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DONKEY: YK Osiris Apologizes To Sukihana After Forcibly Kissing Her · The Breakfast Club

• 0:00
  Speaker 1: I was donkey up the dam damn he hogged. It's
• 0:06
  Speaker 1: time the donkey of the t I me ain't trying
• 0:09
  Speaker 1: to be donkey today no more.
• 0:10
  Speaker 2: They should be embarrassed by what they already did. I'm
• 0:12
  Speaker 2: not making new people do these things called donkey of
• 0:14
  Speaker 2: the day, and it really caught me off guard. Damn Charlamagne,
• 0:18
  Speaker 2: who got the donkey of.
• 0:20
  Speaker 1: To day today? Wow?
• 0:23
  Speaker 2: Donkey Today for Thursday, June fifteenth goes to Yko Cyrus. Now,
• 0:26
  Speaker 2: if you don't know who y Ko Cyrus is, He's
• 0:27
  Speaker 2: a singer songwriter from Jacksonville, Florida, and for the last
• 0:30
  Speaker 2: twenty four hours, he has been black twitters most wanted
• 0:33
  Speaker 2: because he was seen on video trying to give another
• 0:35
  Speaker 2: artist by the name of Sukiana a kiss without her consent.
• 0:39
  Speaker 2: The term they are using in various articles online are
• 0:42
  Speaker 2: forcibly kissing. That's the headline I've seen y Ko Cyrus
• 0:45
  Speaker 2: accused of sexual assault after forcefully kissing Sukiana at an event. Now,
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  Speaker 2: and some of y'all listening to me who don't know
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  Speaker 2: who the hell either one of these people are, and
• 0:54
  Speaker 2: that's fine.
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  Speaker 1: Just know why.
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  Speaker 2: Kio Cyrus is a young man Sukiyana is a young woman. Now,
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  Speaker 2: there has been all types of reason in going around.
• 1:00
  Speaker 2: You know, stories like this get computers puting all right.
• 1:02
  Speaker 2: Most common sentiments I saw were folks saying this was
• 1:05
  Speaker 2: sexual assault. And I saw a lot of people saying, hey,
• 1:08
  Speaker 2: she walks around calling herself Suokie with the good kouchie,
• 1:10
  Speaker 2: and she has a song about eating a man's groceries.
• 1:13
  Speaker 2: So this is the energy she puts out, So this
• 1:15
  Speaker 2: is the energy she should expect to receive. That second
• 1:17
  Speaker 2: sentiment reminds me of when rappers who rap about various
• 1:21
  Speaker 2: nefarious activities, whether it's murdered, drug selling, whatever crime they
• 1:25
  Speaker 2: choose to put to a beat when they get jammed
• 1:27
  Speaker 2: up in Canta.
• 1:27
  Speaker 1: Rico or if they get shot and killed or.
• 1:30
  Speaker 2: Beat up, first thing folks say is, hey, he bought
• 1:33
  Speaker 2: it on himself.
• 1:33
  Speaker 1: Okay, because of the music he makes.
• 1:35
  Speaker 2: Hell, if youre a rapper who raps about concant drug
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  Speaker 2: youth and then you diving overdose, people say, well, that's
• 1:40
  Speaker 2: what he rapped about. So folks are consistent when it
• 1:42
  Speaker 2: comes to blaming people's misfortunes on their music, and we
• 1:45
  Speaker 2: should have a discussion about that, But not really today,
• 1:49
  Speaker 2: Well maybe later we need to all be asking ourselves
• 1:53
  Speaker 2: how come we know better but don't do better? That's
• 1:56
  Speaker 2: the question I have for the young brother, yk O Sirus,
• 1:58
  Speaker 2: how come you don't knowing better?
• 2:00
  Speaker 1: All right?
• 2:00
  Speaker 2: Sometimes I'd be naive because I gave him the benefit
• 2:03
  Speaker 2: of the doubt yesterday, because I thought to myself, for
• 2:05
  Speaker 2: him to be moving like that, they must have a relationship,
• 2:07
  Speaker 2: because there's no possible way in twenty twenty three. If
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  Speaker 2: all we have learned about boundaries and what's consent and
• 2:12
  Speaker 2: what's not consent in the whole me Too movement, I
• 2:14
  Speaker 2: would think in twenty twenty three, no man would still
• 2:18
  Speaker 2: be moving like that.
• 2:19
  Speaker 1: But here we are. Y k O Cyrus, do you
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  Speaker 1: realize what you did is.
• 2:23
  Speaker 2: Exactly why Caine Pistol whip Chauncey and minister Society. You
• 2:28
  Speaker 2: remember that envy major plot line to the movie, and
• 2:31
  Speaker 2: it was when Chauncey was making sexual advances toward Ronnie,
• 2:34
  Speaker 2: and Ronnie clearly wasn't with it.
• 2:35
  Speaker 1: Sokine Pistol whipped them, all right.
• 2:37
  Speaker 2: The reason I'm putting that out there is because, whether
• 2:38
  Speaker 2: we realize it or not, scenes like that taught us
• 2:41
  Speaker 2: what not to do, and if we did do those things,
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  Speaker 2: those were the kinds of consequences and repercussions that could
• 2:45
  Speaker 2: happen now, even though we had those teachable moments, I'll
• 2:48
  Speaker 2: be the first to tell you that we was raised wrong. Okay,
• 2:50
  Speaker 2: I mean everything about our culture has been hyper sexualized.
• 2:53
  Speaker 2: I don't even have to get into what I mean
• 2:55
  Speaker 2: when I said we was raised wrong, because if you
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  Speaker 2: was born in nineteen hundreds, you know what the hell
• 2:59
  Speaker 2: I'm talking about. There is a reason. Okay, your mommy
• 3:02
  Speaker 2: and your grandma is sweating about this freaknick documentary. All right,
• 3:05
  Speaker 2: but at what point did those of us that know
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  Speaker 2: better teach better? Okay, if you know better and you've
• 3:09
  Speaker 2: done better, it's your obligation to teach better. So I
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  Speaker 2: am sitting here literally wondering if someone fail yko Cyrus
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  Speaker 2: or is he just a d head who knows better?
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  Speaker 2: What has lapses of judgment like this? I read his
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  Speaker 2: apology and he said, I want to publicly offer my
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  Speaker 2: sincereous apology to Sukiana. An attempt to be playful, I
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  Speaker 2: misread the moment and violated Sukiana's boundaries. He also said,
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  Speaker 2: I understanding importance of consent and I am embarrassed by
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  Speaker 2: my behavior. Clearly, that apology shows he knew better, but
• 3:39
  Speaker 2: for whatever reason, he didn't do better in that moment.
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  Speaker 2: And that's what we have to prevent because we gotta
• 3:44
  Speaker 2: protect women, right, but we also have to protect men,
• 3:47
  Speaker 2: all right, we gotta protect black women, but we also
• 3:49
  Speaker 2: have to protect black men because black men. What if
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  Speaker 2: Sukuiana decided to press charges against you for sexual assault,
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  Speaker 2: who's to tell us she can't do that? Now, your
• 3:56
  Speaker 2: dumb ass got a charge and for what because you
• 3:59
  Speaker 2: misread the moment? No, black man, we gotta do better.
• 4:01
  Speaker 2: And I wonder about that misread the moment line. It
• 4:04
  Speaker 2: seems to me a lot of y'all are misreading the
• 4:07
  Speaker 2: moment when it comes to miss Sukiana, and y'all blaming
• 4:09
  Speaker 2: it on her music.
• 4:11
  Speaker 1: Let's unpack that.
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  Speaker 2: Okay, if a woman is walking around calling herself Suki
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  Speaker 2: with the good kouchi, I understand why you would be
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  Speaker 2: curious about that good kuchi.
• 4:20
  Speaker 1: That makes sense.
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  Speaker 2: Doesn't give you the right to make unwanted sexual advances
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  Speaker 2: to her and violate her boundaries. But I understand the curiosity.
• 4:26
  Speaker 2: But another main reason I'm giving why ko Cyrus donkey
• 4:30
  Speaker 2: is because all of y'all talking about Sukiana's music is
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  Speaker 2: the reason. You know she receives this type of behavior
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  Speaker 2: because of the music she makes, she should expect it.
• 4:39
  Speaker 1: Hmmm.
• 4:41
  Speaker 2: I've only heard one suki on a song, right, and
• 4:43
  Speaker 2: that song is called Cassimigo's right and correct. Let get
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  Speaker 2: this right, my brothers, Sukiana has a song she's talking
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  Speaker 2: about eating a man's groceries. I'm not king shaving at
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  Speaker 2: all at my groceries eating. I'm just wondering, why, Ko Cyrus,
• 4:55
  Speaker 2: Why was you so ready to put your tongue in
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  Speaker 2: her mouth knowing were her tongue.
• 5:00
  Speaker 1: It's being all of y'all out here talking about Sukiana's
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  Speaker 1: music is why men do this to her.
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  Speaker 2: So y'all in the rush to either get your boom
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  Speaker 2: keys brunched on, or, in the case of hy Ko Cyrus,
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  Speaker 2: and a rush to taste another man's ass.
• 5:12
  Speaker 1: That's where is Jesus? Where is he? Where is he?
• 5:16
  Speaker 1: Where is he? We need him so bad right now?
• 5:19
  Speaker 2: Okay, we need a group therapy session for all of
• 5:21
  Speaker 2: us because I'm just sick of us hurting each other.
• 5:23
  Speaker 2: I don't want to see Sukiana or any other woman hurt,
• 5:26
  Speaker 2: and I don't want.
• 5:27
  Speaker 1: To see why ko Cyrus hurt either.
• 5:28
  Speaker 2: Yes, he should be held accountable if there is consequences
• 5:31
  Speaker 2: to his actions, he earned them. But what do we
• 5:34
  Speaker 2: have to do as a society, What do we have
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  Speaker 2: to teach as a culture? What do we have to
• 5:38
  Speaker 2: learn to make sure things like this don't happen ever again?
• 5:43
  Speaker 2: Because I would think brothers would know better by now,
• 5:45
  Speaker 2: wouldn't they please give y ko Cyrus the biggest he hull.
• 5:53
  Speaker 2: I'm just saying, y'all keep blaming Sukiana's music. You know,
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  Speaker 2: y'all keep saying you know this is what she puts out? Okay, man,
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  Speaker 2: like I only know that one song?
• 6:04
  Speaker 1: What are you saying? My brothers? All right? You know
• 6:06
  Speaker 1: what I'm saying? Yeah, I do you want your you
• 6:09
  Speaker 1: want your bookie eating? What? What? What? You want to
• 6:13
  Speaker 1: take the bookie on the tongue.
• 6:13
  Speaker 2: I'm just trying to figure it out, all right, I
• 6:15
  Speaker 2: don't get it? All right?
• 6:17
  Speaker 3: Well, thank you for that dog of today this question?
• 6:19
  Speaker 3: What was his name? You said you like getting your butt?
• 6:23
  Speaker 1: Man? Shut up? I done told you cut that out.
• 6:25
  Speaker 1: Now that's what you said that. I ain't say nothing
• 6:27
  Speaker 1: about month it was. His name was Rashaan Ksey.
• 6:30
  Speaker 2: Since y'all must know, no, since y'all must know, you
• 6:33
  Speaker 2: want to do a room report, his name was Rashan Casey.
• 6:35
  Speaker 1: That's why we've been so close to the last thirteen years.
• 6:38
  Speaker 1: All right. He was eating this ass. He was eating
• 6:40
  Speaker 1: this ass. Okay, all right, yes I do.
• 6:43
  Speaker 2: I'm burning the whole car to down, all right, Yeah,
• 6:46
  Speaker 2: I don't want Yeah, that's all song I'm writing.
• 6:48
  Speaker 1: I'm taking my toys. That's toy box. Okay, that's what
• 6:50
  Speaker 1: we're gonna dance through it all way. I'm not saying
• 6:53
  Speaker 1: first song. I'm leaving the ground.
• 6:54
  Speaker 3: Okay, all right, shout out to BT. We'll see you tomorrow.
• 6:57
  Speaker 3: I don't want blame with you no more BT piece.
• 7:00
  Speaker 1: That's right. What's wrong with you?
• 7:02
  Speaker 2: Man? That's wrong with me. I'm perfectly fine, like my
• 7:04
  Speaker 2: father's son to it right now. I'm gon show y'all fine.
• 7:06
  Speaker 2: I am alright. Well we come back. The cast of
• 7:09
  Speaker 2: The Blackening will be joining us.
• 7:10
  Speaker 1: Of course. It's a new film.
• 7:12
  Speaker 3: It's a horror slash comedy, really funny, and we'll talk
• 7:15
  Speaker 3: to the cast, which is Yvonne org Sinqua Walls, J Farroll,
• 7:19
  Speaker 3: Grace Mayas, Antoinette Robinson and Duyne Perkins.
• 7:22
  Speaker 1: So don't move. It's to Breakfast Club. Good morning. The
• 7:24
  Speaker 1: Breakfast Club.
• 7:28
  Speaker 2: Donkey today is brought to you by the law office
• 7:30
  Speaker 2: of Michael Slamminsoft. Don't be a donkey. Dot pound two
• 7:33
  Speaker 2: fifty on your cell and say the bull. If you've
• 7:36
  Speaker 2: been hurt in a construction accident, that's pound two five
• 7:38
  Speaker 2: Ozho from your cell and say the bull.