Latest / Movie Meltdown / 219: You Can't Take Hooper to the Oscars

Transcript

219: You Can't Take Hooper to the Oscars · Movie Meltdown

• 0:01
  Speaker 1: Are you ready?
• 0:03
  Speaker 2: We're going this way.
• 0:04
  Speaker 1: We've got to introduce Paul.
• 0:06
  Speaker 3: I'm Paul Brokaw. I didn't watch a single one of
• 0:10
  Speaker 3: these movies. Obama.
• 0:14
  Speaker 4: You can't go to a grocery store without tripping over Obama.
• 0:20
  Speaker 3: I like this drink. This is a good drink. But still.
• 0:29
  Speaker 3: Can't believe we won another year in a row, you know?
• 0:32
  Speaker 5: Sharon!
• 0:33
  Speaker 6: Sharon!
• 0:34
  Speaker 3: She's going to sleep on the couch over there. So,
• 0:37
  Speaker 3: what are we talking about?
• 0:39
  Speaker 7: This is a podcast.
• 0:40
  Speaker 8: You sound like Bill Cosby now.
• 0:42
  Speaker 3: There's no one on the couch over there.
• 0:45
  Speaker 7: Can't go to the grocery store running a Cosby.
• 0:50
  Speaker 9: Yeah.
• 0:50
  Speaker 3: Every time I go to the grocery store. I get
• 0:53
  Speaker 3: the print pump.
• 0:54
  Speaker 10: Yeah.
• 0:57
  Speaker 11: I can't put on one of these sweaters without Obama
• 1:00
  Speaker 11: coming out of my sweater.
• 1:01
  Speaker 1: Okay.
• 1:05
  Speaker 3: Roll call. Roll call.
• 1:07
  Speaker 6: Are you ready? There's always room for Jell-O.
• 1:14
  Speaker 3: Can't watch Family Matters without coming across Obama.
• 1:19
  Speaker 12: You know we're starting with you, right?
• 1:21
  Speaker 6: Me?
• 1:22
  Speaker 10: Yeah.
• 1:22
  Speaker 12: I'm assuming you'll see the visual signal.
• 1:25
  Speaker 8: I'm trying to.
• 1:25
  Speaker 3: Watch Carl Winslow and it's just like, stop talking about Obama, Carl.
• 1:30
  Speaker 3: I'm trying to watch Family Matter.
• 1:32
  Speaker 7: Talk about Steve and how it's his fault.
• 1:35
  Speaker 1: And he can say it's not his fault.
• 1:37
  Speaker 3: He can say I didn't do it. It's what makes
• 1:39
  Speaker 3: a show good.
• 1:40
  Speaker 2: Alright, are we ready?
• 1:47
  Speaker 1: I'm Marlena. You really aren't ready, are you?
• 1:50
  Speaker 8: I don't know what we're doing.
• 1:51
  Speaker 12: Have you done this?
• 1:53
  Speaker 13: No.
• 1:53
  Speaker 1: Okay.
• 1:53
  Speaker 7: Alright, this is Louis Gossett Jr.
• 1:56
  Speaker 8: This is Movie Meltdown.
• 2:35
  Speaker 14: The following feature has been rated R by the Motion
• 2:38
  Speaker 14: Picture Association of America. It is intended for mature audiences
• 2:41
  Speaker 14: and parental discretion is advised.
• 2:54
  Speaker 15: It's showtime, folks.
• 2:56
  Speaker 1: Enjoy the show. Our nuclear reactor pumping out one million.
• 3:03
  Speaker 9: Kilowatts of power. provide more cooling in.
• 3:30
  Speaker 1: The containment chambers.
• 3:32
  Speaker 6: To your citizens, we have a movie meltdown. Who wants
• 3:41
  Speaker 6: to see me do a big-ass stunt?
• 3:48
  Speaker 12: What's up, and welcome to Movie Meltdown.
• 3:49
  Speaker 6: I am Brian.
• 3:51
  Speaker 8: That's Marlena.
• 3:56
  Speaker 1: This is Ben.
• 3:57
  Speaker 6: I'm Fred.
• 3:57
  Speaker 15: I'm Beau.
• 3:58
  Speaker 6: I'm Greg.
• 4:00
  Speaker 2: And obviously, this is one of the messed up Oscar
• 4:03
  Speaker 2: meltdown episodes.
• 4:05
  Speaker 12: We are coming to you live via digital recording from
• 4:07
  Speaker 12: Bo's house.
• 4:07
  Speaker 2: You're welcome. We've busted in and holding him hostage.
• 4:11
  Speaker 12: Thank you so much.
• 4:11
  Speaker 1: On the edge of the crater.
• 4:12
  Speaker 8: You're welcome.
• 4:16
  Speaker 2: So, yeah, with that, I don't know. We'll see where
• 4:20
  Speaker 2: we go from here.
• 4:21
  Speaker 1: Varying levels of coherency once you edit.
• 4:23
  Speaker 6: This together, I'd imagine. Bo is one of the hero
• 4:26
  Speaker 6: bartenders of America.
• 4:28
  Speaker 1: It's true.
• 4:30
  Speaker 6: Step in when things go wrong and mix.
• 4:33
  Speaker 1: Drinks for everybody. If you've ever seen Cocktail, that's what
• 4:36
  Speaker 1: it's like tonight.
• 4:37
  Speaker 16: Oh, wow.
• 4:38
  Speaker 8: I've never seen Cocktail.
• 4:41
  Speaker 12: Well, that's a good line, actually.
• 4:42
  Speaker 1: Nevertheless.
• 4:55
  Speaker 6: Ladies and gentlemen, the president of the Academy of Motion
• 4:58
  Speaker 6: Picture Arts and Sciences, Mr.
• 5:00
  Speaker 3: Charles Brackett.
• 5:10
  Speaker 17: Fellow members of the Academy, guests, friends everywhere, this is
• 5:17
  Speaker 17: the last act of the mystery play. This is the
• 5:21
  Speaker 17: night we find out who walked away with the top honors.
• 5:25
  Speaker 17: And if you have any fan blood in your veins,
• 5:27
  Speaker 17: it's pounding hard.
• 5:29
  Speaker 14: Hi, I'm Seth MacFarlane, and I'll be your host this
• 5:31
  Speaker 14: year for the Oscars.
• 5:32
  Speaker 7: So tweet about it now.
• 5:36
  Speaker 15: Oh, that's not how you spell douche.
• 5:38
  Speaker 1: The Oscars. Live Oscars Sunday, February 24th.
• 5:41
  Speaker 18: Don't know where the fuck you were last week, but
• 5:43
  Speaker 18: here's what you missed.
• 5:44
  Speaker 13: They have come to a point now where people, we
• 5:48
  Speaker 13: don't care.
• 5:48
  Speaker 3: The audience does not care.
• 5:50
  Speaker 1: Look at these people.
• 5:50
  Speaker 7: We don't care.
• 5:53
  Speaker 18: They artificially dragged this thing out with singing and apathy.
• 5:59
  Speaker 19: Our next presenter played a raging alcoholic in 28 days.
• 6:02
  Speaker 8: Hey, I'm a raging alcoholic now.
• 6:04
  Speaker 3: I'm not playing.
• 6:05
  Speaker 1: Well, I'm not an alcoholic.
• 6:08
  Speaker 20: But I have been drinking.
• 6:21
  Speaker 8: Look at her dress.
• 6:24
  Speaker 7: She's wearing a duvet cover. A duvet cover.
• 6:28
  Speaker 1: Did you say duvet cover?
• 6:30
  Speaker 9: Wow.
• 6:30
  Speaker 21: I haven't heard anyone say duvet forever.
• 6:35
  Speaker 12: I'm impressed.
• 6:36
  Speaker 9: Duvet.
• 6:36
  Speaker 6: Oh, my wife sends me a text that says duvet.
• 6:46
  Speaker 7: So the kids saw I Saw Your Boobs.
• 6:50
  Speaker 1: Well, my son will be singing it tomorrow.
• 6:54
  Speaker 22: Christoph Waltz, just won Best Supporting Actor.
• 6:58
  Speaker 6: I was wrong, wrong, wrong.
• 7:02
  Speaker 1: I did not pick him.
• 7:03
  Speaker 12: The street was way off whack, way off whack.
• 7:06
  Speaker 1: I listened to the street.
• 7:07
  Speaker 12: They said Robert De Niro.
• 7:10
  Speaker 6: They were wrong.
• 7:14
  Speaker 13: I think.
• 7:15
  Speaker 23: Jamie Foxx and Leo DiCaprio, Sam Jackson and Kerry Washington.
• 7:21
  Speaker 7: I thank Harvey Weinstein and Amy Pascal.
• 7:23
  Speaker 12: Jamie Foxx is an idiot.
• 7:27
  Speaker 22: And Quentin Tarantino needs new teeth. But Quentin Tarantino has
• 7:33
  Speaker 22: made one of my most favorite movies of all time.
• 7:36
  Speaker 3: What the hell was that?
• 7:39
  Speaker 12: True Romance.
• 7:40
  Speaker 1: I love that movie.
• 7:41
  Speaker 12: He's so cool.
• 7:46
  Speaker 18: Brian is a wonderful human being. I just want all
• 7:52
  Speaker 18: the world to know this.
• 7:53
  Speaker 3: The man is a freaking genius.
• 8:10
  Speaker 22: He's over there putting bologna and bacon and all kinds
• 8:14
  Speaker 22: of stuff together.
• 8:15
  Speaker 12: He's going to pop it in the oven, and it's going.
• 8:18
  Speaker 22: To be collectible, and we're going to all enjoy the
• 8:21
  Speaker 22: hell out of it.
• 8:22
  Speaker 12: So I'm just telling you right now, for no other reason.
• 8:25
  Speaker 13: Than that, I just met the guy tonight, and he's
• 8:27
  Speaker 13: a wonderful human being.
• 8:29
  Speaker 1: I just want you all to know that, okay?
• 8:31
  Speaker 3: Brian is wonderful.
• 8:32
  Speaker 1: Thank you.
• 8:33
  Speaker 7: You're listening to Movie Meltdown.
• 8:38
  Speaker 13: The bacon and the ham and the sausage.
• 8:45
  Speaker 16: Talk about a little cheese and pop that stuff in
• 8:48
  Speaker 16: the oven.
• 8:48
  Speaker 1: You ever made a bacon explosion? I made one of
• 8:50
  Speaker 1: those one summer. And that's when you.
• 8:52
  Speaker 3: That's what it's called, right? Bacon explosion.
• 8:56
  Speaker 24: Bacon bomb.
• 8:57
  Speaker 9: Bacon bomb.
• 8:57
  Speaker 8: A bacon explosion.
• 8:59
  Speaker 1: Yeah.
• 9:05
  Speaker 8: I think I'm going to sing again.
• 9:07
  Speaker 7: I think I'm going to freaking sing again.
• 9:09
  Speaker 3: The song was better than the movie.
• 9:12
  Speaker 18: Yeah, this song's pretty sweet.
• 9:14
  Speaker 6: I don't care how sweet the song is.
• 9:16
  Speaker 1: They're singing again.
• 9:17
  Speaker 25: What the hell?
• 9:19
  Speaker 13: This damn thing's been going on forever.
• 9:27
  Speaker 3: And they're singing again.
• 9:29
  Speaker 1: Because they can, Paul.
• 9:30
  Speaker 12: They can.
• 9:31
  Speaker 3: They can, and we're dumb enough to watch it. That's
• 9:33
  Speaker 3: what gets me.
• 9:37
  Speaker 9: Tweet Audio.
• 9:38
  Speaker 17: Your source for high performance, noise reducing earbuds. Available in
• 9:44
  Speaker 17: three styles and seven colors.
• 9:59
  Speaker 1: Durable and decided.
• 10:00
  Speaker 26: To sound great for both music and those chatty podcasts,
• 10:03
  Speaker 26: like the one you're listening to now. Tweaked Audio earbuds
• 10:06
  Speaker 26: come with a one-year warranty, and now there's a special
• 10:08
  Speaker 26: deal for Movie Meltdown listeners. Just go to tweakedaudio.com, and
• 10:12
  Speaker 26: when you check out, enter the discount code MELTDOWN.
• 10:15
  Speaker 1: Then you'll get 33% off and free shipping. Tweaked Audio.
• 10:20
  Speaker 1: Sounds fair. It's time for Sofa Theater.
• 10:25
  Speaker 14: Burt Reynolds is Hooper, and Hooper is a real hero.
• 10:30
  Speaker 14: He can take more crashes.
• 10:32
  Speaker 9: Oh, jeez! More fire.
• 10:37
  Speaker 1: Hello, gorgeous.
• 10:40
  Speaker 6: More love.
• 10:42
  Speaker 14: More hits. He can take more risks and have more
• 10:45
  Speaker 14: fun than anyone can imagine. This is Hooper, the story
• 10:49
  Speaker 14: of the greatest stuntman of them all.
• 10:51
  Speaker 15: And his competition.
• 10:53
  Speaker 9: Wait a year and a half to meet you.
• 10:55
  Speaker 6: How's that?
• 10:56
  Speaker 20: I get to perform with Sonny Hooper.
• 10:58
  Speaker 27: Oh, hell, that ain't no big deal.
• 11:03
  Speaker 15: Burt Reynolds. Jan Michael Vincent. Sally Field.
• 11:06
  Speaker 9: I'm yours. Brian Keith. James Best.
• 11:10
  Speaker 14: Robert Klein, and Terry Bradshaw. In Hooper's world, talk is cheap,
• 11:17
  Speaker 14: and life is cheaper.
• 11:19
  Speaker 15: We may be in trouble.
• 11:21
  Speaker 14: A stunt is a gag, and a gag is no
• 11:23
  Speaker 14: laughing matter.
• 11:25
  Speaker 9: Man, building falls on you, crushes you, fade out the end. Great, Roger.
• 11:29
  Speaker 9: Of course we'll have a dozen cameras going.
• 11:31
  Speaker 14: And when the director yells, Action!
• 11:33
  Speaker 9: Go! Go!
• 11:34
  Speaker 2: Go!
• 11:34
  Speaker 9: I'm gonna hit it! He really means action.
• 11:42
  Speaker 15: Hooper's in a dangerous business, but his reward.
• 11:44
  Speaker 14: Is excitement, adventure, and a fortune if he lives to
• 11:48
  Speaker 14: collect it. Burt Reynolds is Hooper, the greatest stuntman alive.
• 11:56
  Speaker 9: I love stuntmen.
• 11:58
  Speaker 14: Hooper, the newest movie from the team that brought you
• 12:01
  Speaker 14: Smokey and the Bandit.
• 12:10
  Speaker 20: Though your hair is all in tangles And your makeup
• 12:16
  Speaker 20: is a mess The most of what you're drinking Is
• 12:22
  Speaker 20: spilling down your dress And to keep from falling off
• 12:28
  Speaker 20: your bar stools But all that you can do I
• 12:34
  Speaker 20: make my proposition Cause I'm just as drunk as you
• 12:41
  Speaker 20: Let's do something cheap and superficial Let's do something.
• 12:50
  Speaker 3: That we might.
• 12:52
  Speaker 20: Regret Let's do something shabby.
• 13:00
  Speaker 1: And insensitive This.
• 13:04
  Speaker 20: Might be the only chance we get.
• 13:11
  Speaker 9: Oh, wow.
• 13:11
  Speaker 8: Do they sell those at World Market?
• 13:14
  Speaker 9: No.
• 13:14
  Speaker 7: I looked anywhere in the U.S.
• 13:16
  Speaker 1: And I couldn't find them.
• 13:18
  Speaker 8: No, I should have brought an octopus ball or something
• 13:21
  Speaker 8: like that. They have the weirdest stuff I've ever seen.
• 13:23
  Speaker 3: Do I have balls?
• 13:25
  Speaker 8: Like a bouncing ball? No, it was like a ball.
• 13:28
  Speaker 8: It was a frozen gelatinous ball.
• 13:30
  Speaker 4: How often does Marlena feel guilty for not bringing an
• 13:34
  Speaker 4: octopus ball?
• 13:35
  Speaker 1: Every couple of weeks. You know, my mom always brings
• 13:37
  Speaker 1: a cheese ball, but she couldn't bring it. If you
• 13:40
  Speaker 1: can convince me.
• 13:42
  Speaker 7: Isn't that what Halle Berry won.
• 13:45
  Speaker 6: The Oscar for?
• 13:46
  Speaker 12: Octopus Ball.
• 13:47
  Speaker 1: Are we ready to make it official?
• 13:51
  Speaker 12: It's a fancy affair. Alright, we've got the bacon tux going.
• 13:59
  Speaker 1: We're all set now.
• 14:01
  Speaker 12: Alright, so welcome back to this year's Oscar Meltdown edition
• 14:04
  Speaker 12: of Sofa Theater. As some of you know, we usually
• 14:07
  Speaker 12: pick a film that is quite different than what the
• 14:10
  Speaker 12: Oscars would normally honor. So pretty much every year I've
• 14:14
  Speaker 12: found a good way to tie it into the Oscars,
• 14:17
  Speaker 12: usually the Honorary Oscar Awards. So this year they're honoring
• 14:22
  Speaker 12: stuntman director Hal Needham, and I thought it would be
• 14:25
  Speaker 12: perfect to do the movie Hooper.
• 14:27
  Speaker 2: Is your tie bacon?
• 14:30
  Speaker 12: Have you just joined this party?
• 14:32
  Speaker 3: Okay.
• 14:35
  Speaker 8: In case you get hungry you look down you got
• 14:37
  Speaker 8: snack and.
• 14:37
  Speaker 12: Honey we have our mascot babe sounds like a pickup
• 14:41
  Speaker 12: line excuse me sir is that tie made of bacon.
• 14:46
  Speaker 6: Are you just glad to see me many.
• 14:48
  Speaker 12: Is the time so yeah I thought you know number
• 14:53
  Speaker 12: one it is sort of you know it's directed by
• 14:56
  Speaker 12: Hal Needham it's about the greatest stuntman in the world
• 14:59
  Speaker 12: which is how he was built so I'm assuming a
• 15:01
  Speaker 12: lot of it sort of mirrors his life as well
• 15:04
  Speaker 12: And I just thought covering a Burt Reynolds movie during
• 15:06
  Speaker 12: the Oscars.
• 15:07
  Speaker 1: Was just funny.
• 15:09
  Speaker 3: He was nominated.
• 15:10
  Speaker 6: Or at any other time.
• 15:11
  Speaker 4: And he looked extremely, extremely disappointed when he didn't win.
• 15:15
  Speaker 1: Probably not nominated.
• 15:16
  Speaker 6: That was his greatest acting moment. He was not disappointed
• 15:20
  Speaker 6: at all.
• 15:21
  Speaker 12: In this era, he was probably not nominated.
• 15:24
  Speaker 1: In the run of Smokey the Bandit.
• 15:28
  Speaker 6: His greatest role was Boogie Nights. See, that's the comeback.
• 15:32
  Speaker 28: Yeah.
• 15:33
  Speaker 1: That's when it made sense again. Just come back a pun.
• 15:36
  Speaker 21: No.
• 15:37
  Speaker 1: No, it's not.
• 15:39
  Speaker 15: Gross.
• 15:39
  Speaker 6: Pun intended or not.
• 15:41
  Speaker 10: Someone finally looked at us like, they just looked at
• 15:43
  Speaker 10: us like, it's time we finally put that porn statue
• 15:45
  Speaker 10: to good use, sir.
• 15:46
  Speaker 1: We got to, we have to cast you literally as
• 15:48
  Speaker 1: a porn director.
• 15:49
  Speaker 9: Yeah, man.
• 15:50
  Speaker 12: I had the pleasure of eating a piece of pizza.
• 15:54
  Speaker 3: That's a great story.
• 15:55
  Speaker 1: Where is this going?
• 15:58
  Speaker 27: Eating a piece of pizza under a gigantic painting of
• 16:01
  Speaker 27: a naked Burt Reynolds.
• 16:02
  Speaker 1: Oh, yeah.
• 16:03
  Speaker 8: That's a totally normal story.
• 16:04
  Speaker 1: We've had pizza in Louisville then.
• 16:06
  Speaker 12: We're going to go hang out there and just record
• 16:08
  Speaker 12: underneath him. So, officially, this week's Sofa Theater feature is Hooper,
• 16:13
  Speaker 12: the year is 1978, director Hal Needham, the plot, according
• 16:18
  Speaker 12: to IMDb, Sonny Hooper, Hollywood's greatest stuntman, deals with his
• 16:22
  Speaker 12: relationship with the daughter of his mentor, a challenge from
• 16:25
  Speaker 12: a young stuntman who idolizes him in the egomaniacal... You
• 16:30
  Speaker 12: know that one.
• 16:31
  Speaker 1: Egomaniacal.
• 16:32
  Speaker 12: There you go.
• 16:33
  Speaker 1: Ennio Morricone.
• 16:34
  Speaker 3: Yes.
• 16:34
  Speaker 1: We're cutting you off, Brian. You've had too much to drink.
• 16:38
  Speaker 1: You can't stop me.
• 16:39
  Speaker 6: Inigo Montoya.
• 16:41
  Speaker 9: Nice.
• 16:41
  Speaker 12: That guy is the director of his latest movie.
• 16:44
  Speaker 1: Yeah.
• 16:46
  Speaker 12: He ultimately attempts to perform a record-breaking jump over a
• 16:50
  Speaker 12: gorge in a rocket-propelled car.
• 16:52
  Speaker 1: Spoiler alert.
• 16:53
  Speaker 12: Yeah, that's how they summarize that movie.
• 16:56
  Speaker 1: So, nice going.
• 16:57
  Speaker 4: So, the Simpsons ripped it off in that first season
• 17:00
  Speaker 4: episode with the skateboard involved.
• 17:03
  Speaker 6: Yeah, that was a great father-son moment.
• 17:05
  Speaker 12: There's been a few things that kind of got ripped off.
• 17:09
  Speaker 1: Anyway.
• 17:10
  Speaker 6: There really isn't a No, you're pretty far into it,
• 17:15
  Speaker 6: and you're going, is there a story going to start
• 17:18
  Speaker 6: somewhere here? Yeah, halfway.
• 17:20
  Speaker 1: And they kind of do.
• 17:21
  Speaker 12: By the halfway point, it does. But really, that first
• 17:23
  Speaker 12: half just seems like they strung together, Bert hanging out
• 17:27
  Speaker 12: with his friends.
• 17:27
  Speaker 6: It's just, this is the life of the stuntman. And
• 17:30
  Speaker 6: they have the song, Sing Ho for the Life of
• 17:32
  Speaker 6: the Stuntman.
• 17:33
  Speaker 4: If you see a lot of those stunt films from,
• 17:35
  Speaker 4: especially how they came out of Australia a lot in
• 17:37
  Speaker 4: the 70s and early 80s, there really isn't.
• 17:40
  Speaker 6: It's just a series of, stunts, gags.
• 17:44
  Speaker 1: Yeah, that's about it.
• 17:44
  Speaker 12: Yeah, I like that that, I guess, was their official
• 17:48
  Speaker 12: term for it.
• 17:49
  Speaker 1: They kept using the term gags for it.
• 17:52
  Speaker 4: At least stunt rock would cut our way to rock
• 17:55
  Speaker 4: concerts in between the stunts.
• 17:57
  Speaker 12: I mean, it starts off almost sort of serious. It
• 18:00
  Speaker 12: goes with him preparing for the day, and he's, like,
• 18:03
  Speaker 12: putting on all these pads, and you see all these
• 18:05
  Speaker 12: scars of previous horrible things that have happened to him.
• 18:09
  Speaker 12: So it seems like they're actually going to, like, address,
• 18:11
  Speaker 12: you know, the hard life of a stuntman, and it
• 18:14
  Speaker 12: then just veers off, and it's Burt being goofy for
• 18:16
  Speaker 12: another half hour.
• 18:17
  Speaker 4: Or these parody Jaws, to where, you know, he's showing
• 18:20
  Speaker 4: off his scars to some other stuntman.
• 18:22
  Speaker 6: Well, I was thinking for, like, the Oscars, reminds me
• 18:26
  Speaker 6: of the orgasm scars, the O-scars, the scene from, uh,
• 18:31
  Speaker 6: Chasing Amy, where it's all scars that have been incurred
• 18:36
  Speaker 6: in the pursuit of orgasm. Uh, It's just an idea
• 18:41
  Speaker 6: for a theme if we want to do a show
• 18:43
  Speaker 6: on scars.
• 18:44
  Speaker 1: On orgasms? Are we going to show all of our scars?
• 18:48
  Speaker 1: Emotional or otherwise. Actually, I met.
• 18:51
  Speaker 6: My hand scar twin once in Mississippi. He had the
• 18:56
  Speaker 6: exact same pattern of little scars on his left hand
• 19:00
  Speaker 6: that I have. And we kept looking at it because
• 19:03
  Speaker 6: we couldn't believe it. It's like, you've got this little
• 19:06
  Speaker 6: V-shaped thing.
• 19:07
  Speaker 1: Yeah. You've got this scar.
• 19:08
  Speaker 9: Yeah.
• 19:09
  Speaker 6: And you've also got the continuation.
• 19:11
  Speaker 9: Yeah.
• 19:11
  Speaker 6: Are you sure he wasn't you from the future or
• 19:13
  Speaker 6: the past?
• 19:14
  Speaker 12: He was.
• 19:16
  Speaker 6: From a place that didn't exist, but it came to
• 19:18
  Speaker 6: exist again later. Are you sure you weren't just stoned
• 19:21
  Speaker 6: in Lost River Caves smoking asbestos lime? I wasn't stoned.
• 19:26
  Speaker 6: I was in grad school, which is sort of the
• 19:28
  Speaker 6: same thing. He was my grad school teacher, and he
• 19:32
  Speaker 6: was from Latvia. And he had gone to the Rhode
• 19:35
  Speaker 6: Island School of Design. And one day we were just
• 19:38
  Speaker 6: doing it. And it's like, wow, I've got that same scar.
• 19:41
  Speaker 6: And he had the weirdest accent because he was from Latvia.
• 19:45
  Speaker 6: Then he went to Rhode Island School of Design. And
• 19:47
  Speaker 6: then he was teaching in Mississippi. Oxford, Mississippi.
• 19:52
  Speaker 1: And he was like, oh, yeah. It was kind of southern,
• 19:55
  Speaker 1: but weird.
• 19:58
  Speaker 6: Yeah. And he had a better story for each one. Like,
• 20:00
  Speaker 6: I got this scar here using a razor blade to open.
• 20:04
  Speaker 1: It's on his thumb.
• 20:05
  Speaker 6: Like a bottle of. What was that goop you could
• 20:09
  Speaker 6: mold spiders with back in the 70s?
• 20:14
  Speaker 1: Wasn't it just called goop?
• 20:15
  Speaker 6: I think it was called goop. But it had dried
• 20:18
  Speaker 6: up at the top, and so I was cutting it
• 20:20
  Speaker 6: open so I could make one last arachne whatever. And
• 20:27
  Speaker 6: I cut my hand open, and he was like, I
• 20:29
  Speaker 6: was peeling potatoes in Latvia.
• 20:32
  Speaker 1: Okay, you beat me on that one.
• 20:36
  Speaker 6: But basically all my life, all my hand scars are
• 20:39
  Speaker 6: my right hand stabbing my left hand. So in some
• 20:44
  Speaker 6: sort of Tarantino dream, one night in my sleep, my
• 20:48
  Speaker 6: left hand is going to take revenge and cut off
• 20:51
  Speaker 6: my right hand because it's been abused.
• 20:54
  Speaker 1: Like all my life.
• 20:56
  Speaker 2: Anyway.
• 20:58
  Speaker 1: Hooper.
• 20:59
  Speaker 6: Hooper.
• 20:59
  Speaker 1: Stuntman.
• 21:00
  Speaker 15: Scars.
• 21:01
  Speaker 1: Yeah, Scars.
• 21:02
  Speaker 6: Hooper.
• 21:03
  Speaker 17: All right.
• 21:03
  Speaker 12: So do we want to address the cast? Because it
• 21:07
  Speaker 12: is kind of a stellar cast for this kind of movie.
• 21:10
  Speaker 1: Sally Field. Oh my lord.
• 21:12
  Speaker 12: Rarely see an openly sexual Sally.
• 21:15
  Speaker 1: When she hopped in his lap, I was like, Sally Fiat,
• 21:19
  Speaker 1: let's go.
• 21:19
  Speaker 6: It's funny because I never had that.
• 21:22
  Speaker 12: She was always cute, but I never got that. Like
• 21:25
  Speaker 12: you were saying, it was never a very sexual thing
• 21:27
  Speaker 12: with her.
• 21:27
  Speaker 1: She was always a little too.
• 21:28
  Speaker 6: Until Sybil, and then it's like, that's kind of kinky.
• 21:31
  Speaker 12: You have your own special thing going on there. But
• 21:34
  Speaker 12: she was always almost too girl next to her.
• 21:36
  Speaker 1: She really didn't come off sexual.
• 21:38
  Speaker 19: This one.
• 21:39
  Speaker 12: Those shorts she was wearing. You couldn't get away with
• 21:42
  Speaker 12: that out in public now. They would probably put you
• 21:44
  Speaker 12: away for that.
• 21:45
  Speaker 6: Her stepfather actually was like, what, Jock, what's his name?
• 21:51
  Speaker 6: The guy played by Brian Dennehy?
• 21:54
  Speaker 1: That wasn't Brian Dennehy. Who was that guy?
• 21:57
  Speaker 6: We can't play that game this time because I can't
• 21:59
  Speaker 6: get online.
• 21:59
  Speaker 1: There's the guy from Family.
• 22:01
  Speaker 12: Charles Darny?
• 22:02
  Speaker 9: No.
• 22:02
  Speaker 1: It wasn't Charles Darny.
• 22:03
  Speaker 9: It was close.
• 22:04
  Speaker 7: It's David Keith.
• 22:04
  Speaker 3: The guy from Family.
• 22:05
  Speaker 2: David Keith.
• 22:06
  Speaker 3: Brian Keith.
• 22:06
  Speaker 6: Brian Keith.
• 22:07
  Speaker 1: Keith David. Not Keith David.
• 22:09
  Speaker 6: Brian Keith.
• 22:10
  Speaker 3: Brian Keith.
• 22:11
  Speaker 9: Brian.
• 22:12
  Speaker 3: Brian.
• 22:13
  Speaker 1: For David. David Keith.
• 22:14
  Speaker 6: All right, David.
• 22:15
  Speaker 1: Brian Keith. Brian Keith.
• 22:17
  Speaker 9: Yes.
• 22:17
  Speaker 6: Yeah, but the character he was playing was actually Sally
• 22:20
  Speaker 6: Field's stepfather. I didn't know that.
• 22:23
  Speaker 9: Yeah. Wow.
• 22:24
  Speaker 1: Charles Darny.
• 22:25
  Speaker 6: And I think he was actually in it somewhere.
• 22:28
  Speaker 1: At some point, yeah.
• 22:30
  Speaker 6: I saw the thing about it online somewhere, and it's like, oh,
• 22:34
  Speaker 6: he was in there somewhere.
• 22:35
  Speaker 4: According to the time, Brian Dennehy and Charles Durning had
• 22:38
  Speaker 4: a love affair.
• 22:39
  Speaker 3: Yes.
• 22:39
  Speaker 1: Am I following the point? That's the plot so far.
• 22:42
  Speaker 1: And their baby was Sally Field.
• 22:43
  Speaker 12: How would you tell the two apart when.
• 22:45
  Speaker 1: That's going on? They have the same hands.
• 22:48
  Speaker 12: Their love child was Sally Field.
• 22:50
  Speaker 1: Well, they liked her. They really liked her. That came
• 22:54
  Speaker 1: out okay. And I had to even note to Brian
• 22:58
  Speaker 1: when I was watching it on that James Best was
• 23:01
  Speaker 1: in this. Corden, Indiana's own James Best. That's all they have, Dan.
• 23:07
  Speaker 1: Roscoe P. Coltrane. And he was the best sidekick in
• 23:11
  Speaker 1: the world in this movie.
• 23:12
  Speaker 12: To me, it's funny because it felt like, well, we
• 23:15
  Speaker 12: can't get Jerry Reed for this movie.
• 23:16
  Speaker 1: What the hell are we going to do?
• 23:18
  Speaker 12: Where's that Roscoe P. Coltrane dude? I think he's down
• 23:21
  Speaker 12: the road.
• 23:21
  Speaker 3: Let's get him.
• 23:22
  Speaker 12: He really, like, it really did feel like he was
• 23:24
  Speaker 12: the surrogate Jerry Reed.
• 23:26
  Speaker 26: Yeah.
• 23:27
  Speaker 6: So, before Burt Reynolds, was there a genre of action comedy?
• 23:34
  Speaker 6: Or was he, like, really a pioneer of something that's, like,
• 23:38
  Speaker 6: an action picture?
• 23:39
  Speaker 21: But, eh.
• 23:41
  Speaker 15: Yeah.
• 23:42
  Speaker 1: It's sort of funny.
• 23:43
  Speaker 29: I don't know.
• 23:44
  Speaker 6: Because as a leading guy in sort of action pictures,
• 23:47
  Speaker 6: Burt Reynolds is kind of vulnerable. He's not like Clint Eastwood.
• 23:51
  Speaker 9: Right.
• 23:52
  Speaker 1: He is liable to get his ass kicked. Right. Yeah,
• 23:55
  Speaker 1: he does get his ass kicked.
• 23:56
  Speaker 12: Yeah.
• 23:57
  Speaker 6: By what? Terry Bradshaw?
• 23:59
  Speaker 1: Terry Bradshaw with a horrible off-color toupee.
• 24:02
  Speaker 9: Yeah.
• 24:02
  Speaker 1: Which was even better.
• 24:05
  Speaker 6: That's the thing I kind of like about Burt Reynolds
• 24:07
  Speaker 6: is he had a sense of humor about himself as
• 24:10
  Speaker 6: an action figure. And so he's like a forerunner of
• 24:14
  Speaker 6: like the Jackie Chan kind of action hero. A guy
• 24:17
  Speaker 6: who seems like a regular guy who's pretty nice, really. But,
• 24:23
  Speaker 6: you know, he just chews gum constantly. And I can't
• 24:26
  Speaker 6: help rooting for him to get his ass kicked.
• 24:29
  Speaker 1: You know, I proposed to Brian that we all actually record,
• 24:32
  Speaker 1: not say anything, but just record the episode with our
• 24:35
  Speaker 1: mouths open chewing gum.
• 24:36
  Speaker 12: I have a real issue with gum chewing.
• 24:40
  Speaker 1: It puts me off.
• 24:42
  Speaker 6: And so Burt Reynolds, and I think that's too, maybe
• 24:45
  Speaker 6: like the constant gum chewing issue. is why he has
• 24:48
  Speaker 6: those fucking furrows in his brow.
• 24:51
  Speaker 12: I've heard him mention it himself.
• 24:56
  Speaker 6: He says, you know, well, there are cameramen on set
• 24:59
  Speaker 6: that are better looking than me.
• 25:00
  Speaker 1: I have these fucking rows in my forehead.
• 25:03
  Speaker 12: And it's like, oh, yeah. Dude, that's wicked.
• 25:07
  Speaker 6: What happened?
• 25:08
  Speaker 1: Yeah, it's funny.
• 25:09
  Speaker 12: I was looking at it and I was like, they
• 25:11
  Speaker 12: were already pretty hardcore. And it's like, it's different if
• 25:13
  Speaker 12: that was like the 90s and he looked like that.
• 25:15
  Speaker 12: But this was the 70s and he already looked like that.
• 25:17
  Speaker 6: And he was in really good shape. But what happened
• 25:20
  Speaker 6: to his forehead? That dude's done some serious worrying.
• 25:23
  Speaker 1: It's because I think he started out using his eyebrows differently.
• 25:27
  Speaker 1: To express everything. Because his mouth is full of gum.
• 25:31
  Speaker 1: And so all that eyebrow movement developed those deep canals
• 25:35
  Speaker 1: in his forehead. You know, speaking of looking like Burt Reynolds,
• 25:40
  Speaker 1: how fun was it to see them dress up Adam
• 25:43
  Speaker 1: West as Burt Reynolds? I know.
• 25:46
  Speaker 6: And it's kind of funny because really, stuntmen have the
• 25:50
  Speaker 6: personalities that you would expect leading actors to have. But
• 25:55
  Speaker 6: leading actors are usually kind of shy and retiring. But
• 26:00
  Speaker 6: the stunt guys are actually the guys who walk around
• 26:03
  Speaker 6: like they're movie stars. So it's sort of fitting for
• 26:08
  Speaker 6: Burt Reynolds to do that. Not that Adam West was
• 26:11
  Speaker 6: a stuntman. It didn't fit at all, though.
• 26:14
  Speaker 12: Even when they had him made up to sort of
• 26:16
  Speaker 12: look like him, I was like, that looks so.
• 26:18
  Speaker 1: Oh, it looks so bad. Did he even have the mustache?
• 26:20
  Speaker 1: At one point, he didn't even have it.
• 26:22
  Speaker 12: I guess maybe he forgot to wear it because they
• 26:25
  Speaker 12: were shooting or something.
• 26:27
  Speaker 1: In the first scene, he did, after the motorcycle crashed.
• 26:30
  Speaker 1: But then the other one... He didn't.
• 26:33
  Speaker 12: Because I was thinking, if I was watching that in
• 26:35
  Speaker 12: the theater, I'd be like, there's the stuntman. Wow.
• 26:37
  Speaker 1: He does not look at all like Adam West. Yeah.
• 26:41
  Speaker 1: But I loved how they forced the sexuality on him.
• 26:43
  Speaker 1: It was like, well, we can't make him the sex symbol,
• 26:46
  Speaker 1: so we're just going to put two beautiful women on
• 26:48
  Speaker 1: him at all times and make him the sex symbol.
• 26:52
  Speaker 9: Wow.
• 26:52
  Speaker 1: He's Adam West. He's Adam West. He has that anywhere
• 26:55
  Speaker 1: he goes, really. For some reason right now, Sally Fields
• 26:59
  Speaker 1: is helping Joseph Gordon-Levitt fix his bow tie.
• 27:02
  Speaker 8: Joseph Gordon-Levitt.
• 27:03
  Speaker 6: They're pretty tight.
• 27:05
  Speaker 1: Is it a bacon bow tie? That's probably the only reason.
• 27:09
  Speaker 12: That's because you become a family when you get involved
• 27:13
  Speaker 12: in the little Oscar circles, as I was told.
• 27:15
  Speaker 1: Yeah, by someone who's done it before.
• 27:18
  Speaker 10: I hope they all go in character as their characters
• 27:20
  Speaker 10: from Lincoln. It's like she's straightening his tie. It's like, now, son,
• 27:23
  Speaker 10: we have to look good for this ceremony.
• 27:25
  Speaker 1: You know, I know.
• 27:27
  Speaker 6: So somebody's going to shoot Daniel Day-Lewis during the office.
• 27:30
  Speaker 8: Exactly.
• 27:32
  Speaker 1: Um, so, and as, he is character.
• 27:34
  Speaker 8: And since we are talking after it's happened, yes, that's
• 27:36
  Speaker 8: what happened.
• 27:37
  Speaker 10: So yeah, that was, that sucks.
• 27:40
  Speaker 12: Um, Daniel Day-Lewis is dead.
• 27:42
  Speaker 6: So I listened to this podcast that I wasn't on.
• 27:47
  Speaker 1: Don't ever do that.
• 27:48
  Speaker 6: People who died over the past year.
• 27:50
  Speaker 1: Okay. You can listen to that one. Okay.
• 27:54
  Speaker 6: Um, And somebody who didn't come up that I'd like
• 27:57
  Speaker 6: to bring up, and this will become Hooper-related somehow.
• 28:04
  Speaker 12: I don't know how at this moment, but it's going
• 28:07
  Speaker 12: to go there.
• 28:07
  Speaker 1: This is how all our conversations go.
• 28:09
  Speaker 12: Yeah, but.
• 28:14
  Speaker 2: What's his name?
• 28:15
  Speaker 1: Died this past year.
• 28:17
  Speaker 9: Yeah.
• 28:18
  Speaker 6: You know what I mean?
• 28:18
  Speaker 1: He played a lot of that game. What's his name?
• 28:21
  Speaker 1: Seems one of my favorites. Gore Vidal.
• 28:24
  Speaker 9: Oh.
• 28:24
  Speaker 12: Gore Vidal died.
• 28:26
  Speaker 4: Yeah, Gore Vidal was one I remember regretting not mentioning
• 28:29
  Speaker 4: on that show, along with David Kelly, who played one
• 28:32
  Speaker 4: of the other leads on Waking Dead Divine and The
• 28:34
  Speaker 4: Grandfather on Charlie and the Chocolate Factor.
• 28:36
  Speaker 1: He died early on, too, and it dawned on me afterwards.
• 28:38
  Speaker 4: I was like, shit, I should have mentioned him instead
• 28:40
  Speaker 4: of Pat Engle, who died like 10 years prior.
• 28:43
  Speaker 1: We were just laying off on that one.
• 28:45
  Speaker 6: Gore Vidal was like, he was just a writer, but
• 28:48
  Speaker 6: he had a Lincoln. They did Gore Vidal's Lincoln, and
• 28:52
  Speaker 6: we lived in Richmond, Virginia when they filmed it there,
• 28:54
  Speaker 6: so we knew two guys who were in it. And
• 28:57
  Speaker 6: Mary Tyler Moore was Mary Todd Lincoln.
• 29:00
  Speaker 12: And that guy from Law and Order was Lincoln.
• 29:04
  Speaker 9: What?
• 29:05
  Speaker 6: Yeah, but... Oh, and also, Gore Vidal wrote what is
• 29:10
  Speaker 6: believed by many experts to be the worst movie of
• 29:13
  Speaker 6: all time, Myra Breckenridge.
• 29:17
  Speaker 9: And.
• 29:18
  Speaker 6: Even if it's not the worst movie of all time,
• 29:21
  Speaker 6: he said himself, it's the one time when a book
• 29:23
  Speaker 6: was made into a movie, sales of the book stopped.
• 29:29
  Speaker 1: The book was doing quite well. They made the movie.
• 29:33
  Speaker 1: Nobody bought the book again.
• 29:35
  Speaker 28: They ruined it.
• 29:36
  Speaker 6: I feel like he was one of the better people
• 29:37
  Speaker 6: in Gattaca as well.
• 29:39
  Speaker 1: Yeah.
• 29:39
  Speaker 8: Like the outro.
• 29:40
  Speaker 1: Uma Thurman and the.
• 29:42
  Speaker 26: Rest of them.
• 29:43
  Speaker 12: I'm serious. He was involved in movies.
• 29:49
  Speaker 6: He played a liberal senator kind of like Paul Simon
• 29:53
  Speaker 6: with a bow tie.
• 29:54
  Speaker 1: It wasn't bacon.
• 29:55
  Speaker 6: He wore a bow tie in Bob Roberts movie.
• 29:59
  Speaker 12: I think it was in Bob Roberts.
• 30:01
  Speaker 1: It was just a.
• 30:02
  Speaker 4: Little bit parts here and there, almost like for fun.
• 30:04
  Speaker 4: It's like the Ricky Jay, but instead of magic, authorship. Yeah,
• 30:09
  Speaker 4: like Ricky Jay, one of my heroes. But I'm just
• 30:12
  Speaker 4: glad Ricky Jay got mentioned.
• 30:15
  Speaker 6: Now we're going to start throwing cards at one another.
• 30:17
  Speaker 12: Yeah, I know.
• 30:18
  Speaker 1: Ricky Jay. It's going to get violent.
• 30:20
  Speaker 12: Into the husk of the watermelon.
• 30:22
  Speaker 9: Exactly.
• 30:23
  Speaker 1: Oh, I love that.
• 30:24
  Speaker 6: But anyway.
• 30:25
  Speaker 1: We're going to stop podcasting now, getting some cards.
• 30:26
  Speaker 6: We're going to The other thing that Gore Vidal did
• 30:30
  Speaker 6: was he wrote a gay subplot into Ben-Hur and nobody
• 30:34
  Speaker 6: ever told Charlton Heston about it. And he explained, you know,
• 30:39
  Speaker 6: how the writing attribution, how you get credit for writing,
• 30:43
  Speaker 6: and he wrote this part and he said, and it's
• 30:45
  Speaker 6: like a betrayed lover, but it's not explicit, but it
• 30:49
  Speaker 6: will make sense emotionally to the audience. But Don't tell
• 30:53
  Speaker 6: Chuck about it.
• 30:55
  Speaker 1: He will not be comfortable.
• 30:57
  Speaker 6: Yeah, so he came out of that thing where they
• 30:59
  Speaker 6: wrote the live teleplays on TV in the 50s, and.
• 31:03
  Speaker 1: They're not, I don't think they're even recorded.
• 31:06
  Speaker 6: But he was kind of a good movie writer, but
• 31:10
  Speaker 6: he believed Myra Breckenridge was a really good novel.
• 31:15
  Speaker 1: To his death.
• 31:16
  Speaker 12: It's kind of like, don't tell Chuck.
• 31:19
  Speaker 6: Don't tell Gore Vidal that this book is really horrible.
• 31:24
  Speaker 6: And it deserved to be a terrible movie because it's
• 31:27
  Speaker 6: really bad.
• 31:28
  Speaker 3: It's funny, though.
• 31:30
  Speaker 1: I wouldn't say don't buy it.
• 31:33
  Speaker 6: But, yeah, he was a great guy in a lot
• 31:36
  Speaker 6: of ways. I read a lot of his essays when
• 31:39
  Speaker 6: I was a kid, and they really influenced me.
• 31:41
  Speaker 1: I didn't understand it at the time.
• 31:43
  Speaker 6: I just thought, wow, these are really intellectual and insightful
• 31:48
  Speaker 6: and political. But what they really were was they were
• 31:56
  Speaker 6: half infatuated with rationality and half bitchy. And I came
• 32:04
  Speaker 6: to believe that that's what being a rational citizen was,
• 32:11
  Speaker 6: was being kind of like an old gay queen bitching
• 32:15
  Speaker 6: about shit but making a lot of sense while doing.
• 32:18
  Speaker 1: It which i got that a lot from hooper yeah
• 32:21
  Speaker 1: you know 17 degrees.
• 32:27
  Speaker 30: Of hooper yes come to its final you know it's
• 32:31
  Speaker 30: there you've got the new young guy coming in and
• 32:34
  Speaker 30: you're just well this is how this is how it
• 32:37
  Speaker 30: is and this is how it was when you came
• 32:38
  Speaker 30: in replaced me and they're just bitching about all the
• 32:41
  Speaker 30: times that they had gone through and How they were
• 32:43
  Speaker 30: the pioneers but didn't make the money.
• 32:45
  Speaker 9: Yeah.
• 32:46
  Speaker 1: Same thing. Yeah.
• 32:48
  Speaker 6: Just like all those old guys who played baseball. And
• 32:51
  Speaker 6: they just played baseball. They didn't make any real money.
• 32:54
  Speaker 6: And nowadays, like, one player makes more than, like, five
• 32:57
  Speaker 6: of them made in a lifetime.
• 33:00
  Speaker 1: But I don't know.
• 33:00
  Speaker 6: There's something beautiful about it. It's the life of the
• 33:04
  Speaker 6: stuntman before they made real money.
• 33:08
  Speaker 12: That's kind of how they work this it is sort
• 33:10
  Speaker 12: of that mythology of it that it is this like
• 33:13
  Speaker 12: legendary thing back in the day and this new kid
• 33:15
  Speaker 12: he's got a calculator and it's just it's really everything
• 33:20
  Speaker 12: like a calculator?
• 33:21
  Speaker 7: It was his pocket.
• 33:21
  Speaker 6: Computer is what it was Jerry Seinfeld gave it to
• 33:26
  Speaker 6: him at first it was just calculating.
• 33:28
  Speaker 12: Tips but it does much more than that the bad
• 33:30
  Speaker 12: part was he couldn't open it yeah who is.
• 33:34
  Speaker 3: That guy Jan?
• 33:36
  Speaker 1: Michael J. Michael Vincent Airwolf what with Ernest Borgnine he
• 33:41
  Speaker 1: was on Airwolf with Ernest Borgnine Airwolf he.
• 33:44
  Speaker 6: Was in a lot of stuff I knew I'd seen
• 33:46
  Speaker 6: him a lot and he looks like an actual guy
• 33:48
  Speaker 6: I actually know so there's that familiarity too I think.
• 33:52
  Speaker 1: He looked like I think everybody thought he was going
• 33:55
  Speaker 1: to be he was going to blow up bigger than
• 33:57
  Speaker 1: anyone ever and he never really took for.
• 33:59
  Speaker 12: Some reason and he probably should have like he wasn't
• 34:01
  Speaker 12: a bad actor and he was definitely like you know
• 34:03
  Speaker 12: he had the looks and he was like He did
• 34:06
  Speaker 12: the action stuff.
• 34:07
  Speaker 1: But yeah, it's like he just never caught on. I
• 34:08
  Speaker 1: think it's because his name was Jan. Could be. That's
• 34:11
  Speaker 1: the problem. That, and he had a feminine underbite.
• 34:13
  Speaker 12: And he always went around going, Marsha, Marsha, Marsha.
• 34:17
  Speaker 1: I think if he would have just gone John Michael Vincent,
• 34:19
  Speaker 1: he probably would have been a bigger.
• 34:20
  Speaker 12: Just drop one of those three names.
• 34:22
  Speaker 1: Or, yeah, right. Yeah, you can't have three person names.
• 34:24
  Speaker 6: The whole three name thing.
• 34:25
  Speaker 9: I don't know.
• 34:25
  Speaker 12: It's overdone.
• 34:26
  Speaker 1: Yeah, three names, that's a chick thing, too.
• 34:28
  Speaker 6: Yeah, that's... There are all those chicks that have three names.
• 34:31
  Speaker 1: That's an 80s chick thing.
• 34:32
  Speaker 6: You don't get much of an out-to-go-ther.
• 34:34
  Speaker 1: Or, that's how... Child stars do. They have to go
• 34:37
  Speaker 1: by all three of their names. In serial killers.
• 34:39
  Speaker 6: You know, I'm going to call you out, dude. Were
• 34:42
  Speaker 6: you on an episode and you said something about a
• 34:45
  Speaker 6: movie should have a young Ricky Schroeder in it?
• 34:50
  Speaker 9: I did.
• 34:50
  Speaker 1: I believe he did.
• 34:50
  Speaker 12: Yeah, that's redundant.
• 34:51
  Speaker 1: That's redundant.
• 34:53
  Speaker 31: He became Rick Schroeder when he grew up. A young
• 34:57
  Speaker 31: Ricky Schroeder. You're saying it twice. I still refer to
• 35:02
  Speaker 31: him as Ricky Schroeder. When he went to NYPD Blue.
• 35:07
  Speaker 1: He was Rick. It was a big deal to him.
• 35:11
  Speaker 6: I think he did press conferences announcing that he was
• 35:15
  Speaker 6: now Rick Schroeder. P.
• 35:18
  Speaker 3: Denny Schroeder.
• 35:19
  Speaker 1: This is my new name. Droppin' the Y.
• 35:25
  Speaker 7: Or Snoop Lion.
• 35:26
  Speaker 6: And that was his CD he released at that time.
• 35:29
  Speaker 1: It was called Rick Schroeder, Droppin' the Y.
• 35:36
  Speaker 12: I did not know that.
• 35:37
  Speaker 1: I did not know that. Him and Alfonso Ribeiro that
• 35:43
  Speaker 1: was on Silver Spoons with him, he was his DJ
• 35:45
  Speaker 1: on that album. It's so great to find out. He
• 35:49
  Speaker 1: was kind of his jazzy Jeff. exactly I'm the DJ
• 35:52
  Speaker 1: he's the word full circle Alfonso Ribeiro played Carlton on
• 35:56
  Speaker 1: The Fresh Prince of Bel-Air it all comes back around
• 35:58
  Speaker 1: how do you I mean it just that's how the
• 36:00
  Speaker 1: world works it's a symbiosis and I think Burt Reynolds
• 36:04
  Speaker 1: produced it I'm.
• 36:06
  Speaker 25: Pretty sure that's that's your tie in that's where you're going.
• 36:10
  Speaker 1: With this yeah Burt Reynolds, man.
• 36:13
  Speaker 6: That guy. And they showed actual film from Deliverance.
• 36:17
  Speaker 1: And I'm watching that.
• 36:19
  Speaker 6: Is that Deliverance? Oh, and they showed him having a
• 36:21
  Speaker 6: big scar on his shin in the opening thing. It's like,
• 36:25
  Speaker 6: is that where he broke his leg in Deliverance? Is
• 36:29
  Speaker 6: that the bone sticking out of his leg?
• 36:32
  Speaker 1: I think that's what it was supposed to be. That's
• 36:34
  Speaker 1: back when he was the good actor. And then it
• 36:37
  Speaker 1: veered off for about 30 years.
• 36:39
  Speaker 12: Yeah, when he was just like.
• 36:42
  Speaker 6: Fun action comedy guy. He's likable enough.
• 36:46
  Speaker 12: He is.
• 36:46
  Speaker 8: It's one of those.
• 36:47
  Speaker 12: It just enters into that weird area. It really is
• 36:51
  Speaker 12: its own little thing. And it doesn't... Like we said
• 36:53
  Speaker 12: with this one, it doesn't even feel like a movie
• 36:55
  Speaker 12: as much as you're just watching.
• 36:56
  Speaker 1: Bert hang out with his friends.
• 36:57
  Speaker 12: And as you watch it, it gets worse and worse as.
• 36:59
  Speaker 1: You get to the Cannonball Run movies. And it really
• 37:02
  Speaker 1: is just like.
• 37:03
  Speaker 12: They shoot as much time on the outtakes as they
• 37:06
  Speaker 12: do on the movie at the end of the movie.
• 37:08
  Speaker 1: It's just like after the bar scene, they all go
• 37:11
  Speaker 1: to his house to have a party. They probably didn't
• 37:14
  Speaker 1: script that.
• 37:15
  Speaker 6: They just went to his house and have a party.
• 37:18
  Speaker 1: Let's go watch Deliverance.
• 37:19
  Speaker 7: Let's watch footage of me.
• 37:22
  Speaker 3: I'm awesome.
• 37:24
  Speaker 12: It's so 70s.
• 37:25
  Speaker 6: Like, Glenn watched it with me and she was like,
• 37:28
  Speaker 6: it's just worth seeing just because of It's so 70s.
• 37:31
  Speaker 12: It's so quintessentially 70s.
• 37:35
  Speaker 6: And like the 70s, they do things that you just
• 37:38
  Speaker 6: totally really cannot approve of as a human being.
• 37:42
  Speaker 12: But we did.
• 37:43
  Speaker 3: Like the dog?
• 37:46
  Speaker 6: Like hooking the cable onto the cop's belt.
• 37:50
  Speaker 1: You're gonna kill somebody.
• 37:52
  Speaker 3: I know. I was there.
• 37:54
  Speaker 1: People died.
• 37:55
  Speaker 6: People I grew up with died doing stupid shit like that.
• 37:59
  Speaker 1: The thing was is they did that to him and
• 38:00
  Speaker 1: they didn't even think about the consequences. He's got his license.
• 38:04
  Speaker 1: They know that Kyle's probably going to be on disability
• 38:08
  Speaker 1: for the rest of his life with a bad back.
• 38:11
  Speaker 12: There were a lot of moments where I was like, okay,
• 38:13
  Speaker 12: he's crossed the line from being a fun guy to
• 38:17
  Speaker 12: being kind of a dick. That one was bad, but
• 38:19
  Speaker 12: breaking the jukebox?
• 38:21
  Speaker 1: I was like, what the hell is that?
• 38:22
  Speaker 6: Breaking the jukebox or driving recklessly through crowds of innocent
• 38:27
  Speaker 6: people who came out to have fun?
• 38:28
  Speaker 1: Or towards the end, like.
• 38:31
  Speaker 1: They're hauling that wall through it. He just drives through it.
• 38:34
  Speaker 1: I'm like, how long did it take him to.
• 38:35
  Speaker 7: Build that wall?
• 38:36
  Speaker 12: And you just drove through it, you dick.
• 38:38
  Speaker 1: I know, and he's being a complete dick.
• 38:40
  Speaker 6: At some point, you just want to punch him in
• 38:42
  Speaker 6: the face.
• 38:42
  Speaker 1: It's all because he couldn't commit to Sally Field. He
• 38:47
  Speaker 1: really wanted Jan Michael Vincent.
• 38:48
  Speaker 9: Yes.
• 38:49
  Speaker 1: I mean, there really is a gay subtext to it. Anyway,
• 38:52
  Speaker 1: I'm not.
• 38:55
  Speaker 1: There was a gay subtext to the 70s. To his mustache. Yeah.
• 39:00
  Speaker 6: And I've got nothing against being gay, but I'm pathologically straight.
• 39:06
  Speaker 1: Not that there's anything wrong with that.
• 39:07
  Speaker 9: Yeah.
• 39:08
  Speaker 6: But I'm pathologically straight, and living through the 70s was
• 39:11
  Speaker 6: like a living hell for me. I just couldn't relate.
• 39:15
  Speaker 6: You didn't want to swing?
• 39:16
  Speaker 12: Come on, man.
• 39:19
  Speaker 6: I did like the key parties.
• 39:21
  Speaker 1: Well, I didn't want to.
• 39:22
  Speaker 12: Tell you how this is all going to come together
• 39:25
  Speaker 12: at the end of this show.
• 39:26
  Speaker 6: People bring that up as something people did that was wild,
• 39:29
  Speaker 6: and I'm like, yeah, my assistant principal in high school
• 39:32
  Speaker 6: did that. That doesn't seem wild or appealing to me.
• 39:37
  Speaker 1: You know, and the funny point of reference that it's
• 39:42
  Speaker 1: that far back in history, socially, and Jock at that
• 39:46
  Speaker 1: time is going... Look, even the gays are getting married now.
• 39:49
  Speaker 11: Yeah.
• 39:50
  Speaker 13: Oh, yeah.
• 39:51
  Speaker 12: I was like, that's come full circle.
• 39:52
  Speaker 1: Oh, they could drop that line and it was no
• 39:54
  Speaker 1: big deal. Yeah.
• 39:56
  Speaker 12: Well, I was like, now it's actually true.
• 39:58
  Speaker 6: Yeah, that was back in the era when people wondered,
• 40:02
  Speaker 6: why do gays have so much premarital sex?
• 40:05
  Speaker 12: Oh, right.
• 40:07
  Speaker 9: Right.
• 40:08
  Speaker 1: I see.
• 40:10
  Speaker 6: I thought it was something wrong with them, but it
• 40:12
  Speaker 6: turns out, yeah.
• 40:14
  Speaker 1: Why don't they ever get invited to one of their weddings?
• 40:17
  Speaker 6: That's crazy.
• 40:17
  Speaker 3: I don't know.
• 40:18
  Speaker 1: They're such snobs.
• 40:23
  Speaker 12: Well, that was, again, for the weird time things. Like
• 40:26
  Speaker 12: the fact that maybe some of it just started to
• 40:28
  Speaker 12: creep in and become conscious to them because we almost
• 40:32
  Speaker 12: get like a drunk driving PSA for a minute. And
• 40:35
  Speaker 12: he specifically talks about how it's going to end up
• 40:39
  Speaker 12: bad and then they turn around and do it.
• 40:41
  Speaker 6: Yes.
• 40:43
  Speaker 12: And once again, act like a dick to the cop.
• 40:46
  Speaker 6: Yeah, there's this kind of... It's almost like the funny
• 40:50
  Speaker 6: guy in Fargo. Issue with authority of any form. You
• 40:55
  Speaker 6: have to just be an asshole to anybody wearing a
• 40:58
  Speaker 6: uniform of any kind.
• 41:00
  Speaker 12: Which doesn't even make sense for this guy. I mean,
• 41:03
  Speaker 12: he's a professional.
• 41:04
  Speaker 3: He's in showbiz.
• 41:05
  Speaker 1: He seems like a nice.
• 41:06
  Speaker 6: Guy in other ways, but then it's like, I feel
• 41:09
  Speaker 6: called upon to be a complete fucking dick.
• 41:12
  Speaker 9: Yep.
• 41:13
  Speaker 6: Just because of the zeitgeist of the era I live in.
• 41:17
  Speaker 12: I need to be a rebel. Yeah.
• 41:19
  Speaker 1: Even when it makes me a dick. And so I
• 41:21
  Speaker 1: need to shoot a parking lot attendant. You veered into
• 41:27
  Speaker 1: another movie.
• 41:27
  Speaker 12: But that's a different movie.
• 41:29
  Speaker 1: We're still talking about parking.
• 41:30
  Speaker 20: I don't believe I was going over 55.
• 41:33
  Speaker 8: You were going 55 backwards.
• 41:35
  Speaker 6: Well, that's not against the law, is it?
• 41:37
  Speaker 1: Unsafe packing.
• 41:39
  Speaker 6: Silly law.
• 41:40
  Speaker 15: It's still a law.
• 41:41
  Speaker 6: And the way he treated Sally Field. It's like, could
• 41:45
  Speaker 6: you at least get the fucking beer cans within 10
• 41:48
  Speaker 6: feet of the garbage?
• 41:50
  Speaker 1: He's like, why?
• 41:52
  Speaker 6: And he leaves his shit all over the house and
• 41:54
  Speaker 6: he's like, why couldn't you put that up?
• 41:56
  Speaker 12: You don't have much work to do. Meanwhile, she's the
• 41:59
  Speaker 12: school teacher, wasn't she?
• 42:01
  Speaker 6: Yeah, she's a fucking school teacher.
• 42:03
  Speaker 1: One stunt a day, that's it.
• 42:06
  Speaker 6: Yeah, he does a stunt and they're like, okay, you're
• 42:08
  Speaker 6: done for the year or whatever until you decide to
• 42:12
  Speaker 6: do something else. And he goes home and he's like,
• 42:15
  Speaker 6: why is my coat? Sitting where I fucking left it
• 42:19
  Speaker 6: this morning.
• 42:19
  Speaker 1: He turns into Archie Bunker.
• 42:21
  Speaker 12: Yeah.
• 42:22
  Speaker 9: God.
• 42:22
  Speaker 12: I don't know. Yeah, that was very 70s.
• 42:24
  Speaker 1: She was so hot. She really was. She really was.
• 42:28
  Speaker 6: Like, Chi-Chi, the flying nun.
• 42:30
  Speaker 12: She's like, I don't know, that's cool.
• 42:33
  Speaker 1: That she can be like that.
• 42:36
  Speaker 15: Rip the foil, Bo.
• 42:37
  Speaker 1: Rip it she wants. So when they finally get to
• 42:39
  Speaker 1: the plot, does it become like a film noir setup
• 42:43
  Speaker 1: that they've got one last one last job to do,
• 42:47
  Speaker 1: and we've got to complete this, and it's got to
• 42:48
  Speaker 1: be bigger than everything, and I'm going to retire after this.
• 42:50
  Speaker 6: Yeah, I want to see a movie where the director decides,
• 42:54
  Speaker 6: I'm going to use that cliched plot one last time
• 42:58
  Speaker 6: before I retire. And it's so crazy, it just might work.
• 43:03
  Speaker 1: The longest it's ever been done is this far, but
• 43:06
  Speaker 1: we're going to go four times that in a day.
• 43:12
  Speaker 12: Yeah, there's a lot about the end that I don't know.
• 43:15
  Speaker 12: What was that movie they were in? That's what I
• 43:18
  Speaker 12: was trying to figure out.
• 43:19
  Speaker 7: What the fuck was that movie?
• 43:20
  Speaker 1: There was guns blowing up stuff.
• 43:22
  Speaker 3: Yeah.
• 43:22
  Speaker 1: But why is there... Okay, so mostly the big finale.
• 43:25
  Speaker 1: The rest of it, well, none of it really makes sense.
• 43:27
  Speaker 1: I'm like, why would you just randomly jump out of
• 43:29
  Speaker 1: a helicopter?
• 43:30
  Speaker 12: There's no setup as to why this character would randomly
• 43:33
  Speaker 12: jump out of a helicopter. And not have a giant
• 43:35
  Speaker 12: airbag to land on, which he did.
• 43:37
  Speaker 8: So wouldn't Adam West just be dead?
• 43:40
  Speaker 9: Yeah.
• 43:41
  Speaker 12: If you didn't see him landing on the airbag? Yeah. But, like,
• 43:45
  Speaker 12: by the time you get... Like, in the beginning, it's
• 43:46
  Speaker 12: just a spy movie. So they're, like, they're rappelling down
• 43:48
  Speaker 12: the wall part and shooting guys. That seems normal.
• 43:51
  Speaker 6: Oh, and they're playing, like, the 007.
• 43:52
  Speaker 1: Which is very close, yeah. It was, like, the spy
• 43:55
  Speaker 1: who knew too much or something like that. Or didn't
• 43:58
  Speaker 1: know quite enough.
• 44:00
  Speaker 9: No, I think that's what they called it, though.
• 44:01
  Speaker 1: It was, like, the spy... Spy misremembered that one thing.
• 44:07
  Speaker 6: I love it that the writer was angry that they
• 44:09
  Speaker 6: changed the ending on the spy.
• 44:12
  Speaker 12: This was my masterpiece. If you want to address that,
• 44:16
  Speaker 12: why is the director being such an arty dick?
• 44:20
  Speaker 3: Really?
• 44:20
  Speaker 12: Look at your spy movie. And he's just like, this
• 44:22
  Speaker 12: is the way I've envisioned the ending.
• 44:25
  Speaker 1: It won't be any other way.
• 44:27
  Speaker 12: He's got such artistic integrity in this exploding spy movie.
• 44:30
  Speaker 6: So this movie predicted Michael Bay.
• 44:33
  Speaker 12: Yeah, I think so.
• 44:34
  Speaker 8: But that's the end.
• 44:35
  Speaker 12: I'm like, okay, so everything up until rappelling down there,
• 44:38
  Speaker 12: shooting guys.
• 44:38
  Speaker 1: Okay, it's a spy movie.
• 44:39
  Speaker 12: I can see that. So at the end, the spies
• 44:41
  Speaker 12: are trying to get away from an earthquake.
• 44:44
  Speaker 15: Yeah.
• 44:44
  Speaker 6: Right. Yeah, all of a sudden.
• 44:46
  Speaker 3: Earthquake?
• 44:46
  Speaker 1: Yeah. All of a sudden it's shortcuts.
• 44:48
  Speaker 6: Yeah.
• 44:49
  Speaker 1: I was like, why?
• 44:50
  Speaker 16: Well, obviously they just shot Earthquake and he just wanted
• 44:53
  Speaker 16: to tie in the reference to something sort of current.
• 44:56
  Speaker 16: But I was just like, what has this got to
• 44:58
  Speaker 16: do with a spy plot? How do you work at
• 45:00
  Speaker 16: Earthquake as the finale of your spy movie? Unless it
• 45:03
  Speaker 16: really is a Bond movie and the way he was
• 45:05
  Speaker 16: going to take over the world was in Earthquake.
• 45:08
  Speaker 6: Oh, yeah.
• 45:09
  Speaker 1: He could have an Earthquake machine.
• 45:10
  Speaker 9: I guess.
• 45:11
  Speaker 12: I mean, they have giant lasers and shit. I think
• 45:13
  Speaker 12: you've written this movie. I think I have.
• 45:15
  Speaker 1: It's the spy who laughed at danger. Honestly.
• 45:20
  Speaker 6: Of course.
• 45:21
  Speaker 1: The spy who laughed at his own middle name.
• 45:24
  Speaker 6: Right.
• 45:24
  Speaker 1: Yeah.
• 45:25
  Speaker 6: I can't watch Robert Klein for five minutes if he
• 45:28
  Speaker 6: doesn't do that sound effect, that whoo-hoo-hoo, like our host's bathroom.
• 45:37
  Speaker 6: It just makes me really uncomfortable. So that guy's name
• 45:40
  Speaker 6: is Brian Keith.
• 45:42
  Speaker 1: Brian David Keith.
• 45:43
  Speaker 12: From Family Affair.
• 45:44
  Speaker 9: Thank you.
• 45:45
  Speaker 12: Yes, he was from Family Affair.
• 45:47
  Speaker 1: He was the dad.
• 45:48
  Speaker 12: There was no Buffy and Jodie in this. There was
• 45:52
  Speaker 12: a butler, wasn't there?
• 45:55
  Speaker 1: Mr.
• 45:56
  Speaker 6: French.
• 45:57
  Speaker 1: Mr.
• 45:57
  Speaker 6: Belvedere.
• 45:58
  Speaker 2: God, man.
• 46:00
  Speaker 6: This is thrilling because these brain cells are just hanging
• 46:03
  Speaker 6: on the edge of a cliff clinging to twigs.
• 46:06
  Speaker 1: But what about Ms.
• 46:07
  Speaker 2: Beasley?
• 46:08
  Speaker 3: Oh, yeah, Ms.
• 46:08
  Speaker 1: Beasley.
• 46:09
  Speaker 12: Gotta get that straight.
• 46:12
  Speaker 1: Wow. I don't have anything else going on up here.
• 46:14
  Speaker 3: Wow.
• 46:15
  Speaker 12: That's all I have is useless nonsense.
• 46:17
  Speaker 1: And I can't call upon it most of.
• 46:22
  Speaker 6: The time.
• 46:23
  Speaker 1: Yeah.
• 46:24
  Speaker 6: So they introduce a story which is basically, it's like elegiac.
• 46:28
  Speaker 6: It's like the end of a way of life for
• 46:31
  Speaker 6: this one guy in this cowboy-like profession of stuntman. And
• 46:40
  Speaker 6: there's like the young guys coming up and they've got
• 46:43
  Speaker 6: their pocket calculators.
• 46:45
  Speaker 1: And it's all different now.
• 46:46
  Speaker 6: They're different breed. They don't drink. They don't take pills.
• 46:51
  Speaker 6: They're better than we were. And he kind of hates them.
• 46:57
  Speaker 6: And it's funny when they talk about how they hate
• 46:59
  Speaker 6: him already. But they laugh. Because it's like, you know,
• 47:03
  Speaker 6: they know it's funny. That's kind of like that Bob
• 47:07
  Speaker 6: Dylan documentary. Like when they start telling him about Donovan,
• 47:12
  Speaker 6: and the keyboard player from The Animals says, oh, he's
• 47:17
  Speaker 6: a good guitar player, better than you. And Dylan goes,
• 47:20
  Speaker 6: already I hate it.
• 47:26
  Speaker 12: Well, what I think is the perfect example of how
• 47:30
  Speaker 12: this movie plays out, more than anything, and it's funny
• 47:33
  Speaker 12: that it just got.
• 47:34
  Speaker 1: Made, it's Skyfall.
• 47:36
  Speaker 9: Yeah.
• 47:37
  Speaker 12: It's nothing but you're the old pro. You've been doing
• 47:41
  Speaker 12: this all this time. You know the ways of.
• 47:43
  Speaker 10: These whole three movies you've done.
• 47:46
  Speaker 8: It's been a long journey.
• 47:48
  Speaker 12: You're the best in the business. And now they're bringing
• 47:50
  Speaker 12: up these new guys. And once again, your mentor is
• 47:53
  Speaker 12: also getting up there. So you watch her father injuring
• 47:58
  Speaker 12: himself and going to the hospital. So it's like it
• 48:00
  Speaker 12: already had that going on. Plus they work in that James.
• 48:03
  Speaker 1: Bond theme the whole time.
• 48:04
  Speaker 15: Yeah.
• 48:05
  Speaker 6: And then.
• 48:06
  Speaker 1: i don't know the whole thing.
• 48:07
  Speaker 12: Just seems like it's all about are you getting too
• 48:10
  Speaker 12: old to do this which is exactly what you know
• 48:12
  Speaker 12: the majority of skyfall is about so i thought it's
• 48:15
  Speaker 12: weird having i just me.
• 48:18
  Speaker 6: Too but i kind of felt like skyfall was pretending
• 48:21
  Speaker 6: to be about that because that was handy and they
• 48:24
  Speaker 6: felt like it needed to be about something yeah but
• 48:28
  Speaker 6: really it it's about like doesn't this guy look like
• 48:33
  Speaker 6: a really good James Bond in.
• 48:36
  Speaker 1: An vintage suit?
• 48:37
  Speaker 6: And it's like, yeah, yeah, start the fucking movie. He
• 48:42
  Speaker 6: looks like a great James Bond. I remember he was
• 48:46
  Speaker 6: once in Casino Royale. Are you going to do something
• 48:51
  Speaker 6: like that again?
• 48:52
  Speaker 1: No, no. Are you going to make a James Bond movie?
• 48:54
  Speaker 8: They're like, Yeah, we could, but remember that movie Straw Dogs?
• 48:57
  Speaker 1: That was pretty cool, right?
• 48:58
  Speaker 3: Yeah, that was cool.
• 48:59
  Speaker 1: You ever seen Home Alone?
• 49:00
  Speaker 8: You ever seen Home Alone?
• 49:01
  Speaker 12: It's going to be a little bit like that.
• 49:03
  Speaker 8: Dark Knight was a pretty cool movie.
• 49:04
  Speaker 1: We got some cool stuff that was like that movie.
• 49:06
  Speaker 12: It was, it's like they were borrowing from all over
• 49:08
  Speaker 12: the place.
• 49:09
  Speaker 1: The Dark Knight.
• 49:10
  Speaker 8: I mean, I think they were confused.
• 49:12
  Speaker 7: And it just felt reused.
• 49:13
  Speaker 10: They were confused on how they thought a James Bond
• 49:16
  Speaker 10: movie was all about the villain.
• 49:17
  Speaker 8: And it never was all about the villain. The villain
• 49:19
  Speaker 8: was always this funny.
• 49:20
  Speaker 10: Kind of joke even though you know like goldfinger he's
• 49:22
  Speaker 10: kind of this classy kind of evil dude but it
• 49:24
  Speaker 10: was he was still kind of just an idiot and
• 49:27
  Speaker 10: all the bond movies are kind of these stupid idiots
• 49:29
  Speaker 10: that you know it's not about them it's about bond
• 49:31
  Speaker 10: being cool and you know being classy and this one
• 49:34
  Speaker 10: is just all about javier bardem and And he's not
• 49:37
  Speaker 10: even very good.
• 49:37
  Speaker 12: Do you know how I got these scars on my face?
• 49:39
  Speaker 8: It's like, I'm watching the fucking Dark Knight again.
• 49:41
  Speaker 1: Like, what is this?
• 49:42
  Speaker 6: And they cut away, like, at least the Joker had, like,
• 49:45
  Speaker 6: really cool shit he did.
• 49:46
  Speaker 1: Yeah.
• 49:47
  Speaker 6: Like, the pencil trick. And they cut away from all
• 49:51
  Speaker 6: his things that could have been big moments.
• 49:53
  Speaker 8: Yeah, all he did was just, like, hanging around, like,
• 49:54
  Speaker 8: saying monologues.
• 49:55
  Speaker 1: Not really, like, he shot a person.
• 49:58
  Speaker 25: I mean, for the first half, when he showed up,
• 50:02
  Speaker 25: I was like, he doesn't seem like that bad a guy.
• 50:05
  Speaker 25: I haven't seen him do any evil shit yet.
• 50:08
  Speaker 12: What if he hasn't shot somebody in the head with
• 50:10
  Speaker 12: a nail gun? The movie seems to think he's amazing. Yeah,
• 50:13
  Speaker 12: and he is.
• 50:15
  Speaker 6: He is, because we've seen him be amazing.
• 50:18
  Speaker 12: In other movies.
• 50:19
  Speaker 6: Who could that be at this.
• 50:20
  Speaker 1: Time of night?
• 50:21
  Speaker 12: Somebody's showing up late at the box office.
• 50:25
  Speaker 8: .
• 50:29
  Speaker 1: .
• 50:29
  Speaker 3: .
• 50:48
  Speaker 6: I don't know, it looks, parts of it look really good,
• 50:51
  Speaker 6: but didn't he fail at every single thing he was
• 50:54
  Speaker 6: tasked to do?
• 50:55
  Speaker 8: Yeah, why do they keep hiring him?
• 50:58
  Speaker 6: Yeah, I know. How does he get this big reputation?
• 51:02
  Speaker 1: I don't know.
• 51:03
  Speaker 10: Well, I mean, maybe for all the times he gets
• 51:05
  Speaker 10: everything right in the movies before, but he fucks up
• 51:07
  Speaker 10: so bad.
• 51:07
  Speaker 1: Yeah. We're just all like, somebody walked in who I
• 51:15
  Speaker 1: recognize from a movie.
• 51:20
  Speaker 3: Bert Reynolds!
• 51:21
  Speaker 1: Bert Reynolds is here. Chew your gum, Bert. We're talking
• 51:27
  Speaker 1: about a Bert Reynolds movie. As Oscars would normally. You're welcome.
• 51:32
  Speaker 1: Burt Reynolds in Bond. He should have played the bad guy.
• 51:34
  Speaker 6: It was weird that he didn't say, like, Burt Reynolds
• 51:38
  Speaker 6: is Hooper. Because that's what... It did.
• 51:40
  Speaker 12: It did. Did it?
• 51:41
  Speaker 15: It did.
• 51:41
  Speaker 1: I missed it.
• 51:42
  Speaker 12: Yeah. It's the way they introduce him. Even his body
• 51:45
  Speaker 12: pads say Hooper on them.
• 51:48
  Speaker 10: Yeah.
• 51:48
  Speaker 6: That looked kind of like that Borat show that used
• 51:53
  Speaker 6: to be on the opening where he gets suited up.
• 51:58
  Speaker 1: I don't remember the show.
• 52:00
  Speaker 6: Yeah, I can't think of his name in that movie.
• 52:03
  Speaker 6: Ali G Show. Yeah, he's getting suited up and you
• 52:07
  Speaker 6: don't see his face because by the time they get
• 52:10
  Speaker 6: up to his head he puts the helmet on. And
• 52:14
  Speaker 6: then later he's just riding a horse around at night.
• 52:17
  Speaker 1: What's great though about you don't know that it's Burt
• 52:21
  Speaker 1: Reynolds other than they told you. Yeah, that Burt Reynolds is. Right,
• 52:26
  Speaker 1: but And you don't even see his face because they
• 52:28
  Speaker 1: put it on.
• 52:29
  Speaker 6: And it was actually illegal in the 70s to not
• 52:32
  Speaker 6: know who Burt Reynolds was.
• 52:34
  Speaker 1: But when he walks out of his trailer and he's
• 52:36
  Speaker 1: got the full visor and helmet on, you can see
• 52:40
  Speaker 1: his jaw moving because he's chewing his gum. And you
• 52:44
  Speaker 1: can see the.
• 52:46
  Speaker 7: It's like, oh yeah, that's Burt Reynolds.
• 52:47
  Speaker 1: They can't even use a stuntman. That's Burt Reynolds.
• 52:50
  Speaker 12: Hey, Burt.
• 52:51
  Speaker 1: I don't know. Fred does Ernie. Again, that whole.
• 52:57
  Speaker 12: First half, that's all it is. Come into the porn
• 52:59
  Speaker 12: section near you.
• 53:00
  Speaker 1: No, I don't think I want that at all.
• 53:04
  Speaker 10: You know, in 2013, you just could not have... you
• 53:07
  Speaker 10: could not have a movie star named Burt a guy
• 53:10
  Speaker 10: who chews gum a lot and always has a mustache
• 53:13
  Speaker 10: like refuses to shave.
• 53:15
  Speaker 8: Like those three characteristics you could not have that.
• 53:17
  Speaker 1: In 2013 Adam West would wear a fake mustache but
• 53:20
  Speaker 1: your hipster neighbors would love him if.
• 53:22
  Speaker 10: So yeah they would only in an ironic way would
• 53:26
  Speaker 10: he become famous.
• 53:27
  Speaker 6: But I don't know if y'all aren't really keeping up
• 53:29
  Speaker 6: because I thought they were hipsters they were talking about
• 53:32
  Speaker 6: something that was cool that wasn't anymore I thought they
• 53:35
  Speaker 6: were hipsters.
• 53:36
  Speaker 1: It turns out they're douchebags.
• 53:38
  Speaker 12: Then they would really like Burt Reynolds. As it turns
• 53:42
  Speaker 12: out in this movie.
• 53:43
  Speaker 6: Kind of a dick. Well, you know, there's really a
• 53:45
  Speaker 6: fine line between hipsters and douchebags. Because they always want
• 53:50
  Speaker 6: you to know something that you already know. And I
• 53:53
  Speaker 6: don't want to be sexist, but there's nothing more that
• 53:57
  Speaker 6: males hate than being told something that you already know.
• 54:01
  Speaker 6: It's like somebody folding a roadmap the wrong way.
• 54:04
  Speaker 12: You can't stand it. Don't tell me that. I already
• 54:07
  Speaker 12: know that.
• 54:09
  Speaker 1: Well, and on top of that, to be smug about it. Yeah.
• 54:13
  Speaker 1: I think that's what is the tipping point.
• 54:15
  Speaker 6: But see, I kind of like doing that myself. I've
• 54:19
  Speaker 6: always wanted to be a waiter. I've never had a
• 54:21
  Speaker 6: job as a waiter, but I've always wanted to, just
• 54:24
  Speaker 6: so I could say, when somebody said, what's the soup
• 54:26
  Speaker 6: du jour? I could lean over and say, That just
• 54:29
  Speaker 6: means the soup of the day.
• 54:30
  Speaker 12: Fred is aspiring to be a dick, is what he's saying.
• 54:34
  Speaker 1: Or a douchebag.
• 54:35
  Speaker 6: Or get a medical degree so that I could come
• 54:38
  Speaker 6: out and say, well, the nurses and technicians did everything
• 54:40
  Speaker 6: they could.
• 54:41
  Speaker 1: I just wasn't feeling it.
• 54:47
  Speaker 6: Fred could use a dose of unpretentious still.
• 54:49
  Speaker 1: Yeah, that's right. Unpretentious.
• 54:52
  Speaker 6: Yeah.
• 54:53
  Speaker 12: Please tell me some places you've traveled in the world.
• 54:56
  Speaker 12: In the whole, like, 70s, That's the thing, it just
• 54:59
  Speaker 12: gets caught up in that. In a way, I feel
• 55:02
  Speaker 12: like it should be doing more with the whole Stuntman life.
• 55:05
  Speaker 12: And what it made me realize is this is the
• 55:07
  Speaker 12: reason they made The Fall Guy, because this movie didn't
• 55:09
  Speaker 12: really hit enough of it. And by the end, you
• 55:12
  Speaker 12: realize that's all it was. It became the TV series.
• 55:15
  Speaker 12: It almost sets it up with, even to the point
• 55:18
  Speaker 12: of the theme song, it's so close.
• 55:19
  Speaker 6: It's Stuntman life for Bertie.
• 55:22
  Speaker 12: It's a stuntman.
• 55:24
  Speaker 6: They do get songs in the movie like that.
• 55:27
  Speaker 1: Yeah, it's the life of a stuntman.
• 55:29
  Speaker 12: It's pretty close to the Fall Guy theme song. So
• 55:31
  Speaker 12: they just rolled it over into a TV series.
• 55:34
  Speaker 6: And then the life of the wife of a stunt guy.
• 55:37
  Speaker 1: Right. Well, not really wife. She wants to be the wife.
• 55:41
  Speaker 6: Oh, that's right.
• 55:42
  Speaker 1: He couldn't commit. To a woman that cleaned for him.
• 55:46
  Speaker 6: Yeah, because he had that talking teddy bear.
• 55:51
  Speaker 1: No, wait. I'm sorry. That's different. Did you notice, and
• 55:56
  Speaker 1: this is, when you talk about physical acting in comedy,
• 56:00
  Speaker 1: I did notice with Sally Field, when they're in the
• 56:03
  Speaker 1: bar scene, and she's doing the little dance with moving
• 56:05
  Speaker 1: her feet while people are falling into her and over her.
• 56:09
  Speaker 1: I wasn't laughing about it, but I was smiling, thinking,
• 56:14
  Speaker 1: that really took some coordination to move your knife this
• 56:17
  Speaker 1: way and move your plate this way. That was fun.
• 56:20
  Speaker 1: Hasn't that been in like 40 movies?
• 56:22
  Speaker 12: Don't they always work that in? I've actually seen that
• 56:26
  Speaker 12: on stage too.
• 56:28
  Speaker 1: But to continue eating because how many takes would that
• 56:31
  Speaker 1: have taken? And to continue eating steak and potatoes while
• 56:35
  Speaker 1: she's doing all that. Eventually you're just going to be full.
• 56:39
  Speaker 1: You're like, no more takes.
• 56:40
  Speaker 12: I'm full.
• 56:41
  Speaker 6: I get full just seeing people in bell bottoms with.
• 56:46
  Speaker 1: Embroidered stars on them. embroidered stars that's.
• 56:50
  Speaker 12: Because i noticed he was wearing those to me those
• 56:56
  Speaker 12: you couldn't be a guy and pull those pants off
• 56:58
  Speaker 12: at this point you could pull them off no he
• 57:00
  Speaker 12: needed to but he didn't is the oh pull them
• 57:02
  Speaker 12: off they were well they were most of his pants
• 57:06
  Speaker 12: were way they were 70s tight it was scary yeah
• 57:09
  Speaker 12: it's not a good.
• 57:09
  Speaker 6: Idea 70s tight Yeah, they were all dressed kind of
• 57:12
  Speaker 6: like Bee Gees.
• 57:13
  Speaker 1: Nothing wrong with Bee Gees.
• 57:16
  Speaker 6: I'm not saying, I'm just saying. Greg's like, hey now. Well,
• 57:27
  Speaker 6: and they were all as hairy as Bee Gees, too.
• 57:31
  Speaker 6: Just all this hair bursting out of tight clothing.
• 57:35
  Speaker 1: It all gets compacted. It's like the Spanx. It all
• 57:39
  Speaker 1: gets compacted in the same spot and it just has
• 57:41
  Speaker 1: to come out.
• 57:42
  Speaker 12: When what's-his-name does his shirt, you hear it sproing.
• 57:47
  Speaker 6: The chest hair sproings out of his shirt. Oh my god.
• 57:51
  Speaker 1: Yeah, I don't know.
• 57:53
  Speaker 12: The whole first half is just strung together and then
• 57:56
  Speaker 12: by the end, all you get, once you hit the
• 58:00
  Speaker 12: big stunt, that's the whole last half of the movie
• 58:03
  Speaker 12: is built around the The, oh my god, is he
• 58:06
  Speaker 12: going to do it? And they're doing it and then
• 58:07
  Speaker 12: he calls it off and then they bring him back
• 58:10
  Speaker 12: in one more time.
• 58:11
  Speaker 1: One more time.
• 58:12
  Speaker 12: By the time you get to the scene where they're
• 58:14
  Speaker 12: standing in front of it talking about the bridge they're
• 58:16
  Speaker 12: going to blow, it's a working bridge.
• 58:19
  Speaker 1: Yeah.
• 58:19
  Speaker 12: There's cars going over it. Are you supposed to Blow
• 58:23
  Speaker 12: a working bridge.
• 58:24
  Speaker 1: Can you do that?
• 58:25
  Speaker 3: Yeah.
• 58:26
  Speaker 6: Could they do that over here at the Ohio River?
• 58:28
  Speaker 3: I guess.
• 58:29
  Speaker 12: Settle it once and for all?
• 58:30
  Speaker 1: They're so concerned about going over budget, but how are
• 58:33
  Speaker 1: they going to rebuild this bridge that's obviously needed later on? Yeah,
• 58:37
  Speaker 1: they're burning their bridges.
• 58:38
  Speaker 2: That's what they're doing.
• 58:39
  Speaker 1: They don't need that. They're burning their bridges. This is crucial.
• 58:43
  Speaker 6: Those silos have to fall over. Like, and just miss
• 58:46
  Speaker 6: your car. That was a good stunt, though. That was well-timed.
• 58:50
  Speaker 1: Watch this movie.
• 58:52
  Speaker 6: They should take all the outtakes of this movie and
• 58:55
  Speaker 6: make a movie.
• 58:55
  Speaker 1: And make a movie with Adam West.
• 58:57
  Speaker 12: Because that I would watch, and it might be a
• 58:59
  Speaker 12: little better than this one.
• 59:00
  Speaker 1: It might be.
• 59:02
  Speaker 6: Yeah. Burt's a nice guy, but, I mean, his movies
• 59:05
  Speaker 6: are low impact yeah well just kind of like it's.
• 59:09
  Speaker 32: Me Bert I'm in a movie come watch it it'll
• 59:11
  Speaker 32: be fun it's like hanging out in his living room
• 59:14
  Speaker 32: it really is well it's a movie you could put
• 59:16
  Speaker 32: on and have everybody slumping over in chairs and drinking
• 59:19
  Speaker 32: after you've had a.
• 59:20
  Speaker 12: Bar fight yeah that's really what you put it on
• 59:22
  Speaker 12: and you.
• 59:22
  Speaker 6: Watch it like oh yeah this is still on and
• 59:24
  Speaker 6: he's teaching you how to watch his movies in the
• 59:27
  Speaker 6: movie which is genius Almost like a Woody Allen quality. Yeah,
• 59:32
  Speaker 6: go out, get in a bar five, invite everybody back over,
• 59:36
  Speaker 6: watch my movie.
• 59:37
  Speaker 1: When I think of Woody Allen, I do think of
• 59:39
  Speaker 1: Burt Reynolds. So that works.
• 59:42
  Speaker 6: Deliverance. They show the clips from Deliverance. That's how you
• 59:47
  Speaker 6: know he's a real movie star. Now what's that guy's name? James,
• 59:52
  Speaker 6: the guy who wrote Deliverance. He was a friend of
• 59:54
  Speaker 6: my dad's. And I can't think of his name. And
• 59:59
  Speaker 6: he played the sheriff in it.
• 1:00:02
  Speaker 1: That's right.
• 1:00:03
  Speaker 2: So he'd come by when John Carpenter was babysitting.
• 1:00:06
  Speaker 6: He never came by our house, but he was in
• 1:00:10
  Speaker 6: the war. He told a lot of stories, and he
• 1:00:12
  Speaker 6: had some disability that allowed him to serve. The Great War?
• 1:00:17
  Speaker 1: No, not the Great War. The Pretty Good War. At
• 1:00:22
  Speaker 1: some point, I'm just going to call it bullshit with Fred.
• 1:00:25
  Speaker 1: I was like, no, you're not making any more of
• 1:00:26
  Speaker 1: this up.
• 1:00:27
  Speaker 12: No, I'm not making this up.
• 1:00:29
  Speaker 6: And also, I don't know this because my dad knew him,
• 1:00:33
  Speaker 6: but his son tried and tried to talk him out
• 1:00:36
  Speaker 6: of doing the anal rape scene in the movie. He
• 1:00:40
  Speaker 6: said in the book, people wanted to do this. No,
• 1:00:43
  Speaker 6: he said don't do it because it's all anyone will
• 1:00:46
  Speaker 6: ever talk about, about that movie ever again.
• 1:00:50
  Speaker 12: He was right.
• 1:00:50
  Speaker 1: And he was right.
• 1:00:52
  Speaker 6: And he was right. He said in the book, it's
• 1:00:54
  Speaker 6: a disturbing thing that happens, but the book keeps going.
• 1:00:57
  Speaker 6: But if you put that in a movie, it's going
• 1:01:00
  Speaker 6: to be the thing that people identify the movie with.
• 1:01:04
  Speaker 1: And he was absolutely right. James Dickey was his name, yeah.
• 1:01:08
  Speaker 3: You know, I.
• 1:01:10
  Speaker 1: Worked with a guy who was a little clueless. And
• 1:01:16
  Speaker 1: he was an avid canoeist. I don't know what else
• 1:01:20
  Speaker 1: you call that. Anyway, and he would go out every
• 1:01:23
  Speaker 1: weekend and go canoeing. And we brought up, oh, yeah,
• 1:01:28
  Speaker 1: that's like deliverance. And then everybody, this was a maintenance department,
• 1:01:33
  Speaker 1: so everybody would sit around and joke around, ha-ha, and
• 1:01:35
  Speaker 1: play little games with Ned Beatty. And it's like he totally.
• 1:01:40
  Speaker 1: Had blocked that entire scene out really all he was
• 1:01:44
  Speaker 1: concerned about was the canoeing and oh this shot does.
• 1:01:47
  Speaker 33: This oh wait and there was a rape in there
• 1:01:49
  Speaker 33: and he watches it like every you know and he
• 1:01:51
  Speaker 33: was a hunter too so he you know the hunting
• 1:01:53
  Speaker 33: and the chasing the guy you know uh the bow
• 1:01:56
  Speaker 33: hunting and everything and the canoeing it was the greatest
• 1:01:58
  Speaker 33: movie ever and like.
• 1:01:59
  Speaker 1: Well what about the whole ned baity scene which.
• 1:02:01
  Speaker 3: One you're talking about just like.
• 1:02:06
  Speaker 1: Shell shock, shut it out of his brain so that
• 1:02:09
  Speaker 1: he could enjoy the rest of the movie.
• 1:02:11
  Speaker 6: That's one approach.
• 1:02:12
  Speaker 1: You'd literally say that to him and he'd be like, what?
• 1:02:17
  Speaker 1: Because he was more concerned about the canoe.
• 1:02:21
  Speaker 6: Yeah, I think as a spoiler alert, we ought to
• 1:02:23
  Speaker 6: get Robert Klein doing his spooky noise that he did
• 1:02:27
  Speaker 6: in his stand-up act. He liked doing that way too much.
• 1:02:31
  Speaker 6: It really wasn't that funny, but he was like, look,
• 1:02:34
  Speaker 6: I can do that noise.
• 1:02:37
  Speaker 12: He did, well, no, he kind of did it once
• 1:02:39
  Speaker 12: in his movies.
• 1:02:40
  Speaker 3: Did he?
• 1:02:41
  Speaker 1: Seems like a one for it.
• 1:02:42
  Speaker 12: I don't know.
• 1:02:43
  Speaker 1: I don't think so.
• 1:02:45
  Speaker 6: I think I would have noticed.
• 1:02:46
  Speaker 1: It's just part of his regular speech pattern.
• 1:02:48
  Speaker 12: I think it is at this point.
• 1:02:52
  Speaker 17: Woo!
• 1:02:53
  Speaker 6: He was okay as like an asshole director.
• 1:02:56
  Speaker 1: He really likes playing that mode.
• 1:02:58
  Speaker 6: That's just what he falls into.
• 1:03:00
  Speaker 1: It took me a little while to recognize it was him, though,
• 1:03:03
  Speaker 1: because he was younger.
• 1:03:05
  Speaker 3: Yeah. But, yeah.
• 1:03:07
  Speaker 6: Burt Reynolds I didn't have that problem with. He looked
• 1:03:09
  Speaker 6: older than he was.
• 1:03:12
  Speaker 1: He's looked 40 his entire life. Isn't that weird?
• 1:03:17
  Speaker 6: There are some actors who are just like they're an age.
• 1:03:21
  Speaker 6: Like that old guy in Home Alone. He was like
• 1:03:25
  Speaker 6: that old bearded guy.
• 1:03:26
  Speaker 1: His whole career.
• 1:03:28
  Speaker 12: No, the old scary neighbor.
• 1:03:30
  Speaker 1: The scary neighbor who.
• 1:03:31
  Speaker 6: Goes to church and he's like estranged from his son.
• 1:03:35
  Speaker 6: But he's been in movies forever, and he has a
• 1:03:38
  Speaker 6: Kentucky connection. He has relatives in Louisville. Or I think
• 1:03:41
  Speaker 6: he died, though. I'm speaking of him in the present tense.
• 1:03:46
  Speaker 6: But he was that guy in movies forever, and he
• 1:03:50
  Speaker 6: was like the same age.
• 1:03:53
  Speaker 1: I don't know how people do that.
• 1:03:55
  Speaker 6: They pick an age and they stick with it.
• 1:03:57
  Speaker 12: Tommy Lee Jones?
• 1:03:59
  Speaker 9: Yeah.
• 1:03:59
  Speaker 8: He was always born an old man.
• 1:04:01
  Speaker 1: Yeah, kind of was. Steve Martin's always been the same age.
• 1:04:05
  Speaker 9: Yeah.
• 1:04:06
  Speaker 1: He's starting to push it, though. Yeah, he is now.
• 1:04:09
  Speaker 1: It took him a long time.
• 1:04:10
  Speaker 10: It took having to play the banjo constantly to finally
• 1:04:13
  Speaker 10: the wrinkles and the old manness sets in.
• 1:04:16
  Speaker 1: It's like, okay. Now he's playing banjo.
• 1:04:18
  Speaker 6: I think it was officially when he was on SNL
• 1:04:21
  Speaker 6: with his banjo band. Then suddenly, this is an old dude.
• 1:04:25
  Speaker 1: Yeah, he's so chill and relaxed. That's not Steve Martin.
• 1:04:28
  Speaker 1: It was Steve Martin. Right, he doesn't want to talk
• 1:04:32
  Speaker 1: about comedy anymore. He wants to talk about the banjo. Yeah,
• 1:04:35
  Speaker 1: that's when you progress.
• 1:04:37
  Speaker 12: His next stage is.
• 1:04:38
  Speaker 6: He's all serious about the banjo. He used to talk
• 1:04:42
  Speaker 6: about the banjo.
• 1:04:43
  Speaker 1: It's also art now, too. Now he's serious about it. Well,
• 1:04:47
  Speaker 1: the next stage is whittling. Once you seriously talk about whittling,
• 1:04:51
  Speaker 1: that's when you've got one foot in the grave.
• 1:04:53
  Speaker 12: Selling out stadiums.
• 1:04:56
  Speaker 1: For whittling. Sits on a stool. It's a pickle. A
• 1:05:03
  Speaker 1: bloody pickle. He's whittling a bloody pickle? Yeah.
• 1:05:08
  Speaker 12: Audience member yells out, excuse me. He's like, who said that?
• 1:05:12
  Speaker 7: That's not what this is for.
• 1:05:14
  Speaker 6: Well, the ladies call it the bloody pickle. It's up
• 1:05:17
  Speaker 6: to Steve as to what he calls it.
• 1:05:19
  Speaker 1: Okay. I'm sorry, Brian.
• 1:05:22
  Speaker 12: Except for Thurman Merman, what he calls him. He's the authority.
• 1:05:25
  Speaker 8: What the hell's the matter?
• 1:05:27
  Speaker 9: What's going on?
• 1:05:28
  Speaker 17: I haven't got enough pressure.
• 1:05:30
  Speaker 9: Screw the pressure!
• 1:05:31
  Speaker 3: What is happening? What the hell's going on down there?
• 1:05:36
  Speaker 9: Keep rolling, goddammit! My life's worth more than a piece
• 1:05:39
  Speaker 9: of film. I'll tell you exactly what your life is worth.
• 1:05:43
  Speaker 1: Your life is worth $ 50, 000.
• 1:05:44
  Speaker 20: That's the price you put.
• 1:05:45
  Speaker 1: On it when you got behind this wheel.
• 1:05:47
  Speaker 12: Sonny Ski, if you do not try to make this.
• 1:05:50
  Speaker 6: Jump, You'll never work in this town again.
• 1:05:53
  Speaker 15: We're going, huh?
• 1:05:56
  Speaker 18: We're going, yeah.
• 1:05:57
  Speaker 34: We're going.
• 1:05:59
  Speaker 2: You're crazy.
• 1:06:03
  Speaker 12: I'm going to hit it. All right.
• 1:06:06
  Speaker 6: How do you know when you've covered Hooper? That's my question.
• 1:06:10
  Speaker 12: I'm asking you now. We're getting to the end of
• 1:06:13
  Speaker 12: the movie. They're going to jump across the bridge.
• 1:06:15
  Speaker 6: What's going to happen?
• 1:06:16
  Speaker 12: Can you jump across the bridge in a rocket car
• 1:06:18
  Speaker 12: from a dead stop?
• 1:06:20
  Speaker 3: Yeah, I know.
• 1:06:20
  Speaker 12: It's like, wait a minute.
• 1:06:23
  Speaker 6: Wait, should we do this? yeah, we should lose all
• 1:06:26
  Speaker 6: our fucking momentum and then decide whether we should jump
• 1:06:30
  Speaker 6: over a grid.
• 1:06:31
  Speaker 1: That was my main issue.
• 1:06:32
  Speaker 12: Like, if they kept going, you might have been able
• 1:06:34
  Speaker 12: to pull it off and die.
• 1:06:36
  Speaker 6: At the other end, but.
• 1:06:37
  Speaker 1: Dramatic pause. Yeah, but they still cleared it.
• 1:06:41
  Speaker 3: Massively.
• 1:06:42
  Speaker 6: Yeah. The only next step would be to have a
• 1:06:45
  Speaker 6: dramatic pause in midair where they discuss, should we land?
• 1:06:51
  Speaker 1: You know what else they could do? They could break
• 1:06:53
  Speaker 1: the fourth wall again.
• 1:06:54
  Speaker 12: Well, that's what I was going to go with. That's
• 1:06:56
  Speaker 12: how you know this is one of that era of
• 1:06:59
  Speaker 12: Burt Reynolds movies. When he really, when they took that,
• 1:07:02
  Speaker 12: I mean, it was already like you were hanging out
• 1:07:04
  Speaker 12: with him and his friends, but you're part of the
• 1:07:05
  Speaker 12: gang because he looks at you.
• 1:07:08
  Speaker 3: He gives you the okay.
• 1:07:09
  Speaker 6: He looks at the camera.
• 1:07:10
  Speaker 2: Yeah.
• 1:07:11
  Speaker 1: He really snaps his gum.
• 1:07:12
  Speaker 12: You really are sucked in as one of Bert's friends
• 1:07:16
  Speaker 12: in this silly.
• 1:07:20
  Speaker 1: Movie. Speaking of, I kind of felt like that was
• 1:07:23
  Speaker 1: almost the same way when they're like, okay, we're going
• 1:07:24
  Speaker 1: to stop the movie and we're going to do impressions now.
• 1:07:28
  Speaker 1: At that one part, and I'm going to one-up you
• 1:07:30
  Speaker 1: on impressions for a few minutes.
• 1:07:31
  Speaker 6: They were terrible.
• 1:07:32
  Speaker 1: And they were both terrible. Like, I don't do impressions,
• 1:07:36
  Speaker 1: but I could do a better Jimmy Stewart right now.
• 1:07:38
  Speaker 1: That was Jimmy Stewart.
• 1:07:40
  Speaker 6: Exactly.
• 1:07:40
  Speaker 12: I didn't know.
• 1:07:41
  Speaker 6: I thought they were pretending to be like a guy
• 1:07:44
  Speaker 6: with intellectual disabilities.
• 1:07:45
  Speaker 2: I don't know what it was.
• 1:07:47
  Speaker 1: It was Jimmy Stewart. And I just thought, that's wrong.
• 1:07:50
  Speaker 12: You couldn't do that today.
• 1:07:51
  Speaker 6: You couldn't make fun of somebody with a speech impediment.
• 1:07:55
  Speaker 10: He's like, that's a weirdly mean thing they did in
• 1:07:57
  Speaker 10: the middle of the movie.
• 1:07:58
  Speaker 12: Oh, it's a Jimmy Stewart impersonation.
• 1:08:00
  Speaker 1: I guess it's okay. My normal speaking voice is a
• 1:08:03
  Speaker 1: better Jimmy Stewart than what.
• 1:08:09
  Speaker 1: I don't know. I think that was the end for me.
• 1:08:11
  Speaker 12: As if he wasn't bad enough when he looked earlier
• 1:08:14
  Speaker 12: at the camera for no good reason. When he was
• 1:08:17
  Speaker 12: flashing us. But yeah, at that point, I was like, okay,
• 1:08:22
  Speaker 12: this is barely even a movie anymore.
• 1:08:25
  Speaker 1: Every decade has their own cancer movies or bubble boy things.
• 1:08:32
  Speaker 1: What was it about that late 70s, early 80s and quadriplegics?
• 1:08:37
  Speaker 1: It just seemed like that was the curse that you owe.
• 1:08:40
  Speaker 1: You better watch out because you might break your neck
• 1:08:42
  Speaker 1: and become a quadriplegic. That might have just been because
• 1:08:44
  Speaker 1: my mom was obsessed about it. If you fell off
• 1:08:47
  Speaker 1: your bike, you could never walk again. Mom said that
• 1:08:50
  Speaker 1: a lot in.
• 1:08:51
  Speaker 6: The 70s because we were doing crazy shit.
• 1:08:55
  Speaker 1: We were jumping ramps on our bike. And it might
• 1:08:59
  Speaker 1: be that because you had TV shows that was a stuntman.
• 1:09:02
  Speaker 1: You had Evil Knievel all the time. When I was
• 1:09:06
  Speaker 1: a kid, Evil Knievel was a god. People did this stuff.
• 1:09:09
  Speaker 1: I did. And I was allergic to it.
• 1:09:13
  Speaker 12: I hated it.
• 1:09:14
  Speaker 6: But I still did it because everybody did. And we
• 1:09:16
  Speaker 6: had this place. We went out to the rope swings.
• 1:09:19
  Speaker 6: where you'd go out, like in the summer, and you'd
• 1:09:21
  Speaker 6: swing out over this creek. And we went out, stoned,
• 1:09:26
  Speaker 6: in the winter to do this. Let's go out to
• 1:09:29
  Speaker 6: the rope swing. And I was the first one to
• 1:09:32
  Speaker 6: swing out, and I swung out.
• 1:09:34
  Speaker 1: This is what we did. Best friend stories begin with,
• 1:09:36
  Speaker 1: I was stoned.
• 1:09:39
  Speaker 12: So we were all stoned. We go out.
• 1:09:41
  Speaker 6: I swing out over this frozen, dried-up creek. It's basically
• 1:09:45
  Speaker 6: a rock ice bed.
• 1:09:47
  Speaker 12: Right.
• 1:09:47
  Speaker 6: I swing out, I get to the center and turn around,
• 1:09:50
  Speaker 6: and I'm facing the tree that this hangs off, which
• 1:09:53
  Speaker 6: the tree is just like on a cliff, and it's
• 1:09:55
  Speaker 6: a sheer drop-off. So I'm either going to hit the tree,
• 1:09:59
  Speaker 6: or I can let go.
• 1:10:00
  Speaker 12: Did you pause in midair and try to decide?
• 1:10:03
  Speaker 1: I stopped in midair.
• 1:10:04
  Speaker 6: I stopped.
• 1:10:07
  Speaker 8: What should we do?
• 1:10:10
  Speaker 6: And I thought about the future.
• 1:10:13
  Speaker 12: My life is worth more than this rope swing. Yeah,
• 1:10:16
  Speaker 12: I don't even remember what happened next.
• 1:10:18
  Speaker 1: It's just you get to that point and it's like, oh, yeah. Well,
• 1:10:21
  Speaker 1: I was there. I thought we were all growing up.
• 1:10:25
  Speaker 1: Everything's going to change.
• 1:10:27
  Speaker 12: Things are going to change soon.
• 1:10:28
  Speaker 6: I'm going to go to college maybe, although I'm a
• 1:10:31
  Speaker 6: high school dropout.
• 1:10:33
  Speaker 1: I don't know. Something's going to happen.
• 1:10:37
  Speaker 6: I'm either going to hit the tree or fall to
• 1:10:39
  Speaker 6: the rocks or something. Or we're going to pause.
• 1:10:43
  Speaker 10: I like to think since you were stoned, there was
• 1:10:44
  Speaker 10: a chance you might have been saying all this out
• 1:10:46
  Speaker 10: loud as you were hanging there.
• 1:10:48
  Speaker 1: I'm going to go to college.
• 1:10:49
  Speaker 8: What are you doing? What are you talking about?
• 1:10:51
  Speaker 1: You were swinging.
• 1:10:51
  Speaker 8: You were muttering about college.
• 1:10:54
  Speaker 6: Or I'm going to grow up and be that guy
• 1:10:57
  Speaker 6: on The Wonder Years.
• 1:11:00
  Speaker 1: Or on How I Met Your Mother. Something's going to happen.
• 1:11:03
  Speaker 1: Or Freaks and Geeks. I love Freaks and Geeks. You know,
• 1:11:06
  Speaker 1: I go back and watch episodes of Freaks and Geeks
• 1:11:08
  Speaker 1: and just smile.
• 1:11:10
  Speaker 6: I want to go back and watch all of it
• 1:11:12
  Speaker 6: over again tonight.
• 1:11:14
  Speaker 8: It's only like two seasons or something.
• 1:11:18
  Speaker 1: It's one season.
• 1:11:18
  Speaker 7: One season.
• 1:11:19
  Speaker 12: Yeah, you can do it in a night.
• 1:11:20
  Speaker 9: And it was on.
• 1:11:21
  Speaker 1: eight different channels in that one season. Because I remember like,
• 1:11:25
  Speaker 1: what the fuck? ABC Family?
• 1:11:27
  Speaker 6: I never saw it when it was on.
• 1:11:29
  Speaker 1: I just watched it all at once on DVD. It
• 1:11:31
  Speaker 1: was like Tuesday night, then Saturday night, then Friday night,
• 1:11:34
  Speaker 1: and jumped around every channel. And you had to follow
• 1:11:38
  Speaker 1: Boy Meets World, and it was on after that. That's
• 1:11:41
  Speaker 1: the curse of any show.
• 1:11:42
  Speaker 6: One of the best moments of TV I've ever seen
• 1:11:45
  Speaker 6: is when Martin Starr is watching gary shandling and laughing
• 1:11:50
  Speaker 6: laughing while he's eating yeah and his mom is dating
• 1:11:54
  Speaker 6: his gym teacher oh god it's so good every every
• 1:11:59
  Speaker 6: time they just focus on his face that guy is
• 1:12:02
  Speaker 6: a genius he can eat a peanut butter sandwich and
• 1:12:04
  Speaker 6: i'm i'm dying.
• 1:12:05
  Speaker 1: I know especially because of his peanut allergy he's dying
• 1:12:09
  Speaker 1: not peanut butter sandwich yeah but when he dressed up
• 1:12:12
  Speaker 1: as um.
• 1:12:14
  Speaker 27: For Alan Monroe no he dressed up as the bionic
• 1:12:19
  Speaker 27: woman and it looked more like Maude than the bionic
• 1:12:23
  Speaker 27: woman yeah but.
• 1:12:25
  Speaker 6: Actually the bionic woman does.
• 1:12:26
  Speaker 1: Look more like Maude that's not true at all.
• 1:12:32
  Speaker 6: Oh he was so great and then he was great
• 1:12:34
  Speaker 6: on Party Down too see I haven't seen it anywhere
• 1:12:38
  Speaker 6: he turns up magic is happening Because he is the
• 1:12:41
  Speaker 6: master of the awkward and the painful.
• 1:12:45
  Speaker 1: He was the geek on that show. The others were geeks,
• 1:12:49
  Speaker 1: but he was the geek. He was king geek of
• 1:12:51
  Speaker 1: the world.
• 1:12:52
  Speaker 6: Although they had that old wise geek, the older kid.
• 1:12:55
  Speaker 1: They would go to.
• 1:12:57
  Speaker 6: James Franco went to him and he's like, am I
• 1:12:59
  Speaker 6: a loser? He said, well, you're not a loser because
• 1:13:03
  Speaker 6: you have sex. But you are kind of getting there.
• 1:13:08
  Speaker 1: Well, when he joins the AV club with them and
• 1:13:11
  Speaker 1: then goes and plays Dungeons & Dragons, it's the greatest moment.
• 1:13:15
  Speaker 1: And what was his name? Like Jorge the Dwarf or something? No,
• 1:13:20
  Speaker 1: it wasn't Jorge.
• 1:13:21
  Speaker 12: It was the Dwarf.
• 1:13:23
  Speaker 6: It was like a Mexican lawnkeeper named the Dwarf.
• 1:13:29
  Speaker 9: Right.
• 1:13:30
  Speaker 12: Yeah.
• 1:13:31
  Speaker 1: I can't remember what it was.
• 1:13:33
  Speaker 6: And they ask him, they question you, You want to be.
• 1:13:37
  Speaker 1: Right.
• 1:13:38
  Speaker 9: Yeah.
• 1:13:39
  Speaker 1: Yeah. Can I get anybody anything? Yeah. I love that show.
• 1:13:45
  Speaker 1: It's a great show.
• 1:13:47
  Speaker 6: I feel defensive of Judd Apatow whenever he is criticized
• 1:13:52
  Speaker 6: just because of that. He may be like really TV-sized
• 1:13:56
  Speaker 6: in the long run. Like his films may have a
• 1:14:00
  Speaker 6: little bit of a TV size about them.
• 1:14:03
  Speaker 1: But he made some good TV. The whole plot, the
• 1:14:07
  Speaker 1: one episode with Seth Rogen and his girlfriend... Who used
• 1:14:11
  Speaker 1: to have a penis.
• 1:14:12
  Speaker 6: Right.
• 1:14:13
  Speaker 9: That was.
• 1:14:13
  Speaker 7: That was beautiful.
• 1:14:14
  Speaker 3: For being.
• 1:14:15
  Speaker 1: Yeah, that is a really good one-off episode.
• 1:14:17
  Speaker 9: It.
• 1:14:18
  Speaker 1: You know, it's... And he's like, but you're all good now.
• 1:14:22
  Speaker 9: Yeah.
• 1:14:23
  Speaker 12: Right.
• 1:14:24
  Speaker 9: Yeah. And it.
• 1:14:28
  Speaker 1: That was really sweet.
• 1:14:30
  Speaker 12: It was good.
• 1:14:31
  Speaker 1: And then how they resolve it at the end, it was...
• 1:14:34
  Speaker 1: It was good. I.
• 1:14:35
  Speaker 6: Seth Rogen was so funny on that show. Just everything
• 1:14:39
  Speaker 6: he did.
• 1:14:40
  Speaker 1: Because he was high the entire time.
• 1:14:43
  Speaker 9: Yeah.
• 1:14:43
  Speaker 1: He really was.
• 1:14:44
  Speaker 6: And he was playing high the entire time.
• 1:14:46
  Speaker 1: And from the beginning of the season to the end
• 1:14:48
  Speaker 1: of the season, his hair grew by about a foot
• 1:14:52
  Speaker 1: and his waist grew about two feet.
• 1:14:54
  Speaker 28: Yeah.
• 1:14:55
  Speaker 6: When he smashed the guitar, what's-his-name was going to sing
• 1:14:59
  Speaker 6: his song for.
• 1:15:00
  Speaker 9: Yeah.
• 1:15:02
  Speaker 17: Yeah.
• 1:15:03
  Speaker 6: It's the biggest favor I ever did for you. And
• 1:15:08
  Speaker 6: she would say things like, well, what are you going
• 1:15:10
  Speaker 6: to do?
• 1:15:10
  Speaker 1: And he'd go, I don't know.
• 1:15:12
  Speaker 6: What are you.
• 1:15:17
  Speaker 1: Going to do? Yeah, anyway. From Hooper to.
• 1:15:20
  Speaker 7: Freaks and Geeks.
• 1:15:21
  Speaker 12: Yeah, I think we've rounded out Hooper with this.
• 1:15:24
  Speaker 1: That's how you end Hooper. With Judd Apatow TV show
• 1:15:29
  Speaker 1: that nobody watched when it was on.
• 1:15:31
  Speaker 12: Yep, I think that is it for Hoopers, though. Alright,
• 1:15:34
  Speaker 12: we will take a break and come back with more
• 1:15:36
  Speaker 12: of the Oscar shenanigans.
• 1:15:39
  Speaker 15: Oscars.
• 1:15:39
  Speaker 1: The most meltdown-y of, uh... What can you do?
• 1:15:44
  Speaker 12: It's a Burt Reynolds movie.
• 1:15:46
  Speaker 1: Right. They didn't have anything to say about it. They
• 1:15:49
  Speaker 1: were just hanging out, drinking beer.
• 1:15:52
  Speaker 19: Cold feet don't fail me now So my Would.
• 1:16:02
  Speaker 1: You be there?
• 1:16:05
  Speaker 19: Just a taste of things to come I still smile.
• 1:16:35
  Speaker 19: But I don't want to die alone. I don't want
• 1:16:41
  Speaker 19: to die alone.
• 1:16:45
  Speaker 30: Way before.
• 1:16:50
  Speaker 12: My time.
• 1:17:09
  Speaker 29: It was a childhood corrupted by endless hours of VHS rentals.
• 1:17:16
  Speaker 29: In his most formative years, he had seen it all.
• 1:17:20
  Speaker 1: Actions.
• 1:17:25
  Speaker 23: Karate is not to be used aggressively but if i
• 1:17:29
  Speaker 23: have no other.
• 1:17:29
  Speaker 29: Choice horror and romance now he's decided it's time to
• 1:17:43
  Speaker 29: go back for just one more adventure humans are such
• 1:17:50
  Speaker 29: easy Noel Mellor presents.
• 1:17:53
  Speaker 9: You're the problem, you little shit!
• 1:17:55
  Speaker 29: The Adventures in VHS Podcast.
• 1:17:58
  Speaker 35: Join me, Noel Mellor, as each month I take an
• 1:18:00
  Speaker 35: in-depth look at one movie from my collection of ex-rental
• 1:18:03
  Speaker 35: 80s VHS classics and speak to one or two of
• 1:18:06
  Speaker 35: the people involved with making them about what the format
• 1:18:08
  Speaker 35: means to them.
• 1:18:09
  Speaker 29: The Adventures in VHS Podcast.
• 1:18:13
  Speaker 1: Thank you. Have a nice day.
• 1:18:15
  Speaker 29: Download today from iTunes by searching for Adventures of VHS
• 1:18:18
  Speaker 29: or visit adventuresofvhs.com.
• 1:18:20
  Speaker 23: I just want you to know this is the 27th
• 1:18:22
  Speaker 23: Annual Academy Awards, the dramatic climax of a dynamic industry
• 1:18:27
  Speaker 23: whose motto is sick tempest ad hoc scurus.
• 1:18:31
  Speaker 18: Translated from the Latin.
• 1:18:33
  Speaker 23: Means there's money in popcorn.
• 1:18:37
  Speaker 3: Perhaps you.
• 1:18:39
  Speaker 23: Perhaps you people watching don't realize the air of tension
• 1:18:43
  Speaker 23: in this theater tonight. But five rivals for each award
• 1:18:46
  Speaker 23: are seated out there side by side. We're sitting on
• 1:18:50
  Speaker 23: an Ehrman time bomb. The winners will, of course, take
• 1:18:57
  Speaker 23: home an Oscar. The losers will all be presented with
• 1:19:00
  Speaker 23: monogrammed do-it-yourself suicide kits.
• 1:19:11
  Speaker 3: Here's what you.
• 1:19:12
  Speaker 17: Missed last time.
• 1:19:14
  Speaker 13: I actually got one right. I got braved down for
• 1:19:17
  Speaker 13: best animated. But the guy accepting it is wearing a
• 1:19:25
  Speaker 13: damn kilt.
• 1:19:26
  Speaker 3: That is just wrong.
• 1:19:28
  Speaker 22: He's wearing a kilt. He's wearing a kilt. and somebody
• 1:19:40
  Speaker 22: for some reason is weeping I don't.
• 1:19:42
  Speaker 36: Understand why I don't know what she's wearing it's something
• 1:19:47
  Speaker 36: that goes with a kilt the delightfully randy tastiest candy
• 1:19:52
  Speaker 36: I like her with randy yeah I.
• 1:19:54
  Speaker 22: Don't watch foreign films unless they're like you know martial
• 1:19:59
  Speaker 22: arts kung fu.
• 1:20:00
  Speaker 12: Stuff because barely wins best uh.
• 1:20:03
  Speaker 37: No oh they're not even nominated Danish movies maybe.
• 1:20:07
  Speaker 12: Good I like anything from, like, Scandinavia.
• 1:20:13
  Speaker 1: I watched a foreign movie once called Troll Hunter. It
• 1:20:16
  Speaker 1: was pretty good.
• 1:20:17
  Speaker 13: That was a lot of fun.
• 1:20:21
  Speaker 1: That was a lot of fun.
• 1:20:24
  Speaker 37: See, now they're talking about The Avengers, which should be
• 1:20:28
  Speaker 37: the best movie of the year because it's big, it's loud,
• 1:20:33
  Speaker 37: it's a lot of fun, a lot of shit.
• 1:20:35
  Speaker 12: Happens on that movie.
• 1:20:37
  Speaker 7: And you're not going to fall asleep.
• 1:20:39
  Speaker 1: You're going to laugh. You're going to see things blow up.
• 1:20:41
  Speaker 1: And it's really good.
• 1:20:43
  Speaker 12: Was it nominated for anything?
• 1:20:45
  Speaker 3: No.
• 1:20:46
  Speaker 9: No.
• 1:20:46
  Speaker 1: The man speaks the truth.
• 1:20:48
  Speaker 6: That's right.
• 1:20:48
  Speaker 37: You know, because, you know, they're all stuck up on
• 1:20:52
  Speaker 37: their sobby movies like Lincoln, which is a bore fest.
• 1:20:56
  Speaker 1: So let me tell you something. They should go for Lincoln. No, no,
• 1:21:00
  Speaker 1: I'm sorry. Go for The Avengers next time.
• 1:21:03
  Speaker 7: Throw them at the people.
• 1:21:05
  Speaker 6: I like that.
• 1:21:06
  Speaker 8: I think that'd be more fun watching this.
• 1:21:09
  Speaker 27: Hey, hey, Cody, catch.
• 1:21:11
  Speaker 1: That'd be fun, you know?
• 1:21:13
  Speaker 3: That'd be fun. Hey, Hathaway, heads up.
• 1:21:16
  Speaker 9: Argo.
• 1:21:16
  Speaker 12: I nailed it.
• 1:21:19
  Speaker 1: I nailed it. I picked Argo.
• 1:21:21
  Speaker 8: Hey, check the notebooks and we win.
• 1:21:22
  Speaker 9: All right.
• 1:21:23
  Speaker 1: I nailed Argo. A lot of us nailed Argo. Okay,
• 1:21:27
  Speaker 1: I'm sorry.
• 1:21:28
  Speaker 12: Argo sits a slut.
• 1:21:30
  Speaker 3: Who's Argo?
• 1:21:31
  Speaker 18: Argo sits a slut.
• 1:21:33
  Speaker 6: Argo sits a slut.
• 1:21:35
  Speaker 27: Every guy here nailed Argo.
• 1:21:38
  Speaker 3: Argo just bends over. I'm sorry.
• 1:21:45
  Speaker 21: I've had a lot of these damn things. I apologize
• 1:21:49
  Speaker 21: for that. I'm sorry, I'm sorry, I'm sorry.
• 1:21:57
  Speaker 3: That was Brian, right?
• 1:21:59
  Speaker 12: Yeah, that was the first time I've ever met Brian.
• 1:22:01
  Speaker 1: I'm not usually this rude. Yes, I am.
• 1:22:04
  Speaker 3: But this was at the point.
• 1:22:05
  Speaker 12: See, Bill, I always have to come with him at
• 1:22:07
  Speaker 12: that point.
• 1:22:10
  Speaker 3: I don't want you to walk away.
• 1:22:12
  Speaker 21: I don't want you to walk away here with a
• 1:22:14
  Speaker 21: negative opinion on.
• 1:22:15
  Speaker 1: Me because I've got a positive opinion of you. I
• 1:22:17
  Speaker 1: don't think you're getting any better, really.
• 1:22:19
  Speaker 13: You're like bacon and spam and all the stuff I love,
• 1:22:23
  Speaker 13: so you're right there, buddy.
• 1:22:24
  Speaker 1: You're right there.
• 1:22:28
  Speaker 6: Gator.
• 1:22:29
  Speaker 15: It's got everything going for it. It's got Burt Reynolds
• 1:22:32
  Speaker 15: and Jerry Reed going for each other's throats. It's got
• 1:22:35
  Speaker 15: Burt Reynolds and Lauren Hutton going for each other's bodies.
• 1:22:39
  Speaker 15: And it's got Burt Reynolds and Jack Weston who are
• 1:22:41
  Speaker 15: going to drive each other crazy.
• 1:22:44
  Speaker 12: You drive.
• 1:22:45
  Speaker 15: Why am I driving?
• 1:22:46
  Speaker 24: I don't drive.
• 1:22:47
  Speaker 6: You don't drive.
• 1:22:47
  Speaker 15: It's got action in the air, on the land, and
• 1:22:51
  Speaker 15: in the swamp. It's got adventure, comedy, suspense, and romance.
• 1:22:59
  Speaker 2: You charmed the shirt right off my back.
• 1:23:01
  Speaker 15: Car crashes, boat chases, fist fights, and fire accidents.
• 1:23:10
  Speaker 3: We're coming to get you, Gator.
• 1:23:11
  Speaker 15: And it's got Burt Reynolds, who's got to direct it all,
• 1:23:14
  Speaker 15: and star in Gator. Rated PG. Parental guidance suggested.
• 1:23:29
  Speaker 1: This is Roger Corman, and you're listening to Movie Meltdown.
• 1:23:32
  Speaker 6: Movie Meltdown.
• 1:23:38
  Speaker 9: It's part of your problem, you know. You haven't seen
• 1:23:43
  Speaker 9: enough movies. All of life's.
• 1:23:46
  Speaker 24: Riddles are answered in the movies. And now, on.
• 1:24:00
  Speaker 1: With the show.
• 1:24:01
  Speaker 8: My words are lazy.
• 1:24:04
  Speaker 11: My thoughts are hazy, but this is one thing I'm
• 1:24:08
  Speaker 11: sure of.
• 1:24:09
  Speaker 3: Everybody needs a best friend.
• 1:24:13
  Speaker 1: I'm happy I'm yours. You've got a double who brings
• 1:24:19
  Speaker 1: you trouble.
• 1:24:20
  Speaker 3: And though you're.
• 1:24:20
  Speaker 19: Better without me, everybody needs a best friend.
• 1:24:27
  Speaker 15: I'm happy I'm yours.
• 1:24:29
  Speaker 7: It was easy for me because what I'm doing is
• 1:24:32
  Speaker 7: I'm rapping.
• 1:24:34
  Speaker 10: Pear slices with prosciutto, and you just use maple syrup
• 1:24:37
  Speaker 10: with cracked pepper to hold.
• 1:24:39
  Speaker 1: You're going to bake it in a sec.
• 1:24:42
  Speaker 8: Oh, this is fancy.
• 1:24:43
  Speaker 1: Mine is spam. You have to open the can.
• 1:24:48
  Speaker 7: And slice it.
• 1:24:50
  Speaker 6: Maybe. Not necessarily.
• 1:24:51
  Speaker 7: There's no judging here.
• 1:24:53
  Speaker 35: Can you imagine someone just eating a block of spam
• 1:24:55
  Speaker 35: and a block of cheddar or Velveeta?
• 1:24:57
  Speaker 1: Not even cheddar.
• 1:24:59
  Speaker 8: Cheddar is too good.
• 1:24:59
  Speaker 9: Spam, Velveeta.
• 1:25:02
  Speaker 12: Sounds pretty good.
• 1:25:03
  Speaker 10: Actually, I really like those Slim Jim sticks that are
• 1:25:06
  Speaker 10: like Slim Jim and cheddar.
• 1:25:07
  Speaker 8: Slim Jim.
• 1:25:09
  Speaker 1: That's my jam.
• 1:25:11
  Speaker 12: My daughter gets these crackers called Bella Vita.
• 1:25:16
  Speaker 1: Beautiful Life.
• 1:25:17
  Speaker 6: Whenever she says it, I think she's talking about Velveeta.
• 1:25:22
  Speaker 12: The Beautiful Life. It is Velveeta.
• 1:25:25
  Speaker 8: I don't know, it's always funny to me that people
• 1:25:27
  Speaker 8: talk about.
• 1:25:28
  Speaker 7: Yeah, Roberto Benigni won the Oscar for Velveeta.
• 1:25:30
  Speaker 1: Uh-huh.
• 1:25:31
  Speaker 10: Isn't it awesome how no one knows who that guy
• 1:25:35
  Speaker 10: is anymore, and you made that huge fucking scene where
• 1:25:37
  Speaker 10: he's jumping up and down, and he's like, oh, I'm
• 1:25:39
  Speaker 10: so awesome.
• 1:25:39
  Speaker 21: I'm making Pinocchio, everybody will love it!
• 1:25:44
  Speaker 3: I was like, what the fuck is Pinocchio?
• 1:25:46
  Speaker 8: Oh, that's great.
• 1:25:49
  Speaker 1: That's hilarious. We've just started the night.
• 1:25:53
  Speaker 6: Well, I'd better start drinking then.
• 1:25:55
  Speaker 12: You better start drinking because we're getting into the Meltdown Awards.
• 1:25:59
  Speaker 1: The Foilers, if you will. And we're back into it
• 1:26:04
  Speaker 1: with your favorite category, Fred.
• 1:26:06
  Speaker 9: Yes.
• 1:26:07
  Speaker 12: Forget their impressive acting skills, the hottest actor or actress
• 1:26:11
  Speaker 12: in a 2012 film.
• 1:26:13
  Speaker 6: I felt bullied by this question.
• 1:26:16
  Speaker 12: And it was actually kind of close, and it was
• 1:26:18
  Speaker 12: funny because the other one went to the big winner tonight.
• 1:26:21
  Speaker 12: The winner was actually Emma Watson from Perks of Being
• 1:26:24
  Speaker 12: a Wallflower, but the next one vote away was Jennifer Lawrence.
• 1:26:29
  Speaker 1: So had you not been the pedophile... Yeah.
• 1:26:32
  Speaker 12: You could have tipped the scale, but no, you went
• 1:26:34
  Speaker 12: for the pedophile.
• 1:26:35
  Speaker 5: She's actually not 12, she's 21.
• 1:26:39
  Speaker 6: I'm dyslexic. I don't know, Jennifer Lawrence doesn't appeal to
• 1:26:44
  Speaker 6: me that way. She's perfectly attractive, but she doesn't exude sexuality.
• 1:26:50
  Speaker 1: She's like Sally Feeney.
• 1:26:52
  Speaker 6: If you hadn't dismissed her as a dog, I would
• 1:26:57
  Speaker 6: have gone with Anne Hathaway.
• 1:26:59
  Speaker 1: I didn't put that in there. Really?
• 1:27:02
  Speaker 12: I didn't write any of that stuff.
• 1:27:04
  Speaker 1: Really?
• 1:27:06
  Speaker 12: Someone who voted specifically pointed.
• 1:27:09
  Speaker 1: Out the fact that.
• 1:27:10
  Speaker 6: The other reason I didn't go with her in Dark
• 1:27:13
  Speaker 6: Knight Rises is because she was terrible in it. And
• 1:27:15
  Speaker 6: that's not sexy.
• 1:27:16
  Speaker 1: Bad acting is not sexy.
• 1:27:20
  Speaker 12: They said, what's her name, the Cotillera chick, was way
• 1:27:24
  Speaker 12: hotter and made Hathaway look like a dog.
• 1:27:26
  Speaker 1: That was not my saying.
• 1:27:27
  Speaker 12: That was a listener wrote in. I don't think that works.
• 1:27:32
  Speaker 6: I mean, I like Anna Hathaway, but her mouth is
• 1:27:36
  Speaker 6: so big. Her smile is bigger than her face. That's
• 1:27:39
  Speaker 6: kind of cool, though. It's definitely cute, but when she
• 1:27:44
  Speaker 6: tries to play a bad character, you just don't believe her.
• 1:27:48
  Speaker 6: Because she's so wholesome-seeming.
• 1:27:50
  Speaker 1: Yeah, I didn't think it was odd casting. She didn't
• 1:27:53
  Speaker 1: carry it off.
• 1:27:54
  Speaker 6: She was like Daryl Hannah as Morticia. She just couldn't
• 1:27:59
  Speaker 6: put it over, you know?
• 1:28:00
  Speaker 12: I don't know if it's that bad.
• 1:28:02
  Speaker 6: Well, it wasn't that bad. No, it wasn't.
• 1:28:04
  Speaker 12: But it didn't really work.
• 1:28:05
  Speaker 6: I didn't buy it. But I think she's, like, gorgeous.
• 1:28:09
  Speaker 6: And I like the way she makes you work for,
• 1:28:11
  Speaker 6: you know, the nudity. If you're going to see her boobs,
• 1:28:16
  Speaker 6: you're going to watch a depressing fucking movie. That's true.
• 1:28:18
  Speaker 1: That's the only time she comes around.
• 1:28:20
  Speaker 12: Yeah.
• 1:28:21
  Speaker 1: That's a good policy.
• 1:28:23
  Speaker 8: We've yet to see Jennifer Lawrence's boobs.
• 1:28:27
  Speaker 6: I feel like I've already seen them. It's kind of like,
• 1:28:30
  Speaker 6: that's why, you know, nobody talked about Ted as a
• 1:28:34
  Speaker 6: movie this year, but I thought Ted was a good movie.
• 1:28:38
  Speaker 6: It had a really good central message. and it has,
• 1:28:41
  Speaker 6: what's her name, as like the lead in a kind
• 1:28:44
  Speaker 6: of romantic comedy. What is her name?
• 1:28:47
  Speaker 1: Mila Kunis.
• 1:28:48
  Speaker 6: Mila Kunis. And she is so good at that, because...
• 1:28:52
  Speaker 6: She's like really gorgeous, but you feel comfortable with her
• 1:28:55
  Speaker 6: like maybe you got drunk and slept together one night already. So,
• 1:29:00
  Speaker 6: you know, she's not like unattainable. She doesn't feel like off-putting.
• 1:29:05
  Speaker 6: She's kind of like how Meg Ryan used to be
• 1:29:08
  Speaker 6: a good romantic comedy lead because she was just goofy
• 1:29:12
  Speaker 6: enough that women didn't resent her.
• 1:29:15
  Speaker 12: The breaking news is Fred slept with me.
• 1:29:17
  Speaker 17: Yeah.
• 1:29:18
  Speaker 12: Or at least he feels like it. I don't know.
• 1:29:22
  Speaker 6: It's like everybody had at least one night where you
• 1:29:25
  Speaker 6: got drunk and nobody the next day knows what actually happened.
• 1:29:28
  Speaker 1: I've had one of those.
• 1:29:30
  Speaker 12: Yeah, sure.
• 1:29:33
  Speaker 6: And then you go, well, who knows what might have happened.
• 1:29:38
  Speaker 1: I don't know. Marlena's got a tattoo that says sweet.
• 1:29:42
  Speaker 1: Fred's got one that says dude on their backs.
• 1:29:45
  Speaker 24: I woke up in a hospital.
• 1:29:48
  Speaker 9: Oh.
• 1:29:49
  Speaker 12: That was fun.
• 1:29:50
  Speaker 1: A policeman knew my name.
• 1:29:53
  Speaker 6: He said, you can go sleep at home.
• 1:29:54
  Speaker 1: Tonight if you can get up and walk away.
• 1:29:56
  Speaker 6: I hate the who.
• 1:30:01
  Speaker 12: I really do.
• 1:30:01
  Speaker 1: I hate them.
• 1:30:04
  Speaker 6: But I love the episode of Louis C.K. where he's
• 1:30:07
  Speaker 6: singing that song in the car with his kids and
• 1:30:09
  Speaker 6: they're looking at him like he's insane.
• 1:30:11
  Speaker 7: I know.
• 1:30:14
  Speaker 6: So that redeemed them a little bit anyway hottest actress
• 1:30:20
  Speaker 6: Emma you pushed it over the top for me well
• 1:30:23
  Speaker 6: I mean for people that age I can see how
• 1:30:25
  Speaker 6: yeah I mean you could really care about her and
• 1:30:27
  Speaker 6: be invested I can't argue she seems a little like
• 1:30:32
  Speaker 6: starved and a little bit masculine but we watched her
• 1:30:38
  Speaker 6: grow up and she was so adorable you know And
• 1:30:41
  Speaker 6: the truth be told, this sounds perverted, but it's not.
• 1:30:45
  Speaker 6: But the women you watched grow up are not like
• 1:30:49
  Speaker 6: any other women you ever know in your life. And
• 1:30:54
  Speaker 6: they just aren't. They're magic. Because you knew them and
• 1:30:58
  Speaker 6: you loved them, but you also hated them because they
• 1:31:00
  Speaker 6: were bitches. And so you formed like a real relationship.
• 1:31:05
  Speaker 9: Yeah.
• 1:31:06
  Speaker 6: That will endure and become like something bigger than an
• 1:31:10
  Speaker 6: imaginary bullshit relationship.
• 1:31:13
  Speaker 1: Wait, those are all I have.
• 1:31:14
  Speaker 28: Shut up.
• 1:31:15
  Speaker 12: Yeah. Alright, so now animals. The worst talking animal movie
• 1:31:22
  Speaker 12: of 2012. Which I thought, everybody's always got something fired
• 1:31:28
  Speaker 12: up like that.
• 1:31:28
  Speaker 10: Life of Pi, that one scene where the tiger's just like,
• 1:31:31
  Speaker 10: someone get me off this boat.
• 1:31:33
  Speaker 12: You were drunk during that too, weren't you?
• 1:31:38
  Speaker 3: They're great.
• 1:31:39
  Speaker 6: Can I nominate Last Temptation of Christ?
• 1:31:42
  Speaker 1: I don't think that's a 2012 movie. I'm pretty sure
• 1:31:44
  Speaker 1: it was. It's a movie for all time.
• 1:31:47
  Speaker 3: I don't know.
• 1:31:48
  Speaker 12: If it can hold a candle to Beverly Hills Chihuahua 3,
• 1:31:51
  Speaker 12: Viva La Fiesta.
• 1:31:52
  Speaker 1: Well, there's a three. Which is our winner.
• 1:31:55
  Speaker 6: Wow.
• 1:31:56
  Speaker 1: Just edging out Treasure Buddies.
• 1:31:59
  Speaker 6: Any of the Buddies.
• 1:31:59
  Speaker 1: You know, I've had to watch, or at least have on,
• 1:32:04
  Speaker 1: in the room, the Buddies films.
• 1:32:07
  Speaker 12: Mm-hmm.
• 1:32:09
  Speaker 1: I just about canceled the Netflix account.
• 1:32:13
  Speaker 6: I wonder if they have statistics on how many people canceled.
• 1:32:17
  Speaker 1: What is your buddy's fill capacity where you can no longer.
• 1:32:22
  Speaker 4: Yeah, it's like when you cancel your Netflix account, there's
• 1:32:25
  Speaker 4: just the question, what was the breaking point?
• 1:32:28
  Speaker 12: Hair buddies.
• 1:32:29
  Speaker 1: Santa buddies. When did you receive.
• 1:32:31
  Speaker 6: Alright, next up we have the 2012 movie you expected
• 1:32:36
  Speaker 6: to hate but ended up enjoying.
• 1:32:38
  Speaker 1: All of them.
• 1:32:41
  Speaker 12: Again, I guess I was surprised by Chronicle. That was
• 1:32:44
  Speaker 12: what got the votes. It looked like it.
• 1:32:47
  Speaker 1: Was going to be.
• 1:32:48
  Speaker 12: And again, I'm sick of found footage, but if you
• 1:32:51
  Speaker 12: get past that, it's a good story.
• 1:32:53
  Speaker 28: That they're doing.
• 1:32:55
  Speaker 6: Haven't seen it.
• 1:32:56
  Speaker 1: It's worth watching if you can.
• 1:32:58
  Speaker 12: Tolerate found footage.
• 1:33:01
  Speaker 9: 15.
• 1:33:01
  Speaker 1: The best action sequence in a 2012 film.
• 1:33:04
  Speaker 12: Again, continuing the sweep, the final gunfight in Django Unchained.
• 1:33:08
  Speaker 1: Okay, when you say final gunfight, that was confusing to
• 1:33:10
  Speaker 1: me because there's like... I would say the in-the-house thing. Well,
• 1:33:15
  Speaker 1: there's two in-the-house things.
• 1:33:16
  Speaker 10: Well.
• 1:33:17
  Speaker 12: the main the bloodbath let's put it that's what I
• 1:33:20
  Speaker 12: was thinking yeah really the very last one isn't really
• 1:33:23
  Speaker 12: a gun fight it's just him picking.
• 1:33:25
  Speaker 1: Off yeah there's no finishing the deal there's no call with.
• 1:33:30
  Speaker 12: Bullets is what it is yeah we're gonna it's gun
• 1:33:33
  Speaker 12: fight is that one that goes on for 15 minutes
• 1:33:36
  Speaker 12: and it's just a bloodbath yeah actually that whole scene.
• 1:33:38
  Speaker 10: Is only like two minutes it does though but it's
• 1:33:42
  Speaker 10: so awesome yeah and I'm.
• 1:33:43
  Speaker 12: Not complaining it was long and I was relishing every
• 1:33:46
  Speaker 12: moment yeah It's like, this is so awesome.
• 1:33:49
  Speaker 1: Kill more people.
• 1:33:50
  Speaker 11: How many times did they shoot the lawyer? It keeps
• 1:33:53
  Speaker 11: going on and on. How many times did they shoot
• 1:33:55
  Speaker 11: Breaking Away? I just call him Breaking Away because I
• 1:34:00
  Speaker 11: don't know his name.
• 1:34:02
  Speaker 1: Same thing. They kept shooting Breaking Away.
• 1:34:07
  Speaker 12: So this one might make you happy. It's a happy
• 1:34:10
  Speaker 12: question anyway. I did like it when they threw it
• 1:34:12
  Speaker 12: in there last year. dreariest study of a human condition
• 1:34:16
  Speaker 12: in a film of 2012. Based on some of your feelings,
• 1:34:20
  Speaker 12: I think you'll be okay, at least Fred.
• 1:34:23
  Speaker 1: Oddly enough, Dark Knight Rises.
• 1:34:25
  Speaker 8: That's what I've heard.
• 1:34:29
  Speaker 6: Yeah. I just didn't get into it.
• 1:34:32
  Speaker 1: They just kept pushing the, well, it's got to be
• 1:34:34
  Speaker 1: bigger than the last one.
• 1:34:35
  Speaker 12: And darker.
• 1:34:36
  Speaker 1: You had a good movie there, and you had to
• 1:34:38
  Speaker 1: just hack on all this shit.
• 1:34:45
  Speaker 18: I thought it was too pussy to be darker than
• 1:34:47
  Speaker 18: the last one, honestly.
• 1:34:48
  Speaker 24: It wasn't Batman.
• 1:34:49
  Speaker 18: I thought more people like me and characters would die.
• 1:34:51
  Speaker 3: Nobody did.
• 1:34:53
  Speaker 18: Alfred's okay. Even Lucius Fox is okay.
• 1:34:56
  Speaker 3: Nothing bad.
• 1:34:56
  Speaker 5: There were no consequences to these apocalyptic settings that they
• 1:34:59
  Speaker 5: were telling you the trailer.
• 1:35:01
  Speaker 18: The trailer was saying that things were going to all
• 1:35:02
  Speaker 18: go down.
• 1:35:03
  Speaker 1: Nothing went down.
• 1:35:05
  Speaker 6: It wasn't Batman, it was Superman in a Batman costume.
• 1:35:09
  Speaker 4: I think the whole problem was that three-fourths of the
• 1:35:11
  Speaker 4: movie in, or two-thirds in, when Bane takes over the city.
• 1:35:15
  Speaker 12: I really feel like... Oh yeah, Bane was in there.
• 1:35:18
  Speaker 4: I really feel like the Nolans, they asked themselves, well,
• 1:35:23
  Speaker 4: we've painted ourselves into a corner with this script.
• 1:35:27
  Speaker 1: What do we do now?
• 1:35:29
  Speaker 4: It's like, well, wait a minute, that bomb he was
• 1:35:31
  Speaker 4: going to set off, Let's make it to where he
• 1:35:34
  Speaker 4: could set it off at any time. And he's going
• 1:35:38
  Speaker 4: to sit on it for eight months, which happens to
• 1:35:42
  Speaker 4: be the amount of time it takes for Batman to recover.
• 1:35:46
  Speaker 4: But wait a minute, Batman couldn't take over the city
• 1:35:49
  Speaker 4: by himself. Let's have it to where the entire police force...
• 1:35:53
  Speaker 4: is still healthy. Still armed. And they still have pressed suits.
• 1:35:59
  Speaker 4: They're still, like, clean-shaven and everything. They're just ready to go.
• 1:36:03
  Speaker 4: But they're trapped by a small landslide in the sewers.
• 1:36:08
  Speaker 1: Oh, God. I'm so bored.
• 1:36:11
  Speaker 12: There's a lot of odd circumstances.
• 1:36:13
  Speaker 18: The whole movie, Catwoman's been around since you can have
• 1:36:15
  Speaker 18: a change of heart.
• 1:36:17
  Speaker 1: And then when Batman.
• 1:36:18
  Speaker 4: When Batman finally shows up and when the police are
• 1:36:22
  Speaker 4: finally deciding to make their last move, oh, that happens
• 1:36:25
  Speaker 4: to be the day to where the bomb's going to.
• 1:36:27
  Speaker 1: Go off in two hours.
• 1:36:28
  Speaker 6: How about that, son of a bitch?
• 1:36:30
  Speaker 10: How stupid is the Gotham Police Force that they would
• 1:36:34
  Speaker 10: send the entire city's Matthew Modine's police into the sewers? Like,
• 1:36:41
  Speaker 10: not even leave one cop. It's like, Every single cop
• 1:36:44
  Speaker 10: that exists in this city.
• 1:36:46
  Speaker 1: Nobody had the day off. Send him underground now.
• 1:36:50
  Speaker 6: Batman, I thought Batman was so disappointing. Because I liked
• 1:36:55
  Speaker 6: the fun of the previous Batman, but it's just they
• 1:36:58
  Speaker 6: couldn't keep it going, I think.
• 1:37:00
  Speaker 2: It has its moments, but there's so many weird plot holes.
• 1:37:03
  Speaker 1: I love Batman.
• 1:37:05
  Speaker 6: You Batman can't walk with a fucking cane?
• 1:37:08
  Speaker 1: He's Batman!
• 1:37:09
  Speaker 6: He did nothing for eight years? This is like, what?
• 1:37:16
  Speaker 1: This is not Batman anymore. This is like, bad old dude.
• 1:37:20
  Speaker 2: That's not near.
• 1:37:23
  Speaker 1: As catchy a title.
• 1:37:24
  Speaker 21: No.
• 1:37:25
  Speaker 4: I think maybe if they'd started it out with him
• 1:37:27
  Speaker 4: down in the pit with his back broken, and you
• 1:37:31
  Speaker 4: had flashbacks leading up to that, that sort of.
• 1:37:34
  Speaker 2: Would have worked.
• 1:37:34
  Speaker 12: That you could cut down and trample. Yeah, so that
• 1:37:37
  Speaker 12: way by the time you.
• 1:37:38
  Speaker 1: Got to that point, it didn't feel so drawn out.
• 1:37:41
  Speaker 15: Yeah.
• 1:37:42
  Speaker 9: Yeah.
• 1:37:43
  Speaker 18: Christopher Nolan's strong suit was non-chronological structured films for a
• 1:37:46
  Speaker 18: long time. Dark Knight was the first one to really
• 1:37:49
  Speaker 18: break that.
• 1:37:49
  Speaker 1: Yeah.
• 1:37:51
  Speaker 5: And it seems as though Dark Knight Rises, he was
• 1:37:54
  Speaker 5: following it, while Batman Begins is exactly what you described.
• 1:37:56
  Speaker 5: It did put things out of order, and it worked
• 1:37:59
  Speaker 5: very well that way.
• 1:38:00
  Speaker 1: Yeah.
• 1:38:01
  Speaker 6: It lacked this whole element of kicking ass that you
• 1:38:05
  Speaker 6: want in a Batman film, I think. That's what you're
• 1:38:08
  Speaker 6: looking for.
• 1:38:09
  Speaker 2: You don't get a whole lot of that.
• 1:38:10
  Speaker 6: No, you don't.
• 1:38:12
  Speaker 2: All right.
• 1:38:13
  Speaker 12: Well, now I'm actually kind of, you know, I was
• 1:38:17
  Speaker 12: really curious to see what people came through because now
• 1:38:19
  Speaker 12: we've hit the actual movie meltdown related questions. I like
• 1:38:23
  Speaker 12: hearing what people specifically commented on about the stuff we
• 1:38:27
  Speaker 12: did or just weird things connected to the show one
• 1:38:31
  Speaker 12: of which this was one that came around like initially
• 1:38:33
  Speaker 12: when we came up with this category which is the
• 1:38:35
  Speaker 12: celebrity you would most like misty punch in the face
• 1:38:38
  Speaker 12: which we just got a big string of people so
• 1:38:40
  Speaker 12: I'm just going to go through them all here Dane
• 1:38:42
  Speaker 12: Cook which seems obvious Three Stooges Slapped to the Kardashian
• 1:38:48
  Speaker 12: Sisters Seems good. Chris Brown, rightfully so. Michael Caine, specifically
• 1:38:55
  Speaker 12: for all the blubbering in the Batman movie. I was like, alright,
• 1:39:00
  Speaker 12: he was pretty damn blubbering.
• 1:39:01
  Speaker 6: Michael Caine.
• 1:39:03
  Speaker 12: And I think just personal vendetta for Tom Savini.
• 1:39:10
  Speaker 6: Who was it that Stewie Griffin drove and then bought
• 1:39:16
  Speaker 6: a ladder at a hardware store?
• 1:39:17
  Speaker 9: Gold Barrel.
• 1:39:18
  Speaker 1: Will Ferrell.
• 1:39:19
  Speaker 6: And then he climbed up on the ladder and punched
• 1:39:22
  Speaker 6: him in the face. For Bewitched.
• 1:39:24
  Speaker 1: Specifically for Bewitched, if I remember. That's right. So, 18,
• 1:39:30
  Speaker 1: we had the.
• 1:39:31
  Speaker 12: And I broke them up into interviews versus the guest
• 1:39:34
  Speaker 12: host that sat in.
• 1:39:35
  Speaker 1: So, the favorite.
• 1:39:36
  Speaker 12: Interview of 2012.
• 1:39:38
  Speaker 1: Again, actually a tie.
• 1:39:39
  Speaker 12: And two, neither of which was where I thought people
• 1:39:41
  Speaker 12: were going.
• 1:39:42
  Speaker 1: One, Joanna Cassidy. Which was a pretty cool interview. That
• 1:39:46
  Speaker 1: was a great interview.
• 1:39:47
  Speaker 12: Nobody really said anything at the time, so I just
• 1:39:49
  Speaker 12: figured nobody cared. And then more recent, the Chiodo brothers.
• 1:39:54
  Speaker 6: Yeah, that was a good interview too.
• 1:39:56
  Speaker 1: Everybody kind of liked them. They were cool.
• 1:39:59
  Speaker 3: Definitely.
• 1:40:02
  Speaker 12: Next was the other half, the special guest that we
• 1:40:04
  Speaker 12: roped into actually hanging out for way too long.
• 1:40:08
  Speaker 1: Yeah, most of it went to Richard Kiel.
• 1:40:11
  Speaker 12: Everybody liked hanging out with Richard Kiel.
• 1:40:13
  Speaker 6: He's a sweet guy.
• 1:40:15
  Speaker 1: He's an interesting character.
• 1:40:16
  Speaker 12: Yeah, I didn't know a lot of that stuff of
• 1:40:19
  Speaker 12: his early kind of getting involved in it stuff.
• 1:40:23
  Speaker 1: I think that was really interesting.
• 1:40:25
  Speaker 6: He was very proud of his ability to sell cars.
• 1:40:28
  Speaker 17: Yeah.
• 1:40:29
  Speaker 1: That was cool. He's good at it.
• 1:40:31
  Speaker 12: Yeah.
• 1:40:32
  Speaker 1: And he's good at flipping real estate. He took proud
• 1:40:34
  Speaker 1: of whatever he did. He tried to do his best,
• 1:40:38
  Speaker 1: and he took pride in it.
• 1:40:39
  Speaker 28: That's cool.
• 1:40:39
  Speaker 1: He didn't seem to do all of it. He didn't
• 1:40:41
  Speaker 1: seem to make any distinctions.
• 1:40:45
  Speaker 12: This one, we went with just what was your favorite
• 1:40:47
  Speaker 12: specific movie discussion from 2012. Again, not what I expected,
• 1:40:50
  Speaker 12: and way back to the very beginning of the year,
• 1:40:52
  Speaker 12: almost unanimous, like one vote shy, everyone went with Brick.
• 1:40:57
  Speaker 9: Really? Yeah.
• 1:40:59
  Speaker 1: Everybody went with it. That was a cool movie.
• 1:41:01
  Speaker 12: That was like one of the first things when we
• 1:41:03
  Speaker 12: crossed over into 2012. I figured everybody had forgotten about that.
• 1:41:06
  Speaker 1: Yeah, and I thought I was lackluster on that one. Well,
• 1:41:10
  Speaker 1: me too.
• 1:41:11
  Speaker 6: I thought I was lackluster on all.
• 1:41:13
  Speaker 1: Of them, but.
• 1:41:15
  Speaker 6: Well, yeah.
• 1:41:16
  Speaker 4: I still like the episode where we're reminiscing over movies
• 1:41:20
  Speaker 4: that moved us.
• 1:41:22
  Speaker 12: That's a different category.
• 1:41:22
  Speaker 9: Yeah, I know, but.
• 1:41:24
  Speaker 12: It's still kind of.
• 1:41:25
  Speaker 1: Yeah, I'm sorry.
• 1:41:26
  Speaker 6: I didn't know about these categories. You Well, you're on
• 1:41:30
  Speaker 6: the show.
• 1:41:30
  Speaker 1: You can't vote for her.
• 1:41:30
  Speaker 6: You can't vote for her.
• 1:41:33
  Speaker 1: Fred's picks. Can't we cheat?
• 1:41:34
  Speaker 6: Sure.
• 1:41:35
  Speaker 1: They do at the Oscars.
• 1:41:36
  Speaker 12: Right.
• 1:41:37
  Speaker 6: Like, how did I know Jennifer Lawrence was going to win?
• 1:41:41
  Speaker 1: I knew that last year. I knew that before they
• 1:41:44
  Speaker 1: made a movie.
• 1:41:45
  Speaker 6: Because that's where she's going.
• 1:41:48
  Speaker 12: She was on the schedule this year.
• 1:41:50
  Speaker 6: Yeah, she's on that track. I said, okay, what we'll
• 1:41:55
  Speaker 6: do is we'll get you an Oscar or not. Oscar
• 1:41:58
  Speaker 6: movie this coming year and then after that we'll see
• 1:42:02
  Speaker 6: what happens.
• 1:42:05
  Speaker 12: We'll go into the other extreme from their favorite to
• 1:42:08
  Speaker 12: what movie that movie meltdown watched in 2012 would you
• 1:42:11
  Speaker 12: be most embarrassed to tell your friends that you've actually seen?
• 1:42:14
  Speaker 1: Yetting.
• 1:42:18
  Speaker 6: Starcrush.
• 1:42:19
  Speaker 12: Got a complete rundown of different ones so I'll just
• 1:42:22
  Speaker 12: throw them all out there.
• 1:42:23
  Speaker 1: We got some Zardoz.
• 1:42:27
  Speaker 8: Star Crash.
• 1:42:28
  Speaker 12: We got a creature thrown in there. We got the thing,
• 1:42:32
  Speaker 12: the 2012 version, because specifically they.
• 1:42:35
  Speaker 1: Have a rep to protect. I like that addition.
• 1:42:39
  Speaker 12: And the final one, they said they were generally.
• 1:42:42
  Speaker 1: Unable to be embarrassed.
• 1:42:43
  Speaker 2: I like that.
• 1:42:45
  Speaker 6: I think creature probably was.
• 1:42:46
  Speaker 1: The worst thing. Like the Yeti movie, you can laugh at.
• 1:42:53
  Speaker 1: Yeti's at least entertaining at points.
• 1:42:56
  Speaker 12: Creature is not really even that. And Klaus Kinski in space.
• 1:42:59
  Speaker 1: Kinski has nothing to do with that. No, other than
• 1:43:02
  Speaker 1: be creepy.
• 1:43:05
  Speaker 6: Actually, I forgot what that movie was when you said Creature.
• 1:43:08
  Speaker 6: I couldn't place it.
• 1:43:09
  Speaker 1: The alien ripoff.
• 1:43:10
  Speaker 6: If you said Klaus Kinski in space, oh, that movie.
• 1:43:13
  Speaker 1: It should have been the name I said at the time.
• 1:43:16
  Speaker 12: Yeah, it was a waste of time. Ferris Bueller's dad.
• 1:43:21
  Speaker 6: A waste of space, as they say.
• 1:43:23
  Speaker 1: Simone, you're right.
• 1:43:26
  Speaker 12: All right, so now the next one, the favorite grind discussion,
• 1:43:29
  Speaker 12: which we had all of the many different ones, but
• 1:43:32
  Speaker 12: what actually did win, movies that touched us in a
• 1:43:35
  Speaker 12: special way. I thought that was one of the better
• 1:43:39
  Speaker 12: episodes of the year myself.
• 1:43:41
  Speaker 6: I felt violated by it.
• 1:43:43
  Speaker 12: It was very personal.
• 1:43:45
  Speaker 1: Like it was your aunt.
• 1:43:46
  Speaker 10: Yeah.
• 1:43:49
  Speaker 12: But we had a couple, again, going back.
• 1:43:50
  Speaker 1: Here's my Aunt Joan Cusack.
• 1:43:54
  Speaker 2: Well, she is kind of creepy.
• 1:43:56
  Speaker 1: In an awesome way.
• 1:43:57
  Speaker 12: We did have some for, like, the remix one, which, again,
• 1:43:59
  Speaker 12: was really far back there.
• 1:44:01
  Speaker 1: I was surprised people... That was early, yeah.
• 1:44:03
  Speaker 26: Yeah.
• 1:44:03
  Speaker 1: And the traumatic movies, we had some. Oh, that was fun.
• 1:44:06
  Speaker 12: I like the traumatic movies. You could do that every week.
• 1:44:09
  Speaker 3: That was early, too.
• 1:44:09
  Speaker 1: That was, like, February as well.
• 1:44:11
  Speaker 12: Yeah.
• 1:44:12
  Speaker 6: Some early stuff. Traumatic movies. That's so... So rich.
• 1:44:19
  Speaker 12: And we had, this was probably the first year we
• 1:44:21
  Speaker 12: had so many that didn't fall into our normal. We
• 1:44:24
  Speaker 12: had the ones where we kept veering off into other
• 1:44:26
  Speaker 12: random non-movie related.
• 1:44:28
  Speaker 1: More than regular.
• 1:44:29
  Speaker 6: It's my fault, I'm sorry.
• 1:44:31
  Speaker 12: Two of which were your fault. But it was the
• 1:44:33
  Speaker 12: favorite other episode. So they really were like, I guess
• 1:44:37
  Speaker 12: you can count last year's Oscar coverage was sort of
• 1:44:40
  Speaker 12: like that. And then the spooky theater stories was one,
• 1:44:43
  Speaker 12: which I thought, you know.
• 1:44:43
  Speaker 1: Well, see, that's my fault, but in a good way.
• 1:44:45
  Speaker 12: The real world Bigfoot stories, that was pretty awesome.
• 1:44:48
  Speaker 1: That was my fault and Dave's as well.
• 1:44:51
  Speaker 7: And both of.
• 1:44:52
  Speaker 12: Those got votes, though. People liked the Bigfoot stories. They
• 1:44:54
  Speaker 12: liked the theater stories. The winner, and again, kind of
• 1:44:58
  Speaker 12: got most of the votes. It surprised the hell out
• 1:45:00
  Speaker 12: of me. The Star Wars Holiday Special.
• 1:45:03
  Speaker 9: Yes.
• 1:45:04
  Speaker 12: I figured people were suffering with us.
• 1:45:09
  Speaker 1: I think they liked hearing our pain.
• 1:45:11
  Speaker 12: I think that's what it was.
• 1:45:12
  Speaker 1: I think it was.
• 1:45:12
  Speaker 12: Endearing to them because they, I guess, had watched it
• 1:45:15
  Speaker 12: and suffered too, and they wanted, I don't know.
• 1:45:18
  Speaker 2: Pleasure.
• 1:45:19
  Speaker 10: I guess.
• 1:45:19
  Speaker 12: I guess that's what it came down to.
• 1:45:21
  Speaker 6: Yeah, it's like that traveling show, The Duke and the
• 1:45:23
  Speaker 6: Dolphin in Huck Finn. And what happens is everybody goes
• 1:45:28
  Speaker 6: to the show, and it's horrible. But then they go
• 1:45:31
  Speaker 6: out and they tell everybody else to go because they
• 1:45:34
  Speaker 6: don't want to be the only ones to have suffered
• 1:45:36
  Speaker 6: through it.
• 1:45:39
  Speaker 12: And the add-ons here to round this thing out. Because
• 1:45:41
  Speaker 12: I specifically, when we got to the hottest guy or girl,
• 1:45:45
  Speaker 12: all of the girls who were supposed to vote flaked
• 1:45:48
  Speaker 12: out and didn't come through for us.
• 1:45:49
  Speaker 1: So that's their own fault, really.
• 1:45:51
  Speaker 12: But when I was throwing the question out there, I
• 1:45:54
  Speaker 12: said that to Lucy and she said, so does that
• 1:45:56
  Speaker 12: mean I get the only vote for hottest guy of 2012? So,
• 1:46:00
  Speaker 12: I believe she didn't like the pressure of having quote-unquote
• 1:46:04
  Speaker 12: Lucy's Hottest Pick of 2012. But she still went ahead
• 1:46:07
  Speaker 12: and came up with it. So she says Jim Sturgis
• 1:46:10
  Speaker 12: from whatever role he existed in in Cloud Atlas.
• 1:46:14
  Speaker 1: Oh.
• 1:46:15
  Speaker 6: What role was that? Take your pick.
• 1:46:18
  Speaker 1: Multiple roles.
• 1:46:20
  Speaker 2: Yeah.
• 1:46:20
  Speaker 12: She thought that he should be the sexy counter male
• 1:46:23
  Speaker 12: to the sexy female.
• 1:46:25
  Speaker 6: Who was the sexy female? Hal Holbrook.
• 1:46:29
  Speaker 12: Oh, Emma?
• 1:46:29
  Speaker 3: Emma.
• 1:46:30
  Speaker 9: Really?
• 1:46:31
  Speaker 12: Were you not there for that part?
• 1:46:32
  Speaker 6: I voted for it, but now I'm contesting it.
• 1:46:35
  Speaker 1: Were you not there for Hal Holbrook when you won
• 1:46:37
  Speaker 1: Best Female?
• 1:46:38
  Speaker 6: It was hot.
• 1:46:41
  Speaker 12: We did have one specific listener who said.
• 1:46:44
  Speaker 1: I like the more... Jowls, turn me on.
• 1:46:47
  Speaker 12: I was trying to say, I was like, do you
• 1:46:49
  Speaker 12: want all these movie meltdown nonsense? And he said, the
• 1:46:52
  Speaker 12: more meltdown-ish, the better. So he also specifically said we
• 1:46:56
  Speaker 12: should do And again, she's hardly on the show, but
• 1:46:59
  Speaker 12: everybody likes her not crazy comments.
• 1:47:01
  Speaker 1: Misty's choice for best sci-fi original movie.
• 1:47:04
  Speaker 12: Oh, yeah. To which her official answer is, whichever had
• 1:47:08
  Speaker 12: Koronimic or Sharks. Yeah. Technically, based on the list I
• 1:47:13
  Speaker 12: came up with, the only one that fits that bill
• 1:47:16
  Speaker 12: of either is Jersey Shore Shark Attack. Yeah. Which they
• 1:47:20
  Speaker 12: did seem to enjoy, so I guess that's.
• 1:47:23
  Speaker 1: What did they say that was.
• 1:47:26
  Speaker 1: Oh, not the situation with the... Oh, God.
• 1:47:29
  Speaker 8: We had to look it up and make sure it
• 1:47:31
  Speaker 8: was terrible.
• 1:47:32
  Speaker 1: Like the conundrum or something like that. They named one
• 1:47:35
  Speaker 1: of the guys. I forget. It was bad.
• 1:47:39
  Speaker 6: What was it they said on SNL that at the
• 1:47:41
  Speaker 6: end of Jersey Shore it turns out that it was
• 1:47:44
  Speaker 6: all a dream in the mind of a meatball with syphilis?
• 1:47:52
  Speaker 9: Oh, God.
• 1:47:54
  Speaker 6: So the hottest girl was Emma Watson? And I contributed
• 1:47:58
  Speaker 6: to that. Yeah, that was partially your doing.
• 1:48:00
  Speaker 12: You broke the tie. It was a tie until.
• 1:48:02
  Speaker 1: You came along.
• 1:48:03
  Speaker 6: Who was the tie with?
• 1:48:04
  Speaker 1: Jennifer Lawrence.
• 1:48:06
  Speaker 12: No!
• 1:48:08
  Speaker 6: Neither one of those! I mean, come on!
• 1:48:11
  Speaker 3: It's crazy.
• 1:48:13
  Speaker 1: Judy Dench. Now, let's move on. Well, then you have
• 1:48:16
  Speaker 1: to get more.
• 1:48:16
  Speaker 12: Because, again, they all come from people out there.
• 1:48:18
  Speaker 6: Well, I mean, one of the choices was... like the
• 1:48:21
  Speaker 6: girl in Looper, Emily Blunt. Yeah, she's hot, but that
• 1:48:25
  Speaker 6: was such a, God, that movie made me so tired.
• 1:48:29
  Speaker 6: I was so tired.
• 1:48:30
  Speaker 1: What about the lady in Django?
• 1:48:33
  Speaker 6: Yeah.
• 1:48:35
  Speaker 17: Yeah.
• 1:48:35
  Speaker 6: She was not hard to look at.
• 1:48:37
  Speaker 12: Yeah.
• 1:48:38
  Speaker 1: Well, there was one scene.
• 1:48:41
  Speaker 8: She has an ugly laugh.
• 1:48:42
  Speaker 6: Oh, and that's such a deal breaker.
• 1:48:46
  Speaker 12: Actually, I like Candy.
• 1:48:47
  Speaker 6: A bad laugh.
• 1:48:49
  Speaker 12: The girl at the halfway point when he gets in
• 1:48:51
  Speaker 12: there and she's like, I know.
• 1:48:52
  Speaker 7: You didn't mean it.
• 1:48:53
  Speaker 8: Who was that girl?
• 1:48:55
  Speaker 6: She was awesome. That girl. Marlo Thomas.
• 1:48:58
  Speaker 1: Not Marlo Thomas at all.
• 1:49:01
  Speaker 3: Who was Marlo Thomas?
• 1:49:02
  Speaker 6: Marlo Thomas.
• 1:49:04
  Speaker 5: But it was not Brunhilde laughing.
• 1:49:05
  Speaker 7: It was God.
• 1:49:11
  Speaker 6: God, this is such a disgrace to hot women everywhere.
• 1:49:16
  Speaker 6: This whole category is just not fair.
• 1:49:20
  Speaker 1: You're just picking it from a very different perspective.
• 1:49:24
  Speaker 6: I don't know. I'm going to go ahead and say,
• 1:49:27
  Speaker 6: fuck that Rosario Dawson, who did nothing this year.
• 1:49:31
  Speaker 12: I can't argue.
• 1:49:32
  Speaker 1: She's pretty damn good.
• 1:49:33
  Speaker 6: Yes, she looks a little bit like every woman you
• 1:49:36
  Speaker 6: ever cared about.
• 1:49:38
  Speaker 12: That's her own special category right there.
• 1:49:40
  Speaker 6: There you go. Okay, Lifetime Achievement Award for hotness. That's
• 1:49:49
  Speaker 6: what we're doing.
• 1:49:50
  Speaker 1: All right.
• 1:49:50
  Speaker 2: Rosario gets it.
• 1:49:52
  Speaker 6: Yeah.
• 1:49:52
  Speaker 12: All right.
• 1:49:53
  Speaker 6: Okay.
• 1:49:53
  Speaker 9: Why not?
• 1:49:54
  Speaker 1: Good enough.
• 1:49:55
  Speaker 6: Who else has disappeared this year? A lot of people.
• 1:50:00
  Speaker 1: What's his name? Well, you mentioned that the other.
• 1:50:04
  Speaker 6: There are people who are off the radar this year.
• 1:50:06
  Speaker 6: That's interesting.
• 1:50:08
  Speaker 1: The chick from Sin City you haven't seen in forever.
• 1:50:11
  Speaker 6: Yeah, that's true.
• 1:50:18
  Speaker 1: Jessica Alba?
• 1:50:20
  Speaker 6: Jessica Alba was always like a little brown mouse.
• 1:50:25
  Speaker 1: She was just not.
• 1:50:26
  Speaker 6: Like really intriguing.
• 1:50:27
  Speaker 1: I haven't seen her in a while.
• 1:50:29
  Speaker 8: I always thought she was a mega babe.
• 1:50:31
  Speaker 12: I didn't.
• 1:50:32
  Speaker 6: I didn't think she was interesting.
• 1:50:35
  Speaker 2: I liked her in Idle Hands.
• 1:50:37
  Speaker 6: So I did it from there.
• 1:50:41
  Speaker 9: Really?
• 1:50:41
  Speaker 1: I haven't seen that. I think the thing that affected
• 1:50:44
  Speaker 1: me the most was the clueless. Okay, now we're on Brittany.
• 1:50:49
  Speaker 4: I hope you're talking about Dan Hedaya if you're talking clueless.
• 1:50:54
  Speaker 1: Shit, I'm tired.
• 1:50:58
  Speaker 6: What about Ben? What's his name? He's not doing anything.
• 1:51:00
  Speaker 9: Kingsley? No.
• 1:51:01
  Speaker 1: We have a big guy.
• 1:51:07
  Speaker 6: Yeah, from something about Mary. What's he doing? Stiller?
• 1:51:10
  Speaker 15: Stiller.
• 1:51:10
  Speaker 6: Yeah, he's disappeared off the face of the earth.
• 1:51:14
  Speaker 1: That's a shame. Chris O'Donnell was on TV the other day.
• 1:51:19
  Speaker 1: I know.
• 1:51:19
  Speaker 6: Speak of O'Donnell and he will appear.
• 1:51:22
  Speaker 12: He's there every week.
• 1:51:23
  Speaker 1: Just wait. Or Alicia Silverstone, whatever happened to her.
• 1:51:25
  Speaker 2: Yeah, she disappeared.
• 1:51:26
  Speaker 8: She was on Suburgatory.
• 1:51:28
  Speaker 1: Yeah.
• 1:51:29
  Speaker 3: Huh.
• 1:51:29
  Speaker 1: Odd little reunion there.
• 1:51:31
  Speaker 9: Huh.
• 1:51:32
  Speaker 6: There are all these people who take like years off
• 1:51:35
  Speaker 6: that you don't hear about for a while and then
• 1:51:37
  Speaker 6: they will emerge.
• 1:51:38
  Speaker 1: They have kids and then they have like weird family lives. Yeah.
• 1:51:43
  Speaker 6: I seriously believe at least four of the greatest moments
• 1:51:47
  Speaker 6: in film happened in one movie. That man arrives.
• 1:51:53
  Speaker 1: No, I think it was the anniversary party.
• 1:51:56
  Speaker 6: I think maybe half a dozen of the greatest moments
• 1:52:00
  Speaker 6: of film happened in that movie.
• 1:52:03
  Speaker 12: I just wanted to put that in.
• 1:52:04
  Speaker 1: The anniversary party for what?
• 1:52:06
  Speaker 3: Flight of the Navigator?
• 1:52:08
  Speaker 8: No, no.
• 1:52:09
  Speaker 6: It was like when What's Her Name came out of
• 1:52:12
  Speaker 6: retirement for one last score. Playing a woman, an actress,
• 1:52:16
  Speaker 6: a retired actress who is married to Kevin Kline. And
• 1:52:20
  Speaker 6: in the movie she's a retired actress married to Kevin Kline.
• 1:52:23
  Speaker 1: Phoebe Cates.
• 1:52:24
  Speaker 8: Phoebe Cates.
• 1:52:25
  Speaker 1: It was a great movie.
• 1:52:27
  Speaker 6: And she has this great moment in it and the
• 1:52:30
  Speaker 6: bell will go off because I've said this before. Where
• 1:52:34
  Speaker 6: she says, having kids, you can't, after you have.
• 1:52:38
  Speaker 1: Kids, you can't put your head in an oven.
• 1:52:42
  Speaker 6: They take away that option.
• 1:52:44
  Speaker 8: Nobody tells you.
• 1:52:45
  Speaker 6: And she's like, she breaks character as though she's in
• 1:52:50
  Speaker 6: a character because she's playing Phoebe Cates.
• 1:52:53
  Speaker 7: And she just looks directly.
• 1:52:54
  Speaker 8: Out at the screen and says.
• 1:52:56
  Speaker 6: You can't do that anymore.
• 1:52:58
  Speaker 3: Directly at the screen.
• 1:53:00
  Speaker 4: I think you're quoting Gremlins too.
• 1:53:03
  Speaker 1: You're getting mixed up.
• 1:53:05
  Speaker 2: She looks directly at you and gives.
• 1:53:07
  Speaker 1: You the old case.
• 1:53:08
  Speaker 6: There's a great Gremlins moment that happened in my sister-in-law's basement.
• 1:53:14
  Speaker 6: Because there was a weird smell in her basement and
• 1:53:16
  Speaker 6: she asked me to come over and find it. And
• 1:53:19
  Speaker 6: I started going down the steps and as soon as
• 1:53:22
  Speaker 6: I start going down the steps I see she has
• 1:53:24
  Speaker 6: a stuffed Gremlin. like just sitting by the steps so
• 1:53:28
  Speaker 6: immediately I pick it up and turn around and go
• 1:53:30
  Speaker 6: here's your problem and she freaks the.
• 1:53:33
  Speaker 8: Fuck out she's like ahhh.
• 1:53:37
  Speaker 6: And later I found out like there was like a
• 1:53:39
  Speaker 6: whole rotted squirrel down in the basement it was rotted
• 1:53:43
  Speaker 6: flat as though it had been run over by a
• 1:53:46
  Speaker 6: cartoon truck but yeah the Fred trivia moment I have
• 1:53:53
  Speaker 6: in an envelope here I mentioned long ago, recently I mentioned,
• 1:54:01
  Speaker 6: a kid told me they remembered this movie where a
• 1:54:04
  Speaker 6: guy goes through or into a thing or something. And
• 1:54:11
  Speaker 6: then later, in a shed, something happened. But that was
• 1:54:15
  Speaker 6: before the other part where the guy goes through or
• 1:54:18
  Speaker 6: into a thing or something. And we guessed and we guessed.
• 1:54:22
  Speaker 6: We tried to figure out what this movie was. It
• 1:54:25
  Speaker 6: went on for months. And then at the end of
• 1:54:27
  Speaker 6: my story, I was like, oh yeah, I don't remember
• 1:54:30
  Speaker 6: what it was. We eventually found it, but I don't
• 1:54:32
  Speaker 6: know what it was. But it was Don't Look Under
• 1:54:36
  Speaker 6: the Bed.
• 1:54:37
  Speaker 1: 1999 Disney movie.
• 1:54:42
  Speaker 2: That's what it was. A thing with a thing in
• 1:54:45
  Speaker 2: a shed.
• 1:54:46
  Speaker 6: Yeah, a guy goes through or into a thing or something.
• 1:54:49
  Speaker 1: Blah, blah, blah, blah, blah.
• 1:54:51
  Speaker 6: That's what it was.
• 1:54:52
  Speaker 2: Good, didn't it?
• 1:54:53
  Speaker 10: I thought maybe it had some kind of relation to
• 1:54:55
  Speaker 10: Don't Look in the Basement.
• 1:54:57
  Speaker 2: Another awesome movie.
• 1:54:59
  Speaker 1: Good call.
• 1:55:01
  Speaker 6: It may have some sort of relation. We'll have to
• 1:55:04
  Speaker 6: investigate that when we're off duty. Was that all the
• 1:55:09
  Speaker 6: actual real categories?
• 1:55:11
  Speaker 1: Yeah, that was rounded out.
• 1:55:14
  Speaker 6: And how does everybody feel about the Oscars?
• 1:55:16
  Speaker 1: Are you excited?
• 1:55:17
  Speaker 6: Disenchanted or are you like has it I.
• 1:55:20
  Speaker 2: Got to actually see some of it this year that's unusual.
• 1:55:23
  Speaker 12: Compared to last year's extravaganza I.
• 1:55:26
  Speaker 6: Always like to watch it because it restores my lack
• 1:55:29
  Speaker 6: of faith in humanity I think it was about 1970
• 1:55:33
  Speaker 6: you can mark where I've seen every Oscar winning film
• 1:55:38
  Speaker 6: best picture from 1970 except I never saw Chariots of
• 1:55:42
  Speaker 6: Fire there might have been one other I never saw
• 1:55:48
  Speaker 6: Before that, I've seen this one, that one, this one,
• 1:55:50
  Speaker 6: that one. Not this one. You have to skip around
• 1:55:54
  Speaker 6: a little bit. But once you hit 1970, which is
• 1:55:58
  Speaker 6: like Midnight Cowboy, after that, I've seen virtually all of them.
• 1:56:04
  Speaker 6: Except for maybe one here or there. And the one
• 1:56:09
  Speaker 6: that broke my heart was Platoon. I think I've mentioned.
• 1:56:13
  Speaker 6: If they're going to give Best Picture to Platoon... I'm not,
• 1:56:18
  Speaker 6: I don't care anymore. I just don't care. And then
• 1:56:21
  Speaker 6: when Kevin Costner gave a speech for Dances with Wolves,
• 1:56:26
  Speaker 6: I'm like, okay, this is a joke now.
• 1:56:30
  Speaker 1: It's a joke.
• 1:56:31
  Speaker 6: He's like, my mother cares about this.
• 1:56:34
  Speaker 12: Sure, of course.
• 1:56:36
  Speaker 1: Why do you, come on. Yeah, Oscars.
• 1:56:42
  Speaker 6: We watch them.
• 1:56:43
  Speaker 3: I don't know.
• 1:56:44
  Speaker 6: I have this love-hate thing. I want to watch it,
• 1:56:47
  Speaker 6: but it breaks my heart.
• 1:56:51
  Speaker 2: On that cheery note, I think we should round out
• 1:56:53
  Speaker 2: this episode.
• 1:56:54
  Speaker 1: Yeah, I think it's late. Is it? Well, you're a
• 1:56:59
  Speaker 1: night person.
• 1:57:00
  Speaker 6: Are we going to start drinking sometime soon?
• 1:57:04
  Speaker 1: That's funny. I think we are done. Blame it on Moe.
• 1:57:08
  Speaker 12: We're wrapping it up. Thank you again to Moe for
• 1:57:12
  Speaker 12: letting us break into.
• 1:57:13
  Speaker 2: His house and hang around on Oscar night, so.
• 1:57:17
  Speaker 12: In honor of this week's movie and Hal Needham himself,
• 1:57:20
  Speaker 12: we're going to go out with the Hooper theme song, which, again,
• 1:57:24
  Speaker 12: is pretty damn close to the Fall Guy, so if
• 1:57:25
  Speaker 12: you've seen that, it sounds familiar. Otherwise, that about does it.
• 1:57:30
  Speaker 2: We will return next week. Same geek time, same geek feed.
• 1:57:32
  Speaker 2: Thanks for listening.
• 1:57:33
  Speaker 15: He always is the bad guy who gets it in
• 1:57:36
  Speaker 15: the end.
• 1:57:37
  Speaker 34: He's out there stopping horses or falling off a train.
• 1:57:40
  Speaker 34: He never won a gunfight, squabble, or brawl. For being
• 1:57:45
  Speaker 34: such a loser, Hooper's really got it all.
• 1:57:50
  Speaker 9: You can toss him, blast him, flip him, and turn him.
• 1:57:52
  Speaker 7: Shoot him, hang him, bury him, burn him.
• 1:57:54
  Speaker 9: Chances are, Hooper's back for.
• 1:57:58
  Speaker 6: More.
• 1:57:58
  Speaker 9: Run him out, cross the ground. Take the truck, run
• 1:58:01
  Speaker 9: him down.
• 1:58:02
  Speaker 29: He ain't easy.
• 1:58:04
  Speaker 7: He's up and gone.
• 1:58:05
  Speaker 9: You can hit him, kick him, generally abuse him.
• 1:58:07
  Speaker 1: Set him on fire, will abuse him.
• 1:58:09
  Speaker 12: Have a nose.
• 1:58:10
  Speaker 9: He won't hold a grudge.
• 1:58:13
  Speaker 34: He'll look you in the eye and tell you with
• 1:58:15
  Speaker 34: a smile there ain't nothing like the.
• 1:58:17
  Speaker 12: Life of a Hollywood stuntman.
• 1:58:53
  Speaker 34: Some folks used to tell him he ought to settle down,
• 1:58:56
  Speaker 34: find a steady woman, land a job in town. But
• 1:59:00
  Speaker 34: somehow that attraction never seemed too great. You always see
• 1:59:04
  Speaker 34: him leaving just before it gets too late. Going down
• 1:59:11
  Speaker 34: the highway, really on the ground. Never under 80, judging
• 1:59:16
  Speaker 34: from the sound. Later in the evening, he's tearing up
• 1:59:20
  Speaker 34: the town. Always seems to end up with the prettiest
• 1:59:23
  Speaker 34: girl around.
• 1:59:27
  Speaker 12: You can toss him, blast him, flip him and turn him.
• 1:59:29
  Speaker 7: Shoot him, hang him, bury.
• 1:59:31
  Speaker 9: Him, burn him.
• 1:59:31
  Speaker 12: Chances are, Hooper's back for more.
• 1:59:35
  Speaker 9: Run him out across the ground. Take a truck, run
• 1:59:38
  Speaker 9: him down.
• 1:59:39
  Speaker 3: He ain't easy.
• 1:59:41
  Speaker 9: He's up and gone.
• 1:59:42
  Speaker 27: You can hit him, kick.
• 1:59:43
  Speaker 3: Him, generally abuse him.
• 1:59:44
  Speaker 1: Set him on fire, we'll amuse him.
• 1:59:46
  Speaker 15: Heaven knows he won't hold a grudge.
• 1:59:50
  Speaker 9: He'll look you in.
• 1:59:51
  Speaker 34: The eye and tell you with a smile there ain't
• 1:59:53
  Speaker 34: nothing like the life of.
• 1:59:55
  Speaker 1: A Hollywood stuntman.
• 1:59:57
  Speaker 20: He'll look you in the eye and tell you.
• 2:00:00
  Speaker 14: With a smile there ain't nothing like the life.
• 2:00:02
  Speaker 8: Nothing like the life.
• 2:00:03
  Speaker 9: There ain't nothing like the.
• 2:00:05
  Speaker 12: Life of a Hollywood stuntman, stuntman.
• 2:00:07
  Speaker 9: Stuntman, stuntman. Hello? Hello?
• 2:00:10
  Speaker 24: It's not really recording, is it?
• 2:00:13
  Speaker 6: It is.
• 2:00:13
  Speaker 1: Oh! Sorry about that.
• 2:00:14
  Speaker 3: We are picking Oscar winners.
• 2:00:30
  Speaker 1: I've picked mine. I won last year. I'm feeling good
• 2:00:34
  Speaker 1: about it.
• 2:00:34
  Speaker 6: So I think I'm going to win this year. Yeah,
• 2:00:38
  Speaker 6: I'm going to.
• 2:00:38
  Speaker 1: Get that prize.
• 2:00:39
  Speaker 12: You know it.
• 2:00:40
  Speaker 1: You know why? Because I listen to the street.
• 2:00:43
  Speaker 28: Yeah.
• 2:00:44
  Speaker 1: You don't even know who the hell I am, do you? Damn,
• 2:00:50
  Speaker 1: I'm a handsome man. Look at him. He's thinking that.
• 2:00:54
  Speaker 1: George Clooney's thinking that. Damn, I'm a handsome man.
• 2:00:59
  Speaker 22: Is there a more handsome man than me in this
• 2:01:02
  Speaker 22: whole audience?
• 2:01:03
  Speaker 9: No.
• 2:01:03
  Speaker 1: Hell no. He's not more handsome than me.
• 2:01:07
  Speaker 9: Denzel is.
• 2:01:08
  Speaker 3: That's what George Clooney is thinking.
• 2:01:09
  Speaker 1: Damn, I'm a handsome man.
• 2:01:11
  Speaker 22: He gets up every morning and thinks that.
• 2:01:22
  Speaker 3: Nice to meet you. I enjoyed it.
• 2:01:24
  Speaker 1: I enjoyed it.
• 2:01:25
  Speaker 21: Hope to see you all again soon.
• 2:01:28
  Speaker 15: Good to meet you.
• 2:01:29
  Speaker 3: Yes, it's been a lot of fun.
• 2:01:31
  Speaker 9: Yes.
• 2:01:32
  Speaker 8: Wow, I see you all the time.
• 2:01:34
  Speaker 2: Yeah.
• 2:01:34
  Speaker 12: Can you feel the love?
• 2:01:37
  Speaker 3: Fuck you.
• 2:01:37
  Speaker 1: You're familiar to me.
• 2:01:39
  Speaker 7: Hope to see you all again soon.
• 2:01:42
  Speaker 3: It's been fun. It's been fun. It's been a lot
• 2:01:44
  Speaker 3: of fun. See ya.
• 2:01:45
  Speaker 7: He can watch Skyfall in there.
• 2:01:47
  Speaker 1: I think Skyfall's over again. Oh, wow.
• 2:01:53
  Speaker 7: Make sure you serve a lot of alcohol when you do.
• 2:01:56
  Speaker 21: The dude is Brian Gavin.
• 2:01:59
  Speaker 3: He knows how to make food.
• 2:02:03
  Speaker 28: This episode is a production of Movie Meltdown, produced and
• 2:02:06
  Speaker 28: edited by the Auditude Studios, with opening music performed by
• 2:02:09
  Speaker 28: the Empires. For more on how to sponsor or support
• 2:02:12
  Speaker 28: the show, email producer at moviemeltdown.com.
• 2:02:15
  Speaker 9: Talk hard!