Latest / Cage Match: A Roundabout Way of Meeting Nicolas Cage / Running with the Devil

Transcript

Running with the Devil · Cage Match: A Roundabout Way of Meeting Nicolas Cage

0:01
Oh, God. Oh, my God. All right, Peter, where
0:23
the fuck are you? Oh, don't worry about where
0:25
I am. Don't worry about this box that just says
0:27
crap. You're in the crap closet. Are you are
0:31
you running from the Colombian cartel? Perhaps.
0:36
So there's going to be a freeze frame of me and
0:38
it'll just say the producer. Oh, my God. This
0:44
film was something else. But before we get to
0:49
that. welcome back to cage match colon a roundabout
0:53
way of meeting nicholas cage i'm sean here with
0:55
my co -host nick and our producer peter the producer
1:00
from the crap closet the crap closet and our
1:03
special guest this week my part -time therapist
1:06
and full -time bartender kindra what's up you
1:08
guys hey do we all get cute the names like can
1:12
i be the bartender you can be the producer yes
1:15
absolutely so nick and sean you've got to come
1:18
up with your own names Well, that's rough because
1:21
I immediately wanted to be like the asshole.
1:23
And it's like, but I'm the asshole. I mean, it
1:26
could be both. Yeah. I mean, I want to say the
1:30
talent, but that seems like the asshole and the
1:35
talent. Yeah. No, it's the talent, but in quotation
1:39
marks. There you go. I like that. Yeah. We can
1:42
just leave both the talent and the asshole on
1:44
the floor and let whoever walks in figure out
1:47
what's what. Like, I don't know. I do want to
1:50
call off the top since I'm assuming the poster
1:52
is going to be Lawrence Fishburne and Nick Cage
1:55
sitting on the car after they killed the Hebrew
1:56
Hammer. I call not Fishburne. No, I got a picture,
2:00
a screen grab of the guy, the Mexican guy from
2:04
the cocaine production at the little cafe. Get
2:09
out of here, Nick. Did you call Dibs Fishburne?
2:13
Maybe. Okay, so use that then. I called not Fishburne,
2:17
so let me make Nick Fishburne. We have not once
2:21
done that, so nope. I know. I'm not blackfacing
2:26
a single person. I'm sorry. We got six episodes
2:30
left, so come on. Now is the time to do blackface.
2:33
Are there six? Is that our whitewashing? I think
2:37
we got four left, yeah. I mean, yeah, we just
2:42
watched Running with the Devil. It's not good.
2:45
No way, we get to watch Flash next. By the way,
2:48
we watched Running with the Devil from 2019 starring
2:52
Nicholas Cage, Lawrence Fishburne. And it's about
2:56
the drug, about cocaine and getting drugs from
3:00
Colombia to Canada. So, OK, the first thing that
3:04
I want to say about this is like, is it worth
3:07
that much fucking effort? There's so much shit
3:11
and so many people get killed in this. And it's
3:14
like it's all just for some coke. let's let's
3:17
let's ask our canadian friend who loves coke
3:19
yeah you clearly haven't been addicted before
3:20
my friend i feel like uh this movie makes it
3:23
a lot more difficult than it is i feel like it's
3:27
probably easier to get cocaine from central america
3:30
to canada i'm surprised there was no like inner
3:33
body smuggling you know everything's outside
3:36
of a body everything but that giant dildo that
3:40
definitely went in lawrence fishburne well yeah
3:43
that's for sure But even the character named
3:46
the mule doesn't put anything in his asshole.
3:49
Like, come on, man. I mean, stick a little in
3:52
there. Professionally, but maybe recreationally.
3:54
No balloons. At least recreationally. No, that
3:56
was his problem. See, he was he was taking his
3:59
little bit. Just a just a spoonful in the butthole.
4:03
A spoon in the butthole. exactly right so this
4:08
is my i'm just gonna get right to my immediate
4:10
issue with this film one i think patriot pictures
4:14
clearly hates america because every movie we've
4:17
watched from them is all about how america is
4:19
terrible it does have a certain theme that they've
4:23
kind of glommed on to because the other one that
4:25
i can think of was vengeance a love story which
4:29
is all about how if you're a woman who likes
4:32
sex you deserve to be raped Oh, yeah, it's that
4:35
one. Yeah, OK. Except, you know, then Don Johnson
4:40
will write off on a sick Harley. Oh, hell yeah.
4:43
Don Johnson's motorcycle made up for that whole
4:45
movie. Like if you had just led with it's the
4:49
Don Johnson movie, I'd have been like, fuck,
4:51
yeah. But then you had to bring in that whole
4:54
like story that went with it. No, give me Don
4:58
Johnson as a sleazy lawyer riding off motorcycle.
5:02
No helmet. just the wind in his hair what was
5:06
i saying oh so yeah uh patriot pictures uh canonically
5:09
hates america i'm trying to see what some of
5:11
their other films are now i can't remember oh
5:14
okay so prisoners of the ghost land was another
5:16
one of theirs so that would be wrong can't all
5:18
be bad they they also have how the gringo stole
5:22
christmas okay that doesn't have nicholas cage
5:25
in it though it does not but they did do also
5:28
do tokarev I also like when I went to their website,
5:31
I believe they also have distribution rights
5:34
for the Matrix. Oh, I'm sorry. This is the most
5:37
important thing that we buried on this. They
5:39
are also the movie or the production company
5:41
that created Chocolate City, which looks like
5:45
a all African -American magic mic and Chocolate
5:49
City to colon Vegas and Chocolate City three
5:51
colon the live tour. Well, why are we not doing
5:56
a podcast about this? Oh, also Lord of War. Are
5:59
there more chocolate cities than Magic Mike's?
6:02
Sounds like it. I just want to talk about the
6:04
sequels, or as I'll only refer to them, the colons.
6:08
Talk to me about those chocolate colons. Gross.
6:14
So, Kendra, you get the honor of telling our
6:19
guests what the movie was about. Do I? You do.
6:23
You get that special gift. Well, let's see. I
6:26
believe this movie was about... How to make cocaine.
6:29
That was a really interesting part. Comes from
6:31
leaves. They chop them up. They, you know, cook
6:34
them up. And then one guy gives it to another
6:36
guy, gives it to another guy, gives it to another
6:38
guy. And then somewhere along the line, Nick
6:40
Cage is like, man, my shit is dirty. People on
6:43
the streets are dying. Who could it be? Could
6:46
it be in Colombia? Couldn't be my man. There's
6:48
no way it could be my main man. There's no way.
6:50
There's no way. Well, it is. And that's basically
6:54
the plot of the movie. Sorry. Spoiler alert.
6:56
No, that's pretty much it. But then there's also
6:58
like Leslie Bibb is in this and she's like, I'm
7:01
a special agent. I'm going to get to the bottom
7:02
of this. But then she's like also a double agent
7:06
and she somehow has the ability to kidnap and
7:08
torture people. Yeah, that didn't make a lot
7:11
of sense. But then is also an FBI agent. So like
7:14
I didn't get exactly where she stood, whether
7:17
she was like a good cop or a bad cop or a both
7:19
cop, you know, because she gets a she gets a
7:22
call while she's interrogating the Hebrew hammer
7:24
about like. because she's like let him go and
7:28
her uh partner's like you can't let him go she
7:31
gets a call hands a call over to dude and dude's
7:34
like i guess we let him go yeah so who made that
7:37
call was that like the boss guy the canadian
7:40
boss guy like i because she like walked up to
7:42
him and was like how dare you this is all you're
7:45
doing and he's like whoa it wasn't me huh so
7:48
and by canadian boss guy do you mean all caps
7:51
the boss correct yeah the boss yes okay that's
7:55
his name nick cage and this is named the cook
7:57
which i think is a misnomer because he's not
8:00
actually making drugs no the mule is actually
8:03
the cook come on yeah he is a chef he does cook
8:06
pizzas he's an actual he's a chef he he owns
8:09
a pizza restaurant in seattle i think they did
8:12
that on purpose to be cute because it should
8:13
have been the chef yeah yeah i agree So I did
8:18
not realize this until the credits that nobody
8:20
had a name that the whole of the title thing
8:24
was just kind of the bit because it really bothered
8:27
me when the agent in charge showed up at the
8:31
scene of her dead sister was like, where's the
8:32
child? Where's the child? Instead of, you know,
8:36
where's Lisa, my niece, that human I care about.
8:39
Yeah, it was always the kid. We were like, the
8:42
child, the child. And then in the credits rolling,
8:45
it's like the child. We were like, oh, I guess
8:47
her name was the child. It's like I could understand
8:49
all the main characters being the but like you
8:53
could just name her Lisa or whatever, right?
8:55
Like it would have been fine. It was the dead
8:57
prostitute one and the dead prostitute two. Yeah.
9:00
Do you think that was a bid from the production
9:03
companies to pay people less? Like if we don't
9:06
give you a name, we don't have to pay you as
9:08
much. I don't know that that's how it works,
9:10
but I like that idea. I think much like Tenet,
9:13
it's just up its own ass. Yeah. That's probably
9:17
true. Except much more watchable than Tenet.
9:20
You heard it here first, folks. Running with
9:23
the Devil, more watchable than Tenet. I agree
9:26
with that. This movie was like, we can be a little
9:28
Guy Ritchie. We can do a little Guy Ritchie cool
9:32
thing. No, no, it can't. It tried. It didn't.
9:36
It did try. At the very least, this was more
9:39
audible. Yeah, I mean, you could hear them. Yeah.
9:43
Hear first, folks. More audible than Tenet. Listen,
9:49
getting better than Tenet is not exactly a big,
9:52
big ask. Now, hold on. Is it Tenet? Tenet? I
9:59
think it's Tenet, but I like saying it wrong
10:01
on purpose. I like Tenet. Yeah, Tenet, it seems
10:05
right. Yeah. It's French, which explains why
10:09
it's shitty. Take that, Christopher Nolan. We
10:13
know you listen to our podcast. Yeah, absolutely.
10:16
Take that, French soccer team. Yeah, they sucked
10:19
today. They got creamed. Yeah, fuck you, France.
10:24
So let's see. So yeah, you've got Leslie Bibb
10:27
as agent in charge. Peter Falcinelli, who never
10:31
has a name. He's the other fed with the mustache.
10:35
he was in like the twilight movies or as i call
10:39
him um gringo pedro pascal yeah that's a good
10:43
one yeah i i referred to him in my notes as capitals
10:47
the mustache so lawrence fishburne is the man
10:51
who we get to watch a fucking jack off in a porn
10:56
theater uh as his opening gambit oh yeah yeah
11:00
also just to like two ladies kissing lightly
11:03
like that's what gets you off dude yeah i'm not
11:07
gonna lie that scene really sold me a movie that
11:11
it could not deliver on because that came in
11:14
the first like five minutes and coincidentally
11:18
same but this uh this movie fell apart it fucking
11:24
sucked after that i was excited to watch lawrence
11:28
fishburne press it up against the glass and just
11:31
i paused this movie at that scene i'm like yep
11:34
five minutes because my initial understanding
11:38
of this film was nick texting peter and i Five
11:41
minutes in, I love this fucking movie. And then
11:45
nothing ever again. But like, it's so obvious
11:48
he's the bad guy immediately because it's like
11:50
you have these wholesome people like Nick Cage
11:53
is making pizzas for children. And then you have
11:56
Lawrence Fishburne. He's like whacking off to
11:58
some soft core ladies making out. You're like,
12:00
this guy's definitely the bad guy. Guess what?
12:02
Big reveal. He is. So that was a little disappointing.
12:06
Also, just dry humping away with with some sex
12:09
workers. For sure. Yeah, you got to get wet to
12:13
stay wet, Larry Fish. He also kissed one of them.
12:16
Like, girl, as a prostitute, you don't make out
12:20
with your money, OK? It's true. Not on the lips.
12:22
Yeah, there's a couple of scenes of this where
12:24
there's some there's some kissing of the night
12:27
ladies. They just don't do that. That's just
12:30
bad Hollywood. So the whole thing kind of ends
12:33
up being this like Nick Cage gets a call from
12:35
the boss. And so the boss calls him and is like,
12:39
my shit's fucked up. Like, you got to figure
12:41
it out. So he has to go to Mexico, right? Yeah.
12:45
Before this, though, there is a scene of a drug
12:49
shipment, this specific cocaine getting stolen
12:53
by feds, sniper in a helicopter shooting the
12:58
truck driver and the truck getting mowed down
13:01
and then pulling coke off it. So I thought the
13:03
coke was going missing at the start of this movie.
13:06
But it turns out that by the time it's getting
13:07
to Canada, it's being laced. Yeah. So what's
13:10
the point of that scene? Like, were they? Nothing.
13:13
I mean, nothing. Yeah. Like my main critique
13:15
of this movie is you could easily cut every other
13:19
scene and it would still be the same movie. There
13:21
were a lot of obligatory scenes that didn't need
13:24
to be here. And everything was just like 90 to
13:28
180 seconds long. Yeah. Minute and a half, three
13:32
minutes. That's all you're going to get from
13:33
anything. Three minutes is a real slog. You're
13:36
really hoping they switch it up soon. Yeah. None
13:39
of this feels like it needs to be a focal point,
13:43
except for Lawrence Fishburne whacking off at
13:49
the five minute sex booth. Yeah. Well, also the
13:52
whole like drug dream. sex party he has where
13:56
it's just like his head in the foreground doing
13:58
blow and just like lewd acts happening behind
14:01
him but but fully fully clothed lewd acts that
14:06
was my favorite scene of the whole movie was
14:08
my favorite it was very artfully done you know
14:11
it's like you were almost even there in the scene
14:14
like with the strap on that's the one scene in
14:17
this movie that i'm like maybe drugs are fun
14:19
it makes people look fun yeah wait how many people
14:24
how many people are in front of uh mr fish during
14:29
that scene is it two people two people gang yeah
14:32
gang banging sexing yeah yeah so that that's
14:34
the poster right you're just putting me and sean
14:37
just bone down and he and he was lawrence fishburne
14:41
that's why nobody else can be lawrence fishburne
14:43
because you already got it i understand you just
14:47
gotta tell me man don't let me get my hopes up
14:50
uh can we just be the two dead sex workers Yes,
14:54
exactly. How I feel inside. And we'll have, I
14:57
don't know, we'll have Lombardo be the snitch
14:59
or something, just peeking in the window. Oh,
15:02
God. Okay, what is that actor's name? I keep
15:04
calling him the Hebrew Hammer because he was
15:05
in the Hebrew Hammer. It's the only thing I know
15:08
him from. I will tell you, I did not do a lot
15:11
of good work on this one. I didn't even write
15:14
the cast list. I know Leslie Bibb. I know Barry
15:17
Pepper, which is a fucking tight name. That's
15:20
a good name. Delicious. Yeah, that's the boss.
15:23
Adam Goldberg. Yeah, that's right. You got like
15:26
Timu Luis Guzman later as like the Mexican drug
15:29
runner. Timu Luis Guzman with the hat. There's
15:33
like a Brett Kavanaugh looking lawyer. Fuck,
15:37
man. That might be it. Like 10 too many characters
15:41
in this movie. Way too much. But then what pissed
15:44
me off is that not every character that they
15:46
introduced got a name. Like that made me mad.
15:49
Not even a cool the name. Yeah, there was like
15:52
that red -headed Mexican drug guy who slices
15:55
the guy's throat. It's like, no name. Come on,
15:58
man. He was the pig man. The pig man. The pig
16:02
man. Yeah, barbacoa. Also, did you notice that
16:05
after he like kills the guy, he like uses the
16:07
same butcher knife to like eat? Yeah. That's
16:11
badass. So yeah, Cage goes to Columbia to try
16:14
and track down the issues with his drugs. Every
16:17
stop of the way, he's like testing the cocaine
16:19
to make sure it's still pure. One of the things
16:21
that I had a hard time with this is like he and
16:23
Cole Hauser, the enforcer or whatever the fuck
16:27
that guy's name was. Oh, the assassin. I think
16:29
like they're just there at every fucking possible
16:33
juncture. I don't understand how they are there
16:37
every fucking time. How did Cage get to Death
16:40
Valley? I don't know. I mean, they're following
16:44
the shipment to make sure that it gets through
16:47
clean light. Like, do you think if we looked
16:49
in the rearview mirror of the truck or something,
16:52
we would just see Nicolas Cage and like a fucking
16:55
Yugo or whatever? Yeah, I mean, when the when
17:00
the bus gets pulled over and they bribe a soldier
17:04
to like overlook the bag with the drugs in it,
17:06
like Nick Cage is in the car behind them. Yeah,
17:10
just immediately right there. Yeah. And then
17:12
he's immediately in Death Valley the following
17:14
split second. Well, no, there was the other one
17:17
because he's also there with the fucking redheaded
17:19
Mexican dude. Like he's there right after that.
17:22
Yeah. Like every single time. Because they were
17:26
following the mule who got the cocaine stolen
17:29
in the club because he was trying to get gay
17:32
sex. And then the coke got stolen. And he was
17:36
like, oh, well. And then they went and retrieved
17:38
it. And that's when he goes in the the twink
17:42
gets, you know, a little bit. Which also, again,
17:46
just Patriot pictures showing like playing their
17:49
cards. We're just like the only guy who actually
17:52
gets killed in the whole drug run section is
17:55
the guy who is attempting to have gay sex. Well,
17:59
and some dirty cops, but. And Lawrence Fishburne.
18:02
OK, but why wouldn't the cook test his cocaine?
18:07
in seattle where he lives what he needed to find
18:10
out well you wouldn't be able to you gotta figure
18:12
out where that's the last person so you gotta
18:15
check it out you know it's every intersection
18:18
all right but wouldn't it be nice to know like
18:20
okay it's bad here okay he knows it he's got
18:22
to go all the way back to the source first trace
18:25
it all the way back i mean i guess the guy did
18:27
say you don't want to like he can't have another
18:30
batch go bad like you don't want to go backwards
18:33
you know like You don't want to go from Seattle
18:36
to Death Valley to Monterey to Columbia. You
18:39
got to start from the source. I mean, you're
18:41
risking more contamination contaminated runs
18:43
that way. Are we? What are we doing? I mean,
18:46
you're not because it doesn't end. I mean, you're
18:50
not because it is getting contaminated in Seattle
18:52
by Lawrence Fishburne. Right. But to the point
18:56
of like, why not? I guess if you're checking
19:00
it each time, it's like, OK, it's contaminated,
19:02
contaminated. Well. You'd have to be checking
19:05
new runs every time, not the same run. And then
19:09
also you want to check the same run because you've
19:11
got to find out where it's going bad in the run.
19:13
Right. I'm saying if you worked it backwards,
19:15
you couldn't do the same run or the same batch
19:18
the whole time. It seems like it'd be a little
19:19
quicker, but maybe not as fun of a movie, I guess.
19:22
I mean, it's only quicker if it's at the end,
19:24
which fortunately for Nick Cage, it was. And
19:27
us. Let's be real. And it could have been a lot
19:31
sooner for me. What really frustrates me about
19:33
this film is most of it, with the exception of
19:37
the agent in charge. It's not acted terribly.
19:41
It's not shot poorly. And for the most part,
19:45
I was not horribly upset with this film. Until
19:50
we got to the end, but we're back at the beginning,
19:52
but we're not right back at the beginning because
19:53
there was a shot from later in the film that
19:55
came before that at the beginning of the film.
19:57
The setting on fire part. Yeah, because then
20:01
after that, it cuts to Lawrence Fishburne handing
20:03
the Sinead O 'Connor looking lady and her friend
20:07
the cocaine in the bar. And then we go back to
20:11
the start of the film. But then at the end of
20:14
it, we see the same two women getting help, getting
20:17
the cocaine in the same bar by Lawrence Fishburne.
20:21
And then he gets taken to Columbia to be murdered.
20:24
So it's like. I know what the movie is going
20:28
for, which is just like it's an endless cycle
20:30
no matter what. So it doesn't matter if it's
20:32
the same person or a different person. But structurally,
20:35
it's stupid and I hate it. Yeah, that's fair.
20:38
That is like the whole general summary purpose
20:42
of the movie, which I do really like. They're
20:44
like, it doesn't matter who many men you kill,
20:48
how many mules or bosses or special agents you
20:52
kill. It never ends. Right. And they kept on
20:55
saying that throughout the whole movie. When
20:57
does it end? When does it end? Like that's the
20:59
whole thing. It never ends. People are coke heads.
21:02
It will never end. It'll never stop. So I thought
21:05
that was a really happy ending. Everyone does
21:08
get a happy ending. Everyone was happy that it
21:11
ended. Yeah, it's really just a very heavy handed,
21:17
like don't get involved in drugs, kids kind of
21:21
thing like. unless you want to like bang two
21:24
strippers with the strap on and have a really
21:26
good night then hey i mean that's pretty cool
21:29
let's do some some ladies just gently stroking
21:32
each other like don't get me wrong touching i'm
21:37
not saying don't do drugs drugs are cool kids
21:41
all the children yeah it's probably more than
21:47
we think honestly probably as drugs go cocaine
21:50
is okay and very expensive so there are better
21:54
ones just saying you're probably not going to
21:57
do a bunch of coke kids so yeah my biggest note
22:01
at this point in the movie was how are there
22:03
40 minutes left in this uh and then oh back to
22:06
torture porn so leslie big special agent torture
22:10
porn that i was not expecting she doesn't seem
22:13
the type she doesn't she's a terrible actor for
22:18
someone else no i think she is a fed i think
22:22
she's a fed and she's all like oh my sister died
22:25
from drugs and you know i hate and we're gonna
22:28
clean up the street but again like if she gets
22:31
that random call from no one we ever learn about
22:33
so i'm like someone else is pulling the strings
22:36
i just thought that was mustache but who's mustache
22:39
other than another fed They never give us his
22:42
name. He's just the mustache. Yeah, there was
22:45
only one time like there was one time when Lawrence
22:48
Fishburne is leaving or going back to the hotel
22:51
after in Canada after he killed Nick Cage. Spoilers.
22:56
Lawrence Fishburne like throws Nick Cage off
22:57
a cliff to like save his bacon at the end. And
23:00
then there's just some random woman in the hotel
23:02
who's just like staring at him for a second.
23:05
And unless you're paying attention to it. When
23:09
the agent in charge shows up at the boss's place
23:12
later, it's like he was tailed to your to your
23:15
office. Like, OK, so that was a tale. But that
23:19
wasn't clear based on just someone being in and
23:22
being in a hotel bar. So these are the things
23:25
that look better in a script than they do in
23:28
like the final cut of the movie. You know, they
23:30
make so much more sense in pre than post. You
23:34
do have to be paying attention. And honestly,
23:36
this isn't a movie that. is really that easy
23:38
or important to do so with. So much like sex.
23:42
I was going to say much like sex with two sex
23:46
workers on a bunch of cocaine. Sounds a lot better
23:49
pre than post. Well, coke with fent and heroin.
23:54
Yeah. I'm just cutting it with fentanyl and heroin.
23:59
It's easy. You just got to get that cut right.
24:02
No, my feeling on this movie as I got kind of
24:05
like halfway through this was like, I, I didn't
24:07
want to keep watching it, but I also managed
24:09
to like completely turn my brain off. And I was
24:12
like, I am going for a ride. And I had much more
24:15
fun with it at that point. I was like, this is
24:17
a C minus D plus. And that's how I was in high
24:21
school. Totally OK. Did you like those CGI flames
24:25
at the end? Like that was like, oh, yeah, I did
24:27
copy the gif and paste it on your picture of
24:32
yourself. You know, it was exactly. So my issue
24:36
with that whole scene is that takes place within
24:38
48 to 72 hours after Nick Cage is thrown off
24:43
a cliff. But he's there with his broken leg.
24:47
He's got the broken leg. He's like, I have ability
24:51
to appear instantly anywhere I choose. So, again,
24:56
this is one of those as proven throughout the
24:58
whole movie. You're right. this is one of these
25:00
very noodley sean has a very specific type of
25:03
autism uh complaints nicholas cage is flung from
25:07
the cliff facing facing the cliff thrown away
25:10
from it so falling backwards but when we find
25:13
out he survived his back and head are facing
25:16
towards the clip so he did like he did a flip
25:20
and a turn yeah he turned around he did like
25:22
a he did like a it's like a pancake flip it wasn't
25:26
he was gonna fall in the water and be fine but
25:28
he actually landed on the ground and was fine
25:32
like oh there was snow hard pack yeah i don't
25:38
know i don't give a shit i told you my brain
25:40
was off at this point i also did appreciate when
25:44
um the snitch left his uh was texting with the
25:48
feds left his phone in the car he had the feds
25:50
uh ringtone set to quacking yeah which confused
25:56
me because that's also the text message uh the
25:58
it confused me for a moment because that's the
26:01
ringtone i have set to my ex spouse on my phone
26:04
you're like oh shit oh so i'm like oh shit meredith
26:07
needs something ah they're calling fuck yeah
26:11
i did like the whole scene where nick cage gets
26:14
wise to the snitch being the snitch all caps
26:18
and you know playing it out it's like oh you
26:22
you lost your your gum is that what you it was
26:26
gum gum you're missing yes that was cute but
26:30
why didn't he get wise to the man being the snitch
26:34
also well i think he did know at that point okay
26:38
i think he figured it out at that point i think
26:40
he knew that all of it was tied together who
26:42
gives him the gun that oh yeah He's like, I like
26:46
I've solved half the problem. So I'm like, OK,
26:48
so you're going to kill Fishburne. And then it's
26:50
like, do me now and just like move on. He still
26:53
invites him on this like a thousand mile trek
26:56
in snowshoes across the Canadian border and is
26:59
like, this will be fun. This will be a fun jog.
27:01
I was real mad when we saw the snowmobiles for
27:04
the first time because you get a quick shot of
27:05
them on the back of a Jeep. And I was really
27:07
hoping for motorcycles. Oh, yeah, that would
27:11
have been nice. I mean, we got like. 10 seconds
27:14
of snowmobile and then they just hid them under
27:16
a bush and that was the end of that i was like
27:19
finally we've got like a james bond movie here
27:21
snowmobiles yeah no no we're done i i watched
27:25
this a second time at like 2 .5 speed oh my style
27:29
much better much better watch um but it did occur
27:32
to me every scene just fly by like it was a vine
27:36
or something yeah six seconds of bullshit and
27:40
then it just next amazing next guy it occurred
27:42
to me who's collecting those snowmobiles at the
27:45
canadian border i mean it's canada like yeah
27:48
somebody's gonna take them the reason the cocaine
27:51
is so expensive at the end of that trek is because
27:54
one all the people they have to pay off and then
27:56
they have to keep buying two new snowmobiles
27:58
per run funeral expenses are kind of a lot so
28:03
okay you touched on something that really bugged
28:06
me this whole time so like they show you the
28:07
the price per kilo As it goes up, you know, they
28:10
get it from the guy in Colombia and it's like
28:13
a thousand or fourteen hundred K for a kilo or
28:17
whatever. Yeah. And then by the end of it, it's
28:19
thirty four thousand. Yeah. Price per kilo. And
28:23
there are 20 bricks that they delivered to the
28:26
boss. That's six hundred and eighty thousand
28:28
dollars. Like this is not worth the fucking effort.
28:32
How many people died? Like six? I mean, I guess.
28:37
I guess that's worth the effort if you're the
28:39
boss and you're just making six hundred thousand
28:42
dollars. Yeah, I mean, I suppose. I mean, they're
28:44
selling it on the street for more than that,
28:46
certainly. But like, it just doesn't feel like
28:48
it's worth it at all. It seems like a lot of
28:51
a lot of effort when you have a private jet.
28:54
Yeah. One of the other things that bugged me
28:57
is when Larry Fish and Nick Cage are wandering
28:59
through the fucking Canadian wilderness or whatever,
29:02
and Larry falls into the water for a second.
29:07
and loses his pack like i don't know how that
29:10
happened to slide off of both shoulders but he
29:13
loses his pack and then they're like fuck we
29:16
gotta find that pack but instead of following
29:18
the river they like go up into the mountains
29:21
like what the what and then he still somehow
29:24
happens to find it super luckily or he finds
29:27
on the river yep it was just lying there really
29:31
convenient yeah i don't know that really bugged
29:35
me A little too plot convenient for me. As I've
29:38
gotten older, I've really wished that my forest
29:42
package finds were more impressive. Porn's just
29:46
not cutting it anymore. I don't need that book
29:50
of Dianetics. I just want a kilo of cocaine.
29:55
I'll find a geocache with a sticker and a plastic
29:58
dinosaur in it, but definitely not 20 kilos of
30:01
coke. The dinosaur's been chewed on. What was
30:04
your first wild porn find? My first wild porn
30:07
find? Yeah. Oh, yeah. It was like a black bag
30:13
that had been buried. That's how I thought it
30:17
was going. A hustler, you know? Nice. For real.
30:20
Me and my friends were like, oh, my God. Wow.
30:23
Buried treasure. Yeah. Actual. He's also a hustler.
30:26
My friend found in the woods a random hustler.
30:31
That is not. how you want to experience porn
30:33
for the first time do we all have this story
30:36
this is my first time sharing this there's there's
30:40
a weird like it's it's generational too because
30:43
like kids nowadays don't have this you know but
30:46
like there is a window of time because we don't
30:48
have physical media porn right well we don't
30:52
have porn these days kids nowadays at six years
30:56
old are whacking off but there's this window
30:59
of time that like People really did. Well, yeah,
31:02
exactly. Was that an axolotl? What was that?
31:05
Oh, that was Rosie. Yeah. No, that's just Rosie
31:09
screaming into the void. Oh, yeah. OK, that's
31:12
better. The kids love her. But what I meant was
31:14
like, no, kids just kids have cell phones now.
31:16
They have porn 24 -7. We used to have to go into
31:18
the woods and find it. Yeah, dig. You just have
31:21
to hope you got lucky and found a bag. Under
31:23
arbitrary logs for our buried treasure. I mean,
31:26
I just stole my dad's. All other porn was bonus
31:29
porn. Hey, some of us didn't grow up with father's
31:32
neck. Yep. Oh, yeah. Shove it in your face again.
31:35
I was raised with class, too. I'm going to tell
31:38
you right now, I'm a penthouse guy. He was a
31:40
playboy? Oh, penthouse. Not even that much porn
31:43
in that. Playboy's for cowards. No, Playboy's
31:46
the shit. Playboy's garbage. That is the worst
31:50
one. I mean, Playboy, I feel like if you're going
31:52
to discover random porn in the woods, Playboy
31:55
is the safe bet. when you're like nine and you
31:59
get like oh yeah it doesn't like totally break
32:01
your brain yeah no when you get like when you
32:04
get full -on like prolapsed like uh fucking uh
32:07
shit in um in a hustler like that's not that's
32:11
not how you want to enter the world of like sexual
32:13
maturity yeah welcome to pink socks the quality
32:17
of person that's reflected in who is leaving
32:20
porno out in the woods it's exactly like level
32:24
with the hustler crowd it's like if you're buying
32:26
playboy you're disposing of it responsibly if
32:30
you're buying hustler it's just like i'm done
32:32
with this then you just like you don't bury your
32:35
penthouse okay i should have put in a gold box
32:38
i should have been looking by train tracks like
32:40
normal like normal kids yeah you just toss it
32:43
on the ground and like kick some sod over it
32:46
and you're like oh fuck you take that my shame
32:49
yeah I don't have mom issues. I'm out. We barely
32:56
touched on the movie, much like this movie. There's
32:58
not that much actually to talk about in the movie.
33:00
It all boils down to just he looks for what's
33:05
wrong, finds it at the end. I did enjoy watching
33:11
the steps of getting the cocaine through Central
33:14
America. I did enjoy that ride. yeah that was
33:21
cool again this is patriot pictures whole deal
33:24
about like you know the world is scum let's all
33:27
be good you know christian white people um and
33:32
just everything's everything's bad uh even at
33:35
the end you know nick cage is dead um lawrence
33:39
fishburne's dead but uh the drug run is still
33:42
going i hated that ending I love Nick Cage and
33:46
I want him to win. I want him to be the champion.
33:49
He's the champion of the podcast. He's the champion
33:51
of the universe. He's the champion of all of
33:53
our hearts. Why did Leslie Bibb be like, this
33:56
is for my sister, the mother of the child. The
34:01
mother. And like, she's all like, I got to get
34:03
this guy for double homicide. Well, now you got
34:06
a homicide, bitch. Like, come on. Also, is that
34:10
a double homicide? So, okay. It was the rewatch
34:14
where I picked up where I'm like the sex workers
34:17
were killed. So that wasn't intentional. There
34:20
was no premeditation thinking manslaughter. Yeah,
34:24
I mean, they definitely gave drugs that were
34:26
fucked up. Yeah, but homicide is specific premeditated
34:30
murder. Yeah, that's true. I think you're getting
34:34
into the weeds on this that you don't need to.
34:36
That's that's my bit in this whole podcast, Peter.
34:39
Yeah, that's true. You're right. I'm in the weeds.
34:43
He didn't have to die. Did you see what I put
34:45
in chat? I'm so unused to looking at this thing.
34:49
Hold on. I don't want to switch channels. Chocolate
34:54
City 3. Oh my goodness. I want to see it so bad
35:00
now. Is it the general? It's not the most muscular
35:03
bass. No, it's just the chat for this. Chocolate
35:07
City 2 Vegas is like. Half white guys. It's half
35:10
white guys. There's a dance off. There's a strip.
35:12
I think there's a dance off. Yeah. We lost Nick
35:15
because he tried to look at the soft core. He
35:18
was like Chocolate City 3. Wow. He got too excited.
35:23
I will be burying my hustler in the woods. Give
35:26
me just one moment. Yeah. Pardon me. Pardon me.
35:30
Oh, yeah. Sorry. I went looking for that picture
35:35
of the chocolate brain or whatever. It's not
35:41
my job to work Discord. I'm an in -person recorder.
35:45
That's true. You're in -person talent, for sure.
35:51
Although, if I were you, I would hide my hustlers
35:53
in the giant fake spider at the end of your block.
35:57
No, no. Too many people like that thing. It's
35:59
always crowded. I would never be able to get
36:02
it cleanly. I feel like the producer has a great
36:05
spot for hiding his hustlers in this box labeled
36:08
crap. No one's going to look there. Seriously,
36:12
Peter, where are you? Don't don't ask questions.
36:15
People are going to look in that box and they're
36:17
going to pull out a DVD version of what's this
36:19
movie called? Running with the Devil. Running
36:21
with the Devil. I should have expected. No, it'll
36:23
be it'll be the weird VHS that they managed to
36:26
press in 19 in 2019 just because it belongs on
36:30
a VHS. on now to own on videocassette yeah i'll
36:35
tell you guys about uh the weird fucking like
36:37
uh it's the hotel on o street it's this weird
36:41
like museum in dc where it's like a bunch of
36:46
townhouses that were are interconnected by secret
36:49
doors like the g oh yeah men's house um in the
36:55
60s john lennon lived there for a while rosa
36:57
parks lived there um it's now owned by a crazy
37:00
hoarder who like pitches it as a museum that
37:03
you can go and tour and everything's on sale
37:04
and it's just boxes that say crap on them yes
37:07
because no you know what you can find there not
37:09
priced to move lost season four on dvd um full
37:16
screen oh whoa weird For $60. This film has been
37:22
modified from its original version to fit your
37:24
TV screen. That's not worth it. That's a terrible
37:27
deal. I know. I'm actually more surprised that
37:31
Lost was released not on full screen. Yeah, that
37:36
there was an option? Yeah, I figured Lost was
37:40
still like locked into that aspect ratio. Not
37:44
free to roam across your TV. all right so let's
37:50
see who are your favorite characters from this
37:53
and you can also make up fake names for the ones
37:55
yeah i liked i liked uh i liked a guy with hat
37:58
yeah like fat louise guzman with hat yeah that
38:02
guy that guy was cool and he didn't die he fucked
38:05
and he didn't die i mean he's gonna die of something
38:07
he's out there kissing sex workers he's a success
38:10
story of this movie he is probably the best success
38:13
story he was good he put all the bricks where
38:15
they belonged he didn't do anything to him that
38:18
sex worker because she's doing lines while getting
38:20
railed rails for rails i liked that scene also
38:23
and that's cocaine sex nobody's coming you're
38:27
just pushing rope nice yeah that's cool soft
38:30
taffy i was wondering how uh how the man was
38:34
able to do two hookers all night long on coke
38:37
but then she had a strap on so that answers that
38:39
question i also like none of them took off their
38:42
clothes so i think they just humped each other
38:44
all night long and just were like i'm horny this
38:47
is hot oh the tension oh yeah exactly it's all
38:52
that possibility that's true soft kissing a little
38:57
bit of nip that's all you need baby I've never
39:01
been to a porn theater. Oh, really? No, never.
39:05
Never done it for me. Well, you don't have to
39:08
go very far. There is. No, I don't. Not in Portland.
39:11
Right there. Is there is there a squeegee in
39:14
that room? Like, are you expected to clean up
39:16
your own glass or what's the deal? No, they got
39:18
a guy for that. Don't you worry about it. Don't
39:20
be such a fucking plebeian, Sean. Clean up your
39:25
own mess. No. That just made me a good Catholic
39:30
boy. Gross. I paid a dollar to watch that window
39:34
slide up. I'm not cleaning up my mess. You should
39:38
try one sometime. It's a terrible experience.
39:41
It looks like it would smell. That's the very
39:46
least you're worried. And you know what? It smells
39:48
like it looks too, so you're lucky. Alright,
39:53
to Peter's question. in order favorite characters
39:58
the uh arcade hookers i like that i'm gonna lump
40:04
them in together um i don't think they had enough
40:06
representation on their own so two two for one
40:10
louise guzman and then lawrence fishburne's oh
40:13
face yeah those are all good yeah that's all
40:17
i need that's the whole movie to me I had a weird
40:20
soft spot for the mustache. The other agent,
40:23
like I feel like the whole movie, I was like,
40:27
there's more to him. Like he's going to be the
40:29
secret big boss or something. It's like, nope,
40:31
nothing at all. We initially see him there playing
40:35
cards with Mexican doctor from Star Trek Voyager.
40:41
He looked very similar. Yeah. I swear I recognize
40:46
whoever that actor is, but I'm sure he's no one.
40:49
But I was just like, that guy has a mustache.
40:52
I'm going to see him again. They spent money
40:57
on his makeup. When we see him again, cracking
41:00
a hobbled Nicolas Cage in the airport, he pulls
41:05
out a comb at one point, just like he's like,
41:08
I'm a normal person doing a normal person thing.
41:11
He comes his mustache. That's the first thing
41:13
he comes. yeah well yeah because it's sick as
41:17
hell it also feels really good when you comb
41:21
facial hair i agree also uh something that stood
41:25
out to me when they're in columbia after nick
41:27
cage makes the first check before he gets back
41:30
on the plane and he's in the airport the restaurant
41:33
behind him is just called fish place yeah where
41:36
you can just buy a bottle of tequila and then
41:38
leave most of it yes But I guess when you got
41:42
that sweet cocaine money, it doesn't matter.
41:44
Oh, when headed to Louise's mom, he like shows
41:47
up and after his run, he shows up in the strip
41:50
club and he buys the bottle of tequila. And then
41:53
he just throws like a wad of cash on the table
41:57
in front of the stripper. I'm like, you blew
41:59
your load, my dude. You got it. You got to tease
42:01
that shit out. Hey, she went home with him and
42:03
then made out with him at the motel. But that
42:05
blinds wide open, the blinds wide open. And then
42:08
the bed is just like. peeking in going oh there's
42:12
my guy oh no that was fishburn okay also yeah
42:14
when fish when the fed shows up at fishburn's
42:16
place when he's in the motel with the with the
42:19
prostitute and like the camera just pans over
42:22
from the door that was just opened to the open
42:26
window where the blinds are wide open and all
42:30
the rails inside and all the railing inside and
42:32
she's just like you guys i got him there's so
42:35
many things about this movie that sounds so much
42:38
cooler than i expected than it is yeah yeah i
42:41
know right when we talk about it it sounds like
42:43
not bad but it's pretty bad again like this is
42:47
what annoys me like peter you said this in the
42:49
initial text like i like i don't like it but
42:52
i don't understand why it's like panned so hard
42:55
because like again fishburne and cage who arguably
43:00
get the most screen time are fine in this film
43:03
like nobody is so terrible that this movie is
43:07
just like so bad like it's a serviceable film
43:12
it's just not good yeah i think it's just the
43:15
structure it suffers from the way it jumps scenes
43:18
so much nothing is ever like there's no tension
43:21
ever it's just because everything's just over
43:24
yeah it's like oh uh -oh we're in a pickle okay
43:28
yeah it's it's like trying to be crash or something
43:30
where everything threads together and it just
43:33
doesn't i mean like the guy who the guy in his
43:35
family who are making the cocaine you're like
43:38
oh what's gonna happen with them i was so wholesome
43:40
yeah that was a wholesome family moment it was
43:43
a wholesome family moment what was that uh spider
43:47
movie where nick cage was la rania or some shit
43:50
like that and it was like full like cyclical
43:55
shit like this again but actually did it well
43:58
or weller yeah it did it robocop peter weller
44:03
like we both got the same joke we've been doing
44:07
this too long i'll buy that for a dollar we only
44:10
have two interests and it's nicholas cage and
44:14
robocop so it's pretty easy to figure out where
44:16
either of us are going to go with any joke we
44:17
both do love us some robert koppman I'm in my
44:20
room with my RoboCop light switch plate. It looks
44:24
like RoboCop pops a boner when you turn it on.
44:27
I was going to say, it's his dick, right? Yeah,
44:30
it's right there. He's in a good leg up pose.
44:37
You know what? Let's do a Weller podcast next.
44:41
We'll be done in six months. It's very short.
44:45
You just do RoboCop. 12 different episodes over
44:49
and over again. Oh, God. Buckaroo Banzai. That's
44:52
three. Two Robocops, Buckaroo Banzai. That's
44:54
a good movie. yeah actually i did really like
44:57
the part at the quite at the very end where they
44:59
cut off lawrence fishburne's tattoos and feed
45:02
it to the dog off his arms i thought that was
45:05
a particularly gruesome detail that was actually
45:08
really gross kindred pointed that out to me i
45:10
just thought they were i thought that guy was
45:11
being a dick but no he uh he was like covering
45:14
up evidence even though they set his whole body
45:16
on fire i don't see the point of it other than
45:18
that i mean yeah i guess there's a chance that
45:21
some of it wouldn't have burnt but yeah oh just
45:25
his anchor tattoo survived we know who's this
45:28
is oh that's that the one guy with an anchor
45:31
tattoo that's the man oh no my other favorite
45:34
character in this was the uh irish uh sea captain
45:37
oh yeah that guy was cool as fuck yeah liver
45:42
and onions yeah oh okay because he hands off
45:46
the he hands off the cocaine sorry the liver
45:48
and onions right he hands off the uh cocaine
45:51
to lose gives him the envelope of money and goes
45:54
That's it. And then just walks away. That's the
45:57
kind of guy I want on my code running team. Yeah.
45:59
Yeah. He seemed like he added shit together.
46:02
This movie is just like a a 90 minute brownout
46:06
for me, like totally sober. I don't fucking remember
46:11
half of what we talked about happening. Even
46:14
the ending, the dog stuff that was new to me
46:17
again. But like, I just sat there. It's like
46:20
I remember bits. here and there so for the people
46:25
who are listening I think we already kind of
46:26
talked about it but like it ends with Leslie
46:29
Bibb showing up at Nick Cage's pizza joint and
46:32
being like you're a dick and you're not going
46:34
to get busted and then she just pulls her gun
46:36
out and he's like what are you going to arrest
46:38
me and then she shoots him four times and that's
46:41
it he dies end of movie yep And are we like our
46:45
weight? Are we happy because she was the protagonist?
46:49
Was she the cops? I don't know. Do we or do we
46:55
feel bad for her because she lost the mother
46:57
of the child? Or did we really like Nick Cage
47:00
because he was the actual protagonist? I don't
47:03
know. Yeah, I don't know. It's a good question.
47:06
It's a weird movie. Not a good movie. no like
47:10
i said it's like a c minus d plus you know yeah
47:13
i give it it tried but like that's all of uh
47:18
again as soon as i saw patriot pictures as like
47:22
on this i'm just like ah i know what this movie
47:25
is this is this is a this is just left of maga
47:32
wet dream yeah and we know it's not a chocolate
47:35
city which is really a travesty because it could
47:38
have been All I want is to see this. Oh, maybe
47:41
I'll look at it on my phone. Why didn't I just
47:43
I should just be on my phone during this podcast.
47:46
I don't know what I'm doing anymore. You should
47:48
just be watching Chocolate City 3 live on your
47:51
phone this whole time. What are you doing? That's
47:53
the live tour. Now you can see it all live. Yeah,
48:00
MAGA people really love shots and scenes of like
48:03
hanging out in the woods with your snowshoes
48:05
and your camo outfits. Black best friend. Yeah,
48:09
right. And then falling in a river and losing
48:11
your backpack full of 10 kilos of coke and then
48:14
magically finding it down the river a few minutes
48:16
later. Like they eat that shit up. I do. I will
48:19
say I did enjoy when the the mule after the twink
48:24
steals the coke, how it was like then the drag
48:28
queen just like comes up and like bodies the
48:30
dude. So like the twink and like hand it to a
48:32
guy out the door like that shit was planned.
48:35
Yeah, they know what they're doing. Yeah, those
48:37
days. Why are he gay? I mean, they do love their
48:43
coke. They do. Coke and cigarettes. That's that's
48:48
the fuel that drives the twink machine. Yeah.
48:51
The gay diet. Yeah. I like how Nick gestured
48:55
at his body. Oh, yeah. Waves to myself. It's
48:57
like, yeah, this is a body made by the most twink.
49:03
That's probably it. Yeah. The most twink. I mean,
49:06
Sean can be the talent and the asshole. I'll
49:08
be the most twink. I get a superlative. Fuck
49:13
you. This might be my favorite episode in a while.
49:19
This has been fun. So what do you do? Do you
49:22
tell people like you should watch this movie
49:24
or maybe don't watch this movie or we've spoiled
49:27
it for you. Maybe still go watch it. Honestly,
49:30
like at this point, it's kind of like we'll never
49:33
say don't watch this movie because there's always
49:36
something like dumb or fun or like because we've
49:39
now talked about it and people listen to this.
49:41
It's like, yeah, you'll probably have fun watching
49:43
it, but it sucks. This was a fun movie to watch.
49:48
That's demonstrably false. We have absolutely
49:50
told people not to watch movies. Yeah, that's
49:54
probably true. What was the last movie we watched
49:56
with the dead son? Ghost Son. Don't watch Ghost
49:59
Son. Ghost Son was bad. Score to settle. Score
50:02
to settle. Don't watch Score to Settle. Just
50:04
watch the beef. Only watch the beef scene. Yeah,
50:07
which you can find on YouTube for free. All right.
50:09
So, yeah, maybe my biggest complaint about this
50:11
whole movie was there was no like bonafide Nicolas
50:14
Cage freak out. moment except for maybe at the
50:17
very very end when he like jumps out and is like
50:21
oh how dare you laurence fishburne fuck you but
50:24
even that was like hinged for the unhinged that
50:28
we expect from an actor yeah with the with the
50:32
cloud of of his caliber yes his caliber of nick
50:36
there was there was a little bit when he was
50:38
like fucking with the snitch and that's kind
50:40
of it you know yeah right it was not like a big
50:42
freak out oh yeah it was just a touch though
50:46
it was just a tease it was just a tease like
50:48
the two strippers in the cage oh we didn't talk
50:50
about the best scene ever when the snitch is
50:53
in the uh in lock up when he's in uh uh holding
50:58
and he goes to piss and just that one guy goes
51:01
you sit to pee you sit down to pee why did he
51:07
ask that is he afraid he's gonna spray on the
51:09
seat or like is that a prison thing i don't know
51:12
as as two people have been in jail uh yes you
51:16
you generally don't make a mess people don't
51:18
like messes it's a courtesy he's teaching polite
51:23
manners well yeah people in prison and jail typically
51:27
act the way You would want your household partner
51:32
to act like you're not going to piss on the seat.
51:35
You're not going to like clog up the toilet.
51:39
I can whack off too much on the top bunk. Maybe
51:44
time it at the same time. Coordination, just
51:48
communication. Yeah, like a real partnership.
51:51
You're right. It's about love. yeah it's all
51:54
about love whack off at 305 605 and 905 okay
52:00
complete at 307 thrice in the morning then we
52:06
just go into the day rough it's prison there's
52:09
nothing else to do yeah i think that's it i think
52:13
we nailed it great movie solid 10 out of 10 no
52:18
i'd give it like a 3 out of 10 my imdb but my
52:24
imdb would maybe be yeah for i didn't hate it
52:28
i liked the ride like you said like you said
52:31
the the asshole wait yeah i like the ride but
52:35
it wasn't a good film so yeah or yeah it was
52:40
that's for the movie and that's all it's gonna
52:43
be to me it's like oh it was that was the movie
52:46
all right well from what i can remember i think
52:50
a four is pretty high like if i felt like uh
52:53
Yeah, if anything above a three, like a three
52:56
one is technically more than a three, then it's
52:58
a four. The Patriot films we've watched, this
53:02
would be one of the better ones, I'd say. So
53:05
running with the devil, the Rotten Tomatoes for
53:09
that is 25%. That sounds right. So now the important
53:14
thing, the important thing to declare here is
53:18
that the next movie we're going to watch is called
53:21
Grand Isle. and it is rated zero percent on rotten
53:25
tomatoes oh all right you know what uh so of
53:30
this grand experiment there's one movie that
53:32
i did not get to experience because of covid
53:34
that you guys did without my oh the humanity
53:38
bureau yeah i feel you're not missing that much
53:40
i know but i feel for like the patrons we need
53:43
to do uh and also because i'm a good catholic
53:46
and i hate myself um we need to do a uh clockwork
53:49
orange thing where you just like strap me down
53:51
and like pin my eyes open and make me watch that
53:53
and film it for the enjoyment of bill because
53:56
bill's a sick fuck right i think you should watch
54:00
it and record a solo episode with the backing
54:04
track of our episode underneath it and then you
54:07
have to try to like you jump in every once in
54:09
a while be like oh but i thought and then it's
54:11
like oh i talked over him again and it's just
54:14
the two of us steamrolling you i mean Sean can
54:18
never get a word in the same room. That is kind
54:22
of true. Yeah. It's because we can cut you in
54:26
wherever we want. And I say we because it's Peter.
54:29
Yeah. Because I don't know how to use Discord.
54:32
The producer. The royal way. Yeah. All right.
54:36
Well, I think that's good enough for this episode.
54:39
That's that's our that's our mantra. Mantra.
54:42
Yeah. We just crossed the hour mark. So that's
54:45
when does it stop? Right now. Never, Kendra.
54:49
Never. We're going to keep going forever. I don't
54:52
know. Kendra, do you got anything you want to
54:53
plug? Yeah. Oh, other than Lawrence Fishburne
54:57
with my strap on? No. Yeah. Maybe you get it.
55:01
Anyway, thank you all for listening. Thank you
55:03
to our Sparkle Buddies, Josh, Josie, Matt, Adam,
55:05
Bill, Stuart, and Willow. And our Cage Dancers,
55:08
John, Freeman, Nathan, and Cameron. And for our
55:11
music, by Bill Panks. So, yeah, come back for
55:15
Grand Isle, a zero percenter. I'm intrigued.
55:20
It's going to be a shit show. Who produced it?
55:25
Martin Scorsese. Oh, man, this thing's going
55:28
to suck. Absolutely not. Oh, it's it's it's only
55:33
97 minutes. We got this. We can do it. I downloaded
55:37
a. uh plug -in for chrome where i can like speed
55:41
up movies to an unreasonable rate for this film
55:44
oh dude i i've been doing this for the entire
55:47
podcast it is my bread and butter like it's weird
55:51
how much i can actually process those movies
55:53
at that speed but i've gotten there i i put this
55:56
on at two and a half speed just for the rewatch
55:58
and i'm like this is just as good yes oh my god
56:02
i can't do that that's too much i can't that's
56:07
So, like, how can you focus on it? I did it for
56:10
the rewatch. I didn't do it for the first watch.
56:12
I don't know if I can do that. I would absolutely
56:17
just be walking around at that point. It's like,
56:20
oh, it's just moving fast. I can move fast. Let's
56:22
move fast together. You just have to do some
56:24
more cocaine, plus Fenton heroin. It's normal
56:27
speed, honestly. The Fenton heroin is how you
56:30
slow down when you're like, oh, I've gone too
56:32
fast. Pump the brakes. Goodbye, folks. yeah all
56:36
right the bartender thank you uh thank you the
56:39
talent slash the asshole thank you uh nick what
56:42
was yours again the mega twink the most twink
56:47
the most twink and me the producer thank you
56:52
all for listening and uh we'll see you next time
56:54
bye