Latest / Repcolite Home Improvement Show / The Studley Tool Chest; The Invention of the Roller Cover; Choosing the Right Roller Cover
Transcript
- 0:02Speaker 1: Well, good morning everybody. You're listening to the Ripkele Light
- 0:04Speaker 1: Home improvement show sponsored by Benjamin Moore. I'm Dan Hansen,
- 0:08Speaker 1: and before I say anything else, I've got to introduce
- 0:12Speaker 1: or I'm not introducing anything. Good grief. What a big
- 0:17Speaker 1: letdown that is. I was building to such brilliant, such
- 0:21Speaker 1: an exciting announcement, and I've already messed it up. I
- 0:24Speaker 1: want to announce that this is our four hundredth episode,
- 0:29Speaker 1: four hundred times I've started the show, and I still
- 0:32Speaker 1: can't do it right. Yeah, that's what I've really just
- 0:36Speaker 1: shown myself. So my whole plan is kind of thrown off. Anyway.
- 0:42Speaker 1: We're not going to celebrate. We're not going to really
- 0:44Speaker 1: do anything. It's kind of a letdown. I did want
- 0:47Speaker 1: to announce it, and I should have had a plan.
- 0:49Speaker 1: That's what I should have done. I should have gotten,
- 0:51Speaker 1: you know, some special guests. I should have gotten the
- 0:55Speaker 1: famous people who listen, you know regularly, who listen on
- 1:00Speaker 1: the podcast. I'm sure there's got to be some of them, right,
- 1:03Speaker 1: you know, they could have all checked in, Tom Cruise,
- 1:07Speaker 1: Paul McCartney, mom, you know, the people who catch it
- 1:12Speaker 1: every week, the big names out there, but I didn't
- 1:15Speaker 1: think to do any of that, didn't think about it
- 1:17Speaker 1: at all. So we're going to just imagine that all
- 1:20Speaker 1: of these A listers and mom are calling in and
- 1:23Speaker 1: sending me their greetings. They're thanking me, you know, Paul McCartney,
- 1:28Speaker 1: thanking me for all the knowledge that we've instilled, you know,
- 1:33Speaker 1: the thinking repcol like thanking Betsy, thanking Haley, thanking all
- 1:36Speaker 1: of us for all this knowledge that we've instilled over
- 1:39Speaker 1: the course of four hundred episodes. You know, let's imagine
- 1:42Speaker 1: that we're getting all this things and think about that
- 1:44Speaker 1: four hundred episodes. That's eight years worth of stuff that
- 1:48Speaker 1: we've been doing it And when you do the math,
- 1:51Speaker 1: it's pretty crazy. At about forty minutes an episode, that's
- 1:54Speaker 1: about two hundred and sixty seven hours of stuff. I
- 1:58Speaker 1: mean good stuff, I mean the best. It's good. It's good.
- 2:02Speaker 1: We always do that it's not the best, but it's
- 2:05Speaker 1: not the worst. It's good stuff. Two hundred and sixty
- 2:09Speaker 1: seven hours of good stuff. And that means if you
- 2:11Speaker 1: would think about this, if you'd listen for eight hours
- 2:13Speaker 1: a day while you were at work, you know, just
- 2:15Speaker 1: on workdays, you could start an episode on March seventeen,
- 2:18Speaker 1: this coming Monday, and you wouldn't be done listening until
- 2:22Speaker 1: April thirty. Think about that. Eight hour days April thirty
- 2:29Speaker 1: from March seventeen you could listen. That's a lot of shows.
- 2:31Speaker 1: And if you do want to catch some of them,
- 2:33Speaker 1: you can go to repco light dot com and you'll
- 2:35Speaker 1: find a show archive there, and there's also a tab
- 2:38Speaker 1: rite on the page where you could click that and
- 2:41Speaker 1: subscribe to the podcast, and if you do that, you'll
- 2:43Speaker 1: never miss another episode. I mean, who knows how many
- 2:46Speaker 1: more are in the can. Maybe there's four hundred more
- 2:49Speaker 1: just waiting to be released, we don't know. Go check
- 2:52Speaker 1: it out, enjoy some of those past episodes. There's a
- 2:55Speaker 1: lot of good stuff out there. Check it out. All Right,
- 2:57Speaker 1: that's enough of that, Way too much time spent on that.
- 3:00Speaker 1: Let's get onto the stuff that I've got planned for today.
- 3:03Speaker 1: And today is actually going to be kind of a
- 3:05Speaker 1: history day on the show. I've got two particular segments
- 3:08Speaker 1: that focus on some historical stuff and I'm pretty excited
- 3:11Speaker 1: about it. We're going to look at the invention of
- 3:14Speaker 1: paint rollers, you know, where they came from, which is
- 3:16Speaker 1: surprisingly pretty you know, pretty sad. It's a sad little story,
- 3:21Speaker 1: could almost be a Hallmark movie with sad vibes. It's
- 3:25Speaker 1: going to get you right in the fields. I promise
- 3:27Speaker 1: you that you're gonna like it. We'll talk about that,
- 3:29Speaker 1: and then we'll talk about roller covers themselves, which ones
- 3:32Speaker 1: you should use in which situation. All of that is
- 3:35Speaker 1: coming up, but right now, let's get to the other
- 3:38Speaker 1: major historical segment that I've got for the day. And
- 3:41Speaker 1: a couple of months ago, I ran into a photo
- 3:43Speaker 1: online that caught my attention, and it was a wooden box.
- 3:47Speaker 1: It was opened up, it was displayed on a tabletop
- 3:50Speaker 1: and in the box. At my first glance, you know,
- 3:52Speaker 1: as I just scanned over the picture, at my first glance,
- 3:56Speaker 1: I saw hundreds and hundreds of gadgets and gizmos all
- 3:59Speaker 1: laid out and displayed to perfection in this box. You know,
- 4:03Speaker 1: the thing looked amazing and I wanted to go get one,
- 4:06Speaker 1: and I wanted to put it on a stand in
- 4:08Speaker 1: the hallway of my home. It was beautiful enough to
- 4:11Speaker 1: be home decorps, you know, in my house. At least
- 4:14Speaker 1: it would have fit. It would have worked. So that
- 4:16Speaker 1: picture caught my eye. But when I read about it.
- 4:18Speaker 1: I was really surprised to learn the full story of
- 4:21Speaker 1: this item. It was the h O. Studley tool chest.
- 4:25Speaker 1: That's really the guy's name Studley. I mean, there's so
- 4:28Speaker 1: many jokes that I could make, but times of the
- 4:31Speaker 1: essence here. So I can't dwell on the fact that
- 4:34Speaker 1: Studley is a name I'm going to say over and
- 4:36Speaker 1: over again without even once besides right now referring to
- 4:40Speaker 1: myself and my nickname in high school Studley. Anyway, h O. Studley.
- 4:47Speaker 1: He made this tool chest, and it's actually one of
- 4:49Speaker 1: the most incredible That wasn't my nickname in high school.
- 4:53Speaker 1: I mean, that's a ridiculous lie. I can't go go
- 4:56Speaker 1: further without explaining that, so I apologize for having to
- 5:01Speaker 1: take a quick break to apologize. But that was completely false.
- 5:04Speaker 1: Anybody who knows me and they probably switched off the
- 5:06Speaker 1: radio because it was that ridiculous. Whatever the opposite of Studley,
- 5:10Speaker 1: that was my nickname in high school? All right, Anyway,
- 5:14Speaker 1: this HO Studley's tool chest one of the most incredible
- 5:17Speaker 1: feats of craftsmanship ever built. It's so intricate, so precise,
- 5:21Speaker 1: so mind blowingly beautiful that it's become legendary so let's
- 5:25Speaker 1: talk about that. Let's start with the man behind the piece,
- 5:28Speaker 1: mister Studley himself. I wonder what his nickname in high
- 5:31Speaker 1: school was anyway, Who was Ho Studley? Well, he was
- 5:35Speaker 1: born in eighteen thirty eight in Lowell, Massachusetts, and he
- 5:38Speaker 1: wore a lot of different hats. He was a carpenter,
- 5:40Speaker 1: a mason. Most notably, he was a piano and organ maker.
- 5:44Speaker 1: But most likely before all of that, when Studley was
- 5:47Speaker 1: twenty three, the Civil War broke out. We don't have
- 5:50Speaker 1: a lot of definitive information about him during this period.
- 5:53Speaker 1: It's a little bit frustrating, but it's generally thought that
- 5:56Speaker 1: he served with the fifteenth Massachusetts Volunteer Infantry. The fifteenth
- 6:00Speaker 1: Massachusetts saw significant action, we know that much, and if
- 6:04Speaker 1: Studley was indeed with them, his experience in the war
- 6:08Speaker 1: would have been pretty intense. That particular unit saw a
- 6:11Speaker 1: lot of different engagements throughout the war, a lot of
- 6:14Speaker 1: heavy fighting, a lot of heavy casualties in that particular unit. Now,
- 6:19Speaker 1: what we do know for sure is that Studley was
- 6:21Speaker 1: captured and was taken prisoner during the Battle of Galveston
- 6:25Speaker 1: on January one of eighteen sixty three in Texas and
- 6:28Speaker 1: this battle involved Union forces, including Massachusetts troops, so does
- 6:32Speaker 1: seem like he might have been in that group. They
- 6:35Speaker 1: were all attempting to hold this port against the Confederate counterattack.
- 6:38Speaker 1: The Union lost in that particular battle, and many soldiers,
- 6:41Speaker 1: including Studley, were captured. Now, after Studley's capture, he spent
- 6:46Speaker 1: time as a prisoner of war, but details you know
- 6:49Speaker 1: about where he was and how long he was held
- 6:52Speaker 1: there are pretty scarce. He was likely paroled or exchanged
- 6:56Speaker 1: later in eighteen sixty three, and then he returned to
- 6:59Speaker 1: Massachusett It's after the war, and ended up presuming civilian life,
- 7:03Speaker 1: And that's when he likely began or at least fine
- 7:06Speaker 1: tuned his skills as a carpenter and mason and eventually
- 7:10Speaker 1: as a piano maker when he joined the Pool Piano
- 7:12Speaker 1: Company in Boston. Now, this is where things get interesting,
- 7:16Speaker 1: you know, not that none of that was interesting, but
- 7:18Speaker 1: here's where it gets, you know, interesting to the story
- 7:20Speaker 1: that I want to talk about. Sometime between eighteen ninety
- 7:23Speaker 1: and nineteen twenty, we don't have an exec date, but
- 7:26Speaker 1: sometime in there, while he's working on pianos and all
- 7:29Speaker 1: of that, he also begins to build and pour his
- 7:32Speaker 1: heart into this personal project. A tool chest that's not
- 7:35Speaker 1: just a toolbox, but literally a work of art. Now,
- 7:38Speaker 1: if you've never seen this Studley tool chest, this ho
- 7:42Speaker 1: Studley toolchest, I should call it that. If you haven't
- 7:45Speaker 1: seen it, you need to google it and go check
- 7:48Speaker 1: it out. It's amazing. When it's closed, it's about twenty
- 7:51Speaker 1: by forty inches, it's roughly the size of a big
- 7:54Speaker 1: wall cabinet. When it's opened up, it unfolds to forty
- 7:58Speaker 1: by forty and it reveals this incredible interior. You know,
- 8:01Speaker 1: inside this mahogany box decked out with rosewood, with ebony,
- 8:04Speaker 1: with mother of pearl inlays. Studley somehow fits three hundred tools.
- 8:09Speaker 1: Three hundred and we're not talking just random junk here.
- 8:12Speaker 1: These are precision woodworking tools. Some of them he bought,
- 8:15Speaker 1: some of them he made himself. Now, the craftsmanship of
- 8:18Speaker 1: this box, this tool chest is absolutely next level. You've
- 8:21Speaker 1: got to check it out. Empty, when there's nothing, Empty,
- 8:26Speaker 1: when there's nothing in it. Four hundred episodes, and I'm
- 8:30Speaker 1: you know, that's what you got. This is what happens
- 8:33Speaker 1: when you pay to be on the air. I pay
- 8:36Speaker 1: to be on the air, so I'm allowed to do
- 8:38Speaker 1: things like that. The chest weighs seventy two pounds when empty,
- 8:41Speaker 1: that's what I was trying to get at one hundred
- 8:43Speaker 1: and fifty six pounds when loaded. So it's it's a
- 8:46Speaker 1: heck of a thing to move around. You need a
- 8:48Speaker 1: team of people or just one really beefy guy who
- 8:52Speaker 1: can do it. Either way, it wasn't just super easy
- 8:55Speaker 1: to move. Studley had you know, I've seen pictures of them.
- 8:58Speaker 1: Studley had to have helpante it. His nickname in high
- 9:01Speaker 1: school probably wasn't Studley either. Anyway. He's designed this thing
- 9:05Speaker 1: to hang on a wall. It opens like a book.
- 9:08Speaker 1: It's got these clever little hinges all of that. It's
- 9:11Speaker 1: really cool. Every little tool in there has its own
- 9:13Speaker 1: custom spot, you know, so think hidden compartments, flip up
- 9:16Speaker 1: trays and layers that all nest together. It's almost like
- 9:20Speaker 1: this three D puzzle thing. You know, you push a
- 9:22Speaker 1: tool in and it clicks into place. Even now you
- 9:26Speaker 1: know it's one hundred years old or so or more,
- 9:28Speaker 1: and the tools still click into place. It's so tight.
- 9:31Speaker 1: There's absolutely no waste in space. Now. I was listening
- 9:34Speaker 1: to craftsmen who's seen it in person, and it was
- 9:37Speaker 1: really interesting. They're talking about how in pretty much every
- 9:40Speaker 1: woodworking project you can look at the end results and
- 9:43Speaker 1: if you're skilled enough in the craft, you can find
- 9:46Speaker 1: you know, all the imperfections, the places where the woodworkers humanity,
- 9:50Speaker 1: you know, kind of shows through the mistakes, you know,
- 9:52Speaker 1: the imperfections that are in everything. They're talking about how
- 9:56Speaker 1: you can see those, and then they say, well, the
- 10:00Speaker 1: affections are in almost everything. Because these same people were
- 10:03Speaker 1: talking about this particular toolchest, the Aho Studley toolchest, and
- 10:07Speaker 1: they were saying that you could spend you know, basically
- 10:10Speaker 1: a lifetime looking over this toolchest that Studley built, and
- 10:14Speaker 1: you wouldn't find a mistake. It's the perfection of the craft.
- 10:17Speaker 1: It's that cool, and I think you're probably picking it up.
- 10:21Speaker 1: But it's not just a beautifully functional piece. You know,
- 10:24Speaker 1: everything's in the right place and all of that, and
- 10:26Speaker 1: it functions really well as a toolchest. It does, and
- 10:29Speaker 1: that part's beautiful, but it's also esthetically beautiful. The inlays
- 10:33Speaker 1: of ivory and mother of pearl, you know they screen
- 10:35Speaker 1: piano maker. You know clearly that was a part of
- 10:39Speaker 1: this that he brought into it, you know, a part
- 10:40Speaker 1: of his his skill that he brought into this. There's
- 10:43Speaker 1: this Victorian flair to it when you look at it.
- 10:45Speaker 1: When you see it, it really does look like a
- 10:48Speaker 1: work of art. You know, clearly Studley was flexing a
- 10:51Speaker 1: little bit and showing off all of his skills. And
- 10:53Speaker 1: he didn't do this because he had all kinds of
- 10:56Speaker 1: extra time on his hands. You know, this was a
- 10:58Speaker 1: statement piece. You know, even today, with all of our
- 11:00Speaker 1: modern storage solutions, peg boards, rolling cabinets, laser cut foam inserts,
- 11:05Speaker 1: things like that, you really be hard pressed to find
- 11:08Speaker 1: something as beautifully functional as what Studley created. I love
- 11:12Speaker 1: that name. What Studley created by hand over a century ago.
- 11:17Speaker 1: So really cool stuff. But what in the world does
- 11:20Speaker 1: all of that have to do with us right now? Well,
- 11:22Speaker 1: I think there are some real cool lessons in here
- 11:24Speaker 1: for anybody who tackles DIY or home improvement projects, or
- 11:28Speaker 1: honestly just lives in a house. I mean, there's a
- 11:31Speaker 1: lot of good stuff here, and we're going to get
- 11:32Speaker 1: to those after the break. And while we are on break,
- 11:35Speaker 1: check out the Studeley Toolchest online. Just a couple of
- 11:38Speaker 1: quick photos is really all you need to see what
- 11:42Speaker 1: I'm talking about and how cool it is. So check
- 11:44Speaker 1: that out and we'll be right back in just a minute.
- 11:46Speaker 1: And stick around, and we're back here listening to the
- 11:55Speaker 1: Repcolite home improvement show sponsored by Benjamin Moore. And we
- 11:58Speaker 1: just finished talking about h Oh Studley, a mason, a carpenter,
- 12:03Speaker 1: an organ and piano maker, a guy with a crazy
- 12:06Speaker 1: cool nickname. He lived between eighteen thirty eight and nineteen
- 12:10Speaker 1: twenty five. We just finished talking about him and this
- 12:13Speaker 1: magnificent work of art toolchest that he built. And I'm
- 12:17Speaker 1: not just throwing that phrase around lightly. You know, work
- 12:20Speaker 1: of art toolchest. Studley's toolchest spends time in the Smithsonian
- 12:24Speaker 1: on exhibit because it really is an amazing achievement of
- 12:27Speaker 1: skill and engineering and dedication to the woodworking craft. So
- 12:32Speaker 1: check it out online. You know, if you haven't googled
- 12:34Speaker 1: it already, google it, the Studley Toolchest. It's worth it.
- 12:38Speaker 1: Check it out right now, let's dig a little deeper
- 12:40Speaker 1: into it. I love these historical stories, you know, these
- 12:43Speaker 1: deep dives into people and events and tools and all
- 12:46Speaker 1: of that. But what makes them really entertaining for me
- 12:48Speaker 1: is what we can learn, I guess is the best
- 12:51Speaker 1: way to say it. What lessons we can pull from
- 12:54Speaker 1: these you know, these these stories. So let's do that here.
- 12:57Speaker 1: What can we as everyday people who probably don't have
- 12:59Speaker 1: this skills or the crazy cool nickname of ho Studley.
- 13:04Speaker 1: What can we learn from him and put into practice
- 13:06Speaker 1: right now? Well, here's one quality over quantity. Studley passed
- 13:10Speaker 1: away one hundred years ago or so, just over that,
- 13:13Speaker 1: and yet the tools in that chest, that tool chest
- 13:15Speaker 1: would still be considered high quality, remarkable pieces today, even
- 13:20Speaker 1: after a century. Now. I used to buy cheap tools
- 13:23Speaker 1: all the time, and I broke them, you know, all
- 13:25Speaker 1: the time. They just didn't hold up. But over the years,
- 13:28Speaker 1: I've kind of changed my philosophy. As I've matured, I've
- 13:31Speaker 1: become wiser. I've started investing in higher quality tools. And
- 13:35Speaker 1: they're not only just lasting longer, which is great, they're
- 13:38Speaker 1: also performing better, which is even more important to me,
- 13:42Speaker 1: you know, And that's something that can be difficult to
- 13:43Speaker 1: wrap your brain around if you're new to buying tools.
- 13:46Speaker 1: You know, a hammer's a hammer, right, Well, no, it's not.
- 13:49Speaker 1: A good hammer. Literally does feel different in your hand,
- 13:53Speaker 1: it functions differently, it lasts longer, but it also does
- 13:56Speaker 1: its job better. And the same is true for pretty
- 13:59Speaker 1: much everything. Saws, power tools, you name it. Now. If
- 14:03Speaker 1: it's a tool that you're only going to use once
- 14:04Speaker 1: in a while, sure go for the budget option. But
- 14:07Speaker 1: if it's something that you're going to reach for regularly,
- 14:09Speaker 1: don't skimp on it. And that brings me to paint. Yeah,
- 14:12Speaker 1: a lot of people assume that paint is paint, that
- 14:15Speaker 1: there's no real difference between brands or quality levels. It's
- 14:19Speaker 1: just liquid in a can, right, can't be that different.
- 14:22Speaker 1: But just like with tools, the difference really can be
- 14:24Speaker 1: huge between different products. High quality paint doesn't just look
- 14:28Speaker 1: better for longer. It's easier to work with. It applies smoother,
- 14:32Speaker 1: it levels better, it spatters less, It covers and hides better.
- 14:36Speaker 1: If you've hated painting projects in the past and just
- 14:38Speaker 1: felt like you're not good at it and you struggled
- 14:41Speaker 1: through it, there's a really good chance you'll think about
- 14:44Speaker 1: what paint you used. Did you use a high quality
- 14:46Speaker 1: paint or did you cheap out and buy something that
- 14:49Speaker 1: might not have been the best product out there. When
- 14:52Speaker 1: you use a better product, the whole process goes more smoothly,
- 14:56Speaker 1: You enjoy it better. You know, when you talk to
- 14:58Speaker 1: people who like painting and we all know those people.
- 15:01Speaker 1: You know some of us are those people, but you
- 15:03Speaker 1: definitely know that you've talked to people who just love
- 15:05Speaker 1: tackling that next project. Ask them what they're using. They're
- 15:09Speaker 1: going to be using higher quality paints. So a Brepcolite product,
- 15:12Speaker 1: a Benjamin Moore product, it's going to make your project
- 15:15Speaker 1: easier and you're going to enjoy it better. So quality matters,
- 15:18Speaker 1: that's the bottom line. Whether you're talking tools, paint, furniture, whatever.
- 15:22Speaker 1: It's tempting to go cheap, but investing in better materials
- 15:25Speaker 1: pays off in the long run. So that's one lesson
- 15:27Speaker 1: that we can learn from mister Studley and his tool chest.
- 15:30Speaker 1: A second lesson organization matters. You know, if you've ever
- 15:33Speaker 1: spent twenty minutes digging through a messy toolbox for a screwdriver,
- 15:37Speaker 1: you know the value of organization. Studley's toolchest, it's not
- 15:41Speaker 1: just about beauty, it's also about efficiency. You know, everything
- 15:44Speaker 1: has a place, and that made him more productive. So
- 15:47Speaker 1: for any home project, taking the time to organize your workspace,
- 15:50Speaker 1: you know, whether it's a garage, a kitchen, you know,
- 15:52Speaker 1: even your junk drawer. Take that time and it's going
- 15:54Speaker 1: to make your life so much easier. Another good lesson.
- 15:57Speaker 1: Third lesson, take pride in your work. Give yourself a break. Now.
- 16:01Speaker 1: I love this one because it's kind of like a
- 16:03Speaker 1: two fur you know, it's two lessons in one. Studley
- 16:06Speaker 1: didn't have to make his toolchest a masterpiece, but he did,
- 16:09Speaker 1: and he did that because craftsmanship and all of that
- 16:12Speaker 1: really mattered to him. He was trying to make a
- 16:14Speaker 1: statement piece here, and that mindset is pretty exciting. It's inspiring.
- 16:18Speaker 1: It's something that it's worth embracing. Whether you're painting a room,
- 16:21Speaker 1: building a deck, fixing a cabinet door, whatever you're doing,
- 16:24Speaker 1: doing a job well, even if nobody notices, it really
- 16:28Speaker 1: does bring real satisfaction. And remember, here's the second part,
- 16:32Speaker 1: to give yourself a break, so you actually can pull
- 16:35Speaker 1: all of that off. You know, what I'm getting at
- 16:37Speaker 1: here is that we live and die by schedules. We're
- 16:39Speaker 1: driven to check things off of our little lists and
- 16:42Speaker 1: move on. And that's not bad, you know, that's a
- 16:44Speaker 1: good thing. Procrastination isn't the goal, That's not what I'm after.
- 16:47Speaker 1: But Studley's toolchest, Remember this thing took years for him
- 16:51Speaker 1: to perfect, So don't let self imposed deadlines push you
- 16:55Speaker 1: to cut corners. You know, that's where schedules and deadlines
- 16:58Speaker 1: really are our littles and their counterproductive. Don't let them
- 17:02Speaker 1: push you to cut corners, especially those self imposed ones
- 17:05Speaker 1: that really, you know, they're not grounded in any real serious,
- 17:08Speaker 1: you know reality. You know, sometimes time pressures are real
- 17:12Speaker 1: and you have to push through, But often the stress
- 17:14Speaker 1: to finish is just in our heads. You know. True
- 17:17Speaker 1: craft isn't about speed. It's about care and precision. So
- 17:20Speaker 1: when you paint, do the prep work, wash the walls, sand,
- 17:23Speaker 1: you know, fill the nail holes, let the spackle dry
- 17:26Speaker 1: before standing. That is one of my biggest, biggest struggles.
- 17:29Speaker 1: I just don't want to wait. Let the spackle dry.
- 17:32Speaker 1: Trust me, you're gonna be way happier if you do.
- 17:34Speaker 1: The results will look way better if you do. Do
- 17:37Speaker 1: all of that stuff right. Don't rush your second coat,
- 17:39Speaker 1: use tape if it helps you. Bottom line, take pride
- 17:42Speaker 1: in your work and give yourself a break so you've
- 17:44Speaker 1: got the time to take the pride in the work
- 17:46Speaker 1: all right. Lesson for small spaces can be used efficiently.
- 17:50Speaker 1: Studly fit three hundred plus tools into this little cabinet
- 17:53Speaker 1: that he built. And if that doesn't scream maximize your space.
- 17:56Speaker 1: I really don't know what does. So if you're struggling,
- 17:58Speaker 1: you know, with a tiny laundry room, maybe a cramped kitchen,
- 18:01Speaker 1: a cluttered closet, a little bathroom, Studley's tool chest proves
- 18:05Speaker 1: that smart design does make any space work better. So
- 18:08Speaker 1: creative solutions exist for you. You know, whether they're through
- 18:11Speaker 1: expert advice, you know, ready made products out there, or
- 18:14Speaker 1: just thinking outside of the box. You know you can
- 18:17Speaker 1: find these solutions. You may not achieve Studley level perfection,
- 18:21Speaker 1: but there are esthetically pleasing ways to improve any tight space.
- 18:24Speaker 1: And as we talked about a couple months ago, paint
- 18:27Speaker 1: alone can transform a space in a big way. The
- 18:29Speaker 1: right color can make any room feel bigger instantly. So
- 18:32Speaker 1: stop out at any repolite paints and let us help
- 18:34Speaker 1: you with that part of your project. You know that
- 18:36Speaker 1: alone can help you get that space feeling a little bigger.
- 18:39Speaker 1: All right, there's some lessons from the amazing tool chest
- 18:42Speaker 1: of H. O. Studley. Go check it out. It's definitely
- 18:46Speaker 1: something to dig further into. Find some pictures. All right,
- 18:49Speaker 1: let's take a break. When we come back, let's look
- 18:51Speaker 1: at the history of the roller cover that's all. Next
- 18:54Speaker 1: stick around and we're back. You're listening to the Repco
- 19:03Speaker 1: Light Home improvement show was sponsored by Benjamin Moore. And
- 19:06Speaker 1: let's talk about some great inventions, you know, life changing inventions.
- 19:10Speaker 1: I've got an invention that I want to get to,
- 19:12Speaker 1: but let's talk about or think about. There's no real
- 19:15Speaker 1: talking on the radio, there's no back and forth at
- 19:17Speaker 1: this point. Let's think about some inventions though that really
- 19:20Speaker 1: changed everything. The wheel, right, we wouldn't be driving places
- 19:24Speaker 1: without the wheel, The printing press, the steam engine, the computer,
- 19:28Speaker 1: the refrigerator, you know, freezer, stuff like that. Where would
- 19:33Speaker 1: we be without all of these things? They've really, when
- 19:36Speaker 1: you think about it, it had stunning impact on how
- 19:39Speaker 1: the world functions. A few weeks ago, I talked about
- 19:42Speaker 1: the invention of glass. In fact, it's funny, this particular
- 19:45Speaker 1: segment that I'm going to get to right now that
- 19:47Speaker 1: we're doing was supposed to take place a couple of
- 19:50Speaker 1: weeks ago, and glass was going to be my introduction,
- 19:54Speaker 1: you know, just one of the inventions that I threw
- 19:56Speaker 1: out in the introduction. But it was so interesting how
- 20:00Speaker 1: that came about and the impact that it's had on
- 20:03Speaker 1: cultures in society in general. The world turned it into
- 20:07Speaker 1: its own segments. So go back and check out the
- 20:10Speaker 1: history of glass if you want to. That's a couple
- 20:13Speaker 1: weeks back. But you know, lots of big inventions, lots
- 20:16Speaker 1: of big things that have had huge impact on the world.
- 20:19Speaker 1: The electric light bulb blah blah blah, on and on,
- 20:21Speaker 1: the flushing toilet, the indoor toilet. You know, you definitely
- 20:25Speaker 1: want to have a flushing toilet. If you have a
- 20:27Speaker 1: toilet that doesn't flush, well, that's got to be fixed.
- 20:30Speaker 1: Nobody wants that. That's an invention that will have some impact,
- 20:33Speaker 1: but it's not positive impact anyway. All of those things
- 20:36Speaker 1: are out there in the greater world. Let's look at
- 20:39Speaker 1: the world of home improvement and specifically the world of
- 20:42Speaker 1: like DIY painting. Let's really dial it in and when
- 20:45Speaker 1: we take a close look there, I think there's one
- 20:47Speaker 1: particular invention that stands out more than any other one.
- 20:52Speaker 1: And if you didn't hear the open of the show,
- 20:54Speaker 1: then maybe I will surprise you. I don't know, probably
- 20:57Speaker 1: not going to surprise you because I narrowed it down
- 20:59Speaker 1: to the the world of DIY painting. But if you
- 21:02Speaker 1: heard the open, you know that I'm talking about the
- 21:04Speaker 1: roller cover. You know, the invention of the roller cover,
- 21:07Speaker 1: and you know, the roller frame, the paint roller, that
- 21:10Speaker 1: whole thing all in one, I think is probably the biggest,
- 21:14Speaker 1: most important tool when it comes to the entire concept
- 21:17Speaker 1: in the world of DIY painting. You know, today it's
- 21:20Speaker 1: so common we hardly give it a second thought. But
- 21:22Speaker 1: when it first arrived on the scene in the nineteen forties,
- 21:26Speaker 1: it's not that old. In the nineteen forties, when it
- 21:28Speaker 1: first arrived, it was nothing short of revolutionary, you know,
- 21:31Speaker 1: And like many great innovations, it wasn't welcomed with open arms.
- 21:36Speaker 1: In fact, a group of people, a very powerful group
- 21:39Speaker 1: of people, actually stood against it and fought against it.
- 21:42Speaker 1: All right, let's go back, Let's let's tell the whole story.
- 21:44Speaker 1: Let's go back to the dark ages, you know, the
- 21:47Speaker 1: times before the roller cover existed, the times prior to
- 21:51Speaker 1: nineteen forty. Go back there in your mind. Think about
- 21:54Speaker 1: what painting was like if you've never thought about it before,
- 21:57Speaker 1: you know, think of all the times that you've used
- 21:58Speaker 1: a roller cover to do any painting at all. Think
- 22:01Speaker 1: about that, and then let it sink in that there
- 22:03Speaker 1: was a point not that long ago, really, when the
- 22:06Speaker 1: roller cover and the roller itself didn't exist. You know,
- 22:10Speaker 1: it's not surprising. We all knew it had to be
- 22:12Speaker 1: admented at some point, but it is interesting to think
- 22:15Speaker 1: about what painting might have looked like at that time. Well,
- 22:18Speaker 1: back then, if you wanted to paint a wall or
- 22:20Speaker 1: a ceiling, you basically had one option a brush. And
- 22:24Speaker 1: I don't mean a little brush, because I would take forever.
- 22:27Speaker 1: It's a massive, wide, thick brush, you know, sometimes five
- 22:31Speaker 1: or six or more inches across, seven eight inches across
- 22:34Speaker 1: an inch thick or more. I know, that's the brush.
- 22:37Speaker 1: That's what we're talking about. And imagine that, and you
- 22:41Speaker 1: can imagine, you know, if you've got that in your mind,
- 22:43Speaker 1: you can imagine how heavy that thing must have been
- 22:46Speaker 1: when it was loaded with paint. You know, popeye arms.
- 22:49Speaker 1: The painters back then, they had to have popeye arms.
- 22:52Speaker 1: It's the only way they could have done it, you know.
- 22:53Speaker 1: And that's just the brush itself. Painting with one of
- 22:56Speaker 1: those incredible amount of work. I mean, nowadays painting isn't terrible, right,
- 23:01Speaker 1: but it's still not like it's a leisure activity. You know,
- 23:04Speaker 1: you don't get into your pajamas after your shower at
- 23:07Speaker 1: night and just do a little painting, you know, to
- 23:09Speaker 1: unwind for the day. You know, it's still work, but
- 23:13Speaker 1: it's way better than it used to be. But back
- 23:15Speaker 1: then you're talking serious grueling work, you know, messy work,
- 23:18Speaker 1: exhausting work, you know, imagine it. You're ready to paint
- 23:21Speaker 1: your ceiling, let's say. So you grab the best ceiling
- 23:24Speaker 1: paint that you can find, you know, Benjamin Moore's Premium
- 23:26Speaker 1: ceiling paint, and you do that because you've listened to
- 23:30Speaker 1: episode two fifty of Repcoal Lights four hundred home improvement
- 23:34Speaker 1: show episodes. You listen to episode two fifty and you
- 23:38Speaker 1: know that the Benjamin Morre's Premium ceiling paint is a
- 23:41Speaker 1: dead flat you know, no matter what color it's been
- 23:43Speaker 1: tinted to, and that it covers and hides so much
- 23:46Speaker 1: better than other ceiling paints. So you grab that one
- 23:49Speaker 1: because you were informed, and that's the one that you chose.
- 23:53Speaker 1: So you get that. You pop the top on the
- 23:55Speaker 1: ceiling paint. You grab your huge enormous brush that everybody
- 23:58Speaker 1: uses for their painting, and you know it's eight inches
- 24:00Speaker 1: across if it's an inch, and you bend down under
- 24:03Speaker 1: its weight because it's so heavy, and you dip it
- 24:06Speaker 1: into the can, and of course it doesn't fit, you know,
- 24:08Speaker 1: into the can, it's too big, so you wiggle it
- 24:10Speaker 1: a little bit, you know, you kind of go sideways.
- 24:12Speaker 1: You figure it's an angle thing, you know, if you
- 24:14Speaker 1: mush the bristles this way, you know, to the side
- 24:17Speaker 1: and try to sneak it in. No, that doesn't work.
- 24:19Speaker 1: The can flips over. So now two hours later you're back.
- 24:23Speaker 1: The carpet's still wet, but the paint's been cleaned up.
- 24:26Speaker 1: You know, the paint that you spilled, that's been cleaned
- 24:28Speaker 1: up because you listen to episode three seventy six of
- 24:31Speaker 1: the Repcolite home improvement show and you knew how to
- 24:33Speaker 1: handle it. So it's two hours later. Your carpet doesn't
- 24:36Speaker 1: need to be replaced, but you still need to paint.
- 24:39Speaker 1: But you're smarter now, right, So you pour your paint
- 24:42Speaker 1: into a tray. You fill up the brush that way,
- 24:44Speaker 1: brilliant perfection. Now you lift it up. You know, your
- 24:47Speaker 1: arm waivers under the weight. You climb up your ladder
- 24:50Speaker 1: and you start to move the brush towards the ceiling.
- 24:52Speaker 1: But of course the paint's going to start to drip.
- 24:54Speaker 1: Down from the bright bristles a little bit. There's so
- 24:57Speaker 1: much paint. There's like a half a gallon of paint
- 24:59Speaker 1: in that enormous so down the ladder you go really
- 25:01Speaker 1: quickly and you fix that, then back up the ladder,
- 25:04Speaker 1: and finally you find yourself actually brushing paint onto the ceiling.
- 25:07Speaker 1: It covers in hides, just like I told you it would.
- 25:10Speaker 1: But soon the brush is out. You know, it's emptied out,
- 25:13Speaker 1: and you need to go back and get more. So
- 25:14Speaker 1: you refill a brush, You do a little more brushwork,
- 25:16Speaker 1: then you refill it over and over and over and
- 25:18Speaker 1: over and over, all the time holding that heavy brush
- 25:21Speaker 1: over your head hundreds of times to work your way
- 25:23Speaker 1: around the entire ceiling. By the time you're done, your
- 25:26Speaker 1: shoulders are aching. You got popeye arms. They feel like
- 25:29Speaker 1: they're going to fall off, but they're pope eye arms.
- 25:32Speaker 1: Your face and head you're speckled with paint. It's a mess.
- 25:35Speaker 1: That's kind of like what it was way back then
- 25:38Speaker 1: before the roller cover. And because of that, it wasn't
- 25:41Speaker 1: something that regular folks ever really did. It was a
- 25:43Speaker 1: job for professionals. Nobody did their own DIY painting. It
- 25:47Speaker 1: just wasn't a thing. You hired skilled tradesmen who came in,
- 25:50Speaker 1: who knew how to handle a brush, who could control
- 25:53Speaker 1: all the drips and get a smooth finish. They came
- 25:55Speaker 1: in and did your painting for you. And then in
- 25:57Speaker 1: nineteen forty everything changed. Enter Norman James Braakey, a man
- 26:03Speaker 1: that we know frustratingly little about, which is kind of
- 26:06Speaker 1: fun because that means I can add lib and nobody
- 26:09Speaker 1: can say that I'm exactly wrong. But I'm not gonna
- 26:12Speaker 1: add lib here. I'm gonna stick to the facts as
- 26:14Speaker 1: we know them. We know he was born in eighteen
- 26:16Speaker 1: ninety one in Pearson, Manitoba. We also know that Breakey
- 26:19Speaker 1: was living in Toronto when inspiration struck. What we don't know,
- 26:23Speaker 1: and which drives me a little bit nuts, is what
- 26:26Speaker 1: he was doing that sparked the inspiration. You know, was
- 26:29Speaker 1: he painting his own house? Probably not, people really didn't
- 26:32Speaker 1: do that back then. Was he watching a painter struggle
- 26:34Speaker 1: with a brush that could have been Did he stand
- 26:37Speaker 1: on a toilet seat to hang a clock in his
- 26:38Speaker 1: bathroom and slip and fall? You know? Did inspiration strike
- 26:41Speaker 1: him like it struck Doc Brown? Christopher Lloyd in Back
- 26:45Speaker 1: to the Future, because that's what he was doing. That's
- 26:46Speaker 1: how he dreamed up the flux capacitor. He fell off
- 26:49Speaker 1: the toilet, he hit his head while hanging up a clock.
- 26:53Speaker 1: If you don't believe me, you can look that up.
- 26:54Speaker 1: That's facts, all right. Sadly with Norman Breaky, we don't know,
- 26:58Speaker 1: we'll never know. What we do know is that he
- 27:00Speaker 1: came up with an idea. He came up with the
- 27:03Speaker 1: concept of brushing paint under the wall with a roller
- 27:06Speaker 1: of some sort. He envisioned this cylindrical core covered with
- 27:09Speaker 1: a fabric material that would absorb and distribute the paint. Now,
- 27:12Speaker 1: that concept worked in his head, but what he needed
- 27:15Speaker 1: was some way to hold it, you know, hold that
- 27:17Speaker 1: cover while still allowing it to roll freely. And he
- 27:20Speaker 1: had a second Eureka moment and came up with the
- 27:23Speaker 1: handle bent into the shape of a seven for control.
- 27:26Speaker 1: You know, it was so simple, But there you go.
- 27:28Speaker 1: We've got the roller cover dreamed up and the roller frame,
- 27:30Speaker 1: the roller handle that holds It's so obvious when you
- 27:33Speaker 1: see it, and yet it took all that time before
- 27:36Speaker 1: it happened. And Brakey was the one who came up
- 27:38Speaker 1: with this concept. Well, he took this design to Tom Hamilton,
- 27:42Speaker 1: and Tom Hamilton was a fabric expert in Toronto. Now
- 27:46Speaker 1: Hamilton had no idea what break he was talking about
- 27:49Speaker 1: rolling paint on. But he recommended. You know, he's a salesman.
- 27:53Speaker 1: He's not going to just say no and send the
- 27:55Speaker 1: guy out. He's going to make a recommendation. That's how
- 27:57Speaker 1: it works. He recommended a green mowhair von Lure, the
- 28:01Speaker 1: same fabric used to cover realway touring coaches. So Break
- 28:05Speaker 1: he sees that, buys a bolt of it, cuts it
- 28:08Speaker 1: into strips, glues it to his prototype roller, and then
- 28:11Speaker 1: sets off to test it. And the results of his
- 28:13Speaker 1: tests it's a game changer. It works. He's super excited.
- 28:17Speaker 1: Walls can now be painted faster, more evenly, with less
- 28:21Speaker 1: mess and perhaps most importantly by anyone. So Break he
- 28:25Speaker 1: sees all of this. I mean, he has completely revolutionized
- 28:28Speaker 1: this industry. So he files for a patent in Canada
- 28:32Speaker 1: and it should have been the start of a great
- 28:34Speaker 1: success story, but it wasn't. See Breaky never ends up
- 28:38Speaker 1: getting the credit or the fortune that he deserved for
- 28:41Speaker 1: creating this. Like so many inventors, Break he faced a
- 28:44Speaker 1: problem and it was money. It's not just inventors that
- 28:48Speaker 1: struggle with money. We all have a problem called money sometimes,
- 28:54Speaker 1: but inventors specifically can sometimes see things go awry because
- 28:58Speaker 1: of money. He needed investors to mass produce and market
- 29:03Speaker 1: his roller, you know, this whole system. But finding financial
- 29:06Speaker 1: backers wasn't easy. People just didn't see the potential. They
- 29:09Speaker 1: didn't see where this could go. They didn't think it
- 29:12Speaker 1: was the big idea that it really was. And in
- 29:14Speaker 1: the midst of that, then something happened. An American inventor,
- 29:18Speaker 1: Richard Croxton Adams, working for a major US paint company,
- 29:21Speaker 1: claimed that he had invented the roller the same year.
- 29:25Speaker 1: Now adams version was slightly different, but the concept, you know,
- 29:29Speaker 1: the whole concept itself was identical. He had something, though
- 29:32Speaker 1: that Breaky didn't, and he had financial backing. So he
- 29:36Speaker 1: fought for the patent and wins. Breaky he doesn't have
- 29:40Speaker 1: the funds to battle it out in court, and he
- 29:42Speaker 1: loses control of his own invention. Adams went on to
- 29:45Speaker 1: manufacture and sell roller covers, and the industry took off.
- 29:48Speaker 1: Now his words spread about the new tool, a strange
- 29:51Speaker 1: thing happened. You know. I mentioned earlier that a group
- 29:54Speaker 1: of people fought the roller cover, and not everybody was
- 29:57Speaker 1: happy about it. Painter unions, surprise, saw the roller as
- 30:01Speaker 1: a threat, you know, rather than seeing it as a
- 30:04Speaker 1: timesaver or something that was going to help them out,
- 30:06Speaker 1: they saw it as something that cheapened their trade, that
- 30:10Speaker 1: it made painting too easy, too fast. If anybody could
- 30:14Speaker 1: roll paint on a wall, what was going to happen
- 30:15Speaker 1: to skilled brush painters. So some unions even went so
- 30:19Speaker 1: far as to ban their contractors from using rollers. Just
- 30:22Speaker 1: can't do it. You can't use rollers. They refused to
- 30:25Speaker 1: endorse them, and they were hoping to hold back the
- 30:28Speaker 1: tide of change. But you generally can't hold things like
- 30:31Speaker 1: this back. You can't put the genie back in the bottle.
- 30:34Speaker 1: And painters who embraced the roller found that they could
- 30:37Speaker 1: complete jobs faster, They could take on more work homeowners,
- 30:41Speaker 1: you know, they were no longer intimidated by the thought
- 30:44Speaker 1: of wrestling with a massive paint brush, so they started
- 30:46Speaker 1: painting their own walls, and just like that, the DIY
- 30:50Speaker 1: painting boom had begun. Now, meanwhile, while all of this
- 30:53Speaker 1: is happening, we got to get back to the saddest
- 30:56Speaker 1: part of the whole story. While all of that is happening,
- 30:59Speaker 1: normal and break Ye fades into obscurity. He passed away
- 31:03Speaker 1: in nineteen sixty five, a relatively poor man. The world
- 31:07Speaker 1: had changed. Think about that completely changed. The DIY world
- 31:11Speaker 1: for sure, had changed because of his idea, and the
- 31:14Speaker 1: painting professional world because they embraced the roller cover as well.
- 31:17Speaker 1: All of that changed because of his idea. And hardly
- 31:20Speaker 1: anybody knows his name. So the next time you pick
- 31:23Speaker 1: up a roller, take a moment moment of silence to
- 31:26Speaker 1: appreciate the man who made it possible, a man who,
- 31:29Speaker 1: despite all these obstacles that he had revolutionized the way
- 31:33Speaker 1: we paint. You gotta love these history segments. That is
- 31:36Speaker 1: so much fun to see how that played out and
- 31:38Speaker 1: shook out over time. All right, let's take a break.
- 31:41Speaker 1: When we come back, we're going to talk about roller
- 31:43Speaker 1: covers in a little more depth. Specifically, I'm going to
- 31:46Speaker 1: tell you everything you need to know so you can
- 31:47Speaker 1: navigate that roller display confidently. That's all. Next stick around
- 31:58Speaker 1: and we're back. You're listening to the Recolite home improvement
- 32:00Speaker 1: shows sponsored by Benjamin Moore, And last segment, we talked
- 32:04Speaker 1: about the history of the paint roller. And now in
- 32:07Speaker 1: this final segment, the final segment of episode four hundred,
- 32:10Speaker 1: I want to talk about something that confuses a ton
- 32:12Speaker 1: of people, choosing the right roller cover. And I really
- 32:16Speaker 1: don't blame you if you've ever felt if you've gone
- 32:18Speaker 1: into the store and felt completely overwhelmed in the paint
- 32:21Speaker 1: roller aisle, don't blame you a bit. You know, with
- 32:24Speaker 1: all of the different technologies and fabrics and marketing claims
- 32:27Speaker 1: that are in your face, picking the right roller cover
- 32:30Speaker 1: for your paint can feel incredibly daunting, and honestly, to
- 32:34Speaker 1: make it even worse, you know, to make you know,
- 32:36Speaker 1: to raise the stakes, there really is a right roller
- 32:40Speaker 1: cover that you should pick for certain products. And to
- 32:42Speaker 1: make it even worse, there are wrong covers that you
- 32:46Speaker 1: can pick that will lead to subpar results. So getting
- 32:49Speaker 1: it right matters even more than you might have thought
- 32:52Speaker 1: it did. And that's exactly why buying paint from a
- 32:55Speaker 1: specialty store really does help you out. You know, at Repcolite,
- 32:59Speaker 1: paint isn't just one of the products that we carry
- 33:01Speaker 1: amongst you know, tons and tons of other things. It's
- 33:04Speaker 1: what we do day in and day out, So our
- 33:07Speaker 1: team knows the ins and outs of roller covers and
- 33:09Speaker 1: they're going to make sure that you leave with the
- 33:10Speaker 1: right one for your paint and for your projects. So
- 33:13Speaker 1: if you don't want to memorize or digest or you know,
- 33:18Speaker 1: consume all of the information that I'm going to dish
- 33:20Speaker 1: out here in the next few minutes, just just stop
- 33:23Speaker 1: in it Repcolite. We'll get you the right product. But
- 33:26Speaker 1: with that said, it's still good to have some info,
- 33:29Speaker 1: and so we're going to spin through it. And in
- 33:31Speaker 1: order to make this information on roller covers as easy
- 33:33Speaker 1: as possible, I've done a couple of things. I've compiled
- 33:36Speaker 1: it the segment in kind of I've broken it into
- 33:40Speaker 1: some different categories, you know, different surfaces that you might
- 33:42Speaker 1: be painting, and then a recommended cover for those surfaces
- 33:46Speaker 1: and you know, for different paint products. So we'll look
- 33:48Speaker 1: at it that way, and to help even more, I've
- 33:51Speaker 1: got a guide that you can find online. Just go
- 33:53Speaker 1: to repco light dot com and I've got a roller
- 33:55Speaker 1: cover guide right on the home page, so you can
- 33:57Speaker 1: check that out. All right, let's look at some different
- 34:00Speaker 1: surfaces and different types of paint that you could be
- 34:02Speaker 1: using and figure out which roller cover is going to
- 34:05Speaker 1: be best for that. And let's start with cabinets doors trim.
- 34:09Speaker 1: You know, you're painting your kitchen cabinets. What cover would
- 34:11Speaker 1: you want to use for that? You know, it's a
- 34:13Speaker 1: common project, lots of people are doing that, and if
- 34:16Speaker 1: you happen to be brushing and rolling the product on,
- 34:18Speaker 1: not spraying it on, an ideal roller cover to use
- 34:21Speaker 1: would be the Wooster microplush roller cover. Now, these covers
- 34:24Speaker 1: are woven and they're shed resistant. Now the shed resistant
- 34:27Speaker 1: is really important. You're not going to end up with
- 34:29Speaker 1: linty little fibers left behind in your paint, so you
- 34:32Speaker 1: want to make sure you get something that's shed resistant.
- 34:35Speaker 1: The microplush cover, the micro in its name is referring
- 34:39Speaker 1: to the fibers, you know, the fiber size, the fibers
- 34:41Speaker 1: that make up the cover, and it's highlighting the fact
- 34:44Speaker 1: that these fibers in this particular cover are ultrafine compared
- 34:48Speaker 1: to other roller cover fibers. And what that means is
- 34:52Speaker 1: that they're going to leave behind way less texture as
- 34:55Speaker 1: they apply the paint. It's going to give you almost
- 34:57Speaker 1: a sprayed like finish. The Wooster microplush cover is very
- 35:01Speaker 1: densely packed. You know, all the fibers are densely packed,
- 35:04Speaker 1: and that means it's gonna hold less paint. So that
- 35:06Speaker 1: is something you'll be dealing with. It's gonna hold less paint,
- 35:09Speaker 1: you'll have to be refilling it more often. The good
- 35:12Speaker 1: thing is this slows down the application process and creates
- 35:15Speaker 1: that ultra smooth finish that you're looking for. These covers
- 35:18Speaker 1: can be used with any paint and they're absolutely ideal.
- 35:21Speaker 1: Like I said, for cabinets, doors, and trim, you can
- 35:23Speaker 1: use them on walls. You know, every now and then
- 35:25Speaker 1: somebody thinks they want that ultra smooth finish on their walls.
- 35:28Speaker 1: But the frequent dipping and refilling that's necessary usually means
- 35:32Speaker 1: you're working way too hard to get the paint on
- 35:34Speaker 1: your walls. It's just not worth all that extra work. Generally,
- 35:38Speaker 1: what you gain in smoothness on your wall isn't worth
- 35:41Speaker 1: what you lose in speed and efficiency. But again for cabinets, doors,
- 35:44Speaker 1: and trim, the microplush cover it's a great choice no
- 35:48Speaker 1: matter what paint you're using. All right, let's talk walls
- 35:50Speaker 1: and ceilings. I've got a couple options that I'm gonna highlight.
- 35:53Speaker 1: If you're painting either of those surfaces. The Wooster Produzy
- 35:57Speaker 1: and the Wooster Produzy FTP, these are our go to
- 36:01Speaker 1: covers really for painting walls and ceilings. The Produzy is
- 36:04Speaker 1: a professional quality, all purpose roller cover that works on
- 36:07Speaker 1: dry wall, plaster, smooth to lightly textured surfaces, pretty much
- 36:11Speaker 1: anything you know, walls and ceiling wise, it holds a
- 36:14Speaker 1: good amount of paint, it's going to move fast, it's
- 36:17Speaker 1: going to release the paint evenly. It's a great all
- 36:19Speaker 1: purpose roller cover. Now the Wooster Produzy FTP, now this
- 36:23Speaker 1: is another professional quality cover, but it's making use of
- 36:26Speaker 1: a slightly different technology for a very specific reason. That
- 36:29Speaker 1: FTP in the name that means for today's paint, and
- 36:32Speaker 1: that really should make this whole thing pretty easy to
- 36:34Speaker 1: remember modern paints. Today's paints, you know, high quality products
- 36:38Speaker 1: like Benjamin Moore's Aura or Regal Select, they're often thicker,
- 36:42Speaker 1: they've got higher solids content, They're thicker, they dry quicker,
- 36:45Speaker 1: and that means that standard roller covers might not pick
- 36:48Speaker 1: up enough paint, might release it unevenly, and they might
- 36:51Speaker 1: leave streaks if the flow isn't just right now. The
- 36:53Speaker 1: controlled release in the FTP covers solves this by ensuring
- 36:58Speaker 1: that the roller picks up the optimal mount of paint
- 37:00Speaker 1: and distributes it evenly onto the surface. So it fixes
- 37:03Speaker 1: all of the concerns that you could have when you're
- 37:06Speaker 1: using modern, you know, high solids products. So bottom line,
- 37:09Speaker 1: with the Prodzy line of covers for general wall painting
- 37:12Speaker 1: with lower solids paint, standard produce he covers work just fine.
- 37:16Speaker 1: If you're using a premium high solids paint, go with
- 37:19Speaker 1: the produce E FTP covers, but they will work for
- 37:22Speaker 1: lower solids paints as well, so you're kind of safe
- 37:25Speaker 1: all the way around with the FTP covers. All right.
- 37:28Speaker 1: I know that's a ton of info, but to wrap
- 37:30Speaker 1: it all up to kind of summarize. For ultra smooth
- 37:32Speaker 1: finishes on cabinets, doors and trim, go with the microplush
- 37:36Speaker 1: covers from Wooster. For standard walls and ceilings with lower
- 37:40Speaker 1: lower solids paints, use the Producey covers. For high end
- 37:44Speaker 1: paints on walls and ceilings, you know, paints that have
- 37:47Speaker 1: a high solids content like Regal select or Aura, then
- 37:50Speaker 1: you're going to want to upgrade to the Produzy FTP covers.
- 37:54Speaker 1: There's a ton more that we could say about roller covers.
- 37:57Speaker 1: I know that's enough info for a Saturday morning. Choosing
- 37:59Speaker 1: the right cover does make a big difference in your
- 38:01Speaker 1: final result. So the next time you're at the paint store,
- 38:04Speaker 1: don't just grab the cheapest roller cover. Think about your paint,
- 38:07Speaker 1: think about your surface, and think about the desired finish.
- 38:10Speaker 1: And also, right now, for the rest of the month,
- 38:12Speaker 1: we do have a big sale on the producy FTP
- 38:15Speaker 1: covers that I talked about. These are those workhorse covers.
- 38:18Speaker 1: They're ideal for modern paints and they'll work beautifully with
- 38:21Speaker 1: lower solids paints as well. You really can't go wrong
- 38:24Speaker 1: with them. They're going to give you a beautiful finish,
- 38:26Speaker 1: smooth application, they're shed resistant, so no roller lint in
- 38:29Speaker 1: your finish. They're perfect and right now you can grab
- 38:32Speaker 1: them for as low as three forty five each, which
- 38:35Speaker 1: is a savings of up to a buck seventy per cover.
- 38:38Speaker 1: So that is all happening right now at all Repcolite
- 38:41Speaker 1: locations now until the end of March. All right, that's
- 38:44Speaker 1: a ton of info, but I've got the full notes
- 38:45Speaker 1: at repcolite dot com. Just head there and check out
- 38:48Speaker 1: the roller cover guide on the homepage. It's going to
- 38:50Speaker 1: help you navigate that part of the store a little
- 38:52Speaker 1: bit better. And if you're still unsure, just stop out
- 38:55Speaker 1: at Repcolite and will make the right recommendation. You honestly
- 38:58Speaker 1: don't need to know all this stuff help, so rest easy.
- 39:01Speaker 1: All right. That's all the time we've got. We're gonna
- 39:03Speaker 1: have to wrap this one up. If you want to
- 39:04Speaker 1: catch it again, you can find it online at Repcolight
- 39:07Speaker 1: dot com. Remember your next project is way easier than
- 39:11Speaker 1: you think it's going to be. Stop out at any
- 39:13Speaker 1: repco Lite Paints and let us help. Have a great weekend, everybody.
- 39:16Speaker 1: I'll see you next week. I'm Dan Hansen. Thanks for listening.