Latest / Dished at Birth / S1E24 - 'The Intruder'
Transcript
- 0:00DANI: On my birthday, Milena and I met up with a bunch
- 0:02of my friends at a vampire lecture. It was a
- 0:05lecture about vampire movies.
- 0:05KARA: In Bushwick, right?
- 0:08DANI: Yes, at the Twisted Spine.
- 0:08KARA: Yes.
- 0:08DANI: Super great spot.
- 0:11Really recommend the bookstore. Very cute. And
- 0:14I learned that Lon Chaney, who is the original
- 0:18Dracula, and he's also the original Phantom of
- 0:21the Opera actor in the, like, silent film, he
- 0:24credits him succeeding so well in silent film
- 0:27because he's so emotive because he was a CODA.
- 0:30KARA: Oh, fun!
- 0:30DANI: Yeah, which I didn't know.
- 0:30KARA: Very cool. I've
- 0:34never even seen the show.
- 0:34DANI: No, I never saw the show
- 0:36either. I saw the original Phantom of the Opera
- 0:38in the big — it might be Saint John the Divine?
- 0:43The big church where they bless the animals every
- 0:46Easter.
- 0:46KARA: I thought that was Saint Patrick's Cathedral.
- 0:48DANI: They do it there too, but Saint John the Divine
- 0:52is maybe like, no longer any affiliation with
- 0:55a specific religion. They just do like Unitarian
- 0:58stuff.
- 0:58KARA: Okay, are you gonna get Lenny blessed?
- 0:58DANI: Oh,
- 1:01my God, I would love to, but I think she would
- 1:03be freaked out because people bring, like —
- 1:03KARA: like
- 1:05parrots and, like —
- 1:05DANI: Yeah, it's like all kinds of
- 1:08animals.
- 1:08KARA: Yeah, that's true.
- 1:08DANI: So I don't know, maybe
- 1:10we'll just go to like a local priest, ask her
- 1:13to be blessed.
- 1:13KARA: I did get tickets on Broadway to
- 1:16see Every Brilliant Thing.
- 1:16DANI: Shut up, you did?
- 1:20KARA: Yeah. Not with Daniel Radcliffe. I got it with
- 1:22Mariska Hargitay. Because, no, I was obsessed
- 1:26with her when I was a kid. She is still, to me,
- 1:31the hottest person alive.
- 1:31DANI: Fair. She's so beautiful.
- 1:34I was obsessed with Daniel Radcliffe as a child.
- 1:36He's my first non-cartoon crush. And I really
- 1:40wanted to see it. And Paolo was going to get me
- 1:42tickets for my birthday. And then I found out
- 1:44that all of the tickets, because he's leaving,
- 1:46all of the tickets are like $700 right now.
- 1:46KARA: I
- 1:48know.
- 1:48DANI: So I was like, I'm not going to do it.
- 1:50KARA: He got Tony nominated too, didn't he?
- 1:50DANI: Yeah.
- 1:50KARA: Okay,
- 1:53yeah. So that's also why the tickets skyrocketed.
- 1:55DANI: Yeah.
- 1:55KARA: Yeah. But I got Mariska Hargitay. I'm so
- 1:58excited.
- 1:58DANI: Cool.
- 1:58KARA: And those were not $700.
- 1:58DANI: No. I'm
- 2:04kind of surprised.
- 2:04KARA: Good seats were like $500.
- 2:06DANI: On the stage?
- 2:06KARA: Yeah, the good seats on the stage.
- 2:09DANI: Did you buy them yourself? Who got them for you?
- 2:13KARA: Oh, I bought them myself, but I got the $120
- 2:16tickets back in the balcony.
- 2:16DANI: I thought you were
- 2:18like, my seats on the stage were $500.
- 2:18KARA: Absolutely
- 2:21not.
- 2:21DANI: I mean, you know what we do for love. I
- 2:25would have, Paolo was like, I want you to be
- 2:27able to sit on the stage because he knows how
- 2:28much I love Daniel Radcliffe.
- 2:28KARA: I know. I would
- 2:30love to sit on the stage. I just can't afford
- 2:32that.
- 2:32DANI: Yeah.
- 2:32KARA: I did get the tickets, not even
- 2:35thinking about ASL or access, I was just like,
- 2:38I need to see Mariska's beautiful face. But then
- 2:41after I was in therapy — I have a Deaf therapist —
- 2:44and she was like, are you going to understand
- 2:46anything? And I was like, shit. Probably not.
- 2:48But then I emailed and they do have captioning.
- 2:51DANI: Oh, awesome.
- 2:51KARA: Like the GalaPro, like me looking
- 2:53at the phone captioning again.
- 2:53DANI: Yeah.
- 2:53KARA: So.
- 2:53DANI: They
- 2:57don't even have like an iPad? I feel like the
- 2:59iPad would be helpful because it's not as —
- 2:59KARA: I
- 3:02know. Say what you will about Slam Frank, but
- 3:04it was the most accessible show I've been to.
- 3:06DANI: Access, you guys.
- 3:06KARA: Yeah.
- 3:06DANI: Should we get to the
- 3:08show?
- 3:08KARA: Showtime.
- 3:08DANI: Showtime. [UPBEAT JAZZY THEME MUSIC].
- 3:08KARA: Season 1, Episode 24,
- 3:26The Intruder, September 9th, 2012.
- 3:26DANI: Damn, I've
- 3:29really been forgetting to look up these paintings.
- 3:31KARA: It's okay. It's only called that because Angelo
- 3:34is the intruder.
- 3:34DANI: Right. Is the art good?
- 3:34KARA: Yeah,
- 3:37it's pretty. It's a circa 1660 painting by Gabriel
- 3:41Metsu, who's a Dutch painter. And the way it was
- 3:44painted is an officer is bursting into a bedroom
- 3:46where two women are getting ready for the day.
- 3:49And it's supposed to be scandalous and sexy.
- 3:51DANI: Oh.
- 3:51KARA: So the housekeeper is playfully trying to
- 3:55kick him out. There's a woman who's sitting in
- 3:58front of the mirror who seems kind of amused
- 4:00about what's happening. But the woman in the
- 4:02center who is getting down from the bed, and
- 4:05she is wearing her underskirt, and she seems
- 4:08quite perturbed at the situation.
- 4:08DANI: Oh, my God,
- 4:11and there's a little dog in there that kind of
- 4:12looks like Lenny.
- 4:12KARA: Yeah.
- 4:12DANI: Lenny, you're in the
- 4:15photo.
- 4:15KARA: But maybe the two women are Bay and Daphne.
- 4:18Daphne's the one being perturbed, and Bay's kind
- 4:21of amused. Or maybe they're both being perturbed.
- 4:23They both are, like, weirded out by Angelo moving
- 4:25in.
- 4:25DANI: I feel like everyone's weirded out by the
- 4:27situation.
- 4:27KARA: Yeah, it's a weird situation.
- 4:27DANI: Except
- 4:30for Angelo, who's like, this is completely normal
- 4:32and fine, and we're not even going to
- 4:33get in trouble.
- 4:33KARA: Oh yeah, he's like, free housing
- 4:35awesome.
- 4:35DANI: He's so excited about it.
- 4:35KARA: Yeah. First scene,
- 4:39Bay is climbing over a barbed wire fence.
- 4:39DANI: But
- 4:43she learned this time — she put her little jacket
- 4:45over the barbed wire.
- 4:45KARA: So she doesn't get cuts
- 4:48on her hands.
- 4:48DANI: Yeah, but I was like, I'm sick of
- 4:51this shit, Bay. How many times do you have to
- 4:53- I know it's a key part of her character.
- 4:53KARA: Bright
- 4:55daylight.
- 4:55DANI: How many times do you need to get in
- 4:57trouble or get someone else in trouble?
- 4:57KARA: She's
- 4:59out in broad daylight.
- 4:59DANI: You know what? She hasn't
- 5:02faced any consequences yet, so it makes sense.
- 5:04KARA: I know. Well. She goes into, like, a junkyard?
- 5:07DANI: Yeah, I mean, it is a place where I'm like, you
- 5:09should be able to spray paint whatever's in there.
- 5:11KARA: I know, there's nothing there. It's a bunch
- 5:14of abandoned cars, including one abandoned school
- 5:17bus. It's an abandoned bus. And Bay takes a picture
- 5:20and she's like, that's going to be my next canvas.
- 5:22But then she gets interrupted by her thinking
- 5:25because Regina texts her and says, come home,
- 5:28urgent.
- 5:28DANI: That is an insane text to send.
- 5:28KARA: I would
- 5:31go, someone died.
- 5:31DANI: Just say, hey, are you around?
- 5:34Can you come? She doesn't even say home. She
- 5:37says, can you come? Urgent.
- 5:37KARA: I would think someone
- 5:39died. If my mother—
- 5:39DANI: I don't feel like Regina
- 5:42can text her like that either.
- 5:42KARA: No.
- 5:42DANI: Obviously,
- 5:46we knew what it was, but I was like, damn.
- 5:46KARA: We
- 5:47did, but Bay did not.
- 5:47DANI: Yeah, and then Daphne's
- 5:50with Emmett.
- 5:50KARA: They're looking at an ad in a magazine
- 5:54for St. Louis' Scare-a-thon. It's like a horror
- 5:58movie convention, but Daphne's like, what if
- 6:00we enter the Dawn of the Deaf movie? But then
- 6:02she also gets interrupted and says, come home
- 6:04now.
- 6:04DANI: Yeah.
- 6:04KARA: Again, I feel like I'm in trouble
- 6:07or someone has died.
- 6:07DANI: Yeah, it's not...the show
- 6:11is really bad at crafting texts.
- 6:11KARA: They are.
- 6:11DANI: I
- 6:14just don't feel that that's how Regina would
- 6:16text. That's how, like, John would text.
- 6:16KARA: That's
- 6:18true. My dad is very straightforward and to the
- 6:21point in his texts. My mom is usually like, hi,
- 6:24sweetie. Emoji, emoji, emoji. Can you come home?
- 6:27DANI: Regina needs to throw an emoji in there.
- 6:27KARA: Yeah.
- 6:30DANI: A little heart. Can you come home? Urgent.
- 6:30KARA: Yeah.
- 6:33Heart. Heart.
- 6:33DANI: Urgent.
- 6:33KARA: Love you.
- 6:36DNI: Nothing.
- 6:36KARA: None of that.
- 6:36DANI: Do you think they have Daphne's
- 6:39phone sound go off for us?
- 6:39KARA: I didn't even notice
- 6:42the sound.
- 6:42DANI: Her phone's not on vibrate or maybe
- 6:44it is but like that's— you would think they would
- 6:47highlight— we could have heard the vibrate sound.
- 6:49Instead it, just it literally dings. Yeah Daphne's
- 6:53phone not on vibrate but she reaches for it. She's
- 6:55like—
- 6:55KARA: Those hearing aids work really well.
- 6:57DANI: Really good. It's just her magic powers.
- 6:57KARA: I know.
- 7:00Now we're in the Kennish kitchen. John, I think,
- 7:03learned his lesson from last episode.
- 7:03DANI: He's cooking!
- 7:05KARA: Yeah, he immediately upgraded to shrimp etouffee.
- 7:08I've had shrimp etouffee before. It's delicious.
- 7:11DANI: What is it?
- 7:11KARA: It's like a roux-based sauce. On
- 7:15shrimp.
- 7:15DANI: I feel like that's like a crazy bold recipe
- 7:17for John to go for. But one of the B plots of
- 7:21this episode is that he currently has the record
- 7:24for the most doubles in a single season. But a
- 7:27hot young new player named Esteban Alvarado is
- 7:31creeping up to beat his record, and he is going
- 7:34to feel some type of way about that.
- 7:34DANI: Yeah, I didn't
- 7:37care about that.
- 7:37KARA: No, me either.
- 7:37DANI: They spent a
- 7:40lot of time on that. John was looking quite good
- 7:43this whole episode. And outside of being pouty
- 7:45about that, he was behaving very well.
- 7:45KARA: He was.
- 7:48DANI: After being yelled at by his wife last episode.
- 7:51KARA: Maybe he needed that.
- 7:51DANI: Yeah, I think he did. I
- 7:53think he got his little butt into shape.
- 7:53KARA: Yeah.
- 7:55Well, Bay and Daphne come home. They're like,
- 7:58hi, Regina said we have to come home. It's urgent.
- 8:02DANI: Yeah.
- 8:02KARA: And Regina shows up with Angelo.
- 8:02DANI: Crazy.
- 8:06KARA: Yeah, why not—
- 8:06DANI: Don't bring him into this.
- 8:06KARA: Don't
- 8:08bring him.
- 8:08DANI: Don't bring him.
- 8:08KARA: Also, isn't he, like,
- 8:10banned from the house?
- 8:10DANI: I don't, I can't keep
- 8:13track anymore.
- 8:13KARA: Regina says, good news.
- 8:13DANI: [LAUGHS] Crazy
- 8:17spin.
- 8:17KARA: Problem is solved. Deportation canceled.
- 8:21Angelo can stay. All because we got married.
- 8:24Everyone is gooped and gagged. Daphne is pissed.
- 8:27Bay is delighted.
- 8:27DANI: Yeah. Regina should not have
- 8:30told everyone at the same time. To not pull Daphne
- 8:34aside and warn her first with everything she
- 8:38knows about Daphne's trauma around Angelo is
- 8:40so crazy.
- 8:40KARA: I know.
- 8:40DANI: And then I know, and we'll
- 8:44get into it later probably, but I know we already
- 8:47talked about how unrealistic this is at solving
- 8:50anything, but her being like, it was fine. He
- 8:53was totally allowed to stay once I told the judge
- 8:55that we got married.
- 8:55KARA: That's not how it works!
- 8:57DANI: That's not how it works!
- 8:57KARA: I also— what drives
- 9:01me crazy this episode is that it doesn't seem
- 9:04like she realized she was doing anything wrong
- 9:07until after the fact.
- 9:07DANI: No. I think Regina is a
- 9:10little dumb.
- 9:10KARA: She and Angelo—
- 9:10DANI: She makes such
- 9:13bad choices.
- 9:13KARA: She and Angelo were like, well,
- 9:16we obviously love each other. Or at least we
- 9:18used to love each other. And if we want to
- 9:21get married, then so what?
- 9:21DANI: I feel like that's
- 9:22what Angelo was thinking. But then Regina's like,
- 9:24I do not love that man. This is purely for the
- 9:26green card. And then what does she say? She says,
- 9:28like, my old hairdresser boss is like—
- 9:28KARA: Yeah,
- 9:31Geraldo married a lesbian.
- 9:31DANI: Oh, my God. And she
- 9:35was like, if they can make that marriage work,
- 9:37then we can certainly make this marriage work.
- 9:38That's not the point.
- 9:38KARA: Also, not the same.
- 9:38DANI: Not
- 9:41the same at all.
- 9:41KARA: I don't think Geraldo committed
- 9:43the felony also.
- 9:43DANI: I don't think Geraldo was about
- 9:46to be deported.
- 9:46KARA: No. He probably just wanted to
- 9:48come in from wherever he's from.
- 9:48DANI: England? Is
- 9:51he British? I think he's British. I feel like
- 9:53every time I think of him, he has a British accent.
- 9:56KARA: Sure. He's not American.
- 9:56DANI: No.
- 9:56KARA: But it's not important.
- 9:58But the next scene with the guest house and Adrianna's
- 10:01like, so are you dumb?
- 10:01DANI: Yeah.
- 10:01KARA: I loved Adrianna's
- 10:04presence in this episode. I'm glad she's there.
- 10:06DANI: They really needed her.
- 10:06KARA: Yeah.
- 10:06DANI: To be smart. To
- 10:09be the one to be like, what the fuck?
- 10:09KARA: Yeah. Are
- 10:12you stupid?
- 10:12DANI: And Regina's like, yeah, I am.
- 10:12KARA: And
- 10:15I can't sign because I still have this wrist
- 10:17brace on.
- 10:17DANI: [GROANS]. Oh, I'm sorry, Lenny. She didn't like
- 10:19that.
- 10:19KARA: Yeah. Regina says, all we have to do is
- 10:22get Angelo an apartment, do the interview,
- 10:24and it'll be fine. Never mind the paperwork.
- 10:26I had to do so much paperwork.
- 10:26DANI: I'm so glad that
- 10:30you're here to speak on this with like real life
- 10:33experience.
- 10:33KARA: Hours and hours of paperwork. And
- 10:36also, because Regina's the U.S. citizen, she
- 10:39would have to do the paperwork because she would
- 10:40be petitioning for Angelo to stay. Like, she's
- 10:43representing him.
- 10:43DANI: She can't do all that writing
- 10:46with her wrist in that brace.
- 10:46KARA: Exactly.
- 10:46DANI: Think
- 10:48of her carpal tunnel.
- 10:48KARA: They don't even have an
- 10:50immigration lawyer. Like, I don't understand.
- 10:53Or maybe they do.
- 10:53DANI: I guess they have Angelo's
- 10:55immigration lawyer, who was the one to initially
- 10:57be like, you guys should get married, low-key.
- 10:59KARA: Maybe.
- 10:59DANI: You guys should just commit a crime, low
- 11:02-key.
- 11:02KARA: Immigration fraud.
- 11:02DANI: It is making me so mad.
- 11:05KARA: Like, I just — I truly think she was like,
- 11:08let's get married and then everything will be
- 11:10fine, but didn't even think about the implications
- 11:13that that is fraud, nor the idea that that would
- 11:16not work and that they will investigate.
- 11:16DANI: And her being
- 11:19like, the interview will be fine.
- 11:19KARA: And the interview
- 11:21happens in like two days, which is also crazy.
- 11:23This would take months, years, whatever, whatever.
- 11:27DANI: Everyone's just acting so chill and like it's
- 11:29not a crime actively being committed. And I'm
- 11:32pretty loose on crime. I think we need to reevaluate
- 11:35what should count as a crime. But this one is
- 11:37pretty crazy. I think it should be way easier
- 11:40to become a citizen the normal way. But to do
- 11:42this is when he's like literally in trouble with
- 11:45the law is wild.
- 11:45KARA: I agree.
- 11:45DANI: And then Daphne turns
- 11:48around and she's like helpful.
- 11:48KARA: She's like, I'll
- 11:50help you research for the interview.
- 11:50DANI: Poor Daphne.
- 11:53KARA: I know, she doesn't have to do this.
- 11:53DANI: She was
- 11:55really getting fucked over this episode.
- 11:55KARA: I know,
- 11:58I felt so bad for her.
- 11:58DANI: Anyway, speaking of —
- 12:02that's a terrible transition. Well, speaking
- 12:04of people getting fucked over, my next note was
- 12:06about slutscore.com.
- 12:06KARA: Yeah, we're Buckner. Bay—[LENNY HOWLS].
- 12:10Oh, Lenny has something to say. Okay, continue.
- 12:15DANI: Speaking of people being fucked over, Toby is
- 12:17forced to defend Simone when the guys at Buckner
- 12:21are like, have you seen this? And they pull up
- 12:24slutscore.com.
- 12:24KARA: Which is owned by Disney. They
- 12:28own the domain. Because I typed slutscore.com
- 12:32and it gave me disney.com.
- 12:32DANI: Whoa. That is a bold.
- 12:38Do you think that's a law that they like have
- 12:40to own it if they include it?
- 12:40KARA: I actually wrote
- 12:42this down. You need to own or lease a domain
- 12:45name in order to show a website on TV.
- 12:45DANI: Oh, wow.
- 12:48Okay.
- 12:48KARA: So Disney, guys, owns slutscore.com.
- 12:48DANI: Mark
- 12:52Zuckerberg wishes that was him. Anyway, yes.
- 12:55It's like this like terrible laid out website
- 12:58with a photo of Simone and all these guys being
- 13:01like, people are making comments.
- 13:01KARA: What a slut.
- 13:04DANI: Yeah. Kara: Stupid.
- 13:04DANI: Toby's like—
- 13:04KARA: It's giving after-
- 13:08school special. Like, you guys are douches.
- 13:08DANI: Yeah.
- 13:10KARA: Nice try.
- 13:10DANI: He struts away in his little uniform.
- 13:13So yeah, that's happening to Toby behind the scenes.
- 13:16KARA: Yeah, poor Toby — he's also not having a good
- 13:19time this episode.
- 13:19DANI: None of the kids are doing
- 13:21very well.
- 13:21KARA: Yeah. Now we're at Carlton. Emmett and
- 13:25Daphne are having lunch, and Emmett has another
- 13:28poster for the Scare-a-Thon film fest. There's
- 13:30a lot of ads for this.
- 13:30DANI: Yeah.
- 13:30KARA: Whatever. They're
- 13:33like, we got it overnight the DVD. But then
- 13:36Emmett says, no, no, no. We need to make a two
- 13:38-minute trailer. But the footage for the movie
- 13:42and all the editing software is on Kennish
- 13:44computer. I was like, why don't they just email
- 13:47it to Emmett's computer? But maybe he doesn't
- 13:49have—
- 13:49DANI: Why don't they purchase an external hard
- 13:51drive at any tech store and load the footage
- 13:54onto there and then give it to Emmett?
- 13:54KARA: But then
- 13:57Emmett would need the editing software, which
- 13:59he probably can't afford.
- 13:59DANI: Okay. But, like, when
- 14:02they make the trailer, Daphne's doing most of
- 14:05it anyway.
- 14:05KARA: I know.
- 14:05DANI: So, like, he doesn't really
- 14:07need to be there. Also, timeline complaint. They're
- 14:11saying that day, like, we need to overnight the
- 14:14DVD tonight. And then they don't do the trailer
- 14:17until at least a day later, if not two.
- 14:17KARA: Maybe
- 14:22they were like, once we make it, we'll have to
- 14:24overnight it. It's not clear.
- 14:24DANI: Okay. They don't
- 14:27seem very clear on the timeline. And it's not
- 14:31that important.
- 14:31KARA: Yeah. But the point is, and the
- 14:34problem is, that Emmett needs to go to the Kennish
- 14:37property to make this two-minute trailer for
- 14:40the film festival. Which sucks, because everyone
- 14:42hates him.
- 14:42DANI: Right. For good reason.
- 14:42KARA: Yeah. But
- 14:44Daphne's like, it'll be fine. Everyone's distracted
- 14:46by my mom getting married.
- 14:46DANI: Yeah. Your crimes
- 14:49actually are not the worst crimes that have taken
- 14:52place.
- 14:52KARA: Yeah. And Emmet goes, oh, yeah, your
- 14:54mom got married. How do you feel about that?
- 14:55And she's like, I don't want to talk about it.
- 14:57DANI: Yeah. Fair enough.
- 14:57KARA: Yeah, I know.
- 14:57DANI: Back at the
- 14:59Kennish house, Bay, I almost can't talk about
- 15:02this. Bay approaches Regina and is like, hey,
- 15:06thanks for marrying my dad again. And then she
- 15:09presents her with a gift, a wedding gift. It
- 15:13is a small box inside. There is a obsidian stone
- 15:17wrapped in like a leather chain.
- 15:17KARA: It's a necklace.
- 15:22DANI: It's a necklace. That's what they tell us it's
- 15:24supposed to be.
- 15:24KARA: Regina wears it later.
- 15:24DANI: Okay. With
- 15:27a stone stolen, speaking of crimes, stolen from
- 15:31the Galapagos.
- 15:31KARA: I think it's Leave No Trace there.
- 15:34DANI: Bay says it is so illegal to do this. And I
- 15:38just feel, what was it for?
- 15:38KARA: Like mother, like
- 15:41daughter.
- 15:41DANI: Yeah, no one's thinking about their
- 15:43crimes.
- 15:43KARA: No.
- 15:43DANI: Everyone feels like they're very
- 15:46casual. She's like, ha ha, don't tell anyone
- 15:48that it's from the Galapagos because that's super
- 15:51illegal.
- 15:51KARA: Like your marriage.
- 15:51DANI: Regina says, wow,
- 15:54this is really the perfect gift.
- 15:54KARA: I know.
- 15:54DANI: Maybe
- 15:58say to your child, hey, you spent six weeks there
- 16:00and you didn't learn to respect the environment
- 16:03and that you shouldn't take things? Anyway, and
- 16:06then Patrick shows up. And I'm going to be honest,
- 16:08I had forgotten about him until this moment.
- 16:10KARA: I know.
- 16:10DANI: Again.
- 16:10KARA: She's like, oh, yeah, you got
- 16:12to tell him.
- 16:12DANI: Oh, yeah, your boyfriend. Good luck
- 16:15telling him about your husband.
- 16:15KARA: Yeah. Now we're
- 16:18doing the apartment tour with Bay and Angelo.
- 16:21And they're telling us this area is bad because
- 16:23we can hear kids playing and sirens in the distance.
- 16:26DANI: It's not a bad apartment.
- 16:26KARA: But I think even Angelo
- 16:29can't afford that either.
- 16:29DANI: Right. Because then
- 16:31he says, I think I'd prefer something a little
- 16:33cozier when it is clearly a studio apartment.
- 16:35KARA: Yes.
- 16:35DANI: So and then Bay's like, so what do you even
- 16:38do for your job?
- 16:38KARA: So Bay goes, so what do you
- 16:41do? What is your budget? And then Angelo goes,
- 16:44none of your business, but once I start working,
- 16:46it'll be fine.
- 16:46DANI: I feel it is her business if she's
- 16:49been tasked with finding him apartments.
- 16:49KARA: She
- 16:51should at least know his budget.
- 16:51DANI: Yeah, that's
- 16:53like the bare minimum that you should know when
- 16:55looking for an apartment.
- 16:55KARA: Angelo's like, you don't
- 16:57need to know what I do, but I think I want to
- 16:59go back into carpentry.
- 16:59DANI: Okay.
- 16:59KARA: Yeah, but then
- 17:02Bay kind of seems like turned off by this. I
- 17:04think maybe she's realizing she doesn't really
- 17:07know that much about her dad and that he never
- 17:09had a consistent career.
- 17:09DANI: Also, well, she thinks
- 17:12he does music stuff and music, quote, music stuff
- 17:15sounds cooler than like carpentry.
- 17:15KARA: I think carpentry
- 17:19is great.
- 17:19DANI: I agree. But I'm saying to a 16 year
- 17:21old girl.
- 17:21KARA: Yeah.
- 17:21DANI: Who's an artist. But he was like,
- 17:24I'm good at fixing things. Carpentry is an art
- 17:26form.
- 17:26KARA: I think carpentry is very cool and important.
- 17:30DANI: Yeah.
- 17:30KARA: AI can't take that.
- 17:30DANI: No, it can't. Shout
- 17:33out to practical skills.
- 17:33KARA: I know.
- 17:33DANI: Anyway, Angelo,
- 17:36it would be just fine if he was actually going
- 17:38to be getting into carpentry. Just the problem
- 17:40is, I don't think he is.
- 17:40KARA: No, he doesn't seem
- 17:42like a person that follows through.
- 17:42DANI: No, he seems
- 17:45like he's not looking for a job. He's looking
- 17:47for his next con.
- 17:47KARA: And I think Bay is slowly figuring
- 17:50this out. We're back at the guest house. Regina
- 17:53has obviously told Patrick she's married because
- 17:55we see him go, what the fuck?
- 17:55DANI: She says, marriage
- 17:58is just a piece of paper. And he says, yeah,
- 18:00between you and some other guy.
- 18:00KARA: Who you used
- 18:02to be with and you have a child together. Again
- 18:05I'm like, Regina, are you dumb? Did you think you
- 18:07could —
- 18:07DANI: Patrick, are you dumb? Why are you still
- 18:09even here?
- 18:09KARA: But was like, Regina — oh, I can just
- 18:13continue to date him with no legal repercussions?
- 18:15DANI: It's like she really thinks that this is like
- 18:18cut and dry. She watched The Proposal starring
- 18:21Ryan Gosling and Sandra Bullock and said that
- 18:24looks easy enough.
- 18:24KARA: No — Regina, you're so dumb.
- 18:28DANI: Yes.
- 18:28KARA: But Regina is crazy. She was like, it's just
- 18:31for legal reasons, I don't get why you're upset
- 18:33with me.
- 18:33DANI: And does he break up with her, or does
- 18:36he just leave?
- 18:36KARA: He just leaves. I don't even know
- 18:38if we see him again.
- 18:38DANI: I hope not.
- 18:38KARA: I know, me too.
- 18:41DANI: Goodbye, Patrick. And then we're with Daphne
- 18:45at work. And I'm just thinking, imagine poor
- 18:48Daphne. She has so much going on at home. And
- 18:51then she has to fucking work this kitchen job.
- 18:53KARA: Doing the dishes.
- 18:53DANI: She must be so tired.
- 18:53KARA: I know.
- 18:56DANI: Her coworker is so cute.
- 18:56KARA: We don't know his name
- 18:59yet.
- 18:59DANI: It's a weird name. His name is like Scooter.
- 19:01KARA: Sure.
- 19:01DANI: No, genuinely.
- 19:01KARA: Okay.
- 19:01DANI: I'm going to look
- 19:05it up. Scuba!
- 19:05KARA: Scuba? Like Scuba Dive?
- 19:05DANI: His name
- 19:08is Scuba.
- 19:08KARA: Okay, so we don't know his name yet,
- 19:11but according to Dani, his name is Scuba. And
- 19:14they are bonding over the grossness of finding
- 19:16a retainer in the pile of dishes.
- 19:16DANI: Yeah.
- 19:16KARA: But then
- 19:19she stupidly grabs a knife by the blade and,
- 19:22of course, cuts her hand.
- 19:22DANI: She does fully grab
- 19:24it.
- 19:24KARA: By the blade.
- 19:24DANI: By that blade part. That was,
- 19:27girl, your eyes work.
- 19:27KARA: I know. She slices her
- 19:31hand. She says, ow! But then Scuba — now we know
- 19:34his name — comes to the rescue and he gives her
- 19:37stuff from his own first aid kit so she doesn't
- 19:40have to embarrass herself and go get a band-aid.
- 19:43DANI: Yeah, he's like, everyone's going to know if
- 19:46you take a band-aid from the communal first
- 19:49aid kit. Use my secret one. And it's like, I
- 19:51feel like everyone's going to know because you
- 19:53just yelled really loud when you cut your hand.
- 19:55KARA: Yeah, she went, ow!
- 19:55DANI: I feel like everyone heard
- 19:57that and is going to know.
- 19:57KARA: He also signs catastrophe
- 20:01to her. So it seems like he maybe knew or learned
- 20:04some signs for her. So I think there's a little
- 20:07crush going on.
- 20:07DANI: He's so cute. He's still not
- 20:10age appropriate.
- 20:10KARA: No.
- 20:10DANI: For the record.
- 20:10KARA: Yeah and
- 20:13then Daphne says I'm sick of doing dishes. I want
- 20:16to pitch a new menu item to Chef Jeff. We think—
- 20:16DANI: Crazy
- 20:19of her.
- 20:19KARA: I know. And then Scuba says, you don't get
- 20:22promoted for the job you want, you get promoted
- 20:24for the job you do. But then.
- 20:24DANI: Is that true? I don't
- 20:28actually feel like that advice holds true.
- 20:28KARA: No,
- 20:30I don't think so.
- 20:30DANI: I think if Daphne's the best
- 20:31dishwasher ever, why would they promote her back
- 20:35to food? Then they lose their really good dishwasher.
- 20:37KARA: Really good dishwasher.
- 20:37DANI: But I digress.
- 20:37KARA: Yeah.
- 20:40But then this is strange because she goes back
- 20:42to washing the dishes and the camera lingers
- 20:45on him for a bit too long.
- 20:45DANI: Yeah.
- 20:45KARA: As if, like,
- 20:48he does not want her to get promoted.
- 20:48DANI: And maybe
- 20:52he doesn't.
- 20:52KARA: I don't remember what happens.
- 20:52DANI: I
- 20:54genuinely can't remember.
- 20:54KARA: Yeah. But it just seems
- 20:56suspicious. Anyways, I know someone else who
- 20:59seems suspicious. It's a Homeland Security officer.
- 21:02DANI: Yeah.
- 21:02KARA: It's interview time.
- 21:02DANI: Yeah. So fast.
- 21:02KARA: So
- 21:06fast. Again, guys.
- 21:06DANI: How long after your marriage
- 21:09did you have to do your interview?
- 21:09KARA: I actually
- 21:11never got interviewed.
- 21:11DANI: Oh. Because it wasn't,
- 21:14like, flagged.
- 21:14KARA: We weren't flagged—
- 21:16DANI: Probably because A doesn't have any felonies
- 21:19on her record.
- 21:19KARA: No, A was here legally.
- 21:19DANI: Or a deportation
- 21:21order.
- 21:21KARA: No, A was here legally and we both had
- 21:24good records.
- 21:24DANI: Yeah.
- 21:24KARA: Whatever. I think they only
- 21:26interview certain people. But if you do get an
- 21:28interview, this would take months. Many months
- 21:31or years. So, but it seems like it took two days.
- 21:34But this is the quickest, most efficient government
- 21:36I have ever seen.
- 21:36DANI: Yeah.
- 21:36KARA: Regina and Angelo are
- 21:39sitting in the waiting room and Regina goes,
- 21:41we didn't even get our story straight. Again, they're
- 21:44so, they're driving me crazy.
- 21:44DANI: It's like they
- 21:47want to get arrested.
- 21:47KARA: I know. And then Angelo
- 21:50goes, you can just tell them the truth. What?
- 21:52DANI: Because he's in love. He fully thinks this is
- 21:55a love marriage. They did not talk at all before
- 21:57getting married.
- 21:57KARA: No. She grabbed his hand and
- 22:00took him straight to the judge or to the registry.
- 22:03Like, so confusing. And then Regina goes, what if
- 22:07they asked how you proposed? And then he whispers
- 22:10in her ear, Eureka Falls. And then it's interview
- 22:13time.
- 22:13DANI: He also whispers that in her ear in front
- 22:16of the guy.
- 22:16KARA: I know. They're going to know.
- 22:16DANI: It's
- 22:19interview time. It's just like an excuse to cut,
- 22:22to make it seem like romantic between them. Like
- 22:25their answers.
- 22:25KARA: This seems like a real date
- 22:27that the two of them had. And they just threw
- 22:30in the proposal in the story. Because the two
- 22:33of them go for—
- 22:33DANI: He doesn't even propose.
- 22:35He just says like, I want to marry you one day.
- 22:37KARA: Yes.
- 22:37DANI: I bet that did happen.
- 22:37KARA: I bet so too.
- 22:37DANI: Knowing
- 22:41Angelo.
- 22:41KARA: So yeah, they're at the interviews, but
- 22:44they are being interviewed separately by the
- 22:46officer, so they won't influence each other.
- 22:47And they're both telling the Eureka Falls story,
- 22:49but the camera is switching back and forth between
- 22:51the two of them.
- 22:51DANI: Yeah. Unfortunately, it did
- 22:54work on me where I was like.
- 22:54KARA: Okay, it's a nice
- 22:57story.
- 22:57DANI: Angelo's so handsome.
- 22:57KARA: Yeah.
- 22:57DANI: But. Then
- 23:00the officer brings them together and is like,
- 23:03loved your interviews. Great job. However, why
- 23:07did you apply for a credit check for this apartment?
- 23:10KARA: Yeah, he's like, I'm confused. You listed the
- 23:13Mission Hills apartment as your living address,
- 23:15but then you apply for a one-bed apartment.
- 23:15DANI: Yeah.
- 23:19For this to be the only thing. That's like.
- 23:19KARA: And
- 23:22then he also says, like, also because you got
- 23:24married before deportation.
- 23:24DANI: He's like, I have
- 23:27to pass this on to our fraud team.
- 23:27KARA: Which is a
- 23:30thing they do actually do. USCIS.
- 23:30DANI: Yeah.
- 23:30KARA: Has a
- 23:33fraud department. So he's like, OK, there are
- 23:35red flags.
- 23:35DANI: And Regina's like, what? That's crazy.
- 23:39KARA: Yeah. This is something USCIS does actually do.
- 23:43Like, they have a fraud department and they can
- 23:45do visits. But it is very rare for marriages.
- 23:49So they must be very suspicious. This is more
- 23:51common with like employment visas. So if you apply
- 23:55for an employment visa, an officer may go to your
- 23:58place of employment: one, make sure the business
- 24:00is real, and two, make sure you're actually employed
- 24:02there.
- 24:02DANI: Yeah.
- 24:02KARA: So it is a thing that does happen.
- 24:05So the officer is like, plan for surprise visits.
- 24:08And Regina's like, great.
- 24:08DANI: Awesome.
- 24:08KARA: Cool.
- 24:08DANI: Honestly,
- 24:12the fact that she thought that they wouldn't
- 24:14have to live together is wild.
- 24:14KARA: That's the first
- 24:16thing they look at. That is the first thing.
- 24:16DANI: They're
- 24:19so dumb. They're just like dying to go to jail.
- 24:22KARA: I know. We're at Buckner.
- 24:22DANI: Ugh.
- 24:22KARA: And Simone—
- 24:22DANI: Girl, I'm
- 24:27begging you, just like they said — leave, go to
- 24:30a different school. Please.
- 24:30KARA: I know. She approaches
- 24:33Toby and she says, thanks for defending me. Also,
- 24:35why are you mad at me?
- 24:35DANI: Insane.
- 24:35KARA: I thought you wouldn't
- 24:38even care.
- 24:38DANI: She's like, I thought kind of thought
- 24:41we were basically broken up and like I assumed Emmett and
- 24:43Bay were broken up. So like, why would you even
- 24:45care at all? It's like, even if you guys were
- 24:47broken up, that's an insane thing to do.
- 24:47KARA: It's
- 24:49giving Regina just talking to Patrick being like,
- 24:53I don't get why you're mad.
- 24:53DANI: And that's going
- 24:54to work later because we're going to find that
- 24:56those two are very alike.
- 24:56KARA: They're very alike.
- 24:59DANI: They have a lot in common.
- 24:59KARA: As I was watching
- 25:00this, I was like, they have so much in common.
- 25:02DANI: And then for her to be like, Toby's like, Toby's
- 25:05like, I'm not doing this with you. And she's
- 25:06like, well, at least tell me how your music's
- 25:08going. Literally all you guys fought about was
- 25:11how you kept asking about his music in your relationship
- 25:14before you cheated on him. That is.
- 25:14KARA: Poor Toby
- 25:17is sprinting away from her.
- 25:17DANI: He's running. Simone,
- 25:21you've got to transfer.
- 25:21KARA: You have to.
- 25:21DANI: Just leave.
- 25:24Or like, I bet Buckner has like a homeschool
- 25:27program. Like, do that for a little while. Give
- 25:29these people some space.
- 25:29KARA: I know. Now Bay is in
- 25:32her art studio printing out business cards for
- 25:35Angelo. She's doing so much for him.
- 25:35DANI: I'm begging
- 25:38her to have like a single conversation with him.
- 25:40She definitely, he didn't ask her to do that.
- 25:42She's definitely just like doing things.
- 25:42KARA: Well,
- 25:45Daphne comes in and it's SimCom alert time.
- 25:48Daphne approaches and says, this might be
- 25:52weird, but can Emmett come over and use the computer
- 25:55to edit the software? And Bay uncomfortably is
- 25:58like, okay, sure. And I also won't be here,
- 26:01so that'll be great. And then they had like this
- 26:04cute little banter between them. I like when
- 26:06they're good. And they're good right now.
- 26:06DANI: They're
- 26:08good right now because there's too much else
- 26:09going on.
- 26:09KARA: And they're both bonding over how weird
- 26:12this is.
- 26:12DANI: Yeah.
- 26:12KARA: So they're like, all right.
- 26:12DANI: Sisters.
- 26:15KARA: Sisters with a weird dad.
- 26:15DANI: With our one sport
- 26:20dad who's stressed out and then our other carpenter
- 26:23dad or whatever.
- 26:23KARA: Then Bay goes to tag the bus
- 26:28with her art. But then she gets interrupted again
- 26:30because Regina has texted her and is like, come
- 26:33home now.
- 26:33DANI: Why? Just offer some context.
- 26:33KARA: I would
- 26:37just not even answer the phone at that point.
- 26:39DANI: I would just ignore it. Yeah. Who else could
- 26:40she have possibly married in that span of time?
- 26:43KARA: I know. But cut to the guest house and Regina
- 26:45is trying to explain the fraud investigation.
- 26:48And she's like, it's too much. I didn't even
- 26:50know this was going to happen.
- 26:50DANI: She's like, did
- 26:52you know we could both go to jail? And everyone's
- 26:55like, yeah. Stupid.
- 26:55KARA: You could get five years
- 26:58in prison and pay a $250,000 fine.
- 26:58DANI: For this
- 27:02man who has done you so dirty. He's done you
- 27:06so dirty. I know she's still obsessed with him
- 27:08and that's why.
- 27:08KARA: And Regina's — not Regina. Adrianna's
- 27:11like, what if we annul the marriage? And Regina's
- 27:14like, then we'll get in trouble. And they know
- 27:16we lied. So we can't do that. And Daphne's like,
- 27:19okay, time to tell John and Kathryn.
- 27:19DANI: When Daphne
- 27:21says that, like... Obviously, John and Kathryn
- 27:23don't like Angelo, but like, Daphne, you are
- 27:25allowed to be the one that is difficult about
- 27:28this. Like, she's like, oh, John and Kathryn
- 27:30aren't going to like this. What about you? What
- 27:33about you, girl?
- 27:33KARA: I know. She's really, she plays
- 27:36caretaker so much, especially for her mom.
- 27:36DANI: Yeah,
- 27:39she is cleaning up Regina's messes and managing
- 27:42Regina all the time.
- 27:42KARA: I know.
- 27:42DANI: I really feel for
- 27:45her.
- 27:45KARA: Yeah.
- 27:45DANI: Bay comes back after receiving that
- 27:48text and Toby, it's like, it's kind of, it kind
- 27:52of reminds me of in that first episode where
- 27:55he like asks her to borrow money and like grabs
- 27:58her arm.
- 27:58KARA: Yeah.
- 27:58DANI: You know what I mean? Toby has
- 28:00like a sinister side where he's like, you've
- 28:02been disappearing a lot. And Bay's like, yeah.
- 28:04And he's like, I hope you're not seeing Emmett.
- 28:07KARA: Mind your own business.
- 28:07DANI: Not only mind your business,
- 28:09but like. I don't know. She's allowed to feel
- 28:12however she wants to feel about that situation.
- 28:14She was equally victimized in it.
- 28:14KARA: And then he
- 28:17accuses her of putting Simone on that slutscore
- 28:20site.
- 28:20DANI: Yes.
- 28:20KARA: And Bay's like, I would never do that.
- 28:23DANI: Obviously she wouldn't fucking do that.
- 28:23KARA: Yeah.
- 28:26Also, not, that's shitty that that's happening
- 28:28to Simone, but, like, she has a lot of enemies
- 28:30because of the way she is.
- 28:30KARA: Yes. That's what one
- 28:34of the guys says, too. Like, serves her right
- 28:36for being such a cheater.
- 28:36DANI: Yeah. Obviously, it's
- 28:39not great, but it's like, Bay is not even her
- 28:42number one biggest op, probably.
- 28:42KARA: No. Bay's like,
- 28:45why me? Our beef is from like two years
- 28:47ago.
- 28:47DANI: I mean, they have beef now.
- 28:47KARA: And now,
- 28:50I guess.
- 28:50DANI: She's like, all I did was tell her to
- 28:52transfer schools, which she refused to do.
- 28:52KARA: Yeah.
- 28:55But no, Bay did not do it. And we believe her.
- 28:58But then Bay and Toby see the altercation between
- 29:01John and Kathryn and Regina and Daphne. And
- 29:04they're like, OK, shit, we got to see what's
- 29:05happening.
- 29:05DANI: Yeah.
- 29:05KARA: John to Regina is like, you're
- 29:08dumb. Like, why would you not think?
- 29:08DANI: He's a little
- 29:10bit to blame. Why did he come to her two episodes
- 29:13ago and be like, the immigration lawyer says
- 29:15maybe you could get married?
- 29:15KARA: Yeah.
- 29:15DANI: Don't plant
- 29:17that idea in her head. She's stupid. She'll do
- 29:20it.
- 29:20KARA: Yeah, this is all your fault, John.
- 29:20DANI: I just
- 29:23think he's like, I can't believe this happened.
- 29:25And it's like, well, I can. You shouldn't have
- 29:27brought it up.
- 29:27KARA: And then Bay goes, Regina didn't
- 29:29even know it was a felony. So don't blame her.
- 29:31Yes, she did. Or maybe she didn't.
- 29:31DANI: She should
- 29:33know. She should know.
- 29:33KARA: That's something they
- 29:36warn you when you apply for the green card. They're
- 29:40like, just making sure.
- 29:40DANI: Right. Just in case this
- 29:43is a lie. Just so you know.
- 29:43KARA: We're warning you
- 29:45before you apply. So she certainly did know.
- 29:50DANI: So the whole family gets into like a screaming
- 29:52match, basically.
- 29:52KARA: Yeah. They're talking about
- 29:54the other apartment that Angelo rented. And John's
- 29:57like, I have a great idea. What if Regina, you
- 29:59and Angelo move out?
- 29:59DANI: Yeah.
- 29:59KARA: And Daphne stay here.
- 30:03Daphne and Adrianna. I like that Adrianna can stay
- 30:05also.
- 30:05DANI: Adrianna obviously is staying.
- 30:05KARA: Yeah. She
- 30:08swims in our pool. She's great.
- 30:08DANI: Yeah.
- 30:08KARA: And then
- 30:10Regina's like, no, I'm not leaving the girls.
- 30:13What if I move out and bring Daphne with me?
- 30:15And then John and Kathryn are like, wait, no,
- 30:17we love Daphne.
- 30:17DANI: Well, not only that but Regina's
- 30:20like, well, obviously I can't leave Daphne. And
- 30:23then as an afterthought it's like, and Bay. I don't
- 30:25want to lose Bay either. And it's like, right, Bay
- 30:27is also here, remember that.
- 30:27KARA: In the background,
- 30:30this was funny but Bay is trying to sign to Daphne
- 30:33the whole time, like, okay, so you're gonna move
- 30:36out — oh, no, no, no. Now you're going to move in.
- 30:39Okay. No, no, no, no. So Angelo is moving. No,
- 30:41no, no. Angelo's going to move in.
- 30:41DANI: Because it's
- 30:43important to note, none of these adults who all
- 30:45should know at least some sign language at this
- 30:48point are signing as they are fighting and they
- 30:50are all speaking over each other.
- 30:50KARA: Which Daphne
- 30:52says. She says enough.
- 30:52DANI: Yeah. So Daphne finally
- 30:55cuts them off.
- 30:55KARA: She says, guys, remember, I am
- 30:58deaf. Stop talking all at once.
- 30:58DANI: And also because
- 31:01they're all talking about like where they're
- 31:03going to move Daphne now to manage Angelo.
- 31:03KARA: I
- 31:06know.
- 31:06DANI: I would be so pissed. She's finally like,
- 31:08obviously Angelo's just going to fucking move
- 31:10into the guest house, whatever.
- 31:10KARA: And I'll hate
- 31:13it and it'll be fine.
- 31:13DANI: Can I? Why? It's just across
- 31:16the way. Why not have Daphne move into the main
- 31:19house? There's already a room for her in the
- 31:21main house.
- 31:21KARA: Is that too far from Regina? Like,
- 31:24I don't get it.
- 31:24DANI: I think she needs to be fucking
- 31:26further from Regina, frankly. She needs to be
- 31:29far away so she's protected from her mother's
- 31:31crimes.
- 31:31KARA: Yeah, so the consensus is Angelo is
- 31:35going to move into the guest house with Regina
- 31:37and Daphne and Adrianna.
- 31:37DANI: Yeah. I do like, during this
- 31:39fight that at one point Kathryn gets a jab in,
- 31:41because Regina's like, well, I'm not going
- 31:43to leave Daphne, and Kathryn goes, oh, now you're
- 31:46thinking about Daphne?
- 31:46KARA: Right.
- 31:46DANI: Because all of your
- 31:48actions up until this point have hurt Daphne.
- 31:50It's like Regina feels so bad that she's not
- 31:53having a relationship with Bay that she's like,
- 31:56I know what I'll do. I'll give Bay her father
- 31:58and then she can have a relationship with him.
- 32:00KARA: Right.
- 32:00DANI: Instead of just putting in the effort
- 32:02yourself. Like, they still do not have a good
- 32:04relationship in the slightest.
- 32:04KARA: So messy.
- 32:04DANI: So Bay
- 32:08basically accosts Adrianna outside after the big
- 32:11fight and is like, I bet you're going to move
- 32:13out now, huh? Because you hate Angelo so much.
- 32:15And Adrianna's like, no, actually. I'm staying
- 32:17right here where my pool is.
- 32:17KARA: And Bay says, well,
- 32:20I don't care if you move out or anything because
- 32:22you called ICE on my dad and you're a snitch.
- 32:24Fuck you. And Adrianna says, I'm not sorry about
- 32:27that.
- 32:27DANI: She says, she starts, she goes, I'm sorry.
- 32:30And Bay goes, I don't care. And Adrianna goes,
- 32:32no, no, let me finish.
- 32:32KARA: She says, I'm sorry that
- 32:34your dad is a jerk. One day you'll agree with
- 32:37me. Ow.
- 32:37DANI: I think she's right to hate him. But
- 32:40I'm like, maybe don't put that on the 16 year
- 32:43old. Just let the 16 year old be mad at you.
- 32:45You guys don't really have a relationship anyway.
- 32:47It doesn't matter.
- 32:47KARA: I know. And Bay says, well,
- 32:49Regina changed her life and stopped drinking.
- 32:51Like, why can't he change?
- 32:51DANI: Regina's a brand new
- 32:54person. I don't know. It seems like she's still
- 32:56making terrible decisions. So I don't know how
- 32:58new she is.
- 32:58KARA: Yeah. Regina's like, yeah. So Adrianna's
- 33:01like, well, yeah, Regina is still dumb. Some
- 33:04people never change.
- 33:04DANI: Some people don't.
- 33:04KARA: Daphne
- 33:06is at the restaurant.
- 33:06DANI: Yes.
- 33:06KARA: She's been asking
- 33:09for extra shifts.
- 33:09DANI: She comes in. Do we think this
- 33:12is the general manager?
- 33:12KARA: That's what I think.
- 33:14DANI: Okay. Finally, we see one. KArA: It's this beautiful—
- 33:17DANI: I was kind of like, is that just like a hostess?
- 33:20KARA: She looks like front of the house.
- 33:20DANI: She's like
- 33:22stunning.
- 33:22KARA: Beautiful.
- 33:22DANI: It's distracting.
- 33:22KARA: Yeah.
- 33:25DANI: And she's like, you're back already? And Daphne's
- 33:27like, yeah, I'm just trying to pick up some extra
- 33:29shifts.
- 33:29KARA: She's either general manager or front
- 33:30of the house or something. But either way, she's
- 33:33kind of in charge of scheduling. So Daphne goes
- 33:35up and is like, I would love some extra shifts
- 33:37because my home life sucks. And their schedule
- 33:40is just on a flimsy whiteboard?
- 33:40DANI: Yeah. She just
- 33:43like goes and writes her initials in a bunch
- 33:45of slots. A bunch of slots.
- 33:45KARA: Yeah. She said, I
- 33:49will be working every day.
- 33:49DANI: Yeah. Now we're back
- 33:51at the Kennish house and John and Kathryn are
- 33:53arguing. They're like, fuck my life. I don't
- 33:56want Angelo here. And John goes, I wish you consulted
- 33:59me before you allowed Angelo back in the house.
- 34:01Kathryn had nothing to do with this.
- 34:01DANI: Kathryn
- 34:03didn't allow him anywhere.
- 34:03KARA: No. Regina brought
- 34:06him here.
- 34:06DANI: And John is more in the wrong. Like,
- 34:08Kathryn's like, none of this was my idea. And
- 34:10John is like, well, it wasn't mine. It literally
- 34:11was.
- 34:11KARA: Yeah.
- 34:11DANI: It's not your fault that you planted
- 34:14that seed. Well, it kind of
- 34:16is. But you didn't realize Regina was actually
- 34:18going to do it.
- 34:18KARA: No, Kathryn's like you planted
- 34:21the idea in her head. It's your fault.
- 34:21DANI: Yeah.
- 34:23KARA: But John really is just in a shitty mood because
- 34:25he's about to lose his record.
- 34:25DANI: I think he should
- 34:28have leaned into that more.
- 34:28KARA: I was trying to think,
- 34:30like, I feel like he feels emasculated.
- 34:30DANI: Yeah.
- 34:33KARA: You know, like his wife is out working.
- 34:33DANI: Right.
- 34:36KARA: Making the money.
- 34:36DANI: He's making the shrimp dishes
- 34:38and losing his record.
- 34:38KARA: He's losing his record
- 34:40and he really, he seems powerless to make this
- 34:43decision about Angelo moving into the house.
- 34:45DANI: Like, I do genuinely feel like the solution is
- 34:49Regina and Angelo go live in that one bedroom
- 34:51apartment.
- 34:51KARA: I know, and leave Daphne.
- 34:51DANI: Yeah, leave
- 34:55Daphne. She needs a stable situation.
- 34:55KARA: Adrianna can
- 34:58have the guest house to herself.
- 34:58DANI: Well, or Daphne
- 35:01can be with Adrianna. Adrianna clearly has done
- 35:05a lot of the parenting anyway.
- 35:05KARA: I know.
- 35:07DANI: Although Adrianna doesn't signed very much.
- 35:07KARA: She signed
- 35:10one sentence in this episode.
- 35:10DANI: Yeah.
- 35:10KARA: I don't know.
- 35:14DANI: Interesting. I'm sure that probably just has
- 35:16to do with the actress.
- 35:16KARA: I agree. Now, Emmett is
- 35:20on the Kennish property, this must be the next
- 35:22day. They're on their giant iMac.
- 35:22DANI: That's what
- 35:24I'm saying. I'm like, I thought this was a rush
- 35:26job.
- 35:26KARA: I don't know.
- 35:26DANI: But then it's the next day
- 35:27and they're like leisurely editing.
- 35:27KARA: Yeah, leisurely
- 35:30editing the Dawn of the Deaf two-minute trailer.
- 35:32And Emmett's like, this movie's so good. Whoever
- 35:35decided to rig the camera to the baby stroller
- 35:37was genius. And Daphne goes, that was Simone's
- 35:40idea. Awkward. But then Daphne wants to bring
- 35:43this up because she's like, so you cheat on Simone
- 35:47during the basketball tournament? And then we
- 35:48filmed this after. So you must have been keeping
- 35:51this inside the whole time. Why didn't you tell
- 35:53me? And then Emmett goes, well, I was obviously
- 35:56trying not to think about it. And then Daphne
- 35:58goes, but what about me?
- 35:58DANI: It makes perfect sense
- 36:01that he didn't. She's so mad that he didn't tell
- 36:03her. If he had told you, you would have been
- 36:05like, well, great. Now I have to tell Bay.
- 36:05KARA: Yeah.
- 36:08DANI: Because that's your sister, kind of. And then
- 36:10Emmett goes, well, you're perfect. This seems like
- 36:13a weird flirty thing too. It was strange.
- 36:13DANI: I didn't
- 36:16read it as flirty. I just read it as like, I
- 36:19don't know, Daphne's pretty fucked up. She gets
- 36:20more fucked up later on too. It's not, he's like,
- 36:23I couldn't tell you. You're perfect. You would
- 36:25judge me. And it's like, well, she would judge
- 36:27you because that's her sister that you cheated
- 36:29on.
- 36:29KARA: And her brother.
- 36:29DANI: And her brother. And her
- 36:32ex-friend who she had beef with.
- 36:32KARA: It's too much.
- 36:35DANI: Like it's all around so messy and Daphne's at
- 36:38the center of it. You could have just said that,
- 36:40Emmett. You didn't have to be like, well, you're
- 36:42Miss Perfect.
- 36:42KARA: And then Daphne goes, you've known
- 36:44me for eight years. Obviously, I'm not perfect.
- 36:46And I can't believe you even think that.
- 36:46DANI: I get
- 36:48why he thinks that, though. They have a very
- 36:50surface level friendship. Emmett's not actually
- 36:52that interested in Daphne now that he's not going
- 36:54to sleep with her.
- 36:54KARA: No, not at all.
- 36:54DANI: Tough.
- 36:54KARA: Daphne,
- 36:58after the trailer editing, goes to the restaurant.
- 37:01Well, she gets ready to go to the restaurant.
- 37:03And Regina suggests that the three of them, like
- 37:05Regina, Adrianna, and Daphne, go do something.
- 37:08And Daphne's like, no, I'm working.
- 37:08DANI: And her suggestion
- 37:11is bowling. And then she's like, obviously, I
- 37:13can't bowl because of my wrist, but I'll eat
- 37:15some cheese fries. Why would that? There was
- 37:18no indication that this is something they do.
- 37:21KARA: No.
- 37:21DANI: We've never once.
- 37:21KARA: Why not go out to dinner?
- 37:24DANI: Right.
- 37:24KARA: Or cook something together.
- 37:24DANI: Well Regina
- 37:27doesn't cook.
- 37:27KARA: Adrianna and Daphne can feed the
- 37:29family.
- 37:29DANI: Sure. And this is what I noted. Like,
- 37:31Adrianna's not doing much signing.
- 37:31KARA: No. She signs
- 37:35one thing. She signs both.
- 37:35DANI: Awesome. And then,
- 37:38yeah, Daphne's like, no, fuck you both. Going
- 37:40to work.
- 37:40KARA: Yeah. She leaves. And then Regina turns
- 37:43to Adrianna and goes, I just wanted to do what
- 37:44was best for everyone. And Adrianna goes, are
- 37:47you sure about that? Isn't this something you
- 37:50always wanted? You're, like, addicted to the
- 37:52guy.
- 37:52DANI: Yeah. Trading one addiction for the other.
- 37:55KARA: Yeah.
- 37:55DANI: Emmett's leaving.
- 37:55KARA: Leaving the Kennish property.
- 37:59DANI: He's leaving the Kennish house and Toby sees
- 38:01him outside. This is so...
- 38:01KARA: This is funny. It's
- 38:06not supposed to be funny.
- 38:06DANI: Lucas Grabeel, shout out to your performance.
- 38:10Unfortunately, Toby as a character cannot be
- 38:12intimidating in the slightest. So this was just
- 38:15like hard to watch.
- 38:15KARA: He storms right past Emmett.
- 38:19Doesn't say hi or anything or even say a word,
- 38:22and Emmett — I don't think she should have done this,
- 38:24but he grabs Toby by both his shoulders to try
- 38:28to get his attention.
- 38:28DANI: Yeah.
- 38:28KARA: And Toby, in a fit of
- 38:30rage, shoves Emmett to the ground and then walks
- 38:33away. And then Bay sees this and goes, did my brother
- 38:36just push you?
- 38:36DANI: Yeah. Bay gives Emmett so much sympathy.
- 38:39KARA: Yeah. And then Emmett goes, no, I deserve that.
- 38:39DANI: Yeah.
- 38:42KARA: And he's right.
- 38:42DANI: And he did. It's also — someone should
- 38:45have thought to warn Toby.
- 38:45KARA: Yeah, which he says
- 38:48later.
- 38:48DANI: Yeah. No one thought to be like, hey,
- 38:50heads up, that guy that fucked your girlfriend
- 38:52is going to be here.
- 38:52KARA: I know.
- 38:52DANI: The poor Kenish
- 38:55kids, like every single one of them, every day
- 38:58an op is showing up to their home and like, is
- 39:01allowed to be in their home. Every day they're
- 39:03fighting battles on the home front.
- 39:03KARA: I know.
- 39:03DANI: It's
- 39:06so unfair.
- 39:06KARA: Home is not a fun place.
- 39:06DANI: No.
- 39:06KARA: Neither
- 39:09is for Daphne because she's back in the kitchen.
- 39:11DANI: She's back in the kitchen with Chef Jeff.
- 39:11KARA: She's
- 39:16attempting to move a pile of dishes and a bunch
- 39:19of them fall and break on the floor.
- 39:19DANI: And it's
- 39:20really not her fault. She was like, please don't
- 39:22put those there to the person who dumped them
- 39:24there.
- 39:24KARA: And then they're precariously piled on
- 39:30top of each other. And then, of course, like
- 39:3160 of them fall and break.
- 39:31DANI: Yeah. And then everyone
- 39:35turns and stares at her. And she does like the
- 39:37sad puppy face.
- 39:37DANI: Her sad puppy face.
- 39:37KARA: So, where
- 39:40she doesn't get a broom, she just stares.
- 39:40DANI: Yeah.
- 39:43KARA: And no one helps her.
- 39:43DANI: No one helps her. And then
- 39:46she runs away and goes and hides in the—
- 39:46KARA: Storage
- 39:49room.
- 39:49DANI: Storage room. And then Jeff comes in. Chef Jeff comes
- 39:53in. I hated that this episode they're trying
- 39:56to soften him and like sweetness on him. Ugh,
- 39:59I hate it.
- 39:59KARA: He goes, it's fine. They're 49-cent
- 40:02plates.
- 40:02DANI: Yeah. She turns to him. She's like, I'll
- 40:04pay for it and he's like they're 49-cent plates.
- 40:06I don't care. She says I'm so sorry, Chef. And he
- 40:10says, whoa, you can call me Jeff when you're having
- 40:12a breakdown in my storage closet. And then he's
- 40:16like, do you want to talk about it? She's like,
- 40:18it's a really long story.
- 40:18KARA: And he's like, do you
- 40:22want to go home?
- 40:22DANI: And she's like, no, it's crazy
- 40:24at home. Like, I don't want to go home. And then
- 40:27he says.
- 40:27KARA: Maybe home is where you should be breaking
- 40:29plates.
- 40:29DANI: Yeah. He said, if it's so crazy at home,
- 40:31maybe that's where you should be breaking some
- 40:33plates. Hate it. Hate it so much. Of course he
- 40:37would be like, have you tried? Breaking things?
- 40:40Have you tried violence? Have you tried punching
- 40:42a hole through the wall?
- 40:42KARA: I know. But he leaves
- 40:45her to get herself together.
- 40:45DANI: Yeah.
- 40:45KARA: So that's
- 40:48that. Angelo has moved in to the guest house
- 40:50with all of his stuff.
- 40:50DANI: That was fast.
- 40:50KARA: Including
- 40:53his guitar. He's like, this is awesome. I'm chilling.
- 40:56Free rent. And Regina's freaked out. I think
- 41:00one, she's like, there's a man in my space. This
- 41:02is weird.
- 41:02DANI: So true. That is very jarring.
- 41:02KARA: Yeah.
- 41:05And she's like, I'm glad you think this is a
- 41:07joke. Why are you so happy you're here? And then
- 41:09Angelo goes, give me a hug.
- 41:09DANI: He stands up. He
- 41:14pulls the, come here. He like beckons her into
- 41:17his arms. And she really thinks about it. And
- 41:20then she's like, I gotta go. And where does she
- 41:22go? Can we just wrap her up real quick?
- 41:22KARA: Yeah.
- 41:25DANI: Where does she go? To an AA meeting.
- 41:25KARA: Yes.
- 41:25DANI: She
- 41:29runs from his hug. Good. Straight to an AA meeting.
- 41:32This is our first time seeing Regina at an AA
- 41:34meeting in the show. And who does she run into
- 41:37but Simone?
- 41:37KARA: Simone.
- 41:37DANI: And we don't really see,
- 41:40we see them see each other.
- 41:40KARA: I'm surprised they
- 41:43know each other.
- 41:43DANI: Is she gonna? Yeah, she met
- 41:45Simone. Remember when Daphne was there and Daphne
- 41:49was like, I look like a skank. I look like a
- 41:51ho.
- 41:51KARA: That's right.
- 41:51DANI: And then Simone's like, ugh,
- 41:54I would kill for your boobs, Regina.
- 41:54KARA: That's right.
- 41:57That's right.
- 41:57DANI: So she has met — I don't know if
- 42:00she knows the tea about her sleeping with Emmett
- 42:04but I do know that Simone is- I do think she knows
- 42:07Simone is persona non grata among the children.
- 42:09KARA: Okay. I think you're right.
- 42:09DANI: Okay, anyway, that's
- 42:12where Regina goes after Angelo hits her with
- 42:15the come here.
- 42:15KARA: Yeah. And then, we're at the car
- 42:18wash.
- 42:18DANI: We're at the car wash! Travis is back! Yay!
- 42:20I'm so excited.
- 42:20KARA: We have not seen him in so many
- 42:24episodes.
- 42:24DANI: So long.
- 42:24KARA: I was thrilled to see him.
- 42:24DANI: And
- 42:27of course, he's just there to emotionally support
- 42:29John.
- 42:29KARA: Yeah, John is staring sadly at his computer
- 42:33because Esteban Alvarado is about to beat his
- 42:37record.
- 42:37DANI: His record for doubles. Did you understand
- 42:40what this was?
- 42:40KARA: Yeah, like when you hit a double
- 42:42in baseball.
- 42:42DANI: I don't know what that is.
- 42:42KARA: So the
- 42:45ball comes, you swing, you hit the ball, and
- 42:47you get to second base. That's a double.
- 42:47DANI: Okay.
- 42:50KARA: And he currently has the record for the most
- 42:53doubles in a single season.
- 42:53DANI: At 71?
- 42:53KARA: At 71.
- 42:57And this guy is about to beat the record.
- 42:57DANI: Right.
- 43:00It feels like he's racking up doubles real fast.
- 43:03KARA: Yeah, it does not seem realistic.
- 43:03DANI: They're like,
- 43:05he's at 68 and then he's at 71 like two days
- 43:09later. Does that seem right?
- 43:09KARA: Yeah, I think so.
- 43:12DANI: Whatever. I don't know about baseball, but he's
- 43:14like, yeah, he's about to beat it. And Travis
- 43:17is just like.
- 43:17KARA: Well, maybe he'll break his leg.
- 43:19DANI: Yeah, maybe he'll break a leg or something.
- 43:19KARA: And
- 43:21then it goes up to 71 and they're tied. And then
- 43:24Travis is like, maybe not.
- 43:24DANI: Maybe not.
- 43:24KARA: John is
- 43:27signing more here.
- 43:27DANI: Yeah.
- 43:27KARA: He's trying to explain
- 43:29the doubles record and Travis's understanding.
- 43:32DANI: Yeah.
- 43:32KARA: And then Travis goes, well, didn't you
- 43:34like tie or beat someone else's record? And John
- 43:37goes, yeah, but he faded into oblivion. And so
- 43:40will I.
- 43:40DANI: The little baseball logo on his car wash
- 43:43shirt looks so sad in the context of this scene.
- 43:46KARA: Poor guy. Now, Bay's doing street art. Well,
- 43:50she did the street art already, I guess.
- 43:50DANI: She
- 43:51put the piece up.
- 43:51KARA: The piece is a girl holding
- 43:55a tornado in her hand.
- 43:55DANI: Yeah, and it's only half
- 43:58done because Regina kept interrupting her.
- 43:58KARA: Yeah,
- 44:01so the, the torso up is done, but I guess Bay
- 44:05was going to do the legs or whatever.
- 44:05DANI: And she
- 44:07shows up and someone has answered her piece.
- 44:10KARA: Yes, with tentacles.
- 44:10DANI: With tentacles. They look
- 44:13kind of cool.
- 44:13KARA: Yeah, they're like rainbow tentacles.
- 44:15DANI: It's like a different art style.
- 44:15KARA: And the person
- 44:18is doing it as Bay is watching.
- 44:18DANI: And Bay fully
- 44:22crashes out.
- 44:22KARA: She's like, what the fuck are you
- 44:24doing? This girl whose name we're going to find
- 44:27out later is Zarra. She's like, hey.
- 44:27DANI: She's known
- 44:30as Medusa.
- 44:30KARA: Medusa. That's her street name.
- 44:30DANI: That's
- 44:33her street art name.
- 44:33KARA: Yeah. And she's like, I
- 44:36answered it. And Bay is talking about something
- 44:39else here. But she says, I wanted to finish it,
- 44:42but I keep getting interrupted by all these people
- 44:44doing things I didn't even ask them to do.
- 44:44DANI: Yeah.
- 44:47She fully is crashing out. And then she realizes
- 44:49that she is a fan of this girl's work.
- 44:49KARA: And she's
- 44:52like, wait, it actually looks really good.
- 44:52DANI: And
- 44:54can I say something? These two characters? Electric
- 44:57chemistry. This whole time I was like, they should
- 44:59kiss.
- 44:59KARA: I know.
- 44:59DANI: I think a great pivot for Bay's
- 45:03character would be to date a hot girl street
- 45:06artist.
- 45:06KARA: I know.
- 45:06DANI: So sad. She's really hot. I wanted
- 45:10them to kiss.
- 45:10KARA: Well, Bay is also like, you're
- 45:13amazing, actually. I love your art.
- 45:13DANI: Yeah.
- 45:13KARA: I'm
- 45:15not mad at you anymore. It's pretty cool.
- 45:15DANI: Yeah.
- 45:17She gets over it really fast. And then...
- 45:17KARA: They're
- 45:20back at the Kennish property.
- 45:20DANI: Yeah.
- 45:20KARA: Bay and Daphne
- 45:23are there now. She's at home in her art studio,
- 45:26and she — Daphne's there waiting for her kind
- 45:29of just to talk about like they're both having a
- 45:32hard time with Angelo moving in. As much as Bay
- 45:34wanted him still in the country, she's like — they're
- 45:36both like, it's too much, too soon.
- 45:36DANI: Yeah. And Bay's
- 45:39like I feel like now there's all this pressure
- 45:41that I have to have like this amazing relationship
- 45:44with him.
- 45:44KARA: Yeah.
- 45:44DANI: Because everyone's literally ruining
- 45:47their lives and risking jail.
- 45:47KARA: Yeah.
- 45:47DANI: To keep him
- 45:50here. And so they go to John and Kathryn, and
- 45:55Regina's there.
- 45:55KARA: Yeah. Regina at this moment is
- 45:59trying to tell John and Kathryn, I'm going to tell
- 46:01the judge I panic married.
- 46:01DANI: Yeah. They cut — they're
- 46:04talking about it outside and we cut to the inside
- 46:06of the house and Regina's like, I don't think
- 46:07I'll go to jail if I just tell the judge I'm
- 46:09sorry.
- 46:09KARA: John's rightfully like, I don't know
- 46:12if the judge is gonna believe you.
- 46:12DANI: I just needed
- 46:14someone at some point to be like, are you stupid?
- 46:16KARA: I know. I know.
- 46:16DANI: Girl.
- 46:16KARA: But then Bay and Daphne come
- 46:20in and they're like, guys, we have an idea.
- 46:20DANI: We have
- 46:22a great plan, and that plan is Angelo's gonna
- 46:25live here in the big house.
- 46:25KARA: And John and Kathryn
- 46:27are, like, shaking.
- 46:27DANI: It makes so much more sense
- 46:30to move Daphne into the Kennish house.
- 46:30KARA: I know.
- 46:33DANI: It's a bigger house. That's the central house
- 46:36where everything happens. Keep Angelo in the
- 46:38little guest house.
- 46:38KARA: Have Daphne get to know her
- 46:40parents, her bio parents and Bay more.
- 46:40DANI: Yeah.
- 46:40KARA: And
- 46:43Toby. And, like, have Regina and Angelo have
- 46:46that address.
- 46:46DANI: Yeah, especially if he's living
- 46:50in the big Kennish house, if someone drops in,
- 46:53they'll be like, where's your stuff? He's all
- 46:55moved into the big house.
- 46:55KARA: It's so odd.
- 46:55DANI: This is
- 46:59a terrible idea just to make Regina not feel
- 47:02like she's losing Daphne by having her move across
- 47:06the driveway.
- 47:06KARA: It's 20 feet away.
- 47:06DANI: It's setting
- 47:10us up for so many more problems.
- 47:10KARA: I know.
- 47:10DANI: And
- 47:13then during that, like, encounter. Is it during
- 47:16that encounter that Regina's like, is it because
- 47:17I'm not signing? No, they all go.
- 47:17KARA: Oh, that's
- 47:20later.
- 47:20DANI: They move Angelo in that same night.
- 47:20KARA: Yes.
- 47:23DANI: I guess. They just do it right away. They're
- 47:25like, good plan. Let's move all of his stuff
- 47:27over.
- 47:27KARA: Yeah. Daphne goes back to her bedroom in
- 47:30the guest house. She's watching the Dawn of the
- 47:31Deaf trailer on her laptop. I think the trailer
- 47:34and the movie need open captions because the
- 47:36sign is not that great from the hearing people.
- 47:38DANI: Good idea. Also just for accessibility.
- 47:38KARA: Yeah.
- 47:41But then Regina comes in and she's like, Angelo's
- 47:44all moved in. The idea you had, we did it immediately.
- 47:46I'm sorry I didn't come to you sooner. And then
- 47:49Daphne says, I should have said something.
- 47:49DANI: I
- 47:51feel like everyone in that situation could have
- 47:53assumed.
- 47:53KARA: Yeah. But then Regina goes, are you
- 47:56avoiding me because I can't sign?
- 47:56DANI: Yeah, girl.
- 47:59That's why.
- 47:59KARA: And then Daphne sadly is like, no,
- 48:02I can lip read. DANIL But it's not the same.
- 48:02KARA: No, it's
- 48:05not. And they both agree it's not the same.
- 48:05DANI: Yeah.
- 48:08They needed to have this conversation finally
- 48:11because this is going to drive a huge wedge between
- 48:13them.
- 48:13KARA: But then Regina starts breaking into tears.
- 48:16She's like, I'm so sorry. I can't sign. And your
- 48:20deadbeat father's moving in. You must be so mad
- 48:24at me. And then all of a sudden Daphne now has
- 48:27to play caretaker.
- 48:27DANI: Yes, you're right. She's always
- 48:30having to make her mom feel better about her
- 48:32mom's terrible mothering choices.
- 48:32KARA: I know. But
- 48:35then Daphne really does show some growth
- 48:37here, because she's like, I want to do this, not
- 48:39for you, because you suck, but I'm doing this for
- 48:41Bay.
- 48:41DANI: Yeah.
- 48:41KARA: Because I got to know my father, and
- 48:44Bay deserves to know hers.
- 48:44DANI: Yeah. I know. They're
- 48:47on good terms right now, so
- 48:49it's nice.
- 48:49KARA: John loses his record.
- 48:49DANI: John loses his
- 48:51record. Why does he sound so racist when he says
- 48:54the baseball player's name? He like commits so
- 48:57hard to the pronunciation that it almost sounds
- 48:59like he's mocking it.
- 48:59KARA: I didn't have my implants
- 49:03on while I was watching this. So I did not hear
- 49:05that. Thank you.
- 49:05DANI: Yeah, it was not. I was like,
- 49:08John. Whoa. Whoa.
- 49:08KARA: Okay.
- 49:08DANI: But he's like, I'm going
- 49:11to go on SportsCenter and pretend to be happy
- 49:14for him. Whatever.
- 49:14KARA: Yeah. Bay approaches Toby
- 49:17in the music room and she's like, so you pushed
- 49:19Emmett. What was that about? Also, Emmett planned
- 49:22to come over. Daphne checked with me and Toby
- 49:24was like, no one checked with me.
- 49:24DANI: Yeah. He's
- 49:27like, I'm here too. I'm impacted by everything that's happening too.
- 49:30KARA: Yeah.
- 49:30DANI: Now he has a random man living in his
- 49:33house.
- 49:33KARA: That's fair. Like, no one is consulting him.
- 49:36DANI: No one is.
- 49:36KARA: Yeah.
- 49:36DANI: And she's like, consolation
- 49:40prize — let's bond.
- 49:40KARA: Yeah.
- 49:40DANI: Some sibling bonding. And
- 49:44she shows him the street art.
- 49:44KARA: And he's the first
- 49:47family member who knows about her street art
- 49:49now.
- 49:49DANI: Yeah. And then they go over to the other
- 49:53side of the bus and Medusa has spray painted
- 49:56a frame. An empty frame.
- 49:56KARA: Hey, angry girl, your
- 50:01turn.
- 50:01DANI: They should kiss.
- 50:01KARA: I know, they really should
- 50:04kiss.
- 50:04DANI: This is so much more romantic than Emmett's
- 50:06stupid fucking timeline that he spray painted
- 50:09on that building. It's so much better. They have
- 50:12such good chemistry.
- 50:12KARA: Yeah. And Bay stares and
- 50:15she's like, oh, this is hot. And then the very
- 50:18last scene, there's some music playing. Daphne
- 50:21takes out the trash and she looks through the
- 50:23window at the big house and sees Angelo doing
- 50:25the dishes and he waves at her. And she waves
- 50:28back and she's like, Jesus Christ, I have to
- 50:29live with this now.
- 50:29DANI: Is that what you interpreted
- 50:32from her facial expression when she turned away?
- 50:34Because I was like, it's very much giving Girl
- 50:36Who Is Going To Be Okay. She sees him through
- 50:38the window and she's like, hey. And then she
- 50:41turns away and she's like, what's that song that
- 50:44always plays? [SINGS]. You know what I'm talking about?
- 50:49KARA: No.
- 50:49DANI: It's the song that plays at the end of every
- 50:52teen movie. Hold on.
- 50:52KARA: Okay. She is going to be
- 50:54okay. [MUSIC PLAYS FROM PHONE]. This one.
- 50:54KARA: Yeah. Wow.
- 50:54DANI: It's the song that
- 51:01plays at the end of Mean Girls, guys.
- 51:01KARA: Yes.
- 51:01DANI: Yeah.
- 51:04But it felt like that needed to be playing as
- 51:07she like walked away because she had a very girl
- 51:09who's going to be okay face.
- 51:09KARA: My stupid dad just
- 51:11moved in, but it's going to be okay.
- 51:11DANI: It's going
- 51:13to be okay. Because he's all the way across.
- 51:15KARA: He's only 20 feet away.
- 51:15DANI: So it's fine. And it's
- 51:18like, she was like, I just don't want to have
- 51:20to see him at the breakfast table. But we mostly
- 51:22see Daphne at the breakfast table at the Kennish
- 51:25house.
- 51:25KARA: I know.
- 51:25DANI: So I feel like she's going to
- 51:28see him even more that way.
- 51:28KARA: Poor Daphne.
- 51:28DANI: Poor
- 51:30Daphne. And can you imagine all this shit is
- 51:34happening at home and then you're going to work
- 51:36and getting groomed. Literally groomed.
- 51:36KARA: He goes,
- 51:39don't call me chef. Call me Jeff.
- 51:39DANI: [GROANS LOUDLY].
- 51:39KARA: I was like,
- 51:43I feel like that's phase one.
- 51:43DANI: And you're getting
- 51:46like, even though I think Scuba, his name being
- 51:49Scuba is killing me. I think Scuba is cute. But
- 51:52like, and you're getting weird, jealous boyfriend
- 51:55energy from your co-worker that you're not interested
- 51:58in who's also older than you. She's really in
- 52:01the trenches and her male best friend is like,
- 52:03well you're perfect and like I would never tell
- 52:05you anything.
- 52:05KARA: I know.
- 52:05DANI: And also he doesn't give
- 52:08a fuck about her.
- 52:08KARA: He does not. He just wants Bay
- 52:10back.
- 52:10DANI: He literally — oh my god. It's the trenches
- 52:14Also, where's Melody?
- 52:14KARA: We had not seen her in quite
- 52:18a while.
- 52:18DANI: I miss her so much.
- 52:18KARA: I know.
- 52:18DANI: Where's Melody?
- 52:21Where are all the Deaf people? We barely get Travis.
- 52:26KARA: This is a lot of hearing drama. We need more
- 52:27Deaf drama.
- 52:27DANI: Exactly.
- 52:27KARA: I know. I just want more
- 52:31Deaf. I just want more signing. More Deaf, please.
- 52:34DANI: More Deaf, please. Everybody get Deafer now.
- 52:37KARA: Please. Thanks for listening, guys.
- 52:37DANI: Thanks for
- 52:40listening.
- 52:40KARA: And we'll see you next week.
- 52:40DANI: See you
- 52:41next week.
- 52:41BOTH: Bye. [UPBEAT THEME MUSIC]