Latest / The Breakfast Club / Marsha Ambrosius Interview and More

Transcript

Marsha Ambrosius Interview and More · The Breakfast Club

• 0:01
  Speaker 1: This is your wake up Hall Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the East to the West Coast.
• 0:08
  Speaker 1: DJ Envigel Charlomane, the god, the really show on the planet.
• 0:12
  Speaker 1: This is where I respect this show because this is
• 0:14
  Speaker 1: a voice of society. Sames in the game, guys are
• 0:17
  Speaker 1: the coveted morning show. What y'all earning? Impacting the coach
• 0:21
  Speaker 1: up in the morning and the stay want to hear
• 0:23
  Speaker 1: that Breakfast the world's most dangerous morning show. And all
• 0:41
  Speaker 1: right he took the hell I don't know what's going
• 0:43
  Speaker 1: over headed again, Jesus Christ, what was that? I act
• 0:47
  Speaker 1: like I never did this before. I wasn't learning out.
• 0:55
  Speaker 1: Good morning Usa, joo yo yo yo yo yo yo
• 0:58
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:00
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:02
  Speaker 1: yo yo yo yo yo yo Angels in Miami, we're
• 1:05
  Speaker 1: having problems with her. Mike Charlomagne was popping the planet
• 1:08
  Speaker 1: is Thursday, Yes, it's Thursday. Yeah, we're trying to figure
• 1:13
  Speaker 1: out this thing. What's going on? So I got logic
• 1:16
  Speaker 1: in Miami. Yes, I don't know who the engineer is
• 1:18
  Speaker 1: there at one or three five to beat in Miami,
• 1:20
  Speaker 1: but they'll figure it out. We'll get it together there there.
• 1:26
  Speaker 1: Every time I talk, I hear myself twice. Yes, that's
• 1:28
  Speaker 1: the last thing I want to do is hear myself
• 1:29
  Speaker 1: to you and me already hear voices in my head
• 1:32
  Speaker 1: as it is. Okay, now, um shout to Kola House.
• 1:36
  Speaker 1: Kola House is a restaurant slash event space here in
• 1:39
  Speaker 1: uh New York City. Charlemagne actually had his book release
• 1:43
  Speaker 1: party there. I did have my book launch party there.
• 1:45
  Speaker 1: I didn't know that it's actually a real restaurant, did
• 1:48
  Speaker 1: you know that? I kind of assumed it because you
• 1:50
  Speaker 1: when you walk in, they have like tables and stuff
• 1:52
  Speaker 1: like that, and waitresses and waiters in a bar. Nah,
• 1:54
  Speaker 1: don't you well you know what? Yes, yeah, I didn't
• 1:56
  Speaker 1: know that. I did a couple of it and they
• 1:58
  Speaker 1: were serving food at my book. I didn't know it
• 2:01
  Speaker 1: was an actual restaurant. I went there last night and
• 2:03
  Speaker 1: they have amazing food. Man, it was a banquet all.
• 2:06
  Speaker 1: I thought it was just a face like, you know,
• 2:09
  Speaker 1: just an event space all events I did. I did
• 2:11
  Speaker 1: an event with Fat Joe there. I came to your
• 2:13
  Speaker 1: event there. I didn't know that it was an actual
• 2:15
  Speaker 1: sit down restaurant. But yes, it is. I went there
• 2:17
  Speaker 1: last night, had amazing food. It was very very good.
• 2:20
  Speaker 1: Shout out to the people at coal House. We got
• 2:21
  Speaker 1: a great time. Yes, I don't believe you, but you
• 2:29
  Speaker 1: know whatever, if you want to tell that liar early
• 2:31
  Speaker 1: in the morning on the radio, cool, I don't. I
• 2:32
  Speaker 1: don't care either way, all right, but congratulations, right drop
• 2:36
  Speaker 1: want to close bomb for coal House? All right? The
• 2:40
  Speaker 1: damn bomb. The bomb's not working. And he looked at
• 2:42
  Speaker 1: us like he actually hit the ball. You can hear it.
• 2:44
  Speaker 1: That makes the headphones his master. He got the headphone
• 2:46
  Speaker 1: in the row. Listen to the listeners at home. Can't
• 2:48
  Speaker 1: hear the bomb, sir? Now try to get hit again.
• 2:50
  Speaker 1: Now we heard that, damn bob. Now let's try to
• 2:53
  Speaker 1: talk to you again. Something about this radio show, the
• 2:56
  Speaker 1: most Yankee radio show. This has to be the most
• 2:59
  Speaker 1: jankie success full radio show of all time. Show is
• 3:02
  Speaker 1: syndicated in seventy plus markets, and I really don't know why.
• 3:05
  Speaker 1: I'm gonna be totally honest with We are a little
• 3:09
  Speaker 1: jankie as one like. The show is put together with
• 3:12
  Speaker 1: duct tape, okay, scotch tape, Jesus d. You know, back
• 3:17
  Speaker 1: in the day the blowing in Nintendo game to make
• 3:18
  Speaker 1: it work. You gotta blow on this show at five
• 3:20
  Speaker 1: fifty five just to get it to play right at
• 3:23
  Speaker 1: definitely on both side. Jesus Christ, this is this is
• 3:27
  Speaker 1: this is horrible. Man. Does anybody care about the breakfast club? Hey, hey,
• 3:30
  Speaker 1: hey guys, we're out here. No no, it's all alone
• 3:34
  Speaker 1: on this little island trying to figure it out. No, no, no,
• 3:37
  Speaker 1: well Marsha Ambrosis will be joining. That makes me happy.
• 3:40
  Speaker 1: Marsha Ambrosis is one of my favorite artists ever historically,
• 3:43
  Speaker 1: since Floortree. When you think of sex and Marsha Ambrosis,
• 3:46
  Speaker 1: you have to think charge. You have no idea how
• 3:49
  Speaker 1: much me and my wife have sex to Marsha Ambrose's music,
• 3:53
  Speaker 1: whether it's late night and early mornings. Um, what's the
• 3:56
  Speaker 1: other CD car? I can't think of it right now.
• 3:57
  Speaker 1: I'm drawing a blank. I'm looking at it in my head. No,
• 4:00
  Speaker 1: that's he said to say, Yes, that's the Floortry song,
• 4:03
  Speaker 1: not the name of the alb Betty say yes. You
• 4:06
  Speaker 1: haven't love to say yes? Yes, baby, better say yes.
• 4:11
  Speaker 1: I'm drawing a blank right now. But I love Marsha
• 4:13
  Speaker 1: Ambrosio's music right so much Angelie, you can button anytime.
• 4:16
  Speaker 1: Your micsus to work again. No friends they nights and
• 4:21
  Speaker 1: early mornings and friends and lovers. Boom, okay, I love
• 4:24
  Speaker 1: Marsha bro. She got a new single light not called
• 4:25
  Speaker 1: love You Yaya. Oh we'll kick him with Marsha Ambross.
• 4:30
  Speaker 1: If you don't know who she is, will put you
• 4:31
  Speaker 1: onto game. You don't know who she is, it's just
• 4:33
  Speaker 1: not for you. But tell your mama and your aunts
• 4:35
  Speaker 1: that Marsa mar b morn on this morning. If you don't,
• 4:38
  Speaker 1: if you don't take myself twice, it's the stupidest girl.
• 4:41
  Speaker 1: That sounds like the old mixtape day like yeah yeah, yeah,
• 4:44
  Speaker 1: yeah yeah and me and cool clue clue. Pas. News
• 4:48
  Speaker 1: is next. It's the Breakfast Club. Good morning morning. Everybody
• 4:51
  Speaker 1: is DJ Envy Angela yee, Charlomagne the guy we are
• 4:54
  Speaker 1: The Breakfast Club's getting some front page news. In sports
• 4:57
  Speaker 1: last night, the Cavaliers beat the Raptors once only five
• 5:00
  Speaker 1: one h three. The Cavs lead the series two oh oh.
• 5:02
  Speaker 1: The Raptors don't even care huh didn't know the Eastern
• 5:06
  Speaker 1: Conference playoffs? I don't think so. And also the Spurs
• 5:08
  Speaker 1: beat the Rockets one twenty one ninety six. All right,
• 5:12
  Speaker 1: they tied the series one one. It is Angeli there, Angelie.
• 5:16
  Speaker 1: I guess not he Angela. Now I'm not prepared for
• 5:19
  Speaker 1: the front page because I usually don't do it. I
• 5:20
  Speaker 1: thought Angeli ye would have to be ready. But that
• 5:24
  Speaker 1: Mike's a little messed up. It seems like in Barack
• 5:26
  Speaker 1: Obama's biography he talks about proposing to another woman twice
• 5:31
  Speaker 1: before he met Michelle, and I then showed the woman.
• 5:35
  Speaker 1: I don't believe that Rock Obama proposed that job. Man,
• 5:37
  Speaker 1: I just don't believe that. Well, she's not fully, she's
• 5:40
  Speaker 1: she was mixed with something as I read it. Yeah, okay,
• 5:43
  Speaker 1: hold on, I ain't see it with a little leg out.
• 5:44
  Speaker 1: She looked at it right now. I saw the other picture.
• 5:46
  Speaker 1: I saw it. I didn't see all that that. Now,
• 5:49
  Speaker 1: let's say the audio. That's all we got. In school,
• 5:52
  Speaker 1: he was with a woman at the Columbia with a
• 5:54
  Speaker 1: woman named Genevieve Cook, who was a little older than
• 5:58
  Speaker 1: he was. She was white. She said at the time
• 6:00
  Speaker 1: that he was very conflicted about his race. You know,
• 6:03
  Speaker 1: he really had been raised by his white grandparents and uh, Honolulu.
• 6:08
  Speaker 1: He's on the prep schools. He didn't feel that he
• 6:10
  Speaker 1: connected with the average Black America, and then he hugged
• 6:15
  Speaker 1: that that beautiful woman named Michelle Obama never changed and
• 6:19
  Speaker 1: never went back. Okay, he glowed up from there. Tropoint
• 6:22
  Speaker 1: clue bumps with Barack Obama. But how you dying over that? Now?
• 6:25
  Speaker 1: Just sneezing? Now? Also, don't nothing look crazy? They're on
• 6:28
  Speaker 1: the beage person try to hold in the sneeze? Would
• 6:30
  Speaker 1: I like your brothers tried to hold in the day?
• 6:32
  Speaker 1: I thought if he was dying to see on the
• 6:35
  Speaker 1: mic Now. Also, Angelae suposed to do front page news,
• 6:38
  Speaker 1: It's not happening. So tell us about Steve Harvey yesterday
• 6:40
  Speaker 1: you on the Steve Harvey Show. Are you just making
• 6:42
  Speaker 1: stuff up? Absolutely? That has nothing to do it from
• 6:45
  Speaker 1: time's supposed to be. But yeah, I was on my
• 6:48
  Speaker 1: guy Steve Harvey Show yesterday promoting my book Black Privilege.
• 6:51
  Speaker 1: Opportunity Comes to those who created. New York Times Best
• 6:54
  Speaker 1: Sellers list came out again yesterday. So on the second week,
• 6:58
  Speaker 1: I'm number ten on the list. This week dropped on that.
• 7:00
  Speaker 1: How was that experiencing down with Steve? I love sitting
• 7:03
  Speaker 1: down with Steve Harber contra to Contrary to a lot
• 7:05
  Speaker 1: of people's probably belief, I think Steve is a very
• 7:08
  Speaker 1: real individual and we have a really good conversations about life. See.
• 7:12
  Speaker 1: I like listening to my elders because they've lived a
• 7:14
  Speaker 1: life that we have yet to live. Like the Brothers
• 7:16
  Speaker 1: sixty sixty one years old, got like twenty five plus
• 7:20
  Speaker 1: years on me. Absolutely, okay, Like I love sitting down
• 7:23
  Speaker 1: kicking it with people like that because anything that I
• 7:25
  Speaker 1: possibly could be going through, uh, he's already went through.
• 7:28
  Speaker 1: Oh absolutely. I listen when I when I hit the
• 7:30
  Speaker 1: New York Times Bestsellers US last week, Steve sent me
• 7:33
  Speaker 1: a text and it was like a Phesian six ten
• 7:35
  Speaker 1: to twelve, and he said, you need to have your
• 7:36
  Speaker 1: whole Alma God on right now because it's gonna be
• 7:39
  Speaker 1: so called friends and so called family who flipped. He said,
• 7:43
  Speaker 1: mark my words, it's gonna come from nowhere. That stuff was, Oh,
• 7:47
  Speaker 1: it's already, oh, definitely, without question. Who's slipping. And it
• 7:51
  Speaker 1: doesn't even matter, It don't even matter. They can all
• 7:54
  Speaker 1: disappear fall like all right, Oh listen. I love having
• 7:57
  Speaker 1: a reason not to deal with somebody. You know, me,
• 8:00
  Speaker 1: you and me both. I love to put my phone
• 8:02
  Speaker 1: on do not disturb, all right, block your number my
• 8:05
  Speaker 1: last front page news that tell them why you're mad
• 8:07
  Speaker 1: eight hundred five eight five one O five one, or
• 8:09
  Speaker 1: tell them why you're blessed. If you're mad, you can
• 8:12
  Speaker 1: call us up and put your live on the air.
• 8:14
  Speaker 1: You can explain why you are mad, or if you
• 8:15
  Speaker 1: feel blessed, you want to press some positivity. Maybe your birthday,
• 8:18
  Speaker 1: whatever it may be. Maybe a co worker is in
• 8:21
  Speaker 1: Miami and her MIC's not working. Who knows. Eight hundred
• 8:24
  Speaker 1: five eighty five one O five one. It is the
• 8:25
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club. This is your
• 8:34
  Speaker 1: time to get it off your chest, whether you're mad
• 8:36
  Speaker 1: or blast so people have the same We want to
• 8:38
  Speaker 1: hear from you on the Breakfast Club. Hello, who's this
• 8:44
  Speaker 1: from Jersey? Hey Julia, Now we can hear you clearly.
• 8:46
  Speaker 1: Tell them why you're mad. Mama. I'm mad because I
• 8:48
  Speaker 1: worked for a security company overnight at a trucking site
• 8:52
  Speaker 1: and they provide a trust but it's no seat. But
• 8:55
  Speaker 1: he does not work, and I was freezing all night
• 8:57
  Speaker 1: last night and nobody cares. They didn't expected to still
• 9:00
  Speaker 1: be cold in April in New York and New Jersey.
• 9:03
  Speaker 1: But it is I have a coat on right now. Yeah,
• 9:05
  Speaker 1: I have my coat on this morning. I'm sorry for you, Mama.
• 9:07
  Speaker 1: They know what it is. They just wanted to suffer.
• 9:10
  Speaker 1: Put your hands near your vagina. I know you've vagina
• 9:12
  Speaker 1: giving off a little warmth this morning. Hello. Who's this? Hey?
• 9:15
  Speaker 1: This is Kali from o'calla, Florida. Who's up? Bro? Tell them?
• 9:18
  Speaker 1: Why you many? Good morning to get heavy as Charlotte
• 9:21
  Speaker 1: and Julie even though he might not working, but hey,
• 9:24
  Speaker 1: I'm not mad. Just want to definitely blush today I
• 9:26
  Speaker 1: turned thirty. Oh and I might work, and hey, you
• 9:29
  Speaker 1: get no Charlotte dropped wanting a cool bomb for me,
• 9:33
  Speaker 1: drop on a cloth. Bombs for you for what you
• 9:35
  Speaker 1: turns your birthday? Help me born there. You're thirty, man,
• 9:39
  Speaker 1: I appreciate you thirty, all right, what you're doing to night?
• 9:42
  Speaker 1: Don't say dirty thirty? Hey, people say that what you're
• 9:44
  Speaker 1: doing in that about I'm harpa. Go down to Miami.
• 9:49
  Speaker 1: There you go, that's a good place to spend your thirty. Yeah,
• 9:51
  Speaker 1: he's down there, and look for her. All right, I'm
• 9:53
  Speaker 1: gonna help you. Then, listen, go down there and get
• 9:55
  Speaker 1: you a nice curable STD. Okay, don't you dead? No? No,
• 9:58
  Speaker 1: never that. Hello, who's this Jade Jasmine? You blessed this morning?
• 10:04
  Speaker 1: I am morning because I'm graduating from Porida Atlantic University
• 10:09
  Speaker 1: with a Bachelorism nursing. That's what I like to hear.
• 10:11
  Speaker 1: That's what I like to hear. Absolutely, congratulations, mamma. Thank
• 10:15
  Speaker 1: you guys so so so much. I listen to y'all
• 10:17
  Speaker 1: every morning. Thank you. Go out there. You'd be the
• 10:19
  Speaker 1: best nurse you can be. Man. I had a dude.
• 10:21
  Speaker 1: I was at a Saint Peter's University yesterday and uh,
• 10:24
  Speaker 1: you know, because I'm doing a book signing and a
• 10:26
  Speaker 1: guy walked up to me. He goes, You're gonna be
• 10:27
  Speaker 1: a star, and I'm like, oh god, here we go
• 10:29
  Speaker 1: about the time he gonna be a rapper athlete. He goes,
• 10:32
  Speaker 1: I'm gonna be a physical therapist. And I was like, man,
• 10:35
  Speaker 1: that's what I'm talking about, brother, Because success is subjective,
• 10:38
  Speaker 1: you know what I'm saying. In America, we are quick success,
• 10:40
  Speaker 1: his celebrity, but it is so many people out here
• 10:42
  Speaker 1: that are successful who are just not famous. Yeah. Absolutely,
• 10:46
  Speaker 1: salute to everybody out there that is living that beautiful
• 10:49
  Speaker 1: successful not famous life. Hello, who's this twenty four hour major? Man?
• 10:54
  Speaker 1: How you going? Twenty four hour major? Tell them why
• 10:56
  Speaker 1: you're mad? Man? I met George? Man, what up? Savannah?
• 11:00
  Speaker 1: Gotta get to Savannah? Man, I love Savannah? Why you man? Man? Oh? Man? Man,
• 11:04
  Speaker 1: my girl Man, she's tripping man like like, okay, okay,
• 11:07
  Speaker 1: like my grandma, right, she staying, She staying with me.
• 11:10
  Speaker 1: She got it. We gotta grandma ahead. She's sad with me, man,
• 11:17
  Speaker 1: So we know she's going through some time. So she
• 11:19
  Speaker 1: staying with you? And I damn how you grew up
• 11:21
  Speaker 1: in with her? No? No, no, what happened was? It's
• 11:25
  Speaker 1: it's a long it's a long story, man. But I
• 11:27
  Speaker 1: thought that my girl, man, my girl tripping man, my girl, Man,
• 11:30
  Speaker 1: she's b how Man's how you ain't gonna tell us why?
• 11:34
  Speaker 1: She felt? You just want us to guess, okay, okay, okay.
• 11:37
  Speaker 1: So so so I'm in the studio all night and
• 11:39
  Speaker 1: she noticed, he noticed, right, she noticed? Right. I get
• 11:42
  Speaker 1: a call my grandma. She crime like, what what's wrong?
• 11:44
  Speaker 1: The true my girlfriend and box my grandma's in the
• 11:47
  Speaker 1: face and put out the house. Right. So I'm on
• 11:50
  Speaker 1: my way back to the house and soon when I
• 11:53
  Speaker 1: get her. When I get home and I see I
• 11:56
  Speaker 1: see two, I se like three or two or three
• 11:58
  Speaker 1: cars I sat so when I get when I get
• 12:00
  Speaker 1: in the house, it's like two of my homies and
• 12:02
  Speaker 1: three other dude, my girl, and you are like you
• 12:06
  Speaker 1: are you know what they're doing. I really think you're
• 12:08
  Speaker 1: making this up as you go along. I can't take
• 12:09
  Speaker 1: any more. You have a blessed dad. I don't know
• 12:11
  Speaker 1: what you man. I'm gonna be honest. I like when
• 12:13
  Speaker 1: y'all mad, you know, because we have a feature car
• 12:15
  Speaker 1: telling why you're mad. But I just that was too
• 12:17
  Speaker 1: draining for me. You lost me when you said you
• 12:19
  Speaker 1: was in the studio recording. Get it off your chest.
• 12:21
  Speaker 1: If you're mad or you blessed, call us now eight
• 12:23
  Speaker 1: hundred five eight five one on five one. It is
• 12:25
  Speaker 1: to breakfast club the morning, the breakfast club. This is
• 12:32
  Speaker 1: your time to get it off your chest. Whether you're mans,
• 12:36
  Speaker 1: get from you on the breakfast club. But you got
• 12:38
  Speaker 1: something on your mind? Leg Hello, who's this Hello? Breakfast club?
• 12:43
  Speaker 1: What's up? Bro? You blessed this morning? I'm blessed and
• 12:46
  Speaker 1: I'm mad? All right? Tell us both all right, First,
• 12:49
  Speaker 1: let me tell you why I'm mad now. I love
• 12:51
  Speaker 1: a breakfast club. I love Charlot Man. That's my dude.
• 12:53
  Speaker 1: You know what I'm saying. I don't get me wrong,
• 12:55
  Speaker 1: because I love DJ Envy and Angelie is well okay,
• 12:58
  Speaker 1: But Charlomagne says week Day that they played my man's
• 13:03
  Speaker 1: song Exchange, you know, for you know, for show. It's
• 13:08
  Speaker 1: the same beat J Cole used, and y'all play J
• 13:11
  Speaker 1: Cole every day the sky if you want it? So
• 13:15
  Speaker 1: why beat? Because Charlomagnet get mad about my man's exchange song,
• 13:19
  Speaker 1: but it's the same beat. Maybe maybe maybe I'm getting
• 13:23
  Speaker 1: confused and thinking it's the same song. But I will
• 13:24
  Speaker 1: say this, Bryson Tiller sent us a platinum plaque, right
• 13:27
  Speaker 1: and he did. And I'll be honest with you, I
• 13:30
  Speaker 1: didn't even know I wanted a platinum plaque fro Bryson Tiller,
• 13:32
  Speaker 1: But when he sent it, I was like, you know what.
• 13:33
  Speaker 1: For as much as we got to hear that damn
• 13:35
  Speaker 1: Exchange song every day, I appreciate this platinum plaque from you.
• 13:38
  Speaker 1: Bryson tell us okay, earlier, Hello, y'all, what's going on? Son?
• 13:43
  Speaker 1: What's up? You mad? You busted? This morning? I'm blessed
• 13:46
  Speaker 1: this morning, son, right, you blessed? Tell us why? Yo?
• 13:48
  Speaker 1: I just want to get a blessed shout out to
• 13:50
  Speaker 1: my girl man this tuesday out of Brooklyn. You know
• 13:53
  Speaker 1: what I mean. She bust me off this morning like
• 13:55
  Speaker 1: a can of butterm bit kiss this morning three in
• 13:57
  Speaker 1: the morning. Just want to say I'm blessed to her
• 13:59
  Speaker 1: shout man was from Atlanta. Minute, did you just say
• 14:02
  Speaker 1: she busted me off? I think he definitely said. I
• 14:05
  Speaker 1: think you meant to say you busted off? Well, she
• 14:08
  Speaker 1: busted me off. Hello? Who's this from the seventh? Five? Hey?
• 14:13
  Speaker 1: Seven five seven VA? You blessed him? Mad this morning? Mama,
• 14:16
  Speaker 1: I'm bold O. Can't tell us? Well, I'm blassing because
• 14:19
  Speaker 1: I was fortunate enough to go Chris Brown when he
• 14:21
  Speaker 1: came to the eight two weeks ago. But I'm mad
• 14:24
  Speaker 1: because I'm not the black piramid tattoo and I got
• 14:27
  Speaker 1: the state of Virginia tattoo and it says maybe it's
• 14:29
  Speaker 1: the Virginia Emmy and I fosted on Instagram and he
• 14:32
  Speaker 1: didn't even reposted. So you got Chris Brown's clothing company
• 14:36
  Speaker 1: tattered on your ass. It's all arm But yeah, why
• 14:40
  Speaker 1: do you feel stupid. No, I love him. I'm feel
• 14:43
  Speaker 1: great and then I'm dropping he too, and I'm black,
• 14:45
  Speaker 1: So I feel like you know, it did incorporate some
• 14:47
  Speaker 1: earth thing. What do you think it? Because you got
• 14:49
  Speaker 1: a tattoo of Chris Brown's clothing line on your body,
• 14:51
  Speaker 1: you're entitled to meet him. Now, you know she's wanted
• 14:53
  Speaker 1: to retweet. No, I just wanted him to repost, that's all.
• 14:57
  Speaker 1: Why did you tattoo that on your arm? You think
• 14:59
  Speaker 1: you'd be to him? You get a chance to meet him,
• 15:01
  Speaker 1: talk to him, touch him, love him. What's your Instagram?
• 15:05
  Speaker 1: What's your Instagram? How old are you? Two day? What's
• 15:10
  Speaker 1: your Instagram? Bu it's at e M underscore as stole Okay,
• 15:15
  Speaker 1: everybody at her and at Chris Brown and tag tag
• 15:18
  Speaker 1: tag her picture of Chris Brown's tattoo in the post.
• 15:21
  Speaker 1: Yeah so Chris can see it. Okay, thank you, mama,
• 15:24
  Speaker 1: thank you. Now, Charlemagne, what do you do right? Your
• 15:27
  Speaker 1: daughter comes home and she has a Chris Brown tattoo
• 15:30
  Speaker 1: at home. That's not gonna happen. Let's say it does happen.
• 15:32
  Speaker 1: Let's say and she has a Kodak black tattoo at all. Man,
• 15:36
  Speaker 1: it's not gonna happen. All right, you're doin things not
• 15:38
  Speaker 1: gonna happen in my life. Your daughter comes home and
• 15:41
  Speaker 1: she has a drink owl on her home, it's not
• 15:43
  Speaker 1: gonna happen. First of all, my daughters. Eight all right,
• 15:45
  Speaker 1: None of those people you name will be hot when
• 15:47
  Speaker 1: my daughter starts getting into their music. Okay, if if
• 15:50
  Speaker 1: it was like ten years from now, when my daughter
• 15:52
  Speaker 1: really starts getting into hip hop or whatever, they will
• 15:55
  Speaker 1: not be hot. Sorry, It'll be some guy that we
• 15:57
  Speaker 1: ain't never heard of that we'll all be too old
• 16:00
  Speaker 1: to be interviewing at that point, right, all right, So
• 16:02
  Speaker 1: I'm not even worried about. So if she comes on
• 16:03
  Speaker 1: with a tattoo of her favorite artists on her at
• 16:06
  Speaker 1: the age of twenty one, what do you say? I mean,
• 16:07
  Speaker 1: what can I say? I got Wolverine on mine. I
• 16:09
  Speaker 1: guess you're right. I gotta talk out Wolverine from the
• 16:11
  Speaker 1: X Men on my right. I just kid family. I
• 16:12
  Speaker 1: guess that's why I showed her this tattoo all the time,
• 16:15
  Speaker 1: to let her know not to make the same mistakes
• 16:16
  Speaker 1: that I did when I was younger. Okay, all right,
• 16:19
  Speaker 1: we'll tell them why you're mad. Eight hundred and five
• 16:21
  Speaker 1: eight five, one on five. I want to tell him
• 16:23
  Speaker 1: why you're blessed. Now, let me check, let me see
• 16:25
  Speaker 1: if he's around. Yay, Hey, hey, we got rumors on
• 16:29
  Speaker 1: the way. You can hear me? Not really, but just
• 16:32
  Speaker 1: yell loud if I yell this loud, can you hear me? Yes,
• 16:35
  Speaker 1: we got roomors on the way. Yes, we are going
• 16:38
  Speaker 1: to be talking about schoolboy Q and his armed robbery charges.
• 16:41
  Speaker 1: What happened with that? Also, does Drake have a baby
• 16:43
  Speaker 1: on the way. Okay, we'll get into all that when
• 16:46
  Speaker 1: we come back. Welcome to the show. You hi, we
• 16:49
  Speaker 1: missed you. It's the Breakfast Club. Good morning, the Breakfast Club.
• 16:55
  Speaker 1: It's about report report angela. Ye, the Breakfast Club. Yeah. So,
• 17:07
  Speaker 1: now there's yet another woman who was saying that she's
• 17:10
  Speaker 1: pregnant with the Drake's baby. If you recall, there was
• 17:12
  Speaker 1: a woman named Layla Lai's first who said that she
• 17:14
  Speaker 1: was pregnant, but according to Drake, he's never even met her.
• 17:17
  Speaker 1: She just wanted attention. Well, now there's this woman named
• 17:19
  Speaker 1: Sophie Brusso and she has already hired a lawyer to
• 17:23
  Speaker 1: get the paternity test going. She said she's three and
• 17:26
  Speaker 1: a half months pregnant, and she says that the conception
• 17:28
  Speaker 1: happened either January twentieth or twenty first. She has a
• 17:32
  Speaker 1: picture with Drake that was taken at a restaurant and Nam,
• 17:34
  Speaker 1: Siam on January twenty fourth. She's a retired porn star
• 17:37
  Speaker 1: and she actually allegedly has text messages between her and Drake.
• 17:41
  Speaker 1: It says, Drake, I want to I want you to
• 17:43
  Speaker 1: have an abortion. She says, I can't kill my baby
• 17:46
  Speaker 1: simply to indulge you. Sorry, he says, indulge me. F you?
• 17:50
  Speaker 1: She said what and he said, you do know what
• 17:52
  Speaker 1: you're doing. You think you're going to get money? And
• 17:53
  Speaker 1: she says she's having a girl about time. Somebody trapped
• 17:59
  Speaker 1: that Canadian? What do you all right, we don't even
• 18:01
  Speaker 1: know that it's true. Well, well, we don't know if
• 18:03
  Speaker 1: it's true, but allegedly you've been letting Drake just be
• 18:05
  Speaker 1: out here flourish and having sex with every woman in
• 18:08
  Speaker 1: the world. You know what I'm saying. Somebody finally called him. Good.
• 18:11
  Speaker 1: Now you sound like a hater. I'm not hating. I'm
• 18:15
  Speaker 1: just get PPM, which is proper poom poom management. Okay,
• 18:18
  Speaker 1: if you're gonna According to one of Drake's rep says,
• 18:21
  Speaker 1: if it is in fact Drake's child, but she does
• 18:23
  Speaker 1: not believe he would do the right thing by the child. Well,
• 18:25
  Speaker 1: if you're gonna trap one, Drake is the one to trap,
• 18:27
  Speaker 1: and she should name the baby who it's gracious who
• 18:30
  Speaker 1: named the baby? Who? That should be the baby's name?
• 18:33
  Speaker 1: Why you name them? Who's the owl? You know? It's
• 18:36
  Speaker 1: crazy though, that anybody could accuse you of getting them
• 18:39
  Speaker 1: pregnant and you have to get a porternity tests. Well,
• 18:42
  Speaker 1: it's nothing, even if it's somebody you never ever even met. Well,
• 18:44
  Speaker 1: even if it's not Drake's baby, I'm not knocking that
• 18:47
  Speaker 1: girl for trying. Okay, that's the one. If you're gonna
• 18:50
  Speaker 1: trap one, that's a good one to trap. Phrase the
• 18:53
  Speaker 1: large Charlemagne is not a woman. Boy all right? Now?
• 18:57
  Speaker 1: Schoolboy who knew he was even under investigation and for
• 19:00
  Speaker 1: felony armed robbery. But fortunately for him, he's not going
• 19:04
  Speaker 1: to be charged now, according to law enforcement sources, so
• 19:08
  Speaker 1: happened back in March there was a concert that schoolboy
• 19:10
  Speaker 1: que was performing at. Some victims said they filed him
• 19:13
  Speaker 1: to an after party, and when they arrived, two people
• 19:15
  Speaker 1: robbed them at gunpoint, and they felt like schoolboy Que
• 19:18
  Speaker 1: was the one who set them up. Yes, now, police
• 19:21
  Speaker 1: said that he showed up in another car while it
• 19:23
  Speaker 1: was happening, but the alleged victims actually did not report
• 19:27
  Speaker 1: the robbery at the time. They had no interest in
• 19:29
  Speaker 1: filing charges at first, so they just actually rejected the case.
• 19:33
  Speaker 1: So boy Q is doing AOK sounds right? Yeah, schoolboy
• 19:37
  Speaker 1: Que does not have to rob nobody, now, I don't
• 19:40
  Speaker 1: sound like a reach. Schoolboy Que definitely seemed like the
• 19:42
  Speaker 1: type that will rob you, but he wouldn't do I
• 19:44
  Speaker 1: don't he have no reasons, not right now? Yeah, not
• 19:46
  Speaker 1: right now maybe, but he seems like he would do that.
• 19:48
  Speaker 1: Staff was a cool, last laid back dude, but I
• 19:51
  Speaker 1: can tell that he'll pull a pistol lot all right.
• 19:54
  Speaker 1: And Courtney Kardashian has a new boo. Now. We told
• 19:56
  Speaker 1: you about Scott Dizzick earlier in the week and how
• 19:59
  Speaker 1: he would caught while he was out with another woman
• 20:02
  Speaker 1: and Kim Kardashian walked in on him in the room
• 20:05
  Speaker 1: with her called the woman a whore. Well, now she's
• 20:07
  Speaker 1: dating somebody and he's only twenty three years old. She's
• 20:10
  Speaker 1: actually a model, So you know, twenty three years old?
• 20:14
  Speaker 1: How old this Courtney Kardashian about thirty seven? Thirty nine? Courtney? Fine, No,
• 20:20
  Speaker 1: I ain't gonna lie to you. And look she's having
• 20:22
  Speaker 1: a good time. She's single now she's got the kids.
• 20:25
  Speaker 1: She probably wants to just you know, get out there.
• 20:28
  Speaker 1: I mean before that she was dating Justin Bieber allegedly,
• 20:31
  Speaker 1: so why not? All right, Well I'm Angela Yee and
• 20:34
  Speaker 1: that is your rumor report. All right, thank you, miss
• 20:37
  Speaker 1: ye morning. Everybody is DJ Envy Angela Yee, Cholamine the guy.
• 20:41
  Speaker 1: We are the breakfast club. We have a special guest
• 20:43
  Speaker 1: in the building, oh man, one of my favorites, Marsha Ambroses. Fine,
• 20:47
  Speaker 1: you said it right, Yay, good morning. Glad to have
• 20:53
  Speaker 1: your back. Thank you. Motherhood amazing, just amazing. It's late
• 21:00
  Speaker 1: nights and early mornings like I've never known. But it's great.
• 21:04
  Speaker 1: Changed you in any way, shape or form, absolutely, yeah, yeah,
• 21:08
  Speaker 1: it just makes you cautious or where way more honest
• 21:13
  Speaker 1: than I've ever been. You just have no filter. It
• 21:17
  Speaker 1: is because I really had none. I know, I know
• 21:20
  Speaker 1: this is very very true, not that I had any filter,
• 21:23
  Speaker 1: but now as a mother, it's it's a it's a.
• 21:27
  Speaker 1: I don't know. It's just opened me up to a
• 21:29
  Speaker 1: whole new thing. Four months' day. Excited about I am,
• 21:36
  Speaker 1: but I was just saying in the UK, Mother's Day
• 21:38
  Speaker 1: is on a completely different day. Really, it's weird. It's
• 21:41
  Speaker 1: like in March or something. And I keep saying this
• 21:43
  Speaker 1: because my mother gets on my nerves about where's my
• 21:46
  Speaker 1: Mother's Day card? And I can't buy anything in the
• 21:48
  Speaker 1: States because they don't have them on the shelves yet
• 21:50
  Speaker 1: because it's so late. It's in May. So I'm like, Mama,
• 21:53
  Speaker 1: love you. I did in America, so she did get
• 21:57
  Speaker 1: me a Mother's Day card from the UK already, so
• 21:59
  Speaker 1: I kind of sell breed it a little bit there
• 22:01
  Speaker 1: and March, but now I get my first United States.
• 22:04
  Speaker 1: It's already on display in your music, Motherhood. You put
• 22:06
  Speaker 1: out the EP Don't Wake the Baby. The cover art
• 22:10
  Speaker 1: was very exhausted mom, very, I've been up all night. Breastfeeding,
• 22:14
  Speaker 1: breast pumping, the whole, nipples protruding. They're the things that
• 22:18
  Speaker 1: they don't warn you about. It sounds so glamorous. Oh,
• 22:22
  Speaker 1: you're gonna have a kid, breastfeed The nectar of woman goodness,
• 22:27
  Speaker 1: and it is good. He loved it. It was delicious. No,
• 22:30
  Speaker 1: he actually had tasted a couple of turbs. Might slipped
• 22:41
  Speaker 1: up one time. I drink the milk from a cow.
• 22:45
  Speaker 1: He might slipped up a day or two. But yeah,
• 22:47
  Speaker 1: I put that on display because that's what real women do.
• 22:52
  Speaker 1: And there's all this glamorized editorial version of what motherhood
• 22:57
  Speaker 1: looks like until you actually get in it. And big
• 23:00
  Speaker 1: panty drawers that you have to wear because vagina linking
• 23:04
  Speaker 1: like I didn't just flush out a seven pounds seven
• 23:08
  Speaker 1: hours baby. Yeah, it's real down there at that time,
• 23:11
  Speaker 1: so so real down there at that time. So I
• 23:16
  Speaker 1: really put that cover art for all mothers that didn't
• 23:19
  Speaker 1: feel as sexy as they should. Unfortunately, could start having
• 23:23
  Speaker 1: sex now right. Listen when that doctor told me you
• 23:27
  Speaker 1: can go forth into the wind, and it was the greatest. No, Seriously,
• 23:34
  Speaker 1: you don't realize how long you anticipate something and want
• 23:38
  Speaker 1: something so bad you just can't have it physically. Could
• 23:42
  Speaker 1: not even think about a penis going in my vagina.
• 23:45
  Speaker 1: After that baby came my wife, she she felt like
• 23:49
  Speaker 1: I didn't want to after she had a baby, which
• 23:51
  Speaker 1: wasn't true. Our first I got two daughters, but our
• 23:54
  Speaker 1: first child. I just didn't know when it was all right,
• 24:00
  Speaker 1: can we what you made you? Physically? Didn't they go wow?
• 24:10
  Speaker 1: I was gonna say okay, that was yeah, well with
• 24:12
  Speaker 1: my case when he said it was okay. Now now
• 24:15
  Speaker 1: we just do it at any given time, which is
• 24:18
  Speaker 1: why I don't wake the baby was so appropriate. Initially
• 24:21
  Speaker 1: I'd written it for Beyonce. This is like a year
• 24:24
  Speaker 1: and a half ago, so I wasn't I didn't have
• 24:27
  Speaker 1: a baby. I didn't have there was none of that
• 24:30
  Speaker 1: in the work, so it didn't apply to my life.
• 24:32
  Speaker 1: And at the time she was recording um Lemonade, I
• 24:35
  Speaker 1: didn't know this. We were just at a rioter's camp
• 24:37
  Speaker 1: for this secret Squirrel Beyonce project jay Z project that
• 24:41
  Speaker 1: was going to happen. So my interpretation of their love
• 24:45
  Speaker 1: was realism, like you're in a real relationship, like you argue,
• 24:49
  Speaker 1: you're fussing, you fight, but bottom line is as good
• 24:51
  Speaker 1: old Marsha Ambrosiers songwriting skills boiled down to you still
• 24:55
  Speaker 1: want to have sex though, absolutely, But I'm pretty sure
• 25:00
  Speaker 1: I got a big enough house and nanny's that blew
• 25:02
  Speaker 1: can be on a whole nother side of the room.
• 25:04
  Speaker 1: You say that, and then you have a kid and
• 25:07
  Speaker 1: you realize that none of that matters. It's too busy.
• 25:10
  Speaker 1: There's kids involved, there's money involved, it's so many factors
• 25:16
  Speaker 1: that go into relationships, and you're like, you know what,
• 25:20
  Speaker 1: I just I just want to do it. Let's put
• 25:23
  Speaker 1: the baby to Aleep. I didn't even hear the song.
• 25:25
  Speaker 1: I think she did. She had several songs and it
• 25:28
  Speaker 1: was it wasn't that they weren't great, it was greatness.
• 25:33
  Speaker 1: She just wasn't there. She was at Lemonade. The Lemonade
• 25:37
  Speaker 1: was like the complete opposite of approach, you know, as
• 25:40
  Speaker 1: far as you know the concept. So I was like, dang,
• 25:43
  Speaker 1: I hadn't known he was in that place and of
• 25:45
  Speaker 1: giving you something else but not allegedly whatever you go
• 25:51
  Speaker 1: through in your relationships. I'm like, okay, I would have
• 25:53
  Speaker 1: approached it differently. But then thankfully that song applies to
• 25:57
  Speaker 1: my life now and I sing it with curious gloriousness.
• 26:02
  Speaker 1: Your new single kind of could fit into that van
• 26:04
  Speaker 1: to love you. My wife loves you, she's always loved
• 26:07
  Speaker 1: you the Flory Street. So I was letting her hit
• 26:09
  Speaker 1: the song. Afterday She's like, I like how it sounds,
• 26:10
  Speaker 1: but I don't like the content and I didn't catch it.
• 26:13
  Speaker 1: And she was like, you gonna let the man running
• 26:15
  Speaker 1: the street and then just come home. Now, this is
• 26:17
  Speaker 1: the thing, lyrically, I didn't catch that. If you run
• 26:21
  Speaker 1: in these streets as long as you come home to me,
• 26:24
  Speaker 1: I think that's the line she's referring to. Yes, just
• 26:26
  Speaker 1: really the posthook. And I'm not necessarily absolutely saying he's
• 26:31
  Speaker 1: running these streets. I'm talking about our kids are our cousins,
• 26:36
  Speaker 1: our uncles, are our men that have to go to
• 26:40
  Speaker 1: work every day, and as mothers that are sitting at home,
• 26:44
  Speaker 1: I anticipate that moment where you walk through that door again. Yeah,
• 26:47
  Speaker 1: these streets are just as well that we have to
• 26:49
  Speaker 1: live in, and as black men, that's all this is
• 26:52
  Speaker 1: to us. Sometimes you know the streets. He wasn't selling
• 26:58
  Speaker 1: any dope or it was literally you know, when you're
• 27:02
  Speaker 1: running these streets of the world without me, I just
• 27:04
  Speaker 1: hope you come home. He just wasn't cheating exactly. The
• 27:08
  Speaker 1: first that comes one, I was gonna say, I don't
• 27:12
  Speaker 1: know there now, I didn't say that. All right, we
• 27:17
  Speaker 1: got more with marsha ambrosis when we come back matter
• 27:19
  Speaker 1: of fact, let's get into her song, her new song.
• 27:21
  Speaker 1: Let's play a little bit of It's to Breakfast Club,
• 27:23
  Speaker 1: Go Morning Morning. Everybody is DJ Envy, Angela Yee, Charlo
• 27:27
  Speaker 1: Mine the guy, we are the Breakfast Club, Marsha Ambrosis
• 27:30
  Speaker 1: is in the building. It was Flowtree's the last time
• 27:32
  Speaker 1: you guys spoke a lot of people at the very
• 27:35
  Speaker 1: last day of last year's reunion tour that yeah, we
• 27:40
  Speaker 1: did two years back to back of a reunion and
• 27:43
  Speaker 1: on my end, it was absolutely to um reconcile, forgive
• 27:48
  Speaker 1: Barry the hatchet and clean slay everything with anticipation to
• 27:53
  Speaker 1: possibly move on to father things now the fast year
• 27:56
  Speaker 1: that definitely didn't work out, um in good faith. I
• 28:00
  Speaker 1: attempted another time, which was last year, and definitely didn't
• 28:05
  Speaker 1: work out again. But it was strictly for where did
• 28:09
  Speaker 1: we start. The truth is growing apart is real and
• 28:12
  Speaker 1: it just happens. And the last thing that was done
• 28:17
  Speaker 1: on that second tour wasn't I even put this into words.
• 28:25
  Speaker 1: I found out that I was pregnant week one of
• 28:28
  Speaker 1: that tour. I had no clue. We were just out
• 28:31
  Speaker 1: on the road. Did a couple of shows in Oakland,
• 28:33
  Speaker 1: get to La. So it's round about show six, show seven,
• 28:37
  Speaker 1: and decided to take a pregnancy test, and it was like, wow, babe,
• 28:41
  Speaker 1: we're pregnant. We have a whole tour to do, like
• 28:44
  Speaker 1: forty dates to go. So it's a high risk pregnancy,
• 28:48
  Speaker 1: as told by my doctor. So I'm already cautious on
• 28:51
  Speaker 1: a tour bus. This tour bus etiquette anyway, if I'm
• 28:55
  Speaker 1: vocally going for blood every night as I did on
• 28:58
  Speaker 1: that tour, I really want any smoking on the bus.
• 29:01
  Speaker 1: I don't want to smoke on the bus anyway. So
• 29:04
  Speaker 1: I didn't disclose that I was pregnant until the last
• 29:07
  Speaker 1: week of the tour because I was so nervous. It
• 29:09
  Speaker 1: was very, very early in the pregnancy. I was like
• 29:11
  Speaker 1: five weeks, six weeks when I found out. So come
• 29:14
  Speaker 1: the end of the tour, I'm like ten to eleven weeks,
• 29:17
  Speaker 1: I'm at that mark way, Okay, I can tell people now.
• 29:21
  Speaker 1: So I was throwing up on the first row of
• 29:23
  Speaker 1: several crowds and backstage and yeah, though I was way wrong,
• 29:28
  Speaker 1: and at that point I had to disclose that, look, guys,
• 29:31
  Speaker 1: not wasted or anything. I'm pregnant. And I remember telling
• 29:35
  Speaker 1: her and she said, oh, I kind of figured that,
• 29:38
  Speaker 1: kind of figured out. I was like, okay, anks, welcome.
• 29:46
  Speaker 1: I don't know how to respond. No, no, So I
• 29:50
  Speaker 1: left that at that petty petty in me, I'm just like, okay, no, congrats, Okay,
• 29:55
  Speaker 1: I'll leave that be. Eventually congratulations came into order. But
• 30:00
  Speaker 1: and the last day of the tour, myself and my
• 30:03
  Speaker 1: fiance or on one side of the tour bus. What's
• 30:07
  Speaker 1: that smell? Wow? Really yeah, just smoking at the back
• 30:14
  Speaker 1: of the bus, and I was like, Oh, that's that's
• 30:17
  Speaker 1: the nail in the coffin. That's that's the closure I
• 30:19
  Speaker 1: needed to affirm that you just won't be able to
• 30:24
  Speaker 1: get right with me. So we just never be good.
• 30:27
  Speaker 1: It's never gonna be cool because she'll never just be
• 30:31
  Speaker 1: there for me like a friend should be. I'm a
• 30:33
  Speaker 1: loyal leo to the very end. So I was just
• 30:35
  Speaker 1: expecting or love and like you know how people like. Additionally,
• 30:41
  Speaker 1: business I wish and like I said, I did two
• 30:44
  Speaker 1: tours back to back for fans, strictly for business, but
• 30:49
  Speaker 1: sometimes there isn't a penny worth of bulls. In the
• 30:52
  Speaker 1: year the first year met my fiance, the band had
• 30:59
  Speaker 1: this app called Zello. I remember sprint shirt phones, so
• 31:03
  Speaker 1: when you used to send the message, you're like, yo,
• 31:06
  Speaker 1: what's up, and it will come up on your phone
• 31:07
  Speaker 1: as a voicemail I mean a voice note, so it'll
• 31:10
  Speaker 1: be on loud to be so granted. We're sitting there,
• 31:13
  Speaker 1: his phone is on the table, we're out of Dinah,
• 31:15
  Speaker 1: chopping it up like getting to know each other type,
• 31:18
  Speaker 1: and on the loud speakers like yo, Dad, you ain't kid.
• 31:24
  Speaker 1: I'm like, I'm like, I'm like, um. I was like, no,
• 31:30
  Speaker 1: please let it play, please, because I'm a ball player. First,
• 31:34
  Speaker 1: I'm done locker room talk. I can handle that. That's cool.
• 31:37
  Speaker 1: Another band member chimes in and it's like, no, you
• 31:39
  Speaker 1: ain't puppy. You know, she's everybody in Philly like legendary.
• 31:49
  Speaker 1: I'm fine, I'm trying to figure out all of these
• 31:51
  Speaker 1: Philly people out. Another one shimes in and it's her,
• 31:54
  Speaker 1: Yeah it, dad, stop it. I wish I can't make
• 31:58
  Speaker 1: this up, and it's it's messed up. It was messed
• 32:02
  Speaker 1: up because say she signed ah, it didn't even matter
• 32:14
  Speaker 1: at that point. It was co signing everyone else's lines. Wow, yeah,
• 32:20
  Speaker 1: that's what's up with you? So I was like, okay,
• 32:23
  Speaker 1: um once again affirmation. If someone shows you they are
• 32:27
  Speaker 1: just believing, believe and believe and believe them every time.
• 32:29
  Speaker 1: So I let it go. But then what they wouldn't
• 32:33
  Speaker 1: understand is I then had to get on stage every
• 32:36
  Speaker 1: night with this pe, with these people. So I'm looking
• 32:40
  Speaker 1: at these bad members and I couldn't hold them to fall.
• 32:42
  Speaker 1: I'm supposed to be locker room talk. Guys gonna be guys,
• 32:45
  Speaker 1: are gonna be guy, so I can let that slide.
• 32:47
  Speaker 1: I said about huh nah, not so much like nah,
• 32:51
  Speaker 1: you know you don't ride for me like that. So
• 32:54
  Speaker 1: I still got on stage every night for the fans
• 32:56
  Speaker 1: and what I had to do. But that app Zelo.
• 32:59
  Speaker 1: It saves everything his voice notes, Yeah, everything like it's
• 33:02
  Speaker 1: all recorded. It's just in their phones. I'm pretty sure
• 33:05
  Speaker 1: you know. There's some very very nervous people out like
• 33:08
  Speaker 1: hearing that I'm on the Breakfast Club, like, oh, she's
• 33:10
  Speaker 1: gonna say it, I'm gonna say it, and the best
• 33:14
  Speaker 1: voice note ever saved on there. It's like, wow, Zello's
• 33:17
  Speaker 1: gonna get somebody fired. It did oh oh, I sent
• 33:23
  Speaker 1: all that to focus. I'm get into that, but it's
• 33:30
  Speaker 1: just petty and oh six when y'all broke up as
• 33:32
  Speaker 1: well well without the technology. Um possibly, but we we
• 33:38
  Speaker 1: both were in our own ways, but there were certain
• 33:40
  Speaker 1: things that were just happening that just got out of hand.
• 33:43
  Speaker 1: She was in a serious relationship and the guy was very,
• 33:48
  Speaker 1: very off, just just abusive, both verbally emotionally, and it's
• 33:55
  Speaker 1: hard to watch your friend go through that. So if
• 33:57
  Speaker 1: i'm your homie, I'm your writer die and I'm like,
• 34:00
  Speaker 1: you know, we need to get out, and she's dang
• 34:02
  Speaker 1: this suicidal. I can't ride with you when you want
• 34:05
  Speaker 1: to actually jump off the edge of the cliff and
• 34:08
  Speaker 1: then be guilt ridden into not jumping with you. The
• 34:12
  Speaker 1: rumors that were flying around about what was happening were
• 34:15
  Speaker 1: better than the actual, like what was actually going on.
• 34:19
  Speaker 1: I was like, oh, I can take people saying that
• 34:20
  Speaker 1: we were lesbians, and because that's absolutely not true what
• 34:24
  Speaker 1: was actually going on, it was way worse to me.
• 34:28
  Speaker 1: I never wanted to say until none of that mattered anymore,
• 34:33
  Speaker 1: because according to her, it was because our manager got
• 34:35
  Speaker 1: over zealous and he wanted me to go solo. And
• 34:40
  Speaker 1: at one point, she said, he blacklisted her from the
• 34:45
  Speaker 1: United States and she couldn't work here anymore. She couldn't
• 34:47
  Speaker 1: get booked. At some point, you just have to acknowledge
• 34:52
  Speaker 1: that you're not getting booked, and that's okay. I lived
• 34:54
  Speaker 1: in Philly for seventeen years. The Routes have never booked
• 34:57
  Speaker 1: me for a routs picnic. Sometimes you just not gonna
• 35:00
  Speaker 1: get a show, and by default I've done it. I
• 35:04
  Speaker 1: did the hook Thanks Quess Love. But you know, you know,
• 35:09
  Speaker 1: I'm just saying, at some point, you're just you have
• 35:11
  Speaker 1: to get in where you're fit in. So for me,
• 35:12
  Speaker 1: it was the guilt trip of all of these people
• 35:16
  Speaker 1: that are getting all of these stories. So by the
• 35:18
  Speaker 1: time the two years of the flow, true reunion came about,
• 35:22
  Speaker 1: you know, everyone takes sides, so it's like you just
• 35:25
  Speaker 1: knew you was never going to see me again. So
• 35:27
  Speaker 1: all of the Chinese whispers, all of the wouldn't say lies, whatever,
• 35:31
  Speaker 1: over exaggeration portion of the story is over here, there's
• 35:35
  Speaker 1: one over here too, So when everyone confronts each other,
• 35:38
  Speaker 1: it's like, what's up. There's two sides to every story,
• 35:43
  Speaker 1: but there's just facts and the fact that I attempted
• 35:46
  Speaker 1: to reconcile twice two years back to back. I only
• 35:51
  Speaker 1: got blessed because of that. I wouldn't have met my
• 35:53
  Speaker 1: fiance if it wasn't for that. I mean I might have,
• 35:56
  Speaker 1: but just not under those circumstances. I like, I a
• 36:00
  Speaker 1: wife to be and I have a baby now at
• 36:05
  Speaker 1: this point, it doesn't matter. When when it came to
• 36:07
  Speaker 1: the smoking on the bus and all the things said,
• 36:09
  Speaker 1: it was enough. So it was I don't even want
• 36:12
  Speaker 1: to see your face. I can't hear your voice. It's
• 36:14
  Speaker 1: gonna I was nervous as health last time. Mother. I
• 36:18
  Speaker 1: don't want any negative energy whatsoever. It's like, please, please,
• 36:23
  Speaker 1: please say it's high risk. We are the Breakfast Club.
• 36:26
  Speaker 1: We have Marcia Ambross from the group Flowtree in the building.
• 36:29
  Speaker 1: How does a woman, uh convince a man that I
• 36:33
  Speaker 1: guess she's not a whole because he's get you, don't.
• 36:38
  Speaker 1: I mean, it's crazy that first all, when we were
• 36:41
  Speaker 1: talking and I'm disclosing all of my business because I
• 36:45
  Speaker 1: was like, this is something that's about to be serious.
• 36:47
  Speaker 1: I'm gonna tell you everything, whole facts. You know, he
• 36:52
  Speaker 1: said to me. You know, he said to me already,
• 36:55
  Speaker 1: no wow, because she'd already Oh y'all was that close.
• 37:02
  Speaker 1: I mean, I know y'all was a group together, but
• 37:04
  Speaker 1: nut group all right, this is when you have to
• 37:10
  Speaker 1: and Babe, this before I met you. This is where
• 37:13
  Speaker 1: you have to. My count is very limited. Like I
• 37:18
  Speaker 1: was never a whole. I actually lied on my vagina
• 37:21
  Speaker 1: just so my horrish friends didn't feel so bad that
• 37:23
  Speaker 1: they were being whores and I was over here just
• 37:26
  Speaker 1: absolutely That's how I maintained my vagina by telling everyone
• 37:30
  Speaker 1: I was doing this, dude, and not all of my
• 37:32
  Speaker 1: songs dictated that I did it? So why not smashed
• 37:36
  Speaker 1: everyone I work with? That is that is true? Always
• 37:39
  Speaker 1: think that, like like women like who sing about it
• 37:41
  Speaker 1: as much as you do? Y'all. I was never No,
• 37:44
  Speaker 1: that's not say that you ever had as much I said.
• 37:49
  Speaker 1: I wasn't smashing as many people. There you go. So
• 37:53
  Speaker 1: when that was nothing, I was back to crickets. Gad,
• 37:58
  Speaker 1: did you ever smashed the floor the floortress? You know,
• 38:03
  Speaker 1: just asking that. I don't know. I'm just throwing it
• 38:05
  Speaker 1: out there, just asking him. It's touchy feeling when it
• 38:14
  Speaker 1: comes to that. It's um. It wasn't even that like
• 38:18
  Speaker 1: um her manager at the time. I think, do I
• 38:22
  Speaker 1: have a green light for facts? Maybe green light for facts?
• 38:28
  Speaker 1: Her manager, UM at the time was someone that I
• 38:34
  Speaker 1: was involved with in the UK that we mutually both
• 38:38
  Speaker 1: knew a mutual friend like I was about twenty one
• 38:41
  Speaker 1: twenty two, and I have it right before I came
• 38:42
  Speaker 1: out here, and she knew this. I ended up having
• 38:45
  Speaker 1: a miscarriage. She knew this, and years later I would
• 38:50
  Speaker 1: find out that she had appointed him, of all people,
• 38:55
  Speaker 1: as her manager. So me holding on an harboring onto
• 38:58
  Speaker 1: all of those thoughts and feelings, I'm like, yo, you
• 39:00
  Speaker 1: are just the pettiest of all time, like just the
• 39:03
  Speaker 1: pay is of all time, And learning years later that
• 39:08
  Speaker 1: she would tell me, oh, you know I had I
• 39:12
  Speaker 1: had a miscarriage too, and I had empathy for that.
• 39:17
  Speaker 1: And years later she would tell me she lied about that.
• 39:20
  Speaker 1: Who is this woman? It's not about who is this woman.
• 39:23
  Speaker 1: I'm just trying to get you some understanding and clarity
• 39:25
  Speaker 1: as to why that trigger on me. Where people are
• 39:29
  Speaker 1: like soot, it's glorious. The music was phenomenal. We landed
• 39:35
  Speaker 1: in Philly when Jill Scott was recording her first album
• 39:38
  Speaker 1: music Soul Child, but lowd Glenn Lewis kindred like Class
• 39:43
  Speaker 1: six flowetic happened to jump on that wave. That wave
• 39:48
  Speaker 1: wasn't a temporary wave. That wave still gets me to
• 39:51
  Speaker 1: tour to this day. I can still sing say Yes
• 39:53
  Speaker 1: like I wrote it yesterday. I wrote it's seventeen years
• 39:56
  Speaker 1: ago in Philly. That's what was happening for us. So
• 40:01
  Speaker 1: even with the Michael Jackson situation, all of that was
• 40:04
  Speaker 1: the same. Yeah, like all of these demos flying around Yeah,
• 40:08
  Speaker 1: say yes too. Say Yes was for ron Eisley and
• 40:11
  Speaker 1: he didn't take it. Thank you, Ry, like you changed
• 40:14
  Speaker 1: my life. Like, but all of these things were happening then,
• 40:17
  Speaker 1: So I'm not faulting what created the music. Marsha makes
• 40:21
  Speaker 1: great make love music. You don't put Marsha albums on
• 40:24
  Speaker 1: with the side chick, well you do, but she's She's
• 40:28
  Speaker 1: going to be the permanent music for sex though, like lovers,
• 40:39
  Speaker 1: late nights and early morning like you can, I mean,
• 40:41
  Speaker 1: all the way through, just throw them one. The moves disgusting,
• 40:45
  Speaker 1: but it's good. I don't know where that comes from.
• 40:49
  Speaker 1: It it's a natural gift. You have sexy old music.
• 40:53
  Speaker 1: I have, I have it is, but the certain songs
• 40:58
  Speaker 1: that we've created that just cold for it. Just ain't
• 41:01
  Speaker 1: gonna test drive it. Test drive your own work. So
• 41:04
  Speaker 1: when it's released, like yo, something I'm a oh yeah,
• 41:07
  Speaker 1: I know, trust me. What's the one on the new
• 41:08
  Speaker 1: album that absolutely gonna make the condom come off? Oh? Man,
• 41:12
  Speaker 1: the condom off? Okay, condom off? Sex um flood whoa
• 41:19
  Speaker 1: like a lot. It's like a squirter squo flood will
• 41:24
  Speaker 1: do it? Um let out, let it help. I love
• 41:29
  Speaker 1: these titles. When's it coming? When's it dropping? When I
• 41:34
  Speaker 1: know what I mean? Good ship this new album? Neither
• 41:44
  Speaker 1: wash it and bro anything else you need to get
• 41:46
  Speaker 1: off your chest? Anybody else you need to clap at
• 41:47
  Speaker 1: real quickly unnecessary. I'm just in a great place, so mappy,
• 41:53
  Speaker 1: just be happy. People like don't hold on to let
• 41:57
  Speaker 1: it go. Man Portry's dead though that's never happening. It's
• 42:00
  Speaker 1: um prayed for her and wish her none nothing but
• 42:04
  Speaker 1: the best as I always have. And it's okay to
• 42:07
  Speaker 1: leave it at that. No one thing. You tried it again,
• 42:11
  Speaker 1: know what Amanda seals? Like Amanda seals, I want to
• 42:15
  Speaker 1: say sorry to you because I never. I can't say
• 42:19
  Speaker 1: I never. It was a lot of hands that were
• 42:21
  Speaker 1: in that to make that the situation that it was.
• 42:25
  Speaker 1: You know, I tried to fight her. I was, yeah,
• 42:28
  Speaker 1: I was gonna fight her in Atlanta at the Rich
• 42:31
  Speaker 1: Carlton Why because she was getting frustrated. I guess the
• 42:37
  Speaker 1: other girl in Flowtree had done an interview with Wendy
• 42:40
  Speaker 1: Williams and was saying that this is some temporary bullshit,
• 42:43
  Speaker 1: YadA YadA, YadA. So you know, bullets fly, and Amanda
• 42:47
  Speaker 1: calls me in my hotel room, like you know what,
• 42:49
  Speaker 1: I'm sick of this. You hangs up with me so
• 42:52
  Speaker 1: she don't buy her husband, but I have to respect it.
• 42:55
  Speaker 1: But I'm mad too, so I'm like, hold up. I
• 42:58
  Speaker 1: called her hotel room. She picks up, so I was like,
• 43:00
  Speaker 1: you just a next door. We're on the same damn floor.
• 43:03
  Speaker 1: So I banging on the door. I mean she didn't
• 43:07
  Speaker 1: cause we had to get on the stage that night,
• 43:08
  Speaker 1: so our manager kind of had to diffuse the situation.
• 43:11
  Speaker 1: And it was a bad situation for everybody. I've never
• 43:14
  Speaker 1: had to or wanted to confront someone to fight. So
• 43:16
  Speaker 1: it wasn't even about her no more. It was about everything.
• 43:19
  Speaker 1: It was the bullet that was flow a Tree and
• 43:22
  Speaker 1: the bull that turned out to be because I was
• 43:24
  Speaker 1: still signed to the label and they're like, you have
• 43:27
  Speaker 1: an album to push and the other chick had her
• 43:31
  Speaker 1: dude managing her and said, you know, give her a
• 43:34
  Speaker 1: solo deal or we're walking. So Jimmy Iveen and from
• 43:38
  Speaker 1: Fair said walk. So then she's out the group. I'm
• 43:42
  Speaker 1: still signed to the label and I'm out with a
• 43:44
  Speaker 1: man Adeva. I mean, I'm at the Seals and you know,
• 43:47
  Speaker 1: I'm so happy for everything that she's doing. Now she's
• 43:50
  Speaker 1: a hustler. Oh yeah, so you never would do that again,
• 43:53
  Speaker 1: like grab somebody else to say, let's do floor Tree.
• 43:55
  Speaker 1: We don't have to flow A tree is the flow
• 43:57
  Speaker 1: assist and the songstress not at least do it. And
• 44:00
  Speaker 1: Marsha Ambroses, forever that never dies. Music never dies. What
• 44:04
  Speaker 1: we did in that moment is solidified that wave and
• 44:08
  Speaker 1: we were part of it and managed to have a
• 44:10
  Speaker 1: classic album and several songs that you know will live forever. Right,
• 44:18
  Speaker 1: Marsha Ambroses, it's the Breakfast Club. Good morning, the Breakfast
• 44:22
  Speaker 1: clubs just out Breakfast Club. So, man, did you guys
• 44:36
  Speaker 1: have the opportunity to watch Mary J But I just
• 44:38
  Speaker 1: Strength of a Woman's documentary on VH one. I didn't
• 44:41
  Speaker 1: even know what was coming on. I thought people tweeting
• 44:43
  Speaker 1: about it. I don't see. Yeah, so she's still She
• 44:46
  Speaker 1: was in there with Neo. She was in the studio
• 44:48
  Speaker 1: he produced some tracks on a new album, and she
• 44:50
  Speaker 1: had some things to say about the woman that her
• 44:53
  Speaker 1: husband cheated on her birth can Do. And here's what
• 44:56
  Speaker 1: she said. You have a studio there in the other place, right,
• 44:59
  Speaker 1: she do not look, do you know? Do not let
• 45:04
  Speaker 1: her nowhere near what you do for me, because she's
• 45:08
  Speaker 1: she's a reasonable away. That's why Beckie wuld get here.
• 45:13
  Speaker 1: Wow christ right, she's saying, do not let that woman.
• 45:18
  Speaker 1: And obviously it was the artist's Starshell, that's what everybody's saying.
• 45:21
  Speaker 1: That Mary J. Blige, he was working with allegedly, that
• 45:24
  Speaker 1: was her. I guess, protege what you're doing with me.
• 45:29
  Speaker 1: I would have loved to see Neil's face in that moment.
• 45:30
  Speaker 1: I know, them big old wheels in that big old
• 45:32
  Speaker 1: head was just returning. You should actually watch the clip
• 45:35
  Speaker 1: so you can see his face and see he's like, uh,
• 45:39
  Speaker 1: all right. But as she goes on to say that,
• 45:42
  Speaker 1: other people are saying that the woman that cheated, she
• 45:45
  Speaker 1: cheated uh with can Do is not remorseable. She's just
• 45:49
  Speaker 1: a poor girl from outside the bus and who slept
• 45:51
  Speaker 1: her way to the middle. Yeah, I'm not even a top,
• 45:54
  Speaker 1: said the top said she stepped away to the middle.
• 45:56
  Speaker 1: She'll be to the top of ken Do get them
• 45:58
  Speaker 1: payments from Mary J. Blide some spousal schools famous. All right,
• 46:03
  Speaker 1: well let's discuss something some good news. French Montana tweeted out,
• 46:06
  Speaker 1: my trip to Uganda was unforgettable. I got inspired to
• 46:09
  Speaker 1: help their community and want to help some donating one
• 46:11
  Speaker 1: hundred thousand dollars to expand the sub health clinic and Uganda.
• 46:15
  Speaker 1: You can help to donate now. So that is on
• 46:17
  Speaker 1: his Twitter page, So if you want to donate, you
• 46:20
  Speaker 1: can go over there and do that. Inspiration absolutely y'all
• 46:24
  Speaker 1: say he got that dance from Africa, so that's the
• 46:26
  Speaker 1: least he can do is give them some money back, right.
• 46:29
  Speaker 1: I like when people are inspired to do great things.
• 46:32
  Speaker 1: All right. So that car that Aaron Hernandez was allegedly
• 46:35
  Speaker 1: driving during the twenty twelve drive by shooting that had
• 46:37
  Speaker 1: him in jail, it was on eBay, right. They were
• 46:40
  Speaker 1: trying to sell this two thousand and six Toyota for
• 46:42
  Speaker 1: a runner and they were also going to sell I
• 46:45
  Speaker 1: think one of his jerseys with it as well, an
• 46:47
  Speaker 1: autograph and all of that. So weird that they actually
• 46:51
  Speaker 1: had pulled it off an eBay. But guess what, the
• 46:53
  Speaker 1: bidding broke the one hundred thousand dollar mark. How crazy
• 46:56
  Speaker 1: is that? Now the seller is saying he took that
• 46:59
  Speaker 1: auction down, and a rep said the listing was removed
• 47:02
  Speaker 1: as it violated our offensive materials policy items related to
• 47:06
  Speaker 1: violent felons. Any listing on the eBay platform that violates
• 47:09
  Speaker 1: our policies are removed and we take appropriate action with
• 47:12
  Speaker 1: the sellers. So I can't believe they got up to
• 47:13
  Speaker 1: one hundred thousand already. So in the post that said
• 47:16
  Speaker 1: this is the car that was that, yes, Aaron Hernandez used, wow,
• 47:20
  Speaker 1: why why would you want that? Won't point? I don't
• 47:24
  Speaker 1: know people are I don't know why people bid on
• 47:26
  Speaker 1: the things that they've been on. I don't know if
• 47:28
  Speaker 1: what type of collector's item that could pass kind of
• 47:31
  Speaker 1: money you have to have just to say you know
• 47:32
  Speaker 1: what I want to buy? Aeron Nan does card. It's
• 47:35
  Speaker 1: very weird, you're very bored and you just got money
• 47:37
  Speaker 1: to burn all right. Now, we've been talking about Melby
• 47:40
  Speaker 1: and her former nanny, the one that she says got
• 47:42
  Speaker 1: pregnant by her husband, Stephen Belafonte, and allegedly they were
• 47:47
  Speaker 1: having three sums and all of that. Well, she just
• 47:50
  Speaker 1: got a restraining order for five years against that nanny,
• 47:54
  Speaker 1: all right, Lorraine Gills. She's a nanny who she says
• 47:58
  Speaker 1: her husband had an affair with. Now, she says that
• 48:01
  Speaker 1: Jills has been verbally abusive toward her, disrespecting her, rolling
• 48:04
  Speaker 1: her eyes during conversation. She would make exacerbated sounds that
• 48:08
  Speaker 1: were just to annoy her, and she would call Melby's
• 48:11
  Speaker 1: kids her kids. That's enough right there. So the restraining
• 48:14
  Speaker 1: order is in effect, like we said, for five years.
• 48:17
  Speaker 1: It's a rap for that. You know, why would you
• 48:20
  Speaker 1: want that person around you? All right? I'm angela ye,
• 48:22
  Speaker 1: and that's your rumor report. I was born a donkey.
• 48:27
  Speaker 1: It's the Donkey of the Death. That's Charlemagne Devil, Breakfast Club,
• 48:45
  Speaker 1: Donkey to Day for Thursday, made fourth goals to the
• 48:47
  Speaker 1: Swanson Funeral Home in Flint, Michigan. This story will absolutely
• 48:51
  Speaker 1: let you know that the water isn't the only thing
• 48:53
  Speaker 1: they can't get right in Flint. Okay. Now, it's a
• 48:55
  Speaker 1: couple of places that I absolutely positively do not expect
• 48:59
  Speaker 1: to get my order on. Chick fil A is one
• 49:01
  Speaker 1: of those places, and a funeral home is the other.
• 49:04
  Speaker 1: When I order a number one with cheese from Chick
• 49:06
  Speaker 1: fil A, that's what I expect to get. Okay, Chick
• 49:08
  Speaker 1: fil A is shooting a high percentage from the field
• 49:10
  Speaker 1: when it comes to getting orders. Correct. I knock on wood.
• 49:14
  Speaker 1: You know, have never had that experience at Chick fil A.
• 49:17
  Speaker 1: All right. The only other place in the world I
• 49:18
  Speaker 1: expect to have that high standard is any and every
• 49:21
  Speaker 1: funeral home across the country. Their job is actually quite
• 49:24
  Speaker 1: easier than Chick fil A. I mean, you have the
• 49:27
  Speaker 1: funeral director who oversees funeral arrangement, works with grieving family members,
• 49:31
  Speaker 1: does a lot of paperwork. Then you have the mortician
• 49:33
  Speaker 1: who prepares the bodies of the deceased for burial our
• 49:36
  Speaker 1: cremation in some cases. No, no, I know you're saying,
• 49:38
  Speaker 1: damn Charlemagne. Sounds like a mortician's job would be way
• 49:41
  Speaker 1: harder than working at Chick fil A. Okay, maybe, but
• 49:44
  Speaker 1: morticians and funeral directors don't have to remember to give
• 49:46
  Speaker 1: you extra Polynesian or Chick fil A sauce. Okay, slightly
• 49:48
  Speaker 1: higher degree of difficulty people, but let's stay focused on
• 49:52
  Speaker 1: the matter at hand. Swansan funeral Home got someone's order
• 49:55
  Speaker 1: on Maurice done saluted that brother had to put his mother,
• 49:58
  Speaker 1: Alice done the rest last week. When the family showed
• 50:01
  Speaker 1: up to the funeral home they say that goodbyes, they
• 50:04
  Speaker 1: realized that the wrong order was put in the casket.
• 50:06
  Speaker 1: Go to wn E, MTV CBS file for the report.
• 50:08
  Speaker 1: Police Maurice Dunn says he had to put his mother,
• 50:11
  Speaker 1: Alice Dunne, to rest last week, but when the family
• 50:14
  Speaker 1: showed up to the funeral home to say their last goodbyes,
• 50:18
  Speaker 1: what they saw left them stunned. Total stranger dressed in
• 50:22
  Speaker 1: the clothing that my brother Joey and the wig selected
• 50:26
  Speaker 1: for our mother. You heard that right, The wrong person
• 50:29
  Speaker 1: put into the mother's casket. I told him that's not
• 50:32
  Speaker 1: our mama. Dunne says. Once they alerted employees at Swanson
• 50:35
  Speaker 1: Funeral Home in Flynn that there had been a big
• 50:38
  Speaker 1: mix up, he says they started to deny it. Well.
• 50:41
  Speaker 1: The funeralstab insisted that it was our mother and that
• 50:45
  Speaker 1: a name Van is the reason he definitively know that's
• 50:50
  Speaker 1: our mother. It wasn't professional at all. Alice's other son, Joe,
• 50:53
  Speaker 1: says the funeral home eventually brought out their mother. They
• 50:56
  Speaker 1: did not offer the family a lot of the nations
• 51:00
  Speaker 1: except that it did occur. Now. I did catch up
• 51:04
  Speaker 1: with O'Neill Swanson, the president of Swanson Funeral Home here
• 51:07
  Speaker 1: in Flint, earlier this afternoon. He told me he was
• 51:10
  Speaker 1: going to give me a callback, so we called him back.
• 51:13
  Speaker 1: Still no answer. We also reached out to the funeral
• 51:15
  Speaker 1: home and they're telling us that O'Neill is not available
• 51:18
  Speaker 1: right now. Chick fil A would never what. Let's unpack this, Okay,
• 51:23
  Speaker 1: if Chick fil A was to make this kind of mistake,
• 51:25
  Speaker 1: they would own it. They would admit to being wrong.
• 51:28
  Speaker 1: Swanson Funeral Home looked Maurice done in the family in
• 51:30
  Speaker 1: the face and insisted that it was indeed their mother
• 51:34
  Speaker 1: in the casket. Now, I hate funerals. I don't go
• 51:36
  Speaker 1: to him. I'm not going to mind if I can
• 51:37
  Speaker 1: help it. But I have been to a couple of
• 51:39
  Speaker 1: weeks and yes, people look slightly different in the casket,
• 51:42
  Speaker 1: but you still know it's them. But there's no way
• 51:44
  Speaker 1: in hell you're gonna tell me that's my mama when
• 51:46
  Speaker 1: that's not my mama. Okay, imagine that the woman that
• 51:49
  Speaker 1: raised you, yo mama, the vagina from which you came
• 51:52
  Speaker 1: out of, yo mama. You know what she looks like,
• 51:55
  Speaker 1: smells like, sounds like even when she did you know
• 51:57
  Speaker 1: who your mama is in this funeral home? Swapson Funeral
• 52:00
  Speaker 1: Home tells you that your mama is in the casket
• 52:04
  Speaker 1: and you know that's not your mammy. Are you dumb?
• 52:06
  Speaker 1: And then when they finally realize the jig is up
• 52:09
  Speaker 1: and can see that this is not your mama, they
• 52:11
  Speaker 1: just will one body back and will or other one
• 52:14
  Speaker 1: out like my bad. Okay. This is the equivalent of
• 52:18
  Speaker 1: you order in a spicy chicken sandwich, you bite into
• 52:20
  Speaker 1: it and it's not spicy. You tell Chick fil A
• 52:22
  Speaker 1: it's not spicy, and they say, yes it is. You're like,
• 52:24
  Speaker 1: I know it's not spicy, and they say yes it is.
• 52:26
  Speaker 1: You say, hell no, I know what spicy tastes like.
• 52:28
  Speaker 1: I eat spicy every other day. Then Chick fil A
• 52:30
  Speaker 1: finally emits it's not spicy, and then they finally bring
• 52:32
  Speaker 1: you your spicy chicken sandwich. But that would never happen
• 52:35
  Speaker 1: at Chick fil A, and it shouldn't happen at a
• 52:37
  Speaker 1: funeral home. Did you compare? Needs you to relax? Please
• 52:41
  Speaker 1: get Swansons, Please get the Swanson funeral home to the
• 52:44
  Speaker 1: biggest sea hall place. What I'm actually comparing is the
• 52:50
  Speaker 1: fact that it's two places I should never ever get
• 52:53
  Speaker 1: my order wrong at, and that's chick fil A and
• 52:56
  Speaker 1: a funeral home. I expect the highest quality spice. Yes,
• 53:02
  Speaker 1: I'm hungry now that's what you want to eat? The
• 53:04
  Speaker 1: dead body or some Chick fil A? Okay, but technically
• 53:08
  Speaker 1: is the same. It is dead chicken body, dead human body.
• 53:11
  Speaker 1: Its technically the same. Okay, all right, Well, thank you
• 53:14
  Speaker 1: for that. Donkey to day when we come back. Ask
• 53:16
  Speaker 1: Ye eight hundred five A five one oh five one.
• 53:18
  Speaker 1: If you got a question for Ye, you can call
• 53:21
  Speaker 1: her right now. She'll help y out with all your problems.
• 53:24
  Speaker 1: Call her up right now. It's the Breakfast Club. Good
• 53:26
  Speaker 1: morning morning. Everybody is DJ Envy Angela, Yee, Charlomagne, that
• 53:30
  Speaker 1: guy we are the Breakfast Club is Ask Ye eight
• 53:32
  Speaker 1: hundred five A five one oh five one. If you
• 53:34
  Speaker 1: got a question for Yee? Hello? Who's this? This? Arietta hiriya?
• 53:40
  Speaker 1: What's your question for Ye? Yes? Yes, Hi yee shou
• 53:43
  Speaker 1: for you. Okay, I have these eggs right, and he
• 53:46
  Speaker 1: wants to really be with me, like we really want to,
• 53:49
  Speaker 1: like I really I want to be with him, and
• 53:51
  Speaker 1: he wants to do with me. But the only thing
• 53:53
  Speaker 1: is I feel like if I stay with it, if
• 53:55
  Speaker 1: I be with him, I'm gonna always shoot on him
• 53:59
  Speaker 1: because he has a small picker. Okay, you're not a whole.
• 54:04
  Speaker 1: That's actually a very valid reason, and I'm sure he's
• 54:06
  Speaker 1: aware of it. I think, I think I think he is,
• 54:09
  Speaker 1: and I'm like, but I like, I really want to
• 54:12
  Speaker 1: be with him, like he loves my kids, he loves me,
• 54:14
  Speaker 1: and but I just all right, So does he make
• 54:19
  Speaker 1: you orgasm? Nod with the top not the bottom. So wait,
• 54:27
  Speaker 1: you've had you've had an orgasm before from him? Yes? Okay,
• 54:30
  Speaker 1: Well here's the thing. I'm gonna tell you a couple
• 54:32
  Speaker 1: of things. I feel your pain. You don't feel any pain,
• 54:35
  Speaker 1: but I will say that usually guys with small penises
• 54:38
  Speaker 1: are great at other things. Is he good at oral sex? Yes?
• 54:43
  Speaker 1: Is he passionate in other ways? Yes? There's no point
• 54:47
  Speaker 1: in you being with somebody if you're just gonna cheat
• 54:48
  Speaker 1: on them. I'll say that much. But there's guys with
• 54:50
  Speaker 1: huge penises that don't know what they're doing. So you
• 54:53
  Speaker 1: should be glad that you have somebody who has a
• 54:54
  Speaker 1: small penis and is able to still if you have
• 54:56
  Speaker 1: an orgasm, and please you in that way, and take
• 54:59
  Speaker 1: great care of your kids and take great care of you.
• 55:01
  Speaker 1: Angelie will tell you what you want to hear. Boy,
• 55:03
  Speaker 1: how have you? I'm saying, have you ever been with
• 55:08
  Speaker 1: a guy with a huge penist that isn't good? I haven't.
• 55:13
  Speaker 1: Charlomagne always orgasms, I have it, but okay, um, I'm
• 55:21
  Speaker 1: just saying, because I'm thinking about this, I like stimulation penetration.
• 55:26
  Speaker 1: I like stimulation penetration on me, like, so it's like
• 55:30
  Speaker 1: it's smallst you know. Let me see. I hold out
• 55:35
  Speaker 1: your hand and yeah, why don't you'll just scissor with
• 55:41
  Speaker 1: each other? Y'all together? What about? Can you guys use toys?
• 55:46
  Speaker 1: I don't think he's been too bad. No, I mean
• 55:49
  Speaker 1: on you, like, if you you got to try and
• 55:51
  Speaker 1: experiment with other things, try to get some vibrators involved
• 55:57
  Speaker 1: and get him to do that to you in now,
• 56:00
  Speaker 1: Biba strap On, Oh wow, No, no, I'm not gonna
• 56:03
  Speaker 1: do that. What I'm saying you can use some toys
• 56:05
  Speaker 1: and stuff like that. I mean like, I'm like, okay,
• 56:08
  Speaker 1: you're gonna make it. Know that I have a little pick.
• 56:10
  Speaker 1: You gotta buy me a big one. Like what. Yeah.
• 56:12
  Speaker 1: Sex is a very important part of your relationship, and
• 56:15
  Speaker 1: so I feel you with that. But I also feel
• 56:18
  Speaker 1: like if he can have that passionate intimate connection with
• 56:22
  Speaker 1: you and still make you orgasm, you should be okay
• 56:24
  Speaker 1: with that. And if you're gonna cheat, then just don't
• 56:28
  Speaker 1: be with him. Find what you want. But remember, the
• 56:31
  Speaker 1: penis isn't always bigger. On the other side, like the
• 56:35
  Speaker 1: grass isn't always greener. You might go get with somebody
• 56:37
  Speaker 1: with a bigger penis and everything else might be wrong,
• 56:40
  Speaker 1: and then you're gonna regret it and then you want
• 56:41
  Speaker 1: to get back with him. This is that's so unfair
• 56:44
  Speaker 1: to be a man. Man. We can't go out and
• 56:45
  Speaker 1: get plastic surgery to make all penises bigger. You can.
• 56:48
  Speaker 1: It won't be that they do have penil and largement.
• 56:52
  Speaker 1: They don't have you tried. It's all girl, I've looked
• 56:55
  Speaker 1: into it. Okay, ain't nothing to do with length, all right,
• 56:57
  Speaker 1: you girls, I can get ass shots and fake asking it, hey,
• 57:00
  Speaker 1: and we've I can't get two extensions from my penis,
• 57:03
  Speaker 1: and you want to leave me just because God bless
• 57:06
  Speaker 1: me with a little peca. And what you don't understand
• 57:11
  Speaker 1: is paper cuts her too, especially when they wet. Okay, well,
• 57:14
  Speaker 1: somebody in this room has a small penis clearly. All right, Well,
• 57:24
  Speaker 1: good luck to you. But listen, don't be with somebody
• 57:26
  Speaker 1: if you're gonna cheat on them. That's all I have
• 57:27
  Speaker 1: to say. That's gonna make him felters. God testing you.
• 57:29
  Speaker 1: And you know what, man, when you're not thankful for
• 57:31
  Speaker 1: the little things you have in life, you don't get
• 57:32
  Speaker 1: blessed with more. And we mean little that right now,
• 57:36
  Speaker 1: all right, ask ye eight hundred five eighty five one
• 57:39
  Speaker 1: O five one. If you got a question for ye,
• 57:41
  Speaker 1: call it right now. It's the Breakfast Local Morning. That
• 57:43
  Speaker 1: was Tory Lane's with Love Morning. Everybody is DJ Envy Angela, Ye,
• 57:48
  Speaker 1: Charlemagne the guy. We are the breakfast club. In the
• 57:50
  Speaker 1: middle of asking ye what you want to go to?
• 57:53
  Speaker 1: I don't know. I don't have any options. Okay, Well,
• 57:55
  Speaker 1: let's go to list six. Hello, who's this? Hello? Hey?
• 57:58
  Speaker 1: What's your name? He? Let it end? Let it be dude. Hey,
• 58:03
  Speaker 1: so I'm um, I'm seeing it from from from Brockton, Massachusetts. Hey,
• 58:08
  Speaker 1: Steve from Massachusetts. Now what's your question? He my beautiful goddess,
• 58:12
  Speaker 1: So listen, my I've been in the laceship for like
• 58:15
  Speaker 1: two years of the dude and he's white, I'm black.
• 58:18
  Speaker 1: And now we started watching this We started watching this
• 58:20
  Speaker 1: Netflix documentary Dear White People. Yes, Lord, I'm saa um
• 58:26
  Speaker 1: and uh freaking So one of the episodes, she's like
• 58:29
  Speaker 1: telling her white boyfriend, dude, you can't say the inn word.
• 58:32
  Speaker 1: And I'm trying to tell my dude, like, you cannot
• 58:35
  Speaker 1: say the inn word. And he's like, I'm obviously not racist.
• 58:38
  Speaker 1: Going together for a long time, this is good. And
• 58:40
  Speaker 1: I'm like and I'm like, okay, well, let me bring
• 58:42
  Speaker 1: you to Jesus real quick. Come to the front of
• 58:44
  Speaker 1: the communication because we got some words away in bed.
• 58:51
  Speaker 1: He can say it though, right did he say it
• 58:53
  Speaker 1: in bed? No? No, we don't play that. Nope. Why
• 58:59
  Speaker 1: did she want to say to where so badly? He
• 59:01
  Speaker 1: doesn't want to You want to be able to say
• 59:03
  Speaker 1: it in conversation and like in music, And I'm like, no,
• 59:05
  Speaker 1: you can't. You can't say if the song. You just
• 59:07
  Speaker 1: need a hum quietly to yourself. Now if he's a
• 59:09
  Speaker 1: bottom and when you put it in, he got that one,
• 59:16
  Speaker 1: you don't, am I ruined the whole mood and any
• 59:19
  Speaker 1: really you know that both men are taking it just um,
• 59:24
  Speaker 1: exactly all right. But I'm gonna say this. He's would
• 59:28
  Speaker 1: he say that in front of other people beside you?
• 59:30
  Speaker 1: He's I't gonna say it to his friends in conversation,
• 59:33
  Speaker 1: And I'm like, um, like he'll say like these little
• 59:36
  Speaker 1: like and words and I'm like, you can't no, first
• 59:40
  Speaker 1: of all, yeah, no longer you're that's not a good
• 59:43
  Speaker 1: friend because he doesn't understand the contact And don't use
• 59:46
  Speaker 1: that word because you do understand the contact and that's
• 59:48
  Speaker 1: very offensive and he should understand that. If he loves
• 59:51
  Speaker 1: you and cares about you and something offends you, and
• 59:53
  Speaker 1: it's something as small as not saying a word that
• 59:55
  Speaker 1: is offensive throughout history and gives you an awful fee,
• 1:00:00
  Speaker 1: he should respect that. What's so difficult? Yeah, I mean
• 1:00:04
  Speaker 1: I think it's just growing up in a small white town.
• 1:00:05
  Speaker 1: You have to educate people. And like I had to,
• 1:00:08
  Speaker 1: I had to put on sut it off for him
• 1:00:10
  Speaker 1: and like teach him slowly like about the culture and
• 1:00:13
  Speaker 1: watching movies exactly, you gotta keep the culture. But um,
• 1:00:24
  Speaker 1: and is he being respectable that and and not using
• 1:00:26
  Speaker 1: the word. Oh yeah, but he just doesn't understand it.
• 1:00:30
  Speaker 1: You'll do it because he loves me, but he won't
• 1:00:31
  Speaker 1: do it because he knows it's wrong. Well listen, tell him.
• 1:00:34
  Speaker 1: He don't even got to understand it. It's offensive to you,
• 1:00:36
  Speaker 1: it's offensive to a lot of people. And you are
• 1:00:38
  Speaker 1: saving him an ask weapon, right, praise Lord? All right,
• 1:00:43
  Speaker 1: well that's good at least, but maybe understand it now.
• 1:00:50
  Speaker 1: It's gonna say you should have him wet some documentaries
• 1:00:52
  Speaker 1: so he can understand the power. Ye w yeah, we
• 1:00:58
  Speaker 1: watch like we I mean our stuff, but um we did.
• 1:01:02
  Speaker 1: He should doesn't understand it. He understands the historical context
• 1:01:06
  Speaker 1: of it, but he feels like in a modern society,
• 1:01:07
  Speaker 1: like how we want the equality of people not saying
• 1:01:10
  Speaker 1: the F word relations homosexuals. Then, um, you have to
• 1:01:13
  Speaker 1: use the word and also to the sensitize people to it,
• 1:01:16
  Speaker 1: which I respect. But at the same time, there's certain words,
• 1:01:19
  Speaker 1: um that carry any Semitic context or racial context. And
• 1:01:23
  Speaker 1: guess what if somebody that wasn't gay used the word.
• 1:01:26
  Speaker 1: That's offensive, right, And it's the same kind of aspople
• 1:01:29
  Speaker 1: when you gonna get play like I am in the
• 1:01:31
  Speaker 1: gym third day, don't play. But that's yeah. But um yeah,
• 1:01:38
  Speaker 1: I'm just saying, but thank you so much. He like,
• 1:01:41
  Speaker 1: I love you so much, love you on the real
• 1:01:42
  Speaker 1: love you literally, guys, every morning I can't really got through, like,
• 1:01:45
  Speaker 1: praise the Lord. Thank you. Yes, and you should definitely
• 1:01:50
  Speaker 1: go buy him my book Black Privilege, Opportunity comes to it.
• 1:01:53
  Speaker 1: I read it. I read your book. It's amazing, Like
• 1:01:55
  Speaker 1: you do an exceptional job. You're revers the culture. They
• 1:01:58
  Speaker 1: should instead of iron link freaking hi whatever. So they
• 1:02:03
  Speaker 1: need to have you up, they were Kelly after the
• 1:02:05
  Speaker 1: morning after the breakfast club bringing people to die. I'll
• 1:02:08
  Speaker 1: be fine, fine for calling man, and good luck with
• 1:02:13
  Speaker 1: your problem. Bro. Oh thank you. Make sure he doesn't
• 1:02:16
  Speaker 1: use that in word. Oh every day, all right, bro?
• 1:02:19
  Speaker 1: All day, every day, all day, every day, all right,
• 1:02:21
  Speaker 1: all day every day? All right? Well that was askey.
• 1:02:24
  Speaker 1: I mean, we help everybody eat. Good job. Yeah, you know,
• 1:02:27
  Speaker 1: we do our best. Okay, Now we got rumors on
• 1:02:29
  Speaker 1: the way. Yes, we are going to talk about Brad
• 1:02:31
  Speaker 1: Pitt and he finally comes clean and does an interview
• 1:02:33
  Speaker 1: about all the things that went wrong in his relationship.
• 1:02:36
  Speaker 1: Also the Game. Who does he feel is a legend?
• 1:02:39
  Speaker 1: Right now? I will tell you some kind words he
• 1:02:40
  Speaker 1: had to say about an artist who just put out
• 1:02:42
  Speaker 1: an album. All right, we'll get into that when we
• 1:02:44
  Speaker 1: come back. Keeping locked this to Breakfast Club, Good morning.
• 1:02:47
  Speaker 1: This is the rumor report with Angel Well. The Game
• 1:02:58
  Speaker 1: had to show some love to Ken Duck after Ken't
• 1:03:00
  Speaker 1: put out his damn album. He posted on Instagram for
• 1:03:03
  Speaker 1: me to whoever the F is concerned, This album is
• 1:03:05
  Speaker 1: dope as f blood. It's the Little Homies third LP.
• 1:03:08
  Speaker 1: If you're a true fan of hip hop, then you
• 1:03:10
  Speaker 1: have it memorized by now. If you're a hip hop
• 1:03:12
  Speaker 1: fan and you do not have Ken Jack lamar ish
• 1:03:14
  Speaker 1: by now, f you that's on Compton bomped it in
• 1:03:16
  Speaker 1: my hood and my kids my little and we're raw
• 1:03:18
  Speaker 1: as f and had been that way. So he told
• 1:03:20
  Speaker 1: k that that he is proud of him, and he
• 1:03:22
  Speaker 1: told Top Dog you know what it is with og
• 1:03:25
  Speaker 1: Chuck Homie, I studied the album and I'm proud of
• 1:03:27
  Speaker 1: this ish. So that's good. That's some luck I can
• 1:03:30
  Speaker 1: honestly say that I slept on the damn album Like
• 1:03:34
  Speaker 1: I heard it and I thought I heard it and
• 1:03:35
  Speaker 1: I thought it was dope. But I'm like, I'm just
• 1:03:37
  Speaker 1: used to Kendrick being dope, right, So it didn't like
• 1:03:40
  Speaker 1: it wasn't like a wild to me. But I was
• 1:03:42
  Speaker 1: sitting in the call in Jersey City yesterday we was
• 1:03:44
  Speaker 1: riding around listening to Camp. I'm like, you know what
• 1:03:46
  Speaker 1: this album is, but I listen to it backwards though,
• 1:03:47
  Speaker 1: because everybody kept telling me to listen to it backwards. Say,
• 1:03:49
  Speaker 1: if you listen to it backwards, just like listening to
• 1:03:52
  Speaker 1: it backward, it's like a whole different album. Really like
• 1:03:54
  Speaker 1: the theme of it, okay, yeah, because it starts with
• 1:03:58
  Speaker 1: Duckworth and then yeah. So I was like, it's a
• 1:04:02
  Speaker 1: very dope album. I listened to some of that album
• 1:04:05
  Speaker 1: at least like three songs every single day, So all right. Now.
• 1:04:08
  Speaker 1: Brad Pitt did an interview with GQ magazine. It's his
• 1:04:11
  Speaker 1: first extensive interview since they split up him and Angelina Jolie,
• 1:04:15
  Speaker 1: and he said he's not going to let things get
• 1:04:17
  Speaker 1: ugly in court because you know, they do have six
• 1:04:19
  Speaker 1: kids together. He said, I just refuse and fortunately my
• 1:04:22
  Speaker 1: partner in this agrees it's very, very jarring for the
• 1:04:24
  Speaker 1: kids to suddenly have their family ripped apart now. He
• 1:04:28
  Speaker 1: also said that he hasn't been drinking for the past
• 1:04:31
  Speaker 1: six months, which is good because I guess he was
• 1:04:33
  Speaker 1: having some issues with drinking. He said it was a
• 1:04:36
  Speaker 1: period of time that he calls his stoner days. I
• 1:04:38
  Speaker 1: wanted to smoke a joint with Jack and Snoop and Willie.
• 1:04:40
  Speaker 1: You know, when you're a stoner, you get these really
• 1:04:41
  Speaker 1: stupid ideas. I didn't want to indict the others, but
• 1:04:44
  Speaker 1: I haven't made it to Willie yet, And he said
• 1:04:46
  Speaker 1: he doesn't want to live that way anymore, and he
• 1:04:48
  Speaker 1: isn't struggling with any regrets also, so that's good that
• 1:04:51
  Speaker 1: he's opened up about things and made some changes in
• 1:04:53
  Speaker 1: his life for the better, because when you do have
• 1:04:55
  Speaker 1: six kids, that's a huge responsibility, and but you're will
• 1:04:58
  Speaker 1: on your way to six kids you have. I got five.
• 1:05:00
  Speaker 1: You know what, I didn't gonna lie a couple of
• 1:05:02
  Speaker 1: times the last couple of days. My wife has been
• 1:05:04
  Speaker 1: putting on some nice heels in the bedroom and and
• 1:05:08
  Speaker 1: maybe we might well, you never know, we might. You
• 1:05:10
  Speaker 1: need to start pulling out room. I try, but I can't.
• 1:05:13
  Speaker 1: It's just too good. I can't. All right now, Floyd
• 1:05:16
  Speaker 1: Mayweather is talking about why Condo MC record could actually
• 1:05:19
  Speaker 1: win if they ever fought. You know, Floyd is forty
• 1:05:23
  Speaker 1: years old now, and he brings that up as well.
• 1:05:25
  Speaker 1: Here's what he had to say. I can't sit right
• 1:05:27
  Speaker 1: here and knock kind of a great play. He went
• 1:05:29
  Speaker 1: out there and done what he had to do to
• 1:05:32
  Speaker 1: get to the point where he's at. So I'm not hither.
• 1:05:34
  Speaker 1: It's a bad montham And I've been off for a
• 1:05:36
  Speaker 1: couple of years, and I'm forty years old now, so
• 1:05:39
  Speaker 1: I'm a lot older. I mean that could play a
• 1:05:41
  Speaker 1: major key. We don't know. And he said he's had
• 1:05:43
  Speaker 1: the hitter, so we'll just see your whore. Every time
• 1:05:46
  Speaker 1: he goes out there and defeat fighters, he's standing up.
• 1:05:51
  Speaker 1: So does he have a good chance upsetting Floyd Mayweather?
• 1:05:55
  Speaker 1: I can't say, but anything can happen in this quarterbox.
• 1:05:57
  Speaker 1: Who you think we're winning? Floyd Mayweather and kind of
• 1:06:00
  Speaker 1: Gregor how to fight Floyd Foy. I mean Floyd should
• 1:06:03
  Speaker 1: win because Floyd's the best defensive fight of all time.
• 1:06:05
  Speaker 1: But I don't know why Floyd is even doing this fight.
• 1:06:07
  Speaker 1: I think this is like, this is like when the Apollo.
• 1:06:10
  Speaker 1: This is like when Apollo fought the Russian. Like, I
• 1:06:12
  Speaker 1: don't think Floyd should play with his legacy like that,
• 1:06:14
  Speaker 1: because I don't trust this retired out of retirement kinda
• 1:06:18
  Speaker 1: might kick him, like kinda might grapple him to the ground.
• 1:06:21
  Speaker 1: Like it's got to be you're not listening. It's got
• 1:06:25
  Speaker 1: to be something in the contract that says if you
• 1:06:27
  Speaker 1: touch me any other way other than boxing, you forfeit
• 1:06:30
  Speaker 1: your money. Because I don't trust this guy absolutely, Why
• 1:06:32
  Speaker 1: would you trust this guy? All right? But I'm angela Yean.
• 1:06:35
  Speaker 1: That's your rumor report. Thank you, miss ye now shout
• 1:06:38
  Speaker 1: to Revolt. We will see you guys tomorrow. Everybody else
• 1:06:41
  Speaker 1: the People's Choice mixes up. Next. You want to hear
• 1:06:43
  Speaker 1: something at dj MVY, get your request in right now
• 1:06:46
  Speaker 1: and we absolutely positively got you. It's the Breakfast Luggle
• 1:06:49
  Speaker 1: Morning