Latest / Drama, Darling: A Real Housewives Comedy Podcast / 💎 RHOBH Recap plus Paige at Superbowl, Dorinda Show and Ashley's Divorce

Transcript

💎 RHOBH Recap plus Paige at Superbowl, Dorinda Show and Ashley's Divorce · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling Drama, Darling Drama, Darling.
• 0:19
  Speaker 2: Hello, Darlings, and welcome in. Welcome in. Today we are
• 0:23
  Speaker 2: talking the Real Housewives of Beverly Hills. Joining me is
• 0:28
  Speaker 2: my Darling co host Emily Dereesis.
• 0:32
  Speaker 1: Hello. Hi. Let's also add that we are recording this
• 0:37
  Speaker 1: in the evening, so shit has hit the fan.
• 0:39
  Speaker 2: Okay, we don't know it all right, that's a really
• 0:43
  Speaker 2: good point. And while we're doing that, I am taking
• 0:46
  Speaker 2: off my necklace because I just don't think it's the
• 0:48
  Speaker 2: vibe with this sweater. I'm sorry, I'm sorry, I'm taking
• 0:50
  Speaker 2: it off, Okay. And then and then furthermore, I to
• 0:57
  Speaker 2: be completely transparent, I am heavy a can this drink
• 1:03
  Speaker 2: right now? Because it is the evening and boy, she's
• 1:06
  Speaker 2: had a day.
• 1:07
  Speaker 1: Well, so Darling's we got about forty minutes before.
• 1:12
  Speaker 2: Before things turn, yeah, and they get real weird, so
• 1:15
  Speaker 2: we better hop too. Emily's been there with me before.
• 1:19
  Speaker 2: I don't know if you guys have noticed. Probably doesn't
• 1:22
  Speaker 2: happen often. I usually don't imbibe during the show, but
• 1:25
  Speaker 2: today's a special day. And I made a little a
• 1:31
  Speaker 2: stew this evening. I did some cooking, and that always
• 1:35
  Speaker 2: makes you want to have a drink afterwards, you know,
• 1:38
  Speaker 2: was it us?
• 1:40
  Speaker 1: So it was a saucy dish. So you said, Brett,
• 1:42
  Speaker 1: we're going to need spoons for this.
• 1:44
  Speaker 2: Haa. Okay. What Emily is referring to Darlings is below
• 1:50
  Speaker 2: deep down, Enda, And there's a little of drama dolling
• 1:54
  Speaker 2: on the show already. And you know what, the chef
• 1:59
  Speaker 2: told her that she only needed folk and knife tends out.
• 2:02
  Speaker 2: That's a soup. She stews paste. And as we all know,
• 2:07
  Speaker 2: there's always going to be hurdles.
• 2:09
  Speaker 1: Whatever you do is hurdles.
• 2:13
  Speaker 2: Captain Jason is back and looking great. That recap is
• 2:18
  Speaker 2: upover on thepatreon dot com slash drama Darling, So head
• 2:22
  Speaker 2: on over there. It's the first two episodes that we
• 2:24
  Speaker 2: did today, before we get into Beverly Hills. I want
• 2:27
  Speaker 2: to do a little dash of dish, A dash of
• 2:30
  Speaker 2: dish thing di dash Okay. So first and foremost, I
• 2:36
  Speaker 2: just saw that Derenda Medley is going to have her
• 2:39
  Speaker 2: own show set at Bluestone manor rumors. I'm seeing this
• 2:45
  Speaker 2: that taste of underscore reality. Rumors of this concept broke
• 2:49
  Speaker 2: in August of twenty twenty four, and they say that
• 2:53
  Speaker 2: they have a hunch that this is going to happen.
• 2:58
  Speaker 2: So what do you say? I mean, I think that
• 3:00
  Speaker 2: this is great. I don't know if we've gotten the
• 3:02
  Speaker 2: I don't think we've gotten the official word. But this
• 3:04
  Speaker 2: is looking like it's heating up.
• 3:06
  Speaker 1: What is the show?
• 3:08
  Speaker 2: Does it? Met Emily? It's a blast? I mean in
• 3:11
  Speaker 2: the context Stone Manner. Do you need more?
• 3:15
  Speaker 1: I mean I would take a whole Bravo. I would
• 3:18
  Speaker 1: be totally fine if you just covered the three weeks
• 3:21
  Speaker 1: it takes her to decorate for Christmas and put that
• 3:23
  Speaker 1: up ahead of Christmas.
• 3:24
  Speaker 2: That's all we need. You're right, that's all you know?
• 3:27
  Speaker 3: What can you wake up in the morning? I take
• 3:29
  Speaker 3: up at five? Go ahead, say you do in the
• 3:31
  Speaker 3: grid it's just so beautiful. Then look at the tree,
• 3:34
  Speaker 3: and then look at what Jevy you give me a make.
• 3:44
  Speaker 1: No great show?
• 3:46
  Speaker 2: I will love it. I love her talking about just
• 3:52
  Speaker 2: not even minutia because it's but it is the minutia
• 3:54
  Speaker 2: of life. But the minutia of life on Bluestone Manner
• 3:59
  Speaker 2: is something that we've all gotten a little taste of,
• 4:02
  Speaker 2: and I think it would be nice to get a
• 4:04
  Speaker 2: real scoop of it. So I'm here for it. Maybe
• 4:08
  Speaker 2: it's gonna be like a bed and breakfast. Maybe she
• 4:10
  Speaker 2: hosts people. Maybe it's like different celebrities coming in and out.
• 4:15
  Speaker 2: Oh I don't know. I mean I feel like if
• 4:17
  Speaker 2: they haven't made it official, I mean, we're gonna wrap
• 4:20
  Speaker 2: up the concept right here, right now, Emily.
• 4:22
  Speaker 1: So, why don't they move that French Villa Blanca show
• 4:27
  Speaker 1: over to Bluestone and have Lisa vander Pump run it
• 4:30
  Speaker 1: out of Bluestone?
• 4:31
  Speaker 2: Oh my god? Where did that show go? Vander Pump Villa? Like,
• 4:35
  Speaker 2: I thought that they shot something they did a whole
• 4:38
  Speaker 2: other season, and I remember Stossy was there. It disappear it? Yeah, right,
• 4:43
  Speaker 2: that's what I'm saying. Where is it? I remember them
• 4:46
  Speaker 2: filming that and talking about it over like a year ago. No,
• 4:51
  Speaker 2: okay with Sassy, I am totally exaggerating, but I'm gonna
• 4:54
  Speaker 2: say at least eight months ago. It was a lot
• 4:58
  Speaker 2: of time ago.
• 4:59
  Speaker 1: Yeah, it's been months for sure. I uh I we
• 5:06
  Speaker 1: didn't even finish watching it.
• 5:08
  Speaker 2: Uh oops, see dupes that got shelved with House of Villains.
• 5:17
  Speaker 1: Yeah, you know, I think if you moved it to
• 5:20
  Speaker 1: Bluestone and had Lisa run your house Derinda, we wouldn't care.
• 5:25
  Speaker 1: It would be fine and we could just say it's
• 5:27
  Speaker 1: in France.
• 5:28
  Speaker 2: Talk about two totally different aesthetics, Derinda Medley and Lisa
• 5:33
  Speaker 2: vander Pump. Yeah, yes, the showdown the decor, the house
• 5:39
  Speaker 2: decor showdown between vander Pump and Medley. All right, if
• 5:44
  Speaker 2: if a house were to be well, I mean, look,
• 5:46
  Speaker 2: it's already like that. I mean, whose house are you
• 5:48
  Speaker 2: gonna choose? Emily and darlings who are listening. Are you
• 5:51
  Speaker 2: gonna choose vander Pump's house to live in? Or are
• 5:53
  Speaker 2: you gonna choose Bluestone manor I already know bluestone manner, you.
• 5:59
  Speaker 1: Know, honestly? Yeah, because I like the land of Bluestone.
• 6:04
  Speaker 2: Oh, you're getting that property. You are getting property, You
• 6:10
  Speaker 2: are in your own You are a stone's throw from
• 6:14
  Speaker 2: the movers and the shakers, You get people coming up.
• 6:17
  Speaker 2: I mean, I'm I'm loving. That's just how I want
• 6:20
  Speaker 2: my life. That's why I live in Santa Clarita, and
• 6:24
  Speaker 2: why I am the Queen of Santa Clarita. Have you
• 6:26
  Speaker 2: heard of it?
• 6:26
  Speaker 1: I don't know if you guys are familiar with Santa Clarita. Well,
• 6:30
  Speaker 1: but let me say also that where Lisa lives. I
• 6:32
  Speaker 1: get a little nervous about you mentioned movers and shakers,
• 6:36
  Speaker 1: but the literal movers and shakers of earthquakes and how
• 6:39
  Speaker 1: that house is. Oh, it makes me a little nervous.
• 6:43
  Speaker 1: And they're on that cliff and you're going over the
• 6:45
  Speaker 1: edge of those tiny ponies.
• 6:48
  Speaker 2: Pony, that's all right, Pete.
• 6:51
  Speaker 1: Was he one already went over?
• 6:53
  Speaker 2: Yeah, one already went over. Oh my gosh, we did not. Anyway, Well,
• 6:58
  Speaker 2: I hope this all comes to fruition about her show.
• 7:00
  Speaker 2: I'm very excited about that. Also in the dash of
• 7:04
  Speaker 2: news is that Paige Di Sorbo and Joe d Emilio
• 7:11
  Speaker 2: was they were spotted holding hands. Pardon I said, Oh
• 7:15
  Speaker 2: yeah I did.
• 7:16
  Speaker 1: I did catch.
• 7:16
  Speaker 2: A wave spotted holding hands at the Supel Bull And
• 7:22
  Speaker 2: so good for her. You know, she's out, she's about,
• 7:25
  Speaker 2: she's just living her life. Go for it, page go
• 7:28
  Speaker 2: you know, do it.
• 7:29
  Speaker 1: Yeah, you're not in, you don't know anybody.
• 7:32
  Speaker 2: Anything, absolutely not, So do it up. And then lastly,
• 7:38
  Speaker 2: I mean, I think we're all going to be celebrating
• 7:41
  Speaker 2: this and that is that Ashley Darby finalizes her divorce.
• 7:46
  Speaker 2: TMZ is reporting Ashley is closing the book on her
• 7:51
  Speaker 2: marriage to Michael. Because their divorce is now official. TMZ
• 7:55
  Speaker 2: has learned. They always they're always learning, They're learned. And
• 8:01
  Speaker 2: it uh became a done deal Monday, according to online
• 8:06
  Speaker 2: court records. And you know what that means, Emily.
• 8:11
  Speaker 1: That it was maybe on Friday official, Well Monday they
• 8:14
  Speaker 1: got uploaded, the nuts and the bults of it.
• 8:19
  Speaker 2: I guess I was. I was going more with this,
• 8:25
  Speaker 2: just surviving, were healing and robing. Probably Friday, Probably Friday, Timbalta,
• 8:34
  Speaker 2: ask your doctor. Okay, Well that's all the dash of news.
• 8:40
  Speaker 2: I told you. It was just a little.
• 8:41
  Speaker 1: Stacy dash of news.
• 8:42
  Speaker 2: The stacy dash of news. Wow, good stuff.
• 8:47
  Speaker 3: On my crossover.
• 8:49
  Speaker 2: Oh, Allan Allen, how dare are you faithful? I'm so
• 8:57
  Speaker 2: excited for this week's Trader. It's gonna happen. We're going
• 9:01
  Speaker 2: to recap it over the weekend. It will be up
• 9:04
  Speaker 2: on Monday. All right, So where are we? Okay, we're welcoming.
• 9:09
  Speaker 2: We're welcoming ourselves in to Beverly.
• 9:12
  Speaker 1: Welcome.
• 9:14
  Speaker 2: Thank you. Wow. This was a really intense episode, and
• 9:19
  Speaker 2: I mean this was Sutton's episode. This was a Sutton extravaganza.
• 9:23
  Speaker 2: I've never seen the likes of it ever her.
• 9:28
  Speaker 1: Yeah, I mean yeah, I think we almost needed it.
• 9:33
  Speaker 1: Not that not that she deserved it after how she
• 9:37
  Speaker 1: treated Dury, but as an audience, we needed to see
• 9:40
  Speaker 1: what was behind Sutton to cause her to be like,
• 9:44
  Speaker 1: we gotta go, let's go shut up, Durate, shut up,
• 9:46
  Speaker 1: we have to go now on the way to ourselves party. Yeah,
• 9:50
  Speaker 1: we needed to see some backstory on Sutton to remember
• 9:53
  Speaker 1: why we love her, right, Yeah.
• 9:57
  Speaker 2: It does make sense. What in an incredible, I think,
• 10:02
  Speaker 2: really touching episode with her sharing her story, which I
• 10:05
  Speaker 2: think will be incredibly relatable to so many people, and
• 10:11
  Speaker 2: very brave of her to go back to her childhood
• 10:13
  Speaker 2: home like that and basically relive, I mean, bring to
• 10:20
  Speaker 2: the surface all these emotions and deal with them and
• 10:23
  Speaker 2: essentially I want to say closure because I feel like
• 10:27
  Speaker 2: maybe she obviously has had her own journey and maybe
• 10:30
  Speaker 2: had closure a long time ago, but reopening that wound
• 10:35
  Speaker 2: by visiting her childhood home and talking about her dad
• 10:38
  Speaker 2: was probably very healing at this point in her life
• 10:41
  Speaker 2: and with her relationship with her mom.
• 10:44
  Speaker 1: Yeah. When it's interesting too that it was like years
• 10:49
  Speaker 1: like she still had access to that space for a while.
• 10:53
  Speaker 1: It sounded like, and then her mom moved, but like
• 10:57
  Speaker 1: to then you think like, oh, well she must she
• 11:01
  Speaker 1: was there, so she probably got through some of this stuff.
• 11:04
  Speaker 1: But it's interesting the years later, like, no, I would
• 11:07
  Speaker 1: like to still revisit that space and still have, you know,
• 11:12
  Speaker 1: go through some of this process.
• 11:13
  Speaker 2: That is a scary thing. I mean, if you think
• 11:16
  Speaker 2: about putting yourself in that situation and you think about
• 11:18
  Speaker 2: the places that you experienced trauma, and then all of
• 11:23
  Speaker 2: a sudden you're going to willingly put yourself back into
• 11:27
  Speaker 2: that space. I don't know if I'd ever even want
• 11:31
  Speaker 2: to do that, to be honest with you, I don't
• 11:33
  Speaker 2: know if I want to reopen those doors literally I
• 11:36
  Speaker 2: don't know literally open doors.
• 11:38
  Speaker 1: I don't know. It's for everyone, you know, right.
• 11:41
  Speaker 2: She's strong though, and like she wanted to. I'm sure
• 11:46
  Speaker 2: it's a part of her wanted to tell her story
• 11:48
  Speaker 2: so that people can understand this, Like her mom is
• 11:52
  Speaker 2: a therapist. That was bonkers to me, thank you, because
• 11:58
  Speaker 2: I was like, I was gobsmacked, and.
• 12:03
  Speaker 1: I was like, it's got to be physical therapist.
• 12:05
  Speaker 2: That's what earlier Zach things. I was thinking too, and
• 12:09
  Speaker 2: it's not I said the same thing. I was like, well,
• 12:13
  Speaker 2: she's doing physical therapy. That's really hard work for someone
• 12:16
  Speaker 2: of her age. Like it's physical, they cannot be that,
• 12:19
  Speaker 2: you know.
• 12:20
  Speaker 1: I was like, it's absolutely not psychiatry. We know that
• 12:24
  Speaker 1: that's off the table. So it's no, it must be
• 12:26
  Speaker 1: physical fitness real but it's a physical therapist.
• 12:30
  Speaker 2: That made more sense, or like an animal therapist. I
• 12:34
  Speaker 2: was going through my rolodex of types of therapists, which
• 12:37
  Speaker 2: there's probably a million, but like to land on that
• 12:41
  Speaker 2: was fascinating. But I guess my point is that Sutton,
• 12:44
  Speaker 2: her mom is a therapist. But Sutton is doing the work.
• 12:49
  Speaker 2: And yes, and her mom, God love her. You know,
• 12:55
  Speaker 2: it makes so much sense. I mean that she probably
• 12:57
  Speaker 2: shut down at that point in her life during what
• 13:00
  Speaker 2: was happening with her husband and was never to reopen
• 13:05
  Speaker 2: that trauma again and maybe gets her fulfillment towards helping
• 13:09
  Speaker 2: other people. And I wonder if, like my therapist, she
• 13:14
  Speaker 2: will share with me if needed, if it's an example,
• 13:19
  Speaker 2: she will share her own life with me, if it's
• 13:22
  Speaker 2: something that is identifiable, or something it's a teaching moment,
• 13:26
  Speaker 2: you know what I'm saying. That's how I feel like
• 13:29
  Speaker 2: she works. She will go there a lot of therapists
• 13:33
  Speaker 2: probably don't do that, and so I just wonder. I
• 13:37
  Speaker 2: imagine that her mom probably doesn't, but it would be
• 13:42
  Speaker 2: helpful if she did.
• 13:45
  Speaker 1: Yeah, I mean she has to be retired. Now. I
• 13:48
  Speaker 1: wonder when she retired, and I wonder, like what her
• 13:53
  Speaker 1: specialty was, like was she a psychiatrist or a psychologist
• 14:00
  Speaker 1: or did she work with a certain type of person? Like, yeah,
• 14:06
  Speaker 1: I have I have so many questions now about RepA
• 14:09
  Speaker 1: Oh questions.
• 14:11
  Speaker 2: And then I love that at that brunch they're talking
• 14:16
  Speaker 2: about it gave me the chills when they're talking about
• 14:20
  Speaker 2: visiting the old house and Suton's like, is just right
• 14:25
  Speaker 2: around the corna? And then the Reeva's like, is just
• 14:30
  Speaker 2: around the ConA? Is this a Tennessee Williams play? It
• 14:38
  Speaker 2: gave me the chills. It was haunting, it was intriguing.
• 14:44
  Speaker 2: It was a moment like that was something that was
• 14:48
  Speaker 2: some serious Southern drama happening right there between the two
• 14:53
  Speaker 2: of them. And then Reeva's like, well, I mean we're
• 14:57
  Speaker 2: not going inside. Somebody lives there. And then and It's like,
• 15:00
  Speaker 2: well we might ring the door bell, and then Reba goes,
• 15:05
  Speaker 2: oh horrors. No. I was like I want to use
• 15:11
  Speaker 2: that expression all the time.
• 15:13
  Speaker 1: No, yeah, I mean I got I get the feeling
• 15:16
  Speaker 1: like sudden can breeze in and out of town. But
• 15:19
  Speaker 1: Reba's going to look at these people in the face
• 15:21
  Speaker 1: and I can see her being like, I don't want
• 15:23
  Speaker 1: to be vulnerable in front of these people, like two
• 15:26
  Speaker 1: friends over from acquaintances, and I'm gonna have to hear
• 15:30
  Speaker 1: about this from like I get it completely.
• 15:33
  Speaker 2: It's too close to home. You're right, yeah, sudden comes in,
• 15:36
  Speaker 2: she comes out. Meanwhile, when she was like, well, we're
• 15:39
  Speaker 2: not going in, somebody lives there. And the second she said, well,
• 15:43
  Speaker 2: we might ring the doorbell, and both Garcela and Kyle
• 15:45
  Speaker 2: looked at her like that's on the schedule, like we're
• 15:48
  Speaker 2: going there, and the producer said they already cleared it,
• 15:51
  Speaker 2: they already sign it, you know, like yeah, they all
• 15:55
  Speaker 2: hundred percent are going to go there and the people
• 15:57
  Speaker 2: are going to let them in. And they were like hello,
• 15:58
  Speaker 2: welcome in, and Hia, this is the real houseves Beverly Hills.
• 16:03
  Speaker 2: You know, they were psyched.
• 16:07
  Speaker 1: But they first showed it, I thought like, oh, are
• 16:10
  Speaker 1: they going to give us the vibe that they don't
• 16:12
  Speaker 1: want to be on film because they really didn't show
• 16:15
  Speaker 1: us the homeowners right away. It was like a mom
• 16:18
  Speaker 1: and maybe, uh I get it, maybe your daughter And
• 16:23
  Speaker 1: they shot it like they were fully blocked by the
• 16:26
  Speaker 1: leaves and the trees. I was like, oh, what, so
• 16:28
  Speaker 1: did they not want to be on here right? And
• 16:31
  Speaker 1: then they're like yeah, I felt like maybe they were
• 16:34
  Speaker 1: going to do They weren't sure how they were going
• 16:36
  Speaker 1: to present it, but they like had that coverage.
• 16:39
  Speaker 2: Yes, just in case. Yeah, and they're like, oh, we're
• 16:43
  Speaker 2: happy to son, so Wednesday's going to be on.
• 16:47
  Speaker 1: The best is like I was also like, were they like, oh,
• 16:50
  Speaker 1: we'll walk around the house with you, let's move And
• 16:52
  Speaker 1: they were like you know what, that's okay, right, you
• 16:55
  Speaker 1: just say your march march.
• 16:58
  Speaker 2: Meanwhile, they're like watching tonight and they're like, lady's not
• 17:02
  Speaker 2: what I expected to be. And now we know alright.
• 17:08
  Speaker 2: I mean, I'm sorry to make light of it, but
• 17:09
  Speaker 2: it's like, yeah, maybe they didn't know. I would think
• 17:15
  Speaker 2: full disclosures parency, Well, do you have to disclose it
• 17:20
  Speaker 2: to every owner because like, yes, the next owner maybe,
• 17:25
  Speaker 2: but maybe not the second or third. I mean, I
• 17:28
  Speaker 2: bet that's a.
• 17:28
  Speaker 1: Regional thing that you do or don't have to do.
• 17:31
  Speaker 1: But yeah, yeah, I don't know.
• 17:36
  Speaker 2: Well, when they went into the to her father's room
• 17:39
  Speaker 2: that he designed in.
• 17:41
  Speaker 1: Every TV room, I loved that room.
• 17:43
  Speaker 2: I loved it too. I was like, I never thought
• 17:45
  Speaker 2: I wanted a wood burning stone before. And then Yeah,
• 17:51
  Speaker 2: her memories of her father are so vivid and beautiful.
• 17:58
  Speaker 2: It's really incredible to see. I love that she was
• 18:02
  Speaker 2: honoring his memory by sharing so many things about him
• 18:07
  Speaker 2: and being so close to him. And when Garcel said
• 18:10
  Speaker 2: in her confessional, I think that she had a very
• 18:14
  Speaker 2: you know, she was close with her dad and they
• 18:16
  Speaker 2: had a very like great relationship, and I think that
• 18:19
  Speaker 2: Riba was jealous of that. That was quite something to
• 18:25
  Speaker 2: say it was.
• 18:28
  Speaker 1: I thought maybe that was a little unfair, only because
• 18:32
  Speaker 1: Riba made mention of her father and Riba and her
• 18:36
  Speaker 1: father being close, and I thought, well, maybe Riba just
• 18:39
  Speaker 1: didn't know how to be close to Sutton like maybe
• 18:43
  Speaker 1: she was. You know, maybe Riba and her mom weren't
• 18:47
  Speaker 1: didn't have a great relationship, So I mean, maybe there
• 18:51
  Speaker 1: was a jealousy there. Who knows. I just thought like
• 18:53
  Speaker 1: there could be more to it than that.
• 18:55
  Speaker 2: I mean, it might not be just that baseline that
• 18:58
  Speaker 2: she yes, it is, and I tend to I when
• 19:01
  Speaker 2: she said that, I thought, I think that's crossing the
• 19:04
  Speaker 2: line a little bit because I know it's your opinion,
• 19:07
  Speaker 2: but this is such a fragile situation and then you're
• 19:12
  Speaker 2: dealing with just a lot of trauma there. It just
• 19:15
  Speaker 2: was like it felt a little insensitive, especially you know
• 19:20
  Speaker 2: Sutton's going to see this. But garcel she's really tight.
• 19:24
  Speaker 2: They're tight. So maybe she even told her that, and
• 19:28
  Speaker 2: maybe Sutton's like, yeah, you're right. Maybe she thinks she
• 19:31
  Speaker 2: has a point. I just hope Reeba doesn't watch it,
• 19:34
  Speaker 2: although she seems to watch the show because she knew
• 19:38
  Speaker 2: Kyle Yea Garcille's weird son. As she put it, I've
• 19:45
  Speaker 2: seen him. But yeah. When Sutton gets to the point
• 19:51
  Speaker 2: where she's explaining what happened about when when her father
• 19:58
  Speaker 2: did what he did, she said that her mother was
• 20:00
  Speaker 2: home and she was in the kitchen and she knew
• 20:03
  Speaker 2: he was taking a xanax, he was medicating with alcohol,
• 20:08
  Speaker 2: and there was a loaded gun in the house, and
• 20:12
  Speaker 2: that he took his own life while she was home,
• 20:15
  Speaker 2: which is so unbelievably heartbreaking. So when Sutton says, I
• 20:24
  Speaker 2: might have a little pent up resentment. And I've never,
• 20:29
  Speaker 2: like my mom's never dealt with this and we don't
• 20:31
  Speaker 2: talk about it. That does check out, you know, to me.
• 20:36
  Speaker 2: And I just think, Wow, what different journeys they're on,
• 20:41
  Speaker 2: because and the way that she has some resentment towards
• 20:45
  Speaker 2: her mother, when her mother probably felt like it was
• 20:49
  Speaker 2: completely out of her hands. This was something, This was
• 20:53
  Speaker 2: a car that was driving itself and she could never
• 20:57
  Speaker 2: catch up with it. I don't know how she could
• 20:59
  Speaker 2: control this. I mean it seemed like who knows what
• 21:03
  Speaker 2: you could, especially back then, you know.
• 21:06
  Speaker 1: Yeah, And I think her mom being some kind of
• 21:08
  Speaker 1: therapist whenever she met Sutton's dad. I wonder if she
• 21:16
  Speaker 1: was in a much better place or she was not
• 21:19
  Speaker 1: in a better place, but she just thought like, oh,
• 21:21
  Speaker 1: I can fix this, Like maybe it was like a
• 21:24
  Speaker 1: slow burn on the growth of this mental illness and
• 21:27
  Speaker 1: she was able to help it along the way, and
• 21:30
  Speaker 1: then after a while it was just like an uncontrollable thing.
• 21:35
  Speaker 1: And I think I feel bad that Sutton is still
• 21:38
  Speaker 1: in a place where she thinks her mom could have
• 21:40
  Speaker 1: stopped it somehow.
• 21:42
  Speaker 2: Yeah, I agree that. And then also and who knows
• 21:46
  Speaker 2: how long or if ever things go away. But when
• 21:50
  Speaker 2: she feels like that last time she saw her father
• 21:53
  Speaker 2: that she should have sat with him longer or she
• 21:55
  Speaker 2: was and I just thought, no, don't, don't blame yourself,
• 21:58
  Speaker 2: you know, you never you just don't know these things.
• 22:01
  Speaker 2: People take on so much guilt for no reason. And
• 22:06
  Speaker 2: I hated to see her feel like that.
• 22:09
  Speaker 1: Yeah, I think her mom seems to be very good
• 22:13
  Speaker 1: at boundaries and saying what she wants. Yes, but you're
• 22:18
  Speaker 1: seeing in real time how that also, like you build
• 22:21
  Speaker 1: up walls to deal with stuff, and you're seeing it
• 22:25
  Speaker 1: with her in real time. It's like, I don't want
• 22:27
  Speaker 1: to think about it, so I'm just not going to
• 22:28
  Speaker 1: think about it, you know. And I think that's how
• 22:31
  Speaker 1: she feels.
• 22:32
  Speaker 2: Sutton wanted to deal with it, probably her whole adult life.
• 22:36
  Speaker 2: She wanted to deal that. She wanted to talk about it.
• 22:40
  Speaker 2: And so when they say it's just around the corner,
• 22:45
  Speaker 2: Sutton saying, like metaphorically speaking, our trauma is right around
• 22:50
  Speaker 2: the corner. Let's take a look at it, let's deal
• 22:52
  Speaker 2: with it. And her mother is saying, it's just right
• 22:57
  Speaker 2: around the corner, and I'm not going to go Oh then.
• 23:01
  Speaker 1: Yeah, I go the other way, right I go Kyle's
• 23:04
  Speaker 1: route for running.
• 23:05
  Speaker 2: I just gonna say, oh, you can't go down Kent
• 23:11
  Speaker 2: or whatever it.
• 23:11
  Speaker 1: Was Henry you looking for Henry? No, you ain't gonna
• 23:15
  Speaker 1: find Henry that way.
• 23:17
  Speaker 2: All the street names are just like very like straight
• 23:22
  Speaker 2: laced Southern men. It's like, oh, looking for JOm Street.
• 23:28
  Speaker 2: All you're looking for can Oh you're looking for Bill.
• 23:34
  Speaker 2: Bill Street is right across from Alan Street. Just so
• 23:38
  Speaker 2: many just plane names from it. Oh tough. When Garcel
• 23:47
  Speaker 2: and Riba talk on the porch, this was like, you know,
• 23:52
  Speaker 2: her trying to get her, shake her up and say,
• 23:55
  Speaker 2: you know, I think she'd really like to hear you
• 23:58
  Speaker 2: say that you're proud of her, because she's probably of
• 24:00
  Speaker 2: how far she's come, and and Riba just being like,
• 24:03
  Speaker 2: I don't think it's any of your business. I don't
• 24:06
  Speaker 2: want to insult you, but I think you have no clue.
• 24:10
  Speaker 1: I actually the preview of this conversation made me really uncomfortable. Yeah,
• 24:16
  Speaker 1: But then seeing the conversation, I actually appreciated that Garcell
• 24:24
  Speaker 1: was walking into a swamp of family drama, trauma, everything,
• 24:30
  Speaker 1: and I appreciated that she was doing that for her friend.
• 24:34
  Speaker 1: But as far as Riba knows this is a stranger
• 24:39
  Speaker 1: coming into the thing that she cannot open up to,
• 24:43
  Speaker 1: and she had her defenses up. But when you see
• 24:47
  Speaker 1: more of that scene, I kind of appreciated Riba being like.
• 24:53
  Speaker 2: What is this?
• 24:54
  Speaker 1: Like, what is this? Does she put you up to
• 24:56
  Speaker 1: the like she kind.
• 24:57
  Speaker 2: Of likes everything is a prank. Like it's like being
• 25:00
  Speaker 2: around Emily, you know, because she's a a prankster. You
• 25:03
  Speaker 2: think you're gonna get prank. She's like, what's in his box?
• 25:06
  Speaker 2: You know? Wait, what are you trying to do right now?
• 25:10
  Speaker 2: She's always looking around like something's coming.
• 25:15
  Speaker 1: I also don't know how comfortable she is filming something
• 25:19
  Speaker 1: that's so painful, like oh your daughter, Hey, your daughter,
• 25:23
  Speaker 1: and you don't have the greatest relationship, you know, And
• 25:26
  Speaker 1: it's like, oh you now are exposed to.
• 25:29
  Speaker 2: Shut it down, and you shut down. Yeah, I hand
• 25:33
  Speaker 2: it to Garcel. She will just throw stuff out there
• 25:36
  Speaker 2: like but also recklessly, but just pretty intense stuff she
• 25:41
  Speaker 2: will throw down.
• 25:43
  Speaker 1: But the way she matched ree but with you're right,
• 25:45
  Speaker 1: it isn't my business. I was comforted by that too.
• 25:49
  Speaker 1: I was like, thank you, Garsia, like this is I
• 25:51
  Speaker 1: love that? And Riba left her guard down at that
• 25:54
  Speaker 1: point too. That's when they kind of did have some
• 25:57
  Speaker 1: kind of like break.
• 25:59
  Speaker 2: Yeah, and a good and I thought Garcel's pivot towards
• 26:03
  Speaker 2: I don't have my mother. I wish there are things
• 26:05
  Speaker 2: that I could say to her.
• 26:07
  Speaker 1: M hmm.
• 26:08
  Speaker 2: And then Reeba was like death is so final in that,
• 26:14
  Speaker 2: Like can you imagine if she's your therapist? Like I
• 26:17
  Speaker 2: can't even imagine the advice, you know. I mean maybe
• 26:19
  Speaker 2: some people just really like how cut and dry she is.
• 26:23
  Speaker 2: Maybe that's a great coping mechanism. It is just for
• 26:26
  Speaker 2: someone to be like they're gone though. Right, It's just
• 26:30
  Speaker 2: around the corner, is it? And then it's final? And
• 26:37
  Speaker 2: that is around your conna. You don't have to go
• 26:41
  Speaker 2: around that corner. You choose about what's around that corner.
• 26:45
  Speaker 1: Now you're gonna run through that cemetery do it early?
• 26:50
  Speaker 2: Yeah, And it's right across the street from cal Street
• 26:55
  Speaker 2: next to Kent. Oh. Yeah. That was a nice moment.
• 27:05
  Speaker 2: When we saw that wedding photo of Sutton with her
• 27:08
  Speaker 2: father that looked exactly like her daughter.
• 27:14
  Speaker 1: I cannot get a beat. I know how old Sutton is,
• 27:17
  Speaker 1: but sometimes they will show pictures that I'm like, did
• 27:20
  Speaker 1: I go to college with Sutton like she looks.
• 27:23
  Speaker 2: Yeah, like she does.
• 27:24
  Speaker 1: She does, don't like they're stand out age. Yeah, I'm like,
• 27:30
  Speaker 1: is she my niece? Like sometimes I don't. When they
• 27:32
  Speaker 1: show a flashback photo, I'm like, what there was this
• 27:35
  Speaker 1: taken two years ago? And how old is she two
• 27:39
  Speaker 1: years ago? Because I know how old she is now?
• 27:41
  Speaker 2: Like, how old is she now?
• 27:43
  Speaker 1: She's like fifty three?
• 27:44
  Speaker 2: Fifty three? Okay, So I mean, but I just know
• 27:49
  Speaker 2: you're right. My pictures are like nothing at all as
• 27:54
  Speaker 2: we know her today, and they go from north to south.
• 27:58
  Speaker 2: It's hard.
• 27:59
  Speaker 1: It's hard to but it's not like the photos look old.
• 28:02
  Speaker 1: That's the thing. The photos look like current. It fucks
• 28:06
  Speaker 1: with me. There's one picture where she's like like, she
• 28:12
  Speaker 1: looks like she's twenty three and the photo looks like
• 28:15
  Speaker 1: it's from twenty fifteen that they showed, and I'm like,
• 28:19
  Speaker 1: I know that top is at forever twenty one, Like.
• 28:23
  Speaker 2: Yeah, right, oh my god. What about when Abby was
• 28:30
  Speaker 2: trying to get Reba to like dress up for the brunch.
• 28:34
  Speaker 1: Fluff it up, fluff it up.
• 28:37
  Speaker 2: You know, no, you want to get dressed. I'm fucking
• 28:42
  Speaker 2: dressed the fact that she didn't even drop an f
• 28:45
  Speaker 2: bomb is just beyond me. But I'm dressed. And then
• 28:50
  Speaker 2: he kept pushing, which I loved because you kind of
• 28:53
  Speaker 2: have to be salty back to people who are salty
• 28:55
  Speaker 2: and they have a little more respect for you. And
• 28:58
  Speaker 2: I feel like he was like, you know, like get better,
• 29:03
  Speaker 2: do yourself better, fluff it up. Nope, Okay, yeah. You know.
• 29:07
  Speaker 1: It's funny because, like Reba, it seems that like this
• 29:12
  Speaker 1: upper whatever level of wealth Sutton has, I don't think
• 29:18
  Speaker 1: she grew up with no.
• 29:20
  Speaker 2: That was clear from the house, right.
• 29:22
  Speaker 1: Working middle class, and I don't think like so for
• 29:28
  Speaker 1: Avi to be like, we're going to dress for brunch,
• 29:31
  Speaker 1: I'm sure he was like, no, dude, you're so right.
• 29:35
  Speaker 2: I actually loved learn that about Sutton. I just assumed
• 29:38
  Speaker 2: that she grew up super wealthy and it looks like
• 29:40
  Speaker 2: it's just middle class, working parents. And moving into that
• 29:46
  Speaker 2: the conversation at the end where finally the crabcake dinner,
• 29:53
  Speaker 2: where Sutton is going to make her the crabcake, Well,
• 29:55
  Speaker 2: you know what, before we get into the crabcake dinner,
• 29:58
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• 30:02
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• 30:04
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• 30:08
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• 30:12
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  Speaker 2: Treat yourself to Honeylove because you deserve it. Okay, we're
• 31:42
  Speaker 2: back talking about the Real Housewives of Beverly Hills, and
• 31:45
  Speaker 2: now we're at the Crabcake dinner. And this is where
• 31:48
  Speaker 2: it got a little cartoony with Kyle and Garcel and
• 31:52
  Speaker 2: Ave like running around and like being on the staircase listening.
• 31:56
  Speaker 2: You know, it was a little cartooney to me. I
• 31:59
  Speaker 2: think it was legit. You it was cartoony, Yeah it was.
• 32:02
  Speaker 2: It was legit, but it was cartoony.
• 32:06
  Speaker 1: I think it. I think Sutton didn't care. I think
• 32:08
  Speaker 1: they were more concerned that Riba would see them. I know,
• 32:11
  Speaker 1: I know they didn't care if Sutton would see them,
• 32:16
  Speaker 1: But I thought it was like Abby he left, I mean,
• 32:20
  Speaker 1: he moved at ninety miles an hour because he was
• 32:22
  Speaker 1: nice to that.
• 32:23
  Speaker 2: He's because, yeah, eaves dropping all the time. It's all
• 32:29
  Speaker 2: if you're like a house assistant. I mean you know
• 32:32
  Speaker 2: how to eaves drop and eaves drop Yeah, like you
• 32:35
  Speaker 2: got that little glass in your pocket, you put it up.
• 32:37
  Speaker 1: He's like an alexa. He's his way. All Sutton's words
• 32:42
  Speaker 1: are his wake words. He's just constantly like yes, so yeah.
• 32:49
  Speaker 2: When they finally had a conversation and Riba basically says,
• 32:55
  Speaker 2: well after she after Son's like, this is ma capsule collection,
• 33:02
  Speaker 2: I was like, not even half the audience knows, like
• 33:05
  Speaker 2: that's watching the show even knows what a capsule collection is.
• 33:08
  Speaker 2: Like do you think your mom knows what a capsule
• 33:11
  Speaker 2: collection is? I don't know, but just try to dumb
• 33:14
  Speaker 2: it down, not dumb it down, but try to speak
• 33:16
  Speaker 2: not the Queen's English, you know, like let's get gritty
• 33:20
  Speaker 2: with it, let's get grits with it.
• 33:23
  Speaker 1: I felt Sutton was being extra surly in that moment,
• 33:27
  Speaker 1: and I couldn't tell if this was just years of
• 33:31
  Speaker 1: her being like, you know, dealing with her mom, and
• 33:35
  Speaker 1: it wasn't hitting the way she it normally does, and
• 33:38
  Speaker 1: she's like feeling gaslt like, Okay, I'm showing her my
• 33:42
  Speaker 1: shit and she's not bashing it. And now with the
• 33:46
  Speaker 1: camera's rolling, now everybody's gonna think I'm insane.
• 33:49
  Speaker 2: Oh that's funny, because.
• 33:51
  Speaker 1: She was getting kind of pissy, and at the same
• 33:54
  Speaker 1: time it was like it was also just your and
• 33:57
  Speaker 1: her mother could not win. And then they got to
• 34:00
  Speaker 1: the kitchen after the the name of them jumpsuit, and
• 34:03
  Speaker 1: her mom could not win.
• 34:05
  Speaker 2: It was like the name jumpsuit, Yeah, jumpsuit. Huh, it's
• 34:17
  Speaker 2: a jumpsuit. See, it's complicated. I was like, oh my god,
• 34:22
  Speaker 2: is she going to talk about how complicated the jumpsuit is?
• 34:25
  Speaker 2: And then she goes then she's talking about like transporting
• 34:30
  Speaker 2: the products and what Yeah, it's all sustainable and like
• 34:36
  Speaker 2: I get it and stuff like that, and then her
• 34:38
  Speaker 2: mom like just boiling it down till just like just
• 34:43
  Speaker 2: every man beef, you know, just just a ground bee.
• 34:46
  Speaker 2: It's not like even like a chuck, not even a roast.
• 34:50
  Speaker 2: It's just like ground beef. Boom. And then and I
• 34:57
  Speaker 2: understood like what Sutton was trying to do, and I
• 35:00
  Speaker 2: I totally get it. So she's explaining to her the
• 35:03
  Speaker 2: importance of what she's doing and it's not lost on Reba.
• 35:08
  Speaker 2: She's because she's basically saying, you become me, you're a
• 35:11
  Speaker 2: professional working woman, and Soton's like, it just took me
• 35:16
  Speaker 2: some time and I and then she goes on to say, like,
• 35:18
  Speaker 2: I just wanted to stay home with the children. You
• 35:20
  Speaker 2: gave me a lot of grief for that. So we
• 35:22
  Speaker 2: kind of get in which Ben, of course, Reba's like,
• 35:26
  Speaker 2: so what does it matter? You did it anyway, and
• 35:27
  Speaker 2: I'm like, wow, she is just it's like two Sotons,
• 35:31
  Speaker 2: two Sotons talking to each other is so wild to me.
• 35:33
  Speaker 1: I mean, but I do say, I do get Yeah,
• 35:36
  Speaker 1: Reba's colder, and I did get that narcissism kick in
• 35:40
  Speaker 1: there where she was like, h kind of like embracing
• 35:44
  Speaker 1: Sutton because she was like her like that was the
• 35:48
  Speaker 1: vibe where she kind of oh see you're just like
• 35:51
  Speaker 1: you know, I don't know.
• 35:52
  Speaker 2: It was Yeah, I was kind of thinking, like, is
• 35:55
  Speaker 2: she this whole time that she was married and staying
• 36:00
  Speaker 2: at home with the kids, which she judging her because
• 36:02
  Speaker 2: her life was so easy and she had a lot
• 36:06
  Speaker 2: and she had money. You know, That's kind of what
• 36:08
  Speaker 2: I was picking up. Yeah, so then it's surprising that
• 36:11
  Speaker 2: her mom was giving her a hard time at the
• 36:14
  Speaker 2: divorce because her mom wanted to have the lifestyle. But
• 36:17
  Speaker 2: her mom has been working as a therapist. She didn't
• 36:20
  Speaker 2: stop working. So those two things don't really fully make
• 36:23
  Speaker 2: sense to me.
• 36:24
  Speaker 1: But I mean, like nobody's talking about their shit, So
• 36:30
  Speaker 1: I mean, I do think Sutton has done a lot
• 36:32
  Speaker 1: of work on herself compared to Riba, But Riba is like,
• 36:38
  Speaker 1: I mean, she also might be one of those therapists.
• 36:40
  Speaker 1: It's like I know everything and I can just help myself,
• 36:44
  Speaker 1: you know.
• 36:45
  Speaker 2: Yeah. Well, I think Kyle made such a great point.
• 36:49
  Speaker 2: You know, at some point she was like, you know,
• 36:52
  Speaker 2: she's like eighty four, however old, she's not going to change.
• 36:55
  Speaker 2: I mean, yeah, I think that's it. That's so fair.
• 36:58
  Speaker 2: I really it's upsetting when you hear people waste their
• 37:01
  Speaker 2: breath on talking about another person that's older than them
• 37:06
  Speaker 2: and at that age or whatever, and they are just
• 37:10
  Speaker 2: like banging their heads against the wall. Why don't they
• 37:12
  Speaker 2: see it's like, let's talk about it when you're that
• 37:15
  Speaker 2: age and how you want to how you're going to
• 37:18
  Speaker 2: be because we're all going to be like that. We're
• 37:20
  Speaker 2: all like that now, you know, imagine what we're going
• 37:22
  Speaker 2: to be like later, and so I just felt like
• 37:26
  Speaker 2: it was nice to see Sutton come around the ben
• 37:31
  Speaker 2: come around the corner, if you will, and even say
• 37:35
  Speaker 2: in her confessional, I just want my mom to have
• 37:37
  Speaker 2: like she's had a hard life and I want this
• 37:40
  Speaker 2: phase of her life to be great and I want
• 37:43
  Speaker 2: her to be happy, and that she was able to
• 37:48
  Speaker 2: say the things that she was wanted to say to her.
• 37:50
  Speaker 2: She was able to say, I just need to know
• 37:53
  Speaker 2: you're proud of me. And Reba didn't necessarily say it.
• 37:57
  Speaker 2: She said it without saying it essentially, or.
• 37:59
  Speaker 1: I love you, which I think she might be Keeley
• 38:01
  Speaker 1: and Bose's couple. They're a couple. Answer, she's helping them
• 38:06
  Speaker 1: right now. You don't need to say it. It's fine,
• 38:11
  Speaker 1: have a baby, I don't need it.
• 38:13
  Speaker 2: Don't say it, don't say it. Why say it? That's
• 38:18
  Speaker 2: so hilarious. Name them, don't name them, don't name them,
• 38:24
  Speaker 2: don't love them, don't love them. It's tried, no' no,
• 38:29
  Speaker 2: no hugs. But when she does, Rieba makes a great point.
• 38:35
  Speaker 2: And I think that she's definitely an extreme version of this.
• 38:38
  Speaker 2: I think that her personality is certainly not explained by
• 38:42
  Speaker 2: just the fact that she was raised post World War Two.
• 38:46
  Speaker 2: I think that it's her own stuff also. But there's
• 38:51
  Speaker 2: a great point in that, which is it sounded really
• 38:55
  Speaker 2: dark when she was like, they just used to just
• 38:57
  Speaker 2: throw their babies in the crib and let them cry.
• 38:59
  Speaker 2: I was like, okay, I mean, I don't know that
• 39:01
  Speaker 2: was the sweeping way to raise your kids, but I
• 39:05
  Speaker 2: get what she was saying that it's nothing like it
• 39:10
  Speaker 2: is when Sutton was raising her kids, and it's certainly
• 39:12
  Speaker 2: nothing like it is with the way people raise them now.
• 39:15
  Speaker 2: It's like, would you like to go in your crib
• 39:19
  Speaker 2: or would you like to stay out here? You have
• 39:21
  Speaker 2: two choices. You can go to sleep or you can
• 39:25
  Speaker 2: stay out here and eat candy? Which one is it?
• 39:27
  Speaker 2: You know, we it's it's really taken a turn on
• 39:31
  Speaker 2: that level. But we're also very present as parents now.
• 39:35
  Speaker 1: Yeah, I also think I mean what she was doing there,
• 39:38
  Speaker 1: I think every parent does. They don't. I mean, it's
• 39:43
  Speaker 1: just that, you know, you don't want to hear like
• 39:45
  Speaker 1: you there were some missteps, and so she's laying down
• 39:49
  Speaker 1: the excuses, but it's also like it's also who she is.
• 39:53
  Speaker 2: That's right, That's what I'm saying, it's not just it
• 39:55
  Speaker 2: can't just be blamed on the era.
• 39:58
  Speaker 1: Yeah, right, could It very well could be. That's how
• 40:01
  Speaker 1: she was raised, so she doesn't have the ability to
• 40:03
  Speaker 1: do some of these things.
• 40:04
  Speaker 2: It's not fully on the era, but it is certainly
• 40:08
  Speaker 2: a huge contributing factory. Absolutely. Yeah, yeah, my gosh. And
• 40:13
  Speaker 2: then Sutton's like, well, I have this fashion show and
• 40:19
  Speaker 2: her mom's like, for what, I'm kidding what I just
• 40:25
  Speaker 2: showed you in there and then and then her mom
• 40:30
  Speaker 2: was like, I'm down to.
• 40:31
  Speaker 1: Travel and that I know.
• 40:34
  Speaker 2: It was really sweet. And I am excited because we're
• 40:38
  Speaker 2: obviously going to see that at some point, and excited.
• 40:43
  Speaker 2: I am excited. I want to see Reba front row
• 40:45
  Speaker 2: at Sutton's fashion Oh wait, we are going to see it,
• 40:48
  Speaker 2: because that's when Kathy Hilton gets in the way of
• 40:51
  Speaker 2: that model walking down the runway.
• 40:53
  Speaker 3: Yes, yes, Oh, I'm just trying to talk to Reba
• 40:59
  Speaker 3: on Facetok, you're on FaceTime. So world War two what
• 41:02
  Speaker 3: a time? Yes, Rip talks about it with fondness.
• 41:08
  Speaker 2: So and then they agree something's like I'd like I'd
• 41:17
  Speaker 2: like better, and Reba says, we can do better. And
• 41:20
  Speaker 2: then she hugs her. And then when she was swatting
• 41:23
  Speaker 2: at her face, when Rieba was sweating at her face,
• 41:25
  Speaker 2: did you think she was crying? Yes? Yeah, And then
• 41:30
  Speaker 2: Sutton's hair was in her face, so that was unfortunate
• 41:33
  Speaker 2: to find out.
• 41:36
  Speaker 1: Yeah, And I thought, was it in her face? What's
• 41:41
  Speaker 1: it like? Was she getting a little misty eyed?
• 41:45
  Speaker 2: And had she go around that corner? She go around
• 41:49
  Speaker 2: that corner.
• 41:50
  Speaker 1: Of a second, she got the cemetery. How is Kyle
• 41:53
  Speaker 1: running in in that heat? She was running in all
• 41:57
  Speaker 1: black like pants, shirt, her hair was like just in
• 42:02
  Speaker 1: like a banana clip. I was like, what are you doing?
• 42:06
  Speaker 2: The fact that you just said banana clip is hilarious
• 42:08
  Speaker 2: to me because I have a literal banana clip right here.
• 42:12
  Speaker 2: Hold on a seconds. This is this is the portion
• 42:16
  Speaker 2: of the show where it's Show and Tell. So I
• 42:20
  Speaker 2: was cleaning out a drawer the other day and I
• 42:23
  Speaker 2: found this banana clip. Why do I have it? I
• 42:26
  Speaker 2: don't know. But I put it in my hair and
• 42:30
  Speaker 2: it looks god awful. But I think it would look
• 42:32
  Speaker 2: really cute if like you curled your hair first, or
• 42:35
  Speaker 2: you had really thick hair. But it didn't look good
• 42:37
  Speaker 2: on me. But it feels so good, like going in
• 42:41
  Speaker 2: your hair, you know, do you.
• 42:42
  Speaker 3: Know what I'm saying?
• 42:43
  Speaker 2: Right?
• 42:45
  Speaker 4: Yeah?
• 42:45
  Speaker 2: Okay, oh you're oh.
• 42:48
  Speaker 1: I just thought I turned off these reactions for my
• 42:52
  Speaker 1: Camoji reactions.
• 42:54
  Speaker 2: I thought I did, and you get so mad at them.
• 42:56
  Speaker 2: It makes me laugh, you know why, because I think
• 43:00
  Speaker 2: I've corrected the problem, and then it's not corrected. And
• 43:04
  Speaker 2: there they come coming around that corner to meetcha. So
• 43:09
  Speaker 2: I go to Maddie. She was like, looking at it,
• 43:10
  Speaker 2: I'm like, do you know what that is? I'm like,
• 43:12
  Speaker 2: that's a banana clip. You know, that's like an old
• 43:14
  Speaker 2: school thing. And I'm like, let me put it in
• 43:16
  Speaker 2: your hair. She's like, oh, that feels good. And then
• 43:20
  Speaker 2: and then I and then she had some not so
• 43:22
  Speaker 2: she's like how, I'm like, sorry anyway clip? Yeah? No,
• 43:29
  Speaker 2: I mean Kyle, uh, Kyle does what Kyle does? I mean,
• 43:33
  Speaker 2: maybe she wasn't prepared for that Augusta heat, but she
• 43:36
  Speaker 2: was winded.
• 43:38
  Speaker 1: Yeah.
• 43:39
  Speaker 4: I can't even remember. It's son domating all this way
• 43:43
  Speaker 4: around the way.
• 43:50
  Speaker 2: Uh yeah. So okay, okay, so that's good.
• 43:54
  Speaker 3: Now.
• 43:54
  Speaker 2: I think we should leave Augusta and talk about the
• 43:57
  Speaker 2: rest of the episode with the other folks on the show,
• 44:00
  Speaker 2: show you ready to do that? Okay, Bo's and Lale
• 44:04
  Speaker 2: and they talk about Kihlely and and we find out
• 44:09
  Speaker 2: that Keiley like spontaneously showed up in Ghana when she
• 44:13
  Speaker 2: was there, and so that that that'll that's a surprise,
• 44:20
  Speaker 2: especially if your family's there.
• 44:22
  Speaker 1: Yeah. Yeah, that Bose was confused. Why uh, her daughter
• 44:27
  Speaker 1: would be confused. And it's like, well, you said it
• 44:29
  Speaker 1: was her her front your friend, and you hard winked
• 44:34
  Speaker 1: or moved your eyebrows, but you did not say what
• 44:37
  Speaker 1: this was. That's why she's confused.
• 44:40
  Speaker 2: I mean, let's as straight up as boss. It just
• 44:44
  Speaker 2: showed that she was really holding back the cards and
• 44:47
  Speaker 2: that one, you know, obviously it's her daughter, so she's
• 44:50
  Speaker 2: going to be a little more like fragile about it.
• 44:53
  Speaker 2: But that was interesting to hear that story and the
• 44:55
  Speaker 2: daughter calling her out was so funny. And and then
• 45:00
  Speaker 2: I thought that what she said about her reaction to
• 45:04
  Speaker 2: Bo's potentially having a child sooner than later and asking
• 45:07
  Speaker 2: her how she feels about it, and Layol saying I
• 45:11
  Speaker 2: feel okay about it. I think our bond is changing
• 45:14
  Speaker 2: in an evolving way. And now I kind of want
• 45:17
  Speaker 2: you to share this bond, share that bond with someone else.
• 45:20
  Speaker 2: I was like, hello, emotionally evolved and mature, young lady.
• 45:26
  Speaker 2: That's amazing. And it made me feel like sad inside
• 45:30
  Speaker 2: because I just know that, you know, my daughter is
• 45:32
  Speaker 2: gonna be older and then like it just won't. She's
• 45:38
  Speaker 2: not going to be seven forever, and it's just like
• 45:40
  Speaker 2: the greatest time. I mean, it's just every year is
• 45:44
  Speaker 2: like better and better, and I just this time right
• 45:47
  Speaker 2: now is just so awesome. Yeah, like it's not going
• 45:53
  Speaker 2: to be like this forever, and I'm just gonna be.
• 45:55
  Speaker 1: Well, drink it up, because let me tell you, everyone
• 45:59
  Speaker 1: loves their teenage that I've talked to, they love their teens.
• 46:06
  Speaker 2: I really am drinking it up, Like I mean, she
• 46:09
  Speaker 2: is such the high priority, and as a working mom,
• 46:12
  Speaker 2: people know how difficult that is. So things that I
• 46:17
  Speaker 2: could and should prioritize, I don't because I put her
• 46:23
  Speaker 2: immediately like it's like her, it's like work her, work her,
• 46:28
  Speaker 2: and you know, and I have literally no regrets about
• 46:31
  Speaker 2: that obviously, and I know that when I'm older, I
• 46:34
  Speaker 2: won't have those regrets. It's so nice to work from
• 46:37
  Speaker 2: home too, you know, right right right anyway.
• 46:41
  Speaker 1: So.
• 46:43
  Speaker 3: Uh.
• 46:45
  Speaker 2: Yeah, So that conversation was really beautiful. And now we
• 46:48
  Speaker 2: so there is there are some like rumors and I'm
• 46:51
  Speaker 2: not going to repeat them because I don't really understand fully,
• 46:54
  Speaker 2: but there are some rumors swirling about Kighley right now.
• 46:58
  Speaker 2: Like people are in like the IT people are in
• 47:01
  Speaker 2: the I don't know Amazon lives wherever, they are in
• 47:06
  Speaker 2: the corners in the shadows Amazon Live. Yes, I said it,
• 47:11
  Speaker 2: it's your shadow talking about it?
• 47:17
  Speaker 1: Have you? But I haven't been active in the shadows.
• 47:23
  Speaker 2: Okay, all right, Well I'm a very shadow active shadower.
• 47:27
  Speaker 2: I'm a shadow active.
• 47:28
  Speaker 1: I mean, I'm sure I'll catch it. I just haven't been.
• 47:31
  Speaker 1: I'm sure I'm not.
• 47:32
  Speaker 2: Really it's not really out there out there yet. So
• 47:34
  Speaker 2: I don't know if this is just not this is
• 47:37
  Speaker 2: just a little bit of kindling that's starting something that
• 47:40
  Speaker 2: isn't anything. But it is strange that they haven't said
• 47:44
  Speaker 2: I love you, but they're talking about a baby. I
• 47:50
  Speaker 2: do think that is very odd. I mean, I can't lie.
• 47:53
  Speaker 2: It seems like a business transaction. Now at this point,
• 47:56
  Speaker 2: what do you think, Emily.
• 47:57
  Speaker 1: I mean, maybe it is. Maybe Bo's really more than
• 48:00
  Speaker 1: a husband would like to have another baby, and she's
• 48:03
  Speaker 1: as close like maybe that's this is what it's going
• 48:08
  Speaker 1: to be. I don't know. I don't falter for that
• 48:10
  Speaker 1: as long as they have an agreement in writing and
• 48:13
  Speaker 1: it is absolutely yeah an understanding.
• 48:17
  Speaker 2: H yeah, that's fine. Well, but it sounds like she
• 48:19
  Speaker 2: wants she does love him, though, and she wants him
• 48:22
  Speaker 2: to say it. So I think that she would be
• 48:24
  Speaker 2: pretty forward by saying, I don't care. I just want
• 48:28
  Speaker 2: to have like a family unit and I don't necessarily
• 48:30
  Speaker 2: need to love that person. I just want a good
• 48:33
  Speaker 2: friendship and bond.
• 48:35
  Speaker 1: That could be Yeah, that could be it too.
• 48:37
  Speaker 2: But she would say that she said that she loves him.
• 48:40
  Speaker 1: I don't think she would outwardly say I really want
• 48:43
  Speaker 1: a friendship and uh, look, I just want a family
• 48:49
  Speaker 1: unit without love. I don't think she's gonna say that.
• 48:54
  Speaker 2: Why not. We're empowered, we could say whatever we want.
• 48:58
  Speaker 1: That.
• 48:59
  Speaker 2: Actually loved this episode for that. There was so many
• 49:04
  Speaker 2: themes of female empowerment all the way from Sutton reclaiming
• 49:10
  Speaker 2: her trauma and making you know a breakthrough with her mother,
• 49:15
  Speaker 2: her mother just being a working woman in that era.
• 49:19
  Speaker 2: It's just and I don't think that like being a
• 49:21
  Speaker 2: therapist was a regular thing. I think that there weren't
• 49:24
  Speaker 2: probably many people that were doing that what she was
• 49:26
  Speaker 2: doing at that time, So I find that to be empowering.
• 49:30
  Speaker 2: I loved the last scene with Dured and Erica and
• 49:34
  Speaker 2: Bo's them just throwing down and being like, wake up
• 49:38
  Speaker 2: and smell the coffee.
• 49:40
  Speaker 1: Jeri still doesn't get it. God, the fact that she
• 49:44
  Speaker 1: thinks that, she's like, yes, p K's going to slow down.
• 49:49
  Speaker 1: I was so relieved that Bo said I think yeah,
• 49:54
  Speaker 1: Bo said, He's going around getting all the lawyers.
• 49:57
  Speaker 2: You could say that all the time, Emily Week when
• 50:00
  Speaker 2: we have like literally you're always like this, this guy
• 50:04
  Speaker 2: is going to corner the market on all the good
• 50:06
  Speaker 2: lawyers in LA because they have the upper hand, and
• 50:09
  Speaker 2: then it's going to leave the other one without any
• 50:12
  Speaker 2: great options.
• 50:13
  Speaker 1: And for Dery to be like I need a break,
• 50:15
  Speaker 1: I need to you know, it's not just for me,
• 50:17
  Speaker 1: it's actually for the kids. It's like, I empathize with
• 50:21
  Speaker 1: that one hundred percent. Do not think he's doing that
• 50:26
  Speaker 1: though he may be telling you that, but he is
• 50:30
  Speaker 1: getting his shit together with he's building his army. If
• 50:34
  Speaker 1: you have no idea what it's about to hit you exactly.
• 50:39
  Speaker 2: He is awful. I mean for her to be like, guys,
• 50:46
  Speaker 2: I just talked to PK. It was amazing. We're best
• 50:49
  Speaker 2: of friends. Literally, we'll be f f's again. And then
• 50:54
  Speaker 2: they're just looking at her and we've all had that friend.
• 50:58
  Speaker 2: It's like, oh no, it's back to normal and it's fine.
• 51:01
  Speaker 2: It's not as bad as I thought. And then you're like,
• 51:05
  Speaker 2: they don't get it, and it's it's a tale as
• 51:07
  Speaker 2: old as time. You know, she still has she has
• 51:11
  Speaker 2: the wolf pulled over her eyes, and I think she's still,
• 51:14
  Speaker 2: at least at this point in this episode, is still
• 51:16
  Speaker 2: hoping for some miracle to bring them back together, which
• 51:20
  Speaker 2: is so crazy to me, because like, why would you
• 51:22
  Speaker 2: want to be with someone who's so absent from your
• 51:24
  Speaker 2: marriage and who would never who like doesn't want to
• 51:26
  Speaker 2: be with you essentially, and they've told you that.
• 51:29
  Speaker 1: But yeah, and she knows the timeline. She knows it's
• 51:33
  Speaker 1: a ten year you know what I mean. So so
• 51:37
  Speaker 1: so yeah, Durie, you take a nap. I'm still going
• 51:40
  Speaker 1: to get this shit filed so fast, right under the
• 51:43
  Speaker 1: wire and serve you papers on this day. Like it's just.
• 51:50
  Speaker 2: She's fighting, you know, for someoney so for someone who
• 51:55
  Speaker 2: is going to do her so dirty, and that's sad.
• 51:58
  Speaker 2: And it also is like very common occurrence with people
• 52:01
  Speaker 2: in relationships, like there's always going to be somebody who
• 52:05
  Speaker 2: is going to pull the wool over their eyes continuously
• 52:08
  Speaker 2: and just really hope for the best and also for
• 52:11
  Speaker 2: the sake of not wanting to deal with reality because
• 52:15
  Speaker 2: it's a much easier to deal.
• 52:17
  Speaker 1: I mean, yeah, look at Erica. I think god Eric
• 52:20
  Speaker 1: is in that scene. And I also really appreciate that
• 52:23
  Speaker 1: Bose in these scenes, isn't you know Bose Yeah, was
• 52:27
  Speaker 1: going through a divorce and then it's my understanding that
• 52:33
  Speaker 1: they were separated and then they got back together because
• 52:36
  Speaker 1: he got really sick and he ended up passing away.
• 52:40
  Speaker 1: But I'm so grateful that Bose isn't using that as
• 52:42
  Speaker 1: an example to to read of like, you know, maybe
• 52:45
  Speaker 1: it'll work out. You know, it worked out for you know,
• 52:48
  Speaker 1: because they ended up finding each other and really having
• 52:51
  Speaker 1: a great but getting back together. So part of me
• 52:56
  Speaker 1: is like, I'm so glad she's not using that as
• 52:58
  Speaker 1: an example. Todi DeWitt would just yeah, she'd taken on that. Yeah,
• 53:04
  Speaker 1: there it goes again. My emotion thumbs up. There's your
• 53:06
  Speaker 1: thumbs up.
• 53:07
  Speaker 2: Well uh, when BO says immediately because now Dery doesn't
• 53:13
  Speaker 2: want to talk to Erica about it anymore because she's like,
• 53:16
  Speaker 2: stop giving me that sight I And so I love
• 53:19
  Speaker 2: that BO stepped in and was like, feels like a
• 53:22
  Speaker 2: trick and then she's like, no, I can guarantee you
• 53:25
  Speaker 2: and it's just you know, it's just someone who's in
• 53:27
  Speaker 2: full on denial and uh. And then Bo's saying, this
• 53:33
  Speaker 2: is the art of war. He needs you to calm
• 53:35
  Speaker 2: down so you don't act so he can act. And
• 53:38
  Speaker 2: I did appreciate her full naivete about it. I mean,
• 53:42
  Speaker 2: she genuinely was like, I don't understand, like advance, what advance.
• 53:46
  Speaker 2: I don't get what you're saying. And they had to
• 53:49
  Speaker 2: say it plain as day that he wants the upper hand,
• 53:51
  Speaker 2: and Bo saying, you're going to strike and he's afraid
• 53:54
  Speaker 2: of how smart you are and how you will strike.
• 53:56
  Speaker 2: And I'm so glad she said that because Durit's eyes
• 53:59
  Speaker 2: were popped open for a minute at Kathy Hilton's. They
• 54:04
  Speaker 2: were to get here, yeah, because he did her wrong
• 54:07
  Speaker 2: because the way he was talking to her. But see
• 54:09
  Speaker 2: how they come back and they gaslight you. They they
• 54:12
  Speaker 2: love he kind of love bombed her whatever he said.
• 54:16
  Speaker 1: I mean he he right. You know, I don't even
• 54:18
  Speaker 1: know if this is still even in California or this
• 54:21
  Speaker 1: is just old school. But like I I years and
• 54:24
  Speaker 1: years ago, I had a friend that their lawyer advised
• 54:27
  Speaker 1: them to try to work it out so that the
• 54:30
  Speaker 1: courts would This is like a friend my friend's dad
• 54:35
  Speaker 1: and his lawyer advised him to move back in and
• 54:40
  Speaker 1: try to like make it seem like he was working
• 54:44
  Speaker 1: it out, and he didn't and that would that was
• 54:49
  Speaker 1: then like, well he started to do it and realize
• 54:52
  Speaker 1: it's really messing with his kids too, because his kids
• 54:55
  Speaker 1: all of a sudden are like, oh, mom and dad
• 54:57
  Speaker 1: are figuring it out. So he left and they were
• 55:01
  Speaker 1: like when they got older, he was said, well I
• 55:04
  Speaker 1: did that because my lawyer said that, and it was
• 55:06
  Speaker 1: a dumb thing to do. I really, you know, I
• 55:10
  Speaker 1: messed up by doing that to pretend for the courts
• 55:13
  Speaker 1: so I could say I tried, But I don't know
• 55:17
  Speaker 1: if those divorce laws still.
• 55:20
  Speaker 2: You know who, Yeah, I remember that when I first,
• 55:23
  Speaker 2: like when we first moved here, it was that you
• 55:28
  Speaker 2: couldn't like get it. You had to spend a year
• 55:30
  Speaker 2: working on your marriage, Isn't that right? Am I crazy?
• 55:35
  Speaker 1: I don't know about California since we've looked. I mean,
• 55:38
  Speaker 1: most states are no fault divorces at this point. So
• 55:42
  Speaker 1: this was back like twenty years ago that I'm talking about,
• 55:46
  Speaker 1: and back in Maryland.
• 55:47
  Speaker 2: Okay, okay, at least twenty yeah, okay, okay, uh yeah.
• 55:53
  Speaker 2: I thought there was Oh okay, I mean back in
• 55:56
  Speaker 2: the day, separated for a year before you can find
• 56:00
  Speaker 2: for divorce. I think that's what it is in California.
• 56:02
  Speaker 2: I'm getting it confused with that's what I It's probably
• 56:06
  Speaker 2: not like that anymore, but I could have sworn that
• 56:08
  Speaker 2: there was something like you could not get a divorce
• 56:11
  Speaker 2: in California that quickly you had to file for separation,
• 56:16
  Speaker 2: get legally separated, and then you had to stay the
• 56:19
  Speaker 2: course for a certain amount of time, and I believe
• 56:22
  Speaker 2: it was like twelve months.
• 56:24
  Speaker 1: Or you could go get a divorce in Vegas.
• 56:27
  Speaker 2: Really and that would that was backed back in California.
• 56:30
  Speaker 1: That was like back in the fifties. Yeah, all this
• 56:33
  Speaker 1: all these stars would go, they would like get divorces
• 56:36
  Speaker 1: in Vegas.
• 56:38
  Speaker 2: Yeah, but if they didn't get married for everybody.
• 56:42
  Speaker 1: They would get married in California and then like their
• 56:46
  Speaker 1: marriage would end and they'd somehow get divorced in Vegas.
• 56:50
  Speaker 2: And it would be legal here California and it would
• 56:54
  Speaker 2: be yeah, wow, and Howard Hughes would like pay for
• 56:58
  Speaker 2: a lot of those Wow, that's amazing way to go.
• 57:03
  Speaker 1: Howard's not a good person. He was not a good person.
• 57:06
  Speaker 2: No, sorry, I take that back. He wants to carrot
• 57:10
  Speaker 2: our chief.
• 57:11
  Speaker 1: Despite what Heather Gay said about her grandfather, I bet
• 57:15
  Speaker 1: her grandfather did some crazy shit for that guy.
• 57:19
  Speaker 2: He knows, Yeah, why, he sure knows. What a wild
• 57:24
  Speaker 2: thing you know.
• 57:27
  Speaker 1: Yeah.
• 57:28
  Speaker 2: And then in Erica's confessional, she says it perfectly.
• 57:31
  Speaker 4: P K is ruthless in business, and he will be
• 57:34
  Speaker 4: ruthless into us maybe, yes.
• 57:39
  Speaker 1: Why would he turn off the part of the brain
• 57:43
  Speaker 1: that has served him the best, right when he's fighting
• 57:48
  Speaker 1: for his life?
• 57:49
  Speaker 2: Like come on now, yeah, come on, now on now, now, lastly, oh,
• 57:56
  Speaker 2: is I going to my argport on her friend and
• 57:58
  Speaker 2: there's going to ies with drying Kathy and just menutation
• 58:01
  Speaker 2: And I'm like Sandro Bayo.
• 58:02
  Speaker 4: It lived like we k and then Arounla Glenn and
• 58:05
  Speaker 4: then I was jogging and then I went down Enry
• 58:07
  Speaker 4: straight and then I went down Hamilton.
• 58:10
  Speaker 1: It.
• 58:11
  Speaker 2: Yeah, so mo. The fact that I was not kind.
• 58:16
  Speaker 1: This whole episode is she's just lurking around the corner.
• 58:20
  Speaker 2: She's a brana just around the corner up the staircase.
• 58:29
  Speaker 2: I know, she's like on vacation. She's fully like, this
• 58:32
  Speaker 2: is so great, this is Sutton's episode. This is gonna
• 58:36
  Speaker 2: just carry me through. I'll like get a jog in,
• 58:38
  Speaker 2: I'll have some crap.
• 58:39
  Speaker 1: Producers are like, can you like FaceTime Kathy or something like.
• 58:45
  Speaker 2: Kathy's like, oh, it's just working. It's like, really, Kathy,
• 58:51
  Speaker 2: I think you know, on a FaceTime at this point.
• 58:53
  Speaker 2: But I did love it.
• 58:55
  Speaker 1: You know, my dad still doesn't, so I don't know,
• 58:57
  Speaker 1: but yeah, oh Matthy.
• 59:00
  Speaker 2: I mean our tugs are a lot older than Kathy.
• 59:04
  Speaker 1: Again, are they?
• 59:05
  Speaker 2: I don't know, right, yeah, fair. I was not expecting
• 59:12
  Speaker 2: that the button on that sentence for Mauricio's travels was
• 59:16
  Speaker 2: going to end with being with Piquet in santro Pei.
• 59:20
  Speaker 1: Yeah, all day.
• 59:22
  Speaker 2: Drinking rose like that was man, and after hearing what
• 59:30
  Speaker 2: he's doing to Derte during this time, then he's gonna
• 59:32
  Speaker 2: go oh.
• 59:35
  Speaker 1: Also interesting to hear Kathy receive it so positively, like, oh,
• 59:39
  Speaker 1: that sounds fun for those two boys. Okay, Kathy, she.
• 59:47
  Speaker 2: Fully embraced that like it was good and it made
• 59:50
  Speaker 2: me be like, okay for a second.
• 59:54
  Speaker 1: Oh she hates mo and just got like all the
• 59:59
  Speaker 1: dirt on PKU all right.
• 1:00:02
  Speaker 2: Yeah. See she she you know, smooths it over. She's
• 1:00:10
  Speaker 2: sharp as attack. Don't let Kazy fool you when.
• 1:00:13
  Speaker 3: She's like, oh that's so great, Oh how fun the
• 1:00:16
  Speaker 3: couple of guys out on the tone.
• 1:00:19
  Speaker 1: Chip glass slip glass lip gloss. Yeah, that's the only
• 1:00:24
  Speaker 1: way we know she's uncomfortable.
• 1:00:25
  Speaker 2: That's the only way we know they're actually sisters, because
• 1:00:29
  Speaker 2: Kyle and Kathy have the whole look thing going on.
• 1:00:33
  Speaker 2: Oh gosh, yeah, you're right. She does do that when
• 1:00:36
  Speaker 2: she's nervous.
• 1:00:37
  Speaker 1: That's her tell mm hmmm hm that lip gloss didn't
• 1:00:42
  Speaker 1: come out for that call you idea.
• 1:00:44
  Speaker 2: It was like Kathy, No, Kyle called Kathy on the phone,
• 1:00:48
  Speaker 2: did not FaceTime. I was like, hey, Kah, like, so
• 1:00:50
  Speaker 2: here's what's going on. It's like so crazy moways like
• 1:00:53
  Speaker 2: traveling and then he's gonna be with PK and in
• 1:00:55
  Speaker 2: the meantime, like I has like all this stuff going
• 1:00:57
  Speaker 2: out to read and like she's mad at me. So
• 1:00:58
  Speaker 2: like when I call you on face time, just like
• 1:01:01
  Speaker 2: it's no big deal and we'll just sleep it out
• 1:01:03
  Speaker 2: of the road. Oh, no problem, like she her business. Boys,
• 1:01:07
  Speaker 2: her real voice is like absolutely understood. I'll be standing by.
• 1:01:12
  Speaker 2: Oh oh gosh, you call it, can to see you.
• 1:01:16
  Speaker 2: And then they do the scene and then they hang up.
• 1:01:18
  Speaker 2: She's like, how'd it go? Was that good? Did we
• 1:01:20
  Speaker 2: get it in the can? All right, boys, let's go.
• 1:01:22
  Speaker 1: You know, she noticed how wore my hat for pants.
• 1:01:25
  Speaker 1: You're welcome. I thought that was a nice touch.
• 1:01:28
  Speaker 2: Ah and my pants for hat I got a million
• 1:01:34
  Speaker 2: of them. Boys. Let's go dirty business. I run this
• 1:01:38
  Speaker 2: fucking town. She does, Oh god, well, anyway, great episode
• 1:01:45
  Speaker 2: and uh really really uh really touching, really really.
• 1:01:50
  Speaker 3: It was.
• 1:01:52
  Speaker 1: Great. And knowing that it's gonna get weird again next
• 1:01:57
  Speaker 1: week at Derry's house, it looks like it looks like
• 1:02:00
  Speaker 1: some sh it's gonna hit the fan. I think this
• 1:02:02
  Speaker 1: is a really good episode to just like.
• 1:02:05
  Speaker 2: Cleanse the podaga with the gals. Yeah yeah, yeah, separate
• 1:02:09
  Speaker 2: them across states and phones and see where we land. Yes,
• 1:02:16
  Speaker 2: that's great, Thank you. So much for listening to you guys.
• 1:02:18
  Speaker 2: Of course, always head on over and join the Patreon
• 1:02:21
  Speaker 2: Patreon dot com slash drama Darling. We have so much
• 1:02:24
  Speaker 2: going on there. We also have an Instagram Drama Darling show, right, Emily.
• 1:02:32
  Speaker 1: That's right Instagram, hang on, hang on www.
• 1:02:36
  Speaker 2: Oh boy, slash slash h T said, thank you, guys.
• 1:02:42
  Speaker 2: She even said that slash wid Southern Charm will also
• 1:02:51
  Speaker 2: be over on the Patreon in a summerhouse. So exciting
• 1:02:55
  Speaker 2: Drama Darling.
• 1:02:58
  Speaker 1: Put it.
• 1:02:58
  Speaker 2: You need to stop