Latest / Lose the Plot with Carla and Emily / The Housemaid by Freida McFadden - Sydney Sweeney Won't Be Able to Save This Plot!

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The Housemaid by Freida McFadden - Sydney Sweeney Won't Be Able to Save This Plot! · Lose the Plot with Carla and Emily

• 0:00
  Hi friends, you're listening to Lose the Pot with Carla and
• 0:03
  Emily. In this episode we're reading
• 0:05
  The Housemaid by Freda McFadden. We are talking about the entire
• 0:10
  book, so warning there will be spoilers.
• 0:27
  I'm Carla and his dark, moist eyes meet mine.
• 0:32
  I'm Emily and I can't believe I finally got rid of that asshole.
• 0:36
  Before we dive into this wild ride, we've got a quick favor to
• 0:40
  ask. If you've been loving our quaint
• 0:42
  little podcast and want us to talk about more spine tingling
• 0:46
  tales like today's, Hit that five star review on your
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  preferred podcast platform. It only takes a second, but it
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• 0:57
  And if you know anyone who's obsessed with twisty thrillers
• 1:00
  and juicy smuts, send them our way.
• 1:04
  Trigger warnings from booktriggerwarnings.com
• 1:08
  Cheating, death, delusions, depression, emotional abuse,
• 1:12
  drugging, hostages, mental health, hospitalization, murder,
• 1:16
  sexual abuse, physical abuse, sexual assault mentioned suicide
• 1:21
  mentioned, torture and verbal abuse.
• 1:24
  Child. Abuse.
• 1:28
  You just threw that on in the end and it's like.
• 1:30
  I was like, I was like, Oh yeah, don't forget the child abuse.
• 1:34
  Yeah, domestic violence. Where do where do we go?
• 1:40
  You're already death glaring me. I didn't.
• 1:43
  It's like my brain was loading. It's like, where are we?
• 1:46
  Where do we start? Like a hard reset.
• 1:48
  Hard reset. One thing I want to get out of
• 1:51
  the way OK is Millie is the dumbest fucking character.
• 1:55
  Come on, no. Come on, there's so many dumb
• 1:58
  characters to choose from. Oh, they're all dumb, All of
• 2:01
  them, All of them. Also I really hate in books and
• 2:05
  it's pet peeve and I don't know if I spoke about it before it's
• 2:08
  when they go. I sent some things off in the
• 2:11
  room but I don't know what it is.
• 2:13
  Or there's a bit where she's looking at Nina's photos and
• 2:17
  she's like, I can just tell she's not the type of person she
• 2:20
  used to be. I don't know why.
• 2:24
  I love how she had this like whimsical narrative.
• 2:27
  How do you know, bitch? You meant if he also didn't know
• 2:30
  Waters? OK.
• 2:31
  In her watery bowels, she's got the.
• 2:32
  Intuition by Jewel. You know that song?
• 2:37
  She's got the Venus Razor. That used to be the theme song
• 2:40
  for the Venus Razor when we were like, well, when I was a
• 2:43
  teenager. You were not that much older
• 2:45
  than me. I'm.
• 2:47
  Pretending like my two decades of heart is my favorite pastime.
• 2:50
  It's like. Three years or so.
• 2:52
  Four years. Bro it's at least 5.
• 2:58
  I'm pretty sure 4. Ohk OK I'll I'll take it.
• 3:01
  Slay. You look younger than me anyway.
• 3:04
  I'm a haggard bitch. No, I don't.
• 3:06
  Oh. My God, when you said hard
• 3:08
  reset, have you seen all the things that have come out about
• 3:11
  Lindsay Lohans face just having a hard reset?
• 3:13
  She looks as young as she what she.
• 3:14
  Was 18. And what about Christina
• 3:16
  Aguilera have you seen? Her.
• 3:19
  She's drinking the blood of virgins, I swear to God.
• 3:21
  Investigation pending. She's the next Ditty I.
• 3:24
  Want the old looking? Blood virgin drinking.
• 3:28
  Oh, so like Elizabeth Bathory? Who's that?
• 3:31
  Oh, she's this vampire lady from like the not for real.
• 3:35
  Not for real. She was a serial killer.
• 3:36
  She used to bathe in the. Sliding.
• 3:39
  She used to trap young girls and then bathe in their blood.
• 3:43
  OK, that's what Kris Jenner's doing right now.
• 3:47
  She doesn't look young enough. Her surgeon and Lindsay Lohan's
• 3:55
  are not the same. Lindsay Lohan's just drinking
• 4:00
  water. She's hydrated.
• 4:02
  I don't know about that, apparently her plastic surgeon
• 4:05
  has a whole TikTok account where they show everything that they
• 4:08
  do. So anyway, anyway, Millie.
• 4:10
  She's our main female character I love.
• 4:14
  Her accent. In the audio book because it's
• 4:17
  giving Margot Robbie from Wolf of Wall Street.
• 4:19
  Oh, yeah. Yeah, yeah, yeah, yeah.
• 4:20
  Is that? Boston.
• 4:21
  Yeah. Is it?
• 4:22
  Yeah. It's a bit of Boston.
• 4:24
  I love it. Nothing gets you going like a
• 4:28
  good old Boston accent, but it's.
• 4:29
  Gross, but it tickles the gross part of my brain.
• 4:32
  Yes, I fucking. Hate it.
• 4:33
  It's like listening to my own voice on recording.
• 4:35
  You know what? It's better than that one book
• 4:37
  we read where the guy had the really Texas accent.
• 4:40
  Beauty and the ball. Oh.
• 4:41
  How he was like 100. Bring myself every time he said
• 4:45
  like he was 100. But the man he was supposed to
• 4:46
  play was like 28. Yeah.
• 4:48
  Love an accent. OK, so I'm gonna start this with
• 4:54
  an apology. I'm sorry Taylor, but Beyoncé
• 4:57
  he's music video was the best of all time.
• 4:59
  No, OK, I'm sorry. I'm only I picked this because I
• 5:02
  wanted something mainstream and then it turned out to be the
• 5:05
  team move version of Verity. I don't even question your pics
• 5:08
  anymore, I just go for the ride. Same but like how are you
• 5:12
  interesting out Colleen Hoover and Colleen Hoover also I don't.
• 5:17
  Know, let's talk about let's talk about the quote on the fuck
• 5:20
  about it front of the book. Let me find it.
• 5:23
  Sorry. Let's talk about it.
• 5:24
  From behind closed doors. She can see everything.
• 5:27
  Is that what she she sees everything.
• 5:29
  She's up a hallway, there's a door, there's stairs and then
• 5:33
  another door. Even when she did get out and
• 5:36
  see something, she didn't see shit and Nina was like get back
• 5:38
  into your fucking attic. Rat.
• 5:39
  She was like stay in there bitch.
• 5:41
  That is fucking pit of. Outfit false advertising the.
• 5:45
  Picture of her looking through the lock.
• 5:47
  You can't see out. You can't even see out your
• 5:51
  bedroom window. Go.
• 5:53
  It's painted shut. It's.
• 5:54
  Painted shut. Who's who did the artwork?
• 5:58
  Who did the concept? What first?
• 6:03
  Was Verity first? Am I about to give Colleen
• 6:05
  Hoover a compliment or? No, it's not really the same.
• 6:09
  Are you kidding? It was word for word the same.
• 6:12
  I mean but Verity was like in a coma thingy and she was the
• 6:17
  abuser. Jeremy, same guy.
• 6:20
  Yeah, true. Whoever decided, whoever decided
• 6:24
  Andrew was a hot character, he gave me the egg day one.
• 6:28
  Ultimate. Ick, ultimate ick.
• 6:31
  Because you know what? I assumed Nina was very mentally
• 6:35
  ill, not, you know, like crazy. She does it on purpose kind of
• 6:41
  way, like Alzheimer's kind of way.
• 6:43
  And I just was like, why are you being more respectful?
• 6:47
  Why is no one sitting Millie down and going, hey, Nina is on
• 6:51
  psychosis medication. She gets out.
• 6:54
  It's nothing personal. It's also none of your business.
• 6:57
  Because Millie was a pygmy from she's biggest.
• 7:01
  Pygmy. She.
• 7:02
  Was like, oh, I guess this lady is just crazy.
• 7:05
  I'm sexy. I don't understand, the Part 1
• 7:09
  and Part 3 Millie are two very different people.
• 7:13
  If you had Part 3 Millie as Part 1, it'd be worth the read.
• 7:19
  I think that's probably. What happened?
• 7:20
  It's like 2 very different characters.
• 7:22
  I never want to get in that girl's brain again.
• 7:25
  But at the start we have that. Hot Rod Millie, she's living in
• 7:30
  her fucking car. Yes, right, because she's just
• 7:33
  come out of jail. Yes.
• 7:34
  We don't know why they don't tell us.
• 7:37
  So she's looking for a maid or nanny job.
• 7:39
  She's fucking desperate. This is the biggest an
• 7:44
  advertisement for Nissan that I've ever heard in my life.
• 7:49
  The amount of time she mentioned it was a Nissan I was rolling, I
• 7:53
  was like, what is the PR team for Nissan going to do now?
• 7:56
  Shut up. They're quaking.
• 7:59
  I didn't even know if they have APR team on Instagram.
• 8:02
  So like, there's no room in there.
• 8:04
  There's no room. It's shit.
• 8:06
  Yeah. It's a fucking tin gan.
• 8:08
  I don't know if they mentioned the color, but I was picturing
• 8:11
  maroon. Really.
• 8:13
  Yeah, Yeah. I was picturing like a matte
• 8:15
  Gray or that bead up silver or that's brown, green, yeah.
• 8:20
  Yeah, yeah. Irrelevant.
• 8:25
  Irrelevant. To the Nissan anyways, so cool.
• 8:32
  We don't know much about it. That's fine, whatever.
• 8:34
  Yes, imagine getting rejected for essentially job at the
• 8:39
  Krusty Krab. Like what do you even do with
• 8:45
  yourself then? You go back to jail.
• 8:49
  Do not pass go. Do not collect $200.
• 8:52
  She shouldn't. Work with men at this point.
• 8:55
  We didn't know that at the. Time.
• 8:56
  We didn't know that at the time, but she shouldn't have.
• 8:59
  She rocks up for an interview at this rich family house for a
• 9:04
  nanny slash made job. So she meets Nina and Nina is
• 9:08
  the quintessential stick up the arse PTA soccer mom.
• 9:12
  Buddy Oddy. Oddy.
• 9:13
  Not really. I don't know, I feel like she
• 9:17
  could be. She used to be hot slay, But
• 9:20
  she's like, you know, that she's rough right now.
• 9:22
  Yeah. She's gone through something.
• 9:25
  Yes. And she goes, I fucking hope I
• 9:27
  can work here. But anyway, Nina gives her the
• 9:29
  tour. The house is Immaculate, though.
• 9:31
  So she's kind of like, oh, this is going to be a cakewalk.
• 9:33
  I get to live here. She.
• 9:34
  Shows her the crustiest room in the house.
• 9:37
  Yes, it's like a little. Prison cell and she goes better
• 9:42
  than my Nissan. You can't be that.
• 9:46
  I suppose you could be that desperate.
• 9:47
  You can be that desperate. Yeah.
• 9:49
  She's got no job at all, so no income, doesn't seem to have
• 9:53
  family, doesn't seem to have friends.
• 9:56
  No, she's only got her parole officer who was weirdly pushing
• 10:00
  her to date. Go don't be friends with your
• 10:04
  fucking parole clients you weirdo.
• 10:06
  I want to know, she was like, you have your own bathroom.
• 10:09
  Was the bathroom she had an actual bathroom or was it the
• 10:12
  bucket in the closet? Literally I.
• 10:14
  Don't even know. Was that because that's what you
• 10:17
  find out later, But like when she was selling her this room,
• 10:20
  did she actually have her own renovated bathroom out there?
• 10:22
  Or was it? Wasn't it that it was so
• 10:25
  separate that she had to take a staircase up?
• 10:27
  So I assume if you needed a piss in the middle of the night you
• 10:29
  got to come down to a shared bathroom?
• 10:31
  You don't have an en suite? But then wasn't she happy that
• 10:34
  she could actually have a shower and everything?
• 10:36
  So was that I'm assuming the shared bathroom like a guest
• 10:39
  bathroom? Yeah, maybe.
• 10:40
  Because there was a guest room. We find that out later.
• 10:42
  Yeah. So why would you make her sleep
• 10:45
  in the little rat nest when you have a guest room?
• 10:48
  Well, it's on purpose, obviously.
• 10:50
  I know, but if you had that interview, I'd be like.
• 10:53
  Yeah. Bitch what?
• 10:56
  And the salary was good. Yeah, she was like, yeah, that's
• 11:00
  totally fine. I suppose, though, you could
• 11:02
  suck it up for a couple of months and just leave.
• 11:05
  Do they meet the weird daughter when she first starts?
• 11:09
  Yeah. Like why does she look like
• 11:11
  that? Children of the corn, Yeah.
• 11:13
  Why does she look? Like that how white is her hair?
• 11:16
  How did that help? Were we supposed to suspect the
• 11:18
  daughter? Maybe.
• 11:20
  Weirdo, maybe Andrew has such mummy issues that he was turning
• 11:25
  Cecilia into his mum. Kinda.
• 11:28
  I'll. Because he made him her wear
• 11:30
  those dresses. Tell me why when she was having
• 11:33
  that interview with Nina, she was.
• 11:36
  Nina was giving me Abby Lee Miller vibes but like more
• 11:40
  Kareny. Oh no.
• 11:42
  Just like this crazy lady that's just really annoying and
• 11:46
  obnoxious. I think she was just trying to
• 11:48
  sell it as like she was delulu. So she finds out it's a whole
• 11:52
  week, she's just struggling, she's still in her car, finds
• 11:55
  out she doesn't get the Krusty Krab job, she's about to just
• 11:57
  fucking end her life essentially.
• 11:59
  And then she gets the call from Nina being like, can you
• 12:02
  literally start tomorrow basically?
• 12:04
  Because she gets. Back and start tomorrow.
• 12:06
  Yeah, she gets back to the house.
• 12:11
  Someone's been doing 5G parties in there.
• 12:17
  I actually the more I think about Nina as a whole.
• 12:20
  She's. Like the best character in the
• 12:22
  whole book. Exactly.
• 12:25
  She she was like, she is the book.
• 12:27
  She is the moment. She literally was like, how dare
• 12:30
  you leave my house in a mess. You've been here for two
• 12:34
  seconds. Exactly.
• 12:35
  She's like, this is your fault somehow.
• 12:37
  But wasn't she still playing nice?
• 12:38
  A little? Yeah.
• 12:40
  Because she wanted her to sign up for the job?
• 12:41
  Yeah. Did she even sign a contract?
• 12:43
  No, I don't think she could have walked out.
• 12:45
  I don't think it would have been that's.
• 12:46
  What I don't get about these kind of books, they always get
• 12:48
  so obligated bitch walk out. I feel, I think that's why they
• 12:52
  set up the prison part. She would go back to jail.
• 12:55
  Yeah, that was the threat. Yes.
• 12:58
  Wasn't it, she goes. Oh, Nina mustn't have done a
• 13:00
  background check, so I'll just coast this out as long as I can.
• 13:03
  She's like, I'm not gonna get another job.
• 13:05
  Yeah. Tell me why the second I heard
• 13:08
  the name Enzo, I knew exactly what this is gonna be.
• 13:15
  And of course, he's the. Poor Italian men but keep
• 13:18
  getting dragged into these kind of.
• 13:20
  He's he's hot, he's shirtless, he's doing gardening.
• 13:24
  He's tall, he's handsome, he barely speaks English, he's
• 13:26
  every girl's dream. He's got muscles, he's got
• 13:30
  tattoos. He no comprehende.
• 13:33
  No. He's lies.
• 13:35
  Literally that's. Spanish.
• 13:38
  I'm not cheated. Oh my God, my whiteness is
• 13:42
  showing. Because when he was speaking, I
• 13:44
  was like, God that. Hates grassy ass.
• 13:51
  She really tried. She.
• 13:53
  Really. Tried.
• 13:54
  He's just like. He's.
• 13:56
  Probably like blaming for faking it.
• 13:59
  Fucking he's. Smart man, he's he's.
• 14:03
  Smart man, he. Has purse.
• 14:07
  I just knew Enzo was going to be plowing somebody.
• 14:10
  He was plowing no one. Oh, we'll see.
• 14:13
  No, he wasn't even plowing her. We'll see She.
• 14:15
  Was like 1. Person I'm like, it was a one
• 14:20
  time thing. Also, he didn't really fucking
• 14:24
  try. He was like, oh, it's dangerous
• 14:27
  in there, but I'm going to tell you in the most bare minimum
• 14:30
  way. I'm not going to bother telling
• 14:31
  you. I'm just going to shake my head
• 14:33
  at you. Like I know disapprovingly,
• 14:35
  disapprovingly. He's probably thinking you're
• 14:37
  going to, I think the husband's hot.
• 14:38
  Stop it. And lo and behold, the first
• 14:41
  thing anything in Millie's head is the husband's hot and Nina is
• 14:45
  fucking ugly. Trash is the most misogynistic
• 14:52
  piece of pick me shit. Oh shit.
• 14:55
  I never, ever want to be in someone's brain where all they
• 14:58
  do is they're like, they're ugly.
• 15:01
  He's hot. He could be with me.
• 15:03
  He could do better. He could do better and it could
• 15:06
  be me. It's like you've been in prison,
• 15:08
  but also they've been. Together forever.
• 15:11
  You have no idea what they've been through.
• 15:13
  Like she's had a whole last kit. You don't know.
• 15:15
  And at that point, at this point in this book, he's very loving
• 15:19
  and understanding to her crazy behaviour.
• 15:22
  So you don't know if she's slowly losing her mind and this
• 15:26
  is her last year. And if anything, he acts like he
• 15:30
  likes her more than she likes him anyway, even on the outside.
• 15:33
  There's some bits where millies like she could just leave, it's
• 15:36
  not her house and just go on the street.
• 15:38
  You think she's mentally ill, bitch?
• 15:41
  Yeah. Why should she live out on the
• 15:42
  street when you got here yesterday?
• 15:44
  Exactly. Go out on the street.
• 15:46
  Listen, I hate how Enzo just assumes everything because
• 15:51
  realistically it's dangerous for a woman to live in her car.
• 15:55
  Anyway, yes? So Enzo, pick a lane.
• 15:57
  Pick a battle. You don't know how dangerous
• 16:00
  what her current living situation is.
• 16:02
  I feel like the only reason they kept doing that it's dangerous
• 16:07
  but in a non committal he can't speak English way but he can
• 16:11
  speak English. It's just to get away with not
• 16:14
  telling her it's someone else. Yeah, because Nina didn't want
• 16:19
  him to, but he wanted to. Not going to lie, the writing is
• 16:24
  low key trash. I didn't mind it in the audio
• 16:27
  book because it was just whatever.
• 16:29
  Yeah, it was very low commitment.
• 16:30
  I didn't have to think much. Yeah, that's a problem.
• 16:32
  Hey. I was doing cleaning in the
• 16:35
  house. While I was sorry, I went
• 16:37
  through it very quickly because I had it on 2 speed, so it's
• 16:40
  only like 5 hours. So it's just like one kind of
• 16:43
  like movie really. I just feel like it's a very
• 16:45
  lazy written book. No, because you've got the weird
• 16:50
  stuff in the first part. The second part is just copied
• 16:53
  and paste from a different perspective and then it's just
• 16:55
  the third. Yeah, it wasn't great with
• 16:57
  pacing either. I was like, how long has she
• 17:00
  been living there? So let's talk about her looking
• 17:03
  up for that first shift. It's all Hurricane Andrew pops
• 17:06
  in and he's just like who the fuck is this tall drink of milk?
• 17:10
  Yes, that wasn't really his rush.
• 17:13
  She was just like, we can't have people outside the household,
• 17:17
  bro. You've had Enzo circling your
• 17:19
  garden for fucking three whole years.
• 17:22
  Like you don't care about that until later.
• 17:24
  That means being there every day.
• 17:26
  Helicoptering your whole family. It's just Desperate Housewives
• 17:30
  with the young child. Yeah, fucking John, whatever his
• 17:33
  name is. John Rowland, he was giving, but
• 17:36
  I'm like, OK. And then Nina very much steam
• 17:40
  rolls him. She goes, Yep, this is Millie.
• 17:42
  I've hired her to help out because I'm busy, blah blah
• 17:46
  blah. And he just accepts it because
• 17:47
  he's whipped. He's whipped.
• 17:50
  I just want to know where she got all the rubbish from.
• 17:53
  Where did she pull it out of? Don't know.
• 17:55
  OK, at this point of listening to the book, I thought that Nina
• 18:00
  fucking killed the previous maid and that's why it becomes such a
• 18:03
  mess. Yeah, fair.
• 18:04
  I was like, she's locked up in the attique.
• 18:07
  The old one, yeah, that's what I.
• 18:09
  Assumed was going to happen. Maybe I had no assumptions yet I
• 18:16
  just hated everyone. Yeah, who do we even root for at
• 18:20
  that? Point Like it was really, really
• 18:22
  hard to read in Millie's perspective.
• 18:26
  Just the pygmy behaviour over and over.
• 18:28
  You'd finally get out of it and you'd be out of it for like a
• 18:31
  page. And then to be like, what?
• 18:32
  We hate Eater again. I'm like, OK, I get it.
• 18:36
  I know they made a big deal about stupid stuff like the
• 18:39
  glasses. If I were Millie I would have
• 18:41
  just said they're blue light glasses and I forgot I was
• 18:44
  wearing them. Why wouldn't you say you wear
• 18:46
  contacts when you don't? Oh God.
• 18:48
  You're just as crazy. Also like why aren't they acting
• 18:52
  like glasses? Ugly.
• 18:53
  I don't wear this shit every day.
• 18:56
  More them to look more professional.
• 18:57
  But then Nina was kind of like, you lied to me.
• 19:01
  She was wearing them to look more ugly for her husband.
• 19:06
  Yeah, like less threatening. Yeah, more responsible.
• 19:09
  How hot do you think you are? Well, she's just gone.
• 19:12
  Cast by Sidney Sweeney, so. Down a peg.
• 19:18
  Sydney Sweeney is body audio. I was not picturing Sydney
• 19:21
  Sweeney. She'll have to do the accent,
• 19:23
  but I could see it because she's got the big dough pick me eyes.
• 19:26
  That could work out well for this.
• 19:28
  Oh yeah. Yeah.
• 19:29
  True, True. True.
• 19:30
  Oh, so she has a proper look at the attic room now that she's
• 19:33
  properly moving in? Yeah, tell me why you see that
• 19:37
  There's a tiny mini fridge with exactly 3 miniature waters, and
• 19:43
  there's potentially scratches on the inside of the door and the
• 19:46
  door locks from the outside. It's because she could sense it,
• 19:49
  but she didn't know what it was in.
• 19:50
  Her watery bells. In her.
• 19:52
  Watery Bells. I feel like Millie shits.
• 19:55
  She doesn't have IBS. She's a pick me.
• 19:57
  Those shits are coming out solid.
• 20:01
  What's happening? She knows about anything, just
• 20:06
  watch me. Stare at you blankly and you
• 20:08
  just kept going. I thought you'd pick it.
• 20:09
  Up a bit. No, I'm an IBS queen.
• 20:15
  She's not worried about anything.
• 20:16
  It's what I'm saying like she does not really have that.
• 20:18
  She's. Got the perfect amount of fibre
• 20:21
  and she's got. Audacity is what she's got,
• 20:23
  yeah. And when you have audacity,
• 20:25
  you've got that fampoo. Remember all them times I'm
• 20:32
  like, I just wanna be a pygmy on a boat at 50.
• 20:37
  I don't wanna do it anymore. I don't wanna do it anymore.
• 20:39
  No, I this sounds like I can't get there.
• 20:42
  No, you'll. Never get there.
• 20:43
  Am IA pygmy. Sometimes, maybe, but I will
• 20:46
  never be this pygmy. No, this is a lifestyle choice
• 20:50
  It. Is a choice.
• 20:51
  Duality at this, but imagine she's.
• 20:56
  She's bisexual. A fucking It's a jail cell.
• 21:00
  Let's be real. It's a rat's nest.
• 21:02
  Imagine looking at that and still going.
• 21:04
  Yeah, it beats mine isn't. I'm confused about how big how
• 21:08
  small this room is because like how small.
• 21:12
  Let's be real. There's enough, always.
• 21:19
  Real. How's there enough room for a
• 21:23
  bed, but there's not enough room for other things, but there's
• 21:26
  enough room for a TV? Possibly, but there's not room
• 21:29
  for anything. Else but also they can lay on
• 21:31
  the floor but also tell me why they called it a cot all the
• 21:34
  time. That's nothing made me more
• 21:37
  it's. An American thing isn't it?
• 21:39
  Like a fold out bed. I thought a cot's a symbol.
• 21:43
  Yeah. What do you mean fold out?
• 21:48
  No, it's, you know, it's a single bed, but they're on like
• 21:51
  them, metal frames and metal frames open, kind of like the
• 21:55
  laundry. Tom No.
• 21:57
  You like the laundry? I thought a cot is like a fixed
• 22:01
  single bed. It was small, but her legs were
• 22:03
  stretched. She was.
• 22:06
  Like no, like splayed out. There was no years, there was no
• 22:10
  room for the bed, but there was room for activities and just go.
• 22:14
  Back to your life of crime. I was just.
• 22:16
  In prison cell, was it bigger than this room?
• 22:18
  Because like, no. Way.
• 22:20
  They could pace in there. This is why I'm confused.
• 22:24
  That's true. It was somehow.
• 22:26
  Like half the size of this. Room it was somehow small but a
• 22:29
  fucking whole lounge room. Maybe they fold off the bed
• 22:31
  every. Time.
• 22:31
  They're pacing. Yeah, true.
• 22:34
  They're just like, it's actually an air bed and they're like,
• 22:36
  just let me put it down for a second.
• 22:38
  I'm picking up my house and it's early days in the job, and
• 22:41
  Nina's just already out the gate.
• 22:42
  Crack her bananas. Yeah, like she cleaned up that
• 22:45
  big shitstorm. Yeah.
• 22:46
  And then she goes, You threw out my PTA notes.
• 22:49
  I'd be like, bitch, don't leave an only kitchen counter.
• 22:52
  It's waste. Yeah.
• 22:55
  Anyone would throw that out. Don't you have an office?
• 22:58
  Yeah, I'm hoping to fight immediately.
• 23:05
  She's just sweeping. It into the bag at this point.
• 23:09
  Way too much attitude to be made I.
• 23:12
  Just I'm confused, she was like there was a pizza box and
• 23:14
  something sticky in it. What was Nina doing?
• 23:20
  She got that stuffed cross, baby.
• 23:22
  But when you think about the end, right?
• 23:24
  I know we're not talking about the end, but when you think
• 23:26
  about the end, how did she do it?
• 23:29
  How did she trash the house without getting in trouble?
• 23:32
  Because she would have had to trash the house before he got up
• 23:36
  and went downstairs and would have had Millie have to come in
• 23:39
  before. So that girl would have had,
• 23:41
  let's say, an hour to do that kind of mess.
• 23:44
  Where is she getting it all from?
• 23:47
  She turned it into her own personal rage room.
• 23:49
  True. She's like your titties point
• 23:51
  up. I'm just gonna get her Just.
• 23:54
  The jealousy? Well, I suppose when she did
• 23:56
  lose her note she was just throwing shit out of the
• 23:59
  cupboards left, right and centre, yeah.
• 24:01
  And then it was probably funny being and be like.
• 24:05
  He's. Like you clean I guess.
• 24:07
  I hope you clean. But he didn't.
• 24:09
  He never did. Oh.
• 24:11
  This is him offering to be nice and then walking out the road
• 24:14
  so. Bossy man, he sure never pulled
• 24:18
  up his wife for being batshit crazy.
• 24:20
  I. Know at this point.
• 24:21
  Why was he just cool with everything it was giving beta
• 24:24
  male but then. You're awesome.
• 24:27
  Exactly. Because also he was crying in a
• 24:29
  couple of chapters later and I'm like, it doesn't make any sense
• 24:32
  A. True narcissist isn't actually
• 24:34
  crying properly, do you know what I mean?
• 24:35
  It's like, who's the narcissist here?
• 24:38
  Yes. But Millie puts up with all this
• 24:41
  back and forth shit. This.
• 24:42
  Petty and the. Psychological damage because she
• 24:45
  goes, at least I'll get a good recommendation.
• 24:48
  At least she doesn't know about my fucking prison history blah
• 24:50
  blah. At least I'm getting paid good.
• 24:52
  Yeah, I want to know who microwaves.
• 24:57
  Sorry. I'm so impressed about this.
• 25:00
  I had a minute and I was like, they were frozen.
• 25:02
  He's like 90 seconds are the perfect amount.
• 25:06
  I guess you can. For 90 seconds from frozen.
• 25:11
  We should have known then that he was not riding.
• 25:13
  Broad Nuggets. Because she's crazy, remember?
• 25:16
  Yeah. The kid is like Samara, whatever
• 25:18
  name is from the ring. I don't understand the kids
• 25:21
  behaviour either. Can't.
• 25:24
  Talk about the peanut butter debacle that took me out.
• 25:29
  I was like, why are we spending a whole fucking chapter on this
• 25:32
  fucking peanut butter? It makes sense in the end, but
• 25:36
  like, you've got it. All the little things make sense
• 25:39
  in the end. Why was CC in on it?
• 25:42
  She wasn't in on it. She.
• 25:43
  Was no, she was the one who said I'm definitely allergic mummy
• 25:47
  she tried to kill. Mad she is deathly allergic.
• 25:51
  Oh. So Andrew's just the yes.
• 25:53
  OK, so sorry, excuse me, the bigger stair of peanut butter in
• 26:02
  the cupboard is a threat to CC. That's why when she's like, I'm
• 26:06
  deathly allergic and she's like, she's like Nina told me she was
• 26:10
  allergic and Andy was like, no she's not.
• 26:12
  It's because he's fucking an asshole.
• 26:15
  Because he's fucking an asshole. Because he is a fucking asshole.
• 26:22
  He's an asshole. OK, because that bit confused
• 26:26
  me. I was like.
• 26:28
  No, because you know how Nina was like, don't throw it out.
• 26:32
  I'm assuming she would have got in trouble for throwing it out.
• 26:35
  There actually is a bit later on in there where she tries to
• 26:38
  throw out the peanut butter and he doesn't let it.
• 26:41
  Gotcha. Not that it matters because
• 26:42
  they're giving fucking raw chicken to their to their child.
• 26:47
  So do you think he was making CC out to be super pedantic when
• 26:52
  she probably didn't care if the head or the foot fell off the
• 26:54
  Dino nuggie? Maybe.
• 26:57
  Yeah, like. He's just pretending like she's
• 26:59
  this. Brat Cecilia was being a brat.
• 27:02
  And then there's a bit in the end Nina goes she just doesn't
• 27:05
  trust adults so she lashes out. But I'm wondering if he was like
• 27:11
  playing it up a bit because I don't think he liked her either.
• 27:15
  No, there was all this like, that's my daughter, but I don't
• 27:20
  think he liked. No, I think he was part of the
• 27:22
  control. As in, you'll never leave me
• 27:25
  because I lowered myself to date a single mom in the first place.
• 27:28
  Yeah, and I've got all the control of your daughter.
• 27:31
  Yeah, yeah. There's a bit where Nina gives
• 27:36
  Millie an entire big bag of designer clothes and fucking
• 27:41
  Millie ate it. Oh she was like, yeah, this big
• 27:44
  ass hag hoe is way too huge. To fit into these clothes every
• 27:49
  second. They were her clothes give her a
• 27:52
  bit of respect. Give her she's had a child.
• 27:55
  She won't know it into them hoe. What about what's going to
• 27:58
  happen to you, Millie? Babe, you don't know.
• 28:00
  If that was a pre child and she was like it literally.
• 28:02
  Was like it was pre child. Yeah.
• 28:05
  It was all her designer clothes when she was a size what, 4/6?
• 28:10
  US but there's another bit where she's like I can see the outline
• 28:13
  of his muscles and he she was like he can do a lot better than
• 28:16
  Nina get. Bent.
• 28:21
  I'm like, girl, he's at this point.
• 28:23
  At this point, we know nothing, right?
• 28:25
  And I'm like, shut up, Millie. Nina's riding that man's Dick
• 28:29
  every night. I'm.
• 28:31
  Like at this point when we're like, there's no wrong, we have
• 28:35
  no idea. I'm like, you're a dumb girl
• 28:38
  because she's about to go upstairs and fuck Herman.
• 28:40
  You don't know, she's probably got the bit like the gorilla.
• 28:45
  Grippiest pussy in the world. Also, you know how like the
• 28:50
  hottest, dreamiest man love a chunky girl?
• 28:53
  Exactly. They are obsessed.
• 28:54
  Obsessed. And sometimes they get a hot
• 28:57
  girlfriend and they feed them. They're like, yeah, they're into
• 29:01
  it. Yeah, you don't know.
• 29:03
  You don't know, but she just assumes.
• 29:05
  He could be all up in that. She could love herself.
• 29:09
  Oh. Fuck, what a concept.
• 29:12
  Millie couldn't understand a woman in her late 30s, early 40s
• 29:16
  who actually likes. Herself Oh my God.
• 29:19
  And also why are we acting like size 14 is huge?
• 29:23
  I think size 14 US. Get.
• 29:26
  Over it bigger. I don't.
• 29:28
  Yeah, it probably is. But also get over it just
• 29:32
  because your scrawny little ass has been locked in jail on.
• 29:36
  Eating nothing You're. Eating fucking cardboard.
• 29:39
  Getting over it. Exactly.
• 29:41
  And just because you've been living in your Nissan without
• 29:44
  money for food, it's going to retire skinny.
• 29:48
  You're such a judgy bitch. She's happy, you know, at this
• 29:52
  point, yeah, she's happy in her house.
• 29:54
  She's got a rich, hot husband. She's living her fucking dream.
• 29:58
  Leave her be. And why do you think you're
• 30:01
  entitled to any part of her life?
• 30:03
  Get your own personality, get your own man, get your own life.
• 30:07
  Just flop. Anyway.
• 30:09
  She eats up the clothes donation.
• 30:11
  Yes, she does. Sorry.
• 30:12
  Oh. I don't like how everything's
• 30:13
  white though. Nina's favorite color is white
• 30:15
  and everything's white. Whatever, I'll just keep them.
• 30:19
  Also, how could you have so much white clothing?
• 30:21
  Slack, where are you saying? Where do you find it?
• 30:26
  What do you mean? Where do you find white
• 30:28
  clothing? Like stores like is she?
• 30:30
  Wearing white pants. Probably one day Millie's like
• 30:34
  cleaning the sink or some shit, and then she decides to Snoop in
• 30:38
  the medication cabinet, being very worried that Mina's going
• 30:42
  to pop up because she's very much a helicopter boss.
• 30:46
  Yes, she's like always sniffing around.
• 30:48
  Who cares the amount of times you would have already gone
• 30:51
  through the medicine cabinet? You could just pretend you're
• 30:53
  wiping the fucking inside of the cupboard.
• 30:55
  You're. The maid.
• 30:56
  I'm sure you've seen everything. I'm sure you've seen it all
• 31:00
  also. Why are we being churchy on her
• 31:04
  medication She. Loves it.
• 31:06
  She eats it up. She goes antipsychotics.
• 31:09
  She's like, oh, she's out of her mind.
• 31:12
  I can get her husband. She's like, she's fat and
• 31:17
  mentally ill. She's like my Bony ass, you
• 31:22
  tell. OK, How are they casting Sydney
• 31:25
  Sweeney when you know this bitch's Bony?
• 31:27
  Sydney Sweeney has Bony like shoulders and that.
• 31:30
  She's got, she's sure she's got titties, yeah.
• 31:32
  That's all that I need, OK? That's what they talk about when
• 31:36
  they talk about curves. Yeah, yeah.
• 31:38
  True, True. True.
• 31:38
  Only in the titty area and booties exclusively.
• 31:43
  Not only going through the metal before we go back to the
• 31:45
  medicine cabinet. She's so offended that Nina is
• 31:50
  older than him. How old?
• 31:52
  She's probably like a year older than this man.
• 31:55
  It can't be more than 5 because I feel like they would have
• 31:57
  really hammered it in if it was like more than five years.
• 32:01
  He's like, you don't think about age when you're in love with
• 32:04
  someone. I'm like fuck me but she was in
• 32:07
  college when she got pregnant or something.
• 32:09
  It was like a one nine step. So she could have been like only
• 32:12
  22. So how old is this man?
• 32:15
  Yeah, I know. I'm going to sponsor.
• 32:16
  Like Fresh 18 when they met. It doesn't really line up
• 32:22
  doesn't know because why would OK you know when they Fast
• 32:25
  forward about where Andrew and Nina met Why would a fresh 18
• 32:29
  year old coming to you in a company even though he's your
• 32:31
  boss's boss's boss's boss? How is an 18 year old your
• 32:34
  boss's boss's boss's boss? I'm.
• 32:35
  Like it doesn't make any sense. It doesn't.
• 32:37
  Didn't she have to drop out of college?
• 32:39
  Maybe the child was already a certain age. 5 she was only 5
• 32:43
  months yeah when they met that's.
• 32:45
  Yeah, see, that doesn't matter. Yeah.
• 32:47
  Why would an 18 year old be like your boss's boss's boss's boss
• 32:50
  problems? Are hot out.
• 32:52
  Either that or I made it up in my mind, no.
• 32:54
  She's definitely older because that was another thing.
• 32:56
  It's like, I wonder if this author does this in other books
• 32:59
  where there's this internalized misogyny.
• 33:02
  Yeah, I wonder if it's. If you write internalized
• 33:05
  misogyny. Are you an?
• 33:08
  Internalized misogynist Or are you?
• 33:11
  You just can't think of another way to pit women against each
• 33:14
  other. Yeah, do you know the characters
• 33:16
  that pick me? You know how some books you read
• 33:19
  at and they've, like, pitted the women against each other?
• 33:22
  Yeah. And it's always misogynistic.
• 33:25
  Yeah. Yeah.
• 33:25
  But it's unintentional misogynistic.
• 33:28
  So you don't know if the author just internally hates women
• 33:31
  also? Well also if you think about
• 33:34
  bigger picture how this ends, it all ends up being another crazy
• 33:38
  woman anyway. Yeah.
• 33:40
  So I think it's this trope of women are all fucking crazy
• 33:43
  manipulative bitch. No, but that's what I mean.
• 33:45
  Is the author maybe a little bit misogynistic?
• 33:48
  Probably. I would love love, love to read
• 33:50
  a book where they do have that kind of thing with the women,
• 33:53
  but no misogyny in there. Yeah, there's an actual.
• 33:56
  Proper reason there's a valid. Fighting over a stupid man.
• 33:59
  She could literally be like, my boss is a bitch, I fucking hate
• 34:01
  her and I'd be like absolutely that makes sense.
• 34:04
  But literally every 5 seconds it's she's fat, she's ugly, she
• 34:08
  Andrew. Does better.
• 34:09
  Yeah, deserves me. Yeah, it's really bad.
• 34:13
  And instead what she does is go I'm just going to have hands off
• 34:16
  Andrew and go for Enzo instead. Bitch, get a life, join a class.
• 34:21
  Fucking go up to meet. People around your age like
• 34:25
  fucking cafe everyone you. Why are you shitting all over
• 34:28
  the way you eat? Girl, go to a bar.
• 34:30
  Literally. Yeah, she even admits that this
• 34:32
  job is going to help her get forward in life.
• 34:35
  Yeah, so why are you fucking it up?
• 34:38
  Buy a. Vibrator.
• 34:39
  Honestly, watch Enzo in the backyard if you must.
• 34:42
  She needs to get some girl. She needs to, yeah.
• 34:45
  I'm like, you lasted 10 years in prison.
• 34:47
  You can last another you girl. Exactly.
• 34:50
  There's a bit where it's night time.
• 34:53
  Millie was chilling watching the TV because she hasn't had enough
• 34:55
  money to buy her own yet. Yes.
• 34:57
  And then Andrew comes down, of course.
• 35:01
  He has grey sweatpants, of course, essentially.
• 35:03
  And she's wearing her little bummy pants.
• 35:06
  Yes, hello. But it's late at night and she's
• 35:09
  watching, of all things, Family Feud.
• 35:11
  Yeah, boring. And they have this.
• 35:12
  Cute little moment on the couch where they're just like sitting
• 35:15
  next to each other. And guessing for it.
• 35:18
  And then he's like, oh, I bet you couldn't fit a whole plum in
• 35:21
  your mouth. Shut up.
• 35:23
  We're 2 seconds away from him sticking her his thumb in there.
• 35:28
  And of course, right on cue, Nina comes down.
• 35:31
  She knows she's. Got her back up and she's like,
• 35:33
  what the? Fuck is this Nina's actually
• 35:34
  coming down to trash the house again before?
• 35:36
  Everyone like she's like, oh, this wasn't part of my plan, but
• 35:39
  she's in her big Nana muumu, of course.
• 35:41
  Yeah, silky nice. She's.
• 35:43
  Comfortable she's slipping in them she's.
• 35:47
  Millie's looking her up and down going that's what you went a
• 35:50
  bit. She's like, I just smashed
• 35:53
  Android for 10 hours straight. She's.
• 35:57
  Like what? I went for some coconut water to
• 36:00
  rehydrate. She's like, what I walk to bed
• 36:02
  is sitting right next to you. Oh my God she's like this is
• 36:10
  just what I change into after bitch.
• 36:11
  She's like I need to slip and slide.
• 36:14
  She's like, actually, could you take this full set of leather
• 36:17
  laundry? Cleanest toy Mommy needs a
• 36:21
  little clean It's like latex the pipe that she's got a new spray
• 36:27
  and wipe. Ohh actually be a doll and would
• 36:29
  you do it yourself? She's.
• 36:31
  Like you just scrape the crust off and then grease it up when
• 36:35
  you're done. Coconut oil, please.
• 36:39
  So they're like kicking on the couch.
• 36:42
  Nina's like, what's all this? She's like, how dare you use my
• 36:46
  family space after I've been banging my husband?
• 36:49
  And she's like, get back up to the rat.
• 36:52
  It's where you belong. And I never want to see you down
• 36:54
  here again. She's a human being.
• 36:56
  Go hire a quasi Moto if that's what you wanted.
• 36:59
  You can't tell me Andrew wouldn't eventually smash Quasi
• 37:02
  Moto. That would be his perfect, his
• 37:08
  perfect tie by Reagan. What do you mean?
• 37:13
  Fixable A fixable victor. Fixer Upper, Yeah.
• 37:17
  Oh no book was mullable. No, let's take Kozie Murder out
• 37:20
  of this. He doesn't deserve the hate we
• 37:23
  love anyway. Why the fuck were we up to?
• 37:26
  Her on the couch. I don't even know what happened
• 37:28
  after that. She's just like, I never want to
• 37:30
  see you. Never.
• 37:32
  Ever. She practically fired her, but
• 37:34
  she practically threatened. Fire.
• 37:35
  Her. Just take the hen girl and
• 37:37
  leave. Just actually fire.
• 37:39
  Her, I think not long after this.
• 37:41
  I love how conflicting it is when Millie's listening to Nina
• 37:44
  Rand and Nina's just like I do everything in this house and
• 37:48
  Millie's like, what? You go golfing or something, She
• 37:51
  doesn't even know where she goes.
• 37:54
  At this point, Millie's like, because I think this was after
• 37:58
  the whole pregnancy thing. She was like, you're always at
• 38:01
  work to Andrew and Millie's like, he does everything for
• 38:05
  your daughter. And I'm like, just go sucky
• 38:07
  stick. Like hurry, hurry up and just do
• 38:09
  it. Easier for everyone if you just
• 38:11
  did it. Just give it a go, girl.
• 38:13
  So let's talk about the pregnancy thing, because Nina,
• 38:16
  she was in a good mood actually, and she was like to Millie, Oh
• 38:19
  my God, we're going to try. And then of course Millie was
• 38:22
  like because she was starting to realize that she had the feels
• 38:25
  and she couldn't just pretend and fuck Enzo because Andrew
• 38:28
  rejected her ass. Yes.
• 38:29
  And she was like, oh but my pick me worm was ready.
• 38:34
  She, oh, she was, she's like, I could have his child in a
• 38:38
  minute. They hadn't even banged.
• 38:40
  And then why would you go Millie, please.
• 38:44
  Anyway, so Nina's like, Oh yeah, cool, we're going to go to a
• 38:47
  fertility clinic, blah, blah, blah.
• 38:48
  We've got all the money in the world, it's going to happen,
• 38:50
  blah, blah, blah. I was thinking at this point,
• 38:53
  because obviously we didn't have the other side of it.
• 38:55
  Andrew, what are you doing, my guy?
• 38:57
  Why would you want to bring another child into this
• 38:59
  insanity? Yeah.
• 39:02
  Makes sense later but at the time I was like she hates you
• 39:05
  bro she hates you. She's literally abusing you.
• 39:10
  Andrew look like the beast. She she's.
• 39:13
  Shit. Literally Alzheimer's at this
• 39:16
  point. Yeah, because that's what I
• 39:17
  thought she had. I saw what she had for early
• 39:19
  onset Alzheimer's. I'm like, you're not having kids
• 39:22
  for someone who's literally having mental breakdowns.
• 39:26
  But again, Millie even admits that she hasn't dated since her
• 39:29
  whole prison stint and stuff. Anyway, live a little, get
• 39:33
  Tinder look. At What's out?
• 39:35
  There first. It's clearly the early 2000s.
• 39:38
  Why are you balls to the wall for a man that's your boss but
• 39:42
  at this point doesn't really think he likes you that much?
• 39:45
  Also, I feel like I'm around. No, I'm not around men all the
• 39:47
  time. I'm never around men.
• 39:49
  Yeah, but I, I never think that way.
• 39:50
  I could give a shit less about what if I was to work and have a
• 39:54
  hot boss, I'd just be like, wow, he's a hot boss and I wouldn't
• 39:57
  be like, I'm going to fuck him every day.
• 40:00
  It wouldn't be a thought on my mind.
• 40:01
  She has no. Control the hormones are
• 40:03
  hormoning. Got the pill?
• 40:05
  I don't know. Just dull your whole hormones
• 40:09
  you'll you'll have no sex life in no time.
• 40:12
  After they go to the fertility clinic.
• 40:15
  This is a bit later, obviously it goes.
• 40:19
  Badly, yes. And then the second they come
• 40:21
  home, Millie says something dumb like, oh, is there anything I
• 40:24
  can like, help you with or something?
• 40:25
  Right when Nina's kicking off. Wouldn't you know by now to just
• 40:29
  fuck off to the attic anytime Nina's kicking off?
• 40:31
  Not only that, and doesn't she ask are yous OK or something?
• 40:34
  And Nina's like, it's none of your business.
• 40:37
  Oh, read the room. They're both fucking crying.
• 40:40
  Nina's kicking off, but you know what she really was doing?
• 40:43
  She's like, can I help you, Andrew?
• 40:45
  I can. With my room.
• 40:46
  I'll give you. A baby just leave just walk out
• 40:50
  of the room and probably wouldn't have even noticed.
• 40:53
  It's none of your business. She's such a little rat.
• 40:57
  That's good. No little bits of information.
• 41:00
  She is so. How does she expect to work with
• 41:03
  all the families down the track if she can't even have?
• 41:05
  Boundaries with the 1st. Family that she works with.
• 41:07
  Really don't know how it happens.
• 41:10
  Do I want to give this girl the benefit of doubt because she
• 41:12
  missed them years of socialization?
• 41:16
  Maybe. But also grow the fuck up and
• 41:19
  stop trying to fuck everyone's husband.
• 41:21
  Literally that night they are fighting more, and this is the
• 41:24
  night that Millie gets up kind of in the middle of the night,
• 41:27
  comes down from the little rat's nest, and then she's like, is
• 41:31
  Andrew OK, essentially? And it's like a bitch.
• 41:35
  They obviously got into some kind of fight and she heard a
• 41:37
  thud and she goes, Oh no, she's killed Andrew.
• 41:40
  Who cares? I'll be like as long as the
• 41:42
  fucking money is going into my campaign.
• 41:44
  Help you dig a hole. Literally.
• 41:46
  Literally. So she goes downstairs.
• 41:48
  Nina opens the door. Nina's hand is covered in blood.
• 41:52
  Why do you think he's the victim and not her?
• 41:56
  We've never seen this man outside of his own little
• 41:59
  bubble. And then it went all conspiracy
• 42:01
  theory because a bathroom noise went and then Nina goes.
• 42:04
  See, Andrew's clearly like having a shower.
• 42:06
  And blah blah blah signs of life.
• 42:08
  And then Millie's pretty much like maybe she has something set
• 42:11
  up in there to go off on a timer so that to pretend like, huh, at
• 42:16
  this. Point I'm still like, she's got
• 42:18
  Alzheimer's, she's hurt herself, why would you not call the
• 42:22
  fucking ambulance call? The ambulance.
• 42:25
  The ambulance. Someone needs to be called, but
• 42:29
  she's too scared to actually call the cops because she thinks
• 42:31
  that they're just going to arrest her for some reason.
• 42:34
  If you're not doing anything illegal except for husbands
• 42:36
  dealing, what? What are you?
• 42:39
  What are you afraid of? She's not doing anything illegal
• 42:42
  right now, is she? So what is she so afraid of?
• 42:45
  I don't know if she thinks Nina's this crazy psycho who's
• 42:49
  killed her husband right now. Why wouldn't you?
• 42:52
  I know there was a weird thing about her smartphone, but surely
• 42:55
  she has reception. She's already downstairs.
• 42:57
  Yeah, call the cops and let them.
• 42:59
  Figure it out if you're that worried about his, like,
• 43:01
  well-being. I think around this time is when
• 43:05
  he asks Millie to book the tickets.
• 43:07
  To make up for the really sad. Yeah, to make up for.
• 43:11
  The fertility clinic. Read the Room.
• 43:13
  He cares about his wife, he wants to take her to a fucking
• 43:16
  show. And then of course ninas like no
• 43:19
  no, you got the date wrong. Yeah, when the tickets were all
• 43:22
  said and done a week later, yeah, she's like, no, I meant
• 43:26
  next Sunday, not this Sunday, you stupid bitch.
• 43:30
  She's like, it's coming out of your pay.
• 43:33
  And she's like, Oh my God, A5 star hotel room, you know, trip
• 43:36
  into the city, Broadway, play front row.
• 43:41
  I also want to know why this man was a bosses bosses bosses and
• 43:45
  he doesn't have a competent assistant that would probably do
• 43:48
  a job. For him, yes, exactly.
• 43:52
  Why is your Random House made in charge of your credit cards?
• 43:56
  Yeah. I guess that's another
• 43:57
  manipulation thing, because if you want someone to think that
• 43:59
  they like you, you get them to do things for you.
• 44:02
  Yeah. True.
• 44:02
  So maybe that was part of his plan.
• 44:05
  Yeah, true. And maybe he knew that Nina's so
• 44:07
  unreliable and kuku Nana that she would fall through and that
• 44:10
  he would be able to go with her. Yeah.
• 44:11
  Do you know what I mean? Yeah.
• 44:13
  Because how convenient that the second Nina has to go drop CC at
• 44:16
  summer camp or whatever it was. Yeah, he offers to take Millie
• 44:21
  the second Millie goes. I have no friends, he knows.
• 44:24
  That he knows. You're telling me?
• 44:28
  Yeah, that. This.
• 44:28
  Grown man didn't already know that that was a golden
• 44:33
  opportunity for him. It was set up so perfectly at
• 44:36
  this point we already had him checking out Millie winking at a
• 44:41
  oh. And I think right before that
• 44:44
  too to really cement in the Nina is insane bit was that thing
• 44:48
  where Nina wanted her to pick up Cece from school but said
• 44:52
  they're wrong with school. So she rocks up finally within
• 44:54
  like 15 minutes and then all the PTA mums are there and they were
• 44:58
  just dropping law. Yes.
• 45:01
  Randomly, but in a petty bitchy way.
• 45:02
  And they were essentially like, Nina is Casey Anthony.
• 45:06
  Yeah. And then one of them dead asses
• 45:08
  that Nina tried to kill Cece. God for Andrew.
• 45:12
  He saved the family. He knew something was wrong in
• 45:14
  his waters and he called for the police when he was at work.
• 45:17
  Convenient. Conveniently.
• 45:19
  Distance away. Would you believe these PTA
• 45:24
  moms? No, they're.
• 45:26
  Not in that household, you are. Also, I've got like a brain,
• 45:30
  have a thought, like literally have a thought but.
• 45:33
  Also bring it up to Nina. If she.
• 45:35
  Say hey, these moms said something pretty scary.
• 45:38
  But no, instead Millie sits there every two seconds and
• 45:41
  she's like, I would be the better option.
• 45:44
  I would be the better wife because I didn't try kill my
• 45:47
  baby. She doesn't even like CC.
• 45:49
  Yeah, read the fucking room. Because she didn't go to jail.
• 45:54
  She went to a mental ward. Yeah.
• 45:56
  And I'm like, there's a bit where she's like, she probably
• 45:58
  had postpartum depression, but she still tried to kill her, and
• 46:01
  she's been a judgy bitch about it.
• 46:03
  I'm like, you've seen the medication in her thing.
• 46:05
  Yes, she's obviously allowed to be around her daughter.
• 46:08
  And she would have been. Alone with that kid, I'm like
• 46:11
  postpartum depression, psychosis, that's a thing.
• 46:15
  And I'm like, fucking. Bro if Andrew was at work he
• 46:19
  could have been on this big work a whole extent and then not
• 46:22
  paying attention to her. Yeah.
• 46:24
  State at the time. Like stop trying to ride his
• 46:27
  Dick so hard. I'm like no she literally is
• 46:29
  just putting her down in her head.
• 46:31
  Obviously she's not doing it out loud, but you've put this
• 46:33
  picture in your head because you want to fucking suck his Dick so
• 46:37
  much. But we didn't get a proper
• 46:38
  description. No.
• 46:39
  Just kind of like, come on. Dark eyes, dark hair, tan, sexy
• 46:44
  muscle. Well then it's just Enzo anyway,
• 46:47
  so like, who cares? There's so many men, but it's
• 46:51
  raining men. Who cares?
• 46:53
  It's gonna have to be him. I just want to understand the
• 46:56
  logic. She's like, oh I can't fuck
• 46:58
  Andrew. So I'm going to go outside and
• 47:00
  try for. Enzo of all the people.
• 47:01
  And then Enzo's like no, no, no. And he's got a tattoo saying
• 47:04
  Antonia. I'd be like, that's his soul
• 47:06
  mate who's probably died. That's his wife.
• 47:09
  Yeah, no. Exactly.
• 47:10
  And she's living in Italy still and she's, she's trying to do a
• 47:13
  visa or. Just he's working hard.
• 47:16
  Yeah, he would be eye candy only for me he can.
• 47:19
  Appreciate without being feral. Let's be real, he.
• 47:21
  Doesn't even speak English properly.
• 47:22
  Why would you treat him like a complete piece of meat?
• 47:25
  And she tries to put his hand on her and stuff and like, bitch.
• 47:28
  So you have a fucking iPhone, Google Translate that shit, have
• 47:32
  a console. It's for free.
• 47:34
  Bitch it's for free. I was like why are you
• 47:36
  struggling? You looked up the word just type
• 47:39
  in words for him and translate it back and it was.
• 47:41
  Giving non consent. Yeah, it was icky, but also she
• 47:45
  was like, oh, he said no, better go straight back to the husband.
• 47:49
  Take a walk outside, girl. Touch some grass.
• 47:52
  Walk down the fucking rich St. you'll find another husband.
• 47:56
  Literally it could be anyone else's husband.
• 47:58
  Even if you want to be 27, go. Find a cousin, a dad like
• 48:03
  another dad. Anybody.
• 48:04
  That's what I mean. Get Tinder, you're in a rich
• 48:06
  neighborhood. Idiot, idiot.
• 48:08
  It's just. Out of all the people, like
• 48:11
  there's 7 billion people in the world.
• 48:12
  Like out of all all the people, the.
• 48:14
  Worst thing is I feel like when we're in her head it's trying to
• 48:18
  justify it to me but it's just making more annoyed.
• 48:21
  And also, that's the bare minimum.
• 48:24
  There was not even gender. There was not even him.
• 48:27
  They couldn't even have a conversation because Nina was
• 48:29
  around all the time. So essentially.
• 48:31
  What I think it What if he was like Nina?
• 48:35
  Yeah, it was about Nina. It wasn't even about Andrew
• 48:38
  being hot. It was about she just had to
• 48:40
  stick it to Nina. Your revenge for treating her
• 48:44
  like trash, which she did. Yes.
• 48:46
  That's what it was about. It wasn't about this amazing
• 48:48
  connection she had with Andrew. There wasn't one.
• 48:51
  There was nothing. She just wanted to win.
• 48:54
  She got Fenny flutters over the weirdest shit.
• 48:57
  Like he was like, I'll go pick up the orders.
• 49:00
  OK, so go watch the show. Obviously, yes.
• 49:03
  She's wearing a tight white dress that Nina used to own.
• 49:06
  It keeps sliding up. He keeps looking at the thigh
• 49:08
  gap. I just want to know how Miss
• 49:11
  Skinny Mini Mini who has no leg, she's how is like lining up
• 49:16
  supermodel. The dress was knee length and
• 49:19
  now it's fucking up a hooch. Yeah, how?
• 49:22
  How if your skinny leg did not go on nowhere?
• 49:24
  It's not doing shit. It's not moving.
• 49:27
  Also, if you got thigh on you, that shit ain't moving either.
• 49:31
  It's not going to go up. Depends on the cut of the dress
• 49:33
  because if you got them thickened thighs it can like
• 49:35
  edge up. Yes.
• 49:37
  But I feel like I see that. I feel like it would edge up.
• 49:40
  But I she was acting like her whole coochie was, Yeah.
• 49:43
  Literally. He's acting like he'd never seen
• 49:45
  a thigh before. He was like, oh, at this point
• 49:49
  this man was wanking in the car, just driving to the show.
• 49:52
  It was. Probably because it was his
• 49:53
  favorite. Color white just.
• 49:55
  Like his mummy likes. His mummy issues.
• 49:58
  Do you reckon she was wearing the white diamonds, which is the
• 50:00
  quintessential mummy fragrance? Maybe.
• 50:04
  She's like this white time and system.
• 50:06
  Like and he would. Find him wild.
• 50:08
  The worst thing is if she met the mum she would probably be
• 50:11
  like oh actually he just has mummy issues and then every
• 50:13
  issue would be solved. Yep.
• 50:16
  I just don't get like, OK, you've come out of prison, you
• 50:18
  probably have a bit of a sexual bucket list.
• 50:20
  You could date any man and this is the route you decide to go.
• 50:25
  He's looking at her legs, right? We're back to this.
• 50:29
  She's like, looking isn't a crime.
• 50:32
  And then they go watch the show together.
• 50:35
  They have the best time. And then they walk past the
• 50:38
  reflection of each other. And she's like, if I'm honest,
• 50:40
  we look better as a couple than he does with Nina.
• 50:43
  No one's noticing that he has a wedding ring and I don't.
• 50:47
  Because no one wants you, bitch. I'm like, no one's clapping for
• 50:51
  you. If anything, they're disgusted.
• 50:53
  They're gonna look at you and go, oh, that's typical.
• 50:55
  If I went out and seen someone and the man was wearing a
• 50:59
  wedding ring and she was not, and I was like, oh, I knew they
• 51:02
  had a wife. I wouldn't be like, oh, they
• 51:04
  look Better Together. I'd be like, you fucking piece
• 51:06
  of shit. I'd be like sticking your lane,
• 51:10
  bitch. Find someone else.
• 51:11
  There's that many people on this planet.
• 51:14
  But she's sitting there like a naughty school girl, going like.
• 51:18
  She's like, I'm just going to weasel my way in.
• 51:20
  And he just suggests a casual French restaurant.
• 51:23
  Bitch, come on now, you may as well propose to the girl.
• 51:26
  And then he's like, don't worry, I'll pay for it.
• 51:29
  And then gets he's like, what, you didn't want to go, maybe
• 51:33
  don't drink 2 bottles of wine. We've got to fucking drive back
• 51:35
  to the house. He was getting wasted.
• 51:39
  He. Was a little manipulator because
• 51:41
  you can't tell me he did not do that on purpose, of course.
• 51:45
  But also, he was in the throes of his trauma because his wife
• 51:49
  can't have a baby. We're supposed to feel bad for
• 51:52
  him. Not him.
• 51:53
  Like having this fucking rant about how they didn't have sex.
• 51:58
  And it's only been like 5 minutes.
• 52:00
  It's been 5 minutes, OK? He's like, we haven't had sex
• 52:03
  since like. A month the.
• 52:04
  Rage I felt am I supposed to feel sorry for this fucking man
• 52:10
  because he hasn't had sex in 2 minutes Why if books do they
• 52:14
  always do that we haven't had sex am I supposed to cry for him
• 52:17
  because I. It's the internalized misogyny
• 52:19
  of You must service your. Man, because even Millie was
• 52:22
  like oh I feel so bad get. Over it.
• 52:25
  I think you fuck this man had no sex in like 10 years.
• 52:28
  I know it. Hasn't.
• 52:30
  Put that on her. No it doesn't fucking matter.
• 52:32
  It's not a big deal. So they shouldn't have sex.
• 52:36
  She just found out she can't have fucking children here.
• 52:39
  Give her a minute. She might be depressed for a
• 52:41
  little bit. I'm just ohh.
• 52:43
  Probably not feeling sexy. He was like, it's been exactly 2
• 52:46
  minutes, it's time to dump. If I sit down, no cause
• 52:50
  literally if I sat down at a table with man he's like
• 52:52
  actually my Dicks cut off. I'd be like, I don't give a fuck
• 52:55
  about your Dick. I don't keep a.
• 52:57
  Kindle. Smooth Mound.
• 52:59
  Baby, you're not going to harass me of anything.
• 53:02
  You chemically crastrated. Say less, say less.
• 53:06
  I'm like, good for you, not for you being able to harass a
• 53:09
  woman. It's very asexual adjacent,
• 53:13
  isn't it? Yes.
• 53:14
  You're like. Don't.
• 53:15
  Care. Not only that at the table she
• 53:17
  said something like, shouldn't she have like a bachelor pad
• 53:20
  because you're rich and you're young?
• 53:21
  And he was like, no, I was never interested in that.
• 53:24
  I was just ready to get married. How?
• 53:27
  Are you? Single and ready to get married?
• 53:31
  That makes no fucking sense. I think he was trying to say I'm
• 53:35
  a family man, I'm a husband material.
• 53:37
  I'm not going to lower my standards to be some kind of
• 53:40
  whore about town. But he also said I was engaged
• 53:44
  to someone else. Yeah.
• 53:45
  So you heard in five seconds I'm not getting sex from my wife.
• 53:49
  I was ready to get married and I was engaged to someone else.
• 53:52
  And you're like, NUM, NUM, NUM. This is the man for me.
• 53:55
  This is like red flag. I feel like, what is going on?
• 53:58
  Hmm. And not only that, he's chasing
• 54:00
  you. I'm like, you 3 for three,
• 54:02
  bitch. Yeah.
• 54:03
  But she's looking at it like, ohh, this is a man who knows
• 54:05
  what he wants, and now it looks like he wants me.
• 54:08
  She wants to be picked because she was kind of having these
• 54:11
  weird fantasies about it being her house.
• 54:13
  Mm hmm. Let alone what happens next.
• 54:17
  So anyway, they have sex. It was apparently amazing.
• 54:20
  They wake up in the morning. He pretty much says to her this
• 54:23
  can't happen again. You know what that is?
• 54:25
  But you know what? She has the thought.
• 54:27
  She has a little thought in there she goes, we are both
• 54:30
  drunk. His wife's out of town and she
• 54:32
  says in the car we shouldn't share a room together.
• 54:35
  He's like, no, we shouldn't. Yeah, before I grow.
• 54:38
  Up just fucking and then they end up pretty much fucking in
• 54:43
  the elevator on the way up. But why is it the second that
• 54:46
  they get home she goes I forgot the bins she's going to go
• 54:50
  fucking rank about The Who cares about the bins and then Andrew
• 54:54
  comes out and then fires Enzo then.
• 54:56
  Yes. What?
• 54:57
  No, he tries to give him No, this is before because he tries
• 55:01
  to pay Enzo and he's. Right rid of the trash.
• 55:03
  Yeah. And then so it's like, no, I
• 55:05
  don't want to do it. And then he's like, I think he
• 55:07
  was just giving him waiting for more money.
• 55:10
  And I was like, no, that man didn't want to leave you fucking
• 55:12
  alone in the house with a woman. He's psycho.
• 55:16
  Tell me why he was never suspicious about Enzo until this
• 55:19
  point though. As soon as he sucks her then
• 55:22
  he's suddenly like oh oh watch out for Enzo bro he's been
• 55:26
  hovering around your petunias for 800 years.
• 55:31
  I was. Just asserting he was fucking my
• 55:33
  wife already. Ding Ding Ding.
• 55:37
  Not that it matters, because he's got his eyeballs set on
• 55:40
  Millie's thighs. It just pisses me off more
• 55:43
  because then she justifies sleeping with her boss and I'm
• 55:46
  like, so you thought it was like you went into this house?
• 55:50
  At this time, we assume Nina is not doing OK mentally.
• 55:54
  There's something off about it. And you're like, you know what?
• 55:57
  She's a little bit delulu, so let's just fuck her husband.
• 55:59
  It's OK. He deserves me.
• 56:01
  Yeah, because she was looking for someone who's maimed and
• 56:04
  wounded to pick off from the. Pack.
• 56:07
  And Nina was her prime target. She's like, this is how I make
• 56:10
  it come up. She just didn't admit it to
• 56:12
  herself. But.
• 56:13
  Even after this it gets worse. Like get home.
• 56:16
  And in Millie's head, not that she would say this out loud,
• 56:20
  hope fucking not, she goes. He'll decide he loves me and he
• 56:23
  wants me to live with him in his gorgeous gated home and then I
• 56:27
  can give him the baby he wants so badly.
• 56:29
  Which Nina will never be able to do.
• 56:31
  She's embarrassing. And that's after you have.
• 56:34
  Had sex. Once you had sex months, you've
• 56:37
  had two conversations with this man.
• 56:39
  You know what the best part was? After they slept together and
• 56:42
  everything, Nina comes back from dropping off CC at school, camp
• 56:46
  or whatever and she randomly drops the law that Millie is a
• 56:50
  cream and Andrew shook us. He's like.
• 56:55
  Yes, and it was perfect. I was like, this is the moment I
• 57:00
  was like, I'm obsessed with Nina.
• 57:03
  Slain. Yeah, We're like on Nina's side
• 57:05
  at this point. Yeah, because it was.
• 57:06
  Hilarious. I'm.
• 57:07
  Like it's just funny. He was so like, that is
• 57:11
  disgusting. But I wanted to see more of a
• 57:14
  reaction from him with nothing questioned with Millie.
• 57:17
  But he's like that pussy young though.
• 57:20
  Like that's all that mattered anyway.
• 57:21
  He didn't even bring it up. No, because realistically it
• 57:24
  works in his favour. But he didn't bring it up.
• 57:28
  He didn't. If he cares.
• 57:29
  About it that much and he was all clutching his curls about.
• 57:31
  It I think he was probably annoyed and then he was like,
• 57:34
  oh, opportunity. You know, so she was in a prison
• 57:39
  for how long? You know, she's getting tag
• 57:41
  teamed by 12 other chicks and he's just, his mind is now like,
• 57:48
  she's not this pristine young mystery woman anymore.
• 57:52
  She's not this Sydney Sweeney. No.
• 57:54
  She was getting dicked down but but.
• 57:58
  Realistically, it probably made her perfect in his mind.
• 58:02
  Think about it. OK, she went to prison for 10.
• 58:05
  Say he looks into it, he's a little pissed because he didn't
• 58:08
  know and there's a criminal on his ass.
• 58:10
  So he looks into it and he's like, she's been in there since
• 58:13
  she's was 17. There's a good chance she's
• 58:17
  never had sex. She's this fresh New Girl that's
• 58:21
  coming out of jail for 10 years. Essentially easy to manipulate.
• 58:26
  Easy to manipulate. He's got something to hold
• 58:28
  against her. She's a fresh new baby.
• 58:30
  Fresh new boy, Yeah. Do you think that's why I didn't
• 58:33
  bring it up? I reckon he had a moment to calm
• 58:36
  down and then? I reckon he was probably pissed
• 58:39
  that Nina was treating her that way more so than because even
• 58:44
  when Nina brings it up again and she's like, she's stolen all my
• 58:47
  clothes, he's like, don't dare call the police on her.
• 58:50
  You're being ridiculous, right? Yeah.
• 58:52
  He's like, don't take my fresh new meat away from me.
• 58:56
  You know what's hilarious though?
• 58:57
  That was the straw that broke the camel's back.
• 59:00
  The fight about the fucking clothes.
• 59:02
  And then Andrew's. Just like I don't love you
• 59:05
  anymore, bitch. Yeah.
• 59:09
  And then, not only that, he tells Nina to leave.
• 59:12
  This is her home. She lives.
• 59:14
  Here with her child, right? She leaves.
• 59:16
  They sleep in the guest room together that night and seal the
• 59:20
  deal. Because they she feels guilty
• 59:22
  about sleeping in the same bed Nina's been in.
• 59:25
  But not only that, she's not. Guilty enough to not steal her
• 59:27
  husband though. But not only that, the second
• 59:30
  that she's like downstairs with Nina.
• 59:33
  Would you like help pack in? I would have fucking Roundhouse
• 59:37
  kicked my head at that point because bitch whoops.
• 59:42
  Do you think you're? Fucking.
• 59:44
  Weird, if you see me throwing plates for notes, you would have
• 59:47
  seen me throwing plates at her head for that.
• 59:49
  But she barely reacted. She was just like, let me get
• 59:53
  out of there. Which obviously that's really
• 59:54
  like, something's not right here.
• 59:55
  Yeah. But like, as Millie, wouldn't
• 59:57
  you be like, huh. She cared more about the PTA
• 1:00:01
  notes being thrown out Yeah, than having to leave.
• 1:00:04
  Power The time I accidentally left a cup on the coffee bench.
• 1:00:08
  Because she's too dumb. Our girl's too dumb for that.
• 1:00:10
  Oh. No, she's a dumb bitch.
• 1:00:12
  Why did you? Sleep in the guest room with
• 1:00:13
  this man, not only. That he immediately goes, I wish
• 1:00:18
  I met you back then. And then she, she was a fetus
• 1:00:22
  when she was a child. And he goes when, but she even
• 1:00:25
  she goes. He could have walked into the
• 1:00:27
  bar when I was waiting tables. Our eyes would have met.
• 1:00:30
  And when he asked me for my number, I would have given it to
• 1:00:32
  him. But that's not the situation.
• 1:00:35
  We know all you've done is let's a situation.
• 1:00:38
  Let's. Be for fucking real if that man,
• 1:00:40
  if that man were walked in a bar and you were there, you would
• 1:00:42
  not have been pissed. You wouldn't have thought it was
• 1:00:44
  interesting though. My self esteem is so fucked that
• 1:00:47
  she needs to won over another woman to get with him.
• 1:00:50
  So if he walked in and approached her nicely, she it's
• 1:00:53
  not twisted and fucked up enough for her.
• 1:00:55
  I just don't understand how you watch him immediately kick out
• 1:00:59
  his wife and then you're fucking upstairs.
• 1:01:01
  Take a couple of months to date, have a conversation.
• 1:01:05
  Why are you moving in? She's.
• 1:01:07
  Single white female Kamena. Immediately she was like, I'm
• 1:01:10
  Nina now. She literally rolled in the
• 1:01:13
  decision making, the decision making.
• 1:01:15
  Insane. Literally, it only ever gets
• 1:01:19
  worse. It goes Andrew owns the house.
• 1:01:22
  It's not really her home, and if they weren't married, she
• 1:01:24
  couldn't live here. If he decided to choose me over
• 1:01:27
  her, this would be my house. Why would it be your house?
• 1:01:31
  Exactly, he did an ironclad prenup with her.
• 1:01:34
  Why do you think he's just going to let you waltz in?
• 1:01:37
  And also. How do you go from
• 1:01:39
  embarrassingly living in a fucking addict?
• 1:01:42
  Yeah, and just, you know, bringing your stuff downstairs
• 1:01:45
  could not be me. He.
• 1:01:46
  Probably barely has anything up there, but what happens when
• 1:01:48
  they hire and Sydney Sweeney 2.0 to replace her in the attic next
• 1:01:54
  time? Because you know, that's where
• 1:01:56
  this would go. This mankind, he the next day,
• 1:01:59
  he's like, you didn't have to do anything.
• 1:02:01
  You don't have to do the laundry.
• 1:02:02
  You don't have to. So who's going to do it, babe?
• 1:02:05
  It's going to be guess. What it's going to be some 16
• 1:02:07
  year old? Yeah, it's going.
• 1:02:10
  To be 1 of CC's friends from school that's suddenly moving
• 1:02:13
  in? To be a living fucking maid.
• 1:02:17
  It was the next day that Andrew Fizon's like, yes.
• 1:02:20
  Because now there's too many people around the house.
• 1:02:23
  It's the paparazzi. It's the TMZ.
• 1:02:25
  He's worried this is when he's got to start the process again.
• 1:02:28
  And so he didn't give a fuck. He's like, all right, bye.
• 1:02:30
  See you. It's like I've been.
• 1:02:32
  He's got a job. He's literally supposed to work
• 1:02:35
  around the whole neighborhood. They're obsessed with him.
• 1:02:37
  Yep. He doesn't care, he doesn't
• 1:02:39
  shit. Imagine, though, it's like the
• 1:02:42
  next night, I'm pretty sure, and then he comes up to talk to her
• 1:02:47
  in the attic and then she was like moving stuff around and
• 1:02:50
  blah blah because she had already moved some stuff down to
• 1:02:52
  the bedroom and what the fuck? Yeah.
• 1:02:54
  And then? They have a conversation but not
• 1:02:56
  really about that relationship and then they fuck on the cot.
• 1:03:00
  It's disgusting. She's like, I'm just moving my
• 1:03:02
  stuff downstairs without. Asking him but also that room is
• 1:03:06
  giving dusty and haunted. I don't think I could do it.
• 1:03:09
  Is there even a fan out there? I don't think there's I was
• 1:03:12
  working. For a rich ass family and there
• 1:03:13
  was an icon in there, you best believe I would be asking for it
• 1:03:16
  every day. This is where we flip to Part 2.
• 1:03:20
  Yeah, so now we're going from Nina's perspective.
• 1:03:24
  It does a time jump back, Yes, from when they first started
• 1:03:27
  dating, Blah blah, boring. Everything was all Gucci.
• 1:03:30
  At the start and literally it was a non event.
• 1:03:32
  And there was plot holes. That was the thing about him
• 1:03:34
  being younger, but then being her boss's boss's boss's boss.
• 1:03:37
  And then they had that weird work dynamic and he asked her
• 1:03:40
  out on date and she was like Oh my God, how could he even like
• 1:03:44
  me? I've got a 5 month.
• 1:03:45
  OLD They were only dating for three months.
• 1:03:46
  She was moved in, they were getting married.
• 1:03:48
  She was like, Oh my God, at my saviour.
• 1:03:50
  Yes. So she moves in, realizes
• 1:03:53
  there's this creepy room in the. House.
• 1:03:56
  He actually shows her the room, he's walking her upstairs.
• 1:04:00
  He wants files. Why he couldn't get them
• 1:04:02
  himself, who fucking knows? And then one day she realizes
• 1:04:06
  that he's like, walked off and the door's fucking shut.
• 1:04:09
  Yes. And she?
• 1:04:10
  Realizes. Actually.
• 1:04:11
  Locked in there. All because she didn't have her
• 1:04:14
  roots done. It's like a little bit of a
• 1:04:16
  heads up would have been fine. Andrew, my guy.
• 1:04:19
  The funny thing is she calls him Andy.
• 1:04:21
  So she calls him Andy and Millie called him Andrew like he's a
• 1:04:24
  full grown man. Yes, but she was always like
• 1:04:26
  Andy I. Don't I see this is when I'm
• 1:04:29
  like, Nina is amazing. Nina is my favorite character
• 1:04:32
  because has she always been calling him Andy?
• 1:04:35
  Because she's clearly doing everything to piss him off
• 1:04:38
  because he can't do anything to her.
• 1:04:40
  He can't lock her in the attic. There's someone in there now.
• 1:04:42
  Throughout the whole book, she's dropping eggs on herself.
• 1:04:46
  There's a point where she's eating dinner and she's got
• 1:04:48
  makeup smeared down her face and you just know she was probably
• 1:04:52
  in her room giggling, smearing the makeup, and she's like, he's
• 1:04:55
  going to be fucking ticking at the table and he can't do shit.
• 1:04:58
  Because he's really particular about appearance.
• 1:05:02
  Yes, and she already knows that. So later on, when she is trying
• 1:05:05
  to repel him and Millie's moved in, she tries to make herself
• 1:05:08
  look frumpy, ugly, eating everything.
• 1:05:10
  Yes, she knows that gradually he's just magically going to be
• 1:05:13
  turned off. Well, not only turned off, he
• 1:05:15
  can't punish her. There's no way to punish her.
• 1:05:18
  There's someone in their house now.
• 1:05:19
  Taking up the punish management room, yeah.
• 1:05:21
  So essentially every single time she's doing these things, it's a
• 1:05:25
  big fuck you to him because he can't do anything.
• 1:05:27
  He just has to. Deal with.
• 1:05:29
  It deal with it. That's when it seems like he
• 1:05:31
  becomes whipped. Going back to the her not
• 1:05:33
  getting her roots done though. Imagine just being locked in the
• 1:05:36
  room and then he has this weird demeanor, like, and was it
• 1:05:40
  giving you sore? It's time to play a game.
• 1:05:42
  Yeah. Like he was giving soul for no
• 1:05:44
  reason. I'm like, just tell me what it
• 1:05:45
  is. But also it was piss poor
• 1:05:48
  tortured methods that he was using.
• 1:05:50
  Piss poor. Yeah, I know, but you can't
• 1:05:53
  fall, like, cut off her fingernails, RIP out her
• 1:05:55
  fingers. People wouldn't know.
• 1:05:56
  True, but it was in that way. You can't tell me he's this like
• 1:06:00
  oh genius and he's asking you to pull out some fucking hair.
• 1:06:06
  That amount of hair comes out of my head when I brush my hair
• 1:06:08
  once. Yeah, but you need the roots
• 1:06:09
  attached. Oh, I'll.
• 1:06:11
  Give him roots. His like torture thing was just
• 1:06:15
  weird. Thing it was childish, Yeah, he
• 1:06:18
  was giving me the heck. Torture me?
• 1:06:20
  Probably Freak. No, I think the point was you
• 1:06:23
  torture yourself. So embarrassing.
• 1:06:27
  Because he couldn't. I don't think he could leave
• 1:06:28
  anything sharp in there because she would probably just kill
• 1:06:31
  herself. So essentially he's got to do
• 1:06:33
  annoying little things. Yeah, but putting the book, I
• 1:06:36
  was like, this is what I'm supposed to be scared of.
• 1:06:39
  Yeah, but you would be. In that.
• 1:06:41
  Yeah, he does break her down. He keeps her in there until
• 1:06:44
  she's weak. Obviously she's had no food.
• 1:06:46
  Obviously she's mentally fucked up.
• 1:06:47
  Yeah, but she does get to come out.
• 1:06:51
  And then obviously it's that age-old questioning of why
• 1:06:54
  doesn't she leave the household that they know that they're
• 1:06:57
  going to put the audience through.
• 1:06:58
  Yes, because it's frustrating, but also you get it because she
• 1:07:02
  has her kid. He has custody.
• 1:07:04
  He has money. And because of what happened
• 1:07:07
  prior when everyone thought that Nina like overdosed for Fonzies
• 1:07:13
  and was drowning. Cece, well, immediately she came
• 1:07:16
  out of that room, was drugged, and then he put her in the bath.
• 1:07:19
  I want to know how he did that. The timing of that would have to
• 1:07:22
  be PERT. Yeah, and then he was magically.
• 1:07:24
  At work, I don't think the timing of that was perfect.
• 1:07:26
  I think she may have just got lucky that she woke up when she
• 1:07:30
  did. I think his intention was to
• 1:07:32
  drown CC regardless. And then it's Nina's fault.
• 1:07:35
  Yes, but then she'd be out of the house and in jail though.
• 1:07:38
  She was on like psychosis or something.
• 1:07:41
  On medication already. Yeah, well, didn't that happen
• 1:07:43
  after? Because that's how she got
• 1:07:44
  hospitalized. She got hospitalized because she
• 1:07:46
  was on drugs and the baby was on drugs.
• 1:07:48
  So if she had died, they would have been like, Oh, well, she
• 1:07:52
  wasn't, you know, diagnosed yet. Yes.
• 1:07:55
  So she would have gone to jail. So I feel like he planned it to
• 1:07:58
  be like this big threat, but he didn't want her to fully die
• 1:08:02
  just in like a big fuck you, like just a big I'm in control.
• 1:08:05
  So essentially she can't leave him.
• 1:08:08
  She kind of gave up her whole life to live and be with him.
• 1:08:11
  So she's got no backup plan. She's told she starts talking to
• 1:08:15
  insert. And not only that, I think
• 1:08:17
  because she went into the mental institute, she was there for
• 1:08:19
  eight months and the only reason she could be around her daughter
• 1:08:23
  was if it was supervised by Andrew or his mum.
• 1:08:27
  So he had it very well planned out.
• 1:08:30
  So now we are introduced a bit to Andy's weird obsession with
• 1:08:33
  his own mum. I knew that piece of shit had
• 1:08:36
  mummy issues as soon as they kept saying older woman.
• 1:08:39
  He's copied and pasted his mum to Nina, but he also did it to
• 1:08:44
  Cecilia, so does that mean that he was hoping that when Nina was
• 1:08:48
  old enough he'd just get rid of Nina and get her daughter?
• 1:08:52
  As in romantically get with her daughter.
• 1:08:53
  Yes. I'd hope not 'cause I thought
• 1:08:57
  she was just part of the control bubble.
• 1:08:59
  I don't know if she was a part of the control bubble just for
• 1:09:02
  that though. I think that's just his blanket
• 1:09:05
  requirements for all women. OK Females, yes, OK.
• 1:09:08
  She did go to school and stuff. So yeah, if he was grooming her
• 1:09:11
  to be a romantic thing, wouldn't he not let her go to school and.
• 1:09:14
  Go. That's true.
• 1:09:15
  And meet boys her own age. Yeah, that's true, but she was
• 1:09:18
  only 8, so you have plenty of time too.
• 1:09:20
  Yeah. But guys who are like that would
• 1:09:23
  already be cutting them off from boys their own age.
• 1:09:26
  Yeah, true. And she'd be like homeschooled
• 1:09:28
  or some weird shit. She just don't know.
• 1:09:30
  But you know what I feel like sloppy storytelling is that
• 1:09:35
  there's got to be a crazy lady that out crazies.
• 1:09:38
  The lady who you thought was crazy in the 1st place.
• 1:09:40
  Yeah, it's like, come. On well, the whole second part
• 1:09:43
  is just say you write the notes for your books.
• 1:09:46
  It's like she just took the notes and was like, oh, Nina did
• 1:09:50
  this because of this. It was just like a little bam,
• 1:09:53
  minimum explanation for each thing.
• 1:09:55
  Yeah. Yeah.
• 1:09:56
  There's not really much in Part 2 that isn't just her getting
• 1:10:00
  abused, her working out a way to get out of it.
• 1:10:03
  And repeating every interaction she had with Millie.
• 1:10:07
  Yeah. She doesn't even feel bad for
• 1:10:08
  Millie, though. And so he's trying to make her
• 1:10:10
  feel bad on a on a moral, ethical level.
• 1:10:12
  Likely. I know you want to escape, but
• 1:10:15
  at some point you can't let someone else get trapped in
• 1:10:19
  that. And then she goes, it's fine
• 1:10:21
  because Millie doesn't have kids.
• 1:10:23
  What if she gets killed? Yeah.
• 1:10:25
  How are you OK with that? She has a record.
• 1:10:28
  She'll go straight back to jail. So she's gonna just end up in
• 1:10:31
  the same cycle as you trying. She doesn't care because she's
• 1:10:35
  classist. Yeah.
• 1:10:37
  And she doesn't. She already thinks Millie is
• 1:10:39
  damaged. But I feel like also at the same
• 1:10:41
  time, if you've been going through that same abuse for
• 1:10:44
  eight years, you will do anything to get.
• 1:10:46
  Out of it, but also you know how bad it is, so why would you put
• 1:10:48
  anyone, even your worst enemy, in that exact scenario, no.
• 1:10:52
  No, no if. She stuck to goal code and just
• 1:10:54
  explained, and they played it up for him in front of them.
• 1:10:57
  They could have figured something out.
• 1:10:59
  Yeah, that's what she should have done.
• 1:11:00
  Being like, this girl's dangerous.
• 1:11:02
  She's fucking killed somebody in the past.
• 1:11:04
  Yeah, there's a bit where Enzo's like you need to tell her and
• 1:11:07
  she's like, I will send her a letter when I'm gone.
• 1:11:10
  She has a couple of months, so I feel like maybe she was just
• 1:11:13
  assuming that girl would have a little bit more time.
• 1:11:16
  He went straight into it, yeah. She thought he'd be in the
• 1:11:19
  honeymoon stage. He set that up though because he
• 1:11:21
  was like, do whatever you want, don't clean up, don't do shit.
• 1:11:24
  But however, you took three of my books out, so now you must
• 1:11:28
  lay here for hours with books on your stomach.
• 1:11:31
  The best part of that was, I think because he had hold off
• 1:11:33
  from torturing Nina. Yes, he had this whole build up.
• 1:11:36
  So the second he had a different female in the house, he was like
• 1:11:39
  Oh my God. He's like, it's my time to show,
• 1:11:41
  but. He wasn't groomed enough, idiot.
• 1:11:43
  No. Also, that girl's got rage, no?
• 1:11:47
  Feminine rage. She has so much rage in her,
• 1:11:51
  she's been picked on for fucking months by your wife.
• 1:11:56
  She's been holding it in and you decided to pick her as your next
• 1:12:00
  victim. And now you just revealed
• 1:12:02
  yourself as a Class A dickhead. But you knew she went into
• 1:12:05
  prison. Did he not look into it?
• 1:12:07
  No. Because females.
• 1:12:09
  They didn't do anything. Weak.
• 1:12:10
  She. Didn't do anything.
• 1:12:12
  He really thought, I just don't like how Nina's like I'm too.
• 1:12:16
  I'm too soft to be able to do anything.
• 1:12:18
  Shut up, do it for your daughter you stupid bitch.
• 1:12:22
  Don't drag some fucking yeah. Why do you have to drag someone
• 1:12:24
  in who you think is a crim? Hire a hitman then.
• 1:12:28
  She couldn't because they. Put out some money.
• 1:12:29
  No, because he told her that if he died for whatever known
• 1:12:32
  reason, there would be a letter and she'd go to jail.
• 1:12:35
  Yeah, but go get a private investigator or find the letter.
• 1:12:38
  Dumb fuck. Yeah, you know what I mean?
• 1:12:40
  Like just so be a funny idiot. She's trying to do the shortcut
• 1:12:43
  way. It's support.
• 1:12:45
  And also this shortcut involves banging Enzo so everyone's happy
• 1:12:50
  Millie's there Books on her fucking stomach.
• 1:12:53
  She pushes it off her music. Andy, don't you want a baby,
• 1:12:56
  babe? Why are you making her have a
• 1:12:58
  million books on her womb which you haven't yet harvested, you
• 1:13:02
  stupid Dick? It's because he doesn't give a
• 1:13:05
  fuck. Just an idiot.
• 1:13:06
  He's not thinking of the long game.
• 1:13:08
  No idiot. I'm surprised he hasn't
• 1:13:10
  committed full blown murder. Yeah.
• 1:13:13
  And then she's kind of like I did the three hours, but it was
• 1:13:16
  a few seconds, not enough or whatever.
• 1:13:18
  Yeah. And he makes her do it again.
• 1:13:20
  Yeah, so she does it for a ten extra minutes.
• 1:13:22
  The way that no one would be able to keep me in that room
• 1:13:25
  because I'm too fucking annoying, I would get out of
• 1:13:27
  that. Room.
• 1:13:28
  That fast I would not be playing the game.
• 1:13:30
  No, the problem is the room is soundproof.
• 1:13:33
  That was the point, yeah. The room is the camera in the
• 1:13:35
  HD, I'd just be on there twerking and being as obnoxious
• 1:13:39
  as fuck, but he's sitting there like she's enjoying her time.
• 1:13:43
  No, but that's the whole point. Like I don't think it matters.
• 1:13:46
  You would probably get to a point where you'd be like, I
• 1:13:48
  actually want to get out now. And you'd have to do it.
• 1:13:50
  I'm being broken. Down.
• 1:13:51
  Eventually I'd be pissing all over the place.
• 1:13:54
  I've got no vladder control. I would.
• 1:13:55
  Have no one to talk to though so I'd be like talking to myself
• 1:13:59
  within 5 minutes and then he'd be like I can't listen to this
• 1:14:02
  shit anymore. He'd let me out.
• 1:14:04
  I'd be like he. But the whole point is to make
• 1:14:07
  you go crazy, so. I definitely would go crazy in
• 1:14:11
  the room on my own for sure. You're pissing all over the
• 1:14:14
  walls. Like if we were in attic rooms
• 1:14:16
  next to each other. I'm just mentally going insane
• 1:14:19
  within 5 minutes. You're physically going insane,
• 1:14:22
  just running out of piss. You put on three water holster,
• 1:14:25
  replenish your piss, What are you gonna do?
• 1:14:27
  Die. I die peacefully.
• 1:14:30
  I. Wouldn't even, I don't think I
• 1:14:31
  would notice. I dissociate and enter another
• 1:14:34
  world in my head and I'll be like, oh, he.
• 1:14:36
  Was just staring at the. Wall, he's like what is she
• 1:14:38
  doing? It's like 4 days later and I'm
• 1:14:39
  off in my own little fairy land for hours.
• 1:14:43
  I feel like you probably won't need that many calories to keep
• 1:14:46
  going. No going I like, no, I need to
• 1:14:48
  eat, OK. So you'd be actually worse than
• 1:14:51
  me. I would be worse than you.
• 1:14:52
  I get really dizzy if I don't eat every couple hours.
• 1:14:55
  You'd be. Fainting like the old Victorian
• 1:14:57
  ladies in the 1900s. I've done a couple of times
• 1:15:00
  that's. What I mean, you'd be fainting
• 1:15:01
  and then I'd be going like an edge.
• 1:15:03
  There's a Bunny in there. Yeah, water wouldn't be enough.
• 1:15:06
  I feel like I actually need food.
• 1:15:07
  Yeah, I have an iced coffee. It calms me down.
• 1:15:13
  I see. He gives you an iced coffee by
• 1:15:17
  mistake and then you're just diarrhea, no?
• 1:15:19
  Not like that, they make me dizzy.
• 1:15:21
  OK, dead. So I'd probably have.
• 1:15:24
  Stress though, so you'd have. IBS no I feel like I would have
• 1:15:28
  anxiety and I wouldn't shit because.
• 1:15:30
  Oh, true, because. There's a camera.
• 1:15:32
  Just shut down. I would just be constipated do.
• 1:15:35
  You piss in the cupboard. What's in the cupboard?
• 1:15:37
  The piss bucket. Is that it?
• 1:15:39
  That's it. That's why I was confused.
• 1:15:43
  That's why I was confused about the bathroom because I was like,
• 1:15:45
  is there actually a bathroom or was she when she was giving this
• 1:15:47
  tour? She's like, your bathroom is
• 1:15:49
  actually in the cupboard. You know what?
• 1:15:51
  It's not even as nice as the third class chamber pots from
• 1:15:54
  the Titanic because it was a plastic bucket bucket.
• 1:15:58
  I'm not kissing in that. Give me possum.
• 1:16:01
  Or nothing in the bad girls and drink her in piss because I was
• 1:16:07
  just die. What does it mean?
• 1:16:10
  Like filtered? Irrelevant.
• 1:16:13
  Back to. Manila Relevance.
• 1:16:15
  Millie This is when Nina's Nina's given her a key.
• 1:16:19
  Nina's hidden the pepper spray. Hidden the pepper spray.
• 1:16:23
  Where do you put pepper spray? It was in the piss bucket.
• 1:16:26
  Andrew what? He never checked.
• 1:16:28
  You're due diligence. He never checked.
• 1:16:30
  He's the dumbest. Fuck actually had a man look in
• 1:16:32
  the torture room. Well, he closed it.
• 1:16:35
  You know what he told her about the piss bucket is his own
• 1:16:38
  fault. Nina was like, she's not gonna
• 1:16:41
  look in the bucket. She found it in the piss bucket.
• 1:16:43
  You would. Eventually, look at every part
• 1:16:45
  of the room. I don't know if I seen a random.
• 1:16:47
  Like just no credit. For real.
• 1:16:49
  For real. No, she steals his phone, but
• 1:16:52
  she steals his phone. And she's like, this is actually
• 1:16:54
  the only time that I ever liked Millie.
• 1:16:57
  It's her rage. She's like, I will let you out,
• 1:17:00
  just not yet. And she just kept doing it over
• 1:17:02
  and over again. OK.
• 1:17:04
  Explain to me the transition of how she got out of the room
• 1:17:06
  versus stealing the phone versus him.
• 1:17:08
  OK, so she has done 3 hours and 10 minutes again, she did it
• 1:17:13
  twice, she did it twice. He comes in there and he's like
• 1:17:15
  you just had to learn your lesson.
• 1:17:17
  She pepper sprays him while he's trying to RIP his eyeballs out.
• 1:17:21
  Essentially. She grabs his phone, runs out
• 1:17:24
  the room, locks the door. It's kind of a little non eventy
• 1:17:28
  when you think about it, but he's like let me out.
• 1:17:30
  And she's like, no, no, you're going to do the books on your
• 1:17:34
  stomach. And then she's like, oh, he's a
• 1:17:36
  bit strong. It doesn't hurt.
• 1:17:37
  So put it on your genitals. Put it on your.
• 1:17:40
  Dick, put it on your little man pelvic bone.
• 1:17:43
  None. Why isn't the pelvis holding up
• 1:17:46
  the baby? His Dick so big.
• 1:17:49
  It's. Protruding.
• 1:17:53
  Dick alert, Big Dick energy. He doesn't have it.
• 1:17:58
  He doesn't have doesn't he has smelly Dick energy?
• 1:18:00
  Yeah, so he's tucking it. He's putting the books on top.
• 1:18:03
  He's actually that rich. It's been enlarged.
• 1:18:07
  Yeah. That mean he's alone at night,
• 1:18:10
  pumping in the corner. No, not the pumping.
• 1:18:14
  Anyway, so is Dick's getting mashed?
• 1:18:16
  Yes. Fun times.
• 1:18:18
  Fun. Times so the table's have.
• 1:18:19
  Turn Aid. Yeah, he was like, I'm not doing
• 1:18:21
  it. And she's like, well, I'm not
• 1:18:22
  letting you out of here. Literally same rules apply.
• 1:18:25
  Same rules apply. He does it.
• 1:18:28
  She was like, you know what? I didn't actually watch you on
• 1:18:31
  the the camera feed, so I don't know if you've done it.
• 1:18:34
  Meanwhile, that girl's probably got it hooked up to the TV and
• 1:18:36
  she's like watching him. That would be boring.
• 1:18:38
  I'm not watching that show. She split screened it.
• 1:18:40
  He's on the side. TV show and picture.
• 1:18:42
  Yeah, yeah, TV show on the other.
• 1:18:44
  Side I don't want to hear a man whimpering.
• 1:18:47
  That is gear. Turn it off.
• 1:18:53
  I can't imagine anything. I don't want to hear more.
• 1:18:55
  It's protruding no longer. She's like, actually at.
• 1:19:01
  This point, monetize it on the Internet, on the dark web.
• 1:19:04
  Oh yeah, get your money's live. Stream, live stream.
• 1:19:07
  Andrew's Dick being mashed. Yeah, it's fine.
• 1:19:09
  She goes back down there and he's like, OK, I did it.
• 1:19:12
  I'm. Just going to.
• 1:19:14
  She's like, okay, I will let you out, just not yet again.
• 1:19:18
  He's probably sitting there like, I wish I never said them
• 1:19:20
  words because it's clearly triggered her fucking mental
• 1:19:23
  breakdown about it. And she's like, do it for five
• 1:19:26
  hours. So he does it again for five
• 1:19:28
  hours. But also again the torture was
• 1:19:31
  giving juvenile and dumb like I get it, it ramps up with the
• 1:19:36
  teeth pulling. No, but.
• 1:19:38
  The dog thing is like. Yeah, but she's only doing it
• 1:19:40
  because she had to do it. So she's like, you know what?
• 1:19:42
  You're gonna do it. Yeah.
• 1:19:45
  True, you know she. Was hers was better to be fair.
• 1:19:47
  Hers was better. And not only that, she said I
• 1:19:50
  was sitting there for three hours thinking about this.
• 1:19:52
  So she was probably like Nina was has been through this.
• 1:19:55
  She's been scratching the door, she's been stuck in this room.
• 1:19:59
  She's mentally trapped, shooting herself.
• 1:20:04
  She's probably like, if he's doing this to me now, that
• 1:20:07
  girl's been going through it eight years.
• 1:20:09
  She's probably thinking of all the random shit.
• 1:20:11
  Because that's why she's. Fat, yeah.
• 1:20:14
  She's been emotionally eating from the trauma.
• 1:20:17
  Yes, and she's she's probably thinking of all the things he's
• 1:20:20
  done to her because let's be honest, the reason she got into
• 1:20:23
  prison was because a man tried to rape her best friend and she
• 1:20:27
  just felt the rage for what he was doing.
• 1:20:30
  So how was she a girl's girl in Part 3 and this is her previous
• 1:20:34
  life but. Never.
• 1:20:36
  Not in part. 1. This is why I don't understand,
• 1:20:39
  because in Part 3 they're all better characters.
• 1:20:41
  I know her. It's just ridiculous.
• 1:20:43
  And it's been 5 seconds. Then she makes him pull out his
• 1:20:46
  teeth. That's fucked.
• 1:20:48
  Yeah, see, I'm into that. That's amazing for teeth.
• 1:20:51
  OK, not only that, 4 teeth. More.
• 1:20:53
  Worse, I don't even. Remember, if she.
• 1:20:55
  Did something else after that. No.
• 1:20:58
  I think that's when it kind of like jumps back to Nina.
• 1:21:02
  Yeah, the end was kind of confusing, like I was checking
• 1:21:05
  out. Yeah, it's the only time was
• 1:21:07
  interesting, but because you didn't catch me in the first
• 1:21:10
  half, I was like, I'm done. By then, everything had been
• 1:21:13
  revealed. So I'm like, I know how this is
• 1:21:14
  going. Yeah.
• 1:21:15
  So I'm like. He's dead.
• 1:21:17
  It's fine. It's amazing.
• 1:21:20
  He actually dehydrated. I know what a way to go he.
• 1:21:24
  Had no water. No.
• 1:21:26
  Amazingly, she was like, maybe next time you lock a woman in
• 1:21:29
  here, you'll leave them more water.
• 1:21:31
  Well, he won't, because he's dead.
• 1:21:33
  He won't be that's that's what she.
• 1:21:34
  Said to him. And it's switched to Nina, yes.
• 1:21:37
  And then she's kind of like, hmm, Millie, you know, hasn't
• 1:21:41
  heard any progress. Even Enzo was like, her car
• 1:21:44
  hasn't moved the attic lights on.
• 1:21:46
  So they're kind of like. It's gone one of two ways.
• 1:21:49
  It's I think they were like fuck, she's in there, she's
• 1:21:53
  probably dead, someone's dead. Why?
• 1:21:56
  I know Enzo was looking after CC but Nina just got out of that so
• 1:22:01
  why would you send Nina to go check on Millie if her car
• 1:22:04
  hasn't? Moved on her own.
• 1:22:06
  On her own, she would just end up in that room with her.
• 1:22:09
  I think to set up the alibi that Enzo's not involved kind of
• 1:22:13
  thing, but wouldn't you just call the police for a welfare
• 1:22:16
  check and see what shakes out? Like yes, anonymous, yes, from
• 1:22:21
  my payphone or some shit, and just be like, hey, I'm a
• 1:22:23
  concerned neighbor. So and so's Carl hasn't left and
• 1:22:26
  I heard something the other night.
• 1:22:27
  I don't know. Yeah.
• 1:22:28
  Welfare check. Like, why did it have to be her?
• 1:22:30
  And she comes in. She's like Andrew, where are
• 1:22:32
  you, like, boring? And then just kind of wraps up
• 1:22:38
  really quickly. I'd have words to say to Nina.
• 1:22:41
  I would have. I had to kill this whole ass
• 1:22:43
  man. Well, she was kind of like, I
• 1:22:45
  knew you killed someone and I know your background, so I just
• 1:22:48
  assumed you would do me a solid and kill my husband.
• 1:22:53
  I would have said just ask me that during the interview.
• 1:22:55
  We could have figured it all out.
• 1:22:57
  We'd all be happy. Fuck it.
• 1:23:00
  The way the ending with them at the funeral rite.
• 1:23:05
  The way your dark moist eyes come through his mum was like,
• 1:23:10
  I'm so glad you punished him for not brushing his teeth.
• 1:23:13
  Yeah, that was the conclusion. That was occlusion.
• 1:23:15
  Andrew's dad was beside himself, like my son's.
• 1:23:18
  Dad Andrew's mum was just like, thank God you taught him a
• 1:23:21
  lesson. And then she goes, I was
• 1:23:23
  torturing him his entire childhood, that's why.
• 1:23:26
  I'm now conflicted with the character because I'm like, I
• 1:23:29
  feel sorry for him but also why did you do it again?
• 1:23:33
  Maybe I feel sorry for baby Andrew.
• 1:23:35
  Yeah. But not adult Andrew.
• 1:23:39
  But then what's with fucking? Was her name Eleanor or Evelyn
• 1:23:42
  or something? Who?
• 1:23:43
  The mum? Yeah, mother-in-law.
• 1:23:45
  She's like, oh, Nina, I'm so proud of you, huh?
• 1:23:49
  Because she's insane, yeah, but she now.
• 1:23:51
  Implies that Nina's like the next Punisher.
• 1:23:54
  Yeah, OK, She's just going to put on a skeleton mask and start
• 1:23:56
  riding around on motorcycles. She was the cause of most of
• 1:24:00
  Ninas punishments. The one with the light bulb?
• 1:24:03
  That was because her mum noticed the lights on.
• 1:24:05
  Yeah, because he does whatever Mummy says.
• 1:24:07
  Yeah, that's fucking weird. But why does it always have to
• 1:24:10
  be a woman's fault? In these kind of books, it's
• 1:24:13
  never just the man that's a monster, it's the mum's fault
• 1:24:16
  for turning him into a well. It's a psychological thriller,
• 1:24:19
  so no, it makes sense for him to be bored.
• 1:24:22
  Of it because in real life men just decide to be horrible
• 1:24:26
  people. Yes, they can have a normal but.
• 1:24:28
  Maybe. Maybe it's to conflict you about
• 1:24:30
  how you feel about Andrew. Yeah, but in real life, a lot of
• 1:24:34
  men who have been psychologically damaged are
• 1:24:36
  damaged by other men, yes, not women.
• 1:24:39
  But in these kind of books, it's always, it's always my fault.
• 1:24:42
  Like, where was the dad? If the dad was normal, baby
• 1:24:46
  Andrew would have had a chance. The dad was working away.
• 1:24:49
  But if he was emotionally normal and not a psychopath.
• 1:24:53
  Was the wife doing it to her husband?
• 1:24:55
  Like that's what I mean. How?
• 1:24:57
  Far does this go? How does that go?
• 1:25:00
  Maybe Andrew was a predator and he was setting up CC to be the
• 1:25:04
  younger version, 1 even. Extra level.
• 1:25:08
  Because if you think about, is he not kind of grooming her into
• 1:25:13
  the next mummy? Yeah.
• 1:25:16
  And to be fair that it's not his biological daughter, Yes, you
• 1:25:19
  know, because they didn't tell you that until midway through.
• 1:25:21
  Yeah, one day ago. Oh, he never adopted her layers.
• 1:25:30
  It's years. You're like adding an extra
• 1:25:33
  drinking your ideas. You give some reader ideas.
• 1:25:35
  Like meaning you would be really good at writing books because of
• 1:25:39
  all the ideas we give. That are just off tap off.
• 1:25:42
  Tap but also make so much sense at the same time.
• 1:25:45
  Tell. Me why So she didn't even have a
• 1:25:49
  reason to be worried. Because the detective who works
• 1:25:52
  on this case investigates Andrews dead ass Dick mangled
• 1:25:56
  body. He lowers his voice and goes
• 1:25:59
  actually my daughter happens to be his ex fiance.
• 1:26:03
  She. Kathleen or some shit and she
• 1:26:05
  went AWOL. She moved country.
• 1:26:07
  She changed her name. She.
• 1:26:09
  Went COO COO bananas. I don't even know what.
• 1:26:10
  Happened. Yeah, I know so.
• 1:26:12
  Let's keep this one off the books, wink wink.
• 1:26:14
  Yeah, convenience. And she had an alibi set up for
• 1:26:17
  Millie and everything. Yeah, she was like she was gone,
• 1:26:21
  not here, maybe. It goes, you know what, I'm kind
• 1:26:23
  of mates with the coroner, wink, wink.
• 1:26:26
  So we're just going to both agree that he somehow locked
• 1:26:29
  himself in here dehydrated and it's his own fault?
• 1:26:33
  Yes, and his rich ass family doesn't even bother.
• 1:26:37
  To question the brew, stick the teeth.
• 1:26:40
  But they left that off the autopsy anyway.
• 1:26:42
  Yeah, coroner didn't. Yeah, but.
• 1:26:43
  The mom knew about the teeth. True, but she was happy about
• 1:26:47
  it. She's like.
• 1:26:51
  Times, come on. She's like, actually.
• 1:26:54
  What out of nowhere? I suppose if your teeter.
• 1:27:00
  Was shaking in her Brits. I suppose you couldn't really
• 1:27:03
  have. Is haunted by the ghost man.
• 1:27:07
  He keeps flickering on and off. I suppose you can't hide his
• 1:27:12
  teeth being gone because he would have had to pull his front
• 1:27:14
  ones, not his back ones. Oh, I was thinking molars.
• 1:27:17
  Yeah, because how are you gonna get pliers?
• 1:27:19
  You'd have to do your front teeth, Yeah.
• 1:27:22
  Buck tooth Becky over he's. Fucking ugly now.
• 1:27:27
  Classic. I was like, that's how you knew?
• 1:27:29
  She had never thought about leaving, letting him out of that
• 1:27:32
  room. I hate it when a thriller just
• 1:27:34
  conveniently wraps up like that at the end where nothing
• 1:27:36
  matters. Like, oh, that's OK, Detective
• 1:27:39
  was conveniently the one person in the 7 billion that could have
• 1:27:42
  helped you do things. Like, yeah, yeah.
• 1:27:44
  Anyway, so that's convenient. Millie didn't even need an
• 1:27:46
  alibi. Not only that, Nina recommends
• 1:27:49
  Millie to the next family. Yeah, needs a in house hitman.
• 1:27:54
  Yes, slash pick me woman. You know.
• 1:27:57
  Does the husband banging come standard?
• 1:28:00
  Is that the standard? Package the package, but is that
• 1:28:03
  the standard? Package or could you say hands
• 1:28:05
  off my man? I just want him dead.
• 1:28:07
  I don't want him to enjoy 5 seconds of his life before he
• 1:28:11
  dies. Banging the Health No.
• 1:28:14
  The audacity. I'll be like can I have the
• 1:28:17
  tease him but don't touch him package where you dust around
• 1:28:21
  with your top off with your tits pointing up but then he tries to
• 1:28:25
  like corner you and sexually harass you and then you threaten
• 1:28:28
  to report him to the police. Yeah.
• 1:28:30
  Can we just have a little? Can we have a psychological
• 1:28:32
  torture option? I'm like, there's kids in the
• 1:28:34
  house, let's not murder him. That might be too traumatic.
• 1:28:39
  I'm actually going to go on holidays and never come back.
• 1:28:42
  Nina doesn't really thank her properly and then later sends
• 1:28:45
  her a fucking text message out of nowhere of her and Cece on
• 1:28:48
  the beach having a nice time. Fuck you, Nina.
• 1:28:51
  Yeah, fuck Nina. Now I've got 2 bodies.
• 1:28:54
  But now Nina is now my favorite. Yeah, but you just doubled my
• 1:28:57
  body count. For what reason?
• 1:29:00
  I'm like, how much you're not having paid enough to be a
• 1:29:02
  hitman? Exactly.
• 1:29:03
  You were still paid your normal maid wage, so where's my SO you?
• 1:29:07
  Not only have to clean, you have to kill someone.
• 1:29:11
  But where's my bonus? Where is the OH?
• 1:29:13
  She did send her a bonus. She did like 25% of her salary.
• 1:29:16
  You. Want to go?
• 1:29:17
  Yes. So is that the?
• 1:29:18
  Going rate for the murder. So like when she signs up to
• 1:29:20
  this new house, is that the going?
• 1:29:22
  Rate We'll have to read it. I don't want to read it.
• 1:29:25
  I don't want to read Millie again.
• 1:29:27
  I don't want to know. But then hear me out, OK, I
• 1:29:32
  don't wanna read Millie again, but is she gonna be Part 1
• 1:29:36
  Millie or Part 3 Millie? Because I Part 3 'cause I would
• 1:29:39
  read Part 3 Millie. Yeah, I wouldn't read Part 1
• 1:29:42
  Millie again. The teaser is her pretty much
• 1:29:45
  getting chased down and underestimated the guy that
• 1:29:48
  she's up against. So.
• 1:29:49
  I feel like it's more Part 3 Millie.
• 1:29:51
  I didn't know she's got his naive part over.
• 1:29:54
  Yes. One thing that I was really
• 1:29:56
  confused about. So we got a tiny epilogue with
• 1:29:58
  Millie, yes, which included that interview, her next job, blah
• 1:30:01
  blah blah. Why the fuck was she meeting
• 1:30:03
  Enzo for dinner that night? Yeah.
• 1:30:06
  They were going on a date. Yeah.
• 1:30:08
  She's dating Enzo. Yeah, Enzo, my guy.
• 1:30:11
  Fine. He's got the Millie syndrome
• 1:30:13
  where he's just dating people in the like 2m radius.
• 1:30:16
  He's. Kind of late off with Nina, he
• 1:30:20
  was like, no, I can't go with you.
• 1:30:22
  Yes, you can get in the car. Why did he have to get with
• 1:30:25
  Millie though? I wanted him to live a good life
• 1:30:29
  at that's a. Trauma bond.
• 1:30:31
  But that's. It maybe he's in the next book
• 1:30:34
  and he helps. But literally, Millie's obsessed
• 1:30:37
  with Nina. You can't tell me otherwise.
• 1:30:39
  Why does she keep wanting Nina's leftovers?
• 1:30:41
  Yes. That's fucked up.
• 1:30:43
  Yes. Get a life.
• 1:30:46
  Yeah, I get that Enzo's hot, but you're actually.
• 1:30:49
  Trying to date the man. I hope Nina gives the chance to
• 1:30:51
  be the girl she always wanted to be.
• 1:30:55
  I wish they put another male character in there or at least
• 1:30:57
  create a different partner familiar at the end.
• 1:31:00
  Yes. Why do we have to do in books?
• 1:31:02
  Everyone has to be coupled up. It's.
• 1:31:04
  Dumb Nina didn't get coupled up, she just went most happily ever
• 1:31:08
  after. Finally we get a book where they
• 1:31:10
  don't end up with another man. But.
• 1:31:12
  Also, she tried to get with Enzo, yes, so that's
• 1:31:15
  embarrassing. Yeah, but also she was stuck in
• 1:31:18
  a marriage that she hated. She probably just wanted some
• 1:31:21
  love. So she tried it and then imagine
• 1:31:23
  getting knocked back for Millie. So it's another fucking win for
• 1:31:26
  Millie. Ding Ding Ding.
• 1:31:27
  It's like, who's counting? Millie is.
• 1:31:30
  Millie again. She's like, got a man again.
• 1:31:32
  Got a man again. She's like that too.
• 1:31:35
  She's like, actually, I'm going to move to where Nina is and
• 1:31:37
  just follow her Tinder date. Rob it in her face.
• 1:31:40
  No Rob Enzo in her face, I reckon to the fact.
• 1:31:42
  Do you reckon Nina will ever date again or she would just
• 1:31:45
  never date? Probably not.
• 1:31:47
  I think she's been through too much with Cece.
• 1:31:49
  Yes, Cece's fucked up. She's going to need a lot of
• 1:31:51
  therapy. Yeah.
• 1:31:53
  What should we rate this out of five?
• 1:31:56
  Teeth. Teeth.
• 1:31:58
  Dicks. Cold teeth?
• 1:32:00
  How many hours of penile torture out of five?
• 1:32:03
  Yes, because technically it wasn't he.
• 1:32:06
  Five hours. Yeah, yeah.
• 1:32:07
  What do you reckon? It was a 10 hated it you.
• 1:32:12
  Hated it every moment. I hated every moment of it.
• 1:32:15
  I think it was quick. You know what though?
• 1:32:17
  If we say I was rating Part 1 and Part 2, Yeah. 1.
• 1:32:21
  Part. Three.
• 1:32:23
  Yeah, a three. It ramped it up, yeah.
• 1:32:25
  It's the pick me. Yeah, being in her head was.
• 1:32:29
  Foul. There was no plot.
• 1:32:30
  I was like, we're just literally watching Nina yell at you for
• 1:32:34
  hours while you're being a pick me.
• 1:32:36
  Imagine Millie being the unreliable narrator to her own
• 1:32:40
  life and making herself more pick me than in the Nina
• 1:32:44
  version. Yes, it doesn't make sense.
• 1:32:47
  Like how does it she made us mean?
• 1:32:50
  What character was easier to read?
• 1:32:51
  Yeah, definitely. How did you write it?
• 1:32:54
  How you feel it? A two hours of penile punishment
• 1:32:59
  out of life because mummy loves herself at twist and wasn't
• 1:33:04
  really It's about the twists. I kind of seen it coming.
• 1:33:08
  I did, but I didn't see the part about the mum.
• 1:33:11
  No, I. Did Enzo shit was dumb.
• 1:33:14
  Enzo was a non event but I definitely seen the mom because
• 1:33:17
  of how he was like copy and pasting his mom into her.
• 1:33:20
  Yeah, I think for what it is, because I was listening to it
• 1:33:23
  while I was cleaning. It was satisfying in the way
• 1:33:26
  that it just kept going and I didn't have to think.
• 1:33:28
  Yes. But apart from that, I'm like, I
• 1:33:31
  like to work for it a bit more. Yeah.
• 1:33:33
  Work it for the Gherkin. I mean, what do I say?
• 1:33:37
  Twerking for the Gherkin? I can't remember.
• 1:33:39
  That's something I say. And then people are always.
• 1:33:41
  Confused. It's not me you say it too.
• 1:33:43
  So you gave it one I gave it to. It is what it is.
• 1:33:46
  It's mainstream, it's popular. It's going to be a movie with
• 1:33:48
  Sidney Sweeney. Whatever.
• 1:33:51
  They would. You want to watch it?
• 1:33:52
  No. And they're making Verity as
• 1:33:55
  well. They're making Verity, and I'm
• 1:33:57
  still pissed. Blake Lively should have been
• 1:34:00
  Verity. That would make sense.
• 1:34:02
  Yeah, I feel like she would make a lot.
• 1:34:04
  Instead of. What's her face?
• 1:34:06
  Anna Hathaway is Verity. No, sorry.
• 1:34:08
  Instead of Lily bloom. Yes, and I feel like I'm more
• 1:34:12
  dorky naturally. Dorky person should have been
• 1:34:14
  Lily. Yeah, for sure.
• 1:34:16
  Wow. So anything, any last thoughts?
• 1:34:19
  No brain's empty. Brain never wants to do this
• 1:34:24
  again. I think I lived my pic me
• 1:34:27
  experience and now I'm good. I'm like, it just took all the
• 1:34:30
  fun out of doing it in my 50s. You're not going to.
• 1:34:34
  We're going to be. You're the banjo grandma and I'm
• 1:34:37
  the bougie grandma. No, I want.
• 1:34:38
  To do a week on a cruise as a pycmy bitch at 5050 sixty.
• 1:34:43
  But I can't do it now because if this is what it's going to be
• 1:34:46
  like, no thank you. How long is the cruise though?
• 1:34:48
  Because if it's short, you can do it.
• 1:34:51
  Oh, no, I don't know if I have the capacity.
• 1:34:54
  I don't know if I I think I'm too aware now.
• 1:34:57
  No, you've been slapped to your senses by million people.
• 1:35:00
  How am I supposed to pretend to be that pycmy and then not hate
• 1:35:04
  my you? Can't.
• 1:35:05
  And also that's regressive. If you're 50, that's the last
• 1:35:08
  thing you want to do. That's why I want to do it on a
• 1:35:10
  cruise when no one knows me. OK.
• 1:35:14
  Can't kick me off the boat for me and pick me.
• 1:35:16
  All right, so no more thoughts. That's it.
• 1:35:19
  Bye. Thanks for joining us on Lose
• 1:35:21
  the Pot with Carla and Emily. Don't forget to rate US five
• 1:35:23
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