Latest / Faust I / 006 - Scenes 13 to 19

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006 - Scenes 13 to 19 · Faust I

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  Speaker 1: Scenes thirteen till nineteen of Faust. This is a LibriVox recording.
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  Speaker 1: All LibriVox recordings are in the public domain. For more
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  Speaker 1: information or a volunteer, please visit LibriVox dot org. Faust
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  Speaker 1: Part one by Johann wulfgangfon Gerta, translated by Bayard Taylor.
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  Speaker 1: Scene thirteen a garden arbor. Margaret comes in, conceals herself
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  Speaker 1: behind the door, puts her finger to her lips, and
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  Speaker 1: peeps through the crack. He comes, Faust, entering.
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  Speaker 2: Ah rogue a tease, Thou art, I have thee?
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  Speaker 1: He kisses her, Margaret clasping him and returning the kiss.
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  Speaker 3: Dearest man, I love THEE from my heart.
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  Speaker 1: Mephistopheles knocks, Faust, stamping his foot.
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  Speaker 2: Who's there, a preen a beast?
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  Speaker 4: It is time to separate, Martyr.
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  Speaker 3: Coming, yes, sir tis late?
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  Speaker 2: May I not?
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  Speaker 4: Then?
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  Speaker 2: Upon you wait?
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  Speaker 3: My mother would farewell?
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  Speaker 4: Ah?
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  Speaker 2: Can I not remain? Farewell?
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  Speaker 3: Adieu and soon to meet again.
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  Speaker 1: Exitant Faust and Mephistopheles.
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  Speaker 3: Dear God, however is it such a man can think
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  Speaker 3: and know so much? I stand ashamed and in amaze,
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  Speaker 3: and answer yes to all? He says, A poor unknowing child,
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  Speaker 3: and he I can't think what he finds in me.
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  Speaker 1: Exit Scene fourteen, Forest and cavern faust.
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  Speaker 2: Solus, spirit sublime. Thou gavest me, gavest me all for
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  Speaker 2: which I prayed, not unto me in vain hast thou
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  Speaker 2: thy countenance revealed in fire. Thou gavest me nature as
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  Speaker 2: a kingdom grand with power to feel and to enjoy it.
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  Speaker 2: Thou not only cold, amazed acquaintance yieldst, but grantest that
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  Speaker 2: in her profoundest breast I gaze as in the bosom
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  Speaker 2: of a friend, the ranks of living creatures. Thou dost
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  Speaker 2: lead before me, teaching me to know my brothers in
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  Speaker 2: air and water, in the silent wood. And when the
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  Speaker 2: storm in forests roars and grinds the giant firs, in
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  Speaker 2: falling neighbor boughs and neighbor trunks with crushing weight, bear
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  Speaker 2: down and falling fill the hills with hollow thunders. Then
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  Speaker 2: to the cave secure Thou leadest me. Then show'st me
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  Speaker 2: mine own self, and in my breast the deep mysterious
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  Speaker 2: miracles unfold. And when the perfect moon before my gaze
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  Speaker 2: comes up with soothing light around me, float from every
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  Speaker 2: precip and thicket damp, the silvery phantoms of the ages
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  Speaker 2: past and temper, the austere delight of thought that nothing
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  Speaker 2: can be perfect unto man. I now am conscious with
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  Speaker 2: this ecstasy, which brings me nearer and nearer to the gods.
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  Speaker 2: Thou gavest the comrade whom I now no more can
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  Speaker 2: do without. Though cold and scornful, he demeans me to myself,
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  Speaker 2: and with a breath a word transforms thy gifts to nothingness.
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  Speaker 2: Within my breast. He fans a lawless fire, unwearied for
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  Speaker 2: that fair and lovely form. Thus, in desire I hasten
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  Speaker 2: to enjoyment, and in enjoyment pine to feel desire Mechistopheles enters, Have.
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  Speaker 4: You not led this life quite long enough? How can
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  Speaker 4: a father test a delight? Here? It is very well
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  Speaker 4: that once one tries the stuff, but something new must
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  Speaker 4: then require to you?
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  Speaker 2: Would there were other work for thee to plague my day? Auspicious?
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  Speaker 2: Thou returnest, well.
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  Speaker 4: I'll engage to let D b Thou darest not tell
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  Speaker 4: me so, In honest, the loss of D were truly
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  Speaker 4: very slight, Comrade, crazy, rude, repelling one has one's hands
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  Speaker 4: full all day and night. If what one does or
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  Speaker 4: leaves undone is right. From such a face as dying,
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  Speaker 4: there is no telling.
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  Speaker 2: There is again thy proper tone, that thou hast bored me.
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  Speaker 2: I must thankful be poor son of art.
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  Speaker 4: How couldst thou doest alone have led thy life bereft
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  Speaker 4: of me? I for a time at least have worked
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  Speaker 4: thy cure thy fancies ricketts plague d not at all?
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  Speaker 4: Had I not been so, hadst thou sure walk thyself
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  Speaker 4: off this artly ball? Why here to cavern's rocky hollows,
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  Speaker 4: slinking seinest thou as it were an owl? A blinking
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  Speaker 4: why saxst from sodden mass and dripping stone toad like
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  Speaker 4: thy nourishment alone a fine way this thy time to
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  Speaker 4: feel the doctor is in thy body steel?
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  Speaker 2: What fresh and vital forces canst thou guess spring from
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  Speaker 2: my commerce with the wilderness? But if thou hadst the
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  Speaker 2: power of guessing, thou wouldst be devil enough to grudge
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  Speaker 2: my soul the blessing.
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  Speaker 4: A blessing drawn from supernatural fountains in night and deal
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  Speaker 4: to lie upon the mountains all heaven and art in
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  Speaker 4: rapture pin a training thyself to godhood, half still inflating
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  Speaker 4: to grub with he aning force through art's dark marrow,
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  Speaker 4: compressed six days' work within thy bosom, narrow to taste.
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  Speaker 4: I know not what in half the power thine own
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  Speaker 4: ecstatic life on things shower thine hourly self behind the cast,
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  Speaker 4: and then the lofty instinct.
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  Speaker 1: Tares with a gesture.
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  Speaker 4: At last, I dare not say how to pluck the final.
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  Speaker 2: Flower shame on thee yes.
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  Speaker 4: Thou findest that unpleasant, thou hast a moral right to
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  Speaker 4: crime a shame at present one, there's not that before
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  Speaker 4: chest years declare which chest hearts, notwithstanding, cannot spare. And
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  Speaker 4: once for all, I grudge thee not the pleasure of
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  Speaker 4: lying to thyself in moderate measure, But such a course
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  Speaker 4: thou wilt not long endure. Already a thou or excited,
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  Speaker 4: and if it last, wilt soon be plighted to madness
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  Speaker 4: and to horror. Shure enough of dead. Thy loves is lonely,
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  Speaker 4: young by all things sudden, and oppressed her thoughts and yearnings,
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  Speaker 4: seeing deep, tender or fonder, My love is in her breast.
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  Speaker 4: First came thy passion's flood and poured around her as
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  Speaker 4: when from melted snow a stremblet overflows, Thou hast to
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  Speaker 4: tear it so filled and round her that now thy
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  Speaker 4: stream all shallow shows methinks, instead of in the forest's loning,
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  Speaker 4: the noble sir should find it good the love of
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  Speaker 4: this young silly blood at once to set about reporting
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  Speaker 4: her time is miserably long. She haunts a window, watching
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  Speaker 4: clouds that stray over the old city wall, and far
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  Speaker 4: away where I a little bird surruns her song day
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  Speaker 4: long and half night long. Now she is lively, mostly said,
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  Speaker 4: now beyond hatears. Then again quiets appears always love mad.
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  Speaker 1: Serpent, serpent Mephistopheles. Aside, ha, do I trap thee?
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  Speaker 2: Get thee away with thine offenses, reprobate name, not that
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  Speaker 2: fairest thing, nor the desire for her sweet body? Bring
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  Speaker 2: again before my half distracted senses.
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  Speaker 4: What lst thou then see things that thou art flown?
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  Speaker 4: And half and half the art I own?
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  Speaker 2: Yet am I near, and love keeps watch and ward.
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  Speaker 2: Though I were ne'er so far it cannot falter. I
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  Speaker 2: envy even the body of the Lord, the touching of
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  Speaker 2: her lips before the altar.
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  Speaker 4: It is very well my envy oft reposes on your
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  Speaker 4: twin pair that feed among their roses.
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  Speaker 2: Away Thou pimp you real, and.
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  Speaker 4: It is fun to me to God who fashioned eat
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  Speaker 4: and made perceived the noblest paupas off his trade, and
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  Speaker 4: also met dear opportunity, go on. It is eu profound,
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  Speaker 4: it ease for your sweet through you are bound and
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  Speaker 4: not put that.
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  Speaker 2: Indeed, what are within her arms the heavenly blisses? Though
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  Speaker 2: I be glowing with her kisses, do I not always
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  Speaker 2: share her need? I am the fugitive, all houseless, roaming,
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  Speaker 2: the monster without air or rest, that like a cataract
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  Speaker 2: down rocks and gorgeous foaming leaps, maddened into the abyss's
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  Speaker 2: breast and sidewards she with young, unwakened senses, within her
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  Speaker 2: cabin on the alpine field, her simple homely life commences,
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  Speaker 2: her little world therein concealed, and I God's hate flung
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  Speaker 2: o'er me had not enough to thrust the stubb and
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  Speaker 2: rocks before me and strike them into dust. She and
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  Speaker 2: her peace I yet must undermine. Thou hell hast claimed
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  Speaker 2: this sacrifices. Thine help devil, through the coming pangs, to
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  Speaker 2: push me what must be let it quickly be Let
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  Speaker 2: fall on me her fate and also crush me one ruin,
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  Speaker 2: whelm both her and me.
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  Speaker 4: Again it sets again, it glows. Thou ful, go in
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  Speaker 4: and comfort her. When such a head has dyed, no
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  Speaker 4: outlet knows it things the end must soon occur. Hail
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  Speaker 4: him who keeps his step first mind, thou as dost
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  Speaker 4: well the devil natureware not so insipid in the world
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  Speaker 4: I find as is a devil in despair.
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  Speaker 1: Scene fifteen, Margaret's room, Margaret at the spinning wheel alone.
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  Speaker 3: My piece is gone, My heart is sore. I never
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  Speaker 3: shall find it, ah, never more, save I have him near.
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  Speaker 3: The grave is here. The world is gall and bitterness all.
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  Speaker 3: My poor weak head is racked and crazed. My thought
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  Speaker 3: is lost, my sense is mazed. My peace is gone,
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  Speaker 3: My heart is sore. I never shall find it ah,
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  Speaker 3: never more. To see him him only at the pain
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  Speaker 3: I sit, to meet him, him only the house I quit,
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  Speaker 3: his lofty gait, his noble size, the smile of his mouth,
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  Speaker 3: the power of his eyes, and the magic flow of
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  Speaker 3: his talk, the bliss in the clasp of his hand,
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  Speaker 3: and ah, his kiss. My peace is gone, My heart
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  Speaker 3: is sore, I never shall I'll find it, Ah, never more.
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  Speaker 3: My bosom yearns for him alone. Ah dared I clasp
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  Speaker 3: him and hold and own, and kiss his mouth to
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  Speaker 3: heart's desire, and on his kisses at last expire.
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  Speaker 1: Scene sixteen Martyr's Garden.
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  Speaker 3: Margaret, Promise me, Henry faust what I can howest with
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  Speaker 3: thy religion? Pray thou art a dear, good hearted man?
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  Speaker 3: And yet I think, doest not incline that way?
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  Speaker 2: Leave that, my child? Thou knowest my love is tender.
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  Speaker 2: For love, my blood and life, would I surrender? And
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  Speaker 2: as for faith and church I grant to each his own.
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  Speaker 3: That's not enough. We must believe thereon? Must we that
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  Speaker 3: I had some influence? Then too, thou honorest not the
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  Speaker 3: holy sacraments? I honor them, desire hiring no possession. Tis
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  Speaker 3: long since thou hast been to mass or to confession.
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  Speaker 3: Believest thou in God?
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  Speaker 2: My darling, Who shall dare I believe in God? To say?
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  Speaker 2: Ask priest or sage the answer to declare, and it
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  Speaker 2: will seem a mocking play, a sarcasm on the asker.
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  Speaker 3: Can thou believest?
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  Speaker 2: Not hear me? Not falsely? Sweetest countenance, who dare express
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  Speaker 2: him and who profess him, saying I believe in him,
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  Speaker 2: who feeling seeing deny his being, saying, I believe him.
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  Speaker 2: Not the all enfolding, the all upholding folds and upholds
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  Speaker 2: he not. Thee me himself arches not there. The sky
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  Speaker 2: above us lies not beneath us, firm the earth and
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  Speaker 2: rise not on a shining friendly the everlasting stars. Look
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  Speaker 2: I not eye to eye on thee, and feel'st not
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  Speaker 2: thronging to head and heart. The force still weaving its
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  Speaker 2: eternal secret, invisible, visible round thy life, vast as it is,
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  Speaker 2: fill with that force, thy heart. And when thou, in
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  Speaker 2: the feeling wholly blessed art call it, then what thou
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  Speaker 2: wilt call it? Bliss, heart, love God, I have no
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  Speaker 2: name to give it. Feeling is all in all. The
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  Speaker 2: name is sound and smoke, obscuring Heaven's clear glow.
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  Speaker 3: All that is fine and good to hear it so
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  Speaker 3: much the same way the preacher spoke, only with slightly
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  Speaker 3: different phrases.
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  Speaker 2: The same thing. In all places, All hearts that beat
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  Speaker 2: beneath the heavenly day, each in its language, say why
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  Speaker 2: then not I in mine? As well?
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  Speaker 3: To hear it. Thus it may seem passable. And yet
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  Speaker 3: some hitch in there must be, for thou hast no Christianity,
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  Speaker 3: Dear Love, I've long been grieved to see that thou
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  Speaker 3: art in such company. How So the man who with
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  Speaker 3: thee goes thy mate. Within my deepest, innermost soul I
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  Speaker 3: hate in all my life. There's nothing has given my
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  Speaker 3: heart so keen a pang of loathing, as his repulsive
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  Speaker 3: face has done.
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  Speaker 2: Nay, fear him not, my sweetest one.
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  Speaker 3: I feel his presence like something ill I've else for
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  Speaker 3: all a kindly will. But much is my heart to
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  Speaker 3: see thee yearnest. The secret horror of him returneth, and
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  Speaker 3: I think the man a knave as I live. If
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  Speaker 3: I do him wrong, May God forgive.
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  Speaker 2: There must be such queer birds.
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  Speaker 3: However, live with the like of him. May I never.
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  Speaker 3: When once inside the door comes he he looks around
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  Speaker 3: so sneeringly and half in wrath. One sees that in nothing,
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  Speaker 3: no interest he hath tis written on his forehead that
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  Speaker 3: love to him is a thing abhorred. I am so
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  Speaker 3: happy on thine arm, so free, so yielding, and so warm,
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  Speaker 3: and in his presence stifled seems my.
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  Speaker 2: Heart foreboding Angel that thou art.
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  Speaker 3: It overcomes me in such degree that wheresoever he meets us,
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  Speaker 3: even I feel as though I'd lost my love for THEE.
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  Speaker 3: When he is by, I could not pray to Heaven
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  Speaker 3: that burns within me like a flame. And surely Henry
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  Speaker 3: tis with THEE the same.
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  Speaker 2: There now is thine antipathy. But I must go, Ah,
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  Speaker 2: shall there never be a quiet hour to see us
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  Speaker 2: fondly plighted, with breast to breast and soul to soul united.
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  Speaker 3: Ah, If I only slept alone, I'd draw the bolt
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  Speaker 3: to night for thy desire. But my mother sleeps so
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  Speaker 3: light as grown, and if we were discovered by her,
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  Speaker 3: twould be my death upon the spot?
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  Speaker 2: How angel fear it?
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  Speaker 4: Not?
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  Speaker 2: Here is a vial in her drink, but three drops
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  Speaker 2: of its measure, and deep as sleep will on her
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  Speaker 2: senses sink.
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  Speaker 3: What would I not to give THEE pleasure? It will
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  Speaker 3: not harm her when one tries it.
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  Speaker 2: If it would my love, would I advise it?
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  Speaker 3: Ah, dearest man, If but thy face I see, I
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  Speaker 3: know not what compels me to thy will. So much
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  Speaker 3: have I already done for THEE, that scarcely more is
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  Speaker 3: left me to fulfill.
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  Speaker 1: Enter Mephistopheles, Exit Margaret Mephistopheles.
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  Speaker 4: The monkey is he?
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  Speaker 2: God has played the spy again.
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  Speaker 4: I have had how fully Sidi d the doctor has
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  Speaker 4: been kept size. It is plain great good. I hope
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  Speaker 4: the thing will do thee. The girls have much desire
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  Speaker 4: to ascertain. If one is prim and good as ANSI,
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  Speaker 4: and rules compel, if dare he is led to think
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  Speaker 4: he will follow them as well.
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  Speaker 2: Thou monster, wilt nor see nor own how this pure
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  Speaker 2: soul of faith, so lowly, so loving and ineffable, the
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  Speaker 2: faith alone that her salvation is with scruples, holy pines,
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  Speaker 2: lest she hold as lost the man she loves so well.
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  Speaker 4: Tao full of sense, well super sensuell desire. A girl
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  Speaker 4: by the nose is leading thee abortion.
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  Speaker 2: Thou of filth and fire?
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  Speaker 4: And then how Masterlysey reads physionomy. When I'm present, she
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  Speaker 4: is impressed. She knows not how she in my mask
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  Speaker 4: a hidden sense would read. She feels that surely I
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  Speaker 4: am a genius, now perhaps the very devil. Indeed, well, well.
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  Speaker 2: Tony, what's that to THEE?
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  Speaker 4: Yet my delight? It will also be.
• 18:35
  Speaker 1: Scene seventeen at the Fountain, Margaret and Lizabeth with pictures.
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  Speaker 5: Lizbeth has nothing heard of Barbara Margaret.
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  Speaker 3: No, not a word. I go so little out.
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  Speaker 5: It's true, Sybylla said to day she's played the fool
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  Speaker 5: at last. There's not a doubt such taking on of airs.
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  Speaker 5: How so it stinks she's feeding two where she eats
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  Speaker 5: and drinks, and so at last it serves her rightly.
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  Speaker 5: She clung to the fellow so long and tightly. That
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  Speaker 5: was a promenading at village and dance, parading as the
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  Speaker 5: first they must everywhere shine. And he treated her always
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  Speaker 5: to pies and wine. And she made it to do
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  Speaker 5: with her face so fine, So mean and shameless was
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  Speaker 5: her behavior. She took all the presents the fellow gave
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  Speaker 5: her twas, kissing and coddling, on and on. So now
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  Speaker 5: at the end the flower is gone.
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  Speaker 3: The poor pool thing.
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  Speaker 5: Does pity her that when one of us it's spinning
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  Speaker 5: sat and mother knights near let us at the door.
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  Speaker 5: She sported with her paramour on the door bench in
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  Speaker 5: the passage dark the length of the time they'd never mark.
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  Speaker 5: So now her head no more she'll lift, but do
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  Speaker 5: church penance in her sinner shift.
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  Speaker 3: He'll surely take her for his wife.
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  Speaker 5: He'd be a fool. A brisk young blade has room
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  Speaker 5: elsewhere to play his trade. Besides, he's gone.
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  Speaker 3: That is not fair.
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  Speaker 2: If him she.
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  Speaker 5: Gets, why let her beware. The boy shall dash arreeth
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  Speaker 5: on the floor and will scatter chaft before her door exit.
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  Speaker 3: Margaret returning home, how scornfully I once reviled, when some
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  Speaker 3: poor maiden was beguiled more speech than any tongue suffices.
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  Speaker 3: I craved to censure other's vices. Black as it seemed,
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  Speaker 3: I blackened still and blacker, yet was in my will,
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  Speaker 3: and blessed myself, and boasted high, and now a living CINEMI.
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  Speaker 3: Yet all that drove my heart there too, God was
• 20:48
  Speaker 3: so good, so dear, so true.
• 20:52
  Speaker 1: Scene eighteen Don John in a niche of the wall,
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  Speaker 1: a shrine with an image of the martyr, Dolerosa of
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  Speaker 1: flowers before it, Margaret putting fresh flowers in the pots incline.
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  Speaker 3: Oh maiden, thou sorrow laden thy gracious countenance upon my pain,
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  Speaker 3: the sword thy heart in with anguish smarting, Thou lookest
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  Speaker 3: up to where thy son is slain. Thou seest the
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  Speaker 3: father thy sad size, gather and bear aloft thy sorrow
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  Speaker 3: and his pain, Ah past guessing, beyond expressing the pangs
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  Speaker 3: that wring my flesh and bone. Why this anxious heart
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  Speaker 3: so burneth, why it trembleth, why it yearneth? Knowest thou
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  Speaker 3: and thou alone, where'er I go? What sorrow?
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  Speaker 4: What?
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  Speaker 3: Whoa?
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  Speaker 2: What woe?
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  Speaker 3: And sorrow? Within my bosom aches alone and ah and sleeping.
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  Speaker 3: I'm weeping, weeping, weeping. The heart within me breaks pots
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  Speaker 3: before my window, alas my tears did wet as in
• 22:06
  Speaker 3: the early morning for thee these flowers I set, But
• 22:10
  Speaker 3: within my lonely chamber the morning sun shone red. I
• 22:15
  Speaker 3: sat in utter sorrow, already on my bed. Help rescue
• 22:21
  Speaker 3: me from death, and stain, O maiden, how sorrow laden
• 22:25
  Speaker 3: incline thy countenance upon my pain.
• 22:31
  Speaker 1: Scene nineteen night Street, before Margaret's door, Valentine, a soldier
• 22:39
  Speaker 1: Margaret's brother.
• 22:41
  Speaker 6: When I have sat at some corrals, were each to
• 22:44
  Speaker 6: each his brag alaus, and many a comrade praise to
• 22:48
  Speaker 6: me the pink of girls right lustily, with brimming glass
• 22:51
  Speaker 6: that spilled the toast, and elbows planted as in boast.
• 22:55
  Speaker 6: I sat in unconcerned repose and heard the swagger as
• 22:59
  Speaker 6: it rose and stroking then my beard, I'd say, smiling
• 23:04
  Speaker 6: the bumper in my hand. Each well enough in her
• 23:07
  Speaker 6: own way. But is there one in all the land
• 23:11
  Speaker 6: like sister Margaret good as gold, One that to her
• 23:14
  Speaker 6: can a candle hold cling clang. Here's to her went
• 23:18
  Speaker 6: around to board. He speaks to truth, cried some in her.
• 23:22
  Speaker 6: The flower of the sex is found. And all the
• 23:25
  Speaker 6: swaggerers were dumb. And now I could tear my hair
• 23:29
  Speaker 6: with vexation, and dash on my brains in desperation, with
• 23:32
  Speaker 6: turned up nose. Each scamp may face me with sneers
• 23:35
  Speaker 6: and stinging taunts, disgrace me, and like a bankrupt dead
• 23:39
  Speaker 6: or setting a chance dropped, a word may set me sweating.
• 23:42
  Speaker 6: Yet though I thrashed them all together, I cannot call
• 23:45
  Speaker 6: them liars either. But what comes sneaking there to view?
• 23:49
  Speaker 6: If I mistake not there are two. If he's one,
• 23:52
  Speaker 6: let me at it dry. He shall not leave this
• 23:54
  Speaker 6: spot alive.
• 23:56
  Speaker 2: How from the window of the sacristy upward the eternal
• 24:00
  Speaker 2: lamp sends forth a glimmer that, lessening sidewards, fainter, grows
• 24:05
  Speaker 2: and dimmer, till darkness closes from the sky. The shadows
• 24:10
  Speaker 2: thus within my bosom gather.
• 24:13
  Speaker 4: I'm like a sentimental tom cattreda that round the tall
• 24:17
  Speaker 4: fire ladder sweeps and still thee then along the coping crepes,
• 24:22
  Speaker 4: quite virtuously tall. I come a little thievious and a
• 24:26
  Speaker 4: little frolicsome I feel in every limbed of pressage, for
• 24:31
  Speaker 4: running the grain to wall pauses night day after tomorrow
• 24:35
  Speaker 4: brings its message, And when keeps watch tenute delight.
• 24:41
  Speaker 2: Meanwhile, may not the treasure risen be which there behind I, glimmering, see.
• 24:47
  Speaker 4: Shall soon experienced the pleasure to lift a cattley out
• 24:51
  Speaker 4: its traser. I lately gave dear in a squaint saw
• 24:56
  Speaker 4: splendid lion dollars in it.
• 24:59
  Speaker 2: Not even a jewel, not a ring to deck therewith
• 25:03
  Speaker 2: my darling girl.
• 25:05
  Speaker 4: I saw, I'm under rest a thing that seemed to
• 25:08
  Speaker 4: be a chain of burn.
• 25:11
  Speaker 2: That's well indeed for painful? Is it to bring no gift?
• 25:14
  Speaker 2: When her I visit?
• 25:17
  Speaker 4: Thou shouldst not find it so annoying? Would not return
• 25:20
  Speaker 4: to be enjoying? Now while the sky lets forth it
• 25:24
  Speaker 4: started wrong, thou wilt hear a masterpiece no more completer.
• 25:30
  Speaker 4: I will sing her first immoral song that sure afterwards
• 25:35
  Speaker 4: to Cheetah.
• 25:37
  Speaker 1: Sings to the siter, what dost thou hear?
• 25:41
  Speaker 7: In? They break clear? Get rain a dear before thy
• 25:46
  Speaker 7: love's do beware the blame. Let's seeing a maid. That's
• 25:53
  Speaker 7: how the maid they buttered. Never more.
• 25:58
  Speaker 4: The quaxing shot of such an one, when one say
• 26:03
  Speaker 4: it is done, good night to deep what thing? Love's
• 26:10
  Speaker 4: time is brief? Until notieve be warm? We leave, But
• 26:15
  Speaker 4: to the wading ring.
• 26:19
  Speaker 1: Valentine comes forward.
• 26:21
  Speaker 6: Whom wilt thou, Lord, God, tell them rat catching piper,
• 26:25
  Speaker 6: thou perdition to the devil, first the instrument to the devil,
• 26:29
  Speaker 6: then the cursed musician.
• 26:31
  Speaker 4: The seder is smashed for nothing more. It is fading.
• 26:36
  Speaker 6: There is yet a skull.
• 26:37
  Speaker 1: I must be splitting toast saw.
• 26:40
  Speaker 4: Doctor, don't retreat, I pray, stand by. I'll lead if
• 26:45
  Speaker 4: you will, but terry out, just pete, do don't delay.
• 26:49
  Speaker 4: You have but to lunch, and I will parry. Then
• 26:53
  Speaker 4: parry that why not? It is light? That's two, of
• 26:59
  Speaker 4: course I.
• 27:01
  Speaker 6: Think the devil must fight?
• 27:02
  Speaker 4: How is it?
• 27:03
  Speaker 6: Then my hands already lame.
• 27:06
  Speaker 4: To faust transtall jails, Oh God, now as the labtin,
• 27:14
  Speaker 4: but come only it's time for us to fly further
• 27:18
  Speaker 4: arises now a maderous cry with the pullers. It were
• 27:22
  Speaker 4: easy to compound it, but here the pinal cord will
• 27:25
  Speaker 4: sift and sound it.
• 27:27
  Speaker 1: Exit with faust. Martha at the window, Come out, Come out,
• 27:34
  Speaker 1: Margaret at the window.
• 27:36
  Speaker 3: Quick, bring a light, Martha.
• 27:38
  Speaker 5: As above they swear and storm, they yell and fight.
• 27:43
  Speaker 3: Who lies already see.
• 27:47
  Speaker 1: Martha coming from the house.
• 27:49
  Speaker 5: The murderers. Whither have they run?
• 27:52
  Speaker 1: Margaret coming out?
• 27:54
  Speaker 3: Who lies here is thy mother's son? Almighty God, what
• 27:58
  Speaker 3: misery I'm dying?
• 28:02
  Speaker 6: That is quickly said, and quicker yet tis done? Why
• 28:07
  Speaker 6: howl you woman there? Instead, come here and listen, every.
• 28:12
  Speaker 1: One, all gather round him.
• 28:16
  Speaker 6: Why Margaret, see still young thou art, but not the
• 28:20
  Speaker 6: least bit shrewd or smart? Thy business thus too slight.
• 28:24
  Speaker 6: So this advice I bid thee heed, now that thou
• 28:28
  Speaker 6: art horn deed? Why be one?
• 28:30
  Speaker 4: Then?
• 28:30
  Speaker 3: All right, my brother God, such words to me in
• 28:36
  Speaker 3: this game.
• 28:36
  Speaker 6: Let our Lord God be what's done's already done, alas
• 28:41
  Speaker 6: what follows it must come to pass with one begainst
• 28:45
  Speaker 6: thou secretly. Then soon will others come to thee. And
• 28:48
  Speaker 6: when a dozen thee have known Thou art also free
• 28:51
  Speaker 6: to all the town. When Shame is born and first appears,
• 28:55
  Speaker 6: she is in secret brought to light. And then they
• 28:58
  Speaker 6: draw the veil of Nino her head and ears her life.
• 29:02
  Speaker 6: In fact, they're loath to spare her, but let her
• 29:05
  Speaker 6: growth and strength display. She walks abroad unveiled by day,
• 29:08
  Speaker 6: yet is not grown a width. The farer the uglier
• 29:11
  Speaker 6: she is to sight, the more she seeks the day's
• 29:13
  Speaker 6: broad light. The time I verily can discern when all
• 29:17
  Speaker 6: the honest folk will turn from thee, thou jade, and
• 29:20
  Speaker 6: seek protection, as from a corpse that breeds infection. Thy
• 29:24
  Speaker 6: guilty heart shall then dismay THEE. When they but look
• 29:27
  Speaker 6: THEE in the face. Shalt not in a golden chain,
• 29:30
  Speaker 6: or ray THEE, nor at the altar take thy place.
• 29:33
  Speaker 6: Shalt not in lace and ribbons flowing make merry when
• 29:37
  Speaker 6: the dance is going, But in some corner will betide
• 29:40
  Speaker 6: THEE among the beggars and cripples hide thee. And so
• 29:44
  Speaker 6: though even God forgive on earth a damned existence.
• 29:48
  Speaker 5: Live, Commend your soul to God for pardon that's you.
• 29:53
  Speaker 5: Your heart will slender hearten, thou pimp.
• 29:56
  Speaker 6: Most infamous, be still good. I thy their body killed
• 30:01
  Speaker 6: twould bring for all my sinful pleasure, forgiveness in the
• 30:05
  Speaker 6: richest measure.
• 30:07
  Speaker 3: My brother, this is Hell's own pain.
• 30:11
  Speaker 6: I tell THEE from thy tears refrain. When thou from
• 30:15
  Speaker 6: honor didst depart, It stabbed me to the very heart.
• 30:18
  Speaker 6: Now through the slumber of the grave, I goat God
• 30:22
  Speaker 6: as a soldier brave.
• 30:24
  Speaker 7: Dies.
• 30:26
  Speaker 1: End of Scene nineteen. End of section