Latest / Clyde Confidential / Inside Tommy Dorfman's Team
Transcript
- 0:00Speaker 1: Hi guys. My name is Megan Grimm. I am the
- 0:03Speaker 1: CEO and founder of Clyde Staffing and I have my
- 0:06Speaker 1: very first Clyde client joining me today, the wonderful Tommy Dorfman.
- 0:11Speaker 2: Hello.
- 0:12Speaker 1: And we also have the wonderful Natalie Gerber, who is
- 0:16Speaker 1: Tommy's old assistant. So let's get into it. For those
- 0:27Speaker 1: of you who don't know Tommy, she is an amazing actress, author,
- 0:31Speaker 1: and filmmaker. And for those of you who are going
- 0:34Speaker 1: to now meet Natalie, she is working at Tricky Not.
- 0:37Speaker 2: Yes, what is tricky.
- 0:39Speaker 3: Tricky Not is an entertainment financing and development company and
- 0:43Speaker 3: we worked with talent led production companies, including Tommy, which
- 0:47Speaker 3: is how I found the job where I am now
- 0:50Speaker 3: because I worked for you almost two years ago. Now
- 0:52Speaker 3: it's crazy. Yeah, So I was working with her when
- 0:56Speaker 3: I graduated college in May of twenty twenty two. I
- 1:01Speaker 3: traveled with my friends for a couple months because I
- 1:03Speaker 3: was supposed to study abroad, but that didn't end up
- 1:05Speaker 3: happening because of COVID, so I had a little bit
- 1:07Speaker 3: of a joy ride, and then I moved to New
- 1:09Speaker 3: York and got connected to you through my friend Cameron England. Yes,
- 1:13Speaker 3: who connected me and then I filled out the amazing
- 1:17Speaker 3: questionnaire everything, and within I think three days you responded.
- 1:22Speaker 3: Tommy was my first interview zoom she. I think you
- 1:26Speaker 3: were wrapping. You were like a week out from wrapping
- 1:29Speaker 3: me with some of us, and you were in the
- 1:31Speaker 3: car and we were zooming, and twenty five minutes of it,
- 1:36Speaker 3: I think was talking about Soul Food, which is this
- 1:38Speaker 3: amazing restaurant in Marin County, which is where I grew up.
- 1:40Speaker 4: It is really good. I shot a TV show there.
- 1:42Speaker 3: I shot Thirteen Reasons Why there. So that was the
- 1:44Speaker 3: bulk of it was. We were just like talking about
- 1:46Speaker 3: how amazing Marinas and Soul Food and Billina's Ridge and
- 1:48Speaker 3: all that place is there. And then literally she was like, okay, great,
- 1:52Speaker 3: so like you'll start on Monday.
- 1:54Speaker 4: And I was like, oh yeah, I mean I was.
- 1:56Speaker 2: I was in a tricky situation, which was that in
- 1:58Speaker 2: Megan's company. I just help me through this a lot,
- 2:01Speaker 2: Megan in particular. But I had never had an assistant
- 2:03Speaker 2: before Megan, and I needed an assistant and you placed
- 2:06Speaker 2: me with like a great I had a few different people,
- 2:08Speaker 2: I think.
- 2:09Speaker 1: A couple of rotated the beginning.
- 2:11Speaker 2: Personalities in La and it was everything like started as
- 2:15Speaker 2: part time and then you sent me this girl Francesca
- 2:21Speaker 2: we love, who's amazing. Francesca worked for me for almost
- 2:26Speaker 2: a year, wanted to leave because she wanted to do
- 2:28Speaker 2: more like on set stuff, and right around that time,
- 2:32Speaker 2: my first film got green lit, and I was like,
- 2:34Speaker 2: why don't you come do on set stuff with me
- 2:36Speaker 2: and then I'll help you get a job from there.
- 2:39Speaker 2: And while we were there, I had the studio that
- 2:42Speaker 2: financed my first film. They were hiring and so I
- 2:45Speaker 2: made them hire Francesca because Francesca is incredible. But then
- 2:49Speaker 2: I and then I did the same thing with Natalie,
- 2:53Speaker 2: in which Natalie worked for me for we worked together
- 2:56Speaker 2: for how long with a year? A little over a
- 2:58Speaker 2: year maybe, and similar thing in which like it was
- 3:04Speaker 2: I think time for you to do your own thing.
- 3:06Speaker 2: And also I was running my own production company. We
- 3:10Speaker 2: were run we were like we were running with NOE.
- 3:12Speaker 2: I mean, it was a mess and we were doing
- 3:14Speaker 2: the best we could do, but it was really hard
- 3:16Speaker 2: and I needed to like downsize and like re structure
- 3:19Speaker 2: my business model at the time because we had writers
- 3:22Speaker 2: strikes and all this other stuff and you had.
- 3:24Speaker 3: Like a thousand other like you had the podcast.
- 3:26Speaker 2: Sensibly I couldn't afford to keep Natalie, but I wanted
- 3:29Speaker 2: Natalie to have a better job anyway where she wanted yeah,
- 3:33Speaker 2: and I was like, and I was like, we have
- 3:34Speaker 2: to be together forever where we have like a professional marriage.
- 3:39Speaker 2: So it just again timing worked out to get that
- 3:43Speaker 2: a friend of mine, Alex, was hiring at her new company.
- 3:46Speaker 2: Trick you not, and you got that job.
- 3:48Speaker 1: And Alex is how we met to Alex. She knows everyone.
- 3:53Speaker 4: She's a very good connector of people.
- 3:55Speaker 1: She totally is. So when you were looking for assistance,
- 3:59Speaker 1: and while we were working together to kind of do
- 4:01Speaker 1: this trial and error with your assistants, what would you
- 4:03Speaker 1: say were the most important things to you and identifying this.
- 4:07Speaker 2: Person, I think the thing that mattered to me was
- 4:11Speaker 2: that they had goals beyond being an assistant, which isn't true.
- 4:15Speaker 2: I think for everybody who's hiring an assistant or an
- 4:17Speaker 2: executive assistant or coordinator or a house manager or whatever,
- 4:20Speaker 2: cloud staffing is helping you do or wherever you are
- 4:24Speaker 2: in the world. But for me, I wasn't interested in
- 4:27Speaker 2: having like a full time assistant forever. I've always been
- 4:33Speaker 2: interested in like a mentorship kind of partnership. So I
- 4:36Speaker 2: think the people who didn't totally work out were people
- 4:39Speaker 2: who didn't have goals beyond that in place, and you know,
- 4:46Speaker 2: understandably for one reason or another, needed a job, needed this,
- 4:50Speaker 2: needed that out of school transitioning into something else. But ultimately,
- 4:54Speaker 2: like it's hard, Like assistant work is really hard, Coordinating
- 4:58Speaker 2: works really hard, Scheduling is really hard, especially if you're
- 5:00Speaker 2: working for one person or an individual or a household.
- 5:03Speaker 2: It's really intimate, and the boundaries between like friend and
- 5:07Speaker 2: colleague can get messy, and especially when you're working with
- 5:12Speaker 2: artists who aren't well, which is every artist and there's
- 5:16Speaker 2: not an artist as well, and so yeah, I think
- 5:20Speaker 2: it was just always came down to like what's your
- 5:22Speaker 2: star sign? I'm just kidding, Uh, it never.
- 5:24Speaker 3: Came down to that.
- 5:25Speaker 4: I'm done. I'm kidding. I'm totally kidding. What I'm kidding.
- 5:29Speaker 2: No, I think it comes down it does come down to, like,
- 5:33Speaker 2: you know, a lot of assistant work when you're a
- 5:36Speaker 2: smaller actor filmmaker like myself, like still building my business,
- 5:42Speaker 2: like my office is my house. I've had periods in which,
- 5:44Speaker 2: like we had an office together for a while and
- 5:46Speaker 2: that was nice, but ultimately, like we're usually working virtually
- 5:50Speaker 2: or like in my living room or in I have
- 5:52Speaker 2: an office in my apartment now right, so it's like
- 5:53Speaker 2: we're moving in those spaces, but it's very, very very intimate,
- 5:58Speaker 2: and like personal life stuff comes up in the process,
- 6:02Speaker 2: and I think I didn't realize how much I needed
- 6:05Speaker 2: somebody who could kind of like tune some of that
- 6:08Speaker 2: out and then be able to tune back in because
- 6:10Speaker 2: it's unavoidable because I think, like, you placed somebody with
- 6:14Speaker 2: me who was like, I can't handle your Like he
- 6:17Speaker 2: didn't say it that way, but ostensibly he was like,
- 6:19Speaker 2: you make me really nervous and I get diarrhea, and
- 6:22Speaker 2: I don't think I can work for you anymore. I
- 6:24Speaker 2: think I need to go back to LA And he
- 6:27Speaker 2: was like, in New York's a lot, and I was like, Okay,
- 6:30Speaker 2: I think I don't think it was me that gave
- 6:32Speaker 2: him diarya. I think it was New York.
- 6:34Speaker 1: I think New York is New.
- 6:35Speaker 2: York City gave him diarrhea. A lot of people. I
- 6:38Speaker 2: was really unwell when he started working for me, and that,
- 6:41Speaker 2: like I had just was like going through my first divorce,
- 6:43Speaker 2: just had a huge breakup, like I was by really
- 6:47Speaker 2: I had just moved back to New York City.
- 6:49Speaker 1: You're in a different place.
- 6:49Speaker 2: It was in a different place, yeah, twenty twenty one.
- 6:52Speaker 1: I mean to think about where I was in twenty
- 6:54Speaker 1: twenty one and where you may have been in twenty
- 6:56Speaker 1: twenty of that baby. Yeah college, I know, baby, you
- 6:59Speaker 1: were a baby two thousands baby, which is when people
- 7:01Speaker 1: always freak out. Okay, So being an assistant, I always
- 7:04Speaker 1: tell people it's sort of like dating. You have to
- 7:06Speaker 1: be super aligned. As you just mentioned, what are some
- 7:09Speaker 1: of the things that really worked with you too, and
- 7:11Speaker 1: some of the challenges you may have faced while you
- 7:13Speaker 1: were working together.
- 7:15Speaker 3: Well, quickly, I just want to give like her flowers
- 7:18Speaker 3: because I think it's so important to find someone who
- 7:21Speaker 3: you are a match with. And you're the questionnaire that
- 7:24Speaker 3: you send when you start interviewing, you know, assistance for
- 7:27Speaker 3: people and just putting them in the Clyde network is
- 7:29Speaker 3: so helpful because it's like, do you want to be
- 7:31Speaker 3: a career assistant and are you looking for a higher salary?
- 7:34Speaker 3: What do you want to be doing in five years?
- 7:36Speaker 3: And I was like, I want to work in development.
- 7:38Speaker 3: I want to find someone. I've worked at larger studios
- 7:40Speaker 3: and production companies where I like touched a couple different
- 7:43Speaker 3: projects like once or twice, and then they were onto
- 7:46Speaker 3: the next department, and I didn't feel like I could
- 7:48Speaker 3: have ownership or creative autonomy over anything. So I was
- 7:51Speaker 3: really excited about working directly with talent. So I think
- 7:53Speaker 3: it was just the Clyde sort of questionnaire when I
- 7:57Speaker 3: first got connected with you. Filling all of that out
- 7:59Speaker 3: was really helped when I was very honest and you
- 8:01Speaker 3: ask great questions where it's like can they call you
- 8:04Speaker 3: at midnight on a Sunday? And I was like, ideally not,
- 8:07Speaker 3: but like, situations happen and if that comes up, that's
- 8:10Speaker 3: fine and we'll deal with it, you know, and where
- 8:12Speaker 3: you want to go in your career in two years
- 8:14Speaker 3: and five years and so I filled all of that
- 8:16Speaker 3: out really honestly, and had mostly worked for larger entertainment
- 8:20Speaker 3: studios and production companies in the past, So I was
- 8:22Speaker 3: really excited about working directly with talent in a way
- 8:25Speaker 3: where I could like contribute, bring things to the table,
- 8:28Speaker 3: and grow, and that was kind of exactly what you
- 8:31Speaker 3: were looking for. In addition to helping you know, coordinate
- 8:35Speaker 3: your schedule and calendars and brand deals and all of
- 8:38Speaker 3: the thousand different things that you have going on. So
- 8:40Speaker 3: it ended up being kind of perfect. And yeah, we
- 8:43Speaker 3: were together for like a year, but it feels like
- 8:45Speaker 3: longer because we're still together.
- 8:46Speaker 1: It was a year, yeah, like it feels like it
- 8:51Speaker 1: was six years.
- 8:53Speaker 2: No, but I mean we're still I think we'll be
- 8:56Speaker 2: working together in different ways probably for ever.
- 8:59Speaker 3: Honestly, remember when you had a tarot card reading and
- 9:02Speaker 3: you came into when we had the Bushwick offices. You
- 9:05Speaker 3: came in and you.
- 9:06Speaker 4: Were like, everything about that.
- 9:11Speaker 3: Tarot card reading this morning, and there was like a
- 9:14Speaker 3: bunch of like personal stuff, and then you were like
- 9:16Speaker 3: but at the end, she told me that, like, you're
- 9:18Speaker 3: going to run my company one day. It was something Yeah.
- 9:21Speaker 2: I was ch which sounds like a really crazy, like
- 9:25Speaker 2: love bombing thing to say at work, but I think
- 9:28Speaker 2: it's true because I I I will support Natalie through
- 9:34Speaker 2: as much of your career as you'll have me, and
- 9:36Speaker 2: it would be so lucky to have you back.
- 9:38Speaker 4: I tried, I actively did try.
- 9:41Speaker 1: I mean, Tommy, when I asked you to come on
- 9:43Speaker 1: this podcast and I said, bring someone, Natalie was the first.
- 9:46Speaker 2: Thing, I tried to take Natalie back from the job
- 9:50Speaker 2: that I had got her to come run my company
- 9:55Speaker 2: with me.
- 9:56Speaker 3: But but it's really nice because we I mean.
- 9:58Speaker 4: But it's good because you're getting different experience.
- 10:00Speaker 3: Now get different experience.
- 10:02Speaker 4: You love an offline, We love an offline.
- 10:05Speaker 3: I've been really ingrained in the financing side, which I
- 10:08Speaker 3: knew nothing about, and.
- 10:09Speaker 2: Like that, you know, And I'll be so glad when
- 10:11Speaker 2: you come back and work with me that you have
- 10:13Speaker 2: all of that new intel.
- 10:14Speaker 3: See there's a way, that's how you go to frame it.
- 10:16Speaker 3: But it'll be fun to like be on such together
- 10:18Speaker 3: for the first time.
- 10:19Speaker 2: I know, because you met me when I was editing
- 10:21Speaker 2: my film, which was really helpful. It was really nice
- 10:23Speaker 2: to have a two thousand's baby perspective on a teen movie.
- 10:26Speaker 1: Very important. Yeah, okay, let's talk about that project. What
- 10:29Speaker 1: do you guys have in the slate? I?
- 10:33Speaker 2: Well, my movie I Would Show All the Best comes
- 10:35Speaker 2: out November seventh in theaters. So that was the movie
- 10:38Speaker 2: I was like finishing when we first met. And then
- 10:41Speaker 2: I'm going to Toronto to make my second film. It's
- 10:45Speaker 2: called Loria Dean Keeps Breaking Up with Me. It's really
- 10:48Speaker 2: cute in a week and you'll be there for some
- 10:52Speaker 2: of that.
- 10:53Speaker 1: And what are we needing to do to help you
- 10:56Speaker 1: with Toronto?
- 10:56Speaker 2: What did we just Oh? I just said, do you
- 10:59Speaker 2: know anyone who can like a runner sort of pa
- 11:01Speaker 2: type person who can help me with my animals and
- 11:07Speaker 2: Erin's while I'm on set for fourteen hours a day?
- 11:09Speaker 1: Definitely?
- 11:10Speaker 2: And two do you know anybody with an extra car
- 11:13Speaker 2: or a car? I would never take a job, It's
- 11:18Speaker 2: so bad for the environment.
- 11:21Speaker 3: This feels like an off line.
- 11:24Speaker 4: No.
- 11:24Speaker 2: So I I driving an electric car in the city
- 11:27Speaker 2: and I'm anxious about driving it.
- 11:30Speaker 1: Do you like having a car in the city. I
- 11:32Speaker 1: used to have mine in the city, and I got
- 11:33Speaker 1: a ticket a day, every single day because it was
- 11:36Speaker 1: cheaper than a parking lot.
- 11:37Speaker 2: It's like a U problem. But if you ask my parents,
- 11:39Speaker 2: that's also a me problem. My mom. I mean, I
- 11:43Speaker 2: don't even know why they know about all my tickets. Honestly,
- 11:46Speaker 2: I think they just visit enough, and every time I'm
- 11:48Speaker 2: driving around there's just tickets.
- 11:49Speaker 1: Did they get mailed home? Because that happened to me
- 11:52Speaker 1: when I had my car registered in LA. My tickets
- 11:55Speaker 1: were getting mailed to my LA address, and one day
- 11:58Speaker 1: I came home to the thirty tickets. It's in Los.
- 12:00Speaker 2: Angeles, I have I get a lot. I get a
- 12:02Speaker 2: lot of tickets and it is cheaper than a garage.
- 12:06Speaker 4: And that's okay. I'm okay with that. I love driving
- 12:08Speaker 4: in the city.
- 12:08Speaker 3: I will say, driving with you makes me so nervous.
- 12:12Speaker 4: Mind your business.
- 12:14Speaker 3: I never had to drive in New York City, so
- 12:16Speaker 3: like driving her car always freaked me out.
- 12:18Speaker 5: Oh.
- 12:18Speaker 2: I had a rain driver too, and before I had
- 12:20Speaker 2: an electric car. And you were like, I've never done
- 12:22Speaker 2: a New York City.
- 12:23Speaker 3: Your systems drive you.
- 12:25Speaker 2: I've never When I.
- 12:26Speaker 4: Need to work, I don't like to driving.
- 12:28Speaker 3: Oh I'm kidding.
- 12:30Speaker 2: My only requisite is that whoever works with me has
- 12:33Speaker 2: a driver's license.
- 12:34Speaker 1: Fair, totally fair.
- 12:35Speaker 3: And I grew up driving in San Francisco, but New
- 12:37Speaker 3: York City is such a different beast. But we had
- 12:38Speaker 3: a couple of times we would drive in from Brooklyn
- 12:41Speaker 3: to the city for meetings and she would drive and
- 12:44Speaker 3: it was like Taylor Swift on the radio and like
- 12:46Speaker 3: work calls coming in and emails and it was like
- 12:48Speaker 3: she's a great driver, Like nothing illegal ever happened. But
- 12:51Speaker 3: I was sitting there I felt like a mom teaching
- 12:53Speaker 3: my kid how to drive.
- 12:54Speaker 2: I was like, well, and I think, honestly, I was
- 12:57Speaker 2: never I wasn't going.
- 12:58Speaker 4: To be like drive me. And I think you were like,
- 13:00Speaker 4: I'll just drive. I think that's how I.
- 13:02Speaker 3: Do it, Like I've take over.
- 13:04Speaker 1: Yeah that's hysterical. Yeah, okay, car ride sounds super fun.
- 13:09Speaker 1: What else is something funny or memorable, uh, that you
- 13:14Speaker 1: guys experience together as a team.
- 13:17Speaker 2: I was thinking about, what do you I mean, Okay,
- 13:20Speaker 2: I can't there's so many things, like legally, I feel
- 13:22Speaker 2: like I can't say.
- 13:23Speaker 1: That's appropriate for this post.
- 13:26Speaker 4: No no, no, no no.
- 13:26Speaker 2: I just feel like we're trauma bonded through a certain
- 13:29Speaker 2: individual forever.
- 13:30Speaker 3: And I saw this question ahead of time, and I
- 13:34Speaker 3: thought about answers that don't have to do with no.
- 13:36Speaker 4: No, no no, So we can't talk about it.
- 13:38Speaker 2: But I think we both had like an incredibly challenging
- 13:41Speaker 2: experience with somebody for the whole time that we were
- 13:43Speaker 2: working together, and it was just it.
- 13:47Speaker 4: Was I think like we're like trauma bonded from it.
- 13:49Speaker 2: Honest Oh god.
- 13:50Speaker 3: But I think that was that. And she was saying
- 13:53Speaker 3: this at the beginning, towing the line between a professional
- 13:56Speaker 3: relationship and a personal relationship is one thing. But when
- 14:00Speaker 3: you're someone's assistant and you're handling the business side, creative whatever,
- 14:04Speaker 3: and also their life and their well being to a
- 14:07Speaker 3: degree and making sure that everything's okay, that's a really
- 14:11Speaker 3: challenging line to tow. And I think we did.
- 14:14Speaker 4: We did a really good job.
- 14:15Speaker 3: I think I did a really good job.
- 14:17Speaker 4: You did a great job.
- 14:18Speaker 1: Barely did a great job.
- 14:19Speaker 4: You're here.
- 14:20Speaker 3: Yeah, I think we both Yeah, we're both very open communicators,
- 14:25Speaker 3: which was helpful.
- 14:27Speaker 4: You and I have had.
- 14:28Speaker 3: Therapy, which is helpful.
- 14:29Speaker 2: Sure, heavily therapized open communicators. I think we're also very
- 14:33Speaker 2: compatible like as people. So star tigns or whatever. I
- 14:36Speaker 2: don't actually remember yours, no, because it's not that relevant.
- 14:41Speaker 3: What is your May thirteenth? But I don't know about it?
- 14:43Speaker 2: Me, Taurus?
- 14:44Speaker 4: What are you again?
- 14:47Speaker 2: Everyone who works with me is aries Yo Muhamma and
- 14:52Speaker 2: alicsa are aries. So I think the lesson for me
- 14:56Speaker 2: in this is aries great as friend work partner, not
- 15:00Speaker 2: the greatest romantic partner aries women? True great?
- 15:03Speaker 1: Can you tell me leo?
- 15:04Speaker 3: Oh yeah no, I see that for you.
- 15:06Speaker 1: Everyone I've ever worked for born within three days.
- 15:08Speaker 3: Of each other.
- 15:09Speaker 1: You ready for this? This producer I used to work
- 15:11Speaker 1: for Casey Patterson August twelfth, August thirteenth, jen Is August fifteenth,
- 15:16Speaker 1: Madonna Is August sixteenth, Narrily, Yeah, that's crazy crazy.
- 15:22Speaker 2: The Leo Club, Leo Club. I'm a Leo rising.
- 15:25Speaker 1: I don't know what that means, but I think it's
- 15:27Speaker 1: a good that means either, and.
- 15:29Speaker 2: It's like the performance of self and like what you
- 15:32Speaker 2: offer the world, but not totally like who you are.
- 15:34Speaker 2: I think it's like what allows me to go do
- 15:36Speaker 2: my job, but then I actually just want to come
- 15:38Speaker 2: home and be in bad well.
- 15:39Speaker 3: I was thinking about to go back to your question.
- 15:41Speaker 4: Yeah, what did you what was.
- 15:43Speaker 1: Funny memories, funniest thing that's ever happened to you? Guys working?
- 15:47Speaker 4: Did we do met together? No, Francesca did met with me?
- 15:50Speaker 3: My god, oh my god, this was so good. Though
- 15:53Speaker 3: you did the I might get the name of this
- 15:58Speaker 3: galler wrong. There was a gall you went to and
- 16:00Speaker 3: you were dressed by someone. I'm doing a really good job.
- 16:04Speaker 3: You were dressed by someone.
- 16:05Speaker 1: And you're doing amazing street.
- 16:06Speaker 3: That's when we started working together, Okay, and I had
- 16:08Speaker 3: just moved to New York City, so I like didn't
- 16:10Speaker 3: necessarily know the layout. And I used to live in
- 16:13Speaker 3: Tribeca on Murray Street and you had to go to
- 16:16Speaker 3: a gella at New York Public Library, and on Murray
- 16:19Speaker 3: Street there is a The Amsterdam branch of the New
- 16:23Speaker 3: York Public Library is like a block from my ole department, okay,
- 16:26Speaker 3: And so she was going to the scala and the
- 16:28Speaker 3: jewelry didn't get there in time.
- 16:29Speaker 2: The CFT Awards it was a CFDY or.
- 16:31Speaker 3: Was it CFTY or fifteen percent Pledge might have been.
- 16:34Speaker 4: It was fifteen percent pledge.
- 16:35Speaker 3: It was the fifteen percent Pledge gala, and I somehow
- 16:38Speaker 3: like had the jewelry because the stylist didn't get it
- 16:40Speaker 3: to her apartment in time. And she was like, and
- 16:43Speaker 3: I was like, remind me where the event was. Where
- 16:45Speaker 3: the event is? And she was like, I'm going to
- 16:46Speaker 3: New York Public Library. And I was like, the New
- 16:48Speaker 3: York Public Library is right next to my apartment, Like
- 16:50Speaker 3: I can just pop on over. And she was like, Babe,
- 16:53Speaker 3: you live in Tribeca. And I was like, I know,
- 16:55Speaker 3: it's right next to me on the next block. I
- 16:57Speaker 3: like doubled down, and she was like, that's it's not
- 17:00Speaker 3: how it works. And then I googled it and I
- 17:02Speaker 3: realized that it's not today back Branch. They don't host gallows.
- 17:06Speaker 4: Yeah, but you got we got.
- 17:08Speaker 3: The jery did we only read it? Actually do I
- 17:11Speaker 3: just not worry.
- 17:12Speaker 1: That's fine early days new to New York, you could pass.
- 17:16Speaker 3: Yeah.
- 17:17Speaker 1: Fine.
- 17:18Speaker 3: Another funny one was we went to la for like
- 17:23Speaker 3: forty eight hours for a Valentino event and we were
- 17:27Speaker 3: staying at Sunset Tower and Tommy had the Penthouse suite
- 17:31Speaker 3: and so we went to the event together.
- 17:33Speaker 1: Oh, fab, it was great.
- 17:35Speaker 2: Jeff Clein, if you shout out to Jeff Clin, if
- 17:38Speaker 2: you get better, become friends with Jeff Clin. There you go,
- 17:40Speaker 2: because Jeff Clin runs this town. Yeah, owns the Sunset
- 17:45Speaker 2: Tower Hotel, owned Samvasin te Club.
- 17:48Speaker 1: Tommy just did a presentation for her book.
- 17:52Speaker 4: Yeah.
- 17:52Speaker 2: We did an event with sam Leansky for my book
- 17:54Speaker 2: at SVB and Jeff Jeff is an angel and has
- 17:58Speaker 2: taken care of me and it's the beginning of my career.
- 18:02Speaker 2: Literally I met Jeff like the first week, the week
- 18:07Speaker 2: after thirteen Reasons Why I came out Wow, And it
- 18:10Speaker 2: was just through like staying at the hotel and then
- 18:14Speaker 2: I've only stayed there when I'm in La.
- 18:16Speaker 1: Hey, Jeff Klin is a great person to know.
- 18:18Speaker 3: And happen a great person to know, and he really
- 18:20Speaker 3: hooked you up, which was great. And we went to
- 18:23Speaker 3: the Valentino event and she was like, like, go see
- 18:26Speaker 3: your friends, because I had a bunch of friends and
- 18:28Speaker 3: a lie. She was like, just go up to the
- 18:29Speaker 3: penthouse like hang out, you know, go back and do whatever.
- 18:31Speaker 3: And I was like, okay, great, and it was like
- 18:32Speaker 3: nine o'clock, so I took a car back and I
- 18:35Speaker 3: went up and we were hanging out with like two
- 18:37Speaker 3: of my best friends from high school who lived in
- 18:38Speaker 3: la and they had like given you a bottle of
- 18:40Speaker 3: champagne that you didn't want, so you were like open it,
- 18:42Speaker 3: drink it. And we were hanging out up there, and
- 18:43Speaker 3: like twenty minutes later, it was not even that long,
- 18:47Speaker 3: you come bursting through the door. And I hadn't seen
- 18:51Speaker 3: my friends in a while and I had just started
- 18:52Speaker 3: working with you, so they had no idea what was happening.
- 18:54Speaker 3: They were like, why are you in the penthouse at
- 18:56Speaker 3: the Sunset Tower Hotel? And we were just like talking
- 18:58Speaker 3: about stuff outside and then you like came up and
- 19:00Speaker 3: you were like, oh my god, hey guys, Like, how's
- 19:02Speaker 3: it going. We're gonna go downstairs and get some dinner,
- 19:04Speaker 3: Like I'm Tommy, It's so nice to meet you. And
- 19:05Speaker 3: they were both like and one of them was Sophia Brill, Yeah,
- 19:10Speaker 3: which is crazy who we love? We love I love
- 19:13Speaker 3: Sophia Brow And she was like, was that Tommy Dwarfmann
- 19:18Speaker 3: And I was like, yeah, that's my new boss. And
- 19:20Speaker 3: she was like, what's happening.
- 19:22Speaker 2: Sophia Brill, though, has has saved my ass so many times,
- 19:27Speaker 2: like when I went through my last big breakup and
- 19:31Speaker 2: I had to like leave my apartment in Brooklyn with
- 19:35Speaker 2: my dog. I moved into the Bowery and I had
- 19:38Speaker 2: to go to Paris for work and I couldn't bring
- 19:40Speaker 2: my dog with me because she's eighty pounds. And Sophia
- 19:44Speaker 2: came and stayed at the Bowery with Fiona, my dog,
- 19:47Speaker 2: for like many days, and it was my dog, my
- 19:51Speaker 2: dog had a room with the Bowery for many days, and.
- 19:54Speaker 1: Your dog is a room with the Bowery, have the penhouse.
- 19:57Speaker 2: I was a Paris crying and then yeah, and then
- 20:01Speaker 2: coordinated with my parents. My mom who came in and
- 20:03Speaker 2: got my dog for like a month and brought her
- 20:06Speaker 2: to Alabama while I, uh, I don't even know what
- 20:10Speaker 2: I like.
- 20:10Speaker 4: Totally blacked out that summer.
- 20:13Speaker 1: But yeah, okay, another girly that we love. Can we
- 20:16Speaker 1: talk about Zoe for a second? Kravitz Kramer?
- 20:19Speaker 2: Oh, I love Zoe Kramer. Yeah, I was like, I
- 20:22Speaker 2: could we could talk about Zoey Kravitz.
- 20:24Speaker 4: I love Zara Kravis, but.
- 20:26Speaker 2: I would want to call her first before I talked
- 20:28Speaker 2: about her on a podcast. I love Zoe Kramer. I
- 20:32Speaker 2: wouldn't say it better Zoe. Although Zoe Kreamer and I
- 20:34Speaker 2: have beef right now, but Zoe Kramer's gay?
- 20:36Speaker 1: Why do you have beef with her?
- 20:38Speaker 2: Do you want to know? Kind of I don't know
- 20:40Speaker 2: if I should say this. Okay, Zoe is did like
- 20:44Speaker 2: help me move into my new apartment, help me do everything?
- 20:48Speaker 2: Has because Amelia Gray is like a supermodel actress, is
- 20:54Speaker 2: always all over the world. I think Zoe works remote
- 20:57Speaker 2: a lot, and so Zoe has dog sat for me
- 21:00Speaker 2: like for extra you know, coin and also my animals
- 21:03Speaker 2: and I have a cat and they love her. But
- 21:06Speaker 2: I think maybe she was a little overwhelmed the last time,
- 21:08Speaker 2: because I was gone for like ten days. I got
- 21:13Speaker 2: home and she'd like left and it seemed like everything
- 21:16Speaker 2: was fine. I got home, I went upstairs, and I
- 21:19Speaker 2: was like, weird that there are no packages. And by
- 21:22Speaker 2: the way, it's like the thing about being any level
- 21:26Speaker 2: of famous, like you could have fifteen thousand followers on TikTok.
- 21:29Speaker 2: If they have your address, brands or sending shit regardless
- 21:32Speaker 2: of you're fucked like you don't, and it's stuff you'd
- 21:35Speaker 2: never wanted, and like I no longer have my address,
- 21:38Speaker 2: like nobody gets like I've moved enough times now where
- 21:41Speaker 2: it's like I try to get I'm not saying don't
- 21:44Speaker 2: send me anything like if if you're louive, send me
- 21:47Speaker 2: a back, but I'm just saying, like I don't need
- 21:50Speaker 2: all of the pr all the time, but it comes.
- 21:53Speaker 2: And also I don't know what I bought at two
- 21:56Speaker 2: o'clock in the morning when I've taken my melotonin. So
- 21:58Speaker 2: it's and also there's there's just you know, running a house,
- 22:02Speaker 2: like even though I live alone, there's a lot of packages.
- 22:04Speaker 2: Happened anyway, So I remember getting home and I was like,
- 22:08Speaker 2: really weird that there's no packages here, and I was like, oh,
- 22:12Speaker 2: maybe she unpacked them.
- 22:13Speaker 4: And I was like, well, that'd be kind of strange.
- 22:14Speaker 2: But also like that used to do, Like there's a system.
- 22:18Speaker 4: I no longer have a personal assistant. I'm raw dogging life.
- 22:21Speaker 2: Actually, I just have a production company and two people
- 22:24Speaker 2: that I work with full time there. But I do
- 22:26Speaker 2: have my own errands and stuff now, and it's really wow.
- 22:28Speaker 2: I know it's great. I'm thirty three years old, guys,
- 22:31Speaker 2: and I do my own errands. I'm just really humble. No,
- 22:36Speaker 2: you know what it is is.
- 22:38Speaker 4: It's just I'm trying to thing, and I'm enjoying trying
- 22:42Speaker 4: the thing.
- 22:43Speaker 1: I'm proud of you.
- 22:44Speaker 4: Zoe Kramer did not, sweet Love. I said that.
- 22:47Speaker 2: I was like, that's so weird.
- 22:48Speaker 4: I go downstairs.
- 22:51Speaker 2: There are thirty eight packages in the whole way, stuck
- 22:58Speaker 2: taller than me, and I didn't care. The only thing
- 23:03Speaker 2: I cared about was that my dog's dog food was
- 23:06Speaker 2: there and all rotted because.
- 23:09Speaker 4: I don't mavee anymore.
- 23:10Speaker 2: I farmer's dog, farmer's dog, okay, and.
- 23:13Speaker 4: It all rotted.
- 23:14Speaker 2: And Zoe was like, your dog's had a dog food
- 23:16Speaker 2: and I was like, that's weird. I think it came
- 23:19Speaker 2: and she was like it didn't come, and I was like, okay,
- 23:23Speaker 2: I'll check in on that. I was in Paris and
- 23:26Speaker 2: then I came back and I mean, there's nothing like
- 23:30Speaker 2: getting off a ten hour flight and then figuring out
- 23:33Speaker 2: how you're gonna get thirty five packages alone. It was
- 23:36Speaker 2: very meditative. And there was heavy stuff too, because I'd
- 23:39Speaker 2: ordered some stuff, and then there's gifting, like this one
- 23:43Speaker 2: makeup brand had sent me that. Can I just say
- 23:46Speaker 2: that the makeup brands need to stop to send your
- 23:49Speaker 2: makeup in a mailer, Like it doesn't need to come
- 23:53Speaker 2: in a suitcase with a mirror in led lights. Nobody
- 23:57Speaker 2: wants that nobody wants and it's so wasteful. I'm like,
- 24:00Speaker 2: just send it in a mailer and use the USPS.
- 24:05Speaker 2: Please do you.
- 24:06Speaker 4: Have for the love of God?
- 24:09Speaker 3: Is like.
- 24:11Speaker 2: It makes me so sad, like once Lizzo, when Lizzo
- 24:14Speaker 2: launched her shapewear brand, I don't even if it exists anymore.
- 24:18Speaker 2: It came in a bright purple metal, metal metal trunk
- 24:22Speaker 2: half the size of your coffee table and it said
- 24:25Speaker 2: yiddy and I was like, now what, Like, now what
- 24:28Speaker 2: am I supposed to do?
- 24:30Speaker 3: Yeah?
- 24:30Speaker 2: That was a brand name, and I was like, now,
- 24:31Speaker 2: what am I supposed to do with this huge metal drug.
- 24:33Speaker 2: It's such an inconvenience to everybody that's hysterical, and I
- 24:37Speaker 2: get it. It's like stunt marketing, but it's so wasteful
- 24:40Speaker 2: and that's part of the reason why I'm like, but
- 24:43Speaker 2: some companies do it really well. Some companies do simply
- 24:45Speaker 2: just send like a little box with the stuff and
- 24:47Speaker 2: like a little card about whatever the formula is. And
- 24:49Speaker 2: I'm like, yes, I love that.
- 24:52Speaker 3: Behind the front do now.
- 24:54Speaker 2: My building's really special. Hard to say. There's like a
- 24:58Speaker 2: lot going on in there. I love my building. I'm
- 25:01Speaker 2: never leaving. Is that your friend?
- 25:07Speaker 3: Oh?
- 25:07Speaker 2: Or did you do a surprise? I was just talking
- 25:09Speaker 2: about you. Yeah, this is incredible, So it's really awkward
- 25:16Speaker 2: for you, because it's really awkward for you because I
- 25:19Speaker 2: was just talking about our package fiasco.
- 25:21Speaker 5: Ago I got so I wanted to die, Okay, I
- 25:25Speaker 5: felt really this was actually not entirely planned because I
- 25:30Speaker 5: had texted her this morning asking her to take a
- 25:32Speaker 5: bag to the real real for me.
- 25:33Speaker 1: I told Zoe that you were coming over today, and
- 25:37Speaker 1: I totally did not do this on purpose, And then
- 25:39Speaker 1: I thought it would be cute if she surprised.
- 25:41Speaker 4: You do. I'm really happy because I do love her.
- 25:44Speaker 4: I started with saying, how much I love you? Happened
- 25:47Speaker 4: It's the only.
- 25:48Speaker 6: Only time, the only time, and I like literally wanted.
- 25:52Speaker 4: To die you Tommy move.
- 25:55Speaker 1: You helped me move.
- 25:58Speaker 6: Because I helped Megan move. Then I helped Tommy move,
- 26:01Speaker 6: and then I moved myself into a new apartment.
- 26:03Speaker 1: In college, and then you moved. Amelia didn't. Then no,
- 26:06Speaker 1: you didn't Amelia, thank god, No, thank god.
- 26:09Speaker 3: Not yet.
- 26:10Speaker 2: I feel like Amelia has a lot of stuff like clothes.
- 26:13Speaker 6: Yeah, I've never in my life incredible the packages that
- 26:18Speaker 6: have come in.
- 26:19Speaker 1: And remember when you helped me move. You met Anna,
- 26:21Speaker 1: my housekeeper who now works for Amelia.
- 26:23Speaker 3: Yes, she works for Amelia.
- 26:25Speaker 1: They tama bonded over my move together.
- 26:27Speaker 6: The first time I met Tommy, we went from Brooklyn
- 26:30Speaker 6: and we went to Lueva to get candles and you,
- 26:35Speaker 6: this has to stop the Louisva candles.
- 26:37Speaker 4: I'm a taurist.
- 26:38Speaker 3: She introduced me.
- 26:39Speaker 6: She said, this is Zoe. She works with me, and
- 26:43Speaker 6: this is like experience of someone working besides you. And
- 26:46Speaker 6: I was like, that made me feel so good.
- 26:48Speaker 1: Wow, that was just like, that's really nice.
- 26:51Speaker 6: Like it's my fucking assistant. She's not even my real
- 26:57Speaker 6: I didn't know what to expect because another part of
- 26:59Speaker 6: that is we were talking about trust in the home.
- 27:02Speaker 5: Hu.
- 27:02Speaker 6: I was packing up your apartment for a week before
- 27:04Speaker 6: I met you. I was she put the key in
- 27:09Speaker 6: a master lock and was like, yeah, of course. And
- 27:12Speaker 6: then the time for real estate agent couldn't come one
- 27:15Speaker 6: day and she texted me, She's like, do you mind
- 27:16Speaker 6: showing my apartment really quick to this couple who's interested
- 27:19Speaker 6: in And I was like, had not met.
- 27:21Speaker 4: You've never met because with my.
- 27:23Speaker 6: Current boss we did a forty five minutes zoom, but
- 27:25Speaker 6: I also didn't meet her for two months in person.
- 27:28Speaker 1: I can't wait to talk about that with you too,
- 27:30Speaker 1: I think.
- 27:31Speaker 3: But well, that is.
- 27:32Speaker 2: Where Clyde comes into play in that, like I trust
- 27:35Speaker 2: that Megan has done her due diligence to value.
- 27:37Speaker 1: Yeah.
- 27:38Speaker 2: I was in a personal state of crisis and I
- 27:47Speaker 2: was really struggling, and you were available to be of
- 27:50Speaker 2: service and help me at a time when I really
- 27:52Speaker 2: really really needed help. And I just had to like
- 27:56Speaker 2: have faith that you would and you were great and
- 27:59Speaker 2: you were amazing, and I didn't have to look at
- 28:02Speaker 2: anything in that apartment. All I had to do was yeah,
- 28:07Speaker 2: you're like, this is what I did today. But I
- 28:11Speaker 2: think I do think that's important, Like for whatever field
- 28:13Speaker 2: do you work in, like very few people are doing
- 28:16Speaker 2: what they really want to be doing, and like my
- 28:19Speaker 2: dresser on Broadway is like an incredible musical theater actor.
- 28:23Speaker 2: Like when I did Romeo and Juliet first week of previews,
- 28:26Speaker 2: people came to see the play and I introduced him
- 28:30Speaker 2: as an incredible actor. I was like, oh my god,
- 28:32Speaker 2: Adams like such an incredible like I just like watched
- 28:34Speaker 2: this video like incredible singer. I think it was like
- 28:37Speaker 2: I don't know, it was like some other Hollywood person
- 28:39Speaker 2: had come to see the play. And then he started
- 28:41Speaker 2: crying and he was like, no one's ever done that.
- 28:43Speaker 2: Everyone just calls me their dresser. And I was like like,
- 28:47Speaker 2: and it is, it's like the systems of I don't know.
- 28:50Speaker 2: I just think I don't know why. I mean, I
- 28:52Speaker 2: think words matter, and I think how we like phrase
- 28:55Speaker 2: things matter. I did. This is not what I came
- 28:57Speaker 2: on the podcast to do. I'm not preaching I swam,
- 29:00Speaker 2: but I do think it's important, especially when you're working
- 29:02Speaker 2: with young talent because and I think talent is universal,
- 29:05Speaker 2: like it works in it's like every field of whether
- 29:08Speaker 2: you're in like a more service oriented position or you're
- 29:11Speaker 2: in a more leadership role and you're you, which I
- 29:14Speaker 2: still believe is a service position at the end of
- 29:16Speaker 2: the day, like you're still servicing people's needs, like I'm
- 29:19Speaker 2: responsible for people's insurance and rent and all of that
- 29:21Speaker 2: stuff getting paid, like that's all. It still can be
- 29:24Speaker 2: service oriented. But I do think there's some I don't know.
- 29:29Speaker 2: I think I owe all of this to my dad.
- 29:30Speaker 7: Honestly, he's a really good boss.
- 29:33Speaker 3: My dad has a really good line that his mom
- 29:35Speaker 3: would always say, and she said, be careful of the
- 29:38Speaker 3: toes you step on today because they might be attached
- 29:40Speaker 3: to the ass you have to kiss tomorrow.
- 29:42Speaker 1: And I think that's really good, very powerful, Madalie.
- 29:45Speaker 2: Natalie, let me remind you that you went to my
- 29:47Speaker 2: apartment before I ever did, and I found not only
- 29:51Speaker 2: just say Natalie not working for me, found my apartment,
- 29:54Speaker 2: went there, took a video, and then I signed the
- 29:56Speaker 2: least before I ever saw its baby. That's trust, baby,
- 29:59Speaker 2: that's I'm never leaving. I mean downtown Manhattan. I have
- 30:04Speaker 2: the best neighbors. I have the coolest people in my building.
- 30:07Speaker 2: I'm obsessed with them. Ella am hofflops in my building
- 30:11Speaker 2: and I we clothing share. I dropped a dress off
- 30:15Speaker 2: for her today and she sent me a photo of it.
- 30:16Speaker 2: She looks so cute and it it's way better than me.
- 30:18Speaker 2: It was not a dress that I ever should have bought.
- 30:20Speaker 2: I don't know why I bought it. It was like
- 30:22Speaker 2: it's like a Luive, a completely mesh like.
- 30:26Speaker 4: I don't know.
- 30:27Speaker 2: I was thinking it was an insane purch like completely
- 30:31Speaker 2: it's like crocheted dress, like a swim dress kind of thing,
- 30:35Speaker 2: a beach cover up.
- 30:37Speaker 4: I guess, yeah. But did it need to be Lueve?
- 30:40Speaker 4: And did I need to buy it?
- 30:41Speaker 1: I like, you really like Louve?
- 30:42Speaker 2: I do, but I am not someone who like dresses
- 30:45Speaker 2: scantily and scantily. The candle purchase was essential because I
- 30:51Speaker 2: just moved into a new house.
- 30:53Speaker 3: How many how many Wove candles do you think you've
- 30:55Speaker 3: bought in your lifetime?
- 30:56Speaker 4: They send me some too, how many?
- 30:58Speaker 2: I don't know. I guess called Molly, I have a
- 31:01Speaker 2: guess at the store.
- 31:02Speaker 3: I want to guess one hundred and fifty.
- 31:04Speaker 2: No no no no no no no no no no
- 31:06Speaker 2: no no no no no no.
- 31:07Speaker 4: I don't even think I bout one hundred and fifty candles.
- 31:09Speaker 3: I feel like I picked up a Louivi candle or
- 31:11Speaker 3: two every.
- 31:13Speaker 4: Week now I just keep them lit all day.
- 31:19Speaker 3: All the time.
- 31:20Speaker 1: I like Sunhall twenty.
- 31:21Speaker 4: Six, support local businesses like Louey Bay. Okay, next question, Okay.
- 31:26Speaker 1: We are going to talk about Tommy's new book that
- 31:29Speaker 1: just came out in the spring.
- 31:31Speaker 4: Right, yeah, came out in May.
- 31:32Speaker 3: Okay.
- 31:33Speaker 2: It's called Maybe This Will Save Me. It's a collection
- 31:36Speaker 2: of essays that my publishers call a memoir and it's uh,
- 31:40Speaker 2: it's available everywhere as a national bestseller. Not bad, not bad,
- 31:44Speaker 2: not bad. Yeah, I see it in the airport sometimes.
- 31:48Speaker 2: That's really cool.
- 31:49Speaker 1: What was your inspiration for the book and what do
- 31:51Speaker 1: you want people to know about your book.
- 31:53Speaker 2: The book is primarily about like addiction and recovery, and
- 31:58Speaker 2: I think writing has just always been away for me
- 32:00Speaker 2: to process bigger things in my life. Like I don't
- 32:03Speaker 2: keep a diary traditionally, but I write a lot of
- 32:05Speaker 2: essays or scenes or not poems, but like monologues I
- 32:09Speaker 2: would say, although for a couple for during the pandemic,
- 32:12Speaker 2: Steim taught me how to write pop songs and that
- 32:14Speaker 2: was really fun. Nobody will hear those? Did you hear them?
- 32:17Speaker 1: I really want to feel like your next, whatever you
- 32:20Speaker 1: write next, should be a collection of those songs.
- 32:24Speaker 4: No, no, there are lyrics from one of them in
- 32:26Speaker 4: my book.
- 32:27Speaker 3: Okay, I feel like we could slide one of those.
- 32:29Speaker 2: Into Lordine And there's something called dream Girl that's in
- 32:32Speaker 2: there that was like a haunting pop dream girl. It
- 32:38Speaker 2: might work sure that we would be free anyway. I
- 32:41Speaker 2: don't know if it's master, but all to say, it's
- 32:43Speaker 2: a lot about growing up in the South, but mostly
- 32:48Speaker 2: about like drugs and sex.
- 32:50Speaker 1: Okay, sounds great to me.
- 32:52Speaker 2: Which a lot of moms on Goodreads are like trigger
- 32:54Speaker 2: burning and I'm like, I this didn't write this for
- 32:57Speaker 2: you or I kind of did.
- 32:58Speaker 3: Well.
- 32:59Speaker 1: Everyone please go by Tommy's book.
- 33:00Speaker 2: You please, God please buy it because I'm like, I'm
- 33:04Speaker 2: it's stressful.
- 33:05Speaker 4: The feeling of having a book in the world is stressful,
- 33:08Speaker 4: very impressive, it's very impressible. Or don't. You can get
- 33:10Speaker 4: it from your library.
- 33:11Speaker 1: Or you could listen to it.
- 33:13Speaker 2: Right Audio books Yeah, if if you don't hate my
- 33:15Speaker 2: voice after listening to this, you can listen to it again.
- 33:19Speaker 2: Great at four x speed.
- 33:20Speaker 1: Okay, so growing up in the South, can you tell
- 33:23Speaker 1: us how you came into the entertainment industry and what
- 33:27Speaker 1: that was like for you.
- 33:28Speaker 2: My parents work in the car industry. I grew up
- 33:30Speaker 2: going to NASCAR games and like football games, and nobody
- 33:33Speaker 2: works in the arts in my life. I was actually
- 33:38Speaker 2: talking about this last night. I was hanging out with
- 33:40Speaker 2: a new friend and I was talking about the first
- 33:44Speaker 2: time I met a famous person was and I think, so,
- 33:46Speaker 2: Soo'd be fine this. I went to campus so se Bacon,
- 33:48Speaker 2: and I didn't know that her last name was Bacon.
- 33:50Speaker 2: I didn't know that her dad was Captain Bacon until
- 33:53Speaker 2: the camp was over and he picked us up in
- 33:55Speaker 2: a Prius and like picked up from camp and went
- 33:57Speaker 2: to her house. And I remember being like, WHOA, there's
- 33:59Speaker 2: like in car with a movie star. This is so weird.
- 34:04Speaker 2: So I had like really no no ties to Hollywood
- 34:08Speaker 2: or acting. But I really liked acting and I liked writing,
- 34:10Speaker 2: and I always wanted to have I always wanted to
- 34:12Speaker 2: like direct and have a production company and like do
- 34:14Speaker 2: a bunch of stuff. I don't know where I got
- 34:15Speaker 2: that idea from. I think I grew up on like
- 34:19Speaker 2: Nurse Jackie in United States, like I grew up on
- 34:21Speaker 2: like the Showtime Cable, like Dramedy Half Hours and the Sopranos,
- 34:27Speaker 2: and like fell in love with TV in particular. It
- 34:30Speaker 2: was just weird because I actually don't write TV. I
- 34:32Speaker 2: only write movies. But maybe I'll write TV one day.
- 34:36Speaker 2: I don't know. I went to school for acting. I
- 34:38Speaker 2: studied acting, and then I studied in Russia. Then I
- 34:44Speaker 2: studied here, and.
- 34:45Speaker 1: Then you studied in Russia.
- 34:47Speaker 4: Yeah, what little known fact?
- 34:50Speaker 2: Guy?
- 34:50Speaker 6: How long?
- 34:51Speaker 1: What part of Russia?
- 34:53Speaker 2: Moscow twenty eleven? It was before I got sober. So
- 34:59Speaker 2: I was really drunk.
- 35:01Speaker 3: When you were doing the podcast episode with Patrick Stewart,
- 35:04Speaker 3: and it ended up being the whole conversation.
- 35:06Speaker 2: All right, do you mean, sir Patrick Stewart, Patrick.
- 35:08Speaker 3: Stewart, when you were talking about studies studying it?
- 35:12Speaker 2: Yeah, I studied at MAHAT, which is the Moscow Art
- 35:15Speaker 2: Theater School. Yeah, I studied there. A lot of Chekhov
- 35:18Speaker 2: love Chekhov, a lot of Stanislavski technique, Michael Chekov technique.
- 35:22Speaker 2: So Anton Chekhov's brother is also an acting in It
- 35:24Speaker 2: didn't matter. You can wikipedia all of this. I studied
- 35:27Speaker 2: in Russia. I loved theater and then I got sober
- 35:30Speaker 2: while I was in school and I was trying to
- 35:32Speaker 2: go to grad school for acting. Like I was like,
- 35:33Speaker 2: I'm gonna go to Yay, I'm gonna go to Julliard.
- 35:35Speaker 2: I'm gonna go to NYU grad And I didn't get in.
- 35:40Speaker 2: And then a friend of mine was auditioning for the
- 35:42Speaker 2: show called Thirteen Reasons Why because he like got agents
- 35:45Speaker 2: and all this stuff right out of college. I did not,
- 35:47Speaker 2: And I kind of like finagled my way into auditioning
- 35:52Speaker 2: for it because they were seeing like they were doing
- 35:53Speaker 2: open calls.
- 35:54Speaker 5: Wow.
- 35:55Speaker 2: And then I got that job.
- 35:56Speaker 1: Wow.
- 35:56Speaker 2: And that was it.
- 35:57Speaker 1: And breaking in if you don't have ties to an
- 36:01Speaker 1: agent or a manager on like, what do you do?
- 36:04Speaker 4: What do you do?
- 36:04Speaker 2: At the time, backstage was a resource that was really helpful.
- 36:08Speaker 2: I built myself a little. I went to theater school.
- 36:11Speaker 2: There was like one on camera acting class. It was
- 36:13Speaker 2: not great. So right when I got out of school,
- 36:16Speaker 2: I started doing on camera acting classes and then I
- 36:18Speaker 2: started acting in I tried, I auditioned and acted in
- 36:22Speaker 2: as many student films as I could, so like in
- 36:26Speaker 2: YU and Columbia. I live in New York City, so
- 36:27Speaker 2: I feel very fortunate. But it's like there's great grad
- 36:29Speaker 2: film programs here in undergrad film programs, and a lot
- 36:32Speaker 2: of those programs were quiet. You know, students are making
- 36:34Speaker 2: like they're filming a scene a week of something, whether
- 36:37Speaker 2: it's something that's already written and they're reimagining it, or
- 36:39Speaker 2: they're doing just a small exploration verite, you know, three
- 36:46Speaker 2: minutes of something happening, no dialogue in os like. So
- 36:50Speaker 2: I had this experience of doing that and putting together
- 36:53Speaker 2: a little, you know, package of shit that I could
- 36:55Speaker 2: And then there's this place called one on one which
- 36:59Speaker 2: was like you could pay hay to take acting workshops
- 37:03Speaker 2: with casting directors and then they would do like showcases.
- 37:06Speaker 2: And I did this like one on one camp, and
- 37:09Speaker 2: I ended up I was working with this like really
- 37:11Speaker 2: sketchy agency here for a minute, but they didn't get
- 37:14Speaker 2: me my thirteen person it's why audition. So technically I
- 37:18Speaker 2: was like working with them, but like, I don't know what.
- 37:19Speaker 1: We were doing in sketchy agency.
- 37:21Speaker 2: I'm not gonna say I don't want to tell me after.
- 37:24Speaker 1: I'm very curious.
- 37:25Speaker 2: I don't even think they exist anymore. But and then
- 37:28Speaker 2: I did have, like also a sketchy manager. I say
- 37:31Speaker 2: that I didn't have a manager before because I just
- 37:32Speaker 2: like genuinely like I don't know what he did, Like
- 37:34Speaker 2: I don't know what they did, but he was there.
- 37:38Speaker 2: He was part of my life for a period. He
- 37:40Speaker 2: was my friend who worked at Equinox's boyfriend, and he
- 37:42Speaker 2: ran like his own be weary of like men who
- 37:46Speaker 2: run management companies in basements in New Jersey.
- 37:50Speaker 4: Just just to be mindful.
- 37:52Speaker 2: There was a young girl from my Bob Krakouer acting
- 37:55Speaker 2: class at the time who had a really bad experience
- 37:58Speaker 2: with him and can fill in the gaps. And I
- 38:00Speaker 2: found this out later years later, so I'm glad that
- 38:03Speaker 2: my instincts were right. He came to the Thirteen Reasons
- 38:05Speaker 2: Why premiere and he was the first thing he had.
- 38:09Speaker 2: He asked me while we were on the red carpet,
- 38:11Speaker 2: was like, can you.
- 38:11Speaker 7: Introduce me to SELENEA Gomez? And I was like what,
- 38:16Speaker 7: Like this is so weird. I was like, why are
- 38:19Speaker 7: you asking me that? At my first job?
- 38:22Speaker 2: Like I was like, I've never even been on a
- 38:23Speaker 2: ride was my first red carpet, Like I never it's crazy.
- 38:26Speaker 2: I was like, I just met Selena two weeks ago
- 38:27Speaker 2: when she showed up to set, Like I don't fucking know,
- 38:29Speaker 2: like I like it. Just the whole thing felt so strange.
- 38:32Speaker 2: And I called him the next day. I was like,
- 38:36Speaker 2: we can't work together anymore. That made me really uncomfortable.
- 38:39Speaker 1: Our journey is over.
- 38:40Speaker 2: And then I yeah, I just was like, I don't
- 38:42Speaker 2: think that was an appropriate thing to ask, and I
- 38:44Speaker 2: just I don't Something about it made me feel weird
- 38:47Speaker 2: and I'm gonna do my own thing. But I think
- 38:50Speaker 2: breaking in it's like you kind of have to. I
- 38:55Speaker 2: think like you should probably get some training. I believe
- 38:58Speaker 2: in training. Not all actors are. Some people get to
- 39:01Speaker 2: break in as teenagers. Some people are just like living
- 39:03Speaker 2: in La. People do it in different ways. I really
- 39:05Speaker 2: like acting technically, like I like doing theater. I like
- 39:10Speaker 2: I like I like the like philosophies of acting. I
- 39:13Speaker 2: like the different teachers of acting. I like nerd out
- 39:16Speaker 2: on it a lot.
- 39:17Speaker 3: So you about to play three different characters in your
- 39:19Speaker 3: own movie.
- 39:21Speaker 2: Let's not say that, But I just I did just
- 39:25Speaker 2: play two very different characters in Sam gold Romeo and
- 39:27Speaker 2: Juliet and then I went and played a rabbi after.
- 39:30Speaker 2: So I do like that kind of work. I like
- 39:32Speaker 2: more character driven. Wow, character work as an actor, and
- 39:37Speaker 2: so I like doing theater. I haven't acted as a
- 39:38Speaker 2: girl on screen yet.
- 39:41Speaker 1: Wow. I'm so excited for you. So what can you
- 39:44Speaker 1: tell us about your upcoming projects and what are you
- 39:46Speaker 1: most excited to introduce to the world.
- 39:49Speaker 2: We just announced that my company Good Girl is uh
- 39:53Speaker 2: producing an adaptation of Tory Peter's book Detransition Baby, which
- 39:57Speaker 2: is one of my favorite books, and that's really exciting.
- 40:02Speaker 3: And another one is aesthetical.
- 40:05Speaker 2: Oh and I'm currently in the process of writing an
- 40:07Speaker 2: adaptation of Ali Robottom's book Aesthetica, which is unlike anything
- 40:11Speaker 2: I've ever written before, and it's really fun in a
- 40:13Speaker 2: wild ride about trying to reverse all the plastic surgery
- 40:17Speaker 2: you got in your twenties when you're in your thirties.
- 40:20Speaker 4: Ooh, and I just had guys.
- 40:26Speaker 2: Okay, God really presents you with the right things at
- 40:29Speaker 2: the right time. Celebrities get gifting, they also get like
- 40:34Speaker 2: freespa services. It doesn't make sense because like, economically, we
- 40:37Speaker 2: should be paying for everything. I don't not saying I
- 40:39Speaker 2: want to be. I'm just saying like the economics of
- 40:42Speaker 2: it are confusing, but I guess PR for PR.
- 40:45Speaker 4: Fine, where is this going? Buckle up?
- 40:49Speaker 2: I got a call life was told last week. A
- 40:52Speaker 2: couple of weeks ago, I got an email from my
- 40:55Speaker 2: publicist that was like, oh, hey, this like facialist at
- 40:58Speaker 2: WSA wants to see you for a treatment, Like you
- 41:02Speaker 2: can get whatever facial treatment you want. And I was like, okay, yeah,
- 41:04Speaker 2: I'll come and get a facial. Didn't think about it
- 41:06Speaker 2: again because it's like it happens, and I was like, oh,
- 41:07Speaker 2: I'd love to get a facial before my movie. This
- 41:09Speaker 2: sounds great. I get there and it's like dentist chair,
- 41:13Speaker 2: like medical chair, and uh the branding's like I feel
- 41:18Speaker 2: pretty or something, and I'm like this is so weird.
- 41:21Speaker 2: And he hands me a mirror and he goes, I
- 41:24Speaker 2: want to look at yourself and tell me what you
- 41:27Speaker 2: don't like. I was like, sorry, what, I'm so emotional
- 41:34Speaker 2: right now, like I just have already. I was like,
- 41:37Speaker 2: I was like, you want me to look at this
- 41:39Speaker 2: mirror and tell you what I don't like about my face?
- 41:44Speaker 4: And then I immediately.
- 41:45Speaker 2: Was like this is so good for the movie I'm
- 41:47Speaker 2: writing Buckle up Let's goal. And I genuinely was like,
- 41:52Speaker 2: I don't have a lot of complaints, Like I'm okay
- 41:55Speaker 2: with my face. I think, like I it's doing its thing.
- 41:57Speaker 2: I'm thirty three, Like I don't you know.
- 41:59Speaker 5: I was.
- 42:00Speaker 2: I get botox here in here for like a little
- 42:02Speaker 2: brow left for like feminization purposes, and then like every
- 42:06Speaker 2: two years talk about this. Because you want to feminize
- 42:09Speaker 2: your face, here's like two things you can do, and
- 42:11Speaker 2: insurance will pay for it too sometimes, so figure that out.
- 42:14Speaker 2: But and I get like the smallest amount of filler
- 42:17Speaker 2: on my cheek bones just to like soften my face
- 42:19Speaker 2: because I have a very angular face. That's I'm not
- 42:22Speaker 2: I've gotten no surgeries on my face or anything. So
- 42:25Speaker 2: it's like, I like, I'm happy to do these small
- 42:27Speaker 2: little tweaks.
- 42:27Speaker 1: You look great, very natural.
- 42:29Speaker 2: Well yeah, it's like they're they're like the most Yeah,
- 42:32Speaker 2: it's very normal shit. And I was like, and then
- 42:36Speaker 2: he took out the marker and I've never had this
- 42:38Speaker 2: where he started drawing on my face. And then he
- 42:40Speaker 2: started telling me proportionally what was wrong if I wanted
- 42:43Speaker 2: a more feminine face. And I'm looking at it. I
- 42:46Speaker 2: was like, girl, if I wanted a more feminine face,
- 42:48Speaker 2: like I would get ffs. Like if I was like
- 42:50Speaker 2: that concerned about it, like you don't think like I could,
- 42:53Speaker 2: I would go get my face done, Like if I
- 42:55Speaker 2: really like I could, like I could.
- 42:56Speaker 4: Go do that if I wanted to do that.
- 42:58Speaker 2: But it was like an interesting experience because I've never
- 43:00Speaker 2: had that before and there are a lot of marks
- 43:04Speaker 2: in my face. And then he felt my jaw and
- 43:07Speaker 2: he was like, we were talking about my TMJ. And
- 43:10Speaker 2: so then I let him put botox in my.
- 43:12Speaker 1: Jaw and then I let him do something.
- 43:14Speaker 4: Well yeah, because then I was like, well, I gotta
- 43:16Speaker 4: let you do something.
- 43:17Speaker 1: I feel bad.
- 43:18Speaker 2: I was like sweating, and I thought I just thought
- 43:20Speaker 2: I was getting like a hydrofacial.
- 43:21Speaker 4: I didn't know that.
- 43:22Speaker 3: I was.
- 43:22Speaker 1: I love that you went in with.
- 43:23Speaker 2: No information twenty five minutes late as usual, and uh,
- 43:32Speaker 2: but yeah, so we put botox in my massater and
- 43:35Speaker 2: I told him. I was like, actually, I did this
- 43:36Speaker 2: before for my jaw and then it softened my jaw
- 43:39Speaker 2: and I did not like the way it looked. So
- 43:41Speaker 2: then I was like I would rather have like TMJ
- 43:44Speaker 2: than like that kind of jaw. So that's what I did.
- 43:50Speaker 2: Damn Anyway, I don't know how because I'm working on
- 43:52Speaker 2: this movie Astetica, which is about a girl in her
- 43:54Speaker 2: twenty is getting like told by her manager who she's
- 43:58Speaker 2: sleeping with, who she's in love with, but he's using
- 44:01Speaker 2: her to get all this plastic surgery so she can
- 44:03Speaker 2: make more money as an influencer and like body con
- 44:07Speaker 2: herself into being Emrata, who's like just naturally the most
- 44:11Speaker 2: insanely hot girl in the world, but impossible to look
- 44:16Speaker 2: like if you aren't born like that, and I think,
- 44:19Speaker 2: and then in her thirties, when like everything's already fallen
- 44:21Speaker 2: apart and she's super traumatized, she gets this procedure called
- 44:24Speaker 2: aesthetica that's in trials to all in one go reverse
- 44:29Speaker 2: all the body modification she got in her twenties and
- 44:32Speaker 2: sort of start fresh and like reclaim her body autonomy
- 44:37Speaker 2: because it's sort of like each surgery ends up being
- 44:39Speaker 2: tied to a different traumatic experience. And also the things
- 44:44Speaker 2: we want in our twenties are different than the things
- 44:46Speaker 2: we want in our thirties, and like, I mean, I
- 44:48Speaker 2: certainly have tattoos that I would get rid of if
- 44:51Speaker 2: I cared enough and my pain tolerance was higher. But
- 44:54Speaker 2: you know, it's like these things and it's great that
- 44:56Speaker 2: we have these resources and like these things exist. This
- 44:59Speaker 2: particular search it does not exist.
- 45:00Speaker 1: But that's now are leaning into doing less.
- 45:05Speaker 4: Yeah, but I'm also like, I love when the girls
- 45:07Speaker 4: are doing.
- 45:07Speaker 1: More about it as long as you can.
- 45:10Speaker 2: Tell I'm but also I'm about it when you can tell,
- 45:13Speaker 2: I think it's fab. I'm not about it for me,
- 45:15Speaker 2: but I'm like, I love when the girls just step
- 45:17Speaker 2: out on the street. I love Miami. I mean I
- 45:22Speaker 2: love Miami for thirty six hours. I love Miami for
- 45:24Speaker 2: thirty six hours and then I have to go. I
- 45:25Speaker 2: love My favorite part about Miami is like the work
- 45:29Speaker 2: is incredible, Like I'm I'm so I love it. I
- 45:34Speaker 2: think it's so fab. I think a lot of people,
- 45:36Speaker 2: when they hear the pitch for this movie think it's
- 45:38Speaker 2: like an anti plastic surgery movie. I'm like, no, no, no, no, no,
- 45:42Speaker 2: like pro plastics, like go off, do whatever you want
- 45:45Speaker 2: to do. I think it's like a body reclamation movie.
- 45:49Speaker 2: I think, to me, it's a trans movie. Even though
- 45:51Speaker 2: she says like it's like I'm doing whatever I need
- 45:53Speaker 2: to do to my body to feel comfortable in my
- 45:55Speaker 2: own skin and like navigate the world safely and like
- 45:59Speaker 2: feel at ease or as close to it at ease
- 46:03Speaker 2: as this type of person can get. Because I do
- 46:05Speaker 2: think there's people. I mean, I don't think everyone's meant
- 46:07Speaker 2: to live a life at ease.
- 46:09Speaker 1: Definitely not. So when can we expect to see this film?
- 46:12Speaker 1: I don't know, in a long in a while, but years,
- 46:17Speaker 1: not anytime soon.
- 46:18Speaker 4: So making a movie takes years.
- 46:19Speaker 2: Let if you do that.
- 46:21Speaker 4: I started working on this.
- 46:22Speaker 2: I pitched this movie two years ago, and I finally
- 46:25Speaker 2: have like a partner who's helping me with the development
- 46:31Speaker 2: side of it, which just means paying me to write
- 46:33Speaker 2: the script. And so now I'm in the process of
- 46:35Speaker 2: writing the script, which we'll I will have to stop
- 46:37Speaker 2: doing when I go direct a movie, and then I'll
- 46:38Speaker 2: go back to writing the script and then just these
- 46:40Speaker 2: things take time.
- 46:41Speaker 1: You have a lot going on. You have a lot
- 46:43Speaker 1: going on. But congratulations, Yeah, sister, it's going to be
- 46:48Speaker 1: a big year.
- 46:51Speaker 4: Yeah maybe, yeah, it will be. I'm going to learn
- 46:53Speaker 4: a lot.
- 46:54Speaker 1: Just to close out, what advice would you both give
- 46:58Speaker 1: someone who is interested in working in Hollywood, or trying
- 47:03Speaker 1: to get their first job out of college, or just
- 47:05Speaker 1: trying to figure it out in their twenties.
- 47:10Speaker 3: I think a lot of people told me to go
- 47:15Speaker 3: into the mail room, which I think has its perks.
- 47:18Speaker 3: And I have a ton of friends who work at agencies.
- 47:20Speaker 3: If you want to get into entertainment on the sort
- 47:21Speaker 3: of production development, what have you side? And I think
- 47:25Speaker 3: that that's very like sie, like I should tell everyone
- 47:32Speaker 3: to be working at an agency mailroom at like you know,
- 47:36Speaker 3: a management company or UTACAA, w ME whatever that may
- 47:39Speaker 3: be sort of being a tempt getting put on a
- 47:42Speaker 3: desk and you just learn the like business side in
- 47:44Speaker 3: the political side of the industry, which is very helpful.
- 47:48Speaker 3: But I had a lot of experience when I was graduating,
- 47:51Speaker 3: and I kind of knew exactly what I wanted what
- 47:53Speaker 3: I didn't, And I think if you have that insight
- 47:57Speaker 3: and instinct, trust it. I moved to New York without
- 48:01Speaker 3: a job. I went to film school in Los Angeles.
- 48:03Speaker 3: All my connections were there. When I first moved here
- 48:06Speaker 3: and started applying and looking online, I was like, I've
- 48:09Speaker 3: completely screwed myself. The entertainment industry in New York is
- 48:12Speaker 3: so much smaller than it is in LA, obviously, but
- 48:15Speaker 3: within like a couple of weeks, I ended up finding
- 48:18Speaker 3: the job I know with you, which was amazing, And
- 48:21Speaker 3: I think.
- 48:22Speaker 2: The real ones live here.
- 48:24Speaker 3: That's what I've learned.
- 48:25Speaker 4: The real ones live here. You don't want to work
- 48:28Speaker 4: for someone living at LA.
- 48:29Speaker 3: If you do want the larger studio agency company experience
- 48:33Speaker 3: in LA, there are a lot of paths to doing that.
- 48:36Speaker 3: But if you want to do something else, work with talent,
- 48:41Speaker 3: work directly with filmmakers, actors, what have you. All of
- 48:44Speaker 3: those people are in New York. And I feel like
- 48:46Speaker 3: that's what I've learned since, so I'm not telling I
- 48:48Speaker 3: also hate LA. So I'm like everyone should just.
- 48:50Speaker 1: Move to LA.
- 48:51Speaker 3: I hate La easy.
- 48:53Speaker 4: I don't hate La. I don't like living there.
- 48:55Speaker 3: If La is not I grew up in Okay.
- 48:59Speaker 1: Everyone makes I want to be for loving LA. I'm
- 49:01Speaker 1: a New York girl, but I love LA. This is
- 49:03Speaker 1: a question I get asked a lot by younger folks.
- 49:07Speaker 1: Where should I move after college La New York?
- 49:09Speaker 2: And should I go for that?
- 49:11Speaker 3: Yeah? Yeah? Uh?
- 49:13Speaker 2: Where do you want to wake up in the morning? Hey? No, Seriously,
- 49:18Speaker 2: Like you can live in any of the cities. You
- 49:19Speaker 2: can live in Atlanta and work in the entertainment industry.
- 49:21Speaker 2: You can live in Chicago, you can live in a
- 49:22Speaker 2: secondary city. You can live in Philly, you can live
- 49:25Speaker 2: in Europe. You don't have to live in America, live
- 49:27Speaker 2: in Mexico City. You could live in a lot of
- 49:28Speaker 2: different places. I think it's like, at the end of
- 49:30Speaker 2: the day, where do you want to wake up? Because
- 49:32Speaker 2: most of the time when you're in the industry, we're
- 49:34Speaker 2: in unless you're on the agency side or like biz
- 49:37Speaker 2: side in that sense, like you're not really at least
- 49:40Speaker 2: if you're an artist and this industry, you're rarely doing
- 49:42Speaker 2: the thing that you want to be doing. You're mostly
- 49:43Speaker 2: doing trying to get to do the thing you want
- 49:45Speaker 2: to be doing. So it's like for ninety five percent
- 49:48Speaker 2: of your year you're trying to get to the way,
- 49:50Speaker 2: trying to get to the job, and then for five
- 49:53Speaker 2: that I'm not a math person, but seventy thirty is
- 49:56Speaker 2: probably this is the rule for me, is like thirty
- 49:58Speaker 2: percent of the year I'm actually doing the thing that
- 50:00Speaker 2: like I'm actually directing something or I'm acting in something.
- 50:04Speaker 2: Last year was a phenomenon I've never had that before
- 50:06Speaker 2: we're for nine months straight, I was acting wow and
- 50:09Speaker 2: just acting and I didn't do anything else. But all
- 50:13Speaker 2: that all to say, there were five years in which
- 50:15Speaker 2: I didn't act at all. So I feel like where
- 50:19Speaker 2: you want to wake up in the morning is where
- 50:21Speaker 2: you should live at the end of the day and
- 50:23Speaker 2: know that, like everywhere else, is always there. And then
- 50:27Speaker 2: my advice was just to play the long game.
- 50:32Speaker 1: How do you play the long game?
- 50:34Speaker 2: I just play the long game, long game, long, long game. Long.
- 50:38Speaker 2: Don't like instant gratification is going to come in waves,
- 50:43Speaker 2: and that's going to be great, But when you're thinking
- 50:45Speaker 2: about building a career, like for me, the thing that
- 50:51Speaker 2: helped me really early on, like not be competitive with
- 50:53Speaker 2: other people and not be driven by competitiveness, which I
- 50:56Speaker 2: think a lot of people are in every field, is
- 50:59Speaker 2: that like, I'm playing a long game and I'm playing
- 51:01Speaker 2: my game, and like I'm doing what I'm supposed to
- 51:04Speaker 2: be doing and it is going to look different than
- 51:06Speaker 2: what you guys are doing. And I remember when I
- 51:08Speaker 2: booked a teen show and I was on the soap
- 51:10Speaker 2: fucking soap opera and it was amazing and I loved it.
- 51:12Speaker 2: It was my first job it was incredible when it
- 51:15Speaker 2: came out and was successful. I went back to New
- 51:18Speaker 2: York where I was living, and I, this is psychotic.
- 51:23Speaker 2: But I looked up every like teen show, where are
- 51:26Speaker 2: they now? Listical from BuzzFeed, and I was like, statistically,
- 51:30Speaker 2: like four of us are going to be working in
- 51:32Speaker 2: twenty years from now, like based on I'm not a
- 51:36Speaker 2: statistics person, but I was like, okay, So I started
- 51:38Speaker 2: modeling what I wanted to do off of like people
- 51:41Speaker 2: from Freaks and Greek Geeks, people from the OC, people
- 51:45Speaker 2: from Gossip Girl, people from nine O two one zero.
- 51:49Speaker 2: I was like, Okay, what did they do to get
- 51:52Speaker 2: to that place in this way? Because it's just true.
- 51:58Speaker 2: It's just it's just the truth. Like the show I
- 52:01Speaker 2: was on. There will be a small percentage of us
- 52:04Speaker 2: that are still working as actors, probably even today. Let
- 52:09Speaker 2: alone down the line like you know, so I don't know.
- 52:12Speaker 2: I thought about it. That to me, I'm like, that's
- 52:15Speaker 2: why I gotta play the long game.
- 52:16Speaker 1: It's great advice. I think.
- 52:18Speaker 3: Building off of that, I would say, in addition to
- 52:22Speaker 3: playing the long game and knowing where it is that
- 52:24Speaker 3: you want to go, fully commit one hundred percent to
- 52:26Speaker 3: whatever it is that you're doing in the moment, even
- 52:28Speaker 3: if it's not what you see yourself doing in five years,
- 52:31Speaker 3: whether you're helping someone you know pitch to get an
- 52:35Speaker 3: adaptation of a book, to get the acquisition of a book,
- 52:38Speaker 3: or going to get coffees in the morning, like whatever
- 52:41Speaker 3: it is. Fully commit. Don't have an attitude about doing things,
- 52:44Speaker 3: especially when you're first starting out, because those people are
- 52:47Speaker 3: really hard to come by. And I feel like that's
- 52:49Speaker 3: that's the group of people that you've sort of curated
- 52:51Speaker 3: around Clyde. Which is really hard is the people who
- 52:55Speaker 3: are really driven and are really nice and are kind
- 52:57Speaker 3: of like no task too small, rolelessly up, do whatever
- 53:01Speaker 3: you can to help make someone's day easier, and those
- 53:05Speaker 3: connections that you make will be with you for a
- 53:07Speaker 3: really long time.
- 53:08Speaker 7: Yeah.
- 53:09Speaker 1: And I think a lot of people ask me how
- 53:11Speaker 1: I grew in my job as a PA, and my
- 53:14Speaker 1: answer is always, well, I was so young that I
- 53:16Speaker 1: knew when I was a personal assistant, I had to
- 53:19Speaker 1: learn that job super well. I had to master being
- 53:22Speaker 1: someone's personal assistant, and then in a couple of years
- 53:24Speaker 1: I can move up to an executive personal assistant and
- 53:28Speaker 1: a chief of staff or now running my own company.
- 53:30Speaker 1: But I wasn't focused on the two years from now.
- 53:34Speaker 1: I was focused on the now of being someone's PA.
- 53:36Speaker 4: And but what were you wanted exactly?
- 53:39Speaker 1: But some people can't really focus in on the assistant
- 53:42Speaker 1: work and they're too focused in on, well, when am
- 53:45Speaker 1: I going to get promoted or when am I going
- 53:46Speaker 1: to move up? And I really want to produce and
- 53:48Speaker 1: direct my own stuff. No, go be someone's assistant is
- 53:50Speaker 1: the best training camp in the world.
- 53:52Speaker 3: Yeah, because it's like, you need to know how to
- 53:54Speaker 3: do the creative side of things, and you also need
- 53:56Speaker 3: to know how to deal people, deal with people, and
- 53:58Speaker 3: the political side of it is so and knowing how
- 54:00Speaker 3: to navigate that is like one of the biggest skills. Yeah,
- 54:03Speaker 3: And it's not something that like you can go to film.
- 54:06Speaker 1: School or no, like social skills. Yeah, and learning how
- 54:09Speaker 1: to deal with personalities and making creating these relationships with
- 54:14Speaker 1: folks and then maintaining those relationships and you never know
- 54:19Speaker 1: who you're going to need to call down the road
- 54:21Speaker 1: in a couple of years for a recommendation or maybe
- 54:24Speaker 1: someone's hiring. It all comes back around. This industry is
- 54:27Speaker 1: so small.
- 54:27Speaker 2: But yeah, yeah, fail more. Failing's great it is. I
- 54:33Speaker 2: failed so many classes in school. Highly recommend I did
- 54:38Speaker 2: all your c No, but I do think like there's.
- 54:40Speaker 4: There's this like there's a fear of failure.
- 54:45Speaker 2: Everywhere, right, and it's like it feels like the scariest
- 54:47Speaker 2: thing in the world. But I think one of the
- 54:49Speaker 2: gifts of being an actor and like going through audition
- 54:53Speaker 2: processes is you just get told knows so much that
- 54:56Speaker 2: it starts to not matter. And I think, like I
- 54:58Speaker 2: wish everyone could have that experience, because friends of mine
- 55:01Speaker 2: who work in different industries I have this like fear
- 55:03Speaker 2: of failure or like not like of not being perfect
- 55:08Speaker 2: in whatever they're doing. And I'm like, no, babe, Like
- 55:09Speaker 2: you gotta fail more, Like you gotta like lie more
- 55:13Speaker 2: at work and fail more, and like say you can
- 55:14Speaker 2: do something more at work.
- 55:16Speaker 4: Yeah, I'm being serious, guys.
- 55:20Speaker 2: How do you think I had to convince somebody that
- 55:23Speaker 2: I could make a full feature film and I didn't
- 55:25Speaker 2: go to film school. Do you think I wasn't lying?
- 55:28Speaker 2: I mean, I was speaking from the heart, but I
- 55:29Speaker 2: wasn't like I didn't have tangible evidence for this. I
- 55:33Speaker 2: was telling them that I could make a movie, but
- 55:35Speaker 2: that was not something I knew that I could.
- 55:36Speaker 1: Do, but you have to say it with such.
- 55:38Speaker 2: I'm not saying lying. Lying can me in a lot
- 55:40Speaker 2: of different things. I'm not saying like actually be a
- 55:42Speaker 2: pathological liar. I'm like, you don't have a psycho.
- 55:44Speaker 4: I'm not.
- 55:45Speaker 2: I'm but what I'm saying is like fault. I live
- 55:49Speaker 2: entirely off of like like false confidence. Like I'm just
- 55:52Speaker 2: like I'm gonna suit up and show up, fake it
- 55:54Speaker 2: till you make it, figure it out when you need
- 55:57Speaker 2: to figure it out, don't be too scared to ask
- 55:59Speaker 2: for help.
- 56:00Speaker 3: And like I think it's a really good piece of advice.
- 56:03Speaker 2: Yeah, it's like that can come without being prideful and
- 56:06Speaker 2: having an ego and like treating people terribly, Like that's
- 56:09Speaker 2: not going to be helpful, but you need to be
- 56:11Speaker 2: able to be Like I mean, the way that I
- 56:13Speaker 2: got my job, my first directing job, is I was like,
- 56:16Speaker 2: I've never done this before, but I know that I
- 56:19Speaker 2: can do this, and these are the ways in which
- 56:21Speaker 2: like I've learned some of these skill sets. And also
- 56:24Speaker 2: like I'm going to hire people who've been in this
- 56:26Speaker 2: industry way longer than me, and I'm gonna learn from them.
- 56:28Speaker 2: While I'm there and I did, but it's like like
- 56:31Speaker 2: you have to can balance that with some humility. But
- 56:33Speaker 2: I do think there's like I love like I'm just
- 56:37Speaker 2: delusional and about a lot of things, and I do
- 56:42Speaker 2: a lot. I'm just like I have like a delusional
- 56:44Speaker 2: amount of confidence that I can do things that I
- 56:47Speaker 2: which is why I end up doing too many things.
- 56:49Speaker 2: So I'm actually learning in my thirties to be an editor.
- 56:51Speaker 2: But I'm in my thirties, so I can I can
- 56:52Speaker 2: start saying no more. Is that what it feels like?
- 56:54Speaker 2: But like in my twenties, I just said yes to everything,
- 56:57Speaker 2: and then when it didn't work out, I was just like,
- 56:58Speaker 2: well we at least I have these five things that
- 57:00Speaker 2: I'm trying to do.
- 57:01Speaker 1: That's great. I think that's great and being a yes
- 57:04Speaker 1: person figuring it out, learning as you get older when
- 57:07Speaker 1: to protect your energy and work yourself and overcome.
- 57:10Speaker 2: Then I feel like it took ten years have been
- 57:13Speaker 2: working in this industry to like start saying no, yeah
- 57:17Speaker 2: and start editing. That's what I mean by lung Gave.
- 57:19Speaker 2: It's like and I my first manager who I love
- 57:21Speaker 2: so much, Doraen, like my first like real manager. I
- 57:24Speaker 2: remember when I the reason I worked because I met
- 57:26Speaker 2: with every manager. After Thirteen Reasons Why, I came out
- 57:28Speaker 2: and met with three sixty untitled Anonymous Content. All these
- 57:32Speaker 2: places ended up going to Anonymous Content, where my old
- 57:35Speaker 2: manager Doreen was at the time, because she was the
- 57:38Speaker 2: only one who was like, it's going to take if
- 57:41Speaker 2: you're lucky, seven years to do what do you want
- 57:46Speaker 2: to do? But likely ten? And I was like, I'm
- 57:51Speaker 2: so glad she gave me that advice because I think
- 57:55Speaker 2: it's true, Like I'm now in my tenth year post grad,
- 57:58Speaker 2: coming up on like ten years since I've shooting Thirteen
- 58:00Speaker 2: Reasons Why the first season, and.
- 58:03Speaker 1: You've done so much and accomplished so much.
- 58:05Speaker 2: And also I can look at other people who've done more,
- 58:08Speaker 2: you know, and I can look at other people. It's
- 58:09Speaker 2: like it's all relative, but it's but all to say,
- 58:12Speaker 2: it's like, yeah, I I my dream was to be
- 58:15Speaker 2: on Broadway as a kid, and it took ten years
- 58:17Speaker 2: to me to be on Broadway. And I'm so grateful
- 58:19Speaker 2: that I And it's like that's all and that's all
- 58:22Speaker 2: I want to do most of the time.
- 58:24Speaker 1: Do you think this year is the year that you're
- 58:26Speaker 1: most excited about with all your projects coming up.
- 58:28Speaker 3: It's a big year Broadway, second movie going into production,
- 58:31Speaker 3: first movie coming out in theaters, book came out, launched company.
- 58:36Speaker 4: It was a big year.
- 58:37Speaker 2: Okay, guys, it was a big year. I feel very
- 58:44Speaker 2: accomplished this year. That feels nice. I feel like I've
- 58:46Speaker 2: learned a lot. I've learned more of what I don't
- 58:48Speaker 2: want to do again, what I would like to do
- 58:49Speaker 2: more of. I do think the next twelve months are
- 58:55Speaker 2: going to be really cool and exciting and challenging, and
- 58:58Speaker 2: I'm excited to learn and about what those things are.
- 59:02Speaker 2: And we'll see. I think I'm gonna peek in my seventies.
- 59:08Speaker 1: I love that for you.
- 59:09Speaker 2: That's my plan, yeah, because I do want to be
- 59:14Speaker 2: doing some fast of what I'm doing till I die.
- 59:16Speaker 2: But I also want to like have kids one day
- 59:18Speaker 2: and not work for five years. So I'm like, how
- 59:21Speaker 2: much money do I need to make?
- 59:22Speaker 1: People? Thank you guys for coming on. This was amazing.
- 59:26Speaker 1: I'm very very grateful to have spent the afternoon with you.
- 59:29Speaker 2: Sorry I was late, Oh my gosh, don't worry about it.
- 59:31Speaker 1: I'm always late working on it.
- 59:33Speaker 2: The real reason I was late is because I got
- 59:35Speaker 2: accupuncture and massage this morning when you came in and
- 59:39Speaker 2: I was.
- 59:39Speaker 3: Gonna ask, but I was like, I'm just gonna let
- 59:41Speaker 3: it be.
- 59:42Speaker 2: Natalie said, I'm about to buzz up, and I was like,
- 59:45Speaker 2: oh no. So I quickly walked my dog and gotten
- 59:50Speaker 2: an uber and I was I was wearing underwear and
- 59:52Speaker 2: a T shirt.
- 59:54Speaker 1: You were changed my fit.
- 59:57Speaker 2: And then I showed up and y'all are like in
- 59:58Speaker 2: full glad go back to LA Is your tattooed eyeliner?
- 1:00:03Speaker 4: Is that?
- 1:00:04Speaker 2: So?
- 1:00:04Speaker 4: This is like is this what we're doing?
- 1:00:06Speaker 1: Wow, I'm getting annihilated.
- 1:00:13Speaker 2: I mean, this is you brought a transsexual on your
- 1:00:15Speaker 2: podcast for episode one, Like you're gonna get dragged diva.
- 1:00:18Speaker 2: So no, but I do think what I can say
- 1:00:20Speaker 2: is I did have a massage face when I got here,
- 1:00:26Speaker 2: and I need water