Latest / Crime and Horror / 2 cops quit after DEMON encounter The Capitol Theater haunting -
Transcript
- 0:00Speaker 1: For a ghost story to be scary, it needs to
- 0:02Speaker 1: be believable. For it to be believable, you need to
- 0:05Speaker 1: have credible witnesses that independently can corroborate each other's stories.
- 0:10Speaker 1: And in today's ghost story, we have three police officers
- 0:13Speaker 1: that do just that. But before we get into that story,
- 0:16Speaker 1: if you're a fan of the strange, dark and mysterious
- 0:18Speaker 1: delivered in story format, then you come to the right place,
- 0:22Speaker 1: because that's all I do, and I upload three, four,
- 0:24Speaker 1: even five times every week. So if that's of interest
- 0:27Speaker 1: to you, then please put the like button's feet into
- 0:29Speaker 1: cement and then throw it into the ocean. Also, subscribe
- 0:32Speaker 1: to this channel and turn on all notifications. You don't
- 0:34Speaker 1: miss any of my weekly uploads. All right, let's get
- 0:37Speaker 1: into today's story. In two thousand and six, Dave Murphy
- 0:48Speaker 1: had just become a police officer in Salt Lake City, Utah.
- 0:51Speaker 1: His first role was as a protective service officer, which
- 0:55Speaker 1: meant he'd be in charge of physical security and a
- 0:57Speaker 1: number of the county facilities. Dave's first facility was the
- 1:01Speaker 1: Capital City Theater, which is a landmark inside of Salt
- 1:04Speaker 1: Lake City. It's been around since the early nineteen hundreds.
- 1:06Speaker 1: It's this beautiful, grand theater. So in early August, Dave
- 1:10Speaker 1: reports to the Capital City Theater first first day on
- 1:13Speaker 1: the job, and he meets his partner, an officer by
- 1:15Speaker 1: the name of Morgan Matthews. He gets there on this
- 1:18Speaker 1: first day and right away Dave would say that Morgan
- 1:21Speaker 1: was just strictly business. The first place that Morgan takes
- 1:24Speaker 1: Dave is the control room, which sits on the first
- 1:26Speaker 1: floor of the theater. The theater had three floors and
- 1:29Speaker 1: then it also had a basement as well, so the
- 1:31Speaker 1: control room was on that first floor. Inside of the
- 1:33Speaker 1: control room where all of the security monitors because there
- 1:36Speaker 1: was all these cameras set up inside of the theater.
- 1:39Speaker 1: The cameras weren't great though. You pretty much could only
- 1:41Speaker 1: tell what was in frame if there was a light on,
- 1:44Speaker 1: and most of the time at night especially, lights were off.
- 1:47Speaker 1: Once they were done looking at the control room, Morgan
- 1:50Speaker 1: says to Dave, now we're going to go do our rounds.
- 1:52Speaker 1: This is something we do every time you get to
- 1:54Speaker 1: the theater. You do a security round and make sure
- 1:56Speaker 1: everything's locked, all the lights are off before you come
- 1:58Speaker 1: back to the control Room'll do that at the beginning
- 2:00Speaker 1: of your shift, and at the end of your shift,
- 2:02Speaker 1: Morgan brings Dave downstairs, and it's the first time Dave
- 2:05Speaker 1: is seeing the basement, and he's shocked by how big
- 2:08Speaker 1: it is. It is this massive hallway that stretches way down.
- 2:12Speaker 1: In the middle of the hall is a piano that's
- 2:14Speaker 1: just sitting out in the middle, and the lighting's not
- 2:16Speaker 1: good down there. This is a very old theater, you know,
- 2:18Speaker 1: everything in the building was pretty old. And Dave remembers
- 2:22Speaker 1: thinking that he was immediately creeped out by this scene,
- 2:25Speaker 1: this long hallway with all these doors in this piano
- 2:28Speaker 1: right in the middle of the hallway, and he's thinking
- 2:31Speaker 1: to himself, I don't want to spend much time down here.
- 2:33Speaker 1: This is so creepy. But they go down the hall,
- 2:35Speaker 1: they check all the doors, they make the way up
- 2:37Speaker 1: to the main floor, of the second floor, the third floor.
- 2:39Speaker 1: Everything gets checked and so after they do this security round,
- 2:43Speaker 1: Dave and Morgan go back to the control room and
- 2:45Speaker 1: Dave is anticipating getting to know Morgan a little bit.
- 2:49Speaker 1: This is their first night. They're going to be working
- 2:50Speaker 1: together a lot, and Dave would say that Morgan just
- 2:53Speaker 1: seems really cold and just did not want to talk
- 2:55Speaker 1: to Dave very much, and as soon as their shift
- 2:58Speaker 1: was almost over, more was very eager to just knock
- 3:02Speaker 1: out the security rounds and just get out of that building.
- 3:04Speaker 1: At the end of that night, Dave remembers thinking that
- 3:06Speaker 1: there's just something off about Morgan's behavior. It seemed like
- 3:10Speaker 1: Morgan really didn't like being in the theater. It would
- 3:13Speaker 1: turn out that he was onto something because Morgan didn't
- 3:15Speaker 1: like being in that building, but it would take him
- 3:17Speaker 1: a while to share with Dave why. Over the next
- 3:20Speaker 1: couple of days, Morgan and Dave would do their security
- 3:24Speaker 1: rounds together because Dave's in training, Morgan's teaching him. But
- 3:27Speaker 1: on August ninth, which is two days after Dave's first
- 3:30Speaker 1: day on the job, Morgan was confident that Dave knew
- 3:33Speaker 1: how to secure the whole building, and so at the
- 3:36Speaker 1: end of the night, he tells Dave, why don't you
- 3:39Speaker 1: do the security rounds yourself. Dave feels very confident that
- 3:41Speaker 1: he knows how to do it. He goes down into
- 3:43Speaker 1: the basement, make sure all the doors are shut and locked,
- 3:46Speaker 1: that the lights are off, finishes the basement, goes up
- 3:48Speaker 1: to the first floor, where the control room is and
- 3:51Speaker 1: checks all the rooms on that floor. He goes into
- 3:54Speaker 1: the main auditorium space. He's checking all the different nooks
- 3:56Speaker 1: and crannies to make sure there's nobody hiding in there.
- 3:59Speaker 1: He goes up to the set floor, he checks all
- 4:01Speaker 1: the different rooms up there and the balcony. Makes his
- 4:03Speaker 1: way up to the third floor, where there's all the
- 4:05Speaker 1: offices of staff that work at the theater. At the
- 4:08Speaker 1: end of the search, the last room he would check
- 4:10Speaker 1: was the rehearsal room, and it was the only room
- 4:12Speaker 1: where there was no door to it, so he'd poke
- 4:14Speaker 1: your head in, kind of look around, make sure no
- 4:16Speaker 1: one was in there, and then you would leave and
- 4:18Speaker 1: that's the end of your check. So Dave gets to
- 4:20Speaker 1: the rehearsal room, he flips the light on and he
- 4:22Speaker 1: looks inside, doesn't see anybody, is satisfied that no one's
- 4:25Speaker 1: in there, turns the light off, and as he's about
- 4:27Speaker 1: to turn back into the hallway, he hears a door
- 4:31Speaker 1: slam with tremendous force right across the hallway from where
- 4:35Speaker 1: he was, and it was the bathroom door. And his
- 4:37Speaker 1: first reaction is someone just ran out of the bathroom,
- 4:40Speaker 1: someone who had stuck into the building. Must have run
- 4:43Speaker 1: out of the bathroom and they're making a break for
- 4:45Speaker 1: it to get out of the theater before I catch them.
- 4:47Speaker 1: And so he instinctively picks up his radio when he
- 4:50Speaker 1: calls to Morgan and says someone's on the third floor.
- 4:52Speaker 1: But when Morgan looks at the camera, he doesn't see anybody.
- 4:55Speaker 1: At this point, Dave's drawn his weapon, you know, when
- 4:57Speaker 1: he's looking down the hall, he doesn't see anybody, and
- 5:00Speaker 1: as he's waiting for Morgan to come upstairs to back
- 5:02Speaker 1: him up, So then go look for this person that's
- 5:04Speaker 1: just ran down the hall. He realizes two things. One,
- 5:07Speaker 1: just because he heard the door slam doesn't mean they
- 5:09Speaker 1: left and slammed it. They could be in the bathroom.
- 5:12Speaker 1: And so he's thinking to himself, someone could be in
- 5:14Speaker 1: the bathroom right now. Maybe that's why we didn't see
- 5:16Speaker 1: him on the camera. And then the second thing he
- 5:18Speaker 1: thought of is that door. The bathroom door can't slam.
- 5:22Speaker 1: It's got this huge hydraulic hinge to it. It can't slam.
- 5:27Speaker 1: So his gun is drawn and he's aiming it at
- 5:29Speaker 1: the bathroom door. Right as Morgan comes up on his right.
- 5:31Speaker 1: Morgan draws his pistol he's got it on the door
- 5:34Speaker 1: as well, and they make entry into the bathroom. They
- 5:36Speaker 1: clear all the different spaces in the bathroom and no
- 5:39Speaker 1: one's in there and there's no way to get out
- 5:41Speaker 1: of there. Morgan and Dave are like, Okay, well, they
- 5:43Speaker 1: must not have come in here. They must have run
- 5:45Speaker 1: out of the bathroom. They're somewhere in the theater. And
- 5:48Speaker 1: so they decide they're going to search the entire building
- 5:51Speaker 1: and find this person that clearly was just in the
- 5:54Speaker 1: bathroom and that's how they slammed the door. We're not
- 5:56Speaker 1: gonna worry about how they slammed the door with a
- 5:58Speaker 1: hydraulic hinge. We just know slammed somehow. So they leave
- 6:02Speaker 1: the bathroom, guns still drawn, and they start making their
- 6:04Speaker 1: way down the hall. They're checking all the doors. Everything
- 6:07Speaker 1: is locked. When they start making their way downstairs to
- 6:09Speaker 1: the second floor, Dave recognizes through the door because there's
- 6:13Speaker 1: a door leading onto the second floor, he can see
- 6:15Speaker 1: that the lights are on and he had turned them off.
- 6:18Speaker 1: And so as they're walking down the stairs, he says
- 6:19Speaker 1: to Morgan, Hey, did you turn the lights on on
- 6:21Speaker 1: the second floor? And Morgan's like no, And so they
- 6:23Speaker 1: think that whoever was here, whoever was in the bathroom
- 6:26Speaker 1: is on the second floor. They must have turned the
- 6:28Speaker 1: lights on. They go into the second floor and not
- 6:30Speaker 1: only are the lights on, but all the doors on
- 6:33Speaker 1: the second floor had been opened. They searched the entire
- 6:36Speaker 1: second floor, They search every single room. No one's on
- 6:39Speaker 1: the second floor. They turn off the lights, they shut
- 6:41Speaker 1: all the doors. Everything's locked. When they went down to
- 6:43Speaker 1: the first floor, everything was the way it should have been, locked,
- 6:46Speaker 1: lights off. Nothing down there. And they go down to
- 6:49Speaker 1: the basement, and even though it was creepy being down there,
- 6:51Speaker 1: because they've now searched the whole building and they're anticipating
- 6:54Speaker 1: coming in contact with whoever is here, assuming they haven't
- 6:57Speaker 1: left the building yet and there's no one down there,
- 7:00Speaker 1: they decided to review the footage from the third floor
- 7:02Speaker 1: to see if they could pick up someone running in
- 7:04Speaker 1: the hall around the time that that door slammed. But
- 7:06Speaker 1: the camera was not trained on the bathroom door, so
- 7:10Speaker 1: you just have this view down the hall. You can't
- 7:12Speaker 1: see the bathroom specifically, not to mention, the hallway is
- 7:16Speaker 1: dark and the cameras are terrible without light, and so
- 7:18Speaker 1: all they're able to see is the light go on
- 7:20Speaker 1: in the rehearsal room while Dave is doing his last
- 7:23Speaker 1: check in there. The lights turn off because Dave's about
- 7:25Speaker 1: to turn around, and then after that you just hear
- 7:28Speaker 1: this massive slam of this door, but you can't see
- 7:31Speaker 1: what happened, so they don't know what to make of it.
- 7:33Speaker 1: They're both very much on edge that someone might still
- 7:35Speaker 1: be in the building, and so they do another sweep
- 7:38Speaker 1: of the building and no one's there, and so they
- 7:40Speaker 1: decide to just chalk it up and say, we were
- 7:42Speaker 1: hearing things and seeing things. I'm sure it's fine. Let's
- 7:45Speaker 1: just get out of here, and they leave. A couple
- 7:47Speaker 1: of days later, on August eleventh, Morgan is working alone.
- 7:50Speaker 1: Dave wasn't coming in that day, so Morgan's alone in
- 7:52Speaker 1: the theater doing a shift, and at some point in
- 7:55Speaker 1: the night, as he's sitting in the control room, he
- 7:57Speaker 1: thinks he hears whispering in the hall right behind him.
- 8:00Speaker 1: And so, after the experience he had with Dave a
- 8:02Speaker 1: couple nights ago, he's on edge. So he draws his
- 8:05Speaker 1: pistol right away, and so he goes out into the hallway,
- 8:08Speaker 1: and immediately when he steps into the hall, the whispering
- 8:11Speaker 1: seems to go farther and farther away from him down
- 8:14Speaker 1: the hall. So he gets out there, he's looking over
- 8:16Speaker 1: around and he can't see anything. He makes his way
- 8:18Speaker 1: down the hallway towards the stairs that go down into
- 8:21Speaker 1: the basement or if you want to go up to
- 8:23Speaker 1: the second floor, and when he gets to the top
- 8:25Speaker 1: of the stairwall, he's, you know, gun drawn, looking down,
- 8:27Speaker 1: looking up, he hears what sounds like coughing coming from
- 8:30Speaker 1: the basement. And at this point Morgan said that he
- 8:32Speaker 1: was actually pretty scared. I mean, imagine being alone in
- 8:35Speaker 1: this theater just a couple of days earlier. You've had
- 8:38Speaker 1: this weird experience with slamming doors and doors being opened
- 8:42Speaker 1: and light's going on that somebody else, another police officer
- 8:45Speaker 1: witnessed with you. You're alone in this theater and you're
- 8:48Speaker 1: hearing coughing coming from the basement after hearing voices behind you.
- 8:52Speaker 1: That's pretty terrifying. So he very slowly starts going down
- 8:56Speaker 1: the stairwell. He's getting ready to clear the corner, and
- 8:58Speaker 1: just as he does, the coffee stops. He turns the
- 9:01Speaker 1: lights on and he looks down the hall and there's
- 9:03Speaker 1: nothing there. He starts making his way down the hall.
- 9:05Speaker 1: He's checking every door, making sure it's locked, you know,
- 9:08Speaker 1: making sure that everything is secure. And he gets all
- 9:11Speaker 1: the way down the hall and as he's almost done
- 9:13Speaker 1: checking the basement and he smells smoke and it's coming
- 9:16Speaker 1: from a door right next to him, and so he
- 9:17Speaker 1: unlocks that door and he goes in and there's no fire,
- 9:20Speaker 1: but all he can smell his smokes. He turns the
- 9:22Speaker 1: light on. He's looking around. There's no fire. He's convinced
- 9:26Speaker 1: that somewhere down in the basement there's a fire. He
- 9:29Speaker 1: goes to every single room and he keeps checking and
- 9:31Speaker 1: there's nothing. And then at some point the smoke smell dissipates.
- 9:34Speaker 1: He checks every space in the theater to look for
- 9:36Speaker 1: a fire, and there's no fire. He's wondering if he
- 9:38Speaker 1: should call the fire department, but he's thinking, what I
- 9:40Speaker 1: tell them, there's no fire, and so he ultimately, after
- 9:43Speaker 1: checking three four times and being very confident there wasn't
- 9:47Speaker 1: a fire, he just says, Okay, no fire. I guess
- 9:50Speaker 1: I was just smelling things. A few weeks later, on
- 9:53Speaker 1: September fourth, Dave has just arrived at the theater. He's
- 9:56Speaker 1: there a little bit early. Their shift started at five pm.
- 9:59Speaker 1: He was there at about four thirty and when he
- 10:01Speaker 1: walked into the building, he sees that there are three
- 10:04Speaker 1: staff members sitting at the front desk talking to each other,
- 10:06Speaker 1: and as he walks past, one of them is talking
- 10:09Speaker 1: about ghosts inside of the theater, and it immediately piques
- 10:12Speaker 1: his interest, and so he walked over to the guy
- 10:15Speaker 1: talking about ghosts, and he introduced himself, and it turned
- 10:18Speaker 1: out that this guy was a man named Blair Fuller,
- 10:20Speaker 1: who was a senior accountant at the theater. And so
- 10:23Speaker 1: Dave asked, Blair, what are you talking about with ghosts
- 10:26Speaker 1: in the theater? Because I provide physical security here and
- 10:28Speaker 1: I've seen some strange things here. I just love to
- 10:30Speaker 1: hear what you have to say about it. So they
- 10:31Speaker 1: head up to the third floor where Blair's office was
- 10:34Speaker 1: and they sit down and Blair says, okay, I got
- 10:36Speaker 1: a doozy for you. This happened to me a couple
- 10:38Speaker 1: of years ago. I was actually in this office. It
- 10:40Speaker 1: was about nine ten o'clock at night. I was doing
- 10:43Speaker 1: some work and I heard the elevator kick on. Now,
- 10:45Speaker 1: the elevator was right outside of his office, and anytime
- 10:48Speaker 1: it was on. The engine was really loud. It was
- 10:52Speaker 1: really obvious if the elevator was moving around. And so
- 10:55Speaker 1: he's doing his accounting work and he hears that engine
- 10:58Speaker 1: kick on. He doesn't think much of it, but then
- 11:00Speaker 1: it clicks that he's the only one in the building
- 11:02Speaker 1: and so he kind of looks out the glass window
- 11:04Speaker 1: of his office. He had a closed door office with
- 11:06Speaker 1: two windows looking out into the foyer where there's this elevator,
- 11:10Speaker 1: and he looks out and he can see that the
- 11:12Speaker 1: little lights above the elevator showing what floor it's on,
- 11:16Speaker 1: have lit up and it's going up. So the elevator
- 11:19Speaker 1: was in the basement and now it's in the first floor,
- 11:21Speaker 1: the second floor, third floor. The door's open and there's
- 11:24Speaker 1: no one there. And at this point Blair says that
- 11:26Speaker 1: he wasn't concerned. He figured, Okay, maybe there's some maintenance,
- 11:29Speaker 1: maybe it's scheduled to do that, who knows. But after
- 11:32Speaker 1: a little while, the alarm goes off in the elevator
- 11:35Speaker 1: to signify that something is obstructing the door from shutting.
- 11:39Speaker 1: And he's looking out the window and he hears this alarm.
- 11:41Speaker 1: This's like ringing sound going off, but the door isn't shutting,
- 11:44Speaker 1: And he's like, there's nothing obstructing the door, why isn't
- 11:46Speaker 1: it shutting? And so he leaves his office and he
- 11:49Speaker 1: kind of walks over to the elevator and he walks
- 11:52Speaker 1: into the elevator and he said, immediately he felt this
- 11:55Speaker 1: massive drop in temperature inside of the elevator. And as
- 11:59Speaker 1: he's standing there, he turns around. Now he's looking back
- 12:01Speaker 1: towards his office. Inside of the elevator, the doors start
- 12:05Speaker 1: to shut and for whatever reason, he said, I didn't
- 12:08Speaker 1: get off. I just decided I'm gonna ride this elevator.
- 12:11Speaker 1: The basement button lights up as if someone had pressed
- 12:14Speaker 1: basement and they start going down, and he's sitting there thinking,
- 12:18Speaker 1: what in the world is going on? It was just
- 12:21Speaker 1: on an alarm because the door wasn't shutting. And then miraculously,
- 12:24Speaker 1: when I go inside of it, it suddenly works again
- 12:26Speaker 1: and it's going to the basement. So he goes to
- 12:28Speaker 1: the basement. The door opens, there's no one there. He
- 12:32Speaker 1: steps out, and Blair says that it took all of
- 12:34Speaker 1: his courage to yell out, hey is anyone down here?
- 12:38Speaker 1: And as soon as he did, and he didn't hear
- 12:39Speaker 1: a response, he said he didn't want to make any
- 12:41Speaker 1: more sound. The elevator sat in the middle of the
- 12:43Speaker 1: hall in the basement. It's that huge hall with that
- 12:46Speaker 1: piano sitting right in the middle. The lights are off,
- 12:49Speaker 1: and he pokes his head down one way. There's nothing
- 12:51Speaker 1: down there. He sees the piano barely from the light
- 12:53Speaker 1: of the elevator, and he looks down the other way.
- 12:56Speaker 1: There's no one there. And at this point he's just
- 12:58Speaker 1: so spooked. He just gets back in the elevator and
- 13:00Speaker 1: he hits four three, floor three, floor three, and he's
- 13:03Speaker 1: hitting like door closed door, closed, door closed. The door closes,
- 13:05Speaker 1: and he goes back up to his office. He goes
- 13:08Speaker 1: into his office and he shuts the door and he
- 13:10Speaker 1: sits down and he's thinking, like, what was that? Why
- 13:13Speaker 1: did that just happen? I gotta find out they're running
- 13:16Speaker 1: maintenance or something. And as he's sitting in his chair
- 13:19Speaker 1: thinking about this strange experience, he hears what sounds like
- 13:22Speaker 1: banging sounds coming from outside of his office in that
- 13:25Speaker 1: foyer near the elevator. He just goes to his door
- 13:27Speaker 1: and he opens it up and he pokes his head
- 13:29Speaker 1: into the floyer and he looks to the side, and
- 13:31Speaker 1: there's this big filing cabinet and all of the cabinets
- 13:34Speaker 1: are out, They've all been pulled out. He's certainly didn't
- 13:37Speaker 1: do this, and it was as if someone was one
- 13:39Speaker 1: by one pushing each of them shut, these big, heavy cabinets,
- 13:42Speaker 1: and he's watching us. One by one, these things are
- 13:44Speaker 1: slamming shut, one by one until a whole thing is shut.
- 13:48Speaker 1: And so he goes over and he's like trying to
- 13:50Speaker 1: disprove what he just saw. That he can open up
- 13:53Speaker 1: a drawer and that it will shut on its own,
- 13:55Speaker 1: but none of them shut on their own. You have
- 13:57Speaker 1: to shut it. Something has to shut it for it
- 13:59Speaker 1: too shut. And so he packed up for the day
- 14:01Speaker 1: and left and did not work another night shift at
- 14:04Speaker 1: the theater. Later that night, Dave would share Blair's story
- 14:08Speaker 1: with Morgan. He wasn't really sure how Morgan was going
- 14:10Speaker 1: to react, but Morgan actually would open up and he
- 14:13Speaker 1: would say, you know, before you started working here, I
- 14:15Speaker 1: always felt like I was being watched when I was here.
- 14:17Speaker 1: And then we had that experience obviously where the lights
- 14:20Speaker 1: are coming on and you heard that banging from that
- 14:22Speaker 1: bathroom door, and then just a few days ago I
- 14:25Speaker 1: heard voices coming from the hall, and I heard someone
- 14:27Speaker 1: coughing in the basement, and I smelled smoke, and there
- 14:31Speaker 1: was no one there. And so they start going back
- 14:33Speaker 1: and forth, exchanging stories of just how uncomfortable this place
- 14:36Speaker 1: made them feel. And so they're wondering what they should
- 14:39Speaker 1: do about this, and Dave has this idea. He's like,
- 14:41Speaker 1: my best friend, I'll invite him to come over here
- 14:44Speaker 1: one night and we'll tell him that we're giving him
- 14:46Speaker 1: a tour of the building, and we'll just see what
- 14:47Speaker 1: he says. We'll see if he reacts to anything here.
- 14:49Speaker 1: Who knows, you know, maybe something strange will happen, and
- 14:52Speaker 1: then we'll have another person validated. Morgan thinks that's a
- 14:55Speaker 1: good idea, and so Dave reaches out to his best
- 14:57Speaker 1: friend Greg. Greg would say that he was a little
- 15:00Speaker 1: a little bit surprised to be getting this offer to
- 15:02Speaker 1: come take a tour of the theater, but he was interested,
- 15:05Speaker 1: and since Dave was asking, he figured he would oblige him,
- 15:08Speaker 1: and so Greg agrees to come to the theater and
- 15:10Speaker 1: take a tour. So the next day, Dave and Morgan
- 15:12Speaker 1: are at the theater and Greg shows up as they
- 15:15Speaker 1: start this tour. They go in the main auditorium. They're
- 15:17Speaker 1: looking around and they make their way into the basement.
- 15:20Speaker 1: Morgan turns on the light and Morgan and Dave instantly
- 15:24Speaker 1: see a little ways down the hall on the left,
- 15:26Speaker 1: one of the doors has been opened, and so Dave
- 15:28Speaker 1: and Morgan pushed Greg out of the way. They draw
- 15:30Speaker 1: their pistols and they're aimed at the open door, and
- 15:33Speaker 1: so Greg just stays behind them as Morgan and Dave
- 15:36Speaker 1: make their way down to this open door. And when
- 15:38Speaker 1: they get right outside the door and they're about to
- 15:41Speaker 1: push it open to go inside, the door slams shut
- 15:44Speaker 1: right in front of Greg and Dave and Morgan, and
- 15:48Speaker 1: they all are looking at each other like what's going on?
- 15:51Speaker 1: But before they can do anything, the door handle starts
- 15:54Speaker 1: rattling really aggressively. After the rattling stops, Dave and Morgan
- 15:58Speaker 1: look at each other and they nod their head. Got
- 16:00Speaker 1: to go in there. Greg is scared about being out
- 16:02Speaker 1: in the hall alone, and so he just follows them in.
- 16:05Speaker 1: And so the three of them go into this room.
- 16:07Speaker 1: Dave and Morgan are, you know, pistols drawn. It's a
- 16:09Speaker 1: small room. There's no one in there. Light switch on
- 16:12Speaker 1: no one in there. Greg suddenly gasps and he points
- 16:15Speaker 1: to the corner and he says, someone's sitting in the corner.
- 16:17Speaker 1: And David Morgan immediately train their guns on what's in
- 16:20Speaker 1: the corner, but no one's there, and Greg's like, I
- 16:24Speaker 1: just saw someone sitting in the corner. It looked like
- 16:26Speaker 1: he had a hood on, he had like a sweatshirt on.
- 16:28Speaker 1: I don't know, but he's right there. And so Dave
- 16:30Speaker 1: and Morgan they're freaked out because they brought Greg here
- 16:33Speaker 1: on some level to disprove the strangeness, and now the
- 16:37Speaker 1: three of them have seen a door slam that shouldn't
- 16:39Speaker 1: have been opened in the first place. Greg's claiming to
- 16:42Speaker 1: have seen a figure sitting in the corner. This scared
- 16:44Speaker 1: the crap out of all three of them. They quickly left, locked,
- 16:48Speaker 1: shut off, the lights went upstairs. Greg's like, I'm out
- 16:50Speaker 1: of here. Greg Leaves and David Morgan are like, now what.
- 16:54Speaker 1: So at this point, all the strangeness that was happening
- 16:56Speaker 1: in the theater was getting reported, but it was being
- 16:59Speaker 1: reported it in a way that Dave and Morgan didn't
- 17:02Speaker 1: seem like they were referencing something haunted, but rather someone
- 17:06Speaker 1: was breaking in. Ultimately, the county installed new cameras inside
- 17:11Speaker 1: of the theater. These updated cameras had infrared technology, which
- 17:14Speaker 1: allowed them to see better when the lights were off.
- 17:16Speaker 1: They were hoping that this would allow them to catch
- 17:18Speaker 1: whoever was breaking in. Practically every time David Morgan are
- 17:22Speaker 1: on shift. So on the day that it was installed
- 17:24Speaker 1: September fifteenth, Morgan is working there alone, and he's sitting
- 17:27Speaker 1: in the control room looking at the different cameras and
- 17:30Speaker 1: he's kind of playing around with the different screens and
- 17:32Speaker 1: seeing what each of the cameras can do. And at
- 17:34Speaker 1: some point, something catches his eye in one of the
- 17:36Speaker 1: screen in the main auditorium. It appeared like someone might
- 17:40Speaker 1: be sitting in one of the seats, but the camera
- 17:43Speaker 1: was zoomed back enough that he couldn't get a clear picture,
- 17:45Speaker 1: and he didn't know what was normal in any of
- 17:47Speaker 1: these cameras because this is the first time he's looking
- 17:50Speaker 1: at any of these screens, and so he's looking at
- 17:52Speaker 1: the camera really closely, and he thinks he sees someone
- 17:55Speaker 1: he can't really tell that has a hood on or
- 17:58Speaker 1: a shroud on that's just in the middle of the theater,
- 18:01Speaker 1: and it starts turning its head like this, and he
- 18:03Speaker 1: can see clear his day a set of eyes, and
- 18:06Speaker 1: before Morgan has a chance to do it, it just
- 18:08Speaker 1: starts raising into the ceiling and disappears. Morgan didn't even
- 18:11Speaker 1: check to see what it was. He was done. He
- 18:13Speaker 1: literally quit that day. That was his last day at
- 18:16Speaker 1: the theater. A couple of weeks after Morgan has quit
- 18:18Speaker 1: and Dave is working alone at the theater. He's in
- 18:21Speaker 1: the control room and all of a sudden he hears
- 18:24Speaker 1: a piano playing, and there's only one piano in the
- 18:28Speaker 1: entire theater and it's sitting in the basement. It's his
- 18:30Speaker 1: job to protect this place, so he knows he has
- 18:33Speaker 1: to go down and check because it could be some
- 18:35Speaker 1: hooligan in the building somewhere. So he leaves the control
- 18:38Speaker 1: room and as he starts walking over to the stairs
- 18:40Speaker 1: with his gun drawn, the music is getting louder and louder.
- 18:43Speaker 1: The piano is getting louder and louder and louder. He
- 18:46Speaker 1: makes his way down the steps and as he's about
- 18:48Speaker 1: to turn the corner, he hears that the guard that
- 18:51Speaker 1: protects the keys on the piano slam shut and the
- 18:54Speaker 1: piano stops. Then he turns around the corner and he
- 18:57Speaker 1: looks and there's no one down there. He flips on
- 18:59Speaker 1: the light in the hall. He knows he's not going
- 19:01Speaker 1: to find anyone down here. It's this entity that's causing
- 19:04Speaker 1: all this mayhem inside of the theater. Dave's seen enough,
- 19:07Speaker 1: he's done, He's done with this theater, and he goes
- 19:09Speaker 1: right back upstairs. He goes in the control room, locks
- 19:12Speaker 1: it stays there till the end of the shift, and
- 19:14Speaker 1: then he is out. And the next day he goes
- 19:16Speaker 1: to a sergeant and he says, you can't ever put
- 19:18Speaker 1: me back inside that theater or I will quit. And
- 19:20Speaker 1: so sure enough, he was transferred. Over the next two months,
- 19:23Speaker 1: they didn't have anyone who could do full time security
- 19:26Speaker 1: at the theater, so different random officers would be there
- 19:29Speaker 1: for a couple hours a couple of days a week
- 19:31Speaker 1: until November twenty sixth, they found another officer, a veteran
- 19:36Speaker 1: police officer named Josh Thomas, who was going to be
- 19:38Speaker 1: working at the theater full time. On November twenty sixth,
- 19:41Speaker 1: the first night that Josh Thomas was going to be there,
- 19:44Speaker 1: he didn't have anyone to turn over with, so he
- 19:46Speaker 1: was just alone at the theater, and it just so
- 19:48Speaker 1: happens that Dave is in a patrol car near the
- 19:51Speaker 1: theater and when at some point in the night, Josh
- 19:53Speaker 1: comes over the radio and says, hey, I need back
- 19:55Speaker 1: up right now. Someone has broken into the theater. Dave
- 19:58Speaker 1: knows that it's probably not someone breaking in. He knows
- 20:01Speaker 1: what's going on inside that theater. He was the closest
- 20:03Speaker 1: to it, and even though he did not want to go,
- 20:06Speaker 1: he felt like it was his responsibility to go to
- 20:08Speaker 1: that theater and be Josh's back up. And if it
- 20:11Speaker 1: was what Dave thought it would be this entity in
- 20:13Speaker 1: the theater that he would be able to explain to
- 20:16Speaker 1: him what he had seen before. He ultimately decided never
- 20:19Speaker 1: to go back. And when Dave gets to the theater,
- 20:21Speaker 1: there's this back door that they would go into, and
- 20:23Speaker 1: he sees Josh is standing just outside the theater, and
- 20:26Speaker 1: Dave would say that Josh's eyes were like saucers. He
- 20:28Speaker 1: looked terrified, and so Dave has an inkling of what's
- 20:31Speaker 1: going on, and he goes over to Josh. He's like,
- 20:33Speaker 1: what's going on? Is someone still in there? He said
- 20:35Speaker 1: that he'd been doing security rounds and he had heard
- 20:37Speaker 1: what sounded like voices when he was in the basement,
- 20:40Speaker 1: and he didn't think much of it. He checked all
- 20:42Speaker 1: the rooms, everything was shut, and when he made his
- 20:44Speaker 1: way up to the third floor, he saw that the
- 20:47Speaker 1: elevator had kicked on. It was in the basement, and
- 20:49Speaker 1: suddenly the light was on and it was whirring up
- 20:51Speaker 1: to the third floor. And when the elevator opened up,
- 20:53Speaker 1: there was no one there. And he's standing there looking
- 20:56Speaker 1: at it, and he looks inside. There's no one there,
- 20:58Speaker 1: and then the alarm goes off. That's when he called
- 21:00Speaker 1: in for backup. Dave says, look, let's just go search
- 21:02Speaker 1: the building. We'll do it together. They clear the whole theater.
- 21:05Speaker 1: No one's there, and before Dave leaves, they go into
- 21:08Speaker 1: the main auditorium where the stages, and they're just standing
- 21:11Speaker 1: on the stage chatting with each other, and Dave, his
- 21:14Speaker 1: back is to where the audience would be, and Josh
- 21:16Speaker 1: is facing Dave, facing towards the seats. Josh just suddenly
- 21:20Speaker 1: stopped mid sentence. He's just frozen and looking just beyond
- 21:24Speaker 1: Dave's shoulder, and Dave goes, what And Josh goes, there's
- 21:28Speaker 1: something behind you. Dave slowly turns around, and as soon
- 21:31Speaker 1: as he does, he can tell immediately what Josh is
- 21:34Speaker 1: looking at. Standing in the very back of the theater,
- 21:37Speaker 1: away from them, is a man standing in the corner
- 21:39Speaker 1: with its hands by its sides, its back is to them,
- 21:42Speaker 1: and it's looking down with a hood over its head.
- 21:44Speaker 1: Dave turns his whole body round to look at this
- 21:47Speaker 1: thing right as this thing turns around real quick and
- 21:49Speaker 1: looks directly at them. That has these deep, dark, sunken eyes,
- 21:53Speaker 1: and its face looks like it had been very badly burned,
- 21:57Speaker 1: like it was black and charred, and it's looking at them.
- 22:00Speaker 1: Four just turns and runs out the back of the theater.
- 22:03Speaker 1: Josh believed that that was an intruder. Dave was fairly
- 22:06Speaker 1: certain that that was just another example of this entity
- 22:09Speaker 1: that haunts the theater. But they would search the building
- 22:11Speaker 1: and they could never find that cloaked figure again. And
- 22:14Speaker 1: that was when Dave sat Josh down in the control
- 22:17Speaker 1: room and he filled him in on why Morgan had
- 22:19Speaker 1: quit and why he ultimately had quit, and he also
- 22:22Speaker 1: told him the story from Blair. So Josh is like, great,
- 22:24Speaker 1: I'm glad I work here. Now. This was the last
- 22:26Speaker 1: time that Dave would go to the theater, but Dave
- 22:28Speaker 1: would do some additional digging on the history of the theater.
- 22:31Speaker 1: It would turn out that in the forties there was
- 22:33Speaker 1: this horrible fire and a man had been trapped in
- 22:36Speaker 1: the basement when the fire had erupted, and he had
- 22:39Speaker 1: died inside of the theater. And so Dave would share
- 22:41Speaker 1: this information with Morgan and with Josh, and the three
- 22:44Speaker 1: of them all believe that what they were witnessing was
- 22:47Speaker 1: the ghost of that man who died in that fire.
- 22:49Speaker 1: So I'd love to get your reaction to this. Was
- 22:52Speaker 1: this a ghost or was this something else? I will
- 22:54Speaker 1: get back to all of the early commenters, So get
- 22:57Speaker 1: your comments in there, give me your theories, and I
- 22:59Speaker 1: get back to all of the early commenters. If you
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- 23:59Speaker 1: See y