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The Phantom of the Opera Chapter XII - Apollo's Lyre · The Gaston Leroux Library

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  Speaker 1: Chapter twelve of The Phantom of the Opera by Gaston LaRue,
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  Speaker 1: translated by Alexander Tizera Domatos. This LibriVox recording is in
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  Speaker 1: the public domain. Chapter twelve Apollo's lyre. On this way
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  Speaker 1: they reached the roof. Christine tripped over it as lightly
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  Speaker 1: as a swallow. Their eyes swept the empty space between
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  Speaker 1: the three domes and the triangular pediment. She breathed freely
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  Speaker 1: over peris, the whole valley of which was seen at
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  Speaker 1: work below. She called Raoul to come quite close to her,
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  Speaker 1: and they walked side by side along the zinc streets.
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  Speaker 1: In the leaden avenues. They looked at their twin shapes
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  Speaker 1: in the huge tanks full of stagnant water, where, in
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  Speaker 1: the hot weather the little boys of the ballet a
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  Speaker 1: score or so learned to swim and dive. The shadow
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  Speaker 1: had followed behind them, clinging to their steps, and the
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  Speaker 1: two children little suspected its presence when they at last
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  Speaker 1: sat down trustingly under the may protection of Apollo, who,
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  Speaker 1: with a great bronze gesture, lifted his huge lyre to
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  Speaker 1: the heart of a crimson sky. It was a gorgeous
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  Speaker 1: spring evening clouds which had just received their gossamer robe
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  Speaker 1: of gold and purple. From the setting sun drifted slowly by,
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  Speaker 1: and Christine said to Raoul. Soon we shall go farther
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  Speaker 1: and faster than the clouds, to the end of the world,
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  Speaker 1: and then you will leave me, Raoul. But if when
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  Speaker 1: the moment comes for you to take me away, I
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  Speaker 1: refuse to go with you, well you must carry me
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  Speaker 1: off by force. Are you afraid that you will change
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  Speaker 1: your mind? Christine? I don't know, she said, shaking her
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  Speaker 1: head in an odd fashion. He is a demon, and
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  Speaker 1: she shivered and nestled in his arms with a moan.
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  Speaker 1: I am afraid now of going back to live with
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  Speaker 1: him in the ground. What compels you to go back, Christine?
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  Speaker 1: If I do not go back to him, terrible misfortunes
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  Speaker 1: may happen. But I can't do it. I can't do it.
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  Speaker 1: I know one ought be sorry for people who live
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  Speaker 1: under ground, but he is too horrible. And yet the
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  Speaker 1: time is at hand. I have only a day left,
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  Speaker 1: and if I do not go, he will come and
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  Speaker 1: fetch me with his voice, and he will drag me
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  Speaker 1: with him under ground, and go on his knees before
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  Speaker 1: me with his death's head, and he will tell me
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  Speaker 1: that he loves me, and he will cry. Oh, those tears, raouled,
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  Speaker 1: those tears in the two black eye sockets of the
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  Speaker 1: death's head. I cannot see those tears flow again. She
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  Speaker 1: wrung her hands in anguish, while Raoul pressed her to
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  Speaker 1: his heart. No, no, you shall never again hear him
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  Speaker 1: tell you that he loves you. You shall not see
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  Speaker 1: his tears. Let us fly, Christine, Let us fly at once.
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  Speaker 1: And he tried to drag her away then and there,
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  Speaker 1: but she stopped him. No, no, she said, shaking her
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  Speaker 1: head sadly. Not now, it would be too cruel. Let
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  Speaker 1: him hear me sing tomorrow evening, and then we will
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  Speaker 1: go away. You must come and fetch me in my
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  Speaker 1: dressing room at midnight exactly. He will then be waiting
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  Speaker 1: for me in the dining room by the lake. We
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  Speaker 1: shall be free, and you shall take me away. You
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  Speaker 1: must promise me that, Raoul, even if I refuse, for
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  Speaker 1: I feel that if I go back this time, I
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  Speaker 1: shall perhaps never return. And she gave a sigh, to
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  Speaker 1: which it seemed to her that another sigh behind her replied,
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  Speaker 1: didn't you hear her teeth chattered? No, said Raoul, I
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  Speaker 1: heard nothing it is too terrible, she confessed to be
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  Speaker 1: always trembling like this, And yet we run no danger here.
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  Speaker 1: We are at home, in the sky, in open air,
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  Speaker 1: in the light. The sun is flaming. The night birds
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  Speaker 1: cannot bear to look at the sun. I have never
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  Speaker 1: seen him by daylight. It must be awful. Oh, the
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  Speaker 1: first time I sig him, I thought that he was
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  Speaker 1: going to die, why, asked Raoul, really frightened at the
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  Speaker 1: aspect which this strange confidence was taking, because I had
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  Speaker 1: seen him this time. Raoul and Christine turned round at
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  Speaker 1: the same time. There is some one in pain, said Raoul,
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  Speaker 1: Perhaps some one has been hurt. Did you hear I
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  Speaker 1: can't say, Christine confessed, even when he is not there.
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  Speaker 1: My ears are full of his size. Still, if you heard.
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  Speaker 1: They stood up and looked round them. They were quite
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  Speaker 1: alone on the immense lad roof. They sat down again,
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  Speaker 1: and Raoul said, tell me how you saw him first.
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  Speaker 1: I had heard him for three months without seeing him.
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  Speaker 1: The first time I heard it, I thought, as you did,
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  Speaker 1: that that adorable voice was singing in another room. I
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  Speaker 1: went out and looked everywhere. But as you know, Raoul,
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  Speaker 1: my dressing room is very much by itself, and I
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  Speaker 1: could not find the voice outside my room, whereas it
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  Speaker 1: went on steadily inside. And it not only sang, but
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  Speaker 1: it spoke to me and answered my questions like a
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  Speaker 1: real man's voice, with this difference that it was as
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  Speaker 1: beautiful as the voice of an angel. I had never
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  Speaker 1: got the angel of music, whom my poor father had
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  Speaker 1: promised to send me as soon as he was dead.
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  Speaker 1: I really think that Mamma Valarius was a little bit
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  Speaker 1: to blame. I told her about it, and she at
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  Speaker 1: once said, it must be the angel. At any rate,
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  Speaker 1: you can do no harm by asking him. I did so,
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  Speaker 1: and the man's voice replied that yes, it was the
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  Speaker 1: angel's voice, the voice which I was expecting and which
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  Speaker 1: my father had promised me. From that time onward, the
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  Speaker 1: voice and I became great friends. It asked leave to
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  Speaker 1: give me lessons every day. I agreed, and never failed
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  Speaker 1: to keep the appointment which it gave me in my
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  Speaker 1: dressing room. You have no idea, though you have heard
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  Speaker 1: the voice of what those lessons were like. No, I
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  Speaker 1: have no idea, said Raoul. What was your accompaniment? We
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  Speaker 1: were accompanied by a music which I do not know.
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  Speaker 1: It was behind the wall and wonderfully accurate. The boy
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  Speaker 1: seemed to understand mine exactly, to know precisely where my
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  Speaker 1: father had left off teaching me in a few weeks time.
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  Speaker 1: I hardly knew myself when I sang, I was even frightened.
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  Speaker 1: I seemed to dread a sort of witchcraft behind it.
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  Speaker 1: But Mamma Valarius reassured me. She said that she knew
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  Speaker 1: I was much too simple a girl to give the
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  Speaker 1: devil a hold on me. My progress, by the voice's
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  Speaker 1: own order, was kept a secret between the voice, Mamma Valarius,
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  Speaker 1: and myself. It was a curious thing. But outside the
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  Speaker 1: dressing room I sang with my ordinary, every day voice,
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  Speaker 1: and nobody noticed anything. I did all that the voice asked.
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  Speaker 1: It said, wait and see, we shall astonish Paris. And
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  Speaker 1: I waited and lived on in a sort of ecstatic dream.
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  Speaker 1: It was then that I saw you for the first
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  Speaker 1: time one evening in the house. I was so glad
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  Speaker 1: that I never thought of concealing my delight When I
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  Speaker 1: reached my dressing room, unfortunately, the voice was there before me,
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  Speaker 1: and soon noticed by my air that soump thing had happened.
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  Speaker 1: It asked, what was the matter, and I saw no
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  Speaker 1: reason for keeping our story secret, or concealing the place
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  Speaker 1: which you filled in my heart. Then the voice was silent.
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  Speaker 1: I called to it, but it did not reply. I
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  Speaker 1: begged and entreated, but in vain. I was terrified lest
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  Speaker 1: it had gone for good. I wish to Heaven it
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  Speaker 1: had dear. That night I went home in a desperate condition.
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  Speaker 1: I told Mamma Valerius, who said, why, of course the
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  Speaker 1: voice is jealous, and that dear first revealed to me
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  Speaker 1: that I loved you. Christine stopped and laid her head
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  Speaker 1: on Raoul's shoulder. They sat like that for a moment,
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  Speaker 1: in silence, and they did not see, did not perceive
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  Speaker 1: the movement at a few steps from them, of the
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  Speaker 1: creeping shadow of two great black wings, a shadow that
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  Speaker 1: came along the roof so near, so near them, that
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  Speaker 1: it could have stifled them by closing over them. The
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  Speaker 1: next day, Christine continued with a I went back to
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  Speaker 1: my dressing room in a very pensive frame of mind.
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  Speaker 1: The voice was there, spoke to me with great sadness,
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  Speaker 1: and told me plainly that if I must bestow my
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  Speaker 1: heart on earth, there was nothing for the Voice to
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  Speaker 1: do but to go back to Heaven and It said
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  Speaker 1: this with such an accent of human sorrow that I
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  Speaker 1: ought then and there to have suspected, and begun to believe,
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  Speaker 1: that I was the victim of my deluded senses. But
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  Speaker 1: my faith in the voice, with which the memory of
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  Speaker 1: my father was so closely intermingled, remained undisturbed. I feared
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  Speaker 1: nothing so much as that I might never hear it again.
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  Speaker 1: I had thought about my love for you, and realized
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  Speaker 1: all the useless danger of it. And I did not
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  Speaker 1: even know if you remembered me. Whatever happened your position
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  Speaker 1: in society forbade me to contemplate the possibility of ever
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  Speaker 1: marrying you. And I swore to the Voice that you
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  Speaker 1: were no more than a brother to me, nor ever
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  Speaker 1: would be, and that my heart was incapable of any
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  Speaker 1: earthly love. And that, dear, was why I refused to
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  Speaker 1: recognize or see you when I met you on the
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  Speaker 1: stage or in the passages. Meanwhile, the hours during which
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  Speaker 1: the Voice taught me were spent in a divine frenzy,
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  Speaker 1: until at last the Voice said to me, you can, now,
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  Speaker 1: Christine day, give to men a little of the music
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  Speaker 1: of heaven. I don't know how it was that Carlotta
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  Speaker 1: did not come to the theater that night, nor why
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  Speaker 1: I was called upon to sing in her stead. But
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  Speaker 1: I sang with a rapture I had never known before,
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  Speaker 1: and I felt for a moment as if my soul
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  Speaker 1: were leaving my body, O Christine, said, Raoul. My heart
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  Speaker 1: quivered that night at every accent of your voice. I
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  Speaker 1: saw the tears stream down your cheeks, and I wept
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  Speaker 1: with you. How could you sing? Sing like that? While crying?
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  Speaker 1: I felt myself fainting, said Christine. I closed my eyes.
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  Speaker 1: When I opened them, you were by my side, But
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  Speaker 1: the voice was there also, Raoul. I was afraid for
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  Speaker 1: your sake, and again I would not recognize you, and
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  Speaker 1: began to laugh when you reminded me that you had
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  Speaker 1: picked up my scarf in the sea. Alas there is
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  Speaker 1: no deceiving the voice. The voice recognized you, and the
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  Speaker 1: voice was jealous. It said that if I did not
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  Speaker 1: love you, I would not avoid you, but treat you
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  Speaker 1: like any other old friend. It made me seen up
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  Speaker 1: unseen at last, I said to the voice, that will
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  Speaker 1: do I am going to Peris tomorrow to prey on
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  Speaker 1: my father's grave, and I shall ask Monsieur Raoul de
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  Speaker 1: Chennie to go with me. Do as you please, replied
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  Speaker 1: the voice. But I shall be at Paros too, for
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  Speaker 1: I am wherever you are, Christine, And if you are
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  Speaker 1: still worthy of me, if you have not lied to me,
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  Speaker 1: I will play you the Resurrection of Lazarus on the
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  Speaker 1: stroke of midnight, on your father's tomb, and on your
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  Speaker 1: father viled in that dear, was how I came to
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  Speaker 1: write you the letter that brought you to Paris. How
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  Speaker 1: could I have been so beguiled? How was it when
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  Speaker 1: I saw the personal, the selfish point of view of
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  Speaker 1: the voice, that I did not suspect some impostor, alas
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  Speaker 1: I was no longer mistress of myself, I had become
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  Speaker 1: his thing. But after all, cried Raoul, you soon came
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  Speaker 1: to know the truth. Why did you not at once
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  Speaker 1: rid yourself of that abominable nightmare? Know the truth? Raoul,
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  Speaker 1: rid myself of that nightmare? But my poor boy, I
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  Speaker 1: was not caught in the nightmare until the day when
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  Speaker 1: I learned the truth. Pity me, Raoul, Pity me. You
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  Speaker 1: remember the terrible evening when Carlotta thought that she had
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  Speaker 1: been turned into a toad on the stage, and when
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  Speaker 1: the house was suddenly plunged in darkness through the chandelier,
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  Speaker 1: crashing to the floor. There were killed and wounded that night,
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  Speaker 1: and the whole theater rang with trified screams. My first
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  Speaker 1: thought was for you and the voice. I was at
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  Speaker 1: once easy where you were concerned, for I had seen
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  Speaker 1: you in your brother's box, and I knew that you
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  Speaker 1: were not in danger. But the voice had told me
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  Speaker 1: that it would be at the performance, and I was
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  Speaker 1: really afraid for it, just as if it had been
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  Speaker 1: an ordinary person who was capable of dying. I thought
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  Speaker 1: to myself, the chandelier may have come down upon the voice.
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  Speaker 1: I was then on the stage and was nearly running
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  Speaker 1: into the house to look for the voice among the
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  Speaker 1: killed and wounded, when I thought that if the voice
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  Speaker 1: was safe, it would be sure to be in my
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  Speaker 1: dressing room, and I rushed to my room. The voice
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  Speaker 1: was not there. I locked my door, and with tears
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  Speaker 1: in my eyes, besought it, if it were still alive,
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  Speaker 1: to manifest itself to me. The voice did not reply,
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  Speaker 1: but suddenly I heard a long, beautiful wail, which I
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  Speaker 1: knew well it is the plaintive Lazarus. When at the
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  Speaker 1: sound of the Redeemer's voice, he begins to open his
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  Speaker 1: eyes and see the light of day. It was the
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  Speaker 1: music which you and I Raoul heard at Perils, and
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  Speaker 1: then the voice began to sing the leading phrase, come
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  Speaker 1: and believe in me. Whoso believes in me shall live walk.
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  Speaker 1: Whoso hath believed in me shall never die. I cannot
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  Speaker 1: tell you the effect which that music had upon me.
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  Speaker 1: It seemed to command me personally to come to stand
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  Speaker 1: up and come to it. It retreated, and I followed,
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  Speaker 1: Come and believe in me. I believed in it. I came,
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  Speaker 1: I came, and this was the extraordinary thing. My dressing room,
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  Speaker 1: as I moved, seemed to lengthen out, to lengthen out.
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  Speaker 1: Evidently it must have been an effect of mirrors, for
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  Speaker 1: I had the mirror in front of me, and suddenly
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  Speaker 1: I was outside the room, without knowing how, what, without
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  Speaker 1: knowing how, Christine, Christine, you must really stop dreaming. I
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  Speaker 1: was not dreaming, dear, I was outside my room without
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  Speaker 1: knowing how. You, who saw me disappear from my room
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  Speaker 1: one evening, may be able to explain it, but I cannot.
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  Speaker 1: I can only tell you that suddenly there was no
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  Speaker 1: mirror before me, and no dressing room. I was in
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  Speaker 1: a dark passage. I was frightened, and I cried out.
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  Speaker 1: It was quite dark but for a faint red glimmer
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  Speaker 1: at a distant corner of the wall. I cried out.
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  Speaker 1: My voice was the only sound for the singing, and
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  Speaker 1: the violin had stopped. And suddenly a hand was laid
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  Speaker 1: on mine, or rather a stone cold, bony thing that
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  Speaker 1: seized my wrist and did not let go. I cried
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  Speaker 1: out again. An arm took me round the waist and
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  Speaker 1: supported me. I struggled for a little while, and then
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  Speaker 1: gave up the attempt. I was dragged toward the little
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  Speaker 1: red light, and then I saw that I was in
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  Speaker 1: the hands of a man, wrapped in a large cloak
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  Speaker 1: and wearing a mask that hid his whole face. I
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  Speaker 1: made one last effort. My limbs stiffened, my mouth opened
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  Speaker 1: to scream, but a hand closed it, a hand which
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  Speaker 1: I felt on my lips, on my skin, a hand
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  Speaker 1: that smelt of death. Then I fainted away. When I
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  Speaker 1: opened my eyes, we were still surrounded by darkness. A
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  Speaker 1: lantern standing on the ground showed a bubbling well. The
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  Speaker 1: water splashing from the well disappeared almost at once under
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  Speaker 1: the floor on which I was lying with my head
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  Speaker 1: on the knee of the man in the black cloak
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  Speaker 1: and the black mask. He was bathing my temples, and
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  Speaker 1: his hands smelt of death. I tried to push them
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  Speaker 1: away and asked, who are you? Where is the voice?
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  Speaker 1: His only answer was a sigh. Suddenly, a hot breath
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  Speaker 1: passed over my face, and I perceived a white shape
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  Speaker 1: beside the man's black shape in the darkness. The black
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  Speaker 1: shape lifted me on to the white shape. A glad
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  Speaker 1: nighing greeted my astounded ears, and I murmured, cizar. The
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  Speaker 1: animal quivered rose ul. I was lying half back on
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  Speaker 1: his saddle, and I had recognized the white horse out
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  Speaker 1: of the profetta, which I had so often fed with
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  Speaker 1: sugar and sweets. I remembered that one evening there was
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  Speaker 1: a rumor in the theater that the horse had disappeared,
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  Speaker 1: and that it had been stolen by the opera ghost.
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  Speaker 1: I believed in the voice, but had never believed in
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  Speaker 1: the ghost. Now, however, I began to wonder with a
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  Speaker 1: shiver whether I was the ghost's prisoner. I called upon
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  Speaker 1: the voice to help me, for I should never have
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  Speaker 1: imagined that the voice and the ghost were won you
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  Speaker 1: have heard about the opera ghost, have you not, Raoul, Yes,
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  Speaker 1: But tell me what happened when you were on the
• 16:39
  Speaker 1: white horse of the Profetta. I made no movement and
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  Speaker 1: let myself go. The black shape held me up, and
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  Speaker 1: I made no effort to escape. A curious feeling of
• 16:49
  Speaker 1: peacefulness came over me, and I thought that I must
• 16:52
  Speaker 1: be under the influence of some cordial I had the
• 16:55
  Speaker 1: full command of my senses, and my eyes became used
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  Speaker 1: to the darkness which was lit here and there by
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  Speaker 1: fitful gleams. I calculated that we were in a narrow,
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  Speaker 1: circular gallery, probably running all round the opera, which is
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  Speaker 1: immense underground. I had once been down into those cellars,
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  Speaker 1: but had stopped at the third floor, though there were
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  Speaker 1: two lower still large enough to hold a town. But
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  Speaker 1: the figures of which I caught sight had made me
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  Speaker 1: run away. There are demons down there, quite black, standing
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  Speaker 1: in front of boilers, and they wheeled shovels and pitchforks,
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  Speaker 1: and poke up fires and stir up flames. And if
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  Speaker 1: you come to near them, they frighten you by suddenly
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  Speaker 1: opening the red mouths of their furnaces. Well, whilst Cesar
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  Speaker 1: was quietly carrying me on his back. I saw those
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  Speaker 1: black demons in the distance, looking quite small in front
• 17:47
  Speaker 1: of the red fires of their furnaces. They came into sight, disappeared,
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  Speaker 1: and came into sight again as we went on our
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  Speaker 1: winding way. At last they disappeared altogether. The shape was
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  Speaker 1: still holding me up, and seas walked on unled and
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  Speaker 1: sure footed. I could not tell you even approximately how
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  Speaker 1: long this ride lasted. I only know that we seemed
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  Speaker 1: to turn and turn, and often went down a spiral
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  Speaker 1: stair into the very heart of the earth. Even then,
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  Speaker 1: it may be that my head was turning, but I
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  Speaker 1: don't think so. No, my mind was quite clear. At last,
• 18:21
  Speaker 1: c Czar raised his nostrils, sniffed the air, and quickened
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  Speaker 1: his pace a little. I felt a moistness in the air,
• 18:28
  Speaker 1: and Cesar stopped. The darkness had lifted. A sort of
• 18:32
  Speaker 1: bluey light surrounded us. We were on the edge of
• 18:35
  Speaker 1: a lake whose leaden waters stretched into the distance, into
• 18:39
  Speaker 1: the darkness. But the blue light lit up the bank,
• 18:42
  Speaker 1: and I saw a little boat fastened to an iron
• 18:44
  Speaker 1: ring on the wharf. A boat, yes, But I knew
• 18:49
  Speaker 1: all that existed, and that there was nothing supernatural about
• 18:53
  Speaker 1: that underground lake and boat. But think of the exceptional
• 18:56
  Speaker 1: conditions in which I arrived upon that shore. I don't
• 19:00
  Speaker 1: know whether the effects of the cordial had worn off
• 19:03
  Speaker 1: when the man's shape lifted me into the boat, but
• 19:06
  Speaker 1: my terror began all over again. My gruesome escort must
• 19:10
  Speaker 1: have noticed it, for he sent Cizar back, and I
• 19:12
  Speaker 1: heard his hoofs trampling up a staircase, while the man
• 19:16
  Speaker 1: jumped into the boat, untied the rope that held it,
• 19:18
  Speaker 1: and seized the oars. He rowed with a quick, powerful stroke,
• 19:23
  Speaker 1: and his eyes under the mask never left me. We
• 19:26
  Speaker 1: slipped across the noiseless water in the bluey light which
• 19:29
  Speaker 1: I told you of. Then we were in the dark again,
• 19:32
  Speaker 1: and we touched shore, and I was once more taken
• 19:35
  Speaker 1: up in the man's arms. I cried aloud, and then
• 19:39
  Speaker 1: suddenly I was silent, dazed by the light, yes, a
• 19:43
  Speaker 1: dazzling light, in the midst of which I had been
• 19:45
  Speaker 1: put down. I sprang to my feet. I was in
• 19:48
  Speaker 1: the middle of a drawing room that seemed to me
• 19:50
  Speaker 1: to be decorated, adorned, and furnished with nothing but flowers.
• 19:55
  Speaker 1: Flowers both magnificent and stupid. Because of the silk ribbons
• 20:00
  Speaker 1: that tied them to baskets, like those which they sell
• 20:03
  Speaker 1: in the shops on the boulevards. They were much too civilized,
• 20:07
  Speaker 1: flowers like those which I used to find in my
• 20:10
  Speaker 1: dressing room after a first night. And in the midst
• 20:12
  Speaker 1: of all these flowers stood the black shape of the
• 20:15
  Speaker 1: man in the mask, with arms crossed, and he said,
• 20:19
  Speaker 1: don't be afraid, Christine, you are in no danger. It
• 20:23
  Speaker 1: was the voice. My anger equaled my amazement. I rushed
• 20:28
  Speaker 1: at the mask and tried to snatch it away so
• 20:31
  Speaker 1: as to see the face of the voice. The man said,
• 20:35
  Speaker 1: you are in no danger, so long as you do
• 20:38
  Speaker 1: not touch the mask, and taking me gently by the wrists,
• 20:41
  Speaker 1: he forced me into a chair, and then went down
• 20:44
  Speaker 1: on his knees before me and said nothing more. His
• 20:48
  Speaker 1: humility gave me back some of my courage, and the
• 20:51
  Speaker 1: light restored me to the realities of life, however extraordinary
• 20:56
  Speaker 1: the adventure might be. I was now surrounded by mortar,
• 21:00
  Speaker 1: visible and tangible things, the furniture, the hangings, the candles,
• 21:05
  Speaker 1: the vases, and the very flowers in their baskets, of
• 21:08
  Speaker 1: which I could almost have told whence they came, and
• 21:11
  Speaker 1: what they caused, were bound to confine my imagination to
• 21:14
  Speaker 1: the limits of a drawing room, quite as commonplace as
• 21:17
  Speaker 1: any that at least had the excuse of not being
• 21:21
  Speaker 1: in the cellars of the opera. I had no doubt
• 21:24
  Speaker 1: to do with a terrible eccentric person who, in some
• 21:27
  Speaker 1: mysterious fashion had succeeded in taking up his abode there
• 21:32
  Speaker 1: under the opera house, five stories below the level of
• 21:35
  Speaker 1: the ground. And the voice, the voice which I had
• 21:38
  Speaker 1: recognized under the mask, was on its knees before me
• 21:42
  Speaker 1: was a man, and I began to cry. The man,
• 21:45
  Speaker 1: still kneeling, must have understood the cause of my tears,
• 21:48
  Speaker 1: for he said, it is true, Christine, I am not
• 21:52
  Speaker 1: an angel, nor a genius, nor a ghost. I am Eric.
• 21:58
  Speaker 1: Christine's narrative was again interrupted. An echo behind them seemed
• 22:03
  Speaker 1: to repeat the word after her, eirik what acho. They
• 22:07
  Speaker 1: both turned round and saw that night had fallen. Raoul
• 22:11
  Speaker 1: made a movement as though to rise, but Christine kept
• 22:14
  Speaker 1: him beside her. Don't go, she said, I want you
• 22:17
  Speaker 1: to know everything here. But why here, Christine, I am
• 22:22
  Speaker 1: afraid of your catching cold. We have nothing to fear
• 22:25
  Speaker 1: except the trap doors, dear, and here we are miles
• 22:29
  Speaker 1: away from the trap doors, and I am not allowed
• 22:31
  Speaker 1: to see you outside the theater. This is not the
• 22:34
  Speaker 1: time to annoy him. We must not arouse his suspicion, Christine, Christine,
• 22:40
  Speaker 1: something tells me that we are wrong to wait till
• 22:43
  Speaker 1: to morrow evening, and that we ought to fly at once.
• 22:47
  Speaker 1: I tell you that if he does not hear me
• 22:49
  Speaker 1: sing tomorrow, it will cause him infinite pain. It is
• 22:54
  Speaker 1: difficult not to cause him pain and yet to escape
• 22:57
  Speaker 1: from him for good. You are right in that, Raoul,
• 23:01
  Speaker 1: For certainly he will die of my flight, and she
• 23:04
  Speaker 1: added in a dull voice. But then it counts both ways,
• 23:09
  Speaker 1: for we risk his killing us. Does he love you
• 23:13
  Speaker 1: so much he would commit murder for me? But one
• 23:17
  Speaker 1: can find out where he lives. One can go in
• 23:19
  Speaker 1: search of him. Now that we know that Erik is
• 23:22
  Speaker 1: not a ghost, one can speak to him and force
• 23:25
  Speaker 1: him to answer. Christine shook her head. No, No, there
• 23:29
  Speaker 1: is nothing to be done with Eric except to run away.
• 23:33
  Speaker 1: Then why when you were able to run away, did
• 23:36
  Speaker 1: you go back to him? Because I had to. And
• 23:39
  Speaker 1: you will understand that when I tell you how I
• 23:42
  Speaker 1: left him. Oh I hate him, cried Raoul, and you, Christine,
• 23:47
  Speaker 1: tell me, do you hate him too? No, said Christine,
• 23:51
  Speaker 1: simply no, of course, not why you love him. Your fear,
• 23:57
  Speaker 1: your terror, all of that is just love, and love
• 24:00
  Speaker 1: of the most exquisite kind, the kind which people do
• 24:03
  Speaker 1: not admit even to themselves, said Raoul bitterly, the kind
• 24:08
  Speaker 1: that gives you a thrill when you think of it.
• 24:10
  Speaker 1: Picture it a man who lives in a palace under ground,
• 24:15
  Speaker 1: and he gave a deer. Then you want me to
• 24:18
  Speaker 1: go back there, said the young girl, cruelly. Take care, Raoul,
• 24:22
  Speaker 1: I have told you I should never return. There was
• 24:27
  Speaker 1: an appalling silence between the three of them, the two
• 24:30
  Speaker 1: who spoke and the shadow that listened behind them. Before
• 24:35
  Speaker 1: answering that, said Raoul, at last, speaking very slowly, I
• 24:40
  Speaker 1: should like to know with what feeling he inspires you.
• 24:44
  Speaker 1: Since you do not hate him with horror, she said.
• 24:49
  Speaker 1: That is the terrible thing about it. He fills me
• 24:52
  Speaker 1: with horror, and I do not hate him. How can
• 24:56
  Speaker 1: I hate him? Raoul, think of earic at my feet
• 24:59
  Speaker 1: in the house on the lake underground. He accuses himself,
• 25:03
  Speaker 1: he curses himself, he implores my forgiveness, He confesses his cheat.
• 25:09
  Speaker 1: He loves me, He lays at my feet an immense
• 25:13
  Speaker 1: and tragic love. He has carried me off for love.
• 25:16
  Speaker 1: He has imprisoned me with him underground for love. But
• 25:20
  Speaker 1: he respects me. He crawls, he moans, he weeps. And
• 25:24
  Speaker 1: when I stood up Raoul and told him that I
• 25:26
  Speaker 1: could only despise him if he did not then and
• 25:29
  Speaker 1: there give me my liberty, he offered it. He offered
• 25:33
  Speaker 1: to show me the mysterious road. Only only he rose too,
• 25:38
  Speaker 1: and I was made to remember that though he was
• 25:40
  Speaker 1: not an angel, nor a ghost, nor a genius, he
• 25:44
  Speaker 1: remained the voice. For He sang, and I listened and stayed.
• 25:49
  Speaker 1: That night, we did not exchange another word. He sang
• 25:53
  Speaker 1: me to sleep. When I woke up, I was alone,
• 25:56
  Speaker 1: lying on a sofa in a simply furnished little bedroom
• 26:00
  Speaker 1: with an ordinary mahogany bedstead, lit by a lamp. Standing
• 26:04
  Speaker 1: on the marble top of an old Louis Philippe chest
• 26:07
  Speaker 1: of drawers. I soon discovered that I was a prisoner,
• 26:11
  Speaker 1: and that the only outlet from my room led to
• 26:13
  Speaker 1: a very comfortable bath room. On returning to the bedroom,
• 26:17
  Speaker 1: I saw on the chest of drawers a note in
• 26:20
  Speaker 1: red ink which said my dear Christine, you need have
• 26:24
  Speaker 1: no concern as to your fate. You have no better
• 26:28
  Speaker 1: nor more respectful friend in the world than myself. You
• 26:32
  Speaker 1: are alone at present in this home which is yours.
• 26:35
  Speaker 1: I am going out shopping to fetch you all the
• 26:38
  Speaker 1: things that you can need. I felt sure that I
• 26:42
  Speaker 1: had fallen into the hands of a madman. I ran
• 26:45
  Speaker 1: round my little apartment looking for a way of escape,
• 26:48
  Speaker 1: which I could not find. I upbraided myself for my
• 26:51
  Speaker 1: absurd superstition which had caused me to fall into the trap.
• 26:56
  Speaker 1: I felt inclined to laugh and to cry at the
• 26:59
  Speaker 1: same time. This was the state of mind in which
• 27:02
  Speaker 1: Eric found me. After giving three taps on the wall,
• 27:06
  Speaker 1: he walked in quietly through a door which I had
• 27:08
  Speaker 1: not noticed, and which he left open. He had his
• 27:11
  Speaker 1: arms full of boxes and parcels and arranged them on
• 27:14
  Speaker 1: the bed in a leisurely fashion. While I overwhelmed him
• 27:18
  Speaker 1: with abuse and called upon him to take off his
• 27:20
  Speaker 1: mask if it covered the face of an honest man.
• 27:23
  Speaker 1: He replied serenely, you shall never see Eric's face. And
• 27:28
  Speaker 1: he reproached me with not having finished dressing at that
• 27:31
  Speaker 1: time of day. He was good enough to tell me
• 27:34
  Speaker 1: that it was two o'clock in the afternoon. He said
• 27:36
  Speaker 1: he would give me half an hour, and while he spoke,
• 27:39
  Speaker 1: wound up my watch and set it for me, after
• 27:42
  Speaker 1: which he asked me to come to the dining room,
• 27:44
  Speaker 1: where a nice lunch was waiting for us. I was
• 27:48
  Speaker 1: very angry, slammed the door in his face, and went
• 27:52
  Speaker 1: to the bathroom. When I came out again, feeling greatly refreshed,
• 27:56
  Speaker 1: Eric said that he loved me, but that he would
• 27:58
  Speaker 1: never tell me so except when I allowed him, and
• 28:01
  Speaker 1: that the rest of the time would be devoted to music.
• 28:04
  Speaker 1: What do you mean by the rest of the time,
• 28:07
  Speaker 1: I asked, five days, he said with decision. I asked
• 28:12
  Speaker 1: him if I should then be free, and he said,
• 28:15
  Speaker 1: you will be free, Christine, for when those five days
• 28:18
  Speaker 1: are past, you will have learned not to see me,
• 28:21
  Speaker 1: and then from time to time you will come to
• 28:24
  Speaker 1: see your poor eirik. He pointed to a chair opposite
• 28:28
  Speaker 1: him at a small table, and I sat down. Feeling
• 28:31
  Speaker 1: greatly perturbed. However, I ate a few prawns and the
• 28:35
  Speaker 1: wing of a chicken, and drank half a glass of toquet,
• 28:38
  Speaker 1: which he had himself. He told me brought from the
• 28:41
  Speaker 1: Konnisberd cellars. Eric did not eat or drink. I asked
• 28:45
  Speaker 1: him what his nationality was, and if that name of
• 28:49
  Speaker 1: Eric did not point to his Scandinavian origin. He said
• 28:52
  Speaker 1: that he had no name and no country, and that
• 28:55
  Speaker 1: he had taken the name of Eric by accident. After lunch,
• 28:59
  Speaker 1: he rose and gave me the tips of his fingers,
• 29:03
  Speaker 1: saying he would like to show me over his flat.
• 29:05
  Speaker 1: But I snatched away my hand and gave a cry.
• 29:08
  Speaker 1: What I had touched was cold and at the same
• 29:11
  Speaker 1: time bony, and I remembered that his hands smelt of death.
• 29:15
  Speaker 1: Oh forgive me, he moaned, and he opened a door
• 29:19
  Speaker 1: before me. This is my bedroom. If you care to
• 29:22
  Speaker 1: see it, it is rather curious. His manners, his words,
• 29:27
  Speaker 1: his attitude gave me confidence, and I went in without hesitation.
• 29:31
  Speaker 1: I felt as if I were entering the room of
• 29:33
  Speaker 1: a dead person. The walls were all hung with black,
• 29:36
  Speaker 1: but instead of the white trimmings that usually set off
• 29:40
  Speaker 1: that funereal upholstery, there was an enormoust have of music,
• 29:44
  Speaker 1: with the notes of the d'aseirae many times repeated. In
• 29:49
  Speaker 1: the middle of the room was a canopy from which
• 29:52
  Speaker 1: hung curtains of red brocaded stuff, and under the canopy
• 29:56
  Speaker 1: an open coffin. That is where I sleep, said Eric.
• 30:01
  Speaker 1: One has to get used to everything in life, even
• 30:04
  Speaker 1: to eternity. The sight upset me so much that I
• 30:08
  Speaker 1: turned away my head. Then I saw the keyboard of
• 30:12
  Speaker 1: an organ, which filled one whole side of the walls.
• 30:15
  Speaker 1: On the desk was a music book covered with red notes.
• 30:19
  Speaker 1: I asked, leave to look at it and read Don
• 30:22
  Speaker 1: Juan Triumphant. Yes, he said, I compose sometimes. I began
• 30:29
  Speaker 1: that work twenty years ago. When I have finished, I
• 30:32
  Speaker 1: shall take it away with me in that coffin and
• 30:35
  Speaker 1: never wake up again. You must work at it as
• 30:39
  Speaker 1: seldom as you can, I said. He replied, I sometimes
• 30:43
  Speaker 1: work at it for fourteen days and nights together, during
• 30:48
  Speaker 1: which I live on music only, and then I rest
• 30:51
  Speaker 1: for years at a time. Will you play me something
• 30:55
  Speaker 1: out of your don Juan Triumphant, I asked, thinking to
• 30:58
  Speaker 1: please him. You mustn't never ask me that, he said,
• 31:03
  Speaker 1: in a gloomy voice. I will play you Mozart if
• 31:06
  Speaker 1: you like, which will only make you weep. But my
• 31:09
  Speaker 1: Don Juan Christine burns, and yet he is not struck
• 31:14
  Speaker 1: by fire, from heaven. Thereupon we returned to the drawing room.
• 31:19
  Speaker 1: I noticed that there was no mirror in the entire apartment.
• 31:23
  Speaker 1: I was going to remark upon this, but Eric had
• 31:26
  Speaker 1: already sat down to the piano. He said, you see, Christine,
• 31:31
  Speaker 1: there is some music that is so terrible that it
• 31:34
  Speaker 1: consumes all those who approach it. Fortunately you have not
• 31:38
  Speaker 1: come to that music yet, for you would lose all
• 31:42
  Speaker 1: your pretty coloring, and nobody would know you when you
• 31:45
  Speaker 1: returned to Paris. Let us sing something from the opera
• 31:49
  Speaker 1: Christine Day. He spoke these last words as though he
• 31:53
  Speaker 1: were flinging an insult at me. What did you do?
• 31:57
  Speaker 1: I had no time to think about the meaning he
• 32:00
  Speaker 1: put into his words. We at once began the duet
• 32:03
  Speaker 1: in Othello, and already the catastrophe was upon us. I
• 32:07
  Speaker 1: sang Asdemona with a despair, a terror which I had
• 32:10
  Speaker 1: never displayed before. As for him, his voice thundered forth,
• 32:16
  Speaker 1: his revengeful soul at every note. Loved, jealousy, hatred burst
• 32:22
  Speaker 1: out around us in harrowing cries. Eric's black mask made
• 32:27
  Speaker 1: me think of the natural mask of the moor of Venice.
• 32:30
  Speaker 1: He was Othello himself. Suddenly I felt in need to
• 32:34
  Speaker 1: see beneath the mask. I wanted to know the face
• 32:37
  Speaker 1: of the voice. And with a movement which I was
• 32:40
  Speaker 1: utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror.
• 32:49
  Speaker 1: Christine stopped at the thought of the vision that had
• 32:52
  Speaker 1: scared her, while the echoes of the night, which had
• 32:55
  Speaker 1: repeated the name of Eric now thrice, moaned the cry horror, horror, horror.
• 33:04
  Speaker 1: Raoul and Christine, clasping each other closely, raised their eyes
• 33:08
  Speaker 1: to the stars that shone in a clear and peaceful sky.
• 33:12
  Speaker 1: Raoul said strange Christine, that this calm, soft night should
• 33:17
  Speaker 1: be so full of plaintive sounds, one would think that
• 33:21
  Speaker 1: it was sorrowing with us. When you know the secret, Raoul,
• 33:25
  Speaker 1: your ears, like mine, will be full of lamentations. She
• 33:30
  Speaker 1: took Raoul's protecting hands in hers, and with a long shiver, continued, Yes,
• 33:36
  Speaker 1: if I live to be a hundred, I should always
• 33:39
  Speaker 1: hear the superhuman cry of grief and rage, which he
• 33:42
  Speaker 1: uttered when the terrible sight appeared before my eyes. Raoul,
• 33:47
  Speaker 1: you have seen death's heads when they have been dried
• 33:50
  Speaker 1: and withered by the centuries, And perhaps if you were
• 33:53
  Speaker 1: not the victim of a nightmare. You saw his death's
• 33:56
  Speaker 1: head at perils, and then you saw Red Death stalking
• 33:59
  Speaker 1: about at the last masked ball. But all those Death's
• 34:03
  Speaker 1: heads were motionless, and their dumb horror was not alive.
• 34:07
  Speaker 1: But imagine, if you can, Red Death's mask suddenly coming
• 34:12
  Speaker 1: to life in order to express with the four black
• 34:15
  Speaker 1: holes of its eyes, its nose, and its mouth, the
• 34:18
  Speaker 1: extreme anger, the mighty fury of a demon. And not
• 34:22
  Speaker 1: a ray of light from the sockets, for, as I
• 34:25
  Speaker 1: learn later, you cannot see his blazing eyes except in
• 34:30
  Speaker 1: the dark. I fell back against the wall, and he
• 34:33
  Speaker 1: came up to me, grinding his teeth, And as I
• 34:36
  Speaker 1: fell upon my knees, he hissed mad incoherent words, and
• 34:40
  Speaker 1: curses at me. Leaning over me, he cried, luk, you
• 34:45
  Speaker 1: want to see see feast your eyes, glut your soul
• 34:51
  Speaker 1: on my cursed ugliness. Look at Eric's face, now you
• 34:55
  Speaker 1: know the face of the voise. You were not con
• 35:00
  Speaker 1: tent to hear me. Ah, you wanted to know what
• 35:03
  Speaker 1: I look like. Oh, you women are so inquisitive. Well
• 35:09
  Speaker 1: are you satisfied I'm a very good looking fellow. Eh,
• 35:13
  Speaker 1: when a woman has seen me as you have. She
• 35:16
  Speaker 1: belongs to me. She loves me forever. I am a
• 35:19
  Speaker 1: kind of don Juan, you know. And drawing himself up
• 35:23
  Speaker 1: to his full height with his hand on his hip,
• 35:27
  Speaker 1: wagging the hideous thing that was his head on his shoulders,
• 35:31
  Speaker 1: he roared, luk at me, I am don Juan, triumphant.
• 35:37
  Speaker 1: And when I turned away my head and begged for mercy,
• 35:41
  Speaker 1: he drew it to him, brutally, twisting his dead fingers
• 35:44
  Speaker 1: into my hair. Enough enough, cried Raoul, I will kill
• 35:50
  Speaker 1: him in Heaven's name, Christine. Tell me where the dining
• 35:54
  Speaker 1: room on the lake is. I must kill him. Oh,
• 35:58
  Speaker 1: be quiet, Raoul. If you want to know, yes, I
• 36:03
  Speaker 1: want to know how and why you went back. I
• 36:06
  Speaker 1: must know. But in any case I will kill him. Oh, Raoul, listen, listen.
• 36:14
  Speaker 1: He dragged me by my hair, and then and then
• 36:18
  Speaker 1: oh it is too horrible. Well what out with it?
• 36:23
  Speaker 1: Exclaimed Raoul, fiercely, Out with it? Quick? Then he hissed
• 36:28
  Speaker 1: at me, Ah, I frighten you to I. I dare say,
• 36:33
  Speaker 1: perhaps you think that I have another mask, eh, and
• 36:36
  Speaker 1: that this this my head is a mask. Well tear
• 36:40
  Speaker 1: it off as you did the other. Come come along
• 36:43
  Speaker 1: I insist your hands, your hands, give me your hands,
• 36:49
  Speaker 1: and he seized my hands and dug them into his
• 36:52
  Speaker 1: awful face. He tore his flesh with my nails, tore
• 36:56
  Speaker 1: his terrible dead flesh with my nails. No, oh, he shouted,
• 37:01
  Speaker 1: while his throat throbbed and panted like a furnace. Know
• 37:05
  Speaker 1: that I am built up of death from head to foot,
• 37:08
  Speaker 1: and that it is a corpse that loves you and
• 37:11
  Speaker 1: adores you, and will never never leave you. Luck I
• 37:15
  Speaker 1: am not laughing now. I am crying, crying for you, Christine,
• 37:21
  Speaker 1: who have torn off my mask, and who therefore can
• 37:24
  Speaker 1: never leave me again. As long as you thought me handsome,
• 37:29
  Speaker 1: you could have come back. I know you would have
• 37:33
  Speaker 1: come back, But now that you know my hideousness, you
• 37:37
  Speaker 1: would run away for good. So I shall keep you here.
• 37:41
  Speaker 1: Why did you want to see me, oh, mad Christine,
• 37:45
  Speaker 1: who wanted to see me when my own father never
• 37:48
  Speaker 1: saw me, and when my mother, so as not to
• 37:51
  Speaker 1: see me, made me a present of my first mask.
• 37:55
  Speaker 1: He had let go of me at last, and was
• 37:57
  Speaker 1: dragging himself about on the floor, uttering terrible sobs, And
• 38:02
  Speaker 1: then he crawled away like a snake, went into his room,
• 38:06
  Speaker 1: closed the door and left me alone to my reflections.
• 38:10
  Speaker 1: Presently I heard the sound of the organ, and then
• 38:13
  Speaker 1: I began to understand Eric's contemptuous phrase when he spoke
• 38:17
  Speaker 1: about opera music. What I now heard was utterly different
• 38:21
  Speaker 1: from what I had heard up to them. His Donjuan triumphant,
• 38:25
  Speaker 1: for I had not a doubt but that he had
• 38:28
  Speaker 1: rushed to his masterpiece to forget the horror of the
• 38:30
  Speaker 1: moment seemed to me at first one long, awful, magnificent sob.
• 38:37
  Speaker 1: But as little by little it expressed every emotion, every
• 38:41
  Speaker 1: suffering of which mankind is capable, it intoxicated me, and
• 38:46
  Speaker 1: I opened the door that separated us. Eric rose as
• 38:50
  Speaker 1: I entered, but dared not turn in my direction. Eric,
• 38:54
  Speaker 1: I cried, show me your face without fear. I swear
• 38:59
  Speaker 1: that you are the most unhappy and sublime of men.
• 39:03
  Speaker 1: And if ever again I shiver when I look at you,
• 39:06
  Speaker 1: it will be because I am thinking of the splendor
• 39:09
  Speaker 1: of your genius. Then Erik turned round, for he believed me,
• 39:13
  Speaker 1: and I also had faith in myself. He fell at
• 39:16
  Speaker 1: my feet with words of love, with words of love
• 39:20
  Speaker 1: in his dead mouth, and the music had ceased, he
• 39:25
  Speaker 1: kissed the hem of my dress, and did not see
• 39:28
  Speaker 1: that I closed my eyes. What more can I tell you, dear,
• 39:33
  Speaker 1: You now know the tragedy. It went on for a fortnight,
• 39:37
  Speaker 1: a fortnight during which I lied to him. My lies
• 39:40
  Speaker 1: were as hideous as the monster who inspired them, but
• 39:44
  Speaker 1: they were the price of my liberty. I burned his mask,
• 39:48
  Speaker 1: and I managed so well that even when he was
• 39:51
  Speaker 1: not singing, he tried to catch my eye, like a
• 39:54
  Speaker 1: dog sitting by its master. He was my faithful slave
• 39:58
  Speaker 1: and paid me endless little attentions. Gradually I gave him
• 40:02
  Speaker 1: such confidence that he ventured to take me walking on
• 40:05
  Speaker 1: the banks of the lake, and to row me in
• 40:07
  Speaker 1: the boat on its leaden waters. Toward the end of
• 40:10
  Speaker 1: my captivity, he let me out through the gates that
• 40:13
  Speaker 1: closed the underground passages in the Ruse gribe. Here a
• 40:17
  Speaker 1: carriage awaited us and took us to the bois. The
• 40:20
  Speaker 1: night when we met you was nearly fatal to me,
• 40:23
  Speaker 1: for he is terribly jealous of you, and I had
• 40:26
  Speaker 1: to tell him that you were soon going away. Then,
• 40:29
  Speaker 1: at last, after a fortnight of that horrible captivity, during
• 40:33
  Speaker 1: which I was filled with pity, enthusiasm, despair, and horror,
• 40:37
  Speaker 1: by turns. He believed me when I said I will
• 40:41
  Speaker 1: come back, and you went back. Christine groaned, Raoul, Yes, dear,
• 40:48
  Speaker 1: and I must tell you that it was not his
• 40:50
  Speaker 1: frightful threats when setting me free that helped me to
• 40:53
  Speaker 1: keep my word, but the harrowing sob which he gave
• 40:57
  Speaker 1: on the threshold of the tomb. That's ab attached me
• 41:01
  Speaker 1: to the unfortunate man more than I myself suspected. When
• 41:05
  Speaker 1: saying good bye to him, Poor Eric, Poor Eric, Christine said, Raoul, rising,
• 41:13
  Speaker 1: you tell me that you love me, but you had
• 41:16
  Speaker 1: recovered your liberty hardly a few hours before you returned
• 41:19
  Speaker 1: to Eric. Remember the masked ball? Yes? And do you
• 41:24
  Speaker 1: remember those hours I passed with you, Raoul, to the
• 41:28
  Speaker 1: great danger of both of us. I doubted your love
• 41:31
  Speaker 1: for me during those hours. Do you doubt it still? Raoul? Then?
• 41:36
  Speaker 1: Know that each of my visits to Erik increased my
• 41:39
  Speaker 1: horror of him. For each of those visits, instead of
• 41:42
  Speaker 1: calming him as I hoped, made him mad with love.
• 41:45
  Speaker 1: And I am so frightened, so frightened, you are frightened.
• 41:50
  Speaker 1: But do you love me? If Eric were good looking,
• 41:54
  Speaker 1: would you love me? Christine? She rose in her turn
• 41:58
  Speaker 1: put her too trembling arms round the young man's neck,
• 42:01
  Speaker 1: and said, all my betrothed, of a day, if I
• 42:04
  Speaker 1: did not love you, I would not give you my lips.
• 42:08
  Speaker 1: Take them for the first time and the last. He
• 42:12
  Speaker 1: kissed her lips. But the night that surrounded them was
• 42:15
  Speaker 1: rent asunder. They fled as at the approach of a storm,
• 42:19
  Speaker 1: and their eyes filled with dread of Eric showed them
• 42:23
  Speaker 1: before they disappeared. High up above them an immense night
• 42:26
  Speaker 1: bird that stared at them with its blazing eyes and
• 42:30
  Speaker 1: seemed to cling to the string of Apollo's lyre. End
• 42:35
  Speaker 1: of Chapter twelve.