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Transcript

118: Top Vampire Movies | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: The Ball Brothers going toward next month.
• 0:03
  Speaker 2: Get your tickets.
• 0:04
  Speaker 1: Now, there's only my team move sixteen dates and they're
• 0:10
  Speaker 1: starting to sell out except Orlando. Plenty of time there
• 0:15
  Speaker 1: do autible mentions. Okay, all right, all right, y'all walking
• 0:20
  Speaker 1: to the Ball Brothers man Tony Man. Because I ain't
• 0:22
  Speaker 1: seen as many vampires movies as him, I see.
• 0:25
  Speaker 2: My fair share. I mean, you've seen five problems I've seen.
• 0:28
  Speaker 1: Yeah, and plus I watched you Blood Blood. We're talking movie, yeah,
• 0:32
  Speaker 1: but I'm saying you should count. But anyway, we're talking vampires.
• 0:35
  Speaker 1: We was talking about Centers a few episodes ago, and
• 0:37
  Speaker 1: we were right back with top vampire movies. I'm gonna kick
• 0:41
  Speaker 1: it off. I know what you're going with Sinners. Oh,
• 0:44
  Speaker 1: I didn't know you were going with that. Okay, we
• 0:47
  Speaker 1: going lots mores. Yeah, I was gonna be I knew,
• 0:49
  Speaker 1: I knew I gotta get all right centers. Uh, I
• 0:55
  Speaker 1: was gonna say it revitalized. But I feel like vampire
• 0:56
  Speaker 1: movies actually have never gone away.
• 0:58
  Speaker 2: No, then we probably get with because what was just
• 1:01
  Speaker 2: that was Christmas?
• 1:02
  Speaker 1: Yeah about to say that was not even six months ago. Yeah,
• 1:05
  Speaker 1: So Dracula, we're gonna get a vampires me the most
• 1:11
  Speaker 1: used like monster. Yeah, either zombies have had a Zombies.
• 1:18
  Speaker 2: Got quiet and they got a long resume.
• 1:20
  Speaker 1: To they do. But I feel like vampires have never
• 1:25
  Speaker 1: not been in.
• 1:27
  Speaker 2: You get the vampire movies. You got Vampire Dive, you
• 1:30
  Speaker 2: the Vampire Slayer.
• 1:31
  Speaker 1: Like vampires is the McDonald's of the of the They
• 1:35
  Speaker 1: monsters were wolves, y'all ain't got no they come every
• 1:38
  Speaker 1: now and then you got teen Wolf, you had, you
• 1:40
  Speaker 1: had a little bit of Ja, you got Twilight, but
• 1:44
  Speaker 1: that nigga never could get the girl you.
• 1:45
  Speaker 2: Never got because the vampires the world, they got like stuff,
• 1:50
  Speaker 2: and you got allan, you got a you know, silver bullet. Yeah,
• 1:57
  Speaker 2: they ain't ever take that. The Burger kids, the wolf
• 1:59
  Speaker 2: Man just bomb a couple months ago.
• 2:01
  Speaker 1: Burger King, y'all. You know what I'm saying. Y'all kind
• 2:04
  Speaker 1: of fell off. But anyway, Sinners, I mean ten out
• 2:09
  Speaker 1: of ten, I don't Sinners has no negatives to me.
• 2:14
  Speaker 1: We didn't talk about this in our in my thing,
• 2:16
  Speaker 1: but I thought it was so smart to make remiic
• 2:18
  Speaker 1: Irish and stuff, just like a clan member. It would
• 2:20
  Speaker 1: have just been immediately a full race movie. Oh yeah, yeah,
• 2:23
  Speaker 1: Remick really was like, I gotta preserve my culture. You
• 2:26
  Speaker 1: still have the colonialism of the Irish and stuff like that.
• 2:28
  Speaker 2: Assimilation. There's a lot of things you want to go
• 2:30
  Speaker 2: down that path. A little connection there. And they got
• 2:32
  Speaker 2: the good music.
• 2:33
  Speaker 1: The music connecting piece was good and Lokiah and hold
• 2:36
  Speaker 1: your riggs. Band was getting off picked that his band.
• 2:39
  Speaker 1: Oh yeah, we're just trying to play. They they was
• 2:41
  Speaker 1: going in.
• 2:42
  Speaker 2: They had some heat, the ROI rob.
• 2:47
  Speaker 1: They was going the folks song, boy, the folk song.
• 2:50
  Speaker 1: Remick was like helvely like.
• 2:56
  Speaker 2: Full. Let me see.
• 2:57
  Speaker 1: I got the soundtrack on my phone. Yeah, man, he
• 2:59
  Speaker 1: had the thing.
• 3:00
  Speaker 2: What was it?
• 3:00
  Speaker 1: Something that Dublin Rocky Road to Dublin me Boy remix
• 3:06
  Speaker 1: said bar Finner get out you boy, Finny go crazy
• 3:10
  Speaker 1: big ram on the beat, no music, let me go.
• 3:14
  Speaker 2: No track all sad.
• 3:17
  Speaker 1: Let me start with the old Irish.
• 3:22
  Speaker 2: Subling and doubling.
• 3:25
  Speaker 1: He added all kinds of syllables in the now to
• 3:28
  Speaker 1: be coming in this movie was so well. Ben and
• 3:32
  Speaker 1: you you know, even mentioned man Ludwig, Oh man, Ludwig
• 3:37
  Speaker 1: is on his mind. Zimmer he is. I thought no
• 3:42
  Speaker 1: one would ever touch Hans Zimmer to me, I was
• 3:45
  Speaker 1: like nobody's ever.
• 3:46
  Speaker 2: Gonna Hans zimmer Is what's his name do?
• 3:48
  Speaker 1: Who did Star Wars? Uh Is John something, John Williams.
• 3:53
  Speaker 2: Williams is another one that who passed away in a
• 3:57
  Speaker 2: plane crash.
• 3:58
  Speaker 1: Richie Vallence.
• 4:02
  Speaker 2: It was a music it was a music film composer
• 4:06
  Speaker 2: that I can't think of his name right now, but buddy, Yeah,
• 4:10
  Speaker 2: but he's up there with with.
• 4:12
  Speaker 1: Him and Ryan, Like I was watching this clip Horner, Yes,
• 4:18
  Speaker 1: James Horner. So you know when Annie uh, she's striking
• 4:24
  Speaker 1: the match very first scene you might not remember. It's
• 4:27
  Speaker 1: a small he timed the guitar pluck the strings to
• 4:32
  Speaker 1: her match hit. I was like, I remember when I
• 4:37
  Speaker 1: was watching one of the things on Creed he made
• 4:39
  Speaker 1: a beat with boxing punching sounds. He like recorded somebody
• 4:44
  Speaker 1: punching a heavy bag and made a beat with that.
• 4:47
  Speaker 2: Wow.
• 4:47
  Speaker 1: He's so integral to the story. He always brings a
• 4:50
  Speaker 1: lot musically to sing her to anything he does him
• 4:55
  Speaker 1: Michael B. Jordan's Bryan Coogler Ludwig.
• 4:59
  Speaker 2: That's a good little oh Man, that little trio.
• 5:01
  Speaker 1: Right then, I saw this tweets, so somebody said Ryan
• 5:03
  Speaker 1: Corulier probably Michael Jordan's to be like Nigga and Michael
• 5:07
  Speaker 1: Jordan' be like, I either gotta fight somebody or grow
• 5:09
  Speaker 1: my hair out. We're gonna be making a movie. And
• 5:11
  Speaker 1: I feel like that's what he That's probably what he do.
• 5:13
  Speaker 1: But they make good movies. They found their music, Yes,
• 5:17
  Speaker 1: found it.
• 5:17
  Speaker 2: I love it. I love I love the actor director collaborations.
• 5:21
  Speaker 1: Love it. Sorry, sinners my movie. You're up all right,
• 5:24
  Speaker 1: I'm gonna go.
• 5:25
  Speaker 2: I'm gonna save what you call it for you you
• 5:28
  Speaker 2: ain't seen them. I'm gonna go. Blade. You gonna take
• 5:31
  Speaker 2: that one. You know I'm gonna snatch it from you.
• 5:34
  Speaker 2: Blade is up there for sure. Blade kicked out the
• 5:37
  Speaker 2: whole comic book movie franchise.
• 5:39
  Speaker 1: Doesn't get enough credit for the MCU.
• 5:40
  Speaker 2: I don't get enough credit. But as a vampire movie, man,
• 5:44
  Speaker 2: it's a good ass time rated R rated R gritty.
• 5:49
  Speaker 2: Blade is a fully realized character that's just like, yo, man,
• 5:53
  Speaker 2: this is what I do and why do it? A Walker?
• 5:56
  Speaker 2: Super dope Blade. I got Blade one and two together.
• 5:59
  Speaker 2: They're both like equally just like dope and he got it.
• 6:03
  Speaker 2: In the sequel, he gotta work with the vampires that
• 6:06
  Speaker 2: he can't stand and they don't like him.
• 6:08
  Speaker 1: So it's just like Chris Christofferson, Yeah, man, Chris Christopherson.
• 6:13
  Speaker 1: I didn't grow up reading comics.
• 6:15
  Speaker 2: I know Tony you did.
• 6:16
  Speaker 1: So when Blade came out, I was like, and Blade
• 6:19
  Speaker 1: didn't have no cartoon.
• 6:20
  Speaker 2: Who was this guy? So I was like, he might
• 6:22
  Speaker 2: have showed up on the Spider Man animated series, but
• 6:24
  Speaker 2: I'm not sure. Yeah, but he's always just been like
• 6:26
  Speaker 2: a side little beak here.
• 6:28
  Speaker 1: And that's the thing. That's that's what Marvel did well
• 6:30
  Speaker 1: with Iron Man. They were like, we don't have we
• 6:34
  Speaker 1: don't have Spider Man, we don't have our main guys,
• 6:37
  Speaker 1: but Blade, and I feel like it was a minute
• 6:40
  Speaker 1: after Blade came out till another superhero movie came out.
• 6:42
  Speaker 1: It was just like Blade was ninety eight and then
• 6:46
  Speaker 1: was it ninety eight?
• 6:46
  Speaker 2: Yeah? When when when two come out? Blade two came
• 6:50
  Speaker 2: out and might have been two thousand and two thousand
• 6:53
  Speaker 2: and one.
• 6:54
  Speaker 1: So wait, when did when did Captain America the Perston
• 6:57
  Speaker 1: Avenger come out?
• 6:58
  Speaker 2: Oh shit, twenty ten, probably two thousand and nine, ten somewhere,
• 7:04
  Speaker 2: But iron Man iron Man was two thousand and seven,
• 7:06
  Speaker 2: right in two thousand.
• 7:06
  Speaker 1: And eight, because the first of the MCU was Iron
• 7:09
  Speaker 1: Man right of the MCU.
• 7:11
  Speaker 2: Yeah. Yeah, Oh, actually, wasn't that long.
• 7:14
  Speaker 1: I thought it was way longer between Blade and Iron Man.
• 7:17
  Speaker 2: I mean it's a long time. It's ten years, damn near.
• 7:20
  Speaker 2: So they said iron Man was two six, No, iron
• 7:23
  Speaker 2: Man was either seven or eight. Okay, so eight oh,
• 7:27
  Speaker 2: two thousand and eight, so that's years. Yeah, okay, but
• 7:30
  Speaker 2: you had but you had spider Man and in between
• 7:32
  Speaker 2: X Men.
• 7:33
  Speaker 1: Yeah, but that ain't MCU neither Blade. No, no, no,
• 7:37
  Speaker 1: I know, I'm saying. Blade was what they pointed to,
• 7:40
  Speaker 1: like we spider Man and X Men, you can everybody knows.
• 7:42
  Speaker 2: You can make movies with those people. Oh yeah, but.
• 7:44
  Speaker 1: What they learned with Blade is if we can make
• 7:46
  Speaker 1: a movie with Blade, then we could do it with
• 7:49
  Speaker 1: Iron Man. Like I say, Spider Man, niggaf you can't
• 7:52
  Speaker 1: make a movie with that, then you shouldn't be in business.
• 7:54
  Speaker 2: But it was still it was still risky because comics
• 7:57
  Speaker 2: book movies was taking airs. No, no, that's true. If it
• 8:00
  Speaker 2: wasn't a Superman or Batman, they was getting the ass kicked.
• 8:04
  Speaker 2: Like Blade came out and was like oh ship yeah,
• 8:07
  Speaker 2: Blade is so then they got the ball rolling on
• 8:09
  Speaker 2: X Men.
• 8:10
  Speaker 1: Yeah, yeah, Spider Man was after that, and Wesley Snipes
• 8:13
  Speaker 1: is Blade.
• 8:14
  Speaker 2: Oh my god. Yes.
• 8:15
  Speaker 1: The only person that I would accept after that was
• 8:18
  Speaker 1: my Herschelo.
• 8:18
  Speaker 2: Yeah.
• 8:19
  Speaker 1: I was like before the people that were roomored, I was.
• 8:21
  Speaker 2: Like, man, he got a vampire quality.
• 8:24
  Speaker 1: To du Wesley has the sharp like, the hair like
• 8:29
  Speaker 1: he was in his face. He looked. Damn heeric.
• 8:33
  Speaker 2: He was so good. He was just he was perfect. Man,
• 8:38
  Speaker 2: he was perfect.
• 8:39
  Speaker 1: He hasn't had a great career and the range of
• 8:43
  Speaker 1: things he's.
• 8:44
  Speaker 2: Done, his range is crazy about his range enough enough man?
• 8:48
  Speaker 1: Uh white Man Camp, White Man Camp Jump.
• 8:53
  Speaker 2: New Jack City? Jack you take if you take New
• 8:56
  Speaker 2: Jack City to his character in White Man can Jump
• 8:59
  Speaker 2: this day and night and in the Major League before both.
• 9:02
  Speaker 1: Of those, Yes, Willie Mays, Hey.
• 9:04
  Speaker 2: You know what I'm saying. So it was just like
• 9:07
  Speaker 2: I was.
• 9:07
  Speaker 1: Gonna bring up thank you so much Julie Valentine or
• 9:10
  Speaker 1: something Julie Newmar with Patrick Swayzee.
• 9:13
  Speaker 2: And then he.
• 9:14
  Speaker 1: One of my favorite movies. I would not argue to
• 9:16
  Speaker 1: a good movie. I don't care him as Simon Phoenix
• 9:19
  Speaker 1: Demolition Man.
• 9:20
  Speaker 2: He was a great villain.
• 9:21
  Speaker 1: He was a great villain. He was perfect counter to uh,
• 9:25
  Speaker 1: selvester Stallone. Then he goes Blade.
• 9:29
  Speaker 2: Then he got the grounded movies where he's not action
• 9:31
  Speaker 2: or he's not super funny. He's like jungle fever. You
• 9:34
  Speaker 2: got him be more better blues, you got disappearing acts
• 9:37
  Speaker 2: with you know what I'm saying. His little cameo and
• 9:40
  Speaker 2: waiting exhil it was just like great, he could do it.
• 9:43
  Speaker 2: And then True Story with Kevin hart Man, he was great.
• 9:45
  Speaker 2: That he was. He was great.
• 9:47
  Speaker 1: Kevin hart was also great on that. Kevin Harden a
• 9:50
  Speaker 1: good dramatic that's his classic to me, a true story
• 9:55
  Speaker 1: and the woman the up side, he was low muted
• 10:02
  Speaker 1: calf your keV in a Fight Night, Fight Night, Chicken Man.
• 10:06
  Speaker 1: That was the best use of both of.
• 10:08
  Speaker 2: His Kevin hard and Fight Night Man. His acting performance
• 10:12
  Speaker 2: was five dog great.
• 10:15
  Speaker 1: He gets too much flat for me.
• 10:17
  Speaker 2: He was he was playing that role. He was scared,
• 10:19
  Speaker 2: he was confident, he was sugar. I was believing all everything. Yeah,
• 10:23
  Speaker 2: because he was.
• 10:24
  Speaker 1: He was he was over his head. Yeah, he wasn't
• 10:26
  Speaker 1: really with the gangsters like that, Like right when the
• 10:29
  Speaker 1: Miami Dude came if Sam Jackson, like it was going
• 10:32
  Speaker 1: to be over that.
• 10:32
  Speaker 2: When he was pleading for his life at gunpoint crying.
• 10:37
  Speaker 2: I was like, Yo, this is this cat great Kevin
• 10:39
  Speaker 2: Hard don't get his.
• 10:40
  Speaker 1: Just he man's funny and coats balls.
• 10:43
  Speaker 2: Oh man, he's hilarious on me. All right, I'm going
• 10:45
  Speaker 2: Lost Boys. I knew. I believe big surprise.
• 10:50
  Speaker 1: I feel like that was my first. That gotta be
• 10:54
  Speaker 1: the first I saw eighty seven. What the hell was
• 10:59
  Speaker 1: I doing watching that? I was all in.
• 11:02
  Speaker 2: It was great appeal to the kids. Huh yes, and
• 11:06
  Speaker 2: Jason Patrick, Corey, Corey Haynes, Corey felon to Corey Jamie
• 11:11
  Speaker 2: Girds is in there.
• 11:13
  Speaker 1: That's Dane Vampires, Lost Boys. You got the Wooden State, Yes,
• 11:18
  Speaker 1: you got the red blood. That blood was like, yes,
• 11:22
  Speaker 1: join us, Michael, Yeah, I don't know that person.
• 11:25
  Speaker 2: There's just keep a settling, that's what he said.
• 11:27
  Speaker 1: Oh, join said, join us. Michel was an actor.
• 11:32
  Speaker 2: That was an actor. Join us, Michael was join us, Mike,
• 11:37
  Speaker 2: let me look up, got a great resume, Join us, Michael.
• 11:44
  Speaker 1: Lost Boys was fire man Corey. Those Coreys have been
• 11:48
  Speaker 1: famous forever. I love the Corys ever since.
• 11:50
  Speaker 2: Corey Felman. I wanted to be him. I wanted to
• 11:54
  Speaker 2: be Corey Felman man. I wanted to be the Frog
• 11:58
  Speaker 2: Brothers and yeah, man, good like it's not been around
• 12:01
  Speaker 2: for a minute. Yeah he was young. He's always younger
• 12:03
  Speaker 2: than you thought he was. He she was young when
• 12:06
  Speaker 2: he was like in Lost Boys, Young Guns and stuff
• 12:09
  Speaker 2: like that, Young God, Young Guns, Amilio as Man.
• 12:14
  Speaker 1: I love that movie. Diamond Phillips, Dog, did you know
• 12:18
  Speaker 1: he's Filipino.
• 12:20
  Speaker 2: Yeah, he's all kind of stuff. He's all, he's not.
• 12:22
  Speaker 2: He's not Mexican though.
• 12:23
  Speaker 1: No. And Rufio, the dude played Rufio. People thought he
• 12:27
  Speaker 1: was Mexican. I don't know how he looks.
• 12:29
  Speaker 2: I thought he was. Yeah, he's Filipino.
• 12:31
  Speaker 1: As well, but I had no idea he was Mexican.
• 12:34
  Speaker 1: Thought he was apparently he's played a lot of Mexican
• 12:36
  Speaker 1: characters in his movie. Really and the stuff I hadn't
• 12:38
  Speaker 1: seen Dante Bascote Basco, he was in in Rufio and
• 12:43
  Speaker 1: Rufio in Hook. I was like, I didn't get Mexican
• 12:47
  Speaker 1: at all. No, I thought it was some type of Asian.
• 12:49
  Speaker 1: But anyway, Lou Diamond Phillips, I did not know what
• 12:52
  Speaker 1: was because he was he was slicked back a lot,
• 12:54
  Speaker 1: and he was And he also played Richie Vallence.
• 12:56
  Speaker 2: He played Richie val Mexican American and that's this was
• 13:00
  Speaker 2: Native American and a young gun and that's what I'm saying.
• 13:03
  Speaker 2: And I was like, he's Filipino. I believe it every time,
• 13:06
  Speaker 2: but I was like, Yo, this is a Filipino.
• 13:07
  Speaker 1: This a little day just found out he's Filipino for
• 13:09
  Speaker 1: other stuff.
• 13:10
  Speaker 2: That's why. Yeah, yeah, yeah, yeah, yeah whatever.
• 13:14
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• 15:30
  Speaker 1: I'm gonna go you win?
• 15:31
  Speaker 2: What'd you go? I went a blade? Oh wait, you
• 15:35
  Speaker 2: it's on me. It's on me. I'm going Near Dark
• 15:41
  Speaker 2: love that one you saw it? No, I was about
• 15:43
  Speaker 2: to say Near Dark is a is a fantastics directed
• 15:48
  Speaker 2: by Katherine Bigelow, who did a point break. Yeah, she
• 15:53
  Speaker 2: was in a lot of movies. We love. She's the director. Man,
• 15:57
  Speaker 2: you saw a point break? Yeah, that's the point break
• 15:59
  Speaker 2: and the herd line and locker love.
• 16:02
  Speaker 1: The hurt locker, the fact that he was at the
• 16:04
  Speaker 1: grocery store and he was just like, this is boy man,
• 16:09
  Speaker 1: and then he cuts right back to the I said, man,
• 16:12
  Speaker 1: you just got out of there. You couldn't take the regularly.
• 16:15
  Speaker 2: Take the mundane man, take the Monday, take the mundane
• 16:18
  Speaker 2: and keeps you alive. But Near Dark, man, this is
• 16:21
  Speaker 2: one of the Lost Boys, is all fun. Yeah, the
• 16:23
  Speaker 2: vampires were kind of scary, but they were also kind
• 16:25
  Speaker 2: of cool, like you kind of wanted to hang with
• 16:28
  Speaker 2: keep yourselveing them and like, all right they but they
• 16:31
  Speaker 2: kill people, but yeah, they're cool. Near Dark they were terrifying.
• 16:36
  Speaker 2: They were like, nah, man, they look like people. When
• 16:39
  Speaker 2: they walk in. You were like, let's get the hell
• 16:42
  Speaker 2: out of your care. Somebody just said that creepy as
• 16:44
  Speaker 2: the hell. Man. There's a scene in Near Dark. It's
• 16:48
  Speaker 2: one of the scariest vampire scenes where they go to
• 16:51
  Speaker 2: this bar and they kill everybody in the bar. They
• 16:55
  Speaker 2: just it's like the scene in Bronxtail, only its vampire
• 16:58
  Speaker 2: is killing you and it was just like Bill Paxton
• 17:01
  Speaker 2: is in it. He's terrifying in this. Yeah, and so
• 17:06
  Speaker 2: they just terrorize these people in this bar and it's
• 17:09
  Speaker 2: just like he's cants as scary as hell. So Dear
• 17:13
  Speaker 2: Dog came out at the same time as Lost Boys,
• 17:15
  Speaker 2: but it just got overshadowed. But Near Dog on my
• 17:18
  Speaker 2: list would shown.
• 17:19
  Speaker 1: All right, I'm gonna go from dust till dawn okay,
• 17:23
  Speaker 1: love it.
• 17:24
  Speaker 2: What are a few of you.
• 17:25
  Speaker 1: Saw George Clooney, He is just great. We saw his
• 17:31
  Speaker 1: house in Italy. Oh my god, he bought man.
• 17:36
  Speaker 2: Oh y'all went up to the house. We was up.
• 17:38
  Speaker 2: It's on Lake Como.
• 17:40
  Speaker 1: He bought the house. First of all, lake Como looks
• 17:46
  Speaker 1: like a postcard, like it looks unreal. And the guy,
• 17:50
  Speaker 1: the guy was telling us like, he was like, it's
• 17:52
  Speaker 1: basically filthy rich people here. And then Italian people who
• 17:56
  Speaker 1: were like, I would never sell my house and when
• 17:58
  Speaker 1: I die, it will stay in our house, in our
• 18:00
  Speaker 1: family for generations. Yeah, so George Clooney bought that house.
• 18:05
  Speaker 1: First of all, I didn't know George clean was getting
• 18:06
  Speaker 1: twenty million a film.
• 18:09
  Speaker 2: Oh yeah, he's up there in the high salary. Did
• 18:11
  Speaker 2: not know.
• 18:11
  Speaker 1: So apparently he took one of his twenty millions. Think
• 18:13
  Speaker 1: it was one of the Ocean's eleven things. He bought
• 18:15
  Speaker 1: it for like five million, and me he just basically
• 18:18
  Speaker 1: capched a movie. Checking was like the house and in
• 18:21
  Speaker 1: the owner of Hines Ketchup had a house next to them,
• 18:27
  Speaker 1: and then the person who started Versace the house next
• 18:31
  Speaker 1: to them, and then like Gucci owned the house like
• 18:34
  Speaker 1: the people who started Gucci was like.
• 18:37
  Speaker 2: Did they come after George or before?
• 18:39
  Speaker 1: They were all before George. It was like all the
• 18:41
  Speaker 1: Gucci Versace people, they were there for generation.
• 18:45
  Speaker 2: He was able just to get it for five.
• 18:47
  Speaker 1: Yeah, it was like five. Maybe it was ten. It
• 18:49
  Speaker 1: was ten, but it was early, like late nineties. That's
• 18:52
  Speaker 1: when I didn't he was making twenty million earlier.
• 18:54
  Speaker 2: I didn't know. Well he So Ocean's eleven was like
• 18:58
  Speaker 2: two thousand and one from us still was the kickoff
• 19:00
  Speaker 2: of his movie career. So that was ninety six, So
• 19:07
  Speaker 2: that's what kicked off the career. He was already getting
• 19:09
  Speaker 2: a good er money, yeah, getting good TV money, and
• 19:11
  Speaker 2: so that's when he transitioned. That's when he left er.
• 19:14
  Speaker 2: I'm out, y'all moved and then by the time he
• 19:17
  Speaker 2: got the Ocean's eleven, Ocean's eleven was probably his biggest
• 19:19
  Speaker 2: payday at that time. So that's what two thousand and one.
• 19:22
  Speaker 1: Yep, they said he bought it with the oceans eleven
• 19:23
  Speaker 1: money got you, man, and he just never They was
• 19:26
  Speaker 1: like you see him. He'd be riding his motorcycle and
• 19:28
  Speaker 1: stuff over there. He'd be over there, and you know,
• 19:30
  Speaker 1: he got the cosgos Brad. Yeah, so he has.
• 19:32
  Speaker 2: So he's been in that same house still this whole time.
• 19:34
  Speaker 1: I mean, he don't be living there all the time,
• 19:36
  Speaker 1: but he's one of his own vacations in Lake Como, Italy.
• 19:39
  Speaker 1: And I was like, man, Dang Forsachi, Gucci, George Clooney,
• 19:43
  Speaker 1: Hin's owner, and then just Italian people who've lived there.
• 19:47
  Speaker 2: So y'all got close to them.
• 19:48
  Speaker 1: Yeah, it was right there on the lake, like you
• 19:51
  Speaker 1: can't see him. Their good but it was right there.
• 19:53
  Speaker 2: Did they see him in their way? Seen them?
• 19:55
  Speaker 1: I was like George, Yeorge security guard Tack.
• 19:58
  Speaker 2: The very generous guy too, Man, I like the most
• 20:01
  Speaker 2: ansom man. She But back to from Dust Till Dawn? Yeah,
• 20:05
  Speaker 2: you're right, so did you really see it? Yeah, there's no.
• 20:10
  Speaker 1: I don't think there's any Quentin Tarantina movie I haven't
• 20:13
  Speaker 1: seen I have since except from Once Upon a Time
• 20:17
  Speaker 1: in Hollywood?
• 20:18
  Speaker 2: Was that Robert Rodrigue's movie? But keep going from Once
• 20:22
  Speaker 2: upon Time? From Dust Till Dawn's Robert.
• 20:25
  Speaker 1: Oh, you're right, I'm confused watching But no, I'm sorry, okay,
• 20:30
  Speaker 1: because I was.
• 20:30
  Speaker 2: I was.
• 20:32
  Speaker 1: I didn't realize that was George Queen's first movie.
• 20:34
  Speaker 2: Not necessarily his first movie, but that was his first
• 20:37
  Speaker 2: like breakout, breakout starring because he was in some low
• 20:40
  Speaker 2: budget stuff. What did Desperado come out?
• 20:41
  Speaker 1: Because I feel like it was around that time five Okay,
• 20:43
  Speaker 1: see I was like I remember, I was like, man,
• 20:45
  Speaker 1: that's making a lot.
• 20:46
  Speaker 2: Of Robert did al Mady the Sheet, then he did Desperado,
• 20:50
  Speaker 2: and then from Dust Still Dawn was his you know,
• 20:53
  Speaker 2: so he directed all of them. Yes, those three. That's why.
• 20:56
  Speaker 2: That's why Desperado feels like that to me.
• 20:58
  Speaker 1: See, man, I be knowing, but.
• 20:59
  Speaker 2: I love this parade. I love seeing that movie a
• 21:03
  Speaker 2: lot too. By the way, Loki, it could have been
• 21:05
  Speaker 2: in my thing. Yeah, because he had that guitar. Give
• 21:09
  Speaker 2: me the guitar, Give me the guitar. I love that movie.
• 21:12
  Speaker 2: I can watch that movie anytime it's on. I'm like this, it.
• 21:16
  Speaker 1: Is absolutely insul But go ahead, Oh we can come
• 21:21
  Speaker 1: back to her from Us Till Dawn when she had
• 21:24
  Speaker 1: that snake man, Pubert even did me well, God said dang.
• 21:30
  Speaker 1: I know straight from black women often, but she was unreal.
• 21:34
  Speaker 1: Told I was like, come on now, God, you can't,
• 21:38
  Speaker 1: you can't do all that. I'm a child. I'm twelve thirteen, Max,
• 21:43
  Speaker 1: you see me about her, honey, y'all.
• 21:48
  Speaker 2: It comes to the point like because I remember seeing
• 21:50
  Speaker 2: that in the movie Theater and she was dancing with
• 21:53
  Speaker 2: the snake, I felt like I was in the club
• 21:56
  Speaker 2: as well. I was totally just mesmerized by everything that
• 22:02
  Speaker 2: was going on. I was just like, was she was?
• 22:08
  Speaker 2: She she put the foot up and then she poured
• 22:10
  Speaker 2: the poured the drink down her leg into the I
• 22:13
  Speaker 2: was just like, let me be Quentin Tarantino right now
• 22:17
  Speaker 2: in this.
• 22:18
  Speaker 1: You don't even deserve that.
• 22:21
  Speaker 2: I know he got a thing for feet, so I
• 22:24
  Speaker 2: know that during that saying he was like, Robert, anything
• 22:28
  Speaker 2: you need.
• 22:29
  Speaker 1: You seen those dude, when Jenna Jackson was tying.
• 22:32
  Speaker 2: Yes, I know that was Quinn during that Oh my god,
• 22:38
  Speaker 2: Oh my god, I'm gonna put that foot on his mouth.
• 22:41
  Speaker 2: I'm sure he was just like, this is it? That's
• 22:47
  Speaker 2: scene was crazy from I'm still doing. It's like two
• 22:50
  Speaker 2: different movies in one though. It is You Got the Hide.
• 22:52
  Speaker 2: The first half is like them on the Lamb. Yeah,
• 22:56
  Speaker 2: you know, George Clooney, you're handling business, serious business, his
• 22:59
  Speaker 2: creepy as brother. You get the loyalty there, and then
• 23:03
  Speaker 2: it's just the Harvey Kottails family. You hold them hostage,
• 23:07
  Speaker 2: the sweatiness of like they're gonna make it through customs?
• 23:10
  Speaker 2: Are they gonna make it through? You know what I'm saying.
• 23:12
  Speaker 2: Then we happened upon this bar. There's just a haven
• 23:15
  Speaker 2: for they get the truckers and then they just they
• 23:18
  Speaker 2: get you. And then after that it turned into a
• 23:20
  Speaker 2: completely different movie. It was like a B movie. The
• 23:24
  Speaker 2: vampires dying easy, just throw them on the table leg.
• 23:28
  Speaker 2: I was like, ripper is hard out there and put
• 23:32
  Speaker 2: the pencil in it. Robert Riquez be doing that though,
• 23:35
  Speaker 2: you know what I'm saying.
• 23:36
  Speaker 1: He be getting him and Quentin they be getting cartoony
• 23:39
  Speaker 1: with the for sure that the shotgun blasting Jangles like
• 23:43
  Speaker 1: all right, oh yeah, okay, this is this is too much.
• 23:47
  Speaker 2: They're gonna crank it up man, because they love B movies. Man.
• 23:51
  Speaker 2: Robert Rodriguez is one of my main influences to like.
• 23:54
  Speaker 2: He influenced me to apply for film school. He influenced
• 23:57
  Speaker 2: me to go really pursue acting, accept it. But I
• 24:02
  Speaker 2: applied because he made me feel like, yo, I could
• 24:05
  Speaker 2: do this because I wanted to make stuff. And then
• 24:09
  Speaker 2: I was just like yo, Robert and he's always like
• 24:11
  Speaker 2: I would listen to his commentaries and all that to
• 24:13
  Speaker 2: be like, man, you can really you really did that
• 24:16
  Speaker 2: on this And so yeah, okay, I'm gonna go with
• 24:24
  Speaker 2: interview with the Vampire is too easy. I'm gonna go
• 24:27
  Speaker 2: with Fright Night. Fright Night from the eighties. I watched
• 24:30
  Speaker 2: that movie lot. I know you ain't seen it, but
• 24:33
  Speaker 2: he probably didn't even see the remake. But Fright Night
• 24:36
  Speaker 2: was a good ass time. Like. It had a kid
• 24:38
  Speaker 2: in there, Brewster and his friend Evil and and the
• 24:44
  Speaker 2: man they moved in on they block next door, and
• 24:46
  Speaker 2: he was a vampire and they just wouldn't leave this
• 24:49
  Speaker 2: man alone until he was like, all right, y'all want
• 24:52
  Speaker 2: to keep sucking with me? And then the man on
• 24:56
  Speaker 2: TV that he thought was a real vampire, Yo, I'm
• 24:59
  Speaker 2: just not the man I need you. Man, I'm living
• 25:03
  Speaker 2: next door to a vampire. Friday Night was just a
• 25:05
  Speaker 2: good ass comedy. No, it's a horror movie, but it's
• 25:09
  Speaker 2: got comedic elements within it, but total eighties time capsule,
• 25:14
  Speaker 2: but it was dope. CHRISA. Randon played the vampire. He
• 25:18
  Speaker 2: was in the You See Child's Play. Yes, he was
• 25:22
  Speaker 2: also in the Princess Bride, romanic comedy, romantic comedy. You know,
• 25:27
  Speaker 2: so Friday Night is up in there.
• 25:28
  Speaker 1: Why you ain't take an interview with a vampire out?
• 25:30
  Speaker 2: I took it out, but it's still in there. But
• 25:32
  Speaker 2: it's just too easy. That's what I was gonna pick
• 25:34
  Speaker 2: because because you saw it. Yeah, man, because you saw Okay,
• 25:38
  Speaker 2: you don't want that Hotel Transylvania. Nah, man, get the
• 25:41
  Speaker 2: cartoons out of here, Get the cartoons.
• 25:44
  Speaker 1: Interview, interview the vampire was what I was gonna say. Uh,
• 25:49
  Speaker 1: that was Brad. What where he was at early ninety
• 25:55
  Speaker 1: four four? Yeah, he was big, dreamy. I feel like
• 25:59
  Speaker 1: he was in a lot of movies with soft focus.
• 26:02
  Speaker 1: He was always looking like they always had him looking
• 26:05
  Speaker 1: like fabio type of something, And this movie is exactly
• 26:08
  Speaker 1: like that's this one.
• 26:10
  Speaker 2: Meet Joe Black.
• 26:10
  Speaker 1: Even though he was like that's a darker tone of
• 26:13
  Speaker 1: a movie, he was just.
• 26:14
  Speaker 2: Like, I'm Brad, I'm the most handsome man last. Yeah.
• 26:19
  Speaker 1: But I feel like it was such a foundational vampire movie.
• 26:23
  Speaker 1: It has to be included in the vampire movies. I
• 26:26
  Speaker 1: think they got a TV show going.
• 26:29
  Speaker 2: He is really good. I haven't seen it, seen it.
• 26:31
  Speaker 1: It's got the dude I like from Gaming Thrones on
• 26:33
  Speaker 1: there the dude who was the unsully main guy.
• 26:35
  Speaker 2: Y'all keep saying lost. Was we already did? We said lost,
• 26:39
  Speaker 2: you're coming in here, lad, the man lost give.
• 26:42
  Speaker 1: It sevening man Donald Seven's baby.
• 26:43
  Speaker 2: We already know that by the words.
• 26:46
  Speaker 1: So the Sage Guard children, they got their whole families.
• 26:49
  Speaker 2: In the movies.
• 26:50
  Speaker 1: Yeah, the daddy, the dad, the all Bill beaterr.
• 26:54
  Speaker 2: This got like four of them. Well, no, it's not one.
• 26:58
  Speaker 2: Scar's Guard is not related to them. Wha you're talking
• 27:01
  Speaker 2: about that one actor there's been in mad stuff, Peter
• 27:05
  Speaker 2: Peter Scarter. No, I don't think he's related to that.
• 27:08
  Speaker 1: Yeah, he's married to Yeah, he's good though, he's good
• 27:15
  Speaker 1: and everything.
• 27:16
  Speaker 2: I see him, man, but he's not related. Dang, I
• 27:19
  Speaker 2: show put him with them. He's because it's so close.
• 27:23
  Speaker 2: I get it.
• 27:24
  Speaker 1: There's no ca though.
• 27:26
  Speaker 2: No, that's how it gets you, man.
• 27:28
  Speaker 1: And I was thinking, I was like, I don't remember him. Yeah,
• 27:31
  Speaker 1: but I thought I was tripping. He don't even have
• 27:33
  Speaker 1: the same what's the first. Alexander is the he's Alexander.
• 27:39
  Speaker 1: The dad is Alexander, right, No stealing Scars Dad Alexander,
• 27:46
  Speaker 1: and then Billennise penny Wise and so Peter is somebody
• 27:53
  Speaker 1: hand the Crow?
• 27:54
  Speaker 2: Unfortunately the crowd did. But I'm telling you, man, leave
• 28:02
  Speaker 2: movies alone. Cap, I didn't know he was in. Also,
• 28:06
  Speaker 2: the Crow came out, and when ninety four with another movie,
• 28:12
  Speaker 2: Shaw Shake Redemption. But no, but no, right, Cam, No man?
• 28:18
  Speaker 2: Three years? Right, it's okay to remake the Crow. Big, Yes,
• 28:23
  Speaker 2: it was big.
• 28:23
  Speaker 1: That was Brandon Something was Brandon Lee, Bruce Lee Baby, Yeah,
• 28:27
  Speaker 1: he died on that he did. I shouldn't do that
• 28:30
  Speaker 1: for that reason.
• 28:30
  Speaker 2: No, Man, watch out.
• 28:33
  Speaker 1: They've remade Thirty years is a long time. Watch out, man,
• 28:37
  Speaker 1: thirty years is long.
• 28:39
  Speaker 2: I just feel like thirty every movie don't need to
• 28:42
  Speaker 2: be remade. What movie can be remade? Then? What movie
• 28:46
  Speaker 2: can be?
• 28:47
  Speaker 1: What movies would that you've seen that you feel like this.
• 28:50
  Speaker 2: Can be remade? Now a remake? Yes, I don't look
• 28:59
  Speaker 2: at movie.
• 29:00
  Speaker 1: He's to be remade. You think we should always look
• 29:03
  Speaker 1: at him forever.
• 29:06
  Speaker 2: You could do a sequel, you can do a prequel,
• 29:08
  Speaker 2: you can do you know what I'm saying, But like, remove,
• 29:11
  Speaker 2: Why we remaking something?
• 29:12
  Speaker 1: They've been remaking Batman forever?
• 29:14
  Speaker 2: Why remake White man can't jump. According to your logic,
• 29:18
  Speaker 2: it's been thirty year. It's been thirty yea. Why they
• 29:23
  Speaker 2: can't jump came out nothing to two. They can remake it.
• 29:27
  Speaker 2: They remade it. What happened?
• 29:30
  Speaker 1: The thing about that is, man, you don't believe Jack
• 29:34
  Speaker 1: Harlowe can't hold it.
• 29:35
  Speaker 2: Don't even matter, nah remade.
• 29:38
  Speaker 1: The white men were winning the MVP at that time,
• 29:41
  Speaker 1: like Larry Bird felt like an anomaly more. It was like,
• 29:45
  Speaker 1: that's just Larry Bird. But Woody Harrelson did not look
• 29:48
  Speaker 1: like he could. I buy that. Woody Harrelson could be
• 29:51
  Speaker 1: scamming you out of money for sure, Jack Harlowe, Woody
• 29:55
  Speaker 1: Harrelson look way older than he is in that movie,
• 29:58
  Speaker 1: so I don't buy he's with Rose Red even more
• 30:00
  Speaker 1: than the hooping part.
• 30:01
  Speaker 2: But I digres that.
• 30:03
  Speaker 1: Hell no, Harelson, No, I mean, like in the movie
• 30:07
  Speaker 1: made sense, But Whaty Harrelson?
• 30:09
  Speaker 2: Hell no? What else said?
• 30:11
  Speaker 1: They ain't getting no Russie parades or not? Not on
• 30:14
  Speaker 1: my watch.
• 30:15
  Speaker 2: It's bald. She was with Spike Lee and do the
• 30:18
  Speaker 2: right thing.
• 30:20
  Speaker 1: I don't like when men cast women they can't normally get.
• 30:22
  Speaker 2: I think that's a thing.
• 30:24
  Speaker 1: Adam Sander does that like, you're not, She's not.
• 30:30
  Speaker 2: Who else talking about? Who are you talking about? Adam Sandler?
• 30:33
  Speaker 2: Who he been with? What movie are you talking about?
• 30:36
  Speaker 2: Am I talk about Adam Simon? So Adam Sandler. He
• 30:39
  Speaker 2: was with a little girl from Modern Family and Happy Gilmore.
• 30:43
  Speaker 1: He had we was with Queen Tiva one time too.
• 30:45
  Speaker 2: Jennifer Aniston A lot too, Jennifer Aniston.
• 30:49
  Speaker 1: Hell no, Adam, I'm buy that. Actually funny people can't get.
• 30:53
  Speaker 2: Yeah, Jennifer Anderson used to stay the dude from County Crows.
• 30:55
  Speaker 2: He was regular, but eis a rock star though Adam
• 30:59
  Speaker 2: Sandler's rock stuff in comedy. He's a folk hero. What
• 31:03
  Speaker 2: was I saying before that? What Harrelson? The thing? Rosie?
• 31:08
  Speaker 1: I don't buy it. I don't care what you say.
• 31:10
  Speaker 1: But in the movie I did.
• 31:11
  Speaker 2: By ladies, y'all like Woody Heilson. Think about young Woody? Yeah? Man?
• 31:16
  Speaker 1: What what what he had going?
• 31:18
  Speaker 2: You got a good looking dude? Is he think it
• 31:22
  Speaker 2: was ugly? Am I tripping? Kevin James is different? Woody
• 31:27
  Speaker 2: Harrelson was cute.
• 31:28
  Speaker 1: He's adorable. Smashed door was not a good thing for
• 31:33
  Speaker 1: a man.
• 31:34
  Speaker 2: But adorable. He can get you in the door.
• 31:37
  Speaker 1: You can't smash adorable, then you can nah cute, you
• 31:40
  Speaker 1: can smashed the door was like, oh man, let's go
• 31:43
  Speaker 1: on a walk. You don't want to be adorable unless
• 31:46
  Speaker 1: you're a child or a teddy bear or a small dog.
• 31:49
  Speaker 2: As a man, you like.
• 31:51
  Speaker 1: To think of it because of the gap the adorable
• 31:56
  Speaker 1: niggas the dude who gets the girl put it the
• 31:58
  Speaker 1: order at all.
• 31:59
  Speaker 2: Oh yeah, that video has a video. He thought. He
• 32:02
  Speaker 2: was hollering, like.
• 32:07
  Speaker 1: I'm done for But anyway, the point I was making,
• 32:09
  Speaker 1: the reason that movie doesn't work is because that premise.
• 32:12
  Speaker 2: Is not believable anymore.
• 32:14
  Speaker 1: Yeah, and it's really not believable with Jack Harlowe.
• 32:17
  Speaker 2: And it shouldn't have been remade.
• 32:19
  Speaker 1: That was saying, I agree with you on that. All
• 32:23
  Speaker 1: I was saying, it's thirty years. All I want to
• 32:26
  Speaker 1: say is like.
• 32:28
  Speaker 2: Some movies don't need to be remade.
• 32:30
  Speaker 1: Because a good remaking introduced it to a new audience.
• 32:33
  Speaker 1: That's all I'm saying. Thirty years have passed. That means
• 32:36
  Speaker 1: a person, it's very likely you ain't seen that movie
• 32:39
  Speaker 1: and you ain't gonna see it, and no remakes with
• 32:41
  Speaker 1: the Robinsons Ocean's eleven, you.
• 32:43
  Speaker 2: Gotta you gotta you gotta remake stuff this low key
• 32:47
  Speaker 2: that's all you want because because there's no there's no
• 32:51
  Speaker 2: attachment to either it wasn't good. You can remake a
• 32:54
  Speaker 2: bad movie. Yeah, you're all fine with that. Yeah, if
• 32:57
  Speaker 2: the movie sucks, remake it, man, make it better. If
• 33:01
  Speaker 2: it sucks, sure, remaking. But if it's like you know,
• 33:06
  Speaker 2: because then then you're you're you're up against They remade
• 33:10
  Speaker 2: Psycho shot for shot for what. I don't think for what.
• 33:16
  Speaker 2: I don't think that should be. Remember I was pointless. Yeah,
• 33:20
  Speaker 2: let's remake Psycho shot for a shot. I'm with you
• 33:26
  Speaker 2: on that, watch Man. What movie did you just picked?
• 33:30
  Speaker 2: I picked? Uh?
• 33:31
  Speaker 1: Any vampire? Okay, it was fun time.
• 33:35
  Speaker 2: That was a good time. I like I like those movies.
• 33:37
  Speaker 2: I love I love those Hotel trans Technically he's a vampire.
• 33:42
  Speaker 2: I mean, technically, it's in the conversation.
• 33:44
  Speaker 1: It's in the conversation. I don't know why you want
• 33:45
  Speaker 1: to take it from.
• 33:46
  Speaker 2: Me just because it was a card. You said, did
• 33:50
  Speaker 2: you see Bram Stoker's Draccula?
• 33:51
  Speaker 1: I did, Okay, I did. I like Dracula for a minute.
• 33:55
  Speaker 1: I was watching a lot of draks.
• 33:56
  Speaker 2: Okay, so you saw that you saw very old Man
• 33:58
  Speaker 2: as Draccula.
• 33:59
  Speaker 1: First of all, I loved Gary Oldman. He was in
• 34:01
  Speaker 1: one of the Harry Potter movies as a serious you
• 34:04
  Speaker 1: see Harry Potter.
• 34:05
  Speaker 2: Yea, all of them, but you never talked to me.
• 34:08
  Speaker 2: I was talking in the comments section as a person.
• 34:12
  Speaker 2: What was your favorite one? Uh? The third one, prisoner,
• 34:17
  Speaker 2: that's my favorite one? Prison When you finished them? Finished them?
• 34:20
  Speaker 1: Yeahon love Gary Oldmans in that one. Yeah, serious black,
• 34:24
  Speaker 1: they said him, but I thought he was finished cutting
• 34:25
  Speaker 1: heads off him in the newspaper. I was like, man,
• 34:29
  Speaker 1: this guy's crazy.
• 34:30
  Speaker 2: Man.
• 34:31
  Speaker 1: He was like, oh, I didn't see that coming ahead.
• 34:37
  Speaker 1: I will never forgive Helena Bonham Carter for that. I
• 34:40
  Speaker 1: just learned about that. She was about he gone, she disappears.
• 34:45
  Speaker 1: I was like, she's greating that, she's perfect. She is
• 34:49
  Speaker 1: a Tim Burton, not he's her dream.
• 34:52
  Speaker 2: She looks like a Tim burdon Creation.
• 34:54
  Speaker 1: She looks like a personified nightmare from Christmas person She
• 34:59
  Speaker 1: is a per in that movie. I was like, I
• 35:01
  Speaker 1: didn't know she was in it obviously. First of all,
• 35:03
  Speaker 1: a lot of people I didn't know, But she might
• 35:06
  Speaker 1: be one of the most perfect me cast people in
• 35:08
  Speaker 1: the whole universe, and I hate that dog on uh
• 35:12
  Speaker 1: teacher lady from the Crown.
• 35:14
  Speaker 2: I know what you're talking about. Nice person, but she's not.
• 35:18
  Speaker 2: Oh man, I wanted her to die hard. That fight
• 35:22
  Speaker 2: between Dumbledore and I'm a blanket on his name Baltimore. Yes, no,
• 35:32
  Speaker 2: the fight between Dumbledore, that fight they had was so good.
• 35:37
  Speaker 2: I didn't I just go watch it sometimes on YouTube.
• 35:40
  Speaker 1: Alan Rickman, he's not It did not register that he
• 35:44
  Speaker 1: was Hans Gruber. And he's so different as snap. He's
• 35:49
  Speaker 1: great the way he talks. Man, he was so good.
• 35:54
  Speaker 1: He was so complex, man, I was He tricked me
• 35:57
  Speaker 1: every time. I thought he was the villain in the
• 36:00
  Speaker 1: first one and it was the other guy. I mean,
• 36:02
  Speaker 1: they pulled. I was like this nigga work at hot
• 36:05
  Speaker 1: top of Heathenis and he didn't like Harry Potter, so
• 36:08
  Speaker 1: I was all in.
• 36:09
  Speaker 2: And then when he killed dumble Door.
• 36:11
  Speaker 1: I was like this nigga, And then it turns out
• 36:14
  Speaker 1: that was part of the plan. And then he loved
• 36:16
  Speaker 1: Harry Potter's mama but hated his dad, and Harry Potter's
• 36:18
  Speaker 1: dad was not a great person.
• 36:19
  Speaker 2: This James Potter was a little you know what I'm saying,
• 36:23
  Speaker 2: but anyway, we're getting off the top of it.
• 36:25
  Speaker 1: Carry old man is how we got it.
• 36:26
  Speaker 2: Vampire, brown Stokers, Dragon, Yes, did you see it? I
• 36:31
  Speaker 2: saw it. I don't think you so I saw it
• 36:33
  Speaker 2: for real? Did you see? Now? I'm just going by,
• 36:36
  Speaker 2: all right, So I'm gonna carry the rest. Carry the rest.
• 36:39
  Speaker 2: So let the right one in. Oh that's a movie. Yes,
• 36:45
  Speaker 2: that makes sense, and I will say this, okay, they
• 36:48
  Speaker 2: remade it. Ah, So I would give a pass to
• 36:52
  Speaker 2: when they remake movies that are foreign, I should say, okay,
• 36:57
  Speaker 2: like The Departed is a remake excellent?
• 37:00
  Speaker 1: So is the upside the upside.
• 37:03
  Speaker 2: Of the French joint with what's his name? Yes? Yeah,
• 37:08
  Speaker 2: So sometimes if it's a.
• 37:09
  Speaker 1: Foreign joint English or English the foreign, you don't mind.
• 37:12
  Speaker 2: I don't mind it. So if The Ring is a remake,
• 37:15
  Speaker 2: I loved it. I didn't know that The Ring is
• 37:18
  Speaker 2: a remake. That's a scared movie I saw, by the way. Yes, okay,
• 37:21
  Speaker 2: So so those are I'd be like, you know what
• 37:23
  Speaker 2: I'm saying, So let the right one in and let
• 37:25
  Speaker 2: me in are both good? I have heard of these movies,
• 37:28
  Speaker 2: all right. What we do in the Shadows is so
• 37:36
  Speaker 2: goddamn funny. Yes, it's about vampires, but it is. It's
• 37:42
  Speaker 2: like a documentary style. It is so good. They made
• 37:45
  Speaker 2: it into a series two, which is also equally good.
• 37:49
  Speaker 2: But the first movie is you gotta see I've never
• 37:52
  Speaker 2: seen what with TV comes from? Really? Yes?
• 37:57
  Speaker 1: I love Taka.
• 37:58
  Speaker 2: What we do in the Shadows, man, you gonna love it?
• 38:00
  Speaker 1: Is it his movie? Like he directed or wrote it?
• 38:03
  Speaker 2: He did right Clement, Jermaine Clement from A Light of
• 38:07
  Speaker 2: the Concord.
• 38:08
  Speaker 1: Love Flight of the Concord, What happened to them? They
• 38:11
  Speaker 1: don't make that show no more?
• 38:12
  Speaker 2: Nah, what we're doing in the Shadows, man, I've never
• 38:16
  Speaker 2: watched it. It's mad funny.
• 38:20
  Speaker 1: Blade makes a cameo in the show.
• 38:23
  Speaker 2: There's an episode with him. I get it. I gotta
• 38:25
  Speaker 2: tap back into the series. Oh man, it's so good
• 38:30
  Speaker 2: though the director miss that. It's so good man, what
• 38:34
  Speaker 2: we do in the.
• 38:34
  Speaker 1: Shadows, I'm gonna check that out. Tony ain't really send
• 38:37
  Speaker 1: me a movie that I didn't like.
• 38:38
  Speaker 2: I love you don't like that, man, The type of
• 38:40
  Speaker 2: humor is just man.
• 38:41
  Speaker 1: I like, Yeah, they didn't like what he did with
• 38:44
  Speaker 1: the Thor movie though, or.
• 38:45
  Speaker 2: The last one Loving Thunder I feel you. That's fair. Also,
• 38:49
  Speaker 2: goat iron legend here is it technically vampire? Who keeps
• 38:52
  Speaker 2: calling me? There are zombies, aren't they? They're technically vampires.
• 38:58
  Speaker 2: They Yeah, that's why they only come out in the night.
• 39:03
  Speaker 2: I could have said this.
• 39:04
  Speaker 1: I thought they were zombies this whole time, the van
• 39:07
  Speaker 1: peric something.
• 39:09
  Speaker 2: But it's not zombies.
• 39:10
  Speaker 1: They don't turn people though, or do they. It ain't
• 39:12
  Speaker 1: like bite the neck vampire and steaking the heart stuff.
• 39:15
  Speaker 2: They really didn't explain. Yeah, they turn you because the
• 39:18
  Speaker 2: dog turned. Is it biting the neck? Though?
• 39:22
  Speaker 1: In the nineteen fifties novel they were vampires.
• 39:25
  Speaker 2: I am legends based on the novel. Yeah, and they
• 39:29
  Speaker 2: made a movie out of it with a what's his
• 39:31
  Speaker 2: name Charlton Heston called the Omega Man or something. I
• 39:34
  Speaker 2: never knew this.
• 39:35
  Speaker 1: And then Charlton Heston was in the Planet of the Apes. Yes,
• 39:40
  Speaker 1: love being hit her yeap, his hair was gray.
• 39:43
  Speaker 2: Charlton hess was like he was. And then I mention
• 39:48
  Speaker 2: this as as another mentioned Thirty Days of Night. No
• 39:53
  Speaker 2: These these are probably some of the making up the
• 39:57
  Speaker 2: now Thirty Days a Night with Josh Hartnett. These, Yes,
• 40:02
  Speaker 2: how was this man? This is two thousand something. This
• 40:04
  Speaker 2: is right before he took his hiatus. But thirty days
• 40:07
  Speaker 2: a night and they was in Alaska. That makes sense.
• 40:11
  Speaker 2: So it was thirty days a night. And these vampires
• 40:14
  Speaker 2: are terrifying. They don't even speak English when they speaking here,
• 40:18
  Speaker 2: they just talking and stuff.
• 40:20
  Speaker 1: And he's like, that's how he was. Harry Potter was
• 40:24
  Speaker 1: talking to that snake.
• 40:25
  Speaker 2: This this movie.
• 40:27
  Speaker 1: Man, then vampires were scared. There we go, man, we
• 40:30
  Speaker 1: made it through tone, Yeah we did. Man, I've just
• 40:33
  Speaker 1: seen the big, big one. I avoid scared things for
• 40:35
  Speaker 1: the most part.
• 40:36
  Speaker 2: They don't like it. But he avoids romantic comedies.
• 40:38
  Speaker 1: I don't avoid him.
• 40:39
  Speaker 2: It just be they mean. Then you was right with me. Man,
• 40:41
  Speaker 2: don't turn on me. You don't like romantic comedies either, No,
• 40:45
  Speaker 2: I do. Oh you you be watching? You be watching
• 40:47
  Speaker 2: Made Manhattan. You keep going to that one. That's just
• 40:50
  Speaker 2: a good movie. You be watching me? And manhat you
• 40:53
  Speaker 2: saw it? No, you saw the wedding playing?
• 40:57
  Speaker 1: I saw that from Manhattan Ray Fines and Man, I
• 41:02
  Speaker 1: saw you saw you saw the wedding planning. I saw
• 41:05
  Speaker 1: who's that Jenner?
• 41:06
  Speaker 2: Yeah, and Matthew Mcca.
• 41:08
  Speaker 1: I saw like fifteen minutes of that. I hated it.
• 41:10
  Speaker 1: I hated ge Lee, I hated all that.
• 41:12
  Speaker 2: I look, he.
• 41:12
  Speaker 1: Couldn't understand how those movies are getting made, Like I'm like,
• 41:15
  Speaker 1: how do y'all not knowing?
• 41:17
  Speaker 2: Somebody asked this on Twitter one time.
• 41:18
  Speaker 1: It's like, I wonder if actors know what movie sucks
• 41:20
  Speaker 1: when they're making it, and Owens was like, absolutely, they
• 41:24
  Speaker 1: have to know.
• 41:24
  Speaker 2: Maybe they had to know, Like did you see Jennifer
• 41:26
  Speaker 2: Lopez dancing for the American Musical Awards. She wasn't good.
• 41:31
  Speaker 3: Something happened with her man. She just keep taking something.
• 41:36
  Speaker 3: I don't know if we changed or she changed. Something changed.
• 41:40
  Speaker 3: People do not turned on they. You know what I
• 41:45
  Speaker 3: think is, this is my theory.
• 41:47
  Speaker 2: They do.
• 41:47
  Speaker 1: I see why though capitalism rap. I think there's a
• 41:51
  Speaker 1: separation of wealth that I could say tough they did.
• 41:55
  Speaker 2: Jennifer Lopez.
• 41:57
  Speaker 1: For me, what I think it was when people found
• 41:59
  Speaker 1: out she wouldn't see them songs and the people who
• 42:02
  Speaker 1: were singing them songs have had like hard lives, were
• 42:06
  Speaker 1: paid cash.
• 42:08
  Speaker 2: But she wasn't she been live singing, or she was
• 42:10
  Speaker 2: just getting the songs from other artists. Her label.
• 42:13
  Speaker 1: I don't know if it's her the label, but it
• 42:15
  Speaker 1: was like Leah has a hit song, right, they'd be like.
• 42:18
  Speaker 2: No, you don't. Oh. They were taking the songs.
• 42:21
  Speaker 1: And then giving it to Jennifer Lopez and oftentimes leaving
• 42:24
  Speaker 1: Leah's vocals on. Like there was a TikTok money, Oh,
• 42:31
  Speaker 1: she if they if they paid the people. She did
• 42:35
  Speaker 1: that to Aana Crawley's a gospel singer. She sang all
• 42:39
  Speaker 1: this on j Lo's song. There was like and it's
• 42:42
  Speaker 1: not even the same voice.
• 42:44
  Speaker 2: You know. We know Shanti did.
• 42:46
  Speaker 1: A few, but it was like the label was just
• 42:48
  Speaker 1: like being like nah, man, Leah, you're out. And then
• 42:51
  Speaker 1: Leah just never makes it, and Jennifer Lopez makes it
• 42:54
  Speaker 1: with her song and her song and her song, and
• 42:56
  Speaker 1: that singer and that singer, and that person just keeps
• 42:57
  Speaker 1: getting paid cash and cash and cash. And then on
• 43:00
  Speaker 1: TikTok she was making a documentary.
• 43:01
  Speaker 2: She was just like, I documentary, that documentary did her
• 43:05
  Speaker 2: no favorite.
• 43:05
  Speaker 1: I just was like this crazy girl running through the bronx.
• 43:08
  Speaker 1: And then her classmates was like, Nigga, you was not
• 43:10
  Speaker 1: you went to a rich school. You was in this
• 43:13
  Speaker 1: rich thing like you was not in the streets like
• 43:14
  Speaker 1: that stopped saying that I went to school with you like,
• 43:17
  Speaker 1: stop doing that. So I feel like fraud. It was
• 43:20
  Speaker 1: the you know, the record label used to create stars.
• 43:22
  Speaker 1: I feel like they created that. And then the facade
• 43:24
  Speaker 1: fell off for her, and I think she went back
• 43:28
  Speaker 1: to New York and she.
• 43:29
  Speaker 2: Was like, oh, I used to live here.
• 43:32
  Speaker 1: He was like, who are you? Yeah, Jennifer Lopez, Yeah,
• 43:38
  Speaker 1: I don't know.
• 43:39
  Speaker 2: I don't know. And I also by that's crazy.
• 43:42
  Speaker 1: So I feel like something happened in that time. And
• 43:45
  Speaker 1: then like she made that weird movie on Prime where
• 43:48
  Speaker 1: it was like a heartbeat musical and it was just like, man,
• 43:51
  Speaker 1: what the hell is this?
• 43:53
  Speaker 2: She did that movie recently with Owen Wilson, the romantic
• 43:55
  Speaker 2: comedy whatever Tang, which one was that I forget the name.
• 43:59
  Speaker 2: She was like this big star and he was like
• 44:02
  Speaker 2: the Owen Wilson tight yeah, the character that he often plays.
• 44:06
  Speaker 1: And but even like Hustlers, like most people agree that
• 44:08
  Speaker 1: was a good movie and she was good in it. Yeah.
• 44:11
  Speaker 1: I didn't see it any more of that, but it's
• 44:13
  Speaker 1: just like nah.
• 44:14
  Speaker 2: Man, no more of you being movies.
• 44:18
  Speaker 1: Movie was just like man, nah dang. And she start
• 44:21
  Speaker 1: out with Selena, she did, and black people love Selena
• 44:25
  Speaker 1: just the singer and they love the movie Selena.
• 44:28
  Speaker 2: I still haven't seen it. Re avoiding it? Man, you
• 44:34
  Speaker 2: mad at me.
• 44:34
  Speaker 1: I couldn't have seen ten of them vampire movies, but.
• 44:36
  Speaker 2: Selena purposely avoided man because of the murder. Yeah, I
• 44:41
  Speaker 2: like Selena. It was sad.
• 44:42
  Speaker 1: Yeah, it's I hate Yolana Southivar to get out trying
• 44:48
  Speaker 1: to get out.
• 44:48
  Speaker 2: You stay ass in there and cook don't.
• 44:52
  Speaker 1: Ever get out. You killed Selena so you purposely don't
• 44:54
  Speaker 1: want to purposely Yeah, got it. Her dad was that guy.
• 44:58
  Speaker 1: Uh he got his skin has.
• 45:03
  Speaker 2: I was talking about this the other day. Man, you
• 45:05
  Speaker 2: know what I'm saying. Let let's just for the little
• 45:06
  Speaker 2: players be Puerto Rican and movies you know what else
• 45:09
  Speaker 2: that they always got a racially ambiguous or Italian or
• 45:14
  Speaker 2: something else every goddamn time.
• 45:16
  Speaker 1: She was on a promo tour and sterling Kate Brown.
• 45:21
  Speaker 1: I think she comes across inauthentic because she was like,
• 45:24
  Speaker 1: she was like, I'm Puerto Rican.
• 45:25
  Speaker 2: He was like, oh are you interesting? And it was
• 45:28
  Speaker 2: just like.
• 45:31
  Speaker 1: It was like what happened with y'all? She's like, I
• 45:33
  Speaker 1: love rights and beans because you know, perto Rican.
• 45:35
  Speaker 2: He was like, oh, you're Puerto Rican.
• 45:38
  Speaker 1: It was like the fact that yeah, because it was
• 45:41
  Speaker 1: like I felt like and it wasn't just him, it
• 45:43
  Speaker 1: was somebody. I don't know what the earic James almost
• 45:45
  Speaker 1: almost there were.
• 45:46
  Speaker 2: James, thank you, he's great. I remember what movie that promoting.
• 45:52
  Speaker 1: But it was like the cast didn't seem there was
• 45:54
  Speaker 1: something there that wasn't said. They're too professional to say it,
• 45:58
  Speaker 1: but there was some shade. So I feel like the
• 46:01
  Speaker 1: last couple of years, man, she just ain't.
• 46:03
  Speaker 2: So she probably she probably not even campaigning to be
• 46:06
  Speaker 2: Puerto Rican in these movies. Probably not. She probably just
• 46:10
  Speaker 2: Dennis Ferena can be my dad, because she wasn't playing
• 46:14
  Speaker 2: a little whitewash characters for a minute in the romantic
• 46:16
  Speaker 2: comedies when she started out, she leaned into that. When
• 46:19
  Speaker 2: she was in Money Train, she's Puerto Rican, you know
• 46:22
  Speaker 2: what I'm saying. She played Mexican American and Selena, but
• 46:25
  Speaker 2: you know, still she's in me Familiar. She was in that,
• 46:28
  Speaker 2: and then but then I feel like once she once
• 46:32
  Speaker 2: she did Anaconda, that's when it started. It was just like,
• 46:35
  Speaker 2: let's make you not let's make you something.
• 46:38
  Speaker 1: Let's make it unclear, yeah, ambiguous, let's go on it.
• 46:43
  Speaker 2: Yeah, you can be Italian and this just makes.
• 46:46
  Speaker 1: Some stuff in there. Man, live if you will.
• 46:48
  Speaker 2: Yeah, I feel like that's trash man all right, man,
• 46:53
  Speaker 2: We done with this