Latest / Aaron Mahnke's Cabinet of Curiosities / Devil in the Details
Transcript
- 0:04Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of
- 0:07Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of
- 0:14Speaker 1: the unexplainable, and if history is an open book, all
- 0:18Speaker 1: of these amazing tales are right there on display, just
- 0:22Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.
- 0:36Speaker 1: Most of us have heard the term devil's advocate used
- 0:39Speaker 1: to describe someone who takes the wrong side of an argument,
- 0:42Speaker 1: knowingly essentially picking the side the devil would take. Longtime
- 0:46Speaker 1: listeners of the show would know that this term originates
- 0:48Speaker 1: in the legal code of the Catholic Church as a reminder.
- 0:52Speaker 1: In order for a saint to be canonized, an expert
- 0:55Speaker 1: needed to take the stand to give their best arguments
- 0:57Speaker 1: for why the person shouldn't become a saint, and the
- 1:00Speaker 1: Latin title for that role was advocatus diabali, the Devil's advocate.
- 1:06Speaker 1: The connection between the devil and legal minutia goes even
- 1:09Speaker 1: deeper than that, though. In fact, the first appearance of
- 1:12Speaker 1: the term satan in the Bible is referring not to
- 1:15Speaker 1: a proper name, but a role being performed by another
- 1:18Speaker 1: heavenly deity. The term satan means accuser or adversary. In
- 1:22Speaker 1: the Book of Job, for example, it is one of
- 1:24Speaker 1: these satans who encourages God to punish the devout Job
- 1:28Speaker 1: to test his faith. According to some scholars, the role
- 1:31Speaker 1: of this satan is not as the cause of all evil,
- 1:34Speaker 1: but as someone who provokes the advocates of good to
- 1:37Speaker 1: prove themselves. And this connection between the concept of the
- 1:40Speaker 1: biblical devil and legal procedure often gets overlooked, likely because
- 1:45Speaker 1: legal scholars and biblical scholars work in quite distinct fields.
- 1:49Speaker 1: Then again, it shouldn't come as a surprise to anyone
- 1:52Speaker 1: that Satan has appeared in legal court documents in the
- 1:55Speaker 1: United States, not as a religious reference, but as a defendant.
- 1:59Speaker 1: In NI teen seventy one, for example, a prisoner in
- 2:02Speaker 1: Pittsburgh's Western Penitentiary decided that the only way out of
- 2:05Speaker 1: this maximum security facility was to take his grievances to
- 2:09Speaker 1: the top. The twenty two year old man filed a
- 2:12Speaker 1: lawsuit not against the state of Pennsylvania or the judges
- 2:15Speaker 1: who had put him in prison, but against the devil himself.
- 2:19Speaker 1: The resulting court case was labeled Gerald Mayo Versus Satan.
- 2:23Speaker 1: And his staff. Mayo alleged that the Devil and his
- 2:25Speaker 1: agents had placed roadblocks in his way that guaranteed that
- 2:29Speaker 1: he would live a miserable life. His life, he claimed,
- 2:32Speaker 1: was a series of misfortunes that could only mean that
- 2:35Speaker 1: he was being set up to fail. Ultimately, the judge
- 2:38Speaker 1: decided to throw the case out, although not for the
- 2:41Speaker 1: reason that you might expect. Instead of flatly labeling the
- 2:44Speaker 1: case ludicrous and not worth hearing at all, the judge
- 2:47Speaker 1: bothered to write up a procedural reason for dismissing the case.
- 2:51Speaker 1: In his ruling, he determined that Gerald Mayo had filed
- 2:55Speaker 1: a lawsuit that would be impossible to execute. How had
- 2:58Speaker 1: he expected the court of legal notice to the devil himself. Moreover,
- 3:03Speaker 1: the judge wrote, Mayo would have to prove that similar
- 3:06Speaker 1: cases like his were universal, that others who had been
- 3:09Speaker 1: targeted by the Devil wound up with a similar fate.
- 3:13Speaker 1: Without such examples, he could not prove to the judges
- 3:15Speaker 1: that he was not responsible for the actions and decisions
- 3:18Speaker 1: that had landed him in prison in the first place.
- 3:21Speaker 1: So there you go, with the case dismissed, Mayo returned
- 3:24Speaker 1: to prison. Now his goal for this case would never
- 3:27Speaker 1: be fully clear to us for over fifty years. Perhaps
- 3:30Speaker 1: he intended to get media attention that would help him
- 3:33Speaker 1: get a more lenient sentence. Perhaps he wanted to serve
- 3:36Speaker 1: a case so ludicrous that the court would have to
- 3:38Speaker 1: hear him out. Or maybe he was just so desperate
- 3:41Speaker 1: that even this action was better than none at all,
- 3:44Speaker 1: and wasting the court's time was a fair way to
- 3:47Speaker 1: spend his days behind bars. As any other idle hands
- 3:50Speaker 1: are the devil's workshop, as they say, Well, whatever the
- 3:53Speaker 1: real reason, this lawsuit would have a unique legacy, you
- 3:57Speaker 1: see to this day it's used by law professors to
- 3:59Speaker 1: tea which the necessary elements of building a case. Even
- 4:03Speaker 1: in a society where lawsuits are an easy way to
- 4:05Speaker 1: address your problems, suing someone isn't just about the grievance.
- 4:09Speaker 1: It also requires a target who is subject to the
- 4:12Speaker 1: same laws you're using to sue Satan, it would seem
- 4:16Speaker 1: is literally above the law. So I guess it turns
- 4:19Speaker 1: out that he won't be needing that Devil's advocate. Albert
- 4:36Speaker 1: didn't start out making movies. In fact, had everything gone differently,
- 4:40Speaker 1: he might have spent his life in the family business.
- 4:43Speaker 1: In long Island, But in the nineteen thirties, with his
- 4:46Speaker 1: head full of dreams and his feet itching for adventure,
- 4:49Speaker 1: he struck out west to make a family business of
- 4:52Speaker 1: his own. Albert had tried his hand at farming like
- 4:55Speaker 1: his father. He even worked for a time in the
- 4:57Speaker 1: family coffin business, but when he went to visit a
- 5:00Speaker 1: cousin who'd become a talent agent, he fell in love
- 5:03Speaker 1: with Hollywood. It didn't hurt that his cousin introduced him
- 5:06Speaker 1: to the superstar Carry Grant, so in nineteen thirty three,
- 5:10Speaker 1: Albert packed up his hoe and his handsaw and headed
- 5:13Speaker 1: to Los Angeles. Now Albert tooled around Hollywood for the
- 5:17Speaker 1: next fifteen years, making friends and making strides. He worked
- 5:21Speaker 1: in the mail room at twentieth Century Fox. He befriended
- 5:24Speaker 1: director Howard Hughes, who made him an assistant director on
- 5:27Speaker 1: the nineteen forty three film The Outlaw, but he quickly
- 5:30Speaker 1: found being assistant director mostly meant driving star Jane Russell
- 5:35Speaker 1: to set. When World War Two started, he recruited stars
- 5:38Speaker 1: to perform for the troops with the USO, and after
- 5:41Speaker 1: the war he worked as a talent agent. But Albert's
- 5:44Speaker 1: big break came in the nineteen fifties, when he realized
- 5:47Speaker 1: there was real money to be made as a producer.
- 5:50Speaker 1: At the time, the British government announced that it would
- 5:52Speaker 1: give money to films that hired eighty percent of their
- 5:55Speaker 1: crew from England. Alberts and his producing partner were the
- 5:58Speaker 1: first to set up shop there, making Anglo American co
- 6:01Speaker 1: productions that netted them an extra few million dollars. After
- 6:05Speaker 1: a few modest successes with high flying action films, Albert
- 6:09Speaker 1: was looking for his next project when fates intervened in
- 6:12Speaker 1: the form of a paperback. Albert quickly became a fan
- 6:15Speaker 1: of books by a former British intelligence agent named Ian Fleming.
- 6:20Speaker 1: In them, a spy named James Bond number double seven
- 6:23Speaker 1: with a license to kill, charmed his way past deadly
- 6:26Speaker 1: traps and over the top villains. It was the perfect
- 6:29Speaker 1: character to bring to the big screen. However, Hollywood didn't
- 6:33Speaker 1: quite see it that way. In meeting after meeting, Albert
- 6:37Speaker 1: kept getting turned down. James Bond was too suave, too sexual,
- 6:41Speaker 1: and let's face it, to British they didn't think American
- 6:44Speaker 1: audiences would buy tickets. Finally, a friend at United Artists
- 6:48Speaker 1: set up Albert with a meeting. He came in ready
- 6:51Speaker 1: to be rejected once again. To his surprise, forty five
- 6:54Speaker 1: minutes later, he had a six picture deal in place.
- 6:57Speaker 1: They had one million dollars to make the first film,
- 7:00Speaker 1: Doctor No. Now all they needed was their bond. While
- 7:04Speaker 1: one million dollars was a lot in those days, it
- 7:06Speaker 1: wasn't enough to get big stars. Albert's first choice, Carrie Grant,
- 7:10Speaker 1: was off the table, so they needed an unknown to
- 7:13Speaker 1: bring Bond to the big screen. After spending days sorting
- 7:16Speaker 1: through head shots and movie reels, it was Albert's wife,
- 7:20Speaker 1: Dana who actually made the choice. When a young Scottish
- 7:23Speaker 1: actor named Sean Connery appeared on screen, she shouted cast
- 7:27Speaker 1: that one he's gorgeous, and so movie history was made,
- 7:31Speaker 1: and the chances are good that you're probably familiar with
- 7:34Speaker 1: what came next. James Bond has been the subject of
- 7:37Speaker 1: dozens of movies and has now been played by six
- 7:40Speaker 1: actors Sean Connery, George Lazenbye, Roger Moore, Timothy Dalton, Pierce
- 7:45Speaker 1: Brosnan and Daniel Craig. The impact that Albert's Bond movies
- 7:49Speaker 1: have had on her collective pop culture consciousness is immense.
- 7:53Speaker 1: Think of James Bond, and the same things come to mind,
- 7:56Speaker 1: death defying stunts, ingenius gadgets, beautiful Bond girls, and Martini's
- 8:01Speaker 1: shaken not stirred. In bringing James Bond to life, Albert
- 8:05Speaker 1: created a new family business. In recent years, his daughter
- 8:08Speaker 1: Barbara and son Michael have co produced every Bond film
- 8:12Speaker 1: from Albert's death in nineteen ninety six until they sold
- 8:15Speaker 1: the rights to Amazon in twenty twenty five. Albert carved
- 8:18Speaker 1: out a pretty good legacy for himself and his family,
- 8:22Speaker 1: But you might be surprised that bringing James Bond to
- 8:24Speaker 1: the big screen isn't his only claim to fame. For that,
- 8:27Speaker 1: we have to rewind a bit to whin. Albert's family
- 8:30Speaker 1: lived in Carrera, Calabria. According to his wife Dana's research,
- 8:34Speaker 1: Albert's ancestors claimed to be the first people to cross
- 8:36Speaker 1: two vegetables, cauliflower and rob This created a dark green,
- 8:41Speaker 1: treelike vegetable with thick stalks. Albert's father and his uncle
- 8:45Speaker 1: brought those seeds of this crossbreed from Calabria to Long
- 8:48Speaker 1: Island on the same farm where Albert worked as a child.
- 8:51Speaker 1: His family introduced America to their very own family heirloom,
- 8:56Speaker 1: and the name of that vegetable, well, they gave it
- 8:58Speaker 1: the family name. Let me tell you OL's full name
- 9:02Speaker 1: and I'll let you figure out the rest. The James
- 9:04Speaker 1: Bond movie Pioneer is Albert Broccoli. I hope you've enjoyed
- 9:12Speaker 1: today's guided tour of the Cabinet of Curiosities. Subscribe for
- 9:16Speaker 1: free on Apple Podcasts, or learn more about the show
- 9:19Speaker 1: by visiting Curiosities podcast dot com. This show was created
- 9:24Speaker 1: by me Aaron Mankey in partnership with how Stuff Works.
- 9:27Speaker 1: I make another award winning show called Lore, which is
- 9:31Speaker 1: a podcast, book series, and television show, and you can
- 9:34Speaker 1: learn all about it over at the Worldoflore dot com.
- 9:38Speaker 1: And until next time, stay curious.