Latest / Movie Meltdown / 95.2: Milla Matrix-ing through the Zombie Mosh Pit

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95.2: Milla Matrix-ing through the Zombie Mosh Pit · Movie Meltdown

• 0:00
  Speaker 1: The following feature has been rated R by the Motion
• 0:02
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:06
  Speaker 1: and parental discretion is advised.
• 0:18
  Speaker 2: It's showtime, folks!
• 0:21
  Speaker 3: Enjoy the show!
• 0:33
  Speaker 4: This is John Stalberg Jr.
• 0:34
  Speaker 5: And you're listening to Movie Meltdown.
• 0:36
  Speaker 4: Or are you?
• 0:36
  Speaker 6: Get more out of life.
• 0:40
  Speaker 7: Go out to a movie.
• 0:44
  Speaker 8: Out of town.
• 0:45
  Speaker 6: Out of town.
• 0:48
  Speaker 2: Out of the night.
• 0:51
  Speaker 4: Out of town.
• 1:03
  Speaker 9: This was the start of an apocalypse that would sweep
• 1:05
  Speaker 9: the entire world. That was five years ago.
• 1:11
  Speaker 4: My name is Alice.
• 1:14
  Speaker 9: The last survivors followed a radio signal to Alaska.
• 1:17
  Speaker 6: This is Arcadia, broadcasting on emergency frequency.
• 1:21
  Speaker 10: We offer safety and security, food and shelter.
• 1:24
  Speaker 6: But I could find only one.
• 1:28
  Speaker 4: Claire, who did this to you?
• 1:31
  Speaker 5: Umbrella.
• 1:33
  Speaker 4: We have to move on.
• 1:36
  Speaker 9: Our only chance for survival is finding the source of
• 1:39
  Speaker 9: this signal.
• 1:39
  Speaker 5: This is Arcadia.
• 1:42
  Speaker 10: We offer safety and security, food and shelter. Luther!
• 1:47
  Speaker 4: Come on!
• 1:49
  Speaker 9: The men responsible for this disaster took refuge underground. The
• 1:56
  Speaker 9: Umbrella Corporation feels safe.
• 1:59
  Speaker 2: Everything is quiet here.
• 2:00
  Speaker 8: They feel secure. help me if you can it's just
• 2:15
  Speaker 8: this it's not the way i'm wired so could you
• 2:21
  Speaker 8: please help me understand why you've given into all these reckless.
• 2:29
  Speaker 11: Dark desires you want Lying to yourself again Suicidal in
• 2:36
  Speaker 11: the soul Pounding on the phone line Wobbling.
• 2:42
  Speaker 12: Cheeked again Through the you, precious Why would I, why
• 2:46
  Speaker 12: would I, why would I Wanna watch you disconnect And self-destruct.
• 2:55
  Speaker 13: One more time.
• 3:08
  Speaker 4: Welcome to Moving Out Downs, Out of the Town. Once again,
• 3:11
  Speaker 4: I'm Ryan.
• 3:12
  Speaker 6: This is Roger.
• 3:12
  Speaker 5: I'm still Joni. I am Misty.
• 3:16
  Speaker 14: I'm Marlena.
• 3:17
  Speaker 4: Mariah.
• 3:18
  Speaker 14: Back from Amishland.
• 3:19
  Speaker 6: Back from Amishland.
• 3:21
  Speaker 5: Did you bring me more fudge? I brought you some
• 3:24
  Speaker 5: home churned butter. Just no fish tacos.
• 3:28
  Speaker 4: I don't think they're allowed to make fish tacos.
• 3:30
  Speaker 14: I don't think so.
• 3:31
  Speaker 4: I think it's in the bylaws.
• 3:32
  Speaker 3: I don't think they experience other cultures in Amishtown, U.S.A.
• 3:37
  Speaker 4: Or tacos.
• 3:38
  Speaker 14: The Mennonites do. The Mennonites eat Mexican food.
• 3:44
  Speaker 15: Alright.
• 3:45
  Speaker 5: What movie did we go see today? Resident Evil Afterlife.
• 3:48
  Speaker 4: This week's Out of the Town feature is.
• 3:50
  Speaker 6: I already told you.
• 3:52
  Speaker 4: Too late.
• 3:53
  Speaker 5: Resident Evil Afterlife.
• 3:55
  Speaker 15: Never mind.
• 3:55
  Speaker 4: You said it all funky.
• 3:56
  Speaker 5: How do you want me to say it?
• 3:58
  Speaker 4: Like you did the first time.
• 3:59
  Speaker 5: Resident Evil Afterlife.
• 4:01
  Speaker 6: There we go.
• 4:03
  Speaker 4: The year, obviously, is 2010, since we just got back,
• 4:06
  Speaker 4: and the director is the return, the triumphant return of
• 4:10
  Speaker 4: Paul W.S.
• 4:12
  Speaker 5: Anderson.
• 4:13
  Speaker 4: Not to be confused with other Andersons.
• 4:15
  Speaker 6: Paul W.S. Anderson. Oh, okay.
• 4:17
  Speaker 14: Never mind.
• 4:18
  Speaker 8: Jokes.
• 4:19
  Speaker 4: So the plot, according to IMDb, that every week.
• 4:24
  Speaker 5: This one's even more plotless than normal.
• 4:27
  Speaker 4: Maybe, kind of. Okay, according to them... In a world
• 4:31
  Speaker 4: ravaged by a virus infection turning its victims into the undead,
• 4:35
  Speaker 4: Alice continues her journey to find survivors and lead them
• 4:38
  Speaker 4: to safety. Her deadly battle with the Umbrella Corporation reaches
• 4:42
  Speaker 4: new heights, but Alice gets some unexpected help from an
• 4:45
  Speaker 4: old friend. A new lead that promises a safe haven
• 4:48
  Speaker 4: from the undead takes them to Los Angeles, but when
• 4:50
  Speaker 4: they arrive, the city is overrun by thousands of undead
• 4:53
  Speaker 4: and Alice and her comrades. are about to step into
• 4:59
  Speaker 4: a deadly trap.
• 5:00
  Speaker 6: That's awesome.
• 5:02
  Speaker 14: Isn't that the plot for the last three movies?
• 5:05
  Speaker 6: They didn't really try and get away to L.A. because
• 5:08
  Speaker 6: they knew L.A. was ravaged by zombies.
• 5:10
  Speaker 4: Wait, are you saying the IMDb plot is full of holes?
• 5:13
  Speaker 6: No, I would never say that. I would not say
• 5:15
  Speaker 6: that to you.
• 5:16
  Speaker 4: Impossible. That having been said, spoiler alert, it's a new movie.
• 5:22
  Speaker 4: We're obviously going to ruin the hell out of it. So,
• 5:25
  Speaker 4: Just go see it before you listen to us tear
• 5:28
  Speaker 4: into it.
• 5:30
  Speaker 8: All right.
• 5:30
  Speaker 4: That out of the way, where would you like to begin?
• 5:32
  Speaker 5: I love this movie. Sorry, I didn't mean to cut
• 5:34
  Speaker 5: you off. It's okay.
• 5:35
  Speaker 6: It was a good time.
• 5:37
  Speaker 3: Has anyone seen Grandma's Boy?
• 5:39
  Speaker 4: Yes.
• 5:40
  Speaker 5: Okay, you know the guy who developed the video games?
• 5:43
  Speaker 10: Yes.
• 5:43
  Speaker 3: Why did the main guy in this movie remind me
• 5:46
  Speaker 3: so much of that guy? I hate your face.
• 5:49
  Speaker 5: It was like the exact same guy.
• 5:52
  Speaker 4: Like the villain?
• 5:53
  Speaker 8: The villain.
• 5:53
  Speaker 4: The sunglasses?
• 5:54
  Speaker 6: Oh, okay, yeah. He was like the same guy. He
• 5:57
  Speaker 6: looked like he dressed from The Matrix, but I don't.
• 5:59
  Speaker 4: Well, to me, he looked like, and not that we
• 6:01
  Speaker 4: haven't harped on him all episode long, but he looked
• 6:03
  Speaker 4: like about 14 rungs down wannabe Chris Pine.
• 6:06
  Speaker 14: Yeah.
• 6:06
  Speaker 4: He sat there going, man, I wish I was Chris Pine. Man,
• 6:09
  Speaker 4: I wish I was Chris Pine.
• 6:10
  Speaker 14: As he was sitting there.
• 6:11
  Speaker 4: Me too, actually.
• 6:12
  Speaker 6: He was like, I could be on the spot.
• 6:14
  Speaker 14: That starts at the Enterprise right now.
• 6:16
  Speaker 4: If I dress like the Matrix, maybe it'll make me
• 6:18
  Speaker 4: more like Captain Kirk. Wait, that doesn't make sense at all.
• 6:21
  Speaker 5: I really just hated that guy. But you think you're
• 6:24
  Speaker 5: supposed to hate him. I know, but for different reasons.
• 6:27
  Speaker 3: His acting was terrible, and he really, really, really just
• 6:29
  Speaker 3: made me think Like, I couldn't stop thinking.
• 6:33
  Speaker 5: He's supposed to be like that because that character in
• 6:36
  Speaker 5: the video games, he plays a good version of the
• 6:39
  Speaker 5: character in the video games. He's Wesker in the video games.
• 6:41
  Speaker 5: You fucking hate him. I think he plays him pretty
• 6:43
  Speaker 5: spot on.
• 6:44
  Speaker 6: I think he's really good.
• 6:45
  Speaker 4: I guess.
• 6:46
  Speaker 5: He's still an asshole.
• 6:47
  Speaker 4: Yeah, he's just such a douchebag.
• 6:49
  Speaker 14: But he's supposed to be.
• 6:49
  Speaker 6: He fucks over everybody in the games.
• 6:52
  Speaker 5: You're not supposed to like him. To me, I think
• 6:53
  Speaker 5: he plays a good portrayal of that character. Do I
• 6:55
  Speaker 5: like him?
• 6:56
  Speaker 6: No. You're not supposed to like him.
• 6:57
  Speaker 4: I wasn't overly thrilled with his performance, but.
• 7:00
  Speaker 5: But to me, he's so similar to the video game character.
• 7:03
  Speaker 4: That's the thing. I haven't played the video games as much, so.
• 7:05
  Speaker 6: Well, he was a different... Because in 3, didn't they use...
• 7:09
  Speaker 6: They used somebody... This guy's completely different from that guy
• 7:12
  Speaker 6: that they used, I think.
• 7:13
  Speaker 4: Actor-wise or bad guy character?
• 7:15
  Speaker 6: No, it's the same bad guy, but it's a different actor.
• 7:17
  Speaker 6: And that guy, almost his performance in his 3 lines
• 7:20
  Speaker 6: that he said in 3, I think was better than,
• 7:24
  Speaker 6: you know, everything, like his acting in this one.
• 7:26
  Speaker 5: But.
• 7:27
  Speaker 6: I agree. I think he was a great portrayal of
• 7:29
  Speaker 6: Wesker from the games, especially for, you know, like the
• 7:33
  Speaker 6: fight scene at the end was kind of like the same.
• 7:35
  Speaker 6: But I don't know. he's just like them. He fit
• 7:39
  Speaker 6: as a, as a, just a Royal asshole.
• 7:41
  Speaker 4: He's, he's an asshole. And he seems like not again,
• 7:45
  Speaker 4: there's many references to this to come up, but he's
• 7:47
  Speaker 4: definitely seems like he's pulling the Mr.
• 7:50
  Speaker 6: Anderson card.
• 7:52
  Speaker 16: Yeah.
• 7:52
  Speaker 4: He's playing that card a lot. Only he's not even doing,
• 7:55
  Speaker 4: I mean, you know, that you, that guy is good.
• 7:57
  Speaker 4: He can carry that kind of thing. He's, Like he's trying,
• 8:00
  Speaker 4: once again, he's just bargain basement version of all these people.
• 8:03
  Speaker 4: He's just, he wishes he looked like Chris Pine. He
• 8:05
  Speaker 4: wished he could deliver lines like, what's his face? Hugo Weaving. Yeah,
• 8:08
  Speaker 4: Hugo Weaving. But he just doesn't pull off any of
• 8:11
  Speaker 4: them for me. Again, maybe it's closer to the video game.
• 8:14
  Speaker 4: I just haven't played it that much. But as a movie,
• 8:16
  Speaker 4: I was just like. He was the weakest link for me,
• 8:19
  Speaker 4: was that guy.
• 8:19
  Speaker 5: I think the weakest link was the plot.
• 8:21
  Speaker 14: The whole fucking story.
• 8:23
  Speaker 5: I loved it. The movie was fun. I loved it.
• 8:25
  Speaker 5: The fight scenes were awesome.
• 8:26
  Speaker 6: It was beautiful.
• 8:27
  Speaker 4: It's a gorgeous movie. It looked amazing.
• 8:28
  Speaker 5: It was a great movie. There was little, very little plot.
• 8:31
  Speaker 4: There was very little plot, I'll give you that. But
• 8:33
  Speaker 4: I was okay with what they had.
• 8:35
  Speaker 6: I was excited about, you know, okay, the third movie
• 8:39
  Speaker 6: ended with all the ounces waking up and they're going
• 8:42
  Speaker 6: to go storm the... umbrella headquarters tokyo which that's what
• 8:46
  Speaker 6: you get in the beginning of the movie but i
• 8:47
  Speaker 6: figured that that would kind of be leading up to
• 8:49
  Speaker 6: and then the final battle in the bowels of the
• 8:51
  Speaker 6: tokyo umbrella headquarters well it's decimated in the first five
• 8:55
  Speaker 6: minutes yeah which is awesome actually it was awesome it
• 8:59
  Speaker 6: was a great scene but i was kind of like
• 9:00
  Speaker 6: wait well what now Okay, well now you're going to
• 9:03
  Speaker 6: go look for the... They already moved headquarters. Yeah, this
• 9:07
  Speaker 6: place that doesn't or does exist.
• 9:09
  Speaker 4: Arcadia.
• 9:10
  Speaker 6: Arcadia that is free of the virus and there's no
• 9:13
  Speaker 6: one dead and there's food and love for everybody.
• 9:15
  Speaker 4: Well, they sort of changed gears midway through on all those.
• 9:19
  Speaker 4: It's like they set you up on that battle and
• 9:21
  Speaker 4: then that battle's over with really quick.
• 9:23
  Speaker 6: And it totally slows down and it feels like a
• 9:25
  Speaker 6: different movie almost.
• 9:25
  Speaker 4: Well and then they also set up the plot like
• 9:27
  Speaker 4: you were going to like the whole thing is going
• 9:29
  Speaker 4: to take place oh we're going off to alaska we're
• 9:31
  Speaker 4: gonna battle and like that's five minutes and then we're
• 9:33
  Speaker 4: like oh well nobody here let's go somewhere else so
• 9:36
  Speaker 4: and then it gets to yeah so what were you
• 9:39
  Speaker 4: gonna say about the after that uh when it changes.
• 9:42
  Speaker 6: Gears it just changes gears and it's kind of like
• 9:44
  Speaker 6: the beginning gets you so amped up and you know
• 9:47
  Speaker 6: you get so much good stuff and then it just
• 9:49
  Speaker 6: slows down and i'd almost would have been better if
• 9:53
  Speaker 6: If there was a place in Alaska, I would have
• 9:57
  Speaker 6: liked to have seen something other than what we've seen
• 9:59
  Speaker 6: in the other movies. ruined cities okay the desert was
• 10:02
  Speaker 6: awesome i could see going to like the frozen waste
• 10:04
  Speaker 6: being a cool place to take.
• 10:05
  Speaker 4: It that i think would it would have at least
• 10:07
  Speaker 4: given us a change up in visual because that's what
• 10:09
  Speaker 4: i noticed is like especially i don't remember much about
• 10:13
  Speaker 4: two but to me this felt exactly like one visually
• 10:16
  Speaker 4: because he loves to set it in the middle of
• 10:18
  Speaker 4: a big metal room yeah everything's great metal yeah metal
• 10:21
  Speaker 4: floors metal doors metal you know everything is just a
• 10:23
  Speaker 4: huge metal compound before it was underground now it's still you.
• 10:28
  Speaker 14: Know it's a work that they kept it there because
• 10:30
  Speaker 14: you know.
• 10:32
  Speaker 4: Yeah it didn't matter really i mean i guess you
• 10:34
  Speaker 4: wouldn't have the as many people to have you know
• 10:37
  Speaker 4: in the middle of los angeles you're gonna have tons
• 10:39
  Speaker 4: of people in the wastelands i guess they wouldn't have
• 10:41
  Speaker 4: been surrounded to fight off all of those i don't
• 10:44
  Speaker 4: know if zombies freeze to death in the cold.
• 10:47
  Speaker 17: I don't know it would have been cool to have
• 10:49
  Speaker 17: seen but it would have yeah You know, okay, we're
• 10:51
  Speaker 17: going back to somewhere that decimated there in a building
• 10:55
  Speaker 17: that's fenced off completely where every single undead in LA.
• 10:59
  Speaker 6: Is now crowded around this. And I remember that from three,
• 11:02
  Speaker 6: whereas the same thing, there's this one place out in
• 11:04
  Speaker 6: the desert and every zombie around was crowded around it. Well,
• 11:07
  Speaker 6: why don't you have it in Alaska where maybe the
• 11:09
  Speaker 6: infection is slowly starting to get there and you start
• 11:12
  Speaker 6: seeing zombies show up or whatever.
• 11:14
  Speaker 11: Yeah.
• 11:14
  Speaker 6: And that would have been cool. Instead of just going
• 11:16
  Speaker 6: back to the same old... Random rabid deer. Yeah, and
• 11:19
  Speaker 6: then have infected deer.
• 11:20
  Speaker 4: Rabbit moose.
• 11:22
  Speaker 6: Polar bears.
• 11:22
  Speaker 5: Polar bears. I had to have it at a prison.
• 11:24
  Speaker 5: You can't have Wentworth Miller anywhere but in a prison. Right? Yeah, right?
• 11:28
  Speaker 14: I thought that was hilarious.
• 11:29
  Speaker 4: I know. I'm like, poor guy.
• 11:30
  Speaker 14: He's always in prison.
• 11:32
  Speaker 6: Every single thing.
• 11:33
  Speaker 4: That bastard cannot escape from prison.
• 11:35
  Speaker 10: Literally.
• 11:35
  Speaker 6: To the entrance of... chris redfield which from the games
• 11:38
  Speaker 6: you're like yes finally chris redfield he does nothing basically
• 11:42
  Speaker 6: almost nothing he grows a lot.
• 11:44
  Speaker 4: Well nobody really liked him in the game either you
• 11:46
  Speaker 4: got to be one of the other everybody wanted to
• 11:47
  Speaker 4: be her.
• 11:48
  Speaker 6: So yeah she had more item spaces and was the
• 11:50
  Speaker 6: master of unlocking and she's a chick it was harder
• 11:53
  Speaker 6: and you're like geeks like to be the chick come
• 11:56
  Speaker 6: on But, I don't know, it just seemed like then
• 11:59
  Speaker 6: the Axe guy from Resident Evil 4 comes out of nowhere.
• 12:03
  Speaker 6: And you're like, okay, where is this guy coming from
• 12:05
  Speaker 6: and why?
• 12:06
  Speaker 5: Is he wandering over from a coffee shop?
• 12:08
  Speaker 6: Yeah, was he just on break? And it's just like, oh,
• 12:11
  Speaker 6: I feel Alice, you know, activate. I'm going to chill now.
• 12:14
  Speaker 4: I don't remember much of, especially nothing about the second one.
• 12:18
  Speaker 4: Did they work in any of those other weird, like,
• 12:20
  Speaker 4: boss-type characters?
• 12:21
  Speaker 6: Well, at the end of the third one, you finally
• 12:23
  Speaker 6: get the tyrant, which is the boss from the very
• 12:25
  Speaker 6: first game. Yeah, I remember that. You know, give the
• 12:28
  Speaker 6: fans what they want to see, and you're like, awesome.
• 12:30
  Speaker 6: But other than that, you don't really get the myriad
• 12:33
  Speaker 6: of other things you fight in the games, other than zombies.
• 12:36
  Speaker 4: See, I guess they're just banking on everybody knows the
• 12:39
  Speaker 4: story of the game. Because, yeah, as a movie, they
• 12:42
  Speaker 4: don't explain anything.
• 12:44
  Speaker 6: Anything everything's just so random.
• 12:46
  Speaker 4: Yeah especially stuff like that like zombie movies you don't
• 12:49
  Speaker 4: really have to explain a lot the basic rules are
• 12:51
  Speaker 4: there they all apply but this is a weird variation
• 12:54
  Speaker 4: on a zombie movie where we're like engineering the zombies
• 12:57
  Speaker 4: so we really can create other crazy things like these
• 13:01
  Speaker 4: big giant.
• 13:01
  Speaker 6: Mutants and they totally dropped that whole thing where Wesker
• 13:05
  Speaker 6: started creating his own type of zombies super zombies that
• 13:08
  Speaker 6: were kind of like in the third movie which was
• 13:10
  Speaker 6: not him But, you know, in this movie, you saw
• 13:13
  Speaker 6: his eyes glow. Well, the zombies he created were called
• 13:16
  Speaker 6: Crimson Head zombies, and their eyes would glow. And that
• 13:19
  Speaker 6: would have been cool to have worked that in, in
• 13:21
  Speaker 6: any way, shape, or form.
• 13:22
  Speaker 5: Yeah.
• 13:22
  Speaker 6: You know, Resident Evil 4 is a completely different game
• 13:24
  Speaker 6: that didn't deal with anything, and that's what the axe
• 13:27
  Speaker 6: guy was from. Came out of nowhere. Have him, like,
• 13:30
  Speaker 6: launching these creations from the ship to come and kill
• 13:34
  Speaker 6: whoever's left, that would have been cool.
• 13:35
  Speaker 4: Or if there was just a lab somewhere where they
• 13:37
  Speaker 4: had been working and they set him free when the
• 13:41
  Speaker 4: zombies started running him up or something. But yeah, there's
• 13:44
  Speaker 4: just nothing. He just comes walking up.
• 13:46
  Speaker 6: But I can't say that I really have a problem
• 13:48
  Speaker 6: with it because it was so cool.
• 13:49
  Speaker 12: He was awesome.
• 13:50
  Speaker 6: It was so good. Such great action scenes. So, I mean,
• 13:54
  Speaker 6: I have a problem with the story, but I don't
• 13:57
  Speaker 6: have a problem with the movies.
• 13:58
  Speaker 4: Yeah, I'm kind of on my... And it really does, like,
• 14:02
  Speaker 4: it is one of those, once she gets to Alaska
• 14:04
  Speaker 4: and they're not there, it hits, like, this 20-minute lull
• 14:08
  Speaker 4: of her flying back and her, like, talking into her
• 14:12
  Speaker 4: camcorder the whole time.
• 14:13
  Speaker 6: Here's what.
• 14:14
  Speaker 3: I mean, I know it would have just ended up
• 14:16
  Speaker 3: being pointless, but it's just, like, I feel like they
• 14:18
  Speaker 3: should have left it out because it was dumb. The
• 14:20
  Speaker 3: whole time it kept showing, like, the plane or her,
• 14:24
  Speaker 3: and it would say target locked. Okay, like, if you
• 14:26
  Speaker 3: want to kill this girl, why don't you just, like,
• 14:28
  Speaker 3: explode her right there like drop a bomb like really
• 14:31
  Speaker 3: let's make it really hard and dumb and like lure
• 14:37
  Speaker 3: her here so i can fight her personally you know
• 14:39
  Speaker 3: it's just like fucking blow her up or whatever god.
• 14:42
  Speaker 4: Well that's true the first scene there i'm like if
• 14:45
  Speaker 4: he was really worried about it he should have just
• 14:46
  Speaker 4: finished capping her right there Before he crashed into the mountain.
• 14:50
  Speaker 4: I mean, shit.
• 14:50
  Speaker 6: But I don't even understand. What is Umbrella's... Yeah, what
• 14:53
  Speaker 6: a shitty pilot.
• 14:54
  Speaker 14: He fucking gets up and walks away. Like, okay.
• 14:57
  Speaker 4: Playing a pilot. Yeah, isn't there an autopilot? Shouldn't that
• 15:00
  Speaker 4: inflatable guy come.
• 15:01
  Speaker 13: Out right now?
• 15:02
  Speaker 6: Yeah, right? But what's Umbrella's motivation at this point? The
• 15:07
  Speaker 6: world is decimated. Everything is dead. Everyone's gone. What do
• 15:10
  Speaker 6: you care? Like, there's no money to be made. It's
• 15:13
  Speaker 6: not like you're... Why do you even care about any
• 15:18
  Speaker 6: of this shit?
• 15:18
  Speaker 4: And again, there could be a reason. Especially by the end,
• 15:23
  Speaker 4: he's got this big spiel about whatever he's doing. He
• 15:26
  Speaker 4: could have gone into some sort of plan of how
• 15:28
  Speaker 4: they were going to enslave all these people and build
• 15:32
  Speaker 4: it into the umbrella world and do whatever. But he
• 15:34
  Speaker 4: didn't have anything.
• 15:35
  Speaker 14: Appealing world i'm just saying even for people who work
• 15:38
  Speaker 14: for the corporation it seems like yeah.
• 15:42
  Speaker 4: They well in the middle of talking to you they
• 15:44
  Speaker 4: pull out a gun and shoot you that's how the
• 15:46
  Speaker 4: uh everybody so what yeah well.
• 15:51
  Speaker 3: I guess actually spoiler alert but I remember now towards
• 15:56
  Speaker 3: the end he wanted her DNA so he.
• 15:59
  Speaker 4: Could be better but again that was all about him
• 16:01
  Speaker 4: I guess so he still didn't have a plan as
• 16:04
  Speaker 4: to what the whole world what he or Umbrella or
• 16:07
  Speaker 4: whatever was going to do it was all just sort
• 16:09
  Speaker 4: of He personally was going to infuse her DNA, and
• 16:13
  Speaker 4: then he would be the special one and whatever, but...
• 16:15
  Speaker 4: They're like, what do you do then? Again, yeah.
• 16:17
  Speaker 6: More freak dogs?
• 16:18
  Speaker 4: You've got a big empty world for you to run
• 16:20
  Speaker 4: around and, yeah, pet your dog. So is she human again?
• 16:22
  Speaker 18: Yeah.
• 16:23
  Speaker 4: Yeah.
• 16:23
  Speaker 6: But she seemed like she was still super ultra-human.
• 16:26
  Speaker 14: She couldn't do the weird eye thing anymore, but she
• 16:28
  Speaker 14: was still like, I'm going to kick your ass in
• 16:30
  Speaker 14: slow motion.
• 16:31
  Speaker 6: Yeah, could get hit with huge hammers.
• 16:32
  Speaker 5: 7,000 times.
• 16:35
  Speaker 4: I was really, I was like, okay, if she's supposed
• 16:36
  Speaker 4: to be human again, that little swinging on the rope
• 16:40
  Speaker 4: landing thing, I was like, no human being could possibly, granted,
• 16:43
  Speaker 4: this is a movie, it's cool and all, and that's
• 16:45
  Speaker 4: why I gave it points. I was like, you know what,
• 16:46
  Speaker 4: I don't care.
• 16:47
  Speaker 5: It's Mula, she's that awesome.
• 16:48
  Speaker 4: But yeah, I was like, if we're going to get technical,
• 16:50
  Speaker 4: you might have been able to skate by when she
• 16:52
  Speaker 4: wasn't human, but if you turned her human again, that
• 16:54
  Speaker 4: shouldn't have just happened.
• 16:55
  Speaker 14: It's funny, that's what I said at the beginning of
• 16:56
  Speaker 14: the movie. I was like, oh, it's so cool. She's
• 16:58
  Speaker 14: so super badass because she's not human.
• 17:00
  Speaker 5: She's like Superwoman.
• 17:02
  Speaker 14: And then I was like, she's human again.
• 17:03
  Speaker 4: And then two minutes later, they pulled that rug out
• 17:06
  Speaker 4: from under you.
• 17:07
  Speaker 6: Yeah, it's like, I wanted to have superpowers. I can't
• 17:09
  Speaker 6: believe this anymore.
• 17:11
  Speaker 4: Well, now this is completely unbelievable.
• 17:13
  Speaker 6: I was with you up until this point.
• 17:15
  Speaker 4: It was all like a documentary until that came along.
• 17:18
  Speaker 6: I just want to know.
• 17:19
  Speaker 5: Where exactly that zombie friend came from because she wasn't
• 17:22
  Speaker 5: in any of the games.
• 17:23
  Speaker 4: So, I mean... For the movie.
• 17:25
  Speaker 6: Made up for the movie.
• 17:26
  Speaker 4: I mean, usually.
• 17:27
  Speaker 5: Why do they bother sticking with the other characters? I mean,
• 17:29
  Speaker 5: why bother having.
• 17:30
  Speaker 4: Nerd appeal.
• 17:31
  Speaker 3: Claire.
• 17:31
  Speaker 6: Yeah.
• 17:31
  Speaker 5: But.
• 17:32
  Speaker 6: See, and that's what I don't like is like, don't
• 17:34
  Speaker 6: just like have some schmo in there and be like, oh, well,
• 17:36
  Speaker 6: this is a character from the game, but they don't
• 17:38
  Speaker 6: do anything.
• 17:38
  Speaker 4: Don't they always do that with video game movies? Like
• 17:40
  Speaker 4: they never match anything.
• 17:42
  Speaker 6: Well, they do. But I was excited in two because
• 17:44
  Speaker 6: two followed the second game so closely. You're like jazzed
• 17:48
  Speaker 6: about it. And then the third one came kind of
• 17:50
  Speaker 6: less jazzed about it. And this, it just departs further
• 17:54
  Speaker 6: and further, and you've got no connection with the characters whatsoever, ever.
• 17:58
  Speaker 6: It's just a name on a person.
• 18:00
  Speaker 4: Which I think is what they were trying to do
• 18:03
  Speaker 4: with all these. It's like they've never really followed suit.
• 18:05
  Speaker 4: It's like they've always just thrown things in for the
• 18:07
  Speaker 4: sake of them being popular. Like we were saying, they'll
• 18:10
  Speaker 4: take a character from this game and put it in
• 18:11
  Speaker 4: here where it doesn't belong. They've totally skipped over those
• 18:15
  Speaker 4: important two characters for the first two movies. They finally
• 18:19
  Speaker 4: brought her in the third one. Now they just throw
• 18:20
  Speaker 4: him in for the sake of throwing his name in there.
• 18:22
  Speaker 4: So I think that's all it is. It's just they
• 18:25
  Speaker 4: feel like they have to check the list and be like, oh,
• 18:28
  Speaker 4: got that, got that, got the dogs. We're all set.
• 18:30
  Speaker 4: It's Resident Evil now.
• 18:32
  Speaker 14: Dogs were freaky.
• 18:32
  Speaker 6: I did not like that.
• 18:34
  Speaker 4: Dogs got extra freaky.
• 18:35
  Speaker 14: Yeah, they scared me in the pants.
• 18:38
  Speaker 6: See, and, you know, going back to it would have
• 18:40
  Speaker 6: been cool to have seen things in Alaska with once
• 18:43
  Speaker 6: you got into the hold of the ship and everything
• 18:44
  Speaker 6: was stark white, I loved it. I did like that.
• 18:47
  Speaker 6: I thought that was awesome.
• 18:48
  Speaker 5: Yeah.
• 18:48
  Speaker 6: Unlike that sterile kind of, you know, again, umbrella feel.
• 18:52
  Speaker 6: I was like, this is cool. Just the change of
• 18:55
  Speaker 6: a color palette made such a big difference than... The gray, brown, black.
• 19:01
  Speaker 4: I mean, that's what I give credit for the third one.
• 19:04
  Speaker 4: I really like the way it looked. It did bring
• 19:06
  Speaker 4: a whole new color palette in and really was like
• 19:09
  Speaker 4: a different visual experience. It may not have been amazing,
• 19:13
  Speaker 4: but I mean, I think... Visually, it was kind of
• 19:15
  Speaker 4: cool to look at, and this one just seemed like
• 19:17
  Speaker 4: it went right back to the first one.
• 19:20
  Speaker 3: I know the zombies in the game are probably like this,
• 19:23
  Speaker 3: but I just feel like they were so.
• 19:24
  Speaker 6: The zombies were the most boring part. They're all so similar.
• 19:27
  Speaker 4: There was no threat, really, from them.
• 19:30
  Speaker 14: I mean, after four years, they can't be much harm.
• 19:34
  Speaker 6: I mean, they couldn't be that fast, really, which I understand.
• 19:37
  Speaker 14: Unless you're one of the ones that now have squids
• 19:40
  Speaker 14: coming out.
• 19:40
  Speaker 12: Of their balls.
• 19:42
  Speaker 6: What's their metabolism like?
• 19:44
  Speaker 5: Which reminds me of Blade II.
• 19:46
  Speaker 6: I think that's where they got that from. It has
• 19:48
  Speaker 6: no basis from the game.
• 19:49
  Speaker 4: It was never in the game like that? I thought
• 19:53
  Speaker 4: at some point maybe they mutated them into something like that,
• 19:56
  Speaker 4: but I guess not.
• 19:58
  Speaker 5: I like that Mila was hot in this movie again.
• 20:02
  Speaker 14: She was way hot.
• 20:03
  Speaker 5: The last couple movies she was in, she was in
• 20:04
  Speaker 5: Perfect Getaway. She wasn't so hot. She had those stupid
• 20:06
  Speaker 5: bangs that I wasn't dealing well with her because... She's hot,
• 20:09
  Speaker 5: but those bangs on her.
• 20:10
  Speaker 6: I like her with bangs.
• 20:12
  Speaker 14: I think she normally looks good with bangs.
• 20:13
  Speaker 5: I didn't like her in that movie with bangs. I
• 20:14
  Speaker 5: don't know if it was the length of them or what.
• 20:17
  Speaker 8: Maybe.
• 20:18
  Speaker 5: But then, I don't know, just the way they had
• 20:20
  Speaker 5: a saying about them, I don't know. But in this movie,
• 20:22
  Speaker 5: she was way hot again.
• 20:24
  Speaker 6: She looked feminine again, which is good. Because even in
• 20:26
  Speaker 6: the second movie, she was tough. Hot, yes, but, like,
• 20:32
  Speaker 6: too tough. Like, you know, all of her femininity was gone.
• 20:34
  Speaker 14: I like the third one where she was all, like,
• 20:37
  Speaker 14: rogue warrior down.
• 20:37
  Speaker 4: Yeah, yeah. Again, the third one's kind of a cool aspect.
• 20:40
  Speaker 5: That's what she designed her own costume on, so she
• 20:43
  Speaker 5: had that going for her.
• 20:44
  Speaker 4: I kind of want to be her for Halloween. The
• 20:45
  Speaker 4: costume was awesome, actually. I really liked just the whole
• 20:49
  Speaker 4: look of it. Yeah, the fact that she had, you know,
• 20:51
  Speaker 4: the guns on the back and her samurai sword and had, like, two, like,
• 20:55
  Speaker 4: freaking magnums on the front there on another holster... And
• 20:58
  Speaker 4: then the weird leggings thing, just the whole look she
• 21:00
  Speaker 4: had was actually awesome.
• 21:01
  Speaker 6: Which I'm interested that six shooters are now 40 shooters.
• 21:05
  Speaker 6: I mean, automatics, you can shoot all day, but it's
• 21:09
  Speaker 6: awesome when she's doing the same thing with revolvers. I'm like, wait, what?
• 21:13
  Speaker 6: You ran out five minutes ago.
• 21:15
  Speaker 4: No, she got that gun from Ash.
• 21:16
  Speaker 6: Oh, this is true.
• 21:18
  Speaker 4: She went to S-Mart and picked those up.
• 21:20
  Speaker 5: Right?
• 21:20
  Speaker 6: I like her on.
• 21:22
  Speaker 14: A quarter bullet.
• 21:23
  Speaker 6: Yeah, a quarter shotgun.
• 21:25
  Speaker 4: Those were kind of cool.
• 21:26
  Speaker 6: Pretty rounded.
• 21:27
  Speaker 10: Oh, okay.
• 21:27
  Speaker 5: I didn't know.
• 21:28
  Speaker 6: It's a hobby of mine.
• 21:30
  Speaker 4: But as far as her being hot, that's the other
• 21:33
  Speaker 4: thing I noticed. And once again, just to kind of
• 21:35
  Speaker 4: stay on this train of thought, I noticed this time
• 21:40
  Speaker 4: she's not a kid. And again, in my mind, she's
• 21:42
  Speaker 4: still that 16-year-old girl that they started putting in movies.
• 21:45
  Speaker 4: And I finally looked at her and went, okay, she's
• 21:47
  Speaker 4: a grown-up lady now. And then I looked at her
• 21:49
  Speaker 4: and was like, She looks really good.
• 21:52
  Speaker 14: That's what I was noticing.
• 21:54
  Speaker 4: Her face just looks really good. She was born in 75.
• 21:57
  Speaker 6: Yeah.
• 21:58
  Speaker 4: So I'm just like.
• 21:59
  Speaker 14: It's got to be about 40.
• 22:00
  Speaker 6: Yeah.
• 22:00
  Speaker 4: I was just like, she looks really good. And I
• 22:04
  Speaker 4: don't know if I've stopped and paid attention to her.
• 22:06
  Speaker 4: But yeah, I kind of like getting on the bandwagon
• 22:08
  Speaker 4: of not selling women off just because they turn 30. Right.
• 22:12
  Speaker 4: I think, you know, she's another one of those that
• 22:14
  Speaker 4: looks really good, not even for her age, just in general.
• 22:18
  Speaker 4: And I think it's kind of cool that she's held
• 22:20
  Speaker 4: on to not just this property, but continues to get roles,
• 22:23
  Speaker 4: even though she's not the kid that she used to
• 22:25
  Speaker 4: be anymore. She still looks damn good.
• 22:28
  Speaker 6: Well, she trains, like, for every one of these movies. She's, like,
• 22:30
  Speaker 6: a complete badass.
• 22:31
  Speaker 4: I mean, whatever. That, too. But, I mean, you can
• 22:34
  Speaker 4: get too over the top.
• 22:37
  Speaker 6: You can get old and.
• 22:38
  Speaker 4: Creepy, Madonna.
• 22:39
  Speaker 8: Yep.
• 22:39
  Speaker 15: Ugh.
• 22:40
  Speaker 4: She is she is ripped but um she looks fucking
• 22:44
  Speaker 4: scary now whereas this is different to me i was
• 22:46
  Speaker 4: just looking at her face on the giant screen i'm
• 22:49
  Speaker 4: like mila just looks attractive yeah skin's good beautiful so
• 22:53
  Speaker 4: it's yeah i think if nothing else it shows that
• 22:55
  Speaker 4: you can be like an aging actress and still have
• 22:58
  Speaker 4: work in hollywood it goes against the grain i know
• 23:01
  Speaker 4: but yeah get on board that that's kind of.
• 23:04
  Speaker 3: Cool i know it's been like over 10 years but
• 23:06
  Speaker 3: i can't look at ali larder without.
• 23:07
  Speaker 4: Thinking what great bikini, with great bikini, with great bikini.
• 23:09
  Speaker 15: Right?
• 23:10
  Speaker 7: I can't.
• 23:11
  Speaker 14: I just can't.
• 23:11
  Speaker 5: I can't look at her without thinking, God, shut your mouth.
• 23:15
  Speaker 8: Why?
• 23:15
  Speaker 5: She's like this all the time.
• 23:17
  Speaker 15: Yeah.
• 23:18
  Speaker 5: I can't even do it.
• 23:19
  Speaker 14: She has a weird mouth.
• 23:20
  Speaker 4: She's a mouth reader. She goes back and forth with me.
• 23:23
  Speaker 14: I think she's pretty, but I mean.
• 23:24
  Speaker 5: She did keep her mouth closed in this movie more
• 23:26
  Speaker 5: than normal.
• 23:26
  Speaker 14: She has a small mouth.
• 23:28
  Speaker 5: But it's just like, always open.
• 23:29
  Speaker 14: She's just always overly like, ugh.
• 23:32
  Speaker 6: I can do this.
• 23:33
  Speaker 14: I'm a badass.
• 23:35
  Speaker 4: It's fun.
• 23:36
  Speaker 5: But I didn't hate her in this movie. It's just
• 23:39
  Speaker 5: like her teeth are too big for her mouth and
• 23:41
  Speaker 5: it's just like they're always straining to cover it.
• 23:44
  Speaker 6: Her lips are just like ripping.
• 23:50
  Speaker 4: There's a hand motion going on with her mouth right now.
• 23:52
  Speaker 6: She secretly hates every second of life and is looking
• 23:55
  Speaker 6: for operations to push her jaw back.
• 23:59
  Speaker 4: Actually, isn't there a creature that kind of looks like
• 24:00
  Speaker 4: that in one of them?
• 24:01
  Speaker 3: Yeah.
• 24:01
  Speaker 8: Yeah.
• 24:02
  Speaker 6: Has like some sort of weird mandible thing.
• 24:04
  Speaker 4: There you go.
• 24:05
  Speaker 5: Don't get me wrong. She's a nice girl. I like
• 24:07
  Speaker 5: her just fine, but she's a mouth breather.
• 24:11
  Speaker 4: The classics never die.
• 24:12
  Speaker 5: That's the best quote I've heard today.
• 24:14
  Speaker 4: Damn straight.
• 24:15
  Speaker 6: Well, and you know, we're getting to the prison and.
• 24:19
  Speaker 6: Getting all these new characters where you've got, you know,
• 24:22
  Speaker 6: the token black character. You've got the token.
• 24:24
  Speaker 4: Who I actually liked.
• 24:25
  Speaker 6: Yeah, we all liked him. The Hispanic Jesus.
• 24:28
  Speaker 14: Oh, I liked him.
• 24:29
  Speaker 6: Was his name Jesus?
• 24:30
  Speaker 14: No, his name was Angel.
• 24:31
  Speaker 6: Angel, sorry.
• 24:32
  Speaker 4: Angel, Jesus, whatever. They all had.
• 24:35
  Speaker 5: Little Mexican names written down.
• 24:37
  Speaker 6: And they're awesome. And then there's the sleazy lawyer slash.
• 24:42
  Speaker 4: pleaser suit larry.
• 24:43
  Speaker 6: Producer guy and his little man boy slave.
• 24:47
  Speaker 5: It was fun watching me cut in half though yeah
• 24:49
  Speaker 5: and he was kind.
• 24:49
  Speaker 4: Of like but we worked in an asian dude you
• 24:51
  Speaker 4: know we got it we got.
• 24:52
  Speaker 6: All the tokens and there were only like five characters
• 24:55
  Speaker 6: but every single one.
• 24:56
  Speaker 3: Of them was a token the british accent girl who was.
• 25:00
  Speaker 5: Like some sort of even jay forgot where she went
• 25:02
  Speaker 5: halfway through the movie he's like oh but yeah when
• 25:04
  Speaker 5: the movie was over jay's like where'd that one girl.
• 25:05
  Speaker 4: Go she's the tom savini of this movie She disappeared
• 25:09
  Speaker 4: midway in.
• 25:10
  Speaker 6: What happened to her?
• 25:11
  Speaker 5: She got eaten. They got out of the water.
• 25:13
  Speaker 14: That's why.
• 25:13
  Speaker 4: Yeah, she got sucked in.
• 25:15
  Speaker 9: Yeah.
• 25:15
  Speaker 4: Which is, I guess that was just set up because,
• 25:17
  Speaker 4: you know, he sucked her off and then it was
• 25:19
  Speaker 4: gone and so you kind of, with the black guy,
• 25:21
  Speaker 4: you kind of got that saying, oh, well, fuck it,
• 25:22
  Speaker 4: he's gone now.
• 25:23
  Speaker 6: But he comes back.
• 25:25
  Speaker 4: Spoiler. Yeah. He sneaks out at the end. What did
• 25:27
  Speaker 4: they say?
• 25:28
  Speaker 5: Star power bitches?
• 25:29
  Speaker 14: Yeah, star power bitches.
• 25:30
  Speaker 4: They are still in L.A.
• 25:31
  Speaker 6: Well, it's funny. Well, I thought that was more a
• 25:33
  Speaker 6: Mario reference. star power you know he did star power and.
• 25:39
  Speaker 4: I just ate a mushroom motherfucker I.
• 25:41
  Speaker 5: Like the Asian I like the Asian guy the uh
• 25:44
  Speaker 5: angel guy I liked.
• 25:45
  Speaker 6: Him I wanted him yeah and he got wasted the
• 25:47
  Speaker 6: worst way he died he didn't even get killed in
• 25:49
  Speaker 6: a cool way he just got killed.
• 25:50
  Speaker 4: In that random yeah random out of the blue.
• 25:53
  Speaker 15: He was like that wasn't even necessary you could have
• 25:55
  Speaker 15: done what you wanted to do without.
• 25:57
  Speaker 4: Yeah just just go hey look over there and then
• 25:59
  Speaker 4: run for the plane seriously did you need to excuse
• 26:02
  Speaker 4: me I have to go to the bathroom mhm Would
• 26:05
  Speaker 4: you help me, little sidekick guy?
• 26:06
  Speaker 12: Yeah, really.
• 26:07
  Speaker 4: Why don't you hold things for me?
• 26:08
  Speaker 12: Yeah, hold it.
• 26:09
  Speaker 4: And he'd be like, okay. Shake. Because he seemed like
• 26:11
  Speaker 4: he was up for that, but.
• 26:14
  Speaker 4: But I have to say, actually, as far as the
• 26:17
  Speaker 4: prison aspect of it, granted, the visuals are very similar
• 26:20
  Speaker 4: to before, but I like the idea. I think that's
• 26:23
  Speaker 4: one I was like, oh, huh, I'll be damned. I'm
• 26:25
  Speaker 4: writing that down for the contingency plan, because that's a
• 26:29
  Speaker 4: hell of an idea. We haven't seen that before, have we?
• 26:32
  Speaker 4: Is that a zombie movie? Moving into a prison, basically,
• 26:35
  Speaker 4: to protect yourself?
• 26:36
  Speaker 15: That's pretty secure, yeah.
• 26:37
  Speaker 4: I mean, can you get a more secure haven to
• 26:40
  Speaker 4: escape from zombies?
• 26:41
  Speaker 9: I don't know.
• 26:41
  Speaker 14: Something about them being there for four years and not
• 26:44
  Speaker 14: knowing that there was a truck downstairs.
• 26:48
  Speaker 6: Yeah. Or an arsenal.
• 26:51
  Speaker 4: At least, I guess, the armory you couldn't get to
• 26:53
  Speaker 4: because of the war.
• 26:54
  Speaker 6: You want to keep yourself sane after four years in
• 26:56
  Speaker 6: this dingy frickin' prison with the same people reading.
• 26:59
  Speaker 3: I would have wanted to just kill myself. I mean, like,
• 27:01
  Speaker 3: I feel like if the world was... If the world
• 27:03
  Speaker 3: was that bleak, fuck surviving. Just kill yourself.
• 27:06
  Speaker 5: What's the point? Why do you make me look cheerful?
• 27:09
  Speaker 5: I've been like.
• 27:11
  Speaker 14: We can do it, guys.
• 27:13
  Speaker 6: We can do it.
• 27:13
  Speaker 13: Come on.
• 27:15
  Speaker 5: It's what zombies miss living for.
• 27:18
  Speaker 14: Zombie apocalypse, let's do this.
• 27:21
  Speaker 6: Poor Chris Redfield, he's in the prison, in this box
• 27:24
  Speaker 6: locked in the prison. Like, oh, fucking Jesus.
• 27:27
  Speaker 4: That did suck.
• 27:28
  Speaker 6: God, give him a magazine or something.
• 27:30
  Speaker 14: At first I thought he had a piano in there.
• 27:32
  Speaker 4: I was like, what the fuck? Well, I was like,
• 27:39
  Speaker 4: they had a guard sitting out there 24-7. I'm like,
• 27:42
  Speaker 4: where is he going?
• 27:43
  Speaker 6: Look at that box.
• 27:44
  Speaker 4: It's like a fucking lecher box. I mean, he's not
• 27:48
  Speaker 4: going anywhere. Yeah, I was like, isn't that the point
• 27:53
  Speaker 4: of that box is that they cannot escape? I mean,
• 27:55
  Speaker 4: you're in a prison in a prison.
• 27:57
  Speaker 6: Surrounded by zombies.
• 27:58
  Speaker 4: Yeah, where the fuck's he going? And he's like 22.
• 28:03
  Speaker 14: What the fuck is he going to do? Just let
• 28:05
  Speaker 14: him out.
• 28:05
  Speaker 6: I was really excited for the busting out in the
• 28:09
  Speaker 6: urban crushing vehicle.
• 28:11
  Speaker 5: Yeah.
• 28:11
  Speaker 6: But apparently its engine was not installed, so... I was pissed.
• 28:15
  Speaker 5: I was like, yeah.
• 28:16
  Speaker 7: Exactly, right?
• 28:17
  Speaker 6: I was like, this is going to be bad.
• 28:18
  Speaker 14: I didn't like that build up in Disappointment.
• 28:20
  Speaker 4: Well, I was okay with that because I was kind
• 28:22
  Speaker 4: of like, oh, kind of like Dawn of the Day
• 28:23
  Speaker 4: when they... make those big RVs, because that part was
• 28:26
  Speaker 4: awesome in Dawn of the Dead. So I was kind
• 28:27
  Speaker 4: of like, well, it would have been cooler because it
• 28:29
  Speaker 4: was more military outfit instead of like the, you know,
• 28:33
  Speaker 4: ramshackle school bus thing that they throw together.
• 28:35
  Speaker 5: Although I did like that one scene where he took
• 28:37
  Speaker 5: off in the airplane and he went in and skidded.
• 28:40
  Speaker 6: And like chewed through everybody. That was fucking awesome.
• 28:44
  Speaker 14: All over the ground red everywhere.
• 28:46
  Speaker 4: Good times so yeah i guess to me that was
• 28:49
  Speaker 4: at least a change that was different you know we
• 28:51
  Speaker 4: had and i guess the tunnels were kind of creepy
• 28:54
  Speaker 4: having to deal with that in the middle of zombies
• 28:57
  Speaker 4: you know yeah it's good to know zombies.
• 29:01
  Speaker 14: We did not get to see her shower yeah what was.
• 29:04
  Speaker 6: Up with there was another build up no freaking delivery.
• 29:07
  Speaker 14: Not even like she slowly takes off her gun.
• 29:09
  Speaker 4: Yeah not even side boob or anything.
• 29:11
  Speaker 6: Yeah we've seen her boobs and the first two yeah
• 29:15
  Speaker 6: two we see boobs but then they i guess.
• 29:17
  Speaker 5: You know she's cool with it she's okay she's damn
• 29:20
  Speaker 5: near 40 now maybe they're not where they used to be.
• 29:22
  Speaker 4: No for her i.
• 29:24
  Speaker 14: Mean come on now I think she'd be damn near
• 29:27
  Speaker 14: 70 and they'd still be where they're.
• 29:30
  Speaker 6: Supposed to be.
• 29:32
  Speaker 4: She's got that metal breastplate holding them all day long anyway.
• 29:35
  Speaker 4: They're not going anywhere.
• 29:36
  Speaker 3: So she should be awesome i feel like her legs
• 29:40
  Speaker 3: looked a little fatter in this movie what.
• 29:42
  Speaker 5: The hell you say they still look good They just
• 29:45
  Speaker 5: looked a little fatter.
• 29:46
  Speaker 14: What the hell are you saying?
• 29:48
  Speaker 4: At some point, we need to go ahead and say,
• 29:50
  Speaker 4: I mean, my legs are fatter.
• 29:53
  Speaker 14: I'm not judging.
• 29:54
  Speaker 6: I mean, I'm not hating.
• 29:55
  Speaker 14: I like fat legs.
• 30:01
  Speaker 5: She got thunder thighs right now. So does Jerry Lee Lewis.
• 30:04
  Speaker 3: That song kept looping in my head.
• 30:07
  Speaker 4: Keep your own dress down. But maybe she's just growing up.
• 30:11
  Speaker 4: Maybe that's part of, you know, now she's not a
• 30:13
  Speaker 4: little kid anymore. She doesn't have stick legs now. She's
• 30:16
  Speaker 4: a woman now. She's got little meat on her legs.
• 30:18
  Speaker 5: She's healthy.
• 30:19
  Speaker 14: I like a woman with a little meat on her legs.
• 30:22
  Speaker 9: No shame in that.
• 30:24
  Speaker 4: Oh, man.
• 30:25
  Speaker 6: But the end, kind of how it, like, they... beat
• 30:28
  Speaker 6: Wesker and then beat him again and then blow him
• 30:30
  Speaker 6: up and then they really saw the people that were
• 30:35
  Speaker 6: in the hold of the ship like an experiment on
• 30:37
  Speaker 6: and the lead up to the fifth movie I guess
• 30:40
  Speaker 6: now would be is like, it's going to be a
• 30:43
  Speaker 6: short movie because they're fucked.
• 30:44
  Speaker 4: Yeah, kind of. Like, right off the bat. They have, like,
• 30:47
  Speaker 4: maybe a.
• 30:48
  Speaker 6: Hundred rounds between them, four people.
• 30:49
  Speaker 4: Like, dozens.
• 30:50
  Speaker 6: Yeah, and then the rest of them are all just in, like,
• 30:53
  Speaker 6: white jumpers. And they got PJs. And they need you
• 30:55
  Speaker 6: to target. And I don't know where Umbrella is still
• 30:57
  Speaker 6: coming out with the resources to fucking send this tack force,
• 31:01
  Speaker 6: who I'm guessing is... Right?
• 31:04
  Speaker 14: That's where they are, Abu Dhabi.
• 31:06
  Speaker 4: The underground fortress of Abu Dhabi.
• 31:09
  Speaker 5: And it's Odie, one of the dogs there in Abu Dhabi.
• 31:13
  Speaker 6: Nermal.
• 31:13
  Speaker 5: No, it's Nermal. Maybe Odie went with him. I always
• 31:16
  Speaker 5: think of Abu Dhabi, I think of Garfield, I think
• 31:18
  Speaker 5: of dogs, and I think of Odie.
• 31:19
  Speaker 6: Well, he always said normal things.
• 31:21
  Speaker 4: Zombie Odie is what you're saying.
• 31:22
  Speaker 8: Yes.
• 31:22
  Speaker 6: Zombie Odie.
• 31:23
  Speaker 5: Zombie Odie's like, you picture his little Odie head cracking open.
• 31:29
  Speaker 14: Yikes.
• 31:30
  Speaker 6: That's how I'm just like, the fifth movie is going
• 31:32
  Speaker 6: to be short and stupid, because how are they going
• 31:34
  Speaker 6: to get at us?
• 31:35
  Speaker 5: Well, there was the planes in the bottom of the ship.
• 31:37
  Speaker 5: Maybe they all gathered into the planes.
• 31:38
  Speaker 8: Maybe.
• 31:39
  Speaker 4: Well I mean maybe they'll just pull what they did
• 31:41
  Speaker 4: this last time because they set you up for two
• 31:43
  Speaker 4: very specific things on this one and then they you
• 31:45
  Speaker 4: know 10 minutes in both of those are out the
• 31:48
  Speaker 4: window well they deliver on one but then it's just
• 31:50
  Speaker 4: over with and gone and then they don't deliver on
• 31:52
  Speaker 4: the other so I mean maybe they're just gonna like
• 31:54
  Speaker 4: knock out that first scene she'll like pull out a
• 31:56
  Speaker 4: flare and shoot the plane and the whole thing will
• 31:58
  Speaker 4: go down well and.
• 31:59
  Speaker 14: I'm pretty sure that they shoot one plane and for
• 32:02
  Speaker 14: some reason crashes into the other yeah it causes.
• 32:05
  Speaker 4: This domino effect and they all blow up It only
• 32:08
  Speaker 4: cost one bullet. And then they're like, all right, well,
• 32:11
  Speaker 4: what do you want to do with the rest of
• 32:12
  Speaker 4: this movie?
• 32:14
  Speaker 6: Well, and super duper spoiler alert, I'm pretty sure that
• 32:18
  Speaker 6: this is a return of Jill Valentine as the leader
• 32:21
  Speaker 6: of this tech force or whatever, who disappeared at the
• 32:23
  Speaker 6: end of the second movie, and you never know what
• 32:25
  Speaker 6: happens to her. Because Carlos, who leaves with them... Ends
• 32:29
  Speaker 6: up in the third movie, but Jill somewhere disappears. And
• 32:33
  Speaker 6: now she's blonde.
• 32:33
  Speaker 4: Off to Umbrella.
• 32:35
  Speaker 6: And, yeah, so.
• 32:36
  Speaker 14: She's got one of those weird red bug thingies.
• 32:38
  Speaker 6: Those spider things, which are stupid.
• 32:41
  Speaker 5: I want to talk about one of my major problems
• 32:42
  Speaker 5: with this movie. All right, there's all these planes. How
• 32:45
  Speaker 5: does she know which plane he's going to take to
• 32:47
  Speaker 5: put the exploding thing on?
• 32:48
  Speaker 4: I kind of thought that. Well, first, I think my
• 32:51
  Speaker 4: first thought was. Didn't we just kill him, like, four times? Like,
• 32:55
  Speaker 4: how many times?
• 32:56
  Speaker 14: Didn't we spend five minutes emptying our, like, clips into him?
• 33:00
  Speaker 4: Like, two minutes of watching you shoot him. Like, okay, granted,
• 33:04
  Speaker 4: if you want to have the fake-out scene, why devote
• 33:07
  Speaker 4: that much time to killing him if 30 seconds later
• 33:10
  Speaker 4: he's going to be alive and flying a plane again?
• 33:12
  Speaker 4: I'm just like, what?
• 33:12
  Speaker 5: But how did she know which plane he was going
• 33:14
  Speaker 5: to take? And there's all those planes. How did she
• 33:16
  Speaker 5: know which one? I know she's awesome and all.
• 33:17
  Speaker 6: She may be human, but she still has superhuman perceptions.
• 33:19
  Speaker 5: But is she still human?
• 33:20
  Speaker 4: Maybe they're connected.
• 33:21
  Speaker 6: I don't think she is.
• 33:22
  Speaker 14: I don't think she is.
• 33:23
  Speaker 6: I think it's like that X-Men shit where it's like,
• 33:25
  Speaker 6: you'll be cured for a little while.
• 33:28
  Speaker 5: Well, if you know, like a spoiler alert, when she
• 33:30
  Speaker 5: throws that knife and it hits Wesker in the face
• 33:33
  Speaker 5: and it gets his blood on it, that's the same
• 33:34
  Speaker 5: knife that guy picks up and.
• 33:35
  Speaker 4: Stabs her with.
• 33:36
  Speaker 5: So does she have.
• 33:37
  Speaker 4: Maybe she's reinfected.
• 33:39
  Speaker 6: They cross-mogenated their DNA.
• 33:43
  Speaker 4: Cross-mogenization.
• 33:44
  Speaker 10: Yes, yes.
• 33:44
  Speaker 6: Maybe it was DNA transfer without any intercourse.
• 33:48
  Speaker 14: Ooh, my favorite kind.
• 33:50
  Speaker 5: Boring.
• 33:51
  Speaker 6: From across the room. With a water balloon.
• 33:54
  Speaker 5: So is that going to be the next one?
• 33:55
  Speaker 6: With a water balloon.
• 33:55
  Speaker 5: So the next movie, is she going to be back
• 33:57
  Speaker 5: to being all super kick-ass?
• 33:58
  Speaker 10: I hope so.
• 33:58
  Speaker 18: I love that.
• 33:59
  Speaker 4: That'd be cool.
• 33:59
  Speaker 5: At the beginning of the movie, you're like, fuck it,
• 34:01
  Speaker 5: let's go drinking.
• 34:02
  Speaker 6: Yeah. I loved all the Alice clones and how they
• 34:04
  Speaker 6: were just rickrolling everybody.
• 34:06
  Speaker 14: It was a whole army of people. Rickrolling everybody.
• 34:08
  Speaker 5: It's a whole army of hot mules. Yeah. So, I mean,
• 34:11
  Speaker 5: holy shit. And she was in 3D. What more could
• 34:13
  Speaker 5: you fucking ask for?
• 34:14
  Speaker 4: Yeah, that was my next step. Let's discuss the 3D aspect.
• 34:17
  Speaker 5: I was kind of disappointed.
• 34:19
  Speaker 6: I thought it looked good.
• 34:20
  Speaker 4: I thought it looked good.
• 34:21
  Speaker 5: I thought it looked good, but as much as they
• 34:23
  Speaker 5: were hyping it for the most, it's shot specifically, everything's
• 34:26
  Speaker 5: going to be in 3D, it's made specifically, and it's
• 34:28
  Speaker 5: going to be the best 3D ever, and it's like...
• 34:30
  Speaker 5: It's no better than My Bloody Valentine.
• 34:32
  Speaker 4: That's where I put it. But to me, that's been
• 34:34
  Speaker 4: the high part for all of them. I mean, that's
• 34:37
  Speaker 4: been about the best thing I've seen.
• 34:38
  Speaker 5: But if they're going to hype it as being so
• 34:40
  Speaker 5: much more awesome, I expected... I mean, I still loved it.
• 34:43
  Speaker 5: It was still fun. But I expected a little bit more.
• 34:46
  Speaker 6: Nothing's going to be better than Avatar for me. I mean,
• 34:48
  Speaker 6: you can't reach that.
• 34:50
  Speaker 5: But they were trying to hype it as using the
• 34:52
  Speaker 5: same kind of 3D that he used for that. So
• 34:54
  Speaker 5: I expected a lot more. I mean, it was still good,
• 34:57
  Speaker 5: but it didn't seem up to par. It didn't seem
• 34:59
  Speaker 5: like where it should be for what they were hyping
• 35:01
  Speaker 5: it as.
• 35:02
  Speaker 6: I thought just in general everything looked good. I didn't
• 35:05
  Speaker 6: notice that there was a lot of the gimmick of
• 35:08
  Speaker 6: it coming out at you.
• 35:09
  Speaker 5: It looked good, but it wasn't blown away.
• 35:10
  Speaker 6: My boy Valentine 3D utilized that a whole lot more
• 35:14
  Speaker 6: and better.
• 35:14
  Speaker 5: Well, this one used it quite a bit, too. But still,
• 35:16
  Speaker 5: I wasn't blown away with it. It wasn't like... oh
• 35:18
  Speaker 5: my god it's mind-blowing it still looked good the rain
• 35:21
  Speaker 5: in the beginning shots was awesome yeah it's the scene
• 35:23
  Speaker 5: where the oh my god it made me dizzy when
• 35:25
  Speaker 5: they were doing this with a pull-up scene and then
• 35:27
  Speaker 5: the back down i was.
• 35:27
  Speaker 4: Just like yeah i think i had that too i
• 35:30
  Speaker 4: was like whoa i got a little too crazy like
• 35:32
  Speaker 4: that when.
• 35:32
  Speaker 15: She threw the guns and going through the water yeah
• 35:36
  Speaker 15: yeah that was awesome well i think what i gave
• 35:38
  Speaker 15: this one credit for more than anything 3d wise was
• 35:42
  Speaker 15: the same thing i was probably most impressed with with
• 35:44
  Speaker 15: the my bloody valentine was just the layering and they
• 35:47
  Speaker 15: just within the scenes themselves you could actually see background
• 35:52
  Speaker 15: and you could see people in another layer in the
• 35:54
  Speaker 15: background and then you could see her in the foreground
• 35:56
  Speaker 15: or whatever.
• 35:57
  Speaker 6: Like every scene.
• 35:59
  Speaker 4: Was yeah or even when it wasn't they found a
• 36:01
  Speaker 4: way for it to still be sort of its own
• 36:03
  Speaker 4: layer further back and this which is to me is
• 36:05
  Speaker 4: kind of the cool part like that's not gimmicky that's
• 36:08
  Speaker 4: just making use of the technology that's what i think
• 36:11
  Speaker 4: if you're going to do more movies like that they
• 36:13
  Speaker 4: should sort of focus on being able to make use
• 36:15
  Speaker 4: of that and.
• 36:15
  Speaker 6: That's that's what i think is the best thing about
• 36:18
  Speaker 6: 3d is not stuff coming at you it's the depth
• 36:21
  Speaker 6: that they can kind of project back into the movie
• 36:24
  Speaker 6: to where you get that sense of depth instead of, ooh,
• 36:27
  Speaker 6: I'm getting shot in the face with bullets.
• 36:29
  Speaker 5: Oh, I still like that. It's still fun.
• 36:31
  Speaker 4: That's fun. That's fun, too.
• 36:32
  Speaker 6: But definitely, I think the depth of field, like drawing
• 36:35
  Speaker 6: that back, I think is more like wowing to me. Like,
• 36:39
  Speaker 6: you know, when she slid down from the crazy rope
• 36:41
  Speaker 6: slide and landed in the zombie, like, frickin'... whatever mosh
• 36:47
  Speaker 6: pit there you go and when she was running through
• 36:49
  Speaker 6: them and they were all like right fucking around her
• 36:52
  Speaker 6: and she shoots both of her yeah quarter pistols or
• 36:54
  Speaker 6: cannons or whatever that to me was like the depth
• 36:57
  Speaker 6: of field of that was like oh this is bad
• 36:59
  Speaker 6: looking this is just awesome.
• 37:01
  Speaker 4: There's a lot just even like the simple like the
• 37:03
  Speaker 4: her on the beach at the beginning like that looked
• 37:06
  Speaker 4: really good and you there was like the whole layers
• 37:08
  Speaker 4: of the ocean versus the beach versus the stuff that
• 37:10
  Speaker 4: was up in the foreground that stuff all looked really
• 37:13
  Speaker 4: good and then once you get into like very specific
• 37:15
  Speaker 4: things like The first time they show the hole that
• 37:18
  Speaker 4: the zombie had dug, you really got that sense of
• 37:21
  Speaker 4: depth that it went on forever. That was kind of creepy, too,
• 37:25
  Speaker 4: because then they have to go in there at some point.
• 37:28
  Speaker 4: I think they made use of it.
• 37:30
  Speaker 5: I'm not saying it's not good. I'm just saying I
• 37:32
  Speaker 5: wasn't as blown away as I expected to be with
• 37:34
  Speaker 5: all the hype they were giving it.
• 37:35
  Speaker 4: I just don't go in expecting much with 3D anymore
• 37:38
  Speaker 4: because the last few times has been kind of lame.
• 37:41
  Speaker 5: Marlena has to go say goodbye and go. Sorry, guys.
• 37:47
  Speaker 4: All right. No feedback for you, then.
• 37:48
  Speaker 18: No feedback.
• 37:50
  Speaker 4: There was specific Marlena.
• 37:52
  Speaker 5: It was specific for me?
• 37:54
  Speaker 4: Come on.
• 37:54
  Speaker 5: I don't want to listen to it.
• 37:56
  Speaker 10: Okay.
• 37:56
  Speaker 4: All right.
• 37:57
  Speaker 3: Well, then I'll just have to wait for feedback.
• 38:02
  Speaker 4: All righty.
• 38:02
  Speaker 15: All right.
• 38:03
  Speaker 5: Back to the movie. What are we talking about now?
• 38:05
  Speaker 4: I don't know. Where were we at?
• 38:07
  Speaker 6: I don't have that much more to say.
• 38:10
  Speaker 4: I don't know. The only other thing I thought was
• 38:12
  Speaker 4: kind of... I mean, there's a hell of a lot
• 38:15
  Speaker 4: of Matrix-ing.
• 38:16
  Speaker 6: Going on in this thing. Bullet time.
• 38:20
  Speaker 4: Just like freeze-framing, jumping. In a way, it was cool.
• 38:24
  Speaker 4: There were times when they did something different. They've had
• 38:28
  Speaker 4: several years of extra technology upgrades since Matrix to be
• 38:33
  Speaker 4: able to do different stuff. So that first time it
• 38:34
  Speaker 4: sort of freezes... and you're dealing with the 3d because
• 38:38
  Speaker 4: matrix could never make use of the 3d aspect so
• 38:40
  Speaker 4: it's like there's moments when it's like okay that's kind
• 38:42
  Speaker 4: of cool that's making use of you know what they
• 38:44
  Speaker 4: can do with this but let's do it again by
• 38:47
  Speaker 4: the yeah by the end fight i was just like
• 38:49
  Speaker 4: really like just hurry up and shoot him in the
• 38:51
  Speaker 4: head i mean not slow-mo shoot him in the head
• 38:53
  Speaker 4: we've seen that a lot of times so i could
• 38:56
  Speaker 4: have lived with a little bit less matrix and but
• 38:59
  Speaker 4: you know I know that's the thing. Actually, I thought
• 39:02
  Speaker 4: that was gone by now. That was the thing like
• 39:04
  Speaker 4: five or six years ago.
• 39:05
  Speaker 2: Yeah.
• 39:07
  Speaker 4: Or more.
• 39:09
  Speaker 6: This is probably a two-minute fight scene that is drawn
• 39:12
  Speaker 6: out to five minutes because of all the slow motion.
• 39:14
  Speaker 4: If not longer. If not longer.
• 39:15
  Speaker 6: Which, it still looked cool, but it was a little
• 39:19
  Speaker 6: gratuitous there at the end. I was like, okay.
• 39:23
  Speaker 5: It's not a great movie.
• 39:24
  Speaker 4: It's a fun movie.
• 39:25
  Speaker 6: It's a very fun movie.
• 39:26
  Speaker 5: It's very shiny. Not really shiny, but it's got a
• 39:28
  Speaker 5: lot of explosion.
• 39:29
  Speaker 6: Very pretty.
• 39:32
  Speaker 4: It's very pretty. To me, again, as much as I
• 39:34
  Speaker 4: was not thrilled with his change to the old color palette,
• 39:37
  Speaker 4: there were times when I was like, this visually is
• 39:40
  Speaker 4: actually more impressive, I guess, than I've seen from him.
• 39:43
  Speaker 4: I mean, he's made.
• 39:45
  Speaker 6: Really good-looking movies.
• 39:46
  Speaker 4: But he's also made some crap. I mean, if I remember,
• 39:49
  Speaker 4: he was Death Race, and Death Race was pretty bad.
• 39:53
  Speaker 6: It was garbage.
• 39:54
  Speaker 4: Well, I mean, even visually, though, it was just boring,
• 39:56
  Speaker 4: and he brought nothing to the table, whereas... This, it's
• 39:59
  Speaker 4: like that first scene where we're watching it in the
• 40:02
  Speaker 4: rain and he's doing the close-up on the girl and
• 40:05
  Speaker 4: we're just, you know, it's just cutting back and forth.
• 40:07
  Speaker 4: All of that was actually visually interesting and more credit
• 40:12
  Speaker 4: than I will normally give him for being a director. So,
• 40:14
  Speaker 4: I mean, he's actually got a little skill that if
• 40:18
  Speaker 4: he would just not focus so much on matrixing and,
• 40:22
  Speaker 4: you know, crazy nonsense like that and quit doing some
• 40:25
  Speaker 4: of these, you know, more ridiculous things, ideas following more
• 40:29
  Speaker 4: he does about as many video game movies as Uwe
• 40:32
  Speaker 4: Boll but he does better video game movies he does
• 40:35
  Speaker 4: better I'll give him that but that's also not saying.
• 40:37
  Speaker 6: Much I always enjoy his movies so Uwe Boll? no
• 40:41
  Speaker 6: not Uwe no dude fuck that guy Anderson.
• 40:45
  Speaker 5: I want a list of all the shitty video game
• 40:48
  Speaker 5: movies that fuckers made not necessarily now.
• 40:50
  Speaker 4: But in general we'll get back to that But yes,
• 40:53
  Speaker 4: I don't know. It's one of those. Yeah, he's he's
• 40:56
  Speaker 4: hit and miss. I think he's got visual style. He
• 40:58
  Speaker 4: can deliver pretty good stuff. But then sometimes he just
• 41:02
  Speaker 4: sort of phones it in and focuses more on the
• 41:04
  Speaker 4: cheesy action or whatever, you know, what's easier. And I
• 41:07
  Speaker 4: think that's. If I didn't think he had talent, I
• 41:10
  Speaker 4: think I'd let him slide on that. But I see
• 41:12
  Speaker 4: moments here and there, and I'm like, you've kind of
• 41:15
  Speaker 4: got a little more skill than that. I would kind
• 41:16
  Speaker 4: of like to see him do something more with that.
• 41:19
  Speaker 4: But maybe in the Three Musketeers.
• 41:22
  Speaker 6: But definitely, I think it's a good... time if you
• 41:26
  Speaker 6: you know yeah spend the time spend the money i think.
• 41:28
  Speaker 5: It's worth it you definitely go more towards the matinee
• 41:31
  Speaker 5: like joni.
• 41:31
  Speaker 4: Says yeah yeah especially since it's costing so much more
• 41:35
  Speaker 4: for 3d in some places it's a fortune so yeah.
• 41:39
  Speaker 5: It was we paid 24 dollars for me and jay
• 41:41
  Speaker 5: to see it yeah.
• 41:42
  Speaker 4: And that's i mean i've i know like in new
• 41:43
  Speaker 4: york it's almost that a person like it's damn near
• 41:46
  Speaker 4: 20 bucks a person to go so i Yeah, I mean,
• 41:50
  Speaker 4: it's like that's that really sort of you have to
• 41:54
  Speaker 4: deliver with a pretty impressive movie when you start asking
• 41:57
  Speaker 4: that much. So it's kind of hard with these fun movies,
• 41:59
  Speaker 4: you know, like. like this and piranha and it's like
• 42:02
  Speaker 4: stuff that you go in just to have a good
• 42:03
  Speaker 4: time with.
• 42:04
  Speaker 6: That's a lot.
• 42:05
  Speaker 4: It's a lot to ask.
• 42:07
  Speaker 6: $ 20 a pop, you know? Yeah.
• 42:10
  Speaker 4: So, yeah, it's one of those you do sort of
• 42:13
  Speaker 4: have to factor that in and be like, yeah, matinee, right? So, yeah,
• 42:17
  Speaker 4: it's definitely matinee. Maybe, you know, maybe full if you're
• 42:20
  Speaker 4: a big.
• 42:21
  Speaker 14: Maybe full price for if you go on a date.
• 42:22
  Speaker 4: Well, if you're a Resident Evil geek and, you know,
• 42:25
  Speaker 4: you really want to see it regardless, you don't really care.
• 42:27
  Speaker 4: But for most people, I think... For the extra dollar amount,
• 42:32
  Speaker 4: you'd probably be better doing the matinee. But I think
• 42:34
  Speaker 4: it's worth seeing it in the theater because I still
• 42:36
  Speaker 4: think the 3D makes it more fun. It's something you're
• 42:39
  Speaker 4: not going to be able to recreate any version of
• 42:41
  Speaker 4: it really at home, not at this point. Or not
• 42:44
  Speaker 4: with the technology I have, I'm sure. I'll tell you that.
• 42:47
  Speaker 4: I don't know what you're talking about.
• 42:48
  Speaker 5: I was looking at 3D porn on the internet just
• 42:50
  Speaker 5: this morning.
• 42:51
  Speaker 4: Well, that's like every morning. But it's not going to
• 42:54
  Speaker 4: look good on my cheesy 20-year-old TV now. Yeah, they
• 42:59
  Speaker 4: need to just give us better TVs if they're going
• 43:01
  Speaker 4: to keep making these high-tech movies. Yeah, those cost money.
• 43:05
  Speaker 13: I know.
• 43:06
  Speaker 4: I can't even afford plumbing. I was rolling coin to
• 43:08
  Speaker 4: go to the movie today, damn it.
• 43:10
  Speaker 9: Word.
• 43:10
  Speaker 4: Pole. So, yeah, that having been said, if you want
• 43:14
  Speaker 4: to see it in 3D, yeah, you better go while
• 43:16
  Speaker 4: it's in the theater.
• 43:17
  Speaker 3: Do it.
• 43:18
  Speaker 4: Get shot by Allison. Do it. Have some quarters.
• 43:22
  Speaker 6: All right.
• 43:23
  Speaker 4: Otherwise, I guess that will wrap up our Resident Evil talk.
• 43:28
  Speaker 4: till next time till part five wonder how fast he'll
• 43:31
  Speaker 4: crank that out.
• 43:33
  Speaker 14: I'm gonna be doing twilight movies every like six months now.
• 43:35
  Speaker 5: Those suck so those aren't in 3d though they're in glitter.
• 43:40
  Speaker 4: But it does seem like they just started this one
• 43:42
  Speaker 4: not that long ago it seems like we just heard
• 43:44
  Speaker 4: oh they're gonna make the fourth one and now it's
• 43:45
  Speaker 4: already in theater so maybe he's doing a quicker turnaround
• 43:49
  Speaker 4: now i don't know but.
• 43:51
  Speaker 14: And he secretly already has them done.
• 43:52
  Speaker 6: They've been in Canada for so long.
• 43:55
  Speaker 4: Like Robert Rodriguez. They said he's already got a trailer
• 43:59
  Speaker 4: for the second one. I don't know if that means
• 44:01
  Speaker 4: in mind or he already shot it while they were
• 44:04
  Speaker 4: on set doing the other stuff. Because it wouldn't surprise me.
• 44:07
  Speaker 4: Maybe they're all going to take a cue from Rodriguez
• 44:09
  Speaker 4: and just start cranking them out all at once. Just
• 44:12
  Speaker 4: sit them on the shelf somewhere. In WS's garage somewhere. Alright,
• 44:18
  Speaker 4: we will take a break and be back with the
• 44:20
  Speaker 4: rest of the show.
• 45:17
  Speaker 5: Let's all go to the lobby.
• 45:20
  Speaker 4: Let's all go to the lobby. Let's all go.
• 45:24
  Speaker 13: To the lobby to get ourselves a treat.
• 45:27
  Speaker 16: That's a good idea.
• 45:30
  Speaker 5: I do feel a little hungry and thirsty.
• 45:32
  Speaker 1: Okay, let's go to the lobby for a snack.
• 45:37
  Speaker 15: Whoa!
• 45:38
  Speaker 5: Hey, where are you all going?
• 45:40
  Speaker 14: Why, we're going to the lobby for some of that
• 45:42
  Speaker 14: delicious popcorn.
• 45:44
  Speaker 4: Popcorn? Hey, wait for text.
• 45:47
  Speaker 8: I'm hungry, too.
• 45:49
  Speaker 1: Count Floyd here, reminding you to stay tuned to Monster
• 45:53
  Speaker 1: Chiller Horror Theater this Saturday night, when we'll be presenting
• 45:57
  Speaker 1: a 3D classic.
• 45:59
  Speaker 10: Dr.
• 45:59
  Speaker 1: Tom's 3D House of Stewardesses.
• 46:04
  Speaker 4: It's going to be a scary film.
• 46:06
  Speaker 1: But, you know, you can't watch this film unless you
• 46:08
  Speaker 1: have your.
• 46:09
  Speaker 6: Special 3D glasses.
• 46:12
  Speaker 3: That's right.
• 46:13
  Speaker 4: You've got to send $ 18 to me, Count Floyd.
• 46:15
  Speaker 1: And be sure to throw in three bucks for postage
• 46:19
  Speaker 1: and handling because I handle these things myself and.
• 46:22
  Speaker 5: Send them out, so.
• 46:23
  Speaker 1: Sure send that money in, get your 3D glasses, and
• 46:26
  Speaker 1: then you can watch this Saturday night's monster-chiller horror theater.
• 46:31
  Speaker 1: Now let's take a look at some thrilling.
• 46:33
  Speaker 11: 3D scenes from that.
• 46:42
  Speaker 6: Movie.
• 46:46
  Speaker 19: This fall, you will be introduced to Palibur.com. Palibur.com is
• 46:51
  Speaker 19: your new home for all your favorite podcasts, blogs, and
• 46:54
  Speaker 19: your favorite internet personalities.
• 46:56
  Speaker 4: Palover.com.
• 46:57
  Speaker 19: That's P-A-L-A-V-E-R dot com. Your first stop for all of
• 47:02
  Speaker 19: your guilty pleasures.
• 47:06
  Speaker 3: That's part of your.
• 47:06
  Speaker 10: Problem, you know.
• 47:07
  Speaker 4: You haven't seen enough movies. All of life's riddles are.
• 47:09
  Speaker 6: Answered in the movies.
• 47:11
  Speaker 4: And now, on with the show.
• 47:13
  Speaker 5: Go! Go!
• 47:32
  Speaker 6: Yesterday I woke up.
• 47:33
  Speaker 14: The dead Kings of the zombies, now kings of the dead.
• 47:37
  Speaker 6: We are eternally new, eternally old I am the wizard
• 47:45
  Speaker 6: insane And.
• 47:45
  Speaker 13: I command you to spread out the pain There is
• 47:51
  Speaker 13: no blood without life No life without.
• 47:53
  Speaker 7: God I'm undead And I am on the prowl I'm a.
• 47:57
  Speaker 10: Resident evil I'm walking around No power place For the
• 48:00
  Speaker 10: works of our kind We are evil and curse We'll
• 48:04
  Speaker 10: bite off your eyes You can come out with fists
• 48:09
  Speaker 10: You can come out with knives.
• 48:16
  Speaker 4: Hi.
• 48:16
  Speaker 10: Yeah.
• 48:17
  Speaker 7: Did you say hi?
• 48:26
  Speaker 4: Yep.
• 48:26
  Speaker 5: Hi.
• 48:26
  Speaker 3: Hi.
• 48:27
  Speaker 8: Hi.
• 48:27
  Speaker 5: Hi.
• 48:27
  Speaker 4: Where are you?
• 48:29
  Speaker 9: What?
• 48:29
  Speaker 5: Very well, thank you. I don't work at the cafeteria.
• 48:36
  Speaker 15: What?
• 48:36
  Speaker 8: Cheese.
• 48:37
  Speaker 3: What?
• 48:37
  Speaker 8: Spaghetti.
• 48:37
  Speaker 5: Spaghetti?
• 48:37
  Speaker 6: Spaghetti?
• 48:45
  Speaker 5: All right, we.
• 48:52
  Speaker 4: Are back and we've got feedback.
• 48:57
  Speaker 15: I'm serious.
• 48:58
  Speaker 6: Don't fucking play with my emotions.
• 48:59
  Speaker 4: How much did you pay this person? Oh, yeah, you
• 49:02
  Speaker 4: paid a quarter. Yeah, again, I wouldn't have been able
• 49:04
  Speaker 4: to go to the movie today if I gave him
• 49:06
  Speaker 4: my quarters.
• 49:07
  Speaker 5: Did you give him a lap dance?
• 49:08
  Speaker 4: I don't think I did.
• 49:09
  Speaker 14: It's always better when strippers cry.
• 49:12
  Speaker 6: When strippers are crying dorks.
• 49:16
  Speaker 4: That's we are all right so this time we heard
• 49:20
  Speaker 4: from barb who uh i believe you know quite well
• 49:24
  Speaker 4: hello movie geeks i don't think she's actually like writing
• 49:28
  Speaker 4: in from britain but but she did address it as hello.
• 49:31
  Speaker 5: Hello just because she knows i don't like.
• 49:32
  Speaker 4: British people um probably because she's pretty far from britain
• 49:36
  Speaker 4: if i know Where she's, if I remember correctly.
• 49:38
  Speaker 5: I remember where I stalked her last.
• 49:42
  Speaker 4: I don't have time to stalk people anymore. It's just
• 49:44
  Speaker 4: too much trouble. Too much commuting and shit. So she says,
• 49:48
  Speaker 4: just wanted to share my thoughts on the first Evil
• 49:50
  Speaker 4: Dead film. I love it and it scared me. When
• 49:52
  Speaker 4: I first watched it, I was angry because my ex
• 49:55
  Speaker 4: and his friend thought the movie was hilarious, so they
• 49:57
  Speaker 4: were almost ruining my fear buzz with the laughing and
• 49:59
  Speaker 4: cutting up. Bastards. Sons of bitches. It is still my
• 50:03
  Speaker 4: favorite of the Evil Dead films, and the cover is awesome.
• 50:06
  Speaker 4: The part where Ash's girlfriend's infection spreads through her foot
• 50:09
  Speaker 4: still gets me. I just think it's a neat effect.
• 50:11
  Speaker 4: And then there's the whole tree rape thing.
• 50:13
  Speaker 6: Yeah.
• 50:14
  Speaker 4: Tree rape was pretty singular and excellent.
• 50:16
  Speaker 3: Yeah.
• 50:18
  Speaker 4: Oh, just thought I'd share. And ends it with, thanks
• 50:21
  Speaker 4: for the apple.
• 50:22
  Speaker 2: Nice.
• 50:23
  Speaker 4: Oh, and then the P.S. moment here in Too Bad
• 50:26
  Speaker 4: She Already Wandered Out because she ends it with, black
• 50:29
  Speaker 4: snake mole.
• 50:31
  Speaker 10: Nice.
• 50:32
  Speaker 4: In parentheses it says, this cracks me up every time. So, sadly,
• 50:36
  Speaker 4: she won't be able to do that for you this time,
• 50:38
  Speaker 4: because she's wandered off mid-episode, as she's prone to do.
• 50:42
  Speaker 2: All right.
• 50:42
  Speaker 4: So, from there, we also.
• 50:44
  Speaker 5: I have, like, a sound slip from, like, one of
• 50:45
  Speaker 5: the other episodes. You can just slip in it.
• 50:47
  Speaker 4: I can, but I don't know if that'll really fulfill
• 50:51
  Speaker 4: her need. Put it on a loop. I can throw
• 50:53
  Speaker 4: it in there. We can just have it on a
• 50:54
  Speaker 4: button over here.
• 50:54
  Speaker 5: You can have, like, a remix, like a.
• 50:56
  Speaker 16: that was sick i might even say ill.
• 51:06
  Speaker 4: We are so awesome so yeah next up we hear
• 51:09
  Speaker 4: from naked eskimo which again i've decided to just throw
• 51:12
  Speaker 4: them in that was our official email was the last
• 51:15
  Speaker 4: one now this one i we usually get some interesting
• 51:18
  Speaker 4: uh twitter's I'll use that term since you don't like
• 51:21
  Speaker 4: the other one, Roger. Thank you. Thank you. Yeah, we
• 51:26
  Speaker 4: get some interesting Twitter responses. So, yeah. One of my
• 51:33
  Speaker 4: favorites from Naked Eskimo was, God bitch slapped my mom.
• 51:36
  Speaker 4: Thank you. That was awesome. Yeah, that's us in a nutshell.
• 51:41
  Speaker 4: Once again, Marlena, who's wandered off. That was tied to
• 51:45
  Speaker 4: her mother. No surprise if you know her stories of
• 51:47
  Speaker 4: her mother, that is. Also, in response to our little
• 51:52
  Speaker 4: dollar pitch we threw out there, which, by the way,
• 51:54
  Speaker 4: did you ever fill in Joni on the dollar idea? No,
• 51:56
  Speaker 4: I didn't. No, I didn't.
• 51:58
  Speaker 6: I don't think so.
• 51:59
  Speaker 4: Anyway, we've got a surprise coming for you later.
• 52:02
  Speaker 10: Oh, yeah.
• 52:03
  Speaker 6: Yeah, we forgot to talk about this, baby.
• 52:04
  Speaker 5: What? Oh, by the way.
• 52:06
  Speaker 4: Would you like to fill her in now?
• 52:07
  Speaker 6: No, let's just go for it.
• 52:08
  Speaker 14: No, we can wait until later.
• 52:09
  Speaker 6: We'll go in cold.
• 52:09
  Speaker 4: It'll be a surprise. But this will really confuse you then, because, yeah,
• 52:13
  Speaker 4: Nakedosco wrote in and said... I'll write the feedback on
• 52:16
  Speaker 4: the dollar and then get it sweaty and send it
• 52:18
  Speaker 4: to you. That's how awesome I am. As long as
• 52:24
  Speaker 4: you send us money, we don't care. We need the dollar.
• 52:26
  Speaker 4: I don't know. Again, I didn't come up with the
• 52:30
  Speaker 4: sweaty money idea the first time. But, you know, if
• 52:33
  Speaker 4: you want to send it, I... And I'll get some
• 52:36
  Speaker 4: tongs or something. We'll spend it just the same.
• 52:38
  Speaker 6: We've got surgical gloves.
• 52:40
  Speaker 4: There you go. I don't want to know what you're
• 52:42
  Speaker 4: doing with those surgical gloves.
• 52:44
  Speaker 15: No, you don't.
• 52:44
  Speaker 4: Either way.
• 52:45
  Speaker 6: You don't. It's your business.
• 52:47
  Speaker 4: They also have practical uses.
• 52:49
  Speaker 14: However, you can see it on www.hotpastrychefs.com.
• 52:54
  Speaker 4: Oh, yeah. Do we get a cut off of that?
• 52:57
  Speaker 4: can we at least get bounced back and forth you
• 52:59
  Speaker 4: know some sort.
• 52:59
  Speaker 14: Of once my paypal comes through yeah that's right all
• 53:02
  Speaker 14: right once the account gets we'll run some ads don't
• 53:05
  Speaker 14: you worry once.
• 53:05
  Speaker 5: I get my page for my socks.
• 53:07
  Speaker 4: We can see between the two of you we could
• 53:09
  Speaker 4: retire all of it that's what i'm saying.
• 53:11
  Speaker 5: I'm gonna start a page for my socks.
• 53:14
  Speaker 14: Mistysocks.org hot socks hot socks hot misty socks i'm.
• 53:20
  Speaker 4: Gonna see if that's available before i post this because
• 53:23
  Speaker 4: i'm buying it if so.
• 53:24
  Speaker 5: Right that's awesome i'm in i'm in You don't know.
• 53:28
  Speaker 5: I've got 400 pairs of socks. I put them all
• 53:30
  Speaker 5: on mine.
• 53:30
  Speaker 14: That scares me, Misty. That scares me.
• 53:32
  Speaker 5: I have a closet full.
• 53:35
  Speaker 6: Some people have shoes.
• 53:36
  Speaker 8: No, no, no.
• 53:37
  Speaker 6: Misty, what's under all these socks?
• 53:38
  Speaker 5: It's not Chris Pine. I swear to God, it's not
• 53:40
  Speaker 5: Chris Pine. Yeah, no.
• 53:42
  Speaker 4: I believe Jay did refer to you as the Melba
• 53:44
  Speaker 4: Marcos of socks, so that ain't no lie.
• 53:47
  Speaker 5: I have a dresser plus a laundry basket full. It
• 53:51
  Speaker 5: took me three hours to just get through the laundry
• 53:53
  Speaker 5: basket because I was trying them all on and taking pictures.
• 53:58
  Speaker 10: What?
• 53:59
  Speaker 5: I like socks.
• 54:00
  Speaker 4: Let's see. Continuing. Well, let's see. So moving on, we
• 54:04
  Speaker 4: also have a tweet here from, oops, I forgot, a
• 54:07
  Speaker 4: Twitter response from Fozzie Bear. Yay, Fozzie Bear. We start
• 54:12
  Speaker 4: off with, the first one is, Movie Meltdown's recent episode
• 54:16
  Speaker 4: all about Apple. I think I have to see this movie.
• 54:19
  Speaker 4: Sounds like they all did acid and imagined it.
• 54:22
  Speaker 6: No, no, that's a funny.
• 54:23
  Speaker 2: No, it's yeah.
• 54:25
  Speaker 4: As we described, it still doesn't do any near the
• 54:28
  Speaker 4: justice of actually sitting in front of it. Cause he's
• 54:33
  Speaker 4: having flashbacks right now.
• 54:35
  Speaker 14: Maybe it's okay.
• 54:37
  Speaker 4: Apple flashbacks.
• 54:38
  Speaker 5: Apple flashbacks.
• 54:39
  Speaker 15: Come back, baby.
• 54:40
  Speaker 5: Come back. Come back. He's going to bite you. Somebody
• 54:42
  Speaker 5: give me a belt. You're going to lose one of them.
• 54:43
  Speaker 6: Put something in his mouth before he bites his tongue off.
• 54:45
  Speaker 14: Somebody give me a belt.
• 54:46
  Speaker 6: It's insane.
• 54:48
  Speaker 4: Oh, then he followed that up with, the good folks
• 54:50
  Speaker 4: at Movie Meltdown just gave me an idea. I'm going
• 54:52
  Speaker 4: to subscribe to the podcast podcast anytime I'm alone with
• 54:55
  Speaker 4: someone else's computer. Which I then responded to him and said,
• 54:59
  Speaker 4: now anybody with any sense wouldn't leave you alone with
• 55:01
  Speaker 4: their laptop anyway.
• 55:02
  Speaker 2: That's right.
• 55:04
  Speaker 4: But, yeah, I like that all of our endless amounts
• 55:08
  Speaker 4: of bitching because nobody bothers to call in most of
• 55:11
  Speaker 4: the time.
• 55:12
  Speaker 6: Finally.
• 55:13
  Speaker 4: He follows it up with, and way to lay the
• 55:15
  Speaker 4: guilt trip. I guess I'll have to call in even
• 55:16
  Speaker 4: though I feel boring and have little to say. That's
• 55:19
  Speaker 4: the way I feel. Prepare for the lame.
• 55:21
  Speaker 2: Let's do it.
• 55:22
  Speaker 4: So, yeah, I guess at some point we'll have to
• 55:25
  Speaker 4: hear from Fozzie Bear now because we guilt tripped him,
• 55:27
  Speaker 4: which I said it wasn't even directed towards him. It
• 55:30
  Speaker 4: was towards all the other slackers that haven't even been
• 55:33
  Speaker 4: calling him. Well, no, he said he could feel the longing.
• 55:37
  Speaker 4: He could hear it in my voice, that Fozzie Bear,
• 55:41
  Speaker 4: I need you. He said he also hears that from
• 55:44
  Speaker 4: Justin Timberlake a lot.
• 55:46
  Speaker 14: He stutters when he says his.
• 55:52
  Speaker 4: Oh, and this one I just wanted to throw out there. Again,
• 55:55
  Speaker 4: I guess we'll just mix them from everywhere. Mostly I
• 55:58
  Speaker 4: think I'm doing it for.
• 55:59
  Speaker 5: Any feedback we get, I don't care.
• 56:01
  Speaker 4: That's what I'm saying, but we've got so many places
• 56:03
  Speaker 4: now that it sort of distracts from it. I mean,
• 56:05
  Speaker 4: there's no way to be like, hey, call us and
• 56:07
  Speaker 4: leave us feedback, because now there's like... Facebook and Twitter
• 56:11
  Speaker 4: and now we have our message boards. So this one
• 56:14
  Speaker 4: is actually from the message boards and that's kind of
• 56:17
  Speaker 4: why I wanted to do it was to highlight the
• 56:19
  Speaker 4: fact that A, our message boards are once again up
• 56:21
  Speaker 4: and running and B, this one is pretty awesome so
• 56:24
  Speaker 4: I thought you guys need to hear it. Again, it's
• 56:26
  Speaker 4: at palavr.com and go to the Movie Meltdown message boards
• 56:32
  Speaker 4: and leave us something like this because this is from
• 56:34
  Speaker 4: gto-tim I'm not sure if he goes by that in
• 56:38
  Speaker 4: the real world or not but um gto tim not
• 56:41
  Speaker 4: tom gto tim and it is i got it that
• 56:48
  Speaker 4: took me a second and it is entitled hoist a
• 56:52
  Speaker 4: beer to the meltdown nice let's see it says this
• 56:55
  Speaker 4: is just a small shout out to i can avoid
• 56:58
  Speaker 4: the rest of it if everyone's not enlisted by name
• 57:00
  Speaker 4: are you gonna be upset no Because you at least
• 57:03
  Speaker 4: get one, Misty, just to feed your ego. Oh, hell yeah.
• 57:05
  Speaker 6: Oh, nice.
• 57:07
  Speaker 4: So a shout out to Brian and Misty and the
• 57:08
  Speaker 4: gang at Movie Meltdown. If I could send you a
• 57:10
  Speaker 4: cold six, I would. But instead of... He says you can't.
• 57:14
  Speaker 4: But instead, I toast you from here in Seoul, I'm
• 57:17
  Speaker 4: assuming South Korea?
• 57:19
  Speaker 6: Awesome.
• 57:20
  Speaker 4: With a cold height, he says the local PBR.
• 57:22
  Speaker 5: Nice.
• 57:23
  Speaker 13: Nice.
• 57:24
  Speaker 4: I've had my ears on Movie Meltdown for the last
• 57:26
  Speaker 4: year or so, and it's gotten me through many flights
• 57:28
  Speaker 4: and trains through Thailand and further points abroad. The Corman
• 57:32
  Speaker 4: interview was ace. Even though I'm not inclined to get
• 57:34
  Speaker 4: excited about Star Wars and the like, you still made
• 57:36
  Speaker 4: it interesting. That being said, he says, can I make
• 57:40
  Speaker 4: a recommendation for Sofa Theater? Once again, we have many
• 57:43
  Speaker 4: backlogged recommendations now.
• 57:46
  Speaker 5: Not the room.
• 57:46
  Speaker 4: Not the room. But this one, you might be equally
• 57:49
  Speaker 4: as weirded out by this one. I don't know if
• 57:51
  Speaker 4: you've even seen... It's like the trailer of this. He says,
• 57:54
  Speaker 4: how about the slimy exploitation classic Street Trash?
• 57:57
  Speaker 6: Oh, God. That movie is excellent.
• 58:00
  Speaker 8: Oh, shit.
• 58:01
  Speaker 6: I can't believe you just asked.
• 58:02
  Speaker 4: This film is a hell of a lot of fun
• 58:04
  Speaker 4: with some friends, some beers, and party favors. Yeah, it is.
• 58:07
  Speaker 4: Something to offend everyone in this gym.
• 58:09
  Speaker 6: Yes.
• 58:09
  Speaker 4: The other one I'd like to suggest is The Seven
• 58:11
  Speaker 4: Faces of Dr.
• 58:12
  Speaker 10: Lau.
• 58:13
  Speaker 4: It is directed by the legendary George Powell in the 60s,
• 58:15
  Speaker 4: starring Tony Randall playing multiple characters. It's almost like a
• 58:19
  Speaker 4: Gilliam film long before Gilliam. Worth digging it up. Which actually,
• 58:22
  Speaker 4: I kind of had thought about that one a long
• 58:25
  Speaker 4: time ago. It does seem pretty cool. He says, thanks
• 58:28
  Speaker 4: for the episodes and keep on keeping on. that's excellent
• 58:32
  Speaker 4: so i believe uh again half of us here are
• 58:35
  Speaker 4: slackers and aren't online or don't have internet as we
• 58:38
  Speaker 4: heard earlier so the response we got i'm still gonna
• 58:41
  Speaker 4: leave him some but um yeah the response they got
• 58:44
  Speaker 4: right off was uh from greg who actually had had
• 58:46
  Speaker 4: some nice things to say as well and said he
• 58:48
  Speaker 4: was glad to at least get a chance to sit
• 58:50
  Speaker 4: in with us every once in a while and he
• 58:52
  Speaker 4: said he wasn't sure if we'd take him up on
• 58:53
  Speaker 4: the six pack or at least all of us would
• 58:55
  Speaker 4: but some of us might so if he can you
• 58:58
  Speaker 4: know fedex some height over here i'm sure roger will
• 59:01
  Speaker 4: take sure.
• 59:02
  Speaker 14: Yeah tony and roger will definitely definitely.
• 59:05
  Speaker 4: Oh but yes thank you to tim that was that
• 59:07
  Speaker 4: was actually awesome and at a time when we we
• 59:10
  Speaker 4: hadn't had feedback for quite a while that was really
• 59:13
  Speaker 4: nice to hear that's tasty yes thank you tim it.
• 59:16
  Speaker 5: Was tasty and it's thank you tom thank you.
• 59:21
  Speaker 4: She knows what your name is she thinks she's being.
• 59:23
  Speaker 5: Funny i am being funny i'm trying to harsh my funny.
• 59:27
  Speaker 4: Book but once again this this sort of uh what
• 59:30
  Speaker 4: what i threw out there a few weeks ago of
• 59:31
  Speaker 4: like who are these people where are we way off
• 59:34
  Speaker 4: in the other parts of the world this is odd
• 59:37
  Speaker 4: to know that we're going out to seoul you know
• 59:39
  Speaker 4: that yeah.
• 59:39
  Speaker 20: That's awesome people in korea i think that i'm keeping
• 59:43
  Speaker 20: somebody company in a little bit you know because they're
• 59:47
  Speaker 20: Commuting from here to there, knowing long commutes have gone
• 59:50
  Speaker 20: on in some parts of my life.
• 59:54
  Speaker 4: Well, maybe he's asleep on the train, too, and they
• 59:56
  Speaker 4: can just be napping together. The security of sleeping.
• 1:00:00
  Speaker 6: I think that's awesome, you know, knowing that we're being
• 1:00:02
  Speaker 6: listened to while people are traveling around the world in
• 1:00:05
  Speaker 6: some fashion is pretty freaking amazing.
• 1:00:07
  Speaker 4: Yeah, I'm still shocked by the.
• 1:00:09
  Speaker 6: Yeah, I like it.
• 1:00:10
  Speaker 4: That we're even going out to other cities in this country,
• 1:00:12
  Speaker 4: let alone internationally.
• 1:00:14
  Speaker 5: Yeah, right.
• 1:00:15
  Speaker 4: Boggles the mind i was.
• 1:00:16
  Speaker 6: Like are we even getting like out until like falling.
• 1:00:19
  Speaker 4: Rain nobody here listens but it's amazing how many and
• 1:00:22
  Speaker 4: other places do that that still totally shocks me just
• 1:00:25
  Speaker 4: shows what tastes are.
• 1:00:26
  Speaker 5: Like the fact that anybody listens anywhere hey we're awesome
• 1:00:31
  Speaker 5: and you know yeah.
• 1:00:34
  Speaker 4: That you also should you know get a hold of
• 1:00:36
  Speaker 4: us and let us know your thoughts similar to that
• 1:00:39
  Speaker 4: feelings how awesome we are tell us that we rock
• 1:00:42
  Speaker 4: much like we told ourselves there yeah Or other complaints.
• 1:00:46
  Speaker 14: The disillusionment that we provide will only last so long.
• 1:00:49
  Speaker 6: Yeah, that's true.
• 1:00:49
  Speaker 14: We need you to help.
• 1:00:50
  Speaker 6: We need constant... Affirmation.
• 1:00:53
  Speaker 4: Yes. Boosting of our egos.
• 1:00:55
  Speaker 5: I don't know if my ego gets any bigger.
• 1:00:58
  Speaker 4: I know. These are tall ceilings, but not that tall.
• 1:01:02
  Speaker 5: I need a shoehorn to get married.
• 1:01:04
  Speaker 4: Please send us your emails and give us a phone call.
• 1:01:08
  Speaker 9: Hey.
• 1:01:08
  Speaker 5: Hey.
• 1:01:09
  Speaker 4: We're always up for voicemails as well.
• 1:01:11
  Speaker 14: Yeah, no more naked pictures, though. That was a bit
• 1:01:13
  Speaker 14: much last time, guys.
• 1:01:14
  Speaker 5: What are you talking about? That part was awesome. That's
• 1:01:16
  Speaker 5: the only reason I come to this show for the
• 1:01:18
  Speaker 5: naked pictures.
• 1:01:18
  Speaker 8: Yeah.
• 1:01:20
  Speaker 4: So, depending on who you are, hey, send naked pictures.
• 1:01:23
  Speaker 4: We'll take a look and decide who wants the photo.
• 1:01:26
  Speaker 4: How about that?
• 1:01:27
  Speaker 6: We'll divvy it up.
• 1:01:28
  Speaker 4: We'll see.
• 1:01:28
  Speaker 5: Or you can draw naked photos onto money and then
• 1:01:32
  Speaker 5: send it to us.
• 1:01:33
  Speaker 4: There you go. Naked drawings.
• 1:01:35
  Speaker 15: I think they may be sweaty just by a transformation.
• 1:01:40
  Speaker 14: Portation. It's been a long day, kids.
• 1:01:45
  Speaker 4: So, yes, please continue with the feedback.
• 1:01:49
  Speaker 5: Don't be shy.
• 1:01:52
  Speaker 11: Just let your.
• 1:01:52
  Speaker 5: Feelings roll on by.
• 1:01:55
  Speaker 2: Don't be shy. We'd like to hear from you. So
• 1:01:59
  Speaker 2: give us a call at 502-365-5565. Or you can email
• 1:02:03
  Speaker 2: us at geeksatmoviemeltdown.com. And just stop by the website for
• 1:02:07
  Speaker 2: our frequent updates. That's moviemeltdown.com.
• 1:02:11
  Speaker 6: On by, on by, on by, on by.
• 1:02:17
  Speaker 4: I don't think that was the reason.
• 1:02:18
  Speaker 5: Ha ha.
• 1:02:19
  Speaker 4: You're supposed to be here regardless of your gender. We're
• 1:02:23
  Speaker 4: not gender biased here.
• 1:02:24
  Speaker 9: I am.
• 1:02:25
  Speaker 4: Well, that's because you are racist and offensive and genderific.
• 1:02:32
  Speaker 5: Genderific.
• 1:02:33
  Speaker 4: Yes. Is it time?
• 1:02:35
  Speaker 5: Is that kind of like Fergalicious?
• 1:02:38
  Speaker 4: I hope not.
• 1:02:38
  Speaker 14: You might want to get that looked at.
• 1:02:43
  Speaker 4: It is time.
• 1:02:44
  Speaker 5: What time is it, yo?
• 1:02:45
  Speaker 14: Shocked of us countdown.
• 1:02:47
  Speaker 7: Woo!
• 1:02:55
  Speaker 17: I've got a picture called Sharktopus, which comes out September
• 1:02:59
  Speaker 17: 25th on the Sci-Fi Channel.
• 1:03:02
  Speaker 10: Yeah.
• 1:03:02
  Speaker 4: All right, Misty, are you in charge of it again?
• 1:03:05
  Speaker 5: Unless somebody else wants it. Does anybody else want to
• 1:03:07
  Speaker 5: do the time? Do you want to do the time?
• 1:03:08
  Speaker 6: You don't tell me.
• 1:03:09
  Speaker 14: 13 days, 3 hours, 6 minutes, and 25, 4, 3, 2,
• 1:03:15
  Speaker 14: 1 second.
• 1:03:17
  Speaker 8: Woo!
• 1:03:17
  Speaker 4: It's clicking ever closer, ladies and gentlemen, to the glory.
• 1:03:21
  Speaker 6: And wonder that will be Sharktopus.
• 1:03:22
  Speaker 4: Sharktopus premiere. Yes.
• 1:03:25
  Speaker 14: I'm so stoked.
• 1:03:26
  Speaker 4: And our infamous Sharktopus coverage.
• 1:03:29
  Speaker 5: I drew a picture of Sharktopus the other day when
• 1:03:30
  Speaker 5: I was sitting in the car waiting for a boyfriend
• 1:03:32
  Speaker 5: to go pick the kid up.
• 1:03:32
  Speaker 6: Sharktopus.
• 1:03:33
  Speaker 4: This was a different one than your other drawing of Sharktopus?
• 1:03:35
  Speaker 14: Yeah, we did the same.
• 1:03:36
  Speaker 4: Oh, my lord.
• 1:03:37
  Speaker 6: Sharktopus.
• 1:03:40
  Speaker 4: Are we going to use that as our title card
• 1:03:42
  Speaker 4: for the episode? It has addresses on it, too.
• 1:03:44
  Speaker 14: I like that octopus.
• 1:03:46
  Speaker 4: I can make use of that, though.
• 1:03:48
  Speaker 5: It has addresses of the two same ones.
• 1:03:49
  Speaker 14: I like how it's on a sticker folder.
• 1:03:51
  Speaker 4: Did it have Selena Gomez on it?
• 1:03:54
  Speaker 5: It had Selena Gomez in here at one point.
• 1:03:57
  Speaker 4: I called it Selena Gomez paper.
• 1:04:01
  Speaker 5: Sticky paper.
• 1:04:02
  Speaker 7: Oh, wait a minute.
• 1:04:03
  Speaker 4: It's as if I have this little head going. You
• 1:04:07
  Speaker 4: can't talk about that.
• 1:04:10
  Speaker 3: Anyway.
• 1:04:10
  Speaker 4: I would have brought my McDashed Potatoes.
• 1:04:12
  Speaker 5: Anyway.
• 1:04:13
  Speaker 4: That's exactly what the line is.
• 1:04:17
  Speaker 2: All right.
• 1:04:19
  Speaker 4: Okay, kids, get out your decoder pins.
• 1:04:22
  Speaker 6: Is that a fucking chicken?
• 1:04:26
  Speaker 5: Come on down to the bucket.
• 1:04:30
  Speaker 6: Wow.
• 1:04:33
  Speaker 14: Chickens and piggies living as one.
• 1:04:37
  Speaker 4: Chicken pig.
• 1:04:38
  Speaker 14: What time is it?
• 1:04:39
  Speaker 4: Dogs and cats living together.
• 1:04:42
  Speaker 6: Mass hysteria. For you members of the Secret Circle.
• 1:04:45
  Speaker 4: It is time for the Movie Meltdown Secret Circle reveal
• 1:04:48
  Speaker 4: of the next two features.
• 1:04:50
  Speaker 5: Let's see.
• 1:04:55
  Speaker 4: This week's feature, or next week's, or some feature.
• 1:04:58
  Speaker 6: Just next week.
• 1:04:59
  Speaker 4: Next week. I think we're still on track.
• 1:05:01
  Speaker 3: Yep.
• 1:05:02
  Speaker 4: So next week's feature should be Night of the Creeps.
• 1:05:06
  Speaker 5: It's a classic.
• 1:05:08
  Speaker 4: So, get on it. Let us know what you think
• 1:05:11
  Speaker 4: of Night of the Creeps.
• 1:05:12
  Speaker 6: Rewatch it, because you know you've probably seen it somewhere
• 1:05:15
  Speaker 6: in your life before.
• 1:05:16
  Speaker 5: Or if not. I've never seen it.
• 1:05:17
  Speaker 4: That's the thing. I think this should be interesting because
• 1:05:19
  Speaker 4: I think we've got several new entries into Night of
• 1:05:22
  Speaker 4: the Creeps. It'll be good to hear what other people.
• 1:05:25
  Speaker 14: See.
• 1:05:26
  Speaker 13: There you go.
• 1:05:27
  Speaker 4: This will be interesting. There's a cripple in it.
• 1:05:30
  Speaker 6: Handicapable.
• 1:05:32
  Speaker 14: Handicapable.
• 1:05:33
  Speaker 6: Walk challenge.
• 1:05:34
  Speaker 4: We are so PC. And I thought I looked bad. So, yes,
• 1:05:42
  Speaker 4: including the Tom Adkins interview. So, that will be next week.
• 1:05:47
  Speaker 5: We already talked about shooting somebody a whole bunch of
• 1:05:49
  Speaker 5: times in the face.
• 1:05:51
  Speaker 4: No, that's all in your imagination. In the following week,
• 1:05:57
  Speaker 4: as we've already alluded to, we're actually catching up with it.
• 1:06:00
  Speaker 4: The next week will be Shark to Push.
• 1:06:05
  Speaker 6: Oh, my God.
• 1:06:06
  Speaker 14: I think I just broke my own, like, eardrum.
• 1:06:08
  Speaker 4: You be careful with that. So, yes, Sharktopus Super Premier Party.
• 1:06:13
  Speaker 9: Awesome.
• 1:06:13
  Speaker 5: Are you all going to be here or do you
• 1:06:15
  Speaker 5: have to work?
• 1:06:16
  Speaker 4: No, we're going to be here. It's at night.
• 1:06:19
  Speaker 6: Saturday night.
• 1:06:21
  Speaker 4: I told you a long time ago. You're supposed to
• 1:06:23
  Speaker 4: get that day off. All right. Otherwise, anything else to
• 1:06:28
  Speaker 4: round up this episode?
• 1:06:29
  Speaker 6: I think that's it.
• 1:06:30
  Speaker 12: That's it.
• 1:06:32
  Speaker 4: Well, I'm thinking as we go out, screw that perfect
• 1:06:35
  Speaker 4: circle nonsense. I think we should go out with Arcadia.
• 1:06:38
  Speaker 10: Yeah.
• 1:06:39
  Speaker 4: Because I'm the only one dorky enough to play Arcadia.
• 1:06:42
  Speaker 6: Wow.
• 1:06:43
  Speaker 4: And I own Arcadia, so F it. I'm playing Arcadia.
• 1:06:47
  Speaker 6: Do it.
• 1:06:48
  Speaker 4: Let's roll with it.
• 1:06:49
  Speaker 5: We're censoring ourselves now for saying F it instead of
• 1:06:52
  Speaker 5: actually fucking?
• 1:06:52
  Speaker 4: No, I actually say F it all the time. Oh,
• 1:06:54
  Speaker 4: fuck that. So fuck that. I still say fuck all
• 1:06:57
  Speaker 4: the time. I just have occasionally decided to throw in.
• 1:06:59
  Speaker 5: An F here and there.
• 1:07:00
  Speaker 14: But not, like, just the letter F.
• 1:07:02
  Speaker 5: In his mind, it's E-F-F.
• 1:07:05
  Speaker 6: Whatever, dude.
• 1:07:07
  Speaker 4: Otherwise, that about does it. We will return next week.
• 1:07:09
  Speaker 4: Same geek time, same geek feed. Thanks for listening.
• 1:07:12
  Speaker 15: Bye, guys.
• 1:07:13
  Speaker 5: Have a good week.
• 1:07:15
  Speaker 6: Have a good night.
• 1:07:16
  Speaker 5: Have a good week.
• 1:07:17
  Speaker 14: Sometimes you have no choice.
• 1:07:21
  Speaker 18: Sometimes you've got no voice to say. Say if you
• 1:07:28
  Speaker 18: will the words. Say if your work is so great.
• 1:07:36
  Speaker 14: But we can decide.
• 1:07:38
  Speaker 18: It There'd be no tears, no tragedy Sure I wouldn't
• 1:07:46
  Speaker 18: break and cry if.
• 1:07:48
  Speaker 6: You go your own.
• 1:07:50
  Speaker 13: Way And leave me, hey Goodbye Goodbye is for Forever
• 1:08:05
  Speaker 13: Goodbye is forever and ever Sometimes.
• 1:08:22
  Speaker 6: It makes no sense.
• 1:08:26
  Speaker 18: The sign of cruel coincidence Brought up in our own
• 1:08:32
  Speaker 18: bonfire To set us free Believe me, say goodbye Goodbye
• 1:08:45
  Speaker 18: is forever Hey, forever Goodbye is forever and ever.
• 1:08:57
  Speaker 6: Oh, oh, oh, oh.
• 1:09:19
  Speaker 10: Hey!
• 1:09:21
  Speaker 6: Goodbye!
• 1:09:49
  Speaker 7: Hey, forever Goodbye is forever and ever Goodbye Goodbye is
• 1:09:59
  Speaker 7: forever Hey, forever Goodbye is forever and.
• 1:10:12
  Speaker 9: Ever Hey boys, is that any way to treat a lady?
• 1:10:56
  Speaker 2: This show is a production of Movie Meltdown, produced and
• 1:10:58
  Speaker 2: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:11:03
  Speaker 2: To help support the show, email producer at moviemeltdown.com for
• 1:11:06
  Speaker 2: ways that you can contribute or advertise with us.