• 17:15
  Yeah. Yeah, it's just road.
• 17:18
  No, just the fact that no one's questioning the creepy dolls
• 17:20
  and all these murder sites.
• 17:23
  Well, I think they get hit.
• 17:25
  Does she hide them? Did she hide the dolls?
• 17:27
  She did leave with a box.
• 17:30
  After each one, she probably took the doll.
• 17:34
  I'm just saying it's ambiguous.
• 17:35
  I mean, that's probably what happened, but I'm just like, hey,
• 17:38
  these are these are the things you get on watch number two
• 17:40
  that we're never going to.
• 17:42
  I think you're concerned about things that aren't problems.
• 17:46
  If OK, if I have to, if I'm thinking these things while I'm watching movie,
• 17:49
  it means you're not paying attention to the movie.
• 17:54
  OK, so my favorite part of this entire movie was when they're watching on VHS.
• 17:58
  His interview where he is singing Happy Birthday to Lee Harker.
• 18:02
  Oh, and then they pause it and they're like, there's 24 minutes more.
• 18:08
  It's incredible.
• 18:10
  I want that 24 minutes.
• 18:12
  That's the director's cut.
• 18:15
  I do like how this movie ends the same way that
• 18:18
  leaving Las Vegas ends with just his dead character just at the end
• 18:21
  kind of just vibing.
• 18:23
  Yeah. And backwards credits backwards.
• 18:26
  I'm a backwards guy.
• 18:27
  Backwards backwards.
• 18:29
  Like mom and dad from hell.
• 18:31
  Yeah, it's the only way going right back down.
• 18:34
  Yeah, it's a fun film.
• 18:36
  It is a very enjoyable film.
• 18:37
  Just yeah, the last five minutes like, oh, it's maybe supernatural.
• 18:41
  Maybe the devil did it.
• 18:43
  We're not going to answer any questions.
• 18:45
  There was a weird black smog that came out.
• 18:47
  Yeah. Or, oh yeah, what was that devil devil?
• 18:50
  Devil power.
• 18:51
  Well, shit.
• 18:51
  All right.
• 18:52
  Oppressed memories.
• 18:54
  I was pretty let down with that being the only kind of answer
• 18:59
  given without it being with it wasn't ambiguous enough to be like,
• 19:03
  hmm, let me think about this.
• 19:05
  It was just like, OK, that's it.
• 19:07
  What was this guy's last movie?
• 19:08
  It was something else that did well.
• 19:09
  Well, right.
• 19:11
  Yes. Oliver Perkins, I think.
• 19:13
  I love his restaurants.
• 19:15
  Such good French.
• 19:17
  So bye.
• 19:18
  Yeah, good Perkins.
• 19:24
  The Black Oats daughter.
• 19:25
  I am the pretty thing that lives in the house and legally blonde.
• 19:29
  Yeah, legally blonde.
• 19:31
  No, this is OK.
• 19:33
  This is the sequel to legally blonde.
• 19:34
  We've all been waiting for legally blondest.
• 19:36
  They did a sequel, didn't they?
• 19:38
  Yeah, this is the three.
• 19:41
  Red, white and blonde.
• 19:42
  Yeah, I knew it was something funny.
• 19:45
  So it's just red, white and whitish again.
• 19:48
  Yeah. Yellow.
• 19:50
  Yellowish white is blonde.
• 19:52
  Yeah. So on the matrix of good cage, good movie, bad cage, bad movie,
• 19:56
  good, bad, bad, good.
• 19:57
  Where are we throwing this?
• 20:00
  I think it's a good movie and a good Nicholas Cage.
• 20:03
  It's weird.
• 20:04
  And you just have to want a weird movie.
• 20:07
  I am inclined to agree.
• 20:08
  I loved his performance and I did enjoy the movie.
• 20:11
  Just any if any critical thought in the last 10 minutes
• 20:14
  will ruin this film for you.
• 20:15
  That definitely say good cage.
• 20:18
  I don't think I can say good movie,
• 20:20
  math movie at best.
• 20:23
  I'm waffling back and forth like I did enjoy myself
• 20:27
  and I did find myself engaged and like caught up in the tension.
• 20:31
  So I do think good movie, but I can't recommend it.
• 20:35
  I think it's gotten a lot of like hype that maybe isn't warranted.
• 20:40
  And I think the performance is great from him.
• 20:42
  I think he's a fucking weirdo.
• 20:44
  It's always great seeing him do something bizarro.
• 20:47
  And he does.
• 20:50
  It is really interesting seeing him
• 20:53
  kind of channel all that other shit, like I said earlier, where it's like
• 20:56
  you're just sort of tapping into all your crazy bits.
• 21:00
  And that's it.
• 21:01
  You know, it's nothing new other than prosthetics.
• 21:06
  I think that was part of my problem is, yeah, it was nothing new.
• 21:09
  And I was kind of expecting something new from him in this in the same way
• 21:13
  that like the first time I saw a pig was kind of a new way to see him. Sure.
• 21:17
  I will say his body acting like his physicality.
• 21:20
  And this is something else like when he's in the interrogation room
• 21:24
  and he's just kind of swaying and like getting getting fully crazy.
• 21:27
  His weird hand motion.
• 21:29
  Yeah, there's a physical.
• 21:31
  There's a physicality in his performance.
• 21:32
  I don't think we've ever seen.
• 21:35
  Like this. Yeah, that's really unsettling.
• 21:38
  And really does good, creepy serial killer.
• 21:43
  His body posture and everything was really drawn in and kind of gross.
• 21:50
  And just like all the weird plastic surgery looked like.
• 21:54
  I don't know that I'd be able to tell that was Nicholas Cage
• 21:57
  if I didn't already know without like looking for a while.
• 22:01
  Yeah, sure. If you just got a still with no knowledge of this film.
• 22:04
  I'm just saying sure. Last thoughts.
• 22:09
  Hail Satan.
• 22:11
  Hail Satan.
• 22:14
  Hail Satan.
• 22:16
  Hail Satan.
• 22:18
  Oh, God. So I was at a bar once.
• 22:22
  Oh, yeah.
• 22:22
  They had a Satan nuggets because bar bar in Virginia owned by members of bar.
• 22:27
  Fucking awesome. Great vegan menu.
• 22:31
  But my body was not ready to process that.
• 22:34
  And I was halfway home when my tumble.
• 22:38
  My tummy was a rumbling. Yeah.
• 22:40
  I. Did not make it into my apartment.
• 22:45
  You pooped your pants.
• 22:47
  Almost. I'll say, Tam.
• 22:50
  And Satan basically just distilled gluten, right?
• 22:52
  Pretty much. Yeah, I was running like a little movie.
• 22:55
  I was trying to run into like my apartment building and it was like, nope.
• 22:58
  And just went into the leasing office, just ran by people
• 23:01
  and ran right into the leasing office bathroom.
• 23:04
  This feels like a potted plant situation.
• 23:06
  Yeah, I was hoping. Almost.
• 23:07
  Yeah, I was expecting like just the lawn like didn't get a dog. Yeah.
• 23:14
  There was a swimming pool. I could have just jumped in.
• 23:16
  Gross closed for another 12 weeks.
• 23:23
  OK, well, fuck, we are on social media.
• 23:26
  At cage underscore match underscore pod.
• 23:28
  And you can support us on Patreon at cage match.
• 23:32
  Thank you to our sparkle buddies. That's the word.
• 23:36
  Josh, Sean, Josie, Rico, Matt, Adam and Bill.
• 23:39
  And to our cage dancers, Ira, John Freeman, Lance, Nathan
• 23:43
  and new cage dancer on stage.
• 23:47
  Cameron.
• 23:50
  Yeah. Which one of us did you meet outside the Hummingbird?
• 23:52
  Yeah, you have to tell us. Put it in the comments.
• 23:55
  I don't disclose anything about this to strangers.
• 23:58
  So it was you or me then. Yeah.
• 24:01
  Anyway, thanks for joining.
• 24:02
  Thanks for supporting us. You're not you're not you're not upselling this.
• 24:05
  Yeah, come on, man.
• 24:07
  OK, the birds cool because you could get a shot there.
• 24:10
  It's a closed business.
• 24:12
  I meant the podcast. Oh.
• 24:15
  Also, we really should have taken out an ad. Yeah.
• 24:18
  We are just like printed out like shitty flyers.
• 24:20
  Yeah, exactly. Paper that fucking place.
• 24:23
  Didn't think about no time like the president is opening night.
• 24:25
  Well, it is. Yeah, I mean, true.
• 24:27
  We could. Although that was probably the people that were going to go see it.
• 24:30
  So we got tomorrow.
• 24:33
  I think this was the crowd. Yeah.
• 24:36
  Eh, especially especially all the murmurs of what
• 24:40
  uh, when we were leaving the the general audience
• 24:44
  didn't seem to vibe as well as we did.
• 24:46
  Some people liked it. Some people liked it.
• 24:49
  And that's the best review you can get.
• 24:53
  Some people thought it was OK.
• 24:55
  We're three of them.
• 24:57
  Bye. That's the weakest.
• 25:00
  Bye bye. Bye. Thank you.
• 25:07
  Bye bye.
• 25:13
  That thing was around for like a week.
• 25:15
  Yeah. Oh, man.
• 25:17
  And I still ate them because I love the garden salsa.
• 25:21
  Best one. Yeah.
• 25:23
  Harvest cheddar.
• 25:25
  Mm hmm. That's good, too.
• 25:27
  Two good ones. Original.
• 25:29
  They're all good. Even original.
• 25:31
  I've never enjoyed some chips.
• 25:34
  You go home. I am home.
• 25:37
  We'll excuse us then.
• 25:38
  You just got muted.
• 25:40
  Yeah, that's been resolved. OK.