Latest / Brooke and Jeffrey: Phone Taps / Phone Tap: Vito and Vino Doormen

Transcript

Phone Tap: Vito and Vino Doormen · Brooke and Jeffrey: Phone Taps

• 0:00
  Speaker 1: Today, we call a woman who recently moved into a fancy,
• 0:02
  Speaker 1: new high end building with tons of on site amenities
• 0:07
  Speaker 1: and even more exciting, a doorman. She hasn't met him yet,
• 0:15
  Speaker 1: which means it's the perfect opportunity for us to call
• 0:18
  Speaker 1: and let her know she's getting a two for one
• 0:20
  Speaker 1: deal because the Italian duo of Veto and Vena they're
• 0:26
  Speaker 1: going to be watching over her place from now on,
• 0:29
  Speaker 1: and they take their doorman job very very seriously. In
• 0:33
  Speaker 1: your phone tap right.
• 0:34
  Speaker 2: Now, Hello A is this miss clant? Depends? Who's this?
• 0:49
  Speaker 2: Good day to you, ma'am. I'm the new doorman. You're
• 0:52
  Speaker 2: ever Gondominiums. The name's Vito. How you doing? Oh?
• 0:57
  Speaker 1: How are you?
• 0:59
  Speaker 2: This is a pretty fair fancy place here, nice digs. Huh.
• 1:02
  Speaker 2: I don't normally work in classy joints like this, but
• 1:05
  Speaker 2: I appreciate the opportunity. Yes, nice. Yeah, anyways, I got
• 1:12
  Speaker 2: hired yesterday with him, my cousin Vino. It's me.
• 1:14
  Speaker 1: I'm a Veno.
• 1:17
  Speaker 2: Okay, yeah, yeah, me and Aveno. We've been getting the
• 1:20
  Speaker 2: lay of the land, you know, thinking packages, doing the
• 1:22
  Speaker 2: security surveillance and whatnot. You'll be watching heaverybody, that's a right, Veno,
• 1:27
  Speaker 2: We've been watching everybody. We're the best security you can get.
• 1:33
  Speaker 2: We's a two for that's the right, that's right. Who
• 1:39
  Speaker 2: comes after one? Is there a reason you're calling? Oh right? Yeah,
• 1:46
  Speaker 2: So we was going over the tay from last night
• 1:49
  Speaker 2: and a fella came in names Jack, I don't like you. Okay,
• 1:53
  Speaker 2: hold on, a Vino, I even got to it yet. Okay, Hey,
• 1:57
  Speaker 2: you cannot say that to the people. All right, we're
• 1:59
  Speaker 2: trying to talking to the people. All right, be quiet. Listen.
• 2:02
  Speaker 2: What Vino's trying to say is something ain't right with
• 2:05
  Speaker 2: that guy, right, he got a weird ways about him
• 2:09
  Speaker 2: in like what ways, you know, like a ways like
• 2:16
  Speaker 2: so like you and him? Are you and him an item?
• 2:19
  Speaker 2: Like you do it? Doing stuff? Are they doing the
• 2:20
  Speaker 2: thing's a moment? No, like.
• 2:22
  Speaker 1: To be honest, it's really none of your business. You
• 2:25
  Speaker 1: guys just work here.
• 2:27
  Speaker 2: It's not really your place to tell me what you
• 2:29
  Speaker 2: think of who I'm seeing. But he's a nice guy
• 2:32
  Speaker 2: and you don't have to worry about him. Look what,
• 2:33
  Speaker 2: all due respect, we'll be the judge of at me
• 2:36
  Speaker 2: and A Vino got a plan? Please? No, please, yeah,
• 2:40
  Speaker 2: we've got no Pa what's your plan? Oh you like
• 2:44
  Speaker 2: us to tell us all plan, wouldn't you? Ven, don't
• 2:46
  Speaker 2: get a load of hers. You're not gonna trigger us.
• 2:53
  Speaker 1: No, whatever you guys are thinking or planning, don't do it.
• 2:57
  Speaker 2: Oh so you're saying, if he comes over for the
• 2:59
  Speaker 2: next couple of days, don't follow him up the elevator,
• 3:02
  Speaker 2: you know, absolutely not give him a little house your father?
• 3:07
  Speaker 2: What does he do?
• 3:11
  Speaker 1: No, you guys are just dorman. You don't want people
• 3:14
  Speaker 1: into the elevator.
• 3:15
  Speaker 2: She called us dorman. That's true. Oh, I guess that
• 3:20
  Speaker 2: is the job description right on the Okay, you are
• 3:23
  Speaker 2: accurate at some point. I've been accurate, man.
• 3:27
  Speaker 1: Okay, So please just leave him alone. Yeah you hear that.
• 3:30
  Speaker 2: You know, no blanket parties. Okay, I know we got
• 3:34
  Speaker 2: him already and everything. That would have been a fun
• 3:36
  Speaker 2: time alasagna parties. But in the elevator though, that's not
• 3:42
  Speaker 2: gonna work in the elevator. Okay, So are we done?
• 3:47
  Speaker 2: Because I'm headed to work. I just appreciate if you
• 3:49
  Speaker 2: let us do our jobs. Okay. The mean streets of
• 3:53
  Speaker 2: Palermo's got the meaning streets cobblestone. Yeah, he he only
• 4:02
  Speaker 2: knows a couple of words. She's had a genian palermo. Oh,
• 4:06
  Speaker 2: he knows a lot of pastas.
• 4:08
  Speaker 1: You guys become more like a comedy troop than dormant.
• 4:11
  Speaker 2: Oh. Oh, you know, you know she thinks we're a
• 4:13
  Speaker 2: couple of funny guys. She thinks real fun Oh you
• 4:15
  Speaker 2: think I'm some type of comedian. He's some of the
• 4:18
  Speaker 2: type of radio hosts. And you're on like some show
• 4:20
  Speaker 2: name but Brook and Jeffery in the Morning or something.
• 4:22
  Speaker 2: This is the break.
• 4:23
  Speaker 1: Phone what what?
• 4:28
  Speaker 2: This is actually jose from the radio show Brook and
• 4:30
  Speaker 2: Jeffrey in the Morning. And this is a phone tap.
• 4:35
  Speaker 2: Oh my god, Thank god. Thought I was gonna have
• 4:38
  Speaker 2: to do these guys every day. No, your friend Julia
• 4:41
  Speaker 2: set this all up. She said, you two talked on
• 4:42
  Speaker 2: the phone the other night, and you mentioned you just
• 4:44
  Speaker 2: moved to your new luxury condo and you have a doorman.
• 4:49
  Speaker 2: Sounds like a real classy place, lady. And you think
• 4:52
  Speaker 2: me and my cousin could sleep on your couch a
• 4:54
  Speaker 2: couple of nights. Oh, I guess Jack sleeping. I'm not
• 5:00
  Speaker 2: sleeping on the couch. We're definitely not letting him in
• 5:05
  Speaker 2: the next time. Week up every morning was phone taps
• 5:13
  Speaker 2: weekday mornings on the twenties Brooke and Jeffrey in the morning,