Latest / Corie Sheppard Podcast / Episode 188 | Big Flex

Transcript

Episode 188 | Big Flex · Corie Sheppard Podcast

• 0:21
  Speaker 2: A little love me no more.
• 0:22
  Speaker 2: It's been a long time.
• 0:33
  Speaker 3: Baby, I want you to be my lady, my date.
• 0:35
  Speaker 3: Baby, let's go, yeah, when it goes like this you hear, I told you all I sing, girl.
• 0:50
  Speaker 3: Why you?
• 0:52
  Speaker 3: Why not bend over?
• 0:53
  Speaker 3: Put my hand on your shoulder, oh yeah, move your body in closer.
• 1:03
  Speaker 3: Oh yeah, yeah, I saw me all again.
• 1:07
  Speaker 3: Girl, why you whine and bend over?
• 1:12
  Speaker 3: Put my hand on your shoulder, move your body in closer.
• 1:21
  Speaker 3: Oh yeah, I really get a man that sing and come me sing, say Me day.
• 1:26
  Speaker 3: I watch you how you find Gotta make you mind.
• 1:28
  Speaker 3: Girl, you blow my mind the way you move you behind and Me love your sexy attitude.
• 1:31
  Speaker 3: Baby girl, you rude and your body good.
• 1:33
  Speaker 3: You pull you, get through in a mood, the way you flex you and you grab my attention, want a sample of your love potion and I give you all my devotion Watchin' me ship in me, shipping.
• 1:43
  Speaker 3: Now you ocean, where you at.
• 1:44
  Speaker 3: Boy, I want to get you tonight.
• 1:46
  Speaker 3: Boy, save us a whole lot of time.
• 1:49
  Speaker 3: Boy, make everything feel right.
• 1:51
  Speaker 3: I want your wine tonight.
• 1:52
  Speaker 3: Boy, throw a milwine and bend over, put your hand on my shoulder, move my body in closer.
• 2:07
  Speaker 3: Boy, you want me to whine and bend over?
• 2:16
  Speaker 3: Put your hand on my shoulder, move your body in closer, go ghetto when I say when you turn around and make me watch from the back if you are top shot.
• 2:33
  Speaker 4: I will come and shoot you.
• 2:35
  Speaker 3: Say Mr DJ, I wear your right panache, I'm kicking up your truck and you're the queen of the town.
• 2:39
  Speaker 4: I'm rocking a bull's nut and you are bad man.
• 2:41
  Speaker 4: Put your girl like an infant, make them spin like a fan.
• 2:43
  Speaker 2: This is the episode number looking for you.
• 2:45
  Speaker 2: Welcome to episode 188 of the Corey Sheppard Podcast.
• 2:48
  Speaker 2: Let me kiss you First.
• 2:53
  Speaker 2: I miss you.
• 2:54
  Speaker 2: Only this man, mr Ole, you know now, here we're going on, here we're just seeing.
• 2:58
  Speaker 2: Let me tell you one time you can't know everything.
• 3:00
  Speaker 2: Song is a little different, everything looking slightly different.
• 3:03
  Speaker 2: I want to tell you that these are the last few days recording.
• 3:08
  Speaker 2: If you're wondering, I ain't see you only in about.
• 3:09
  Speaker 2: I ain't see you only in two weeks.
• 3:10
  Speaker 2: This is the whole.
• 3:11
  Speaker 2: Uh no, this room way more echo.
• 3:13
  Speaker 2: You don't know what I mean.
• 3:14
  Speaker 2: If I was trying to hide the emptiness of the room or doing a terrible job, I ain't sure what to do about that.
• 3:20
  Speaker 2: Echo, and I apologize to all the people for the listening experience, but this is what the listening experience will sound like for maybe the next few recordings, because I've been out for the last two weeks and I have a long list of things to record every week.
• 3:35
  Speaker 2: It's not that I disappear completely, but I've been in the process of moving.
• 3:39
  Speaker 2: You know what I mean In the process of moving.
• 3:43
  Speaker 2: No, I don't start to get messages about if I'm moving up by 1%.
• 3:49
  Speaker 2: Absolutely I am.
• 3:50
  Speaker 2: I'm going closer to my kinfolk Going closer to my kinfolk.
• 3:56
  Speaker 2: But in the process of moving we pretty much emptied out the place, so the place is looking a little bare Bare with me.
• 4:15
  Speaker 2: No pun intended, but we're here.
• 4:16
  Speaker 2: We're here.
• 4:17
  Speaker 2: We're back at this old 180 something.
• 4:19
  Speaker 2: We'll be right back, but it's not too much of that, it's just an update on what we're up to over the last few weeks and what we're going to be up to in the next few weeks.
• 4:31
  Speaker 2: As well as the great Hilton Danzio, great ghetto flex we didn't get a chance to record an episode in a live location in dedication to ghetto flex and you hear the opening.
• 4:37
  Speaker 2: So a man who well underestimated I think ghetto flex was on the band scene for so long, being a part of Second Image and so on.
• 4:45
  Speaker 2: I know if some people in this generation like they're forgetting who Ghetto Flex really is.
• 4:52
  Speaker 2: I hear a little bit of music playing on the radio and a little dedication music, but the social media wasn't as alive with music from Ghetto Flex as I would think it would be for a legendary artist like that.
• 5:01
  Speaker 2: So that might work right.
• 5:03
  Speaker 2: We could do that throughout the episode and I had to give all the updates because the last time we come here.
• 5:06
  Speaker 2: I was talking to a certain fella.
• 5:07
  Speaker 2: He ain't around right now.
• 5:08
  Speaker 2: He done move already.
• 5:09
  Speaker 2: Salute to Paula Stacy.
• 5:11
  Speaker 2: They done move already.
• 5:13
  Speaker 2: They left right here.
• 5:14
  Speaker 2: Bachelor is to live bachelor, right.
• 5:16
  Speaker 2: But the last time I heard from the man, the man said he result, the producer is now a fatima boy.
• 5:29
  Speaker 2: Strive on fatima boy, oh, alma mater, firmly one.
• 5:30
  Speaker 2: Strive what I know this song to get a new.
• 5:31
  Speaker 2: Strive on fatima boy.
• 5:32
  Speaker 2: Strive on.
• 5:32
  Speaker 2: So we in the process are moving closer to fatima, because what's not going to happen?
• 5:38
  Speaker 2: Right, let me tell you what ain't gonna happen over the next five to seven years in Fatima.
• 5:42
  Speaker 2: I only, I only make it to five.
• 5:44
  Speaker 2: Well, I make it to six years, five and repeat in Fatima, right?
• 5:48
  Speaker 2: So I'm trying to make this a different experience for this boy.
• 5:51
  Speaker 2: He's a different child to me.
• 5:53
  Speaker 2: I want him to be a different teenager and a different adult to me, because I had no chance of getting into A-levels when I went Fatima.
• 6:01
  Speaker 2: When I finished Fatima after form five, I had I think I finally slipped the other day and cleaned it up here to move I had four passes.
• 6:08
  Speaker 2: I think I had a one and three twos.
• 6:11
  Speaker 2: Don't ask me what the one was, I can't remember now, but a one and three, twos, and I know I didn't pass maths and English.
• 6:17
  Speaker 2: I passed one out of the two.
• 6:18
  Speaker 2: Then I repeat, and I find I slipped the other day saying two, twos or something like that in maths, english and geography and then I went and do form six in Tranquil.
• 6:27
  Speaker 2: So what's not going to happen over the next five years is that Paula Stacey ain't going to be living here from Shogunahs five o'clock in the morning to get this man to reach the hapa set.
• 6:38
  Speaker 2: You know what I mean Mashing up my little living people coming out of my bed all over the morning in the dark and reaching out in the dark.
• 6:46
  Speaker 2: So we're in the process.
• 6:47
  Speaker 2: We're in the process of moving.
• 6:48
  Speaker 2: And congratulations to my boy, zachary.
• 6:51
  Speaker 2: I tell you I see this little boy work hard, he study hard, he get competitive, he want to.
• 6:57
  Speaker 2: I cannot like.
• 6:59
  Speaker 2: I remember when they announced that I passed for Fatima in Newton, in this brutal ceremony that they used to do, where they have all these standard fives on the, on the, on the top bloody school.
• 7:10
  Speaker 2: They pull all of us in one section and they call out the names in alphabetical order and they say Corey Sheppard, fatima College and we say hey, and then they say Corey Sheppard, mokorapo, junior Secondary.
• 7:21
  Speaker 2: We say oh, it was a horrible process.
• 7:24
  Speaker 2: And everybody, parents there and I remember how emotional I was on that day, nervous for the result.
• 7:31
  Speaker 2: You do the work.
• 7:32
  Speaker 2: I was pretty sure I'd pass for Fatima after the exam.
• 7:35
  Speaker 2: But when the results come in, you never know what will happen.
• 7:37
  Speaker 2: You want it so bad.
• 7:38
  Speaker 2: All my cousins Luta, barney, kendall, god, everybody went Fatima.
• 7:42
  Speaker 2: You know, even in St James they had all the Ramdos and them, or Sean at least, who passed through Fatima, and people you look up to, you know.
• 7:49
  Speaker 2: So I wanted that badly.
• 7:50
  Speaker 2: So I know what he was feeling like when results come out, because I also was in alphabetical order people like Colonel King, adam Bossett, my friends' friends, their name calling before mine and they going Fat fatima.
• 8:02
  Speaker 2: We are feeling joy for them because I know they work hard and they deserve it too.
• 8:06
  Speaker 2: But it also make me more nervous because now I want to go with them.
• 8:10
  Speaker 2: That's my squad.
• 8:12
  Speaker 2: So different kind of setup now for se results where they tell you the results gonna come out at midnight, right, uh.
• 8:18
  Speaker 2: So my boy plan out his thing.
• 8:20
  Speaker 2: He plan out we're gonna get snacks and we're gonna get now.
• 8:22
  Speaker 2: This is a household that don't really stay up too late.
• 8:24
  Speaker 2: It's time six, seven o'clock.
• 8:26
  Speaker 2: We don't even stay up past jones p madera, right?
• 8:28
  Speaker 2: If you don't know what's that, ask your mother and them.
• 8:30
  Speaker 2: Right, we don't stay up past jones p madera.
• 8:33
  Speaker 2: We might see jones p madera, but we don't really get to see robin maraj, if you know.
• 8:37
  Speaker 2: I mean, he's gonna sleep early.
• 8:38
  Speaker 2: I started to fade to black, but we plan out the night and we was good.
• 8:42
  Speaker 2: And at this point now I nervous, but the mother was properly nervous, right, and you, just to tell you the truth, it would not matter to me what school he passed for the.
• 8:52
  Speaker 2: The decision to move up in town was already made because, uh, as I say, it's palestine having to drive far every morning taking her toll.
• 8:59
  Speaker 2: So we had to get closer to where she working to, and so the result would not been, it would almost wouldn't matter, right?
• 9:08
  Speaker 2: Let me put it like that.
• 9:09
  Speaker 2: It almost wouldn't matter what school he passed for.
• 9:10
  Speaker 2: He would do the best in any school he go to.
• 9:12
  Speaker 2: But you know, you see them work so hard and you want them to get the result.
• 9:15
  Speaker 2: So, as a parent here, and I don't want to deal with having to console this boy.
• 9:20
  Speaker 2: I don't know what.
• 9:20
  Speaker 2: How long it would have taken to get over it if he had passed for another school.
• 9:25
  Speaker 2: And I really gave him talk about Compre too.
• 9:26
  Speaker 2: I said you're going to pass for Compre?
• 9:29
  Speaker 2: I said if you could have passed for Compre, compre used to be standard form four, right, but anyway, on the night, thankfully, my partner, a good, good neighbor, jade, come and check me out, we lie my five and we take two drinks outside.
• 9:42
  Speaker 2: It was the best thing that could ever happen, rather than we going stir crazy in the house here and then, in the midst of the little sips, we taking the man busts up and says Daddy, results out, this must be 10 o'clock in the morning.
• 9:52
  Speaker 2: So apparently they released the results earlier than the midnight, but we were expecting the site to crash and all that and we were kind of preparing to stay up past 12, 1 o'clock, whatever time it took for us to see the result that we were working for.
• 10:06
  Speaker 2: So he called me and he told me the results come out.
• 10:08
  Speaker 2: Well, boy, let me tell you something.
• 10:09
  Speaker 2: Me know how long a keyboard is last all year.
• 10:12
  Speaker 2: But Paula Stacey, take her laptop and she tried to type in the website and the password and all I hear is I thought my hand used to shake but this girl, hand shaking over this laptop trying to enter the username and password.
• 10:30
  Speaker 2: Well, zachary, going quite on the next side because he don't want to see, he said just look and tell him.
• 10:34
  Speaker 2: So I look in now.
• 10:37
  Speaker 2: My eye done started full of water already.
• 10:39
  Speaker 2: First I frightened I and I me can't see too far, you know my eyesight in the greatest.
• 10:42
  Speaker 2: So I stand up behind she on her couch and I behind her on the couch, she fiddling with the computer and trying to make that work.
• 10:48
  Speaker 2: You know what I mean.
• 10:48
  Speaker 2: I thought she was doing a dis-defragmentation, the way the thing shake.
• 10:52
  Speaker 2: But she eventually get on and I just see a white background and a whole set of words Me know what I looking for.
• 10:59
  Speaker 2: And she kind of tell.
• 11:09
  Speaker 2: She turned to Zachary now and she said come and see your result.
• 11:11
  Speaker 2: Well, I look at now me.
• 11:12
  Speaker 2: I see no result yet.
• 11:12
  Speaker 2: Then she points and she show me the thing saying Fatima, boy.
• 11:13
  Speaker 2: When I see it, boy, listen, my heart feel full and I turn to him.
• 11:15
  Speaker 2: He said what it is only just tell me.
• 11:16
  Speaker 2: Just tell me your complete nervous wreck at this time.
• 11:19
  Speaker 2: And when we tell it, well, I said no, you come and see you, do your work, come and see your result.
• 11:24
  Speaker 2: Because I always tell Zach I say no, you come and see it, do your work, come and see your result.
• 11:26
  Speaker 2: Because I always tell Zachary I say Zachary, the only thing you could control is the input.
• 11:29
  Speaker 2: You can't control the output.
• 11:30
  Speaker 2: You could control how much work you do towards a goal, but you could not get the result.
• 11:35
  Speaker 2: That is just life.
• 11:35
  Speaker 2: That is just how brutal life is.
• 11:37
  Speaker 2: You could put in your 10,000 hours and still not become the greatest.
• 11:40
  Speaker 2: And and he come close, he in chop and thing.
• 11:48
  Speaker 2: And when he look and she pointed, she show him fat, him a boy.
• 11:50
  Speaker 2: That boy ball out.
• 11:50
  Speaker 2: It remind me of that little boy in newton boys, all them years ago.
• 11:52
  Speaker 2: That man ball out.
• 11:53
  Speaker 2: And now he.
• 11:55
  Speaker 2: Life is a circle.
• 11:56
  Speaker 2: Life is a cycle because the way he come and hold on to me and that man's had to cry, but the mother this time me, care, mcd mother, because I'm all crying too like hell, just complete joy and happiness for him.
• 12:08
  Speaker 2: You know what I mean.
• 12:09
  Speaker 2: And that moment, seeing him break down like that, it was like exactly what would have happened to me when I do come on entrance, about 20, 15, 20 years ago.
• 12:18
  Speaker 2: Right, 15, 20, or give or take.
• 12:20
  Speaker 2: Right, give or take.
• 12:20
  Speaker 2: I'm not the best with maths, but 15, 20 years ago I remember all my friends celebrate when they say courage and make a pause at quarry shepherd, fatima, college and boy, all my friends.
• 12:32
  Speaker 2: So romantic.
• 12:33
  Speaker 2: But it had nothing more important to me in that moment than just getting to my mother.
• 12:36
  Speaker 2: No, mommy was somewhere outside there and I remember crumbling like, doing the tears, all that I guess, the pressure of it, and it was the same thing.
• 12:45
  Speaker 2: Life is a cycle.
• 12:46
  Speaker 2: Life recreated itself, you know, I mean so we in the cycle, and it's such a cycle that we we heading back in town.
• 12:52
  Speaker 2: Now I'll tell you right, I mean people who might not know me all these years, I'm thinking my thing.
• 12:56
  Speaker 2: I'm from chagones, I am from st james paula.
• 13:00
  Speaker 2: Stacy is from Dingo Martin, the bad part, you know what I mean, the gangster part.
• 13:06
  Speaker 2: But I live.
• 13:08
  Speaker 2: You know, I played a calypso here the other day, we say I went to Palo Seco, san Fernando, monday.
• 13:16
  Speaker 2: I blew a little cereal from Kumamoto to Uyaklaro, to Gaspar, to Lumpikin, to Kwan to Kwan.
• 13:20
  Speaker 2: That's me.
• 13:23
  Speaker 2: You know, I live everywhere.
• 13:24
  Speaker 2: I live two places in St James, two places in Diggumartin, two places in San Fernando, I live in St Augustine, I live in Shiguanas and I live in Kingston, jamaica.
• 13:33
  Speaker 2: You know what I mean.
• 13:34
  Speaker 2: But I'll tell you this right, the community I live in in here.
• 13:37
  Speaker 2: This is one of the most difficult moves I've ever made, because it wasn't just Zachary celebrating that night.
• 13:43
  Speaker 2: Salute to young youths inside the Riverview Park, like Zaliga and Aidan and Darian and Tristan and Serene.
• 13:49
  Speaker 2: All of them, these children do so well.
• 13:52
  Speaker 2: Anybody would be enormously proud.
• 13:54
  Speaker 2: As a community, you know, I mean as a community, we enormously proud.
• 13:58
  Speaker 2: So we full circle.
• 13:59
  Speaker 2: Man going back, fatima, men, men, men in the in community.
• 14:03
  Speaker 2: Here's my two footballers here heading to san antonis, and darren and tristan.
• 14:08
  Speaker 2: Salute them to you.
• 14:09
  Speaker 2: San antonis is going to be a problem.
• 14:11
  Speaker 2: It's going to be a problem, right.
• 14:15
  Speaker 2: But again, I want to play a little song.
• 14:16
  Speaker 2: I will tell you.
• 14:17
  Speaker 2: I will tell you about the experience, uh, where going to fatima was concerned and what we've been going through over the last few weeks.
• 14:26
  Speaker 2: More reason why I can't find the time to settle down and record.
• 14:29
  Speaker 2: But before we do that, I need to play a little song.
• 14:32
  Speaker 2: You know what I mean.
• 14:32
  Speaker 2: I need to play a little song here, uh, reaching out to every child who would have done SCA, because I know some of y'all who's listening your children or your grandchildren or whoever was doing SCA too.
• 14:43
  Speaker 2: So I don't know all the names, I don't know.
• 14:45
  Speaker 2: You know what I mean.
• 14:45
  Speaker 2: I'll never reach out to them and share these things with me, but I want to celebrate with you all, wherever they go.
• 14:50
  Speaker 2: And just like I tell Zachary, this is a beginning.
• 14:53
  Speaker 2: It's not an end.
• 14:54
  Speaker 2: Whether your result's great or you're not happy with the result, whatever it might be, you're on the right path.
• 14:59
  Speaker 2: Life have a funny way of coming full circle and you always have time to put in.
• 15:05
  Speaker 2: You know, my father used to tell me never too late to do the writing.
• 15:08
  Speaker 2: You always have time to put in the work and advance from where you're from.
• 15:13
  Speaker 2: Don't treat this move like an end.
• 15:14
  Speaker 2: Treat this move like a beginning, just like we in this move here, we moving from here, we trying our best to get into beginning mode as we head to the 1% in this.
• 15:24
  Speaker 2: You know what I mean when I see a music like this.
• 15:35
  Speaker 2: Sing.
• 16:02
  Speaker 5: And now the end is near, and so I face the final curtain, my friend.
• 16:10
  Speaker 5: Now let me say this clear I'm gonna state my case, of which I am certain.
• 16:22
  Speaker 4: I've lived a life that's full.
• 16:28
  Speaker 5: I've traveled each and every highway, and more, much more than this.
• 16:39
  Speaker 5: May I say I did it my way.
• 16:46
  Speaker 5: Yes, man, regrets I've had a few, but then again too few to mention.
• 16:59
  Speaker 5: I did what I thought I had to do and saw it through without exemption.
• 17:12
  Speaker 5: I planned each charted course, each careful step Along the byway, and more, much more than this.
• 17:32
  Speaker 5: I did it my way.
• 17:40
  Speaker 5: Yes, there were times, I'm sure you knew, when I bit off more than I can chew, but through it all, when there was doubt, I ate it all and spit it out.
• 18:05
  Speaker 5: I faced it all standing tall.
• 18:11
  Speaker 5: I did it my way.
• 18:19
  Speaker 5: I've loved, I've laughed and I've cried.
• 18:25
  Speaker 5: I had my fill.
• 18:28
  Speaker 5: I even had my share of losing.
• 18:31
  Speaker 5: And now and now, as tears subside, I find it all so amusing.
• 18:44
  Speaker 5: I find it all so amusing To think I did all that.
• 18:52
  Speaker 5: And may I say, not in a shy way, oh no, not me.
• 19:14
  Speaker 5: I did it my way.
• 19:15
  Speaker 5: For what has a man tell me what has he got?
• 19:28
  Speaker 5: If not himself, then he has not To say the things he truly feels.
• 19:31
  Speaker 5: And now the words of one who kneels the record shows I took all the blows and did it my way.
• 20:01
  Speaker 2: Yes, man.
• 20:02
  Speaker 2: Congratulations to all the children and the parents of the SAR man who certainly did it his way.
• 20:08
  Speaker 2: Hilton, ghetto Flex, dance Hell, you know what I mean.
• 20:11
  Speaker 2: We say here.
• 20:13
  Speaker 2: This is by Soyini Grace.
• 20:14
  Speaker 2: Soca Stars pay tribute to Ghetto Flex.
• 20:16
  Speaker 2: And again back to my Fatima story.
• 20:18
  Speaker 2: I've been down with Fatima.
• 20:19
  Speaker 2: Fatima is something else, but Ghetto Flex is weird to talk about too.
• 20:22
  Speaker 2: So this is a local music industry, some melzer.
• 20:25
  Speaker 2: But ghetto flex is weird to talk about too.
• 20:27
  Speaker 2: So this is a local in local music industry.
• 20:28
  Speaker 2: Went in the morning upon hearing the death of uh hilton ghetto flex.
• 20:31
  Speaker 2: Dalzel jr, the 51 year old, died of a suspected heart attack.
• 20:34
  Speaker 2: His friend and producer, chasu along, uh chasu ahung, said that dalzel's mother confirmed his passing.
• 20:42
  Speaker 2: He he made his name at Second Image but also went solo delivering some hits like Rock your Body, wine and Ben Over, both with Dennis Velf.
• 20:50
  Speaker 2: Wow, boom, boom.
• 20:51
  Speaker 2: We're taking all of them right.
• 20:52
  Speaker 2: All of them on the list.
• 20:54
  Speaker 2: As news spread on social media, several people in the entertainment industry reacted, including soccer star Faye Ann Lyons, who was among the first to pay tribute.
• 21:01
  Speaker 2: She posted on Instagram another RIP to an artist that gave significantly to the industry.
• 21:06
  Speaker 2: We have lost another.
• 21:07
  Speaker 2: Rest in peace ghetto flex, those who were able to have seen and experienced your energy.
• 21:14
  Speaker 2: Your music lives on.
• 21:15
  Speaker 2: Ahung said.
• 21:17
  Speaker 2: Dalzel Jr lived in St Vincent but returned to Trinidad during Carnival 2023 for a second-image reunion tour.
• 21:24
  Speaker 2: He said his friend was one of the nicest people he could ever meet.
• 21:28
  Speaker 2: There was a sentiment shared by Ian Bunji Garland-Alvarez who, in tribute to Dalzell Jr, always made time for him when he was an up-and-coming artist.
• 21:37
  Speaker 2: That's Get to Flex making time for Bunji right.
• 21:40
  Speaker 2: Get to Flex would have been out long before Bunji, if my memory serves me right.
• 21:43
  Speaker 2: He said thank you for your guidance, confirmed Thank you for your guidance, for treating many of us like blood family and for always encouraging us from behind the scenes when you couldn't be there.
• 21:52
  Speaker 2: Born September 14, 72, dalzell Jr followed the steps of his father into the entertainment industry.
• 21:59
  Speaker 2: By age 8, he was a Junior Soca Monarch winner, while in second image he was paired with Russell Cadogan as the front line singer for the band Delta.
• 22:07
  Speaker 2: Junior led on some of the biggest hits, including Golo.
• 22:11
  Speaker 2: At the time, he was known as Hilton HD.
• 22:14
  Speaker 2: I don't remember that at all.
• 22:15
  Speaker 2: I don't remember that when he decided to go solo, he turned to Soca producer Ahung and changed his name to Ghetto Flex.
• 22:23
  Speaker 2: We did two songs.
• 22:26
  Speaker 2: I think we were pioneers At the time with the videos Ahong said we did something called Vroom Vroom and Soca Daddy.
• 22:30
  Speaker 2: Those were the two we actually did Videos for.
• 22:33
  Speaker 2: So salute to Hilton Ghetto Flex Dalzel.
• 22:36
  Speaker 2: People who done, known him, people who fettin long time and done know him from you have a real stage name.
• 22:42
  Speaker 2: You had to be an entertainer, a performer, when they name you hilton dalzell jr.
• 22:47
  Speaker 2: You named the name done.
• 22:50
  Speaker 2: You named that song like a star already and I think I could safely speak for everybody when to say that we were all shocked when we hear about this person.
• 22:59
  Speaker 2: The thing about it is not somebody who, uh, you're seeing, active on social media, or who you who on your mind all the time.
• 23:08
  Speaker 2: You know get to flex.
• 23:09
  Speaker 2: You ain't hearing from him like in terms of new hits or performing.
• 23:12
  Speaker 2: I didn't know he was living in tinder.
• 23:14
  Speaker 2: So if you first knew to hear in such a long time to be that he passed away, I think it took all of us by surprise.
• 23:20
  Speaker 2: So you know how we do it.
• 23:22
  Speaker 2: When we have dedication episodes to do, we have songs lined up and this was one where, if I'm not mistaken, this song was right around that kiss kitty caravan era and ghetto flex did a great job of uh kind of walking the line between what was soca and ragasoka and dancehall at the time and you really had the youth like us as youth when we were young.
• 23:45
  Speaker 2: You really had us captivated at the time.
• 23:48
  Speaker 2: If I'm not mistaken, the first iteration of the junior calypso monarch was also won by ghetto flex.
• 23:54
  Speaker 2: Somebody gotta confirm that for me, right?
• 23:56
  Speaker 2: But I want to take in one of the one of the songs here that they mentioned in the article.
• 23:59
  Speaker 2: I haven't mentioned this article voom voom, this song here that they mentioned in the article.
• 24:01
  Speaker 2: I haven't mentioned this article Vroom Vroom.
• 24:02
  Speaker 2: I had this song, vroom Vroom, in the article there, and let me see how good all the memory is.
• 24:06
  Speaker 2: She love the boom boom.
• 24:11
  Speaker 2: She really really love the boom boom.
• 24:34
  Speaker 3: When me tell them she don't want no bicycle or go peeling, peeling.
• 24:38
  Speaker 3: She don't like the truck, that's too much smoking.
• 24:40
  Speaker 3: She know riding a taxi.
• 24:41
  Speaker 3: She don't take bus, she want the Benz, b Marauder, lexus, beep, beep.
• 24:46
  Speaker 3: You say you want to ride in a midship.
• 24:48
  Speaker 3: Only expensive cars, not cheap girl.
• 24:50
  Speaker 3: Boop, boop.
• 24:51
  Speaker 3: It's the sound of me.
• 24:52
  Speaker 3: Honey, don't you take your foot off me, that's gonna be rude.
• 24:54
  Speaker 3: And you know what?
• 24:55
  Speaker 3: There's no one, no man walking.
• 24:57
  Speaker 3: If you don't have a right now to them, you're talking.
• 24:59
  Speaker 3: They love the air condition, automatic transmission, posing your front seat in a recline position.
• 25:04
  Speaker 3: Turn on your deck because you want to hear your song.
• 25:06
  Speaker 3: The boom boom.
• 25:07
  Speaker 3: Girl them love the hard pong, the hard pong, the girl them love the hard pong.
• 25:11
  Speaker 3: I want you to listen to my song.
• 25:13
  Speaker 3: She love the boom boom, she want the boom boom.
• 25:17
  Speaker 3: She love the boom boom.
• 25:19
  Speaker 3: She want the boom boom.
• 25:21
  Speaker 3: She want the boom boom.
• 25:27
  Speaker 3: She love the boom boom.
• 25:29
  Speaker 3: Slam bam, little girl want your plan.
• 25:35
  Speaker 3: I hear you leave your budget for Lexus, man, and which wash little girl man, your past.
• 25:40
  Speaker 3: Come up on the gas.
• 25:41
  Speaker 3: It's a break, so free much.
• 25:43
  Speaker 3: And she see me pull up in my drop.
• 25:44
  Speaker 3: Low, sunny, don't mean that you may pay the crisp and shiny my heart from blasting.
• 25:49
  Speaker 3: So, caroling, so me turn the music down so I can listen to you.
• 25:52
  Speaker 3: She said, excuse me, I am getting flexed.
• 25:54
  Speaker 3: And she to me that was the true boom.
• 25:58
  Speaker 3: Girl style me.
• 26:00
  Speaker 3: Dig your sense, she crazy.
• 26:01
  Speaker 2: She love the boom so here now back to Fatima.
• 26:18
  Speaker 2: Now they have made a quandary.
• 26:20
  Speaker 2: I want to understand from all the people, all the parents here who are supposed to be giving me warning, who are big, big children, right, only know how this thing does go, only know I was preparing for a child to go in secondary school, but nobody prepared me for the amount of up and down.
• 26:34
  Speaker 2: When they talk about vroom vroom, I never buy gas in my life.
• 26:37
  Speaker 2: I'm moving closer to Fatima, right, and all I have been doing for the last two weeks is vroom vroom because, listen, they had the registration day, right.
• 26:46
  Speaker 2: So registration day come up and they have a sort of registration and orientation ceremony.
• 26:53
  Speaker 2: So little Damien and Crystal, everybody who have Fatima experience giving me some warning because they say it's a no, such a donation, walk a ton and donation shade and barbecue.
• 27:04
  Speaker 2: They say they go ask you for a piece of money up front.
• 27:07
  Speaker 2: Right, it's a private school.
• 27:09
  Speaker 2: They say, don't, don't feel like it's a long time.
• 27:11
  Speaker 2: When I went fatima, I don't remember going.
• 27:14
  Speaker 2: No registration on the way.
• 27:15
  Speaker 2: I was good, absent-minded too.
• 27:16
  Speaker 2: I probably had one.
• 27:17
  Speaker 2: But I, I think you're just going to school.
• 27:19
  Speaker 2: You collect whatever package now, now, the package come in with you.
• 27:22
  Speaker 2: When they give you a result, they're telling you when is your registration day, and all that.
• 27:26
  Speaker 2: So when results come out, registration is the next Friday.
• 27:28
  Speaker 2: I want to salute Fatima for doing something amazing.
• 27:31
  Speaker 2: Now, this is my biases talking, but it was really an amazing experience Because when you came to this school if people know football right, there's a God of Honor.
• 27:43
  Speaker 2: Typically, when a footballer retire, when you're walking off the pitch for the last time, or you're walking on the pitch, the cricketers do it too.
• 27:48
  Speaker 2: They would raise the bat and let it be retiring.
• 27:50
  Speaker 2: Cricketer walk out.
• 27:51
  Speaker 2: And you know, western these also have this.
• 27:53
  Speaker 2: Um, should I have to?
• 27:55
  Speaker 2: Sorry, I've brought up western these, western these also have this uh uh ceremony.
• 28:00
  Speaker 2: When you gain your first cap right, you gain your first international selection for West Indies cricket, whether it's at T20, well, one day or Test cricket.
• 28:08
  Speaker 2: Should I mention Test cricket with West Indies.
• 28:10
  Speaker 2: But they have a ceremony where the captain gives you your first cap and so on, and Fatima had started a tradition.
• 28:18
  Speaker 2: I understand now we're going on for 20 years, right.
• 28:21
  Speaker 2: So I mean, if I went Fatima 15 years, I've got no harm with that.
• 28:23
  Speaker 2: But when you're walking into the school, there's boys in their dress, uniform, they're in their blazer and tie and stuff, lined up making a guard to honor the entrance of the school and they're clapping in every single boy who entered the school.
• 28:35
  Speaker 2: That is an amazing experience.
• 28:38
  Speaker 2: An amazing experience.
• 28:43
  Speaker 2: An amazing experience.
• 28:43
  Speaker 2: It sets the tone for what to expect in the institution and of course, they spent about two, three hours uh, what should I say?
• 28:46
  Speaker 2: Brainwashing or inculcating us into a system of thought to learn.
• 28:50
  Speaker 2: You know that there's the best school in the country.
• 28:52
  Speaker 2: They don't mention or they don't care.
• 28:53
  Speaker 2: What I like about the ceremony, too, is they make sure, identify saint mary's men who send in nature and no.
• 28:59
  Speaker 2: So the competitiveness of secondary school life pass and we are some thousands well lighter, some thousands well, both in terms of the voom-voom and all the up and down we had to do, as well as registration fees, football package, the amount of uniform report book.
• 29:18
  Speaker 2: We never stopped by Fatima set up inside there like a mall.
• 29:22
  Speaker 2: I couldn't help but conk the money, I say.
• 29:24
  Speaker 2: But if I was a man I had people to run in places.
• 29:26
  Speaker 2: I mean I should have asked Paula Stacey, who she know.
• 29:28
  Speaker 2: They had some loud cash on Fatima upon that day.
• 29:31
  Speaker 2: Salute to all the boys, congratulations to all of them who passed to Fatima Amazing accomplishments and it's only uphill from there's.
• 29:39
  Speaker 2: Fatima is a hell of a institution.
• 29:41
  Speaker 2: I had a chance to sit in a classroom that I haven't been in for a long time, saying don't listen to a man named garnett gibson teaching me accounts and mr ram sing teaching me economics and so on in that classroom.
• 29:53
  Speaker 2: I believe that would be somewhere around standard, standard or form form, three or four, something like that.
• 29:58
  Speaker 2: I'll go right back in that class.
• 29:59
  Speaker 2: And just like how back then I didn't understand accounting when Garnet Gibson up to now I never passed A-level accounts Accounts was one of the hardest subjects to me.
• 30:08
  Speaker 2: I didn't know if I passed O-level.
• 30:10
  Speaker 2: No, I had to pass O-level to do A-level.
• 30:11
  Speaker 2: But accounts tough.
• 30:13
  Speaker 2: And just like how I was confused in that room when Garnet was talking about debit, about debit and credit and journal and this and that and balance sheet.
• 30:21
  Speaker 2: I couldn't understand none of them, things up to today, and I realized I'm no better at understanding it Because I couldn't balance the figures that Fatima was throwing out.
• 30:28
  Speaker 2: I couldn't balance these numbers they were telling me.
• 30:31
  Speaker 2: All I know is that I ended up significantly in the red is the way I want to put it.
• 30:35
  Speaker 2: That is what I ended up after.
• 30:46
  Speaker 2: Fast forward from there, the men tell us what you could sign up for.
• 30:47
  Speaker 2: They had the sea scouts had an amazing display in the courtyard.
• 30:49
  Speaker 2: They're trying to get people to join sea scouts.
• 30:50
  Speaker 2: I see so my boy, dwayne, born cricket coach, who tried to get me to sign up for cricket.
• 30:51
  Speaker 2: Yeah, football, it has so many.
• 30:53
  Speaker 2: It's about 30 extracurricular clubs that they had on display there.
• 30:57
  Speaker 2: And the day where you could sign up your new four-month students to join and, uh, that in itself was, was, was something.
• 31:04
  Speaker 2: The boys, they had a pan side and they never stopped playing pan whole day, the pan side in the background, while you, while you lose it, while you're getting a fleece you know, I mean sweater jacket.
• 31:14
  Speaker 2: Back in the day we used to just buy.
• 31:16
  Speaker 2: I had three shirts and two pants in my earliest days in fatima.
• 31:21
  Speaker 2: So when wednesday come, you get to washing and you get to hanging out so that you could have your rest of clothes for the weekend.
• 31:26
  Speaker 2: You have two pants of the same.
• 31:28
  Speaker 2: You have one pants every day.
• 31:29
  Speaker 2: This trend on them have five pants, five shirts, extra shirts for the weekend.
• 31:33
  Speaker 2: I invested this last Saturday in detention and everything.
• 31:36
  Speaker 2: But you're walking around and you're buying.
• 31:38
  Speaker 2: You know it's basically Fatima mall here, because from three shirts and two pants to now five shirt, five pants, football kit on uniform, blazer tie, gray pants, white shirt.
• 31:50
  Speaker 2: Men are sweater because the classroom, air condition.
• 31:55
  Speaker 2: But again, a good experience.
• 31:56
  Speaker 2: This is what the man wanted, so happy for him nonetheless.
• 31:58
  Speaker 2: But he decided signing up for the tech club and he's signing up for um, what's the next name of the next thing?
• 32:04
  Speaker 2: Well, he signed up for football as well.
• 32:06
  Speaker 2: Now again I remember walking going down the road, probably with my cousin barney carrying me to football practice and fatima.
• 32:13
  Speaker 2: Everything back then was just to me like word of mouth.
• 32:18
  Speaker 2: The boys from fatima in the community knew that in the vacation, the training or the screening or what is called tryouts for the under-14 football team it starts.
• 32:26
  Speaker 2: So we walked down Fatima grounds.
• 32:29
  Speaker 2: Who were on where I was going, non-compri or junior.
• 32:31
  Speaker 2: So everybody walked down together and I went to training, you know, and then you're on the under-14 team.
• 32:37
  Speaker 2: What do you make right so same team once.
• 32:43
  Speaker 2: You make right so same thing with him.
• 32:44
  Speaker 2: The next week he have football camp.
• 32:44
  Speaker 2: I signed him up with project pros football camp and then now, fatima, football is the same day, so here, football trials two o'clock we go.
• 32:49
  Speaker 2: So, bam, now we live in four o'clock to run king george to go back and next football training.
• 32:53
  Speaker 2: All only have big children.
• 32:56
  Speaker 2: I say I want to salute my guy, andrew mills, and congrats to your daughters, as well as amazing to see this big woman.
• 33:02
  Speaker 2: Now you know, I mean, what the hell is going.
• 33:04
  Speaker 2: I remember seeing mills trend is a little little trend.
• 33:07
  Speaker 2: You know them graduating, salute to them.
• 33:09
  Speaker 2: But I find men like mills never warned me.
• 33:12
  Speaker 2: Nobody can call me and say, cory, when your child going secondary school, your gas bill is going to rise exponentially.
• 33:18
  Speaker 2: You're going to need tires every other week.
• 33:20
  Speaker 2: So I just running and keep in mind that I need midst of moving too, right, so I'm going from shogunate, heading up the road, pack out some boxes, run.
• 33:29
  Speaker 2: So tell him pony booty cap on a shin pad you can't tie.
• 33:32
  Speaker 2: It runs all by fatty mcgraw.
• 33:33
  Speaker 2: And I want to tell you, right, he, he was supposed to be here recording this episode.
• 33:37
  Speaker 2: I'm talking about his experience himself, right?
• 33:39
  Speaker 2: But since I alone live in here now, I had to tell you the experience and he go vexed with me because I tell you this.
• 33:44
  Speaker 2: But day one in the under 14 training, well, now again it have no.
• 33:50
  Speaker 2: For those of us who remember playing fatima under 14 or under 14 in your school, when you're going for more, now they have a form one league that is under 13.
• 34:01
  Speaker 2: We used to have something called midday league.
• 34:03
  Speaker 2: You used to go and play midday league.
• 34:04
  Speaker 2: It was one class playing against the next, right, but now they have a form one league.
• 34:08
  Speaker 2: So you're going under 13 first, then you're trialed for under 14.
• 34:11
  Speaker 2: Because what I remember as now, passing for Fatima and going, you're playing with boys who are already in form two and form three.
• 34:19
  Speaker 2: You have to try out with them to make the under 14 team.
• 34:27
  Speaker 2: The under 14 team wasn't only form ones, that was giants, they used to call it right, and colts was under 16, but it it changed now.
• 34:31
  Speaker 2: But we go on.
• 34:31
  Speaker 2: The coaches come, they talk to them.
• 34:32
  Speaker 2: This is on day one, all right, we settle.
• 34:34
  Speaker 2: Stacy says you want to see him start to play.
• 34:36
  Speaker 2: So he started playing and I realized it has some little boys.
• 34:39
  Speaker 2: They're playing football for a time, so they're skillful and they know the game.
• 34:42
  Speaker 2: But when I see him go out I say all right, he will be good, he could make the side.
• 34:45
  Speaker 2: You know what I mean?
• 34:46
  Speaker 2: I was a little worried because he's getting football obsessed.
• 34:48
  Speaker 2: When he was five, six years old I was trying to get him to play football.
• 34:51
  Speaker 2: He said his son's too hot and he don't want to go out like he.
• 35:08
  Speaker 2: All right, you know, I mean he gonna make it.
• 35:08
  Speaker 2: So we watch him start, we go on again to unpack some box, we do this, do that and then we I come back to pick him up by fatima grounds now.
• 35:10
  Speaker 2: Now they have a weird thing going on with the parents in the stands.
• 35:11
  Speaker 2: Too right, because all the parents there, and a lot of them, know one another from before.
• 35:14
  Speaker 2: So they congregate and start to talk among one another and stuff.
• 35:18
  Speaker 2: And then the parents who knew to fatima as an environment like myself, I don't know or maybe their sons played together in schools or went to school together.
• 35:26
  Speaker 2: That's probably the reason A lot of them went like what do you call the place?
• 35:29
  Speaker 2: Donruss and Holy Name, prep or whatever these schools are and they passed Fatima.
• 35:33
  Speaker 2: Right, my son now going back on School of Distinction.
• 35:36
  Speaker 2: He had no friends in the place and I don't know any of the other parents, everybody just to the self, and they have a group of people who know one another already.
• 35:45
  Speaker 2: So I leave.
• 35:46
  Speaker 2: Come back now when training done.
• 35:47
  Speaker 2: Pick up this man.
• 35:48
  Speaker 2: How training was good, dad.
• 35:52
  Speaker 2: I say well, what you do you think just drill, and that drill anything.
• 35:55
  Speaker 2: I say you're feeling good, you're feeling like you could make it.
• 35:57
  Speaker 2: I say you had a pain in your time, you know just so you work hard to go, fatima, you had to work hard to make the team.
• 36:00
  Speaker 2: I went into inspiration mode and we talking and when we drive out now this man is to tell me quite casually oh, dad, I think I think I broke a boy's nose.
• 36:10
  Speaker 2: I said zachary, what well?
• 36:18
  Speaker 2: I so confused.
• 36:19
  Speaker 2: He say well, um, I kicked the ball and like he bent down to head it and I feel my foot hit something and I'm not sure if it's the ball or his face.
• 36:28
  Speaker 2: Oh, lord, of day one, day one going on.
• 36:38
  Speaker 2: So what happened to the boy him?
• 36:39
  Speaker 2: Well, at first he said his nose and his face were real hurting and then he just started bleeding profusely like a lot of blood.
• 36:45
  Speaker 2: I was like, zachary, what I was like?
• 36:48
  Speaker 2: How you could not tell me why you didn't tell me this?
• 36:50
  Speaker 2: I could have gone and talked to this boy's parents.
• 36:52
  Speaker 2: I don't understand this man.
• 36:54
  Speaker 2: Wait till I drive off to tell me this story.
• 36:56
  Speaker 2: So apparently the thing happened the coach and then put the boys I don't think his nose was broken, right, but whatever it is, the boy knows bleeding and this is the worst nightmare as a parent.
• 37:09
  Speaker 2: Now, this is a public broadcast, right, and everybody going to see this and taking people sending this to people.
• 37:13
  Speaker 2: So I'd be careful what I say here at all times, right.
• 37:15
  Speaker 2: But I want to let you take a wild guess.
• 37:18
  Speaker 2: This is our lady of fatima college, right, all you know.
• 37:21
  Speaker 2: I want to take a wild guess.
• 37:22
  Speaker 2: This is our lady of Fatima College, right, all you know.
• 37:23
  Speaker 2: I want to close your eyes and envision the people who go to Fatima College.
• 37:27
  Speaker 2: Envision the parents, envision the children, envision the ones who play for several clubs, since they're small and they have touches and they can really play football.
• 37:36
  Speaker 2: And envision the ones who they know pass for school and they know first time they ever kicking a ball is about 50, 60 turn in this thing.
• 37:44
  Speaker 2: Right, I want you to tell me honestly, because I had a question in my mind.
• 37:50
  Speaker 2: I want to ask Zachary, but I don't know how exactly to ask him without putting our bad adult ways on the child right.
• 37:57
  Speaker 2: But I want you to take a moment and think about what I really want to ask the child on the child, right.
• 37:59
  Speaker 2: But I want to let you take a moment and think about what I really want to ask the child.
• 38:03
  Speaker 2: What you would have asked your son if he went from Bagan School of Distinction in the Ghanas just sold to Enterprise and you're going amongst these fat mature now who went Donruss and the Meeple leave an international list on where all of them come from.
• 38:22
  Speaker 2: Right, what you would ask him.
• 38:26
  Speaker 2: So I'm trying to figure out now how to put this without taint in the chair.
• 38:32
  Speaker 2: I ask him questions.
• 38:33
  Speaker 2: I say, zachary, I apologize.
• 38:35
  Speaker 2: He says I apologize after I went on a chat.
• 38:38
  Speaker 2: I say check on him before you leave.
• 38:39
  Speaker 2: He says yeah, he was good.
• 38:40
  Speaker 2: He said he was feeling a little dizzy and lightheaded.
• 38:42
  Speaker 2: I said, oh, jesus Christ, he.
• 38:44
  Speaker 2: I said and I talk more like from, I must say rich, from my Fatima to my Abu Bakr and them, and like I couldn't hold any question, no more.
• 38:54
  Speaker 2: I said, zachary, is it one of the little white children?
• 38:58
  Speaker 2: Did you, did you, did you, did you, did you.
• 39:00
  Speaker 2: Is it, is it, just try, white?
• 39:02
  Speaker 2: Is this a white child?
• 39:04
  Speaker 2: Well, I think this man said.
• 39:06
  Speaker 2: This man said, yeah, dad.
• 39:08
  Speaker 2: I said, jesus christ, why are you doing this?
• 39:11
  Speaker 2: Why, why I?
• 39:12
  Speaker 2: Why this had to be, why dealing?
• 39:14
  Speaker 2: You know, since then, the youth man, like he ain't come back to training that gain that effort.
• 39:19
  Speaker 2: The man, like he end the man career like oh lord.
• 39:21
  Speaker 2: Is that why I had to be?
• 39:22
  Speaker 2: Like he end the man career like oh lord.
• 39:23
  Speaker 2: This is why I had to be going through this.
• 39:24
  Speaker 2: And now I looking like the father who don't care who come from the hood, the boy, the boy, the boy nose damage and nobody.
• 39:35
  Speaker 2: They say, well, his parents never came over.
• 39:37
  Speaker 2: Nobody asked anything.
• 39:38
  Speaker 2: I don't know who's mom, so I just open in my mind that they remember Paulaestinian.
• 39:43
  Speaker 2: They don't remember me.
• 39:44
  Speaker 2: I just hoping that is one of the it.
• 39:49
  Speaker 2: It can't be me.
• 39:50
  Speaker 2: I can't be so bad, lucky in this life.
• 39:52
  Speaker 2: But the training going on the man, the man in the game, the man going is practice playing two sports a day and now now he's in Tech Club so long before I am the complete run-up and gratefully I mean the timing of it.
• 40:06
  Speaker 2: It couldn't be.
• 40:07
  Speaker 2: It couldn't be.
• 40:08
  Speaker 2: I don't know if to call it worse or better, because the amount of things that are happening in my life right now for training to be one of the things that added to the list, just making it more heavy on the up and down and trying to figure things out and so on.
• 40:24
  Speaker 2: But, as I say, most of the stuff move and we're looking good.
• 40:27
  Speaker 2: A matter of fact, while I'm recording this, we slept in a new place for the first time last night.
• 40:31
  Speaker 2: Feel good, feel good.
• 40:33
  Speaker 2: So new studio.
• 40:35
  Speaker 2: Right, we're saying farewell to the studio and farewell to this environment.
• 40:38
  Speaker 2: But also, in the midst of all the things I have to do, we have a wedding to go in tobago.
• 40:44
  Speaker 2: We have a wedding to go in tobago.
• 40:46
  Speaker 2: I had to figure out a weekend in tobago in the midst of all this, while I, halfway between home to home to house, are almost homeless because we're trying to find a place to go while we get this place sorted out, and nearly homeless because this boy is kicking white turd in his face.
• 41:01
  Speaker 2: You know, I mean, I've seen all kind of worries.
• 41:04
  Speaker 2: But in the midst of all of it, at a bigo call and I was worried, you know, I said I say, oh lord, and you know it ain't good to wish bad on people, but I say, if barrel was to make a little swing back, you know, I mean I said barrel was to make a quick u-turn and they just postponed this wedding two weeks.
• 41:21
  Speaker 2: I should be good in two weeks' time, but the wedding wasn't in the midst of the thing and, given that it was a T-Bag, I want to tell you before I get into the details on the wedding.
• 41:28
  Speaker 2: Tobago is a special place and I'm committing now to be in Tobago as often as I can.
• 41:34
  Speaker 2: We're taking in some of the finest Tobago at our firm.
• 41:38
  Speaker 2: We went and we take her disco, we take her dance Me and she was two teenage women at 80-something, so saluted, saluted Lennox and Denise Wedding In the middle of the movie and his wedding, and we went there and we had our time.
• 42:16
  Speaker 2: I don't tell all about it, you know limo original Thank you Jump in the wheels and let's go.
• 42:59
  Speaker 4: Let's go and do all them things we see on TV and get the feel of the synthesizer real, real.
• 43:12
  Speaker 4: Come, let me join the people and rock with Buddy so we could get the feeling to oh, oh To me, me, and you went, a big one, oh, oh.
• 43:22
  Speaker 4: I heard the music making you boom, boom, boom, boom, oh boom.
• 43:38
  Speaker 4: Oh, boom boom, oh, boom, boom oh disco in any temple to show it really is.
• 43:59
  Speaker 4: So I see this teenage woman about 80-something On top of roller skates, say she disco dancing, she doing she ferris wheel and she disco splitting.
• 44:12
  Speaker 4: I say this woman brave, ain't she?
• 44:15
  Speaker 4: Why don't this woman behave?
• 44:19
  Speaker 4: She suppose she fall and break up she.
• 44:30
  Speaker 2: Salute to Lennox and Denise.
• 44:31
  Speaker 2: Wedding of the century.
• 44:33
  Speaker 2: Let's be at our time.
• 44:34
  Speaker 2: We went to Bagel so in the midst of the thing I talk about on the registration day, we leave in Fatima for Palestine.
• 44:41
  Speaker 2: See to Gwendo, hair, nails, skin, all kind of thing had to do.
• 44:42
  Speaker 2: Talking about on the registration day we're leaving Fatima for Palestine to go and do hair, nails, skin, all kind of thing had to do to reach back in the corners, to reach in Piaco, to head over to the wedding.
• 44:50
  Speaker 2: I want to tell you we missed the flight.
• 44:52
  Speaker 2: There's no feeling so stupid when you see a mess up like they feel stupid because I know Tobago is a bus service, maxi.
• 45:01
  Speaker 2: This run going between Trinidad and Tobago.
• 45:03
  Speaker 2: The air bridge is basically for Maxi, right, I must say.
• 45:05
  Speaker 2: Well, we were reaching about 45 minutes before the flight, but what was the worst that could happen?
• 45:10
  Speaker 2: Well, we completely bumped.
• 45:12
  Speaker 2: The woman said we missed the flight and it's the last flight and we had to go and stand by in the morning and pay an extra $50 a man and reach back there about 3 o'clock in the morning for a chance to get on the first flight.
• 45:26
  Speaker 2: Now Paula says she's part of the wedding party.
• 45:27
  Speaker 2: So now I'm feeling bad.
• 45:27
  Speaker 2: I say we had to get there.
• 45:28
  Speaker 2: We can't spoil Denise's day with we tomfoolery.
• 45:33
  Speaker 2: You understand.
• 45:33
  Speaker 2: We had to be there for the girl.
• 45:34
  Speaker 2: You know what I mean.
• 45:35
  Speaker 2: A person from your wedding party can't be missing.
• 45:38
  Speaker 2: I say well, girl, you gotta tell denise something now.
• 45:40
  Speaker 2: You know this is in the airport tonight because it's better.
• 45:43
  Speaker 2: She know we missed the flight and we're not there.
• 45:45
  Speaker 2: Then she wake up the morning and find out when it's rehearsal time.
• 45:48
  Speaker 2: We stuck.
• 45:49
  Speaker 2: So we trying to figure out now what to do because to come quite back, she'll go on us.
• 45:55
  Speaker 2: It'll be rough to come back down here.
• 45:57
  Speaker 2: So I had to go back to the airport.
• 45:58
  Speaker 2: This is 10, 11, we11, we're in the airport now.
• 46:00
  Speaker 2: We're making this decision.
• 46:01
  Speaker 2: So we're looking for somewhere to stay close to the airport and we end up.
• 46:06
  Speaker 2: There's a spot on the strip they call a runway.
• 46:08
  Speaker 2: We said we could go by runway but to tell you the truth, I find this woman she knows a lot about runway when I reach by runway.
• 46:14
  Speaker 2: Runway looking like a bidey-o Runway, looking like it One palm short of double palm.
• 46:19
  Speaker 2: Nah, but it was alright.
• 46:20
  Speaker 2: Let me just say that Runway, the place was nice, the settings was good, the drinks was good and everything, and we say we could go and stay.
• 46:27
  Speaker 2: But then they tell me like Twelve hundred for the night.
• 46:29
  Speaker 2: I say, well, how much for three in the morning?
• 46:32
  Speaker 2: If you're minus breakfast they're like twelve hundred.
• 46:34
  Speaker 2: So I say, nah boy.
• 46:35
  Speaker 2: So we had to go back down by my mother now, catch a quick sleep, as much as we could get to drive back to the airport at three.
• 46:41
  Speaker 2: But thankfully everything worked out good.
• 46:42
  Speaker 2: We get back on the flight three o'clock.
• 46:44
  Speaker 2: I didn't even know tobago system change up that much, because when we got there at about 10 past three, you know you go, you go to the line all the way to the left, the leftmost counter, to pay for your tickets and things.
• 46:57
  Speaker 2: So we make the payment and they put us on stand.
• 46:59
  Speaker 2: No, they say after that payment we had to join our next line.
• 47:02
  Speaker 2: They say that line will be open about 4.45 and we joined that line to put our name on our standby list.
• 47:08
  Speaker 2: And when we did that I sit down there because what I know is that when it's time they say alright, standby passengers, and they call out people's name and then you go and you see who get through, not knowing how they have a screen by the atrium where Starbucks do, where your name is come up and everybody name listed.
• 47:26
  Speaker 2: So it's all right, you fifth in the list for standby for this flight and you actually see who get a ticket and who didn't get it and when you should walk up and get yours because and I only noticed it because the person before me I see they went and get tickets, so I go on looking for mine.
• 47:39
  Speaker 2: We need to find out that.
• 47:41
  Speaker 2: This is a new method, much better method, I would say.
• 47:44
  Speaker 2: So.
• 47:45
  Speaker 2: People say not in the atrium.
• 47:46
  Speaker 2: There you know when your name ready and you're going to collect your boarding pass.
• 47:49
  Speaker 2: Now me realize that when you collect the boarding pass, it mean you had a heads up board in one time.
• 47:53
  Speaker 2: We sit down now looking for churches, we drink a latte without realizing we name calling.
• 47:59
  Speaker 2: Inside, we clear security, people done looking for me inside.
• 48:02
  Speaker 2: Inside it's a clarity place.
• 48:04
  Speaker 2: So that was that.
• 48:06
  Speaker 2: We spent a great time.
• 48:07
  Speaker 2: We stay up in a place in what do you want to call this now?
• 48:11
  Speaker 2: Monta B, monctove, inside A little past Monctove, in just before Grafton, and nice place, nice place.
• 48:19
  Speaker 2: So to Evelyn and Derekung that we stayed at their place.
• 48:22
  Speaker 2: It's the first time I stayed at airbnb that's attached to somebody house and it was a much better experience than I could have ever bargained for, because the lady was very, very nice venezuelan lady and she was extremely helpful and plenty suggestions as to where to go.
• 48:35
  Speaker 2: We find two nice places.
• 48:37
  Speaker 2: We find a place called dreamsicle breakfast on point, you go, wait long, you go half live, but you breakfast on point.
• 48:42
  Speaker 2: You go, wait long, you go half-life, but you breakfast on point.
• 48:43
  Speaker 2: You know what I mean.
• 48:44
  Speaker 2: Try that.
• 48:44
  Speaker 2: You're right on the show, bruno, this is not an ad.
• 48:46
  Speaker 2: And then our next spot I like a lot called cafe down low in buku and the.
• 48:54
  Speaker 2: The fellow name is kerry john.
• 48:56
  Speaker 2: Salute to kerry.
• 48:57
  Speaker 2: They, they, they just have a little, well, very, I can't even call it cutters like they have grilled octopus and a steak and some other thing that we get there.
• 49:06
  Speaker 2: It was, it was good.
• 49:07
  Speaker 2: They don't have much options on the menu, but the, the food is excellent.
• 49:10
  Speaker 2: The drinks, well, it's white oak, so it was excellent.
• 49:12
  Speaker 2: And most of all, the fellow person.
• 49:18
  Speaker 2: I tell him, boy, we like the place.
• 49:19
  Speaker 2: I wouldn't recommend here and this kind of thing.
• 49:21
  Speaker 2: You say you smoke, I say me, I'll smoke.
• 49:22
  Speaker 2: You know, puff a little cigar every now and again when I go on the man of a full humidor and he back there a whole set of cuban cigars if you see cubans in the back there so that tobago was a nice experience.
• 49:32
  Speaker 2: Where these days can turn tobago have this.
• 49:34
  Speaker 2: I forget how much tobago refreshes my soul, like no matter where I go in throughout tents.
• 49:39
  Speaker 2: All this thing is moving house.
• 49:40
  Speaker 2: You know stressful them thing could be.
• 49:42
  Speaker 2: Tobago is helping reset and recharge in a way that you can't come for, you know.
• 49:46
  Speaker 2: I mean it don't just get to tobago every now and again and grow off.
• 49:49
  Speaker 2: As I say, just grow off a little bit.
• 49:51
  Speaker 2: But beside that wedding, wedding was great.
• 49:53
  Speaker 2: They had an excellent, I think the wedding should I be talking all these people's business about where the wedding was and so on?
• 49:59
  Speaker 2: Maybe not.
• 49:59
  Speaker 2: The wedding was real good.
• 50:00
  Speaker 2: I'll tell you this In the reception.
• 50:03
  Speaker 2: There's a fellow there named Ansel Valley.
• 50:05
  Speaker 2: I wonder if people can remember Ansel Valley.
• 50:07
  Speaker 2: Ansel Valley is a legend.
• 50:09
  Speaker 2: He used to be on, if I'm not mistaken, his Digital Rising Stars or one of them is where I know him from originally.
• 50:14
  Speaker 2: But he is a performer.
• 50:16
  Speaker 2: If people didn't want to get up and dance and be a part of that wedding.
• 50:19
  Speaker 2: You had to move when Ansel Valley called you for a conga line or for this song or for that.
• 50:24
  Speaker 2: They play all different kind of music.
• 50:26
  Speaker 2: Full band they play with them and the band kicking.
• 50:29
  Speaker 2: And when the band done is the great Chynee.
• 50:32
  Speaker 2: They had a DJ.
• 50:33
  Speaker 2: I'm not sure who the DJ was, but Chynee was the announcer and Chynee keep that party swinging all night long.
• 50:38
  Speaker 2: So again, salute to Denise and Len.
• 50:39
  Speaker 2: Thank you for making us a part of it.
• 50:42
  Speaker 2: I always, every time somebody invites me to a wedding, I say, oh God, why people inviting me to the wedding?
• 50:47
  Speaker 2: Because it is first like an expense and then a lot to go through just to get to the wedding and all them things.
• 50:52
  Speaker 2: But especially when your wedding is abroad or, uh, that's not abroad but it's overseas right, tobago concert is overseas.
• 50:59
  Speaker 2: But getting there shaking a little leg with the wife is always a good feeling, you know, I mean, and I must remember that when I, when I'm trying to study if the hurricane could have swing back to make me miss the wedding and so on I just just needed that extra two weeks, you know.
• 51:13
  Speaker 2: But what I needed was not the time extra, what I needed was to get away from this whole process and recharge and reset, and I did promise all of you that I'd get to flex episode right.
• 51:23
  Speaker 2: So as much as we play the great Lord Nelson, tobago, freiness and Disco Daddy.
• 51:38
  Speaker 1: I wonder if you're going the muddies.
• 51:40
  Speaker 1: That's right, here we go.
• 52:16
  Speaker 1: That's right, here we go.
• 52:19
  Speaker 1: Listen, girl, I want to make you go, jam you hard and make you go.
• 52:24
  Speaker 1: Girl, I want to make you go, cause I'm so good at it.
• 52:27
  Speaker 1: Again, girl, I want to make you go.
• 52:30
  Speaker 1: Jam you hard and make you go Go to bagel.
• 52:33
  Speaker 1: Make you go.
• 52:45
  Speaker 3: Cause I'm so good at it.
• 52:47
  Speaker 3: I can be your so good daddy, thank you.
• 52:49
  Speaker 3: We had a body bumping, bend back and wind up to something.
• 52:53
  Speaker 3: When I drop my feet, soca music.
• 52:55
  Speaker 3: No matter how you try, you can't refuse it.
• 52:57
  Speaker 3: Make you bend up your ribs like music.
• 52:59
  Speaker 3: Soca, music, you'll be great, fantastic Girl.
• 53:02
  Speaker 3: I want to make you go, jam your heart and make you go Girl.
• 53:06
  Speaker 3: I want to make you go, cause I'll be soca daddy Again.
• 53:09
  Speaker 3: Girl, I want to make you go, jam your heart and make you go Girl.
• 53:13
  Speaker 3: I want to make you go, jam your heart and make you go Girl.
• 53:15
  Speaker 3: I want to make you go, cause I'm so good all day Soca ain't for.
• 53:19
  Speaker 3: Just like a fever.
• 53:20
  Speaker 3: You can see feeling on your body and fire.
• 53:22
  Speaker 3: I'm the daddy with the real soca flavor Recipe for bad, bad behavior.
• 53:27
  Speaker 3: Hold on to your jam down baby.
• 53:28
  Speaker 3: Let go of the back and all in a shibari On your mask and set now, get ready, ready.
• 53:50
  Speaker 3: We'll be right back, cause I'm a soaker daddy.
• 53:52
  Speaker 3: I can be your soaker daddy.
• 53:54
  Speaker 3: You can be my jam down baby.
• 53:56
  Speaker 3: Want to make you feel so irate.
• 53:58
  Speaker 3: Keep you shouting.
• 53:59
  Speaker 3: Baby, baby.
• 53:59
  Speaker 3: A soaker daddy from the land of Calypso.
• 54:02
  Speaker 3: Six million dollar man from the maestro, gina and I from the almighty sparrow.
• 54:06
  Speaker 3: This man come hell from the shadow, debbie, rather with the man with the hammer, the sugar boom, boom from Lord Kitchener.
• 54:12
  Speaker 3: All them gladiators for the soaker, the soaker daddy, and we take it further.
• 54:18
  Speaker 3: We'll see you next time, girl.
• 54:19
  Speaker 3: I want to make you go, cause I'm a so-ca-da-dee.
• 54:22
  Speaker 3: Sparrow is a so-ca-da-dee.
• 54:24
  Speaker 3: Kitchy is a so-ca-da-dee.
• 54:37
  Speaker 3: Flaky is a so-ca-da-dee Lord Melody.
• 54:40
  Speaker 2: A so-ca-da-dee the Raleigh Lions.
• 54:42
  Speaker 2: A so-ca-da-dee Nelson.
• 54:44
  Speaker 2: A so-ca-da-dee Laundry a so-ca Girl.
• 54:58
  Speaker 2: I want to make you go Jam you hard and make you go Girl.
• 54:58
  Speaker 2: I want to make you go, cause I'm the Soka Daddy Girl.
• 54:59
  Speaker 2: I want to make you go Jam you hard and make you go Girl.
• 55:04
  Speaker 2: I want to make you go, cause I'm the Soka Daddy Girl.
• 55:08
  Speaker 2: I want to make you go Jam you hard and make you go Jam you hard and make you go, cause I'm the soca daddy.
• 55:15
  Speaker 2: He's not a man who shorts our hits, you know.
• 55:17
  Speaker 2: So if we're playing hits, we ought to be playing hits, right?
• 55:19
  Speaker 2: Oh yeah.
• 56:19
  Speaker 3: Well, excuse me.
• 56:19
  Speaker 3: Yeah, thank you.
• 56:20
  Speaker 3: Oh, thank you, we'll be right back, see me there.
• 58:09
  Speaker 2: There, there, there, there.
• 58:10
  Speaker 2: So don't want to take an invite.
• 58:11
  Speaker 2: Take an invite with pleasure, not take an invitation.
• 58:13
  Speaker 2: Study in the farm, you know, not taking invitations.
• 58:14
  Speaker 2: Studying.
• 58:15
  Speaker 2: You know what I mean If something, you know what I mean.
• 58:18
  Speaker 2: Just natural, like force majeure, natural disaster.
• 58:21
  Speaker 2: If something had happened that would allow me to stay home, that would be nice.
• 58:26
  Speaker 2: Talking about the, I get invited to our next event in South.
• 58:29
  Speaker 2: In the midst of moving, I get headache.
• 58:31
  Speaker 2: Don't pay me in suit, sign agreement.
• 58:33
  Speaker 2: I was moving again, headache down payment.
• 58:37
  Speaker 2: So things sign agreement.
• 58:38
  Speaker 2: I was invited to a thanksgiving ceremony by dr, dr, mr and mrs theresa charles how do you say that, dr, mr and mrs george and theresa charles I said you right way.
• 58:45
  Speaker 2: Family gathering I tell all about dr charles, salute to her and congratulations on her phd.
• 58:50
  Speaker 2: And I got a thanksgiving ceremony that they've been wanting to do for a long time.
• 58:53
  Speaker 2: So again, another invite.
• 58:55
  Speaker 2: I get to go place again when I want to stay home and worry about this and how I could do this and how I could move that and how much I'll pay.
• 59:02
  Speaker 2: Moving man.
• 59:02
  Speaker 2: And while in the midst of the worry, we had to dress up and look dandy and nice and head down in the south land for Thanksgiving ceremony.
• 59:10
  Speaker 2: I want to tell you, rain started to fall heavy the morning and I said that is my out.
• 59:14
  Speaker 2: I say barrel, barrel, strike.
• 59:18
  Speaker 2: A car comes out.
• 59:19
  Speaker 2: Couldn't make it.
• 59:20
  Speaker 2: I tried to drive through the flood water.
• 59:21
  Speaker 2: But I'm very glad that I didn't do that because I went down in the south and get to see some family I ain't seen in a long time auntie merle and auntie marlene and gary and the full clip down in the south land.
• 59:31
  Speaker 2: I was able to see and lie my little five and to play a little music.
• 59:34
  Speaker 2: My uncle carl, as the man who teach my quatrainer the first few little chords alone and try to do something, is from uncle carl and is easily one of the baddest quatrainers I've had.
• 59:44
  Speaker 2: So that was a nice experience too.
• 59:46
  Speaker 2: And I've been out and about, you know, in the midst of all the atelier, no matter how much things and how hectic it's been.
• 59:52
  Speaker 2: The invitations keep coming.
• 59:54
  Speaker 2: I have a good friend who's on his route back to trinidad and he invites us again a long time ago.
• 1:00:00
  Speaker 2: Sometimes tell me if it's me alone.
• 1:00:01
  Speaker 2: This has happened to when.
• 1:00:03
  Speaker 2: If I invite you somewhere and I tell you, boy, listen, on the 18th of september, you know, I mean I'll be in trinidad, we go to dinner and that kind of thing does feel like an eternity away to me.
• 1:00:13
  Speaker 2: You?
• 1:00:13
  Speaker 2: So I just say yes.
• 1:00:14
  Speaker 2: I was like yeah, because in my mind about 35 hurricanes could hit between now and then and that ain't going to ever come off.
• 1:00:20
  Speaker 2: But salute to my guy Edmond.
• 1:00:23
  Speaker 2: Salute to Edmond, I'm going to send a call.
• 1:00:24
  Speaker 2: I said make sure you know what I mean we good, we on.
• 1:00:27
  Speaker 2: And it just so happened that the good, you know, that was the final day of moving, that was the last day on the truck and it's packing up thing and deciding where you don't want.
• 1:00:36
  Speaker 2: And I can tell you something right like I am recording this episode now in the midst of squalor, I had to make sure that all I could only see what in the in the area of this lens here, because this room is a mess with things that are away.
• 1:00:49
  Speaker 2: How he has accumulated so much things over the year.
• 1:00:51
  Speaker 2: I do not know if you see thing it are here.
• 1:00:54
  Speaker 2: I want to tell people that my birthday this come christmas has come on and think don't no more greeting card.
• 1:01:01
  Speaker 2: I mean just just when you see me.
• 1:01:03
  Speaker 2: Tell me for the amount of greeting card.
• 1:01:06
  Speaker 2: We have to go through an old bank state.
• 1:01:08
  Speaker 2: We always deal with like clutter, like things.
• 1:01:10
  Speaker 2: I have bags and bags of rubbish all around me to take out here today.
• 1:01:14
  Speaker 2: But on that final move in there and if you ever move before you know how that final day is it's complete everything.
• 1:01:20
  Speaker 2: Okay to come out the house now and in getting all them things out and getting them on truck and then driving up ahead of the truck to take down them same things and pack them away and see what break.
• 1:01:29
  Speaker 2: So this is the next best moving man in the world.
• 1:01:31
  Speaker 2: And let me tell you something in life, right, if you want help with something, call Jade.
• 1:01:34
  Speaker 2: If there's anything you can't figure out, if you don't know, jade, call me.
• 1:01:38
  Speaker 2: I can call Jade for you.
• 1:01:39
  Speaker 2: That is the man who solves all problems.
• 1:01:41
  Speaker 2: People want to move in.
• 1:01:41
  Speaker 2: A man named Dexter is the best.
• 1:01:43
  Speaker 2: He's the best and he ain't trying to down now.
• 1:01:55
  Speaker 2: We just and you know the amount of fast food is it while you're moving, because he's stove here turned on and the pot up.
• 1:02:01
  Speaker 2: So turn now and I just stop.
• 1:02:03
  Speaker 2: In kfc we get something, anything, as I done eat.
• 1:02:06
  Speaker 2: I realized we supposed to go to dinner for 7 pm and the time is 5 pm and I don't know.
• 1:02:12
  Speaker 2: With palestine see the amount I hear and all them things I say I say you gotta get ready.
• 1:02:15
  Speaker 2: You know, we had to make a move and it's feeling like you, you, you gain up from there to go and bathe and think like, oh god, we really had to do this.
• 1:02:24
  Speaker 2: But again I come out my house and we went to mina house.
• 1:02:27
  Speaker 2: Mina house is a.
• 1:02:28
  Speaker 2: I would recommend there any day, anytime, I have aps.
• 1:02:34
  Speaker 2: It's some of the best authentic Indian food I've ever had.
• 1:02:37
  Speaker 2: Palki's good Passage to Asia.
• 1:02:39
  Speaker 2: Good, they have good places, but Apsara food is so rich.
• 1:02:43
  Speaker 2: But boy, I think I could safely say that Mina House beat them back when Apsara was wrongly savannahed.
• 1:02:52
  Speaker 2: They also had an environment that was, I would say, completely authentic.
• 1:02:56
  Speaker 2: You know, I mean, it was very much.
• 1:02:58
  Speaker 2: Uh, you feel like you're escaping into some part of india when you're going to apsara back in your day, and I'm not sure I've never gone, but I haven't gone back, since this is in movie town, so I'm not sure if they were able to recreate that experience, but I could tell you me now how's have it it going Authentic Indians?
• 1:03:14
  Speaker 2: Well, I shouldn't say authentic Indians.
• 1:03:16
  Speaker 2: I was kind of bad, I was a little racist.
• 1:03:17
  Speaker 2: Right, indians from India, not West Indians?
• 1:03:20
  Speaker 2: Right, that's what I mean.
• 1:03:21
  Speaker 2: Right, indians from India?
• 1:03:22
  Speaker 2: Who's these servers?
• 1:03:24
  Speaker 2: And you get any real accents?
• 1:03:25
  Speaker 2: As a matter of fact, I shouldn't talk no more about this because me and Shoaib're here on TV, right, only?
• 1:03:35
  Speaker 2: Forgive me, but the recommendations they made for what you should order, their ability to explain the meals we had, from appetizers all the way down to dessert, we probably, you know you're properly stuffed.
• 1:03:48
  Speaker 2: Well, me, I stuff like a pig.
• 1:03:50
  Speaker 2: On Christmas time.
• 1:03:51
  Speaker 2: I eat until I can't.
• 1:03:52
  Speaker 2: And Edmund is always, no matter where we live and we could be living by a barn or in some wings, or we could be in a top level restaurant edmund is always telling me he's like he's ordered too much food.
• 1:04:03
  Speaker 2: That was the wrong button.
• 1:04:07
  Speaker 2: He said he's ordered too much food.
• 1:04:08
  Speaker 2: I don't know.
• 1:04:10
  Speaker 2: I don't know why.
• 1:04:10
  Speaker 2: It is really as just I.
• 1:04:12
  Speaker 2: I, in my mind, it would be better if all restaurants have shareables.
• 1:04:16
  Speaker 2: You know, like what I think is not Philip Chow's, we just stay selectable.
• 1:04:20
  Speaker 2: There are some restaurants where all the orders are just shareable portions.
• 1:04:24
  Speaker 2: Right, there's always share for four.
• 1:04:25
  Speaker 2: I find all restaurants should be designed that way, because I order some.
• 1:04:30
  Speaker 2: If you know naan right, when you order naan, like the bread, it's usually come in a little, it's make a circle and it's cut into four little squares.
• 1:04:40
  Speaker 2: So I say, well, there's four of us here, we're going to order two different types of naan and everybody go have a couple pieces of naan.
• 1:04:46
  Speaker 2: Boy, listen, the naan being like a large Mario's pizza.
• 1:04:49
  Speaker 2: I don't know what the hell is wrong with these people in Mina House.
• 1:04:54
  Speaker 2: I I don't know what the hell is wrong with these people in Mina House.
• 1:04:56
  Speaker 2: I mean more embarrassed than unembarrassed already.
• 1:04:57
  Speaker 2: So of course we have way too much food, but it worked out good, listen, good friend, better than pocket money because that worked out so good in terms of the amount of leftovers we had.
• 1:05:07
  Speaker 2: We keep all the leftovers and now we have food for a couple of days while we settle into this new place.
• 1:05:13
  Speaker 2: You know what I mean.
• 1:05:14
  Speaker 2: So you can't be good friends, and even more than that when time to leave me in the house now.
• 1:05:20
  Speaker 2: Now I'm full and the itis of the negro is settling in.
• 1:05:25
  Speaker 2: I can't make now.
• 1:05:26
  Speaker 2: I want to roll home.
• 1:05:27
  Speaker 2: Thankfully it was the first time in a while that I leave a place because me in the house is right in newton area there and like I'm going close by, it's not like that long drive to chagonas and all that.
• 1:05:38
  Speaker 2: So you know, I'm drinking like I'm living close by now.
• 1:05:41
  Speaker 2: I'm eating like I'm living when you're going chagonas you had to eat just on the itis level and you had to drink.
• 1:05:45
  Speaker 2: You had to not drink at all, right, but I'm eating and I'm drinking now because 10 minutes away I got to go right home there, only for headman and them to tell me and I think in the joke you know, because when we pass wrongly savannah to go pick them up, they I saw in mill floor building, wrongly savannah, paparazzi have been launched.
• 1:06:03
  Speaker 2: So we making some joke, obviously you could go paparazzi and thing at this point my belly full, my head bad and a dead tired, and when we drive by he's like really past your paparazzi ban launch.
• 1:06:13
  Speaker 2: So I slow down in front of Paparazzi, I look in and I say yeah, man, it's looking good man.
• 1:06:17
  Speaker 2: And then I proceed ahead to drop them back home.
• 1:06:22
  Speaker 2: And when I reach now to turn into St Andrews he's like what happened?
• 1:06:24
  Speaker 2: Where are you going.
• 1:06:25
  Speaker 2: Are we going to Paparazzi?
• 1:06:26
  Speaker 2: I was like, are you serious?
• 1:06:27
  Speaker 2: He's like, yeah, I said guy going home, oh lord, that'll be more thing.
• 1:06:38
  Speaker 2: I didn't realize.
• 1:06:38
  Speaker 2: Like I miss all the parts of the conversation where they say they know the people from paparazzi and the thing is a fed.
• 1:06:41
  Speaker 2: So we went back wrong.
• 1:06:42
  Speaker 2: We went in paparazzi band launch, mingwa band launch in about the last 50 something years.
• 1:06:47
  Speaker 2: But this is edwin and vanessa's friends from like a long time ago and real, real carnival partners too.
• 1:06:53
  Speaker 2: We play mass with them couple times.
• 1:06:55
  Speaker 2: So it's real carnival partners.
• 1:06:56
  Speaker 2: So us in a fet or any kind of vibes like that, go, always be nice, always be nice.
• 1:07:02
  Speaker 2: But at this point in time, uh, my boy zachary, in the new place, he home alone, we out to dinner.
• 1:07:08
  Speaker 2: He call it every minute but we were able to go into paparazzi and shake our foot.
• 1:07:13
  Speaker 2: We end and shake a little leg.
• 1:07:14
  Speaker 2: Paparazzi and shake our foot.
• 1:07:15
  Speaker 2: We and then shake a little leg.
• 1:07:16
  Speaker 2: Paparazzi are the most eclectic crowd I ever see twitter.
• 1:07:19
  Speaker 2: The old old folks, young folks, old folks with young folks.
• 1:07:24
  Speaker 2: You know me if you understand what I'm saying.
• 1:07:26
  Speaker 2: You know the paparazzi band, which was nice.
• 1:07:29
  Speaker 2: We take a few drinks in there.
• 1:07:31
  Speaker 2: In no all and this is again good friends In no time at all.
• 1:07:36
  Speaker 2: All four of us sweating inside the paparazzi Because me never know Band launches play this sort of dance.
• 1:07:44
  Speaker 2: Now if you hear the amount of cartel and all dance, all them things.
• 1:07:47
  Speaker 2: They're playing we kind of music, ladies, and the only thing that was missing was our ram-ram and I think I hear ram-ram too.
• 1:07:54
  Speaker 2: All them things playing.
• 1:07:58
  Speaker 2: I thought my lunches would be so good and then, like they spot me coming into because they went into some upper-level kind of music.
• 1:08:05
  Speaker 2: You know what I mean.
• 1:08:07
  Speaker 2: I wonder if I take you home.
• 1:08:09
  Speaker 3: Would you still be in my baby?
• 1:08:13
  Speaker 2: So I had to hit them a little.
• 1:08:14
  Speaker 2: Slide out of my hard shoes too, and out of my hard bottoms.
• 1:08:17
  Speaker 2: I hit him a little.
• 1:08:18
  Speaker 2: You remember the slide.
• 1:08:18
  Speaker 2: It is back in the day.
• 1:08:20
  Speaker 2: If you remember the slide, you would like the hill.
• 1:08:22
  Speaker 2: If you remember the slide, you have significant amounts of knee pain now.
• 1:08:26
  Speaker 2: So we went in there.
• 1:08:27
  Speaker 2: Well, the discussion now is if we go play a mass in paparazzi, we study on where Mars and paparazzi we studying where to play Mars next year.
• 1:08:36
  Speaker 2: So I'm taking recommendations for all the people who didn't recommend what to do with when they're having bigger children.
• 1:08:38
  Speaker 2: I will take the recommendations on where are they playing Mars next year and where we should play Mars.
• 1:08:41
  Speaker 2: But we're smacking the middle of band lawn season just like that.
• 1:08:43
  Speaker 2: It's kind of all, and ghetto flex hatting, for we for that.
• 1:09:30
  Speaker 3: Bye, we'll be right back.
• 1:09:31
  Speaker 3: This is Bacchanal.
• 1:09:32
  Speaker 3: Bacchanal is gonna ball us.
• 1:09:33
  Speaker 3: Everybody get on board.
• 1:09:35
  Speaker 3: That's why this is gonna ball.
• 1:09:36
  Speaker 3: The music jamming real sweet.
• 1:09:58
  Speaker 3: She had me all on my feet.
• 1:10:00
  Speaker 3: Oh baby, hi, baby.
• 1:10:03
  Speaker 3: I can't remember the last time that I get such a hard vibe.
• 1:10:07
  Speaker 3: Oh baby, hi, baby.
• 1:10:10
  Speaker 3: She said hold me and control me, jam me on my pussy.
• 1:10:14
  Speaker 3: Oh baby, hi, baby, bye.
• 1:10:15
  Speaker 3: Everybody get on board.
• 1:10:17
  Speaker 3: Santa Wine is gonna burn.
• 1:10:19
  Speaker 3: Carnival is back on now.
• 1:10:21
  Speaker 3: Black and white is gonna burn.
• 1:10:38
  Speaker 3: Everybody get on board.
• 1:10:39
  Speaker 3: Santa Wine is gonna burn.
• 1:11:24
  Speaker 2: I'm out, we'll be right back is now, by the time, I know second image.
• 1:11:44
  Speaker 2: I know my mother and them and people from before who wouldn't know in second image come out go say different, right.
• 1:11:49
  Speaker 2: But I know second image as being like you see, band launch on them, kind of season.
• 1:11:53
  Speaker 2: You couldn't beat Second Image in them, kind of thing.
• 1:11:56
  Speaker 2: I think it was Hilton Dalziel and Russell Cadogan and them days.
• 1:12:00
  Speaker 2: Ban Launch was a simple thing, little thing.
• 1:12:03
  Speaker 2: In Chinese association them men was the king of Chinese association.
• 1:12:06
  Speaker 2: Ban Launch was up in them spots and it was not what I passed through and I talk about we reach later.
• 1:12:13
  Speaker 2: We reach after the presentation of the costumes and all that.
• 1:12:16
  Speaker 2: So, assuming that maybe before that was Soka and all that.
• 1:12:21
  Speaker 2: But that whole presentation and the level of party I see there last night is not typical for what I know band launching to be.
• 1:12:30
  Speaker 2: Keep in mind that Mingo band launching must have been about 20 years Since I was in Fatima, right, maybe about 20 years ago.
• 1:12:37
  Speaker 2: So different kind of vibe.
• 1:12:41
  Speaker 2: But I learned my lesson today.
• 1:12:42
  Speaker 2: I learned my lesson today as far as over the last few weeks, as far as Kendrick Lamar say sometimes you have to pop out and show me.
• 1:12:50
  Speaker 2: You know what I mean, all this sort of stay home thing where I don't want to come out and I'm feeling lazy and I don't want to stay single.
• 1:12:58
  Speaker 2: Tell them we can't come now.
• 1:12:59
  Speaker 2: Tell them I'm sick.
• 1:13:00
  Speaker 2: Tell them we always have our excuses.
• 1:13:01
  Speaker 2: Why are we always blaming the next one for why we can't?
• 1:13:03
  Speaker 2: Maybe I shouldn't say this here.
• 1:13:05
  Speaker 2: We always have some kind of reason why.
• 1:13:06
  Speaker 2: One way I say, you know, I mean weeks now we don't know what wrong with him, so we can't come to whatever you're inviting me to, ever.
• 1:13:20
  Speaker 2: You know I mean.
• 1:13:20
  Speaker 2: But I learned and I learned, and I learned that the the effort is take to come out.
• 1:13:24
  Speaker 2: It waited because palisades dress up nice to go in the arm any, any, any, any in the meaner house on the paparazzi we look very distinguished, you know, amongst the people in the paparazzi, we we look very distinguished, you know, amongst the people in the paparazzi we dress up nice and we go in there.
• 1:13:36
  Speaker 2: She have her thing.
• 1:13:36
  Speaker 2: When she leave in home it look like a pajama.
• 1:13:38
  Speaker 2: I say, but how you gonna put in a pajama to go in the thing?
• 1:13:40
  Speaker 2: But when she finish accessorizing thing, when she finish, you know what I mean she look well, nice, I mean.
• 1:13:50
  Speaker 2: And who better to get out of your house and to get you to shake a leg than two of the giants in Soca music?
• 1:13:57
  Speaker 2: One, of course, ghetto Flex.
• 1:13:58
  Speaker 2: The next one, the great Dennis Belfort.
• 1:14:01
  Speaker 2: We start the episode with one of them, and this one had to be one of the greatest collaboration in Soca music.
• 1:14:13
  Speaker 3: Girl, I want to rock your body right From moonshine till morning light.
• 1:14:20
  Speaker 3: I want to rock you with all of my might.
• 1:14:25
  Speaker 3: Me sing the knees, it's how your heart got latitude From how you whine and galang.
• 1:14:31
  Speaker 3: Rude how that way put me inna di mood.
• 1:14:35
  Speaker 3: So me sing nothing.
• 1:14:36
  Speaker 3: It's strange how me give me chance.
• 1:14:39
  Speaker 3: Me use to guess back, but now me come in no pain.
• 1:14:41
  Speaker 3: I want to ride inna your sun.
• 1:14:43
  Speaker 3: We a track with me.
• 1:14:44
  Speaker 3: Train Me, make you holla.
• 1:14:46
  Speaker 3: How God name inna pain Me.
• 1:14:48
  Speaker 3: You did a holla, but you want a baloka.
• 1:14:51
  Speaker 3: Why you never check me when you know me a di vega Me a mi bianc battle and me finger on the trigger.
• 1:14:56
  Speaker 3: Tonight, tonight, girl, you must be me lover.
• 1:14:59
  Speaker 3: So you say what make you think you can't test me?
• 1:15:02
  Speaker 3: Test me.
• 1:15:02
  Speaker 3: Me want a man who can please me, please me.
• 1:15:05
  Speaker 3: You just a move and try, tease me, tease me Me.
• 1:15:08
  Speaker 3: Want you know, say me love is not easy boy.
• 1:15:11
  Speaker 3: Me want you rock me body right From moon shine till morning light.
• 1:15:16
  Speaker 3: Me why you rock me with a love, your might Me get a flex with all your hot boy attitude, from all your wine and gal.
• 1:15:27
  Speaker 3: And rude how you put me in a mood, the mood, the mood.
• 1:15:31
  Speaker 3: I want a man who can do the work.
• 1:15:34
  Speaker 3: Me don't want no chips and me don't want no jerk.
• 1:15:37
  Speaker 3: I fit for the man who can tampon the land.
• 1:15:40
  Speaker 3: And all the girls say that you are the man.
• 1:15:42
  Speaker 3: Me here, say you fit Me here, say you strong, and when you do the work you do it all night long.
• 1:15:48
  Speaker 3: Me want you to do it right, but you never do it wrong.
• 1:15:51
  Speaker 3: So come, take a try, and I'm never alone.
• 1:15:54
  Speaker 3: I saw me sing, sir, what make you think me can't test you?
• 1:15:57
  Speaker 3: Test you, my kind of loving girl.
• 1:15:59
  Speaker 3: It must impress you.
• 1:16:00
  Speaker 3: And when me hold you me, go and kiss and caress you and me, cool off a gal, me mum's, and dress you.
• 1:16:06
  Speaker 3: Girl, I want to rock your body right From moonshine till morning light.
• 1:16:11
  Speaker 3: I want to rock you with all of my might.
• 1:16:16
  Speaker 3: See the knees, it's how you hug your latitude.
• 1:16:19
  Speaker 3: I know you're wine and gal and wood.
• 1:16:22
  Speaker 3: I know you put me in the mood.
• 1:16:26
  Speaker 3: The mood, the mood.
• 1:16:27
  Speaker 3: The gal them got to flex me and the gal them digger.
• 1:16:30
  Speaker 3: I want me do the work of full of energy and figure.
• 1:16:44
  Speaker 4: Sayin' me how you want me, sayin' me how you figure Me.
• 1:16:47
  Speaker 4: Got me finger on the trigger.
• 1:16:49
  Speaker 4: Thank you, what you say, what me get in?
• 1:16:51
  Speaker 4: You can't test me, test me.
• 1:16:52
  Speaker 4: I want a man who can please me.
• 1:16:54
  Speaker 4: Please me, I want strength.
• 1:16:55
  Speaker 4: You just a move and try to tease me.
• 1:16:58
  Speaker 4: Tease me Me.
• 1:16:59
  Speaker 4: Why you no, say me love is not easy boy Me.
• 1:17:02
  Speaker 3: Why you rock me body right From you shine till morning light Me why you rock me with a love.
• 1:17:09
  Speaker 3: Your might Me get the flex in a your hot boy attitude, attitude From all your wine and gal and brood.
• 1:17:18
  Speaker 3: Ah, you a put me inna the moody, moody, moody, moody, moody.
• 1:17:21
  Speaker 3: Yes me a fee big up on your reputation, the way how you flex and what your situation Me love you through the face and you speak out the shard Me know fi do the work and fetch my credential.
• 1:17:35
  Speaker 3: Me nah want no idiot, me nah want no jerk.
• 1:17:38
  Speaker 3: I want to rock your body right.
• 1:17:52
  Speaker 2: I want to rock you with all of my might Me ghetto flex, inna, your hardcore attitude From all your wine and gum and luda, no-transcript.
• 1:18:23
  Speaker 2: Week two what going on?
• 1:18:26
  Speaker 2: We leave you alone in week one, week two, what, what, what is happening and tell them I'm moving.
• 1:18:30
  Speaker 2: Everybody.
• 1:18:31
  Speaker 2: When I tell them moving, it's like all right, okay, I know how that is cool, I know that is good, you know.
• 1:18:34
  Speaker 2: Okay, I know how that is going.
• 1:18:35
  Speaker 2: You know what I mean.
• 1:18:35
  Speaker 2: Well, let me know when you're back on track.
• 1:18:36
  Speaker 2: But there are some people who properly unreasonable.
• 1:18:41
  Speaker 2: You know what I mean.
• 1:18:41
  Speaker 2: Because the pal of Stacey, in the midst of all the moving and things, she could be asking for episode and when episode drops she's ready to listen.
• 1:18:49
  Speaker 2: But then when she comes down the road and see I ain't throw you all the garbage, she go tell me yes, come on, you can't be right for being wrong.
• 1:18:54
  Speaker 2: So I want to leave all over this one.
• 1:19:00
  Speaker 2: My favorite ghetto flicks, delivered by the great Hilton dolls and in front of second image written by the great Mr Cyrus.
• 1:19:08
  Speaker 2: You know it, thank you.
• 1:19:35
  Speaker 2: Like 90, 90, my uncle Sonny never ceased to amaze me Since he picked up this Indian baby he lives in Kiarone what she give him to eat.
• 1:19:46
  Speaker 2: I really don't know Every ten words he speak.
• 1:19:50
  Speaker 2: Bet he lies 90's more go low.
• 1:19:52
  Speaker 2: Stop at this practicing African tradition.
• 1:19:56
  Speaker 2: He tell his service through true India.
• 1:20:00
  Speaker 2: He stopped eating bread.
• 1:20:10
  Speaker 2: He eating roti.
• 1:20:11
  Speaker 2: Doesn't wear no jeans.
• 1:20:14
  Speaker 2: He wearing dhoti.
• 1:20:15
  Speaker 2: Joey had a foot on a turban and he's showing off with the Indian woman At an Indian wedding.
• 1:20:27
  Speaker 3: You just see uncle dancing.
• 1:20:29
  Speaker 3: When he taps and hits him, he's shouting Golo aha, golo, eh eh, golo, golo, golo.
• 1:20:39
  Speaker 3: He singin' Golo aha, golo, eh, eh, golo, golo, golo, eh eh Lord.
• 1:20:52
  Speaker 3: I don't know if this G over here will be a whole black magic, but whatever she's doing, she's having time of her life and anything I could do, this girl loves my suction.
• 1:21:08
  Speaker 3: I don't know what in the world's really wrong with this man.
• 1:21:12
  Speaker 3: Don't want to hear no kinds of ice power Cause I don't know a sooner popo Ayy nay doong dang day, don't be tired again for carnaval All around the town.
• 1:21:35
  Speaker 3: See him with a dance.
• 1:21:36
  Speaker 3: Tal San Juan Festival.
• 1:21:39
  Speaker 3: He wait to shout tal man and show in a bureau the good friend Ramadan In Ramlila Festival.
• 1:21:47
  Speaker 3: He to see him carry on.
• 1:21:49
  Speaker 3: When they burn in rawan, he shouting Go low, ah, ha, go low, hey, hey, go low.
• 1:21:55
  Speaker 3: When they burn in lawan, he shoutin' Kolo aha kolo, eh, eh, kolo, kolo kolo.
• 1:22:00
  Speaker 3: He singin' Kolo aha kolo eh, eh, kolo, Kolo kolo, eh eh eh A la vie go.
• 1:22:56
  Speaker 3: I'm a reason for my uncle to get on.
• 1:22:59
  Speaker 3: So the woman possess a dynamic body.
• 1:23:03
  Speaker 3: Any way that she pass you could see people staring at her.
• 1:23:07
  Speaker 3: Uncle doesn't let her out of the eyesight and he always pick to people of fight.
• 1:23:16
  Speaker 3: Ayy nai nung nangde Nai, nai nung nangde Nai, nai nung nangde nai ni A-tending a baza in a rima, uncle buzz, a man head with a low ha man, made a comment about Olofiga.
• 1:23:35
  Speaker 3: Right away uncle Nelly come in murder In front of the magistrate.
• 1:23:42
  Speaker 3: Uncle start to demonstrate how much trouble he can make If they take Olo Aha, olo Olo.
• 1:23:53
  Speaker 3: Olo Olo.
• 1:24:12
  Speaker 3: He's singing Olo Aha Olo.
• 1:24:21
  Speaker 2: We'll see all next week what they're about.