Latest / The Bridge by Sammy Chand / April 28, 2026

Transcript

April 28, 2026 · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can.
• 0:02
  Speaker 2: Be found around the world. We track down the best
• 0:07
  Speaker 2: and presented here.
• 0:08
  Speaker 3: For you Lucas Radio.
• 0:15
  Speaker 4: Hi, everybody, I'm cutt an Age Land.
• 0:17
  Speaker 2: You're listening to Ruckus Avenue Radio.
• 0:19
  Speaker 5: Hi, this is Jasmine After and you're listening to the
• 0:22
  Speaker 5: Bridge with Semi cham.
• 0:28
  Speaker 4: So Bobbio Bibo. I have my stack of papers for
• 0:34
  Speaker 4: today's show.
• 0:36
  Speaker 6: We are ready to go and on a Tuesday Tuesday.
• 0:42
  Speaker 6: Tuesday Tuesday, got a great one for you. We'll be
• 0:48
  Speaker 6: joined today.
• 0:49
  Speaker 4: By Nushka Aurora, our resident Professor of Indian Cinema and
• 0:57
  Speaker 4: she stops by the show today. So if you do
• 1:00
  Speaker 4: it all are a enthusiast of Indian cinema like Bollywood
• 1:05
  Speaker 4: et cetera, et cetera, Nushka is the girl for you.
• 1:09
  Speaker 4: She's gonna give you a little preview of what's going
• 1:11
  Speaker 4: on in the scene today. She's stopping by the show.
• 1:17
  Speaker 4: We'll be joined today by Jaya Jay and I like
• 1:21
  Speaker 4: to chit chat about what's going on in Hollywood, so
• 1:23
  Speaker 4: you pretty much get the entire cinema scene covered for
• 1:27
  Speaker 4: you today. It's great. We'll be joined by Niche as
• 1:34
  Speaker 4: he previews this show coming up at five pm today
• 1:36
  Speaker 4: on the signal on Ruckus Avenue Radio. By the way,
• 1:44
  Speaker 4: DJ Muggs did this beat. People always shout out House
• 1:48
  Speaker 4: of Pain. Mugs did the beat. In fact, let's fade
• 1:57
  Speaker 4: this music out really quickly. I'll tell you what's going
• 2:02
  Speaker 4: on today and what we're gonna do. We're gonna give
• 2:05
  Speaker 4: love to the music producer on this episode. You know,
• 2:10
  Speaker 4: yesterday we did something to honor Sufi music. We talked
• 2:14
  Speaker 4: about why it lives and it lives so strongly still
• 2:19
  Speaker 4: to this day, and that's because of the authenticity of
• 2:23
  Speaker 4: the sound. But today's episode, we're gonna change it up
• 2:27
  Speaker 4: to honor the music producer, the person behind the scenes.
• 2:32
  Speaker 4: Sometimes the one making the music doesn't quite get the
• 2:36
  Speaker 4: big stage. So let's do it here with Delgito Sange.
• 2:42
  Speaker 4: The producer of this song is true School. This song
• 2:45
  Speaker 4: is called Morteny Welcome.
• 2:47
  Speaker 7: To the show.
• 3:00
  Speaker 8: That I look, honey, I tell you you connected every
• 3:04
  Speaker 8: him in there or yout the gout there, the telehands
• 3:12
  Speaker 8: cut the gut there, the telehanty mad.
• 3:28
  Speaker 7: What's that? P canna get the bags guitar and.
• 3:33
  Speaker 8: All jumper Here part shall be I upsadia shall be,
• 3:41
  Speaker 8: I Upasordia.
• 3:44
  Speaker 7: Be happy there cut the head. He had to put
• 3:46
  Speaker 7: their anything. You didn't know any to me?
• 3:52
  Speaker 9: Didn't that any new thing?
• 3:55
  Speaker 7: The ever him there the gut there, tell.
• 4:04
  Speaker 10: Casey the gut there, honey money, check you.
• 4:16
  Speaker 11: Out your bold.
• 4:28
  Speaker 7: You have to throw up when I put you and put.
• 4:30
  Speaker 10: Then the sun John, Honey, I'll.
• 4:34
  Speaker 7: Try that bad.
• 4:37
  Speaker 2: I can look back.
• 4:39
  Speaker 7: You bet that I look bad to them.
• 4:42
  Speaker 8: Tell you say plumb me pitiable?
• 4:46
  Speaker 7: Can you get them? They bunny? What would they? Would they?
• 4:54
  Speaker 7: The boy and I can't be in everybody.
• 4:59
  Speaker 8: In your head.
• 5:04
  Speaker 12: Ja ja.
• 5:13
  Speaker 13: Jay, check you out, check you out, checking out.
• 5:36
  Speaker 4: The man behind the board is true school. The song
• 5:39
  Speaker 4: is called Morni. The artist is del Gito Sange. The
• 5:44
  Speaker 4: two of those guys have had a long relationship, one
• 5:48
  Speaker 4: that goes back many many years. In fact, it goes
• 5:52
  Speaker 4: back to this song right here. This song is called Cargo.
• 5:57
  Speaker 9: Hokimmitt door, I'm.
• 5:59
  Speaker 2: Heard up god me.
• 6:01
  Speaker 7: Who I got the carco?
• 6:03
  Speaker 4: Cut off?
• 6:09
  Speaker 7: You look quick and I'm head of Karmy Boo. I
• 6:13
  Speaker 7: got the cartico come of.
• 6:15
  Speaker 8: Look at your Honnymary got Comsi yeah, go on you
• 6:21
  Speaker 8: look get I'm head of Jarmy Boo. I got the
• 6:25
  Speaker 8: cargo come of bood I got the cargo cun of
• 6:41
  Speaker 8: how I can stand on the count. Then any time
• 6:45
  Speaker 8: the car domin, you should be all.
• 6:48
  Speaker 7: Why are you.
• 6:51
  Speaker 8: Any time that domen you should be all. Decide this
• 6:59
  Speaker 8: sona my daughter Jana da give it, Luke.
• 7:03
  Speaker 7: I've heard up, colly wood. I got the cornico cut?
• 7:07
  Speaker 7: What boot?
• 7:08
  Speaker 14: I got the cordon good cut off?
• 7:34
  Speaker 8: Jannah, honey junk you do you.
• 7:39
  Speaker 7: Give dung da? What ya got then?
• 7:43
  Speaker 8: And honey Junker, do you realise up thinking dung do?
• 7:48
  Speaker 2: When this home?
• 7:49
  Speaker 8: Daddy Lee put the hood he in wha fun.
• 7:54
  Speaker 7: Give it? Lukeuign I've heard up.
• 7:56
  Speaker 8: Colly wood I got the cornico cut?
• 8:00
  Speaker 2: What boot?
• 8:01
  Speaker 14: I got the cordical cut off?
• 8:15
  Speaker 8: I'm gonna shagi genoa. Don't you get out my diet
• 8:21
  Speaker 8: data ga da? Don't you get off a diet of
• 8:29
  Speaker 8: juna be making up?
• 8:34
  Speaker 7: We'll not get that agenda. Give it Luke again.
• 8:38
  Speaker 15: I'm head up. Collomy.
• 8:40
  Speaker 8: Would I got the conical Come on, you make your money.
• 8:44
  Speaker 2: To your army.
• 8:46
  Speaker 7: Don't make you give it luc again. I'm head up, Collomy.
• 8:52
  Speaker 8: Wood I got the cortical cut on wood I got
• 8:55
  Speaker 8: the cortical Come on, what boot I got.
• 8:58
  Speaker 7: The conical cut off.
• 9:14
  Speaker 4: Tell my favorite true school Diljito Soane song right there.
• 9:18
  Speaker 4: They're a great team. I'm so happy that they're working
• 9:21
  Speaker 4: together again. And of course, what a big shout out
• 9:25
  Speaker 4: to Delgito Songs for packing that stadium in Vancouver again.
• 9:30
  Speaker 4: It's the second time he's done that. Remarkable. You can't
• 9:33
  Speaker 4: even think of American artist that can do that. It's crazy.
• 9:38
  Speaker 4: This is another great singer and producer. Combo ad Jet
• 9:41
  Speaker 4: sing shash what such Dave do?
• 9:53
  Speaker 2: But yeah, don't s.
• 10:03
  Speaker 16: Margie who many uh from Yeah, don't say.
• 10:20
  Speaker 17: Johnny Gussie person an abody, some Jr tam Room a
• 10:29
  Speaker 17: cortom do. I'm on every person a nobody, some jam
• 10:38
  Speaker 17: Room her curtom do, he normOn Eperson and a body.
• 10:45
  Speaker 9: Some jew tail from Marcom.
• 10:50
  Speaker 17: I'm on every person a nobody.
• 10:54
  Speaker 4: Some jee.
• 10:57
  Speaker 17: Room her cortom do nom on Heaven.
• 12:11
  Speaker 18: Don ha man just nameicle Jeeve her character, Bata area
• 12:21
  Speaker 18: in a ar going bo very dotco Sieta, there is
• 12:30
  Speaker 18: Eva going jos Herman job do not tah.
• 12:44
  Speaker 17: Sympathy may bahamas so John Norta.
• 12:52
  Speaker 2: A Sam there are.
• 13:00
  Speaker 15: Oh God.
• 13:06
  Speaker 2: You sobbin.
• 13:11
  Speaker 3: The homy.
• 13:16
  Speaker 2: The hellly so.
• 13:20
  Speaker 4: Oh go.
• 13:24
  Speaker 19: Jonny GOSSI person and I'm petty something j rom mact
• 13:34
  Speaker 19: nor money Everson and I'm patty something jitter from my cart.
• 13:43
  Speaker 19: I'm a money person and I'm petty.
• 13:48
  Speaker 20: Something Ja.
• 13:51
  Speaker 17: From Marcato nor Moneyson and I body something jittery from
• 14:01
  Speaker 17: my heart. Don't do no money, he said, enough body
• 14:54
  Speaker 17: some you term from my fat don't do I'm un
• 15:00
  Speaker 17: Everson and.
• 15:04
  Speaker 4: Some j.
• 15:09
  Speaker 1: Yeah.
• 15:11
  Speaker 4: You know, when you start to look around and you
• 15:12
  Speaker 4: start looking at the producers that are really making impact
• 15:17
  Speaker 4: right now of this younger generation, you got to start looking, uh,
• 15:21
  Speaker 4: and you begin with Shasha such dave you really do?
• 15:25
  Speaker 4: And if you look at maybe the Great arm On
• 15:27
  Speaker 4: as being the last person before that. Right, here's doctor
• 15:32
  Speaker 4: Roy for you with today's word on the avenue.
• 15:34
  Speaker 21: Hey guys, this is doctor Vory with today's word on
• 15:36
  Speaker 21: the avenue. In film and TV news, the upcoming epic
• 15:40
  Speaker 21: Ramayana is said to make history with a massive four
• 15:43
  Speaker 21: five hundred screen release across the US, surpassing the benchmark
• 15:48
  Speaker 21: set by R R R. Backed by Warner Brothers and
• 15:51
  Speaker 21: starring Rondbrigapur, the film is already generating global bluzz with
• 15:55
  Speaker 21: plans for a multi language release across five continents. In
• 16:00
  Speaker 21: media News Action Star Video, John wall is set to
• 16:04
  Speaker 21: play that Alsim in the live action adaptation of Street Fighter,
• 16:08
  Speaker 21: sparking global excitement amongst fans. Celebrated for his real martial
• 16:12
  Speaker 21: arts prowess, his casting is being hailed as a powerful
• 16:15
  Speaker 21: moment for authentic representation and self made talent on the
• 16:18
  Speaker 21: world stage. In evenge News, when music crosses borders, it
• 16:23
  Speaker 21: finds new life, and that's exactly what's happening with the
• 16:26
  Speaker 21: song from durand Gehira Hua. A group of university students
• 16:30
  Speaker 21: in Georgia have reimagined the track as a haunting a
• 16:33
  Speaker 21: cappella performance, proving that pure voices alone can carry emotion
• 16:37
  Speaker 21: beyond language and culture. That's it for today's word on
• 16:41
  Speaker 21: the avenue until next time, Thank.
• 16:43
  Speaker 4: You so much, doctor Roy, and continuing things here were producers.
• 16:48
  Speaker 4: This is David Getta working with Sia and Bilgito.
• 16:51
  Speaker 22: Sange Deddy that ball with the katy until everybody Viola be.
• 17:13
  Speaker 3: Neo good La Boreman numbers on the corn.
• 17:20
  Speaker 2: With the Kati.
• 17:21
  Speaker 22: Dunjail everybody hi verdy he in the shave it you
• 17:26
  Speaker 22: go here to see our yard man of it verty
• 17:29
  Speaker 22: he in the shave you go.
• 17:31
  Speaker 2: He had to see our yard man of it delivered.
• 17:35
  Speaker 2: They've t hold hord a little delivered.
• 17:39
  Speaker 22: They've heaven hold her hold lady, would delivery tell not
• 17:43
  Speaker 22: that they've pay hold on hold on a little?
• 17:46
  Speaker 2: Would delivery tell not that they'll hold on?
• 17:49
  Speaker 22: Hold on with the Katy don jail Everybody he the njail,
• 17:56
  Speaker 22: Everybody given.
• 18:02
  Speaker 2: With the ki Everybody.
• 18:08
  Speaker 3: Be you no needle, good be women numbers on the car.
• 18:18
  Speaker 4: With Katy don.
• 18:20
  Speaker 23: Everybody, You look like the lover I've been seeing in
• 18:26
  Speaker 23: my dreams. Kisses on my color we la say you
• 18:31
  Speaker 23: look like the lover I've been hoping. Now we're fine.
• 18:35
  Speaker 2: Temps in to your heart.
• 18:36
  Speaker 15: It's spinning around my mind.
• 18:39
  Speaker 2: Lady, deliver taver hold hold?
• 18:43
  Speaker 23: I mean only one at one more moments taking your
• 18:46
  Speaker 23: time at.
• 18:46
  Speaker 2: A laddy what deliver Baba? Hold hold?
• 18:51
  Speaker 23: I mean only one in one my harp showing up,
• 18:55
  Speaker 23: showing up with.
• 18:56
  Speaker 2: The don everybody.
• 19:04
  Speaker 22: Ali, the kaby, the giro, Laville, grove, Viva, numbers on
• 19:20
  Speaker 22: the cornea, the Kadi Donji.
• 19:33
  Speaker 4: Yeah, one of the best in the world. David Getta
• 19:36
  Speaker 4: is He's a dance producer if you're not familiar with him.
• 19:39
  Speaker 4: And right there very international collaboration, a European Australian Indian
• 19:45
  Speaker 4: collab right there with Sia and that song called Ranja.
• 19:50
  Speaker 4: This is NDS the producer working with Devender and Stiffer.
• 19:55
  Speaker 4: The song is called Ghani.
• 20:00
  Speaker 15: Honey America Pa.
• 20:03
  Speaker 24: The nobrecards started and sorry you started? Then arene your.
• 20:36
  Speaker 20: Murders than.
• 20:41
  Speaker 25: Are the.
• 20:44
  Speaker 2: County more?
• 20:46
  Speaker 20: Can honey to the Johnny Honey name and number john.
• 21:19
  Speaker 26: That yeah, yeah, And the s is amazing and has
• 21:43
  Speaker 26: mastered the electronic kind of fusion into Indian music.
• 21:50
  Speaker 4: He found the perfect artist for it. Invender, you really did?
• 21:53
  Speaker 4: You gotta find the right artist for your voice, sometimes
• 21:56
  Speaker 4: for your musical voice in that case Siffer and they're
• 22:00
  Speaker 4: the song called Gany. These two dudes might be the
• 22:03
  Speaker 4: best in the business right now when it comes to Bollywood.
• 22:06
  Speaker 4: How did you saying, Pritam.
• 22:09
  Speaker 27: Man lute down, gotter come and got the omen metog
• 22:20
  Speaker 27: There're a dilumic and pilag offices on omen Meto. Van
• 22:31
  Speaker 27: dat is Tata.
• 22:35
  Speaker 9: Bull cat junga blast.
• 22:38
  Speaker 28: Em to put the guy, oh my look, to put
• 22:44
  Speaker 28: the guy out, to put the.
• 22:49
  Speaker 2: Metal. Put the guy.
• 23:00
  Speaker 18: You got an oh my god, put it do?
• 23:10
  Speaker 2: I thought that.
• 23:12
  Speaker 9: My many so I don't help, but job, I could
• 23:46
  Speaker 9: go to carb that.
• 23:47
  Speaker 29: Comes like.
• 23:52
  Speaker 9: Mad, hang that over there?
• 23:56
  Speaker 25: Don't know you?
• 23:57
  Speaker 2: How do you do sec?
• 24:01
  Speaker 9: You didn't liemotion?
• 24:05
  Speaker 2: Put you the manal person?
• 24:08
  Speaker 7: Keep young and I see you'll.
• 24:11
  Speaker 28: Look to put the girl on. My thought, look to
• 24:16
  Speaker 28: put the guy.
• 24:18
  Speaker 7: Let me put the gun off.
• 24:21
  Speaker 2: Lest my let me put the guy, put the g.
• 24:31
  Speaker 30: On.
• 24:32
  Speaker 2: To keep.
• 24:34
  Speaker 28: On my thought, to put the guy I love to
• 24:40
  Speaker 28: put it on, lest.
• 24:45
  Speaker 4: My thought.
• 24:48
  Speaker 14: Who he made a doesn't know?
• 24:49
  Speaker 2: Do he made you? Down?
• 24:50
  Speaker 9: So on over there and America down there on.
• 24:54
  Speaker 2: The girls up to who you ready do? Hey?
• 24:58
  Speaker 7: I'm a.
• 25:15
  Speaker 4: Curious to see what happens here going forward, curious to
• 25:18
  Speaker 4: see that now is working independently outside of Indian cinema,
• 25:23
  Speaker 4: whether this relationship continues in a more creative way than
• 25:28
  Speaker 4: it had existed before. I'm really curious to see what
• 25:32
  Speaker 4: they do together now now that there's no producer or
• 25:36
  Speaker 4: a film director looking over their shoulder. This is Gimi and.
• 25:58
  Speaker 7: He to go do you know this?
• 26:03
  Speaker 2: Down on him?
• 26:04
  Speaker 4: Deep?
• 26:04
  Speaker 2: Okay, not to go down this.
• 26:13
  Speaker 15: Par not to work. Katerina but.
• 26:18
  Speaker 9: For Katina.
• 26:21
  Speaker 31: Hi par not to work. Katina for ta Hi bec
• 26:27
  Speaker 31: being at the boy to proof tally the boy to
• 26:36
  Speaker 31: proof Hector worry because.
• 26:41
  Speaker 32: Keating a jettack it the miss Marty. Maybe charp garling
• 26:44
  Speaker 32: at your would come kitting Jetta its smarting.
• 26:48
  Speaker 15: Maybe charpan you Coli at your like it.
• 26:51
  Speaker 33: Came about it in your back your you put kill
• 26:58
  Speaker 33: your cartoon, Dia my daughter, the pilch on you below,
• 27:12
  Speaker 33: Camel Dart.
• 27:16
  Speaker 7: Down on his deep ow Camel Dari to go this.
• 27:26
  Speaker 31: I know Marina, Honey you Donna Kiku company and how
• 27:33
  Speaker 31: made a wesniakna do listener? Can jail you meading he's
• 27:46
  Speaker 31: the bogy, He's.
• 27:50
  Speaker 32: Tonto be okitting jettack it the smart many Argi until
• 27:58
  Speaker 32: kit and jettack it a smart.
• 28:07
  Speaker 7: Yeah.
• 28:08
  Speaker 4: There's a reason why I played this one right after
• 28:10
  Speaker 4: preet them and Adijit sing, not because of anything else
• 28:13
  Speaker 4: other than another great two artists that have found this
• 28:17
  Speaker 4: great chemistry. It's hard to find it. When you find it,
• 28:20
  Speaker 4: you hang on to it. It's the second album that
• 28:22
  Speaker 4: they've done together. Of course, Simpson's is the one that
• 28:26
  Speaker 4: I'm talking about, and one before that was I think
• 28:28
  Speaker 4: it was called the goat. There you go. These two
• 28:33
  Speaker 4: dudes might be the ultimate combination. Right here. It's mister
• 28:37
  Speaker 4: a Rahman saying.
• 28:41
  Speaker 34: Hi, Russian Sonhadi, it's it making the looming me. Then
• 29:03
  Speaker 34: Jagati kureny.
• 29:10
  Speaker 35: Yellow hear the cat jat the jat s es hervors pravati, Yes.
• 29:20
  Speaker 3: Of the loves.
• 29:21
  Speaker 9: I had some night.
• 29:24
  Speaker 17: Ama talk abash's.
• 29:27
  Speaker 2: So lie.
• 29:34
  Speaker 28: Ye haney in the war she had on.
• 29:39
  Speaker 17: Yes s'sdaemusday da johanahead.
• 29:46
  Speaker 2: To find.
• 29:51
  Speaker 18: Oh god, yeah, I got this ya gandhi what the
• 29:56
  Speaker 18: calls a kid?
• 29:58
  Speaker 2: And he called bye.
• 30:01
  Speaker 18: I called the job birdy m in the bandy. I'm
• 30:06
  Speaker 18: something her body hit. Did I talk Gardy come to
• 30:12
  Speaker 18: him and say, oh my god, my sod had a
• 30:20
  Speaker 18: cane a child.
• 30:23
  Speaker 2: Yama ya kaki ya kadi.
• 30:29
  Speaker 25: And they chad that your cook from me or suona China.
• 30:38
  Speaker 2: From the head.
• 30:39
  Speaker 35: I got a cold guy, say dun the lado. I
• 30:44
  Speaker 35: got a sort I had no suppose. I got to
• 30:49
  Speaker 35: jove she had those.
• 30:51
  Speaker 16: A shel gotta man your go had to there is
• 30:57
  Speaker 16: a ladder.
• 30:58
  Speaker 17: Jemmy got to put your russiany huggy Shire to mem
• 31:07
  Speaker 17: put your buddy, Hugy Shire go Honey the mass.
• 31:13
  Speaker 25: And hug he shot put your super hell movie everybody
• 31:18
  Speaker 25: hug he shot put your super head you everybody.
• 31:28
  Speaker 2: Huggy Shih.
• 31:39
  Speaker 34: Russian So the heady gentle man to getting me Yella,
• 31:46
  Speaker 34: said Jack Marco getting me.
• 31:49
  Speaker 36: It's your young guess. I'm Jack getting your poo. Okay,
• 31:55
  Speaker 36: I'm getting Mac getting me the loo man.
• 32:01
  Speaker 2: Got yellow head of it isad What is your love?
• 32:19
  Speaker 37: You know?
• 32:19
  Speaker 4: I wish I could really fully break it all down
• 32:22
  Speaker 4: in terms of what you're hearing here. And I know
• 32:25
  Speaker 4: that the musicians out there know what they're listening to.
• 32:27
  Speaker 4: But ra Himan is obviously the best. But whether he's
• 32:32
  Speaker 4: the best in the world right now is another question.
• 32:34
  Speaker 4: But if he's the best ever, there's another question, you know.
• 32:40
  Speaker 2: There Worth myself broken there Worth.
• 32:47
  Speaker 15: My maid was shaken some way, somehow.
• 32:53
  Speaker 2: We made it love not around.
• 32:58
  Speaker 15: So he's just look again, had.
• 33:02
  Speaker 28: Then up the writing, real hard playing for he.
• 33:07
  Speaker 30: See it all the pains in the high little shoulders,
• 33:12
  Speaker 30: looking at the head in the world.
• 33:14
  Speaker 9: Out in the world where.
• 33:17
  Speaker 15: We should go a lot too far?
• 33:19
  Speaker 2: Is it like I was gonna drawn?
• 33:21
  Speaker 38: Or there were time my soap so broken that.
• 33:27
  Speaker 15: There worth five.
• 33:29
  Speaker 38: My fake was shaking something breaking up high. We made
• 33:35
  Speaker 38: it love one's on the round, Nas says justice beginning.
• 33:41
  Speaker 9: Yeah, you say, just.
• 33:43
  Speaker 37: Began, no longer killed. Written by the silken linen. Never
• 33:47
  Speaker 37: condemn it, never condescending. Before you hear something this dooke beginn.
• 33:50
  Speaker 37: If people love it, you'll see the pope on the
• 33:52
  Speaker 37: beach in the tucket play the trumpet. Somehow, some way,
• 33:54
  Speaker 37: we made it out the filth and garbage where people
• 33:57
  Speaker 37: killed for Nas, as well as saying we need to
• 33:58
  Speaker 37: be born again from the problems Halequins and the Charlottans
• 34:01
  Speaker 37: trying to stick they thoughts in them, but they can
• 34:03
  Speaker 37: kill the confidence.
• 34:04
  Speaker 4: Let's say religious.
• 34:05
  Speaker 37: But yo, wat see the crescent, see the illuminated crossing
• 34:08
  Speaker 37: the sky in the distance, or maybe your sister clouds.
• 34:10
  Speaker 37: How they shaped up my bushes. Tell let me never
• 34:13
  Speaker 37: play down my true existence.
• 34:15
  Speaker 28: Forget what you know.
• 34:16
  Speaker 37: Just take a leap, no matter how high up you
• 34:18
  Speaker 37: are or how deep or what height it is, be
• 34:21
  Speaker 37: the mightiest.
• 34:22
  Speaker 4: We've been in a tight spot.
• 34:24
  Speaker 9: Fight my soul broken.
• 34:29
  Speaker 15: There work fine, My faith.
• 34:32
  Speaker 2: Was shaken some right, somehow we made it.
• 34:42
  Speaker 30: Just began, he says, just began. It didn't there, God
• 34:57
  Speaker 30: didn't up, didn't there? Oh there?
• 35:09
  Speaker 15: So broken? My faith was shaken some way, somehow.
• 35:19
  Speaker 28: We made it, says, just the beginning these.
• 35:26
  Speaker 15: Days, just the beginning.
• 35:29
  Speaker 4: Let that track right there, and folks, let's rope in
• 35:33
  Speaker 4: Jaya to this episode. Jayaw, how are you today?
• 35:37
  Speaker 9: Yeah, I'm good, I'm good.
• 35:40
  Speaker 39: You know, what a weekend?
• 35:41
  Speaker 4: What a weekend? The White House Corresponding's dinner. We saw
• 35:47
  Speaker 4: something crazy happen there, and you know what were your
• 35:50
  Speaker 4: thoughts on everything that went down?
• 35:53
  Speaker 5: I mean it was crazy, the like you said, the
• 35:57
  Speaker 5: annual White House Correspondent Dinner at the Washington in Helton happened,
• 36:02
  Speaker 5: and of course it was interrupted by a shooting incident
• 36:05
  Speaker 5: a thirty one year old Cole Allen from Torrance, not
• 36:08
  Speaker 5: far for me in California. And yeah, trunk Jad Dance
• 36:15
  Speaker 5: and some top cabinet members were rushed off the stage,
• 36:18
  Speaker 5: which my sister was sitting on with all of them.
• 36:22
  Speaker 5: She didn't rush off the stage. She kept her head
• 36:25
  Speaker 5: up to see what was going on. But yeah, I mean,
• 36:30
  Speaker 5: I think it's a crazy thing. He didn't make it
• 36:33
  Speaker 5: in the ballroom. He really didn't make it past secret
• 36:35
  Speaker 5: service or any of the squat teams. I'm still don't
• 36:40
  Speaker 5: understand what happened there. Like, I do find it so
• 36:45
  Speaker 5: crazy that, like you can still stay in the hotel
• 36:48
  Speaker 5: even though something as high profile as this is going
• 36:53
  Speaker 5: on in the hotel, there are still regular guests there.
• 36:56
  Speaker 5: I don't get that. Like, there's a lot of questions
• 36:59
  Speaker 5: that I have about this full situation. But I'm glad
• 37:02
  Speaker 5: everyone's okay. It was horrible. My sister was sitting up
• 37:06
  Speaker 5: at that days, so I'm glad said he never made
• 37:09
  Speaker 5: it into the ballroom. Yeah, but I have many questions,
• 37:15
  Speaker 5: so it's interesting. I'm interested to see how this senseolds.
• 37:18
  Speaker 4: I am too. It definitely seemed to be very very
• 37:22
  Speaker 4: scary for all people there in the building, very scary.
• 37:26
  Speaker 5: Very scary. I mean, he was armed with a shotgun,
• 37:28
  Speaker 5: a handgun in multiple knives. You know, he was never
• 37:32
  Speaker 5: going to make it into that ballroom.
• 37:33
  Speaker 7: With that stuff.
• 37:34
  Speaker 5: But no, still still it's very scary, and luckily no
• 37:38
  Speaker 5: one was, like, you know, seriously injured.
• 37:42
  Speaker 4: So yeah, well at least we have it all under
• 37:45
  Speaker 4: control there. But you know, jare one of the things
• 37:47
  Speaker 4: that we've been excited about here is of course for
• 37:51
  Speaker 4: all you white Lotus fans out there. The announcement being
• 37:54
  Speaker 4: that Shadow Khan has joined season four and he's going
• 37:58
  Speaker 4: to be passed part of the the cast there coming up.
• 38:02
  Speaker 4: Now we are getting news that somebody will not be
• 38:05
  Speaker 4: part of that cast.
• 38:06
  Speaker 5: James from White Lotus to from White House to White Loadus.
• 38:13
  Speaker 5: Right right, somebody did get yeah, knock down, and that
• 38:18
  Speaker 5: is Helen and Bottom Carter. She didn't make it into
• 38:22
  Speaker 5: the bottle. No, that's a terrible deal.
• 38:26
  Speaker 4: And she didn't make it to season four either.
• 38:27
  Speaker 5: I guess right, she didn't make it to season before.
• 38:30
  Speaker 4: She's great, by the way, I love her. She was
• 38:32
  Speaker 4: amazing val Yes, she's amazing.
• 38:35
  Speaker 5: A shock. This is a shock, So she is. She's
• 38:39
  Speaker 5: exited the fourth season just stays into production. It's currently
• 38:43
  Speaker 5: filming in the French Riviera. The show runner, Mike White
• 38:47
  Speaker 5: and HBO released a statement saying the character didn't align
• 38:50
  Speaker 5: with the filming after it actually began. After they stopped
• 38:55
  Speaker 5: her shoot her first scenes, they felt the character needed
• 38:59
  Speaker 5: to be fundament mentally rethought, so I guess it was.
• 39:03
  Speaker 5: Originally the character itself was originally a part of the
• 39:06
  Speaker 5: central part of season four storyline. Now it's being rewritten
• 39:10
  Speaker 5: and we'll be recast. And they are stressing that there's
• 39:15
  Speaker 5: no bad blood and that they hope to collaborate with
• 39:19
  Speaker 5: her on a future project. But like, still, like what, Yeah,
• 39:23
  Speaker 5: I don't know, how do you fire Helen A Bottom Carter?
• 39:26
  Speaker 5: But they did, so this season four better be good
• 39:29
  Speaker 5: because I'm I'm team Carter all the way.
• 39:32
  Speaker 23: Yeah.
• 39:33
  Speaker 4: I hope it is good, and hopefully King Chaick will
• 39:36
  Speaker 4: save it and make everybody forget that she was supposed
• 39:39
  Speaker 4: to be this episode, I mean in the season, but maybe.
• 39:43
  Speaker 5: Yeah, they've also got, like I saw, I don't know,
• 39:45
  Speaker 5: they've got some crazy casting going on, so I'll be interesting.
• 39:48
  Speaker 4: Okay, Okay, let's see what happened. Well, there's as much
• 39:52
  Speaker 4: casting as you can do, but you'll never be able
• 39:54
  Speaker 4: to replace some Michael Jackson on this planet. However, this
• 39:59
  Speaker 4: kind of the biopic that's come out is getting a
• 40:02
  Speaker 4: lot of attention out there.
• 40:04
  Speaker 5: Yeah. Well, I hear that his nephew who's playing him
• 40:08
  Speaker 5: is doing an amazing job. I do hear that, and
• 40:11
  Speaker 5: it did debut. My child is dying to see it,
• 40:15
  Speaker 5: and I want to see it too, even though I
• 40:17
  Speaker 5: don't know. It's not getting the greatest of reviews, and
• 40:19
  Speaker 5: I see why. So it did debut at ninety seven
• 40:23
  Speaker 5: million dollars and it's it's explosive. So they're saying it's
• 40:32
  Speaker 5: faced intense scrutiny, primarily because the critics are calling it
• 40:37
  Speaker 5: a sanitized portrayal of Jackson's life, which it sounds like
• 40:40
  Speaker 5: it is. It's currently got a rotten score on Rotten
• 40:45
  Speaker 5: Tomatoes due to its refusal to engage with the singer's
• 40:48
  Speaker 5: most controversial years. So it basically focuses on the nineteen
• 40:52
  Speaker 5: sixties through nineteen eighty eight, ending in the high like
• 40:56
  Speaker 5: the height of the bad World War, so it's sidesteps
• 41:01
  Speaker 5: the sexual abuse allegations and the legal battles of the
• 41:04
  Speaker 5: nineties and two thousands. And they feel like the feature
• 41:09
  Speaker 5: length is heavily sanctioned, and of course it is bank
• 41:14
  Speaker 5: welled by the Jackson estates, so I think they've really
• 41:17
  Speaker 5: had a heavy hand in it. But director Antoine Fuqua
• 41:22
  Speaker 5: actually did film scenes involving the nineteen ninety three allegations
• 41:26
  Speaker 5: and the Neverland raids, but the skate discovered a legal
• 41:29
  Speaker 5: cuause mid production that prohibited the users to use the
• 41:33
  Speaker 5: accuser's likeness for commercial gains, so they had to do
• 41:37
  Speaker 5: twenty two days of reshoots. It was like, you know,
• 41:42
  Speaker 5: almost two hundred million dollars in the end, And I
• 41:45
  Speaker 5: guess like Paris Jackson and Janet Jackson have distanced themselves
• 41:49
  Speaker 5: from the project. Paris has claimed that her notes regarding
• 41:54
  Speaker 5: the dishonest scripts have really been ignored, so like they
• 41:57
  Speaker 5: aren't even happy. So it's kind of a weird, but
• 42:00
  Speaker 5: I still want to see it, Like, who are we kidding?
• 42:02
  Speaker 4: You know, these biopics are for me. I don't think
• 42:06
  Speaker 4: they really have the same weight unless everybody in the
• 42:09
  Speaker 4: family or not everybody, but like the important people in
• 42:11
  Speaker 4: the family are you know, if they're not behind the thing.
• 42:15
  Speaker 4: I just the legitimacy and the credibility of the project
• 42:19
  Speaker 4: just doesn't come across to me in the way.
• 42:21
  Speaker 5: And like, you know, the fact that like they're like, yeah,
• 42:23
  Speaker 5: we're going to talk about how Grady was, Okay, yeah,
• 42:27
  Speaker 5: these things were very like there were he was a major, yes,
• 42:30
  Speaker 5: king of pop, but also very controversial. He had some
• 42:33
  Speaker 5: big legal battles. And the fact that they're not willing
• 42:36
  Speaker 5: to touch that, like, I mean, it's you know, it's
• 42:42
  Speaker 5: not great, it's not great.
• 42:43
  Speaker 4: So well, you know, let's see how this plays out
• 42:47
  Speaker 4: to Heah, it's an interesting topic. I know a lot
• 42:48
  Speaker 4: of people are reacting to the film, and I'm sure
• 42:51
  Speaker 4: you and I will talk about it again next week.
• 42:53
  Speaker 5: I'm sure because I'm going to go see it, so well.
• 42:55
  Speaker 4: Yeah, let me know what you think I will. All right, Jaah,
• 42:59
  Speaker 4: have a great week.
• 43:00
  Speaker 12: Says shame here.
• 43:02
  Speaker 4: That's great here everybody, here's the next track for you guys.
• 43:08
  Speaker 40: Not necessary, Lady man related the lamp to job.
• 43:28
  Speaker 4: Give me to don't I mean you give me to
• 43:33
  Speaker 4: come on?
• 43:33
  Speaker 40: I mean sej my man, and I mean ends, I
• 43:38
  Speaker 40: mean enough for it to me.
• 43:42
  Speaker 2: Na up to John, I mean the.
• 44:00
  Speaker 40: Secret to Tima hall Rakada, Jimica Hacker.
• 44:04
  Speaker 2: Inas Racorda.
• 44:07
  Speaker 40: Ra Kada have kidnam us yak Rakada, Jimmy too a canoe.
• 44:14
  Speaker 2: Shad Jan read not like Jan.
• 44:21
  Speaker 25: Did not?
• 44:22
  Speaker 2: Thank you Karthy your h need Jama.
• 44:28
  Speaker 17: John, I'm in bed.
• 44:34
  Speaker 41: I'm hasas a relay any Gamila Shaklo tamaday.
• 45:05
  Speaker 7: Gins j.
• 45:10
  Speaker 40: GUITA number of n cklated job.
• 45:21
  Speaker 15: Up the job.
• 45:26
  Speaker 2: Did not.
• 45:31
  Speaker 4: Did not. I hope you're all having a fabulous Tuesday
• 45:50
  Speaker 4: wherever you may be. We have got the great Aurora
• 45:54
  Speaker 4: joining us right now. What's up?
• 45:56
  Speaker 7: Hey?
• 45:57
  Speaker 2: Sammy? All good?
• 45:58
  Speaker 39: How are you doing.
• 46:00
  Speaker 4: We are in kind of like this interesting place in
• 46:03
  Speaker 4: cinema across the world where people are coming back and
• 46:06
  Speaker 4: they're doing remakes and reimaginations and stuff like that and sequels,
• 46:11
  Speaker 4: and why would that be any different in Indian cinema exactly?
• 46:16
  Speaker 39: And I mean, look, there's many sequels that we can
• 46:19
  Speaker 39: talk about, but I know we're always pressed for time.
• 46:21
  Speaker 39: So I'm going to give you the big news tell
• 46:23
  Speaker 39: us that came out a few days ago. Santa does
• 46:26
  Speaker 39: Calike Returns is happening. So it's Callid Too. That has
• 46:30
  Speaker 39: been confirmed. And I don't think anybody really saw this
• 46:33
  Speaker 39: coming like it. It was a bit of a surprise
• 46:35
  Speaker 39: for us, which is actually quite nice. I liked that
• 46:38
  Speaker 39: element of the surprise. So the teaser has been launched
• 46:42
  Speaker 39: Sanjada and his wife they did as an official TEASA
• 46:45
  Speaker 39: launched for it, and they.
• 46:47
  Speaker 5: Haven't given us a date, but the fact that they've
• 46:49
  Speaker 5: given us a.
• 46:50
  Speaker 39: Teaser of Climb Too, and can I just say it
• 46:52
  Speaker 39: looks really good like if you knew and if you
• 46:56
  Speaker 39: ever watched, and if you were around at the time
• 46:59
  Speaker 39: of the original collison that came out in the nineties with.
• 47:03
  Speaker 5: Jackie Shroff and Sunday.
• 47:04
  Speaker 2: That's then Mardi.
• 47:05
  Speaker 39: You will know what a cult classic this film is
• 47:08
  Speaker 39: and the music as well, and also not just that,
• 47:10
  Speaker 39: but I think the time that Sunday does was going
• 47:12
  Speaker 39: through as well, you know, so very interesting here.
• 47:17
  Speaker 4: I mean, I have to say, calign To.
• 47:19
  Speaker 39: Teaser is really giving the them the vibes. So if
• 47:23
  Speaker 39: you haven't seen it, you must watch the teaser and
• 47:25
  Speaker 39: tell me what you think.
• 47:26
  Speaker 4: I can't wait this. You know, everybody's going for this
• 47:29
  Speaker 4: kind of genre, right, It's like this action kind of
• 47:32
  Speaker 4: story and said in a time and it's it's really
• 47:36
  Speaker 4: cool that people are capturing this kind of energy and so,
• 47:38
  Speaker 4: you know, good to see, you know, the return of
• 47:41
  Speaker 4: this like very you know, impactful I would say music,
• 47:44
  Speaker 4: I mean a film franchise from back then. So this
• 47:46
  Speaker 4: is great. Absolutely, yes, nice, wait for it. Thank you
• 47:50
  Speaker 4: so much for the update on this.
• 47:52
  Speaker 2: Thank you so much, Sammy. You have a good one.
• 47:54
  Speaker 4: We'll talk to you next week. Here's the next week.
• 47:56
  Speaker 8: Yes, nothing nothing nothing.
• 48:02
  Speaker 15: Nothing, nothing, nothing, nothing.
• 48:06
  Speaker 2: Anything think not thinking nothing and the thing, the thing,
• 48:09
  Speaker 2: the thing.
• 48:09
  Speaker 42: And the things a coma. But who came to the
• 48:16
  Speaker 42: namga nothing not nothing, Bob Park come better? But who
• 48:26
  Speaker 42: came to the Namatakatu Sla traffic uga comga? But who
• 48:42
  Speaker 42: can do the nmga? Not the similarity man sagas coma better?
• 48:56
  Speaker 15: Ho came?
• 48:57
  Speaker 4: What you go to the.
• 49:00
  Speaker 43: I'm not thinking nothing nothing and nothing about Liza Man
• 49:03
  Speaker 43: goodif and nothing and nothing and nothing Ma po lizer
• 49:06
  Speaker 43: Man well looking hawmnis a man GOODI for nothing and
• 49:11
  Speaker 43: nothing and nothing and nothing about Liza Man.
• 49:26
  Speaker 4: I love, I love, don't there.
• 49:49
  Speaker 2: I got my girl parent to.
• 49:52
  Speaker 8: Dot better to be alter.
• 49:58
  Speaker 2: Because that is a can tell.
• 50:01
  Speaker 15: Let me rega.
• 50:06
  Speaker 2: Him super.
• 50:10
  Speaker 4: Shamaga very bet game.
• 50:18
  Speaker 14: Would you go, Tom, listen?
• 50:22
  Speaker 2: You listen.
• 50:25
  Speaker 42: It's like Petusa traffic jam Beta. Would you go, Tom?
• 50:35
  Speaker 43: Go for nothing and nothing and nothing and nothing about
• 50:38
  Speaker 43: Liza Man good for nothing and nothing and nothing.
• 50:42
  Speaker 7: Ball Liza Man?
• 50:43
  Speaker 43: Learn thing happens a Manda good for nothing and nothing
• 50:48
  Speaker 43: and nothing?
• 50:49
  Speaker 7: And I think about a man.
• 50:51
  Speaker 4: It's all really is. So we'll put together. It's from
• 50:54
  Speaker 4: a movie Setara is a mean part of the producers, Shunker,
• 50:57
  Speaker 4: Isan and Loy, those three guys is getting together and
• 51:00
  Speaker 4: producing magic. What's up Rihanna?
• 51:03
  Speaker 29: Hey, everyone, this is Randa with the News only on
• 51:05
  Speaker 29: Diasberab Rising on Rekiss Avenue Radio. You're home, away from Home.
• 51:08
  Speaker 29: Today's headlines hit home literally. International food agencies are warning
• 51:12
  Speaker 29: that climate disruption, combined with export controls in key producing nations,
• 51:16
  Speaker 29: could tighten global grain suppy again. Wheat and rice markets
• 51:19
  Speaker 29: are showing early volatility signals. South Asia, heavily dependent on
• 51:23
  Speaker 29: predictable crop cycles, is especially sensitive to global bise shifts.
• 51:26
  Speaker 29: New environmental data shows groundwater levels in parts of Punjab
• 51:30
  Speaker 29: have dropped to historic lows. Over irrigation, paddi, heavy farming
• 51:34
  Speaker 29: cycles and erratic rainfall are intensifying long term sustainability concerns agriculture, feeds, families,
• 51:39
  Speaker 29: water sustains or agriculture. This is not just environmental, it's generational.
• 51:43
  Speaker 29: Food security and water security are survival issues and they're
• 51:46
  Speaker 29: becoming urgent conversations across South Asia. But tell us your thoughts,
• 51:49
  Speaker 29: fellow at Rekas Avenue Radio. This is Randa with the
• 51:52
  Speaker 29: News every Monday through Thursday n iHeartRadio on Rexsavenue Radio
• 51:55
  Speaker 29: dot Com. See you guys tomorrow.
• 51:56
  Speaker 4: Thank you so much. Rihanna, We'll see you tomorrow. A
• 51:59
  Speaker 4: lot going on out there. In the world, of course.
• 52:03
  Speaker 4: You know, we're talking about producers in today's episode, the
• 52:06
  Speaker 4: great music producers of our genre of South Asian music,
• 52:11
  Speaker 4: and this one I'm about to play for you is
• 52:13
  Speaker 4: probably somebody that you may not think of when you
• 52:16
  Speaker 4: start to list the great ones of South Asia, but
• 52:19
  Speaker 4: you really should. His name is Zulfi, and Zulfi is
• 52:23
  Speaker 4: the man behind the whole Coke Studios movement, beginning with Pakistan,
• 52:28
  Speaker 4: of course, and then it's split up. It was just
• 52:29
  Speaker 4: Coke Studios by itself and the song Blockbuster, of course,
• 52:33
  Speaker 4: was a big moment for the entire brand, and we'll
• 52:37
  Speaker 4: play it here right after we introduced Dorita bas Gupta
• 52:40
  Speaker 4: to the show. Who's going to give you a little
• 52:42
  Speaker 4: breakdown as to that. Coke Studio Season fifteen.
• 52:45
  Speaker 2: Thanks Sammy, I have the one. This is Detada Skipta.
• 52:48
  Speaker 44: You're Rukasavni Radio Music Curspond and back with some fun
• 52:51
  Speaker 44: thoughts about your favorite artists. Coke Studio Season fifteen was
• 52:55
  Speaker 44: released on April fourteen, twenty twenty four. Awarded as Pakistan's
• 52:59
  Speaker 44: biggest cultural expert win the Ministry of Foreign Affairs. Cooke
• 53:03
  Speaker 44: Studio Season fifteen, featuring eleven original songs reflected the diversity
• 53:07
  Speaker 44: of Pakistani culture, languages, genre and experiences anchored in Pakistan's
• 53:12
  Speaker 44: passion and love for music. With powerhouse producer and curator
• 53:16
  Speaker 44: Zulfiker Zulfeature per Khan at the Helm, each song in
• 53:20
  Speaker 44: Season fifteen is a collaboration, a story woven with threats
• 53:24
  Speaker 44: of artistry and fraternity. The season is built on a
• 53:27
  Speaker 44: legacy of compelling visual storytelling by some of Pakistan's most
• 53:31
  Speaker 44: progressive directors, including Alai s Kohar, Murtazanias Jamal Rahaman, Zan
• 53:37
  Speaker 44: Perzada and Luke Azaria. With over twenty four million subscribers,
• 53:42
  Speaker 44: over five billion views on digital platforms and streaming in
• 53:46
  Speaker 44: over one hundred and eighty countries, Pakistan's Coke Studio has
• 53:49
  Speaker 44: been bridging barriers and nurturing culture within South Asia, fostering
• 53:53
  Speaker 44: a sense of unity and appreciation for shared heritage.
• 53:57
  Speaker 4: Cooke Studio, launched.
• 53:58
  Speaker 44: In two thousan eight in Pakistan, feature ring established and
• 54:01
  Speaker 44: emerging artists from various genres, quickly gained the lash and
• 54:04
  Speaker 44: loyal following and expanded into an international music franchise. Make
• 54:08
  Speaker 44: sure to tune into The Bridge, hosted by Sammy Chant
• 54:11
  Speaker 44: every week to catch some of our favorite songs from
• 54:13
  Speaker 44: Coke Studios fifteenth season.
• 54:16
  Speaker 2: Well that's all for me.
• 54:17
  Speaker 4: Now back to you, Sammy, thank you. Here's the song Blockbuster.
• 54:37
  Speaker 14: Someone Okay, what's americ.
• 55:00
  Speaker 15: Masaya? The members listening.
• 55:36
  Speaker 12: And will divide ay.
• 55:41
  Speaker 2: I got a.
• 55:45
  Speaker 12: Yeah, David, I'm looking on the super Pools wood but
• 55:52
  Speaker 12: he loved the car ru the American wood Garden.
• 56:00
  Speaker 4: Your ma.
• 56:09
  Speaker 15: Say, ok tell Messa die.
• 56:19
  Speaker 4: Guy, no.
• 56:37
  Speaker 1: Pro youry to figure, so no mater figure on who
• 56:48
  Speaker 1: bad bits?
• 56:49
  Speaker 2: That's right?
• 56:49
  Speaker 14: Last night was the past maker this night?
• 56:51
  Speaker 4: But right?
• 56:52
  Speaker 45: Lit you making admissible enough? Cut to the music up
• 56:55
  Speaker 45: but your party us cup Marty, you're not sorry, jam
• 57:00
  Speaker 45: another musical and young couple plan the jo at the
• 57:09
  Speaker 45: John and I love John?
• 57:13
  Speaker 1: I done butting high wake up?
• 57:19
  Speaker 45: Here are barely piya clearly sorry? Your truly contends here
• 57:26
  Speaker 45: and another bit of attention to the barely surely carefree
• 57:30
  Speaker 45: he computed.
• 57:30
  Speaker 39: In the y.
• 57:32
  Speaker 14: Now we know what life is all about.
• 57:35
  Speaker 1: Rosanna, my love, do some.
• 57:39
  Speaker 23: Home mad some Mariana.
• 58:06
  Speaker 4: Shout out to Zophie there the producer of that song
• 58:10
  Speaker 4: called Blockbuster. What a great episode today was, But the
• 58:14
  Speaker 4: spotlight on the producers and we should. They are the infrastructure.
• 58:19
  Speaker 4: The reason Punjabi music can drop two album cycles two
• 58:23
  Speaker 4: weeks apart and have both of them work is because
• 58:26
  Speaker 4: the producer bench is the deepest I've ever seen it be.
• 58:29
  Speaker 4: You know, shush. What he's doing alone is what an
• 58:32
  Speaker 4: entire generation of Bollywood music directors used to do and
• 58:36
  Speaker 4: split amongst four people. True school just made Diljit Dosanje's
• 58:41
  Speaker 4: most I would say cohesive project I've heard in years
• 58:45
  Speaker 4: because it was done by one producer. The face on
• 58:49
  Speaker 4: the cover gets the credit, but the building is held
• 58:52
  Speaker 4: up by the people you have never seen on the stage,
• 58:55
  Speaker 4: and that frame matters. It's the reason why the industry
• 59:00
  Speaker 4: is growing the way it is. You need the producers,
• 59:03
  Speaker 4: you need the engineers, you need everybody there in the
• 59:07
  Speaker 4: back to get all the music made and sounding in
• 59:10
  Speaker 4: a certain way to create a movement like this. This
• 59:14
  Speaker 4: song playing underneath me is Balisau one of the most
• 59:19
  Speaker 4: influential of my generation. This song is called and an
• 59:24
  Speaker 4: ode to the great Asha Bosle. Have a great day, everybody,
• 59:28
  Speaker 4: see you tomorrow.