Latest / DISGRACELAND / Willie Nelson (Pt 2): Grifters, Con Men, Thieves, and the Reinvention of the Outlaw
Transcript
- 0:00Speaker 1: This episode contains content that may be disturbing to some listeners.
- 0:03Speaker 1: Please check the show notes for more information. Disgraceland is
- 0:08Speaker 1: a production of Double Elvis. The Ballad of Willie Nelson.
- 0:28Speaker 1: His trials and tribulations as an unorthodox songwriter in Nashville,
- 0:32Speaker 1: his creative rebirth as a free spirited outlaw in Austin,
- 0:36Speaker 1: and his ascension into legend is so complex that we
- 0:40Speaker 1: needed two episodes to properly tell this story. If you're
- 0:43Speaker 1: just getting hip to this now, I suggest you hit
- 0:46Speaker 1: pause and go back to the last episode of Disgraceland,
- 0:49Speaker 1: part one of the Willie Nelson story. In this episode,
- 0:52Speaker 1: we get into Willy's Texas reinvention as the ultimate Outsider,
- 0:56Speaker 1: a metamorphosis from freak flag flyer to mainstream mainstein that
- 1:00Speaker 1: is rife with tales of drug smuggling arson in international
- 1:04Speaker 1: run ins with Johnny Law. We also get into his
- 1:07Speaker 1: association with grifters, con men, and thieves and how that
- 1:10Speaker 1: led not only to one of the most publicized busts
- 1:12Speaker 1: of a superstar in the twentieth century, but also to
- 1:16Speaker 1: an extended family fueled by karma and loyalty. This is
- 1:20Speaker 1: a story about how some of the greatest music of
- 1:22Speaker 1: the twentieth century, not just country music, was made by
- 1:26Speaker 1: a man who did what he damn well pleased because
- 1:29Speaker 1: he simply couldn't do anything else Unlike that music. I
- 1:32Speaker 1: played few at the top of the show that wasn't
- 1:35Speaker 1: great music. That was a preset loop for my melotron
- 1:39Speaker 1: called Boots and Cats MK one. I played you that
- 1:43Speaker 1: clip because I can't afford the rights to Ice Ice
- 1:47Speaker 1: Baby by Vanilla Ice. And why would I play you
- 1:50Speaker 1: that specific slice of queen bassline stealing cheese? Could I
- 1:54Speaker 1: afford it? Because that was the number one song in
- 1:58Speaker 1: America on November Nintheen ninety And that was the day
- 2:02Speaker 1: that federal agents placed Willie Nelson under arrest, officially turning
- 2:06Speaker 1: him from a superstar to an outlaw. On this the
- 2:10Speaker 1: second chapter of a special two part episode Outlaws and Outsiders, Grifters,
- 2:15Speaker 1: con Men and Thieves, Drugs, Arson, Johnny Law, and Willie Nelson.
- 2:20Speaker 1: I'm Jake Brennan, and this is Disgraceland. Willie Nelson was
- 2:44Speaker 1: a deadbeat, a lawbreaker, a modern day desperado. He owed
- 2:49Speaker 1: Uncle Sam something like fifteen million dollars. His tour bus
- 2:53Speaker 1: had the word hempmobile written on the side. And this
- 2:56Speaker 1: is in nineteen ninety, when marijuana was still one hundred
- 2:59Speaker 1: percent of the league to possess, even in small quantities.
- 3:02Speaker 1: He was practically begging to be put into handcuffs. He
- 3:06Speaker 1: surrounded himself with con artists and thieves, and that's so
- 3:09Speaker 1: called extended family staged a series of farm Maide benefit
- 3:13Speaker 1: concerts that forced the US government to cancel cutting back
- 3:16Speaker 1: aid to farmers. It made the government look like fools
- 3:20Speaker 1: while he, that shitkicking shit heel country singer was the
- 3:23Speaker 1: one getting all the love, and when it came to love,
- 3:26Speaker 1: Willie had none for his country. He sympathized with cop
- 3:30Speaker 1: killers and that shootout on the Pine Ridge Reservation in
- 3:33Speaker 1: South Dakota, the one that left two FBI agent instead
- 3:37Speaker 1: Willian Nelson made his true allegiance known when he performed
- 3:39Speaker 1: a benefit concert not for the fallen g men, but
- 3:42Speaker 1: for Leonard Peltier, the Native American who allegedly pulled the trigger.
- 3:46Speaker 1: Willie Nelson served a different master, and now he was
- 3:50Speaker 1: going to get what he deserved. The FEDS were going
- 3:52Speaker 1: to enjoy giving it to him as well. They were
- 3:55Speaker 1: going to savor every minute of this moment, and they
- 3:57Speaker 1: began the long, slow walk across the to where Willie
- 4:00Speaker 1: Nelson was playing nine holes. Willie teed up another ball
- 4:05Speaker 1: and looked out over Perdanelle's country Club, the seventy six
- 4:08Speaker 1: acre property in Travis County, Texas he purchased eleven years
- 4:11Speaker 1: earlier in nineteen seventy nine. He saw the agents striding
- 4:15Speaker 1: across the green from a distance. Before we took his swing,
- 4:19Speaker 1: he told his latest favorite joke, what's the difference between
- 4:23Speaker 1: an IRS agent and a whore? A whore will quit
- 4:25Speaker 1: fucking you after you're dead. Willy's friends laughed, but their
- 4:29Speaker 1: smiles soon faded as the Feds got closer. This wasn't
- 4:33Speaker 1: a laughing matter, so serious shit was about to go down.
- 4:36Speaker 1: His friends felt around for the pieces stashed in their
- 4:39Speaker 1: belts and pockets. Willie told them all to chill. This
- 4:42Speaker 1: wasn't the time to make a stand or to make
- 4:44Speaker 1: a scene. He hit the golf ball with his nine
- 4:47Speaker 1: iron and exuded that patent had laid back. Vibe calm,
- 4:50Speaker 1: cool collected, and the agents were within earshot. Now one
- 4:55Speaker 1: flashed a badge. Willie Nelson, he asked, and then with
- 4:59Speaker 1: a smirks said You're under arrest. Nineteen seventy three, Austin, Texas.
- 5:08Speaker 1: Bobby Hedderman, the guy who booked the shows that the
- 5:10Speaker 1: Armadillo World Headquarters, or the Dillo as the locals called it,
- 5:14Speaker 1: was losing his patience. He was still sore about how
- 5:17Speaker 1: his staff had been treated at Willy Nelson's Fourth of
- 5:19Speaker 1: July Picnic, a music festival that was held that summer,
- 5:22Speaker 1: bossed around by guys carrying knives on their hips and
- 5:24Speaker 1: pistols jammed in their socks, and that kind of bad
- 5:27Speaker 1: mojo only made the divide between the Rednecks and the
- 5:29Speaker 1: hippies worse, and now it was jeopardizing Willy's relationship with
- 5:33Speaker 1: the venue he'd been playing for almost a year. You
- 5:36Speaker 1: got to control your friends, Bobby told Willie. I cannot
- 5:38Speaker 1: them pushing around the staff and packing heat in the building.
- 5:41Speaker 1: Bobby had a point. The Dilo wasn't some old timey saloon.
- 5:44Speaker 1: It was more film wore East than the wild wild West.
- 5:48Speaker 1: Willie could get behind all that. Life wasn't so black
- 5:51Speaker 1: and white. It was a little good and a little
- 5:53Speaker 1: bad in everyone, and life was also short. So Willie
- 5:56Speaker 1: Nelson was going to do what he wanted, even if
- 5:59Speaker 1: that meant no more shows at the Dillo. It was cool.
- 6:03Speaker 1: You go your way and I go mine. Life goes on,
- 6:06Speaker 1: especially in Austin. Austin was unlike the rest of Texas.
- 6:12Speaker 1: Austin was weird and they kept it that way. Its
- 6:15Speaker 1: politics were progressive, and so was its music. Austin wasn't
- 6:19Speaker 1: just a country town stuck in the Cepia tone passed.
- 6:22Speaker 1: It was ground zero for the blues and R and
- 6:24Speaker 1: B Kunto and Diana in some far fucking out rock
- 6:28Speaker 1: and roll. Austin was Rocky Erickson taking the elevator to
- 6:31Speaker 1: the thirteenth floor. Austin was Towns van Zan living for
- 6:35Speaker 1: the sake of the song. Austin was Doug Som, living
- 6:38Speaker 1: off mushrooms and alapanos. Austin fit Willie Nelson like one
- 6:42Speaker 1: of the faded, well worn T shirts he had taken
- 6:44Speaker 1: to wearing. And when he moved back to Texas following
- 6:47Speaker 1: the fire at his ranch outside Nashville, the one where
- 6:50Speaker 1: he heroically saved two pounds of grass and his trusty
- 6:53Speaker 1: guitar trigger, it felt like a major chapter of his
- 6:56Speaker 1: life had closed. It also felt like he had failed
- 6:58Speaker 1: at doing what he had set out to do. He
- 7:01Speaker 1: was pushing forty years old, and though the royalty checks
- 7:04Speaker 1: for his songs Crazy and Hello, Walls were still rolling in,
- 7:07Speaker 1: he hadn't penned a top ten hit in a decade.
- 7:10Speaker 1: His career as a performer was faring even worse. Liberty
- 7:13Speaker 1: Records didn't know what to do with him, and neither
- 7:16Speaker 1: did RCA. He didn't last long at either label. To
- 7:19Speaker 1: succeed in Nashville, you had to conform, and Willie Nelson
- 7:23Speaker 1: just wasn't the conforming type. In Austin, he could be improper,
- 7:27Speaker 1: none of this fancy showbish. Nashville could keep the nuty
- 7:30Speaker 1: suits and string ties and Austin chaos rolled. As long
- 7:33Speaker 1: as the chaos was laid back. You grew your hair up,
- 7:36Speaker 1: let your beard get good, and wily, wrap a red
- 7:38Speaker 1: bandana around your head, and no one was going to
- 7:40Speaker 1: say shit. This may seem quaint now in twenty twenty three,
- 7:45Speaker 1: but fifty years ago, in nineteen seventy three, Willie Nelson
- 7:49Speaker 1: was the ultimate outlaw on a scene full of outsiders,
- 7:52Speaker 1: just like his pals Waylan Merle and Chris. The way
- 7:55Speaker 1: they look, the music they played, the focks they didn't
- 7:57Speaker 1: give not everyone understood it did. Like Atlantic Records. Jerry Wexler,
- 8:02Speaker 1: the guy responsible for, among other things, reinventing the careers
- 8:06Speaker 1: of Ray Charles and Aretha Franklin at do or Die
- 8:08Speaker 1: moments and in their creative lives. There wasn't a living
- 8:11Speaker 1: ass at Atlantic. The k new country music er was interested
- 8:14Speaker 1: in it, Wexler later said. But he knew it and
- 8:16Speaker 1: it interested him, so he took the gamble as he
- 8:19Speaker 1: often did, and established a country division at the label,
- 8:22Speaker 1: and not just any country division like Austin Atlantic's idea
- 8:26Speaker 1: country music would be different. Doug Son was an easy get,
- 8:29Speaker 1: but signing Willy felt like that now the best kept
- 8:31Speaker 1: secret in the lone star state. First, Wexler brought Willy
- 8:36Speaker 1: to New York where he made Shotgun Willie, which, for
- 8:38Speaker 1: all intents and purposes, was the first truly brilliant album
- 8:42Speaker 1: of his career. Imagine that Willie Nelson was forty years
- 8:46Speaker 1: old before he released a stone cold classic LP. Next,
- 8:50Speaker 1: Wexer took Willy to Muscle Shoals, where he made Phases
- 8:53Speaker 1: and Stages, a song cycle about divorce, with the legendary
- 8:56Speaker 1: Swapper's rhythm section backing him up. The performances on VOE.
- 9:00Speaker 1: Both records were fast and loose. They were as relaxed
- 9:03Speaker 1: and comfortable as Willy's New Austin State of Mind. But
- 9:06Speaker 1: although Jerry Wexler's Gamble breathed new life into Willie Nelson
- 9:09Speaker 1: the performer, the records didn't sell enough to justify a
- 9:12Speaker 1: country outpost at Atlantic Records. The label shut it down.
- 9:16Speaker 1: Columbia Records was quick on the rebound. Columbia was still
- 9:20Speaker 1: pissed at Wexer in Atlantic Chris stealing Aretha from them
- 9:22Speaker 1: back in the sixties, and this was karma. It was deliberate,
- 9:26Speaker 1: and with the help of Willy's new manager, Willie's new
- 9:28Speaker 1: deal with Columbia was unprecedented. For the first time in
- 9:31Speaker 1: his professional life, Willie Nelson had complete creative control, so
- 9:36Speaker 1: he did what he wanted. WILLI had an idea for
- 9:38Speaker 1: a new record based on an old song that he
- 9:40Speaker 1: used to spin when he was a DJ. The album
- 9:43Speaker 1: would tell the story of a preacher who comes home
- 9:45Speaker 1: to find that his wife has been unfaithful. The preacher
- 9:48Speaker 1: murders his wife and her lover in a fit of
- 9:50Speaker 1: blind rage, and then wanders from town to town as
- 9:53Speaker 1: a fugitive He told his band to lay back, cool out,
- 9:56Speaker 1: play what you feel. Their performances sounded like how you
- 9:59Speaker 1: feel when he took a super big hit at Columbian Grass.
- 10:03Speaker 1: When Red Headed Stranger was released in the spring of
- 10:06Speaker 1: nineteen seventy five, Columbia was worried that they'd made a
- 10:09Speaker 1: huge mistake. This wasn't the sound of Willy's shit hot
- 10:12Speaker 1: live band. This was sparse and strange. Billy Cheryl, the
- 10:16Speaker 1: Nashville producer who helped to find the country Politan sound,
- 10:19Speaker 1: was blunter than most. He said, it sucked. What the
- 10:23Speaker 1: shit did some corporate suits in New York and Billy
- 10:25Speaker 1: fucking Cheryl know about what was happening In Austin, Willy
- 10:28Speaker 1: was preparing to stage his third annual Fourth of July
- 10:31Speaker 1: picnic on a day that Texas Senate have proclaimed would
- 10:33Speaker 1: be officially known as Willie Nelson Day. Blue Eyes Crying
- 10:37Speaker 1: in the Rain, Red Headed Stranger's first single, sat at
- 10:40Speaker 1: number one on the Billboard Country Chart. Willie played Doug
- 10:43Speaker 1: Weston's Troubadour in West Hollywood while Paul McCartney and Bob
- 10:46Speaker 1: Dylan watched from the audience. The following March in nineteen
- 10:50Speaker 1: seventy six, Red Headed Stranger was certified gold. Scuffles with
- 10:55Speaker 1: Bobby Hederman at the Dillo were disparaging remarks of the
- 10:58Speaker 1: Nashville elite. These were the last things on Willie Nelson's mind.
- 11:02Speaker 1: Austin made really weird. It made him an outsider, but
- 11:06Speaker 1: it also made him a star. They're weirdos, outsiders, stars.
- 11:10Speaker 1: They all share one thing in common. They do whatever
- 11:12Speaker 1: the fuck they want. The Feds didn't even let Willie
- 11:43Speaker 1: Nelson finishes around at golf. They wanted it all, and
- 11:46Speaker 1: they wanted it now, jewels, pricess artwork, luxury cars. But
- 11:51Speaker 1: first they take whatever cash was in the safe. Willie
- 11:54Speaker 1: walked them inside the Pedernawis Clubhouse, which he converted into
- 11:58Speaker 1: a recording studio, and the dial on the safe to
- 12:01Speaker 1: enter the combination, and swung the door open. The Feds
- 12:04Speaker 1: couldn't believe what they weren't seeing. It was empty. Where
- 12:08Speaker 1: is it? They asked, where's all the money? The money
- 12:11Speaker 1: was with Willie Nelson's people always had been, not just
- 12:15Speaker 1: the musicians on his payroll, or his ex wives or
- 12:18Speaker 1: his current wife or his children. They were bus drivers
- 12:21Speaker 1: to pay stage managers, lighting directors, bodyguards, and groundskeepers and
- 12:24Speaker 1: golf pros and receptionists, nephews and half brothers and friends
- 12:28Speaker 1: and friends of friends, and business advisors and attorneys and
- 12:30Speaker 1: other musicians who were cool and technically didn't have jobs,
- 12:33Speaker 1: but were allowed to live rent free on these breathtaking
- 12:36Speaker 1: rolling hills just eight miles away from Austin. Some said
- 12:42Speaker 1: it was too many people. The dishonest people fleeced Willy
- 12:45Speaker 1: on the regular, but even dishonest people could be loyal,
- 12:48Speaker 1: and loyalty was key in a time of need. I
- 12:50Speaker 1: know they're stealing from me, Willy said, but at least
- 12:53Speaker 1: I know who they are. They have families to feed too.
- 12:56Speaker 1: I could clean them out. I get a whole new set,
- 12:57Speaker 1: and then I wouldn't know who they are. That came
- 13:00Speaker 1: down to it, Willie Nelson didn't mind getting conned as
- 13:03Speaker 1: long as he knew that the guy doing the conning
- 13:05Speaker 1: had his back. Stick your head out the window and
- 13:12Speaker 1: I'll blow it off. Geno mccoslin was waving his pistol
- 13:16Speaker 1: at the cars as they crawled by. No one was
- 13:19Speaker 1: getting their money back. The investors, the other promoters, they
- 13:22Speaker 1: were all sol The box office receipts were gone, just
- 13:26Speaker 1: accept it. There were eighty thousand people here at ten
- 13:30Speaker 1: bucks ahead do the math Gino there had to be
- 13:33Speaker 1: cashed or recouped, didn't matter. Gino was running the show,
- 13:37Speaker 1: and Gino said it was gone, and now everyone else
- 13:40Speaker 1: needed to get gone too. So Gino waved his pistol
- 13:43Speaker 1: some more. Show's over, Get the fuck out. Nineteen seventy six, Gonzales, Texas.
- 13:51Speaker 1: Willie Nelson's fourth annual Fourth of July picnic didn't go
- 13:54Speaker 1: as planned. First, there was one hundred degree heat in
- 13:57Speaker 1: heavy rains. Someone drowned in a nearby stock The Bandido's
- 14:01Speaker 1: Motorcycle Club, who were hired to run security, gave off
- 14:04Speaker 1: serious altamont vibes as a strong arm of the crowd.
- 14:08Speaker 1: People were stabbed and set on fire. And at the
- 14:11Speaker 1: end of a long day and an even longer night,
- 14:13Speaker 1: after performances by George Jones, Bobby Bear, David allen Coe,
- 14:17Speaker 1: Billy Joe Shaver, Doug Som and Leon Russell, who is
- 14:19Speaker 1: eight am the next morning and they're out of time,
- 14:22Speaker 1: Willie didn't even get to play. But there was an
- 14:24Speaker 1: even bigger problem. Promoters were two hundred thousand dollars short
- 14:28Speaker 1: of breaking even maybe Geno mccauslyin knew where the money went,
- 14:32Speaker 1: and maybe he didn't. Willy didn't stress about it. Gino
- 14:35Speaker 1: was cool because Gino was loyal. Willie had known Gino
- 14:40Speaker 1: since way back. Gino promoted shows when Willi was a nobody.
- 14:44Speaker 1: Mucho's respect and trust. Willi never forgot that, just like
- 14:48Speaker 1: WILLI never forgot the other couple of fast talking Texans
- 14:50Speaker 1: who got in early on his ascendants. Those guys could
- 14:53Speaker 1: do whatever the fuck they wanted in Texas. Willi didn't
- 14:56Speaker 1: care if they were taking a little off the top
- 14:58Speaker 1: or even a lot. In fact, he expected some skimming.
- 15:02Speaker 1: Even the con artists had to earn a living, so
- 15:05Speaker 1: we let four guys handle Texas. He told his manager
- 15:08Speaker 1: not to worry about it, don't look too hard at
- 15:10Speaker 1: the bottom line. And there were no complicated contracts, no
- 15:13Speaker 1: red tape. They just had an understanding, an understanding they had.
- 15:17Speaker 1: Everyone benefited from Willy's altruistic ways, but no one benefited
- 15:22Speaker 1: more than Willi himself. And he didn't need a gun
- 15:25Speaker 1: in order to do what he wanted. He had other
- 15:27Speaker 1: guys for that. By nineteen seventy eight, Willie Nelson had
- 15:34Speaker 1: achieved an unprecedented level of success for a country artist.
- 15:38Speaker 1: His duet with Waylon Jennings Mamas, Don't let your Babies
- 15:41Speaker 1: go up to beat Cowboys, was a number one country
- 15:44Speaker 1: hit that crossed over to the Billboard Hot one hundred.
- 15:47Speaker 1: In his twenty second studio album, Stardust, a collection of
- 15:50Speaker 1: pop standards produced by his neighbor one time Stax house
- 15:54Speaker 1: band leader Booker T. Jones, was a smash. Willie liked
- 15:58Speaker 1: singing other people's songs. Writing was hard, Writing was Nashville.
- 16:03Speaker 1: Covers were half as hard to put together. Stardust didn't
- 16:07Speaker 1: leave the country charts for ten years straight. Now Willie
- 16:10Speaker 1: was on the cover of People magazine. He broke Frank
- 16:12Speaker 1: Sinatra's attendance record in Vegas. In fact, Old Blue Eyes
- 16:16Speaker 1: opened for Willie, not the other way around. His trademark
- 16:20Speaker 1: bandana and his guitar trigger were his iconic and easily
- 16:23Speaker 1: identifiable as the Nike Swooshe. Willie Nelson pulled this all
- 16:27Speaker 1: off in part by cutting down on the chaos. Chaos
- 16:31Speaker 1: set it once served to define the life of an
- 16:33Speaker 1: ousted outsider, now needed to be refined. In order to
- 16:36Speaker 1: push higher into the mainstream. Boundaries were set on drug use.
- 16:40Speaker 1: Cocaine was strictly prohibited. You're wired, You're fired was a
- 16:44Speaker 1: new mantra for Willy's posse. Weed was cool, and so
- 16:47Speaker 1: were uppers and downeries. WILLI knew all about needing help
- 16:50Speaker 1: to make it through the night, but coke was out.
- 16:52Speaker 1: People on coke and people on weed didn't mix, and
- 16:55Speaker 1: it turned gas paychecks into dust literally. Besides, Willie nelson
- 17:00Speaker 1: vibe was carefully constructed around one particularly legal substance, and
- 17:03Speaker 1: one substance only. Weed was a constant. It took the
- 17:08Speaker 1: edge off, made the world mellow and chill. The more
- 17:12Speaker 1: Willy smoked it, the more he realized how bad alcohol
- 17:15Speaker 1: had been for him in the past and how much
- 17:17Speaker 1: marijuana leveled him up. I don't smoke weed to get high,
- 17:21Speaker 1: he said. I smoke weed to get normal. But in
- 17:24Speaker 1: the late nineteen seventies, smoking weed wasn't normal. He was transgressive, devian, lawless,
- 17:30Speaker 1: and a word of Willy's outlaw behavior followed him around
- 17:33Speaker 1: like smoke from a roach. When Willy and his tour
- 17:35Speaker 1: made and fellow tutsi's regular Hank Cochran stepped off a
- 17:38Speaker 1: plane in the Bahamas, only to find their luggage missing,
- 17:41Speaker 1: Willie didn't sweat it. There were worse things in the
- 17:44Speaker 1: world than hanging out in paradise without a change of
- 17:46Speaker 1: clothes for a day or two. When he retrieved his
- 17:48Speaker 1: bags a few days later at the airport, Willy wasn't
- 17:51Speaker 1: greeted by an airline employee. He was greeted by the
- 17:54Speaker 1: badge of a customs agent. Shit. Probably should have just
- 17:57Speaker 1: let that suitcase go, but he was here now, a
- 18:00Speaker 1: big fucking star and a big fucking pickle. When the
- 18:03Speaker 1: agent held up a small baggy of grass, Willy knew
- 18:06Speaker 1: the one he was stashed in the pocket of a
- 18:08Speaker 1: pair of jeans and a suitcase. The Commonwealth of the
- 18:11Speaker 1: Bahamas didn't give a shit that Willy and Hank had
- 18:13Speaker 1: a tour to resume, so Willie Nelson's next stop was
- 18:16Speaker 1: a jail cell. But what happened then, well, Willie sure
- 18:21Speaker 1: did regret it, but he knew just what he was
- 18:23Speaker 1: going to do. He was gonna get drunk, even if
- 18:26Speaker 1: it was behind bars. The Bahamian government let Willy sweat
- 18:30Speaker 1: it out for a bit, then they decided they'd made
- 18:32Speaker 1: their point. A guard walked to Willie cell to deliver
- 18:35Speaker 1: the good news he was free. To go back home
- 18:38Speaker 1: as long as he never stepped foot in the Bahamas again.
- 18:41Speaker 1: But the guard unexpectedly found Willy already in a good mood.
- 18:44Speaker 1: Empty beer cans were scattered at his feet, a smile
- 18:47Speaker 1: plastered on his face. Later, when Willie Nelson met President
- 18:51Speaker 1: Jimmy Carter, he may have told him exactly how he
- 18:54Speaker 1: smuggled a six pack into a Bahamian jail cell. Or
- 18:57Speaker 1: maybe he didn't. Either way, President Carter when Willy told
- 19:00Speaker 1: him about his little dust up and paradise during a
- 19:02Speaker 1: dinner in which Willy was guest of honor at the
- 19:04Speaker 1: White House. President Carter was a fellow outsider, a peanut
- 19:08Speaker 1: farmer who was now leader of the Free World, and
- 19:11Speaker 1: like Willie, Carter didn't forget a favor. He didn't forget
- 19:14Speaker 1: friends like Willy, who had lent their talents to his
- 19:16Speaker 1: grassroots campaign. So at the White House, Willie dined, performed
- 19:21Speaker 1: in the rose Garden, and then he and his wife
- 19:23Speaker 1: retired to the Lincoln bedroom for the night, or so
- 19:26Speaker 1: he thought. In the middle of the night, there was
- 19:29Speaker 1: a knock at the doors. Willie got out of bed, quietly,
- 19:33Speaker 1: went to the door and opened it slowly. Chip President
- 19:37Speaker 1: Carter's twenty seven year old, lovable burnout son smiled at
- 19:40Speaker 1: Willy from the other side. He held a joint in
- 19:43Speaker 1: his hand. Chip led Willy through a series of hallways
- 19:46Speaker 1: and then up all the way to the roof of
- 19:48Speaker 1: the White House, and they sat down and looked at
- 19:50Speaker 1: the Washington Monument. Pennsylvania Avenue was lit up like a
- 19:54Speaker 1: Christmas tree, and Willie took a deep hit on the
- 19:56Speaker 1: joint and exhaled, while the President of the United States
- 19:59Speaker 1: slept somew were down below. No one was the wiser,
- 20:03Speaker 1: just the way Willy liked it. It was one thing
- 20:05Speaker 1: to be a household name, a star, to be loved
- 20:08Speaker 1: by many like Chip Carter, and targeted by others like
- 20:11Speaker 1: the Commonwealth of the Bahamas. But what bothered Willly was
- 20:15Speaker 1: what is safety? And thus the safety of his extended family,
- 20:18Speaker 1: the family he worked hard to support, was threatened. In
- 20:22Speaker 1: those moments, he got impulsive. In those moments, he went
- 20:26Speaker 1: into true outlaw mode. In those moments, Willie Nelson fought
- 20:30Speaker 1: fire with fire. We'll be right back after this. We're We're, We're.
- 20:44Speaker 1: Willie Nelson's old buddy Zeke, pulled his pickup up to
- 20:47Speaker 1: the pump Willy jumped out of the passenger's side and
- 20:49Speaker 1: grabbed the gas can from the truck bed. He filled
- 20:52Speaker 1: it up with five gallons of regular, while Zeke ran
- 20:54Speaker 1: inside for a complimentary book of matches. As he twisted
- 20:58Speaker 1: the cat back on the can, ought some more about
- 21:01Speaker 1: this centennial shit. It really pissed him off. Sure, he
- 21:05Speaker 1: played a fundraiser to help his hometown of Abbot, Texas,
- 21:07Speaker 1: celebrate his birthday, but he didn't ask for this. His
- 21:11Speaker 1: name in big bold letters on billboards over by Interstate
- 21:14Speaker 1: thirty five, the home of Willie Nelson, they read shit.
- 21:18Speaker 1: Abbot was still the one place where Willie could slip
- 21:20Speaker 1: back into the old days, be his old self. I'll
- 21:23Speaker 1: worry about being hounded by people, the good, the bad,
- 21:26Speaker 1: and the ugly, the ones that either wanted his autograph
- 21:28Speaker 1: or wanted to put his hands in a pair of cuffs.
- 21:31Speaker 1: He still signed autographs, every last one of them, and
- 21:34Speaker 1: he always would no matter how famous he got. But
- 21:37Speaker 1: this was a step too far. They may as well
- 21:39Speaker 1: have drawn a giant fucking arrow on those signs and written,
- 21:42Speaker 1: Willy is here, Willia and Zeke, We're gonna take care
- 21:45Speaker 1: of this. Like the couple of young at hard hell raisers.
- 21:47Speaker 1: They were they were going to burn those billboards to
- 21:50Speaker 1: the ground. Zeke and Willie went way back. Zeke was
- 21:55Speaker 1: the guy who showed Willy how the only way to
- 21:57Speaker 1: live was on the edge. Zeke taught Willie poker, and
- 22:00Speaker 1: our life wasn't much different than bluffing at a card table.
- 22:03Speaker 1: But this wasn't nineteen forty nine. This was nineteen eighty one.
- 22:07Speaker 1: Willy was forty eight years old, well on his way
- 22:10Speaker 1: to becoming the highest grossing concert act in the world,
- 22:12Speaker 1: and he was currently a tossing gasoline at the legs
- 22:15Speaker 1: of a huge billboard. They lit a match, the flames erupted,
- 22:20Speaker 1: the fire began to crackle at the base of the sign.
- 22:22Speaker 1: A wind blew in, the flames dimmed, and the fire
- 22:26Speaker 1: went out. They lit another match and tossed it and another.
- 22:30Speaker 1: Each time the flames started up again, and each time
- 22:33Speaker 1: they quickly died out. The longer Willi and Zeke stayed there,
- 22:36Speaker 1: the higher the chances were that the one cop car
- 22:38Speaker 1: and abbot would roll up and catch them in the act.
- 22:41Speaker 1: Sometimes life didn't let you go out on the edge,
- 22:43Speaker 1: no matter how hard he tried. The next morning, the
- 22:48Speaker 1: billboarder was burning again, only this time it was really burning.
- 22:52Speaker 1: Abbot PD arrested a local kid. Willy didn't know if
- 22:55Speaker 1: the kid had finished what Willy started or if the
- 22:57Speaker 1: billboard simply started burning again. In this sport had a
- 23:00Speaker 1: reputation bad enough to be the scapegoat. Either way, Willy
- 23:04Speaker 1: wasn't about to let some kid take the fall. He
- 23:06Speaker 1: called the station. I was the one who burned the
- 23:09Speaker 1: fucking sign, he said. The town accepted his confession, as
- 23:15Speaker 1: well as the logic that the billboard was his to
- 23:17Speaker 1: burn since he funded it. Abbot didn't have the heart
- 23:20Speaker 1: to argue with its most famous son, but not everyone
- 23:22Speaker 1: in Abbot was about to give Willie Nelson a free pass,
- 23:25Speaker 1: especially when it came to murder. Margie Lundy was an
- 23:32Speaker 1: old pal. She owned a honky tonk called the night
- 23:35Speaker 1: Owl just south of Abbot years back. The night Owl
- 23:38Speaker 1: was one of the few places you could catch at
- 23:40Speaker 1: Willi nelson gig before Nashville or the rest of the
- 23:42Speaker 1: world knew who the hell he was. Margie Lundy had
- 23:45Speaker 1: Willie's respect and his loyalty, so when she was arrested
- 23:49Speaker 1: and charged with the murder of her brother in law,
- 23:51Speaker 1: Willie didn't hesitate to testify on her behalf as a
- 23:54Speaker 1: character witness. She said she killed the guy in self defense,
- 23:57Speaker 1: and Willie believed her. If Margie killed them, WILLI told
- 24:01Speaker 1: the jury he must have had it coming. The prosecutor
- 24:04Speaker 1: didn't hide his contempt for Willie. What kind of witness
- 24:06Speaker 1: was this guy anyway? A dope smoker, a womanizer, an arsonist.
- 24:11Speaker 1: In the end, the jury agreed with Willie and with Margie.
- 24:15Speaker 1: Authority figures like the prosecuting attorney just didn't see how
- 24:18Speaker 1: to eye with Willie Nelson, and that was okay because
- 24:21Speaker 1: the feeling was mutual. Nineteen ninety Petronawis Country Club, Texas.
- 24:30Speaker 1: Seeing as there was no cash in the safe, the
- 24:32Speaker 1: feds took everything else, framed gold and platinum records, spools
- 24:36Speaker 1: of recording tape, golf cards, photographs. They padlocked the whole place.
- 24:40Speaker 1: They seized luck the phony western town built on Willy's
- 24:43Speaker 1: property for the nineteen eighty five movie adaptation of Redheaded Stranger.
- 24:47Speaker 1: They seized Willie's assets in California, Hawaii, Alabama, and then
- 24:52Speaker 1: they put everything on the auction block. Everything but trigger.
- 24:56Speaker 1: Willy's trusty guitar was the only thing he couldn't stand
- 24:59Speaker 1: to lose. And exactly how did Willy's most quintessential valuable
- 25:04Speaker 1: assets stay out of the hands of the Feds. That
- 25:06Speaker 1: was a trade secret, a trick Willy learned early on
- 25:09Speaker 1: in life. It was a bluff at the poker table.
- 25:12Speaker 1: It was how he was able to smuggle a six
- 25:13Speaker 1: pack into the Behamian prison cell, or how Gino mccauslin
- 25:17Speaker 1: and the boys were able to make thousands of dollars
- 25:19Speaker 1: disappear from the till everything else was just stuff. Willie
- 25:22Speaker 1: had come from nothing once before. He could do it again.
- 25:26Speaker 1: So he got himself out of the jam with the Irs,
- 25:29Speaker 1: the way he got himself out of every other jam
- 25:31Speaker 1: in his life with his music. With Trigger. In the
- 25:35Speaker 1: summer of nineteen ninety one, Willy released the IRS tapes
- 25:39Speaker 1: Who Will Buy My Memories, a two CD set featuring
- 25:42Speaker 1: just Willy and his guitar playing some of the biggest
- 25:44Speaker 1: songs of his career. Maybe you saw commercials for the
- 25:47Speaker 1: album on TV. You could only order it over the phone.
- 25:50Speaker 1: It was probably the first and only album ever recorded
- 25:53Speaker 1: with the sole purpose of being a revenue stream for
- 25:55Speaker 1: the federal government, and by nineteen ninety three. Following sales
- 25:59Speaker 1: of the Double Disc and auctions of his belongings, the
- 26:02Speaker 1: Irs declared Willie's debt officially settled. He should have been
- 26:06Speaker 1: left with next to nothing, But Willie Nelson was a
- 26:08Speaker 1: man who led a life by karma. It was loyal
- 26:11Speaker 1: to those around him, no matter if the rest of
- 26:13Speaker 1: society viewed them as bad people. His friends, his fans,
- 26:17Speaker 1: his extended family. The farmers at the federal government had forsaken,
- 26:20Speaker 1: and that Willy helped year after year with farm aid.
- 26:23Speaker 1: There were nothing if not loyal. They bid on many
- 26:26Speaker 1: of the items on the auction block and made sure
- 26:28Speaker 1: that when the dust settled, Willy got back what he deserved.
- 26:31Speaker 1: And then he got back to doing what he did, singing, touring.
- 26:34Speaker 1: He was busy, as busy as he'd ever been, just trying,
- 26:38Speaker 1: as he so modestly put it, to pay the rent
- 26:40Speaker 1: and keep the lights on. It was all he knew.
- 26:42Speaker 1: It was therapeutic. It helped him forget about the things
- 26:45Speaker 1: he didn't want to think about. His mind was full
- 26:48Speaker 1: of other things, other people, including someone who needed help.
- 26:52Speaker 1: But the one time Willy wasn't able to give it.
- 27:16Speaker 1: Don't call him Willie, call him Billy. Billy was his
- 27:20Speaker 1: own man. He wanted to be known for his own accomplishments.
- 27:23Speaker 1: He could sing, he could raise hell, and he could
- 27:25Speaker 1: do both without holding on to his daddy's coat tails.
- 27:28Speaker 1: But wherever he went, they all said the same thing,
- 27:32Speaker 1: there goes Willy Nelson's boy. Billy Nelson was the third
- 27:36Speaker 1: of Willie Nelson's seven children. Like his father, Billy was
- 27:40Speaker 1: a musician, but his addictions were always landing him in trouble,
- 27:43Speaker 1: and his dad was frequently coming to the rescue. Not
- 27:46Speaker 1: physically because Willie was off and away from home on
- 27:49Speaker 1: the road doing what he had to do to pay
- 27:51Speaker 1: the rent, but he helped financially, like when Billy's condo
- 27:54Speaker 1: at the ped Andales Country Club was burned to the
- 27:56Speaker 1: ground as a result of a blotch drug deal. Willy
- 27:59Speaker 1: had the place and gave Billy fifty grand to get
- 28:01Speaker 1: a shit together. But Willy wasn't always able to help,
- 28:05Speaker 1: especially not in nineteen ninety one when every last cent
- 28:07Speaker 1: he made was funneled directly to the irs. Billy, at
- 28:11Speaker 1: the time was at a tailspin. He still wasn't over
- 28:14Speaker 1: his mother's death from two years earlier. He was heartbroken
- 28:17Speaker 1: when his wife left him and took their only daughter.
- 28:19Speaker 1: He was arrested four times for drunk driving. He was broke.
- 28:23Speaker 1: His famous father had fallen from grace. In the eyes
- 28:25Speaker 1: of many. Willy's tax was turned him into a punchline
- 28:28Speaker 1: on late night talk shows. All Billy had was the
- 28:32Speaker 1: solace of that old plot of family land out in Ridgetop, Tennessee.
- 28:36Speaker 1: Ridgetop was full of good memories of his mom, his sisters,
- 28:39Speaker 1: his aunt Bobby Lee and Paul English, who kept his
- 28:41Speaker 1: daddy's worlds. He checks coming in steady. Everyone had what
- 28:45Speaker 1: they wanted, no one went without. Life was simpler then.
- 28:52Speaker 1: It was at Ridgetop that Billy Nelson was found on
- 28:55Speaker 1: Christmas of nineteen ninety one, almost twenty one years to
- 28:59Speaker 1: the day since the house fire that served as the
- 29:01Speaker 1: catalyst for his father's return to Texas. He was hanging
- 29:05Speaker 1: from the ceiling of his log cabin home, a cord
- 29:07Speaker 1: wrapped around his neck. He was thirty three. Willie was
- 29:12Speaker 1: devastated for a parent to lose their child. The pain
- 29:16Speaker 1: and sorrow Willy wrote about when he was his son's age,
- 29:19Speaker 1: none of it compared to this, The ache, the misery,
- 29:22Speaker 1: It was like part of him was gone. It was unbearable.
- 29:26Speaker 1: Willie found no solace in spirituality. He'd long believed that
- 29:30Speaker 1: death was not the end, that after your body dies,
- 29:33Speaker 1: some part of you, your soul, your consciousness, your spirit,
- 29:36Speaker 1: lives on. He hoped that believing in reincarnation would make
- 29:40Speaker 1: grieving a loved one's death easier. But when it came
- 29:43Speaker 1: down to it, when it was time to put that
- 29:45Speaker 1: theory to the test in the real world, believing or
- 29:48Speaker 1: not believing it didn't do a damn thing. There was
- 29:51Speaker 1: only one thing Willie Nelson could do. It felt good
- 29:57Speaker 1: to be on the road again. The road stretched out
- 30:00Speaker 1: the horizon. It took you far away from here. Sometimes
- 30:03Speaker 1: there were shows to play at the end of the road,
- 30:05Speaker 1: and other times there were records to cut. Johnny Cash,
- 30:08Speaker 1: Toby Keith, and Kenny Chesney were all waiting in various
- 30:11Speaker 1: city sure, but so was everyone. Toots in the may Tellers, Winter, Marsalis,
- 30:15Speaker 1: Fish Snoop DOGG, We're Can Go Star. Willie Nelson's extended
- 30:18Speaker 1: family was beholden to no one genre. On November twenty six,
- 30:22Speaker 1: twenty ten, the day after Thanksgiving, Willie Nelson was on
- 30:26Speaker 1: I ten, headed back to Austin from California. Around nine am,
- 30:30Speaker 1: his tor bus approached a border patrol checkpoint in Sierra Blanca, Texas.
- 30:35Speaker 1: The bus slowed down and came to a stop. This
- 30:39Speaker 1: was twenty years after the IRS bust and his bus
- 30:41Speaker 1: no longer read hepmobile on the side. But the authorities
- 30:44Speaker 1: still didn't like what the outlaw William Nelson stood for.
- 30:47Speaker 1: The dogs were first to board the bus. Their noses
- 30:50Speaker 1: led them right to it six ounces of weed. Willie
- 30:53Speaker 1: didn't deny that it was his. It's kind of surprising,
- 30:56Speaker 1: said the county sheriff, while seventy seventy year old Willie
- 30:59Speaker 1: Nelson sat behind borrows in a local jail. But we
- 31:02Speaker 1: treat him like everybody else. He could get one hundred
- 31:04Speaker 1: and eighty days, and if he does, I'm going to
- 31:06Speaker 1: make him cook and clean. Of course, Willie Nelson didn't
- 31:11Speaker 1: cook or clean for anyone. After the prosecutor ridiculously suggested
- 31:15Speaker 1: that he perform Blue Eyes Crying in the Rain in
- 31:17Speaker 1: lieu of a penalty, Willie Nelson paid a five hundred
- 31:20Speaker 1: and fifty dollars fine and walked away. It didn't sit
- 31:23Speaker 1: well with the judge. Anyone else would have been charged
- 31:27Speaker 1: with a felony, but not Willie Nelson. Willie Nelson walked
- 31:30Speaker 1: away from a possession charge in the Bahamas, he walked
- 31:33Speaker 1: away from an arson charge in his hometown. In the
- 31:36Speaker 1: eyes of the judge, the law made a habit of
- 31:38Speaker 1: look in the other way for Willie Nelson, and that
- 31:40Speaker 1: was not fair. So in twenty twelve the judge reopened
- 31:44Speaker 1: the case, and over ten years later, it remains open.
- 31:48Speaker 1: Over a decade after he was busted for six ounces
- 31:51Speaker 1: of weed, Willie Nelson, now eighty nine years old, remains
- 31:55Speaker 1: one of the most beloved men in popular music and
- 31:58Speaker 1: an outlaw in his home state of Texas. In that
- 32:02Speaker 1: would be a disgrace if it wasn't so badass, I'm
- 32:08Speaker 1: Jake Brennan in this this Disgraceland. Disgraceland was created by
- 32:27Speaker 1: Yours Truly and is produced in partnership with Double Elvis.
- 32:30Speaker 1: Credits for this episode can be found on the show
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- 33:16Speaker 1: Rock a Roller, He's the bed Don Man.