Latest / Drawn of History / Casey Rocket is Still Obsessed with Grimace(M4A_128K)

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Casey Rocket is Still Obsessed with Grimace(M4A_128K) · Drawn of History

• 0:00
  Speaker 1: I feel like I operated better as a person before
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  Speaker 1: technology got too bonkers because I used to like to
• 0:08
  Speaker 1: daydream even though a lot of it had dangerous Voldemortian
• 0:12
  Speaker 1: people in there. Even though there was a lot of
• 0:14
  Speaker 1: pillaging of our home in a lot of my daydreams,
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  Speaker 1: it was still like it was a chance for my
• 0:20
  Speaker 1: mind to rattle on a little. So my mind didn't
• 0:24
  Speaker 1: always feel like it was so attached to me. I
• 0:27
  Speaker 1: did like the time when you had more space Just
• 0:30
  Speaker 1: to kind of daydream and your mind got to like.
• 0:34
  Speaker 2: Yeah, you're right.
• 0:36
  Speaker 1: Exhale.
• 0:36
  Speaker 2: You know, I do that a lot when I'm driving.
• 0:38
  Speaker 2: So you're saying you would daydream in a way that
• 0:42
  Speaker 2: was like the last bastion of free speech for a
• 0:48
  Speaker 2: mind of... Cut this part out. Cut this fucking part out.
• 0:58
  Speaker 1: My shit would be pretty lit. Frederick Douglass would show
• 1:01
  Speaker 1: up at some of my daydreams.
• 1:02
  Speaker 2: Sure.
• 1:03
  Speaker 1: There was always someone at the pulpit.
• 1:05
  Speaker 2: Yeah.
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  Speaker 1: To let you know the type of energy that was there.
• 1:07
  Speaker 1: It was life or death. There were trials that were
• 1:09
  Speaker 1: going on. It was very Salem witchy and, you know. Oh, sure.
• 1:13
  Speaker 2: It was like the crucible. Keep that part.
• 1:15
  Speaker 1: Yeah. Yeah. It was like the crucible kind of meets
• 1:18
  Speaker 1: McDonald's kind of.
• 1:20
  Speaker 2: Sure. So Grimace was like judge, jury and executioner, which
• 1:24
  Speaker 2: he often is in so many of our afterlives as
• 1:27
  Speaker 2: I come to understand it. Grimace is like a Tulpa
• 1:30
  Speaker 2: and of he's like an amalgamation, like a transmogrification of St. Michael.
• 1:35
  Speaker 1: So is that what people are saying?
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  Speaker 2: Yeah, he's like a figurehead for like this demigod we
• 1:41
  Speaker 2: know as St.
• 1:42
  Speaker 1: Michael.
• 1:42
  Speaker 2: And when he lets you in, it is just a
• 1:44
  Speaker 2: big pool of creamy chili sauce.
• 1:47
  Speaker 1: Oh, good. I know I've prayed to him before for
• 1:50
  Speaker 1: new condiments.
• 1:53
  Speaker 2: That's him answering a prayer.
• 1:54
  Speaker 1: Okay, there you go, dude. But, dude, this is where
• 1:58
  Speaker 1: we're heading. People don't want to look at the signs that, like,
• 2:02
  Speaker 1: there are children who go to bed, and they wake
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  Speaker 1: up in the morning, and they'll have pissed the perfect
• 2:06
  Speaker 1: shape of grimace into their sheets. Like, moms are like, oh,
• 2:09
  Speaker 1: that's nothing. It's just 100 nights in a row of that. Like,
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  Speaker 1: nobody's connecting the dots of where we're going.
• 2:15
  Speaker 2: No, like, that you pissed the Shroud of Turin. Like,
• 2:19
  Speaker 2: you pissed a perfect, exact golem of... Things come to pass.
• 2:26
  Speaker 1: Dude, yeah. I know they cracked some kid open, and
• 2:29
  Speaker 1: he had 11 scenes from The Patriot with Mel Gibson
• 2:32
  Speaker 1: inside of him.
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  Speaker 2: And Heath Ledger.
• 2:34
  Speaker 1: Yeah, I know.
• 2:35
  Speaker 2: Yeah, well, it was my understanding it was just the
• 2:37
  Speaker 2: Gibson scenes. There was no Heath Ledger, which is like, okay,
• 2:40
  Speaker 2: what is this, the director's cut?
• 2:41
  Speaker 1: Yeah, what is this? And then he just screamed, aim small,
• 2:44
  Speaker 1: miss small, and disappeared into the ether. It's just where
• 2:48
  Speaker 1: we are. You mentioned– what do you want to say?
• 2:53
  Speaker 2: No, I'm just kind of just like coming to terms
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  Speaker 2: with some of that because it is– it's an absolute.
• 3:01
  Speaker 2: My will, like my will is greater than myself. I
• 3:05
  Speaker 2: have a higher purpose and some of that is grimace
• 3:07
  Speaker 2: like putting a kid in a wood chipper.
• 3:10
  Speaker 1: I remember when we were in school and some kids
• 3:12
  Speaker 1: didn't understand how the greater than or less than signs worked.
• 3:15
  Speaker 1: And we weren't allowed to kill those kids. And that
• 3:18
  Speaker 1: always kind of made me upset.
• 3:21
  Speaker 2: I don't know. I'm not even trying to get into
• 3:22
  Speaker 2: some of that stuff.
• 3:23
  Speaker 1: Yeah, facts.
• 3:24
  Speaker 2: I don't know my times tables.
• 3:26
  Speaker 1: Oh, yeah.
• 3:27
  Speaker 2: So what do we do? Where do we go from here?
• 3:29
  Speaker 1: You're right, dude. And it's weird if I'm willing to
• 3:31
  Speaker 1: give you a pass, but I'm not willing to give them,
• 3:33
  Speaker 1: you know?
• 3:34
  Speaker 2: Sure. Well, it's not a meritocracy, you know?
• 3:36
  Speaker 1: It isn't.