Latest / The 50 Greatest Old Time Radio Shows | Old Time Radio / Escape - "The Silent Horror" (Old Time Radio, 1951)
Transcript
- 0:00Speaker 1: Harry Bartell stars as painter Tom Dawson in Escape's radio
- 0:04Speaker 1: adaptation of Hugh B. Cave's The Silent Horror. First heard
- 0:09Speaker 1: on CBS on August 22, 1951, this sustaining broadcast is
- 0:15Speaker 1: episode 150 of the series, adapted for radio by Les Crutchfield.
- 0:21Speaker 1: Following a broken love affair, Dawson has withdrawn to a
- 0:25Speaker 1: remote jungle valley in New Guinea, where he lives among
- 0:29Speaker 1: a local tribe. There, the steady ticking of his pocket
- 0:32Speaker 1: watch becomes a matter of urgent consequence in surroundings far
- 0:36Speaker 1: removed from the life he left behind. From CBS, Escape,
- 0:42Speaker 1: The Silent Horror. Here is the original broadcast.
- 0:48Speaker 2: No. Dream you were somewhere else. Escape.
- 0:59Speaker 3: We have a man who is to die at the
- 1:00Speaker 3: hands of... As Hugh Cave tells it in his silent horror.
- 1:15Speaker 4: That watch, huh?
- 1:17Speaker 2: Well, why, I'll keep it hanging up there behind the bar.
- 1:19Speaker 2: They're strangers, I mean. Of course, they know about it.
- 1:24Speaker 5: Here.
- 1:24Speaker 2: Take a look.
- 1:25Speaker 3: 21 jewels.
- 1:26Speaker 6: Water-sealed case. Belonged to Tom Dawson, the painter. He was
- 1:30Speaker 6: the little washed-out guy who always looked kind of lost.
- 1:33Speaker 6: Nobody knew much about him, except he painted good pictures.
- 1:35Speaker 6: They didn't know much about Elizabeth, either. That girl he
- 1:38Speaker 6: brought up from Sydney. It was pretty easy to guess
- 1:41Speaker 6: about her. She gave him the watch.
- 1:46Speaker 7: Here.
- 1:47Speaker 3: Still runs if you wind it.
- 1:48Speaker 2: See? Got quite a tick if you hold it close
- 1:50Speaker 2: up to your ear.
- 1:51Speaker 6: Sounds a little like jungle drums way off in the distance.
- 1:57Speaker 6: I suppose that's how it sounded to Tom Dawson there
- 2:00Speaker 6: at the last. When that watch meant life or death
- 2:02Speaker 6: and they were waiting for him out there in the darkness. Oh,
- 2:05Speaker 6: that's quite a story. Only it's kind of hard to
- 2:08Speaker 6: know where it starts, see? With Elizabeth, perhaps.
- 2:12Speaker 2: Anyhow, Tom was telling it himself in his own words.
- 2:14Speaker 2: I think he'd start with Elizabeth's.
- 2:24Speaker 5: They didn't understand Elizabeth. How it was between us, what
- 2:28Speaker 5: she meant to me.
- 2:30Speaker 2: None of them did. They gossiped a lot the way
- 2:34Speaker 2: they always do in tropic ports.
- 2:37Speaker 5: But they didn't really know anything about Elizabeth. They didn't
- 2:40Speaker 5: know how sweet and how convincing she could be. Thought
- 2:45Speaker 5: she could wrap a man around her finger. Like the
- 2:49Speaker 5: time she gave me the watch.
- 2:51Speaker 4: Go on, Tom, open it. I want to see if
- 2:54Speaker 4: you like it.
- 2:55Speaker 2: Like what, Elizabeth?
- 2:57Speaker 4: Open it and see.
- 2:58Speaker 2: You come home with a package and... It's a watch. Mm-hmm.
- 3:03Speaker 2: It's a good one, too.
- 3:04Speaker 4: It's made for the tropics. All sealed and everything. It'll
- 3:08Speaker 4: run forever.
- 3:09Speaker 2: Yeah, honey, but where'd you find a watch like this
- 3:11Speaker 2: in Port Moresby?
- 3:12Speaker 4: Well, I didn't, exactly. I got it from Captain Ducar.
- 3:17Speaker 2: Ducar?
- 3:18Speaker 4: He has a trading schooner. I used to know him
- 3:22Speaker 4: in Sydney.
- 3:22Speaker 2: Yes, I.
- 3:24Speaker 5: I think I've heard him mentioned recently around the bar
- 3:27Speaker 5: at the hotel.
- 3:28Speaker 2: Probably.
- 3:28Speaker 4: He's been in port for a couple of weeks. Do
- 3:32Speaker 4: you really like it, Tom?
- 3:34Speaker 2: The watch, I mean. Sure, baby. Who wouldn't?
- 3:37Speaker 4: Now, you can always tell just how long you've been
- 3:39Speaker 4: away from me.
- 3:41Speaker 5: In that case, I won't need it often. It sounds
- 3:45Speaker 5: like a heartbeat when you hold it close. I guess
- 3:48Speaker 5: that's what it is in a way.
- 3:49Speaker 2: A heartbeat of time. Measure not your life. My life.
- 3:55Speaker 2: Second by second.
- 3:57Speaker 4: Oh, Tom, that's a morbid idea. Do you love me?
- 4:02Speaker 2: Crazy about you. You don't have to bring me presents
- 4:05Speaker 2: to keep you that way.
- 4:07Speaker 4: I wanted to, Tom.
- 4:08Speaker 2: Yeah, I know, but this thing's too expensive, Elizabeth. I
- 4:10Speaker 2: can't keep it.
- 4:11Speaker 4: But you must. I gave it to you.
- 4:13Speaker 2: It's worth a couple of hundred dollars. Have you thought
- 4:15Speaker 2: of how you're going to pay for it?
- 4:16Speaker 4: Well, I had some savings I didn't tell you about. I.
- 4:21Speaker 2: Thought you were flat broke when I ran into you
- 4:24Speaker 2: in Sydney.
- 4:25Speaker 4: Well, I wasn't, though. I.
- 4:29Speaker 4: Look, Tom, why don't you forget it? Let me worry
- 4:32Speaker 4: about it. And anyway, I've already paid for the watch.
- 4:41Speaker 2: Why prolong this story? Everybody else knew and I didn't,
- 4:44Speaker 2: that's all. Pure self-delusion.
- 4:47Speaker 5: Because I had plenty of opportunity to know. Insinuations around
- 4:52Speaker 5: the hotel bar, talk along the harbor front, remarks about
- 4:55Speaker 5: Pierre Ducar.
- 4:58Speaker 2: But like I say, I was crazy about Elizabeth. And
- 5:02Speaker 2: I ignored it all, went on painting and didn't know.
- 5:07Speaker 2: Maybe I didn't want to know.
- 5:10Speaker 5: I'd been out on a two-day painting trip with the
- 5:12Speaker 5: native fishing boats.
- 5:13Speaker 2: We got back to port a day earlier than I'd expected.
- 5:17Speaker 5: It was about midnight when I climbed onto the wharf
- 5:19Speaker 5: with my canvases and headed around the harbor front. I
- 5:22Speaker 5: walked about 50 yards when I heard it. It came
- 5:26Speaker 5: from a schooner moored at the wharf just ahead of me.
- 5:29Speaker 2: I walked closer. There was no mistaking that laugh. Elizabeth.
- 5:35Speaker 2: You're like all the others.
- 5:37Speaker 4: All the words you don't mean.
- 5:38Speaker 5: And the schooner was Pierre Ducas.
- 5:40Speaker 2: But they are pretty words, my dear. And you like
- 5:43Speaker 2: to hear them, no?
- 5:44Speaker 4: Of course, I like to hear them. Then maybe that
- 5:47Speaker 4: only shows I'm a fool, too.
- 5:50Speaker 2: No, I think it is not you and I who
- 5:52Speaker 2: are fools, but that husband of yours.
- 5:54Speaker 5: Fine.
- 5:55Speaker 4: Oh, he's all right. But he's so boring at times.
- 5:59Speaker 2: How did he like the watch I sent him? Fine.
- 6:02Speaker 4: Only he wondered how I was going to pay for it.
- 6:05Speaker 3: Ha, ha, ha.
- 6:07Speaker 8: Ha, ha, ha.
- 6:13Speaker 5: Some men would have killed one or both of them.
- 6:15Speaker 5: Other men would have killed themselves.
- 6:18Speaker 2: I didn't either.
- 6:20Speaker 5: Standing there in the darkness, I realized suddenly that my
- 6:23Speaker 5: whole life up to that moment had.
- 6:24Speaker 2: Been completely useless. Nothing.
- 6:28Speaker 5: And even Elizabeth, my Elizabeth, had been an illusion of
- 6:32Speaker 5: my own, like a painting.
- 6:35Speaker 2: And the real woman, too, was useless, hollow, nothing. Nothing.
- 6:39Speaker 5: I threw my paintings into the waters of the harbor,
- 6:42Speaker 5: turned away into the night, and ran. Nearly three weeks later,
- 6:56Speaker 5: my crazy flight from the past had carried me deep
- 6:59Speaker 5: into the black heart of New Guinea. Beyond the dank
- 7:03Speaker 5: rainforests of the coast, up through the foothills and the
- 7:05Speaker 5: mid-sloped jungles of Bamboo and Liana.
- 7:09Speaker 5: Until I stood one morning in a narrow pass that
- 7:11Speaker 5: led through steep-walled rocks to a hidden valley. And I
- 7:15Speaker 5: knew that civilization lay far behind. That the Papuan natives
- 7:20Speaker 5: who moved towards me were headhunters.
- 7:23Speaker 2: Cannibals.
- 7:24Speaker 5: The chief of the tribe, a giant of a man
- 7:26Speaker 5: towering a foot or more above me, raised his arms.
- 7:29Speaker 7: Why you come here, white devil? I.
- 7:38Speaker 2: I'm Tom Dorset.
- 7:40Speaker 9: Why you come here?
- 7:41Speaker 2: I've come to live with you, if I may.
- 7:48Speaker 9: Where you come from?
- 7:50Speaker 2: A place called Port Moresby, many days from here.
- 7:54Speaker 9: You a headman that place?
- 7:55Speaker 2: No, no, and I don't have any wish to be
- 7:57Speaker 2: headman here.
- 7:58Speaker 9: You could not be headman you want. I, Ramabu, headman here.
- 8:08Speaker 9: With hands alone, Ramabu can kill any man in tribe.
- 8:12Speaker 2: I don't doubt it.
- 8:13Speaker 9: Can kill you too.
- 8:14Speaker 2: I don't doubt that either.
- 8:16Speaker 7: I show you.
- 8:17Speaker 2: Ramabu.
- 8:19Speaker 7: I hold you over my head like this.
- 8:23Speaker 2: Feel good?
- 8:24Speaker 9: How you like? I think you're not behead man here.
- 8:32Speaker 9: I think you're not good for much anything.
- 8:34Speaker 2: No, I... I guess I'm not. I guess that's why
- 8:40Speaker 2: I ran away. Why I came here.
- 8:44Speaker 9: You still want to live here?
- 8:46Speaker 2: Yes. All right, you stay.
- 8:55Speaker 9: But you cause trouble, I kill you.
- 8:58Speaker 2: Understand? Yes, I understand.
- 9:00Speaker 5: Good, that's good. The weeks went by and gave me
- 9:12Speaker 5: little time for thinking or remembering. I built a house
- 9:17Speaker 5: at the far end of the valley, planted a garden,
- 9:20Speaker 5: roamed the woods to search for berries and nuts and
- 9:23Speaker 5: live the life the natives lived. Timing each day by
- 9:26Speaker 5: the watch, which I still wore on my wrist. I
- 9:29Speaker 5: was fairly content. The past seemed far away. Then Jerry
- 9:35Speaker 5: came into my life. I'd gone exploring in the north
- 9:43Speaker 5: end of the valley, and when I came back at dusk,
- 9:45Speaker 5: she was waiting in the door of my house.
- 9:47Speaker 2: Young, brown skin, beautiful.
- 9:51Speaker 5: Hello. Hello.
- 9:55Speaker 2: Hello?
- 9:56Speaker 8: My name is Jerry. I've been watching you.
- 10:00Speaker 2: Why?
- 10:01Speaker 8: Just because. You did not notice me, though.
- 10:05Speaker 2: Why should I notice you?
- 10:06Speaker 8: Well, are you not like other men?
- 10:12Speaker 2: What are you doing here?
- 10:13Speaker 8: I come to live with you.
- 10:15Speaker 2: I don't want anybody living with me.
- 10:16Speaker 8: It is not good to be alone. Who will sweep
- 10:19Speaker 8: your floors and cook for you?
- 10:20Speaker 2: I do those things myself.
- 10:22Speaker 8: But it is better to have a woman.
- 10:25Speaker 2: Not for me.
- 10:26Speaker 8: You will not let me stay?
- 10:28Speaker 2: No.
- 10:28Speaker 5: All right.
- 10:31Speaker 8: I come again tomorrow. Maybe you'll change your mind.
- 10:34Speaker 2: Not a chance.
- 10:35Speaker 8: We see. Good night.
- 10:40Speaker 5: That was the beginning, and in a way, the beginning
- 10:43Speaker 5: of the end. Jerry came back the next day, and
- 10:48Speaker 5: the next, and the next. I argued, pled, cursed, but
- 10:54Speaker 5: nothing I could do would change that round-eyed persistence of
- 10:58Speaker 5: hers in the least. And then I made the first
- 11:01Speaker 5: big mistake that started the whole mess.
- 11:03Speaker 2: It involved the watch.
- 11:05Speaker 8: You're late tonight. In a little while longer, all the
- 11:08Speaker 8: things I cooked for you would be spoiled.
- 11:09Speaker 2: What of it? I didn't ask you to come here.
- 11:11Speaker 2: I can cook for myself.
- 11:12Speaker 7: Bah!
- 11:13Speaker 8: Look what I have cooked. I saw the cake.
- 11:16Speaker 9: Yum.
- 11:17Speaker 8: Chestnut.
- 11:17Speaker 5: Jerry, I've told you over and over again, you've got
- 11:20Speaker 5: to stop coming here.
- 11:21Speaker 9: Why?
- 11:22Speaker 2: Because I said so.
- 11:24Speaker 8: Perhaps it's because you think I am ugly?
- 11:28Speaker 2: You know better than that. You're lovely. That's the trouble.
- 11:34Speaker 8: I do not understand you. Huh?
- 11:36Speaker 2: I mean, you have no business hanging around here. Look, Jerry,
- 11:40Speaker 2: I already have a woman, a wife, back in Port Moresby.
- 11:44Speaker 8: You love her?
- 11:46Speaker 9: Yes.
- 11:48Speaker 8: She is coming here again?
- 11:50Speaker 2: No, no, she won't be coming.
- 11:54Speaker 8: Then it does not matter. What good is she?
- 11:56Speaker 2: That's not the point. Look, she gave me this. See,
- 12:00Speaker 2: it says, from Elizabeth, that's her name, to Tom, that's me.
- 12:04Speaker 8: What is this thing?
- 12:05Speaker 2: It's a watch.
- 12:07Speaker 8: What does it do?
- 12:08Speaker 5: Well, it counts the hours. Tells what time the sun
- 12:11Speaker 5: will come up and tells when it will go down.
- 12:14Speaker 8: How does it do these things?
- 12:17Speaker 9: Is it magic?
- 12:19Speaker 2: Well, yes, in a way you could call it magic.
- 12:22Speaker 8: And that is why you will not let me stay?
- 12:25Speaker 8: Because the woman has given you this thing?
- 12:27Speaker 2: That's right.
- 12:29Speaker 8: But she has not.
- 12:30Speaker 2: Come in here? No, she hasn't. Tom.
- 12:34Speaker 8: You know what I think?
- 12:36Speaker 6: No.
- 12:37Speaker 8: I think you're a big fool.
- 12:46Speaker 5: Jerry talked, of course. Told the villagers about the magic watch.
- 12:50Speaker 5: By twos and threes, they came to look at it.
- 12:52Speaker 5: Stare at it solemnly. Exchange a word or so of
- 12:55Speaker 5: gossip and depart.
- 12:58Speaker 2: I welcomed him at first.
- 12:59Speaker 5: Realized how lonely I'd been. Except for Jerry's daily visits...
- 13:04Speaker 5: Now I'd suddenly become a popular celebrity.
- 13:08Speaker 2: But there was one thing I hadn't counted on. And
- 13:10Speaker 2: that one thing was Ramaboo.
- 13:12Speaker 9: Much talk in village of magic thing you keep here.
- 13:16Speaker 9: Ramaboo come see this thing.
- 13:18Speaker 2: I'm glad you did. Welcome to my house.
- 13:22Speaker 7: House.
- 13:24Speaker 2: Fine house.
- 13:26Speaker 9: You build with magic?
- 13:27Speaker 5: No, I just happen to know a few things about construction.
- 13:31Speaker 9: Better house than Ramaboo.
- 13:34Speaker 2: Thanks.
- 13:36Speaker 9: Not good for one have better house than head man.
- 13:40Speaker 2: Here, do you want to see the watch?
- 13:45Speaker 9: So this magic thing Ramabu hear about?
- 13:48Speaker 2: Oh, it isn't really magic. It's just a watch. You
- 13:50Speaker 2: and I know that.
- 13:53Speaker 9: Giri say magic tell sun and moon.
- 13:56Speaker 2: Well, you know how women talk.
- 13:58Speaker 3: Yeah, magic thing.
- 14:02Speaker 9: Find house. You know what I say when you come here?
- 14:07Speaker 2: Yes. What I say. You said if I caused any trouble,
- 14:11Speaker 2: you'd kill me. He's right.
- 14:14Speaker 9: With these hands, I'd kill you.
- 14:15Speaker 2: But I didn't think I'd caused any trouble.
- 14:18Speaker 9: Just one way, go out of valley. And guard watch
- 14:22Speaker 9: all time.
- 14:23Speaker 2: I'm not planning to escape, if that's what you mean.
- 14:25Speaker 9: You remember now. Ramabu had man here. And Ramabu can
- 14:32Speaker 9: kill you.
- 14:35Speaker 2: I watched him stride off, sneering a little, swaggering.
- 14:39Speaker 5: I knew, of course, that he had the mind and
- 14:41Speaker 5: attitudes of a ten-year-old child and that he was dangerous.
- 14:45Speaker 2: But I didn't realize how deadly. Not then. So I
- 14:50Speaker 2: went right ahead and made my one big final mistake.
- 15:02Speaker 3: We will return to Escape and tonight's story, The Silent Horror,
- 15:06Speaker 3: in just a moment. Lots of folks will be driving
- 15:09Speaker 3: on our highways during the Labor Day weekend. It's a
- 15:12Speaker 3: weekend for pleasure, so let's keep it pleasant for everyone.
- 15:15Speaker 3: Obey the traffic laws, don't speed, stay on the right
- 15:18Speaker 3: side of the road, and don't drink when you drive.
- 15:21Speaker 3: Be careful. The life you save may be your own.
- 15:26Speaker 3: And now, back to Escape.
- 15:27Speaker 2: Escape.
- 15:47Speaker 6: This is radio station 2FC, Fort Moss.
- 15:51Speaker 2: Yes, that's the watch, all right.
- 15:53Speaker 6: It's the same watch I figured in all of Tom
- 15:55Speaker 6: Dawson's troubles, right up to the end. Oh, especially at
- 15:58Speaker 6: the end, you might say. Of course, I didn't get
- 16:01Speaker 6: it from Tom himself.
- 16:02Speaker 2: No?
- 16:02Speaker 6: A backcountry trader named Will Jones brought it in one night.
- 16:05Speaker 6: It's been hanging there behind the bar ever since. And
- 16:08Speaker 6: once in a while, I wind it up. When some
- 16:11Speaker 6: stranger asks me what it's there for, like you did,
- 16:13Speaker 6: it ticks away as good as new. It was the
- 16:19Speaker 6: fellow I got the story from, too, but sometimes, listening
- 16:22Speaker 6: to that watch ticking away, I can almost imagine that
- 16:25Speaker 6: Tom's telling the story himself in his own words.
- 16:33Speaker 5: The week after Ramabu came to see the watch, I
- 16:36Speaker 5: started on a new project. Weeks before, I'd found a
- 16:40Speaker 5: spring in a waterfall halfway up the cliffs behind my house.
- 16:44Speaker 5: And I thought of a way to use hollow bamboo
- 16:46Speaker 5: tubes to pipe the water to my kitchen. I spent
- 16:50Speaker 5: nearly a month cutting the bamboo, carrying it up to
- 16:52Speaker 5: the cliff, and fitting the lengths together. And then one day,
- 16:56Speaker 5: everything was ready, and I turned the water into my
- 16:58Speaker 5: new aqueduct. The villagers heard, of course, and came to marvel,
- 17:03Speaker 5: taste the water, and look at me askance. Jerry was
- 17:07Speaker 5: around during all those weeks. There seemed to be nothing
- 17:09Speaker 5: I could do to get rid of her. Or perhaps
- 17:13Speaker 5: I was growing less inclined to.
- 17:15Speaker 2: Get rid of her. I suppose I should have expected trouble,
- 17:18Speaker 2: but I didn't. When trouble finally did come, it came
- 17:21Speaker 2: right to my door. What is this? What's it all about? Ramabou,
- 17:38Speaker 2: what's this all about?
- 17:39Speaker 9: I come find out if man who live in better
- 17:42Speaker 9: house than Ramabou, man who make river come to house,
- 17:47Speaker 9: can also fight.
- 17:49Speaker 4: Fight?
- 17:50Speaker 9: You want spear, club, or hand?
- 17:53Speaker 2: I don't want any of them. What reason have I
- 17:55Speaker 2: got to fight with you?
- 17:56Speaker 9: Maybe you want behead man.
- 17:58Speaker 2: Of course not. I told you that before.
- 18:00Speaker 7: People say you big man.
- 18:07Speaker 9: Say we fight, see who is head man.
- 18:10Speaker 2: I see. I don't have a choice, is that it?
- 18:13Speaker 9: You want spear?
- 18:15Speaker 2: Bear hand. What's the difference? I'm no good at any
- 18:17Speaker 2: of them. It was pleasant here. I thought maybe... Well, Ramabu,
- 18:23Speaker 2: let's get on with it.
- 18:24Speaker 9: I kill you barehand.
- 18:27Speaker 7: Now, lift you high like this.
- 18:33Speaker 9: Throw you on the ground.
- 18:35Speaker 2: I kill you, magic man.
- 18:37Speaker 8: Stop, stop.
- 18:38Speaker 2: Go back.
- 18:39Speaker 8: If you kill him, Ramabu, the magic thing that makes
- 18:41Speaker 8: the sun come up will stop. He told me so.
- 18:43Speaker 5: It's a lie.
- 18:45Speaker 7: Not true.
- 18:45Speaker 8: There will never be a sun again. Only night and darkness.
- 18:51Speaker 8: They will not let you kill him.
- 19:01Speaker 2: Put him down. Put him down.
- 19:04Speaker 9: You tell them lie. You'll live for a while. But
- 19:13Speaker 9: I think this magic thing like bamboo sway in wind.
- 19:17Speaker 2: I think one day it'll stop them.
- 19:21Speaker 7: Maybe.
- 19:21Speaker 2: When it stops, I think sun still come up. If
- 19:25Speaker 2: that happen, I kill you. Jerry, I guess I owe
- 19:39Speaker 2: you my life. Such as it is. Whatever you want
- 19:44Speaker 2: of me, it's yours.
- 19:47Speaker 4: Do you still.
- 19:50Speaker 8: love the woman in Port Morrisby?
- 19:53Speaker 2: No.
- 19:55Speaker 8: And do you love me?
- 19:58Speaker 2: Jerry, if I dared love any woman, it would be you.
- 20:02Speaker 8: I'm bigger fool than you.
- 20:05Speaker 7: I wish I.
- 20:06Speaker 8: Let him kill you.
- 20:15Speaker 5: Ramabou came the next morning to look at the watch.
- 20:18Speaker 5: He saw that it was running and left without a word.
- 20:21Speaker 5: And he came the next day and the next and
- 20:22Speaker 5: the next. First it was amusing, but gradually the terror
- 20:26Speaker 5: began to creep in. As long as it ran, I'd live,
- 20:29Speaker 5: and whenever it stopped, for whatever reason, I'd die.
- 20:32Speaker 2: I took to.
- 20:32Speaker 5: Winding it a half a dozen times a day and
- 20:34Speaker 5: holding it to my ear and listening to it. The
- 20:37Speaker 5: drums in the village seemed to beat constantly. The drums,
- 20:40Speaker 5: the watch, and my own heartbeat became mixed into.
- 20:42Speaker 2: One crazy quilt of sound. Craziest still when I came
- 20:46Speaker 2: down with malaria.
- 20:48Speaker 5: When Ramabou came and saw the fever in my face,
- 20:50Speaker 5: he smiled and laughed, and I cursed him as I
- 20:52Speaker 5: wound the watch for the third time since dawn.
- 20:56Speaker 2: Two nights later, Jerry slipped into my room. You are sick.
- 21:00Speaker 8: I have heard you are sick.
- 21:02Speaker 2: It's a fever. Where have you been all week?
- 21:05Speaker 8: They would not let me come. Tonight, I ran away
- 21:08Speaker 8: for a while. What do you mean? I mean, if
- 21:11Speaker 8: my father accepts the marriage gift, I am to be
- 21:15Speaker 8: the wife of Ramabu. He is head man. I had
- 21:19Speaker 8: no choice.
- 21:19Speaker 2: Do you care? What if I did?
- 21:24Speaker 8: I ask you, do you?
- 21:27Speaker 2: If you were married to me, you could only look
- 21:29Speaker 2: forward to being a widow.
- 21:31Speaker 8: There is a way out.
- 21:32Speaker 2: If you care enough... Wait. It stopped.
- 21:35Speaker 8: What is wrong?
- 21:36Speaker 2: Here, let me have it. I gotta get it started.
- 21:38Speaker 2: I must have forgotten to wind it.
- 21:39Speaker 8: What are you doing? What are you saying?
- 21:41Speaker 2: It won't run. It won't run. Ramble will find out.
- 21:43Speaker 8: But it is running. Hold it to your ear.
- 21:46Speaker 2: Huh?
- 21:48Speaker 8: It was the drums.
- 21:50Speaker 2: It stopped.
- 21:52Speaker 9: Oh.
- 21:52Speaker 2: Oh, I thought it was a watch. Come. I thought
- 21:56Speaker 2: it was a watch. Listen.
- 21:58Speaker 8: There is a way out of the valley. I know
- 22:00Speaker 8: about it.
- 22:01Speaker 2: So do I, Jerry. There are 20 guards watching.
- 22:03Speaker 8: No, I mean another one. It is behind the waterfall
- 22:07Speaker 8: where you made the magic thing of bamboo.
- 22:09Speaker 2: What?
- 22:09Speaker 8: A little path goes up the cliff. Very steep. But
- 22:12Speaker 8: I have climbed it. We can go together if you care.
- 22:16Speaker 2: But I'm sick. Maybe in a day or two.
- 22:18Speaker 8: If the magic thing stops a day or two, maybe
- 22:20Speaker 8: too late.
- 22:20Speaker 5: If I'd known about it a week ago, before I.
- 22:22Speaker 2: Caught the fever.
- 22:23Speaker 8: In a few days, I may be married to Ramaboo.
- 22:25Speaker 2: All right, marry him.
- 22:26Speaker 8: Don't say that!
- 22:27Speaker 2: I'm sick, Jerry. I can't do it. Go ahead and
- 22:29Speaker 2: marry him if you want. Leave me alone!
- 22:30Speaker 7: Oh!
- 22:44Speaker 5: I tossed away the hours of night and day, lying
- 22:48Speaker 5: on my cot, bathed in sweat. And time itself seemed
- 22:52Speaker 5: to gel into one great mass of fever with no
- 22:56Speaker 5: form or dimensions. And the fever sang in my ears
- 23:00Speaker 5: when I strained to hear the watch. Sometime I mistook
- 23:04Speaker 5: the drums of my own heart. I fought to stay awake,
- 23:09Speaker 5: to keep my senses to live, fought against odds that
- 23:11Speaker 5: grew greater by the hour. Sometimes in my delirium, I
- 23:17Speaker 5: thought that Jerry had slipped into the room like a ghost,
- 23:21Speaker 5: had wound the watch and talked to me and laughed.
- 23:25Speaker 2: But I could never remember anything that she'd said. And
- 23:30Speaker 2: then finally one night, just before dawn, I woke.
- 23:34Speaker 5: And then suddenly, terror was in the room.
- 23:43Speaker 2: The name of the terror Jerry? Jerry, are you here?
- 23:52Speaker 2: There's no sound. It's like it stopped. The watch is
- 23:59Speaker 2: broken and stopped.
- 24:02Speaker 5: Sometimes in a fever there comes a moment of clarity
- 24:05Speaker 5: and strength and I knew suddenly what I must do.
- 24:08Speaker 5: Without trying to find the watch, I leaped from.
- 24:10Speaker 2: My cot and headed for the waterfall.
- 24:22Speaker 5: By daylight, I was halfway up the rock wall, drenched
- 24:25Speaker 5: by the falling spray and dog tire. But the slope
- 24:29Speaker 5: from here on was gentler, and I kept moving on
- 24:31Speaker 5: up the cliff. Now and then I stopped to look back.
- 24:35Speaker 2: And that's when I saw her. Jerry! Wait!
- 24:38Speaker 8: Help me!
- 24:39Speaker 5: Help me!
- 24:39Speaker 2: But I saw something else, too.
- 24:41Speaker 5: Jerry was a hundred feet below me, and beyond her
- 24:44Speaker 5: at the base of the cliff was Ramaboo and half
- 24:46Speaker 5: the tribe.
- 24:47Speaker 2: There was nothing I could do now but pray.
- 24:50Speaker 7: I love you.
- 24:51Speaker 2: Come on.
- 24:52Speaker 5: Wait for me. I saw Ramabou raise his bow, draw
- 24:55Speaker 5: back the arrow, and let it go.
- 24:59Speaker 2: I saw her.
- 24:59Speaker 5: Fall and lie there on the rocks. I saw Ramabou
- 25:04Speaker 5: pick her up, carry her back toward the village. I
- 25:12Speaker 5: knew the greatest thing I'd ever owned was gone. My
- 25:16Speaker 5: life was once again, and this time truly, useless.
- 25:22Speaker 2: I turned and plunged into the jungle.
- 25:40Speaker 6: Well, I suppose it was a couple of three months
- 25:42Speaker 6: later when Tom Dawson showed up in Port Moresby again.
- 25:45Speaker 6: Elizabeth had sold all his paintings and left on Ducard's
- 25:48Speaker 6: schooner long before, so... Tom moved into his old house
- 25:51Speaker 6: and he stayed pretty clear of everybody.
- 25:53Speaker 2: Oh, except for a.
- 25:53Speaker 6: Night here in the bar now and then. He didn't
- 25:56Speaker 6: tell any of us what he'd done or where he'd been.
- 25:59Speaker 6: And I suppose we never would have known if that
- 26:01Speaker 6: hadn't been for a coincidence that happened one night. Yes,
- 26:05Speaker 6: I was tending bar just as I am now, and
- 26:07Speaker 6: suddenly some fellow walks up and slaps a car.
- 26:10Speaker 7: On your feet, Joe. We'll join us as back and down.
- 26:13Speaker 2: Well, by the way, you love it.
- 26:16Speaker 7: I'm six months dry and raring to go. Oh, so
- 26:21Speaker 7: far back country, never even heard of beads.
- 26:23Speaker 2: How can you cheat them? Oh, say, I stumbled onto something, though.
- 26:29Speaker 2: You remember that painter Tom Dawson? Yes. Well, you remember
- 26:32Speaker 2: that watch, what's her name, give him... Well, there it is. Well,
- 26:38Speaker 2: where'd you get that?
- 26:38Speaker 7: In the forsakenest piece of country I've ever found in
- 26:41Speaker 7: 20 years of trading. Believe me, Joe.
- 26:43Speaker 2: Where'd you get that watch?
- 26:44Speaker 8: Hey, Joe.
- 26:45Speaker 2: Hey, Joe, you're not Will Jonas. Where'd you get that watch? Well,
- 26:49Speaker 2: I guess from the person you left it with. I
- 26:51Speaker 2: didn't leave it with anybody. That's not what she said.
- 26:54Speaker 8: She.
- 26:55Speaker 2: What do you mean? Tell me, who?
- 26:56Speaker 4: Was it Jerry?
- 26:57Speaker 2: Yeah, yeah, that's her name. She's alive? Twice as natural.
- 27:01Speaker 2: She's living in that house you built. Alone, if you're interested.
- 27:05Speaker 2: What about him? Oh, the head man. Yes. Yeah, well,
- 27:08Speaker 2: it seems he lost face when he let you get away.
- 27:11Speaker 2: They figured you for their good luck or something. Anyway,
- 27:13Speaker 2: they booted him out a long time ago. Jerry, she's
- 27:16Speaker 2: all right? She's living in my house? Yeah, yeah, alone.
- 27:19Speaker 2: She made that plenty clear in case you... Thanks for everything. Yeah,
- 27:22Speaker 2: I'm glad.
- 27:22Speaker 7: Hey, where are you going? What about this watch?
- 27:24Speaker 8: It's yours.
- 27:26Speaker 2: Well, I'll be up. Hey, Joe.
- 27:30Speaker 8: Yes?
- 27:31Speaker 2: I'll trade you this watch for a bottle.
- 27:33Speaker 6: How about it?
- 27:48Speaker 5: Well?
- 27:49Speaker 6: That was five or six years ago. Nobody around here
- 27:52Speaker 6: has ever seen Tom Dawson since. Because all of us
- 27:55Speaker 6: have got a pretty good idea where he went, though.
- 27:58Speaker 5: Yeah.
- 27:59Speaker 6: And I'll lay odds on one thing, stranger.
- 28:01Speaker 2: I'll bet you he's happy.
- 28:03Speaker 1: THE END.
- 28:17Speaker 3: Under the direction of Norman MacDonald, Escape has brought you
- 28:20Speaker 3: The Silent Horror by Hugh Cave, specially adapted for radio
- 28:24Speaker 3: by Les Crutchfield, starring Harry Bartell with Georgia Ellis. Featured
- 28:29Speaker 3: in the cast were Jack Crucian, Ben Wright, Ann Diamond,
- 28:32Speaker 3: Stan Waxman, and Lou Krugman. The special music for Escape
- 28:36Speaker 3: is composed and conducted by Leith Stevens. The light heavyweight
- 28:56Speaker 3: boxing title goes up on the chopping block later tonight
- 28:59Speaker 3: when champ Joey Maxim squares off against challenger Bob Murphy.
- 29:03Speaker 3: With this exciting championship go, your Wednesday night fight exclusives
- 29:06Speaker 3: on CBS Radio begin another action-packed season. Don't miss it.
- 29:11Speaker 3: Blow by blow over most of these same stations later tonight.
- 29:16Speaker 3: Next week, Hearthstone of the Death Squad returns to the air.
- 29:19Speaker 3: Be sure to listen next week at the same time
- 29:21Speaker 3: for the first of this new series. Clarence Cassell speaking.
- 29:41Speaker 3: This is the CBS Radio Network.
- 29:58Speaker 1: We conclude Escapes the Silent Horror. This is Victor Sterling.
- 30:02Speaker 1: Until next time, good night. Follow the 50 greatest old-time
- 30:05Speaker 1: radio shows for more classic broadcasts.