Latest / Luke's English Podcast / MC BOY DO CHARME - Podpah _1062

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MC BOY DO CHARME - Podpah _1062 · Luke's English Podcast

• 0:20
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  Speaker 3: Oh, you're talking.
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  Speaker 5: You feel when it's super.
• 0:51
  Speaker 4: Sejam bem-vindos ao primeiro Podpá da semana, após uma semana
• 0:57
  Speaker 4: de viagem na gringa da Copa. Foi maravilhoso, hein?
• 1:15
  Speaker 2: It was delicious.
• 1:16
  Speaker 5: Did you like it, man?
• 1:16
  Speaker 2: I liked it, man. Especially since I celebrated my birthday
• 1:19
  Speaker 2: on your side.
• 1:20
  Speaker 5: It's true. You're 30, right, man?
• 1:21
  Speaker 2: I'm 30, bro.
• 1:21
  Speaker 5: You're not another 20-year-old young man.
• 1:23
  Speaker 2: I don't have more 20. I can't say 20... No,
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  Speaker 2: it's 30 now. Now it's the responsibility. You can't pause.
• 1:29
  Speaker 2: Some regattas you have to review. You have to be
• 1:31
  Speaker 2: calm now, right?
• 1:32
  Speaker 5: Chapolin, these things you can't do, man.
• 1:34
  Speaker 3: Leave your like and subscribe here on Podpá' s channel.
• 1:38
  Speaker 5: Let's go to 11, man.
• 1:39
  Speaker 2: Let's go to 11.
• 1:41
  Speaker 5: We're happy.
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  Speaker 3: Leave your like and subscribe. It's a place of joy,
• 1:44
  Speaker 3: family and fraternity.
• 1:46
  Speaker 2: God is with us, Mítico. He's not our opponent.
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• 1:50
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• 1:51
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  Speaker 2: That's what I was going to say. On the day
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  Speaker 2: of my birthday, I trombone Ronaldo and Ronaldinho Gaúcho.
• 2:07
  Speaker 3: My God.
• 2:07
  Speaker 2: But you said I was your mom. What mom, man?
• 2:11
  Speaker 2: Thank you, mom. I'm kidding.
• 2:13
  Speaker 5: Just kidding. Just kidding.
• 2:15
  Speaker 2: Mom, I love you. Dad, too.
• 2:16
  Speaker 5: You're awesome.
• 2:17
  Speaker 3: Guys!
• 2:18
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• 2:21
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• 2:23
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• 2:27
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• 2:55
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• 3:02
  Speaker 2: to pass in the car, there is. Ah, you want
• 3:04
  Speaker 2: those little cokes that you put in the taxi driver's chair?
• 3:06
  Speaker 2: There is. To drive the bus? There is also. Those headphones?
• 3:08
  Speaker 2: There is.
• 3:08
  Speaker 5: Oculos for swimming?
• 3:12
  Speaker 2: There is.
• 3:13
  Speaker 4: Pants.
• 3:13
  Speaker 2: Pants. Pants.
• 3:14
  Speaker 5: There is also.
• 3:14
  Speaker 2: There is everything.
• 3:15
  Speaker 5: There is everything there.
• 3:17
  Speaker 3: Aluminum.
• 3:17
  Speaker 2: There is also. QR Code on the screen. Scan the
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  Speaker 2: QR Code. And, look, enjoy it, okay? We're together. Mítico Jovem.
• 3:22
  Speaker 5: Fala, Igão. Underground. O Coco Máximo.
• 3:24
  Speaker 2: I'm happy, man.
• 3:25
  Speaker 5: Me too, man.
• 3:26
  Speaker 2: For fuck's sake, I'm very happy. I want you to be...
• 3:28
  Speaker 2: We're wearing a relic. Wow, one of my idols. Receive
• 3:33
  Speaker 2: with a lot of affection. Make a lot of noise.
• 3:35
  Speaker 2: Drop this studio. Give a lot of applause for our
• 3:37
  Speaker 2: guest today. Boy do Charmes!
• 3:39
  Speaker 3: Aê!
• 3:40
  Speaker 2: Aê! Let's go! Let's go! What's up, boy? How are you?
• 3:47
  Speaker 4: I'm so satisfied, man. You have no idea that I
• 3:50
  Speaker 4: couldn't sleep well.
• 3:51
  Speaker 2: Are you serious, bro? Yeah, man.
• 3:53
  Speaker 5: Are you anxious?
• 3:54
  Speaker 4: I think my anxiety was gone from yesterday to today.
• 3:57
  Speaker 2: It was my level. I went to sleep at around
• 3:59
  Speaker 2: 3 a.m. I was so anxious. It was like a
• 4:02
  Speaker 2: dream coming true. That's crazy, boy. You're crazy, man.
• 4:05
  Speaker 4: And seeing my imagination coming true. I'm here with you
• 4:08
  Speaker 4: guys today.
• 4:08
  Speaker 2: For me, it's crazy. I woke up at 6 a.m.
• 4:11
  Speaker 2: and thought, damn, I think it's time. You know? A
• 4:13
  Speaker 2: thousand degrees.
• 4:16
  Speaker 4: Because I've watched several episodes, I've been watching you for
• 4:19
  Speaker 4: a few years, that you came there in that... in
• 4:22
  Speaker 4: the pandemic, where we had a big fight in the
• 4:24
  Speaker 4: music scene, and suddenly you guys did something for the
• 4:26
  Speaker 4: guys who were at home, like me, who wanted to
• 4:29
  Speaker 4: see some content, you know, of energy, a good thing,
• 4:32
  Speaker 4: and you broadcast this thing here with several guests who
• 4:35
  Speaker 4: come here, you know?
• 4:36
  Speaker 2: Thank you, man. That's my degree. But from the heart, then, our...
• 4:39
  Speaker 2: You're talking about this, so our story is very similar,
• 4:43
  Speaker 2: because when I saw you there in 2011, it was
• 4:45
  Speaker 2: what I felt, brother, like this... Damn, can you live that?
• 4:50
  Speaker 5: How old were you in 2011?
• 4:52
  Speaker 2: In 2011 I was 14.
• 4:53
  Speaker 4: You got the idea that I always wanted to say
• 4:56
  Speaker 4: to the guys that the intention was this, you know?
• 5:00
  Speaker 4: It was always this, it will always be. It's to
• 5:03
  Speaker 4: show that whoever is down there can also.
• 5:05
  Speaker 2: Win, you know? So let's go from the beginning, boy. Really,
• 5:07
  Speaker 2: once again, thank you very much for being here. You're crazy,
• 5:09
  Speaker 2: it's a satisfaction. I'm your fan, thank you very much.
• 5:12
  Speaker 2: And I want to know, boy, how was your childhood?
• 5:15
  Speaker 2: in São Vicente. How was your life until the funk
• 5:19
  Speaker 2: came into your life? Until you heard the first funk
• 5:21
  Speaker 2: and liked it, you know?
• 5:22
  Speaker 4: Ah, it was very crazy because my childhood was very suffering, right, bro? Like,
• 5:27
  Speaker 4: I came from a humble family, poor, living in Mangue,
• 5:29
  Speaker 4: in the community of Charme.
• 5:30
  Speaker 2: It wasn't the Charme community, right?
• 5:32
  Speaker 3: That's what I wanted you to explain. How was the
• 5:35
  Speaker 3: Charme community?
• 5:36
  Speaker 2: So, the Charme community was Mangue, right?
• 5:38
  Speaker 4: There was a Mangue that divided one neighborhood from the other, but...
• 5:42
  Speaker 4: Inside this neighborhood, it was just a land that my
• 5:44
  Speaker 4: grandfather took care of.
• 5:46
  Speaker 2: Of the whole land?
• 5:47
  Speaker 4: Yes, my grandfather worked in the golf course, right? That
• 5:49
  Speaker 4: was from the gringos, the guys out there who have
• 5:51
  Speaker 4: the golf course in São Vicente. And my grandfather worked
• 5:54
  Speaker 4: for them. Then they left my grandfather taking care of
• 5:57
  Speaker 4: the land.
• 5:57
  Speaker 2: I understand.
• 5:57
  Speaker 4: But then the guys sold a piece of the thing
• 5:58
  Speaker 4: and built a hotel called Hotel Charmes. And then they
• 6:01
  Speaker 4: divided the golf course for this other land. Then there
• 6:04
  Speaker 4: started to be an invasion. The humble people, who had
• 6:08
  Speaker 4: nowhere to live, started to take a piece.
• 6:11
  Speaker 2: Of land and build their little house. When people hear
• 6:14
  Speaker 2: that they lived in Mangue, they think it's not literally Mangue.
• 6:18
  Speaker 2: It's literally Mangue.
• 6:18
  Speaker 5: There was crab, rat, snake, there was everything.
• 6:20
  Speaker 4: But it was what we had there to live and
• 6:23
  Speaker 4: have the hope of living there.
• 6:25
  Speaker 2: When you were there, when there was.
• 6:27
  Speaker 3: This separation of the hotel, You were already a kid,
• 6:34
  Speaker 3: you were born and introduced there.
• 6:36
  Speaker 2: I was born there.
• 6:37
  Speaker 4: I was born in the city of Santos, but my
• 6:39
  Speaker 4: mother and my father lived there, through my grandparents.
• 6:42
  Speaker 2: My great-grandfather and great-grandmother. So they already lived there.
• 6:45
  Speaker 4: And then my great-grandfather came bringing the whole gang. His relatives,
• 6:50
  Speaker 4: his family. And then he separated the land for his children.
• 6:54
  Speaker 4: And then my mother had a little piece of land there.
• 6:56
  Speaker 4: One lives on the other side until today.
• 6:58
  Speaker 2: And it was creating you. And then it was creating us.
• 7:01
  Speaker 4: Six brothers, six children in the case. I have five brothers, right?
• 7:04
  Speaker 4: There are three women and three men.
• 7:06
  Speaker 3: I am the stepson of the men. And how was
• 7:08
  Speaker 3: your childhood there, brother? Like, since school, the life there?
• 7:11
  Speaker 4: Ah, I'm going to tell you, father, that today this
• 7:13
  Speaker 4: new generation doesn't know what it is to be happy,
• 7:14
  Speaker 4: you know? I lived the time of happiness, I think
• 7:17
  Speaker 4: you also lived this thing of us pushing a pipe,
• 7:20
  Speaker 4: having an open field, you know? Having a football field
• 7:22
  Speaker 4: to play, playing a ball of Goody.
• 7:24
  Speaker 5: There was no cell phone, right?
• 7:26
  Speaker 4: There was no cell phone, it was disconnected from the
• 7:27
  Speaker 4: cell phone. The cell phone at the time was that Nokia, right, brother?
• 7:30
  Speaker 4: Which was just my crown that had, look there, and
• 7:32
  Speaker 4: an uncle there from... And it was just for the connection.
• 7:36
  Speaker 3: You could spend the whole day missing on the street,
• 7:38
  Speaker 3: which was not good.
• 7:39
  Speaker 5: You come back at that time and that's it.
• 7:41
  Speaker 4: It was there, you know? So, like, Wellington, which is
• 7:45
  Speaker 4: my name, right, man? People know me as Bud Schein,
• 7:48
  Speaker 4: but my name is Wellington. And I'm a guy who
• 7:50
  Speaker 4: was born and grew up in that little piece that
• 7:52
  Speaker 4: after a while.
• 7:53
  Speaker 2: It became the Charms community. But what happened? Was it asphalted?
• 7:56
  Speaker 2: Was the resource arriving?
• 7:57
  Speaker 4: Yes, there was an avenue that was the main one.
• 8:00
  Speaker 4: You had to go through it, which is Avenida Penedo.
• 8:03
  Speaker 4: You had to go through it to have access to Santos.
• 8:05
  Speaker 4: You had to get to the city of Guarujá to
• 8:07
  Speaker 4: go through Santos and everything.
• 8:08
  Speaker 2: I got it.
• 8:08
  Speaker 4: Then the guys from Busão, when the teams came down,
• 8:11
  Speaker 4: had to go through there. So it was a bad avenue.
• 8:14
  Speaker 4: And then there was only Anchieta on the other side
• 8:17
  Speaker 4: and Cubatão.
• 8:18
  Speaker 2: And then we lived there, bro. We saw the cars passing.
• 8:21
  Speaker 2: You lived in Ilhado, then?
• 8:22
  Speaker 4: Yeah, because practically the Baixada Santista is an island, right?
• 8:25
  Speaker 4: If you look from the top of the hill, you
• 8:26
  Speaker 4: see that the place is full of mangos.
• 8:28
  Speaker 5: What did you have to do when you were a kid?
• 8:31
  Speaker 2: Ah, man, it was school.
• 8:33
  Speaker 4: Because it was a pleasure to go to school, to
• 8:34
  Speaker 4: eat that cool snack, right?
• 8:36
  Speaker 2: From school, right, man?
• 8:37
  Speaker 4: It saved us. And then it was the day-to-day fun, right, bro?
• 8:41
  Speaker 2: Playing with the police thief, dropping a pipe. Do you
• 8:44
  Speaker 2: remember the first time you heard a funk? I remember, man.
• 8:47
  Speaker 4: I remember because Funk was born in Rio de Janeiro, right?
• 8:50
  Speaker 4: So Rio de Janeiro is the first place of Funk.
• 8:53
  Speaker 4: So at the time I remember Rap Brasil, which was
• 8:56
  Speaker 4: just a record. I even saw a record player from
• 8:59
  Speaker 4: you guys there, and I said, man, where.
• 9:00
  Speaker 2: Did the guys find this stuff?
• 9:01
  Speaker 4: Because I had one of those and I walked with
• 9:04
  Speaker 4: it here on my shoulder, you know?
• 9:05
  Speaker 2: I was eight, nine years old. The sobriety was always
• 9:07
  Speaker 2: the sound.
• 9:08
  Speaker 4: Yeah, it was always the sound. And then I was
• 9:10
  Speaker 4: created inside the church too. So Funk, when it came
• 9:12
  Speaker 4: to us, was from Rio. It was the time of
• 9:14
  Speaker 4: Gorilê Preto. I wish the best for Gorilla, who is
• 9:18
  Speaker 4: going through a tough phase now, but.
• 9:21
  Speaker 2: God willing, he will win.
• 9:22
  Speaker 4: And those were the guys we used to listen to, Massegoró, Massinho,
• 9:27
  Speaker 4: Galo da Rocinha.
• 9:28
  Speaker 3: What was being said in those songs to get you
• 9:31
  Speaker 3: with 8 years old? What were you saying? I identified
• 9:34
  Speaker 3: with that, look what they're talking about.
• 9:36
  Speaker 2: It was already the rap of happiness, there's no way, right, dad?
• 9:40
  Speaker 4: Cidinho and Doc were the ones who brought the funk
• 9:43
  Speaker 4: to Baixada together with a duo from Baixada Santista. The
• 9:48
  Speaker 4: partners brought the funk from Rio and the guys added
• 9:51
  Speaker 4: the Rio funk to the Baixada with the Baixada funk, right?
• 9:58
  Speaker 4: The conscious one.
• 10:00
  Speaker 2: It was growing, you know? I think that, at least
• 10:01
  Speaker 2: for those who were living in that phase, I think
• 10:04
  Speaker 2: it's the first guy who sings for these people who
• 10:06
  Speaker 2: are in the favela, for us, you know? Walking in
• 10:08
  Speaker 2: the favela, quiet, where I was born, you're like, man,
• 10:12
  Speaker 2: I live in the favela, the first song is for me,
• 10:14
  Speaker 2: you know?
• 10:14
  Speaker 4: For those who are in the outskirts. They just want
• 10:17
  Speaker 4: to be happy, they didn't choose to be born there.
• 10:20
  Speaker 2: And when people have.
• 10:22
  Speaker 4: A better life, they leave. This is normal, it's natural.
• 10:25
  Speaker 4: I think the human being has to understand that. But
• 10:29
  Speaker 4: the people are there, man.
• 10:31
  Speaker 2: It's everyday life.
• 10:31
  Speaker 4: The favela is that. It's a neighbor helping another. It's
• 10:34
  Speaker 4: the dog helping another dog. The neighbor fighting with the other.
• 10:38
  Speaker 2: The forró there. The pagode there, you know?
• 10:40
  Speaker 5: And the aunt fighting with the aunt.
• 10:42
  Speaker 2: Yeah, you know? And it's crazy. And the outskirts, man.
• 10:44
  Speaker 2: It's a very good place to live. When did you
• 10:46
  Speaker 2: decide to become an MC?
• 10:48
  Speaker 4: Why?
• 10:48
  Speaker 2: Who encourages you? Who says, like, you sing? How do
• 10:51
  Speaker 2: you start to mess with music? Ah, man. I'll tell you, like....
• 10:57
  Speaker 4: I won my first guitar with 10 years of age.
• 10:59
  Speaker 2: You know? From my crown. Why?
• 11:01
  Speaker 4: So, like this, I already participated in the meetings in
• 11:04
  Speaker 4: the church with my mother, with my grandmother, with my grandfather,
• 11:07
  Speaker 4: people there, relatives of mine, and then I would sing
• 11:10
  Speaker 4: the praises of the church, you know?
• 11:12
  Speaker 2: And then.
• 11:13
  Speaker 4: My mom would look at me and my dad would say,
• 11:15
  Speaker 4: this kid is going to be a singer.
• 11:16
  Speaker 5: My dad liked to drink some Goró.
• 11:18
  Speaker 4: And my dad, when he drank, he was very happy.
• 11:21
  Speaker 4: So I already saw an artist in that younger son.
• 11:23
  Speaker 4: And then he bought a guitar from Índio.
• 11:24
  Speaker 5: Who was a partner who lived in Sambaia Tuba.
• 11:27
  Speaker 4: And he used to pass by with the cart. And
• 11:32
  Speaker 4: I would pass by with his gangas to get bread
• 11:34
  Speaker 4: every day. And there was a guitar. And there was
• 11:35
  Speaker 4: a guitar without strings there, bro.
• 11:36
  Speaker 2: Without strings! Then my father bought it, you know?
• 11:39
  Speaker 4: Then he bought the strings there, put the strings there,
• 11:42
  Speaker 4: cheap there, and I went to the strings.
• 11:44
  Speaker 5: What was the first song you learned on the guitar?
• 11:46
  Speaker 6: Ah, dad, I used to sing a lot the music
• 11:48
  Speaker 6: of the church.
• 11:49
  Speaker 2: Yeah, right. It was those little songs.
• 11:50
  Speaker 4: Yeah, it praised, you know?
• 11:51
  Speaker 2: So.
• 11:53
  Speaker 4: From there I grew up, and when I started to
• 11:55
  Speaker 4: listen to funk, I started to see funk in the
• 11:59
  Speaker 4: state of São Paulo, but for me it was Baixada Santista,
• 12:01
  Speaker 4: because I didn't know the capital or anything, I didn't
• 12:03
  Speaker 4: leave there.
• 12:04
  Speaker 2: Your world was just there.
• 12:05
  Speaker 4: It was just there, dad, I lived just there. So
• 12:07
  Speaker 4: when I came to São Paulo, man, I cried with joy,
• 12:09
  Speaker 4: you know? Because I left my little community to come
• 12:13
  Speaker 4: to the capital.
• 12:14
  Speaker 2: So when I heard funk, I.
• 12:15
  Speaker 4: Started to see funk from Rio, and then I saw TV,
• 12:17
  Speaker 4: and then I saw the guys on television.
• 12:19
  Speaker 6: Cidinho e Doca, the time of Chucha's show, right, brother?
• 12:22
  Speaker 5: Planeta Xuxa, that the funkies used to take.
• 12:24
  Speaker 2: She used to call?
• 12:24
  Speaker 5: Planeta Xuxa.
• 12:25
  Speaker 2: You know?
• 12:26
  Speaker 5: People used to criticize Xuxa. They used to say, how
• 12:27
  Speaker 5: is Xuxa taking the funkies? I'm a funkie.
• 12:29
  Speaker 2: What the fuck, Xuxa?
• 12:30
  Speaker 5: And Xuxa, she brought this funk to us, so we
• 12:31
  Speaker 5: could see it, and we could dream about it.
• 12:33
  Speaker 4: But for you, in that moment, in your childhood, it
• 12:35
  Speaker 4: must have been very distant. You get to your family,
• 12:38
  Speaker 4: or to your loved ones, and say, man, I'm going
• 12:40
  Speaker 4: to be an MC.
• 12:50
  Speaker 5: People were like, how are you going.
• 12:53
  Speaker 2: To be MC?
• 12:54
  Speaker 4: I was born as a funk artist, I was born
• 12:58
  Speaker 4: with a certain age to live the thing. So when
• 13:02
  Speaker 4: my family saw me, I say my family there, my
• 13:05
  Speaker 4: father and my mother. And then they saw me singing funk,
• 13:09
  Speaker 4: they were scared because our funk from the school was conscious.
• 13:11
  Speaker 4: It was what always told the truth of what we lived,
• 13:14
  Speaker 4: what we saw, man. And what we lived. So when
• 13:18
  Speaker 4: it came here, when it arrived at the highest patent,
• 13:21
  Speaker 4: it was a strange product, a strange musicality to be
• 13:27
  Speaker 4: added in the middle of them.
• 13:29
  Speaker 2: People from the outskirts, paipum.
• 13:32
  Speaker 5: There was a lot of prejudice, right?
• 13:34
  Speaker 2: Yeah, you know? And then Will's funk started to become culture.
• 13:37
  Speaker 4: That's when I started to get even more interested, you know?
• 13:41
  Speaker 4: In wanting to be an artist of funk music representing
• 13:43
  Speaker 4: the state of São Paulo, you know?
• 13:45
  Speaker 2: At what age did you become the MC Boy of Charms? So,
• 13:47
  Speaker 2: I became the MC Boy of Charms at 21 years old, bro. Ah,
• 13:50
  Speaker 2: I get it. You already said it. You know?
• 13:51
  Speaker 4: From 20 to 21... But I sang in a duo too,
• 13:54
  Speaker 4: I had a double pass with a partner of mine,
• 13:56
  Speaker 4: who later became a pastor, and I continued in funk,
• 14:00
  Speaker 4: and then I went to sing with my cousin, then
• 14:02
  Speaker 4: my cousin also didn't want anything, I kicked his ass,
• 14:04
  Speaker 4: you know? Okay, but one thing I want to go
• 14:06
  Speaker 4: back to is that I remember that I watched you,
• 14:08
  Speaker 4: I think it was on Ídolos.
• 14:09
  Speaker 2: On Ídolos. And then there was... I don't know what Vasco.
• 14:14
  Speaker 5: Idols, bro.
• 14:15
  Speaker 2: In the Astros, right? The Astros, yes. Idols was one before.
• 14:18
  Speaker 2: And then I think he says like this, he who
• 14:21
  Speaker 2: was already a bricklayer, porter, fashioner. Is it true, brother? Yeah, dad.
• 14:26
  Speaker 4: I worked three years as a fashioner, porter, right? So,
• 14:29
  Speaker 4: like this, I'm very happy to have passed this trajectory
• 14:33
  Speaker 4: of profession, as well as the work, and several other
• 14:35
  Speaker 4: professions that I worked in.
• 14:36
  Speaker 2: I have five years of signed wallet, you know? My
• 14:39
  Speaker 2: wallet is there, kept until today. In these little traps.
• 14:41
  Speaker 4: Yeah, because it passes the movie, right, brother? It's good
• 14:43
  Speaker 4: to remember where you came from, what you went through.
• 14:45
  Speaker 4: What was your last job before becoming an MC? My
• 14:48
  Speaker 4: last job before becoming.
• 14:49
  Speaker 2: An artist was in the work.
• 14:50
  Speaker 4: I worked as an assistant, and I was learning some
• 14:54
  Speaker 4: things there as a carpenter and as a professional bricklayer.
• 14:58
  Speaker 2: And then things started to change in my life. So
• 14:59
  Speaker 2: you never had the laziness of being an artist? No,
• 15:01
  Speaker 2: I never had.
• 15:02
  Speaker 5: But which one of these was the most embossed?
• 15:04
  Speaker 4: The most embossed of all, I think it was the work, brother. Because, man,
• 15:08
  Speaker 4: they lowered this artist, sometimes that 40-degree sound, brother. Bateu
• 15:12
  Speaker 4: uma laje, mas o melhor de tudo era aquele chopp
• 15:15
  Speaker 4: que tinha no final da laje, né? Pô, mano, o
• 15:19
  Speaker 4: patrão colocava lá... Ficava pelo chopp. É, mano, aquele churrascão maneiro,
• 15:22
  Speaker 4: dia de sábado. E, tipo assim, dia de sábado era
• 15:24
  Speaker 4: hora extra.
• 15:25
  Speaker 2: Então só ia.
• 15:27
  Speaker 4: who wanted to cheat, who wanted to win one more
• 15:29
  Speaker 4: and was there for the thing.
• 15:30
  Speaker 2: But then there was a show. And then there was
• 15:32
  Speaker 2: a show for the barbecue. I want to emphasize this,
• 15:35
  Speaker 2: because sometimes people just dream of the dream, right? Like,
• 15:39
  Speaker 2: I want to be an artist, I want to be
• 15:42
  Speaker 2: a singer, I want to be, I want to be.
• 15:44
  Speaker 2: But that's it, sometimes we live such a hard reality,
• 15:46
  Speaker 2: so suffering, that we have to run, bro. Because if
• 15:48
  Speaker 2: you say, no, I'll wait, I'll become MC here, forget it,
• 15:51
  Speaker 2: you won't turn. And I'll tell you, dad, like this,
• 15:52
  Speaker 2: I run... My father's last name was Carrasco. My father
• 15:55
  Speaker 2: was a very... Right. A very right, fair and correct guy.
• 15:57
  Speaker 2: You know what I mean? So when the crown went up,
• 16:01
  Speaker 2: we were already running. We would drop the pipe, the
• 16:03
  Speaker 2: can and go home.
• 16:04
  Speaker 4: Did he have a specific nickname? Yeah, the one that
• 16:07
  Speaker 4: goes up and puts those big fingers here. You know?
• 16:09
  Speaker 2: Coming from work, I would say, man, it's my crown,
• 16:11
  Speaker 2: I'm leaving.
• 16:21
  Speaker 5: Carrasco, brother, look at the name of the brother.
• 16:24
  Speaker 2: Mr. Claudio, may God have it.
• 16:25
  Speaker 4: My father passed away in 2012, I was in a
• 16:26
  Speaker 4: very big success. And I was very upset, right, brother?
• 16:29
  Speaker 4: Because if I left my mother's house, I was already
• 16:33
  Speaker 4: 27 years old.
• 16:33
  Speaker 6: And then, suddenly, I lost my father.
• 16:35
  Speaker 2: And I said, bro, what now? My crown and pa.
• 16:38
  Speaker 4: But I got pregnant with my husband, I'm getting married,
• 16:41
  Speaker 4: I want to have my structure, build my family, but.
• 16:45
  Speaker 2: You can't stop. My old woman, pa.
• 16:46
  Speaker 4: But there were my brothers too, right? To give not
• 16:49
  Speaker 4: only structure to the financial issue, but also.
• 16:51
  Speaker 2: It's on the side, right? Yes, a psychological support, because
• 16:54
  Speaker 2: it's very painful, right, dad?
• 16:55
  Speaker 4: My mother lived many years with my father and suddenly
• 16:58
  Speaker 4: she lived only with him, right?
• 16:59
  Speaker 2: And then I lost my father. And you started to
• 17:02
  Speaker 2: be successful? Yes, I did.
• 17:03
  Speaker 4: And then I started to give strength to my mother.
• 17:06
  Speaker 4: Then I left my mother's house. And I gave a
• 17:09
  Speaker 4: little strength from afar. I helped her from afar. I
• 17:11
  Speaker 4: had my brothers close by. I lived with my family too.
• 17:14
  Speaker 4: But it was a very big blow.
• 17:15
  Speaker 3: But I want to know, at this moment of the work,
• 17:20
  Speaker 3: How was it in the break when you were clapping
• 17:23
  Speaker 3: and singing? How was the beginning and people listening to
• 17:26
  Speaker 3: you saying, bro.
• 17:28
  Speaker 2: You're good, you have a future?
• 17:29
  Speaker 5: What was that moment like?
• 17:30
  Speaker 4: I used to work with many colleagues from Bahia, from Sergipe,
• 17:33
  Speaker 4: from Recife, and they're the guys who give blood for Trump,
• 17:37
  Speaker 4: the guys who honor the uniform he's wearing and do
• 17:39
  Speaker 4: their best. So the guys saw me singing at lunchtime
• 17:43
  Speaker 4: with another partner of mine, Pepeu, who made the song
• 17:46
  Speaker 4: Fez do Prazer.
• 17:47
  Speaker 2: And then the guys said like this, man.
• 17:49
  Speaker 4: You have a beautiful voice and you pass the rock.
• 17:51
  Speaker 4: This thing is very top, man, for music. Why don't
• 17:55
  Speaker 4: you try, man, the song? I said, I'm already trying.
• 17:56
  Speaker 2: Like, before the guys imagine, I was already trying with
• 17:59
  Speaker 2: my little money. But the time that the guys encouraged, right, bro?
• 18:02
  Speaker 3: Encouraged.
• 18:02
  Speaker 2: And the guys all day, bro.
• 18:03
  Speaker 4: When we were already hitting a wave, then the guys
• 18:06
  Speaker 4: would tell me... What are you doing here, German? I've
• 18:08
  Speaker 4: always had blonde hair.
• 18:10
  Speaker 2: You know?
• 18:10
  Speaker 4: And you get a new hair, you go to the
• 18:12
  Speaker 4: surfer and the guys say, you're doing it here, German,
• 18:14
  Speaker 4: the surfer. You're going to live from the music, you
• 18:17
  Speaker 4: have talent, look at us.
• 18:18
  Speaker 2: Killing ourselves here. And you already had a style too, right?
• 18:22
  Speaker 3: Yeah, I already had a style of the thing. And
• 18:23
  Speaker 3: at that time, what were your methods of dissemination?
• 18:25
  Speaker 5: How did it work?
• 18:27
  Speaker 4: It was far from reality, because I didn't have internet access,
• 18:29
  Speaker 4: I didn't have a computer at home. The screens, those
• 18:32
  Speaker 4: tube televisions, the television to play my Mega Drive was
• 18:35
  Speaker 4: that of Puxaú.
• 18:37
  Speaker 5: You know?
• 18:38
  Speaker 2: Wow!
• 18:38
  Speaker 5: That's a relief!
• 18:39
  Speaker 4: You know?
• 18:39
  Speaker 2: That's what I used to play on the Mega Drive.
• 18:41
  Speaker 2: You used to play on the Mega Drive? Mega Drive.
• 18:42
  Speaker 2: I was so happy on the Mega Drive. Sonic, for real. Yeah, man.
• 18:46
  Speaker 5: The one with the little plane.
• 18:47
  Speaker 2: The little plane. The ball was with me. Man, it
• 18:49
  Speaker 2: was crazy. I was so happy.
• 18:50
  Speaker 4: But at the show, they were already encouraging me to
• 18:53
  Speaker 4: live my dream too. And I was so happy because
• 18:55
  Speaker 4: I was like, man, it's not just my four partners,
• 18:59
  Speaker 4: the three partners that were encouraging me to sing. There
• 19:02
  Speaker 4: are some guys who are from another city, from another state.
• 19:05
  Speaker 4: And they're recognizing my talent. So I'll start investing more
• 19:08
  Speaker 4: in this thing. I started investing more in the MSN issue, right, bro?
• 19:12
  Speaker 4: And in Orkut, in the lan houses, right?
• 19:14
  Speaker 5: Foda!
• 19:15
  Speaker 2: Did you guys live in this lan house?
• 19:16
  Speaker 3: Yes, yes, yes.
• 19:17
  Speaker 2: Man, I'm seeing you talking like this, like, fuck, man.
• 19:18
  Speaker 2: Because I was living all this on the other side, right, bro? Like,
• 19:22
  Speaker 2: as a listener, as a fan. So when you talk
• 19:24
  Speaker 2: about the Feast of Pleasure, you're crazy. Yeah, and the
• 19:26
  Speaker 2: Feast of Pleasure, we.
• 19:28
  Speaker 4: When you released it, you weren't... Ah, no, that's what
• 19:31
  Speaker 4: I wanted to know.
• 19:32
  Speaker 2: Because before that, I released the.
• 19:34
  Speaker 4: Look, my God, it's Megane. In a version that will
• 19:38
  Speaker 4: be released later. It was Catra who added me to it.
• 19:42
  Speaker 4: With Catarina's ball, through the ball. And Catra gave me support.
• 19:46
  Speaker 4: liked Megane, and we recorded. But then I did the
• 19:49
  Speaker 4: Feast of Pleasure, we hid from the boss, you know?
• 19:52
  Speaker 3: To record.
• 19:53
  Speaker 2: Yeah, at the time of the trampa, the partner came
• 19:55
  Speaker 2: with the melody.
• 19:56
  Speaker 4: At the time we had the partner Pepito from Funk MP3,
• 19:59
  Speaker 4: you know? It was a partner who trampa with me
• 20:02
  Speaker 4: too in my career. And then we had the idea
• 20:04
  Speaker 4: of making a song, kind of a tribute to him,
• 20:07
  Speaker 4: you know? If it's Pepito's party, the beast takes the leather,
• 20:11
  Speaker 4: then we hid it behind Madeiriti. So I said to
• 20:13
  Speaker 4: my partner, keep it on your cell phone. That little
• 20:15
  Speaker 4: guitar cell phone.
• 20:17
  Speaker 6: Do you remember it, brother?
• 20:18
  Speaker 5: It had a speaker.
• 20:19
  Speaker 4: Four chips.
• 20:19
  Speaker 2: Yeah, you put a chip there and you lived peacefully.
• 20:22
  Speaker 4: Two memory cards, the memory never ran out. It's true.
• 20:24
  Speaker 2: We were so happy, you know?
• 20:25
  Speaker 5: Memory of 500 was going far.
• 20:27
  Speaker 2: We recorded the audio there and kept it there.
• 20:29
  Speaker 4: Mr.
• 20:29
  Speaker 2: Roberto is coming there. Pass, hide, and so on.
• 20:31
  Speaker 4: I still remember the name of the guy. And then
• 20:33
  Speaker 4: we played. And then we went to the favela and
• 20:36
  Speaker 4: we finished together. I put the name of my partners,
• 20:39
  Speaker 4: because I wanted them to win too, just like I
• 20:42
  Speaker 4: did with Megane. So I always told my story, but
• 20:44
  Speaker 4: I also wanted my partners to win too, because I
• 20:47
  Speaker 4: always saw you as me, you know?
• 20:49
  Speaker 2: He as me, so wherever I go, you have to
• 20:51
  Speaker 2: go too. I'm scared, man. In your first songs, there's
• 20:53
  Speaker 2: a lot of that. I'll never forget my partners. Imagination, dream.
• 20:58
  Speaker 2: God is there, because God has to be in front
• 21:00
  Speaker 2: of everything. If you don't have faith and don't put
• 21:02
  Speaker 2: God in front of everything.
• 21:03
  Speaker 5: But where does this ideology come from, brother?
• 21:06
  Speaker 4: Ah, dad, I think it's because I was born in
• 21:08
  Speaker 4: a very humble family and I dream a lot, because
• 21:12
  Speaker 4: I saw my father and mother suffering, right? So, like,
• 21:13
  Speaker 4: I say, damn, I have to help them, man, in
• 21:15
  Speaker 4: some way, but I was very young. I was only
• 21:19
  Speaker 4: 10 years old. You just wanted to.
• 21:20
  Speaker 2: Yeah, but the desire was bigger than everything.
• 21:23
  Speaker 4: I think that today people think that they have to
• 21:26
  Speaker 4: have money to be happy. No, bro. Money doesn't bring happiness,
• 21:29
  Speaker 4: you know? Money brings a momentary thing. Soon this will
• 21:33
  Speaker 4: pass and you will return to your reality of life.
• 21:36
  Speaker 4: And maybe you think that money buys everything. It doesn't buy, bro.
• 21:40
  Speaker 4: It doesn't bring happiness. That's what I say, love is money, right, bro? So, like,
• 21:43
  Speaker 4: it's a very crazy thing. Sometimes people are stuck in.
• 21:46
  Speaker 2: This, Mítico. Like, like.
• 21:47
  Speaker 4: Man, I need to have money to be like them,
• 21:51
  Speaker 4: to live happily. To be here, to get where you are,
• 21:55
  Speaker 4: to get where I am, it was a lot of struggle.
• 21:58
  Speaker 2: To keep it here, it's even more, because.
• 22:00
  Speaker 4: The problems are bigger.
• 22:01
  Speaker 2: And what I was going to say is that seeing
• 22:05
  Speaker 2: you talk about your compositions, especially those from the beginning,
• 22:08
  Speaker 2: you weren't looking for references to say, oh, this guy
• 22:11
  Speaker 2: said that, I'll say it too. What I thought was
• 22:13
  Speaker 2: crazy was that you were only reporting your life. That's it, dad.
• 22:16
  Speaker 2: That's it. But did you feel that you had this
• 22:18
  Speaker 2: ease to compose, brother? How was this.
• 22:20
  Speaker 4: So, my first song I made, right, bro? It was
• 22:22
  Speaker 4: imitating MC Massinho, right? So, like, I made a song
• 22:25
  Speaker 4: there and when my partners heard it, today I don't
• 22:28
  Speaker 4: remember much of it, but I did it when I
• 22:29
  Speaker 4: worked as a doorman.
• 22:31
  Speaker 2: You know?
• 22:32
  Speaker 4: I did it at the doorknob at dawn. I had
• 22:33
  Speaker 4: to fold it and do it for 16 hours because
• 22:35
  Speaker 4: our partner broke the coconut and didn't come to fix it.
• 22:38
  Speaker 4: And I ended up having to cover him to stay
• 22:40
  Speaker 4: until the next day.
• 22:42
  Speaker 2: And let's go, man.
• 22:42
  Speaker 6: The guy who was at the post couldn't leave.
• 22:45
  Speaker 2: And then I made a song. The partner liked it.
• 22:46
  Speaker 2: He said, damn, it sounds like Marcinho's voice.
• 22:49
  Speaker 4: Hey, man, you have to go to the studio, man.
• 22:51
  Speaker 4: You have to go to the studio to record. It
• 22:52
  Speaker 4: was Pepeu, my partner, who fixed it with me. How
• 22:53
  Speaker 4: did you manage to go to the studio? Because going
• 22:54
  Speaker 4: to the studio at that time must have been difficult.
• 22:56
  Speaker 2: It was difficult. We only had a hot DJ, right?
• 22:58
  Speaker 4: At Baixada Santista. He's older now, but he's still working hard.
• 23:02
  Speaker 4: And there was DJ Gabriel at Nautica.
• 23:05
  Speaker 2: I'm talking about my generation.
• 23:06
  Speaker 4: Before me, at the time of NK, with many friends,
• 23:10
  Speaker 4: there was DJ Bafafinha, DJ Marquinho, there were many other
• 23:13
  Speaker 4: guys who were there in the scene.
• 23:15
  Speaker 5: And how was your first studio session for you?
• 23:17
  Speaker 2: Man, I'll tell you. It was cold, right?
• 23:19
  Speaker 4: I got there with the notebook, and when I went
• 23:22
  Speaker 4: to record, the DJ told me to go home to
• 23:24
  Speaker 4: learn the song. Because looking at the notebook.
• 23:30
  Speaker 2: You can't... He said, damn.
• 23:31
  Speaker 4: And the technique doesn't come out the same way. You
• 23:33
  Speaker 4: have the melody, the lyrics in your mind.
• 23:37
  Speaker 2: Yes. You know? So I had to go back home.
• 23:39
  Speaker 5: I was sad, man.
• 23:39
  Speaker 2: So it was too frustrating, man.
• 23:41
  Speaker 5: You got there all happy. You said, come back.
• 23:43
  Speaker 4: Then, man, let me tell you. Then he called me Patufonho.
• 23:47
  Speaker 4: Because I had a spanglish face and such. The voice
• 23:49
  Speaker 4: here in the lazzada. Hey, Patufonho, let me tell you.
• 23:52
  Speaker 4: I went to Correia, man, to... My artistic name is Well, man.
• 23:56
  Speaker 4: My name is Well, so I put my first artistic name, Well, right?
• 23:58
  Speaker 2: Right. My artistic name is Well, Rod J. It's Rod J.
• 24:01
  Speaker 2: I wasn't going to say.
• 24:02
  Speaker 4: His name, but I'm going to say it.
• 24:07
  Speaker 2: He just left. Then he said, go home, man. The
• 24:09
  Speaker 2: song is going to be released. Ah, but it's a
• 24:11
  Speaker 2: fucking tip, man.
• 24:12
  Speaker 5: No, but it was cool, because it was a learning fuel,
• 24:13
  Speaker 5: you know?
• 24:14
  Speaker 4: When did you become the Boy Do Charms?
• 24:15
  Speaker 2: Who decides that you were the Boy Do Charms, and
• 24:17
  Speaker 2: not the Well? So, Boy Do Charms became... I was.
• 24:23
  Speaker 2: I think I was cheating, bro. Cheating.
• 24:25
  Speaker 4: I was working to build a office container and build
• 24:29
  Speaker 4: a chemical bathroom.
• 24:30
  Speaker 2: Damn, bro. You know?
• 24:31
  Speaker 4: That's on the fair, on the tours, on the events.
• 24:34
  Speaker 4: And then I had the idea to put Boy dos Charmes.
• 24:37
  Speaker 2: Why? Because my nickname was already Boy.
• 24:38
  Speaker 4: Because of the surf, you know?
• 24:40
  Speaker 2: My sport.
• 24:41
  Speaker 4: And then the guys said, bro, if your nickname is Boy,
• 24:44
  Speaker 4: put Boy.
• 24:44
  Speaker 2: And it's MC Boy. No, it's MC Boy. Then I said, what?
• 24:47
  Speaker 2: I'm going to put Charme, bro.
• 24:52
  Speaker 6: Why?
• 24:52
  Speaker 4: Because I was born and raised in the favela. And
• 24:54
  Speaker 4: tomorrow or later, if I don't live here anymore, I'm
• 24:57
  Speaker 4: carrying the favela with me.
• 25:00
  Speaker 2: Because it's a very big burden, you know?
• 25:02
  Speaker 4: When you say boy of Charm, you remember the favela
• 25:04
  Speaker 4: of Charm.
• 25:05
  Speaker 2: So, when you came back to Charm, being the boy
• 25:08
  Speaker 2: of Charm, you felt a response, right? A response, man.
• 25:10
  Speaker 4: Because every achievement that I wished for and that I
• 25:14
  Speaker 4: achieved on my journey, I felt happy because I saw
• 25:16
  Speaker 4: the little boy covered in the eyes. Like, looking at
• 25:21
  Speaker 4: me and inspiring me, you know? And I said, man,
• 25:23
  Speaker 4: one day I was inspired by Neguinho, today I'm in Paratividade.
• 25:27
  Speaker 4: And this little kid that's here, so they don't get
• 25:30
  Speaker 4: lost in crime, I want them to feel with me.
• 25:32
  Speaker 2: Was Cacheta an inspiration for you, brother? It was, brother.
• 25:34
  Speaker 2: Very big.
• 25:35
  Speaker 4: Why?
• 25:35
  Speaker 2: Tell us. Because Cacheta is an inspiration for everyone, but
• 25:38
  Speaker 2: he was there close, right?
• 25:40
  Speaker 4: Cacheta, for those who don't know, Cacheta's nickname, close to Charme.
• 25:46
  Speaker 4: What divides Cacheta's nickname is only the Jockey Club.
• 25:50
  Speaker 2: Man, I didn't know that.
• 25:50
  Speaker 5: His voice is already.
• 26:11
  Speaker 4: Man, it's not the same. And then I, damn, he's
• 26:13
  Speaker 4: very angry, bro. Like, I'm going to be inspired by him, bro.
• 26:17
  Speaker 4: He's an inspiration to me. And then what did I do?
• 26:20
  Speaker 4: One day I had a dream, me recording with him,
• 26:23
  Speaker 4: you know? And then, like, after a quota, Caxeta with
• 26:26
  Speaker 4: a career already consolidated in our scenario there, in that
• 26:30
  Speaker 4: time of our, of the funk of the state of
• 26:31
  Speaker 4: São Paulo, at Baixada Santista, I went there on Caxeta's dick, bro,
• 26:35
  Speaker 4: with a bicycle behind him, bro.
• 26:37
  Speaker 2: You went crazy. Yeah, I went crazy.
• 26:39
  Speaker 4: I never had an idea with him personally, I just
• 26:40
  Speaker 4: kept looking at him from afar. I sang at the
• 26:42
  Speaker 4: favela's ballrooms, I was there.
• 26:44
  Speaker 5: Quiet, looking at him.
• 26:46
  Speaker 4: How old was that?
• 26:47
  Speaker 2: I'm talking about 2005, 2006, you know, dad? And then?
• 26:51
  Speaker 2: And then I got to him and presented the song
• 26:53
  Speaker 2: to him.
• 26:53
  Speaker 4: I said, hey, buddy, I had already made the song,
• 26:55
  Speaker 4: look how cheap and crazy, I dreamed, recording with him,
• 26:58
  Speaker 4: then I made the Bond Bolado.
• 27:01
  Speaker 2: Want a song?
• 27:02
  Speaker 4: Who used to talk about Herva Doce, you know? He
• 27:04
  Speaker 4: was always there with his partners. So I said, man,
• 27:07
  Speaker 4: let's build a song, man. So I went there and
• 27:09
  Speaker 4: took it to him. This song was about two of
• 27:11
  Speaker 4: his partners, who were from Cotidiano Coelho, Lely and Ricardinho,
• 27:15
  Speaker 4: you know? And it was about two of my partners.
• 27:17
  Speaker 2: Ah, so you were light.
• 27:17
  Speaker 4: So I got there with him, with the project Como.
• 27:21
  Speaker 2: When he heard it, he said, hey, mom, let's record
• 27:23
  Speaker 2: this thing. Pah!
• 27:24
  Speaker 4: Where are you going to record? I said, let's record
• 27:26
  Speaker 4: there at DJ Gabriel. I was happy, right? He said, no,
• 27:29
  Speaker 4: that's it. How much can we record? I said, bro,
• 27:31
  Speaker 4: all your time, bro. Because the guy was a million.
• 27:34
  Speaker 4: He was the guy who did the show, he was
• 27:35
  Speaker 4: the producer, because today there is a producer.
• 27:38
  Speaker 5: At that time, there was no producer.
• 27:39
  Speaker 4: He was the seller of the show, he was the
• 27:41
  Speaker 4: guy who came and passed by, he was the guy
• 27:43
  Speaker 4: who drove, he was the driver of the thing.
• 27:45
  Speaker 2: So, like, I was already inspired by him.
• 27:46
  Speaker 4: I said, man, this guy is a monster, because he.
• 27:49
  Speaker 2: No use, you know? And he always faced it, right?
• 27:51
  Speaker 2: He always faced it, bro. And he always faced it
• 27:55
  Speaker 2: with responsibility.
• 27:55
  Speaker 5: And how long did it take to record this?
• 27:58
  Speaker 4: So, there was a break, because Caxeta was the guy
• 28:00
  Speaker 4: who used to do a lot of shows here in
• 28:02
  Speaker 4: the capital of São Paulo.
• 28:03
  Speaker 2: So, he was tired and stuff, and he would give
• 28:05
  Speaker 2: his stuff, right? Priority. Priority.
• 28:07
  Speaker 4: And then I said, damn, I'm going to fill his
• 28:09
  Speaker 4: bag again, bro. I went there and called my partner.
• 28:15
  Speaker 4: He was in a motorcycle. I said, man, take me there,
• 28:17
  Speaker 4: to the Dico do Caxeta, to get me a car.
• 28:19
  Speaker 4: This father is there, under the ass, at the edge
• 28:21
  Speaker 4: of the canal.
• 28:22
  Speaker 2: And I'm going to change the car. You knew where
• 28:24
  Speaker 2: he was staying. I knew, it was next to his
• 28:26
  Speaker 2: mother's house.
• 28:27
  Speaker 5: And then I went there, brother.
• 28:28
  Speaker 4: I got there, he was there, under the tree, with
• 28:30
  Speaker 4: his partners. When he saw me, I think he thought, damn,
• 28:33
  Speaker 4: this kid again, man. What did I promise?
• 28:37
  Speaker 5: I gave my.
• 28:38
  Speaker 2: Word to him, man. And that's it.
• 28:40
  Speaker 4: I went in front of Motinha and he touched me
• 28:43
  Speaker 4: later with the Motinha he had.
• 28:45
  Speaker 6: It was like an XRE, right, man? XRE from my
• 28:47
  Speaker 6: current life.
• 28:48
  Speaker 2: It was another one, man. Falcon? No, man, it was.
• 28:53
  Speaker 2: It wasn't an XR, was it? I don't remember. I
• 28:55
  Speaker 2: think it was an XT.
• 28:56
  Speaker 4: It was a Prolink bike too.
• 28:57
  Speaker 2: It was really tall. It was like a Lander.
• 28:59
  Speaker 4: And then he arrived and I was like, man, he's
• 29:02
  Speaker 4: a monster. He's got his bike, he lives off of
• 29:04
  Speaker 4: the funk, he's a thousand degrees.
• 29:07
  Speaker 2: And you know what's crazy?
• 29:08
  Speaker 4: We were talking about this a lot. Sometimes we're inside
• 29:11
  Speaker 4: the hurricane and we have no idea.
• 29:21
  Speaker 2: Caxeta, I think he, obviously today yes, you must have
• 29:23
  Speaker 2: already told him that, but at that time I don't
• 29:25
  Speaker 2: think he should have any idea that he was already
• 29:27
  Speaker 2: inspiring a lot of guys, a lot of generation, man. No,
• 29:29
  Speaker 2: he talked in general to me, bro, do you believe? Really?
• 29:32
  Speaker 4: Yeah, because later when he was at the ballrooms, especially
• 29:34
  Speaker 4: at the community ballrooms, the guys would say, bro, Caxeta
• 29:37
  Speaker 4: talked about you, bro, he said, hey, it's coming.
• 29:40
  Speaker 2: Bro.
• 29:40
  Speaker 6: He said, hey, there's a boy coming, I'm going to tell.
• 29:43
  Speaker 2: You, bro. You know what? The boy has talent.
• 30:00
  Speaker 2: He was the guy
• 30:10
  Speaker 2: with a thousand degrees. I went to a Catra ball
• 30:12
  Speaker 2: and he sang Megane. That's it. I swear to God.
• 30:14
  Speaker 4: We had already recorded a version in 2009 to 2010
• 30:17
  Speaker 4: through Bo, from Catarina.
• 30:19
  Speaker 2: So I met Catra at the time of Nextel.
• 30:22
  Speaker 4: I had a brick there that I paid for a
• 30:24
  Speaker 4: company of brother truck driver. And then I managed to
• 30:27
  Speaker 4: realize my dream of talking to Catra. And in this
• 30:30
  Speaker 4: thing too, I managed to realize the dream of talking
• 30:32
  Speaker 4: to Primo, with MC Primo.
• 30:34
  Speaker 2: You know?
• 30:35
  Speaker 4: He was close to us, but we didn't have the
• 30:38
  Speaker 4: chance to talk about how important he was to us
• 30:41
  Speaker 4: in the funk scene.
• 30:42
  Speaker 2: Catra and Primo. And Primo.
• 30:44
  Speaker 4: And then I talked to the guys on the radio.
• 30:46
  Speaker 4: And I sent the song to Catra.
• 30:47
  Speaker 2: I sang it. On the radio? He sang on the radio.
• 30:50
  Speaker 2: He sang on the radio. He sang on the radio.
• 31:10
  Speaker 4: A businessman, like Neném, he was a friend of mine.
• 31:13
  Speaker 6: He said, bro, I'm going to give you a kiss.
• 31:16
  Speaker 4: Even though you don't have money, take it. Buy the
• 31:18
  Speaker 4: CD for you to do. Because I used to make
• 31:19
  Speaker 4: the CD on the partner's computer in the favela. And
• 31:22
  Speaker 4: I used to put it on the plastic and write
• 31:24
  Speaker 4: with the pen. And I used to play it in
• 31:26
  Speaker 4: the communities.
• 31:27
  Speaker 2: It was my dream.
• 31:27
  Speaker 4: I wanted it to become a reality and I was
• 31:30
  Speaker 4: running after it.
• 31:31
  Speaker 2: How did you manage to call... And then I sent
• 31:33
  Speaker 2: it to Catra. He said, put that voice of his
• 31:35
  Speaker 2: in a thousand degrees. Then I said, man, with all
• 31:38
  Speaker 2: due respect, I got goosebumps, bro. I said, it's Catra, man.
• 31:41
  Speaker 2: It's him. He's talking to me, bro. I liked that, man.
• 31:45
  Speaker 2: I liked that. I'm going to record that. I'm going
• 31:48
  Speaker 2: to send you a voice. That's what you were living.
• 31:50
  Speaker 2: Just in connection with Catra. It was surreal, bro. It
• 31:53
  Speaker 2: was surreal. You were talking to your idol.
• 31:55
  Speaker 4: It was surreal because when I told people, people didn't
• 31:57
  Speaker 4: believe it, you know? The guys would say, oh, that's
• 32:00
  Speaker 4: a lie, man. Are you crazy?
• 32:00
  Speaker 2: You said Catra. Are you crazy? Catra, man. It's just
• 32:03
  Speaker 2: that I don't know if the guys have a dimension
• 32:04
  Speaker 2: of what Catra is, of what Catra means, man. Of
• 32:07
  Speaker 2: what it was and what it is until today. Until today.
• 32:10
  Speaker 2: I think the guys don't have a notion.
• 32:11
  Speaker 5: No one will.
• 32:12
  Speaker 2: The new generation doesn't have it. No one will take
• 32:14
  Speaker 2: the post of Catra, but... What I've always said about
• 32:16
  Speaker 2: Catra is that when we were YouTubers in 2015, he
• 32:19
  Speaker 2: looked at us and was the first artist to say,-
• 32:21
  Speaker 2: You guys are artists too, come closer.- Yes. I was like, damn, Catra.
• 32:27
  Speaker 2: He gave us a blessing. We were listening to Paizão, right?
• 32:29
  Speaker 4: For us, he was the father of funk, because he
• 32:32
  Speaker 4: spoke many different languages.
• 32:35
  Speaker 2: He told us to study. He told us to.
• 32:37
  Speaker 4: Study and said, man, don't give up on your dream
• 32:39
  Speaker 4: and be humble.
• 32:41
  Speaker 2: You know?
• 32:42
  Speaker 6: Because I did my first show with him when he
• 32:43
  Speaker 6: did a show in Santos.
• 32:45
  Speaker 4: In the old Pelicana, in front of the submarine emissary,
• 32:48
  Speaker 4: he did in the ballad that fit about 1,300 people,
• 32:52
  Speaker 4: it was him and the Havaianos.
• 32:54
  Speaker 2: Jeová. The ball, it was the ball.
• 32:57
  Speaker 4: And then the guys said, hey boy, Catra is going
• 33:00
  Speaker 4: to sing today in Santos, do you want to play
• 33:02
  Speaker 4: with him, with Megane? I didn't think twice, the other
• 33:05
  Speaker 4: day I had to cheat, but I went, man. I
• 33:07
  Speaker 4: went there, I gave him a pipe, I didn't cheat
• 33:09
  Speaker 4: the other day, but I went there, I made my
• 33:12
  Speaker 4: dream come true, and I stayed there waiting for Negão,
• 33:15
  Speaker 4: at 11 pm, on the couch of the dressing room,
• 33:18
  Speaker 4: until 5 am. And then he came and woke me up,
• 33:21
  Speaker 4: because I was sleeping, you know, in.
• 33:23
  Speaker 2: That time of mine.
• 33:25
  Speaker 4: I had taken some brezhin, and I relaxed there, I said, man,
• 33:28
  Speaker 4: everything in the time of God, he's going to get here.
• 33:30
  Speaker 4: And when he got there, he woke me up. Then, damn,
• 33:33
  Speaker 4: I looked and I said, damn, I'm dreaming, man. Then
• 33:36
  Speaker 4: my employer came and shook me and said, wake up, man, Catra!
• 33:39
  Speaker 4: And I said, man, do you.
• 33:41
  Speaker 2: Know his song? Sing it, he's crazy! Imagine the night.
• 33:43
  Speaker 4: Of Megane, the day of Citroën, imagine the dance, I said,
• 33:49
  Speaker 4: my God!
• 33:49
  Speaker 2: Then he said, you're going to sing with me today,
• 33:52
  Speaker 2: get ready, man!
• 33:52
  Speaker 4: Then his voice warmed up there, the only way he
• 33:55
  Speaker 4: knew how to warm up, with his little apple crossed
• 33:58
  Speaker 4: from one side of the world to the other. He
• 34:01
  Speaker 4: put his little paper there, his sweet grass, and left.
• 34:04
  Speaker 4: When he called me, the people who were at the bar,
• 34:08
  Speaker 4: who studied with me there, I couldn't imagine that, damn,
• 34:12
  Speaker 4: Wellington singing with Catra.
• 34:14
  Speaker 2: So everyone was in shock, because they saw the guy
• 34:16
  Speaker 2: from Quebrada on stage.
• 34:18
  Speaker 4: The guy from Quebrada, like... How was that for you?
• 34:21
  Speaker 4: Because for us to see Primo, it was a very
• 34:23
  Speaker 4: cool thing, to see Primo on Caldeirão.
• 34:24
  Speaker 2: It was fast, right? To see Primo on the side
• 34:26
  Speaker 2: of Malboro, you know? And it's like.
• 34:29
  Speaker 4: Inspired us to fight to get on TV too. But
• 34:31
  Speaker 4: to see Catra with a guy... Simple, who came... Who
• 34:34
  Speaker 4: came to the show and had the help of several friends...
• 34:38
  Speaker 4: And is on stage, bro... And the song became.
• 34:41
  Speaker 2: A great success... That I had to make the clip, man.
• 34:44
  Speaker 2: I was forced. Through Primo. We're going to talk about
• 34:47
  Speaker 2: this clip, but... What I want you to say, boy...
• 34:50
  Speaker 2: I don't know if the guys also have dimension... The guys...
• 34:52
  Speaker 2: Of this new phase... Because, like... The song, Diretoria do Primo... Mítico,
• 35:00
  Speaker 2: imagine that until then, the most popular funk song was
• 35:03
  Speaker 2: Cidin Doca, the rapper of Felicidade. So the other funk
• 35:07
  Speaker 2: songs were all in the underground, forbidden. When I think
• 35:11
  Speaker 2: Primo is directing, the whole Brazil. So I think it
• 35:14
  Speaker 2: gave strength to all the MCs who were trying. What
• 35:17
  Speaker 2: was the importance of the song Diretoria, brother?
• 35:19
  Speaker 4: It was very big, because when Primo talks about directing,
• 35:20
  Speaker 4: sometimes people think it's a company's directing.
• 35:26
  Speaker 2: You know?
• 35:26
  Speaker 4: He's the head of a football club and he's not.
• 35:29
  Speaker 4: He used to talk about his friends.
• 35:31
  Speaker 2: You know?
• 35:32
  Speaker 4: Like, the head is standing up. Look at the revolt
• 35:34
  Speaker 4: of the suffering kids. Like, the kids are suffering. There
• 35:37
  Speaker 4: are many kids in the ghetto who are suffering to win,
• 35:40
  Speaker 4: you know? He's believing in his dream. So when Primo
• 35:43
  Speaker 4: used to say that, he used to add us. So
• 35:44
  Speaker 4: I used to identify.
• 35:45
  Speaker 2: With the song.
• 35:45
  Speaker 6: So it's a song that is not an anthem until today.
• 35:48
  Speaker 2: When I sing at my concerts.
• 35:50
  Speaker 4: In any place in Brazil, anywhere I go, even abroad,
• 35:52
  Speaker 4: people sing it.
• 35:53
  Speaker 2: Did you troll him personally? I trolled him. We lived there,
• 35:56
  Speaker 2: at Charme and Jockey. And he was the guy who
• 35:58
  Speaker 2: directed me to do a singing class. You know? It's
• 36:01
  Speaker 2: a very crazy thing.
• 36:07
  Speaker 6: And it was the guy who gave me the direction
• 36:08
  Speaker 6: to make the music video.
• 36:10
  Speaker 2: That's crazy. At DJ Teta in Santos, you know?
• 36:12
  Speaker 5: The music video you're talking about is from Megane.
• 36:15
  Speaker 2: From Megane.
• 36:15
  Speaker 5: So, I wanted to know what was the moment that.
• 36:17
  Speaker 3: Before making Megane's music video, let's talk about it, I
• 36:20
  Speaker 3: want a moment just for that, but... Before making the
• 36:22
  Speaker 3: music video, did you already understand that your life was
• 36:25
  Speaker 3: going to be about music? Did you already want to
• 36:28
  Speaker 3: quit other jobs? How was that moment in your life?
• 36:30
  Speaker 4: I didn't want to quit other jobs. But I knew
• 36:34
  Speaker 4: it was going to be.
• 36:36
  Speaker 5: Hard, you know?
• 36:36
  Speaker 2: Because it's not easy.
• 36:38
  Speaker 4: It's not easy to be successful and to be a
• 36:41
  Speaker 4: guy who has a story, a legacy.
• 36:43
  Speaker 5: It's hard.
• 36:44
  Speaker 4: But I already saw funk as a culture within the
• 36:48
  Speaker 4: state of São Paulo. It couldn't be just Rio. It
• 36:50
  Speaker 4: had to be Brazil.
• 36:51
  Speaker 2: You know? Several MCs from several states coming together.
• 36:55
  Speaker 4: And I wanted to put that within the state of
• 36:57
  Speaker 4: São Paulo. Because we only had rap, right, brother? We
• 37:00
  Speaker 4: only listened to rap. So what did I hear growing
• 37:02
  Speaker 4: up there? It was Racionais, it was Consciência Humana, it
• 37:06
  Speaker 4: was GOG, it was the end of Coban, who was
• 37:10
  Speaker 4: my neighbor there, who was Félix, the guy from Cadeira
• 37:13
  Speaker 4: de Roda, who went to a wheelchair and started telling
• 37:15
  Speaker 4: the story of his life in music. So we were
• 37:18
  Speaker 4: inspired by rap, and through rap I came to Racionais, brother,
• 37:22
  Speaker 4: I made Megane, you know? Imagine us from Audi, or
• 37:25
  Speaker 4: from Citroën, from here, you know? Then I said, oops!
• 37:29
  Speaker 4: I found the melody here, then I was with the
• 37:31
  Speaker 4: Gorózinhos and I did the Megane, but I already saw
• 37:34
  Speaker 4: funk as a profession, as a profession, not as a
• 37:38
  Speaker 4: momentary hobby.
• 37:39
  Speaker 2: Whoever takes it as a momentary hobby will pass.
• 37:42
  Speaker 5: Career.
• 37:42
  Speaker 2: Career. And today, thank God, it's my career. First, I
• 37:45
  Speaker 2: was talking here with Mítico, changing, saying like this, bro,
• 37:48
  Speaker 2: it's bizarre, because like, boy, really, the first times I heard...
• 37:52
  Speaker 2: Adidas Inteligente, Rolex Presidente, Invicta, Lacoste, this and that, it
• 38:00
  Speaker 2: was in your songs. From Tommy. From Tommy or Lacoste.
• 38:02
  Speaker 5: From Christian. From Christian or from Oakley.
• 38:05
  Speaker 2: You know? You know? Then you said, imagine us from Megane.
• 38:08
  Speaker 2: I said, what car is this? Megane. Yeah. Damn, I
• 38:11
  Speaker 2: got this in my head. I had never seen a
• 38:13
  Speaker 2: Megane in my life. 1,100 for you, it wasn't new.
• 38:16
  Speaker 4: Because it was a dream, but we could only see it. Yes,
• 38:18
  Speaker 4: I knew what it was.
• 38:20
  Speaker 2: But only the one in the vault.
• 38:21
  Speaker 5: And how crazy, at that moment the Megane was a
• 38:24
  Speaker 5: great car.
• 38:24
  Speaker 3: It was a mythical car, but when I saw the
• 38:27
  Speaker 3: Megane for the first time, when I saw the Megane.
• 38:29
  Speaker 2: For the first time, I even, with all due respect,
• 38:31
  Speaker 2: I even gave it a stroke. I thought it was
• 38:34
  Speaker 2: like a Ferrari. But no, for you to see, bro,
• 38:42
  Speaker 2: it's just... It's a popular car, a little more.
• 38:44
  Speaker 4: It made us happy, because I was sitting at the
• 38:46
  Speaker 4: bridge of my community, and I was looking at the cars,
• 38:49
  Speaker 4: and there were us, three more trouts, four more friends there,
• 38:53
  Speaker 4: and saying, this is mine, this is mine.
• 38:56
  Speaker 2: There's that.
• 38:56
  Speaker 5: But why the Megane?
• 38:57
  Speaker 3: Besides the name being very good, Megane, it seems like
• 39:01
  Speaker 3: something big.
• 39:02
  Speaker 5: But why the Megane?
• 39:03
  Speaker 2: Because I saw that it was a car of the present. Card, gold, card, boom,
• 39:07
  Speaker 2: damn it.
• 39:09
  Speaker 4: Foreign that was in a Brazilian, in my uncle's Fusca, in.
• 39:22
  Speaker 2: A Kombi, to go to Cachoeira.
• 39:24
  Speaker 5: It's true, Megane when it appeared was very different.
• 39:25
  Speaker 2: Megane was out of reality.
• 39:26
  Speaker 5: It's true, it's true.
• 39:27
  Speaker 2: You know? And then it got updated, but like.
• 39:29
  Speaker 4: And then people today say, wow, what a bomb you
• 39:32
  Speaker 4: put me in. I bought a Megane and I'm still
• 39:34
  Speaker 4: paying today. It's the problem of the carac... It hits
• 39:36
  Speaker 4: the steering wheel, hits the engine... It's like a tide.
• 39:39
  Speaker 5: It's like a tide.
• 39:39
  Speaker 2: If I knew it was this bomb, it wasn't just
• 39:41
  Speaker 2: my dream.
• 39:41
  Speaker 5: But when you just made this sound, you said, this
• 39:43
  Speaker 5: is a hit, this is... What was the feeling? Wow,
• 39:44
  Speaker 5: it's very funny. You'll laugh because....
• 39:50
  Speaker 2: I'll tell you how I did it.
• 39:52
  Speaker 4: When I did Megane, I took a shower, and you know,
• 39:56
  Speaker 4: before you take a shower, you have to go and
• 39:59
  Speaker 4: unload the submarine. I was in the container, and the
• 40:01
  Speaker 4: melody was there, I put it in the notebook and
• 40:05
  Speaker 4: wrote it down. In 5 minutes, I did Megane. And
• 40:08
  Speaker 4: when I finished it, I said, this song will change
• 40:11
  Speaker 4: my life. Because I had done others, you know? Yes,
• 40:13
  Speaker 4: but you felt something different.
• 40:14
  Speaker 2: Why did you think it would change your life?
• 40:16
  Speaker 5: Because it was a dream.
• 40:20
  Speaker 4: I wasn't just talking about my dream, because music asks
• 40:23
  Speaker 4: for that. It's not just my dream, it's yours, it's his,
• 40:26
  Speaker 4: it's the guy's dream.
• 40:26
  Speaker 5: To have that identification.
• 40:28
  Speaker 4: Regardless of the profession and the life that follows. I
• 40:31
  Speaker 4: think my dream was for everyone, you know? To have
• 40:33
  Speaker 4: a little money, to win, to have food on the table,
• 40:37
  Speaker 4: a fridge full.
• 40:39
  Speaker 2: You weren't talking about something very absurd, you were talking
• 40:41
  Speaker 2: about just having a quiet life.
• 40:42
  Speaker 4: It was just a peaceful life. I just wanted to
• 40:45
  Speaker 4: wake up and have some bread to.
• 40:48
  Speaker 2: Eat in the morning.
• 40:49
  Speaker 4: I didn't need anyone's help. And I didn't have to
• 40:51
  Speaker 4: eat pardal. My father used to kill pardal when we
• 40:54
  Speaker 4: were in a fight. Just the bone of the pardal.
• 40:57
  Speaker 2: It was a survival mode in the community.
• 40:59
  Speaker 4: When it wasn't a community.
• 41:00
  Speaker 2: I grew up.
• 41:01
  Speaker 6: I know what it's like to suffer. I know what
• 41:03
  Speaker 6: it's like to be well.
• 41:03
  Speaker 2: I know what it's like to fight.
• 41:08
  Speaker 3: And in the process of creating this song, did you
• 41:10
  Speaker 3: already see the right melody?
• 41:11
  Speaker 5: How was it for you to create it at the
• 41:13
  Speaker 5: time of Submarine?
• 41:14
  Speaker 4: Yeah, because, imagine us from Audi, Otis and Tron, it's
• 41:17
  Speaker 4: the Racionais, then I came, I came slow because I
• 41:20
  Speaker 4: was with the Gorosão, then I, imagine me from Megane,
• 41:25
  Speaker 4: Otis and Tron, invading the bars, it won't happen to anyone,
• 41:30
  Speaker 4: then I finished the chorus. What if DJ Madara falls?
• 41:35
  Speaker 4: I used to dream of DJ playing for me. Even
• 41:37
  Speaker 4: though DJ was playing.
• 41:38
  Speaker 2: That DJ thing there. How is it, Breno? You'll remember.
• 41:40
  Speaker 4: It was on the computer there.
• 41:44
  Speaker 5: Virtual DJ?
• 41:45
  Speaker 2: Virtual DJ. You're a DJ, so you know. Virtual DJ.
• 41:49
  Speaker 6: I had a dream of having my DJ playing.
• 41:51
  Speaker 2: In my car. And I would say, if the DJ
• 41:54
  Speaker 2: sends me to the car, in the end, it's just...
• 41:57
  Speaker 2: It's the cashier, you don't pay. Thanks, Neném.
• 42:00
  Speaker 6: Because Neném was the guy who was believing in my dreams.
• 42:02
  Speaker 5: He was the contractor, maybe?
• 42:03
  Speaker 2: No, he was the guy who helped me. It was Anderson,
• 42:04
  Speaker 2: you know? Brother, but you... I think you had no idea.
• 42:07
  Speaker 2: Because what I was going to ask you is, did
• 42:10
  Speaker 2: you have any idea that in Megane... together, making the
• 42:15
  Speaker 2: first video of KondZilla, which later became what it is now.
• 42:19
  Speaker 2: You were putting your feet on the ground, bro.
• 42:21
  Speaker 4: It was.
• 42:21
  Speaker 2: The first video is yours, there's no other. And I
• 42:24
  Speaker 2: remember watching the first video, and then the second one,
• 42:26
  Speaker 2: I think it's the boss. And it came back, it
• 42:28
  Speaker 2: came back several times to see it again, right? Because
• 42:31
  Speaker 2: there was the breeze of the cuts, right? It's crazy,
• 42:33
  Speaker 2: you with the shirt, I think it's from Repsol, I
• 42:35
  Speaker 2: don't remember, with the hats going backwards.
• 42:36
  Speaker 4: First I was wearing one from a brand from Baixada.
• 42:38
  Speaker 4: And then the guys said, no, man, take it out.
• 42:42
  Speaker 4: So I decided to put this one from Ferrari. Santander, outstanding,
• 42:45
  Speaker 4: I want to sponsor the guys. And then I was
• 42:47
  Speaker 4: with my bathrobe of silver, with a little money, to
• 42:49
  Speaker 4: change my life, which was my robe that I used
• 42:52
  Speaker 4: to get some waves. Then I sent her to bathe,
• 42:54
  Speaker 4: you know? I paid about R $ 200 to the
• 42:55
  Speaker 4: uncle there in Santos. He bathed there with gasoline, I
• 42:57
  Speaker 4: don't know how it was there. And then the thing
• 42:59
  Speaker 4: was shining in gold. I said, damn, I'm beautiful.
• 43:03
  Speaker 2: Passed cooking oil on the car. Then I saw the brothers,
• 43:05
  Speaker 2: owners of a car store, who took the Megane, took
• 43:07
  Speaker 2: the motorcycles.
• 43:10
  Speaker 4: And he said, no, take this cord out. And the guy,
• 43:13
  Speaker 4: it was even the guy who was from Independente, the Batata,
• 43:16
  Speaker 4: you know? I didn't even know, I just knew it
• 43:18
  Speaker 4: was the guy later. And then the guy said, no,
• 43:20
  Speaker 4: take this cord out, put this here. Then I put
• 43:22
  Speaker 4: the old man there.
• 43:23
  Speaker 2: I'm a saint.
• 43:24
  Speaker 6: Then, man, no evil, humble boy, I've always been like this.
• 43:27
  Speaker 4: I put the cord out, take the children.
• 43:29
  Speaker 2: He said, damn, who is this guy there? That's why
• 43:32
  Speaker 2: the kids stuck to it? Yes, they did.
• 43:34
  Speaker 6: They saw the cordon, they said, man, it's from Juliet.
• 43:37
  Speaker 2: So nothing was combined with that video? No, nothing.
• 43:40
  Speaker 4: On the street where I did the first images, there
• 43:41
  Speaker 4: was a fair. I had to wait for the fair
• 43:43
  Speaker 4: to end.
• 43:44
  Speaker 2: It was at Tiradentes, right? Yes, Tiradentes, Rua da Sorte.
• 43:46
  Speaker 3: But I also wanted to know the pre-disc. How was
• 43:49
  Speaker 3: it for you to get to Kondi? Kondi called you,
• 43:52
  Speaker 3: the song was already a hit, they're going to record
• 43:54
  Speaker 3: a video.
• 43:55
  Speaker 2: How was that moment? In reality, Konrad Dantas, he met Primo.
• 43:59
  Speaker 2: And I had already made the first video with Primo.
• 44:02
  Speaker 4: And then Primo said, I met a brother, a young boy,
• 44:06
  Speaker 4: I met a brother who wants to study cinema, he
• 44:08
  Speaker 4: made my video and he asked me to get 10
• 44:11
  Speaker 4: funk artists for me to be able to have the
• 44:14
  Speaker 4: other video for.
• 44:15
  Speaker 5: Free with him.
• 44:16
  Speaker 2: Look how light. Then Primo said, Vando, run!
• 44:19
  Speaker 4: I'm Primo, the director is on his feet, I go
• 44:21
  Speaker 4: after the brothers who have dreams, because Primo had already
• 44:23
  Speaker 4: made a clip with Malboro, there in the suburbs, in Sabaiatuba,
• 44:27
  Speaker 4: and then that one, out of the ordinary, a clip,
• 44:29
  Speaker 4: but the clip only reached 100 thousand, 200 thousand, but
• 44:32
  Speaker 4: Primo was already advanced. And then Primo said, my brother,
• 44:35
  Speaker 4: you have to make the clip in the kitchen, I
• 44:37
  Speaker 4: remember until today, in the kitchen of Dona Francisca, the
• 44:40
  Speaker 4: mother of DJ Teta, there in Santos, he took it
• 44:42
  Speaker 4: and said, bro, let's go there in the kitchen, then
• 44:45
  Speaker 4: he changed his mind, he said, bro, do you know
• 44:47
  Speaker 4: how your music is? I said, man, I don't even
• 44:50
  Speaker 4: have it. Because, like, I recorded it, it's a dream,
• 44:53
  Speaker 4: I deliver it in the hands of God. I've always
• 44:54
  Speaker 4: put this in the hands of God. Then he said, no, man,
• 44:57
  Speaker 4: you have to make a clip. I said, man, how
• 44:59
  Speaker 4: am I going to make a clip, man? I, like,
• 45:00
  Speaker 4: I earn 700 reais, man, in the work. I'm going
• 45:03
  Speaker 4: to make a clip, how?
• 45:04
  Speaker 2: Because it was out of reality for me, you know?
• 45:06
  Speaker 2: And I said, no, there's no way. He said, no,
• 45:08
  Speaker 2: there is, man.
• 45:09
  Speaker 4: I'm going to help you, there's a man there, that
• 45:10
  Speaker 4: I told you, that he studied cinema, he's doing it.
• 45:13
  Speaker 4: And then he did mine, look at this one, he
• 45:15
  Speaker 4: showed the sword in the dragon. He did it up
• 45:19
  Speaker 4: there in Sambaiatuba.
• 45:19
  Speaker 2: In Lixão.
• 45:20
  Speaker 4: I said, man, what a crazy image, bro.
• 45:24
  Speaker 2: Surreal, gringo stuff. I said, but how am I going
• 45:27
  Speaker 2: to do this, man?
• 45:28
  Speaker 4: I don't even have clothes, I don't even have sneakers.
• 45:30
  Speaker 4: I walk with fake Mizuno sneakers there, bro. I bought
• 45:33
  Speaker 4: it in the store there, bro, in Quebrada. Then he said, no, bro,
• 45:36
  Speaker 4: you'll get it because you're with Pepito. Pepito is the
• 45:39
  Speaker 4: owner of Funk MP3, bro. Do you know how strong
• 45:41
  Speaker 4: I was in MP3?
• 45:42
  Speaker 2: At that time? Until today, right? But at that time.
• 45:44
  Speaker 4: Then, man, Pepito said, started, said, I don't know what
• 45:48
  Speaker 4: else to do, boy. There in Tiradentes City, I said, man,
• 45:50
  Speaker 4: Tiradentes City... I'm going to leave here from Baixada. Is
• 45:53
  Speaker 4: it a city?
• 45:53
  Speaker 2: It must be far, man.
• 45:55
  Speaker 4: I was thinking, because, man, from Baixada to here, quickly.
• 45:57
  Speaker 4: But I was thinking, man, it must be far, I'm
• 45:59
  Speaker 4: not leaving my little favela, man. Then I said, but
• 46:03
  Speaker 4: where is it?
• 46:03
  Speaker 2: In São Paulo.
• 46:04
  Speaker 4: Then I said, no, man, it's too far, we have
• 46:06
  Speaker 4: to do it right here in my favela, man. We
• 46:09
  Speaker 4: said we couldn't go there, so we said we would
• 46:11
  Speaker 4: ask for help from the guys and we would get there.
• 46:13
  Speaker 4: And then we went, and the clip cost 900 reais
• 46:15
  Speaker 4: and 15 pastels, you know? And then, man, 28 days.
• 46:18
  Speaker 4: Calm down, where are the 15 pastels? What happened?
• 46:22
  Speaker 2: We hadn't had lunch yet, we got off at 7.30
• 46:23
  Speaker 2: in the morning.
• 46:24
  Speaker 4: We went up to Celta, you know? I think it
• 46:26
  Speaker 4: was two doors, if I'm not mistaken. I was screaming
• 46:28
  Speaker 4: in the mountains. It was like I was in a van.
• 46:36
  Speaker 4: I was looking at the mountains, because I had never
• 46:38
  Speaker 4: been to the mountains.
• 46:39
  Speaker 2: I had never left the favela.
• 46:40
  Speaker 4: Looking at the mountains, it was a big breeze. And
• 46:43
  Speaker 4: you know, when you look at it and say, man,
• 46:44
  Speaker 4: my dream is becoming reality. I'm going to record a video.
• 46:47
  Speaker 4: What I dreamed, crazy stuff. And then I went, when
• 46:50
  Speaker 4: I got to Quebrada, I said, ah, I didn't leave
• 46:52
  Speaker 4: the favela. I'm in the favela.
• 46:54
  Speaker 2: I'm at Quebrada. Then I said, ah, it's okay.
• 46:56
  Speaker 4: But I was like, man. And the anxiety, man, like, man.
• 47:03
  Speaker 4: I don't even know how it is. How do I
• 47:04
  Speaker 4: do it? Will they want me to sing? Then the
• 47:07
  Speaker 4: count said, just sing. Don't focus on the camera, just sing, bro.
• 47:12
  Speaker 4: And if you have to.
• 47:15
  Speaker 2: Go and come back. That's it.
• 47:17
  Speaker 4: Then I went.
• 47:17
  Speaker 5: Did you get too ashamed?
• 47:18
  Speaker 4: I was, because it started to agglomerate a lot of people,
• 47:21
  Speaker 4: you know? And the kids started taking pictures. Then it
• 47:24
  Speaker 4: came to my mind, put the children. Then I said,
• 47:27
  Speaker 4: I'm going to put the children. Then I told Andy,
• 47:29
  Speaker 4: but it's dangerous, dad, too much right. I said, dad,
• 47:32
  Speaker 4: then it doesn't turn out, I'll be making money, put
• 47:34
  Speaker 4: the kids back, dad. The kids are the future of funk,
• 47:37
  Speaker 4: I said, dad. These are the kids that will inspire me,
• 47:39
  Speaker 4: will inspire others to win too, you know?
• 47:42
  Speaker 2: But the kids inspired you a lot, right, brother? A lot, dad.
• 47:49
  Speaker 4: .
• 47:53
  Speaker 5: .
• 47:56
  Speaker 4: I arrived at Tiradentes around 10, 10 and a half.
• 47:59
  Speaker 4: We were waiting for the party to end. The recording
• 48:02
  Speaker 4: started at 2 and a half to 3. And then
• 48:05
  Speaker 4: we couldn't lose the sun, right? Because we didn't have
• 48:08
  Speaker 4: any light, just a camera.
• 48:09
  Speaker 2: And then we left there and went to Ré' s place.
• 48:10
  Speaker 2: To make a dance? To make the image.
• 48:16
  Speaker 4: Sítio do Ré is small, if you look at the
• 48:18
  Speaker 4: Megane's video, you can see the image of Sítio do Ré,
• 48:21
  Speaker 4: a small concrete stage, the size of this table here.
• 48:24
  Speaker 4: And I, despite this table being big, but I was
• 48:25
  Speaker 4: singing on a small stage, and the people didn't even
• 48:28
  Speaker 4: know me, and admiring. And then I did my images,
• 48:33
  Speaker 4: I sang some songs.
• 48:35
  Speaker 2: The guys who are listening, come back to this clip.
• 48:38
  Speaker 2: It's very inspiring.
• 48:40
  Speaker 4: And I would never imagine that Megane's funk could change
• 48:44
  Speaker 4: the whole scenario of our funk. Not only in the
• 48:47
  Speaker 4: state of São Paulo, but in Brazil as a whole.
• 48:49
  Speaker 2: I think that if we talk to Rodolfo, Rodolfinho, Guimê,
• 48:52
  Speaker 2: you can be sure that it inspired. Because it was
• 48:55
  Speaker 2: the clips that came later.
• 48:56
  Speaker 4: Because when I came with Megane, I remember that it
• 48:59
  Speaker 4: was a dream to get to Cabral. It was my
• 49:02
  Speaker 4: dream to go to the Nitro Night, because I only
• 49:03
  Speaker 4: saw Primo and Neguinho singing there. And I said, man,
• 49:06
  Speaker 4: I'm inspired by the best, right, bro?
• 49:09
  Speaker 2: It's Neguinho, right, bro?
• 49:11
  Speaker 4: Bichão is on the stage, small, singing for 7,000 people,
• 49:13
  Speaker 4: in a Cabral, in a Nitro Night of life, in
• 49:15
  Speaker 4: a Nação Tantã, and I was like, damn, I'm going
• 49:18
  Speaker 4: to get there.
• 49:19
  Speaker 2: So, like, when I got to the stand, the guys said, hey,
• 49:22
  Speaker 2: this boy is.
• 49:22
  Speaker 4: And, like, I passed by, I even complimented the auntie
• 49:25
  Speaker 4: from Faxina, the guy who was there for security, everyone,
• 49:27
  Speaker 4: it was always like that.
• 49:29
  Speaker 2: And then, the guys, man, this boy is the moment.
• 49:31
  Speaker 3: But when you saw the unposted video, the video made there, like, oh,
• 49:36
  Speaker 3: it's ready.
• 49:37
  Speaker 5: What was your feeling? 15 days, 15 days before, we
• 49:39
  Speaker 5: sat at.
• 49:39
  Speaker 4: Conte's office, there in Guarujá, and we went to see
• 49:42
  Speaker 4: the video. Then when I looked, I said, damn, I
• 49:45
  Speaker 4: don't believe I got so pretty. No, the guy was thin, thin, played.
• 49:48
  Speaker 2: More stylish than the video.
• 49:49
  Speaker 5: No style at all, no style at all.
• 49:51
  Speaker 4: After I went to create more in the video, I
• 49:54
  Speaker 4: got in style, you know? But then I said, damn, man,
• 49:56
  Speaker 4: it's me in the.
• 49:57
  Speaker 2: Show, because I only saw the gringos.
• 50:02
  Speaker 4: And suddenly I saw myself on a screen, on a
• 50:07
  Speaker 4: music video, the cars, the drinks, and I said, man,
• 50:10
  Speaker 4: I think this thing is going to be crazy. Then
• 50:13
  Speaker 4: I went to Fantástica and saw Bafafinha playing Megane to
• 50:18
  Speaker 4: announce to the guys that the music video was going
• 50:20
  Speaker 4: to be released. We approved it, it's approved, let's go up.
• 50:24
  Speaker 4: We went up to the Funk MP3 channel, which is
• 50:27
  Speaker 4: now my official channel. After a few years, I bought
• 50:30
  Speaker 4: this channel.
• 50:31
  Speaker 6: Because all my content is there.
• 50:33
  Speaker 4: You know?
• 50:34
  Speaker 2: That gray profile picture. Yeah.
• 50:35
  Speaker 6: That gray picture there, I took it when I went
• 50:37
  Speaker 6: to record with.
• 50:39
  Speaker 4: I recorded and imagined with Malboro, you know? And then
• 50:45
  Speaker 4: we created a channel. Because it was all very new.
• 50:48
  Speaker 4: You guys were already more updated.
• 50:50
  Speaker 5: On this thing. But it was very new.
• 50:51
  Speaker 4: But we were very leigo on this thing. of a
• 50:55
  Speaker 4: YouTube channel, of making money, you just wanted to appear
• 50:58
  Speaker 4: and be happy.
• 50:59
  Speaker 2: You just wanted to generate content. Show your tricks, at
• 51:01
  Speaker 2: the most.
• 51:02
  Speaker 4: And then, suddenly, I saw Megane hit, in less than
• 51:06
  Speaker 4: 28 days, a million.
• 51:08
  Speaker 3: For that time, it was a record.
• 51:10
  Speaker 2: No, a million, at that time, I'm not even kidding,
• 51:14
  Speaker 2: it's the talk of 50 million today. That's it, man.
• 51:16
  Speaker 5: Yes, yes.
• 51:17
  Speaker 2: And I was like, damn, bro. My dream, man. But there,
• 51:21
  Speaker 2: at Fantástico, the thing announced at the time it was released.
• 51:24
  Speaker 2: You know? With Megane's Minion, how many dances did you do?
• 51:26
  Speaker 2: I did a lot.
• 51:27
  Speaker 4: I remember I was still working on it. I was
• 51:30
  Speaker 4: still working on it. I asked for my bills.
• 51:34
  Speaker 2: You know? The employee said... When do you.
• 51:35
  Speaker 4: Have the courage to ask for the bills? He said,
• 51:38
  Speaker 4: you're crazy. I said, man, my music video blew up, man.
• 51:40
  Speaker 4: I have two dances this weekend. And each dance is
• 51:44
  Speaker 4: R $ 1,000. I have R $ 1,500 of each one.
• 51:45
  Speaker 4: Because it was divided.
• 51:46
  Speaker 5: R $ 1,500.
• 51:46
  Speaker 2: I have R $ 1,500 of each one. I have
• 51:48
  Speaker 2: R $ 1,000, man.
• 51:48
  Speaker 4: I kill myself here all month to earn R $ 700.
• 51:49
  Speaker 2: But go away, man. After that, give me the bills.
• 51:52
  Speaker 2: Go away, man. The employee said, no, man. Are you crazy?
• 51:55
  Speaker 4: Crazy is everything. I'm not going to do this with you, Ayrton.
• 52:04
  Speaker 4: I'm gonna do this, they went to Mil Graus, Mr.
• 52:06
  Speaker 4: Roberto and Mr. Fábio, he said, I'm going as if
• 52:10
  Speaker 4: I were dispensing you.
• 52:12
  Speaker 2: So you can go out with your rights.
• 52:13
  Speaker 6: And then you're going to go out with your rights
• 52:16
  Speaker 6: and receive.
• 52:16
  Speaker 4: And pay attention, if, look what he said, if the
• 52:19
  Speaker 4: song is bad there, you can come back because.
• 52:22
  Speaker 2: The door is open. You don't have to be an employee.
• 52:24
  Speaker 4: It's that I didn't measure effort, like if I had
• 52:26
  Speaker 4: to go until seven in the evening, hit the marreta there,
• 52:29
  Speaker 4: doing the ramp stop, because we were building buildings.
• 52:32
  Speaker 2: But you dug this place, right? And then I did
• 52:34
  Speaker 2: my best.
• 52:34
  Speaker 4: Then he said, you can come back here, because the
• 52:36
  Speaker 4: doors are open.
• 52:37
  Speaker 2: Then I said, no, Mr.
• 52:38
  Speaker 4: Roberto, I'm going to come back here to make a
• 52:41
  Speaker 4: clip of a song of mine with you. Then he said,
• 52:44
  Speaker 4: go there, good luck for you. Then I came back
• 52:46
  Speaker 4: there to do it.
• 52:47
  Speaker 6: And I imagined, when I came back, the guys were.
• 52:49
  Speaker 5: Happy, the guys cried.
• 52:52
  Speaker 3: But it's very cool this story, but I also want
• 52:55
  Speaker 3: to know your feelings. When it hit a million... How
• 52:57
  Speaker 3: was it, man? You said, now I'm an artist, damn it.
• 53:00
  Speaker 4: Then I said, now I've become an artist, right? Because, like,
• 53:05
  Speaker 4: the funk was very taxed as something of maloqueiro, something
• 53:08
  Speaker 4: of bandido, you know?
• 53:09
  Speaker 2: So I said, man.
• 53:12
  Speaker 4: I was able to reach that respect that I wanted
• 53:14
  Speaker 4: for my guys. Because it wasn't just me. There were
• 53:18
  Speaker 4: many friends who came from behind, you know? Like Neguinho, Duda, Primo,
• 53:23
  Speaker 4: Claudio Ratinho, Renatinho Alemão, Danilo Farinho... Felipe Boladão. Felipe Boladão
• 53:26
  Speaker 4: is from my time. It's amazing that we were born
• 53:29
  Speaker 4: in the same... When I say cradle, I mean our generation.
• 53:32
  Speaker 2: Yeah, he was born in 2009, 2010, right?
• 53:33
  Speaker 4: We were born in the same time, 2006, 2007. I
• 53:35
  Speaker 4: used to follow Felipe in the square. Felipe was already unrolled.
• 53:41
  Speaker 2: And he was already different?
• 53:43
  Speaker 4: He was already different in the content, the ideas, the voracity.
• 53:48
  Speaker 2: These words that he used.
• 53:49
  Speaker 4: Not even in the dictionary I found these things, I
• 53:51
  Speaker 4: was looking for it. But he read a lot of books,
• 53:54
  Speaker 4: you know? He was a boy who had the support
• 53:57
  Speaker 4: of Careca, who was Careca Pichote, may God have him too.
• 53:59
  Speaker 4: And then, whether or not, Felipe was already a boy
• 54:03
  Speaker 4: who left our bubble and already started to make success,
• 54:06
  Speaker 4: bought his first little bike. Then I, oh, damn, Felipe,
• 54:08
  Speaker 4: did it. We will also succeed, we have to inspire
• 54:11
  Speaker 4: ourselves in him. And then it was that, pum, but
• 54:13
  Speaker 4: then we lost a partner, right? The boy died and
• 54:14
  Speaker 4: I was going to record the song, look, my God,
• 54:17
  Speaker 4: with him, you know? I went to his show in
• 54:20
  Speaker 4: Bitaru with DJ Bafafinha and I asked him to record
• 54:23
  Speaker 4: with me. I waited for him to leave the house
• 54:25
  Speaker 4: and asked him to record with me. Then I asked
• 54:27
  Speaker 4: him to record with me. Then I asked him to
• 54:29
  Speaker 4: record with me. Then I asked him to record with me.
• 54:31
  Speaker 4: Then I asked him to record with me. Then I
• 54:33
  Speaker 4: asked him to record with me. Well, not wanting to
• 54:42
  Speaker 4: run away from the mythical question, it was a dream
• 54:45
  Speaker 4: becoming a reality. I was very happy, you know?
• 54:48
  Speaker 2: Very happy, bro.
• 54:49
  Speaker 4: There were tears of mine that only God saw me
• 54:51
  Speaker 4: crying at night because of what I went through, you know?
• 54:55
  Speaker 4: Because of the days on the bike that I went
• 54:57
  Speaker 4: to the break of someone, of Beltrano, the cyclone break,
• 55:01
  Speaker 4: to ask for an opportunity to sing a song, you know?
• 55:03
  Speaker 4: That is, those five years of fighting, Now it's becoming
• 55:08
  Speaker 4: a reality. I planted the seed and now I'm reaping
• 55:10
  Speaker 4: the fruit. But I have to keep growing.
• 55:12
  Speaker 3: What did the media talk about at that time? About
• 55:17
  Speaker 3: the success of the video, about this funk style. What
• 55:19
  Speaker 3: were you listening to? Because sometimes we had a lot
• 55:23
  Speaker 3: of fans there, but only good things. But overall, what
• 55:27
  Speaker 3: was the media talking about? Besides São Paulo, funk, ostentatious,
• 55:30
  Speaker 3: what was being said?
• 55:31
  Speaker 4: In the beginning, the media even started to support So
• 55:36
  Speaker 4: I went to Globo and SBT without paying a penny.
• 55:40
  Speaker 4: Because the show was a penny. So I arrived at
• 55:43
  Speaker 4: the show without paying anything. So God was in front
• 55:46
  Speaker 4: of everything and suddenly it happened.
• 55:49
  Speaker 2: But why am I here? And then I started to
• 55:51
  Speaker 2: study this.
• 55:52
  Speaker 4: Because as I was going through the stages, especially in
• 55:55
  Speaker 4: the Astro show, there are stages, there are several artists
• 55:58
  Speaker 4: who will compete with you inside the studio, the show.
• 56:00
  Speaker 6: So I said, calm down.
• 56:02
  Speaker 2: I passed it.
• 56:03
  Speaker 4: Man, but I was having a lot of fun today,
• 56:04
  Speaker 4: I did four shows yesterday, I came back and, man,
• 56:07
  Speaker 4: thank God, God is in control of the thing.
• 56:08
  Speaker 2: Why are the guys making mistakes, man? Because of the audience.
• 56:11
  Speaker 2: You understand, man? Then I said, man, it's the audience.
• 56:14
  Speaker 4: But even understanding that it's the audience, because the emissary
• 56:19
  Speaker 4: is what made us happy every.
• 56:20
  Speaker 2: Day, right, man?
• 56:20
  Speaker 4: With a little movie, a soap opera, a TV show,
• 56:23
  Speaker 4: a Praça Nossa, it still took the wave there.
• 56:25
  Speaker 5: You know?
• 56:26
  Speaker 2: To talk like this, unfortunately, with the deaths that took
• 56:28
  Speaker 2: place at Baixada, it started to... They would say that
• 56:32
  Speaker 2: those who made funk were bandits.
• 56:35
  Speaker 5: It was a dangerous thing.
• 56:36
  Speaker 2: Look what they sing, look what they say. So it's
• 56:38
  Speaker 2: normal for them to die. You understand? So much so
• 56:41
  Speaker 2: that when we.
• 56:42
  Speaker 4: Lost the partners and the partners died, it was a
• 56:44
  Speaker 4: big blow.
• 56:45
  Speaker 2: I suffered a lot. Did you know the four?
• 56:47
  Speaker 4: I knew them all.
• 56:48
  Speaker 2: The only one I didn't know was Zoio de Gato.
• 56:56
  Speaker 2: I met Daleste.
• 56:57
  Speaker 4: We did a lot of shows together.
• 56:59
  Speaker 2: Daleste and you were good friends, because I remember the
• 57:01
  Speaker 2: video of Daleste mimicking. Mimicking, kidding me.
• 57:03
  Speaker 4: But we did a lot of shows, because Daleste, when
• 57:05
  Speaker 4: he saw, he followed the scene. Like, it changed to
• 57:08
  Speaker 4: the ostentation and everyone came. Because when the guys saw
• 57:10
  Speaker 4: me at Cabral at Nitro Night, they said, man, either
• 57:13
  Speaker 4: we go with the kid or we go with the.
• 57:14
  Speaker 2: Kid, there's no way out.
• 57:15
  Speaker 4: We're going to stay back, because the thing has changed,
• 57:18
  Speaker 4: the dream is becoming reality, the guy is showing it, bro.
• 57:20
  Speaker 6: So everyone came. When Guimê, Daleste, Nego Blue came, Nego
• 57:23
  Speaker 6: Blue was.
• 57:23
  Speaker 4: Already the guy from Consciente too, they go and live
• 57:25
  Speaker 4: there in the strip, you know? So they already came
• 57:27
  Speaker 4: following and understood that the thing has changed. Soon after
• 57:30
  Speaker 4: we had the NK also following, which also adds a
• 57:32
  Speaker 4: lot to us, you know?
• 57:33
  Speaker 6: It added to keep the thing there. So people were like, man,
• 57:37
  Speaker 6: this thing has changed.
• 57:38
  Speaker 2: But do you know that you are one of the
• 57:41
  Speaker 2: main pushers of this bond?
• 57:43
  Speaker 4: Yeah, people say that I'm the protagonist of the thing.
• 57:45
  Speaker 4: I think so, bro.
• 57:46
  Speaker 2: You know? But I don't call myself that because it
• 57:49
  Speaker 2: came before me, right? I agree. But I may have
• 57:51
  Speaker 2: created that style.
• 57:52
  Speaker 3: But in the movement itself, did you feel the resistance
• 57:55
  Speaker 3: of the MCs, for example?
• 57:56
  Speaker 5: Like, man, this thing is very new. The thing that's
• 57:58
  Speaker 5: getting is old.
• 57:59
  Speaker 2: I heard people say that I was going to be
• 58:01
  Speaker 2: like Felipe Bola.
• 58:02
  Speaker 3: No, bro.
• 58:03
  Speaker 2: Because I was going to die, you know? I was
• 58:04
  Speaker 2: going to pass my success.
• 58:06
  Speaker 4: And then, when I heard that, boom. Not that it
• 58:10
  Speaker 4: shocked me, because I lived the reality of the outskirts. So,
• 58:13
  Speaker 4: if I survive the outskirts, the daily life of the place,
• 58:16
  Speaker 4: which is not easy, you know? It's very difficult.
• 58:19
  Speaker 2: So, a word won't kill me. You know? It won't
• 58:22
  Speaker 2: destroy me.
• 58:22
  Speaker 4: And then, I created fuel. I, who am a.
• 58:24
  Speaker 2: Fan, I can say, bro, you are one of the pioneers, yes.
• 58:27
  Speaker 2: I'm talking, bro. To use even a.
• 58:31
  Speaker 2: An irony, a satire in the song, to talk about ostentation.
• 58:35
  Speaker 2: I don't know if I'm exaggerating, but the cord is
• 58:38
  Speaker 2: giving me cramps. And then he came.
• 58:40
  Speaker 5: A sagacity.
• 58:41
  Speaker 2: I think this is a matter of humility.
• 58:44
  Speaker 4: I think you guys are the success you are today,
• 58:46
  Speaker 4: but humility is everything and you didn't lose this thing.
• 58:48
  Speaker 2: Thank you. You know, bro? Because humility has to be
• 58:51
  Speaker 2: at the forefront of everything.
• 58:52
  Speaker 4: So, like, when I sang, I don't know if I'm exaggerating,
• 58:56
  Speaker 4: but the cord.
• 58:57
  Speaker 2: Like, I don't even know, bro.
• 58:58
  Speaker 4: Because I came from so little that a lot for
• 59:01
  Speaker 4: me doesn't make a difference.
• 59:03
  Speaker 2: It's just my way of surviving today.
• 59:05
  Speaker 5: Sorry, bro, but I'm like that, bro. And you see that.
• 59:07
  Speaker 4: I'm not a guy on the internet who doesn't post things.
• 59:10
  Speaker 4: I have, or what I'm eating, or what I'm living. Why?
• 59:13
  Speaker 4: Because I have it with me. I don't blame any
• 59:16
  Speaker 4: other artist and I don't condemn anyone. But I think
• 59:18
  Speaker 4: that sometimes I post, it seems that I'm decreasing.
• 59:21
  Speaker 2: I understand.
• 59:21
  Speaker 4: Who is on the other side seeing me. And I
• 59:23
  Speaker 4: like people to see me personally. I went to the
• 59:26
  Speaker 4: mall with my family, and I said, man, he's really humble.
• 59:29
  Speaker 4: Because I'm not the kind of guy who forces humility.
• 59:32
  Speaker 4: I was born with humility. God put it in me
• 59:34
  Speaker 4: when I was.
• 59:35
  Speaker 2: Born and I still have it today. And you'll never
• 59:37
  Speaker 2: lose it. And there's no way to lose it. Brother,
• 59:39
  Speaker 2: going back to the question, unfortunately, of the murders of
• 59:42
  Speaker 2: the MCs of the Bachata, how was it for you?
• 59:44
  Speaker 2: Because you were also from the Bachata. I imagine that
• 59:47
  Speaker 2: people must have said, be careful, must have alerted you
• 59:51
  Speaker 2: a lot. Like, man, the NK survived by a miracle, man.
• 59:54
  Speaker 2: It was, it was. How was it for you, brother?
• 59:55
  Speaker 2: I was very tense.
• 59:56
  Speaker 4: I think that in the first death there that happened
• 59:58
  Speaker 4: to Felipe, it already gave that bang, right, brother? Because
• 1:00:02
  Speaker 4: I was like.
• 1:00:04
  Speaker 2: Am I on the right path? Am I on the
• 1:00:05
  Speaker 2: right path?
• 1:00:07
  Speaker 4: What happened? I need to study more. To know what happened.
• 1:00:10
  Speaker 4: And nobody knows.
• 1:00:11
  Speaker 2: What happened until today. So, bro, what shocked me the
• 1:00:13
  Speaker 2: most was the deaths, like... It wasn't the light of
• 1:00:17
  Speaker 2: the day, but like... In the middle of everyone, fuck it,
• 1:00:19
  Speaker 2: nobody knows. That's it, you know?
• 1:00:20
  Speaker 4: Like, you got hit in the face, you appeared, and
• 1:00:22
  Speaker 4: it was... And we lost some more warriors.
• 1:00:24
  Speaker 2: That encouraged us.
• 1:00:25
  Speaker 4: But then, I also got more into Duda's death. Because
• 1:00:32
  Speaker 4: Duda sang with me on the same night he died.
• 1:00:35
  Speaker 2: You know? At 15, in Santos.
• 1:00:36
  Speaker 4: There were some ballads and I was singing in that
• 1:00:40
  Speaker 4: ballad and he was watching me.
• 1:00:41
  Speaker 2: I was crying.
• 1:00:42
  Speaker 4: Standing in the middle of the ballad.
• 1:00:46
  Speaker 2: And he saw me crying.
• 1:00:47
  Speaker 4: And then Pepito said, look who's there.
• 1:00:50
  Speaker 6: I was watching.
• 1:00:51
  Speaker 4: And when I looked, you know, that simple guy from
• 1:00:53
  Speaker 4: the ghetto. A guy who was already very respected by us.
• 1:00:55
  Speaker 4: And you didn't even know he was there. You didn't
• 1:00:58
  Speaker 4: even know. And singing his song. Because I always sang
• 1:00:59
  Speaker 4: of Juliet, because I was shy. So I used Juliette
• 1:01:02
  Speaker 4: to lose my timidity.
• 1:01:03
  Speaker 2: And then I left.
• 1:01:04
  Speaker 4: So if my brother cursed at me, I wasn't even there.
• 1:01:06
  Speaker 4: And then I sang in tears, but he got closer.
• 1:01:08
  Speaker 4: And he started clapping, bro. He started clapping, and then
• 1:01:10
  Speaker 4: the guys started clapping too.
• 1:01:12
  Speaker 2: Then I gave him my hand, so he could go
• 1:01:14
  Speaker 2: up on stage with me.
• 1:01:15
  Speaker 6: Then I sang with him, and he said, no, I
• 1:01:17
  Speaker 6: want to.
• 1:01:17
  Speaker 2: See you sing. Continue, it's beautiful. And he was encouraging
• 1:01:28
  Speaker 2: the crowd.
• 1:01:28
  Speaker 4: Then he said... Then the song was over. And people
• 1:01:31
  Speaker 4: were like, dude, Duda is going to break everything. Because
• 1:01:34
  Speaker 4: when Duda came up, he would break the dance.
• 1:01:37
  Speaker 2: He would take the shirt off. He was a monster, man.
• 1:01:39
  Speaker 2: Like him, we only had Primo and Frank. And Cauã.
• 1:01:41
  Speaker 4: And Cauã, which is an unusual structure. You can't do
• 1:01:45
  Speaker 4: anything about it.
• 1:01:47
  Speaker 2: Cauã is a generation a little before mine.
• 1:01:49
  Speaker 4: Then Duda sang with me. Then he said, I said
• 1:01:55
  Speaker 4: to him, let's sing Lágrimas again. Dad, I'm shy.
• 1:01:58
  Speaker 6: Then he said, no, I'm going.
• 1:02:00
  Speaker 2: To sing this one. Then he pulled Megane.
• 1:02:03
  Speaker 5: Man!
• 1:02:04
  Speaker 3: Wow!
• 1:02:04
  Speaker 4: Whoever was there that day will remember.
• 1:02:07
  Speaker 2: You know? I was there, starting my career, making a noise.
• 1:02:10
  Speaker 2: And it was that night.
• 1:02:10
  Speaker 5: And then I went home, Duda was there, he was
• 1:02:13
  Speaker 5: a guy who.
• 1:02:13
  Speaker 2: Used his stuff, and it was his party, bro.
• 1:02:16
  Speaker 4: And then he left the ball, he died under the sidewalk.
• 1:02:25
  Speaker 4: You know?
• 1:02:25
  Speaker 2: Near the... The Covardia. The Terminal de Santos, there. At Covardia, man.
• 1:02:29
  Speaker 6: Because Neguinho, you know, man? It was a thousand degrees, right, bro?
• 1:02:32
  Speaker 2: And then, all of a sudden, Pepito calls me at
• 1:02:34
  Speaker 2: six in the morning. He called me on the radio.
• 1:02:36
  Speaker 2: Part of the news?
• 1:02:36
  Speaker 4: Then he called me already. Yeah, to give me the news.
• 1:02:39
  Speaker 2: And I was like, are you crazy? No, I was
• 1:02:42
  Speaker 2: just kidding.
• 1:02:42
  Speaker 4: But Pepito wasn't the kind of guy that we used
• 1:02:45
  Speaker 4: to sleep and wake up at noon to do a
• 1:02:47
  Speaker 4: radio show, a TV show, to go to our club,
• 1:02:50
  Speaker 4: because we were already in Ascensão. And then, man, they
• 1:02:52
  Speaker 4: killed Duda, man. And when I went to see, man,
• 1:02:56
  Speaker 4: the internet had already stopped with the news of Duda's death,
• 1:02:58
  Speaker 4: you know? Then, man, Velório do Mano was my grade,
• 1:03:00
  Speaker 4: because I wanted to record with Eguinho, right, man?
• 1:03:03
  Speaker 2: And the day he went to.
• 1:03:05
  Speaker 4: Record with me in the studio, We were with the
• 1:03:07
  Speaker 4: sound on, in Teta, in the AP, and we didn't
• 1:03:11
  Speaker 4: see him calling, screaming, because Teta's campaign was.
• 1:03:13
  Speaker 2: Did he go to record with you? He did, man.
• 1:03:14
  Speaker 2: And you didn't hear? Oh, man. I didn't go. Then I,
• 1:03:17
  Speaker 2: damn it.
• 1:03:18
  Speaker 4: And then I played him at the ball. Then I
• 1:03:20
  Speaker 4: played him at the ball, he sang with me, then
• 1:03:22
  Speaker 4: I was like, let's record, he's still standing, you know?
• 1:03:26
  Speaker 4: And I, damn, so happy, dude, Duda, right, bro?
• 1:03:28
  Speaker 2: What a crazy guy.
• 1:03:29
  Speaker 4: The tearful guy, right, bro? And then, like, Duda died,
• 1:03:31
  Speaker 4: then I was like, damn, bro. Then we had the
• 1:03:33
  Speaker 4: sequence there. Like, losing Primo, losing Careca, Primo was at
• 1:03:39
  Speaker 4: the Velório, Duda was there, Felipe wasn't there, I felt
• 1:03:42
  Speaker 4: really bad because I was a big fan of him.
• 1:03:43
  Speaker 2: Bro, excuse me, but weren't you afraid of going to
• 1:03:46
  Speaker 2: the Velório?
• 1:03:47
  Speaker 4: I was, I was.
• 1:03:48
  Speaker 2: From the heart.
• 1:03:48
  Speaker 4: I was afraid of Primo, and Careca blocked me.
• 1:03:51
  Speaker 2: Because I couldn't go, you know? Because I think there's
• 1:03:54
  Speaker 2: a documentary I watched, one of the MCs saying that,
• 1:03:58
  Speaker 2: I don't know if it was Primo at the Velório
• 1:04:00
  Speaker 2: do Careca, or Duda, that said, you're next. The guy
• 1:04:05
  Speaker 2: who was at the Primo's place got the call saying,
• 1:04:06
  Speaker 2: you're the next one.
• 1:04:07
  Speaker 4: We were all together talking, you know? Like, several MCs,
• 1:04:11
  Speaker 4: all together there, NK, everyone. And then his phone rang,
• 1:04:14
  Speaker 4: he left the corner. There were some close businessmen. And
• 1:04:18
  Speaker 4: then he left the corner, when he came back, he
• 1:04:20
  Speaker 4: already came back.
• 1:04:21
  Speaker 2: Looking sad, down.
• 1:04:23
  Speaker 4: Then he said, hey guys, take it easy, they just
• 1:04:25
  Speaker 4: called me and played my background music and said, you're
• 1:04:29
  Speaker 4: the next one.
• 1:04:31
  Speaker 2: And we were like... Man, that's cruel. Yeah, because we
• 1:04:33
  Speaker 2: were taking it seriously. Like, why is everyone dying? You know?
• 1:04:35
  Speaker 4: Is it because we're telling the truth about what we're
• 1:04:38
  Speaker 4: going through? And this is hitting people with high patents?
• 1:04:42
  Speaker 2: And then he.
• 1:04:43
  Speaker 4: Man, I think it's better for us to get out.
• 1:04:46
  Speaker 4: And we didn't even see my cousin being buried. We
• 1:04:48
  Speaker 4: just participated in the funeral. And when my cousin accepted him.
• 1:04:51
  Speaker 2: There, we.
• 1:04:52
  Speaker 4: I took my little bike, I was going to go
• 1:04:54
  Speaker 4: out a million to get broken.
• 1:04:55
  Speaker 2: Yeah, brother, to protect yourself.
• 1:04:56
  Speaker 4: And then I got out of the broken, right, dad?
• 1:04:58
  Speaker 4: Then I came to live in the capital of São Paulo.
• 1:05:00
  Speaker 4: I was 8 months pregnant, my wife was pregnant, so
• 1:05:03
  Speaker 4: I was like, man, I'm going to see my.
• 1:05:04
  Speaker 2: Son from there. That's what was in my belly at
• 1:05:06
  Speaker 2: the time, Victor Gabriel.
• 1:05:07
  Speaker 4: And then, like, man, I have to protect my family,
• 1:05:10
  Speaker 4: I have to protect myself.
• 1:05:12
  Speaker 3: That disturbed, let's say so, artistically, the creation of your songs,
• 1:05:18
  Speaker 3: your vibe, because I imagine that you were.
• 1:05:21
  Speaker 2: Yeah, I was in a session.
• 1:05:22
  Speaker 5: These things happened, like, man, and now, how was it?
• 1:05:25
  Speaker 4: Yeah, in my, in the matter of my, in my psychology,
• 1:05:27
  Speaker 4: it was a, it was a ballad, you know? I
• 1:05:30
  Speaker 4: was scared because I wrote some stuff about the reality
• 1:05:32
  Speaker 4: that we lived and the dream.
• 1:05:33
  Speaker 2: So it was a shock.
• 1:05:35
  Speaker 4: And then I thought, man, what's going on?
• 1:05:39
  Speaker 2: I don't owe anything to anyone.
• 1:05:41
  Speaker 5: But you're scared.
• 1:05:42
  Speaker 4: I'm scared.
• 1:05:42
  Speaker 2: Because the fear comes, right? The fear serves us to
• 1:05:44
  Speaker 2: survive more.
• 1:05:45
  Speaker 5: Especially since there are families, children coming.
• 1:05:47
  Speaker 4: And then my pregnant wife, almost having a child there. Brother,
• 1:05:51
  Speaker 4: looking from the outside... The break was sinister. The downfall
• 1:05:54
  Speaker 4: was sinister.
• 1:05:54
  Speaker 2: For me, they thought it would end with funk.
• 1:05:57
  Speaker 4: Yeah.
• 1:05:59
  Speaker 2: And then I got scared, because since I was Ascensão,
• 1:06:00
  Speaker 2: I was the guy of the moment.
• 1:06:02
  Speaker 5: An easy target, right?
• 1:06:04
  Speaker 4: And I was the guy who, if you passed by Charme,
• 1:06:06
  Speaker 4: I was with the grass cutting machine, cutting the grass
• 1:06:09
  Speaker 4: in front of the canal. You know? Because I lived
• 1:06:11
  Speaker 4: in front of the Canal da Quebrada. And then there
• 1:06:13
  Speaker 4: was a garden, which was Mano's, and I bought his house.
• 1:06:16
  Speaker 4: And I wanted to keep that garden.
• 1:06:17
  Speaker 2: And then I bought a machine. And I was a success, man.
• 1:06:21
  Speaker 4: I was there cutting the grass on the edge of
• 1:06:23
  Speaker 4: the canal to leave the favela in front of the
• 1:06:25
  Speaker 4: beautiful favela of the village and the people passed by
• 1:06:28
  Speaker 4: and saw me there, took a picture with me, so
• 1:06:29
  Speaker 4: he was a very accessible guy.
• 1:06:31
  Speaker 3: I also wanted to know, you talked about Daleste, what
• 1:06:34
  Speaker 3: was your approach to Daleste?
• 1:06:35
  Speaker 5: Daleste was a guy who always respected.
• 1:06:37
  Speaker 4: Me, like I was talking about Kevin too, he's a
• 1:06:39
  Speaker 4: boy who always respected me, he was always my fan,
• 1:06:42
  Speaker 4: he always enjoyed my songs, although he's been a little
• 1:06:45
  Speaker 4: longer than me in the music scene, already in the capital,
• 1:06:48
  Speaker 4: in Ascensão, and I came from there, from Baixada, He
• 1:06:52
  Speaker 4: used to prank me, it was one of those jokes
• 1:06:54
  Speaker 4: that he used to have, right?
• 1:06:56
  Speaker 6: You'd think he was serious, and then he'd be joking around.
• 1:06:58
  Speaker 2: He's very funny.
• 1:06:58
  Speaker 4: He'd be imitating me, there's a video of him imitating
• 1:07:01
  Speaker 4: me that went viral.
• 1:07:02
  Speaker 2: You know?
• 1:07:03
  Speaker 4: But all the shows we'd go to, bro, his joy,
• 1:07:07
  Speaker 4: the energy he'd give was surreal.
• 1:07:08
  Speaker 2: He was really different, right, bro? In the way he
• 1:07:10
  Speaker 2: treated the artists.
• 1:07:12
  Speaker 4: He could be going through any kind of fight, because
• 1:07:13
  Speaker 4: he was a humble family guy too.
• 1:07:14
  Speaker 2: But he'd give off a very good energy.
• 1:07:16
  Speaker 4: And then, man, Camarim was us, and I'd drink some Goró,
• 1:07:20
  Speaker 4: we'd drink together. You know? And we were so happy.
• 1:07:23
  Speaker 4: He would announce, I would go up, he would go down,
• 1:07:25
  Speaker 4: I would go to the other one. And we would
• 1:07:27
  Speaker 4: do 5 or 6 shows at night.
• 1:07:29
  Speaker 2: All together.
• 1:07:30
  Speaker 4: And sometimes we were in 3 or 4 together. So
• 1:07:32
  Speaker 4: it was fun for you. It was a lot, it
• 1:07:35
  Speaker 4: was a lot, man. When we would hang out, me, him,
• 1:07:37
  Speaker 4: Nego Blue, Lon, Guimê, Rodolfinho.
• 1:07:40
  Speaker 2: Brother, you know?
• 1:07:41
  Speaker 4: Then came Samuque Nego, he was a bastard. Léo da Baixada. Brother,
• 1:07:45
  Speaker 4: it was a lot of fun.
• 1:07:46
  Speaker 5: Man, what an era.
• 1:07:47
  Speaker 2: We just wanted a glass of water.
• 1:07:50
  Speaker 4: Our vodka there wasn't even energetic, it was those vibes
• 1:07:53
  Speaker 4: that we had there.
• 1:07:54
  Speaker 2: Plastic bottles. Yeah, plastic bottles. We were so happy. There
• 1:07:57
  Speaker 2: were some burnt ribs there.
• 1:07:58
  Speaker 4: Frozen ribs. Frozen ribs, man. When we got to Camarim
• 1:08:02
  Speaker 4: de Chapita, we were so happy.
• 1:08:03
  Speaker 2: We were so happy. Not that I'm not happy today,
• 1:08:05
  Speaker 2: but I'm talking about the show, right? Camarim.
• 1:08:07
  Speaker 4: And how was that time for you? What was the
• 1:08:09
  Speaker 4: peak of shows that you....
• 1:08:18
  Speaker 5: How many shows did you do in one night?
• 1:08:21
  Speaker 4: In one night, what really marked me was Children's Day.
• 1:08:24
  Speaker 4: Children's Month is the lot's schedule. So, on Children's Day,
• 1:08:27
  Speaker 4: I think it was on the 12th or 13th, I
• 1:08:28
  Speaker 4: went out to do nine shows, you know?
• 1:08:30
  Speaker 2: What's that? Nine shows.
• 1:08:30
  Speaker 6: But then, on the last show, I passed out.
• 1:08:33
  Speaker 2: I couldn't take it. On stage?
• 1:08:34
  Speaker 4: I didn't have a tuner, man. I didn't have anything.
• 1:08:38
  Speaker 4: I didn't even have my microphone.
• 1:08:40
  Speaker 5: On Children's Day, you go to some dances for free, right?
• 1:08:43
  Speaker 2: All of them, man.
• 1:08:44
  Speaker 5: For free, for free. So, it was even crazier.
• 1:08:46
  Speaker 2: It was crazier, because I remember that I started at noon,
• 1:08:49
  Speaker 2: You know?
• 1:08:49
  Speaker 4: And then I finished at Fundão da Sul, Capão Redondo, and,
• 1:08:55
  Speaker 4: the last dance, it was a closed dance. And then, man,
• 1:08:59
  Speaker 4: how did I give this energy that I don't have
• 1:09:00
  Speaker 4: anymore to the public? And then I went to the
• 1:09:03
  Speaker 4: last one, and my voice was a very high tone, right?
• 1:09:05
  Speaker 4: Even after a while I got hurt because of that.
• 1:09:06
  Speaker 4: And then it was a very high tone, with the Goronamente, bro.
• 1:09:10
  Speaker 4: And then I remember that I got sick and the producer,
• 1:09:13
  Speaker 4: just for Murilo, who is out of the country today,
• 1:09:17
  Speaker 4: and like, damn, he held me there.
• 1:09:19
  Speaker 2: He took it to the dressing room, but.
• 1:09:20
  Speaker 6: The audience didn't understand anything.
• 1:09:22
  Speaker 2: But it was 9 shows.
• 1:09:23
  Speaker 4: I used to do almost 90 shows in a month.
• 1:09:26
  Speaker 7: Wow.
• 1:09:27
  Speaker 2: It was hard, man.
• 1:09:28
  Speaker 4: It was hard, it was hard.
• 1:09:29
  Speaker 2: I suffered a lot.
• 1:09:30
  Speaker 4: But I say that the partners who came before me
• 1:09:32
  Speaker 4: suffered a lot more too.
• 1:09:34
  Speaker 2: But to be today as it is. Yes.
• 1:09:37
  Speaker 4: I tell you that it was worth it. But I
• 1:09:38
  Speaker 4: think we have to... But I think people could value
• 1:09:41
  Speaker 4: it more, right? They could value it more, not to
• 1:09:44
  Speaker 4: record with me, but to remember, as I saw you
• 1:09:47
  Speaker 4: with several partners here, remembering me. Because you lived my time,
• 1:09:50
  Speaker 4: our temptation.
• 1:09:51
  Speaker 2: You listened to the baile, bro.
• 1:09:53
  Speaker 4: As much as you lived in another place and he
• 1:09:55
  Speaker 4: lived in the capital, you heard the thing, you identified yourself.
• 1:09:59
  Speaker 2: And there are MCs who step here and remember us.
• 1:10:02
  Speaker 2: It's just to be remembered, I.
• 1:10:02
  Speaker 4: Don't want you to record with me, you know? Because
• 1:10:04
  Speaker 4: I lived a time when we didn't want to record
• 1:10:06
  Speaker 4: with someone else. It wasn't a matter of not wanting
• 1:10:09
  Speaker 4: to record, it was that we lived the moment. I
• 1:10:12
  Speaker 4: think that today's MCs have to value the moment more,
• 1:10:14
  Speaker 4: because life goes by very fast.
• 1:10:15
  Speaker 2: You know?
• 1:10:16
  Speaker 4: And I value that. You can see that I got
• 1:10:18
  Speaker 4: here and didn't even get a cell phone to take
• 1:10:20
  Speaker 4: a picture. Because, bro, I'm so happy to be present
• 1:10:24
  Speaker 4: with you, bro, that you.
• 1:10:25
  Speaker 5: Have no idea.
• 1:10:26
  Speaker 2: To get here, I have to thank God first.
• 1:10:30
  Speaker 4: And then some people who were the key to be
• 1:10:31
  Speaker 4: able to be coming and being face to face with you.
• 1:10:34
  Speaker 2: It's crazy, bro. You know? Because God does everything right,
• 1:10:37
  Speaker 2: everything in his time. I'll tell you, bro, particularly speaking here,
• 1:10:42
  Speaker 2: for me it's an honor to have you here, because
• 1:10:43
  Speaker 2: it's not demagogy, it's true. See your Megane clip, see
• 1:10:47
  Speaker 2: everything that happened afterwards, and say like this, Man, it's
• 1:10:50
  Speaker 2: the same surfer's shorts that I wear, the little cap
• 1:10:53
  Speaker 2: on the back. Man, he's singing the songs that I
• 1:10:55
  Speaker 2: want to live. You know, it's like an inspiration. And
• 1:10:58
  Speaker 2: right after you came Guimê, who is from Osasco, from
• 1:11:01
  Speaker 2: Minha Quebrada, Rodolfinho. Rodolfinho. So I started to follow like
• 1:11:04
  Speaker 2: this and say, damn, this movement is a new movement,
• 1:11:06
  Speaker 2: I'm inserted in it, I like it. You know the
• 1:11:07
  Speaker 2: feeling of following something from the beginning?
• 1:11:10
  Speaker 5: It's like the heroes, right?
• 1:11:11
  Speaker 2: Yeah, the heroes. Exactly, man. The clip, I was like this,
• 1:11:14
  Speaker 2: watching MTV's clip, Soulja Boy and such. Suddenly I have Guimê,
• 1:11:17
  Speaker 2: the boy from Charms, Rodolfinho, Paveli. So it was surreal, man.
• 1:11:21
  Speaker 4: And you were inspired by it because... You were us, man.
• 1:11:25
  Speaker 4: You identified yourself, right, dad?
• 1:11:26
  Speaker 2: For sure. For sure.
• 1:11:27
  Speaker 4: I identify with this kid from today's generation.
• 1:11:28
  Speaker 2: The first time I kissed his mouth... So... It was
• 1:11:58
  Speaker 2: a matinee, I think it was at Clube A, I
• 1:11:59
  Speaker 2: don't remember the name. Clube A, Clube A. Ah, Clube
• 1:12:03
  Speaker 2: A was at night for the adults and in the
• 1:12:05
  Speaker 2: afternoon there was a matinee for the children.
• 1:12:07
  Speaker 4: I said that singing there was the same as singing
• 1:12:08
  Speaker 4: on Xuxa's show. Because the structure was out of the
• 1:12:11
  Speaker 4: ordinary and your energy at Clube A, Cabral, Nitro Night, that.
• 1:12:17
  Speaker 2: What was the best concert house at that time? The
• 1:12:20
  Speaker 2: best for me... You say, my God, this is the funk,
• 1:12:23
  Speaker 2: this is one of the best ballets. There were several, right? Yes, imagine.
• 1:12:27
  Speaker 4: From the smallest to the largest, with a audience of
• 1:12:30
  Speaker 4: 10 people, up to 10 thousand people, which was at
• 1:12:33
  Speaker 4: São Tantan. But the best for me, until today, that
• 1:12:36
  Speaker 4: marked me was Cabral, because it was a dream.
• 1:12:38
  Speaker 6: And I had already dreamed of me singing at Cabral,
• 1:12:41
  Speaker 6: the Amegane.
• 1:12:42
  Speaker 3: And who took me there for the first time was
• 1:12:44
  Speaker 3: my cousin.
• 1:12:45
  Speaker 2: Chiquinha Amaral took me there.
• 1:12:47
  Speaker 3: Why did Cabral have so many concepts? Because it was
• 1:12:51
  Speaker 3: a cozy dance. You've played there, right?
• 1:12:54
  Speaker 2: But did you play when it was Cabral or Bulls?
• 1:12:56
  Speaker 4: Bulls.
• 1:12:57
  Speaker 5: But it was there in the transition.
• 1:12:59
  Speaker 2: He took the transition. Because the audience was the same.
• 1:13:02
  Speaker 2: The name changed. I think it's because it's there in
• 1:13:04
  Speaker 2: the heart of Zona Leste.
• 1:13:04
  Speaker 5: What do you mean?
• 1:13:06
  Speaker 3: There was a house and 5,000 people inside the building.
• 1:13:10
  Speaker 2: Everyone was here with you.
• 1:13:12
  Speaker 4: The walls were sweating. And out there was a big fight,
• 1:13:15
  Speaker 4: a big war to live in. Out here, everyone is living, Cabral. Happy.
• 1:13:18
  Speaker 4: From your point of view, there are a lot of girls, man.
• 1:13:20
  Speaker 4: A lot of trots, some crazy, some conscious, some respectful.
• 1:13:24
  Speaker 4: But here, man, I'm going to have fun.
• 1:13:26
  Speaker 2: And then you lived.
• 1:13:28
  Speaker 4: Cabral marked for me, because the first time I stepped
• 1:13:30
  Speaker 4: was with Chiquinha Amaral. The guys picked me up in
• 1:13:33
  Speaker 4: the Honda Civic favela. He took me to Cabral, and
• 1:13:36
  Speaker 4: when I got to the matinee, DJ Lucas said, you'll
• 1:13:39
  Speaker 4: see how.
• 1:13:40
  Speaker 2: Your song is here in São Paulo. Because I had
• 1:13:43
  Speaker 2: no idea how it was. When you sang, it was
• 1:13:45
  Speaker 2: your local region, you know? And then when I pulled, man.
• 1:13:50
  Speaker 5: And Nitro Night. Nitro Night was also a matinee, 7,000 teenagers.
• 1:13:53
  Speaker 6: There was no alcohol, you couldn't, you never could, right?
• 1:13:58
  Speaker 5: So it was crazy for you too.
• 1:14:01
  Speaker 4: It was crazy, man. I got there around 5.30 pm
• 1:14:03
  Speaker 4: to go up to the stage at 7 pm. And
• 1:14:04
  Speaker 4: it was already packed, a huge line out there.
• 1:14:07
  Speaker 2: Camarote packed.
• 1:14:08
  Speaker 4: Oh boy, what was the importance of you singing what
• 1:14:10
  Speaker 4: you sang there in 2011.
• 1:14:11
  Speaker 2: 12, 13, this ostentation, this imagination? Because you're talking about
• 1:14:22
  Speaker 2: seeing 7,000 teenagers inspired by you. What was the importance
• 1:14:25
  Speaker 2: of singing this, brother? Because today it's normal for people
• 1:14:29
  Speaker 2: to talk about prosperity. But not at that time, man. Ah,
• 1:14:32
  Speaker 2: like this, dad. I see today, looking at today, right, bro?
• 1:14:35
  Speaker 4: With the experience I have of life, the experience in
• 1:14:38
  Speaker 4: the stop. I see this generation of today winning. And
• 1:14:41
  Speaker 4: I'm happy because it was them who were seeing me there,
• 1:14:45
  Speaker 4: you know?
• 1:14:48
  Speaker 2: At the beginning of everything.
• 1:14:50
  Speaker 4: And a lot of those guys, when I arrived, who
• 1:14:53
  Speaker 4: improved my career, they were older people, but they identified themselves,
• 1:14:57
  Speaker 4: some won, others continued in the fight, and today they
• 1:15:01
  Speaker 4: are older. But that kid who today became what Kevin is,
• 1:15:03
  Speaker 4: who today is Hariel, who today is Davi, who today
• 1:15:06
  Speaker 4: is Pedrinho.
• 1:15:07
  Speaker 6: Was who was watching me.
• 1:15:09
  Speaker 2: Yes. You know? Yes.
• 1:15:10
  Speaker 4: So I'm very happy, bro. And I always say that
• 1:15:13
  Speaker 4: it was worth it. You know? The fights I've been through.
• 1:15:20
  Speaker 4: And I want to show this to the media. That
• 1:15:22
  Speaker 4: funk needs to be valued and have its value. Funk
• 1:15:26
  Speaker 4: needs to have its place on the shelf.
• 1:15:29
  Speaker 2: For sure, bro.
• 1:15:29
  Speaker 4: As a place of respect. Just like football. Just like advocacy.
• 1:15:32
  Speaker 4: You know? Just like a doctor. Yeah, because if today
• 1:15:35
  Speaker 4: there's a lot of money.
• 1:15:36
  Speaker 2: If today, thank God, it became a profession for many people.
• 1:15:40
  Speaker 2: A musical rhythm. Even if people can say it's culture.
• 1:15:45
  Speaker 2: It's because you literally... They survived the thing, right? They did.
• 1:15:49
  Speaker 4: And I'm gonna tell you that working at night is
• 1:15:52
  Speaker 4: not easy, right?
• 1:15:52
  Speaker 2: You see the biggest craziness. It's crazy, man. At night
• 1:15:55
  Speaker 2: it's crazy. Have they ever tried to beat you up? Yes.
• 1:15:58
  Speaker 4: Have they ever tried to beat you up? I've already
• 1:16:00
  Speaker 4: been beaten up. There's a contractor there taking me to
• 1:16:02
  Speaker 4: this day.
• 1:16:03
  Speaker 2: He's a representative. But I didn't even... It's not worth it.
• 1:16:06
  Speaker 4: I gave it to God's hands because money is a
• 1:16:08
  Speaker 4: consequence of what you do, right? So.
• 1:16:09
  Speaker 2: Oh, the guy over there thought I screwed up. He's
• 1:16:12
  Speaker 2: being late. Yes, he's being late.
• 1:16:13
  Speaker 4: May God bless him. But I've already been beaten up.
• 1:16:15
  Speaker 4: There were people who wanted to test my faith at night.
• 1:16:19
  Speaker 4: But I've always respected everyone. And I've always had respect
• 1:16:22
  Speaker 4: for many people. If I tell you who disrespected me.
• 1:16:29
  Speaker 2: It's not even worth it.
• 1:16:30
  Speaker 4: You put yourself in the place of so many people
• 1:16:34
  Speaker 4: who follow me, who inspire me, who listen to my sound,
• 1:16:37
  Speaker 4: who support me. When people saw that I was going
• 1:16:40
  Speaker 4: to be here, they were happy. How many people went
• 1:16:42
  Speaker 4: to the post and said, man, you're crazy, thank you
• 1:16:44
  Speaker 4: for listening to my request. And Boyd Charmin will be there,
• 1:16:47
  Speaker 4: he asked for other friends too. So, man, when I
• 1:16:49
  Speaker 4: look today, I say, man, the thing was worth it,
• 1:16:51
  Speaker 4: all the fights I went through, some things I went
• 1:16:53
  Speaker 4: through in the course of....
• 1:16:57
  Speaker 6: Of my own posture, right, bro?
• 1:16:59
  Speaker 4: I think I should have a bigger posture as an artist,
• 1:17:01
  Speaker 4: but my humility was at the forefront, and it didn't.
• 1:17:05
  Speaker 2: Let me lose my essence. For sure, but look at
• 1:17:07
  Speaker 2: what we're changing the idea here, right? You come from
• 1:17:09
  Speaker 2: a very humble place, right, bro? From Mang, sometimes without discernment,
• 1:17:14
  Speaker 2: what I mean is, there's a person next to you,
• 1:17:16
  Speaker 2: you know? So, sometimes we're going to give head, because
• 1:17:18
  Speaker 2: we come from a place of little information, right, bro?
• 1:17:20
  Speaker 2: It was difficult to get there in formation, right? You know? So,
• 1:17:23
  Speaker 2: I think today, bro, Wherever you are, wherever we are,
• 1:17:26
  Speaker 2: it's a great victory. But I think what you're saying
• 1:17:30
  Speaker 2: is necessary, because today, funk is a very prosperous reality,
• 1:17:34
  Speaker 2: but you were there in the beginning, fighting for it.
• 1:17:37
  Speaker 4: And I usually say that people usually put that border of...
• 1:17:41
  Speaker 4: The favela won.
• 1:17:42
  Speaker 2: The favela didn't win, guys.
• 1:17:44
  Speaker 4: You have to understand that the favela won. Inside the outskirts,
• 1:17:48
  Speaker 4: there are many residents, many people full of dreams.
• 1:17:51
  Speaker 2: When it wins and it leaves, it won.
• 1:17:55
  Speaker 4: So she has to be an inspiration for those who
• 1:17:58
  Speaker 4: are still there to win too.
• 1:17:59
  Speaker 2: So the favela continues in the fight.
• 1:18:00
  Speaker 4: If you look at my periphery there, there's no asphalt.
• 1:18:02
  Speaker 4: The guys put some stones there of parallelepiped. At the
• 1:18:07
  Speaker 4: time I fixed the little field there. Then the guys
• 1:18:10
  Speaker 4: destroyed the little field, no one came to fix it.
• 1:18:12
  Speaker 4: They asked for the support of the guys and.
• 1:18:14
  Speaker 2: The guys only go there to ask for support at
• 1:18:15
  Speaker 2: the time of election. This is normal.
• 1:18:16
  Speaker 4: I used to say that the story is the same,
• 1:18:20
  Speaker 4: it only changes the characters. So if today I'm the
• 1:18:23
  Speaker 4: boy of the charms, I left the outskirts, Favelado won,
• 1:18:27
  Speaker 4: Favela is still in the fight. I hope a new
• 1:18:29
  Speaker 4: Willian comes out of there, winning football, you know? Winning
• 1:18:32
  Speaker 4: in advocacy, winning a doctorate in the parade. So, like,
• 1:18:36
  Speaker 4: there are several kids out there who have dreams. So,
• 1:18:38
  Speaker 4: Favela didn't win, Favelado won.
• 1:18:39
  Speaker 2: I agree, bro.
• 1:18:40
  Speaker 4: And there are many Favelados still in the fight. And
• 1:18:43
  Speaker 4: never give up on your dream, because the parade becomes reality, bro.
• 1:18:47
  Speaker 2: I want to know how your life is today, bro. Like,
• 1:18:50
  Speaker 2: how is your career, how are the things, the releases,
• 1:18:54
  Speaker 2: for you to be able to spread and tell the
• 1:18:56
  Speaker 2: people where they can find you, go to your shows.
• 1:18:58
  Speaker 6: Yeah, like this, I'm the guy who messes with all
• 1:19:00
  Speaker 6: my social networks.
• 1:19:01
  Speaker 4: It's you who is on the top. I'm the one
• 1:19:03
  Speaker 4: who follows everything, so I'm going to tell you, it's
• 1:19:04
  Speaker 4: very difficult. It's very difficult, bro.
• 1:19:07
  Speaker 2: And you know that.
• 1:19:07
  Speaker 4: It's not easy, because as much as I want to
• 1:19:10
  Speaker 4: answer everyone, I can't. It's not possible.
• 1:19:12
  Speaker 2: As much as I want to help everyone, I also can't.
• 1:19:15
  Speaker 2: It's not possible either. You know? Because it's a lot
• 1:19:17
  Speaker 2: of things, it's a lot of information.
• 1:19:18
  Speaker 4: We get Instagram, TikTok, Facebook, YouTube.
• 1:19:22
  Speaker 6: Wow, you say, man, oh my God. So, like, today
• 1:19:24
  Speaker 6: my career, how is it?
• 1:19:25
  Speaker 2: I'm working alone. Thank God.
• 1:19:28
  Speaker 4: But I don't say it alone, because I have a team, right?
• 1:19:31
  Speaker 2: Today... But independently, you said.
• 1:19:33
  Speaker 4: I started to add there too, to put my children
• 1:19:35
  Speaker 4: to understand more of the scene. Because I'm putting my
• 1:19:38
  Speaker 4: son in the music. So my daughter already understands a little.
• 1:19:42
  Speaker 4: Then there's the thing of closing the show, there's a
• 1:19:44
  Speaker 4: person who closes. So there's not a team, but I'm
• 1:19:47
  Speaker 4: the head of the thing.
• 1:19:48
  Speaker 2: I can never stop being the head.
• 1:19:50
  Speaker 4: To let them pay attention. Yeah, the moment you leave
• 1:19:52
  Speaker 4: it aside, then it becomes a mess. Because no one
• 1:19:55
  Speaker 4: is in the same spirit as you, in the same
• 1:19:56
  Speaker 4: desire to win. So for you to make the people
• 1:19:59
  Speaker 4: you want to beat, you have to have a grip,
• 1:20:01
  Speaker 4: you know? But today, because I'm not a boy of charms, right?
• 1:20:06
  Speaker 4: I have my DVD to make, because the only DVD
• 1:20:08
  Speaker 4: I made was at Cabral.
• 1:20:09
  Speaker 2: That one there! In 2012. That one there. That I
• 1:20:13
  Speaker 2: have my.
• 1:20:13
  Speaker 4: Shirt there, my stamp shirt, that was a lot of
• 1:20:16
  Speaker 4: that shirt, and I love it a lot at shows.
• 1:20:18
  Speaker 4: And it was a DVD that for me was out
• 1:20:20
  Speaker 4: of reality.
• 1:20:21
  Speaker 2: Man, paying R $ 25, 000 for a DVD, bro. You know?
• 1:20:22
  Speaker 4: But today it's a lot more.
• 1:20:28
  Speaker 2: But at that time, 25 thousand was a lot of money.
• 1:20:29
  Speaker 4: It was money, it was money, and then we got
• 1:20:32
  Speaker 4: a goalie, and everything that came from the goalie we
• 1:20:35
  Speaker 4: paid and there were still about three accounts left.
• 1:20:37
  Speaker 2: Then we paid for.
• 1:20:39
  Speaker 4: The DVD, and then we invested those three accounts to
• 1:20:42
  Speaker 4: be able to make the DVD.
• 1:20:45
  Speaker 5: So you're going to make a new DVD for now?
• 1:20:46
  Speaker 5: I'm going to make a DVD, yeah.
• 1:20:48
  Speaker 4: I'm going to do a little bit in the countryside
• 1:20:51
  Speaker 4: and a little bit here in.
• 1:20:52
  Speaker 5: The capital and in Baixada. Can you tell me what's
• 1:20:54
  Speaker 5: going to be the cover of this DVD?
• 1:20:56
  Speaker 4: Ah, man, I'm looking to add a kid from the
• 1:20:58
  Speaker 4: younger generation, that I identify with.
• 1:21:00
  Speaker 2: Chave. You know?
• 1:21:01
  Speaker 4: Call some partners too, right? That are already in Ascensão.
• 1:21:04
  Speaker 4: And then you can't miss Cacheta, because he's the guy who...
• 1:21:08
  Speaker 4: He was part of my party. He encouraged me to
• 1:21:12
  Speaker 4: leave the community dance and go to the capital. He
• 1:21:15
  Speaker 4: said my music was a million. And it was to
• 1:21:18
  Speaker 4: wake me up for life. Because that day I had
• 1:21:19
  Speaker 4: taken some.
• 1:21:21
  Speaker 2: Balalaika, you know? And on the break, he came and... Balalaika, man.
• 1:21:25
  Speaker 5: It breaks your stomach.
• 1:21:27
  Speaker 2: And then he came and said, what's up, boy? What's up?
• 1:21:30
  Speaker 4: Your music is in São Paulo, in the capital, and
• 1:21:33
  Speaker 4: it's exploding. You're here in Moscão, just in the community bars.
• 1:21:37
  Speaker 4: You have to find a way to go up. He
• 1:21:39
  Speaker 4: took me by car with him in the north zone.
• 1:21:41
  Speaker 4: I did a party with him.
• 1:21:43
  Speaker 3: You had several people who gave you several visions.
• 1:21:47
  Speaker 4: To get to me, there were many people who helped me.
• 1:21:51
  Speaker 4: But if we don't have the willpower of ourselves, we
• 1:21:53
  Speaker 4: can't get there. Because you're going to take my energy, brother.
• 1:22:00
  Speaker 4: My energy is great, you're also on the right track.
• 1:22:04
  Speaker 2: I'll go up your life path.
• 1:22:06
  Speaker 4: Like when you're here interviewing and you pass a good
• 1:22:09
  Speaker 4: thing to us on the other side. Man, I was discouraged,
• 1:22:12
  Speaker 4: but the bro inspired me. In your question, I already
• 1:22:15
  Speaker 4: gave a start to do another thing in my career
• 1:22:18
  Speaker 4: or in my personal life.
• 1:22:19
  Speaker 2: I remember when you launched the party in a motel
• 1:22:22
  Speaker 2: with Davi.
• 1:22:23
  Speaker 5: Jesus, my love, this song.
• 1:22:24
  Speaker 2: I couldn't believe in this song.
• 1:22:25
  Speaker 5: How come?
• 1:22:25
  Speaker 6: When you appeared again, playing this song, I said, my God,
• 1:22:28
  Speaker 6: thank you.
• 1:22:28
  Speaker 2: Because it's the breeze of our periphery. When you sing consciously, like,
• 1:22:31
  Speaker 2: I'm already at the level of consciousness, ostentation, I can't.
• 1:22:33
  Speaker 4: Go to Usadia because the children... Look at my thought.
• 1:22:36
  Speaker 4: The children go to.
• 1:22:37
  Speaker 2: But will it go?
• 1:22:38
  Speaker 4: Then Rodrigo said, you can record there.
• 1:22:40
  Speaker 2: It will go.
• 1:22:52
  Speaker 4: So I went to Jorginho, recorded the voice. They're having
• 1:22:56
  Speaker 4: a party at the motel, they're staying until later, the
• 1:23:00
  Speaker 4: sun will break, you'll like it, drink some coconut tea
• 1:23:02
  Speaker 4: if you want, feel free to cover up with the truth,
• 1:23:06
  Speaker 4: you want to.
• 1:23:07
  Speaker 2: Close your eyes. Tell us about this song, did.
• 1:23:09
  Speaker 5: You already have the lyrics? So, Davi already had it.
• 1:23:12
  Speaker 4: It was a song that he had already made, if
• 1:23:14
  Speaker 4: I'm not mistaken, a video, and the video was already viral,
• 1:23:18
  Speaker 4: he singing.
• 1:23:18
  Speaker 2: But he didn't record it.
• 1:23:22
  Speaker 4: And when I arrived at GR6, he was the presenter.
• 1:23:27
  Speaker 4: Rodrigo said, this song there, David will record with you, boy.
• 1:23:30
  Speaker 4: I said, let's go, you're crazy. David was already with
• 1:23:33
  Speaker 4: the songs. And this funk that came from the time
• 1:23:38
  Speaker 4: of David, Ariel, Kevin, needed to get where we got,
• 1:23:42
  Speaker 4: which was other states.
• 1:23:44
  Speaker 2: Recife, bro. To get to Recife was few.
• 1:23:47
  Speaker 5: Who got to Recife was me.
• 1:23:48
  Speaker 2: Rodolfinho, Guimê.
• 1:23:50
  Speaker 4: Nego Blue, I don't remember if Sudaleste did it, but
• 1:23:54
  Speaker 4: there were a few.
• 1:23:55
  Speaker 2: Lon. Then Caxeta started. It had to be consistent. It
• 1:23:59
  Speaker 2: had to be consistent.
• 1:24:00
  Speaker 6: Because it was a different style.
• 1:24:02
  Speaker 4: It was Brega Funk, but there were guys who always
• 1:24:04
  Speaker 4: had respect for us.
• 1:24:06
  Speaker 2: Elzinho, several guys.
• 1:24:07
  Speaker 3: When this song was ready to be recorded, did you
• 1:24:10
  Speaker 3: have the same feeling as Megane and Davi? Like, man,
• 1:24:13
  Speaker 3: this is going to be a success, this song is cool.
• 1:24:15
  Speaker 4: It didn't happen because Jorginho created something really crazy.
• 1:24:20
  Speaker 2: Jorginho is the master of that, right?
• 1:24:23
  Speaker 4: He got our voices together. He put together Davi's rookies.
• 1:24:28
  Speaker 2: It's true, both of them are rookies. Yeah, and that's it.
• 1:24:31
  Speaker 2: Hey boy, party at the motel, see you later. Davi
• 1:24:35
  Speaker 2: was like, hey boy, stop the clip. What's up, dog?
• 1:24:39
  Speaker 2: Let's do a party at the motel. And I was like, man,
• 1:24:43
  Speaker 2: how am I.
• 1:24:44
  Speaker 4: Gonna answer him now?
• 1:24:48
  Speaker 2: It didn't work out. But let's do it. And then, Davi, I'm.
• 1:24:53
  Speaker 4: Touching it, I'm with my partner here.
• 1:24:55
  Speaker 2: You know the dances?
• 1:24:57
  Speaker 5: And when we got to the room, it was a mess.
• 1:24:59
  Speaker 2: Very good, man. When was that?
• 1:25:00
  Speaker 4: 2016. The song went viral on Fly, bro. On Bunny,
• 1:25:03
  Speaker 4: on the channel.
• 1:25:04
  Speaker 5: When it's a partner, it's also this thing.
• 1:25:06
  Speaker 2: Then he said, let's make the clip.
• 1:25:07
  Speaker 4: I went to the hotel, bro, here in... In Marginal,
• 1:25:10
  Speaker 4: I think it was Marginal Tietê. We paid R $ 1,800
• 1:25:13
  Speaker 4: to use the room.
• 1:25:14
  Speaker 6: There were about 15 or 10 people.
• 1:25:17
  Speaker 4: And on the other side, in the other room, there
• 1:25:19
  Speaker 4: was a private party of the players.
• 1:25:20
  Speaker 2: I won't say the names of the guys. But say
• 1:25:23
  Speaker 2: the team. It was the Trutas from Palmeiras. It was there,
• 1:25:25
  Speaker 2: you know?
• 1:25:26
  Speaker 7: 2016?
• 1:25:26
  Speaker 2: Yeah.
• 1:25:26
  Speaker 4: And then, like, the girls who were there jumped over here, man.
• 1:25:30
  Speaker 7: Wow.
• 1:25:30
  Speaker 2: They came to the room where the video was playing.
• 1:25:32
  Speaker 5: Didn't the guys get pissed?
• 1:25:33
  Speaker 2: The director got crazy.
• 1:25:34
  Speaker 3: He said.
• 1:25:37
  Speaker 2: No, no, no. Get out. You're out. And the girls, no,
• 1:25:40
  Speaker 2: we're fans of him. You're crazy. We just want to see.
• 1:25:42
  Speaker 5: We just want to see.
• 1:25:43
  Speaker 2: And then the guys stayed there. The player was crazy.
• 1:25:46
  Speaker 2: The guys there. For sure.
• 1:25:48
  Speaker 6: The girls went to our room.
• 1:25:51
  Speaker 5: No, imagine. In a motel. And the thing is crazy.
• 1:25:53
  Speaker 5: The girls, let's go to.
• 1:25:54
  Speaker 2: The other room. But imagine. But imagine. There in the
• 1:25:57
  Speaker 2: other room. Player from Palmeiras. Coro eating. Then in a
• 1:26:00
  Speaker 2: little while. We're doing.
• 1:26:02
  Speaker 5: We're in a motel.
• 1:26:05
  Speaker 2: Let's talk. And we closed the thing.
• 1:26:06
  Speaker 6: For the sun to not stop, we closed the ceiling
• 1:26:09
  Speaker 6: of the pool.
• 1:26:09
  Speaker 2: To not go out. To wash the pool, to.
• 1:26:11
  Speaker 4: And then the girls came and went to the room
• 1:26:15
  Speaker 4: and I was like, my God, what am I doing here, man?
• 1:26:19
  Speaker 2: I'm married! Then Davi was worried, man!
• 1:26:23
  Speaker 4: His wife was with another person at the time, and
• 1:26:25
  Speaker 4: his wife got really nervous with.
• 1:26:27
  Speaker 6: Him, she even said, why didn't you behave like the boy?
• 1:26:29
  Speaker 4: The boy is very disciplined, there in the clip, he
• 1:26:33
  Speaker 4: brought you a bottle, and when I see the pictures,
• 1:26:34
  Speaker 4: you're in the room with a lot of money, lying
• 1:26:36
  Speaker 4: in bed!
• 1:26:38
  Speaker 6: Then I said, damn, Davi, you were the best. He said, no,
• 1:26:40
  Speaker 6: but we had to generate this content.
• 1:26:41
  Speaker 5: Actor, actor, acting.
• 1:26:42
  Speaker 2: No, he was an actor, a thousand degrees. He was,
• 1:26:44
  Speaker 2: he was, he was. And then it went viral too.
• 1:26:47
  Speaker 4: I started singing there at the show and the people
• 1:26:49
  Speaker 4: didn't know much yet.
• 1:26:50
  Speaker 2: And I believed in her.
• 1:26:51
  Speaker 4: I didn't believe it and I started to believe it.
• 1:26:54
  Speaker 4: Because when I saw us making the clip and the
• 1:26:57
  Speaker 4: guys jumping from one room to the other, I said, bro,
• 1:26:59
  Speaker 4: the thing is really strong. Then the guys said, Douglas said, bro,
• 1:27:01
  Speaker 4: you have no idea, the thing is hitting millions.
• 1:27:04
  Speaker 2: I was like, he's crazy. I never follow him.
• 1:27:06
  Speaker 4: I release the song and... I give it to God
• 1:27:10
  Speaker 4: and I promote it my way.
• 1:27:11
  Speaker 2: Douglas Filmmaker. Yes, Douglas. And then it happened, bro. Douglas Zica.
• 1:27:16
  Speaker 4: You know? And Douglas edited it. He said, look, boy,
• 1:27:18
  Speaker 4: how's it going? We entered the room under the stairs
• 1:27:21
  Speaker 4: in the GR6.
• 1:27:21
  Speaker 6: He was editing it. He said, bro, you can release it,
• 1:27:24
  Speaker 6: it's a success.
• 1:27:25
  Speaker 2: It's a success.
• 1:27:26
  Speaker 4: It was simple. I was there with Kiki Silva's shirt
• 1:27:28
  Speaker 4: and a cap. It was already a thing.
• 1:27:30
  Speaker 2: It was. Oh, boy. The guys... Okay, Neymar Junior, right? 2026,
• 1:27:35
  Speaker 2: those things. .
• 1:27:37
  Speaker 4: No, Guns was more reserved.
• 1:28:00
  Speaker 4: The younger one, I forgot his name now. He was
• 1:28:04
  Speaker 4: even covering the Copa there.
• 1:28:05
  Speaker 5: André?
• 1:28:06
  Speaker 2: André Balada. Look at his nickname, André Balada.
• 1:28:10
  Speaker 4: And then Neymar identified with the song Festa do Prazer.
• 1:28:15
  Speaker 4: I told this in another episode and people said, the
• 1:28:17
  Speaker 4: guy is Naldo. But I have a picture, if I
• 1:28:20
  Speaker 4: post it here, you will see. A picture with Neymar
• 1:28:22
  Speaker 4: there in the Biquini Barista in Santos. That Neymar asked
• 1:28:24
  Speaker 4: the ballad to hire me because he wanted to.
• 1:28:26
  Speaker 2: See my show. He called me to go to his party.
• 1:28:29
  Speaker 4: That he was doing there in Santos at 15.
• 1:28:30
  Speaker 2: To sing the song Festa do Prazer. He just wanted
• 1:28:36
  Speaker 2: this one. And I didn't go that day. Why?
• 1:28:40
  Speaker 4: I went to the ballad and I didn't go to
• 1:28:42
  Speaker 4: his party.
• 1:28:43
  Speaker 2: Why?
• 1:28:43
  Speaker 4: Because I was going through a big fight. I had
• 1:28:46
  Speaker 4: lost my crown. I was on the rise of success.
• 1:28:49
  Speaker 4: I had recently married. Before I married my wife, I
• 1:28:51
  Speaker 4: was an artist.
• 1:28:56
  Speaker 5: I understood you.
• 1:28:57
  Speaker 2: Yeah, I liked it. I wanted to live, bro. I'm new.
• 1:29:00
  Speaker 4: Today I'm giving advice to my son, but I started
• 1:29:03
  Speaker 4: to live, dad. Live even with my 17 years old.
• 1:29:05
  Speaker 4: My dad was always a guy who caught... Carrasco. Yeah,
• 1:29:08
  Speaker 4: you know? Seu Cláudio was a thousand degrees. He, boom,
• 1:29:12
  Speaker 4: caught on the foot.
• 1:29:13
  Speaker 2: So when I... I'm going to enjoy. 17 years old,
• 1:29:15
  Speaker 2: I'm going to the beach. I'm going alone, bro. I'm
• 1:29:17
  Speaker 2: responsible for the thing.
• 1:29:19
  Speaker 4: It's hard for your dad to pass responsibility to you.
• 1:29:22
  Speaker 2: He says, no, you now... Go there. Go there. And then, damn,
• 1:29:25
  Speaker 2: from 2006 to 2010, bro, I lived my life, man.
• 1:29:27
  Speaker 2: I had to live.
• 1:29:28
  Speaker 4: And then I met Pepito. Pepito was much further ahead
• 1:29:30
  Speaker 4: in this mess. He and Amaral were the two guys.
• 1:29:33
  Speaker 2: The more, more. The more, more. The more, more. The more, more.
• 1:29:35
  Speaker 2: The more, more.
• 1:29:44
  Speaker 4: You had to have a Lamborghini, a Ferrari, because you
• 1:29:47
  Speaker 4: couldn't do it. Because the guys were millionaires.
• 1:29:49
  Speaker 2: They would gas and live happily. And Neymar liked it?
• 1:29:52
  Speaker 2: Neymar liked it.
• 1:29:53
  Speaker 4: And then I went down to the show, Neymar wanted
• 1:29:56
  Speaker 4: me to go there.
• 1:29:57
  Speaker 2: There was Xande, Revelação, Tiaguinho. You know?
• 1:29:59
  Speaker 4: The guys from Exalta Samba were there, as Racionais says.
• 1:30:02
  Speaker 4: And then the guys were all there. And then I said, Pepito,
• 1:30:06
  Speaker 4: leave me in the favela. Then he said, are you crazy?
• 1:30:09
  Speaker 4: Neymar is waiting for you. Neymar is in ascension. The
• 1:30:12
  Speaker 4: kid is great. I said, I'm not well.
• 1:30:15
  Speaker 6: I was going through some spiritual struggles.
• 1:30:16
  Speaker 4: Psychological, a lot of things. And I wanted to get
• 1:30:19
  Speaker 4: away from the crazy. Because I thought the energy was crazy.
• 1:30:21
  Speaker 2: As much as I was the light of the.
• 1:30:22
  Speaker 6: Thing, when the enemy sees the light, he goes.
• 1:30:25
  Speaker 4: But then I said, I'm not going, Pepito. Papo Reto,
• 1:30:36
  Speaker 4: I'm not feeling well, bro. I'm not feeling good. And
• 1:30:39
  Speaker 4: then I was with Duda's stuff, who died there, close,
• 1:30:42
  Speaker 4: and the stuff was close, you know?
• 1:30:43
  Speaker 2: And I said, I'm not going, man. Leave me in
• 1:30:45
  Speaker 2: the favela. He said, do you have any idea, Neymar?
• 1:30:46
  Speaker 4: I was asking you to go to his party, because
• 1:30:49
  Speaker 4: everyone is there, man.
• 1:30:50
  Speaker 2: Then I said, no, I'm not going, leave me in
• 1:30:52
  Speaker 2: the favela. He left, bro. And he went alone. Then
• 1:30:54
  Speaker 2: Neymar was sad, you know? Because I didn't go.
• 1:30:58
  Speaker 6: And then, like, the years passed, and I said.
• 1:31:02
  Speaker 2: Damn, I regret it, man.
• 1:31:03
  Speaker 4: To not go to that Neymar party.
• 1:31:04
  Speaker 2: Like 2017, 2018, that I... You thought, you said... And
• 1:31:06
  Speaker 2: it wasn't because of ego or pride.
• 1:31:08
  Speaker 5: No, we understand, bro.
• 1:31:09
  Speaker 4: Today I explain that.
• 1:31:10
  Speaker 2: It was because of... To be in a bad moment,
• 1:31:13
  Speaker 2: to get close to where a.
• 1:31:14
  Speaker 4: Because I went through some fights, you know?
• 1:31:16
  Speaker 2: I got baptized in the church in 2012. I stopped
• 1:31:18
  Speaker 2: drinking in 2012. You know? I don't drink, I don't
• 1:31:20
  Speaker 2: use anything. I'm a calm guy, I don't live in
• 1:31:21
  Speaker 2: the mess.
• 1:31:30
  Speaker 4: So I was like, man, Neymar, don't take it too hard, Pepito.
• 1:31:34
  Speaker 2: Tell Neymar that I'm not going today. That day in
• 1:31:37
  Speaker 2: the bikini I went, but today I won't. It's for
• 1:31:39
  Speaker 2: Neymar to call, everyone says that to him. But I
• 1:31:42
  Speaker 2: was sad, man, I was sad.
• 1:31:44
  Speaker 4: Because after a few years I also tried to get
• 1:31:46
  Speaker 4: closer to Neymar. Neymar is a guy who inspires us
• 1:31:48
  Speaker 4: in the outskirts, you know? Even because of his willpower,
• 1:31:50
  Speaker 4: you know? To never give up. He always depended on himself.
• 1:31:57
  Speaker 2: If he wanted to give up, he would give up.
• 1:32:01
  Speaker 4: It's not just about the father, the family is there,
• 1:32:03
  Speaker 4: it's a base, it's a structure, it's a pillar, it's
• 1:32:07
  Speaker 4: a lot. But there's also the guy, his ego, his psychological,
• 1:32:11
  Speaker 4: and we follow Neymar since his trajectory. You see that
• 1:32:15
  Speaker 4: the guy took several beatings on the walk, bro. But
• 1:32:17
  Speaker 4: there's no way for us who shine, right, dad? You
• 1:32:21
  Speaker 4: always talk about.
• 1:32:23
  Speaker 3: Neymar, but I have a question in my head. I
• 1:32:24
  Speaker 3: imagine you've been through a lot. What was one of
• 1:32:26
  Speaker 3: the most special moments of your career in those years?
• 1:32:28
  Speaker 3: I'm not even talking about the mess. I mean, what
• 1:32:30
  Speaker 3: a great experience, what a person I met because of
• 1:32:33
  Speaker 3: my job, or a crowded concert that marked my life.
• 1:32:46
  Speaker 5: Like, this thing.
• 1:32:47
  Speaker 4: It's what most marked me. There were three things that
• 1:32:50
  Speaker 4: marked me a lot, right? In my journey of people
• 1:32:52
  Speaker 4: that I knew and I would never imagine that I
• 1:32:54
  Speaker 4: would get to the side of the guys. Which was Catra, right? Then,
• 1:32:58
  Speaker 4: after that, Malboro. And the other one was Bial, right, bro?
• 1:33:01
  Speaker 2: Bial? Yeah, like.
• 1:33:02
  Speaker 4: I did a TV show with him, with Apocamontas. And,
• 1:33:05
  Speaker 4: as incredible as it may seem, he asked me to
• 1:33:07
  Speaker 4: call him.
• 1:33:08
  Speaker 2: What program? I was looking for contact with this guy.
• 1:33:11
  Speaker 5: What program?
• 1:33:11
  Speaker 2: It was talking... I was talking to Bial. It was
• 1:33:14
  Speaker 2: just a show with more audience.
• 1:33:16
  Speaker 6: We did it with Mônica' s crew. Monica was there that day.
• 1:33:25
  Speaker 5: My God, what a connection.
• 1:33:27
  Speaker 2: It was crazy.
• 1:33:28
  Speaker 4: I saw her putting the apple with the emblem of Monica.
• 1:33:31
  Speaker 4: And I thought, wow, she's Monica.
• 1:33:34
  Speaker 2: What a crazy thing. I only saw it in comic books.
• 1:33:36
  Speaker 2: In the book, you know? And today I'm here, in
• 1:33:38
  Speaker 2: the middle of big people.
• 1:33:40
  Speaker 4: But they're also seeing me as a big person.
• 1:33:43
  Speaker 2: That's it. So I have to have a posture and know.
• 1:33:45
  Speaker 5: How to behave like them.
• 1:33:46
  Speaker 4: Know how to talk to them. I can't talk in circles.
• 1:33:52
  Speaker 4: He couldn't say a word about me. He wouldn't even
• 1:33:54
  Speaker 4: leave because he wouldn't leave.
• 1:33:55
  Speaker 2: That's normal.
• 1:33:55
  Speaker 4: And I was like, man, I'm in front of Bial.
• 1:33:58
  Speaker 2: And Bial was like.
• 1:34:00
  Speaker 4: Then he asked the.
• 1:34:00
  Speaker 2: Question and I was like, man.
• 1:34:01
  Speaker 4: And when he went to my dressing room, before we
• 1:34:03
  Speaker 4: got in for the recording, he went there to greet
• 1:34:06
  Speaker 4: me and congratulate me for Trampo.
• 1:34:08
  Speaker 2: That's cool, man.
• 1:34:09
  Speaker 4: For the clips and for the story, right? Because he
• 1:34:12
  Speaker 4: was like, no, Astro showed my reality. He went to
• 1:34:15
  Speaker 4: my mother's house, filmed. I was walking in the favela
• 1:34:19
  Speaker 4: where I was born and grew up. And he said,
• 1:34:22
  Speaker 4: I saw all of this. So, congratulations, you deserve it.
• 1:34:26
  Speaker 4: Never give up, you will fight, it's normal, because you
• 1:34:29
  Speaker 4: will grow. And the fights will come. Man, it was
• 1:34:31
  Speaker 4: in 2014, man.
• 1:34:31
  Speaker 2: Man, you were already.
• 1:34:32
  Speaker 5: 2014, I was already a million.
• 1:34:34
  Speaker 2: I was in the club. And then I, damn, I'm
• 1:34:36
  Speaker 2: in the club. I had to go to Rio.
• 1:34:43
  Speaker 4: And then the guy came into my dressing room, he
• 1:34:45
  Speaker 4: greeted me, he called me, he looked like a little guy.
• 1:34:49
  Speaker 4: I said, damn, Bial, if I see this guy on TV,
• 1:34:51
  Speaker 4: he's right in front of me. So, like, getting to
• 1:34:53
  Speaker 4: know Catra, Malboro and Bial, for me, it.
• 1:34:55
  Speaker 2: Was out of the ordinary.
• 1:34:56
  Speaker 5: How was the Rolê with Malboro?
• 1:34:58
  Speaker 4: The Rolê with Malboro was the doors of his house
• 1:35:00
  Speaker 4: that he opened for me, you know? That was out
• 1:35:02
  Speaker 4: of the ordinary, because I was with Megane, and I
• 1:35:05
  Speaker 4: was already making the noise with Onde Chego Paro Tudo.
• 1:35:08
  Speaker 4: And I had already written, I imagined it. I wrote
• 1:35:10
  Speaker 4: it on the edge of the channel, recording the Astro show.
• 1:35:12
  Speaker 2: I got the idea.
• 1:35:13
  Speaker 6: You were very inspired. I always imagined.
• 1:35:16
  Speaker 2: It was always a dream. Imagination.
• 1:35:18
  Speaker 4: That's what I lost, and after a while, thank God,
• 1:35:20
  Speaker 4: I managed to recover. Because our mind is the mother
• 1:35:25
  Speaker 4: plate of the body and life. If you let the
• 1:35:27
  Speaker 4: mother plate be affected, you're stuck, brother, you're psychological, and
• 1:35:31
  Speaker 4: it's very difficult for you to come back. Only God
• 1:35:40
  Speaker 4: can give you strength, because no one will be giving
• 1:35:42
  Speaker 4: you advice to come back.
• 1:35:43
  Speaker 6: So I was like, damn, I'm at Mau Boro's house.
• 1:35:47
  Speaker 5: He told you to call him.
• 1:35:48
  Speaker 4: Yeah, I called him because I had already done the
• 1:35:52
  Speaker 4: Big Mix, which is a radio station in Rio de
• 1:35:54
  Speaker 4: Janeiro to present Megane. And there he started playing Megane
• 1:35:58
  Speaker 4: and took Megane out of the country too. Because Megane
• 1:36:00
  Speaker 4: played a lot out of the country too. For those who.
• 1:36:02
  Speaker 5: Have no idea, Malboro is like.
• 1:36:05
  Speaker 2: He's the legend.
• 1:36:06
  Speaker 5: There are other.
• 1:36:08
  Speaker 4: Guys who came before him, but he's the guy who,
• 1:36:12
  Speaker 4: inside the show, took Paraná.
• 1:36:13
  Speaker 5: He professionalized the funk a lot. He took me.
• 1:36:16
  Speaker 2: To Ize too.
• 1:36:16
  Speaker 4: For those who don't remember Ize... That's crazy. A dance
• 1:36:20
  Speaker 4: that everyone wanted to be enjoying.
• 1:36:22
  Speaker 5: Yeah, everyone wanted to be singing.
• 1:36:23
  Speaker 4: And then, where I saw that Catra was going, I
• 1:36:26
  Speaker 4: already decided that I was going too.
• 1:36:28
  Speaker 2: You know? I said, I'm going there, bro.
• 1:36:30
  Speaker 4: Catra went? I'm going, because he's going to sing Megane.
• 1:36:32
  Speaker 4: And then I saw his video singing Megane. When I
• 1:36:34
  Speaker 4: was going to see, pum, then Malboro took me to Isa.
• 1:36:37
  Speaker 4: But then Malboro opened the doors of his house, we
• 1:36:39
  Speaker 4: sat in his room, I went out stepping on his
• 1:36:42
  Speaker 4: shoes on his carpet there, a very crazy carpet.
• 1:36:44
  Speaker 2: A thing of.
• 1:36:44
  Speaker 4: I don't even remember what it was, but it was
• 1:36:47
  Speaker 4: a very crazy thing. And then when I entered, I said, damn,
• 1:36:49
  Speaker 4: I'm in Malboro, I only saw him on Xuxa's show.
• 1:36:51
  Speaker 4: Then he took me to his studio, which was like
• 1:36:54
  Speaker 4: a globe. It was crazy. Mano's story is all there.
• 1:36:59
  Speaker 4: It was in Paraty.
• 1:37:03
  Speaker 2: I think he sold it to Neymar.
• 1:37:05
  Speaker 5: He sold it to Neymar.
• 1:37:06
  Speaker 4: When I got there, I saw the structure. I asked
• 1:37:09
  Speaker 4: him about the helicopter. He helped us to use the helicopter.
• 1:37:15
  Speaker 4: I imagined it.
• 1:37:17
  Speaker 2: I told him I wanted you to participate.
• 1:37:20
  Speaker 4: He said, no, you're a great guy, you're running after
• 1:37:25
  Speaker 4: your dream. That's how the change happens in a person's life.
• 1:37:29
  Speaker 4: I said, do you participate with me? He said, of course,
• 1:37:32
  Speaker 4: just let me change. Then I did it in his studio,
• 1:37:34
  Speaker 4: the images, I sang for him, he showed the vinyls,
• 1:37:38
  Speaker 4: you know? For me, several, a very crazy story, Mauro Borteima.
• 1:37:43
  Speaker 5: He helped a lot of people, right?
• 1:37:44
  Speaker 3: So you also met, in the middle of the walk,
• 1:37:46
  Speaker 3: you met these people who were helping you, giving you advice,
• 1:37:50
  Speaker 3: or who were listening to you and who also already
• 1:37:52
  Speaker 3: believed in you.
• 1:37:53
  Speaker 4: They already believed, because they had already believed.
• 1:37:57
  Speaker 2: In others, right? Moboro, right?
• 1:37:58
  Speaker 4: In many others who came before me. So, like, this
• 1:38:01
  Speaker 4: boy here, he's a warrior. He's going to make it.
• 1:38:06
  Speaker 3: And it's really cool to know these stories from the
• 1:38:08
  Speaker 3: past and also wanting to know Yeah.
• 1:38:11
  Speaker 2: Yeah.
• 1:38:20
  Speaker 3: This seems to be the best thing in the world.
• 1:38:23
  Speaker 3: If everyone understands and professionalizes this thing and everyone wins well.
• 1:38:27
  Speaker 3: The producers are very happy. There was a lot of
• 1:38:31
  Speaker 3: stuff there that I thought, oh my God.
• 1:38:32
  Speaker 2: What a shit, man.
• 1:38:33
  Speaker 5: You can win everyone.
• 1:38:34
  Speaker 4: If you organize, everyone wins.
• 1:38:36
  Speaker 5: That's it.
• 1:38:36
  Speaker 3: How do you think, compared to that time, but the
• 1:38:39
  Speaker 3: current time, what do you think of the current moment
• 1:38:42
  Speaker 3: of funk too?
• 1:38:42
  Speaker 4: From that time to me, from my time to today,
• 1:38:47
  Speaker 4: I see that It's much more valued and much more professional.
• 1:38:52
  Speaker 4: Today it's demanding the artist to study, to understand. Because
• 1:38:57
  Speaker 4: if not, you'll be like me in the past, you'll
• 1:38:59
  Speaker 4: take a step back, you'll lose a lot. But I
• 1:39:01
  Speaker 4: see a lot of the scene's kids, I'm not going
• 1:39:04
  Speaker 4: to say names, but I'm not going to criticize anyone,
• 1:39:08
  Speaker 4: because who am I, right, man? They threw a lot
• 1:39:12
  Speaker 4: of stones at me, but I won't throw stones at
• 1:39:14
  Speaker 4: anyone because we learn on a daily basis. But I
• 1:39:17
  Speaker 4: saw a lot of the artists' posture. Because funk has
• 1:39:20
  Speaker 4: a very big weight. And who am I to put
• 1:39:23
  Speaker 4: funk in my backpack and say, I'm responsible for the
• 1:39:26
  Speaker 4: funk scene.
• 1:39:27
  Speaker 2: No, never. It's about being proud and having your ego,
• 1:39:30
  Speaker 2: you know?
• 1:39:30
  Speaker 4: I think the artist has to know how to get
• 1:39:33
  Speaker 4: to the scene, understand the agenda of what's going to happen,
• 1:39:37
  Speaker 4: be able to talk about your career, have content to
• 1:39:39
  Speaker 4: talk about, respect who's on the other side. Because there
• 1:39:42
  Speaker 4: are people who are inspired by you and you can't
• 1:39:45
  Speaker 4: stain the funk scene.
• 1:39:46
  Speaker 2: You know? We fought a lot.
• 1:39:47
  Speaker 4: And others fought a lot before me to make me
• 1:39:48
  Speaker 4: get there.
• 1:39:52
  Speaker 2: And for me to get.
• 1:39:53
  Speaker 4: There and make a lot of people get close to funk,
• 1:39:57
  Speaker 4: we suffered.
• 1:39:58
  Speaker 5: Many died.
• 1:39:59
  Speaker 2: Many, dad, died, you know?
• 1:40:00
  Speaker 4: So, like, value this thing, bro. This is a profession, bro.
• 1:40:03
  Speaker 4: It's a dangerous profession, I'll say it again, it's a
• 1:40:07
  Speaker 4: dangerous profession.
• 1:40:08
  Speaker 2: Why?
• 1:40:09
  Speaker 4: Because funk, bro, it's not an easy thing for you
• 1:40:11
  Speaker 4: to get on a TV station and be there as
• 1:40:14
  Speaker 4: a funk artist. They want to know how you're going
• 1:40:16
  Speaker 4: to behave, how you're going to talk.
• 1:40:19
  Speaker 2: How are you going to react to Igão' s question?
• 1:40:22
  Speaker 4: To the question of the mythic? How am I going
• 1:40:26
  Speaker 4: to tell it? Am I going to tell a lie here?
• 1:40:28
  Speaker 4: What do you know about my life? I'm a public figure, brother.
• 1:40:31
  Speaker 4: My life is on the internet. If I tell a
• 1:40:33
  Speaker 4: lie here, you will know that I'm lying. And then
• 1:40:35
  Speaker 4: whoever is on the other side will say, the guy
• 1:40:36
  Speaker 4: is just lying. Because the ostentation was not supposed to
• 1:40:39
  Speaker 4: be an ostentation. It was supposed to be the overcoming.
• 1:40:43
  Speaker 4: But we put the ostentation due to the content we
• 1:40:45
  Speaker 4: had and let's go.
• 1:40:47
  Speaker 2: It's a clickbait, that's what Rael says.
• 1:40:50
  Speaker 5: It's true.
• 1:40:50
  Speaker 2: It's a super funk. I was singing... I'm here in
• 1:40:53
  Speaker 2: this life, but I'm singing my best, and I'm going
• 1:40:56
  Speaker 2: after it. That's it. You got it?
• 1:40:57
  Speaker 4: A super funk. And it became an ostentation. But from
• 1:41:01
  Speaker 4: the moment that people saw that... An ostentation of what?
• 1:41:04
  Speaker 4: These guys are in the favela, man. These guys are
• 1:41:07
  Speaker 4: walking like two-door Celts.
• 1:41:10
  Speaker 2: These guys have a Titan. But you saw the Sertanejo
• 1:41:14
  Speaker 2: copy our aesthetics. I saw. The yellow camera, I don't
• 1:41:17
  Speaker 2: know what. The beat. This is crazy.
• 1:41:19
  Speaker 5: I saw, man.
• 1:41:20
  Speaker 2: I didn't eat you. The guys... Want to know?
• 1:41:24
  Speaker 4: With all due respect to Sertanejo, the guys are a
• 1:41:26
  Speaker 4: thousand degrees. Structure, career... Professionalism. Career, Sertanejo, I don't have
• 1:41:32
  Speaker 4: what to say. But, like, the funk is nice to
• 1:41:35
  Speaker 4: listen to. the funk is nice to enjoy and the
• 1:41:38
  Speaker 4: funk brings you a lot of things that you can't
• 1:41:40
  Speaker 4: even imagine and the funk today is valued, look at
• 1:41:43
  Speaker 4: the level of the funk when it came top 1
• 1:41:45
  Speaker 4: of Spotify when I see this top 1 of Spotify,
• 1:41:48
  Speaker 4: do you think I'm sad?
• 1:41:50
  Speaker 2: Instead of the kids, I'm very happy because I was
• 1:41:52
  Speaker 2: the favela that won I asked you.
• 1:41:53
  Speaker 3: This question more precisely for this new kid to hear
• 1:41:56
  Speaker 3: and situate himself.
• 1:41:59
  Speaker 5: You know?
• 1:41:59
  Speaker 3: Because it's not just waiting for an earful of yours
• 1:42:02
  Speaker 3: But I'd like to know your opinion about the current situation.
• 1:42:06
  Speaker 2: I don't criticize, because we learn.
• 1:42:07
  Speaker 4: But if you're already there, or if you're coming, or
• 1:42:12
  Speaker 4: if you have a dream of being in funk, value
• 1:42:15
  Speaker 4: this thing, the name funk. And the name MC. Because
• 1:42:18
  Speaker 4: MC is master of ceremony. We only tell the reality
• 1:42:21
  Speaker 4: of what we live.
• 1:42:22
  Speaker 2: That's it, nothing more.
• 1:42:24
  Speaker 4: But value the name funk, because we already carry a
• 1:42:26
  Speaker 4: very heavy weight. We have a very big prejudice. And
• 1:42:30
  Speaker 4: here I want to show that funk deserves respect, you know?
• 1:42:35
  Speaker 4: Funk is also at the level of Brazilian.
• 1:42:38
  Speaker 5: Music, bro.
• 1:42:39
  Speaker 2: For sure.
• 1:42:39
  Speaker 4: We are together with rap, we deserve more respect from rap,
• 1:42:43
  Speaker 4: because without rap funk wouldn't exist, you know? And we
• 1:42:47
  Speaker 4: are at the same level with sertanejo, that the pagode,
• 1:42:50
  Speaker 4: all the respect, the guys are a thousand degrees from sertanejo.
• 1:42:53
  Speaker 2: Rock, pop. But you also have to respect the funk.
• 1:42:56
  Speaker 4: You have to respect it, because if you want to
• 1:42:58
  Speaker 4: record with us, we will record, because it's our dream
• 1:43:00
  Speaker 4: to record with you.
• 1:43:01
  Speaker 2: If you arrived, we will also arrive. And we want
• 1:43:03
  Speaker 2: to arrive inspiring you.
• 1:43:04
  Speaker 4: So, the guys from Caminhada have to understand that we
• 1:43:07
  Speaker 4: are inspiring them too. Before I became a boy, my
• 1:43:09
  Speaker 4: father put me to listen to Amado Batista, Raça Negra.
• 1:43:13
  Speaker 5: The Raça Negra is too good.
• 1:43:14
  Speaker 4: In some way, the guy inspired me to be the
• 1:43:16
  Speaker 4: artist I am today, you know? To be where I
• 1:43:19
  Speaker 4: am today. My dream is to record with Xande. I
• 1:43:22
  Speaker 4: have a dream to record with Zeca Pagodinho. Do you
• 1:43:25
  Speaker 4: know that?
• 1:43:26
  Speaker 2: Ask the guys at Funk who wants to record with Zeca.
• 1:43:29
  Speaker 2: I think it's only Hari.
• 1:43:30
  Speaker 4: He's a guy who went to another musical level and
• 1:43:34
  Speaker 4: showed respect for Funk.
• 1:43:35
  Speaker 5: And he's still supporting Funk.
• 1:43:38
  Speaker 2: He's a great example. He's a family guy. I value
• 1:43:41
  Speaker 2: my family a lot. Hari is like that.
• 1:43:46
  Speaker 4: And show this kid that's coming that you don't need
• 1:43:48
  Speaker 4: to be crazy, bro. You don't need to hit anyone,
• 1:43:51
  Speaker 4: you don't need to hurt anyone, you know? You don't
• 1:43:53
  Speaker 4: need to confront anyone for you to be the guy
• 1:43:55
  Speaker 4: you want to be in your future.
• 1:43:57
  Speaker 2: Say a lot of crazy stuff. You don't need to.
• 1:43:58
  Speaker 4: You just need to be yourself, you know? Put humility
• 1:44:02
  Speaker 4: in front of everything and you'll be able to realize
• 1:44:04
  Speaker 4: your dream. So, funk is heavy and it deserves a
• 1:44:08
  Speaker 4: lot of respect, because the name funk has a lot
• 1:44:10
  Speaker 4: of baggage, a lot of warriors that came before me,
• 1:44:13
  Speaker 4: that have history. And if you don't respect them, guys,
• 1:44:16
  Speaker 4: click on the internet. Click, click, man, quickly, because I'm
• 1:44:20
  Speaker 4: talking about Galo da Rocinha, I'm.
• 1:44:22
  Speaker 6: Talking about the guys from the background there, Mascote, Judandaraí,
• 1:44:24
  Speaker 6: you know?
• 1:44:25
  Speaker 4: Before we imagine singing, the guys were already there. Then
• 1:44:30
  Speaker 4: you take Tati, who is from Barraco, Serginho da Lacraia,
• 1:44:32
  Speaker 4: who are the people I knew, brother. And he treated
• 1:44:35
  Speaker 4: me with a lot of respect and said to me, continue,
• 1:44:37
  Speaker 4: you are my degree.
• 1:44:38
  Speaker 2: You will win.
• 1:44:39
  Speaker 4: And not even knowing the history of my life, he
• 1:44:41
  Speaker 4: met me and treated me well for my humility, you know?
• 1:44:44
  Speaker 2: For my essence of the thing. For being the same there, right?
• 1:44:46
  Speaker 2: You know? The boy is us, he is my son.
• 1:44:48
  Speaker 5: And besides that, do you listen to the current guys?
• 1:44:51
  Speaker 5: What are you listening to?
• 1:44:53
  Speaker 2: I listen, dad.
• 1:44:54
  Speaker 4: What I listen to a lot is Marques, you know?
• 1:44:57
  Speaker 4: I listen to Max a lot. The pandemic made us
• 1:44:59
  Speaker 4: suffer a lot. And Max made us continue to believe
• 1:45:02
  Speaker 4: in the thing.
• 1:45:03
  Speaker 5: Because I only lived from concerts, bro.
• 1:45:04
  Speaker 2: You know?
• 1:45:05
  Speaker 4: And then suddenly came the pandemic. And it gave us
• 1:45:08
  Speaker 4: a big blow.
• 1:45:09
  Speaker 5: It's like saying, do you know what you earn? You
• 1:45:11
  Speaker 5: won't have it. You won't have it. No, but you
• 1:45:14
  Speaker 5: won't have it.
• 1:45:14
  Speaker 2: Why?
• 1:45:14
  Speaker 5: Because I'm bad? Did something happen? No, because you can't anymore.
• 1:45:17
  Speaker 5: And then who came?
• 1:45:18
  Speaker 2: Who came?
• 1:45:18
  Speaker 7: Max, bro.
• 1:45:21
  Speaker 2: He sang Céu de Pipa, that song.
• 1:45:24
  Speaker 5: He came illuminated.
• 1:45:26
  Speaker 4: Open the window... You're crazy, you can't do that.
• 1:45:28
  Speaker 2: The beast is a monster, right?
• 1:45:30
  Speaker 6: Open the window for the wind to hit.
• 1:45:32
  Speaker 2: What was bad, let the wind take it.
• 1:45:33
  Speaker 4: It's like that. Today I live in a condominium, I
• 1:45:36
  Speaker 4: live in a building. But at that time I lived
• 1:45:38
  Speaker 4: in the favela. The same way I opened my window
• 1:45:41
  Speaker 4: in the favela, in my barrack, I also.
• 1:45:43
  Speaker 2: Open my window in my apartment. I look at the
• 1:45:45
  Speaker 2: mother and say....
• 1:45:48
  Speaker 4: This sun will illuminate me.
• 1:45:49
  Speaker 2: Amen, brother.
• 1:45:50
  Speaker 4: This sun that illuminates me is God who made me
• 1:45:52
  Speaker 4: shine and I will continue to shine. So that's what
• 1:45:54
  Speaker 4: makes me... And these songs encourage us, you know? Music
• 1:45:58
  Speaker 4: from NK, you know? NK I don't have to say
• 1:46:00
  Speaker 4: because I already said it earlier. And he is the
• 1:46:03
  Speaker 4: guy who, for me, is my idol and the guy
• 1:46:05
  Speaker 4: that I identify with.
• 1:46:07
  Speaker 2: But I listen a lot to Max, brother. I respect
• 1:46:09
  Speaker 2: Lipe a lot, you know? Paulinho da Capital, brother. You
• 1:46:12
  Speaker 2: like this lineage, right, brother? Yeah, you know? Ariel, really, father.
• 1:46:15
  Speaker 4: You take it and you say, man, you're crazy. There
• 1:46:18
  Speaker 4: are songs that you hear from the guys that you cry, bro.
• 1:46:21
  Speaker 4: Like you heard a rap from Racionais there, bro.
• 1:46:24
  Speaker 2: Boy, we're talking about funk. There's a Kaia there. Yeah. Yeah.
• 1:46:30
  Speaker 4: She's going to send it live.
• 1:46:32
  Speaker 2: Who is my DJ, Breno? Did the time come? I
• 1:46:35
  Speaker 2: heard you. And only the pure ones. For the love
• 1:46:38
  Speaker 2: of God. For the love of God.
• 1:46:39
  Speaker 6: Damn, you're crazy.
• 1:46:40
  Speaker 2: Damn. Damn. Tell me, Breno.
• 1:46:43
  Speaker 5: Look at him, look at Didier.
• 1:46:44
  Speaker 2: Applause for Breno! You're crazy, Breno! You're crazy, man! Let's go! Man,
• 1:46:46
  Speaker 2: I was agonized to see this! You're crazy! My brother,
• 1:46:49
  Speaker 2: thank you, okay? I'm the one who thanks you, dad.
• 1:46:51
  Speaker 2: God bless you. I also want to thank my partner GM, right?
• 1:46:55
  Speaker 6: The producer who came here before, with the menorah of VG.
• 1:46:57
  Speaker 2: With VG.
• 1:46:57
  Speaker 4: Who was a guy who came to work with me
• 1:46:59
  Speaker 4: as a holding. And then he went to work with Leo,
• 1:47:08
  Speaker 4: and then he became a team producer, and I called
• 1:47:12
  Speaker 4: him in response to cheat with me as a team producer,
• 1:47:15
  Speaker 4: you know? Fixed with me there.
• 1:47:17
  Speaker 2: And he acquired several experiences, and today he's winning there.
• 1:47:19
  Speaker 2: The world turns a lot, right, brother?
• 1:47:20
  Speaker 4: Then the guy passed the contact and, pô, thank God
• 1:47:24
  Speaker 4: I got here, for me it's a dream come true.
• 1:47:26
  Speaker 4: And you can write that I will continue dreaming about
• 1:47:28
  Speaker 4: this thing, because I will come back more times, you know?
• 1:47:31
  Speaker 2: A door that you open never closes. I would never
• 1:47:33
  Speaker 2: tell you... You're our idol. You're crazy. You're my idol.
• 1:47:36
  Speaker 2: God bless you. I'm a big fan of yours. For
• 1:47:38
  Speaker 2: a long time. And if I start in 2006, if
• 1:47:39
  Speaker 2: they follow me in 2006, I don't think so, right?
• 1:47:44
  Speaker 5: Let's see? I'm sure that Igão... Do you want to
• 1:47:48
  Speaker 5: sing Fez do Prazer?
• 1:47:48
  Speaker 2: I'll send that one.
• 1:47:49
  Speaker 4: Before Fez do Prazer, I'll send this one that I
• 1:47:51
  Speaker 4: recorded with Danilo Boladão, who was a partner.
• 1:47:55
  Speaker 2: No, it's the other partner.
• 1:47:57
  Speaker 4: Danilo Boladão, may God have him, who was Danilo Fabinho,
• 1:48:00
  Speaker 4: but the other partner was Danilo from Walt Disney, from Nautica,
• 1:48:03
  Speaker 4: you know? From São Vicente, who was a kid of
• 1:48:06
  Speaker 4: a thousand degrees, invited me to record... And we recorded
• 1:48:08
  Speaker 4: this one. We'll see you next time. Na picadilha de boyzão,
• 1:48:29
  Speaker 4: cês têm que ver Bonde é bolado, até patricinha gama
• 1:48:34
  Speaker 4: Tiramo onde esbanjamo o nosso poder E na balada, camarote,
• 1:48:40
  Speaker 4: aravipe Tem absolute, tem whisky Onde só cola a gerência
• 1:48:45
  Speaker 4: E pras novinha, a gente dá uma condição Tudo que
• 1:48:48
  Speaker 4: quiser vai ter na mão Mas tem que dar uma
• 1:48:51
  Speaker 4: assistência Se eu tô no litoral, praia, água de coco
• 1:48:56
  Speaker 4: E umas cachorra, chá no esquema, envolvida Eu com a maldade,
• 1:49:01
  Speaker 4: já na mente muito louco Levo pra treta pra formar Look,
• 1:49:05
  Speaker 4: the firm is strong, that doesn't break, like a fountain,
• 1:49:09
  Speaker 4: that doesn't dry.
• 1:49:10
  Speaker 2: Where it happens, fun, money, boldness.
• 1:49:13
  Speaker 4: Strong firm, that doesn't break, like a fountain, that doesn't dry.
• 1:49:18
  Speaker 2: The bridge is heavy, the grid is formed. Wow, it
• 1:49:20
  Speaker 2: was just a dream.
• 1:49:22
  Speaker 4: But we used to go to the cabuloso mall. And then, suddenly,
• 1:49:25
  Speaker 4: we were already with Megane making that noise, right, dad?
• 1:49:31
  Speaker 4: And this one, I'm going to ask for your help,
• 1:49:32
  Speaker 4: because you guys are my crew.
• 1:49:34
  Speaker 2: I'm here. Are you crazy? Say it yourself, Breno.
• 1:49:37
  Speaker 4: But imagine me with a Megane, or with a 1,100.
• 1:49:41
  Speaker 2: We'll invade the ball, there won't be anyone.
• 1:49:43
  Speaker 4: Our bond is like this, it's euro, dollar and note
• 1:49:47
  Speaker 4: of 100.
• 1:49:48
  Speaker 5: Note of 100, so.
• 1:49:48
  Speaker 2: Come on, imagine me with a Megane.
• 1:49:53
  Speaker 4: Oh, de mil e cem, invadir uns baile, não vai
• 1:49:56
  Speaker 4: ter pra ninguém, e o pote passa em que vai,
• 1:49:59
  Speaker 4: é euro, dólar e nota de cem, nota de cem. Oh,
• 1:50:04
  Speaker 4: eu jamais vou me desfazer dos parceiros que estão no
• 1:50:08
  Speaker 4: dia a dia, e o nosso bonde é esse, se
• 1:50:11
  Speaker 4: torne correria, só não quero... Those who are sympathy, are sympathy.
• 1:50:18
  Speaker 4: I'm every day, cogueria, guerrilla I am. I go to
• 1:50:22
  Speaker 4: the party as it is. Thanks, partner.
• 1:50:25
  Speaker 2: Oh, mythical, it's de rolé.
• 1:50:28
  Speaker 4: Hey, it's just the partners who enjoyed that time. Who
• 1:50:32
  Speaker 4: imagines can never give up. Because the imagination is only
• 1:50:35
  Speaker 4: for those who go after. Where I arrive, I stop everything.
• 1:50:39
  Speaker 4: The woman gives, enters and stops. My string is an absurd.
• 1:50:42
  Speaker 4: My perfume is from.
• 1:50:44
  Speaker 2: I'm from Cristiano Diocle. From Tommy or de Lacoste. And CB1000,
• 1:50:48
  Speaker 2: it's us from Hyundai.
• 1:50:51
  Speaker 4: I'm loved in the club, welcome to the Pugueiros.
• 1:50:55
  Speaker 2: Until I got far, I'm simple, I'm a fighter.
• 1:50:58
  Speaker 4: It's not imagination, it's reality. The past has already become misery.
• 1:51:05
  Speaker 4: But if it doesn't bring happiness, it moves away sadness.
• 1:51:10
  Speaker 4: And maybe my humility is my greatest.
• 1:51:13
  Speaker 2: It's not imagination, it's reality.
• 1:51:16
  Speaker 4: It's already turned into misery. But if it doesn't bring happiness,
• 1:51:21
  Speaker 4: then it does. But maybe our humility is my greatest.
• 1:51:27
  Speaker 4: If you're humble, you don't get anywhere. BMW, Audi Q7, Infiniti, Camaro.
• 1:51:45
  Speaker 4: We bathe the girls with the most expensive champagne. And
• 1:51:48
  Speaker 4: in my vocabulary, there is no economy. We invest in power,
• 1:51:51
  Speaker 4: you know?
• 1:51:52
  Speaker 2: Nothing has changed, baby. And it's not imagination.
• 1:51:55
  Speaker 4: But it's already become past misery. But if it doesn't
• 1:52:06
  Speaker 4: bring happiness, it moves us away. But maybe our humility
• 1:52:09
  Speaker 4: is the greatest wealth.
• 1:52:10
  Speaker 2: Wow, I imagined. Smiling, I'm in the favela. I'm Robin Hood.
• 1:52:22
  Speaker 2: I know that the envy.
• 1:52:23
  Speaker 4: Is still agonizing I'm a sufferer but I'm putting the
• 1:52:28
  Speaker 4: hot plate I managed to buy my.
• 1:52:31
  Speaker 6: It was just a dream My Megana.
• 1:52:33
  Speaker 4: Feels me It's coming around I'm imagining And who imagines?
• 1:52:36
  Speaker 4: Raise your hand I'll be humble and have a dream
• 1:52:39
  Speaker 4: And it's not... Damn, forget everything, dad I made this
• 1:52:44
  Speaker 4: song sitting on the edge of the channel.
• 1:52:50
  Speaker 2: So I would say to the partners, let's imagine us from.
• 1:52:54
  Speaker 4: Audi or Citroën, from Captiva or DeMille.
• 1:52:59
  Speaker 2: Let's imagine us from Audi or Citroën, from Captiva or DeMille.
• 1:53:03
  Speaker 2: And without, never give up, boy.
• 1:53:05
  Speaker 4: I'm here and we dream, imagine us going further. I
• 1:53:10
  Speaker 4: don't know if I'm exaggerating, but the cord is giving me.
• 1:53:20
  Speaker 2: Oi, por quê? São 800 gramas de ouro maciço.
• 1:53:23
  Speaker 4: Como o pingente tá pesando?
• 1:53:26
  Speaker 2: Quase. Ai, caraco. 6602 capi. Porque se o papo é night.
• 1:53:30
  Speaker 4: Eu vou de hand rover. Ai, que isso, hein? Seja
• 1:53:34
  Speaker 4: vale funk, yo.
• 1:53:40
  Speaker 2: When our boat leaves, it's key to the picket of the...
• 1:53:44
  Speaker 2: So go! At 180 per hour, we are not in.
• 1:53:46
  Speaker 2: And the passengers, or.
• 1:53:47
  Speaker 4: Even the driver, don't drink, don't talk, and just pilot
• 1:53:51
  Speaker 4: the ship and go.
• 1:53:52
  Speaker 2: Where the boat wants.
• 1:53:53
  Speaker 4: Money is not a problem, I'm paying even the driver, why?
• 1:53:56
  Speaker 4: And every day of the week is a new one
• 1:53:59
  Speaker 4: on the list.
• 1:54:08
  Speaker 2: I'm not buying love. I pay the view. Cifrão is good.
• 1:54:13
  Speaker 2: Better with your feet on the ground. Humble and true.
• 1:54:17
  Speaker 2: Never for emotion. Never to lose. Because life is mud.
• 1:54:20
  Speaker 2: I will never step on the next.
• 1:54:22
  Speaker 4: Never. I have gold and silver that Jesus lent me.
• 1:54:29
  Speaker 2: Money was in the fight, today I know my value.
• 1:54:32
  Speaker 4: Fearing only God, so live life, looking ahead. The life
• 1:54:34
  Speaker 4: of the duck was also a surprise.
• 1:54:36
  Speaker 2: Crazy stuff, dad. Forget everything. If we send.
• 1:54:40
  Speaker 4: This one here, it's quiet, the fire doesn't... Que o
• 1:54:51
  Speaker 4: boy chegou, por favor Fogo no puteiro, que o boy
• 1:54:55
  Speaker 4: chegou De transformar em ouro, tudo que eu vou tá
• 1:55:00
  Speaker 4: É fogo no puteiro, que o boy chegou É fogo
• 1:55:04
  Speaker 4: no puteiro, que o boy chegou Mas é.
• 1:55:07
  Speaker 2: De transformar em ouro.
• 1:55:11
  Speaker 4: Tô de XJ6 novinha, rocando que nem trovão Afogando as
• 1:55:16
  Speaker 4: minhas mágoas, numa taça de Xandol Meu estilo de vida
• 1:55:20
  Speaker 4: é bom, mas o perigo é constante Minha liberdade é ouro,
• 1:55:24
  Speaker 4: nossa vida é diamante Cofre forte é o coração, pois
• 1:55:28
  Speaker 4: só tem relíquia dentro Nós gasta vários milhão, e acumula
• 1:55:32
  Speaker 4: bons momentos Até sobra, somos louco Mesmo um louco consente
• 1:55:37
  Speaker 4: Nossa mente faz dinheiro Dinheiro não faz a mente E
• 1:55:42
  Speaker 4: quem nasceu para brilhar Brilha até na escuridão Humildade é
• 1:55:46
  Speaker 4: qualidade E prosperidade é o dom E o dom que
• 1:55:50
  Speaker 4: Deus me deu É mais que qualquer milhão Que é
• 1:55:53
  Speaker 4: de transformar em ouro Tudo que eu botar a mão.
• 1:55:56
  Speaker 2: Alô, Minskigal Fogo no puteiro Que.
• 1:55:59
  Speaker 4: O boy chegou É fogo no puteiro Que o boy
• 1:56:03
  Speaker 4: chegou But it's about turning it into gold, everything I
• 1:56:08
  Speaker 4: put my hand on, then.
• 1:56:09
  Speaker 2: Fire in the ass, bitch, it's here. It's fire in
• 1:56:12
  Speaker 2: the ass, that Igon arrived. And it's about.
• 1:56:16
  Speaker 4: Turning it into gold, everything I put my.
• 1:56:18
  Speaker 5: Hand on, then.
• 1:56:19
  Speaker 2: Wow, it's that one where you showed the tennis like this,
• 1:56:22
  Speaker 2: and talked about the haircut, how is it? Caraca! To
• 1:56:27
  Speaker 2: the whole state of São Paulo, Brazil in general, everything
• 1:56:30
  Speaker 2: is ours. Boy do Charme is back. It's the following,
• 1:56:34
  Speaker 2: I'm here.
• 1:56:34
  Speaker 6: I don't know if I'm... This one, no, this one
• 1:56:37
  Speaker 6: is gone, man.
• 1:56:37
  Speaker 2: You want to see? It looks like I'm drinking cachaça.
• 1:56:40
  Speaker 2: Calm down, calm down.
• 1:56:43
  Speaker 5: Look, my son remembered.
• 1:56:45
  Speaker 4: It starts with the haircut, which is always disheveled. The
• 1:56:49
  Speaker 4: smart Adidas, the imported perfume. The Invicta is angry, but
• 1:56:53
  Speaker 4: I think differently. Today I'm going to attack with Rolex Presidente.
• 1:56:59
  Speaker 4: The Maré is favorable and we launch the network. Separate
• 1:57:03
  Speaker 4: the white horse and install the green mink. Come at
• 1:57:07
  Speaker 4: will between four walls, but you'll drink from Chandon.
• 1:57:10
  Speaker 2: Forget reality. Social Khan. Social Khan. Mas se quer decolar,
• 1:57:34
  Speaker 2: fica suave E.
• 1:57:35
  Speaker 4: Embarca aí na nave Porque o corre é o nosso
• 1:57:38
  Speaker 4: vício E o dinheiro é o nosso vício Relaxa e
• 1:57:42
  Speaker 4: se diverte aí no luxo Que eu tô te proporcionando
• 1:57:45
  Speaker 4: Porque a noite não tem fim Tá apenas começando And
• 1:57:49
  Speaker 4: the girls came thinking that life was.
• 1:58:00
  Speaker 2: And the girls thought that life was... Easy. Yeah, like honey, sweet.
• 1:58:13
  Speaker 4: At night it only started for us, we were in
• 1:58:15
  Speaker 4: the activity. We couldn't fool ourselves. But, man, you guys
• 1:58:19
  Speaker 4: lived on the ship, Wigão. He remembers everything, right, Mítico?
• 1:58:22
  Speaker 3: Wigão knows everything.
• 1:58:24
  Speaker 2: Man, he knows everything, man. The guys to launch the
• 1:58:27
  Speaker 2: Funkport were for me, it was good. Wow, but this
• 1:58:29
  Speaker 2: one you won't remember, no.
• 1:58:30
  Speaker 7: Which one?
• 1:58:32
  Speaker 4: Se é festa do prazer, o bicho pega e o
• 1:58:35
  Speaker 4: couro come. É cinco mulher pra cada dois homens. Se
• 1:58:40
  Speaker 4: é festa do prazer.
• 1:58:41
  Speaker 2: O bicho pega e o couro come.
• 1:58:43
  Speaker 4: É cinco mulher pra cada dois homens.
• 1:58:47
  Speaker 2: E aí o couro come, e aí o couro... Oh, shit, oh, shit, oh, shit. Hi, night,
• 1:58:52
  Speaker 2: night and day. It's happening, this is the thing.
• 1:58:55
  Speaker 4: There's only going to be joy with various moves. And
• 1:59:01
  Speaker 4: the talk there is without faith.
• 1:59:03
  Speaker 2: It's just whisky and Red Bull.
• 1:59:05
  Speaker 4: The girls there from the north, from the west or
• 1:59:07
  Speaker 4: from the south. I'm coming from Megane, the blonde is
• 1:59:11
  Speaker 4: at 1,100.
• 1:59:12
  Speaker 2: And that one over there. Nada que eu disser vai
• 1:59:41
  Speaker 2: ser capaz de te impressionar.
• 1:59:44
  Speaker 4: Mas eu vim de baixo ser exatamente o meu lugar.
• 1:59:47
  Speaker 4: Nós não mede esforço e nem mede consequência. Nós ostenta mesmo,
• 1:59:52
  Speaker 4: mas não vivo de aparência. Mil cilindrada de potência, mente febre.
• 1:59:58
  Speaker 4: O meu vice grana já virou bola de neve Carro
• 2:00:02
  Speaker 4: liga leve, é tão gostoso de se conseguir Mas eu
• 2:00:05
  Speaker 4: persegui o sonho da riqueza, vi me perseguir Amor ou dinheiro,
• 2:00:10
  Speaker 4: o amor é a unidade Mas o dinheiro corrompeu mais
• 2:00:15
  Speaker 4: que a realidade.
• 2:00:16
  Speaker 2: E quanta falsidade, quanta.
• 2:00:18
  Speaker 4: Neguinho E a minha cota de felicidade, eu busque em
• 2:00:22
  Speaker 4: dólar Amor ou dinheiro, o amor é que... Porque mais
• 2:00:27
  Speaker 4: o dinheiro corrompeu mais que a metade Quanta falsidade, quanta
• 2:00:32
  Speaker 4: hipocrisia rola Minha cota.
• 2:00:35
  Speaker 2: De felicidade Muitos matam, muitos morrem, tudo por.
• 2:00:41
  Speaker 4: Causa de grana Cada um tá no seu corre pra
• 2:00:44
  Speaker 4: fortalecer Quem ama final de semana vai pra balada dar
• 2:00:47
  Speaker 4: uma relaxada com a gente Principalmente a gente que vive
• 2:00:51
  Speaker 4: no epicentro do estresse E se o dinheiro não suprir
• 2:00:54
  Speaker 4: nossa farra desse dia Meu cordão de ouro vai ficar
• 2:00:59
  Speaker 4: de garantia E depois da balada eu vou pra love
• 2:01:01
  Speaker 4: story arrastrar mais top pra minha mansão.
• 2:01:03
  Speaker 2: Good Rafael, don't roll in the mall, after lunch on
• 2:01:06
  Speaker 2: the floor.
• 2:01:06
  Speaker 4: Good fragrance, good impression, ostentation is a matter of power.
• 2:01:11
  Speaker 4: The rush brings the condition, and the condition provides leisure.
• 2:01:16
  Speaker 4: And love or money Love is unanimity But money Corrupted
• 2:01:21
  Speaker 4: more than half And how And how much falsehood How
• 2:01:24
  Speaker 4: much hypocrisy happens My happiness rate We want in dollars
• 2:01:28
  Speaker 4: Love or money Don't do this But money Corrupted more
• 2:01:32
  Speaker 4: than half How much falsehood How much hypocrisy happens And
• 2:01:38
  Speaker 4: my happiness rate I want in dollars.
• 2:01:45
  Speaker 2: I want to dedicate a song to you guys here. Please,
• 2:01:46
  Speaker 2: my brother. Because in the same way I went.
• 2:01:48
  Speaker 4: Through a fight, I think Igão and Mítico also went
• 2:01:51
  Speaker 4: through that. And who didn't hear this song here and
• 2:01:55
  Speaker 4: identified themselves, it's not mine, but it's part of our lives.
• 2:02:00
  Speaker 2: Lágrimas caem quem já passou.
• 2:02:02
  Speaker 4: No sofrimento Coração bate acelerado, mó saudade Na minha vida
• 2:02:08
  Speaker 4: toda sorte te arrebento Família minha, meus amigos de verdade
• 2:02:14
  Speaker 4: Era muito longe às vezes, não tinha visita Graças a
• 2:02:19
  Speaker 4: Deus os companheiros lá da ilha Sempre chegaram, nunca esquecerão
• 2:02:24
  Speaker 4: de mim.
• 2:02:25
  Speaker 2: Em qualquer situação e até o fim.
• 2:02:29
  Speaker 4: Mas mesmo assim a saudade continuava E a depressão só
• 2:02:34
  Speaker 4: domina na madrugada And there in the yard, in the street,
• 2:02:40
  Speaker 4: I was alone.
• 2:02:40
  Speaker 2: And the colleagues said, talk is better.
• 2:02:42
  Speaker 4: On a day like the other, I was writing a letter.
• 2:02:47
  Speaker 2: To Felipe, the bald guy who went to heaven.
• 2:02:51
  Speaker 4: On the same day, he immediately attacked a Sedex.
• 2:02:54
  Speaker 2: Oh, my country, oh, cousin, the longing is cruel.
• 2:02:58
  Speaker 4: You chose this life because you wanted to.
• 2:03:01
  Speaker 2: Me and your mother, who loves you, we are here. Unfortunately,
• 2:03:06
  Speaker 2: you are there. Our family out here is unhappy. Tears fall.
• 2:03:11
  Speaker 7: They fall now. And they go away. But on the
• 2:03:23
  Speaker 7: face they roll, roll.
• 2:03:25
  Speaker 2: Duda do Marapé.
• 2:03:28
  Speaker 4: When I talk about suffering, it's not just the person
• 2:03:32
  Speaker 4: who went to jail, you know, dad? You have to remember, brother,
• 2:03:34
  Speaker 4: in our trajectory, with all due respect, the Baixada Santista
• 2:03:38
  Speaker 4: is the second beast of funk, and I.
• 2:03:39
  Speaker 6: Think it deserves a lot of respect.
• 2:03:41
  Speaker 2: It's the Paulista verse, brother.
• 2:03:43
  Speaker 4: Because we brought funk to São Paulo, to the capital here, right?
• 2:03:46
  Speaker 4: And suddenly I see several kids making their dreams come true,
• 2:03:50
  Speaker 4: but we count on our fingers the kids from the
• 2:03:52
  Speaker 4: capital who respect us there.
• 2:03:54
  Speaker 2: So, I'm here talking to all the.
• 2:03:56
  Speaker 4: MCs of Baixada Santista, because Baixada Santista deserves respect, just
• 2:04:01
  Speaker 4: like Ariel has said several times, several other artists that
• 2:04:04
  Speaker 4: stepped here, we deserve respect.
• 2:04:06
  Speaker 2: I want to thank you guys, because it's even making
• 2:04:09
  Speaker 2: me emotional, bro, it's crazy. We're together, bro, really.
• 2:04:12
  Speaker 5: Thank you, okay?
• 2:04:13
  Speaker 2: From the bottom of my heart, boy, like, once again,
• 2:04:16
  Speaker 2: I'm a big fan of yours, You're my idol, straight talk.
• 2:04:20
  Speaker 2: You encouraged me a lot. People may think it's bullshit,
• 2:04:25
  Speaker 2: but it's not. When you have no reference at all,
• 2:04:27
  Speaker 2: you don't see anything. Everything you see around you is violence,
• 2:04:34
  Speaker 2: it's bad, it's drinking, it's drugs, it's banditry. And then
• 2:04:37
  Speaker 2: when someone who looks like you sings about prosperity... So today,
• 2:04:41
  Speaker 2: for me, you're here... It's a dream come true, bro.
• 2:04:44
  Speaker 2: From the bottom of my heart. Really. Thank you. Thank you, boy.
• 2:04:48
  Speaker 4: The voice even dies like that because the emotion is
• 2:04:51
  Speaker 4: a very crazy thing, right, bro?
• 2:04:53
  Speaker 2: Because I'm here with you guys, I'm representing the Faik
• 2:04:55
  Speaker 2: da Baixada, you know? It's a lot of response, you know, bro.
• 2:04:59
  Speaker 2: You know that.
• 2:05:00
  Speaker 5: Don't do that to us, bro. What is that?
• 2:05:03
  Speaker 2: No, it's because it's a lot of response, bro. Like,
• 2:05:06
  Speaker 2: a lot of people died, bro. A lot of struggle, right?
• 2:05:07
  Speaker 5: A lot of struggle, man.
• 2:05:08
  Speaker 2: A lot of blood spilled, a lot of mothers who suffered, man.
• 2:05:11
  Speaker 2: And I think that we are here with the boy,
• 2:05:13
  Speaker 2: the boy is one who was successful, right? How many
• 2:05:16
  Speaker 2: didn't have? How many just stayed in the palm, right?
• 2:05:19
  Speaker 2: You know very well about this. I usually say to.
• 2:05:21
  Speaker 4: My son who is there, I say, man, it was
• 2:05:24
  Speaker 4: very difficult for the father to get where he is,
• 2:05:27
  Speaker 4: you know? I suffered a lot, man. Who has been
• 2:05:29
  Speaker 4: with me since the beginning knows what I went through,
• 2:05:33
  Speaker 4: you know? And how many kids don't dream of being
• 2:05:36
  Speaker 4: the boy of Charme, you know?
• 2:05:37
  Speaker 5: I know, brother, many.
• 2:05:38
  Speaker 2: Because one day I dreamed of.
• 2:05:39
  Speaker 4: Being Romano Brau too. And today I have the same
• 2:05:42
  Speaker 4: respect as my partner, you know? I'm very grateful to
• 2:05:46
  Speaker 4: the guys who strengthen Flamengo. And that only one thing happens, right, bro?
• 2:05:51
  Speaker 2: The thing is reality. Crying is my grain. It's because
• 2:05:54
  Speaker 2: it's real, bro. You're not telling anyone's life. You're telling yours, right, bro?
• 2:05:57
  Speaker 2: Your experience. Funk, I think it hits so many people
• 2:06:01
  Speaker 2: because it's visceral. It goes in the direction, it speaks
• 2:06:04
  Speaker 2: the reality. Because it bothers too. Because of the same thing.
• 2:06:07
  Speaker 2: Because it speaks the real, you know? So... For me, bro,
• 2:06:11
  Speaker 2: I just have to thank all this generation, yours that
• 2:06:14
  Speaker 2: came before, mainly because... Man, bro, if it wasn't for
• 2:06:18
  Speaker 2: this fight of these guys, of these girls... You know?
• 2:06:21
  Speaker 2: I'm absolutely sure that Pod Pá didn't even exist, bro.
• 2:06:25
  Speaker 4: And when I see an MC, bro, whether he's a
• 2:06:29
  Speaker 4: man or a woman... Like, I respect him in the
• 2:06:32
  Speaker 4: same way I wanted respect, you know? I think the
• 2:06:35
  Speaker 4: funk has to be very valued. Tomorrow or later, I
• 2:06:37
  Speaker 4: don't know if I can be here, I don't know
• 2:06:40
  Speaker 4: if I'll be able to be there again.
• 2:06:42
  Speaker 2: You guys are very strong. And I'm talking about funk.
• 2:06:45
  Speaker 2: We're together, brother.
• 2:06:46
  Speaker 4: Leaving Boyd Charmin aside and putting funk on the scene.
• 2:06:49
  Speaker 4: We suffered a lot to make funk what it is today.
• 2:06:53
  Speaker 4: I think this young people who are watching me, both
• 2:06:57
  Speaker 4: from the new generation and the young people who will come,
• 2:07:01
  Speaker 4: respect the thing.
• 2:07:03
  Speaker 2: You know? Value it.
• 2:07:03
  Speaker 4: Make your dream come true. But understand that funk always
• 2:07:06
  Speaker 4: has to be in first place. Before the artist arrived, the.
• 2:07:11
  Speaker 2: Funk already existed.
• 2:07:12
  Speaker 4: And I see several partners suffering today, several men going
• 2:07:16
  Speaker 4: through a hard fight, who didn't earn the money that the.
• 2:07:19
  Speaker 2: Kids are earning today.
• 2:07:20
  Speaker 4: I earned money, I earn money. I don't have to complain.
• 2:07:24
  Speaker 4: I just have to thank God. But there are many
• 2:07:27
  Speaker 4: partners who suffered.
• 2:07:28
  Speaker 2: And the funk deserves respect. So I want to thank
• 2:07:31
  Speaker 2: you and ask.
• 2:07:32
  Speaker 4: God to bless more and more your life, you know?
• 2:07:35
  Speaker 4: It's the second time I'm calling you, the first time
• 2:07:38
  Speaker 4: I call you a mythic, And for me it was
• 2:07:41
  Speaker 4: a dream to be here present with you.
• 2:07:43
  Speaker 2: And I got here through God. It's crazy what I
• 2:07:45
  Speaker 2: heard from you, brother. Thank you.
• 2:07:46
  Speaker 4: I want to thank Pedro, brother. Partner that gave me
• 2:07:48
  Speaker 4: a lot of attention. Bruno too, brother. People from the
• 2:07:52
  Speaker 4: technical part. Everyone that is there, brother.
• 2:07:55
  Speaker 5: That no one sees this.
• 2:07:57
  Speaker 2: And, bro, God bless us. Amen, bro.
• 2:07:59
  Speaker 4: May we continue to encourage a lot of kids from
• 2:08:01
  Speaker 4: the outskirts to win too, you know?
• 2:08:02
  Speaker 2: What an inspiration.
• 2:08:03
  Speaker 4: I'm sorry my voice disappeared because when I'm like this,
• 2:08:06
  Speaker 4: there's no way. I went through it only twice, bro.
• 2:08:08
  Speaker 4: One with you and one on the Aço' s show when
• 2:08:11
  Speaker 4: I lost my father, you know? It's awesome, right, my brother?
• 2:08:18
  Speaker 2: It's cool because when you see the artist singing, wearing
• 2:08:25
  Speaker 2: a hat, glasses, a cord, you can't even imagine what
• 2:08:29
  Speaker 2: was left behind. Who stayed at home, the B.O. I
• 2:08:33
  Speaker 2: think it's cool to talk about your journey because sometimes
• 2:08:36
  Speaker 2: people get confused and think it's just luck. Like you
• 2:08:40
  Speaker 2: said in the song Amor ou Dinheiro, look at this lyrics,
• 2:08:43
  Speaker 2: you know? Sometimes people think it's just that, you know?
• 2:08:46
  Speaker 2: That it's just for fun. But that's what he was
• 2:08:48
  Speaker 2: talking about before, bro. It's a profession, bro. You want
• 2:08:51
  Speaker 2: your children in it, you know? Well, like this, my
• 2:08:53
  Speaker 2: son is seeing me there, right? I'm the father, right, bro?
• 2:08:56
  Speaker 4: The biggest response. And my crown can't see me on TV.
• 2:09:00
  Speaker 4: And it was his dream, you know? My children didn't
• 2:09:04
  Speaker 4: know my crown.
• 2:09:06
  Speaker 2: But, like, it's crazy.
• 2:09:07
  Speaker 4: Because it comes in many memories, right?
• 2:09:09
  Speaker 2: I never forgot. I never lost my essence. From Wellington.
• 2:09:13
  Speaker 2: Before being the boy of Charming. And I never lost
• 2:09:15
  Speaker 2: my humility.
• 2:09:16
  Speaker 4: So before the boy of Charming arrives, the humility arrives first.
• 2:09:21
  Speaker 4: And I see my son there watching me.
• 2:09:23
  Speaker 2: You guys interviewing me.
• 2:09:24
  Speaker 6: My son is your son, bro.
• 2:09:25
  Speaker 2: Follow him.
• 2:09:25
  Speaker 4: It's on the internet. The internet today changes lives.
• 2:09:30
  Speaker 2: You know, bro? And I'm really grateful, bro.
• 2:09:32
  Speaker 4: And I ask people to respect the mythical. Respect the Igão, bro.
• 2:09:36
  Speaker 2: You know?
• 2:09:37
  Speaker 4: If yesterday or back there, the guys passed and... I
• 2:09:42
  Speaker 4: couldn't pay attention, because life is crazy, bro. And when
• 2:09:45
  Speaker 4: you achieve success, life gets.
• 2:09:47
  Speaker 2: Even crazier, you know?
• 2:09:48
  Speaker 4: And sometimes it wasn't because I didn't want to pay attention,
• 2:09:51
  Speaker 4: it was because I was too busy. And that's already
• 2:09:53
  Speaker 4: happened to me, you know? I even apologize to someone
• 2:09:55
  Speaker 4: if one day I go out and I didn't take a.
• 2:09:58
  Speaker 2: Picture, you know? I didn't give an autograph.
• 2:10:00
  Speaker 6: God bless all of us.
• 2:10:02
  Speaker 2: Amen, brother.
• 2:10:03
  Speaker 3: What a beautiful thing. Today you just confirmed the greatness
• 2:10:06
  Speaker 3: of the artist and the human being that you are.
• 2:10:08
  Speaker 5: It's a thousand degrees.
• 2:10:10
  Speaker 3: It's a thousand degrees, man. Since he arrived here, giving
• 2:10:12
  Speaker 3: a smile... He changed the energy of the thing. I said, man,
• 2:10:15
  Speaker 3: this is going to be wonderful, today's exchange. I was
• 2:10:17
  Speaker 3: awake dreaming, I slept, I dreamed, and I woke up
• 2:10:19
  Speaker 3: and kept dreaming.
• 2:10:20
  Speaker 2: And now I fell into reality. You know? When I
• 2:10:21
  Speaker 2: was singing with you, I was like....
• 2:10:31
  Speaker 4: I was filming and I was like, damn, this guy
• 2:10:33
  Speaker 4: is singing and we're enjoying the.
• 2:10:34
  Speaker 2: Party, bro, crazy stuff. Like, I'm really living, you know? Bro,
• 2:10:38
  Speaker 2: it's because of what we were talking about, right? You
• 2:10:39
  Speaker 2: were in the middle of the party, in the middle
• 2:10:40
  Speaker 2: of the hurricane, while you were making a hit. Yeah, bro.
• 2:10:43
  Speaker 2: But I was one of the thousands and millions of
• 2:10:46
  Speaker 2: guys who were like... You were there watching the party. Damn,
• 2:10:48
  Speaker 2: it's the boy of the charms, man. Thank God this
• 2:10:50
  Speaker 2: guy exists. Wow, and thank God Guimê also exists, and
• 2:10:53
  Speaker 2: thank God Rodolfo exists. Because sometimes, I don't know, people
• 2:10:57
  Speaker 2: hit us a lot for us being funkers. And that's
• 2:11:00
  Speaker 2: who I am, that's who I've always been. Mítico also
• 2:11:02
  Speaker 2: lived from funk at a time in his life. So
• 2:11:04
  Speaker 2: I'll never run away from this flag, never. I understand
• 2:11:08
  Speaker 2: that sometimes... A gente hoje tem uma programação um pouco
• 2:11:11
  Speaker 2: mais curta. Não dá pra trazer todo mundo. Mas a
• 2:11:13
  Speaker 2: gente quer trazer todo mundo. Aos poucos a gente vai
• 2:11:15
  Speaker 2: trazer todo mundo que a gente conseguir. E te agradecer, irmão.
• 2:11:19
  Speaker 2: Te agradecer por abrir o coração. Por trocar essa ideia
• 2:11:22
  Speaker 2: com nós. E assim, de coração, mais uma vez, mano.
• 2:11:25
  Speaker 2: Eu fiz aniversário recentemente. E hoje estar conversando com você,
• 2:11:28
  Speaker 2: um dos meus ídolos, é muito foda pra mim. Porque...
• 2:11:32
  Speaker 2: I don't know, the sneakers you talked about in the songs,
• 2:11:35
  Speaker 2: the Rolex, the car, the haircut, I dreamed of everything, bro.
• 2:11:37
  Speaker 2: It's not true.
• 2:11:38
  Speaker 4: I dreamed of everything, bro. And like that, you have
• 2:11:40
  Speaker 4: no idea, you know? Like I said at the beginning, right, bro?
• 2:11:42
  Speaker 4: That sometimes you have no idea how it changes the
• 2:11:45
  Speaker 4: life of the person, you know, bro?
• 2:11:47
  Speaker 2: Step here, you can't stop. It's crazy, bro. You know? So,
• 2:11:50
  Speaker 2: like that, the cries are of joy.
• 2:11:52
  Speaker 4: Because what I went through, what I lived, it was
• 2:11:56
  Speaker 4: worth it, it's worth it, it will continue to be
• 2:11:58
  Speaker 4: worth it, because I have my son who... It's the
• 2:12:01
  Speaker 4: future of Parada do Legado. And I say to him, bro,
• 2:12:04
  Speaker 4: you have to respect the musicians in general. Both the interpreter,
• 2:12:09
  Speaker 4: the composer, the DJ, the producer, the hold, you know?
• 2:12:12
  Speaker 2: The aunt of the fax, everyone.
• 2:12:15
  Speaker 4: Because if we get there, we got there not only
• 2:12:18
  Speaker 4: thanks to our talent, but we got there, thank God,
• 2:12:21
  Speaker 4: and many people who added to that. When I got
• 2:12:25
  Speaker 4: to know your structure here, Pedro showed me, Like, I
• 2:12:28
  Speaker 4: was pissed, you know, bro? Because I said, damn, I'm
• 2:12:30
  Speaker 4: so happy because the guys achieved this. The guys are
• 2:12:32
  Speaker 4: a thousand degrees.
• 2:12:34
  Speaker 6: Because I saw you guys starting in the pandemic, bro.
• 2:12:36
  Speaker 2: In the room.
• 2:12:37
  Speaker 4: And you guys brought joy to us. Where we couldn't
• 2:12:39
  Speaker 4: even get out of the house, bro. To be able
• 2:12:41
  Speaker 4: to go to a beach, take a look.
• 2:12:43
  Speaker 2: At the mall. And you guys were bringing joy to us.
• 2:12:46
  Speaker 2: For me, it's crazy you say you watched us, bro.
• 2:12:48
  Speaker 2: It's crazy. I watch, bro. I watch several episodes, bro. Several, like...
• 2:12:51
  Speaker 2: Everyone who spoke well of me here, or spoke badly,
• 2:12:53
  Speaker 2: I saw. You know?
• 2:12:55
  Speaker 6: There were people who spoke badly here.
• 2:12:57
  Speaker 2: I helped, you know?
• 2:12:59
  Speaker 6: I won't say the name, I don't even want to,
• 2:13:01
  Speaker 6: because the weather is nice.
• 2:13:02
  Speaker 2: I don't need to, yes.
• 2:13:03
  Speaker 4: But I was upset, because we help a lot of people,
• 2:13:06
  Speaker 4: and you've been through this, right, bro? Everyone goes through this.
• 2:13:10
  Speaker 4: And ungratefulness is blurry, bro. And it makes us very sad.
• 2:13:14
  Speaker 4: But it also serves as fuel for us to learn, right?
• 2:13:16
  Speaker 4: And then it ends up blocking you from being able
• 2:13:20
  Speaker 4: to help another person, because, hey, am I going to
• 2:13:22
  Speaker 4: take it again?
• 2:13:23
  Speaker 2: It's awesome.
• 2:13:24
  Speaker 4: Because the same way they did with me, I valued it.
• 2:13:27
  Speaker 4: And I'm very grateful. I comment a lot, Bodo Catarina,
• 2:13:31
  Speaker 4: Ninguém No Cacheta, Mr. Catra, Primo, several guys, Chiquinha Amaral.
• 2:13:36
  Speaker 4: There's a lot of people, you know?
• 2:13:38
  Speaker 2: That passed in my life. But I see that you care.
• 2:13:40
  Speaker 4: I'm very grateful and I care to talk. And people say,
• 2:13:42
  Speaker 4: why do you talk about the guys? But I care
• 2:13:45
  Speaker 4: about it. And for me, it's a merit of the
• 2:13:49
  Speaker 4: guys to have made me get here. Because if there's
• 2:13:51
  Speaker 4: a boy of charm... There was another MC or another
• 2:13:54
  Speaker 4: DJ to do the Boi de Chama and be who
• 2:13:55
  Speaker 4: he is today, you know? And sometimes the ungratefulness hurts
• 2:13:58
  Speaker 4: a lot. And sometimes it blocks other people from being helped.
• 2:14:03
  Speaker 4: But I ask people to never give up and be
• 2:14:05
  Speaker 4: very grateful, you know? When you make your dream come true,
• 2:14:07
  Speaker 4: remember the people who helped you, you know?
• 2:14:09
  Speaker 6: Because it's hard, brother. And I remember everything, I pass
• 2:14:12
  Speaker 6: the film.
• 2:14:12
  Speaker 2: I imagine, brother. It's my degree. I didn't get here
• 2:14:14
  Speaker 2: for money, you know?
• 2:14:17
  Speaker 4: I came here because of your respect, first of all.
• 2:14:20
  Speaker 4: Because if I were a crazy guy who had disrespected
• 2:14:22
  Speaker 4: you in any concert, I wouldn't be here today, you know?
• 2:14:26
  Speaker 2: Exactly.
• 2:14:26
  Speaker 4: You would say, no, Boy de Chave doesn't want it.
• 2:14:28
  Speaker 4: The guy put the map for us there. And I've
• 2:14:30
  Speaker 4: always been that, you know? A very nice guy, a.
• 2:14:34
  Speaker 2: Very humble guy.
• 2:14:35
  Speaker 5: Everyone is the same.
• 2:14:37
  Speaker 4: I don't belittle anyone. It could be Ronaldo Fenômeno, Ronaldinho Gaúcho,
• 2:14:41
  Speaker 4: or it could be Tia da Faxina. Good morning, good afternoon,
• 2:14:45
  Speaker 4: God bless you.
• 2:14:46
  Speaker 2: Do you need anything?
• 2:14:47
  Speaker 4: Do you need help? And it's crazy.
• 2:14:50
  Speaker 2: I think I'm an alien, bro. A poet. Sometimes I
• 2:14:53
  Speaker 2: get to think. You've been through so many, right?
• 2:14:55
  Speaker 4: I've been through so many, bro.
• 2:14:56
  Speaker 2: I imagine. You're a guy who can see that you
• 2:14:58
  Speaker 2: take these moments, which are difficult in life, but as fuel. Yeah.
• 2:15:03
  Speaker 2: Because I think what happened there with you, the greatest
• 2:15:06
  Speaker 2: success there, and the death of your greatest motivator, must
• 2:15:09
  Speaker 2: have been very difficult, but... That's what keeps you here
• 2:15:12
  Speaker 2: until today, right brother? That puts you here today. Damn,
• 2:15:15
  Speaker 2: you guys are awesome. Thank you, brother. You guys are awesome.
• 2:15:18
  Speaker 2: I didn't expect to hear so much from you.
• 2:15:19
  Speaker 5: You have my respect, brother. Not only mine, but also
• 2:15:21
  Speaker 5: of many.
• 2:15:21
  Speaker 4: People who passed by here, right, father? Many artists passed
• 2:15:25
  Speaker 4: by here. There was a strength in the funk and
• 2:15:28
  Speaker 4: suddenly the kid became big out there.
• 2:15:30
  Speaker 2: You know?
• 2:15:30
  Speaker 4: The dust of the dust changes the life, brother.
• 2:15:34
  Speaker 2: O Mítico e o Igão é mil grau. Obrigado, tá,
• 2:15:36
  Speaker 2: meu irmão? Você curtiu trocar essa ideia com nós? Não, demais.
• 2:15:38
  Speaker 2: Vou ficar sonhando, viado.
• 2:15:40
  Speaker 5: Você tá sonhando ainda?
• 2:15:41
  Speaker 2: Tô, tô. Tipo assim, me belisca. O Igão vai.
• 2:15:44
  Speaker 5: Embora dançando hoje, eu tenho certeza.
• 2:15:47
  Speaker 2: Irmão, eu vou tocar Boy with Charms no Spotify e
• 2:15:50
  Speaker 2: vou gritando pra casa.
• 2:15:51
  Speaker 4: Pra vocês terem noção, tipo assim, rapaziada, vocês estão do
• 2:15:53
  Speaker 4: outro lado. Como isso aqui vai mudar a minha.
• 2:15:55
  Speaker 2: Vida, irmão? Não tem, irmão.
• 2:15:57
  Speaker 5: Se Deus quiser, irmão.
• 2:15:58
  Speaker 2: Mas amei.
• 2:15:59
  Speaker 5: Tomara.
• 2:15:59
  Speaker 2: Pode pá. Amei, pode pá. Bagulho louco. Look, if I'm
• 2:16:03
  Speaker 2: doing well, I'm going to have a surgery on the 28th,
• 2:16:05
  Speaker 2: but you're going to record your DVD. If I can,
• 2:16:08
  Speaker 2: I want to be present. I'll invite you to be present.
• 2:16:10
  Speaker 5: But if one day you want to have a coffee
• 2:16:12
  Speaker 5: at the bakery, call us.
• 2:16:13
  Speaker 2: Let's go? Let's go, dad. Barbecue? Let's go.
• 2:16:15
  Speaker 4: I like it more than podcast. It's true, you can
• 2:16:19
  Speaker 4: talk about more things. Anything you want from me, bro.
• 2:16:22
  Speaker 4: I'm going to have a birthday party, I want the
• 2:16:25
  Speaker 4: boy to sing. Don't say that.
• 2:16:31
  Speaker 2: Don't say that. Don't say that.
• 2:16:32
  Speaker 5: Don't say that.
• 2:16:33
  Speaker 2: Don't say that.
• 2:16:59
  Speaker 4: No, let's not. It's just a dream. And a dream
• 2:17:02
  Speaker 4: of a crazy person that became a reality. So, if
• 2:17:05
  Speaker 4: you have any party, bro, it can be your grandmother,
• 2:17:08
  Speaker 4: your great-grandmother. Are you going to sing the Party of Pleasure?
• 2:17:11
  Speaker 5: All of them.
• 2:17:11
  Speaker 2: All of them. My grandmother won't understand anything. Only the tambor.
• 2:17:15
  Speaker 5: The tambor is heavy.
• 2:17:16
  Speaker 2: If my grandmother were alive, she would be dancing. Because I,
• 2:17:19
  Speaker 2: thank God, although many things happened in my life as
• 2:17:22
  Speaker 2: a child there, I always had parents, grandmothers, my mother,
• 2:17:26
  Speaker 2: always encouraging me a lot. She showed me the rational things.
• 2:17:28
  Speaker 2: What was his.
• 2:17:29
  Speaker 3: Song that your grandmother would break to the ground?
• 2:17:32
  Speaker 2: All of them. My grandmother liked everything. The drum, it's blurry.
• 2:17:36
  Speaker 2: My grandmother's nickname was Zica.
• 2:17:38
  Speaker 4: You can sing Caneta Azul, Azul Caneta, on the drum.
• 2:17:42
  Speaker 5: And this drum that's playing there.
• 2:17:44
  Speaker 2: Go away. You know what one she liked? From MC Quequeu.
• 2:17:47
  Speaker 2: That was a pirouette. She said, sit on my pirouette.
• 2:17:50
  Speaker 5: Want to walk like a pervert? Sit on my pervert?
• 2:17:52
  Speaker 2: I didn't know it was meiota. She said, want to
• 2:17:54
  Speaker 2: walk like a pervert?
• 2:17:55
  Speaker 5: Sit on my pervert. Look at this beast.
• 2:17:56
  Speaker 3: Beast.
• 2:17:56
  Speaker 5: God has it here.
• 2:17:57
  Speaker 4: It's us.
• 2:17:57
  Speaker 2: Thanks, Cira.
• 2:17:58
  Speaker 5: I want to thank the guys who were tuned in.
• 2:18:00
  Speaker 2: Several fans there.
• 2:18:01
  Speaker 4: Several uncles, several aunties there who enjoyed us there. You've
• 2:18:08
  Speaker 4: always been with the new generation. I want to thank
• 2:18:11
  Speaker 4: you guys from your team all day. I got to
• 2:18:12
  Speaker 4: know the structure, my level. There are many warriors here
• 2:18:16
  Speaker 4: who have dreams, you know?
• 2:18:17
  Speaker 2: Everyone, bro.
• 2:18:18
  Speaker 4: They're by your side every day, doing their best. I
• 2:18:20
  Speaker 4: want to congratulate these guys. I ask God to continue
• 2:18:23
  Speaker 4: blessing their lives. We're just some crazy people in the
• 2:18:26
  Speaker 4: middle of the state of São Paulo, in the capital.
• 2:18:29
  Speaker 4: We're people who get on the subway, bro. We take
• 2:18:32
  Speaker 4: the bus to go away. There are people who... My
• 2:18:33
  Speaker 4: partner said he lives in Santo André. It's hard to
• 2:18:37
  Speaker 4: get there, bro. Imagine for your partner to get there, bro.
• 2:18:40
  Speaker 2: And the guy comes here every day. Every day.
• 2:18:42
  Speaker 4: I'm delaying you guys, because I don't know how long
• 2:18:44
  Speaker 4: Buzão is going to be here. No, but here, if
• 2:18:45
  Speaker 4: he's late, if he's at Buzão, the guys go back
• 2:18:46
  Speaker 4: to Uber. But, like, they're tough people, too, you know?
• 2:18:50
  Speaker 4: Any employee, bro, if he wants respect, he respects the boss,
• 2:18:52
  Speaker 4: you know? And the boss has to value it. And
• 2:18:55
  Speaker 4: the employee who doesn't... To obey the rules, to not
• 2:18:58
  Speaker 4: give value to the boss, to not do it where...
• 2:19:00
  Speaker 4: I think it also doesn't deserve the opportunity, but the
• 2:19:03
  Speaker 4: people who do it where, studied, these guys who are here,
• 2:19:06
  Speaker 4: I think they.
• 2:19:06
  Speaker 2: Studied a lot to get to you.
• 2:19:08
  Speaker 4: And you deserve to have this armadillo on your side,
• 2:19:10
  Speaker 4: you know?
• 2:19:10
  Speaker 2: Thank you, brother. Thank you. You did it for me
• 2:19:13
  Speaker 2: to deserve it, so I want to congratulate everyone there.
• 2:19:15
  Speaker 2: May God bless your lives more and more. It's Podpá.
• 2:19:17
  Speaker 2: For the love of God. Podpá is us. Follow Charme's
• 2:19:21
  Speaker 2: boy on social media, okay? Follow him, MC Boy Charme,
• 2:19:24
  Speaker 2: I don't know. Please, follow him. If you don't want
• 2:19:26
  Speaker 2: to follow, follow him. Follow him. If you have a
• 2:19:29
  Speaker 2: little ball near your house, go. Go. Okay? Go.
• 2:19:30
  Speaker 5: Go to the ball.
• 2:19:32
  Speaker 2: Go that you won't regret it. For the love of God.
• 2:19:34
  Speaker 4: If you get there with debt, you leave there without debt.
• 2:19:38
  Speaker 4: Joy will make the thing pay and Serasa will clean
• 2:19:41
  Speaker 4: your name.
• 2:19:41
  Speaker 2: Fuck.
• 2:19:42
  Speaker 5: Forget everything. Now go there, fuck. Did you like it, brother?
• 2:19:46
  Speaker 2: God bless you.
• 2:19:46
  Speaker 4: Amen.
• 2:19:47
  Speaker 2: Thank you so much. You're crazy. Thank you.
• 2:19:48
  Speaker 5: You're crazy.
• 2:19:48
  Speaker 2: Give it a like. Subscribe to the channel. Follow Charminado
• 2:19:51
  Speaker 2: Charminado on social media, as I said. Follow me. I
• 2:19:53
  Speaker 2: follow Mítico. Follow Podpah. It has many millions of subscribers.
• 2:19:57
  Speaker 2: Let's go. Mítico Jovem, do your best. I'm very happy.
• 2:20:00
  Speaker 2: Thank you. You're crazy. Thank you. It was wonderful.
• 2:20:01
  Speaker 5: It was wonderful.
• 2:20:02
  Speaker 2: Podpah.
• 2:20:03
  Speaker 5: Leave your like.
• 2:20:03
  Speaker 3: Share what happened at Podpah today. Tomorrow there's more. Friday
• 2:20:07
  Speaker 3: there's more.
• 2:20:08
  Speaker 5: We're together. Dignity now.
• 2:20:09
  Speaker 2: It's us. We're together. It's awesome. It's very cool.
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• 2:20:24
  Speaker 2: There are also millions in coupons and up to 60% discount. Oh,
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• 2:20:34
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  Speaker 2: choose who to bet on. I pick the result. The
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• 2:20:41
  Speaker 5: You feel when it's super.