Latest / Crime Stories with Nancy Grace / Body Bags with Joseph Scott Morgan: The Cruel Deaths of Leno and Rosemary LaBianca
Transcript
- 0:08Speaker 1: Bodybags with Joseph Scott Morgan. The song Home Sick is
- 0:21Speaker 1: a song from my youth. It resonates in my ears,
- 0:25Speaker 1: came out in the seventies and if you've never heard it,
- 0:27Speaker 1: it kind of takes you back on a bit of
- 0:30Speaker 1: a time travel if you will. I love ars. Other
- 0:33Speaker 1: people have recorded I think Travis Tript recorded it or
- 0:36Speaker 1: re recorded it, but it takes you back in time
- 0:40Speaker 1: to that moment you begin to think as kids, as
- 0:43Speaker 1: kids of the sixties, where were you well. I was
- 0:45Speaker 1: just a little thing back then. I was playing in
- 0:49Speaker 1: the backyard of my grandparents' house, where I lived most
- 0:52Speaker 1: of the time. It was a very people It's a
- 0:54Speaker 1: well worn phrase. People say it's very innocent time, and
- 0:57Speaker 1: it was for me, playing in my sandpile, enjoying life
- 1:02Speaker 1: in the Deep South. The further thing from my mind
- 1:05Speaker 1: back then was probably mass homicide in the news nationally.
- 1:11Speaker 1: It sent a chill down everyone spote of the horrors
- 1:16Speaker 1: that were revealed back in nineteen sixty nine, of what
- 1:21Speaker 1: was going on in Alick County, particularly as it applied
- 1:25Speaker 1: to the Manson family. Today owned body Bags. We're going
- 1:29Speaker 1: to turn back the page a little bit and we're
- 1:32Speaker 1: going to re examine the murders of the Lobiyankas.
- 1:37Speaker 2: August eleventh, nineteen sixty nine, Rosemary Labianca's teenage son discovers
- 1:43Speaker 2: the brutal murders carried out by three of Charles Manson's
- 1:46Speaker 2: followers the night before. Leno LaBianca had been stabbed twelve
- 1:50Speaker 2: times with a knife or bayonet and seven times with
- 1:54Speaker 2: a two tined carving fork, leaving fourteen puncture wounds in
- 1:58Speaker 2: his abdomen, was still stuck in his abdomen, and a
- 2:03Speaker 2: kitchen knife pierced his throat. The word war had also
- 2:07Speaker 2: been carved into his abdomen. Rosemary Lebianca had a total
- 2:11Speaker 2: of forty one stab wounds on the front and back
- 2:14Speaker 2: of her body, and autopsy showed that many of the
- 2:17Speaker 2: wounds were post mortem.
- 2:19Speaker 1: I'm Joseph Scott Morgan and this is body bags. Hey,
- 2:26Speaker 1: Dave mac where were you in sixty nine?
- 2:29Speaker 3: I was a very very young child. This murder, the
- 2:33Speaker 3: Tate Lobianca murders, as they are commonly referred to, I
- 2:37Speaker 3: had actually impacted my life on a personal level and
- 2:40Speaker 3: professionally over the years because I lived in that area
- 2:43Speaker 3: when this happened. I was born and raised in southern California,
- 2:47Speaker 3: born in Hawthorne and raised in Orange County predominantly. But anyway,
- 2:50Speaker 3: when this happened, here's the thing that people may or
- 2:53Speaker 3: man I know and Joe you might not know. It
- 2:55Speaker 3: happened August eighth, August ninth, nineteen sixty nine. Think about
- 2:59Speaker 3: some of the things that was actually happening in the
- 3:01Speaker 3: world a couple weeks earlier. Neil Armstrong Man on the Moon.
- 3:05Speaker 1: You bet, buddy, I remember it. I remember watching on
- 3:08Speaker 1: black and white television my grandparents' house. It was a
- 3:11Speaker 1: magical thing.
- 3:12Speaker 3: So that's a huge deal. Made everybody, I mean just
- 3:15Speaker 3: made everybody feel like anything's possible. And a week after
- 3:19Speaker 3: the murders, what else happened? Wouldstock in New York right,
- 3:23Speaker 3: so imagine and by the way, and mixed into this
- 3:26Speaker 3: same time period Chap Equittic and Teddy Kennedy, So we
- 3:31Speaker 3: had a lot going on in the United States of
- 3:33Speaker 3: America at the time that Rosemary and Leno Labianco were murdered.
- 3:40Speaker 3: It impacted my life because being in southern California when
- 3:44Speaker 3: Sharon Tate along with her friends and off the top
- 3:47Speaker 3: of my head, I remember it was Abagail Folger and
- 3:49Speaker 3: Voytek Freikowski, Jay se Bring and then they had the
- 3:54Speaker 3: like a guy that was like the yardkeeper. Anyway, that
- 3:57Speaker 3: was such a big deal because first of all, Sharon
- 3:59Speaker 3: Tate was a buful model. She was an actress married
- 4:01Speaker 3: to Roman Polanski, the master of the macabre. Because of
- 4:04Speaker 3: Rosemary's Baby. You start thinking about how all these things
- 4:07Speaker 3: kind of come together, and it's like crazy time. But
- 4:11Speaker 3: the next night the Labyancas, and that was fear in
- 4:16Speaker 3: the hearts of people. Sharon Tate and celebrity rich people
- 4:19Speaker 3: getting murdered is one thing, but the Lobyancas were looked
- 4:23Speaker 3: at as just regular people like the rest of us,
- 4:25Speaker 3: and now nobody's safe.
- 4:27Speaker 1: There's one little interesting factoid I think that some people
- 4:31Speaker 1: might not be aware of, and I got it to
- 4:34Speaker 1: give you an idea, a measure for how innocent Tim's
- 4:38Speaker 1: were when the Labyanka's bodies were actually discovered that cannot
- 4:46Speaker 1: get access to the home, that is the family that
- 4:51Speaker 1: they were trying to open the door to get in.
- 4:54Speaker 1: Guess where they got the key from to unlock the
- 4:57Speaker 1: door to get into the house under the mat No,
- 5:01Speaker 1: they went and dig this just for a second. They
- 5:04Speaker 1: went out to the vehicle parked in the driveway, and
- 5:09Speaker 1: the keys were in the ignition, and they take the
- 5:13Speaker 1: key out of the ignition and make access to this
- 5:16Speaker 1: house with that key. And can you just imagine when
- 5:21Speaker 1: Rosemary Labanca's children went into this environment and they see
- 5:28Speaker 1: these words scrawled in blood on the walls, on the doors.
- 5:34Speaker 1: I think, most famously the words helter skelter. By the way,
- 5:38Speaker 1: I think it was misspelled. And there's several interesting things
- 5:41Speaker 1: about this is because some people think that it was
- 5:44Speaker 1: intentionally misspelled. There were little clues along the way. I
- 5:47Speaker 1: don't know if any of these people were that sophisticated.
- 5:51Speaker 1: You walk in and you see this horror show, and
- 5:54Speaker 1: it was truly a horror show. Lots and lots of
- 5:57Speaker 1: blood evidence at the scene, and I don't know that
- 6:00Speaker 1: you could necessarily take the measure of it. You have
- 6:02Speaker 1: the police coming off the so called Tate homicides on
- 6:06Speaker 1: CLO and then you walk into this environment, and you know,
- 6:09Speaker 1: there was resistance at first by the police to at
- 6:15Speaker 1: least publicly show any kind of connectivity between what had
- 6:20Speaker 1: happened previously with Sharon Tate and that group of people,
- 6:25Speaker 1: and then what had happened with the Labiancas, and it
- 6:29Speaker 1: all goes to what was trying to be accomplished here.
- 6:33Speaker 1: I think with the police one of the biggest things
- 6:35Speaker 1: for them is they were trying to prevent a panic
- 6:38Speaker 1: because can you imagine what those conversations were like, you know,
- 6:41Speaker 1: in the detective bureau when you've got arguably two blood
- 6:46Speaker 1: baths that have taken place, and you've got the shadow
- 6:50Speaker 1: of celebrity that's kind of hanging over both of these events,
- 6:55Speaker 1: with Sharon Tate and everyone up on Colo, and then
- 6:57Speaker 1: you've got the Lobyancas. Okay, so they're starting up here
- 7:01Speaker 1: in relative to the celebrities. Now they're going out here
- 7:05Speaker 1: where the rest of us mix and mingle, the mere
- 7:07Speaker 1: mortals among us.
- 7:09Speaker 3: And the one thing to think of again, nineteen sixty
- 7:11Speaker 3: nine was a different time and the way we lived
- 7:14Speaker 3: the Tate Lobianca murders. Joe, we could actually spend all
- 7:17Speaker 3: of today, tomorrow the next day talking just about these murders,
- 7:22Speaker 3: and we would go for twenty four hours a day
- 7:25Speaker 3: for the next few d and wouldn't finish. There's too much.
- 7:27Speaker 3: So focusing on the Labyancas, they were married couple. They
- 7:34Speaker 3: actually were the next day, meaning the day after the
- 7:38Speaker 3: Tate murders had taken place. And the reason it's in
- 7:42Speaker 3: the news this week is because Leslie Van Howden actually
- 7:46Speaker 3: was released from prison after fifty some odd years. Now
- 7:50Speaker 3: here's the kick, Joe, and you've been around crime scenes
- 7:53Speaker 3: and murders for a long time. I really want to
- 7:56Speaker 3: hear your explanation of what police were looking at when
- 8:01Speaker 3: they got to the scene of the crime. But the
- 8:03Speaker 3: bottom line is with Leslie van Houghten being a Manson
- 8:07Speaker 3: family member, one of the women, well she actually only
- 8:10Speaker 3: was involved in the Labyanca murders. She was not at
- 8:14Speaker 3: the previous night's activities. At the Lobyanca crime scene, you
- 8:18Speaker 3: had Tex Watson, he and Charlie Ye And by the way,
- 8:21Speaker 3: Charlie Manson was not at the Tape murders. He was, however,
- 8:26Speaker 3: at the Lobbyanca house.
- 8:28Speaker 1: At the house, but he beat feet before the actual
- 8:31Speaker 1: event occurred.
- 8:33Speaker 3: Right they get there. Well, I'm gonna skip through this
- 8:35Speaker 3: real fast. Charlie Manson had convinced these young people that
- 8:39Speaker 3: a race war was coming and they needed to have
- 8:42Speaker 3: a safe place out in the desert, which is why
- 8:44Speaker 3: they were maneuvered out there. In reality, they were out
- 8:47Speaker 3: there because they'd been stealing volkswagons and converting them into
- 8:50Speaker 3: doom buggies and selling them, and the heat was getting hot,
- 8:52Speaker 3: and so they wanted to get out of town. And
- 8:55Speaker 3: Charlie went there and in their drug whatever decided that
- 9:00Speaker 3: they needed to commit crimes. The Manson family that would
- 9:03Speaker 3: they needed to commit murders that didn't make sense. That's
- 9:06Speaker 3: what the La Beiyanca murder was all about, a murder
- 9:09Speaker 3: that didn't make any sense and would cause fear and
- 9:13Speaker 3: panic in people. And Leslie Van Henton said that in
- 9:17Speaker 3: her own words. By the way, I actually listened to
- 9:19Speaker 3: this yesterday in preparation for the show and heard her
- 9:23Speaker 3: in nineteen seventy one talking to her new lawyer. He said,
- 9:27Speaker 3: how are you going to start a revolution? She actually said,
- 9:29Speaker 3: Joe by committing a senseless murder, which is exactly what
- 9:35Speaker 3: Leno and Rosemary LaBianca. It was just a murder. But
- 9:39Speaker 3: anyway I mentioned, Charles Manson was not at the Tate House, well,
- 9:42Speaker 3: he was at the Labyankas. Charles Manson and Text Watson
- 9:45Speaker 3: go inside the La Bianca's house. And by the way,
- 9:48Speaker 3: these mental giants. The Manson family. They've been driving around
- 9:52Speaker 3: for a couple hours looking for a place that they
- 9:54Speaker 3: could go in and commit this heinous act. Right they
- 9:57Speaker 3: didn't find one right away, and so Leslie van out
- 10:00Speaker 3: and said she fall asleep in the car as they
- 10:02Speaker 3: were driving around. When she woke up, Charles and Tex
- 10:06Speaker 3: Watson had gone in the house and they'd already tied
- 10:08Speaker 3: up Leno and Rosemary Labiyanca. They found Lino on the
- 10:11Speaker 3: couch in the living room in the den, and so
- 10:14Speaker 3: they tied him up, and then Charlie Manson went in
- 10:18Speaker 3: and they got Rosemary out of bed, she was already
- 10:20Speaker 3: in bed, got her up and you know, sign of
- 10:23Speaker 3: the Times, maybe Joe. But before they brought Rosemary Lobyanka
- 10:28Speaker 3: out of the bedroom, she was already in her night clothes.
- 10:31Speaker 3: And do you know what she did? And they let
- 10:33Speaker 3: her They let her put on a dress. Rosemary Lobianca
- 10:37Speaker 3: was allowed to put on a dress over her night clothes,
- 10:41Speaker 3: to be dressed appropriately for what she thought was just
- 10:44Speaker 3: a robbery. Charles Manson and Text Watson said, you're not
- 10:46Speaker 3: going to be hurt. We just want your money. So
- 10:49Speaker 3: they got the cash and then Charlie goes outside, they
- 10:53Speaker 3: send the girls in. They sent Leslie van Houghton and
- 10:56Speaker 3: Patricia Crinwinkle to go in and kill Rosemary Lobby.
- 11:01Speaker 1: One interesting little aside here is that you think about
- 11:04Speaker 1: Manson and kind of how he had been prepping this crew.
- 11:08Speaker 1: That's the way you have to look at it. It's
- 11:09Speaker 1: an organized crime venture, is what it comes down to.
- 11:13Speaker 1: Because they were a collection of thieves, is essentially what
- 11:17Speaker 1: they were. And of course they're fueled by asurgic acid
- 11:20Speaker 1: to a great degree. You know, it's been well documented
- 11:23Speaker 1: stated that they would drop LSD. There's some people that
- 11:26Speaker 1: have actually opined that Manson himself would fake taking LSD
- 11:35Speaker 1: and then everybody else would have it on board and
- 11:38Speaker 1: he could influence them and begin to talk to them
- 11:41Speaker 1: when they're tripping essentially. But one of the things that
- 11:44Speaker 1: he would do, to give you back to this idea
- 11:46Speaker 1: of thievery, this being a theft ring, is that he
- 11:50Speaker 1: introduced them to something called creepy crawling. He would actually
- 11:54Speaker 1: have these people go out and purposefully go into residences
- 12:00Speaker 1: in a stealth like manner, and the trick was not
- 12:04Speaker 1: to be caught, and they would go in and perhaps
- 12:06Speaker 1: rearrange things and not necessarily take anything, but just to
- 12:11Speaker 1: kind of hone these skills so that they could go
- 12:14Speaker 1: in and commit thievery, stealing, if you will, burglary and
- 12:19Speaker 1: not be caught. I think here's the big question though,
- 12:23Speaker 1: If that's the case, what is it that would motivate
- 12:29Speaker 1: a band of thieves that lived out in the desert,
- 12:33Speaker 1: away from society. What is it that caused them to
- 12:37Speaker 1: commit such a horrible, horrible crime. There's a couple of
- 13:02Speaker 1: classic images, black and white photography of the exterior of
- 13:07Speaker 1: the scene up on Siela, where the Tate home was
- 13:12Speaker 1: and where that multiple homicide took place. In One that
- 13:17Speaker 1: really jumps to mind is there's an image of one
- 13:19Speaker 1: of my heroes at the scene, and that's doctor Tom Magucci,
- 13:23Speaker 1: who was with the Medical Examiner corner back during that
- 13:27Speaker 1: time at Los Angeles, probably arguably one of the greatest
- 13:30Speaker 1: forensic pathologists that's ever worked in my way of estimation.
- 13:35Speaker 1: But he was at the scene and what he bore
- 13:38Speaker 1: witness to there. He's talked about or had talked about
- 13:42Speaker 1: previously on many occasions at the Tate residence. Horrible things
- 13:47Speaker 1: had happened, obviously over the years and we see this
- 13:51Speaker 1: carnage that erupts from time to time, but I don't
- 13:54Speaker 1: know that anybody could really fully appreciate what they were
- 13:58Speaker 1: seeing then and try to make sense of it, the
- 14:02Speaker 1: level of brutality. And so one interesting little point bringing
- 14:07Speaker 1: it back to the Lobbyanca double homicide is that apparently
- 14:12Speaker 1: at first the investigators really were thinking that they might
- 14:17Speaker 1: be dealing with a copycat crime. That the word had
- 14:22Speaker 1: leaked out at that point in time about how horrific
- 14:25Speaker 1: the Tate homicides were, and then you see this horror
- 14:29Speaker 1: show that takes place at the Lobbyanca household. They're thinking, Okay,
- 14:34Speaker 1: somebody read about this and they just wanted to see
- 14:36Speaker 1: if they could duplicate it. What do you think about that, Dave.
- 14:39Speaker 3: I lived there in this area at that time as
- 14:42Speaker 3: a young child, And one of the things that I
- 14:45Speaker 3: think people forget it's about copycat crimes. There was so
- 14:48Speaker 3: much made about Sharon Tate because she was eight and
- 14:52Speaker 3: a half months pregnant when she was murdered, and this
- 14:54Speaker 3: was a horrible crime scene and it was splashed everywhere.
- 14:58Speaker 3: And then you have this normal middle class Rosemary and
- 15:01Speaker 3: Lena LaBianca being murdered, and there was some thought that
- 15:05Speaker 3: copycat crimes were going to occur. My family personally, we
- 15:08Speaker 3: were moving into a a different home, a bigger home.
- 15:12Speaker 3: In the process of the move Joe Scott Morgan, I
- 15:14Speaker 3: remember going to that house on our move in was
- 15:17Speaker 3: delayed for some reason. I was a kid, I don't
- 15:19Speaker 3: you know. I didn't know why at the time, but
- 15:21Speaker 3: I know that when we got there the week after Halloween,
- 15:25Speaker 3: you could still see the chalk outline in the next
- 15:27Speaker 3: door neighbors driveway where a dead body had been. We
- 15:31Speaker 3: didn't know if it was actually a Halloween prank or
- 15:35Speaker 3: if there was a copycat murder, because that's what we
- 15:39Speaker 3: were all talking about at the time. One thing people
- 15:41Speaker 3: need to know is that while the murders took place
- 15:45Speaker 3: August eight, nine ten, the Tate Lobianca murders, that they
- 15:49Speaker 3: were not caught right away. It was actually a couple
- 15:52Speaker 3: of months, and there was a lot of tabloid journalism
- 15:56Speaker 3: at work and a lot of very poorly researched information,
- 15:59Speaker 3: so it was a lot of lies. A lot of
- 16:01Speaker 3: myths were being created at the time. But when you
- 16:04Speaker 3: get right down to it, there were only three people
- 16:06Speaker 3: inside the house for the lobbyancas that actually committed the murders,
- 16:10Speaker 3: and that's Tax Watson, Patricia Crinwinkle, and Leslie van Houghton,
- 16:15Speaker 3: Charles Manson. He did go in the house and he
- 16:18Speaker 3: in text tied up Leno and Rosemary Lobyanca, but Charles
- 16:23Speaker 3: left because he's that kind of guy. And he told
- 16:27Speaker 3: them the night before at the Tate resident that it
- 16:30Speaker 3: had been very messy, and he said, don't you know,
- 16:33Speaker 3: let's make it more clean. And when he of course,
- 16:36Speaker 3: he takes off with other members of the family there
- 16:40Speaker 3: and he leaves the job of murder up to Patricia
- 16:44Speaker 3: cram with Leslie van Houghton, who were supposed to take
- 16:46Speaker 3: out Rosemary and tex who was supposed to take out Leno.
- 16:49Speaker 3: When it actually happened, Leslie van Houghton had never killed
- 16:52Speaker 3: anybody before, and she wrote and talked about some things
- 16:56Speaker 3: that I'm kind of I'm hoping you'll explain this to us.
- 16:59Speaker 3: She actually pointed out some things that were just horrific
- 17:01Speaker 3: to me. But setting the stage inside the house, Lino
- 17:05Speaker 3: and Rosemary LaBianca have both been tied up. Their hands
- 17:08Speaker 3: are tied in the case of Rosemary LaBianca, A pillow
- 17:11Speaker 3: case had been placed over her head and it had
- 17:14Speaker 3: been tied off with a lamp cord. But they didn't
- 17:18Speaker 3: bother like rip the cord off the lamp. The lamp
- 17:20Speaker 3: was still attached. So Rosemary LaBianca hands tied up the
- 17:26Speaker 3: pillow case over her head and she's sitting there. Lino meanwhile,
- 17:29Speaker 3: Lebyanka had his hands tied and he also is sitting
- 17:33Speaker 3: and waiting for the robbery to finish, because that's what
- 17:36Speaker 3: they were told. Since Charles Manson and those guys are
- 17:39Speaker 3: down the road, that's when the murder begins. Tex Watson
- 17:42Speaker 3: took charge of killing Lino LaBianca, Patricia Creenwinkle, and Leslie
- 17:46Speaker 3: Van Houghten. It was their job to kill Rosemary in
- 17:50Speaker 3: her bedroom. To Rosemary Labyanca, already we had text Watson
- 17:54Speaker 3: stabbing away on Lino just I mean horrifically. But Leslie
- 18:00Speaker 3: Van Houghton said later that it wasn't new for Text,
- 18:03Speaker 3: he had done this before, he had killed before. For
- 18:06Speaker 3: Leslie Van Houghten to kill Rosemary Labyanca, it was horrific,
- 18:12Speaker 3: to the point that she didn't know what it was
- 18:14Speaker 3: like cutting through human flesh. She thought it would be different.
- 18:17Speaker 3: Joseph Scott Morgan, and I wonder how many of us
- 18:21Speaker 3: because I've never thought about it until I read that,
- 18:23Speaker 3: how many has really thought about what it would be? Like,
- 18:25Speaker 3: what force does it take to actually kill somebody with
- 18:29Speaker 3: a knife. That's a personal thing. If you're shooting somebody,
- 18:33Speaker 3: you can do it from a distance. With a knife,
- 18:36Speaker 3: you're up close and personal. It is very personal. And
- 18:39Speaker 3: so while Leslie Van Houghton and Patricia Creamwinkle are trying
- 18:43Speaker 3: to kill Rosemary Lebyanka in her bedroom, Rosemary fights back
- 18:47Speaker 3: and the lamp cord used to keep that pillow case
- 18:50Speaker 3: on her head, well, the lamp now becomes a weapon.
- 18:53Speaker 3: She can't see, but she was fighting for her life
- 18:56Speaker 3: and winning. She was beating Leslie Van Houghton and Patricia
- 19:00Speaker 3: cremwigill to the point where they yelled protext Watson. He's
- 19:03Speaker 3: in the middle of stabbing Lino and they're like, Tex,
- 19:06Speaker 3: you got to get in here now. He had already
- 19:08Speaker 3: stabbed Lena LaBianca a Lotleno had no fight left in him,
- 19:12Speaker 3: so Tex left him to go back and help them
- 19:16Speaker 3: kill Rosemary Labyanca.
- 19:18Speaker 1: With the participation of Van Houghten. I think that it's
- 19:22Speaker 1: important to remember that she was out of the so
- 19:25Speaker 1: called Manson family. She was one of the youngest members
- 19:29Speaker 1: nineteen at the time, I believe.
- 19:32Speaker 3: High school cheerleader and prince at homecoming princess.
- 19:35Speaker 1: Yeah, from this area of the country as well. She's
- 19:39Speaker 1: one of these kind of people that was kind of
- 19:42Speaker 1: glommed on to Manson. However, later reports say that she
- 19:47Speaker 1: was kind of a leader among these folks, but she
- 19:50Speaker 1: wasn't present when the Tate murders took place. She was
- 19:53Speaker 1: specifically brought in to handle the Lobyancas, these random people
- 19:59Speaker 1: that they had identified. And what's quite interesting when you
- 20:04Speaker 1: begin to kind of explore what happened at this residence
- 20:08Speaker 1: that particular night with Lobyanca, mister Lobianca, all of his
- 20:14Speaker 1: injuries are essentially anterior, which means on the front of
- 20:18Speaker 1: his body, and there are multiple stab wounds to his
- 20:22Speaker 1: neck and to his abdomen, and he died as a
- 20:27Speaker 1: result of massive hemorrhage, which means that every time this
- 20:32Speaker 1: knife is plunged into his body, that you're creating another
- 20:37Speaker 1: channel for blood to kind of seep out, and he's
- 20:40Speaker 1: going to be bleeding out internally. When you begin to
- 20:44Speaker 1: look through the autopsy reports on him. His right carotid artery,
- 20:49Speaker 1: which is the major artery in the neck that essentially
- 20:52Speaker 1: supplies the brain with blood, is the right one on
- 20:57Speaker 1: the right aspect of People will essentially place your index
- 21:01Speaker 1: finger just to the right of your trachea. It's rest
- 21:05Speaker 1: right in this area. So that knife was buried through
- 21:09Speaker 1: that surface into his neck. It's completely what they've referred
- 21:13Speaker 1: to as transsected. In addition to that, he's got a
- 21:17Speaker 1: laceration of his trachea. So if you take that orientation
- 21:22Speaker 1: that we just mentioned about the carotid artery and slightly
- 21:25Speaker 1: move over to the midline which people refer to as
- 21:29Speaker 1: the wind pipe with the trachia, it's lacerated as well,
- 21:33Speaker 1: which means that Dave, this is not just merely a
- 21:38Speaker 1: slice when they say laceration, You've got this kind of
- 21:43Speaker 1: blunting action that's taking the edges and the margins of
- 21:47Speaker 1: this thing. Would not have been very neat and moving
- 21:50Speaker 1: from the top of the body. Just to give you
- 21:52Speaker 1: an idea how extensive this was. They had taken the
- 21:55Speaker 1: knife and buried it into not just his small bowel,
- 21:59Speaker 1: but also his large bowel, into his colon, so you've
- 22:03Speaker 1: got insults that are running the full length of his
- 22:07Speaker 1: upper body, and when the body is received at the morgue,
- 22:12Speaker 1: I can only imagine at that moment in time they're
- 22:15Speaker 1: trying to make sense of One of the things that
- 22:18Speaker 1: you're always asked about with these types of events, are
- 22:21Speaker 1: sequencing in what order did these things actually occur? And
- 22:26Speaker 1: you begin to think about, well, it's not necessarily possible
- 22:30Speaker 1: to be able to tell anyone what sequence they actually
- 22:34Speaker 1: took place in. There's been a lot of as they
- 22:38Speaker 1: used to say, ink slung over the injuries that LaBianca
- 22:42Speaker 1: sustained probably one of the more striking things. Even at
- 22:46Speaker 1: the scene, the corner investigator made note of the fact
- 22:49Speaker 1: that there was some kind of rudimentary engraving on the
- 22:53Speaker 1: surface of this man's abdomen, and the word, as it
- 22:56Speaker 1: turns out, was the word war. This means that the
- 23:00Speaker 1: individual that had done this would have had to have
- 23:04Speaker 1: had the will to sit there and make this happen,
- 23:09Speaker 1: to actually sit there and be able to perhaps tolerate
- 23:14Speaker 1: the sounds of this man as life is leaving his body,
- 23:18Speaker 1: taking the tip of a knife which they believe was utilized,
- 23:22Speaker 1: and making it through the dermis of his skin, so
- 23:27Speaker 1: that the individuals could appreciate that later on when they
- 23:30Speaker 1: walked onto the scene. This goes into areas like motivation,
- 23:33Speaker 1: you know, why would somebody do this? And going back
- 23:36Speaker 1: with our theme here, the idea that back during this
- 23:39Speaker 1: time the police are trying to make sense of this.
- 23:41Speaker 1: And then interestingly enough, one of the things that was
- 23:45Speaker 1: also documented was this idea of the carving fork that
- 23:50Speaker 1: was left behind the individual little points on forks or
- 23:55Speaker 1: referred to as times, well, the times for carving fork,
- 24:00Speaker 1: only two of them. I think that in some of
- 24:02Speaker 1: the media that's out there, these movies that have been
- 24:05Speaker 1: created over the years, I think there was one in particular,
- 24:08Speaker 1: the very graphic where they showed the victim the actor
- 24:12Speaker 1: was stabbed with a fork and it was kind of
- 24:14Speaker 1: bouncing about and that sort of thing. This was actually
- 24:17Speaker 1: a superficial wound. And the corner investigator makes an interesting
- 24:21Speaker 1: point here, and this goes to the larger group of
- 24:25Speaker 1: evidence here in this case where he talks about if
- 24:28Speaker 1: they had not removed that fork, that carving fork from
- 24:35Speaker 1: mister Labianca's abdomen, it could very well have fallen out
- 24:38Speaker 1: and they would have lost the evidence at that moment
- 24:41Speaker 1: in time. For us in forensics, you know kind of
- 24:44Speaker 1: our rule of thumb, and this actually applies in medicine too.
- 24:46Speaker 1: If you ever see these things where people say, well,
- 24:49Speaker 1: if there's an object impaled in somebody's body, don't remove it,
- 24:52Speaker 1: because it's going to If you remove it, you're going
- 24:55Speaker 1: to promote blood flow. Okay, you're creating this kind of
- 24:59Speaker 1: defect in the But for us in forensics, we want
- 25:03Speaker 1: to be able to appreciate an item in sight too,
- 25:07Speaker 1: is what it's referred to as in place rather in place,
- 25:10Speaker 1: so that it can be fully documented and appreciated by
- 25:14Speaker 1: the forensic pathologist. Keep in mind, most of the time
- 25:16Speaker 1: you're not going to have a forensic pathologist at the
- 25:19Speaker 1: scene to see the body in its pristine post mortem state,
- 25:24Speaker 1: So you try to leave any kind of elements that
- 25:27Speaker 1: are in or on the body in place, and that
- 25:30Speaker 1: way it'll be more thoroughly examined at the morgue. And
- 25:32Speaker 1: in this particular case, they actually had to remove it
- 25:35Speaker 1: because they very well could have lost that evidence. And
- 25:39Speaker 1: of course we know that it's significant because it goes
- 25:43Speaker 1: to the behavior of the individual. It wasn't just simply
- 25:48Speaker 1: a knife wound. We're talking about multiple weapons that led
- 25:53Speaker 1: to mister Lobianca's death. Many of the deaths that I've
- 26:17Speaker 1: investigated over the course of my career, for good or bad,
- 26:21Speaker 1: I have an ability of kind of placing myself in
- 26:26Speaker 1: the position of victims, or at least kind of trying
- 26:28Speaker 1: to imagine what they've gone through. With single victims, it's
- 26:33Speaker 1: it's hard, I think, or it's less nuanced when you
- 26:37Speaker 1: have family members that are killed simultaneously. There's something about
- 26:43Speaker 1: from in my case, my own humanity that begins to
- 26:46Speaker 1: think about the relationship that these individuals within a home
- 26:50Speaker 1: like this had La Bianca's. I'm referring to what was
- 26:54Speaker 1: going through their minds at that moment in time, because
- 26:56Speaker 1: you have two people that were apparently have married, they'd
- 27:01Speaker 1: built a life together. Missus Lobianca managed to address store.
- 27:06Speaker 1: Mister Lobianca was a grocery executive. They had built a
- 27:11Speaker 1: home together, not simply a house, but a home, and
- 27:16Speaker 1: they were still involved in their children's lives. And you think,
- 27:20Speaker 1: in those last moments before you leave this earth, what
- 27:23Speaker 1: was going through their mind? The pure horror, the pure terror,
- 27:26Speaker 1: because it's not just what's happening to you. You begin
- 27:30Speaker 1: to kind of imagine what's happening to my loved one,
- 27:34Speaker 1: what's happening to my beloved spouse that might be in
- 27:37Speaker 1: the other room. You're hearing screams, you're hearing commotion, and
- 27:41Speaker 1: maybe not thinking about the pain that's being inflicted upon you,
- 27:44Speaker 1: but about the pain that's being inflicted upon them.
- 27:48Speaker 3: Leno and Rosemary LaBianca had been told when they were
- 27:52Speaker 3: woken up, they were told, this is justin robbery. We're
- 27:55Speaker 3: just taking your money, and you're not going to be hurt.
- 27:57Speaker 3: They were tied up with that in mind. That's what
- 28:00Speaker 3: Text Watson told and that's what Charles Manson told him,
- 28:02Speaker 3: You're not going to be hurt. All the way up
- 28:04Speaker 3: until the point where the killing began, they were told,
- 28:07Speaker 3: you're not going to be hurt. Rosemary LaBianca was in
- 28:10Speaker 3: her bedroom with Leslie Van Holton and Patricia Crinwinkle. She
- 28:13Speaker 3: hears commotion going on while Tex Watson is stabbing Lena LaBianca,
- 28:18Speaker 3: and she asked, what's going on with Lenoleno? Are you okay?
- 28:22Speaker 3: And that's what caused her, Rosemary Labyanka to actually really
- 28:26Speaker 3: fight back hard to the point where Patricia Crinwinkle and
- 28:30Speaker 3: Leslie van Houghton could not control her. They screamed out
- 28:34Speaker 3: for text to get help. Because of Rosemary LaBianca. She
- 28:38Speaker 3: just I don't the heart of that woman. But I
- 28:41Speaker 3: have a question for you, Joe, because I'm curious after
- 28:44Speaker 3: the fact. Could you tell an examination the difference between
- 28:48Speaker 3: a wound being done by Leslie van Houghton and Patricia
- 28:52Speaker 3: Crinwinkle versus a wound created by Tex Watson, who is
- 28:57Speaker 3: obviously going to hit harder. Could you do you tell
- 29:00Speaker 3: a difference between that type of a knife wound that's going.
- 29:04Speaker 1: To be heavily depended day First off, on the instrument
- 29:07Speaker 1: that's used, how robust the instrument is that is being
- 29:11Speaker 1: utilized in order to inflict the injuries, and what structures
- 29:15Speaker 1: this instrument is going to strike. Because it's not, as
- 29:18Speaker 1: we've talked about before on body bags, it's not just
- 29:21Speaker 1: passing through the skin and through the muscle. You have
- 29:25Speaker 1: to think about any kind of bony prominences that are there,
- 29:29Speaker 1: whether it's ribs or the spine. In Miss Lobianca's case
- 29:34Speaker 1: in particular, because her spinal cord is essentially transacted, what
- 29:38Speaker 1: type of force would it take in order to inflict
- 29:42Speaker 1: these There's another important piece to this. There was a
- 29:47Speaker 1: need on the part of the Manson family as it
- 29:50Speaker 1: applied to vin how and I believe, for her to
- 29:53Speaker 1: get her hands dirty. So the question arises, how many
- 29:58Speaker 1: of these insults that that both of these victims, and
- 30:01Speaker 1: Rosemary in particular, because hers were as bad as it
- 30:05Speaker 1: is to talk about carving on Lobianca's body and this
- 30:09Speaker 1: carving knife that was utilized on him in its measure,
- 30:13Speaker 1: I think that Rosemary got the real horror show thrown
- 30:16Speaker 1: at her. Her injuries were over the top. A lot
- 30:19Speaker 1: of that has to go to you were mentioning how
- 30:21Speaker 1: much she fought. She had to be restrained. They had
- 30:24Speaker 1: to guarantee that she was not going to get back
- 30:27Speaker 1: up off of that floor. Most of her injuries are
- 30:30Speaker 1: posterior on her back. You begin to think about that
- 30:35Speaker 1: and the level of force that's used, and also how
- 30:38Speaker 1: many of these injury tracks where she sustained these stab wounds,
- 30:43Speaker 1: how many of these actually had hemorrhage in them, Because
- 30:48Speaker 1: that's the big delineation here for us between this idea
- 30:52Speaker 1: of post mortem and anti mortem injuries. You know, you
- 30:56Speaker 1: think about the anti mortem injuries, these wounds that are
- 30:59Speaker 1: inflicted on her. You think about, well, how many of
- 31:02Speaker 1: these came while she was still alive, and how many
- 31:07Speaker 1: of these happened afterwards. And they're randomized. It's not like
- 31:12Speaker 1: they're necessarily in any particular order or have penetrated specific
- 31:19Speaker 1: anatomical structures and stayed in that particular area. A lot
- 31:24Speaker 1: of the stuff that has occurred to her is randomized.
- 31:27Speaker 1: It's all over her body, so that gives you an
- 31:30Speaker 1: idea of what kind of fight had ensued initially, and
- 31:35Speaker 1: when you begin to look at it, you begin to
- 31:37Speaker 1: think about the horror that was inflicted upon her. What
- 31:41Speaker 1: we do know is that they have enumerated these injuries
- 31:45Speaker 1: and she had sustained I think, if I'm not mistaken,
- 31:50Speaker 1: twenty two insults on the upper portion of her back
- 31:54Speaker 1: and fourteen on the lower portion of her back. And
- 31:58Speaker 1: one of these that gives you idea as to how
- 32:01Speaker 1: much power was involved in this, is that she's got
- 32:06Speaker 1: transsecting injury of her neck. Place your finger at the
- 32:12Speaker 1: base of your skull. The first vertebral body that you
- 32:15Speaker 1: have there is c one that's referred to as the atlas,
- 32:18Speaker 1: and you just think about atlas holding up the world.
- 32:21Speaker 1: From mythology, you go to the second vertebral body, which
- 32:27Speaker 1: is immediately below the atlas, and then the third. There
- 32:31Speaker 1: is a wound that passes between that junction right there,
- 32:37Speaker 1: and the vertebral bodies are some of the most robust
- 32:41Speaker 1: elements in our body as far as the skeletal structure goes.
- 32:45Speaker 1: They transacted that day. That's how much power was involved
- 32:49Speaker 1: in this, which means that that knife passed through in
- 32:52Speaker 1: between those two vertebral bodies and completely transsected her cerebral
- 32:57Speaker 1: spinal cord.
- 32:59Speaker 3: The one thing that I did see with Leslie van
- 33:01Speaker 3: Houghton describing the killing, this is her exact words. I
- 33:07Speaker 3: was supposed to mess her up, and I took the
- 33:09Speaker 3: knife and I started stabbing, and I turned into an
- 33:13Speaker 3: animal almost. I just completely let out on that woman's back.
- 33:19Speaker 3: You just mentioned the wounds on her back, Leslie Van
- 33:22Speaker 3: Houghten talking about I completely let out on that woman's back.
- 33:28Speaker 3: But then she says, it's not like cutting a piece
- 33:31Speaker 3: of meat. It's much tougher. I had to use both
- 33:34Speaker 3: hands and all my pressure and all my strength behind
- 33:38Speaker 3: it to get it in. What actually is she describing there, Joe.
- 33:42Speaker 1: She's in a dominant position. And remember this is not
- 33:46Speaker 1: something she's doing by herself, Dave. There are other people,
- 33:49Speaker 1: other hands involved in this, and she is essentially in
- 33:54Speaker 1: a dominant position. This is a perfect example of what
- 33:58Speaker 1: we refer to as a symmetry in an attack. That
- 34:01Speaker 1: means you've got one individual that's dominant over another. And
- 34:04Speaker 1: what's really the tail of the tape is that since
- 34:07Speaker 1: these injuries are posterior on Rosemary la Bianca's body, that
- 34:13Speaker 1: means that she's faced down more than likely throughout most
- 34:16Speaker 1: of this attack, and you have access to that particular
- 34:20Speaker 1: plane of the body. The knife is being driven downward.
- 34:25Speaker 1: When say, look, if you're ever attacked by a bear,
- 34:28Speaker 1: crawl up into a kind of contract yourself up into
- 34:31Speaker 1: a ball. And one of the reasons is is that
- 34:33Speaker 1: I've often envisioned in my mind that our back is
- 34:37Speaker 1: almost like a turtle shell. We have all of these
- 34:39Speaker 1: bony prominences and structures posteriorly because you know, our ribs
- 34:43Speaker 1: are not just on the front of our body and sides.
- 34:46Speaker 1: They mixed in into the back and they attached to
- 34:50Speaker 1: our spine, and so you've got this kind of rigidity
- 34:54Speaker 1: that comes in well, no wonder she is stating and
- 34:59Speaker 1: has admitted to having to drive this knife through these
- 35:03Speaker 1: bony structures with both hands, and essentially to give you
- 35:08Speaker 1: an idea as to how much force was involved. Not
- 35:12Speaker 1: only do we have this laceration of the spinal cord,
- 35:16Speaker 1: but in addition to that, there was so much force
- 35:20Speaker 1: used during the midst of this attack that Rosemary LaBianca
- 35:26Speaker 1: also sustained injuries of her lung it perforated, along also
- 35:31Speaker 1: her stomach, and in addition to that her spleen was lacerated.
- 35:36Speaker 1: And for what For absolutely what you asked that question,
- 35:39Speaker 1: I think we all do. It's just a random event
- 35:44Speaker 1: that occurred where these two people who had nothing to
- 35:47Speaker 1: do with race wars, had nothing to do with hippie culture,
- 35:51Speaker 1: had nothing to do with anything other than just simply living.
- 35:56Speaker 1: Their lives are gone and now Leslie Van Houghton is free.
- 36:05Speaker 1: I'm Joseph Scott Morgan and this is body Backs