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Transcript

Reactions to Coming to America 2 · The Breakfast Club

• 0:01
  Speaker 1: In the morning. You gonna wake up in the morning.
• 0:04
  Speaker 1: I'm talking right. You know you're about to experience a
• 0:06
  Speaker 1: morning showing like any yo to the breakfast club. What
• 0:11
  Speaker 1: you guys are doing right now, that's the hub culture.
• 0:13
  Speaker 1: Breakfast club is my morning sick. I need it and
• 0:16
  Speaker 1: I love it. Something yo like, you're really not popping
• 0:19
  Speaker 1: until you do the breakfast club and waiting come to
• 0:23
  Speaker 1: y'all show man. I know you gotta be a big
• 0:24
  Speaker 1: time celebrity be up in here. You gotta be you
• 0:26
  Speaker 1: gotta be big time Atli and Charlomagne the guy the
• 0:30
  Speaker 1: breakfast club bitches. Good morning usc yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:47
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:49
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:51
  Speaker 1: yo yo yo yo yo yo Good morning angela Ye,
• 0:55
  Speaker 1: hey money, he's any Charlomagne the guy pick to the
• 0:59
  Speaker 1: planet is too. Yes, it's Tuesday, Yes it is. What's happening?
• 1:07
  Speaker 1: What's going on? Hey? You know, man, just happy to
• 1:09
  Speaker 1: be here, happy to be alive, feeling blessed, Black and
• 1:11
  Speaker 1: Holly favorite this morning per usual. Yes, it shout out
• 1:15
  Speaker 1: to everybody out in Atlanta. I was out in Atlanta
• 1:17
  Speaker 1: for All Star. I had about seven shows. Uh, it
• 1:21
  Speaker 1: was It's really good to be back working, like I
• 1:25
  Speaker 1: really enjoyed working being a DJ. And it's nothing better
• 1:28
  Speaker 1: than going to a club and and somebody might be
• 1:32
  Speaker 1: going through stress or somebody just wanted to just get
• 1:34
  Speaker 1: away and be able to guide the crowd. So shout
• 1:37
  Speaker 1: out everybody in Atlanta. Shout to b q E, which
• 1:39
  Speaker 1: is one of my favorite restaurants, and slush shout out
• 1:42
  Speaker 1: to Sweet Tory and Darryl who listened to the Breakfast
• 1:44
  Speaker 1: Club every morning. I just want to say thank you
• 1:46
  Speaker 1: guys for having me out in Atlanta. Had a great time.
• 1:47
  Speaker 1: Did your vaccine hold up? Did the vaccine the vaccines
• 1:52
  Speaker 1: stay on or did they wear off like some you
• 1:54
  Speaker 1: know twenty five dear older No, no, no, the vaccine
• 1:56
  Speaker 1: was good money. Um. I took my rapid test yesterday
• 2:00
  Speaker 1: day which came back everything was clear. So they said
• 2:02
  Speaker 1: the vaccine. They said, when you take the first shot
• 2:04
  Speaker 1: after I believe it's seven days, you're eighty five percent efficient,
• 2:07
  Speaker 1: and then after the second shot it's ninety six percent.
• 2:10
  Speaker 1: So I feel good. I took my shot to you know,
• 2:12
  Speaker 1: still double massed up when I was walking in and
• 2:14
  Speaker 1: out the club, but when I got my own section,
• 2:16
  Speaker 1: I took my mask. You know, I'm in my own section,
• 2:19
  Speaker 1: but I'm not gonna lie. I was looking at the
• 2:21
  Speaker 1: new CDC guide lines yesterday. It was new CDC guide lines.
• 2:25
  Speaker 1: Look really enticing to go get that shot, baby. Yeah,
• 2:28
  Speaker 1: we'll talk about it in front page and news. You
• 2:31
  Speaker 1: took both shots already, No, I get the next shot
• 2:34
  Speaker 1: next week. Then ninety seven percent. I believe my uncle
• 2:38
  Speaker 1: ended up getting COVID after he got vaccinated the party.
• 2:43
  Speaker 1: That's one thing. That's one thing. But but they did say,
• 2:47
  Speaker 1: they did say that you're not fully vaccinated until two
• 2:50
  Speaker 1: weeks after the second after the second dose if you
• 2:52
  Speaker 1: get my dinner or a visor, and then two weeks
• 2:55
  Speaker 1: if you just get the first dose of Johnson, one
• 2:57
  Speaker 1: dose of Johnson and Johnson. Yeah, that's what I said.
• 2:59
  Speaker 1: Eighty five saying after the first one, and then ninety
• 3:02
  Speaker 1: six after the second one. They say a lot of
• 3:04
  Speaker 1: people don't go back for the second one because they
• 3:05
  Speaker 1: said the second one is the one that will really
• 3:07
  Speaker 1: put you on your ass, even though it's the same shot,
• 3:09
  Speaker 1: it's just the booster shot. But they say the second
• 3:11
  Speaker 1: one is the one that really sometimes makes people sick
• 3:14
  Speaker 1: for a second, or you know, gives people a fever
• 3:16
  Speaker 1: or something whatever it may be. But after what you want,
• 3:18
  Speaker 1: you want to go see Grandma again, right, Yeah, my
• 3:21
  Speaker 1: parents got both shots. They're good. It's been two weeks
• 3:23
  Speaker 1: since they got their second shot. So I'll get to
• 3:25
  Speaker 1: see them again. They'll get to come back in the
• 3:27
  Speaker 1: crib and we'll be able to do dinners and all that. So,
• 3:29
  Speaker 1: like I said, I was gonna get my shot. Gig
• 3:31
  Speaker 1: got her shot, so were hide over here. They said,
• 3:33
  Speaker 1: if you fully vaccinated, you can visit indoors with other
• 3:37
  Speaker 1: people who are fully vaccinated, that's right, yeah, and people
• 3:40
  Speaker 1: who are unvaccinated that are healthy you just got yeah. Yeah,
• 3:44
  Speaker 1: So I mean, but like I said, they protect you
• 3:47
  Speaker 1: from you know, carrying it and giving it, you know,
• 3:50
  Speaker 1: giving it to other people. And it also make sure
• 3:52
  Speaker 1: that if you do get it, it doesn't you know,
• 3:54
  Speaker 1: hit you where you or hospitalize or die. So they said,
• 3:57
  Speaker 1: even they didn't know if you can still you can
• 4:03
  Speaker 1: still pass it. I'm just you know, I'm reading the
• 4:05
  Speaker 1: CDC guidelines. Let's go, let's go, let's preach the misinformation.
• 4:11
  Speaker 1: So you're saying that you can. You're saying that you can.
• 4:13
  Speaker 1: I don't. I mean, I'm reading the CDC guidelines. They're
• 4:15
  Speaker 1: saying they don't know if you could pass it. If
• 4:17
  Speaker 1: you're talking about my doctor, so man and I went
• 4:19
  Speaker 1: to numerous but you know it is what it is.
• 4:21
  Speaker 1: But you still gotta be killed oram. I'm just saying,
• 4:26
  Speaker 1: he Centers for Disease Control and Prevention. A person who
• 4:29
  Speaker 1: is vaccinated against COVID nineteen can still be infected with
• 4:33
  Speaker 1: or carry the virus that causes COVID nine. Sounds to
• 4:36
  Speaker 1: me like we need to bring on an expert. Yeah,
• 4:38
  Speaker 1: sounds like that. To shut up, guys, bring on that.
• 4:42
  Speaker 1: All right, let's get the show crack in front pagent
• 4:44
  Speaker 1: is what we're talking about. Well, I was gonna start
• 4:46
  Speaker 1: with what the guidelines are for people who are fully
• 4:49
  Speaker 1: vaccinated against COVID nineteen from the CDC. All right, you
• 4:52
  Speaker 1: guys are not getting your shots. I know we're not eligible.
• 4:57
  Speaker 1: We can't get them yet. No, but I know you
• 4:59
  Speaker 1: know we'll about late. All right, Front Page News. Next
• 5:01
  Speaker 1: is the Breakfast Club. Good morning morning. Everybody is DJ
• 5:04
  Speaker 1: Envy Angela Yee, Charlomagne the guy we are to breakfast
• 5:07
  Speaker 1: clubles getting some front page news where we start, Well,
• 5:14
  Speaker 1: just yesterday, the CDC has issued their first set of
• 5:16
  Speaker 1: guidelines and how fully vaccinated people can visit safely with others.
• 5:21
  Speaker 1: So you can visit with other fully vaccinated people indoors
• 5:24
  Speaker 1: without wearing masks or staying six feet apart. So that's
• 5:26
  Speaker 1: if everybody's vaccinated. You can visit with unvaccinated people from
• 5:30
  Speaker 1: one other household indoors without wearing masks or staying six
• 5:34
  Speaker 1: feet apart, if everyone in the other household is at
• 5:36
  Speaker 1: low risk for severe disease, and you can refrain from
• 5:39
  Speaker 1: quarantine and testing if you don't have symptoms of COVID
• 5:42
  Speaker 1: nineteen after contact with someone who has COVID nineteen. Now
• 5:45
  Speaker 1: they consider you fully vaccinated two weeks after receiving the
• 5:49
  Speaker 1: last required dose of the vaccine. And they are saying
• 5:52
  Speaker 1: right now less than ten percent of the US population
• 5:54
  Speaker 1: has been fully vaccinated with a COVID nineteen vaccine that
• 5:57
  Speaker 1: the FDA has authorized for emerging see US. But they
• 6:00
  Speaker 1: did say that fully vaccinated people should continue to take
• 6:04
  Speaker 1: COVID nineteen precautions because when visiting with unvaccinated people from
• 6:08
  Speaker 1: multiple of the households and went around unvaccinated people at
• 6:11
  Speaker 1: high risk. So still wear that masks. Still stay six
• 6:14
  Speaker 1: feet from people you do not live with. Avoid medium
• 6:16
  Speaker 1: and large sized in person gatherings. Get tested if you
• 6:19
  Speaker 1: have COVID nineteen symptoms, and make sure you follow guidance
• 6:22
  Speaker 1: issued by individual employers, and follow the CDC and Health
• 6:25
  Speaker 1: Department travel requirements and recommendations. By the way, that's the
• 6:29
  Speaker 1: sales pitch. If you want to get people to take
• 6:30
  Speaker 1: the vaccine, that's how you do it. If you haven't
• 6:32
  Speaker 1: seen your parents or grandparents and months and then you
• 6:35
  Speaker 1: lay those guidelines out, that's how you get people to
• 6:37
  Speaker 1: run out there and go get that. The scary part
• 6:39
  Speaker 1: is they seem like they change everything every couple of
• 6:42
  Speaker 1: weeks of you know, I mean they're researching. Yeah, but
• 6:46
  Speaker 1: that's the scary part because they say this one time,
• 6:48
  Speaker 1: and they on they say this another time, they'll say
• 6:49
  Speaker 1: this one time. They'll say. It's very scary because you
• 6:52
  Speaker 1: don't know what to believe. That's because all y'all a
• 6:54
  Speaker 1: part of the research. If you've gotten the show still new, Yeah,
• 6:56
  Speaker 1: they're monitoring y'all over the next you know, thirty days,
• 6:59
  Speaker 1: sixty days to see what happens. That's so. Yeah, they
• 7:02
  Speaker 1: say they don't have long shot that everybody at value
• 7:06
  Speaker 1: that straight herd immunity down there in Atlanta. That's all.
• 7:09
  Speaker 1: That is all right now, as you know, yesterday was
• 7:12
  Speaker 1: International Women's Day and Burger King is under fire for
• 7:15
  Speaker 1: this post. Burger King UK they posted women belong in
• 7:19
  Speaker 1: the kitchen now ye I am, I'm about to now.
• 7:25
  Speaker 1: They were trying to get attention for a campaign that
• 7:28
  Speaker 1: they were doing. Actually they said if they want to,
• 7:31
  Speaker 1: of course after that. Yet only twenty percent of chefs
• 7:33
  Speaker 1: or women were on a mission to change the gender
• 7:35
  Speaker 1: ratio and the restaurant industry by empowering female employees with
• 7:39
  Speaker 1: the opportunity to pursue a culinary career. We are proud
• 7:42
  Speaker 1: to be launching a new scholarship program which will help
• 7:45
  Speaker 1: female Burger King employees pursue their culinary dreams. What's wrong
• 7:48
  Speaker 1: with that? Yeah? I don't eat Burger King having it years,
• 7:50
  Speaker 1: But that's slick marketing. I mean that was great. You
• 7:53
  Speaker 1: start the headline that catches people's eyes because you know
• 7:56
  Speaker 1: that that that that term, you know, women belong in
• 7:58
  Speaker 1: the kitchen is being infuriating for years. So you catch
• 8:00
  Speaker 1: them with that, and then you say, well, of course
• 8:02
  Speaker 1: if they want to, and then you break down the rest.
• 8:03
  Speaker 1: I thought that was great. One person who was an
• 8:06
  Speaker 1: associate professor at Georgetown University of Continuing Studies said, if
• 8:10
  Speaker 1: you want to use sexism as clickbait, then you obviously
• 8:12
  Speaker 1: are not celebrating International Women's Day. Not. The person said
• 8:16
  Speaker 1: Burger King had the perfect setup to go with Burger
• 8:18
  Speaker 1: Queen for the day, but chose to publicly execute their
• 8:21
  Speaker 1: social media people instead. Well, it's a bait and switch, right,
• 8:24
  Speaker 1: that's what it was. They'd given away scholarships. What's I
• 8:30
  Speaker 1: don't think it was the most clever way to do it,
• 8:32
  Speaker 1: but you know it didn't kind of lose a candidate.
• 8:34
  Speaker 1: Women belonging in the kitchen. It worked. Everybody talking about it. Yeah,
• 8:39
  Speaker 1: not in a great way. Did not go stop eating
• 8:42
  Speaker 1: Burging even though I haven't eaten an yet. Well, choices
• 8:47
  Speaker 1: of where we can go eat. So you're saying we
• 8:49
  Speaker 1: should boycott Burking for this, No, I'm just saying that.
• 8:52
  Speaker 1: You can't say no one's gonna stop. Some people might. Yeah,
• 8:55
  Speaker 1: I mean they should, but not for the reasons because
• 8:58
  Speaker 1: of that, because of that, but your customers for granted
• 9:02
  Speaker 1: if people felt like, Okay, that was awful. I just
• 9:05
  Speaker 1: thought it was a big and switch. I thought so
• 9:07
  Speaker 1: too made people talk about it because you usually wouldn't
• 9:10
  Speaker 1: talk about buraking. That's the last time you talk about burking.
• 9:14
  Speaker 1: See yeah, I don't know. Leading with something negative just
• 9:17
  Speaker 1: to get people to talk about you is always the
• 9:19
  Speaker 1: best time in That is everything. That's every media outlet,
• 9:24
  Speaker 1: that's every blog post, that's people, that's what they do
• 9:28
  Speaker 1: for whatever reason. That's just the area were living. Why.
• 9:30
  Speaker 1: I do not know we were the last ten years though,
• 9:32
  Speaker 1: it's not like it just started. Absolutely how you think
• 9:35
  Speaker 1: TMZ and all these other people came up, all these blogs, everything,
• 9:39
  Speaker 1: every block that you follow, that's how it starts. But
• 9:42
  Speaker 1: that is your front page news. I'm going back to sleep.
• 9:45
  Speaker 1: You don't too woke this morning. Get it off your chest.
• 9:49
  Speaker 1: Eight hundred five eight five one O five one. If
• 9:51
  Speaker 1: you need to vet hit us up right now again,
• 9:54
  Speaker 1: the number is eight hundred five eight five one on
• 9:57
  Speaker 1: five one. Get it off your chest. It's to breakfast club.
• 9:59
  Speaker 1: Go morning, breakfast club. This is your time to get
• 10:05
  Speaker 1: it off your chest. Whether you're man or black, than
• 10:09
  Speaker 1: from you on the breakfast club like you got something
• 10:11
  Speaker 1: on your mind. Hello, who's this Hi? My name is Annie.
• 10:16
  Speaker 1: Good morning, Gods, Good morning Annie. Annie. Hey. So my
• 10:21
  Speaker 1: thoughts are with a lot of people that I see
• 10:24
  Speaker 1: every day in the world. I'm a truck driver and
• 10:27
  Speaker 1: I go through a lot of inner cities and I
• 10:30
  Speaker 1: see a lot of hopeless people. I just want people to,
• 10:34
  Speaker 1: you know, know that there's always hope and that if
• 10:37
  Speaker 1: you lean on your spirit, that you can make it
• 10:40
  Speaker 1: through whatever you're going through through the course of the
• 10:43
  Speaker 1: day or life. I've been on my own since to
• 10:45
  Speaker 1: ag eleven. I've been a victim of child abuse. Well
• 10:49
  Speaker 1: it's great. I dropped out of school at an early age.
• 10:53
  Speaker 1: I got my Administrative Assistant certification and CNA, and I'm
• 10:57
  Speaker 1: a truck driver. I make a ninety thousand dollars a year.
• 11:01
  Speaker 1: But I got that because I never lost hope and
• 11:04
  Speaker 1: I never lost the will, and I leaned during my
• 11:07
  Speaker 1: spirit or understand and not what society shows you for
• 11:11
  Speaker 1: what you have inside of you. If you dare to
• 11:14
  Speaker 1: speak a better understanding than what that everyday society shows you,
• 11:20
  Speaker 1: you'll be amazed at what you can see, what you
• 11:22
  Speaker 1: can feel, what you can be. And I just want
• 11:25
  Speaker 1: to encourage your everybody that's you know, not encouraged in
• 11:29
  Speaker 1: this day, to just never give up on yourself, never
• 11:33
  Speaker 1: let society dictate what your life is gonna be. They're
• 11:38
  Speaker 1: to push forward no matter what. Therapy was good to me.
• 11:41
  Speaker 1: I identified with that as far as you concerned, Charalomagne.
• 11:45
  Speaker 1: I did it for four years and it allowed me
• 11:49
  Speaker 1: to get over all the things that I went through
• 11:52
  Speaker 1: because I let what people die for me hold me back.
• 11:56
  Speaker 1: But after therapy, I'm at pea like I have a
• 12:00
  Speaker 1: piece of mind. I remember going through the mountains driving
• 12:04
  Speaker 1: and I just felt I got out and I was
• 12:06
  Speaker 1: viewing the mountains and I just felt like some chains
• 12:09
  Speaker 1: fell off from me, like I had released myselff from
• 12:13
  Speaker 1: everything that everybody had done to I pushed forward. I thought,
• 12:18
  Speaker 1: I thought, you have to fight, and you have to
• 12:21
  Speaker 1: see pass what you see and what people show you.
• 12:24
  Speaker 1: It's just so much to this world into this fight
• 12:27
  Speaker 1: that our people in the inner city dare to go
• 12:30
  Speaker 1: out and check it out. It's just amazing to me
• 12:33
  Speaker 1: how condition we are, and I just don't want our
• 12:38
  Speaker 1: people to be that way. Naturally, Queens and kings and
• 12:42
  Speaker 1: we just got to step up and be able to
• 12:45
  Speaker 1: identify with that. It's us, this is our powers. Some
• 12:48
  Speaker 1: of the most powerful people in this and together we
• 12:53
  Speaker 1: cannot when I thinking hold us back. I'm glad you
• 12:57
  Speaker 1: want to therapy. Could I always tell people that you
• 13:00
  Speaker 1: don't deal with your trauma. Your trauma deal with you.
• 13:02
  Speaker 1: That's why I go to therapy once a week, baby,
• 13:04
  Speaker 1: So I'm glad that therapy um was very beneficial to you. Man,
• 13:08
  Speaker 1: it was excellent. I remember my last therapy session my
• 13:11
  Speaker 1: because I went into the thing thinking night was crazy, like, yo,
• 13:14
  Speaker 1: is it me at my tripping? And so when I
• 13:17
  Speaker 1: shared my story with it, now now I'm gonna start
• 13:19
  Speaker 1: charging you by the hour. Now if you're going now, okay,
• 13:22
  Speaker 1: don't make me charge you by the hour. Okay, yeah,
• 13:25
  Speaker 1: But anyway, man, I just tope what I shared that
• 13:28
  Speaker 1: people get up today and want to fight for what
• 13:31
  Speaker 1: you know, he really wanted, Like nobody can't get millionaires,
• 13:34
  Speaker 1: but we can't live. That's right and in an everyday life,
• 13:38
  Speaker 1: you know, Queen, Oh, I just want to share that
• 13:40
  Speaker 1: love to y'all kings and queens. God damn drop you
• 13:45
  Speaker 1: just hung hom like that now drama, that inspirational, man,
• 13:50
  Speaker 1: that's positive. She was talking nastiness and horrible and we
• 13:53
  Speaker 1: were beefing you. They left her own. We apologized for dramas.
• 13:57
  Speaker 1: Dramas need therapy. Clearly, get it off your chest. Eight
• 14:01
  Speaker 1: hundred five eight five one oh five one. If you
• 14:03
  Speaker 1: need to vent hit this up now. It's the Breakfast Club.
• 14:05
  Speaker 1: Good morning, the Breakfast Club. Wake up, wake up, wake up.
• 14:12
  Speaker 1: You're trying to get it off your chest, your man
• 14:16
  Speaker 1: of blast. We want to hear from you on the
• 14:18
  Speaker 1: Breakfast Club. Hello. Who's this? Good morning? Hey, what's up Davy?
• 14:23
  Speaker 1: What's up? Brother? Good morning? Sonny? Just want to before
• 14:26
  Speaker 1: I get it off my chests. Just want to rep
• 14:28
  Speaker 1: my hood, Washington Heights one nine one dark my baby
• 14:32
  Speaker 1: so uh Pjmby. I just want to say I agree
• 14:35
  Speaker 1: with Angela what she was saying earlier. You know, she
• 14:38
  Speaker 1: was upset or she you know, about the berging thing,
• 14:41
  Speaker 1: the whole situation, and I think he's taking it too severus.
• 14:45
  Speaker 1: I think it was painful and it was it was
• 14:48
  Speaker 1: not you know it was it was. It was not
• 14:50
  Speaker 1: classy at all? What with that. I just think that
• 14:54
  Speaker 1: if I did not take it too serious and if
• 14:57
  Speaker 1: it's more something like more rap, I'm like it was
• 15:00
  Speaker 1: like something against African Americans or people. I think you
• 15:03
  Speaker 1: guys would agree that it was very distasteful. And even
• 15:07
  Speaker 1: if it worked, even if it's like they it's like,
• 15:10
  Speaker 1: just don't do that. I think little girls are listening,
• 15:12
  Speaker 1: you know, and and they're hearing this, and when they
• 15:14
  Speaker 1: sat stuff like that, they hear, you know, women's kitchen.
• 15:17
  Speaker 1: I don't think that's rightful. You know, so what's your
• 15:19
  Speaker 1: what's your What should we do? Well, you know what,
• 15:22
  Speaker 1: I think you guys not you know, not just brust
• 15:24
  Speaker 1: it off. It just sounds like you guys just brushed
• 15:26
  Speaker 1: it off, like like you know it works, you know itselfs.
• 15:29
  Speaker 1: But I don't think that's rightful. You still ain't tell
• 15:32
  Speaker 1: us what we should do? What what you should do? Yeah?
• 15:35
  Speaker 1: What should be that? What should be the consequences for that?
• 15:38
  Speaker 1: I mean, you could just call it out. I don't
• 15:41
  Speaker 1: know about boy cockings. I don't know anybody that still
• 15:43
  Speaker 1: eat burg but you can just tell you can just
• 15:47
  Speaker 1: call it out instead of making it seem like it's
• 15:48
  Speaker 1: a thing that wasn't. Burger Kings message Burger Kings messages
• 15:51
  Speaker 1: trying to help women who want to get in the
• 15:53
  Speaker 1: culinary yeah, you know that's trying to give You know,
• 15:59
  Speaker 1: I wouldn't. I wouldn't boycott somebody that's trying to help women.
• 16:02
  Speaker 1: Maybe their way of advertising was wrong and left up
• 16:04
  Speaker 1: and we all have opinions on if you like things
• 16:06
  Speaker 1: or not. But I thought their whole goal was to
• 16:08
  Speaker 1: try to help women who want to get in the
• 16:09
  Speaker 1: culinary fill That's what I thought they were doing about
• 16:11
  Speaker 1: getting money. Here's the thing. If women tell me that
• 16:13
  Speaker 1: they're offended by, they're offended by. Correct. I mean, there's
• 16:15
  Speaker 1: nothing we can say about that. But I wonder who
• 16:17
  Speaker 1: was behind it. What if a woman created that campaign,
• 16:19
  Speaker 1: What if a woman who works for bird can create
• 16:21
  Speaker 1: Actually a woman could still get it, get it wrong.
• 16:24
  Speaker 1: I mean, nobody's saying the boycott, but you can call
• 16:26
  Speaker 1: out things that you're like, that was distasteful. That wasn't
• 16:28
  Speaker 1: the proper way to go about it, and don't just
• 16:30
  Speaker 1: brush it off like you know, it was very distasteful. Okay,
• 16:35
  Speaker 1: thank you brother. That's how I feel about all burger
• 16:37
  Speaker 1: king food at this point. It's just distasteful. Shut up man, Hello,
• 16:40
  Speaker 1: who's this here? Chats yea. Let you know you did
• 16:48
  Speaker 1: an amazing job. Yesterday was out for guys there. Thank you.
• 16:53
  Speaker 1: I appreciate. It was in the International Women's Day, so
• 16:56
  Speaker 1: the women took over. Yes, yes, yes, yes, yes, all right,
• 17:00
  Speaker 1: I didn't know. Did you know that more stuff Nut
• 17:02
  Speaker 1: was in the movie Boogie. Yeah, he was playing the um,
• 17:07
  Speaker 1: the coach for Georgetown that came to sit down and
• 17:10
  Speaker 1: um trying to recruit Boogie. Yeah. I was watching that.
• 17:12
  Speaker 1: I was like, I want to knew that. Yeah, yeah,
• 17:16
  Speaker 1: I knew that absolutely stop. But I was let y'all
• 17:20
  Speaker 1: know to keep me in your thoughts. I'm down in Virginia,
• 17:22
  Speaker 1: my hometown for the week. Um my little tisterious headstone
• 17:27
  Speaker 1: came going on this weekend. They go, um, put it
• 17:32
  Speaker 1: down and stuff. Man, just you know that that part
• 17:36
  Speaker 1: where it finally come. We're praying for you, my brother.
• 17:39
  Speaker 1: I know you got to relive that trauma all over again. Cha.
• 17:43
  Speaker 1: I always keep you in my prayers. It is a
• 17:46
  Speaker 1: little weird like coming home and you know, welcome past
• 17:49
  Speaker 1: her bed room and she's not being here. A little
• 17:51
  Speaker 1: stuff like, well, I'm gonna keep you in my prayers,
• 17:53
  Speaker 1: trapped just hopefully hopefully you smile knowing that I'm on
• 17:56
  Speaker 1: my knees, you know, talking about you you don't stop,
• 18:04
  Speaker 1: get it off your chest eight five five one O
• 18:08
  Speaker 1: five one if you need the vent and you can
• 18:09
  Speaker 1: hit us up. Now. We got rumors on the way, Yes,
• 18:11
  Speaker 1: and let's talk about it. Tell Er who is writing
• 18:14
  Speaker 1: a book about Kanye West. All right, we'll get into
• 18:17
  Speaker 1: it next. It's the Breakfast Club. Good morning, the Breakfast
• 18:20
  Speaker 1: Club Horning. Everybody is DJ Envy Angela Yee, Charlomagne the guy.
• 18:27
  Speaker 1: We all the Breakfast Club. Good morning. Let's get to
• 18:29
  Speaker 1: the rumors. Let's talk for Vnessa Brian listen. Oh got
• 18:39
  Speaker 1: Breakfast Club? Well, it's a wind four. Vanessa Briant. She
• 18:43
  Speaker 1: has won the case to get the names of the
• 18:45
  Speaker 1: four LA County Sheriff Department deputies who allegedly took or
• 18:49
  Speaker 1: shared photos of the scene of the helicopter crash that
• 18:52
  Speaker 1: killed Kobe Bryant. Boy, they all gonna need name changes.
• 18:55
  Speaker 1: That's not what you want when you live in La. Yeah,
• 19:00
  Speaker 1: and they're gonna be released to Vanessa Bryant. I don't
• 19:03
  Speaker 1: know what's gonna happen with that information after that, but
• 19:07
  Speaker 1: they must be held accountable. Yeah, you should release it
• 19:09
  Speaker 1: the public. If you get arrested. They released your name
• 19:11
  Speaker 1: to the public, so they definitely should be released being released,
• 19:14
  Speaker 1: and that's gonna put them out on social media and
• 19:17
  Speaker 1: every fast food restaurant and Los Angeles is gonna have
• 19:20
  Speaker 1: their name on a list stupid when they put their
• 19:22
  Speaker 1: horned food watch All right now, as you know, yesterday
• 19:28
  Speaker 1: was International Women's Day and Katie Curic was the first
• 19:31
  Speaker 1: female Jeopardy host on International Women's Day. She started her
• 19:34
  Speaker 1: two week run as a guest host. And that's the
• 19:37
  Speaker 1: first time they've ever had a woman host the show. Okay,
• 19:40
  Speaker 1: that's a that's a big deal. I had the showmen
• 19:44
  Speaker 1: on hiatus, I don't know, Um, yeah, they had the
• 19:48
  Speaker 1: executive producer, Mike Richard had taken over the hosting duties. Okay,
• 19:52
  Speaker 1: I know they had like a bunch of episodes with
• 19:54
  Speaker 1: him still hosting it, but I'm sure that they had
• 19:57
  Speaker 1: recorded already. Yeah, yeah, that's over now, all right now,
• 20:00
  Speaker 1: Swizz Beats and Timberland had posted on Instagram about versus
• 20:03
  Speaker 1: They now have a partnership with social media app Trailler,
• 20:07
  Speaker 1: So they posted about that by the artists for the
• 20:10
  Speaker 1: artists with the people hashtag versus Trailler. Life begins after
• 20:15
  Speaker 1: your comfort zone. Let's go thanks for all your supports.
• 20:18
  Speaker 1: The details of the of the situation all right, Well nope,
• 20:25
  Speaker 1: don't have no details. Just so the post on both
• 20:27
  Speaker 1: swizzes and Instagram and Timberland's Instagram pages it's the same post.
• 20:31
  Speaker 1: So we shall see what's going to happen now. Man,
• 20:35
  Speaker 1: they're doing a lot of moves, and they're doing a
• 20:36
  Speaker 1: lot of things for the culture. Even behind the scenes
• 20:38
  Speaker 1: of what they're doing, Swizz does a lot. That is
• 20:41
  Speaker 1: my That brother is my inspiration. I speak to him periodically.
• 20:45
  Speaker 1: I try to call him as much as possible and
• 20:46
  Speaker 1: just listen to him talk. But he does so much
• 20:48
  Speaker 1: for the culture and I love it. Man's good brother.
• 20:51
  Speaker 1: Swiss is My first big industry check came because of
• 20:55
  Speaker 1: Swiss beats. So drop on a clues, Boss Swiss. All
• 21:00
  Speaker 1: Amy Schumer was on Paris Hilton's podcast This is Paris,
• 21:04
  Speaker 1: and she talks about some of the scariest parts of
• 21:07
  Speaker 1: her dating history. In particular, she reveals an ex boyfriend
• 21:11
  Speaker 1: who was abusive toward her and how she had gotten
• 21:13
  Speaker 1: a pattern of dating guys that you know, they were
• 21:17
  Speaker 1: so funny and brilliant, and she felt she didn't deserve
• 21:19
  Speaker 1: to be with them, but they just weren't that nice
• 21:20
  Speaker 1: to her. Here's one situation she talks about, like, I
• 21:23
  Speaker 1: remember one time we were like at a gas station
• 21:25
  Speaker 1: meeting this guy, and I picked I got out of
• 21:27
  Speaker 1: the car and I like kind of picked my wedgie
• 21:29
  Speaker 1: and he was like, that's so gross when you do that,
• 21:32
  Speaker 1: Like that makes me sick. And he was a photographer
• 21:35
  Speaker 1: at the time, and he'd be like, my ex girlfriend
• 21:40
  Speaker 1: would have done this so well, and you know, all
• 21:43
  Speaker 1: of that up to the point of really wanting to
• 21:46
  Speaker 1: hurt me and chasing me with a knife. Or one
• 21:49
  Speaker 1: time I was in the shower and he just opened
• 21:51
  Speaker 1: the shower curtain and he just laughed at me. Andy,
• 21:54
  Speaker 1: I think he peered on me. He peered on me
• 21:55
  Speaker 1: in the shower while he was laughing at me. Lady,
• 21:58
  Speaker 1: you trying to tell me that was Paris Hilton talking
• 21:59
  Speaker 1: to doesn't it. No, that's Amy Schumer on Harry Hilton's podcast. Okay,
• 22:03
  Speaker 1: all right, Yeah, So that was her discussing some of
• 22:07
  Speaker 1: her relationships that she's been in and so she's grown
• 22:10
  Speaker 1: from that. She said this was in her twenties though,
• 22:13
  Speaker 1: and so she excused a lot of that behavior, like, oh,
• 22:15
  Speaker 1: he's just really scared to lose me. Um. Now, Eddie
• 22:18
  Speaker 1: Murphy looks back on some of the worst movies that
• 22:21
  Speaker 1: he's been in and why he actually took an acting hiatus.
• 22:24
  Speaker 1: He was discussing on the WTF podcast why he has
• 22:29
  Speaker 1: only appeared in one film from twenty twelve to twenty
• 22:32
  Speaker 1: eighteen because I had stopped making movies in two thousand eleven.
• 22:35
  Speaker 1: I was like, let me take a break from movies.
• 22:38
  Speaker 1: I was making movies and it was like this fun
• 22:42
  Speaker 1: giving me razzies. I think they gave me the worst
• 22:46
  Speaker 1: actor ever, Razzie. It was like break well somewhat thing.
• 22:52
  Speaker 1: He may need to take a break after watching her
• 22:54
  Speaker 1: Coming to America sequel. Some think it's a terrible movie.
• 22:57
  Speaker 1: It's kind of mixed reviews. But you know what, it
• 22:59
  Speaker 1: got the most viewers for streaming film launch of the
• 23:02
  Speaker 1: past year, according to a ratings firm. So they said
• 23:05
  Speaker 1: it said a pandemic era record. So in its first
• 23:08
  Speaker 1: weekend on Amazon Prime, it was the most watched streaming
• 23:10
  Speaker 1: film since the movie. They're just closed due to COVID
• 23:13
  Speaker 1: nineteen earlier year ago. Yeah, we all see the movie.
• 23:15
  Speaker 1: Did everybody see the movie? You what you got a story? Well,
• 23:17
  Speaker 1: you know, we saw it a while ago, but then
• 23:19
  Speaker 1: I watched it again this weekend. I watched it again
• 23:20
  Speaker 1: this weekend and I fell asleep on it. Um, it's
• 23:23
  Speaker 1: it's not the problem with Coming to America Too is
• 23:26
  Speaker 1: that it's not a great story. Okay. They aimed for
• 23:28
  Speaker 1: the funny instead of crafting a great story. And Eddie's
• 23:31
  Speaker 1: movies are usually just a great story and the funny
• 23:35
  Speaker 1: is in it because you know, the people in it
• 23:36
  Speaker 1: are funny. They seemed to aim for funny first would
• 23:39
  Speaker 1: Come into America Too, And it just seems like a
• 23:41
  Speaker 1: parody of the first movie. That's what it seems like
• 23:44
  Speaker 1: it was. Okay, I didn't enjoy it. I was so excited,
• 23:46
  Speaker 1: you know, Coming to America's my favorite movie ever. So
• 23:49
  Speaker 1: I was very excited to watch this movie. And I
• 23:51
  Speaker 1: was a little disappointed. It's weird, right because I can
• 23:53
  Speaker 1: see why it has mixed reviews because it made me
• 23:56
  Speaker 1: feel good. The nostalgia of it made me feel good.
• 24:00
  Speaker 1: But it's just like very corny. They tried to make
• 24:03
  Speaker 1: it funny, like when I see Western snaps coming out dancing,
• 24:06
  Speaker 1: I was like, very corny. Once again, it made me
• 24:09
  Speaker 1: feel good. It's just very Corny. All righty, well that
• 24:13
  Speaker 1: is your room of reports. Did you see you? I
• 24:15
  Speaker 1: saw half of it. I started watching it, but then
• 24:18
  Speaker 1: why everybody say that? Everybody? I didn't finish it. I'm
• 24:22
  Speaker 1: not gonna lie I was. I put it on because
• 24:23
  Speaker 1: I wanted to watch it, but I was also in
• 24:25
  Speaker 1: the middle of doing some work. I'm taking some classes online,
• 24:29
  Speaker 1: so I was trying to multitask and I got distracted.
• 24:31
  Speaker 1: Now with that said, right, because I've heard a lot
• 24:34
  Speaker 1: of people say what you just said, is watching movies
• 24:37
  Speaker 1: at home a good experience? See when you go to it,
• 24:39
  Speaker 1: it's time for me. Sometimes. Yeah, when you go to
• 24:41
  Speaker 1: a theater, you gotta commit, Like you gotta sit there,
• 24:44
  Speaker 1: watch the screen, eat your snacks. When you at home,
• 24:46
  Speaker 1: you might be on your phone, you might selle because
• 24:48
  Speaker 1: they'll do stuff. How many times that we've beene something
• 24:51
  Speaker 1: where we watched ten episodes or four episodes back to
• 24:54
  Speaker 1: back because it was that entertainment. I got to focus
• 24:57
  Speaker 1: for it. It's just hard when you're at home and
• 24:58
  Speaker 1: you know you have stuff to do, so trying to
• 25:00
  Speaker 1: handle different things. You're like, watch that house party came
• 25:04
  Speaker 1: on the other night, and I watched that in full
• 25:05
  Speaker 1: because it was entertaining that I could. I agree with
• 25:07
  Speaker 1: when you're in the movies, you put your phone away
• 25:09
  Speaker 1: because you're not allowed to have your phone out, and
• 25:11
  Speaker 1: you know you don't want it to light up the
• 25:12
  Speaker 1: whole theater, so you really do commit different. I might
• 25:15
  Speaker 1: have fell asleep on that movie, and in the Dead
• 25:17
  Speaker 1: is Angle Front, I would have been staring. Wow, I
• 25:20
  Speaker 1: think so. I don't know. Now. Yeah, like I said,
• 25:24
  Speaker 1: it made me feel good, but it's just it was
• 25:26
  Speaker 1: just it's a little disappointed. Yeah, I'm gonna watch the
• 25:29
  Speaker 1: whole thing this week. Sometimes you know, now you're gonna
• 25:31
  Speaker 1: fall asleep and Sam, I am all right. Well we
• 25:34
  Speaker 1: got out Front page News. Next, what we're talking about, Well,
• 25:36
  Speaker 1: Judge has permanently dismiss charges against Kenneth Walker. That is Brianna,
• 25:40
  Speaker 1: that's Beyonna tell his boyfriend. The fact that I even
• 25:43
  Speaker 1: had charges against him in the first place is ridiculous.
• 25:45
  Speaker 1: But we'll talk about it, all right, We'll get into
• 25:47
  Speaker 1: it next. It's the Breakfast Club. Good morning morning, everybody.
• 25:50
  Speaker 1: You see j Envy, Angela, Guee, Charlomagne, the guy we
• 25:53
  Speaker 1: are to Breakfast Club. I just want to let y'all
• 25:55
  Speaker 1: know the t that Angela tells behind the scenes. Goodness, gracious, hey,
• 26:00
  Speaker 1: keep my mouth shut in public. All right, well, let's
• 26:02
  Speaker 1: get to the front page news. What we're starting, Well,
• 26:05
  Speaker 1: let's start with billions in the restaurant relief and that
• 26:09
  Speaker 1: is going to be happening Saturday. They decided the Senate
• 26:12
  Speaker 1: pass at one point nine trillion dollars COVID nineteen relief packets.
• 26:15
  Speaker 1: That also increased a grant program for restaurants. That increased
• 26:18
  Speaker 1: that program to twenty eight point six billion dollars. So
• 26:22
  Speaker 1: for them, for a lot of the restaurants and bar owners,
• 26:25
  Speaker 1: they've been fighting for government assistant since last year in April.
• 26:29
  Speaker 1: Now they feel like there's some progress in their battle.
• 26:32
  Speaker 1: Oh yeah, damn drum Now this mom and pop restaurants?
• 26:35
  Speaker 1: Is this restaurants? Like, what kind of restaurants will we change? Well,
• 26:41
  Speaker 1: you know what it is. So what happened was they
• 26:43
  Speaker 1: actually came a lot of the restaurant industry came together
• 26:47
  Speaker 1: and they kind of it's not really a union, but
• 26:48
  Speaker 1: it was a group of them that were coming together
• 26:51
  Speaker 1: because they've been struggling and they haven't gotten any government assistance.
• 26:54
  Speaker 1: So it's for independent restaurants and bars. And they felt
• 26:56
  Speaker 1: like they didn't have a seat at the table. So
• 26:58
  Speaker 1: now they're more organized, and now they have this first
• 27:01
  Speaker 1: ever grant relief program for the industry for independent yeah,
• 27:05
  Speaker 1: restaurrunting bar communities, so like, so the ones that aren't
• 27:08
  Speaker 1: necessarily franchises, so like let's say a Hunting Fish club
• 27:11
  Speaker 1: in New York or something like that. Yeah, right, and
• 27:14
  Speaker 1: even you know, it could even be food trucks, coffee shops,
• 27:18
  Speaker 1: places like that. Baker is good that they needed, like
• 27:21
  Speaker 1: like even with y'all are going to Hunting Fish in
• 27:22
  Speaker 1: New York and all these other restaurants in New York
• 27:24
  Speaker 1: and all around the world. These people can't open up
• 27:27
  Speaker 1: because they can't afford to and then twenty thirty percent
• 27:29
  Speaker 1: of capacity no way feeds to fees. And then there's
• 27:33
  Speaker 1: a lot of people that are affected, you know, the
• 27:35
  Speaker 1: wait staff, the cooks, the clean that people that clean,
• 27:38
  Speaker 1: like all of those people, bar attenders, managers. Yeah, so
• 27:43
  Speaker 1: this does help out a lot, all right. IKEA is
• 27:45
  Speaker 1: now selling pre built tiny houses and so a house
• 27:49
  Speaker 1: will be one hundred and eighty seven square feet in
• 27:51
  Speaker 1: size and it'll be less than fifty thousand dollars. So
• 27:54
  Speaker 1: now you can buy those and use them as you know,
• 27:57
  Speaker 1: rental property for housing and there because they're worked by
• 28:01
  Speaker 1: would you put it like, do they deliver the house
• 28:04
  Speaker 1: they built? Yeah? And first you have to determine whether
• 28:07
  Speaker 1: or not your jurisdiction allows these tiny homes to be
• 28:10
  Speaker 1: on your personal property. They're either on wheels, that's the
• 28:14
  Speaker 1: ones that Ikea is selling, or they're on a foundation.
• 28:16
  Speaker 1: And so there's is on wheels, so it's not considered
• 28:18
  Speaker 1: a single family house. It's considered a recreational vehicle RV.
• 28:23
  Speaker 1: And some places don't allow that in backyard, so if
• 28:25
  Speaker 1: you do, if they do, then you can actually can
• 28:28
  Speaker 1: you allow Some places don't allow people to live full
• 28:30
  Speaker 1: time in a tiny house on wheels, So you have
• 28:32
  Speaker 1: to check with the regulations in your area. And they're
• 28:34
  Speaker 1: saying the tiny house won't appreciate like real estate does,
• 28:37
  Speaker 1: it'll depreciate like a car. Well, how big is one
• 28:39
  Speaker 1: hundred and eighty seven square street? That seems like a
• 28:41
  Speaker 1: Bobby dream house? Like who's who? Like? Who? What is?
• 28:44
  Speaker 1: How big is that? You said eighteen hundred or one
• 28:46
  Speaker 1: hundred and eighty seven? One hundred eighty seven? Is that
• 28:50
  Speaker 1: big enough for somebody to live in I feel like
• 28:53
  Speaker 1: a big ass doghouse. Yeah, you can't have a bathroom
• 28:55
  Speaker 1: in there, right, it's just a room. Yeah you can.
• 28:57
  Speaker 1: They said it's gonna have a kitchen everything. The thing
• 28:59
  Speaker 1: is like, this could be good when it comes to
• 29:02
  Speaker 1: combating homelessness. And I've seen a lot of different companies
• 29:06
  Speaker 1: and people starting these tiny homes to just help people out.
• 29:09
  Speaker 1: So you see how big this thing is. And please
• 29:10
  Speaker 1: don't live Yeah, take a look at it. Don't live
• 29:12
  Speaker 1: in an area that's a hurricane proom. Lord, have mercy
• 29:16
  Speaker 1: right now in a New York apartment in one bedroom,
• 29:18
  Speaker 1: like yeah, some people have small apartments. I don't know.
• 29:22
  Speaker 1: A judge has permanently dismiss charges against Kenneth Walker. That
• 29:25
  Speaker 1: was Brianna Till, his boyfriend, for allegedly shooting and wuning
• 29:27
  Speaker 1: a police officer last year, So now he cannot be
• 29:30
  Speaker 1: recharged for the crimes following the ruling. He was initially
• 29:33
  Speaker 1: charged with assault and attempted murder after he allegedly opened
• 29:36
  Speaker 1: fire and wounded a Louisville Metro Police sergeant Jonathan Mattingly.
• 29:39
  Speaker 1: He said he was unaware that police were conducting a
• 29:41
  Speaker 1: rate on the home because if you remember he said,
• 29:43
  Speaker 1: they did not announce themselves, and so now prosecutors have
• 29:46
  Speaker 1: moved to dismiss the charges last week. So after this
• 29:48
  Speaker 1: whole year of having the worst year of his life,
• 29:51
  Speaker 1: prosecutors have finally acknowledged that he did nothing wrong and
• 29:53
  Speaker 1: acted in self defense. According to his attorney, that's right.
• 29:56
  Speaker 1: And if he was charged, the NRRA should have been
• 29:59
  Speaker 1: in an uproar, but you though they wouldn't have been
• 30:00
  Speaker 1: because he's black. All right, Well that is your front
• 30:04
  Speaker 1: page news. Do you see the tiny homes? Yes? I do.
• 30:08
  Speaker 1: What do they look like? I mean, I mean, listen,
• 30:10
  Speaker 1: I don't know. It looked like a little small houses.
• 30:12
  Speaker 1: You see. It's a whole thing, the tiny home movement.
• 30:16
  Speaker 1: Shut it really is. There's a lot of different together.
• 30:21
  Speaker 1: Thank you have the show for HGTV I think called
• 30:24
  Speaker 1: tiny Homes. I never watched that. I always thought that
• 30:26
  Speaker 1: was like Barbie houses or something like that. And to
• 30:30
  Speaker 1: have bathroom in the van bad everything. Listen, I'm not mad.
• 30:33
  Speaker 1: It actually doesn't look that bad when you look at
• 30:35
  Speaker 1: it at all. I'd rather I'd rather that than somebody
• 30:37
  Speaker 1: be homeless, you know what I'm saying, especially all veterans,
• 30:39
  Speaker 1: because I think it's just disrespectful that veterans go off
• 30:42
  Speaker 1: to fight for this country and then they come back
• 30:44
  Speaker 1: here and they're homeless. You know, I think veterans should
• 30:46
  Speaker 1: get free room and board, free healthcare, stiping every month.
• 30:49
  Speaker 1: And if the room and board of the tiny homes
• 30:50
  Speaker 1: so bit, the tiny homes a little bad. Yeah, no,
• 30:53
  Speaker 1: it's not small. It's not that small, like I was thinking,
• 30:56
  Speaker 1: very very Barbie small. But now I speaking got back
• 30:58
  Speaker 1: from a kid. You didn't. Okay, ain't bad? That makes sense? Actually, yeah,
• 31:01
  Speaker 1: I agree. All right, now let's open up. Soaping up
• 31:06
  Speaker 1: the phone lines. Eight hundred five eight five one oh
• 31:08
  Speaker 1: five one Coming to America Too came out this past weekend.
• 31:11
  Speaker 1: Every we talking about it, talking about it and everything
• 31:14
  Speaker 1: in Nori. I know you're listening to Nori. Nori loves
• 31:16
  Speaker 1: this film. Nori's seen the film five times over the weekend,
• 31:19
  Speaker 1: and every time he's seen the film he called me
• 31:20
  Speaker 1: to tell me how much he loved it. Keep in mind,
• 31:22
  Speaker 1: Nori drinks heavily. All right, he spoke exactly. He spoke exactly.
• 31:26
  Speaker 1: I mean, listen to mus The movie made me feel good.
• 31:28
  Speaker 1: The nostalgic aspect of it made me feel good. I
• 31:32
  Speaker 1: just don't think it was a good movie. And I'm
• 31:33
  Speaker 1: used to Eddie Murphy movies having great storylines and then
• 31:37
  Speaker 1: the funny comes second. For me, it's like they went
• 31:39
  Speaker 1: for the funny first and it wasn't a great story.
• 31:42
  Speaker 1: I mean, if you think about all Eddie Murphy's historically,
• 31:43
  Speaker 1: whether it's Beverly Hills, Cop forty eight Hours, Life, Golden Child,
• 31:48
  Speaker 1: first Coming to America, there just great stories and it's
• 31:51
  Speaker 1: got funny people in it. This one, and it wasn't
• 31:54
  Speaker 1: a great story, but let's talk about it. Eight hundred
• 31:56
  Speaker 1: five eight five one oh five one. Did you see
• 31:58
  Speaker 1: coming to America too? What were your thoughts? It's the
• 32:00
  Speaker 1: Breakfast Club. Good morning, your phone call in right now.
• 32:05
  Speaker 1: Call me at your opinion to the Breakfast Club Top
• 32:09
  Speaker 1: breaking down. Eight hundred and five eight five one oh
• 32:11
  Speaker 1: five one to Breakfast Club. I call me at your
• 32:25
  Speaker 1: opinions to the Breakfast Club Tops. Come on. Eight hundred
• 32:29
  Speaker 1: five five one five one morning. Everybody is DJ Envy,
• 32:33
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 32:36
  Speaker 1: Now if you just joining us. We opened up the
• 32:38
  Speaker 1: phone lines and asking what were your thoughts on coming
• 32:40
  Speaker 1: to America? Two movie came out this past weekend. I
• 32:44
  Speaker 1: seen at Charlemagne, seen it. You've seen half of it,
• 32:47
  Speaker 1: so we're asking you phone lines to wide open Charlemagne.
• 32:50
  Speaker 1: You didn't love it. I was disappointed. We saw it
• 32:52
  Speaker 1: like a month ago, though, you know what I mean.
• 32:54
  Speaker 1: We saw it like a month ago, and I wanted
• 32:55
  Speaker 1: to wait until the movie come out because I didn't
• 32:57
  Speaker 1: want to swear nobody's opinion. And you know, the way,
• 33:00
  Speaker 1: the way I feel stands like the movie made me
• 33:02
  Speaker 1: feel good, but it just wasn't a good movie. It
• 33:05
  Speaker 1: wasn't a good movie because it wasn't a great story.
• 33:08
  Speaker 1: Eddie Murphy's movies historically have had great stories with funny
• 33:12
  Speaker 1: people in them, Like if you think about life right,
• 33:14
  Speaker 1: life is really a dark story. Two guys go to
• 33:16
  Speaker 1: jail for life or a murder that they didn't commit,
• 33:19
  Speaker 1: but the funny comes from Martin and Eddie and Bernie
• 33:22
  Speaker 1: Mack and just all of these characters within the story.
• 33:25
  Speaker 1: This one seemed like it aimed for the funny first,
• 33:27
  Speaker 1: and it missed the mark, and it didn't have a
• 33:29
  Speaker 1: great story. But we got somebody on the line that
• 33:32
  Speaker 1: called me several times over the weekend. They said I
• 33:34
  Speaker 1: was bugging that they really enjoyed the movie. You know
• 33:37
  Speaker 1: our guys the Drink Tam podcast. Everybody Mack the first
• 33:49
  Speaker 1: ever been disappointed to you, brother, literally disappointed. I'm listening
• 33:55
  Speaker 1: to the disrespect. First of all, the story is great.
• 34:00
  Speaker 1: Can you hear me? We can hear you, We can
• 34:02
  Speaker 1: hear you. Okay, listen, it's a reverse. The guy goes
• 34:06
  Speaker 1: back to the moved up. It comes to and he
• 34:09
  Speaker 1: has to go back to Queens. Did you see Leslie
• 34:11
  Speaker 1: Jones performance? I don't know why they're gonna say how
• 34:13
  Speaker 1: crazy Leslie Jones is j Westlie's the song I don't
• 34:18
  Speaker 1: really like. I didn't really huh. I think what I
• 34:22
  Speaker 1: didn't like. The only part of the movie that's corny
• 34:24
  Speaker 1: is when Homeboy starts rhyme. When Homeboy starts rhyming, and
• 34:27
  Speaker 1: I'm like, I want to delete. No, right, that's that's corny.
• 34:30
  Speaker 1: You didn't think the funeral was corny? So the King,
• 34:32
  Speaker 1: King Jeoffrey just to die at the funeral. At the funeral,
• 34:35
  Speaker 1: Wait a minute, Wait a minute, Charlotte Man, you mean
• 34:37
  Speaker 1: to tell me you know you're gonna die in three days.
• 34:39
  Speaker 1: You don't want to see your own in the room, sure,
• 34:42
  Speaker 1: but to be to be in the casket and just
• 34:44
  Speaker 1: turn and look and say, I'm going to die now, son,
• 34:48
  Speaker 1: what I thought he was a kid. I didn't realize
• 34:53
  Speaker 1: he was in cash jasket casket. But I'm a guy now.
• 34:56
  Speaker 1: He died standing up. You're going to your own fruneral.
• 34:59
  Speaker 1: That's how rich you are. You know when you're gonna die,
• 35:01
  Speaker 1: You're gonna go to your own funeral. That islay right there,
• 35:07
  Speaker 1: that is lying there. I think you bias. I think
• 35:11
  Speaker 1: you biased because Queens is in the movie. I think
• 35:13
  Speaker 1: whenever Queens is on the big screen, you gotta represent
• 35:15
  Speaker 1: your Nori called me right first one. Nori told me,
• 35:18
  Speaker 1: I gotta get high to watch it. Right then he
• 35:20
  Speaker 1: told me, Yo, when I was a kid, I rode
• 35:22
  Speaker 1: my bike when they were taping the first one. And
• 35:24
  Speaker 1: I remember what it was when they taped the first one.
• 35:26
  Speaker 1: This is all the fact that you're from Queens, Nori.
• 35:30
  Speaker 1: Because for Queens, Racker makes a Rackle records. I'm gonna
• 35:34
  Speaker 1: say the record is back. I love being from Queens.
• 35:36
  Speaker 1: I lived in Miami for the past four three years,
• 35:38
  Speaker 1: but I love being from Queens that has nothing, that
• 35:41
  Speaker 1: has absolutely nothing to do for good boom being good scripture.
• 35:45
  Speaker 1: I think Eddie Murphy and there was Zeus. I think
• 35:47
  Speaker 1: I think that they really really catered to the audience now,
• 35:51
  Speaker 1: because you gotta realize people who people who see the
• 35:55
  Speaker 1: first one is gonna like this one. People who see
• 35:57
  Speaker 1: the first one and it's in love with it as
• 35:59
  Speaker 1: a classics, they're gonna say, Okay, well this is a
• 36:01
  Speaker 1: little bit Hollywood as opposed to the original. But most
• 36:04
  Speaker 1: people who never see it, they connected that audience to
• 36:07
  Speaker 1: me and at yeah, I'm disappointed to you house being
• 36:09
  Speaker 1: you always watch as I'm back on it. I'm back
• 36:12
  Speaker 1: on it. It just it just it just seems like
• 36:16
  Speaker 1: a parody of the first movie. It does. I mean,
• 36:19
  Speaker 1: I get I get to ask one, but it's so
• 36:21
  Speaker 1: much of a classic. It's just like they would have
• 36:24
  Speaker 1: always fell a little short because the first one is
• 36:27
  Speaker 1: just that much great, you know what I'm saying. But
• 36:29
  Speaker 1: this one is compared to it, and it's for twenty
• 36:32
  Speaker 1: twenty one. I appreciate it. I think it was like
• 36:35
  Speaker 1: kilt it. I think Leslie Jones, I think she's to
• 36:37
  Speaker 1: starve the movie. I think this is gonna make it,
• 36:39
  Speaker 1: gonna star separate her from Ain'ty Schrumer or whatever whatever,
• 36:43
  Speaker 1: She's just her performance is just so excellent. And I
• 36:46
  Speaker 1: think everyone played a part. I think everyone actually did it,
• 36:49
  Speaker 1: and for me, for me as the person that that
• 36:51
  Speaker 1: actually got to see when any of them was setting up.
• 36:53
  Speaker 1: I don't know any person personally at all. But you know,
• 36:55
  Speaker 1: I thought I didn't get paid for this tonight. But
• 36:57
  Speaker 1: I'm just telling you, this is a movie. I've watched
• 37:01
  Speaker 1: it all right. I'm so we need to get Eddie.
• 37:04
  Speaker 1: We need to get Eddie on Drink Champs. Now, let's
• 37:06
  Speaker 1: get Eddie Murphy on. I want to I want to
• 37:08
  Speaker 1: see Eddiewey. We are all Cindio on Drink Champ. Absolutely, World,
• 37:12
  Speaker 1: World World. I didn't even think like that. See that's
• 37:14
  Speaker 1: much of a fan. I like that. Watch it again, right,
• 37:20
  Speaker 1: I'm gonna watching the day. Thank you, and make sure
• 37:23
  Speaker 1: y'all check out. Make sure y'all check out the Drink
• 37:26
  Speaker 1: Champs podcast on the Black Fat Guy Heart Radio Podcast Network. Okay,
• 37:30
  Speaker 1: all right, eight und five eight five one on five one.
• 37:33
  Speaker 1: You just heard Nori. Now, what were your thoughts on
• 37:35
  Speaker 1: the movie? Coming to America? Too? Is the Breakfast Club
• 37:37
  Speaker 1: go more called? Eight hundred five eight five one oh five.
• 37:43
  Speaker 1: Want to join it to the discussion with the Breakfast Club,
• 37:46
  Speaker 1: talk about it morning. Everybody is DJ Envy Angela Yee,
• 37:50
  Speaker 1: Charlo Mine the guy. We are the Breakfast Club. Now,
• 37:53
  Speaker 1: if you just join us, we'll open up the phone lines.
• 37:55
  Speaker 1: We're talking to talking about coming to America too. Noriega,
• 37:58
  Speaker 1: you know him from Drink Champs, CNN, rapper performing all
• 38:01
  Speaker 1: that other good stuff. He just called in. It was
• 38:03
  Speaker 1: very disappointed in the Breakfast Club, and he says he
• 38:05
  Speaker 1: loved it. Yeah, and I listen. I told y'all the
• 38:07
  Speaker 1: nostalgia made me feel good. I just don't think it
• 38:10
  Speaker 1: was a good movie because to me, it's just not
• 38:12
  Speaker 1: a great story. They aimed for the funny instead of
• 38:14
  Speaker 1: crafting a great story. And I'm a little jaded too,
• 38:17
  Speaker 1: because I saw a treatment that, you know, Aaron McGruder
• 38:20
  Speaker 1: wrote that Ryan Coogler was going to produce, and they
• 38:23
  Speaker 1: took a lot of the ideas from that treatment and
• 38:26
  Speaker 1: and hacked it. So there was potential for a great
• 38:30
  Speaker 1: story there, but I don't feel like they executed it
• 38:33
  Speaker 1: well at all. All right, well, let's go to the
• 38:35
  Speaker 1: phone lines. Hello, who's this? No, this is man? What's
• 38:39
  Speaker 1: going on. What's up Leo? What you think of Coming
• 38:41
  Speaker 1: to America Too? I hated it, man, I'm so bad
• 38:46
  Speaker 1: coming up watching that movie. Man, I feel like they
• 38:49
  Speaker 1: just rushed it. Man, they rushed it. The story wasn't
• 38:52
  Speaker 1: making those old point one more day. There's no way
• 38:55
  Speaker 1: that should have been living longer than a game, like
• 39:02
  Speaker 1: a hundred way, right. I like that. I thought about that,
• 39:08
  Speaker 1: but I didn't care because it's a fictional fantasy movie.
• 39:10
  Speaker 1: So who cares? Like, you know what I mean? Like
• 39:12
  Speaker 1: if the barbs one hundred and ninety years old? Who cares?
• 39:14
  Speaker 1: That's called that suspension of disbelief. You have to just
• 39:17
  Speaker 1: go with it with the story. The funniest part of
• 39:20
  Speaker 1: the movie, Bob is a funny though. That's the funniest
• 39:22
  Speaker 1: part of the movie. That should be its own thing.
• 39:23
  Speaker 1: Like Eddie and r C should go do that some way.
• 39:26
  Speaker 1: That would be a great idea. You gotta ep that one. Now. Hello,
• 39:30
  Speaker 1: who's this Hi? Good morning? What did you think about
• 39:35
  Speaker 1: Coming to America Too? I think it was a little quarty.
• 39:38
  Speaker 1: I'm sorry it was it was. It wasn't that corny,
• 39:42
  Speaker 1: but I just saw the sun and the grassield form
• 39:45
  Speaker 1: a love too fast? Was like two quick for me.
• 39:50
  Speaker 1: I'm sorry. I mean, I had some funny moments, but
• 39:53
  Speaker 1: I just think the form of my part was a
• 39:55
  Speaker 1: little quarty. Yeah, I mean, listen, it just felt like
• 39:57
  Speaker 1: a parody of the first one. It's just like, okay,
• 39:59
  Speaker 1: we seen all of this before, like yeah, yeah, exactly.
• 40:05
  Speaker 1: I was like, okay, like all right, I kind of
• 40:07
  Speaker 1: knew that was gonna happen, but I was like, come on,
• 40:10
  Speaker 1: she just cut the hair. Now you're gonna get married,
• 40:12
  Speaker 1: but come on. It was just it was just a
• 40:14
  Speaker 1: little bit too much for me. But you know what,
• 40:18
  Speaker 1: it had me thinking though, It had me thinking about
• 40:19
  Speaker 1: the first one. How long was that timeline with our
• 40:23
  Speaker 1: Kim and Lisa. I don't know how long they was
• 40:25
  Speaker 1: in Queens, I'm just saying, but they went on the
• 40:28
  Speaker 1: day like he was chasing after he was like really
• 40:31
  Speaker 1: like working up to get to know what true, true,
• 40:33
  Speaker 1: true in the house, and all of a sudden she
• 40:37
  Speaker 1: cut his hair. Not in love, true, it was it
• 40:40
  Speaker 1: was locally day for me. I'm sorry. Now, the hell
• 40:42
  Speaker 1: of a the hell of a handy. All right, thank you, mama,
• 40:48
  Speaker 1: thank you, you guys, have a good one, you too. Hello,
• 40:51
  Speaker 1: who's this? Hey? This is Ronnie. Hey, Ronnie, good morning, Hi,
• 40:55
  Speaker 1: good morning. How are you guys doing good? What do
• 40:57
  Speaker 1: you think about coming to America too? I'm the movie
• 41:00
  Speaker 1: was okay for what it was. Um. I think that
• 41:02
  Speaker 1: a lot of people had high expectations and I don't
• 41:05
  Speaker 1: know why because it's a classic, Like they're not going
• 41:08
  Speaker 1: to be made set it off again, They're not going
• 41:10
  Speaker 1: to do like Carface Party because it's something that you
• 41:13
  Speaker 1: shouldn't even touch. So people with high expectations like be
• 41:16
  Speaker 1: thankful for what you got because it's something that you
• 41:18
  Speaker 1: really can't re evact and do it over. And Eddie
• 41:21
  Speaker 1: Murphy hasn't made great films since Saved and he well,
• 41:25
  Speaker 1: Doldam was good. Okay, Doldam was great. I didn't even
• 41:30
  Speaker 1: finish it, but that was like three years or so.
• 41:31
  Speaker 1: But other than that, like he had like kind of
• 41:33
  Speaker 1: focused on a kiddie team. Like you can't compare Eddie
• 41:36
  Speaker 1: Murphy now to Eddie Murphy like back eighteen nineties, it
• 41:39
  Speaker 1: was a whole different thing. So you're never going to
• 41:41
  Speaker 1: get those. I can think of like maybe two or
• 41:43
  Speaker 1: three movies that may have a part two that's good
• 41:46
  Speaker 1: and it's like Kill Bill two, like you can't come
• 41:49
  Speaker 1: behind like a great film and make a part two
• 41:51
  Speaker 1: and it's going to be trash. Yeah, y'all about to
• 41:54
  Speaker 1: make Eddie Murphy go back into hiding. I'm gonna tell
• 41:56
  Speaker 1: you something else. I do enjoy. I do enjoy the
• 41:58
  Speaker 1: fact that nobody wants to say anything bad about Coming
• 42:00
  Speaker 1: to America. That's how much respect we have absolutely Eddie Murphy,
• 42:04
  Speaker 1: our City of Hall and just the whole Coming to
• 42:06
  Speaker 1: America franchise. Like it's almost like a thing amongst each other,
• 42:09
  Speaker 1: like you know, it's whack, but those ain't nothing. All right, Well,
• 42:13
  Speaker 1: we'll take some more calls, a lot of people on
• 42:15
  Speaker 1: the lines. Let's do it when we come back. It's
• 42:16
  Speaker 1: the Breakfast Club. Good morning morning. Everybody is DJ Envy,
• 42:20
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 42:23
  Speaker 1: Naphey joined us? If you just joined us. We're talking
• 42:25
  Speaker 1: about coming America, to coming to America too? Wow? What
• 42:28
  Speaker 1: were you watching that? Coming to America too? We're asking
• 42:36
  Speaker 1: what were your thoughts? Hello? Who's this? Hello? It's Damn's Goldmeyer.
• 42:40
  Speaker 1: Hey that morning. Yeah. I think I think you know
• 42:44
  Speaker 1: when you take a movie like Friday and um, coming
• 42:48
  Speaker 1: to America um so iconic. I think that the sequels
• 42:52
  Speaker 1: could never live up to the height that the first
• 42:54
  Speaker 1: one built, so we kind of got to take it
• 42:56
  Speaker 1: for what it is. I like, uh um the movie
• 42:59
  Speaker 1: because it was a fine collection of black stars, so
• 43:02
  Speaker 1: I would watch it again and I just basically take
• 43:05
  Speaker 1: it for what it is. Hey. You know that's another
• 43:08
  Speaker 1: good example too, because the first Friday had a great story,
• 43:12
  Speaker 1: and when you and when you have a great story,
• 43:14
  Speaker 1: the funny will come when you just have funny people
• 43:16
  Speaker 1: in it. The second Friday didn't necessarily have a great story.
• 43:19
  Speaker 1: To me, it's the same thing would come into America.
• 43:20
  Speaker 1: The first Coming to America was a great story. The
• 43:23
  Speaker 1: second Coming to America don't have a great story. You
• 43:25
  Speaker 1: take two other movies like How High and Forrest Gump.
• 43:28
  Speaker 1: I don't want to see a sex in one of
• 43:29
  Speaker 1: them because those movies were so great. Offer right, Hello,
• 43:33
  Speaker 1: who's this? Lisa from Jersey? Hey, Lisa from Jersey, Lisa, Lisa, Lisa, U. Yeah,
• 43:41
  Speaker 1: oh your thoughts in the movie It was trash? Damn Yeah,
• 43:44
  Speaker 1: they say trash, trash. It was it was trash. It
• 43:48
  Speaker 1: was trash. Why was Prince Keene date raped? They didn't
• 43:52
  Speaker 1: even need the fun. They could have focused on the daughter. Yeah,
• 43:55
  Speaker 1: I agree with that, that's true, and changed the rules,
• 43:57
  Speaker 1: and they did coming to America like in some time
• 44:00
  Speaker 1: would have been dope. I agree with that. I would
• 44:01
  Speaker 1: have been dope. And also, why was there a fashion
• 44:04
  Speaker 1: Nova store? Bro? There was a fashion ov store? That
• 44:07
  Speaker 1: was a check right there? Then that was a check.
• 44:09
  Speaker 1: Fashion Nova wasn't coming to America. I didn't see. Yes,
• 44:12
  Speaker 1: it was a store in Queens. I didn't see that
• 44:15
  Speaker 1: part that was a check though. I mean, it's it's now,
• 44:18
  Speaker 1: it's now a day, so I get that last thing.
• 44:21
  Speaker 1: I couldn't even watch a lot of Knights sing the
• 44:23
  Speaker 1: anthem the other day because of midnight trains Amunda bro
• 44:27
  Speaker 1: stopped Midnight train? Is a munda? The other one? What
• 44:30
  Speaker 1: the King? What the King? When the King O King?
• 44:33
  Speaker 1: All right, yeah, all right, there was Yeah. I mean
• 44:38
  Speaker 1: she's right, like I'm saying, it's nostalgia so it makes
• 44:42
  Speaker 1: you feel good. But the movie is corny. And and
• 44:46
  Speaker 1: once again I saw a treatment that Aaron McGrew the
• 44:48
  Speaker 1: wrote that Ryan Cooglu was gonna produce, and it's like
• 44:50
  Speaker 1: they took a lot of Aaron's good ideas and just
• 44:53
  Speaker 1: just hacked them. So there was potential for a great
• 44:56
  Speaker 1: story there, but coming to America too just was not
• 44:59
  Speaker 1: a great star. I would have loved to see, you know,
• 45:02
  Speaker 1: the storyline with him being a girl that you know,
• 45:06
  Speaker 1: and the girls taking over the kingdom, the girl now
• 45:09
  Speaker 1: wanting to just marry and marry somebody, which you know
• 45:12
  Speaker 1: what also was weird. Why would they want somebody to
• 45:14
  Speaker 1: marry somebody just because it's tradition. When I kin broke
• 45:17
  Speaker 1: that tradition, that doesn't even make any sense moving forward,
• 45:21
  Speaker 1: Like you found the love of your life because you
• 45:23
  Speaker 1: were allowed to go find the love of your life.
• 45:25
  Speaker 1: The Western Space putting pressure on Westley's life was making
• 45:27
  Speaker 1: him happen because they were gonna, you know, I guess
• 45:30
  Speaker 1: attack the other village. I don't know, but west these
• 45:32
  Speaker 1: SATs are putting pressure on them to do it. But anyway,
• 45:34
  Speaker 1: next hour, Lunell will be joining us. She's in the movie,
• 45:37
  Speaker 1: but we spoke to her prior a couple days ago,
• 45:40
  Speaker 1: so just keep that in mind. All right, All right, now,
• 45:43
  Speaker 1: we got rumors on the way, yes, and again we
• 45:46
  Speaker 1: are going to talk about somebody who is doing a
• 45:48
  Speaker 1: tell all about Kanye West, who could that person be
• 45:51
  Speaker 1: and also selling the first tweet ever right now, you
• 45:54
  Speaker 1: can start that bid at two point five million dollars.
• 45:57
  Speaker 1: Oh hell, all right, we'll talk about the next is
• 45:59
  Speaker 1: to breakfast? Okamot. This is the Ruble Report with angela year.
• 46:11
  Speaker 1: So Kanye's ex bodyguard is looking to share some stories
• 46:14
  Speaker 1: of what he went through working with Kanye West. Steve
• 46:16
  Speaker 1: Stanie Liss. He's doing a documentary and he said it's
• 46:20
  Speaker 1: in the works and it's kind of like forty eight
• 46:22
  Speaker 1: Hours or Elito Weapon. He said, it comes from my mouth.
• 46:25
  Speaker 1: I work with Kanye two separate times. Every day was
• 46:28
  Speaker 1: a new adventure. There are a ton of stories I
• 46:29
  Speaker 1: haven't told. And he said there will be other security
• 46:31
  Speaker 1: guards that will appear in the project as well, including
• 46:34
  Speaker 1: one who only lasted five minutes when he worked for
• 46:36
  Speaker 1: Kanye West. So you work with me twice and you
• 46:38
  Speaker 1: get to write a whole book. I don't know, he said.
• 46:41
  Speaker 1: Two studios approached him about it. Come on, man, knock
• 46:44
  Speaker 1: at all. You can't y'all can't want something on Kanye
• 46:47
  Speaker 1: that bad. I'm sure Kanye gives us enough on his
• 46:50
  Speaker 1: own as you don't have to, you know, get a
• 46:52
  Speaker 1: bodyguard that's only worked with him twice to write a
• 46:54
  Speaker 1: story like come on man now. If you remember, he's
• 46:58
  Speaker 1: spoken about this before in the Hollywood raw A podcast
• 47:01
  Speaker 1: and he said that they would often call the paparazzi
• 47:03
  Speaker 1: on themselves when they left the house, and he said
• 47:05
  Speaker 1: Kanye was one of my least favorite people to work
• 47:07
  Speaker 1: with over the course of time. We know that though
• 47:09
  Speaker 1: we know the kardash Is called a paparazzi on thisself,
• 47:11
  Speaker 1: he didn't he said it in the song, right, didn't
• 47:13
  Speaker 1: he say? When he said looking like well from Mike
• 47:15
  Speaker 1: called a paparazzi on myself? Who said that him? Jay?
• 47:17
  Speaker 1: One of them, Jay Z said the hell well they
• 47:19
  Speaker 1: called it all right Now, you can now buy the
• 47:21
  Speaker 1: first ever tweet and the current bid on that is
• 47:23
  Speaker 1: two point five million dollars. Twitter CEO Jack Dorsey is
• 47:26
  Speaker 1: selling that first ever published tweet as a digital collector's
• 47:30
  Speaker 1: item that's been back in two thousand and six. No,
• 47:33
  Speaker 1: the first ever tw tweets from Jack Dorsey, the Twitter ceo. Oh,
• 47:36
  Speaker 1: we put a period on another store. Okay, can't you
• 47:40
  Speaker 1: just screenshot it? Only this is different. I don't know
• 47:44
  Speaker 1: if y'all have been seeing this digital art that's been
• 47:46
  Speaker 1: going for so much money. And that's like the new
• 47:48
  Speaker 1: blockchain art thing that's been happening where people have been
• 47:51
  Speaker 1: selling their art digitally and like uh interviews and things
• 47:55
  Speaker 1: like that. You can sell them with cryptocurrency and it's
• 47:58
  Speaker 1: worth all this money and then every time somebody resells it,
• 48:00
  Speaker 1: you get like a percentage. Well, what's the first ever tweet?
• 48:02
  Speaker 1: Does what it say? Test? Yeah, it's from Jack Dorsey
• 48:06
  Speaker 1: and it says just setting up my Twitter and that's
• 48:09
  Speaker 1: worth two points something million dollars that the bids have
• 48:12
  Speaker 1: so far reached two point five million dollars. Yeah, I
• 48:14
  Speaker 1: know my first tweets were way more fired in that.
• 48:17
  Speaker 1: You should be worth a lot more than two points
• 48:19
  Speaker 1: something million. All right, now let's discuss Prince Harry and
• 48:24
  Speaker 1: Meg and Marco and you know they had that explosive
• 48:27
  Speaker 1: interview with Oprah on Sunday that's been talked about in
• 48:30
  Speaker 1: all kinds of issues coming after that. Now here's some
• 48:33
  Speaker 1: more clips. Here's Meg and Marco talking about the baby
• 48:36
  Speaker 1: skin color in those months when I was pregnant all
• 48:39
  Speaker 1: around this same time. So we haven't tandem the conversation
• 48:43
  Speaker 1: of he won't be given security it's not going to
• 48:46
  Speaker 1: be given a title, and also concerns and conversations about
• 48:50
  Speaker 1: how dark his skin might be when he's born. What
• 48:53
  Speaker 1: was that conversation, the conversation I'm never getting too shoy. Wow.
• 49:00
  Speaker 1: Prince Harry also said he felt trapped within the Royal family.
• 49:03
  Speaker 1: Do you think you would have left or ever stepped
• 49:05
  Speaker 1: back were it not for Megan? I wouldn't have been
• 49:09
  Speaker 1: able to because I myself was trapped, trapped within the system.
• 49:14
  Speaker 1: Like the rest of my family are my father and
• 49:17
  Speaker 1: my brother, They are trapped. They don't get to leave,
• 49:20
  Speaker 1: and I have a huge compassion for that. Now, school
• 49:23
  Speaker 1: me on when I'm missing in this story, Angelie Rich
• 49:25
  Speaker 1: White people are racists? What's the story? Where As the
• 49:29
  Speaker 1: Royal family and so obviously they hold the Royal family
• 49:32
  Speaker 1: in high regard, and listen the way that people are
• 49:35
  Speaker 1: attacking them and have been attacking them, like Piers Morgan,
• 49:38
  Speaker 1: for instance, is famous for attacking Megan, Marco and Prince
• 49:42
  Speaker 1: Harry and he actually said this, I'm angry to the
• 49:46
  Speaker 1: point of bawling over this is a two hour trashathon
• 49:50
  Speaker 1: of our royal family and it's all being done as
• 49:53
  Speaker 1: Prince Philip lies in hospital, they trash everybody. They basically
• 49:56
  Speaker 1: make out the entire Royal family a bunch of white
• 49:58
  Speaker 1: supremacists by dropping this race bombshell without that phrase, but
• 50:01
  Speaker 1: didn't name anyone. They didn't name which one it was
• 50:04
  Speaker 1: and just throw it out there so it could be
• 50:06
  Speaker 1: any member of the Royal family. And Harry says, I'll
• 50:08
  Speaker 1: never say who it was. You'd better say it fast.
• 50:11
  Speaker 1: Piers Morgan once again rich white people are racists defending
• 50:14
  Speaker 1: her other rich white people that are racist. What story?
• 50:18
  Speaker 1: What was the story? Right? Well, Piers Morgan actually ended
• 50:21
  Speaker 1: up storming off his own TV show, Good Morning Britain
• 50:24
  Speaker 1: because he had a guest on, Alex Baresberd, who actually
• 50:28
  Speaker 1: is He's probably black, and he also slam Piers Morgan's
• 50:32
  Speaker 1: behavior and what he's been saying about Meg and Marco.
• 50:35
  Speaker 1: Here's what happened on that show. And I understand that
• 50:38
  Speaker 1: you don't like Megan Marco. You've made it so clear
• 50:41
  Speaker 1: a number of times. And I understand that you've got
• 50:44
  Speaker 1: a personal relationship with Meg and Marco or had one,
• 50:47
  Speaker 1: and she cut you off. She's entitled to cut you
• 50:50
  Speaker 1: off if she wants to. Has she said anything about
• 50:53
  Speaker 1: you since she cut you off. I don't think she has,
• 50:55
  Speaker 1: but yet you continue to trash her. Okay, I'm done
• 50:58
  Speaker 1: with this. No, no, no, sorry. Do you know what that's? No? Sorry,
• 51:05
  Speaker 1: absolutely diabolical behavior. Old white men don't like being held
• 51:10
  Speaker 1: accountable by black people. Okay, when they get held accountable,
• 51:13
  Speaker 1: they act like they're the victims. Piss for god, he
• 51:16
  Speaker 1: was on his own show. You act like you a
• 51:19
  Speaker 1: guest on your own show and walk off. I don't
• 51:20
  Speaker 1: want to be here. It's your show, fool. He did
• 51:24
  Speaker 1: end up coming back, but it just was very productiuse,
• 51:30
  Speaker 1: but I mean the main I think the main thing
• 51:32
  Speaker 1: is that they discussed being griven from the royal family
• 51:36
  Speaker 1: because of racism, and people haven't really revealed that, and
• 51:40
  Speaker 1: you know some I guess in British culture they hold
• 51:42
  Speaker 1: them in high regards, so this is a big deal
• 51:45
  Speaker 1: or something like this to happen. Rich white people are
• 51:47
  Speaker 1: racist and nothing new here, and they're very private and
• 51:52
  Speaker 1: so that's why this is kind of breaking that privacy.
• 51:55
  Speaker 1: In Salute the Over too, I mean, Harpo produced that
• 51:58
  Speaker 1: uh that that special and they licensed footage the Viacom
• 52:01
  Speaker 1: CBS for seven million dollars, dropping a construff over. I mean,
• 52:05
  Speaker 1: seven million is nothing to her, but just the fact
• 52:07
  Speaker 1: that she, you know, owned her own content and then
• 52:09
  Speaker 1: licensed to the Viacom CBS. That's what I'm saluting the
• 52:12
  Speaker 1: business of it all. All right, Well that is your
• 52:14
  Speaker 1: rumor report. All right, thank you, miss ye Charlemagne? Who
• 52:18
  Speaker 1: giving that done? You know, let's talk about rich old
• 52:20
  Speaker 1: white man who don't like to be held accountable. We
• 52:22
  Speaker 1: need the former CEO of Papa John's, John Schnatner, to
• 52:25
  Speaker 1: come to the front of the count of gation. You'd
• 52:26
  Speaker 1: like to have a world with him? All right, we'll
• 52:28
  Speaker 1: get to that next. Keep a lot just to breakfast club.
• 52:30
  Speaker 1: Good morning. Let's don't be a dust because right now
• 52:32
  Speaker 1: you want some real It's time for Donkey of the day.
• 52:37
  Speaker 1: So if we ever feel I need to be a
• 52:39
  Speaker 1: dog man, hit me with the heat. Did she get
• 52:42
  Speaker 1: the name? Please? I had become Donkey of the Day club, bitch,
• 52:50
  Speaker 1: well donkey today for Tuesday March knife goes to John Schnatner.
• 52:54
  Speaker 1: Do you remember the name John Schnatner. Well, John Shnatner
• 52:58
  Speaker 1: was out to the CEO of Papa John's twenty eighteen
• 53:00
  Speaker 1: after he blamed NFL players kneeling during the national anthem
• 53:04
  Speaker 1: on low sales forget to subpar product that maybe Papa
• 53:07
  Speaker 1: John's pizza. I haven't eaten it in years, so I
• 53:09
  Speaker 1: don't know what it tastes like now, But I personally
• 53:12
  Speaker 1: wasn't never a fan. I don't think Papa John's can
• 53:14
  Speaker 1: out pizza the hut, But what do I know? Okay.
• 53:16
  Speaker 1: He also was recorded using the N word during a
• 53:19
  Speaker 1: company conference call and later stepped down as chairman as
• 53:23
  Speaker 1: a result. He also never has really wanted to hold
• 53:26
  Speaker 1: himself accountable because he routinely accuses other members of Papa
• 53:30
  Speaker 1: John's board of conspiring against him to force him out
• 53:34
  Speaker 1: of the CEO role. Now, I tell y'all all the time,
• 53:36
  Speaker 1: I'm not the highest grade of weed in the dispensary,
• 53:39
  Speaker 1: nor am I a strong this adventure. But John, if
• 53:43
  Speaker 1: you didn't give them anything to conspire about, they wouldn't
• 53:46
  Speaker 1: have any AMMO to used against you. Okay. But when
• 53:49
  Speaker 1: you're the CEO of a company on a conference call
• 53:51
  Speaker 1: and you use the N word, well you can't really
• 53:54
  Speaker 1: blame that on anyone but yourself. And John is still
• 53:57
  Speaker 1: blaming everybody but himself. Let's listen to him on an
• 54:00
  Speaker 1: allegations that he's racist. Take me back to a few
• 54:02
  Speaker 1: years ago when you start to see these headlines coming
• 54:04
  Speaker 1: out and smearing your good name. How did you feel
• 54:06
  Speaker 1: at the time when you were seeing these headlines? State
• 54:09
  Speaker 1: of shock? I couldn't understand it. I mean again, you
• 54:12
  Speaker 1: have a public board that paints its chairman complicit, passive
• 54:16
  Speaker 1: or active. They paint the founder as a racist. They
• 54:20
  Speaker 1: know he's not a racist. It's just unbelievable. And I
• 54:23
  Speaker 1: used to lay in bed just going how did they
• 54:25
  Speaker 1: do this? John? John? John? What is that not to understand?
• 54:31
  Speaker 1: If you're a white man and you used the N
• 54:33
  Speaker 1: word on a conference call, I don't even know what
• 54:35
  Speaker 1: the context was. But either way, once again, if you're
• 54:37
  Speaker 1: a white man and you used the N word on
• 54:39
  Speaker 1: a conference call, don't be surprised when people label you
• 54:42
  Speaker 1: a racist. Okay, there is no conspiracy here. If they
• 54:45
  Speaker 1: are painting a picture of you as a race as well,
• 54:48
  Speaker 1: you gave them to paint and the idea of what
• 54:51
  Speaker 1: to draw. In fact, they're not doing nothing but tracing. Okay,
• 54:53
  Speaker 1: you got the nerve to say that. You used to
• 54:55
  Speaker 1: sit in bed wondering why your peers managed to disparage
• 54:58
  Speaker 1: your name, John A getting you said the N word
• 55:01
  Speaker 1: on a conference call. Let me tell you something, man,
• 55:04
  Speaker 1: lack of self awareness is at an all time high. Okay.
• 55:06
  Speaker 1: If someone has a misconception of who I am based
• 55:09
  Speaker 1: off of something I said, I have to look at myself,
• 55:11
  Speaker 1: all right, and what I said first. Okay, there's a quote,
• 55:15
  Speaker 1: and that quote is I'm only responsible for what I say,
• 55:18
  Speaker 1: not for what you understand. And I agree you are
• 55:21
  Speaker 1: responsible for the words that come out of your mouth.
• 55:23
  Speaker 1: But if you're a white man and those words have
• 55:25
  Speaker 1: nigga in him, that's not hard to understand. Okay. Now
• 55:29
  Speaker 1: that's not even the whole reason John is getting dunky today.
• 55:31
  Speaker 1: See John is getting dunky today is because of what
• 55:34
  Speaker 1: else he told o An. Now, this is the same
• 55:36
  Speaker 1: guy who said he's not racist, but listen to what
• 55:39
  Speaker 1: one of his goals for the last twenty months has been.
• 55:42
  Speaker 1: Listen and we've had three goals for the last twenty
• 55:44
  Speaker 1: months to get rid of this N word in my
• 55:47
  Speaker 1: vocabulary and dictionary and everything else, because it's just not true.
• 55:52
  Speaker 1: Figure out how they did this and get on with
• 55:54
  Speaker 1: my life. Figure out how who did what? Play them
• 55:58
  Speaker 1: one more time drum, and we've had three goals for
• 56:01
  Speaker 1: the last twenty months to get rid of this N
• 56:03
  Speaker 1: word in my vocabulary and dictionary and everything else, because
• 56:09
  Speaker 1: it's just not true. Figure out how they did this
• 56:11
  Speaker 1: and get on with my life. Figure out how they
• 56:14
  Speaker 1: did this. You keep acting like someone did something to you.
• 56:17
  Speaker 1: You use the N word, and now you're saying, I
• 56:20
  Speaker 1: have to get rid of this N word in my vocabulary.
• 56:23
  Speaker 1: Do you know how much you must use the N
• 56:25
  Speaker 1: word if it's been twenty months and you still trying
• 56:28
  Speaker 1: to get it out of your vocabulary, Like do you
• 56:31
  Speaker 1: have to have the N words surgically remove from your throat?
• 56:34
  Speaker 1: You know, it can take anywhere from eighteen to two
• 56:37
  Speaker 1: hundred and fifty four days for a person to form
• 56:39
  Speaker 1: a new habit, and an average is sixty six days
• 56:41
  Speaker 1: for a new behavior to become automatic. So if you're
• 56:43
  Speaker 1: trying to make a habit of not saying the N word,
• 56:46
  Speaker 1: you mean to tell me it's taking you almost two years.
• 56:50
  Speaker 1: And he didn't even say he's not saying the N
• 56:52
  Speaker 1: word anymore. He just said it's one of his goals,
• 56:55
  Speaker 1: like he doesn't even know if he's gonna reach his goal.
• 56:58
  Speaker 1: But it's one of his goals. John, I'm not the
• 57:00
  Speaker 1: cheesiest cheese stick in the box. Okay, but you said
• 57:03
  Speaker 1: that you used to sit in bed at night wondering
• 57:05
  Speaker 1: how your PIDs managed to disparage your name. I would
• 57:09
  Speaker 1: venture to say it's because of your cultural cluelessness, your
• 57:12
  Speaker 1: lack of self awareness. Okay, the eliticism, the privilege. See
• 57:15
  Speaker 1: I said this on Bill Martha the Night when I
• 57:17
  Speaker 1: was on Friday Night. When you're an old white man
• 57:19
  Speaker 1: in a position of power, you are used to a
• 57:21
  Speaker 1: certain amount of privilege. When you finally get held accountable
• 57:24
  Speaker 1: for something, you think you are being targeted, You think
• 57:27
  Speaker 1: you're a victim when the reality is no. Your privilege
• 57:31
  Speaker 1: as are just finally being held accountable for your bs
• 57:35
  Speaker 1: and accountability consequences to your actions feels like oppression when
• 57:40
  Speaker 1: you're not used to rules applying to you. Please let
• 57:45
  Speaker 1: Kathy Griffin give John Schnatner the biggest here. Please give
• 57:49
  Speaker 1: this giant jar of male the biggest he hall. All right, well,
• 57:56
  Speaker 1: thank you for that donkey today, Yes, ma'am. Now, when
• 57:59
  Speaker 1: we come back, lou Nell will be joining us comedian Lunelle.
• 58:03
  Speaker 1: She was in coming to America too. We spoke to
• 58:05
  Speaker 1: her before the movie actually came out, So we're gonna
• 58:09
  Speaker 1: unplay that when we come back, all right, don't move.
• 58:11
  Speaker 1: It's to Breakfast Club, God Morning, the Breakfast Club Morning.
• 58:17
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We
• 58:20
  Speaker 1: are the Breakfast Club. We got a special guest on
• 58:23
  Speaker 1: the line, lou Nell Yo, Yo, what's happening. She'd be
• 58:28
  Speaker 1: hustling her ass off. She'sn't coming to America too, which
• 58:31
  Speaker 1: comes out this week. Yes, tell us about that. How
• 58:35
  Speaker 1: was working with all I mean, there was so many
• 58:36
  Speaker 1: great actors, actresses, comedians. Rick Ross was in there, So
• 58:42
  Speaker 1: how was working with so many great individuals? You being
• 58:45
  Speaker 1: great yourself? I must say that it was one of
• 58:47
  Speaker 1: the most exciting experiences of my life. Not only the
• 58:52
  Speaker 1: fact that you've got all the legends, the original cast members.
• 58:56
  Speaker 1: They're the only original cast member who has passed way
• 59:00
  Speaker 1: in the whole thirty two years. It's a great match.
• 59:02
  Speaker 1: Saint Clair who played Prince I team's mother, but everybody
• 59:06
  Speaker 1: else you know is present and still looking great. And
• 59:11
  Speaker 1: then to come to work on the Tyler Perry Studio
• 59:14
  Speaker 1: when it was fresh, and to be able to see
• 59:17
  Speaker 1: the Cecily Tyson's sound stage, on the Sydney Poijer sound stage,
• 59:22
  Speaker 1: on the I. C. Davis and Ruby d sound stage,
• 59:25
  Speaker 1: and the will Smith sound stage. It was just very,
• 59:28
  Speaker 1: very prideful. You know. Ruth Carter did an amazing job
• 59:33
  Speaker 1: on these costumes, with fabrics that I've never seen or
• 59:37
  Speaker 1: touched before, and the hair. It's just it's really everything,
• 59:42
  Speaker 1: everything that I could ever ever dream of. What do
• 59:46
  Speaker 1: you think the importance of movies with like All Star
• 59:48
  Speaker 1: Black cast like Coming to America is Luna because I
• 59:52
  Speaker 1: think that it bridges generations. I think that it shows
• 59:56
  Speaker 1: that people are not dead over if they do still work,
• 1:00:01
  Speaker 1: are still Condeans can still look good. You know, anybody
• 1:00:05
  Speaker 1: drive up with nowhere, I mean especially man and so
• 1:00:09
  Speaker 1: I think that it's a wonderful family thing too, because
• 1:00:14
  Speaker 1: you know, the kids are always on their phone or
• 1:00:16
  Speaker 1: they look at stuff with their head down, and that's
• 1:00:19
  Speaker 1: but this is something that you can really say, let's
• 1:00:22
  Speaker 1: put the phones down so we can hear all the
• 1:00:25
  Speaker 1: little nuances and see all the little facial expressions and
• 1:00:28
  Speaker 1: pop the popcorn in the comfort of your own home.
• 1:00:32
  Speaker 1: That's why I'm so glad that Amazon was able to
• 1:00:35
  Speaker 1: purchase this from Paramount, and we're able to have everybody
• 1:00:40
  Speaker 1: you know, be safe and see the film and enjoy it. Plus,
• 1:00:44
  Speaker 1: there's so many new African faces, real legitimate African stars,
• 1:00:49
  Speaker 1: musical and otherwise that are in the film that you're
• 1:00:53
  Speaker 1: gonna get introduced to that are really big stars in
• 1:00:57
  Speaker 1: Africa that we don't know. So it's not because a
• 1:01:00
  Speaker 1: United States thing. This is really literally a global thing.
• 1:01:04
  Speaker 1: We're gonna pray that Amazon server don't crash. The xucations
• 1:01:09
  Speaker 1: are high on this film. Of course, Number one is
• 1:01:11
  Speaker 1: a cult classic. It's my favorite movie of all time.
• 1:01:15
  Speaker 1: So what do you think about two you've seen to
• 1:01:18
  Speaker 1: What were you telling people that are excited to see
• 1:01:20
  Speaker 1: this movie about? But you can never be the first again,
• 1:01:23
  Speaker 1: just like being a virgin, you know, you can never
• 1:01:26
  Speaker 1: be get the first lover again. You can never be
• 1:01:29
  Speaker 1: the first again. But if after if the originally it's here,
• 1:01:34
  Speaker 1: the new I would put the new one right here.
• 1:01:36
  Speaker 1: I wouldn't put it way down here, you know, it's
• 1:01:38
  Speaker 1: right under the original. It's just visually, musically, comedically, and historically,
• 1:01:49
  Speaker 1: it's just it's just an amazing film. It's really really fun.
• 1:01:53
  Speaker 1: You know, when I try to teach no big lessons.
• 1:01:55
  Speaker 1: That's what Judas and the Black Messiah's for when I
• 1:01:59
  Speaker 1: trying to break the heart. That's what the United State
• 1:02:03
  Speaker 1: Versus Billy Holiday is for. This is just fun and
• 1:02:07
  Speaker 1: a lot of us haven't had no fun in months
• 1:02:10
  Speaker 1: and months and months. So there's some lessons in it, though.
• 1:02:13
  Speaker 1: There's a lot of lessons in it, especially have for
• 1:02:15
  Speaker 1: those who for those who have eyes, let them see.
• 1:02:18
  Speaker 1: You know, some people gonna miss the lessons. See these
• 1:02:21
  Speaker 1: guys said already, I haven't seen it yet. The only
• 1:02:24
  Speaker 1: thing I was told was make sure you watch it
• 1:02:25
  Speaker 1: all all the way to the end through the credits. Absolutely,
• 1:02:30
  Speaker 1: don't click out, don't miss anything, stay until it goes black,
• 1:02:35
  Speaker 1: you know, and then watch it again, because there's just
• 1:02:38
  Speaker 1: certain so many little nuances and a little under the
• 1:02:42
  Speaker 1: thing about it being on Amazon. It's like it's not
• 1:02:45
  Speaker 1: gonna expire out, you know. Dolomite is my name is
• 1:02:48
  Speaker 1: still streaming, you know, so this is gonna be here
• 1:02:51
  Speaker 1: for a long long time. And being at home, you
• 1:02:54
  Speaker 1: can rewind it. You can positive, you can say shut up,
• 1:02:56
  Speaker 1: you can posit and go back and I gotta go
• 1:02:59
  Speaker 1: ji bathm And you can pose to go back, so
• 1:03:00
  Speaker 1: it's really the best best thing for it. I'm excited
• 1:03:03
  Speaker 1: to see it again. I had to see it with
• 1:03:05
  Speaker 1: the big dj NB across the screen, so what it
• 1:03:07
  Speaker 1: wasn't as I didn't enjoy bog it, you know what
• 1:03:11
  Speaker 1: I mean. So screener, that was that? That was that
• 1:03:13
  Speaker 1: twenty four hour link, right, yeah, yeah, yeah you yeah.
• 1:03:19
  Speaker 1: I was gonna say your daughter worked on it too, right, Yes,
• 1:03:21
  Speaker 1: my daughter audition for The Great Fatima Robinson and got
• 1:03:26
  Speaker 1: cast as one of the flute dances behind Tianna Taylor
• 1:03:31
  Speaker 1: and Tianna is so sexy. Good Lord Jesus, No, but
• 1:03:35
  Speaker 1: God amned Tianna. Who she's got smoking off the screen?
• 1:03:41
  Speaker 1: Smoking off the screen? It was my daughter. I'm sorry,
• 1:03:46
  Speaker 1: I'm sorry. Yeah, this is my daughter's first major motion picture.
• 1:03:49
  Speaker 1: She's a dancer, as a lot of people know. And
• 1:03:53
  Speaker 1: um for you know, Eddie has his daughter Bella in it.
• 1:03:56
  Speaker 1: My daughter Denal is in it. So this is just
• 1:03:58
  Speaker 1: a real family feel and a real family type of time.
• 1:04:02
  Speaker 1: I remember when we talked to you earlier during the pandemic,
• 1:04:04
  Speaker 1: you wasn't even letting your daughter come in the house.
• 1:04:07
  Speaker 1: That's right, So you already I must have finished. Did
• 1:04:11
  Speaker 1: she allowed it? Yes, yeah, she's allowed it. She has
• 1:04:15
  Speaker 1: taken precautions. You know, I've had multiple multiple COVID tests.
• 1:04:19
  Speaker 1: We seem to be fine. She you know, she's doing
• 1:04:22
  Speaker 1: what she needs to do to keep her mama safe.
• 1:04:24
  Speaker 1: Are you taking the vaccine? Luta, excuse me? Are you
• 1:04:27
  Speaker 1: taking the vaccine? Come again? Are you taking the vaccine?
• 1:04:34
  Speaker 1: I'm sorry, we must have lost the connection. I can't
• 1:04:37
  Speaker 1: hear a word you're saying. Why you listen, I'm not
• 1:04:41
  Speaker 1: an anti vaccine, but you know I'm not in a
• 1:04:44
  Speaker 1: rush to take the vaccine. But why you don't want
• 1:04:45
  Speaker 1: to take it? You know, well, I didn't say I
• 1:04:47
  Speaker 1: don't want to take it, but I don't. At the
• 1:04:50
  Speaker 1: day as my brother's birthday, and he's getting his second
• 1:04:53
  Speaker 1: shot today. All of my sisters and brothers are older
• 1:04:57
  Speaker 1: than me. I'm the baby of eight, and some of
• 1:05:00
  Speaker 1: them i've had the vaccine, and some of them will
• 1:05:02
  Speaker 1: are not going to have it. I'm just gonna wait
• 1:05:04
  Speaker 1: and see if anybody's I start crossing, or if the
• 1:05:07
  Speaker 1: hair starts falling out, because you know, I'm just gonna
• 1:05:10
  Speaker 1: I will cross that bridge when I get to it.
• 1:05:12
  Speaker 1: I haven't had it to be confronted about taking it yet,
• 1:05:16
  Speaker 1: So I'll cross that bridge when I get to it.
• 1:05:18
  Speaker 1: But I'm just saying the history, there's not in the
• 1:05:22
  Speaker 1: gate that this country has ever given a shot about
• 1:05:27
  Speaker 1: black people and they're so I'm just saying, I'm gonna
• 1:05:32
  Speaker 1: you know, I'm gonna fall back. I'm never the first
• 1:05:34
  Speaker 1: one to do anything. You know, people, when Bill Bottoms
• 1:05:37
  Speaker 1: went away, that's when I started wearing mine. You know,
• 1:05:41
  Speaker 1: now they were starting to open back up again, and
• 1:05:43
  Speaker 1: they're talking about having people back in venues by the summertime.
• 1:05:47
  Speaker 1: So and I know you were used to being on
• 1:05:48
  Speaker 1: stage every night. So what's the plan for you? Do
• 1:05:51
  Speaker 1: you know when you're going back out? Well, in October
• 1:05:54
  Speaker 1: I had a new replacement surgery on my left knee,
• 1:05:57
  Speaker 1: and I'm going this month to have didn't even place
• 1:06:00
  Speaker 1: from the surgery. I might right knee so I can
• 1:06:02
  Speaker 1: truly kick twenty twenty one in the butt. I am
• 1:06:05
  Speaker 1: planning on going back out. I desperately want to go
• 1:06:08
  Speaker 1: back out, Plus I need the money, So I think
• 1:06:12
  Speaker 1: probably June i'll start touring again and hopefully in July
• 1:06:16
  Speaker 1: i'll be back at my residency in Las Vegas. Hopefully
• 1:06:19
  Speaker 1: and Jimmy Kimmel's Comedy Club. All right, we got more
• 1:06:21
  Speaker 1: with lu Nelle when we come back, don't move. It's
• 1:06:23
  Speaker 1: the Breakfast Club. Come we all. The Breakfast Club was
• 1:06:26
  Speaker 1: still kicking it with lou Nelle Charlomagne. Now this movie
• 1:06:29
  Speaker 1: coming to America too. It made you settle your your
• 1:06:33
  Speaker 1: beef which I didn't even know you had with Leslie Jones.
• 1:06:36
  Speaker 1: I didn't have a beef with Leslie Jones. Leslie Jones
• 1:06:39
  Speaker 1: had a beef with me. Okay, I'm not gonna go
• 1:06:44
  Speaker 1: into what about because it's long and convoluted and it's deeply, deeply. First,
• 1:06:48
  Speaker 1: we got time. No I don't. I don't have, but
• 1:06:54
  Speaker 1: we did. We were able to, you know, I have
• 1:06:57
  Speaker 1: a private talk. It was some miss understanding from years
• 1:07:01
  Speaker 1: ago that um, you know, hurts. We were able to
• 1:07:05
  Speaker 1: talk about it, and it is squashed as far as
• 1:07:08
  Speaker 1: I'm concerned. Now, are we gonna, you know, go get
• 1:07:11
  Speaker 1: into Jacuzie together anytime soon? And I don't think so.
• 1:07:14
  Speaker 1: But at least we're gonna be able to hopefully, you know,
• 1:07:16
  Speaker 1: work together again, or you know, if we were, we're
• 1:07:19
  Speaker 1: getting Jipp Covid has chipped us out of one of
• 1:07:21
  Speaker 1: the biggest premieres that would have probably ever happened in Hollywood. Ever.
• 1:07:25
  Speaker 1: You know, the biggest premiere I was ever at was
• 1:07:27
  Speaker 1: the boy Rap for Premiere, the original boy at Premiere.
• 1:07:30
  Speaker 1: But with this coming to America Premiere, I was expecting
• 1:07:34
  Speaker 1: giraffes and NaNs and dances in the street. Anybody came
• 1:07:39
  Speaker 1: in on an elephant? Who knows lua how many? How many?
• 1:07:43
  Speaker 1: Like just old misunderstandings you probably think you have that
• 1:07:47
  Speaker 1: a conversation would just correct, like how you and Leslie
• 1:07:50
  Speaker 1: did that? I give it about Yeah, yeah, Um, I
• 1:07:55
  Speaker 1: don't really think I have that many. I'm not a
• 1:07:58
  Speaker 1: I've had more runnings with hands and I have with
• 1:08:01
  Speaker 1: my peers. You know, I've been around a very long time,
• 1:08:05
  Speaker 1: and we all came up together. You know, the g's
• 1:08:08
  Speaker 1: that are that are bosses now, we came up together,
• 1:08:11
  Speaker 1: you know. And um, the first comic guy I ever
• 1:08:14
  Speaker 1: met when I stepped off station first time was Robin Harris.
• 1:08:18
  Speaker 1: That's how far back I go. And I don't really
• 1:08:21
  Speaker 1: recall having many comedic beats. It's just not my style
• 1:08:26
  Speaker 1: because you know, I keep it very honest and very
• 1:08:30
  Speaker 1: trill with everybody. Sometimes the truth hers but I don't
• 1:08:33
  Speaker 1: lie on anybody. And I have been route to a
• 1:08:38
  Speaker 1: fan or two, you know, interrupting my meal or bottom
• 1:08:42
  Speaker 1: me and my daughter are getting in the airport. I
• 1:08:44
  Speaker 1: cop to that, but I don't think I have many
• 1:08:47
  Speaker 1: PEPs like that got you. I see a lot of
• 1:08:49
  Speaker 1: things that you have to say also have been going viral,
• 1:08:52
  Speaker 1: like in particular, most recently your comments about doctor Dre
• 1:08:56
  Speaker 1: and a lot of people waiting on that. Did you
• 1:08:58
  Speaker 1: get backlash from saying what you believe? You know people
• 1:09:03
  Speaker 1: talk about, oh, the cyber bullying me. Well, you can't
• 1:09:06
  Speaker 1: get cyber bullied if you don't read it right. So
• 1:09:09
  Speaker 1: I say what I say, and then I go on
• 1:09:12
  Speaker 1: about my business. The only comments I read usually are
• 1:09:16
  Speaker 1: the ones on my page I got. I got a
• 1:09:19
  Speaker 1: lot of stuff to do, so you know, people are
• 1:09:21
  Speaker 1: entitled to their opinion, of course, and I am entitled
• 1:09:25
  Speaker 1: to mine. It's just that I get to speak mine
• 1:09:27
  Speaker 1: publicly and they have to talk to their friends. Sorry
• 1:09:30
  Speaker 1: about that. I didn't say anything that I didn't feel
• 1:09:34
  Speaker 1: about Dre. You know, Dre is a talented guy. He's
• 1:09:38
  Speaker 1: part of the culture, he's part of the history. We
• 1:09:41
  Speaker 1: don't want that to happen to Dre absolutely. Now listen,
• 1:09:44
  Speaker 1: how did you get to deal with fenty linger riggers?
• 1:09:48
  Speaker 1: At first I thought you were doing that to be funny,
• 1:09:50
  Speaker 1: But does look like it's a real check. It is
• 1:09:51
  Speaker 1: a very good check. It is a check, that is
• 1:09:54
  Speaker 1: what you call it. Get a raised. I don't got
• 1:09:56
  Speaker 1: a raise. This, this whap doesn't got me a raise.
• 1:10:00
  Speaker 1: So not not to wop. I never shoot that. I
• 1:10:04
  Speaker 1: never shoot from the front. I never shoot in the
• 1:10:06
  Speaker 1: crotch area or any of that. Because I do have
• 1:10:08
  Speaker 1: a daughter and her friends are already in my DMS
• 1:10:11
  Speaker 1: enough you know what I'm saying, so I don't need
• 1:10:13
  Speaker 1: to instigate any of that. But A Rihanna's a tour
• 1:10:18
  Speaker 1: bus driver. Used to be out my toybus driver when me,
• 1:10:22
  Speaker 1: Read and Melanie were on tour with Kat Williams. So
• 1:10:26
  Speaker 1: I kept in touch with him. We've been friends all
• 1:10:28
  Speaker 1: these years. And he called me late one night and
• 1:10:32
  Speaker 1: on FaceTime and he said, hey, we were just watching
• 1:10:35
  Speaker 1: you here on the tour bus and I said who
• 1:10:38
  Speaker 1: and he said me and my client. And I saw
• 1:10:41
  Speaker 1: who's your client? And boom, Rihanna's face popped on the FaceTime.
• 1:10:44
  Speaker 1: I like, I almost drew my thumb out of socket
• 1:10:47
  Speaker 1: trying to screenshot that picture so quick, and we talked it.
• 1:10:51
  Speaker 1: Apparently she really likes a comedy and she was a
• 1:10:54
  Speaker 1: fan of mine, which was amazing as well. And I
• 1:10:57
  Speaker 1: told her that my daughter was a fan of her
• 1:10:59
  Speaker 1: makeup line. This is before fenty Skin came out. She
• 1:11:03
  Speaker 1: was a fan of her makeup line. And I said,
• 1:11:05
  Speaker 1: and I kind of like that little hot Lingeree you have.
• 1:11:07
  Speaker 1: I said, it's too bad you don't make it for
• 1:11:09
  Speaker 1: a big girls, you know, curveyr girls, And she said, no,
• 1:11:12
  Speaker 1: but I do. I saw a shoot. I want to
• 1:11:14
  Speaker 1: be a Lingere model. She said, let's make it happen
• 1:11:16
  Speaker 1: and we keep keith and laughed. And I was like,
• 1:11:18
  Speaker 1: oh that was fun. That no big deal. You know. Well,
• 1:11:21
  Speaker 1: two days later she personally hit me in my DMS
• 1:11:25
  Speaker 1: and asked for my email. I was like, first I
• 1:11:28
  Speaker 1: had to check and make sure that was really her,
• 1:11:30
  Speaker 1: you know, And so I sent her my email and
• 1:11:33
  Speaker 1: the next day, poom poom poom. Contracts started coming. You
• 1:11:36
  Speaker 1: gotta post twice a month, We gotta send Dada da dad.
• 1:11:39
  Speaker 1: By this dating back, I was like, oh damn, I
• 1:11:42
  Speaker 1: wrote this check my booty and literally going out to
• 1:11:45
  Speaker 1: cash and they started sending like a boxing Linger rae
• 1:11:48
  Speaker 1: every month and we have to take the pictures. First off,
• 1:11:52
  Speaker 1: I didn't know. You know, we started off in the
• 1:11:53
  Speaker 1: living room here. Now I do full fledged photo shoots
• 1:11:56
  Speaker 1: like in a studio or on location because there's some
• 1:11:59
  Speaker 1: really beautiful full figured women, uh my girl Tabria and
• 1:12:04
  Speaker 1: Margie plus that are um models for her Lingdrate Life.
• 1:12:09
  Speaker 1: And I've got on Savage xx Fincy Linger right now.
• 1:12:12
  Speaker 1: You see this matching bra baby, we see all right?
• 1:12:17
  Speaker 1: And UM were big into before I was. I was
• 1:12:21
  Speaker 1: a wife beater. No panties on type girl. No, okay,
• 1:12:25
  Speaker 1: you know maybe I got that gun. I just posted
• 1:12:27
  Speaker 1: about them old gowns that are granted used to wear
• 1:12:30
  Speaker 1: on my I was like, yeah, this is the gun
• 1:12:34
  Speaker 1: that got Granny nine kids. Well, you don't tell Rihanna
• 1:12:36
  Speaker 1: mgna make the Granny night gowns. I will talk to her.
• 1:12:39
  Speaker 1: I will definitely talk to her about that. I'm hoping
• 1:12:41
  Speaker 1: that the year before the uh Savage x Finty fashion
• 1:12:47
  Speaker 1: show was at the Barclay. Then this last year, I
• 1:12:51
  Speaker 1: was very lucky that I was here in LA at
• 1:12:54
  Speaker 1: the Convention Center and I was asked to be in that.
• 1:12:57
  Speaker 1: I was so blessed. So I'm hoping that I'll get
• 1:13:00
  Speaker 1: a chance to be in the Savage x fenty Lingre
• 1:13:03
  Speaker 1: fashion show for twenty twenty one. Uh you know, because
• 1:13:07
  Speaker 1: I'm so popping. But all the pictures that you see
• 1:13:11
  Speaker 1: have been approved by my daughter and my husband before
• 1:13:15
  Speaker 1: they ever go to the company. The company has to
• 1:13:17
  Speaker 1: approve them, and then it's when we can start posting it.
• 1:13:20
  Speaker 1: You're supposed to yesterday, and I'm looking at it. Husband
• 1:13:23
  Speaker 1: doesn't appreciate the line, isn't he excited? Like he doesn't
• 1:13:25
  Speaker 1: appreciate the Lingeri now since you don't care, he's not
• 1:13:29
  Speaker 1: interested in cloth. He's not interested in cloth that you know.
• 1:13:37
  Speaker 1: You know, So you're looking, um, Charlemagne, what you see?
• 1:13:41
  Speaker 1: What you see? Listen, Lunell, you look good. I'm looking
• 1:13:44
  Speaker 1: at you when you laid on with the pink one
• 1:13:46
  Speaker 1: and then the one where you're looking up at the camera.
• 1:13:49
  Speaker 1: Them things thanging, things thanging. I still guys, still got
• 1:13:53
  Speaker 1: good boobs. They are a little longer than they used
• 1:13:55
  Speaker 1: to be, but they didn't work. They still they still swing.
• 1:14:00
  Speaker 1: You know what I'm saying. And just know your picture
• 1:14:02
  Speaker 1: still up here. Your picture ain't go nowhere. And I
• 1:14:05
  Speaker 1: was say congratulations to Wax. I see you got in games.
• 1:14:09
  Speaker 1: You're in here. He said his name like that, Wax.
• 1:14:13
  Speaker 1: He broke my heart. Bring him in here, you come here,
• 1:14:19
  Speaker 1: Wax the Wax. I had all that, I had all
• 1:14:27
  Speaker 1: that booty right up in wax safe and he didn't
• 1:14:29
  Speaker 1: take advantage. I'm a fiancee now I can't do that
• 1:14:32
  Speaker 1: type of stuff. And I know Wax, how you doing congratulates.
• 1:14:35
  Speaker 1: I just said, I just said you congratulations before they
• 1:14:39
  Speaker 1: drug you in here and through my Lindre, you can
• 1:14:44
  Speaker 1: get one more swing if you want. No thank I
• 1:14:48
  Speaker 1: believe that batter to the dugout. That's so my congratulations
• 1:14:54
  Speaker 1: to you. I can't wait till I can come back
• 1:14:57
  Speaker 1: to New York and be in the studio. What you
• 1:14:59
  Speaker 1: got for driving us now? Always a pleasures. Thank you guys,
• 1:15:04
  Speaker 1: Thank you bye by everybody. The Breakfast Club. It's about
• 1:15:18
  Speaker 1: the rumor report Angela on the Breakfast Club, but all
• 1:15:24
  Speaker 1: sixteen co owners of Title are reportedly going to get
• 1:15:28
  Speaker 1: eight point nine million dollars pay out after Jay Z
• 1:15:30
  Speaker 1: recently did his deal with Twitter CEO Jack Dorsey. When
• 1:15:33
  Speaker 1: Title was launched there were sixteen co owners are receiving
• 1:15:36
  Speaker 1: a three percent stake in the company. So now they've
• 1:15:38
  Speaker 1: also all just made about nine million dollars from that deal. Yeah,
• 1:15:41
  Speaker 1: this is why, This is why I don't understand anyone
• 1:15:43
  Speaker 1: who says jay Z only does business moves for himself.
• 1:15:45
  Speaker 1: It's almost like y'all can't read or you choose to
• 1:15:47
  Speaker 1: be willfully ignorant. When this deal was announced, it said
• 1:15:50
  Speaker 1: that the artist would be the second largest shareholders in
• 1:15:52
  Speaker 1: the country. So you know, being that they all had
• 1:15:54
  Speaker 1: equity in the company, they always gonna eat off the sale.
• 1:15:57
  Speaker 1: That's how business is, which is great. Yeah. Some of
• 1:16:00
  Speaker 1: those co owners are Beyonce, Kanye, Rihanna, Nicki Minajs as
• 1:16:04
  Speaker 1: your Ti, Alicia Keys, Little Wayne, and all of them
• 1:16:07
  Speaker 1: getting eight point nine million dollars. That don't sound like
• 1:16:09
  Speaker 1: a person who's doing a business just for himself, But hey,
• 1:16:12
  Speaker 1: what do I know? All right? Now, let's talk about
• 1:16:15
  Speaker 1: Cardie B. She decided to put out a doll Her
• 1:16:18
  Speaker 1: dollar is super cute, and she went on social media
• 1:16:20
  Speaker 1: to announce the launch of that doll in her likeness.
• 1:16:23
  Speaker 1: She posted, Barbie Gang, I'm dropping my own doll today
• 1:16:25
  Speaker 1: inspired by me created by me, designed by me. This
• 1:16:29
  Speaker 1: means so much. Here's what she said. One of the
• 1:16:31
  Speaker 1: reasons why I decided to do it is because I'm
• 1:16:34
  Speaker 1: a girl's mom and I just be like, wow. Nowadays,
• 1:16:38
  Speaker 1: these dolls are not like barbies. They are way more expensive,
• 1:16:41
  Speaker 1: they come with way more fashion, they come way more diverse.
• 1:16:45
  Speaker 1: And I constantly got to spend money on these dolls because,
• 1:16:50
  Speaker 1: like you know, my daughter constantly want me to buy
• 1:16:53
  Speaker 1: these dolls. She has she's actually has a press a preference.
• 1:16:56
  Speaker 1: So it's just like, you know what, why am I
• 1:16:58
  Speaker 1: not going to get into doll business? Why not? Smart?
• 1:17:01
  Speaker 1: Makes sense? I'm just glad that the dolls are black
• 1:17:03
  Speaker 1: and brown. Yes, and the dog comes with two different outfits.
• 1:17:07
  Speaker 1: It's available for pre sell for three days. They don't
• 1:17:09
  Speaker 1: ship out until July, just FYI, So if you want
• 1:17:12
  Speaker 1: to get it, better get it. Paul Cardy. Now, Black
• 1:17:16
  Speaker 1: Girls Rock founder Beverly Bond has ink to development deal
• 1:17:19
  Speaker 1: with BT, So congratulations to DJ Beverly Bond. She's been
• 1:17:22
  Speaker 1: a long time partner to BT, and you know she
• 1:17:25
  Speaker 1: has the Black Girls Rock Awards, which I love, and
• 1:17:27
  Speaker 1: she also has the Black Girls Rock Book that features
• 1:17:29
  Speaker 1: over forty different powerful black women, So congratulations to her
• 1:17:34
  Speaker 1: for that. Now, Dak Prescott has signed a one hundred
• 1:17:37
  Speaker 1: and sixty million dollar contract with the Dallas Cowboys, so
• 1:17:40
  Speaker 1: congratulations to him. That stories for you, Charlomagne dropping a
• 1:17:42
  Speaker 1: clue box for Daki deserves. It took him a long
• 1:17:45
  Speaker 1: time to do that deal. Huh. Well, you know he
• 1:17:48
  Speaker 1: had got hurt, and you know he was holding out
• 1:17:50
  Speaker 1: what he should have. He he got, He got. He
• 1:17:52
  Speaker 1: got what he wanted, though he wanted forty million a year.
• 1:17:54
  Speaker 1: He got it. It includes a league record of one
• 1:17:56
  Speaker 1: hundred and twenty six million dollars guaranteed, and he's gonna
• 1:17:59
  Speaker 1: get forty two million per season in the first three
• 1:18:01
  Speaker 1: years of the deal. He could also make a total
• 1:18:03
  Speaker 1: of one hundred and sixty four million dollars with incentives.
• 1:18:06
  Speaker 1: His signing bonus is sixty six million dollars, and he
• 1:18:08
  Speaker 1: has a no trade clause in a deal that's amazing
• 1:18:12
  Speaker 1: all right. Now, if you watch The Queen's Gambit, that
• 1:18:14
  Speaker 1: series is being transformed into a musical. So they did
• 1:18:18
  Speaker 1: just announce that they've acquired the right to turn that
• 1:18:22
  Speaker 1: nineteen eighty three novel The Queen's Gambit into a musical
• 1:18:24
  Speaker 1: after Netflix had a very successful TV adaptation of that show.
• 1:18:29
  Speaker 1: Did y'all watch it? It's really good? It act a
• 1:18:35
  Speaker 1: good show, all right, Drake, What's Next is on track
• 1:18:39
  Speaker 1: to be the number one debut on Billboard's Hot one
• 1:18:41
  Speaker 1: hundred now according to chart Data. They said that Drake
• 1:18:45
  Speaker 1: debuts in the top three spots on Spotify with every
• 1:18:47
  Speaker 1: song from Scary Hours Too. So number one is What's Next,
• 1:18:51
  Speaker 1: number two is Once in Needs, and then number three
• 1:18:54
  Speaker 1: is the Lemon Pepper freestyle with Rick Ross. So congratulations
• 1:18:58
  Speaker 1: to him. Put something. Put out three songs, three of
• 1:19:00
  Speaker 1: them one, two, and three. All right, and Rick Ross,
• 1:19:03
  Speaker 1: I heard you dramas. Rick Ross has just bought former
• 1:19:10
  Speaker 1: Miami Heat stars a Mari Stademeyer's house in Brower County
• 1:19:13
  Speaker 1: after just twenty two days on the market. He spent
• 1:19:17
  Speaker 1: three point five million dollars in cash to purchase that home.
• 1:19:20
  Speaker 1: It was an all cash transaction. The deal close in
• 1:19:22
  Speaker 1: four days after Rick Ross toured the house with his
• 1:19:25
  Speaker 1: mom and sister. According to a real estate agent, so
• 1:19:27
  Speaker 1: they said, that's like one of the fastest deals they've done.
• 1:19:30
  Speaker 1: Ross got it. Ross is an entrepreneur gro drop on
• 1:19:32
  Speaker 1: a clues boons for Ross. Ross got a lot of
• 1:19:34
  Speaker 1: great investments going all right, and rapper Renny Rucci is
• 1:19:38
  Speaker 1: allegedly joining Love and Hip Hop Atlanta, so that should
• 1:19:42
  Speaker 1: be pretty interesting. She's dating rapper of Fujiano and they
• 1:19:46
  Speaker 1: said he may also appear on Love and Hip Hop
• 1:19:48
  Speaker 1: Atlanta as well. So there's no word yet on when
• 1:19:50
  Speaker 1: the tenth season of Love and Hip Hop Atlanta will premiere. Okay,
• 1:19:53
  Speaker 1: South Carolina's own Renny Rucipui that was a Jasmine brand exclude. Now,
• 1:20:00
  Speaker 1: Pepe Lapu has been removed from the Space Jam sequel.
• 1:20:03
  Speaker 1: The reason is not related to the recent controversy where
• 1:20:06
  Speaker 1: they were talking about Pepe Lapu and that that character
• 1:20:08
  Speaker 1: did normalize rape culture. According to a recent piece from
• 1:20:11
  Speaker 1: Childs and Blow of The New York Times, they said
• 1:20:13
  Speaker 1: that that scene was filmed prior to the departure of
• 1:20:17
  Speaker 1: New Legacy original director Terrence nance and Over and he
• 1:20:20
  Speaker 1: left in over creative differences. That's when his replacement, Malcolm
• 1:20:24
  Speaker 1: d Lee, left the scene on the cutting room floor
• 1:20:27
  Speaker 1: and he did not even bother adding animation to the shot. So,
• 1:20:30
  Speaker 1: according to Deadline, they saw that rough cut of the
• 1:20:32
  Speaker 1: film three months ago and they didn't spot Pepe Lapeu
• 1:20:35
  Speaker 1: in there. Are you sure that's that's not why they're
• 1:20:37
  Speaker 1: removing it. I think they are removing it because his
• 1:20:40
  Speaker 1: character was being being rape and etc. Because I saw
• 1:20:42
  Speaker 1: the woman who did the voice over. She was upset
• 1:20:46
  Speaker 1: because she was like, you know, that was an opportunity
• 1:20:47
  Speaker 1: to show that women are going to going to stand
• 1:20:49
  Speaker 1: up for themselves. But they saying it doesn't have to
• 1:20:51
  Speaker 1: do with the recent piece that child's blow from the
• 1:20:53
  Speaker 1: New York Times. Um did. This was already out of
• 1:20:56
  Speaker 1: it three months ago. It was never up. You've been
• 1:21:00
  Speaker 1: getting on. Dave Chappelle called out and killing me softly.
• 1:21:04
  Speaker 1: I remember that. Yes, listen, pepper lape was very aggressive
• 1:21:08
  Speaker 1: and very raping. For sure. He was a skunk skunk stink.
• 1:21:14
  Speaker 1: All right, Well that is your rumor reports, all right,
• 1:21:16
  Speaker 1: shout out to Revolt. We'll see tomorrow. Everybody else to
• 1:21:18
  Speaker 1: People's Choice Mixes Up. Next, let's go. It's Woman's History
• 1:21:24
  Speaker 1: Month and we're celebrating the most influential women in history.
• 1:21:26
  Speaker 1: Check out this phenomenal woman morning. Everybody is cej Envy,
• 1:21:32
  Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club.
• 1:21:35
  Speaker 1: Good morning, now easy um, what do we doing for
• 1:21:37
  Speaker 1: Women's History Month? Well, today we are celebrating Valletta Wallace. Now,
• 1:21:40
  Speaker 1: she had posted on Instagram previously for decades, I have fought.
• 1:21:44
  Speaker 1: In the beginning, I didn't know how or where I
• 1:21:46
  Speaker 1: fought the LAPD and took them the court. I thought
• 1:21:48
  Speaker 1: the people were aspirations of destroying my son's legacy. In
• 1:21:52
  Speaker 1: the end, you don't get tired of fighting if you
• 1:21:54
  Speaker 1: know there will always be a fight for my younger generations.
• 1:21:57
  Speaker 1: Keep fighting as I will until my last breath. The
• 1:22:00
  Speaker 1: Lettle Wallace is Biggie's mom. She's produced films about his life,
• 1:22:03
  Speaker 1: which includes Notorious Biggie, The Life of Notorious Big and
• 1:22:07
  Speaker 1: now the latest Netflix documentary Biggie, I Got a Story
• 1:22:10
  Speaker 1: to Tell. In addition, she's also a part of City
• 1:22:12
  Speaker 1: of Lies featuring Johnny deppin forst with her detailing the
• 1:22:16
  Speaker 1: investigation into her son's murder based on lapt detective pools
• 1:22:19
  Speaker 1: tireless efforts to solve the case. So she's been working
• 1:22:23
  Speaker 1: behind the scenes in front of the scenes for the
• 1:22:26
  Speaker 1: past twenty four years, and I know that has to
• 1:22:28
  Speaker 1: be really difficult for her, but we commend you a
• 1:22:32
  Speaker 1: Lettle Wileace for working so tirelessly to make sure there's
• 1:22:35
  Speaker 1: some sort of justice. Absolutely, and like Charlemagne and him
• 1:22:38
  Speaker 1: said behind the scene, and you said behind the scene
• 1:22:40
  Speaker 1: that you know, they don't want to necessarily celebrate the
• 1:22:43
  Speaker 1: daid he died. They want to celebrate when he was born. Well, yeah,
• 1:22:45
  Speaker 1: d Rock said that on the Rappertour podcast, My guy
• 1:22:48
  Speaker 1: d Rock, He said that a couple of years ago
• 1:22:49
  Speaker 1: on the rapperate Our podcast that he's never been big
• 1:22:52
  Speaker 1: on celebrating March Knife. You know, he rather celebrate, you know.
• 1:22:57
  Speaker 1: And yeah, I totally understand. I told me understand that,
• 1:23:00
  Speaker 1: you know what I mean, I agree too, because we're
• 1:23:02
  Speaker 1: living a day like today is super traumatic, Like it's
• 1:23:05
  Speaker 1: really nothing to celebrate, you know, absolutely all right, when
• 1:23:08
  Speaker 1: we come back, we got the positive notice the Breakfast
• 1:23:10
  Speaker 1: Club climony that for the last two weeks you voted
• 1:23:13
  Speaker 1: in the how can I get on contests and thousands
• 1:23:16
  Speaker 1: of you let us know who makes it all right? Now,
• 1:23:18
  Speaker 1: today's today we found out who's getting this singles deal
• 1:23:21
  Speaker 1: with Sparta distribution, Ladies and gentlemen. As thousands of votes
• 1:23:26
  Speaker 1: poured in, the winner is Zion from Houston, Texas. Congratulations
• 1:23:32
  Speaker 1: congrat Zion. Now we love hearing from the breakfast club
• 1:23:35
  Speaker 1: community and helping someone's career grow and to help make
• 1:23:37
  Speaker 1: their dreams come true. That Facebook's groups is a great
• 1:23:40
  Speaker 1: place to continue to inspire your passions. With the help
• 1:23:42
  Speaker 1: of others, you can take on anything with Facebook groups
• 1:23:46
  Speaker 1: more together. That's Charlomann. I know you wanted to do
• 1:23:48
  Speaker 1: something special for Ghana, right, oh man, listen Instead of
• 1:23:50
  Speaker 1: a positive note, I want to play something that makes
• 1:23:52
  Speaker 1: you feel good. I got a salute Ghana. This past
• 1:23:55
  Speaker 1: weekend was Ghana Independence Day. So many great things you
• 1:23:57
  Speaker 1: can say about Ghana. But Maya Angelou had a quote
• 1:24:00
  Speaker 1: what she said, while the rest of the world has
• 1:24:01
  Speaker 1: been improving technology, Ghana has been improving the quality of
• 1:24:04
  Speaker 1: man's humanity, the man. Damn think about that after I
• 1:24:07
  Speaker 1: described to do every day improved the quality of man's humanity,
• 1:24:10
  Speaker 1: the man and woman. But I want to show Ghana
• 1:24:13
  Speaker 1: some love this morning, everybody in America from Ghana. My
• 1:24:16
  Speaker 1: loved one six four he's from Ghana and he has
• 1:24:20
  Speaker 1: a record. He's got a record with an artist who's
• 1:24:23
  Speaker 1: huge in Ghana. His name is Medicattle. And I posted
• 1:24:26
  Speaker 1: this on my social media. This weekend and and you
• 1:24:28
  Speaker 1: know he was getting a lot of love. So this
• 1:24:30
  Speaker 1: song is called Walk in Day Park. Walk in day Park,
• 1:24:34
  Speaker 1: all right. It just makes you feel good, all right.
• 1:24:36
  Speaker 1: So sleut all my Ghana, massive sleut to My Guy
• 1:24:38
  Speaker 1: six four and Matt Coal