Latest / The Bridge by Sammy Chand / August 3, 2026 — "Sammy Chand interviews Apoorva Arora"

Transcript

August 3, 2026 — "Sammy Chand interviews Apoorva Arora" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and culture can be.
• 0:02
  Speaker 2: Found around the world.
• 0:05
  Speaker 1: We tracked down the best and present it here for you.
• 0:09
  Speaker 3: On Ruckus Avenue Radio.
• 0:16
  Speaker 4: Hi, this is Out of Jane and you're listening to
• 0:18
  Speaker 4: Ruckus Avenue Radio.
• 0:21
  Speaker 5: Hi.
• 0:21
  Speaker 6: This is Mother by Baski and you're listening to the
• 0:24
  Speaker 6: Bridge with Sami Champ.
• 0:26
  Speaker 5: Hi.
• 0:26
  Speaker 6: This is Jasmine Actor and you listening to the Bridge
• 0:30
  Speaker 6: with Semi Champ. Yeah.
• 0:36
  Speaker 1: What are way to start the week off? You know,
• 0:39
  Speaker 1: hope you guys, well, hope you all had a great weekend.
• 0:41
  Speaker 1: Thank you very much for finding the signal here on
• 0:44
  Speaker 1: a Monday morning, and thank you for not forgetting about
• 0:47
  Speaker 1: me over the weekend. You know, come join me for
• 0:50
  Speaker 1: a brand new week here on the Big Show. Had
• 0:55
  Speaker 1: a great time this weekend, And in preparation of today's interview,
• 1:02
  Speaker 1: we're going to be talking to Aborva Aurora and I
• 1:08
  Speaker 1: am really excited to talk to her today. I'll tell
• 1:11
  Speaker 1: you something about these interviews that I want you to know,
• 1:14
  Speaker 1: and I may have touched on this before. Over the
• 1:17
  Speaker 1: many interviews that we've had on this show, you really
• 1:20
  Speaker 1: get to know the artists when you go down the
• 1:23
  Speaker 1: rabbit hole of actually researching their work and that's the
• 1:28
  Speaker 1: case here with Aborva. A Porva is a very talented individual.
• 1:35
  Speaker 1: She started off in a place that I think that
• 1:40
  Speaker 1: is very scary to start off in all by yourself,
• 1:44
  Speaker 1: making independent stuff, and she became a star as part
• 1:49
  Speaker 1: of the big YouTube wave. But since then it's gone
• 1:54
  Speaker 1: on to have a great career. Can't wait to talk
• 1:56
  Speaker 1: to her today. Aborva Aurora is going to be joined
• 2:00
  Speaker 1: us today on the Bridge. We'll be joined by the
• 2:03
  Speaker 1: Ruckus Avenue Radio All Stars. Doctor Roy is in the building.
• 2:07
  Speaker 1: We've got with an artist spotlight. We've got Isaya Steinberg
• 2:13
  Speaker 1: stopping in with the un news. We've got some great
• 2:18
  Speaker 1: music for you. We'll be joined today by Mira Sharma,
• 2:24
  Speaker 1: as we do every week every Monday, with a mindful
• 2:28
  Speaker 1: minute and a tradition unlike any other, is to begin
• 2:33
  Speaker 1: our Monday morning show with what was the number one
• 2:35
  Speaker 1: song from over the weekend. This is coffee. Welcome to
• 2:40
  Speaker 1: the bridge.
• 2:47
  Speaker 7: Mabelt Tu Juri yam his son a Judaea.
• 3:12
  Speaker 8: Can like.
• 3:18
  Speaker 4: And Legata do Karate shine up gooday surman Lamla Today
• 3:47
  Speaker 4: Lama Targa Karatinata cannot be cany like it.
• 4:05
  Speaker 9: Janna Jam and.
• 4:12
  Speaker 4: Germina he Carda Lakati Si Ganda pori I katy via.
• 4:26
  Speaker 5: Mating up.
• 4:29
  Speaker 10: The focused.
• 4:38
  Speaker 9: Riesmi cardamad Jorian or Papa cannot be cany like it
• 4:56
  Speaker 9: djamena and ig you need another good time.
• 5:07
  Speaker 1: That's a great title. If you know me, you know
• 5:10
  Speaker 1: I like my coffee. That's them render Gil and that's
• 5:14
  Speaker 1: just me and actor our dear friend with their second
• 5:18
  Speaker 1: week straight at number one, and this song was number two.
• 5:25
  Speaker 1: This young gentleman's name is Puddock. He has a song
• 5:29
  Speaker 1: called that I Just love here it is for you,
• 5:34
  Speaker 1: Oh Myra talking or say could you put on.
• 5:44
  Speaker 4: This name?
• 5:46
  Speaker 11: Sky come Morata Adri. The Kannada.
• 6:09
  Speaker 12: Said kaa.
• 6:13
  Speaker 11: Al the lit on auchos it's kyli cacato.
• 6:21
  Speaker 10: It was the Satakara root.
• 6:27
  Speaker 11: Ranadaba. Gabaya is khaki go for ea Gabaya is khaki panic.
• 6:45
  Speaker 1: But in the cad but in the g said there
• 6:51
  Speaker 1: are Marka.
• 6:53
  Speaker 11: Gavyas is kaderk panic.
• 6:58
  Speaker 13: The boys.
• 7:01
  Speaker 11: Nikov but in the cama in Helato Sabu Ramaza.
• 7:38
  Speaker 1: I told you you like it if you missed it
• 7:41
  Speaker 1: over the weekend. There it is got a big Monday
• 7:45
  Speaker 1: show for you. We're going to be joined today by Abora.
• 7:48
  Speaker 1: Aurora really excited about this conversation. The actor extraordinary. Here's
• 7:54
  Speaker 1: mah John God God, yeah, j heck you, I'm come here.
• 8:19
  Speaker 14: I came and you wanna look out to him and
• 8:21
  Speaker 14: son son'ky y'all home and made Nika home and do
• 8:30
  Speaker 14: maneck he buckle something boot me. He passed me there by.
• 8:41
  Speaker 14: I won't have many do that man know nothing? Go
• 8:44
  Speaker 14: you this man do bad gus I show I will
• 8:52
  Speaker 14: not love you. She told me, but it wasn't he
• 8:55
  Speaker 14: soufi quick h good boss to.
• 9:07
  Speaker 1: Do something s Come on? Come on?
• 9:11
  Speaker 10: She do s today? Does today? I get question?
• 9:23
  Speaker 1: I see to be. I can't have.
• 9:32
  Speaker 15: Got eve b.
• 9:37
  Speaker 1: Can't had what you here?
• 9:44
  Speaker 10: Come in.
• 9:50
  Speaker 2: Love him?
• 9:52
  Speaker 1: Buddy had a superba.
• 10:01
  Speaker 16: This man got on.
• 10:06
  Speaker 1: Man yea maam.
• 10:11
  Speaker 10: Uh you got in.
• 10:23
  Speaker 1: Call y'all.
• 10:25
  Speaker 13: Call your soberhead.
• 10:34
  Speaker 2: I'll come here.
• 10:35
  Speaker 17: I comeom, I got domss I's okay, y'all home and
• 10:38
  Speaker 17: Medie they got home and dud Wow, you're not going
• 10:46
  Speaker 17: to Jaco. You play funny me time, Sufi, I'm not
• 10:49
  Speaker 17: going funny.
• 10:55
  Speaker 10: Do bos gowson circle do SDEs.
• 11:15
  Speaker 1: Cushiony God have.
• 11:25
  Speaker 6: God.
• 11:30
  Speaker 1: It's from the film Baby Doo Die Do Gone Heavy.
• 11:34
  Speaker 1: If you didn't pick up on that, wellhead John the
• 11:37
  Speaker 1: vocalist there, love the production, love the sound, and another
• 11:44
  Speaker 1: song from our top twenty count down show from over
• 11:46
  Speaker 1: the weekend. So we're packing heavy to begin our Monday show. Now,
• 11:50
  Speaker 1: let's bring in doctor Roy to this party. How are
• 11:53
  Speaker 1: you Doctor Roy?
• 11:54
  Speaker 18: Hey guys, this is doctor Roy with today's word on
• 11:57
  Speaker 18: the Avenue. In film and TV news, remember the throwback
• 12:01
  Speaker 18: when Hollywood star Brad Pitt immersed himself in the timeless
• 12:04
  Speaker 18: spirit of Varnescy, exploring the city's iconic cots and experiencing
• 12:10
  Speaker 18: its rich tapestry of culture, spirituality, and traditions. From observing
• 12:15
  Speaker 18: sacred rituals along Magunga to taking in the atmosphere of
• 12:19
  Speaker 18: one of the world's oldest living cities. His visit highlighted
• 12:23
  Speaker 18: varncies enduring appeal as a global destination, which continues to
• 12:27
  Speaker 18: captivate visitors from across the globe. In media news, for
• 12:31
  Speaker 18: the first time in its celebrated history, the iconic Parelli
• 12:35
  Speaker 18: calendar has been photographed entirely in India. Titled India Beyond
• 12:39
  Speaker 18: a Single Gaze, the twenty twenty seven edition showcases the
• 12:43
  Speaker 18: nation's rich cultural diversity, landscapes and stories through the visionary
• 12:48
  Speaker 18: work of legendary photographer Ruguai, with the project completed by
• 12:52
  Speaker 18: his daughter of Vani Rai, featuring global Indian voices including
• 12:56
  Speaker 18: bud Ma Lakshmi, Frida Pinto, Aditirohydri, Anushka Shunker, Andrew Bikore mccallander,
• 13:03
  Speaker 18: stands as a powerful celebration of India's many identities on
• 13:06
  Speaker 18: one of the world's most prestigious artistic platforms.
• 13:11
  Speaker 5: In Event News.
• 13:12
  Speaker 18: At just twenty two years old, Cazia Thomas is composing
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  Speaker 18: her own remarkable story on the global stage. The Garla
• 13:19
  Speaker 18: Bourne musician earned both Best Composer of the Future and
• 13:22
  Speaker 18: Best Soundtrack at the World Film Festival in Can Remember
• 13:27
  Speaker 18: the Future twenty twenty six for her debut score in
• 13:30
  Speaker 18: the animated short film Milo. Adding to the growing list
• 13:33
  Speaker 18: of international accolades from Tuduvada to Berkeley College of Music
• 13:38
  Speaker 18: and now Award winning Film Composition. Her journey is a
• 13:42
  Speaker 18: testament to talent, perseverance and the boundless possibilities of following
• 13:47
  Speaker 18: one's creative calm. That's it for today's word on the Avenue.
• 13:51
  Speaker 1: Until next time, Thank you, doctor Roy looking forward to
• 13:54
  Speaker 1: talking to Abburva Aurora here on the show. This song
• 13:58
  Speaker 1: is called Rebel Jimi and s would be good. Kabu,
• 14:05
  Speaker 1: who is.
• 14:06
  Speaker 5: It that bhood you.
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  Speaker 19: Queen get shod South India?
• 14:13
  Speaker 1: A gard for.
• 14:16
  Speaker 10: London?
• 14:18
  Speaker 20: Give you then a qui you had?
• 14:22
  Speaker 19: Abel and the Lavenhi money below Suisukagi name bad? Who
• 14:38
  Speaker 19: have to Innama sat may Amouna be happy? Maybe hippo
• 14:47
  Speaker 19: sah Yeah, but you Abel and the Laveni Mamaso.
• 14:55
  Speaker 5: They could go to da.
• 15:01
  Speaker 1: Horse take.
• 15:11
  Speaker 15: Sugar but you.
• 15:42
  Speaker 1: Yeah, these guys aren't messing around. They really aren't. Guru
• 15:46
  Speaker 1: is the producer, Jim Wi is the vocalist. And that
• 15:51
  Speaker 1: song called Rebel from Tim's latest album. And now let's
• 15:56
  Speaker 1: bring in You're Sharma to this party. Who's got today
• 16:00
  Speaker 1: mindful minute for you?
• 16:01
  Speaker 5: Hey? Sammy?
• 16:02
  Speaker 12: Hey everyone? Me or Shama here with your weekly dose
• 16:05
  Speaker 12: of mindful self helping you stay self assured, spirited and strong.
• 16:11
  Speaker 12: Hello August. Can you believe we're already in our last
• 16:15
  Speaker 12: month of summer? Here's your reminder. Don't let us slip
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  Speaker 12: by without really living it. Celebrate who you are, laugh
• 16:25
  Speaker 12: a little louder, say yes to new adventures. And make
• 16:29
  Speaker 12: memories that fill your cup. Life isn't just about taking
• 16:33
  Speaker 12: off your to do list. It's about collecting moments that
• 16:36
  Speaker 12: make you smile. So this week, soak up the sunshine,
• 16:41
  Speaker 12: spend time with the people you love, and most importantly,
• 16:44
  Speaker 12: enjoy being you make August a month full of good
• 16:48
  Speaker 12: joy and gratitude and good vibes.
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  Speaker 5: You've got this.
• 16:52
  Speaker 1: Thank you, Thank you so much, Mira. Yeah, we need
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  Speaker 1: that for a good August. I had to hear. Can't
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  Speaker 1: believe we're already in August. Yours just flying by, folks.
• 17:03
  Speaker 1: And now let's bring in Isaiah Steinberg. And Isaiah joins
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  Speaker 1: us every week as part of our partnership with the
• 17:10
  Speaker 1: UN News Department, and today Isaiah joins us with a
• 17:13
  Speaker 1: news report from around the world. How are you today, Isaiah?
• 17:18
  Speaker 20: This is UN News Today with me Isaiah Steinberg. The
• 17:21
  Speaker 20: headlines in Iran UNSEF is raising concerns after a two
• 17:26
  Speaker 20: year old child was killed yesterday in a strike on
• 17:29
  Speaker 20: a residential building. The climate altering al Nino weather pattern
• 17:33
  Speaker 20: is back this year, bringing with it high temperatures and
• 17:36
  Speaker 20: significant changes to rainfall patterns around the world, and the
• 17:41
  Speaker 20: UN World Health Organization's warning about the risks of wildfire
• 17:45
  Speaker 20: smoke as fires continue to spread across France and Spain.
• 17:51
  Speaker 20: On Kashum Island in Iran, a two year old child
• 17:55
  Speaker 20: and their parents were killed yesterday after a US strike
• 17:58
  Speaker 20: hit a residential building. To local authorities, the strike injured
• 18:02
  Speaker 20: another two children, UNISEF reported. The agency's acting director for
• 18:07
  Speaker 20: the region, Abdul Fofauna, says children in the region continue
• 18:11
  Speaker 20: to be killed in places where they should be the safest,
• 18:15
  Speaker 20: including in their homes and schools. In the last five months,
• 18:19
  Speaker 20: more than four thousand children have reportedly been killed or
• 18:22
  Speaker 20: injured across six countries involved in conflicts. Just in Iran,
• 18:27
  Speaker 20: three hundred and eighty six children were reported killed in
• 18:31
  Speaker 20: two thy one hundred and seventeen injured. UNICEF is calling
• 18:35
  Speaker 20: on all parties fighting in the Middle East to respect
• 18:38
  Speaker 20: international law and protect children from further suffering. Around the world,
• 18:44
  Speaker 20: a strengthening al Nino weather pattern is expected to bring
• 18:48
  Speaker 20: elevated temperatures and major shifts in rainfall. According to the
• 18:52
  Speaker 20: UN's World Meteorological Organization WMO, al Nino is a periodic
• 18:58
  Speaker 20: warming of the Pacific Ocean that occurs once every few
• 19:01
  Speaker 20: years and affects weather across the globe. The WMO says
• 19:06
  Speaker 20: al Nino will likely become particularly strong between August and October.
• 19:11
  Speaker 20: At the same time, the Indian Ocean is experiencing its
• 19:14
  Speaker 20: own periodic climatic shift, which could increase the risk of droughts, floods,
• 19:19
  Speaker 20: and wildfires in that area. Al Nino is expected to
• 19:24
  Speaker 20: bring wet conditions to the Greater Horn of Africa, parts
• 19:27
  Speaker 20: of Central Asia, Southern Europe, western North America, and southeastern
• 19:32
  Speaker 20: South America. Conversely, it will likely bring dry conditions to
• 19:36
  Speaker 20: the Indian subcontinent, southern and eastern Australia, parts of Central
• 19:41
  Speaker 20: America and the Caribbean, northwestern South America, and northern Europe.
• 19:47
  Speaker 20: UN Secretary General Antonio Guterrez warns that Al Nino is
• 19:52
  Speaker 20: adding to already growing threats from climate change and reiterates
• 19:56
  Speaker 20: that fossil fuel expansion must stop.
• 20:00
  Speaker 21: We act to protect people and tackle the root cause
• 20:03
  Speaker 21: of the crisis. It will become deadrier still the warm
• 20:07
  Speaker 21: up act is over. We cannot afford to wait for
• 20:11
  Speaker 21: the main events.
• 20:12
  Speaker 20: Meanwhile, WMO Secretary General Celeste Sowlo says the forecasts provide
• 20:18
  Speaker 20: governments and communities with a critical window to prepare before
• 20:22
  Speaker 20: impacts unfold, stressing that timely climate information can help save
• 20:27
  Speaker 20: lives and livelihoods. As wildfires continue to burn across Europe,
• 20:33
  Speaker 20: destroying hundreds of thousands of hectares around Bordeaux and Madrid,
• 20:38
  Speaker 20: the WHO warns the fire's impacts extend far beyond the flames.
• 20:43
  Speaker 20: Smoke from wildfires can travel hundreds or even thousands of kilometers,
• 20:48
  Speaker 20: exposing communities far from the fire to dangerous air pollution.
• 20:53
  Speaker 20: Exposure to it is especially dangerous for people with pre
• 20:57
  Speaker 20: existing health conditions, such as asthmaic lung disease.
• 21:01
  Speaker 1: And heart disease.
• 21:02
  Speaker 20: The WHO says children and babies, older people, pregnant women,
• 21:07
  Speaker 20: and some people with disabilities may be less able to
• 21:10
  Speaker 20: cope with polluted air, while emergency responders and outdoor workers
• 21:15
  Speaker 20: remain at heightened risk. As climate change drives hotter and
• 21:20
  Speaker 20: drier conditions, the risk of wildfires and the health impacts
• 21:25
  Speaker 20: of their smoke is only increasing. WHO says, even if
• 21:30
  Speaker 20: you can't smell smoke, wildfires can change directions suddenly, so
• 21:34
  Speaker 20: it's important to follow health updates and advisories. Isaiah Steinberg,
• 21:39
  Speaker 20: you and News.
• 21:40
  Speaker 1: Thank you so much for that Isaiah. A lot going
• 21:43
  Speaker 1: on around the world, so many fires around Europe, Canada.
• 21:47
  Speaker 1: Just like what Isaiah just mentioned. Shubb's got a track.
• 21:51
  Speaker 1: It's got Sonia stand by for avay.
• 21:58
  Speaker 4: Goodness, a managing Sonia Kai.
• 22:09
  Speaker 10: Nacade.
• 22:10
  Speaker 4: Then about the days to turn in here and again
• 22:13
  Speaker 4: our pads and back to Madana Naka get Langageanda by
• 22:23
  Speaker 4: dilute the known and jargony molangy number mannism Okay, So
• 22:36
  Speaker 4: Maja baker Ama any moon to kar Jam in the
• 22:43
  Speaker 4: career darkness, the change.
• 22:59
  Speaker 10: Your name.
• 23:04
  Speaker 16: Kabarama, Candy car, I am in his Honigi.
• 23:45
  Speaker 1: And ladies and gentlemen all the way in from India.
• 23:48
  Speaker 1: How are you a purva?
• 23:51
  Speaker 5: I know, I'm very good. Thank you so much for
• 23:55
  Speaker 5: having me.
• 23:55
  Speaker 1: It's so nice to have you. I look at you
• 23:58
  Speaker 1: as one of the more interesting actors and artists out there.
• 24:02
  Speaker 1: You came up in a time that one would say
• 24:06
  Speaker 1: that it's a little different than most actors in our
• 24:09
  Speaker 1: history of this world have ever become famous. And you
• 24:12
  Speaker 1: did it through what we would consider the small screen,
• 24:16
  Speaker 1: the mobile phone, and you became a star through that,
• 24:19
  Speaker 1: whereas through history it was either theater or film. There
• 24:23
  Speaker 1: was no other way, and this is a brand new
• 24:25
  Speaker 1: way for you to have connected to the world. And
• 24:28
  Speaker 1: here you are out there amongst the audience for the
• 24:32
  Speaker 1: world to see, and you did it through the screen.
• 24:35
  Speaker 1: Did you ever think that that was going to be
• 24:37
  Speaker 1: the way?
• 24:40
  Speaker 5: Honestly?
• 24:41
  Speaker 7: Not.
• 24:41
  Speaker 6: Honestly, I kind of ran away from the smallest screen that.
• 24:47
  Speaker 5: Ever has been I mean so far.
• 24:49
  Speaker 6: I ran away from it for a very very long
• 24:52
  Speaker 6: time because I always wanted to make sure that, you know,
• 24:55
  Speaker 6: I sort of make it big as a movie star.
• 24:59
  Speaker 5: A mean while.
• 25:00
  Speaker 6: I would do a lot of commercials that would sort
• 25:03
  Speaker 6: of keep me afloat as an actor and also keep
• 25:06
  Speaker 6: my kitchen running. But then came the digital boom and
• 25:09
  Speaker 6: I had done a couple of films already. I did
• 25:12
  Speaker 6: somethings in South India, I did something income job. I
• 25:15
  Speaker 6: did some indie films as well, some really interesting independent
• 25:18
  Speaker 6: projects that would you know, sort of get me noticed,
• 25:21
  Speaker 6: and it did, actually, But when the digital boom happened,
• 25:25
  Speaker 6: I kind of I was shying away from it. But
• 25:28
  Speaker 6: eventually I thought I was able to try. I gave
• 25:32
  Speaker 6: auditions for certain bed shows that seemed interesting back then,
• 25:35
  Speaker 6: and I think that that was a good time to
• 25:38
  Speaker 6: get in. That was a great time to find my
• 25:40
  Speaker 6: way in because it helped me get an audience that
• 25:44
  Speaker 6: recognized me now, and you.
• 25:47
  Speaker 5: Helped me build a lot of credibility for when I
• 25:49
  Speaker 5: want to pitch myself for a film or for a
• 25:54
  Speaker 5: big web show, a big budgeted web show, or like
• 25:58
  Speaker 5: a theater production that's really big. So that kind of
• 26:01
  Speaker 5: edibility really goes along way.
• 26:03
  Speaker 1: It does. It certainly does take us back to the
• 26:06
  Speaker 1: moment that you found out that you were going to
• 26:09
  Speaker 1: be in college romance. What was that feeling like for you?
• 26:12
  Speaker 1: And you know, to kind of extend on this answer
• 26:15
  Speaker 1: that you just gave me, you probably didn't expect that
• 26:17
  Speaker 1: that was going to be the way as you said,
• 26:19
  Speaker 1: but take us to that feeling.
• 26:24
  Speaker 6: Honestly, I went in thinking, I'm getting a sweet ticket
• 26:29
  Speaker 6: to my hometown Deli and I'm to shoot in Deli.
• 26:34
  Speaker 5: Amazing, I get I get to spend time with my mom,
• 26:38
  Speaker 5: and because.
• 26:39
  Speaker 6: This was somewhere in the outskirts of No Deli, my
• 26:43
  Speaker 6: parents preferred that somebody from home would sort of accompany
• 26:47
  Speaker 6: me at all times if possible.
• 26:50
  Speaker 5: So my mother was there and I got to spend
• 26:52
  Speaker 5: a lot of time with her.
• 26:53
  Speaker 6: I was very excited to be playing a college kid
• 26:55
  Speaker 6: because I didn't get to go to regular college. I
• 26:58
  Speaker 6: had to study at home while I was still acting.
• 27:02
  Speaker 6: So that sort of experience was really fun, and I
• 27:06
  Speaker 6: was getting to do a show that is out and
• 27:09
  Speaker 6: out comedy. The show did not take it so seriously
• 27:12
  Speaker 6: at any point, especially the first season, so for me,
• 27:15
  Speaker 6: it was like a break from studying at home, giving auditions,
• 27:19
  Speaker 6: having this you know, cutthroat sort of competition in Mumbai.
• 27:25
  Speaker 6: So many actors around me, so many you know, everyone's
• 27:28
  Speaker 6: just talking about films, everyone's just talking about getting the
• 27:30
  Speaker 6: right part, being in the right home, and suddenly this
• 27:33
  Speaker 6: show comes where I feel like I'm going to have
• 27:35
  Speaker 6: a lot of fun. But that's how I went in
• 27:38
  Speaker 6: and the minute it remains, it grew up and people
• 27:42
  Speaker 6: loved it so much that I think that's the moment
• 27:45
  Speaker 6: I realized that I'm a part of something big and
• 27:48
  Speaker 6: it's like, you know.
• 27:48
  Speaker 5: It's going to be history. Yeah.
• 27:51
  Speaker 1: Yeah, that must have been a moment for you, and
• 27:54
  Speaker 1: I think that everybody embraced you through that role. And
• 27:57
  Speaker 1: what I really loved about your story is that you
• 28:00
  Speaker 1: have of course, we just talked about the moment in
• 28:06
  Speaker 1: history here where the digital platform through the phone took
• 28:09
  Speaker 1: off and you rode that wave. You also have a
• 28:12
  Speaker 1: very deep relationship with theater, and you know, when you
• 28:15
  Speaker 1: work in theater, I think it's really interesting because to me,
• 28:19
  Speaker 1: it really brings out the best of an actor. It
• 28:21
  Speaker 1: also challenges the actor because you are right there, the
• 28:25
  Speaker 1: lights are on, you have to go, there's no stopping
• 28:29
  Speaker 1: and restarting. Tell us about that world. How did that
• 28:33
  Speaker 1: prepare you for what you are doing now? And how
• 28:35
  Speaker 1: different are those two worlds being in front of a
• 28:38
  Speaker 1: camera and then being on stage.
• 28:41
  Speaker 6: Right Apart from the very basic fact, that's the kind
• 28:45
  Speaker 6: of subjections as an actor that you have to practice
• 28:48
  Speaker 6: in theater and in films is very different. In terms
• 28:51
  Speaker 6: of your voice modulation, your pitch, your volume.
• 28:56
  Speaker 5: Even your expression.
• 28:57
  Speaker 6: There have to be a certain day when you're in
• 28:59
  Speaker 6: theater and another way when you're in front of the camera,
• 29:02
  Speaker 6: because the camera catches every little movement, every muscle, every thought.
• 29:06
  Speaker 5: In fact, you think it and the camera will see it.
• 29:10
  Speaker 6: So it works like that in films, and when it
• 29:12
  Speaker 6: comes to theater, your entire body is visible to the audience.
• 29:17
  Speaker 6: There is no close up shot of your face. There's
• 29:19
  Speaker 6: no way that somebody can you know, cut something, cut
• 29:23
  Speaker 6: to something else. If you messed up and you have
• 29:26
  Speaker 6: to make sure that the entire body is in the scene,
• 29:29
  Speaker 6: there is no way you can cheat. But then again,
• 29:32
  Speaker 6: when it comes to films, the same thing is it's
• 29:35
  Speaker 6: quite a it's an acquired skill where you sort of
• 29:38
  Speaker 6: know how to manage different and then say, different shorts,
• 29:42
  Speaker 6: different magnifications. So these are very different skills that you
• 29:47
  Speaker 6: have to have to understand. But yes, theater does bring in.
• 29:50
  Speaker 5: A law of discipline. It sort of makes you a
• 29:54
  Speaker 5: team player. First of all.
• 29:56
  Speaker 6: It's the best thing that an actor can learn is
• 29:59
  Speaker 6: how to get ready fast, how to get in and
• 30:02
  Speaker 6: out of a part, how to you know, I have
• 30:06
  Speaker 6: gotten into really heavy wedding down wedding dresses.
• 30:11
  Speaker 5: In ten seconds because I have to make make an entry.
• 30:14
  Speaker 5: Yeah and now yeah, I mean I.
• 30:17
  Speaker 6: Feel like when I get married, I'll be the first
• 30:19
  Speaker 6: one number because I'll be ready in ten seconds.
• 30:23
  Speaker 1: It's such a such a valuable tool for everybody to
• 30:26
  Speaker 1: have out there or right, you got to get out
• 30:28
  Speaker 1: in and out of some outfits fast. That's really cool. Yeah,
• 30:33
  Speaker 1: I really love the fact that City Beautiful returns you
• 30:36
  Speaker 1: back to your Punjabi roots and it's nice, it's an
• 30:39
  Speaker 1: interesting project for you. My A lot of my audiences Punjabi.
• 30:43
  Speaker 1: We play a lot of Punjabi music, We cover a
• 30:45
  Speaker 1: lot of the Punjabi culture. Talk to a lot of
• 30:47
  Speaker 1: the Punjabi artists out there. You know, I feel that
• 30:50
  Speaker 1: Punjabi cinema has always been strong, and it's always been
• 30:54
  Speaker 1: something that has lived parallel with the music industry. They
• 30:58
  Speaker 1: wan't work hand in hand. And tell me about your
• 31:01
  Speaker 1: return into the Punjabi scene and how much of it
• 31:05
  Speaker 1: has changed through the years, and you know, how much
• 31:08
  Speaker 1: have you seen the rest of the culture in India
• 31:12
  Speaker 1: evolved looking at Punjabi culture both from an entertainment perspective
• 31:16
  Speaker 1: but also from a commercial perspective of making music, making films,
• 31:20
  Speaker 1: making TV shows that are deeply entrenched in our specific culture.
• 31:25
  Speaker 1: Talk about this because you have this experience of being
• 31:29
  Speaker 1: on the you know, nationwide, worldwide front, but now here
• 31:32
  Speaker 1: it is returning to something so specific.
• 31:36
  Speaker 6: Yeah, ye, I mean I think that because of the
• 31:42
  Speaker 6: history of Punjabs, we have seen.
• 31:45
  Speaker 5: So much, We have experienced so much.
• 31:49
  Speaker 6: Some of us have even experienced having to leave our land,
• 31:53
  Speaker 6: you know, and then move elsewhere with living with the
• 31:57
  Speaker 6: feeling of you know, we might get to go back
• 32:00
  Speaker 6: some day, that longing, that yearning that always stays in you.
• 32:03
  Speaker 6: And I think that's what has kind of uh made
• 32:08
  Speaker 6: us really uh profound writers, you know, poets, and some
• 32:16
  Speaker 6: of us are even good actors because and I mean
• 32:19
  Speaker 6: I'm talking from uh from the point of view of
• 32:22
  Speaker 6: us being Punjabi that a lot of us really know
• 32:27
  Speaker 6: where to you know, how to you know, delve into
• 32:29
  Speaker 6: that feeling when we're portraying a certain emotion for the.
• 32:33
  Speaker 5: Screen of the stage.
• 32:35
  Speaker 6: So we add that because of the history that the
• 32:38
  Speaker 6: Jab has seen, I see a lot of artists that
• 32:41
  Speaker 6: are very very.
• 32:44
  Speaker 5: Very very talented, very.
• 32:46
  Speaker 6: Very smart, very experienced and yeah, and very and and
• 32:51
  Speaker 6: really young people. They write so well, they are so
• 32:54
  Speaker 6: well versed with their language, and so I think it
• 32:58
  Speaker 6: just makes it makes the whole.
• 33:02
  Speaker 5: A world of art in Punjab riture. Yeah, I think
• 33:08
  Speaker 5: we're in a golden era of music.
• 33:11
  Speaker 6: Also, I mean I am now entering a certain age
• 33:16
  Speaker 6: group where I might go and say, oh, you.
• 33:18
  Speaker 5: Know, music was better back in the day.
• 33:20
  Speaker 6: You know, they were better, uh lyricist, there was better, Uh,
• 33:25
  Speaker 6: they were better beat. But I think Punjabi music has
• 33:29
  Speaker 6: evolved in such.
• 33:30
  Speaker 5: A way that you go anywhere in the world there
• 33:34
  Speaker 5: is a Pujabi pong playing. Yeah, there is no there
• 33:37
  Speaker 5: is no DJ. There is no artist in the world
• 33:40
  Speaker 5: who doesn't know at least one. So I think that
• 33:43
  Speaker 5: it goes to.
• 33:44
  Speaker 6: Show how far we've found how much he has evolved,
• 33:48
  Speaker 6: while also you know, speaking to our.
• 33:52
  Speaker 5: Roots, because there's a modern there's a there's a young
• 33:55
  Speaker 5: singer like and Today's who's based entire album on punjabiport.
• 34:03
  Speaker 5: So that just bo was to show that even the young.
• 34:05
  Speaker 6: People that really really well worked with their culture and
• 34:08
  Speaker 6: we're not leaving that behind.
• 34:10
  Speaker 5: But we're also not stuck in the past.
• 34:13
  Speaker 1: That's interesting. We're big fans of Oardo Tello. He's getting
• 34:16
  Speaker 1: ready to tour over here in North America this later
• 34:19
  Speaker 1: this year. And let's talk about the business. Let's talk
• 34:22
  Speaker 1: about the industry and how the industry has evolved. You know,
• 34:27
  Speaker 1: I've seen something really interesting where and you're the perfect
• 34:31
  Speaker 1: person for me to talk to about this because you
• 34:35
  Speaker 1: are part of what we would consider this digital movement.
• 34:38
  Speaker 1: It was very free. I felt like anybody can you know,
• 34:42
  Speaker 1: with the right talent, and everybody can succeed in this space.
• 34:45
  Speaker 1: It was somewhat democratized. There were no gatekeepers to get behind, right,
• 34:49
  Speaker 1: you could go do it. But and that was a
• 34:53
  Speaker 1: big difference from how it was before, where you know,
• 34:56
  Speaker 1: you had to go through the certain gatekeepers, had to
• 35:00
  Speaker 1: go through the certain producers or directors or whatever it
• 35:02
  Speaker 1: might be, right, and then mobile comes. You're a part
• 35:05
  Speaker 1: of that. But now I feel like the business is
• 35:08
  Speaker 1: starting to get eaten up again by the big giants
• 35:12
  Speaker 1: like the netflixes and people like this is starting to
• 35:14
  Speaker 1: take a lot of that like ott YouTube wave away, right,
• 35:18
  Speaker 1: it feels like it's kind of consolidating back to the
• 35:21
  Speaker 1: big hands again in a way. Well, what do you
• 35:25
  Speaker 1: think about that? Do you think that you know the
• 35:29
  Speaker 1: world that you are a part of there in terms
• 35:31
  Speaker 1: of the digital movement? Do you think you will always
• 35:33
  Speaker 1: stay independent or do you feel that that freedom is
• 35:36
  Speaker 1: starting to go away as well? And another question is
• 35:40
  Speaker 1: do you think your show that made you a success
• 35:43
  Speaker 1: could it have happened now in this world today?
• 35:49
  Speaker 6: I think the past season could have happened when then
• 35:52
  Speaker 6: the minute just got noticed them. You might have said
• 35:56
  Speaker 6: some issues, some issues with sort of the certification and
• 36:01
  Speaker 6: the and the you know, the scrutiny that we probably
• 36:06
  Speaker 6: might get because of the certain portrayal of fun students,
• 36:09
  Speaker 6: which is actually very very real. But I mean maybe
• 36:13
  Speaker 6: the first season, after the first season, there might have
• 36:16
  Speaker 6: been some issues there. But also TV being a big
• 36:20
  Speaker 6: let you know, TV being a giant and in this respect, uh,
• 36:23
  Speaker 6: maybe things would and now especially things would have been
• 36:27
  Speaker 6: easier for us, uh for for for a production company
• 36:30
  Speaker 6: likes to present that, so it might have been easier now.
• 36:35
  Speaker 6: I don't know, I mean, but yeah, going back to
• 36:39
  Speaker 6: your other questions, I feel like, yes, it's always going
• 36:42
  Speaker 6: to be a cycle. H I even I even went
• 36:45
  Speaker 6: onto Instagram and went about how people are you know,
• 36:50
  Speaker 6: people complain about not having quality films and shows to watch,
• 36:55
  Speaker 6: while there is there are shows shows like They Feelings
• 36:59
  Speaker 6: and all of these splits we made and you know
• 37:01
  Speaker 6: it's like, I'm sorry, but it's basically flop.
• 37:05
  Speaker 5: So people are enjoying that. If it's mackable, they basically.
• 37:09
  Speaker 6: They call it second screen content, which I don't really
• 37:13
  Speaker 6: like because.
• 37:14
  Speaker 1: It's second screen.
• 37:17
  Speaker 6: Yeah. I mean, somebody's on their phone and I'm acting
• 37:21
  Speaker 6: on there and I'm on their TV.
• 37:23
  Speaker 5: I don't want them to be on their phone. I'd
• 37:25
  Speaker 5: rather they turn the TV off. So these are the
• 37:28
  Speaker 5: kind of shows that.
• 37:29
  Speaker 6: People are now being being asked to make.
• 37:32
  Speaker 5: Also, But that being said.
• 37:35
  Speaker 6: I don't think would cinema is want to die any
• 37:39
  Speaker 6: time soon, because there are still films like Home Bounds,
• 37:45
  Speaker 6: there are still films like Girls Will Be Girls getting
• 37:48
  Speaker 6: all the awards, and there are.
• 37:51
  Speaker 5: Still producers like Richard Because who are still making these films.
• 37:55
  Speaker 6: There are shows like to Be Beautiful being sanctioned, and
• 37:58
  Speaker 6: that's a great sign because I mean, I'm not allowed
• 38:01
  Speaker 6: to talk much about it, but it's very very brave
• 38:04
  Speaker 6: of the producers to pick up a topic like this.
• 38:06
  Speaker 6: It's true crime. It happens for learning some jobs. Yeah,
• 38:10
  Speaker 6: it's it's hugely based on somebody's real life. And now
• 38:14
  Speaker 6: we allowed to talk more about it. But it's very
• 38:19
  Speaker 6: very complex when we talk about it, and the kind
• 38:21
  Speaker 6: of conversations that I had with the writer and the
• 38:23
  Speaker 6: director and just to the kind of research.
• 38:27
  Speaker 5: That went into it.
• 38:28
  Speaker 6: So the major change now that I'm seeing is that
• 38:32
  Speaker 6: people are well worked with the craft, people have access
• 38:36
  Speaker 6: to world cinema, people have access to interviews from filmmakers
• 38:40
  Speaker 6: all over the world, from material apart from just having
• 38:45
  Speaker 6: to read books because a lot of people don't read books.
• 38:48
  Speaker 6: So a lot of filmmakers have access to all kinds
• 38:52
  Speaker 6: of cinema. That's a film called drugge Reps been made
• 38:55
  Speaker 6: in Punjab based on this, Yeah, and it's about this
• 38:59
  Speaker 6: young boys who says who has issues like extile dyssumption.
• 39:03
  Speaker 6: I don't think anyone has ever ever touched upon that
• 39:08
  Speaker 6: topic in India. Yeah, So to make a film like
• 39:11
  Speaker 6: that with limited budget, I think being naturally growing, the
• 39:17
  Speaker 6: stars are being made.
• 39:19
  Speaker 5: I mean it's not very.
• 39:20
  Speaker 6: Recent, but I mean in the last ten years or so,
• 39:25
  Speaker 6: we've seen some great Yeah.
• 39:27
  Speaker 1: I remember that was a great film. A lot of
• 39:31
  Speaker 1: actors talk to me and they say that they are
• 39:35
  Speaker 1: making content that is fulfilling and content driven, and they
• 39:43
  Speaker 1: and they put these high kind of you know, banners
• 39:48
  Speaker 1: describing their work. You, for example, to me, I feel
• 39:53
  Speaker 1: you are actually doing that. You know, you are actually
• 39:56
  Speaker 1: making things that matter and in a way where your
• 40:00
  Speaker 1: filmography really shows this kind of breadth of work where
• 40:03
  Speaker 1: your content and the characters and everything else are deep.
• 40:06
  Speaker 1: They're really interesting characters. And to me, it tells me
• 40:10
  Speaker 1: a little bit about your process as to what you
• 40:13
  Speaker 1: accept and what you take on as an actor. Tell
• 40:17
  Speaker 1: me about some of the things you may have turned
• 40:19
  Speaker 1: down in the past without without having to name them specifically. Maybe,
• 40:25
  Speaker 1: but maybe if there was some sort of role that
• 40:28
  Speaker 1: you took you turned down that you know that didn't
• 40:32
  Speaker 1: fit what you were about or something. Is there such
• 40:36
  Speaker 1: a project out there or were there projects that you
• 40:38
  Speaker 1: turned down because of that reason?
• 40:41
  Speaker 6: I do actually sometimes when I'm not sure about why
• 40:46
  Speaker 6: what the filmmaker is trying to say with what they
• 40:48
  Speaker 6: are see. So I have certain non negotiable as Definitely,
• 40:52
  Speaker 6: one would be no sexual abuse goes unpunished or unacknowledged.
• 40:58
  Speaker 6: If it's being glorified, I will not do it. No
• 41:00
  Speaker 6: physical up views goes unpunished. Are not it a smolish
• 41:03
  Speaker 6: because then there's my point. There has to be an
• 41:06
  Speaker 6: either mention of that being wrong or it has to
• 41:10
  Speaker 6: be punished in the narrative itself. So these are my
• 41:13
  Speaker 6: non negotiables and uh uh no making fun of any
• 41:18
  Speaker 6: marginalized communities. And apart from that, personally, I feel like
• 41:24
  Speaker 6: if if there's a filmmaker who you know, if this
• 41:27
  Speaker 6: got dision but they don't have the money to make
• 41:30
  Speaker 6: the film, if they've got a tight script and they
• 41:33
  Speaker 6: don't have the money to make a film, I will
• 41:35
  Speaker 6: do it. It's probably uh not charge them as much,
• 41:38
  Speaker 6: but I will do it. But if there's money and
• 41:40
  Speaker 6: somebody is not sure about what they're trying to say,
• 41:43
  Speaker 6: because it's very important for me, uh that that the
• 41:47
  Speaker 6: director that I'm trusting, because the minute I say yes,
• 41:50
  Speaker 6: they are going to be everything to me, and I'm
• 41:53
  Speaker 6: going to say yes to everything they say.
• 41:55
  Speaker 5: So it's very very important to me that they know
• 41:58
  Speaker 5: what their grammar is, they know what kind of worlds.
• 42:02
  Speaker 6: They are creating, what part I play in that world,
• 42:05
  Speaker 6: and what what basically what color am I in their painting.
• 42:09
  Speaker 6: That that's something that's really important for me to see
• 42:13
  Speaker 6: with a filmmaker, for me to say.
• 42:15
  Speaker 5: Yes to them and surrender to them.
• 42:17
  Speaker 6: Otherwise I say yes to everything because I don't think
• 42:20
  Speaker 6: I am privileged enough to pay no to everything that
• 42:24
  Speaker 6: comes my way.
• 42:25
  Speaker 1: Sure, that's that's that's the reality of the business. You
• 42:29
  Speaker 1: know that is. But also you know with that, you know,
• 42:33
  Speaker 1: with your past and with the work that you have done,
• 42:35
  Speaker 1: you have obviously set a standard as far as who
• 42:38
  Speaker 1: approaches you with what. And I think that speaks for
• 42:40
  Speaker 1: itself in its own right. We're having a lot of
• 42:43
  Speaker 1: fun talking to you today. I just have another question
• 42:45
  Speaker 1: or two before we let you go here. This is
• 42:47
  Speaker 1: this is really great. Thank you as you look around
• 42:50
  Speaker 1: the business and as you can tell by the nature
• 42:53
  Speaker 1: of how we talk here in the interview that we
• 42:55
  Speaker 1: have here, it's it is centered around the work that
• 42:58
  Speaker 1: you do. But I also really enjoy getting the perspective
• 43:03
  Speaker 1: of someone like you on the business and we have
• 43:05
  Speaker 1: talked about that a great deal. But my next question
• 43:09
  Speaker 1: is going to be turned to something a little bit
• 43:11
  Speaker 1: more personal, which has to do with I And it's
• 43:13
  Speaker 1: a question that I love to ask a certain guests
• 43:17
  Speaker 1: on the show, which is there's a young girl somewhere
• 43:21
  Speaker 1: in Punjab or in India that looks at you, that
• 43:25
  Speaker 1: might be filming stuff on her phone right now, that
• 43:28
  Speaker 1: might be trying to find her way, which you clearly did.
• 43:35
  Speaker 1: What advice do you give her?
• 43:37
  Speaker 5: Borba agreed.
• 43:42
  Speaker 6: Read read books, watch thad books, playing yourself to pay
• 43:48
  Speaker 6: yourself for the day you find yourself in the front
• 43:51
  Speaker 6: of the Canada. Don't wait for somebody to come and
• 43:55
  Speaker 6: take you to a school. Yes, there are acting schools
• 44:00
  Speaker 6: in India, there are some really great teachers.
• 44:03
  Speaker 5: Don't wait for the teacher to write.
• 44:05
  Speaker 6: Find your teacher there there, they're probably in your bookshelf.
• 44:08
  Speaker 6: There that you have YouTube, you have internet access.
• 44:11
  Speaker 5: And most of us do.
• 44:14
  Speaker 6: Read and watch as many films as we can. And
• 44:19
  Speaker 6: for whenever you are fortunate enough to actually enter the
• 44:22
  Speaker 6: world of films and India, remember to keep your head
• 44:27
  Speaker 6: high and there is absolutely no need to bow down
• 44:33
  Speaker 6: to anyone or anything, what any set that is.
• 44:37
  Speaker 21: I love that.
• 44:38
  Speaker 1: I love that. That's a great answer because because to
• 44:43
  Speaker 1: your point, and you're first part of that was read
• 44:48
  Speaker 1: prepare yourself. I couldn't agree with you more and just
• 44:53
  Speaker 1: being prepared for the moment, because the moment will arrive.
• 44:55
  Speaker 1: If you're passionate enough in your space, that moment will come.
• 44:58
  Speaker 1: It will knock on your door and you meet that moment.
• 45:01
  Speaker 19: Uh.
• 45:01
  Speaker 1: There's that incredible answer. Let's let's turn our attention to
• 45:05
  Speaker 1: some of the projects you've got coming up. Of course,
• 45:07
  Speaker 1: we talked about City Beautiful. We all saw your mom cue.
• 45:11
  Speaker 1: Tell us about the work that you're doing coming up.
• 45:14
  Speaker 1: What can we look forward to from you, and not
• 45:16
  Speaker 1: only just in specific shows, but just the direction of
• 45:20
  Speaker 1: your career, where you're going with all this stuff, right.
• 45:23
  Speaker 5: So I'm trying to focus.
• 45:27
  Speaker 6: Also, I've always wanted to grow up and be yourselfmaker,
• 45:30
  Speaker 6: and I think I'm ready now. Then before that, i'd
• 45:36
  Speaker 6: like to start by directing place. I feel like there's
• 45:40
  Speaker 6: most so for messing up and covering it up as
• 45:44
  Speaker 6: soon as you know the first show is done, because
• 45:48
  Speaker 6: you get multiple chances that way, and you're not throwing
• 45:52
  Speaker 6: money like you do and so so if you're not,
• 45:55
  Speaker 6: like you're not literally bleeding money, so that way you
• 45:58
  Speaker 6: are safer unless that's take in terms of finances. So
• 46:03
  Speaker 6: I think that I'll start by a director of play,
• 46:06
  Speaker 6: and other than that, as an actor, I'm looking at
• 46:09
  Speaker 6: the characters that are conflict, that acquire work, that acquires research,
• 46:16
  Speaker 6: and that also entertained people. I am not here to
• 46:20
  Speaker 6: change the world, like I always say, I can probably
• 46:24
  Speaker 6: change my own world, you know, fight small battles every
• 46:29
  Speaker 6: day and try to win them, and in that process
• 46:32
  Speaker 6: maybe I will change the world as well.
• 46:34
  Speaker 5: So that's how that's my approach to marciall Mastral.
• 46:40
  Speaker 1: That's awesome, Well, you've already changed the world once with
• 46:43
  Speaker 1: your work on the small screen as we call it
• 46:44
  Speaker 1: on the mobile screen, right, you're part of a wave.
• 46:47
  Speaker 1: I think that did essentially change the world the p
• 46:51
  Speaker 1: and you're probably going to do it again and again,
• 46:54
  Speaker 1: so I don't put anything past you for the future.
• 46:56
  Speaker 1: So that's very exciting for us. All. So nice talking
• 47:00
  Speaker 1: to you today. Incredibly excited to see all the great
• 47:03
  Speaker 1: work that you're going to put out. And again, congratulations
• 47:06
  Speaker 1: on the story so far.
• 47:09
  Speaker 5: Thank you so much. Thanks, You'll be talking to you.
• 47:12
  Speaker 1: Likewise, everybody please go check Outa's work and we're really
• 47:16
  Speaker 1: excited about seeing her in her upcoming projects here, including
• 47:20
  Speaker 1: City Beautiful, which he's currently shooting for right now. Really
• 47:24
  Speaker 1: excited about it all, everybody. It's a Aurora.
• 47:32
  Speaker 13: I'm a boom so.
• 47:42
  Speaker 15: Very child, this shar the fem shardani ho lor Yah
• 48:05
  Speaker 15: married the Kiani that Girora pillow and constant to I'm
• 48:10
  Speaker 15: a woman, so No'm the ant the anti marriage, the
• 48:14
  Speaker 15: hordes thereas they aren't all.
• 48:20
  Speaker 13: They may not any love.
• 48:21
  Speaker 15: The geno, love you Mary, my short day just exactly Hurrah.
• 48:29
  Speaker 15: Chld Jackie Polus is a fiano party still away. The
• 48:34
  Speaker 15: matrolated tallade, the like give me regard, the.
• 48:41
  Speaker 9: Mary could Ki Sama shart.
• 48:44
  Speaker 15: Ho hydratic like cheap Mary you there is real too
• 48:49
  Speaker 15: long again? Ho lor Yah Mahre is the Kiani told
• 48:55
  Speaker 15: the glora pillow in constant I'm a woman, so no,
• 48:59
  Speaker 15: I'm the Antica Hordes, Oh what you do? Halloway this
• 49:09
  Speaker 15: r Calicari, Parni har the any nogarua to blosculea Barani
• 49:16
  Speaker 15: constructa hardy Oh Jack, Danny Miriam is a capillo rack Denny,
• 49:25
  Speaker 15: when I ask a little capabia d v glomatizer off,
• 49:38
  Speaker 15: can you got oh any? Challenges Dubai and Helia to
• 49:44
  Speaker 15: her parish to be like, Hi, any, what is your name?
• 49:49
  Speaker 10: Anny?
• 49:50
  Speaker 15: Wily Panade, just Halley any?
• 49:54
  Speaker 1: Let's all a horse? Or are you feeling?
• 49:57
  Speaker 15: And American Calcara we Below.
• 50:07
  Speaker 1: The song is called hold us Big shout out to
• 50:11
  Speaker 1: Aurora for being so open with us, really sharing her
• 50:16
  Speaker 1: story now was bringing Doita to this party?
• 50:18
  Speaker 8: Hi? Everyone, This is da data Rukasavni radio music correspondent
• 50:23
  Speaker 8: back with another artist spotlight.
• 50:25
  Speaker 5: Today.
• 50:25
  Speaker 8: We're spotlighting global Punjabi superstar Diljit Do sanch the singer,
• 50:29
  Speaker 8: actor and cultural icon who continues breaking barriers for South
• 50:33
  Speaker 8: Asian music on the world stage. From chart topping albums
• 50:37
  Speaker 8: to sold out international tours, diljit has become one of
• 50:40
  Speaker 8: the most recognizable Punjabi artists worldwide, known for his hits
• 50:44
  Speaker 8: like Goat, Born to Shine and Lover. Twenty twenty six
• 50:48
  Speaker 8: has already been massive for him, and April, dil Jeit
• 50:51
  Speaker 8: made his highly anticipated return to The Tonight Show Starring
• 50:54
  Speaker 8: Jimmy Fallon, where he not only performed his viral new
• 50:57
  Speaker 8: trek Morny, but also taught Salen Pung on national television,
• 51:01
  Speaker 8: a huge cultural moment for Punjabi music globally. He's also
• 51:05
  Speaker 8: been making ways with this international collaboration Ranja alongside Cia
• 51:09
  Speaker 8: and David Getta, blending Punjabi melodies with global pop and
• 51:13
  Speaker 8: electronic sounds in a way only dil Jeep can. Meanwhile,
• 51:16
  Speaker 8: Mornie has quickly become one of the most biggest Punjabi
• 51:19
  Speaker 8: tracks of the year, with fans worldwide praising its fulk energy,
• 51:22
  Speaker 8: live performance style and celebration of Punjabi culture. Whether it's
• 51:26
  Speaker 8: Hollywood talk shows, global collaborations, or bringing Punjabi music to
• 51:30
  Speaker 8: entirely new audiences. Dil Jeita sanch continues proving that his
• 51:34
  Speaker 8: artistry has no borders and honestly he's only getting bigger.
• 51:38
  Speaker 1: Well that's all for me.
• 51:39
  Speaker 8: Stay tuned for more only on Ruckus Avenue Radio.
• 51:42
  Speaker 10: Thank you so much.
• 51:44
  Speaker 1: Duta Yeah del jee's getting ready for the big Europe tour,
• 51:47
  Speaker 1: including that big show in London, very exciting.
• 51:56
  Speaker 22: Oh yeah.
• 51:58
  Speaker 2: Yeah, nco Man Wikiting, Bill fordy Percy, John Gaga, the
• 52:13
  Speaker 2: Fuddy Pa.
• 52:16
  Speaker 10: Saday hit Jojo go fu, nomba a fire here.
• 52:27
  Speaker 2: Na go Yoda loncom shodaya.
• 52:33
  Speaker 10: God, come on, ha God, come on, had normal see
• 52:42
  Speaker 10: but they Numa had.
• 52:54
  Speaker 3: Sid jugging dot do Cossette had young go honey, Hushi
• 53:01
  Speaker 3: Ho ma Kushi Holly Sorry, sad man I had the
• 53:07
  Speaker 3: bunny may do ma Jo Pulo, saby ty pull alligay
• 53:19
  Speaker 3: jot Pulo, saby sect the Conca Savica courdy no.
• 53:34
  Speaker 1: Gooi him.
• 53:38
  Speaker 10: Yeah goy sum no he's a hum Hey, come on,
• 53:51
  Speaker 10: come on, Nash guyety no Sava.
• 54:04
  Speaker 1: Got on soon got.
• 54:10
  Speaker 10: Jugger, don't come.
• 54:14
  Speaker 1: Behav jo st juet Dodge get on, made up but John.
• 54:32
  Speaker 10: Long shut off foottoom gouse of oil hair.
• 54:39
  Speaker 1: Norm hope but.
• 54:43
  Speaker 16: God, God, oh.
• 54:55
  Speaker 13: God, come on, got no money, Come on.
• 55:21
  Speaker 10: This it's.
• 55:29
  Speaker 1: You, not.
• 55:37
  Speaker 8: Me, not.
• 55:48
  Speaker 13: Oh God, come on, come on, got no.
• 55:57
  Speaker 22: Bonapasga delgitos ange big shout out to Abora Aurora.
• 56:25
  Speaker 1: You know, it was a really interesting interview. I've spoken
• 56:28
  Speaker 1: to a lot of different artists out there, and very
• 56:31
  Speaker 1: few and that most of them will come on. They'll
• 56:33
  Speaker 1: tell us about their strategy, they'll tell us about their work,
• 56:37
  Speaker 1: and you know, so many things like that. But today
• 56:40
  Speaker 1: you heard something very unique. You heard an artist give
• 56:44
  Speaker 1: you their code, and it's something that I'll be remembering
• 56:49
  Speaker 1: for a while. I asked her how she decides which
• 56:53
  Speaker 1: director deserves her yes, and she told me she needs
• 56:56
  Speaker 1: to know their grammar, their world. And here it is
• 56:59
  Speaker 1: what color am I in their painting? Sit with that
• 57:03
  Speaker 1: in one image she saw the whole question of what
• 57:06
  Speaker 1: an actual actor is not the star of the frame,
• 57:11
  Speaker 1: a color in someone else's vision. And she means it,
• 57:14
  Speaker 1: she told me. The minute she says yes, she surrenders
• 57:17
  Speaker 1: to the director completely. And I believe that. But listen,
• 57:21
  Speaker 1: listen to what she says yes to, and listen to
• 57:24
  Speaker 1: what the yes costs A filmmaker with a tight script
• 57:27
  Speaker 1: and no money, she'll do it and barely charge them,
• 57:31
  Speaker 1: is what she said. Money with no vision and she
• 57:34
  Speaker 1: walks and underneath it all the non negotiable, no abuse,
• 57:40
  Speaker 1: unpunished or acknowledged. On her screen, no marginalized community mocked
• 57:45
  Speaker 1: lines that don't move. Here's why that matters. Beyond her
• 57:50
  Speaker 1: Aporva came up through the digital wave, the phone screen,
• 57:52
  Speaker 1: no gatekeepers, the most democratized moment Indian entertainment has ever had.
• 57:57
  Speaker 1: That freedom made a lot of careers in very few codes.
• 58:01
  Speaker 1: She built both, and instead of writing the algorithm, she
• 58:04
  Speaker 1: went backward on purpose to theater no retakes, no mercy,
• 58:08
  Speaker 1: and now toward directing the star of the newest medium,
• 58:12
  Speaker 1: apprenticing to the old one. When I asked of what
• 58:15
  Speaker 1: she'll tell the young girl in Punjab filming on her
• 58:18
  Speaker 1: phone tonight, she didn't say, follow your dreams. She said read,
• 58:22
  Speaker 1: train yourself, don't wait for the teacher to arrive. Find
• 58:26
  Speaker 1: your teacher. They're probably on your bookshelf. And when you
• 58:30
  Speaker 1: make it, keep your head held high, bow down to
• 58:33
  Speaker 1: no one and nothing. She told me. She's not here
• 58:37
  Speaker 1: to change the world, just her own world, one small
• 58:40
  Speaker 1: battle a day. I'd argue, The math works out the same.
• 58:44
  Speaker 1: Go find her work tonight. You'll be impressed with Aporva.
• 58:48
  Speaker 1: Have a great day everybody, and I'll leave you with
• 58:50
  Speaker 1: this song right here. This one's called Nah Push there.
• 58:54
  Speaker 1: The artist name is Sivie for Reid. See you tomorrow
• 58:59
  Speaker 1: to to pay Laso the.
• 59:05
  Speaker 23: No the Loki coma t terra, the Jamney pigeon napper
• 59:16
  Speaker 23: ish nap olivi chi Gunny your garden, Shani have arbart
• 59:23
  Speaker 23: tax the Jamney pigeon nap for Shrana, the s Olivichi
• 59:30
  Speaker 23: Gunny your garden, Shani have albart terra, the Jamney pigeon
• 59:36
  Speaker 23: nap for sham Rana. There is the man who like
• 59:57
  Speaker 8: No no