Latest / Deprogrammed Music Podcast / Turn Me On, Man #1

Transcript

Turn Me On, Man #1 · Deprogrammed Music Podcast

• 0:19
  So we call we call this segment turn me on Mr. All right.
• 0:24
  Turn me on, man, Turn me on. So this now has to be the
• 0:27
  standard of every single one of our D programs that we have to
• 0:31
  go and find, find something random one and and we have to do
• 0:34
  this. Yeah, and.
• 0:35
  You know what, There you go. There's your new segment there.
• 0:38
  Justin, turn me on. Turn me on.
• 0:40
  Turn me on, man. All right.
• 0:42
  So this is this is pack one. It's called like a model and
• 0:47
  we're starting at the one minute mark.
• 0:50
  OK. Hey, give it a chance, give it a
• 1:00
  chance. All right, that's 20 seconds
• 1:11
  like a model. No.
• 1:13
  That's that's that's 15 seconds more than I needed.
• 1:17
  Now I'm good. I was hoping it was going to be
• 1:20
  a little bit of Prince would kick in, but it did not.
• 1:22
  I know. Yeah, I don't know if it was if
• 1:24
  it, I thought at first I thought it was 9 inch nails kind of
• 1:28
  yeah, yeah. And like.
• 1:30
  New Kids on the Block. I don't.
• 1:32
  Yeah, No, I'm sorry. I'm sorry that no next song.
• 1:36
  All right, this one is track 2. It's called.
• 1:38
  Look at Me, Hulk Hogan. Oh, wait.
• 1:43
  Hold on. Hold on, hold on.
• 1:44
  I'm going to move it forward to the.
• 1:45
  I'm going to move it forward to the one minute mark.
• 2:06
  So cumbrilla kicks. The Deltilla Press for Steam.
• 2:08
  Plate. They're picking the bigger
• 2:09
  picture. That's to keep.
• 2:10
  Us all right 20 seconds this is. Like DJ Rob Bass, after he had
• 2:14
  the one song, he's like, OK, fuck it, I'm this is going to be
• 2:17
  the rest of my career and. And this dude's white, like, no.
• 2:21
  Yeah. And then you know what?
• 2:24
  No. Unanimous for a. 2nd.
• 2:29
  You were going to have a chance. All right, so that takes us.
• 2:35
  I'm I'm. I'm regretting coming up with
• 2:36
  this, OK? This I think.
• 2:38
  This is the greatest game in the world.
• 2:40
  This takes us to track three. Run with it.
• 2:43
  Just run with it, Fredo. We're starting at the one minute
• 2:47
  and one second mark. Almost.
• 2:58
  We all kind of went, oh, that's good.
• 3:01
  I don't hate that. We're off everyone's back,
• 3:03
  'cause everyone's like, all right, let's see where this
• 3:05
  goes. Keep playing it.
• 3:08
  All right, that's 20 seconds. Do we want more give?
• 3:11
  Me another tech, give me another tech, keep it.
• 3:13
  Going. Keep it going all.
• 3:30
  Right, that was another 15. Do we want to to make?
• 3:34
  Yeah, I could. I could I?
• 3:35
  That's a jam I think I could listen to.
• 3:38
  Yeah, yeah, I. It's a leader in the clubhouse
• 3:41
  so far. Right, it's not my thing, but it
• 3:44
  definitely has elements that make it catchy.
• 3:48
  Yeah, like I was actually even catching like a a Genesis vibe
• 3:51
  there for a second. Or more.
• 3:53
  More specifically, Phil Collins. Yeah, there was some I, I don't
• 3:58
  know, I, I, I, this guy was like.
• 4:00
  Gated. It's the gated drums that like
• 4:02
  everyone. Does.
• 4:02
  Yeah. It's weird.
• 4:03
  Yeah. Compression and the gated drums.
• 4:05
  Yeah. That study, you know,
• 4:07
  production. Yeah.
• 4:09
  Switching, switching to tempo, kind of, you know, maybe what
• 4:14
  was it? Maybe 3-4 times.
• 4:16
  I don't know. It was fucking.
• 4:17
  I liked it. Yeah, that one wasn't so bad.
• 4:19
  That was run with it I think. We I think we should stop while
• 4:22
  we're ahead. No, no, we got to do no.
• 4:25
  No, we're seriously, we're doing all 12 tracks.
• 4:27
  And what we're doing, 20 seconds.
• 4:28
  I mean, we talk about fucking hemorrhoids for a fucking hour.
• 4:32
  Why not talk about fucking this? All right, so the next track is
• 4:37
  lights low. We're starting at the one minute
• 4:39
  mark. Yeah, it was a maybe at first,
• 5:01
  but then it kicked in and no. Yeah.
• 5:02
  Not. Same.
• 5:04
  Was anybody getting that 9 inch nails?
• 5:06
  Kind of it's. Yeah, it's like that.
• 5:08
  It's a this is this is like club music.
• 5:10
  Yeah, Yeah. I get, I get a lot of the
• 5:12
  Prodigy. Yeah.
• 5:14
  What puts almost like like Industrial Light?
• 5:19
  Yeah, yeah, yeah. It's like dance, industrial
• 5:21
  dance music. Yeah.
• 5:22
  It's like you take drugs and go dance, yeah.
• 5:25
  Right, right. Yeah, this is definitely, this
• 5:29
  is definitely altered mood dancing.
• 5:33
  All right, so that was the lights low.
• 5:38
  All right, this one is sweat and we're going to start at the one
• 5:42
  minute mark. Track #5 Sweat.
• 5:48
  This is starting to bug me. Who is this poppy between class?
• 5:55
  Actress and black. Atlas.
• 6:05
  It's 20 seconds. Do we want more or Nope?
• 6:07
  No, no, yeah. How many?
• 6:10
  So expensive, but it. Wasn't not not as good as the
• 6:13
  third one that we listened to, Yeah.
• 6:15
  What am I? How many?
• 6:16
  Were like, I don't, I don't know why those were hilarious.
• 6:19
  Maybe it's just 'cause he's the first, you know, our, our first
• 6:22
  taste of it, but it doesn't feel like he's going back to that
• 6:25
  kind of, you know, just experimental.
• 6:27
  Well, there it feels these are a little bit more conservative for
• 6:30
  him, these last couple. You know.
• 6:33
  What we're experts on his career trajectory.
• 6:37
  Well. If.
• 6:38
  Anybody. Is at this.
• 6:39
  Point. Yeah, maybe.
• 6:40
  Maybe his first two were just like warm up songs.
• 6:44
  You got to get the, got to get the right one.
• 6:46
  You got to. You got to.
• 6:47
  Yeah, you know what? That's that's the, that's the
• 6:49
  sound check. That's the sound check.
• 6:50
  How we doing? How we doing Sounds good.
• 6:52
  How's the sound out there? Check 1 Justin.
• 6:54
  Loves it. It's.
• 6:55
  It's it's got to make sure the laptops are plugged in and like.
• 6:58
  The. Machines are working, yeah.
• 7:00
  Check. 2 All right, so this next one is called Afters.
• 7:08
  It's track number six, and we are going to start at the one
• 7:13
  minute mark. Let me scroll back here.
• 7:16
  I went too far. Oops, oops.
• 7:18
  We wouldn't have noticed. We wouldn't, yeah.
• 7:20
  We. Here's the thing that's bugging
• 7:24
  me. It's like the premise that we're
• 7:26
  getting like initially on the last four, now I'm like, oh, OK,
• 7:31
  I could get into this. And then at some point on each
• 7:35
  of the last of them, except for lights.
• 7:37
  No, run with it. He's lost me.
• 7:39
  All right, there's 20 seconds. Do we want more?
• 7:46
  It's. I just hope it's not repeating
• 7:49
  this. Yeah, I.
• 7:51
  Hope you know like it's not 3 minutes of this.
• 7:53
  Some sort of evolution? Yeah, yeah, yeah.
• 7:57
  That's what people dance to like, that's right, Juan at the.
• 7:59
  Club yeah, but that's a but that's a remix normally I like
• 8:03
  I'm hoping this is this is not the track it's got a.
• 8:07
  Couple of it's got a couple of featurings, so hopefully there's
• 8:09
  going to be some. How about how about we we Fast
• 8:12
  forward 15 seconds, 20 seconds? All right, so let's take it to
• 8:16
  the two-minute mark back against the wall, OK?
• 8:26
  I don't hate this. I'm not in love with it.
• 8:28
  I don't hate. It it's number two behind the
• 8:32
  other one. Yep.
• 8:33
  Agree. Yeah, this is one of you know
• 8:34
  what? Yeah, this is this is 4:30 in
• 8:38
  the morning at the club. Yeah, yeah.
• 8:40
  I'm looking and I'm looking at the girl and you know, the
• 8:45
  music's playing and I'm walking across the fucking dance floor
• 8:49
  and we're locking eyes. That's that's what I'm getting.
• 8:54
  Is that your reality? Printer.
• 8:56
  Yeah, that's what. Yeah, you don't have to.
• 8:57
  Get up for work in the morning like.
• 8:59
  Right, right, right. Well, no.
• 9:00
  This is like, like I'm picturing this in a movie, you know, like
• 9:05
  this is like a song everyone's playing in the background.
• 9:07
  So I'm walking to her and she's giving me the eye and I'm giving
• 9:10
  her the eye and then all of a sudden I just fucking grab her
• 9:12
  head and I fucking slam it down. And then people start shooting
• 9:16
  and that's playing in the background.
• 9:18
  So I'm grabbing her hand and I'm fucking running out the door
• 9:21
  with her. And I'm like, if you want to
• 9:22
  live, just keep quiet, you know? I've written most movies in the
• 9:28
  last two decades. Yeah, pretty much.
• 9:30
  Pretty much. And this is the soundtrack to
• 9:32
  that scene. Yes.
• 9:34
  And so this next one is track 7. It's called Phantom and I heard
• 9:39
  Ben Affleck was bombing Phantoms.
• 9:41
  Yo, we're going to track the one minute into the track, she's a.
• 9:47
  Fan song A. Fan Song.
• 9:49
  He want to work the middle. Position she rearranged,
• 9:53
  rearranged, but. She.
• 9:55
  Ain't. Gone.
• 9:56
  Maybe, maybe 20 seconds is too long.
• 9:58
  Yeah, maybe change position. No.
• 10:05
  Yeah, no, that's how. Do you record this?
• 10:09
  How do you go? Into her.
• 10:10
  I don't know. You know what I don't know?
• 10:14
  It's not a recording studio, this is on a laptop.
• 10:16
  Yeah, probably 48,000 plays Phantom has. 49.
• 10:21
  Yeah. 48,000 and one thanks to US. 48,424. 20.
• 10:28
  Five this guy owes you royalties. 11,000 on YouTube.
• 10:32
  Look at that. Let's move on.
• 10:34
  I can't crack one on these goals, So what does that say
• 10:38
  about me? All right, this is.
• 10:41
  You know, maybe, hey, maybe you'll get some stuff.
• 10:44
  You just start. Making this laptop music.
• 10:46
  Yeah, apparently. Go ahead.
• 10:49
  All right, so this is track 8, the wave.
• 10:51
  Just ride the wave. Don't.
• 10:53
  Fight the urge. Oh.
• 10:56
  Yeah, ride it. Just ride it.
• 11:01
  This is a commercial for Like Ride.
• 11:06
  The. Wave Hairspray.
• 11:08
  Yeah, yeah, I. Was thinking Lori out like not
• 11:11
  non alcoholic Budweiser or something like that.
• 11:13
  Like just ride. It.
• 11:16
  Playing in the background when you go buy clothes.
• 11:22
  You're shopping at very. Strike the Posey, yeah.
• 11:26
  This is this is forever 21 maybe, or maybe Aristopastel or
• 11:32
  whatever. Yeah, one of those places they.
• 11:34
  Don't still exist. I don't even know if
• 11:35
  Aristopastel still exist. Abercrombie Finch.
• 11:38
  Abercrombie Yeah, This is this is definitely playing there.
• 11:41
  This is definitely playing there.
• 11:43
  There's 2025 thousand views on YouTube. 474,673 streams on
• 11:50
  Spotify Wow. This is that's because
• 11:54
  Abercrombie playing that. That's pretty.
• 11:57
  No, it's playing in Abercrombie. That guy rode the wave go.
• 12:00
  Above a size 34. Yeah, all those all those plays
• 12:03
  are at the mall. Yes, yeah, exactly.
• 12:06
  Everybody kind of knows that song.
• 12:08
  All right, This is track 9, Animal.
• 12:13
  Wait, wait, wait. Let's let's.
• 12:16
  Not, let's not overlook. When he limit your expectations,
• 12:20
  John. Let's not overlook what Justin
• 12:23
  just said and how hysterical that is.
• 12:27
  Everybody kind of knows. What?
• 12:35
  I mean awesome, it's been playing in your ears for for
• 12:38
  years. You just didn't know.
• 12:41
  This I kind of agree to. Get on Patreon when you
• 12:44
  subscribe to Justin. That's right.
• 12:47
  You should release this on the main feed so that people get a
• 12:49
  taste of what they're going to say this.
• 12:52
  Is. I I could give you 18 titles.
• 12:55
  Technically, it's technically a deprogrammed.
• 12:57
  Yeah. No, this is going to be.
• 12:59
  This is going to be. Margo, OR.
• 13:01
  Mado. This will be before, after the
• 13:04
  fact. This will be the before, after.
• 13:06
  You're going to get some some letters, you're going to get
• 13:08
  some emails from some Mado fans who are pissed off at us.
• 13:11
  Probably. Whatever, whatever.
• 13:13
  You know what we'll deal with. Mom and.
• 13:15
  His girlfriend will be fine bro, his mom and his girlfriend will
• 13:17
  be all. Right.
• 13:18
  But you know who he'll he'll be happy to hear this.
• 13:21
  The people who work at the mall, who won't have to hear it
• 13:23
  anymore. No, I could have just said 18
• 13:27
  different titles and you'd have been like, oh shit, is that?
• 13:33
  Let's your animal. Let's keep it.
• 13:34
  Let's get this over with all. Right.
• 13:39
  So wait. For suicide soldiers.
• 13:41
  Here's animal. Next.
• 13:55
  No, but seriously, good for this guy.
• 13:57
  All right, here's suicide soldiers.
• 14:02
  Wait, let me skip forward 2 minute.
• 14:16
  All right, the first 2 tracks are back.
• 14:17
  Everybody. Yep, yeah.
• 14:21
  Next, he's like rapping with a patois or something.
• 14:24
  I don't even know that's something.
• 14:26
  I don't even know what a patois is.
• 14:27
  It's that accent that's kind of Jamaican, like Jamaican English
• 14:31
  accent, yeah. I was about.
• 14:32
  To say. It's got some Sean, Sean Paul in
• 14:34
  there. All right, Track 11.
• 14:39
  We're almost there, guys. Heaven because it it.
• 14:42
  Rhymes. He did it.
• 14:43
  He put this here because it rhymes.
• 14:44
  Yeah, and it most certainly will not be heaven.
• 14:47
  But away we go. Surprise us?
• 14:57
  It's a surprise in a way. This is this is 445 at the club.
• 15:06
  Oh. Yeah.
• 15:08
  This is please when you're. Trying to get everyone to leave.
• 15:10
  Yeah, please leave well. Turn the music off and then
• 15:14
  people can leave everything else.
• 15:16
  No, but this is bouncing. All right.
• 15:20
  Unless somebody wants more of that, we're moving on to track.
• 15:23
  12 I think we get the premise. Yeah, here is burn the title
• 15:28
  track, the title track, the 12th track.
• 15:33
  All right, burn that, that it's going to be fire.
• 15:42
  This reminds me of hell. Maybe you're all you missed you.
• 15:47
  You missed that. You should have said that for
• 15:48
  the last song. You missed your chance.
• 15:52
  Well, maybe that's why he's burning.
• 15:56
  That's why I, yeah, I could see like, people swinging rocks
• 15:59
  breaking, I mean, swinging his sledgehammers, breaking rocks
• 16:02
  with chains on them and fire everywhere.
• 16:05
  That's exactly the soundtrack to that.
• 16:07
  Or maybe that's just how I feel. So you know what Meadow, Meadow,
• 16:12
  whatever your name is, good for you for making a record.
• 16:15
  No, God bless them. Yeah, just not not my thing.
• 16:19
  We almost like tune the songs, yeah.
• 16:21
  Yeah, it look, yeah, I mean, obviously there's a market for
• 16:25
  this, but to me, this is a great example of why I'm not a big fan
• 16:29
  of today's music. There's no feeling in this.
• 16:31
  It's just not old white dude music.
• 16:33
  What are you going to? Do no.
• 16:34
  What do you mean old white dude? Wait, I'm not white.
• 16:37
  I know. Let's you know what?
• 16:39
  Let's deprogram. Let's do.
• 16:42
  Let's do some fucking some Celia Cruz, so let's do some fucking
• 16:48
  Ruben Blades. There's no fucking white people
• 16:50
  there. Again, it's about feeling.
• 16:53
  There's no feeling in this. No, that's, that's my point.
• 16:57
  I, I think I'm with you, 'cause I think that's, that's what we
• 17:00
  were getting from the those like those two songs that we semi
• 17:04
  liked. There was starting to feel
• 17:06
  something there and then it just, it never delivered on it.
• 17:11
  What are you gonna do? We did that, though.
• 17:13
  We listened to it the whole album, sort of.
• 17:16
  That was the thing. OK, so what's the verdict?
• 17:19
  Did he turn you on, man? No, I will not be listening to
• 17:24
  that album. No it.
• 17:27
  Was. Experience.
• 17:30
  So is it a unanimous nobody got turned on?
• 17:33
  Negative. All right, so I, I, I would rate
• 17:35
  that. I would rate that song Viagra.
• 17:40
  It's the only way you're going to get your Dawn man before we
• 17:46
  did that song. Just ridiculous.
• 17:55
  It's something we play. Like Lynyrd Skynyrd or something
• 17:57
  after that, you know, like something like.
• 17:58
  A palate cleanser. Play real Rose.
• 18:01
  Again, something real white. It's not even, it doesn't have
• 18:05
  to be white, it just has that feeling, no.
• 18:07
  But but like. Well, I heard my lame no.
• 18:11
  My white as in lame. Like freaking, you know?
• 18:14
  Here's here's here's right now, what I want to hear is Johnny
• 18:18
  Cash's hurt. I heard myself.
• 18:21
  We kind of did, didn't we? We.
• 18:24
  Kind. Of we kind of heard Trent
• 18:25
  Reznor's version. Oh.
• 18:28
  Don't. Don't you dare, Sir.
• 18:31
  Don't you dare, Sir. I feel like I got to cut myself
• 18:35
  just to see if I still feel anything after that.
• 18:38
  Fucking 12. Fucking hell.
• 18:46
  I'm on Sam Kinison yell right now because I'm in fucking hell
• 18:59
  anyway. So if Mado comes to your town,
• 19:02
  go check it out. Yes, that's what we're saying.
• 19:04
  If Mado comes to your mall, go check it out.
• 19:07
  Yeah. Ever say his country of origin?
• 19:09
  He must be French, right? Or.
• 19:10
  I would say German. German.
• 19:14
  All right, good for good for Mado.
• 19:16
  Can I assume it's a man? But I have no idea it is came
• 19:18
  across the needle and soon she didn't say at home a 17.
• 19:21
  Year old boy.