Latest / The Breakfast Club / Best Of 2024 Full Interview: Tank Talks 'R&B MONEY THE VAULT,' Upcoming Tour, Old Vs New R&B, TGT, Flavor Flav, Jamie Foxx + More

Transcript

Best Of 2024 Full Interview: Tank Talks 'R&B MONEY THE VAULT,' Upcoming Tour, Old Vs New R&B, TGT, Flavor Flav, Jamie Foxx + More · The Breakfast Club

0:00
Speaker 1: Wake that ass up in the morning. The Breakfast Club.
0:05
Speaker 2: Morning, everybody in stee j Envy Jesse, hilarious, Charlamage, the
0:08
Speaker 2: guy we are the Breakfast Club. We got a special
0:11
Speaker 2: guest in the buildance indeed, the brother tank something when
0:16
Speaker 2: you know.
0:16
Speaker 3: What I'm in here, man looking young every time we
0:18
Speaker 3: see you.
0:19
Speaker 1: Yeah, yeah, that's I use a good exfoliant. You know
0:22
Speaker 1: what I'm saying.
0:23
Speaker 3: Routine in the morning. You got a face routine in
0:25
Speaker 3: the morning.
0:26
Speaker 1: No, well, I use my my wife's you know, beauty
0:29
Speaker 1: tools and stuff. You know what I'm saying, Xena Foster beauty,
0:32
Speaker 1: get over there, got to get you, got to get you. Yeah,
0:35
Speaker 1: I get you right. But that's about it. You know
0:37
Speaker 1: what I'm saying. A little dove there you go. You
0:39
Speaker 1: know what I'm saying. I keep it clean.
0:41
Speaker 2: Take always happy every time you see Okay, wherever you
0:44
Speaker 2: see take if it's a club, if it's out in
0:46
Speaker 2: the streets, happy in.
0:49
Speaker 4: A good move.
0:50
Speaker 1: Listen, she's apparently been listening to my music. So I
0:52
Speaker 1: feel good about that.
0:55
Speaker 3: Taket. Just somebody been in there.
0:59
Speaker 1: And didn't get out. This is serious, that's really awesome.
1:12
Speaker 1: I'm really happy for you.
1:13
Speaker 3: Do you make your movie. I mean, you make your
1:15
Speaker 3: music for those those moments.
1:18
Speaker 1: Yeah, yeah, that's I mean that was kind of a
1:21
Speaker 1: point in the beginning. You know, like everything we do
1:25
Speaker 1: is for the attention of a woman or women for
1:29
Speaker 1: that matter, depending on how you play it, you know
1:31
Speaker 1: what I'm saying. So for me musically, like, I want
1:34
Speaker 1: to be connected to as many of those moments as
1:37
Speaker 1: humanly possible. I want to be responsible for bringing life
1:41
Speaker 1: into the universe.
1:43
Speaker 3: People come and said that shot the club.
1:45
Speaker 1: I've met the kids, Yeah, no, I was born because
1:51
Speaker 1: I've met I'm that old now, you know what I'm
1:53
Speaker 1: saying to where I've met the children the offspring of
1:57
Speaker 1: my music. So I'm really proud out of that.
2:00
Speaker 2: Absolutely, I see if it feels like R and B,
2:03
Speaker 2: especially the nineties two thousands, R and B has picked
2:06
Speaker 2: up a lot more.
2:07
Speaker 4: Have you noticed that as well?
2:08
Speaker 1: Absolutely, the feeling was right. It's the feeling of it
2:14
Speaker 1: is what's back people want to and it's what's crazy
2:18
Speaker 1: is that. Of course, I give credit to the women
2:20
Speaker 1: for keeping R and B in the mainstream conversation, right.
2:24
Speaker 1: They have been kicking ass and taking names, right, But
2:28
Speaker 1: I gotta give some credit to hip hop to the
2:31
Speaker 1: sampling of all of this old R and B that
2:37
Speaker 1: they've been bringing back to the forefront and making people
2:40
Speaker 1: take a deep dive into what those samples are and
2:43
Speaker 1: rediscovering the original feelings and now desiring those things.
2:47
Speaker 3: Give me some examples.
2:49
Speaker 1: Shit so much. I was just listening to Doja Cat.
2:56
Speaker 4: Those did it. She just had record with.
2:59
Speaker 1: The True record. I mean it's originally Michael Jackson five,
3:02
Speaker 1: but I was like, remember the first time you heard
3:08
Speaker 1: True shout out to Little Steve and and like Chucky
3:11
Speaker 1: Booker and them, like the type of production they don't
3:14
Speaker 1: even do that no more. So you have to actually
3:16
Speaker 1: outsource it by going to the crates you know what
3:19
Speaker 1: I'm saying, and bringing that feeling back and and they
3:22
Speaker 1: don't know why it's connecting. We know because we were there,
3:26
Speaker 1: But it's it's something about that frequency that just makes
3:30
Speaker 1: you feel.
3:30
Speaker 5: Good, even when you like, like your first you did
3:34
Speaker 5: it with yourself, with your own music, you recreated I Deserve,
3:38
Speaker 5: And was it you recreated?
3:42
Speaker 1: I did a well one of my own I Deserve.
3:45
Speaker 1: I was like, let me sample it for somebody else,
3:47
Speaker 1: sample it because they're gonna take all the money. And
3:50
Speaker 1: then I know it was a night one that you
3:52
Speaker 1: did you okay? It was Brian originally Michelle and Decocello,
3:57
Speaker 1: you know what I'm saying. So there there was that,
4:00
Speaker 1: and I was like, you know what, I might as
4:01
Speaker 1: well get in on this too, because we rarely do that.
4:04
Speaker 1: And I was like, let me just tap into some
4:05
Speaker 1: old and of course bribe me and night. You know,
4:07
Speaker 1: one of my inspirations growing up, and Michelle and deego
4:10
Speaker 1: Cello is absolutely one of my favorites. So I just
4:12
Speaker 1: had to get some of that.
4:13
Speaker 3: I was gonna ask you, man. That was one of
4:14
Speaker 3: my questions I have for you. Is R and B
4:16
Speaker 3: music a sound or a feeling?
4:19
Speaker 1: It's both. It's both because it's like the feeling is
4:26
Speaker 1: express through the sounds, you know what I mean? Like
4:31
Speaker 1: you like think about like Davante, like how was he
4:35
Speaker 1: feeling when he made that when they were making Joe
4:38
Speaker 1: to Sy music? Like what was he on? You know
4:41
Speaker 1: what I'm saying? He when? When? When when Casey says,
4:45
Speaker 1: take my mother, Jesus Christ, my house and my house
4:49
Speaker 1: and you okay, they're gonna put that good. Let him work,
4:56
Speaker 1: let him work. You gotta you gotta mean that in
5:00
Speaker 1: order for it to resonate right like like yes you
5:04
Speaker 1: can take my money, my house, and my car for
5:08
Speaker 1: one hit of you. I mean them to this day,
5:12
Speaker 1: to this day.
5:12
Speaker 4: I mean now, But you don't hear that now out
5:16
Speaker 4: of that soul and that feeling, that.
5:18
Speaker 3: The slick way of telling somebody, I'll give you the world.
5:20
Speaker 1: Yeah yeah, but we moved into this, you know, we
5:24
Speaker 1: moved into this kind of you know, samp and all
5:28
Speaker 1: of these things. When it comes to taking care of women.
5:35
Speaker 1: I just think that men are just they've they've been
5:37
Speaker 1: programmed to not be vulnerable, you know what I'm saying.
5:40
Speaker 1: They've been programmed to not to not cater. I don't
5:45
Speaker 1: know who started that, you know what I'm saying. It
5:47
Speaker 1: ain't pimping, It ain't player, you know what I'm saying,
5:50
Speaker 1: because all the pems on the players. I grew up
5:52
Speaker 1: watching taking care that they women.
5:55
Speaker 4: But where did it end? Like what era did it end?
5:58
Speaker 2: Because even early trade song was singing his ass off
6:01
Speaker 2: to the women, expressing his love.
6:03
Speaker 3: I think it was when the RB singers started wanting
6:05
Speaker 3: to be rappers, and when a lot of these RMB
6:08
Speaker 3: singers probably started having sex with direct I think it's.
6:12
Speaker 5: Exactly what these guys are, all right, But I'm trying
6:19
Speaker 5: to go over there. What you say, say it again,
6:22
Speaker 5: That's what I think what it was, Say it again.
6:23
Speaker 3: I think when the Army singers started wanting to be
6:26
Speaker 3: rappers and a lot of the RMB singers started sleeping
6:29
Speaker 3: with the rapper, I don't even know what that means,
6:33
Speaker 3: not saying that, not saying that a man can't make
6:35
Speaker 3: songs about another man and it's still be a love song,
6:37
Speaker 3: just saying I think that they started loving on each
6:39
Speaker 3: other so much that they really was on some f
6:41
Speaker 3: the women's stuff.
6:43
Speaker 4: Yeah, and I think I could have seen tang faces
6:44
Speaker 4: like the no.
6:45
Speaker 1: But I also think that you know, you know, with
6:49
Speaker 1: with the with the wanting to be with with hip
6:51
Speaker 1: hop's emergence, right, it became this really cool thing that
6:57
Speaker 1: was taking over everything, the airwaves and radio, the clubs
7:00
Speaker 1: and all of that. And so as R and B
7:03
Speaker 1: artists getting left behind, we're trying to figure out how
7:06
Speaker 1: to compete and stay relevant. And so you and the
7:09
Speaker 1: club and you, you know, you're decently hot artist, but
7:13
Speaker 1: none of your songs are being played in here, and
7:15
Speaker 1: all the songs are about bottles and they're about cars,
7:18
Speaker 1: and they're about money, and it's about it's not about women,
7:22
Speaker 1: it's about bitches, and so it's like, shit, I got
7:25
Speaker 1: to incorporate some of this into my music if I'm
7:28
Speaker 1: going to survive in this new landscape. And so as
7:33
Speaker 1: as we took that turn, or as R and B
7:35
Speaker 1: took that turn and never found its balance, I.
7:38
Speaker 3: Think it's the DJ fault. And I tell you why,
7:41
Speaker 3: because there used to be a time when we was
7:42
Speaker 3: growing up in the clubs, there would be a moment
7:45
Speaker 3: where the slow songs played. Yeah, absolutely, but regardless, y'all
7:48
Speaker 3: don't turn down there everybody be on too much drugs.
7:50
Speaker 2: Well yeah, I mean there was a time, and usually
7:53
Speaker 2: it was at the end of the party. But now
7:54
Speaker 2: it comes back. Now I have a set in the
7:56
Speaker 2: middle of my party where I play R and B
7:58
Speaker 2: music in this set usually the biggest part of it
8:01
Speaker 2: because people are singing. They feel that that how it
8:03
Speaker 2: felt to be during that time.
8:05
Speaker 1: So it does go back.
8:06
Speaker 2: I would say that, but I just feel like it
8:08
Speaker 2: doesn't make it cool anymore. Somebody talks about singing in
8:11
Speaker 2: the rain anymore, or talking about the girl hurt their
8:13
Speaker 2: feelings Like I was listening to the Boys the Men
8:15
Speaker 2: record and he was telling this girl cheated. He was like,
8:17
Speaker 2: it's okay, baby, I just want you back.
8:19
Speaker 6: I just didn't care.
8:20
Speaker 1: I just didn't.
8:22
Speaker 4: But if somebody did that now, they'd be like, look
8:23
Speaker 4: at this simp ass.
8:24
Speaker 1: You know what I mean. I listen, I still do it.
8:28
Speaker 1: I don't care.
8:28
Speaker 3: You still what simple?
8:31
Speaker 1: If that's what they want to call it. If I
8:36
Speaker 1: wasn't married, that's that's still what I'm gonna.
8:38
Speaker 5: Be on, showing that she can be vulnerable as a man,
8:40
Speaker 5: like you know, you open it up and then I'm
8:42
Speaker 5: telling you I don't care.
8:43
Speaker 6: That's what I guess.
8:44
Speaker 5: I can speak for me, but I can speak for
8:45
Speaker 5: a lot of women too, like that is attractive when
8:48
Speaker 5: a man is not only just thinking bottles bitches.
8:52
Speaker 6: Yeah, that's what I'm gonna do. No, it's you guys
8:54
Speaker 6: speak to my soul and music and some like a
8:57
Speaker 6: lot of older R and B does that for me.
9:00
Speaker 6: I don't hear today.
9:02
Speaker 1: But yeah, I don't subscribe to any of that stuff.
9:04
Speaker 1: I don't care. I don't care what they do or
9:07
Speaker 1: how the tables turn. I do the R and B
9:10
Speaker 1: that I love that I fell in love with you
9:12
Speaker 1: know what I'm saying. I watched my older uncles and everybody.
9:17
Speaker 1: I still follow their model and I and my job.
9:20
Speaker 1: I'm responsible for maintaining the line to where we treasure
9:27
Speaker 1: and we cater and we take care of our women.
9:30
Speaker 3: And the other thing too. I think the art of
9:32
Speaker 3: love making is gone. Like if you listen to you,
9:35
Speaker 3: if you listen to like that that you and Jay
9:37
Speaker 3: Valentine did and that song slow yeah, you have had
9:40
Speaker 3: to have made love in order to truly appreciate that record.
9:46
Speaker 3: You no, my face, that's my type of view.
9:56
Speaker 1: You have to be listen men, I want to say this.
10:02
Speaker 1: I want to put this out there, and I'm gonna
10:04
Speaker 1: say this. I'm gonna say this this way and then
10:07
Speaker 1: we'll and then we'll fix it up later. You have
10:09
Speaker 1: to fall back in love with pussy. You have to
10:15
Speaker 1: fall back in love with the idea. Now, let's clean
10:18
Speaker 1: up of making love to a woman and and doing
10:26
Speaker 1: it at a high level. You have to you have
10:31
Speaker 1: to study a woman. You have to ask questions, You
10:37
Speaker 1: have to learn her body in order to do this
10:42
Speaker 1: thing the right way. Every key does not start one
10:48
Speaker 1: key doesn't start every cards right. You you want to
10:53
Speaker 1: be curious about that thing, right, and outside of the curiosity,
10:59
Speaker 1: you have to have an infinity for it. You got
11:02
Speaker 1: to have a love for it to enjoy. Sit it
11:05
Speaker 1: on my face. That's my one type of Yes.
11:11
Speaker 6: Can I swim?
11:12
Speaker 3: You can I swim?
11:15
Speaker 6: Come on now about him school? I love Yes.
11:22
Speaker 3: Don't do it to finish, do it because.
11:23
Speaker 1: You love it.
11:24
Speaker 3: Listen, listen.
11:25
Speaker 1: My wife will tell you just eat and beat it.
11:34
Speaker 1: Talk had a high left right. I treat her like
11:39
Speaker 1: she knew talking about.
11:44
Speaker 3: Talk about it. That ain't no about your wife.
11:47
Speaker 1: We were facing each other. I don't care when I'm
11:59
Speaker 1: you in the I don't care what no other niggas
12:01
Speaker 1: is doing. Right. It's listen when we used to be
12:05
Speaker 1: in the club with Jamie Fox and Fox will look
12:07
Speaker 1: around in it sex way. It's too many dudes in here.
12:11
Speaker 1: Y'all got to move. That's where I'm from. What are
12:16
Speaker 1: women at That's.
12:18
Speaker 3: My focus And that's not a disc that's just the
12:21
Speaker 3: truth is.
12:22
Speaker 1: That's why I got all this nice ship on man.
12:24
Speaker 3: R and B singers. I would assume their muse is
12:27
Speaker 3: women at all times.
12:28
Speaker 1: That's the point. That is the point to to have
12:33
Speaker 1: some type of spiritual or physical connection with a woman.
12:38
Speaker 6: So that's what we're getting in the vault, that's what
12:40
Speaker 6: we're getting.
12:42
Speaker 1: More of that, more of that feeling. The shout out
12:45
Speaker 1: to fab fabulous is when I say stand up brother, absolutely, man,
12:51
Speaker 1: I mean pulled up for me, not just on the song.
12:54
Speaker 1: And you know sometimes you know, when you're dealing with
12:56
Speaker 1: a an artist, you know, with the magnitude of fab like,
13:01
Speaker 1: it can take you a good four to six months
13:02
Speaker 1: to get that feature. He's moving, he's a dobby, he's
13:07
Speaker 1: moving around this man said, I got you. As soon
13:09
Speaker 1: as I get back, I'll be back in the week
13:10
Speaker 1: and a half, two weeks. I got you not only
13:12
Speaker 1: knocked that out, said when's the video when we shoot cool?
13:15
Speaker 1: I'm on the way. Then said man, we're the assets,
13:17
Speaker 1: so I can promote.
13:18
Speaker 3: Like come from a different generation.
13:22
Speaker 1: Yeah, but he's still fab you know what I'm saying.
13:25
Speaker 1: And so your access to him, regardless of how cool
13:27
Speaker 1: you are, still limited, right because he's doing what he does.
13:31
Speaker 1: And so for him to make himself available to me
13:34
Speaker 1: and for this record, man, which just really really started
13:38
Speaker 1: before we get started this racist it's in terms of
13:40
Speaker 1: climbing the charts, is my fastest record why do you
13:43
Speaker 1: think that is tempo? Okay, people have been people have
13:48
Speaker 1: been waiting for tempo from me. I got the slow
13:51
Speaker 1: in the mid, I got that, but now they don't
13:54
Speaker 1: let me get some tempo. Now you're then fucked up.
13:56
Speaker 1: So you did this on purpose?
13:57
Speaker 4: You wanted a tempo right, absolutely, yeah, this is calculated.
14:01
Speaker 1: This is on purpose. I needed the right one. My
14:04
Speaker 1: guy Dirk sent me this record. I said, you do
14:06
Speaker 1: not know what you have just done. You get tank tempo.
14:12
Speaker 3: It's crazy that you're still trying to make new records
14:14
Speaker 3: at this point. I'm not saying that you can't have
14:15
Speaker 3: such a catalog. You really don't even have to if
14:18
Speaker 3: you don't want to.
14:19
Speaker 1: I do because I don't remember that last hit record.
14:24
Speaker 1: I don't remember it, don't I don't live in it.
14:27
Speaker 1: I don't live in that last outfit that I wore.
14:30
Speaker 1: You know what I'm saying every day is okay, what's next?
14:33
Speaker 1: How can I beat that? That was cool? Because I'm
14:36
Speaker 1: watching around me. You know what I'm saying. If need be,
14:40
Speaker 1: I'll I'll drive up to CB's house. You know what
14:42
Speaker 1: I'm saying and let him play me a thousand songs.
14:45
Speaker 1: I'm like shit, I got more work to do, you
14:48
Speaker 1: know what I'm saying. I'll look at the charts and
14:50
Speaker 1: see who's on there. I'm not okay, I got work
14:53
Speaker 1: to do. Yeah, Like that's what drives me. Like it's
14:58
Speaker 1: so many new things happen every day that I'm like this, Oh,
15:01
Speaker 1: I got to compete with that. I gotta fight with that,
15:04
Speaker 1: you know what I'm saying, And it gets me up
15:06
Speaker 1: for game.
15:07
Speaker 2: Now, your health and how you are as far as
15:11
Speaker 2: not drinking it and all the things that you do,
15:13
Speaker 2: is that from what place? Is that from a place
15:15
Speaker 2: of you seeing people your age doing it and you're like, damn,
15:18
Speaker 2: did it'll look as good?
15:19
Speaker 4: Or is it from a I just want to be
15:21
Speaker 4: healthy type of place?
15:22
Speaker 1: It's really healthy. I mean it's really like I'm an
15:25
Speaker 1: athlete first, so for me, it's very important you know
15:29
Speaker 1: what goes into my body because what goes in is
15:31
Speaker 1: what comes out. You know what I'm saying. I've often
15:35
Speaker 1: I've often been in the gym and my model to
15:39
Speaker 1: myself is what will Floyd do? What we mayweather? Do?
15:43
Speaker 1: You know what I'm saying, Because I've watched him buy
15:45
Speaker 1: thirty bottles. You know what I'm saying, I've watched the
15:48
Speaker 1: people around him rolling up smoke, and I've watched the
15:51
Speaker 1: people around him just indulge. I watched him do none
15:54
Speaker 1: of it and then grab his stuff out the back
15:57
Speaker 1: of the truck when we leave the club and run home.
16:01
Speaker 6: Mm hmm.
16:02
Speaker 1: I said, that's what a billion dollars looks like. I
16:05
Speaker 1: want that. So when me and my guy gains get
16:07
Speaker 1: in there, like, it's not a game. This part of
16:10
Speaker 1: what I do as it correlates to who I am
16:13
Speaker 1: as an artist. It's not why I do it. I
16:16
Speaker 1: would be doing this anyway, you know what I'm saying,
16:18
Speaker 1: Like I want to be one hundred and fifty. You
16:21
Speaker 1: know what I'm saying? Still pulling up to the breakfast club?
16:24
Speaker 1: Yeah yeah, And I pray y'all are still here. But
16:28
Speaker 1: if y'all know I'm still.
16:30
Speaker 3: I think I got one hundred and one.
16:31
Speaker 1: You got one hundred and one? Ice Why can't we fifty?
16:37
Speaker 1: Why not about fifty?
16:39
Speaker 3: Why not? I'm not gonna put it. I'm not gonna
16:41
Speaker 3: say we can. I'm not gonna put a limitation on it,
16:43
Speaker 3: you know what I mean.
16:44
Speaker 1: It's all what you're putting in.
16:45
Speaker 3: Did what happened with Jamie scare you too.
16:49
Speaker 1: Yeah, absolutely, and you know, you just it just goes
16:55
Speaker 1: back to the idea of you just never know. You
16:59
Speaker 1: just never know, and it's not something you can predict,
17:03
Speaker 1: not something you can for his situation prevent, you know
17:07
Speaker 1: what I mean. Sometimes your body will just you know,
17:13
Speaker 1: the alert is is detrimental, right, your body telling you
17:19
Speaker 1: something is wrong. It's sometimes you know, the alarm is
17:25
Speaker 1: damn near fatal, you know what I mean. And that's
17:28
Speaker 1: just that's just life. And so yeah, it's scary. I
17:30
Speaker 1: mean just not just because he's you know, one of
17:33
Speaker 1: my best friends, but just like it could have easily
17:35
Speaker 1: been either one of us.
17:36
Speaker 3: You know what I find interesting about that situation too,
17:38
Speaker 3: because you talk about, you know, giving people their flowers
17:40
Speaker 3: while they're here, when it seems like Jamie I don't
17:44
Speaker 3: want to say this, but may not have made it,
17:46
Speaker 3: like people didn't know everybody was giving him as flowers
17:49
Speaker 3: as soon as he made it. It's like all of
17:51
Speaker 3: that kind of just stuff. It's like when he was like,
17:53
Speaker 3: we were appreciate that Jamie's the greatest of all, one
17:56
Speaker 3: of the most talented human being. Then soon as than
17:58
Speaker 3: you realize he's okay, it's just like all that stuff.
18:01
Speaker 1: We I mean, I want to say, our culture, we
18:04
Speaker 1: have a thing about that, you know what I'm saying, Like,
18:06
Speaker 1: you know, somebody passes and then we you know, we're
18:08
Speaker 1: running music up the charts, you know what I mean.
18:10
Speaker 1: We have a thing about our legendary artists that we
18:14
Speaker 1: just don't preserve until it's too late, you know what
18:17
Speaker 1: I mean. I was having this conversation yesterday about about
18:20
Speaker 1: Boys to Men. Right, Boys to Men is the highest
18:23
Speaker 1: selling group of all times, not the high selling black group,
18:27
Speaker 1: the high selling group really, And I actually remember, I
18:32
Speaker 1: actually remember a time where I was sending my sister
18:37
Speaker 1: to go see a Boys to Men concert at a
18:40
Speaker 1: venue that only hell, four hundred people. How is that
18:44
Speaker 1: even possible that we let Boys to Men get to that?
18:49
Speaker 1: Now they're back now they you know, they six seven
18:51
Speaker 1: figures to good now, right, But how is it that
18:54
Speaker 1: we let that happen? Whereas in the rolling stones can
18:57
Speaker 1: pop out every summer.
18:59
Speaker 2: That they're not that good, and they should be that
19:02
Speaker 2: good if they the number one telling, they should be
19:04
Speaker 2: on some rolling stones to do the guarden three times,
19:06
Speaker 2: four times, five times in a row every year.
19:08
Speaker 1: You too, We can we can run down the list
19:13
Speaker 1: of those legendary artists from those other cultures that still
19:18
Speaker 1: get to run it up, and we just throw our
19:21
Speaker 1: legends away so casually like the they didn't build this,
19:28
Speaker 1: that's that's we can't do.
19:30
Speaker 3: Said the highest selling group and what category?
19:34
Speaker 1: R and B? I mean R and B man Boys men,
19:38
Speaker 1: I'm google that laboratory.
19:46
Speaker 3: But you're right, But even think about it, highest selling
19:48
Speaker 3: R and B group of all time.
19:49
Speaker 2: But even think about it like this, no disrespect to
19:51
Speaker 2: Michael Bibbins. Michael Bibbons should be one hundred millionaire if
19:54
Speaker 2: that's the case, because he founded them.
19:55
Speaker 4: In the records they're still moving.
19:57
Speaker 1: Well, I mean that's that's business, right, And so you
20:00
Speaker 1: know I was in the Boys. I was in a
20:01
Speaker 1: new edition story, you know what I'm saying. So how
20:03
Speaker 1: all that business came about and what went on behind notes,
20:07
Speaker 1: that's something that's a different conversation. But ultimately, yes, you
20:11
Speaker 1: know what I'm saying, the conversation should be, Michael Bivens
20:15
Speaker 1: pioneered X, Y and Z. Let's make sure that he
20:18
Speaker 1: has a job or a high level position curating the
20:21
Speaker 1: next generation of you know what I'm saying. When people
20:24
Speaker 1: come on my podcast, like, I yell at all these people.
20:27
Speaker 1: I yell at Jean Garrett, I yell at you know,
20:31
Speaker 1: all these pioneers who come on on our problem, Like,
20:34
Speaker 1: what are you doing, Mike City? What are you doing?
20:39
Speaker 1: You know so much about this game. You've curated so
20:42
Speaker 1: many moments, so much music, have blessed so many artists.
20:46
Speaker 1: What are you doing? You know this? What are we
20:50
Speaker 1: doing to preserve our genre music? And so you know,
20:57
Speaker 1: I've challenged everybody and we're taking the challenge on too.
21:00
Speaker 1: R and B Money is taking on the challenge. R
21:02
Speaker 1: and B everything. The Army Money.
21:03
Speaker 3: Podcast were tanking J Bobbin on the Black Effect. I
21:05
Speaker 3: heart radio podcast network. What is the meaning of the
21:08
Speaker 3: R and B Money like, like, why is it your podcast?
21:11
Speaker 3: Why is it the albums? What does that mean? What
21:13
Speaker 3: does that sound brand mean? R and B Money?
21:15
Speaker 1: People love money. People love the idea that something makes
21:21
Speaker 1: money that is successful and and and and that is
21:25
Speaker 1: just attractive to people. The word money, right, you can't
21:30
Speaker 1: get past it, Like as soon as you say, as
21:32
Speaker 1: soon as you hurt young money like young as soon
21:36
Speaker 1: as you heard cash money, they money isn't all cash.
21:40
Speaker 1: You just love money, and so for me, it's like
21:42
Speaker 1: associating R and B with success. We could we could
21:47
Speaker 1: be deep and put some other nuances to it. You
21:49
Speaker 1: know what I'm saying, A glamorous R and B or
21:52
Speaker 1: you know what I'm saying, or top shelf R and B. No,
21:55
Speaker 1: for simple people, R and B money money, This is
22:00
Speaker 1: how we live. And all this, you see, came from
22:02
Speaker 1: R and B.
22:03
Speaker 3: That makes sense when I listen to a song like
22:05
Speaker 3: want of Love is love? When it comes to R
22:09
Speaker 3: and B to sound or the feeling, is it simply sexual?
22:12
Speaker 5: No?
22:13
Speaker 1: No, no, no, it can't be because love is not
22:17
Speaker 1: Love is Love is not those things like we say,
22:19
Speaker 1: want to make love like that? It sounds good, you
22:23
Speaker 1: know what I'm saying. That's just the physical aspect of it.
22:25
Speaker 1: But love is the choice you make about somebody every day.
22:29
Speaker 1: It's not an actual feeling. Love is a choice that
22:33
Speaker 1: you have to make every day. So I'm rocking with
22:38
Speaker 1: you right, good or bad, ugly? Like when we were
22:42
Speaker 1: just talking about when he said, I know you were
22:44
Speaker 1: seeing that other fella, that's part of it. I didn't
22:49
Speaker 1: marry into perfection. I'm married under the idea that hey man,
22:55
Speaker 1: whatever it is, we just gonna rock through it. I
22:57
Speaker 1: chose you to walk through life, and that means whatever
23:03
Speaker 1: comes with that. Love got to be a feeling though, right, No,
23:07
Speaker 1: that's euphoria.
23:08
Speaker 3: Really yeah, break that down for me. Take I ain't
23:11
Speaker 3: get there yet.
23:15
Speaker 1: Love is a choice. It's a choice. Right, as we
23:19
Speaker 1: go back, Let's let's say you're Christian. Let's say you're you're,
23:22
Speaker 1: You're you're you know, you're a devout Christian, you and
23:24
Speaker 1: you're into the Bible. The choice that was made was
23:27
Speaker 1: that Jesus said I'm going to die for you. God
23:30
Speaker 1: so loved the world that he sent. It wasn't a feeling.
23:36
Speaker 1: He set something in motion because that's how you show
23:41
Speaker 1: the love I'm going to send my son and then
23:44
Speaker 1: he's going to die. Another choice that he made. He
23:47
Speaker 1: didn't have to die. He could have tore that whole
23:51
Speaker 1: thing down.
23:52
Speaker 3: But you only make that choice for things that you
23:54
Speaker 3: have to have feelings for, right, Like I don't wake
23:56
Speaker 3: up every day and choose to love something that I
23:59
Speaker 3: don't have any love.
23:59
Speaker 1: For a commitment, it's a commitment to your purpose. Right,
24:04
Speaker 1: you get good feelings from it, you know what I'm saying,
24:07
Speaker 1: Because that's that's just you being. That's just you being
24:10
Speaker 1: connected to the universe. Things feel good, you know what
24:13
Speaker 1: I'm saying. And when you're on a certain path that
24:16
Speaker 1: you're connected to, it feels even better because it's connected
24:19
Speaker 1: to your purpose or connected to you know, like when
24:22
Speaker 1: you know you have deja vu and you're like, I
24:24
Speaker 1: feel like I've been here before. I feel like I'm
24:25
Speaker 1: supposed to be here. You feel that, right, But that's
24:28
Speaker 1: just that's just feelings. Love is a choice. I have
24:35
Speaker 1: to decide how I express that choice, and we just
24:39
Speaker 1: we just call it love war.
24:41
Speaker 3: The choice to that war, the choice. You got a
24:45
Speaker 3: song on the new album called War. It made me say,
24:47
Speaker 3: if you know your behavior is going to cause war,
24:50
Speaker 3: why choose it? Think?
24:53
Speaker 1: Sometimes you can't help yourself. You cannot help yourself. You
24:59
Speaker 1: all you We are not perfect people, We're not.
25:03
Speaker 3: But you know you ain't to spend that ten thousand
25:04
Speaker 3: in the club.
25:06
Speaker 1: Sometimes you can't help yourself. You ain't never been in
25:10
Speaker 1: the club. And it just in the moment just got
25:12
Speaker 1: good to you. I just feel like we need three
25:14
Speaker 1: more bottles. We need three more bottles, and we need
25:17
Speaker 1: five more thousand and ones. No I'm not saying right
25:23
Speaker 1: now I'm just saying, when you started really getting that money.
25:29
Speaker 1: What yeah, Yeah, Like when you like, when you're in
25:32
Speaker 1: the strip club and you're in.
25:33
Speaker 4: A zone, you're talking to somebody that picks them singles
25:36
Speaker 4: off the floor.
25:36
Speaker 3: Though that was back in the day. Relaxed myself.
25:44
Speaker 1: When you're in the strip club and you get in
25:47
Speaker 1: a zone, just bring me more ones. I'll figure it
25:53
Speaker 1: out after this. Remember, you could manipulate the uh uh
25:59
Speaker 1: the where you gonn get the money from the machine?
26:01
Speaker 1: Remember you could manipulate the atm on the weekends. A
26:05
Speaker 1: lot of people too young for that, you remember you could.
26:08
Speaker 1: You could. You could go to different ATMs and grab
26:11
Speaker 1: money out based on the balance that you had on Friday.
26:15
Speaker 1: On Friday and they would catch it until Monday, you'd
26:19
Speaker 1: be overdrawn, like like fifteen hundred Jesus. But I had
26:25
Speaker 1: to get to the strip club. They needed to see me,
26:27
Speaker 1: They needed to see see and I couldn't come in
26:32
Speaker 1: empty hand.
26:35
Speaker 4: You spent at the strip clubs? How much you think
26:37
Speaker 4: you spent it that this club?
26:39
Speaker 1: I don't know, No, I mean in the most and
26:42
Speaker 1: one night may not something like maybe like a little
26:44
Speaker 1: forty fifty nothing crazy, Yeah, what's wrong with that.
26:50
Speaker 3: That's a lot of money. Fifty thousand dollars a script.
26:52
Speaker 1: Club in relation to what to what you make someone
26:57
Speaker 1: who only said no, I'm back to my wage. I
27:00
Speaker 1: don't know about y'all. Sometimes you save up for that moment.
27:07
Speaker 1: I've seen real money being spent in the club, you
27:11
Speaker 1: know what I'm saying. I've been with BMF with real money.
27:16
Speaker 1: That fifty thousand, I'm talking about it nothing. They were
27:19
Speaker 1: throwing all hundreds when I walked in with him, and
27:23
Speaker 1: and like in in Charlemagne fashion, I had my shirt out.
27:27
Speaker 1: I need to catch some of this. I'm not gonna dance,
27:32
Speaker 1: but all this can't hit the floor like I've I've
27:35
Speaker 1: seen it.
27:35
Speaker 3: What does script clubs do for R and B singers?
27:37
Speaker 3: We know why rappers go to the script club, like
27:39
Speaker 3: you know, they want to get their music.
27:40
Speaker 1: Play, because at the time our music was being played
27:43
Speaker 1: in there, so you forget my music is being played
27:46
Speaker 1: in the strip clubs. Yeah, no, I hold strip clubs.
27:50
Speaker 1: They called me and they play they played when we
27:52
Speaker 1: they played fucking with me, They played, Yeah, I got
27:54
Speaker 1: I Got ship.
27:56
Speaker 6: You do listen home when you got a song called when.
28:00
Speaker 1: I got I Got shipped. You know what I'm say.
28:03
Speaker 1: I'm saying, and so when they danced to my music
28:06
Speaker 1: that I I have to reward them for that. You
28:10
Speaker 1: know what I'm saying. I have to take care of
28:12
Speaker 1: them for that. And the strip club for free.
28:13
Speaker 4: The money that you're making the Strip Club, you get
28:15
Speaker 4: back and just.
28:15
Speaker 3: Give it back.
28:17
Speaker 1: To give program. I remember when I host I was
28:20
Speaker 1: the first artist to host King of Diamonds. And I
28:23
Speaker 1: remember when I host the King of Diamonds. I think
28:25
Speaker 1: I think I might have got like fifteen to twenty
28:27
Speaker 1: thousand for it, and and and I foolishly got all
28:31
Speaker 1: that in once m M. But I had a time
28:37
Speaker 1: I went back, played basketball, had some food. I looked
28:41
Speaker 1: at one time I got Aaron Corso he was eating steak.
28:45
Speaker 1: King of Diamonds leave. They had to they had to,
28:53
Speaker 1: They had to soap, they had to the sudge, get
28:56
Speaker 1: in the pool. Like I left, like one time seven
28:59
Speaker 1: o'clock in the morning. Wow, Well I was walking out
29:02
Speaker 1: the strip was dressed together.
29:07
Speaker 4: That was before you was married though, No.
29:09
Speaker 1: Yeah, well but war is war is just a depiction
29:12
Speaker 1: of that. You know what I'm saying, This means war. Look,
29:14
Speaker 1: I laid them walking in I'm some random club drinking
29:17
Speaker 1: with my friends.
29:17
Speaker 4: What did your wife said? When when she hear these stories, she'd.
29:24
Speaker 1: Be she's indifferent, you know what I'm saying, because you know,
29:28
Speaker 1: she don't like strip clubs at all, so she doesn't
29:31
Speaker 1: go with you no, And I'd be like, babe, you
29:33
Speaker 1: should go with me, you know what I'm saying. We
29:35
Speaker 1: had this rule where I wouldn't go, and then I
29:37
Speaker 1: just started breaking the rules and I was like, look,
29:39
Speaker 1: I'm going grown ass man where I can't go. But
29:45
Speaker 1: you know it was because I would go in there
29:46
Speaker 1: and I would kind of be irresponsible, you know what
29:48
Speaker 1: I'm saying.
29:49
Speaker 4: If you spend in fifty thousand, she's probably like.
29:51
Speaker 1: No, it's that And so there's okay, if you're gonna go,
29:54
Speaker 1: you're gonna have a good time, Like, don't forget you
29:56
Speaker 1: know your family. Let's just let's just you know, so.
30:00
Speaker 3: How good of a time and you haven't you forget
30:02
Speaker 3: you have a family. How much of a time you
30:04
Speaker 3: must be having a scriptlub.
30:07
Speaker 1: If she looking at you know, looking at the amex,
30:10
Speaker 1: you know what I'm saying. And then there's just just
30:11
Speaker 1: a tab for twelve thousand dollars like, what are we doing? What?
30:16
Speaker 1: What are we doing?
30:16
Speaker 6: Come on now, you need a white thoat.
30:19
Speaker 3: You need it.
30:19
Speaker 1: You need an accountability system. I absolutely need that. So
30:23
Speaker 1: that's just that's just kind of our thing. But you know,
30:26
Speaker 1: in this song, I just wanted to make sure to
30:28
Speaker 1: tell that story because every man goes through this, you
30:31
Speaker 1: know what I'm saying, where they just want to do
30:32
Speaker 1: what they want to do. They want to do their thing.
30:34
Speaker 1: I see you calling me, but you I'm rocking right now,
30:38
Speaker 1: and so you know, it's it's it's it's like you said,
30:41
Speaker 1: it's starting a war. You know you're starting a war,
30:45
Speaker 1: but you're like, you know, I'll fight that battle when
30:48
Speaker 1: I get home. Fuck, it is what it is.
30:50
Speaker 3: It almost got a country field to it.
30:51
Speaker 1: It's very country is that it's very no. I did
30:55
Speaker 1: this record three years ago, Wow, and I was like, oh,
31:00
Speaker 1: y'all finally caught up. Cool. I'll drop it. My guys,
31:05
Speaker 1: Javon Cole Captains. They produced it, and when they send
31:07
Speaker 1: it to me, I was like, bro, this is so different.
31:10
Speaker 1: And when I when I wrote it, I was like, Okay,
31:12
Speaker 1: let me tell this story because country is country is
31:15
Speaker 1: still a good place where you can tell those stories
31:17
Speaker 1: the best for you. And so that's that's where I
31:22
Speaker 1: came from. But I've been there, everybody just now, you know,
31:24
Speaker 1: trying to be country, I've been there.
31:26
Speaker 6: A lot of these songs are a lot of these
31:27
Speaker 6: songs songs that you have been done.
31:29
Speaker 5: I mean, is that why it's called the vault because
31:30
Speaker 5: you think of a vault and you're like, this is
31:32
Speaker 5: what I had been had.
31:33
Speaker 1: That one is the only one that I had already.
31:39
Speaker 1: What's that them Come Inside Dame? You know all about that?
31:48
Speaker 1: That herd a Special Place. Yeah, that was the Kevin
31:58
Speaker 1: Hart Damn and that record, and I had that record.
32:05
Speaker 1: But I did that record at uh at the left
32:08
Speaker 1: camp for puff for did he in his in his album?
32:12
Speaker 1: And when he was going through records, this this song
32:16
Speaker 1: didn't make the cut, and you know, and I called
32:20
Speaker 1: and I called him. I was like, bro, because he
32:22
Speaker 1: was holding all the records. Everything was done at the camp.
32:25
Speaker 1: He's mine. I paid for the you know what I'm saying.
32:27
Speaker 1: I paid for the camp and rightfully, so he can
32:29
Speaker 1: do that. You know what I'm saying. Whoever paid for
32:31
Speaker 1: that studio time and all.
32:31
Speaker 4: That day camp work, he paid you all the right
32:34
Speaker 4: record and he just kept well.
32:35
Speaker 1: I mean he he created, he created the atmosphere. So
32:37
Speaker 1: about this about the studio, set up, the tents, like
32:40
Speaker 1: he just did a whole thing, chef's bar, like this was.
32:45
Speaker 3: In l a fantastic album.
32:48
Speaker 1: That album was too, great album album, great album.
32:52
Speaker 5: You know.
32:52
Speaker 1: So I wasn't mad. I was like, it's some great
32:54
Speaker 1: music on there. I'm not mad. JOSSI did her thing
32:56
Speaker 1: on there like a crazy album. But you know a
32:59
Speaker 1: lot of times when when when artists have these records
33:02
Speaker 1: that you know, they hold them until until they need them,
33:04
Speaker 1: they'll use them for the next project or whatever. And
33:06
Speaker 1: and I hit them. I was like, Dad, I need
33:08
Speaker 1: that record, man, can you please please let me get
33:11
Speaker 1: that record? The Playboy? I got you king you good
33:13
Speaker 1: man run with it. And that was that was love
33:15
Speaker 1: on his part, man, because most artists, you know, they
33:17
Speaker 1: don't do that. I don't write any of Yeah, I
33:22
Speaker 1: mean I submitted a lot, I did a lot of work.
33:24
Speaker 1: But for me, like it was, I don't really go
33:26
Speaker 1: to camps. You know what I'm saying. I don't go
33:28
Speaker 1: to the whole you know what I'm saying, thousand producers,
33:31
Speaker 1: thousand writers. But you know, when he hit me. He
33:34
Speaker 1: was like, Bro, you're the You're You're the best at it,
33:36
Speaker 1: and I just need you. I need you in the building.
33:39
Speaker 1: I need people to see that you're here, because that's
33:42
Speaker 1: gonna make people thank here. I gotta go hard, I
33:45
Speaker 1: gotta I gotta go crazy, And so that was I
33:47
Speaker 1: was there for the energy, but also to participate work
33:51
Speaker 1: with you know, Cardiac who's super dope, Eric Bellinger, all
33:56
Speaker 1: those guys was up there. You know what I'm saying,
33:58
Speaker 1: Like the room, I'm when I say it was crazy.
34:02
Speaker 1: It was crazy. Like the people that came that showed
34:05
Speaker 1: up the Diddy for that camp. It was crazy. It
34:10
Speaker 1: was crazy. So I was just I was just happy
34:12
Speaker 1: they'd let me walk walk with that record.
34:14
Speaker 6: About to go on with another og Carl Thomas.
34:17
Speaker 3: Carl Thomas one of the greatest R and B albums
34:20
Speaker 3: of all time, not even close.
34:23
Speaker 1: And people I've seen people ask me, you know, people
34:26
Speaker 1: ask me why you know, why you choose Carl Thomas,
34:29
Speaker 1: why you choose Kerry Hillson. I'm like, you don't hear it.
34:32
Speaker 3: Emotion was literally one of the greatest RMB albums. Like
34:35
Speaker 3: you don't you don't top the bottom love making music?
34:37
Speaker 1: You know what I'm saying, like when we down at
34:39
Speaker 1: them do ops with my girl are down and down
34:41
Speaker 1: in uh in Miami, and then Carl Thomas records come on,
34:44
Speaker 1: it's a thing as shit really happens. Play some of
34:48
Speaker 1: them carry Hillson records like things happen.
34:51
Speaker 6: Yeah.
34:51
Speaker 1: I was like, first of all, I want to go
34:52
Speaker 1: into with my friends. I want to go in toward
34:54
Speaker 1: people I like. But then too, I want to I
34:56
Speaker 1: want to be out there is it's an R and
34:57
Speaker 1: B money tour. I want the catalog to be expensive.
35:00
Speaker 1: With some expensive catalogs, you know, carry got Hot one hundreds.
35:05
Speaker 1: Carl Thomas has timeless R and B.
35:10
Speaker 5: Parties today right now with Summer Raine. They play that
35:14
Speaker 5: at the top, in the middle of the party at
35:16
Speaker 5: the end like they bring what And I grabbed them
35:18
Speaker 5: like I don't care where I'm at, no karaoke even playing.
35:21
Speaker 1: Met Me give me a little come on, you gotta
35:25
Speaker 1: pay for that Charlamagne has given us. He's blessed us
35:28
Speaker 1: with his.
35:29
Speaker 6: Stormy come on outside when she keeps me home. That's
35:37
Speaker 6: my song.
35:37
Speaker 3: That was was That was my wife and colle rocking
35:46
Speaker 3: with card Time, Carl Thomas emotional and Joe my name
35:49
Speaker 3: is Joe.
35:52
Speaker 1: I gotta I gotta do a tour with Joe too. Yeah, Man,
35:55
Speaker 1: the tour and a song.
35:57
Speaker 3: I love that.
35:57
Speaker 1: People have been wanting that for quite some time. You
36:00
Speaker 1: know what I'm saying, I get you. You know, Joe
36:02
Speaker 1: likes to hide until it's time. You know what I'm saying, like, well,
36:05
Speaker 1: you know I'll be I'll be out playboy. You know
36:07
Speaker 1: what I'm saying, I'm gonna pop out.
36:08
Speaker 3: Of you mentioned in Everybody with TGT. I ain't no boy,
36:12
Speaker 3: no time reason genuine up with dead. Yeah, but you
36:16
Speaker 3: was in the studio in I saw you in the
36:18
Speaker 3: studio working on My Beautiful Pain.
36:20
Speaker 1: Yeah, yeah, I think you know. I think we we're
36:26
Speaker 1: at a great place, man, We're at a great place
36:29
Speaker 1: where I think now we all everybody collectively sees the
36:35
Speaker 1: value in what we are, in what we created. And
36:40
Speaker 1: it's again, it's this resurgence of just that feeling of
36:43
Speaker 1: R and B and so you got you got two
36:46
Speaker 1: guys from the nineties who got classic catalogs. You got
36:49
Speaker 1: me coming in from the two thousands, who came came
36:52
Speaker 1: up under these guys, and and people are hungry and
36:56
Speaker 1: thirsty for that, and so you're gonna see You're going
37:00
Speaker 1: to see some T G T you know. Fortunately, thank god,
37:05
Speaker 1: you're gonna get that album. No, I don't know if
37:08
Speaker 1: we have an album, but we do have We do
37:11
Speaker 1: have a couple of moments. Yeah, that that we're lining
37:14
Speaker 1: up that are gonna be very special. So that's all.
37:16
Speaker 1: That's all I can really really say about that.
37:19
Speaker 3: And I saw you the other night. Man, I forgot.
37:21
Speaker 3: I don't know where y'all was at, but Flavor flav
37:23
Speaker 3: was singing. He was what was so I forgot what
37:26
Speaker 3: he was singing? Was it?
37:27
Speaker 1: We were honoring, they were honoring. I don't want to
37:30
Speaker 1: get this wrong to be I don't remember be there.
37:34
Speaker 1: I can't, I don't. I don't want to mess up
37:36
Speaker 1: the name of the organization. Seanna hit me. It was like,
37:39
Speaker 1: we're honoring Jimmy Jam and Terry Lewis and we need
37:42
Speaker 1: you to do what you do. And I was like, cool,
37:45
Speaker 1: I'm in. You say Jimmy Jam and Terry Lewis, I'm in.
37:47
Speaker 1: I don't. I don't care what it is. And so
37:49
Speaker 1: we're honoring them and and and Babyface is there, and
37:54
Speaker 1: you know, I don't want to pressure baby Face to
37:56
Speaker 1: sing but he's there, and I'm like, Babyface, you want
38:00
Speaker 1: to sing, you can, you don't have to. And they
38:04
Speaker 1: started playing one of his songs and we were singing
38:06
Speaker 1: in faces like na, noah, let me let me handle that.
38:09
Speaker 1: He started singing. Just Flavor flav just came out of
38:11
Speaker 1: nowhere and just started and just started singing.
38:14
Speaker 3: You look surprised that you could hold a note.
38:17
Speaker 1: No, if that wasn't surprise, it was just like that.
38:20
Speaker 3: Think about it, like, why did you take the mic
38:22
Speaker 3: from Babyface to give it a flavor?
38:25
Speaker 1: My thing is Babyface is singing all right, and and
38:30
Speaker 1: Flavor Flame has the gall and audacity to take the
38:36
Speaker 1: micro to run up and started singing against his baby face.
38:44
Speaker 3: Why didn't you stop it? That's why the game need referees.
38:46
Speaker 3: You supposed to stop that, right then you're big enough
38:48
Speaker 3: to stopping pos at.
38:50
Speaker 1: That moment, right, It only goes one way. It only
38:56
Speaker 1: looks like disrespect in front of that mini people. You
39:00
Speaker 1: know what I'm saying, Like now it's now it's Flavor Flair.
39:04
Speaker 1: He is Flavor Flake. Let's not discredit him.
39:07
Speaker 3: He is who he is.
39:08
Speaker 1: And then I run up on him saying, nigga, baby
39:10
Speaker 1: face singing, hold on right now, nigga, hold on, hold on?
39:12
Speaker 3: Didn't he disrespect baby facing away?
39:15
Speaker 1: Baby Face has to fight that battle. Listen, and don't
39:24
Speaker 1: think that if baby Face felt the way, he wouldn't
39:27
Speaker 1: have handled it. Babyfaces, listen. The songs are nice and
39:32
Speaker 1: soft and meek. Baby Face is not. He's a nice guy,
39:36
Speaker 1: but he's nobody sucker. I promise you if he felt
39:40
Speaker 1: the way, and he would have and I was kind
39:42
Speaker 1: of following his lead, the baby Face would have looked
39:45
Speaker 1: like he wasn't feeling it, then we would have handled
39:48
Speaker 1: that way. But he was. It was all in good fun.
39:51
Speaker 4: R and B money.
39:52
Speaker 1: The vault is out, vault say it again.
39:54
Speaker 4: The vault is out right now. And we appreciate you
39:57
Speaker 4: for doing.
39:57
Speaker 1: Twenty six Yes, right, yeah, what's up right now?
40:01
Speaker 4: Right right now?
40:02
Speaker 1: Okay, are you gonna what do you? What are you
40:04
Speaker 1: gonna do with this music?
40:06
Speaker 6: You already know what I'm doing. I got what I can't.
40:08
Speaker 6: Ain't too much I can do right now because I
40:09
Speaker 6: can't get pregnant twice and one.
40:11
Speaker 1: You know how far along are you?
40:14
Speaker 6: Five months? I'mbo to be six five months.
40:16
Speaker 1: Yeah, that's a good time.
40:17
Speaker 6: Yeah, I'm still look, I'm still money.
40:23
Speaker 3: I'm still moving a head.
40:26
Speaker 1: Let me tell you something. My wife is pregnant.
40:28
Speaker 3: Some of the best, the best time, some of the
40:30
Speaker 3: best crazy.
40:35
Speaker 1: Oh my god, it's something extra in there.
40:39
Speaker 3: It is. Can I swim in your ocean?
40:45
Speaker 6: That's right, I know people I put on money. It's
40:49
Speaker 6: a skip.
40:50
Speaker 1: It's like an ointment all right about right now, it's take.
40:56
Speaker 4: It's the practice club, good morning, the morning, the breakfast Club.
41:05
Speaker 6: Mhm.