Latest / Conversations with My Walls / On how to tell yourself real stories, not fantasies
Transcript
- 0:00SPEAKER_00: What if you stopped decorating your life with all the wrong stuff?
- 0:04SPEAKER_00: I'm Morgan and this is Conversations with My Walls.
- 0:07SPEAKER_00: Let's get into it.
- 0:09SPEAKER_00: Why do so many stories lie to us?
- 0:12SPEAKER_00: I think what's worse than realizing that is when you realize that you're in on
- 0:15SPEAKER_00: the con.
- 0:17SPEAKER_00: Because as a writer I'm so guilty of this.
- 0:20SPEAKER_00: It started all the way back in third grade when I wrote stories about teenage girls
- 0:27SPEAKER_00: with jeeps and trendy chokers who were being stalked by a crush.
- 0:32SPEAKER_00: It seemed so dreamy to my entertainment brainwash eight-year-old brain and deeply,
- 0:38SPEAKER_00: deeply disturbing to my adult self.
- 0:40SPEAKER_00: But when I look back, it makes sense.
- 0:43SPEAKER_00: I was a child who had a hyperfixation with Seven Brides for Seven Brothers,
- 0:47SPEAKER_00: which my parents checked out from the library.
- 0:49SPEAKER_00: Literally,
- 0:50SPEAKER_00: if you're not familiar with this,
- 0:51SPEAKER_00: the entire plot is kidnapping and Stockholm Syndrome.
- 0:58SPEAKER_00: But I thought Russ Tamblyn was cute and therefore excused what I thought was
- 1:00SPEAKER_00: a slightly intense but socially acceptable form of courtship.
- 1:05SPEAKER_00: I know, right?
- 1:08SPEAKER_00: It continued to You've Got Mail where it took me years longer than I would like
- 1:11SPEAKER_00: to realize Tom Hanks is the villain.
- 1:15SPEAKER_00: And Parker Posey was the coolest and most moral of all of the characters in that movie.
- 1:20SPEAKER_00: These
- 1:21SPEAKER_00: stories and tropes devised by men have become the framework of
- 1:26SPEAKER_00: the "every story's been told before,"
- 1:29SPEAKER_00: AKA the norm that we default to unless we step back and take a really cold,
- 1:34SPEAKER_00: hard look at ourselves and ask: "What story are we really telling?"
- 1:40SPEAKER_00: Or most importantly, "Whose story?"
- 1:43SPEAKER_00: "Is it reality or fantasy?"
- 1:45SPEAKER_00: "Like or lust?"
- 1:46SPEAKER_00: "His or hers?"
- 1:48SPEAKER_00: Rom-coms didn't make sense to me for a while because the endings felt like beginnings to me.
- 1:54SPEAKER_00: My pragmatism wondered what the post-happily-ever-after looked like,
- 2:00SPEAKER_00: let alone all the bad behavior that's excused leading up to it.
- 2:05SPEAKER_00: It's something I'm trying to actively reprogram now post-breakup.
- 2:09SPEAKER_00: The number of times I've seen both Shopgirl and Gilmore Girls tells me that
- 2:14SPEAKER_00: a man can fail but then do the work and return to the chance that he ruined
- 2:21SPEAKER_00: and reclaim it.
- 2:23SPEAKER_00: That hope is just so mean to put out there into the universe.
- 2:28SPEAKER_00: While that kind of bettering and reform is possible and real
- 2:34SPEAKER_00: in some real life experiences I'm sure,
- 2:37SPEAKER_00: it perpetuates this longing and hope that the chapter is not closed.
- 2:44SPEAKER_00: And that's not healthy because we can only control our own reactions.
- 2:48SPEAKER_00: But here I am,
- 2:50SPEAKER_00: pining with the hope that he will see the light and change and revisit
- 2:57SPEAKER_00: the really special connection that we had.
- 3:01SPEAKER_00: The stories that we consume model to and tell us what to expect from others and
- 3:07SPEAKER_00: that is so dangerous.
- 3:09SPEAKER_00: It sets us up for a fantasy of disappointment.
- 3:14SPEAKER_00: I was stood up by someone I loved because he couldn't find the words to tell me his needs.
- 3:20SPEAKER_00: Needs I would have bent over backwards to accommodate.
- 3:25SPEAKER_00: I spent what felt like the better part of a day and a half worrying if he was hurt,
- 3:30SPEAKER_00: having an emergency, or just fell asleep and missed our date.
- 3:34SPEAKER_00: I didn't know where on the worry spectrum to land.
- 3:39SPEAKER_00: After that radio silence, the response I got was the last thing I was expecting: a breakup text.
- 3:47SPEAKER_00: I had told him everything I could to keep the door open for him to be vulnerable
- 3:53SPEAKER_00: with me, but instead he chose to leave.
- 3:57SPEAKER_00: Those actions do not scream "this man will come back to you."
- 4:01SPEAKER_00: I know that,
- 4:02SPEAKER_00: but my mind is programmed to crave that second act,
- 4:06SPEAKER_00: that second chance,
- 4:08SPEAKER_00: the reform,
- 4:09SPEAKER_00: the betterment chapter,
- 4:10SPEAKER_00: or even just his willingness to try again with the promise of
- 4:15SPEAKER_00: a different communication approach on the table.
- 4:18SPEAKER_00: Movies and TV make breakups worse, period.
- 4:22SPEAKER_00: It is a fact that I believe so deeply now.
- 4:26SPEAKER_00: I think a lot of the scenes and films I idolize are so much better utilized
- 4:31SPEAKER_00: as cautionary tales than beacons of hope.
- 4:34SPEAKER_00: But it takes so much energy to burn through the dopamine hit
- 4:37SPEAKER_00: that these stories provide to get to the truth,
- 4:41SPEAKER_00: which is the right person won't hurt you at all.
- 4:45SPEAKER_00: Even as I say that, I'm struggling because I know real life isn't perfect.
- 4:50SPEAKER_00: We all make mistakes.
- 4:53SPEAKER_00: But I'm in the group of people who have more experience watching fake depictions
- 4:57SPEAKER_00: of life than actually being out there living it.
- 5:00SPEAKER_00: Is there a high-worth,
- 5:02SPEAKER_00: equitable couple out there in their absolute highest value relationship
- 5:08SPEAKER_00: who overcame this kind of situation?
- 5:10SPEAKER_00: Maybe.
- 5:11SPEAKER_00: But I need to strip away the longing for an answer and look at the real story that's
- 5:17SPEAKER_00: in front of me.
- 5:18SPEAKER_00: He left.
- 5:19SPEAKER_00: He's gone.
- 5:20SPEAKER_00: He won't be calling me today.
- 5:22SPEAKER_00: It's two days ago that it happened.
- 5:25SPEAKER_00: And this is the first time I won't be hearing from him on our regularly scheduled call days.
- 5:32SPEAKER_00: And I can only take that reality day-by-day without projecting anything into the future.
- 5:37SPEAKER_00: Which is a really big twist and challenge for a writer not to think ahead.
- 5:44SPEAKER_00: But the fact is, it's the best kind of story I can write for myself.
- 5:50SPEAKER_00: Because I am the only character I can control.
- 5:53SPEAKER_00: And you are yours.
- 5:55SPEAKER_00: I think what these stories make us crave is declarations.
- 5:59SPEAKER_00: The raw, brutal honesty that breaks down our walls of protection, our guards being up.
- 6:05SPEAKER_00: I believed him when he told me how hard relationships are for him
- 6:09SPEAKER_00: and also held space and believed that we were building a beautiful,
- 6:15SPEAKER_00: safe container where he and I could feel the good and the bad of it
- 6:19SPEAKER_00: and navigate it together.
- 6:21SPEAKER_00: Maybe some of these writers weren't out there to perpetuate unhelpful expectations
- 6:27SPEAKER_00: through their narratives.
- 6:28SPEAKER_00: But actually writing from a place of hope,
- 6:31SPEAKER_00: in an act of pure emotional desire,
- 6:36SPEAKER_00: they craved that relational transparency.
- 6:40SPEAKER_00: A no-holds-barred approach to love,
- 6:43SPEAKER_00: where the messy admissions are meant to spill over,
- 6:46SPEAKER_00: while fostering the truth that I believe so many of us,
- 6:51SPEAKER_00: my ex included,
- 6:52SPEAKER_00: fight to accept that those are the things that make us even more lovable.
- 6:57SPEAKER_00: The flaws, the hangups, the fears.
- 7:00SPEAKER_00: Perfection is super boring.
- 7:03SPEAKER_00: Mess is so interesting.
- 7:06SPEAKER_00: But you can't love someone out of not loving themselves or believing they're worthy of it.
- 7:13SPEAKER_00: It's one of the hardest things to accept in this.
- 7:16SPEAKER_00: Just imagine you are looking at someone thinking they are
- 7:19SPEAKER_00: the hottest man you've seen, yet they don't see it and can't get past it.
- 7:24SPEAKER_00: You tell them otherwise, but they still struggle with that.
- 7:28SPEAKER_00: You tell them about their soul, the non-surface level stuff, yet they still struggle.
- 7:36SPEAKER_00: And with more things than you even know about,
- 7:40SPEAKER_00: but are likely still the things that you love them for.
- 7:45SPEAKER_00: I don't know why,
- 7:46SPEAKER_00: but it makes me think of the movie Set It Up,
- 7:51SPEAKER_00: where this one quote, I'm really on the fence about it.
- 7:54SPEAKER_00: I don't know if it's enabling or if it's actually transformative.
- 8:01SPEAKER_00: One of the characters says, "You like because and you love despite."
- 8:07SPEAKER_00: I think it opens the door to loving the whole person.
- 8:13SPEAKER_00: It seems so easy to rewrite these blocks for them, but it's not.
- 8:20SPEAKER_00: Quite frankly, it's the opposite.
- 8:22SPEAKER_00: Sometimes pain like that is an addiction and they truly have to want to address it
- 8:28SPEAKER_00: and you cannot do it for them.
- 8:30SPEAKER_00: Anything else is a fantasy.
- 8:33SPEAKER_00: It's me making up the end result that I desire for my comfort,
- 8:37SPEAKER_00: my hope, my denial of this breakup that I found myself in.
- 8:44SPEAKER_00: Which are all very human to want.
- 8:46SPEAKER_00: But just another source of stretching out the pain of the experience.
- 8:51SPEAKER_00: Sometimes it's a matter of wanting to win also that's programmed in us.
- 8:56SPEAKER_00: Without the success of an ongoing union, I have lost.
- 9:01SPEAKER_00: Not just in general, but the specific human.
- 9:07SPEAKER_00: It creates a dynamic to cling to something even when
- 9:10SPEAKER_00: in your gut you know things weren't optimal.
- 9:14SPEAKER_00: And I have to turn off the part in my head that keeps replaying "But it could have been."
- 9:21SPEAKER_00: "But he could have chosen differently."
- 9:24SPEAKER_00: We also live in a society that rewards relationships with congratulations.
- 9:30SPEAKER_00: And this is a huge thing that I think this all boils down to.
- 9:33SPEAKER_00: Movies about single people achieving something doesn't have an entire genre dedicated to it.
- 9:40SPEAKER_00: But it should.
- 9:43SPEAKER_00: And this is the spotlight moment of this whole thing.
- 9:45SPEAKER_00: How real stories need to be told.
- 9:50SPEAKER_00: We have to decide who we want to lift up, what narratives we want to lift up.
- 9:56SPEAKER_00: Celebrating single people is pretty incredible and rare.
- 10:01SPEAKER_00: The movie Frances Ha is one of the closest things that I can think of.
- 10:07SPEAKER_00: There's relational elements in it but it spans from friendship to colleagues to
- 10:12SPEAKER_00: a few dates but nothing romantic.
- 10:15SPEAKER_00: I don't know, what should we call that genre?
- 10:17SPEAKER_00: Because this is
- 10:18SPEAKER_00: the real life reprogramming we need.
- 10:21SPEAKER_00: And I am working so hard to go all in on
- 10:25SPEAKER_00: that story.
- 10:27SPEAKER_00: If this sparks something in you, make sure you're subscribed so you never miss an episode.
- 10:31SPEAKER_00: As this series continues, you won't want to miss a beat.
- 10:35SPEAKER_00: And if you're ready to bring more conversations into your life,
- 10:39SPEAKER_00: you can explore my latest art prints at morganlindsaynelson.com.
- 10:43SPEAKER_00: And in between then, take care of your space and conversations both inside and out.