Latest / Vanity Farah with Chris Farah / 90 Day Fiancé Hunt for Love Season 2 Episode 4 “The Girl Who Fell Off Her Stool”

Transcript

90 Day Fiancé Hunt for Love Season 2 Episode 4 “The Girl Who Fell Off Her Stool” · Vanity Farah with Chris Farah

• 0:07
  Speaker 1: Hi there, my name is Chris Farah. Welcome to Vanity Farah.
• 0:10
  Speaker 1: And today I'll be talking 90 Day. It's Hunt for Love.
• 0:13
  Speaker 1: It's season two. It's episode four. The girl who fell
• 0:16
  Speaker 1: off her stool. Boy, do I feel that. I hate
• 0:19
  Speaker 1: bar stools. I've talked about it. I hate them.
• 0:22
  Speaker 2: I can't sit on them. I don't know how to
• 0:24
  Speaker 2: do it. So I get it.
• 0:27
  Speaker 1: Um, now it's on a barstool and it's Chloe and
• 0:30
  Speaker 1: she says she has good balance and I have a
• 0:32
  Speaker 1: horrible balance so it can happen to anyone. Hi, welcome. I,
• 0:37
  Speaker 1: you know, talk about pop culture and television recaps. Today
• 0:39
  Speaker 1: I'm talking, of course, Hunt for Love. I've already said that.
• 0:42
  Speaker 1: I'm excited you're hanging out. Thanks so much for, you know,
• 0:44
  Speaker 1: being here. We're going to talk.
• 0:45
  Speaker 2: We're going to have fun.
• 0:46
  Speaker 1: If you want, you can join me live on my
• 0:48
  Speaker 1: YouTube for Wednesday. It's October 28th. It's 6 p.m. Pacific.
• 0:55
  Speaker 2: And I would love to talk.
• 0:57
  Speaker 1: both 90 days and pop culture stuff and wish you
• 1:00
  Speaker 1: all a happy Halloween. So come hang out and, um,
• 1:03
  Speaker 1: you know, say hi if you're available. If not, you
• 1:06
  Speaker 1: can see it on my YouTube, but you know, I
• 1:08
  Speaker 1: talk about stuff all the time and I'll do it again.
• 1:11
  Speaker 2: And I, however, would like to hang out with you.
• 1:14
  Speaker 1: So Chris Farah on YouTube, if you haven't yet give
• 1:18
  Speaker 1: this podcast five stars, wherever you're listening. And of course
• 1:21
  Speaker 1: you can follow me on social medias. I'm at Chris Alfera.
• 1:24
  Speaker 1: Let's get in. It's hunt for love. So we start, honey,
• 1:30
  Speaker 1: and it starts off with a bang, and by a bang,
• 1:33
  Speaker 1: a fall. Chloe has her hoodie on, and she's in
• 1:37
  Speaker 1: full bun time with Skylar, Stephen, and Brian, you know,
• 1:44
  Speaker 1: and Brian and her obviously enjoying some flirtation, and she
• 1:47
  Speaker 1: is a down girl, a cool girl. You know, she
• 1:49
  Speaker 1: wants to be, you know, not known as super prissy,
• 1:54
  Speaker 1: although she's like... obviously a girly girl. I think that
• 1:57
  Speaker 1: there's something that's kind of like, I'm chill both ways.
• 2:02
  Speaker 1: I'm your best friend, but also this girl, you know, it's,
• 2:04
  Speaker 1: it's in that way, very.
• 2:06
  Speaker 2: Different from Emma.
• 2:07
  Speaker 1: If we got to see Emma with the wig off
• 2:12
  Speaker 1: with her hair, like in a bun, it'd be shocking,
• 2:17
  Speaker 1: you know? And it's a lot of work to like,
• 2:18
  Speaker 1: keep all that up. It's a lot of work.
• 2:20
  Speaker 2: I assume to fuck in a wig, I wouldn't.
• 2:22
  Speaker 1: Know, which is, Not that I'm wearing a wig now,
• 2:26
  Speaker 1: but I have worn a lot of wigs in my life.
• 2:28
  Speaker 2: They're usually sketch wigs.
• 2:30
  Speaker 1: So I can't imagine me getting in that frame of
• 2:32
  Speaker 1: mind with that kind.
• 2:34
  Speaker 2: Of wig on.
• 2:35
  Speaker 1: However, it's also just hot. Also, yeah, just like, I
• 2:38
  Speaker 1: don't even like glasses on my face. It's just sensorily.
• 2:42
  Speaker 1: She must be really used to it. But I just wonder,
• 2:48
  Speaker 1: does she ever get, I don't know, self-conscious? That if
• 2:56
  Speaker 1: someone saw her without like the full clown lined mouth
• 3:02
  Speaker 1: and wig that, I don't know, she wouldn't, they wouldn't
• 3:07
  Speaker 1: even know who she is or they wouldn't think she's pretty.
• 3:09
  Speaker 1: I think there's a part of me, and I don't
• 3:13
  Speaker 1: know if this is a Chloe part, but I want
• 3:17
  Speaker 1: someone who I'm into to see what I look like
• 3:20
  Speaker 1: pretty early on. without all of that, because my thought
• 3:23
  Speaker 1: process is, I don't want to ever have to like
• 3:26
  Speaker 1: have this in the back of my mind of like,
• 3:27
  Speaker 1: oh my God, this person's never seen me without makeup
• 3:29
  Speaker 1: or my blah, blah, blah. And what is this person
• 3:31
  Speaker 1: not going to be into me or whatever. And they
• 3:33
  Speaker 1: should surely be into me. I'm very good looking, but
• 3:36
  Speaker 1: you know, like I wouldn't want that in the back
• 3:38
  Speaker 1: of my mind if I was insecure about that. And
• 3:41
  Speaker 1: so there's just a nice moment of having it be like, well,
• 3:45
  Speaker 1: this is what it is. So if you run from
• 3:47
  Speaker 1: this moment, I'll know, but they never do. Anyway. Um,
• 3:52
  Speaker 1: So basically, basically Steven's like, yeah, you know, I really
• 4:02
  Speaker 1: like to, you know, date a girl. But then after
• 4:05
  Speaker 1: you see a girl with a hoodie on and her
• 4:07
  Speaker 1: hair up after a couple of weeks, you're like, whoa,
• 4:09
  Speaker 1: that's what she looks like. And you're like, Steven, you
• 4:11
  Speaker 1: are two years old. And that's a nightmare.
• 4:14
  Speaker 2: And you have kids. And also I just, it's so
• 4:18
  Speaker 2: interesting to me.
• 4:20
  Speaker 1: The men that don't understand how humans work, like that
• 4:25
  Speaker 1: haven't either been around a woman long enough or like
• 4:30
  Speaker 1: lived in a relationship to understand day to day in
• 4:34
  Speaker 1: like what it means to be around a member of
• 4:37
  Speaker 1: the opposite sex. He's been married. What is he talking?
• 4:43
  Speaker 1: He's not some, you know, it's so weird to me.
• 4:45
  Speaker 2: Steven's a weird cat.
• 4:48
  Speaker 1: So... At this point, of course, Chloe is laughing and
• 4:54
  Speaker 1: she laughs herself off that stool. And she is a gymnast.
• 4:57
  Speaker 1: And so she said it usually doesn't happen. But Brian
• 4:59
  Speaker 1: gets up and much to his chagrin, he is like
• 5:02
  Speaker 1: about to spit out laughing, but he does help her
• 5:05
  Speaker 1: get up. But yeah, their vibe is not to me
• 5:10
  Speaker 1: a romantic vibe. It's very friend. But I don't understand
• 5:14
  Speaker 1: how it could possibly be romantic after watching him like
• 5:19
  Speaker 1: entertain Emma and then throw Emma under the bus that
• 5:22
  Speaker 1: he wasn't like trying to entertain Emma romantically. Like I just,
• 5:27
  Speaker 1: I mean, talk about the ick. I wouldn't be able
• 5:29
  Speaker 1: to give, she doesn't talk about that. She just like,
• 5:31
  Speaker 1: for some reason allows him to throw Emma under the bus.
• 5:36
  Speaker 1: And I'll talk about later what he does, which is
• 5:38
  Speaker 1: a crazy situation. So JT and Kara, you know, are
• 5:47
  Speaker 1: still on a little date at the pool. And he
• 5:48
  Speaker 1: says that that he likes that she, you know, like
• 5:53
  Speaker 1: is older and understands that you need to do what
• 5:57
  Speaker 1: you need to do to be a parent. And he
• 6:04
  Speaker 1: wouldn't choose probably for his partner to do OnlyFans, but
• 6:08
  Speaker 1: he's very quick to be like, is there other people
• 6:10
  Speaker 1: on OnlyFans with you?
• 6:12
  Speaker 2: And she's like, no, no, it's just me and toys,
• 6:14
  Speaker 2: me and my fingers toys.
• 6:15
  Speaker 1: And he's like, yeah, But then you can also tell
• 6:18
  Speaker 1: that he isn't into it because he's like, I just
• 6:20
  Speaker 1: don't know if I want the girl I'm with to
• 6:22
  Speaker 1: be showing all that to the world. And the truth is,
• 6:25
  Speaker 1: with or without a partner there, Kara is definitely showing
• 6:29
  Speaker 1: things to the world. I mean, that's what that is.
• 6:32
  Speaker 1: That's why people are paying, because she's showing things. I
• 6:37
  Speaker 1: don't know what life's going to be like with AI
• 6:39
  Speaker 1: when I guess you don't even have to do that.
• 6:41
  Speaker 1: I'm assuming at some point there are no more sex
• 6:44
  Speaker 1: work content creators because.
• 6:47
  Speaker 2: it'll just be AI people.
• 6:50
  Speaker 1: And I, you know, I just, I think that, yeah,
• 6:53
  Speaker 1: I think that unless you're in real life sex workers,
• 6:56
  Speaker 1: which by the way, have you guys started watching East
• 6:58
  Speaker 1: of Eden?
• 6:59
  Speaker 2: Anyway, what a tangent. Okay. She's like, look, I did
• 7:04
  Speaker 2: what I had to do. My kid will never struggle.
• 7:08
  Speaker 1: I mean, he will struggle knowing that his parents like
• 7:12
  Speaker 1: men on did a reality show and then like did.
• 7:15
  Speaker 2: Multiple seasons and like gave out all their business.
• 7:19
  Speaker 1: Maybe like that's like where like they'll struggle maybe like
• 7:21
  Speaker 1: mentally with that later done online, but not physically right
• 7:23
  Speaker 1: now because mommy's making that money, honey. She's saving that
• 7:28
  Speaker 1: bacon for a rainy day. So he then shares that
• 7:37
  Speaker 1: his mother also struggled when he was of course a
• 7:40
  Speaker 1: young boy and they We're homeless in the car.
• 7:42
  Speaker 2: It's very sad. God bless. And Kara cries.
• 7:44
  Speaker 1: And Kara gives a lot of warmth, a lot of empathy.
• 7:47
  Speaker 2: And he feels that.
• 7:49
  Speaker 1: And men love to feel empathy from women.
• 7:52
  Speaker 2: They love it.
• 7:53
  Speaker 1: They love to be like, oh, someone cares. It's, you know,
• 7:56
  Speaker 1: an interesting manipulation tactic. Unless they're a narcissist when they're
• 8:02
  Speaker 1: just like, oh, yeah, I forgot about that.
• 8:04
  Speaker 2: I made you cry. On to the next.
• 8:06
  Speaker 1: You know, because like, Kind of the intimacy that Jamal
• 8:13
  Speaker 1: and Erica shared is indicative of someone to me who's
• 8:17
  Speaker 1: a little bit like personality trade problem. I think that
• 8:25
  Speaker 1: someone like Brittany, you can watch on a first date,
• 8:28
  Speaker 1: be charming and adorable and like sexy and keep her
• 8:31
  Speaker 1: guard up in a normal way where she's not like
• 8:35
  Speaker 1: giving too much or anything unnecessarily that's not authentic to her.
• 8:41
  Speaker 1: And I feel like what is interesting about that is
• 8:44
  Speaker 1: that it's in, to me, it showcases the fact that
• 8:46
  Speaker 1: this person, Brittany, has proper boundaries and is like secure
• 8:52
  Speaker 1: in herself. She knows what she wants and she like,
• 8:55
  Speaker 1: or she knows what she, you know, is ultimately aligned with.
• 9:01
  Speaker 2: And she's like, look, you know, going to.
• 9:02
  Speaker 1: Weigh that in a very calm and react in unreactive
• 9:06
  Speaker 1: way in the moment, even the way she handled to me,
• 9:08
  Speaker 1: the Malik thing. So Big, big Britney fan. And maybe
• 9:12
  Speaker 1: Erica will be that way too, you know? Okay. So
• 9:16
  Speaker 1: Jamal and Emma go on a real date and the
• 9:19
  Speaker 1: real date is just them going to like a local
• 9:21
  Speaker 1: restaurant where they're kind of weirdly ignorant to the culture
• 9:28
  Speaker 1: in every way. And sort of acts acting, they give
• 9:31
  Speaker 1: the vibe of like American tourists.
• 9:34
  Speaker 2: At a zoo or something.
• 9:36
  Speaker 1: We're like, Oh, OK, what? And the person, of course,
• 9:39
  Speaker 1: that's hosting them is like, yeah, you can walk over
• 9:42
  Speaker 1: here to this table by the corner over there. And
• 9:45
  Speaker 1: if you want to order drinks, you can go to
• 9:47
  Speaker 1: the bar. And Emma's like, I don't know what he said.
• 9:51
  Speaker 1: And Jamal's like, yeah, me either. Ha ha ha.
• 9:53
  Speaker 2: And they sit down.
• 9:54
  Speaker 1: And then that nice waiter comes over again. My God,
• 9:56
  Speaker 1: I hope that they tipped him. Like, I mean, production,
• 9:58
  Speaker 1: because obviously Jamal didn't. And they bring over dominoes and
• 10:04
  Speaker 1: Jamal's like, oh, I know something. It's very customary for
• 10:07
  Speaker 1: them to play dominoes here. And she's like, I don't
• 10:09
  Speaker 1: know how to play. And then nice waiter's like, oh,
• 10:12
  Speaker 1: these assholes, I'll set it up for you. But Emma
• 10:15
  Speaker 1: does this thing where in, if there's a path where
• 10:24
  Speaker 1: she's going to have like an honest, real moment where
• 10:28
  Speaker 1: she like is going to be, I don't know, grounded
• 10:34
  Speaker 1: or present, that's not going to happen. And instead she's
• 10:38
  Speaker 1: going to try and use the world she sees around
• 10:45
  Speaker 1: her as props to further her own goal. And like,
• 10:49
  Speaker 1: It's never a goal of like.
• 10:51
  Speaker 2: To find a genuine connection or, you know, someone.
• 10:55
  Speaker 1: Who I connect with on multiple real levels of emotional,
• 11:04
  Speaker 1: intellectual discourse. She's more like, I want attention. I want
• 11:11
  Speaker 1: attention by whoever I want it with. And right now
• 11:13
  Speaker 1: it's Jamal for who, whatever reason, which is, you know,
• 11:15
  Speaker 1: maybe he's on the show and she knows it's going
• 11:17
  Speaker 1: to be dramatic. If this is even real, which we
• 11:19
  Speaker 1: could also hold space for that. All of this is
• 11:21
  Speaker 1: fake because Jamal and Emma would be the ones, but
• 11:24
  Speaker 1: she instead is like to the waiter, like, how do
• 11:27
  Speaker 1: you say in Spanish? We play this game for your heart.
• 11:34
  Speaker 1: Lovely waiter's like, you know, Puedes jugando.
• 11:40
  Speaker 2: No, I puedo. I want to. Puedo jugar con tu corazón.
• 11:47
  Speaker 1: Something like that.
• 11:48
  Speaker 2: Okay. Oh my God. God bless.
• 11:50
  Speaker 1: And so, you know, he wants to go to another table.
• 11:53
  Speaker 1: He doesn't want to sit here and translate Spanish to
• 11:55
  Speaker 1: some bimbo. And Jamal's like instantaneously embarrassed.
• 12:00
  Speaker 2: And he's like, don't do that.
• 12:01
  Speaker 1: And she's like, I'm not lying. Okay. I don't know. Next.
• 12:04
  Speaker 1: How do you say, I love you, husband?
• 12:08
  Speaker 2: The waiter's like, Teyama, I suppose. So she's like, eh.
• 12:12
  Speaker 2: And then Jamal's like, don't you be doing that.
• 12:14
  Speaker 3: No.
• 12:15
  Speaker 1: You're going to be under Emma's spell. How do you
• 12:18
  Speaker 1: say under Emma's spell? Abajo de Emma spell? Like she's
• 12:23
  Speaker 1: just a nightmare. And it really is an uncomfortable thing.
• 12:28
  Speaker 1: The whole time she's also like, this is our first date.
• 12:32
  Speaker 1: This is what we're going to tell our grandkids. We're
• 12:34
  Speaker 1: going to tell our grandkids. that we walked into a
• 12:38
  Speaker 1: restaurant and sort of insulted its staff. And then I
• 12:42
  Speaker 1: tried to make the staff ignore, obviously, a very busy
• 12:46
  Speaker 1: restaurant to just deal with my bullshit.
• 12:50
  Speaker 2: That's what.
• 12:52
  Speaker 1: I did, me and grandpa. Also, kids, grandpa really puts
• 12:57
  Speaker 1: it down on me. Like Emma's like really into saying
• 13:01
  Speaker 1: that Jamal is good in bed, which is like one
• 13:04
  Speaker 1: of the reasons why I think this is fake For
• 13:07
  Speaker 1: some reason, I feel like Jamal and Emma were like,
• 13:09
  Speaker 1: you know what we should do?
• 13:10
  Speaker 2: We should A, go on this show. B, be like villains.
• 13:13
  Speaker 2: People talk about us.
• 13:14
  Speaker 1: And C, low key, like increase our cache or stock
• 13:19
  Speaker 1: or whatever by, you know, like pumping each other up.
• 13:23
  Speaker 1: Emma being like, Jamal is the hottest with the biggest
• 13:26
  Speaker 1: dick and really throws down. He really fucks me so well.
• 13:28
  Speaker 2: Like, you know, just like, I don't know.
• 13:31
  Speaker 1: Okay.
• 13:33
  Speaker 2: You know, a little bit.
• 13:34
  Speaker 1: And like, at the same time, you know, he's like,
• 13:37
  Speaker 1: I just, I don't know what to do with Emma.
• 13:39
  Speaker 1: She really does like, you know, put magic down and
• 13:41
  Speaker 1: I can't stop thinking about her. And also, yeah, I mean,
• 13:46
  Speaker 1: I will say that there is such thing as the
• 13:49
  Speaker 1: male gaze and the female gaze for the specific reason that,
• 13:52
  Speaker 1: you know, perception is perception and beauty is in the
• 13:54
  Speaker 1: eye of the beholder. And I think that Emma is,
• 13:57
  Speaker 1: I can see that she is attractive to people. I
• 13:59
  Speaker 1: understand it. I, you know, to me, There's the choices
• 14:03
  Speaker 1: that she's making aesthetically that are so wildly distracting for
• 14:06
  Speaker 1: me that I can't even focus on her beauty. It's
• 14:09
  Speaker 1: not that she doesn't have some. I do think that
• 14:11
  Speaker 1: her aesthetic choices just make it so I can't focus
• 14:13
  Speaker 1: on like the way that she lines her lips.
• 14:15
  Speaker 2: I can't do it. Like it's just too much. It's
• 14:17
  Speaker 2: too thick.
• 14:17
  Speaker 1: I like look at the sides of her mouth. The
• 14:19
  Speaker 1: fact that there's no like they don't come to a point.
• 14:22
  Speaker 1: It's like one infinity loop of a mouth.
• 14:26
  Speaker 2: She.
• 14:28
  Speaker 2: Her lip liner is drawn like that. You know, it's
• 14:31
  Speaker 2: one big circle. I just, it's hard.
• 14:33
  Speaker 1: So, you know, I'm not saying everything is perfect on
• 14:35
  Speaker 1: my face all the time, but she does that look
• 14:36
  Speaker 1: in such time. And I can't even really pay attention
• 14:38
  Speaker 1: to like anything else. It's just so much liner of
• 14:41
  Speaker 1: things that the liners of everything and the wig. And
• 14:45
  Speaker 1: so I just kind of like look at her face.
• 14:47
  Speaker 1: And then I think that I'm just always trying to
• 14:50
  Speaker 1: place what the features are in real time. And I
• 14:57
  Speaker 1: understand that there's this idea that the male gaze, especially
• 15:04
  Speaker 1: for a female like me, reads to me as cartoonish.
• 15:11
  Speaker 1: Like then I'm like, okay, so yeah, like the Kardashians,
• 15:15
  Speaker 1: like Jessica Rabbit, like Emma, like the ones that are,
• 15:20
  Speaker 1: you know, yes, like make every feature as big as possible,
• 15:25
  Speaker 1: except for your waist, of course.
• 15:27
  Speaker 2: And like your inner thighs. Thighs can be big or small.
• 15:31
  Speaker 1: I don't know. Waist small.
• 15:32
  Speaker 2: Curves are kicking. Men are thinking about sticking.
• 15:36
  Speaker 1: Right?
• 15:37
  Speaker 2: That's why that song exists. That's the male gaze in
• 15:39
  Speaker 2: a song. Baby got back.
• 15:44
  Speaker 1: I don't know what the female gaze in a song is.
• 15:46
  Speaker 1: I like to think it's if it was sung by
• 15:48
  Speaker 1: a male like Wicked Game. Isn't it weird how Wicked
• 15:54
  Speaker 1: Game when it comes on still sounds like it was
• 15:56
  Speaker 1: made like yesterday, it's sort of a weird timeless song.
• 16:01
  Speaker 2: And that like.
• 16:04
  Speaker 1: Reverb-y guitar sort of takes you away. And then that
• 16:07
  Speaker 1: black and white sexy video, maybe it also is the
• 16:09
  Speaker 1: video is black and white.
• 16:11
  Speaker 2: And so it does read classic. You're like, I mean, yeah,
• 16:13
  Speaker 2: it's so sexy.
• 16:14
  Speaker 1: Okay.
• 16:14
  Speaker 2: God bless.
• 16:17
  Speaker 1: Okay. So she says, of course, Teyama, which is what
• 16:22
  Speaker 1: she just learned. And he's like, I don't want to
• 16:24
  Speaker 1: play this. And then She's like, well, I just, I'm sorry.
• 16:28
  Speaker 1: I just always have, you know, I love you on
• 16:31
  Speaker 1: my tongue, ready to come out. I try not to
• 16:33
  Speaker 1: say it though. He's like, I know you do. And
• 16:35
  Speaker 1: that's why I didn't want to date you because I
• 16:37
  Speaker 1: don't want to hurt you. Because the thing is, yes,
• 16:39
  Speaker 1: I will fuck you, but I can't even stomach the
• 16:43
  Speaker 1: idea of having to deal with love, period, much less
• 16:47
  Speaker 1: from you. But I know that you love, love. You love, love.
• 16:52
  Speaker 2: I love, love. I, for some reason- And I have.
• 16:57
  Speaker 1: To lean into why I think the idea of like
• 17:00
  Speaker 1: someone who loves love being cringy. I mean, I do
• 17:06
  Speaker 1: think that, unfortunately, I realized for myself that being vulnerable
• 17:11
  Speaker 1: does give me the ick. And I'm not saying... Well,
• 17:15
  Speaker 1: I think, yeah, I do. I don't love the idea
• 17:17
  Speaker 1: of being super vulnerable myself or having other people be
• 17:21
  Speaker 1: vulnerable to me that I want to like litter fuck.
• 17:23
  Speaker 1: I mean, I don't mind if people are vulnerable to
• 17:24
  Speaker 1: me that I'm going to hold space for and be
• 17:26
  Speaker 1: like empathetic for. But like, I.
• 17:31
  Speaker 2: Don't know why.
• 17:32
  Speaker 1: I think that. Like it must be, it must be
• 17:42
  Speaker 1: something that like takes the power dynamic away from me
• 17:46
  Speaker 1: in a way that, or it makes me too self-conscious
• 17:48
  Speaker 1: that I can't feel like I want to lose myself
• 17:50
  Speaker 1: sexually in someone that they'll just be thinking of that trauma.
• 17:52
  Speaker 1: I don't know. What an interesting thing. I'll think I'll
• 17:54
  Speaker 1: consider it. So he says he wants to take things slow.
• 17:59
  Speaker 1: And I don't want to be like, every time someone
• 18:01
  Speaker 1: says like, I want to take things slow, and especially
• 18:04
  Speaker 1: in the situation where they've been having sex.
• 18:05
  Speaker 2: And I'm assuming that he assumes that they're going to
• 18:08
  Speaker 2: have sex in mere moments. I'm like, well, then why
• 18:10
  Speaker 2: aren't you taking that slow? If you're going to take
• 18:12
  Speaker 2: things slow, then take things slow.
• 18:13
  Speaker 1: But you can't just be like, you don't want to
• 18:16
  Speaker 1: take things slow when you like fucking fucked the first
• 18:18
  Speaker 1: time you guys met. Then too late. Then it just
• 18:21
  Speaker 1: feels like you're backpedaling and it's weird. And it feels
• 18:23
  Speaker 1: like you're just using her for sex. And then also
• 18:25
  Speaker 1: trying to be like, but I also want to keep
• 18:27
  Speaker 1: my arms length distance. Well, you knew that this person
• 18:32
  Speaker 1: was this type of person, which is someone who loves
• 18:35
  Speaker 1: love and who feels a certain connection. And who knows
• 18:38
  Speaker 1: what he said to her? Because the truth of the
• 18:40
  Speaker 1: matter is, we haven't seen a lot of Jamal putting
• 18:45
  Speaker 1: the Mac down and trying to get Emma.
• 18:49
  Speaker 2: Again, if we have to believe this is real.
• 18:51
  Speaker 1: Because we assume that happened pre-day one of filming when
• 18:54
  Speaker 1: they met in the bar and fucked and then, you know,
• 18:58
  Speaker 1: came to set and started filming. But we know he
• 19:00
  Speaker 1: does that because we watched that with Erica. And we
• 19:03
  Speaker 1: know that he does that because Emma came full on.
• 19:06
  Speaker 2: Boner for him.
• 19:08
  Speaker 1: Which makes me feel like he did some emotional manipulation
• 19:12
  Speaker 1: that night that did make Emma fall in love.
• 19:16
  Speaker 2: Now, I think they might be two toxic people that
• 19:20
  Speaker 2: both enjoy.
• 19:24
  Speaker 1: Attention and sexual validation in a way that we understand. And,
• 19:33
  Speaker 1: you know, if they can find....
• 19:35
  Speaker 2: Symbiotic partnership where they're giving it to each other. Great.
• 19:39
  Speaker 1: Except that Emma is the kind of girl that fans
• 19:43
  Speaker 1: the flame of drama because it's like a volume dial
• 19:53
  Speaker 1: and she can't feel things unless it's to a louder decibel.
• 19:59
  Speaker 1: And so do you know what I mean? Don't you
• 20:01
  Speaker 1: feel like you understand that? Like there are people in
• 20:03
  Speaker 1: this world, like there are people who love drama and
• 20:06
  Speaker 1: it can be a lot of things. It can be
• 20:08
  Speaker 1: the kind of people who unfortunately, love to be in
• 20:11
  Speaker 1: toxic relationships, like romantic relationships, right?
• 20:15
  Speaker 2: And this is, you know, an Emma one, but I
• 20:17
  Speaker 2: also could assume that Emma's both.
• 20:19
  Speaker 1: And it feels like they're like, oh, you know, it's
• 20:24
  Speaker 1: like you become numb to what normal life or normal
• 20:27
  Speaker 1: love feels like, or a healthy relationship feels like.
• 20:29
  Speaker 2: And that just baseline of what that is, the vibration,
• 20:32
  Speaker 2: you can't feel it.
• 20:33
  Speaker 1: Or it's like, you know, a noise that it's like this, like,
• 20:38
  Speaker 1: And they're like, nope, I'm sorry. I've been in a
• 20:41
  Speaker 1: concert too long and my ears are deaf.
• 20:43
  Speaker 2: I can't.
• 20:44
  Speaker 1: And so in order to make that louder, a louder vibration,
• 20:47
  Speaker 1: they have to do so much and amplify so much.
• 20:50
  Speaker 1: And then when there's more like screaming, they're like, oh,
• 20:52
  Speaker 1: I feel that. That must feel good. It must feel
• 20:55
  Speaker 1: like living. It must feel like love. And I also
• 20:57
  Speaker 1: feel like, yeah, if it's not happening in romantic relationships,
• 21:00
  Speaker 1: it's happening just in people's lives or people like go
• 21:02
  Speaker 1: through their day being like, well, this happened and then
• 21:04
  Speaker 1: this happened and I can't believe it.
• 21:05
  Speaker 2: And then this, and it's like, well, what did you do?
• 21:07
  Speaker 1: And if you really listen, people don't want to take
• 21:12
  Speaker 1: accountability for how they move in this world and how
• 21:15
  Speaker 1: they react to things that become the causes for the effects.
• 21:25
  Speaker 2: That they are complaining about. And then it just like amplifies.
• 21:32
  Speaker 1: And I do feel like, I wonder if peace or
• 21:36
  Speaker 1: serenity is, you know, seemingly as boring to them or yeah, dull,
• 21:44
  Speaker 1: too soft. You know, I wonder if that's kind of
• 21:47
  Speaker 1: what's happening there. And yeah, Emma is that kind of person. Okay.
• 21:51
  Speaker 2: So he's like, you know what I like about you?
• 21:58
  Speaker 2: I just thought you were weird and clumsy. She's like, uh, gross.
• 22:02
  Speaker 2: I don't like that. That's not how I want to be.
• 22:04
  Speaker 2: Look at me. You think I want to be called
• 22:06
  Speaker 2: weird and clumsy? I would say more goofy.
• 22:09
  Speaker 1: Quirky, maybe? Eccentric? Hot? I like hot. Then they talk
• 22:20
  Speaker 1: a little bit about the first night they met, which
• 22:22
  Speaker 1: is that she called him her husband immediately. And that
• 22:25
  Speaker 1: while they were talking, some bartender like was trying to
• 22:27
  Speaker 1: flirt with Jamal.
• 22:28
  Speaker 2: And then she was like, let me go find my aunt.
• 22:30
  Speaker 1: Cool. Why don't we all go home? We can all
• 22:32
  Speaker 1: do it. I'll do whatever it takes for him to
• 22:33
  Speaker 1: not leave me. And so I've, you know, I'll watch
• 22:36
  Speaker 1: you guys or I don't know. What do you guys
• 22:39
  Speaker 1: want to do? Yeah. Emma is, I mean, Emma is
• 22:45
  Speaker 1: a desperate energy for sure. And a pick me energy
• 22:48
  Speaker 1: for sure. And at the same time, that's so obvious
• 22:51
  Speaker 1: and so known that anyone who does fall for it
• 22:53
  Speaker 1: is suspect. And so that's why Jamal is sus and
• 22:56
  Speaker 1: other reasons. Jamal is sus for other reasons, like Veronica.
• 23:02
  Speaker 1: But I gave Jamal a chance going into Hunt for
• 23:05
  Speaker 1: Love because this was his first redeeming show where it
• 23:09
  Speaker 1: was all about him, not him being his mom's guest
• 23:12
  Speaker 1: star slash traveling companion to Europe. So But he really
• 23:17
  Speaker 1: showed himself as being, A, someone who obviously is making
• 23:21
  Speaker 1: all this up with Emma to become a bigger 90-day star,
• 23:23
  Speaker 1: as opposed to someone who, B, trusts, I guess, their
• 23:26
  Speaker 1: natural personality to go on a show and be charming
• 23:28
  Speaker 1: and are funny, quick-witted, or cool enough to just garner
• 23:31
  Speaker 1: fans the old-fashioned way, which I kind of think is
• 23:34
  Speaker 1: what Khloe's doing, but okay. Oh, or she doesn't give
• 23:37
  Speaker 1: a fuck. Maybe because she like has a rich mom.
• 23:39
  Speaker 1: So she's like, if this not a fiance thing doesn't
• 23:42
  Speaker 1: work out, that's fine. I'm going to be cool or
• 23:44
  Speaker 1: funny or an influencer anyway. But Jamal, I think that
• 23:46
  Speaker 1: maybe is like holding on for dear life. Okay. Next
• 23:52
  Speaker 1: scene is the next morning. There's like a montage of
• 23:54
  Speaker 1: people like, you know, getting ready. And Brittany has ordered
• 23:58
  Speaker 1: some sort of delivery. I don't know if it's a
• 24:00
  Speaker 1: room service, but definitely come like in styrofoam. And she
• 24:04
  Speaker 1: unfortunately forgot the chimichurri sauce.
• 24:07
  Speaker 2: So I'm assuming there was steak in there. Oh, that
• 24:11
  Speaker 2: garlic parsley, honey. I'm sorry. Olive oil.
• 24:14
  Speaker 1: Oh no.
• 24:15
  Speaker 2: I'm sorry about that. Malik, Steven, Dave play paddle ball
• 24:21
  Speaker 2: or ping pong. Ping pong, right? That's what that is.
• 24:24
  Speaker 2: Paddle ball, paddle board and paddle. It's not pickleball. It's
• 24:29
  Speaker 2: a smaller. Anyway, I know what that is. So you
• 24:33
  Speaker 2: know what it is.
• 24:34
  Speaker 1: And they're, Listen, these kids and the entire resort got
• 24:38
  Speaker 1: nothing to do but sit around and talk shit about
• 24:41
  Speaker 1: what's happening, you know, like the local gazettes, you know, like, here, here,
• 24:44
  Speaker 1: the news of the day.
• 24:45
  Speaker 2: And they do a little check-in.
• 24:48
  Speaker 1: Like, Malik, how you doing? He's like, well, I still
• 24:50
  Speaker 1: like Britney, and you would have, too, if you saw
• 24:52
  Speaker 1: her in that dress.
• 24:53
  Speaker 2: We're like, well, does Britney like you?
• 24:54
  Speaker 1: No? Mm-mm.
• 24:58
  Speaker 2: Sorry about it.
• 24:59
  Speaker 1: Dave's like, yeah, Landon, Chloe, I'm a better kisser. We're like, Dave,
• 25:04
  Speaker 1: we literally forgot about you. You got to like get
• 25:07
  Speaker 1: in there. And Steven's like, yeah. And me, I found
• 25:10
  Speaker 1: out about Iris and Razvin's going on a date. But
• 25:13
  Speaker 1: then Dave's like, yeah, yeah, yeah. But I found out
• 25:16
  Speaker 1: that she called you boo in his room. And it's like, Dave,
• 25:20
  Speaker 1: who are you? A and B.
• 25:22
  Speaker 2: How do you find that out?
• 25:26
  Speaker 1: Did, like, did they both leave that room and both
• 25:29
  Speaker 1: just run around the resort being like, guess what I
• 25:31
  Speaker 1: just did? I just was in Raz's room and he hauled.
• 25:34
  Speaker 1: And then I told him that I actually like want
• 25:35
  Speaker 1: to go hang out with Steven called my booty.
• 25:37
  Speaker 2: Got really mad. That's like Iris.
• 25:41
  Speaker 5: He's like, Oh, I got to find a new person.
• 25:43
  Speaker 5: I got to expand my horizons. Start to look at
• 25:48
  Speaker 5: the second tier girls, the B league.
• 25:51
  Speaker 2: If I want to.
• 25:53
  Speaker 1: Still play the game, like, you know, just like this
• 25:55
  Speaker 1: disgusting behavior by this horrible man. So, um, Stephen's like, yeah,
• 26:00
  Speaker 1: I was upset by Iris. I'm confused, but I get
• 26:03
  Speaker 1: that people want to keep their options open. Next scene,
• 26:06
  Speaker 1: Chloe's like putting on tanning lotion. It looks like it's.
• 26:10
  Speaker 2: Copper tone. She says she doesn't love the smell of
• 26:13
  Speaker 2: this one. That's too bad.
• 26:15
  Speaker 1: I do love the smell of the good tanning oil.
• 26:17
  Speaker 1: Have you tried that vacation con? Non-spawn, but I think
• 26:20
  Speaker 1: it does smell good. There's like the Chardonnay oil. I
• 26:25
  Speaker 1: still love, and I think of Band-Aid Soleil. It was
• 26:27
  Speaker 1: like this orange kind of jelly one. Oh, I loved it.
• 26:30
  Speaker 2: I think about it a lot. I've talked about it. Okay.
• 26:32
  Speaker 1: So she's like, what else is in this bag of tricks?
• 26:35
  Speaker 2: Honey, I love a bag of tricks.
• 26:36
  Speaker 1: And the bag of tricks for this episode is going
• 26:38
  Speaker 1: to go on a triple date. And this triple date
• 26:42
  Speaker 1: involved JT and Kara, who just got off their last
• 26:46
  Speaker 1: night's date. It's like a turnaround date. It's what we
• 26:49
  Speaker 1: used to call in the restaurant industry, a clopin. It's
• 26:51
  Speaker 1: when you had a date, you worked the night before
• 26:54
  Speaker 1: and you work the day of, you know, they're going
• 26:56
  Speaker 1: to have a clopining date. And then of course it's
• 27:00
  Speaker 1: Chloe and Brian. And then it's, Shay and Richie, which
• 27:05
  Speaker 1: we're all like, who and who? Well, we know Shay
• 27:07
  Speaker 1: is the person that had the birthday the same night
• 27:10
  Speaker 1: as Brittany and Malik, and Malik made out with Shay,
• 27:12
  Speaker 1: and then didn't tell Brittany when they went on a date,
• 27:14
  Speaker 1: and then Joan told Brittany, and now Brittany, you know,
• 27:17
  Speaker 1: told Malik about the fact that she knows, she knows,
• 27:20
  Speaker 1: and Malik was like, oh, should have been the one,
• 27:22
  Speaker 1: but I didn't tell you, you know, blah, blah, blah.
• 27:23
  Speaker 1: And he still thinks he has a shot with her, and,
• 27:25
  Speaker 1: you know, but that's Shay, and we basically don't know
• 27:28
  Speaker 1: anything about her. We don't know what her sound of
• 27:29
  Speaker 1: her voice is. And Richie, honey, I didn't even, I...
• 27:33
  Speaker 1: Maybe we've seen that person once.
• 27:35
  Speaker 2: I don't know her. I was like, I don't know
• 27:39
  Speaker 2: who Richie is.
• 27:40
  Speaker 1: And it was interesting because I'm like, sometimes the producers
• 27:44
  Speaker 1: of the show don't know if they want us to
• 27:46
  Speaker 1: care about the people that are not franchise cast members
• 27:50
  Speaker 1: or not. Because if they did, like, why wouldn't they
• 27:55
  Speaker 1: have Gus like let us be introduced to them? But
• 27:57
  Speaker 1: at the same time, then they give us a triple date,
• 27:59
  Speaker 1: which felt like no reason to do so. Because if.
• 28:06
  Speaker 2: Shay or Richie.
• 28:10
  Speaker 1: At least gave us one weird nugget of gossip that
• 28:13
  Speaker 1: was going to now inform the next part of the storyline.
• 28:16
  Speaker 2: We could be like, wink, wink, producers, we get why
• 28:17
  Speaker 2: you put them there. But that's not what happens.
• 28:19
  Speaker 1: They're all in this boat and they're all just literally
• 28:21
  Speaker 1: vilifying Emma, just talking shit about Emma. You know, everyone's like,
• 28:24
  Speaker 1: we hate Emma. I hate Emma. You hate Emma.
• 28:27
  Speaker 2: I hate Emma.
• 28:27
  Speaker 1: What did Emma do? Honey, she pulled JT aside and
• 28:31
  Speaker 1: was like, how do you like Kara? Does it bother
• 28:34
  Speaker 1: you that Kara goes into Jamal's room late at night
• 28:37
  Speaker 1: at 4 a.m.? It bothers me. Like, that's what you know,
• 28:40
  Speaker 1: JT says has been happening. And then this is when
• 28:43
  Speaker 1: Brian's like.
• 28:44
  Speaker 3: That's crazy because she fucking fucked Jamal. And she also
• 28:47
  Speaker 3: like tried to get me to go to her room.
• 28:49
  Speaker 3: And I did, but like, you know. He's like, yeah, yeah,
• 28:56
  Speaker 3: I went, but it was the night that I.
• 28:57
  Speaker 1: Asked her on a date.
• 28:57
  Speaker 3: So I was just trying to figure out like what's happening.
• 28:59
  Speaker 3: But you know what?
• 29:00
  Speaker 1: Now that I think about it, I'm really mad at Emma. Yeah,
• 29:02
  Speaker 1: I'm mad that she... asked me if I was willing
• 29:06
  Speaker 1: to lay down on the ground for her to twerk
• 29:09
  Speaker 1: over me. And I said, yes. And then she asked
• 29:13
  Speaker 1: if I could, she could kiss me. And I said, yeah, like, okay.
• 29:19
  Speaker 1: Convenient of you now to be mad. He's like, I'm
• 29:21
  Speaker 1: mad because she didn't care about my feelings.
• 29:24
  Speaker 3: And I just have a horrible history of men, of
• 29:26
  Speaker 3: women not caring about my feelings.
• 29:28
  Speaker 2: And my mom didn't care about my feelings. And my
• 29:30
  Speaker 2: last girlfriend cheated on me.
• 29:31
  Speaker 1: Women don't care about me. My name is Brian. Women don't.
• 29:34
  Speaker 1: And everyone's like, oh my God. But unfortunately, Chloe's like, no, Brian, Brian, Brian, Brian, Brian.
• 29:40
  Speaker 2: No.
• 29:40
  Speaker 1: Boo, boo, boo.
• 29:41
  Speaker 2: They're like, this is ick. Come on, this is ick.
• 29:49
  Speaker 1: Iris, guess what, got the call that there's a bunch
• 29:51
  Speaker 1: of guys playing ping pong paddle ball. And so she
• 29:56
  Speaker 1: comes out, honey, titties. To the sky, like two suns
• 30:03
  Speaker 1: in an orange triangle. I mean, bathing suit. I can
• 30:07
  Speaker 1: say this, like I have huge breasts and I know
• 30:12
  Speaker 1: you're like, Chris, if you say this one more goddamn time,
• 30:15
  Speaker 1: what are you like?
• 30:16
  Speaker 2: You're a sick person. I get it.
• 30:17
  Speaker 1: It's just that I'm only saying this because I feel
• 30:19
  Speaker 1: bad if I'm talking about women's bodies. And so maybe
• 30:22
  Speaker 1: you don't listen to this episode. This is your first
• 30:24
  Speaker 1: episode of me talking about something. But just so you know,
• 30:27
  Speaker 1: you can't picture me. Picture someone with big tits for
• 30:29
  Speaker 1: me to say, my God, Iris's tits are huge. I
• 30:32
  Speaker 1: love them. I think they're real. They're great. I mean,
• 30:41
  Speaker 1: every time she jumps, honey, she knows. She puts them
• 30:43
  Speaker 1: titties in a bikini all day long. She doesn't even
• 30:47
  Speaker 1: brush her hair. She has no need. She knows that
• 30:50
  Speaker 1: no one looks up there. It is the messiest, just
• 30:55
  Speaker 1: frizziest ponytail and two glorious titties. I mean, those men
• 31:05
  Speaker 1: are like, but they have good sense of their gentlemen.
• 31:08
  Speaker 2: So they leave.
• 31:09
  Speaker 1: Iris to talk alone with steven who looks like a
• 31:14
  Speaker 1: two-year-old in comparison and is the dumbest dumb dumb ever
• 31:18
  Speaker 1: she goes so steven are you sensual and he's like
• 31:22
  Speaker 1: what um uh i don't i mean i know that
• 31:28
  Speaker 1: you like that because you like role play what what
• 31:33
  Speaker 1: do you what did you okay so steven you heard
• 31:38
  Speaker 1: sensual and your mind went kink, kinky? Wildly sexual kinky?
• 31:50
  Speaker 1: What's your sexual, like, I think that sensuality can be like,
• 31:58
  Speaker 1: do you appreciate the present moment sensorily, which is probably
• 32:03
  Speaker 1: why I end all the things with breathing, right? Like,
• 32:06
  Speaker 1: that's what sensual is, but there's also a certain amount
• 32:11
  Speaker 1: of like relishing, having a decadent feast of what is
• 32:19
  Speaker 1: happening presently in the moment. And that can feel gluttonous almost, right?
• 32:24
  Speaker 1: Like words like these, like it almost, it feels indulgent, right?
• 32:27
  Speaker 1: Like that is the idea to me of like what
• 32:29
  Speaker 1: sensuality and that concept means. And yeah, like That is,
• 32:35
  Speaker 1: to me, undeniably hot. There's a sexual element to someone
• 32:38
  Speaker 1: who can get lost in the present moment, who makes
• 32:41
  Speaker 1: a feast of luxuriating in sexual intimacy or the exploration
• 32:48
  Speaker 1: of one's body, someone's body, you know, the connection between
• 32:53
  Speaker 1: the two, like the energy, like that kind of just
• 32:55
  Speaker 1: like living in that and just like, eating that up
• 32:59
  Speaker 1: to me feels sensual, but I don't necessarily feel like
• 33:02
  Speaker 1: that has anything to do with role-playing, which is what
• 33:05
  Speaker 1: that man heard. He's like, yeah, some things can be
• 33:09
  Speaker 1: torturous for me. I'm not into the torture stuff. I'm like,
• 33:11
  Speaker 1: so when she said sensual, you were like, humiliation, pain, subjugation.
• 33:21
  Speaker 2: That's what you heard.
• 33:22
  Speaker 1: That's weird.
• 33:24
  Speaker 2: That's weird. Next scene, they're all pre-partying at the house.
• 33:28
  Speaker 1: They know that they're going to do some salsa dancing lessons.
• 33:32
  Speaker 1: Michael asks Kay out on a date because he's like,
• 33:34
  Speaker 1: you know what? She's asked me a question.
• 33:36
  Speaker 2: That's my bar. She's literally asked me a question. I
• 33:41
  Speaker 2: asked her what her life was like. She was a
• 33:44
  Speaker 2: TSA agent. She asked me what my Nigerian name was,
• 33:46
  Speaker 2: and I'm like, you know what?
• 33:47
  Speaker 1: Fine. Yeah.
• 33:49
  Speaker 2: He's like, you know, I want to ask you on
• 33:50
  Speaker 2: a date. She's like, okay.
• 33:51
  Speaker 5: They hug.
• 33:52
  Speaker 1: I mean, he doesn't give... Again, doesn't give... a lot
• 33:55
  Speaker 1: of sexual things. And maybe he doesn't have to, maybe
• 33:57
  Speaker 1: there's a slow burn and that's how friends work. Jamal
• 34:00
  Speaker 1: and Kara talk in her room. Obviously she comes back
• 34:02
  Speaker 1: from the boat and she got all the goss about
• 34:06
  Speaker 1: supposedly what JT told them Emma said. And so Jamal's
• 34:11
  Speaker 1: there like pouty. And then he's like, brings Emma and
• 34:14
  Speaker 1: he's like, Emma, Kara has to talk to you.
• 34:16
  Speaker 2: And Emma's like, what?
• 34:18
  Speaker 1: And Kara's like, well, JT said that you've been talking shit.
• 34:23
  Speaker 1: The funny thing about Kara is that Kara in her
• 34:26
  Speaker 1: confessional was like, why does Emma care about what I'm doing?
• 34:31
  Speaker 1: She should stop caring about my relationships. The only person
• 34:34
  Speaker 1: that should Kara about Kara is Kara.
• 34:37
  Speaker 2: And the world. Any person that pays for me at OnlyFans,
• 34:41
  Speaker 2: but those people.
• 34:44
  Speaker 1: Not her. She never actually denies that she wants to
• 34:47
  Speaker 1: hook up with Jamal or be in a relationship with
• 34:49
  Speaker 1: Jamal at all.
• 34:50
  Speaker 2: She does the opposite.
• 34:50
  Speaker 1: She doesn't deny that. Um, Emma was just like, oh
• 34:57
  Speaker 1: my God, that's crazy. That that's what was told to everyone.
• 35:00
  Speaker 1: And why is everyone talking about me, Emma, the hot
• 35:02
  Speaker 1: one with the wig on all the time? Why is
• 35:04
  Speaker 1: everyone making it about me? The main character of any story,
• 35:06
  Speaker 1: my story, everyone's story, this season, you guys, your boat,
• 35:09
  Speaker 1: your stupid date. I love it. She's like, it's JT.
• 35:14
  Speaker 1: JT was the one that told me that. So now,
• 35:18
  Speaker 1: unfortunately we have to like get to the bottom of that.
• 35:21
  Speaker 1: But don't worry, it's not going to happen in a
• 35:23
  Speaker 1: timely fashion. Because obviously production was like, you guys, salsa
• 35:26
  Speaker 1: dance is happening, but get there anytime you want. And you,
• 35:29
  Speaker 1: Jamal and Emma, make sure you're running late. So Kara
• 35:36
  Speaker 1: also reveals to Emma that Chloe said that she has
• 35:41
  Speaker 1: been putting space in between her and Emma, which by
• 35:44
  Speaker 1: the way, has happened to the past 10 hours. This
• 35:47
  Speaker 1: is like 10 hours. And Emma is so upset. Like
• 35:50
  Speaker 1: my bestie, what? That sucks. We were so close. And
• 35:54
  Speaker 1: of course, Chloe's like, no, I told Emma that I
• 35:57
  Speaker 1: had like top three people I liked here.
• 35:59
  Speaker 2: And Brian was one of them. And then of course
• 36:00
  Speaker 2: we saw what happened with Brian. So you think about fuck.
• 36:02
  Speaker 1: So Obviously, a Chloe versus Emma showdown is about to happen.
• 36:08
  Speaker 1: But not before Rosvin's like, let me see. I'm on
• 36:12
  Speaker 1: to my second string. Why don't we try Paola? And
• 36:15
  Speaker 1: he brings Paola in and then he starts like dancing
• 36:17
  Speaker 1: with Paola. And then we see their salsa dancing lessons.
• 36:21
  Speaker 1: And Steven gets to dance with Iris. And Steven is stiff.
• 36:25
  Speaker 1: I mean, stiff man, honey. That is a stiff guy.
• 36:30
  Speaker 1: No fluidity, honey. I mean, not sensual, not essential.
• 36:37
  Speaker 2: You can tell.
• 36:38
  Speaker 1: Yeah, she should have just waited to see how he danced.
• 36:41
  Speaker 2: He's in his head. He's awkward.
• 36:52
  Speaker 1: Going back to Jamal and Emma. Yeah. They literally, in
• 36:58
  Speaker 1: a confessional, seemingly make Jamal go over everything for us,
• 37:02
  Speaker 1: as if someone who has not enjoyed the season thus
• 37:05
  Speaker 1: far and has almost fallen asleep is in act four
• 37:09
  Speaker 1: of this episode and then has to be reminded of
• 37:11
  Speaker 1: what is about to go down.
• 37:13
  Speaker 2: And it's like, oh, my God.
• 37:14
  Speaker 1: And then basically, then we get Jamal being like, you
• 37:17
  Speaker 1: know what? Let me just tell you, if anyone stares
• 37:20
  Speaker 1: at you, Emma, or says anything, I'm going to.
• 37:22
  Speaker 2: Start a fight. And we're like, are you?
• 37:27
  Speaker 1: With who? Steven? Chloe? Is that who you're going to
• 37:31
  Speaker 1: try and fight?
• 37:34
  Speaker 2: Fight Skylar.
• 37:38
  Speaker 1: I don't know. There's not a lot of big strapping
• 37:41
  Speaker 1: guys there. I forget that Jamal's tall, but he still
• 37:43
  Speaker 1: doesn't feel like he's a good fighter to me. I
• 37:44
  Speaker 1: don't think he could take someone, but you know. So Kara,
• 37:51
  Speaker 1: of course, is with everyone else. Everyone else is at
• 37:53
  Speaker 1: the event and of course, Jamal. Emma and Jamal are
• 37:56
  Speaker 1: waiting for an entrance that producers again, surely isn't holding
• 37:59
  Speaker 1: them back for. And Kara tells everyone about the fact
• 38:02
  Speaker 1: that Emma now has said it's JT. And basically Kara
• 38:06
  Speaker 1: has been trying to, and has had help by Emma
• 38:09
  Speaker 1: and Jamal to turn the house against them completely. And
• 38:12
  Speaker 1: the whole house does hate them. And of course, that's
• 38:15
  Speaker 1: what's annoying to me that Jamal was told to be like, yeah,
• 38:18
  Speaker 1: I'm going to fight him. It's like, we don't need
• 38:20
  Speaker 1: to be really heavily handed this house versus couple situation. drama.
• 38:25
  Speaker 1: It just feels, you know, a little intense. And they
• 38:29
  Speaker 1: of course are running late and the season, or sorry,
• 38:31
  Speaker 1: the episode ends with their entrance and Chloe kind of
• 38:35
  Speaker 1: being like, Oh no.
• 38:41
  Speaker 2: I really need them.
• 38:43
  Speaker 1: I don't know what's going to happen this season because
• 38:45
  Speaker 1: this already seems fake.
• 38:46
  Speaker 2: And this is before like people get kicked off.
• 38:51
  Speaker 1: I just, I wonder if like things start to actually
• 38:54
  Speaker 1: really happen and then they just somehow forego, thankfully, the
• 38:57
  Speaker 1: storyline that they enacted. I just can't imagine that someone
• 39:01
  Speaker 1: would actually like go along with being kicked off a
• 39:03
  Speaker 1: show seemingly for being racist only because do you feel
• 39:07
  Speaker 1: like that's like, you know, come back from, I think that,
• 39:10
  Speaker 1: but that's because I don't want to be perceived as racist.
• 39:13
  Speaker 1: So I think it's career ending, but you know, just me. Um,
• 39:19
  Speaker 1: you guys, thank you so much for hanging out with
• 39:21
  Speaker 1: me on this day of days. Any day hunt for love.
• 39:25
  Speaker 4: I really appreciate the sensual time we've experienced together. These
• 39:31
  Speaker 4: intimate moments where we've explored each other in ways, really
• 39:36
  Speaker 4: made a feast, indulging in the smells and tastes of
• 39:44
  Speaker 4: each other.
• 39:44
  Speaker 1: Disgusting.
• 39:45
  Speaker 2: I'm so sorry. I'll stop.
• 39:47
  Speaker 1: But we're going to breathe together and do our whole thing.
• 39:49
  Speaker 1: But before that, please give me five stars.
• 39:51
  Speaker 2: It really helps me.
• 39:51
  Speaker 1: These are like free things you can do to help me.
• 39:53
  Speaker 1: It's just like an algorithm engagement. I wish I didn't
• 39:55
  Speaker 1: have to ask for it. Believe me, I would be
• 39:58
  Speaker 1: happier if I didn't have to want likes. I'm already
• 40:03
  Speaker 1: in therapy for people pleasing. You want to be someone
• 40:07
  Speaker 1: asking to be liked on the internet? It's horrible. Talk
• 40:10
  Speaker 1: about the ick.
• 40:11
  Speaker 2: It's cringe. I already hate being vulnerable. It's the worst.
• 40:14
  Speaker 2: But however, at the same time, please follow me. Please
• 40:15
  Speaker 2: like me.
• 40:16
  Speaker 1: Please comment. Please share me amongst your friends. You know
• 40:19
  Speaker 1: what it is. The podcast Vanity Fair. Every listen to podcasts, certainly.
• 40:24
  Speaker 1: Or you can also follow me and see the visuals.
• 40:26
  Speaker 1: You can pay me $ 5. Really helps.
• 40:28
  Speaker 2: Ad free.
• 40:29
  Speaker 1: Patreon.com slash Chris Farah. Also, you can go to YouTube
• 40:33
  Speaker 1: and hang out with me. I do lives there on,
• 40:35
  Speaker 1: you know, my Chris Farah YouTube.
• 40:37
  Speaker 2: Also at Chris Farah across all social medias. Well, not
• 40:41
  Speaker 2: all of them. Not only fans. That's fine.
• 40:46
  Speaker 1: Um, at Chris O'Fara on TikTok and on Instagram, you
• 40:49
  Speaker 1: know how it is. Also Facebook, Chris Fara and the
• 40:52
  Speaker 1: group Vanity Fara on Facebook, hand to heart. Bring ourselves
• 40:56
  Speaker 1: in the present moment. Yeah. Like if you've been, you know,
• 40:58
  Speaker 1: thinking about how to use this present moment shit, the
• 41:01
  Speaker 1: next time that you're like sexually intimate or sexual, just
• 41:04
  Speaker 1: try and like feel this person's skin and then just
• 41:08
  Speaker 1: focus on being in the present moment at all times
• 41:12
  Speaker 1: as like a weird exercise. but don't tell them. Just
• 41:17
  Speaker 1: gaze in their eyes. And then if they start asking
• 41:21
  Speaker 1: you if anything's wrong, just be like, nothing. Chris Vera
• 41:29
  Speaker 1: taught me this. No, just kidding. Okay.
• 41:31
  Speaker 2: Two breaths. I'm sorry.
• 41:32
  Speaker 1: This is really true. We're all here in the present moment.
• 41:35
  Speaker 1: I'm not going to make any more jokes. Thank you
• 41:36
  Speaker 1: so much for hanging out with me. Let's give ourselves
• 41:39
  Speaker 1: just these two breaths, two gifts in this moment for
• 41:44
  Speaker 1: this day. Don't think about the past and don't plan
• 41:46
  Speaker 1: for the future, but hang out here now. Hi. Okay.
• 41:52
  Speaker 2: Out in, out in, out, I guess.
• 42:19
  Speaker 4: Yay.
• 42:20
  Speaker 2: All right, babes. Take care of yourselves and one another.
• 42:22
  Speaker 2: Stand up for what you believe. Make art. And I'll
• 42:24
  Speaker 2: talk to you later.
• 42:25
  Speaker 1: Bye.