Transcript

Shrek 2 · Verbal Diorama

3:33
Hi,
3:33
everyone.
3:34
I'm
3:34
Em.
3:34
And
3:34
welcome
3:35
to
3:35
verbal
3:35
diorama.
3:36
Episode
3:37
286
3:39
Shrek
3:40
2
3:41
Shrek
3:42
2
3:44
Shrek
3:45
2
3:46
Shrak
3:47
2
3:50
Shrek
3:51
2
3:52
Shrek
3:53
2
3:55
this
3:55
is
3:55
the
3:55
podcast
3:56
that's
3:56
all
3:56
about
3:56
the
3:56
history
3:56
and
3:57
legacy
3:57
of
3:57
movies
3:58
yous
3:58
Know
3:58
and
3:58
movies
3:59
yous
3:59
don't
4:00
where
4:00
your
4:00
fallen
4:01
tears
4:01
have
4:01
called
4:02
to
4:02
me,
4:02
so
4:03
here
4:03
comes
4:03
my
4:04
sweet
4:04
remedy.
4:05
I
4:05
know
4:06
what
4:06
every
4:06
princess
4:07
needs
4:07
for
4:08
her
4:08
to
4:08
live
4:08
life
4:09
happily
4:11
with
4:12
Just
4:13
a
4:14
welcome
4:15
to
4:15
Verbal
4:15
Diorama
4:16
to
4:16
all
4:16
brand
4:16
new
4:17
listeners
4:17
of
4:17
this
4:18
podcast.
4:18
Welcome
4:19
back
4:19
regular
4:20
returning
4:20
listeners.
4:21
Whether
4:22
you've
4:22
come
4:22
all
4:22
the
4:22
way
4:23
from
4:23
far
4:23
far
4:23
away
4:24
or
4:25
you
4:25
just
4:25
live
4:26
locally,
4:27
thank
4:27
you
4:27
for
4:27
being
4:27
here.
4:28
Thank
4:28
you
4:28
for
4:28
choosing
4:28
to
4:28
listen
4:29
to
4:29
this
4:29
podcast.
4:30
I'm
4:30
so
4:30
happy
4:31
to
4:31
have
4:31
you
4:31
here
4:31
for
4:32
the
4:32
history
4:32
and
4:32
legacy
4:33
of
4:33
of
4:34
Shrek
4:34
2
4:35
and
4:35
as
4:35
part
4:36
of
4:36
that
4:36
welcome
4:37
to
4:37
Animation
4:37
Season
4:38
2025.
4:39
If
4:40
this
4:40
is
4:40
your
4:40
first
4:41
time
4:41
visiting
4:42
Animation
4:42
Season
4:43
2025,
4:44
there
4:44
have
4:45
been
4:45
four
4:46
movies
4:46
preceding
4:47
this
4:48
episode.
4:49
There
4:49
have
4:49
been
4:49
episodes
4:50
on
4:51
Turning
4:51
Red,
4:52
Encanto,
4:53
Paranorman,
4:54
and
4:54
the
4:54
Simpsons
4:55
Movie.
4:56
And
4:56
this
4:56
is
4:57
the
4:57
fifth
4:57
annual
4:57
animation
4:58
season.
4:58
It
4:58
is
4:59
a
4:59
celebration
5:00
of
5:00
of
5:00
animation
5:01
in
5:01
all
5:02
of
5:02
its
5:03
perfect,
5:03
wonderful
5:04
forms,
5:05
whether
5:05
that
5:05
is
5:06
traditional
5:06
2D
5:07
hand
5:07
drawn
5:07
animation,
5:08
stop
5:09
motion
5:09
animation,
5:10
or
5:11
CG
5:11
animation
5:12
and
5:12
animation
5:13
season
5:13
on
5:13
this
5:13
podcast
5:14
has
5:14
featured
5:15
some
5:15
of
5:15
the
5:15
greatest
5:16
and
5:16
most
5:17
well
5:17
known
5:17
animation
5:18
studios
5:18
of
5:18
all
5:19
time
5:19
like
5:20
Leica,
5:21
Aardman,
5:22
Disney
5:22
Dreamworks,
5:23
Sony
5:24
Animation,
5:25
Pixar
5:25
Studio,
5:26
Ghibli,
5:27
Cartoon
5:27
Saloon,
5:28
even
5:29
studios
5:29
that
5:30
are
5:30
no
5:30
longer
5:30
with
5:30
us
5:31
like
5:31
Fox
5:32
Animation,
5:32
Blue
5:32
Sky
5:33
Studios
5:34
and
5:34
Don
5:34
Blue
5:35
Studios.
5:36
Animation.
5:37
It's
5:37
not
5:37
just
5:37
for
5:38
children
5:39
animation.
5:40
It's
5:40
not
5:40
a
5:40
genre.
5:41
Animation
5:42
is
5:43
the
5:43
perfect
5:43
art
5:44
form.
5:44
It
5:44
is
5:44
capable
5:45
of
5:45
depicting
5:45
anything
5:46
and
5:46
anyone.
5:47
Whether
5:48
you
5:48
are
5:48
an
5:48
ogre,
5:49
whether
5:49
you
5:49
are
5:49
a
5:50
princess,
5:51
whether
5:51
you
5:51
are
5:51
a
5:51
donkey,
5:53
there
5:53
are
5:53
no
5:53
limitations.
5:54
You
5:54
can
5:55
get
5:55
away
5:55
with
5:55
anything
5:56
in
5:57
Animation
5:58
and
5:58
Animation
5:59
Season.
5:59
That's
6:00
why
6:00
it's
6:00
here.
6:00
It's
6:01
here
6:01
to
6:02
highlight
6:02
these
6:03
incredible
6:03
animated
6:04
films
6:04
that
6:05
you
6:05
may
6:05
know
6:06
that
6:06
you
6:06
may
6:07
not,
6:07
or
6:07
that
6:08
you
6:08
may
6:08
have
6:08
discounted
6:09
for
6:09
whatever
6:10
reason.
6:11
But
6:12
animation
6:13
is
6:13
so
6:13
important
6:14
and
6:14
it's
6:15
one
6:15
of
6:15
those
6:15
art
6:15
forms
6:16
that
6:16
I
6:16
absolutely
6:17
love
6:17
talking
6:17
about
6:17
on
6:18
this
6:18
podcast.
6:18
So
6:19
I
6:19
hope
6:19
that
6:19
you
6:20
will
6:20
indulge
6:20
in
6:21
some
6:21
of
6:21
the
6:21
other
6:21
animated
6:22
treasures
6:23
this
6:23
animation
6:23
season
6:24
and
6:24
I
6:24
hope
6:25
that
6:25
you
6:25
will
6:25
enjoy
6:26
this
6:26
episode.
6:27
Huge
6:28
thanks
6:28
to
6:28
everyone
6:28
who
6:29
listens
6:29
to
6:29
this
6:29
podcast
6:30
and
6:31
really
6:31
who
6:31
has
6:32
continued
6:32
to
6:32
listen
6:33
and
6:33
support
6:33
this
6:33
podcast.
6:34
This
6:35
podcast
6:35
has
6:35
been
6:35
going
6:36
six
6:36
years,
6:36
very
6:36
almost
6:37
very
6:38
soon.
6:38
It
6:38
is
6:38
the
6:39
sixth
6:39
birthday
6:39
of
6:39
this
6:39
podcast.
6:40
I'm
6:40
going
6:40
to
6:40
be
6:40
talking
6:41
about
6:41
that
6:41
a
6:41
little
6:41
bit
6:42
later
6:42
on
6:42
in
6:42
this
6:42
episode.
6:43
But
6:44
this
6:44
podcast
6:44
has
6:45
been
6:45
going
6:45
for
6:45
that
6:45
long.
6:46
It
6:46
would
6:47
not
6:47
have
6:47
been
6:47
going
6:47
for
6:47
that
6:48
long
6:48
without
6:48
the
6:49
support
6:49
of
6:50
the
6:50
listeners
6:50
of
6:50
this
6:51
podcast.
6:51
So
6:51
I
6:51
am
6:52
so
6:52
grateful
6:53
to
6:53
you
6:53
all.
6:53
Whether
6:53
this
6:54
is
6:54
your
6:54
first
6:54
episode,
6:55
whether
6:55
this
6:55
is
6:56
your
6:56
100th
6:56
episode,
6:57
it
6:57
doesn't
6:58
matter.
6:58
I'm
6:58
so
6:58
grateful
6:59
to
6:59
you
6:59
and
7:00
I'm
7:00
so
7:00
grateful
7:00
to
7:01
you
7:01
for
7:01
listening.
7:02
And
7:02
it's
7:03
been
7:03
over
7:03
200
7:04
episodes
7:06
since
7:06
I
7:06
did
7:06
an
7:07
episode
7:07
on
7:08
the
7:08
original
7:09
Shrek.
7:09
This
7:10
means
7:11
that
7:11
this
7:11
particular
7:12
episode
7:13
holds
7:13
the
7:13
record
7:13
for
7:14
the
7:14
biggest
7:14
gap
7:15
between
7:15
a
7:15
first
7:16
and
7:16
second
7:17
movie
7:17
on
7:17
this
7:18
podcast.
7:19
Shrek
7:19
was
7:20
episode
7:20
79.
7:22
This
7:22
is
7:23
286.
7:25
There's
7:25
no
7:25
particular
7:26
reason
7:26
why,
7:27
Just
7:27
that
7:27
there's
7:28
a
7:28
lot
7:28
of
7:29
other
7:29
movies
7:29
to
7:29
get
7:29
through,
7:30
I
7:30
guess.
7:31
But
7:32
it
7:32
is
7:32
widely
7:33
considered
7:33
by
7:33
many
7:34
to
7:34
be
7:34
one
7:34
of
7:35
the
7:35
best
7:35
sequels
7:36
ever.
7:36
And
7:37
good
7:37
things
7:37
come
7:38
to
7:38
those
7:38
who
7:38
wait.
7:39
You
7:39
don't
7:39
have
7:39
to
7:40
travel
7:40
to
7:40
Far
7:40
Far
7:41
Away
7:41
to
7:41
get
7:42
to
7:42
this
7:42
episode.
7:43
Well,
7:44
this
7:44
fairy
7:44
godmother,
7:45
though,
7:45
is
7:46
all
7:46
in
7:46
it
7:46
for
7:47
herself.
7:48
Here's
7:48
the
7:48
trailer
7:49
for
7:49
Shrek
7:50
2.
10:12
Once
10:13
upon
10:13
a
10:13
time,
10:14
in
10:14
a
10:14
kingdom
10:15
far,
10:15
far
10:15
away,
10:16
the
10:16
King
10:17
and
10:17
Queen
10:17
were
10:17
blessed
10:18
with
10:18
a
10:18
beautiful
10:19
baby.
10:19
Girl.
10:20
And
10:20
throughout
10:21
the
10:21
land
10:21
everyone
10:22
was
10:22
happy.
10:23
Until
10:23
the
10:23
sun
10:23
went
10:24
down
10:24
and
10:24
they
10:25
saw
10:25
that
10:25
their
10:25
daughter
10:26
was
10:26
cursed
10:26
with
10:27
a
10:27
frightful
10:27
enchantment
10:28
that
10:29
took
10:29
hold
10:29
each
10:29
and
10:30
every
10:30
night.
10:31
Desperate,
10:32
they
10:32
sought
10:32
the
10:33
help
10:33
of
10:33
a
10:33
fairy
10:34
godmother
10:34
who
10:35
had
10:35
them
10:35
lock
10:35
the
10:36
young
10:36
princess
10:36
away
10:37
in
10:37
a
10:37
tower,
10:38
there
10:38
to
10:38
await
10:38
the
10:39
kiss
10:39
of
10:39
the
10:39
handsome
10:40
Prince
10:40
Charming.
10:41
It
10:42
was
10:42
he
10:42
who
10:42
would
10:43
chance
10:43
the
10:43
perilous
10:44
journey
10:44
through
10:45
blistering
10:45
cold
10:46
and
10:46
scorching
10:47
desert,
10:47
travelling
10:48
for
10:48
many
10:48
days
10:49
and
10:49
nights,
10:49
risking
10:50
life
10:50
and
10:51
limb
10:51
to
10:51
reach
10:51
the
10:52
Dragon's
10:52
Keep.
10:53
For
10:53
he
10:53
was
10:54
the
10:54
bravest
10:55
and
10:55
most
10:55
handsome
10:56
in
10:56
all
10:56
the
10:56
land.
10:57
And
10:57
it
10:57
was
10:58
destiny
10:58
that
10:58
his
10:59
kiss
10:59
would
11:00
break
11:00
the
11:00
dreaded
11:01
curse.
11:02
He
11:02
alone
11:02
would
11:03
climb
11:03
to
11:03
the
11:03
highest
11:04
room
11:04
of
11:04
the
11:04
tallest
11:05
tower
11:06
to
11:06
enter
11:06
the
11:06
princess's
11:07
chambers,
11:08
cross
11:08
the
11:08
room
11:09
to
11:09
her
11:09
sleeping
11:09
silhouette,
11:10
pull
11:11
back
11:11
the
11:11
gossamer
11:12
curtains
11:12
to
11:12
find
11:14
that
11:14
she's
11:14
on
11:14
a
11:14
honeymoon
11:15
with
11:15
her
11:15
new
11:15
ogre
11:16
husband.
11:17
Let's
11:17
run
11:18
through
11:18
the
11:18
cast.
11:18
We
11:19
have
11:19
Mike
11:19
Myers
11:20
as
11:20
Shrek,
11:21
Eddie
11:21
Murphy
11:22
as
11:22
Donkey,
11:23
Cameron
11:23
Diaz
11:24
as
11:24
Princess
11:25
Fiona,
11:26
Julie
11:26
Andrews
11:27
as
11:27
Queen
11:27
Lillian,
11:28
Antonio
11:29
Banderas
11:30
as
11:30
Puss
11:30
in
11:30
Boots,
11:31
John
11:32
Cleese
11:32
as
11:32
King
11:33
Harold,
11:34
Rupert
11:34
Everett
11:35
as
11:35
Prince
11:35
Charming,
11:36
Jennifer
11:37
Saunders
11:37
as
11:38
Fairy
11:38
Godmother,
11:39
Joan
11:40
Rivers
11:40
as
11:41
Joan
11:41
Rivers
11:42
and
11:42
Larry
11:43
King
11:43
as
11:43
Doris,
11:44
the
11:44
ugly
11:44
stepsister.
11:46
Shrek
11:46
2
11:47
has
11:47
a
11:47
screenplay
11:48
by
11:48
Andrew
11:48
Adamson,
11:49
Joe
11:50
Stillman,
11:50
J.
11:51
David
11:51
Stern
11:51
and
11:52
David
11:52
N.
11:52
Weiss.
11:53
A
11:54
story
11:54
by
11:54
Andrew
11:55
Adamson
11:56
was
11:56
directed
11:57
by
11:57
Andrew
11:57
Adamson,
11:58
Kelly
11:59
Asbury
11:59
and
11:59
Conrad
12:00
Vernon
12:01
and
12:01
was
12:02
based
12:02
on
12:02
Shrek
12:03
by
12:03
William
12:04
Stig.
12:05
So
12:05
I
12:05
think
12:06
it's
12:06
easy
12:06
to
12:06
call
12:06
the
12:06
Original
12:07
Shrek
12:07
a
12:08
2000s
12:09
phenomenon.
12:09
It
12:10
subverted
12:10
the
12:10
fairy
12:11
tales
12:11
that
12:11
we'd
12:11
been
12:11
spoon
12:12
fed
12:12
since
12:12
children.
12:13
It
12:13
revolutionized
12:14
animation.
12:15
It
12:15
won
12:15
the
12:16
first
12:16
ever
12:16
Oscar
12:17
for
12:17
Best
12:17
Animated
12:18
feature
12:18
and
12:19
basically
12:20
became
12:20
a
12:20
thousand
12:21
meme
12:21
generators.
12:22
So
12:22
despite
12:23
it
12:23
making
12:23
fun
12:24
of
12:24
fairy
12:24
tales
12:25
and
12:25
specifically
12:26
Disney
12:26
movies
12:26
and
12:27
their
12:27
propensity
12:28
to
12:28
generate
12:28
sequels
12:29
to
12:29
those
12:29
movies,
12:30
sequel
12:31
to
12:31
Shrek
12:31
was
12:32
inevitable.
12:33
It
12:33
was
12:33
everything
12:34
Disney
12:34
and
12:34
Pixar
12:35
weren't.
12:35
It
12:36
was
12:36
rude,
12:36
it
12:37
had
12:37
farts,
12:38
it
12:38
made
12:38
sex
12:38
jokes
12:39
and
12:39
had
12:39
pop
12:40
culture
12:40
references.
12:41
It
12:41
was
12:42
the
12:42
refreshing
12:43
alternative
12:43
to
12:43
Disney,
12:44
and
12:44
in
12:45
many
12:45
ways
12:45
it
12:45
was
12:46
Jeffrey
12:46
Katzenberg's
12:47
middle
12:47
finger
12:48
to
12:48
the
12:48
studio
12:49
he
12:49
previously
12:50
called
12:50
home.
12:51
Katzenberg
12:52
had
12:52
managed
12:53
the
12:53
acquisition
12:53
of
12:53
Pixar
12:54
and
12:54
then
12:55
left
12:55
Disney
12:55
to
12:56
create
12:56
DreamWorks
12:57
alongside
12:58
Steven
12:58
Spielberg
12:59
and
12:59
David
12:59
Geffen.
13:00
There
13:01
was
13:01
a
13:01
well
13:01
publicized
13:02
feud
13:02
between
13:03
DreamWorks
13:03
and
13:04
Pixar
13:04
with
13:04
Katzenberg
13:05
wanting
13:06
ants
13:06
to
13:07
beat
13:07
a
13:07
bug's
13:07
life
13:08
into
13:08
cinemas
13:08
on
13:09
purpose.
13:09
Shrek
13:10
was
13:10
the
13:10
ultimate
13:11
fu,
13:12
with
13:12
Lord
13:13
Farquaad
13:13
reportedly
13:14
modelled
13:15
on
13:15
Disney
13:15
chief
13:16
Michael
13:16
Eisner.
13:17
Let's
13:17
Just
13:18
say
13:18
Eisner
13:18
and
13:18
Katzenberg
13:19
weren't
13:20
the
13:20
best
13:20
of
13:21
buddies.
13:22
Shrek
13:23
cemented
13:23
DreamWorks
13:24
as
13:24
the
13:24
animation
13:24
studio
13:25
of
13:25
the
13:25
future,
13:26
and
13:26
while
13:26
Disney's
13:27
animation
13:27
department
13:28
was
13:28
floundering,
13:29
no
13:29
pun
13:29
intended,
13:30
Little
13:30
Mermaid
13:31
Shrek
13:31
went
13:32
up
13:32
against
13:32
Atlantis,
13:33
the
13:33
lost
13:33
Empire
13:34
at
13:34
the
13:34
box
13:35
office,
13:35
and
13:36
with
13:36
a
13:36
six
13:36
week
13:37
advantage,
13:38
Shrek
13:38
just
13:38
decimated
13:39
the
13:39
competition.
13:41
But
13:42
the
13:42
story
13:42
of
13:43
Atlantis
13:43
is
13:44
due
13:44
its
13:44
very
13:45
own
13:45
episode
13:47
pause
13:47
for
13:47
dramatic
13:48
effect
13:48
and
13:49
there
13:49
were
13:49
more
13:49
tales
13:50
to
13:50
be
13:50
told
13:50
from
13:50
the
13:51
Shrek
13:51
universe
13:52
as
13:52
well
13:52
as
13:52
more
13:53
money.
13:54
The
13:54
original
13:54
Shrek
13:55
made
13:55
just
13:55
under
13:56
half
13:56
a
13:56
billion
13:56
dollars
13:57
in
13:57
2001
13:58
and
13:58
so
13:58
it
13:59
meant
13:59
getting
13:59
the
13:59
cast
14:00
and
14:00
creatives
14:00
back
14:01
for
14:01
a
14:01
sequel.
14:02
Director
14:03
of
14:03
Shrek,
14:04
Andrew
14:04
Adamson
14:05
would
14:05
return
14:05
to
14:05
do
14:06
the
14:06
sequel
14:07
but
14:07
also
14:07
co
14:08
write
14:08
the
14:08
story.
14:09
After
14:09
Ted
14:10
Elliott
14:10
and
14:10
Terry
14:10
Rossio,
14:11
the
14:11
screenwriters
14:12
and
14:12
producers
14:12
at
14:13
Shrek,
14:13
left
14:13
the
14:14
project
14:14
citing
14:15
creative
14:15
differences.
14:16
Adamson
14:17
would
14:17
base
14:17
his
14:17
story
14:18
on
14:18
the
14:18
1967
14:19
comedy
14:19
drama
14:20
Guess
14:20
who's
14:21
Coming
14:21
to
14:21
Dinner,
14:21
starring
14:22
Spencer
14:22
Tracy,
14:23
Katharine
14:23
Hepburn
14:24
and
14:24
Sidney
14:24
Poitier,
14:25
about
14:26
a
14:26
young
14:26
white
14:26
woman
14:27
who
14:27
brings
14:27
her
14:27
new
14:28
fiance
14:28
home
14:29
to
14:29
meet
14:29
her
14:29
parents.
14:30
But
14:30
her
14:30
new
14:31
fiance
14:31
just
14:31
happens
14:32
to
14:32
be
14:32
an
14:32
African
14:33
American
14:33
man.
14:34
Interracial
14:35
marriage
14:35
had
14:35
historically
14:36
been
14:36
prohibited
14:36
in
14:37
many
14:37
US
14:37
states,
14:38
and
14:38
the
14:38
movie
14:38
was
14:39
one
14:39
of
14:39
the
14:39
few
14:39
to
14:40
portray
14:40
an
14:40
interracial
14:41
marriage
14:41
in
14:42
a
14:42
positive
14:42
light.
14:43
Six
14:43
months
14:44
prior
14:44
to
14:44
the
14:44
movie's
14:45
release
14:45
on
14:45
12
14:46
June
14:46
1967,
14:47
interracial
14:48
marriage
14:48
was
14:49
still
14:49
illegal
14:50
in
14:50
17
14:50
states.
14:51
In
14:52
Shrek
14:52
2,
14:53
the
14:53
story
14:53
similarly
14:54
centers
14:54
around
14:55
meeting
14:55
the
14:55
in
14:55
laws
14:56
with
14:56
Princess
14:57
Fiona
14:57
bringing
14:58
Shrek
14:58
home
14:58
to
14:58
beat
14:59
her
14:59
royal
14:59
parents
15:00
in
15:00
Far
15:00
Far
15:00
Away.
15:01
Like
15:01
the
15:01
parents
15:02
in
15:02
Guess
15:02
who's
15:02
Coming
15:03
to
15:03
Dinner,
15:03
King
15:04
Harold
15:04
and
15:04
Queen
15:05
Lillian,
15:06
particularly
15:06
Harold,
15:07
struggle
15:07
to
15:08
accept
15:08
their
15:08
daughter's
15:08
choice
15:09
of
15:09
husband,
15:10
in
15:11
this
15:11
case
15:11
because
15:11
Shrek
15:12
is
15:12
an
15:12
ogre
15:13
rather
15:13
than
15:13
the
15:13
prince
15:14
they
15:14
expected.
15:15
But
15:15
naturally
15:15
the
15:16
racial
15:16
metaphor
15:16
is
15:17
still
15:17
there.
15:18
Jo
15:18
Stillman,
15:19
one
15:19
of
15:19
the
15:19
writers
15:19
from
15:20
Shrek,
15:20
did
15:21
return
15:21
to
15:21
help
15:21
pen
15:22
the
15:22
script,
15:22
and
15:23
joining
15:23
the
15:23
movie's
15:24
writing
15:24
team
15:24
would
15:25
be
15:25
screenwriting
15:25
duo
15:26
J.
15:26
David
15:27
Stern
15:27
and
15:27
David
15:27
Henry
15:28
Weiss.
15:29
There
15:29
were
15:29
initial
15:30
plans
15:30
for
15:30
the
15:30
return
15:30
of
15:31
Lord
15:31
Farquhar.
15:32
Despite
15:32
becoming
15:33
dragon
15:33
food
15:33
in
15:34
the
15:34
first
15:34
movie,
15:35
the
15:35
idea
15:35
was
15:36
that
15:36
he
15:36
would
15:36
return
15:37
as
15:37
a
15:37
ghost
15:37
to
15:37
haunt
15:38
Shrek
15:38
and
15:39
seek
15:39
revenge.
15:40
With
15:40
John
15:40
Lithgow
15:41
reprising
15:41
his
15:42
role,
15:42
the
15:42
idea
15:43
was
15:43
instead
15:44
used
15:44
for
15:44
Shrek
15:45
4D,
15:45
the
15:45
simulator
15:46
ride
15:46
at
15:47
Universal
15:47
Studios.
15:48
A
15:49
new
15:49
story
15:50
continuing
15:50
the
15:51
fairy
15:51
tale
15:51
of
15:51
Shrek
15:52
and
15:52
Fiona
15:52
straight
15:53
after
15:53
their
15:53
wedding
15:54
was
15:54
proposed
15:54
instead.
15:55
Again,
15:55
no
15:56
pun
15:56
intended,
15:56
which
15:57
would
15:57
mean
15:57
the
15:57
return
15:58
of
15:58
all
15:58
three
15:58
primary
15:59
cast
15:59
members,
16:00
Mike
16:00
Myers,
16:01
Eddie
16:01
Murphy
16:01
and
16:02
Cameron
16:02
Diaz
16:03
on
16:03
the
16:03
first
16:04
movie,
16:04
the
16:04
three
16:04
actors
16:05
deferred
16:05
their
16:06
salaries
16:06
and
16:06
were
16:06
paid
16:07
scale,
16:07
but
16:08
negotiated
16:09
deals
16:09
that
16:09
included
16:10
a
16:10
percentage
16:10
of
16:10
the
16:11
film's
16:11
profits,
16:12
which
16:12
significantly
16:13
increased
16:13
their
16:14
total
16:14
earnings
16:15
given
16:15
Shrek's
16:16
massive
16:16
box
16:16
office
16:17
success.
16:18
After
16:18
Shrek
16:19
became
16:19
a
16:19
huge
16:19
hit,
16:20
Mike
16:20
Myers,
16:21
Eddie
16:21
Murphy
16:21
and
16:21
Cameron
16:22
Diaz
16:22
negotiated
16:23
an
16:24
upfront
16:24
payment
16:24
of
16:25
$10
16:25
million
16:26
each
16:26
for
16:26
voicing
16:27
a
16:27
sequel
16:27
to
16:27
the
16:28
film.
16:28
Joining
16:29
the
16:29
cast
16:29
would
16:29
be
16:29
a
16:29
whole
16:30
host
16:30
of
16:30
British
16:31
names,
16:31
including
16:32
Julie
16:32
Andrews,
16:33
John
16:33
Cleese,
16:34
Jennifer
16:34
Saunders,
16:35
and
16:35
Rupert
16:35
Everett
16:36
and
16:37
Antonio
16:37
Banderas.
16:38
Also
16:39
joining
16:39
as
16:40
one
16:40
of
16:40
the
16:40
greatest
16:41
characters
16:41
in
16:42
the
16:42
entire
16:42
franchise.
16:43
Puss
16:44
in
16:44
Boots
16:45
would
16:45
be
16:46
so
16:46
integral
16:46
to
16:46
the
16:47
franchise
16:48
that
16:48
I'm
16:48
certain
16:49
there's
16:49
a
16:49
Mandela
16:50
effect
16:50
going
16:50
on
16:51
here
16:51
because
16:51
he
16:52
was
16:52
in
16:52
Shrek,
16:53
right?
16:53
He's
16:54
just
16:54
been
16:54
here
16:54
this
16:55
whole
16:55
time.
16:56
I
16:56
don't
16:56
believe
16:57
that
16:57
Shrek
16:57
exists
16:58
without
16:58
Puss
16:59
in
16:59
Boots.
16:59
He's
17:00
that
17:00
important
17:01
to
17:01
this
17:02
universe.
17:03
He'd
17:03
also
17:03
be
17:03
the
17:04
character
17:04
to
17:04
get
17:04
the
17:05
spin
17:05
offs,
17:06
one
17:06
of
17:06
which
17:07
would
17:07
be
17:08
outstanding,
17:08
just
17:09
FYI.
17:09
Puss
17:10
in
17:10
Boots
17:10
the
17:10
Last
17:11
Wish
17:11
Very
17:12
almost
17:12
got
17:12
a
17:12
spot
17:13
on
17:13
this
17:13
animation
17:13
season,
17:14
but
17:14
I
17:15
felt
17:15
like
17:15
I
17:15
needed
17:15
to
17:15
give
17:16
Shrek
17:16
2
17:16
its
17:16
final
17:17
dues
17:17
and
17:18
all
17:18
of
17:18
the
17:18
characters
17:19
would
17:19
make
17:19
sense
17:20
in
17:20
this
17:20
story.
17:21
Prince
17:21
Charming
17:22
was
17:22
the
17:22
prince
17:23
on
17:23
his
17:23
way
17:23
to
17:24
rouse
17:24
Fiona
17:25
with
17:25
Fairy
17:25
Godmother
17:26
making
17:26
a
17:26
deal
17:27
with
17:27
the
17:27
king
17:28
who
17:28
already
17:28
owed
17:29
her
17:29
for
17:29
making
17:29
his
17:30
happily
17:30
ever
17:30
after
17:31
come
17:31
true.
17:31
Just
17:32
how
17:32
much
17:32
the
17:32
Fairy
17:33
Godmother
17:33
did
17:33
actually
17:34
do
17:34
is
17:34
unknown,
17:35
but
17:35
it
17:36
is
17:36
likely
17:36
she
17:37
could
17:37
have
17:37
also
17:37
caused
17:38
Fiona's
17:38
curse
17:39
in
17:39
the
17:39
first
17:39
place.
17:40
Mike
17:40
Myers
17:41
was
17:41
a
17:41
huge
17:41
Monty
17:42
Python
17:42
fan,
17:43
and
17:43
so
17:43
having
17:43
John
17:44
Cleese
17:44
in
17:44
the
17:44
movie
17:45
was
17:45
a
17:45
particular
17:46
dream
17:46
come
17:46
true
17:47
for
17:47
him.
17:47
While
17:48
most
17:48
of
17:48
the
17:48
cast
17:49
recorded
17:49
their
17:49
lines
17:50
separately,
17:50
John
17:51
Cleese
17:51
and
17:51
Julie
17:52
Andrews
17:53
recorded
17:53
theirs
17:54
as
17:54
the
17:54
King
17:54
and
17:55
Queen
17:55
together.
17:56
Doing
17:56
the
17:57
animation
17:57
once
17:57
again
17:58
was
17:58
the
17:58
team
17:58
at
17:58
PDI
17:59
DreamWorks,
18:00
and
18:00
while
18:01
the
18:01
animation
18:01
was
18:01
enhanced
18:02
across
18:02
the
18:02
board,
18:03
it
18:03
would
18:03
also
18:03
have
18:04
to
18:04
be
18:04
updated
18:04
to
18:05
include
18:05
these
18:05
new
18:06
characters,
18:07
including
18:07
Pussing
18:08
Boots,
18:08
and
18:08
he
18:09
brought
18:09
about
18:09
new
18:09
challenges.
18:11
The
18:11
original
18:11
inspiration
18:12
for
18:12
the
18:12
character
18:13
was
18:13
Andrew
18:14
Adamson's
18:14
cat,
18:15
who
18:15
was
18:15
gray.
18:16
But
18:16
having
18:16
a
18:16
gray
18:17
cat
18:17
next
18:17
to
18:18
a
18:18
gray
18:18
donkey
18:19
wouldn't
18:19
work,
18:20
so
18:20
Puss
18:20
was
18:20
instead
18:21
modeled
18:21
on
18:21
visual
18:22
effects
18:22
supervisor
18:23
Ken
18:23
Bielenberg's
18:24
orange
18:25
tabby
18:25
cat.
18:26
The
18:26
animators
18:27
researched
18:27
extensively
18:29
studying
18:29
videos
18:30
of
18:30
real
18:30
cats
18:30
to
18:31
understand
18:31
their
18:31
natural
18:32
movements
18:32
and
18:32
behaviors.
18:33
They
18:33
paid
18:34
particular
18:34
attention
18:35
to
18:35
how
18:35
cats
18:35
move
18:36
their
18:36
bodies
18:36
during
18:37
different
18:37
actions
18:38
walking,
18:39
running,
18:39
pouncing,
18:40
and
18:40
even
18:40
subtle
18:40
movements
18:41
like
18:41
ear
18:41
twitches
18:42
and
18:42
tail
18:42
swishes.
18:43
The
18:44
team
18:44
frequently
18:44
brought
18:45
in
18:45
real
18:45
cats
18:46
to
18:46
the
18:46
studio
18:46
for
18:47
live
18:47
observation
18:48
sessions
18:48
and
18:49
as
18:49
a
18:49
podcast
18:49
with
18:50
two
18:50
feline
18:50
producers,
18:51
I
18:51
can
18:51
tell
18:52
you
18:52
that
18:52
Evie
18:52
and
18:53
Peggy
18:53
are
18:53
well
18:54
represented
18:54
in
18:55
Puss.
18:56
For
18:56
the
18:56
characters
18:56
bipedal
18:57
movements,
18:58
the
18:58
animators
18:58
had
18:59
to
18:59
find
18:59
a
18:59
careful
19:00
balance
19:00
between
19:01
human
19:01
and
19:01
feline
19:02
motion.
19:03
They
19:03
created
19:03
a
19:04
hybrid
19:04
style
19:04
that
19:05
maintained
19:05
cat
19:05
like
19:06
grace
19:06
while
19:07
allowing
19:07
Puss
19:07
to
19:08
perform
19:08
human
19:08
actions
19:09
convincingly.
19:10
This
19:10
included
19:11
studying
19:11
how
19:11
a
19:11
cat's
19:12
spine
19:12
and
19:12
shoulders
19:13
would
19:13
adapt
19:13
to
19:13
upright
19:14
posture
19:15
while
19:15
retaining
19:15
distinctly
19:16
feline
19:17
characteristics.
19:19
The
19:19
facial
19:19
animation
19:20
was
19:20
particularly
19:21
complex.
19:22
The
19:22
team
19:22
developed
19:23
a
19:23
detailed
19:23
rig
19:24
for
19:24
Puss's
19:24
face
19:25
that
19:25
included
19:26
multiple
19:26
layers
19:27
of
19:27
controls
19:27
for
19:28
his
19:28
signature
19:28
cute
19:29
eyes
19:29
expression,
19:30
sophisticated
19:31
whiskey
19:31
movement
19:32
systems,
19:32
detailed
19:33
mouth
19:33
shapes
19:34
for
19:34
dialogue,
19:35
ear
19:35
controls
19:35
for
19:36
emotional
19:36
expression,
19:37
fur
19:37
dynamics
19:38
that
19:38
responded
19:38
to
19:39
facial
19:39
movements,
19:40
and
19:40
simulated
19:41
over
19:41
40,000
19:42
individual
19:43
hair
19:43
strands
19:44
on
19:44
Puss's
19:44
body.
19:45
For
19:46
the
19:46
sword
19:46
fighting
19:47
sequences,
19:47
the
19:47
animators
19:48
referenced
19:48
both
19:49
cat
19:49
movement
19:50
and
19:50
traditional
19:51
swashbuckling
19:51
films.
19:52
This
19:52
studied
19:53
how
19:53
legendary
19:53
screen
19:54
sword
19:54
fighters
19:54
like
19:55
Errol
19:55
Flynn
19:55
moved,
19:56
then
19:56
adapted
19:57
these
19:57
movements
19:57
to
19:58
work
19:58
with
19:58
Puss's
19:59
feline
19:59
physiology.
20:00
This
20:01
created
20:01
his
20:01
distinctive
20:02
fighting
20:02
style
20:03
that
20:03
combined
20:03
cat
20:04
like
20:04
agility
20:05
with
20:05
heroic
20:05
swordplay.
20:07
The
20:07
animation
20:07
team
20:08
also
20:08
heavily
20:09
utilized
20:09
Antonio
20:10
Banderas
20:11
performance
20:11
as
20:11
a
20:11
reference.
20:13
They
20:13
would
20:13
film
20:13
his
20:14
recording
20:14
sessions
20:14
and
20:15
study
20:15
his
20:15
expressions
20:16
and
20:16
gestures,
20:17
incorporating
20:17
these
20:18
human
20:18
elements
20:18
into
20:19
Puss's
20:19
character
20:20
animation.
20:20
This
20:21
helped
20:21
maintain
20:22
the
20:22
Spanish
20:22
flair
20:23
that
20:23
Banderas
20:23
brought
20:24
to
20:24
the
20:24
role
20:24
while
20:24
keeping
20:25
the
20:25
character
20:26
fundamentally
20:26
feline.
20:27
Banderas,
20:28
for
20:28
his
20:28
part,
20:29
would
20:29
not
20:29
only
20:30
record
20:30
Puss's
20:30
dialogue
20:31
in
20:31
English,
20:32
but
20:32
also
20:32
in
20:33
Spanish
20:33
and
20:33
Italian.
20:34
At
20:34
the
20:35
time,
20:35
Banderas
20:36
was
20:36
on
20:36
Broadway
20:37
singing
20:37
every
20:37
night
20:38
and
20:38
then
20:38
recording
20:39
Sessions
20:39
for
20:39
Shrek
20:40
2
20:40
the
20:40
next
20:40
morning.
20:41
So
20:42
Puss's
20:42
bravado
20:43
ended
20:43
up
20:44
essentially
20:44
destroying
20:45
his
20:45
vocal
20:46
cords.
20:47
They
20:47
also
20:47
had
20:48
complications
20:48
around
20:49
how
20:49
Pussy's
20:49
fur
20:50
would
20:50
react
20:50
to
20:50
his
20:50
belting
20:51
cape
20:51
because.
20:52
Newsflash.
20:53
I
20:53
don't
20:54
know
20:54
if
20:54
you
20:54
know
20:54
this,
20:54
but
20:55
most
20:55
cats
20:56
don't
20:56
wear
20:57
a
20:57
belt
20:57
or
20:57
a
20:57
cape.
20:58
They
20:58
also
20:59
had
20:59
to
20:59
develop
20:59
a
20:59
simulation
21:00
system
21:00
to
21:01
move
21:01
fur
21:01
out
21:01
of
21:02
the
21:02
way
21:02
of
21:02
the
21:02
belt.
21:04
It
21:04
was
21:04
a
21:04
lot
21:05
easier
21:05
for
21:05
the
21:05
Shrek
21:06
2
21:06
team
21:07
to
21:07
animate
21:08
fluids.
21:08
Even
21:09
huge
21:09
vats
21:09
of
21:10
multicolored
21:10
potions
21:11
spilling
21:11
everywhere
21:12
could
21:12
be
21:12
easily
21:12
achieved
21:13
with
21:13
new
21:14
dynamic
21:14
fluid
21:15
engines
21:15
and
21:15
directing
21:16
how
21:16
fluids
21:17
interacted
21:17
with
21:18
characters.
21:19
But
21:20
with
21:20
a
21:20
bigger
21:20
cast
21:20
for
21:21
Shrek
21:22
also
21:22
came
21:22
more
21:23
human
21:23
characters
21:23
and
21:24
more
21:24
realistic
21:25
human
21:25
characters.
21:26
While
21:26
Princess
21:27
Fiona
21:27
in
21:27
the
21:27
first
21:28
movie
21:28
looked
21:28
very
21:29
naturally
21:29
human,
21:30
subtle
21:30
design
21:31
changes
21:31
were
21:31
made
21:32
to
21:32
her
21:32
and
21:32
to
21:32
Shrek.
21:33
Taking
21:33
advantage
21:33
of
21:34
the
21:34
enhancement
21:34
in
21:35
CG
21:35
animation,
21:36
the
21:36
rest
21:37
of
21:37
the
21:37
human
21:37
characters
21:38
were
21:38
created
21:38
with
21:39
their
21:39
human
21:39
voice
21:40
actors
21:40
in
21:40
mind.
21:41
With
21:41
fairy
21:41
godmother
21:42
strongly
21:42
resembling
21:43
Jennifer
21:44
Saunders.
21:44
One
21:45
of
21:45
the
21:45
most
21:45
difficult
21:46
characters
21:46
to
21:46
create
21:47
was
21:47
Handsome
21:48
Shrek
21:48
because
21:49
he
21:49
still
21:49
had
21:49
to
21:49
resemble
21:50
Shrek
21:50
but
21:51
also
21:51
be
21:52
sexy.
21:53
They
21:53
gave
21:53
him
21:54
strong
21:54
chiseled
21:54
features
21:55
and
21:55
flowing
21:56
hair,
21:56
but
21:56
kept
21:57
some
21:57
of
21:57
Mike
21:57
Myers
21:58
facial
21:58
characteristics
21:59
to
21:59
maintain
22:00
a
22:00
connection
22:00
to
22:01
Shrek's
22:01
personality.
22:02
The
22:03
design
22:03
was
22:03
meant
22:03
to
22:03
parody
22:04
the
22:04
typical
22:05
Prince
22:05
Charming
22:05
archetype
22:06
while
22:07
still
22:07
making
22:07
him
22:07
believable
22:08
as
22:09
a
22:09
transformed
22:10
version
22:10
of
22:10
the
22:10
character.
22:11
Myers
22:12
maintained
22:12
the
22:13
Scottish
22:13
accent
22:13
for
22:14
Shrek,
22:14
but
22:15
with
22:15
a
22:15
slightly
22:15
more
22:16
refined
22:16
delivery
22:17
as
22:17
Handsome
22:17
Shrek.
22:18
Even
22:18
the
22:19
background
22:19
characters
22:19
were
22:20
remodeled
22:20
from
22:20
the
22:21
original's
22:21
generic
22:22
design
22:22
to
22:22
give
22:23
them
22:23
high
22:23
resolution
22:24
assets,
22:25
anatomically
22:25
correct
22:26
physiques,
22:27
textured
22:27
clothing,
22:28
redone
22:29
hairstyles,
22:29
and
22:30
even
22:30
skin
22:31
wrinkles.
22:32
But
22:33
wait,
22:33
this
22:34
is
22:34
Hollywood.
22:34
I
22:35
mean,
22:35
Far
22:35
Far
22:35
Away
22:36
wrinkles
22:37
aren't
22:37
allowed,
22:38
right?
22:41
But
22:41
in
22:42
true
22:42
Shrek
22:42
parody
22:43
fashion,
22:44
the
22:44
design
22:44
of
22:44
Far
22:45
Far
22:45
Away
22:45
imitated
22:46
Hollywood
22:46
and
22:46
Beverly
22:47
Hills,
22:48
but
22:48
reimagined
22:49
it
22:49
through
22:49
a
22:49
medieval
22:50
fairy
22:50
tale
22:51
lens,
22:51
mixing
22:52
medieval
22:52
architecture
22:53
with
22:53
modern
22:54
Los
22:54
Angeles
22:55
culture.
22:56
The
22:56
Far
22:56
Far
22:56
Away
22:57
sign,
22:57
which
22:57
is
22:58
a
22:58
direct
22:58
parody
22:58
of
22:59
the
22:59
Hollywood
22:59
sign,
23:00
is
23:00
placed
23:01
on
23:01
a
23:01
hillside
23:01
overlooking
23:02
the
23:02
kingdom.
23:03
The
23:03
design
23:04
team
23:04
carefully
23:04
created
23:05
weathering
23:06
aging
23:06
effects
23:07
to
23:07
make
23:07
it
23:07
look
23:07
like
23:08
it
23:08
had
23:08
been
23:08
there
23:08
for
23:09
centuries
23:09
rather
23:10
than
23:10
decades.
23:11
The
23:11
main
23:12
street
23:12
of
23:12
Far
23:12
Far
23:13
Away
23:13
was
23:13
modeled
23:14
after
23:14
Rodeo
23:15
Drive
23:15
in
23:15
Beverly
23:15
Hills,
23:16
featuring
23:17
medieval
23:17
versions
23:18
of
23:18
luxury
23:19
stores
23:20
like
23:20
Versacerie,
23:21
Versace,
23:22
Abercrombie
23:23
and
23:23
Witch,
23:24
Abercrombie
23:25
and
23:25
Fitch
23:25
and
23:26
Old
23:26
Navery,
23:27
Old
23:27
Navy.
23:28
The
23:29
buildings
23:29
maintained
23:30
a
23:30
consistent
23:30
architectural
23:31
style.
23:32
The
23:32
blended
23:32
Gothic
23:33
and
23:33
Renaissance
23:34
elements
23:35
with
23:35
modern
23:36
retail
23:36
design
23:37
with
23:37
obviously
23:38
a
23:38
fire
23:38
books
23:38
located
23:39
on
23:39
both
23:39
sides
23:40
of
23:40
the
23:40
street.
23:41
The
23:41
streets
23:42
were
23:42
based
23:42
in
23:42
a
23:42
warm
23:43
golden
23:43
California
23:44
sunshine
23:45
effect
23:45
while
23:46
also
23:46
maintaining
23:46
the
23:47
fairy
23:47
tale
23:47
atmosphere.
23:48
A
23:48
new
23:49
lighting
23:49
system
23:49
was
23:50
implemented
23:50
which
23:50
included
23:51
careful
23:51
attention
23:52
and
23:52
to
23:52
how
23:52
light
23:53
would
23:53
interact
23:53
with
23:54
different
23:54
surfaces
23:55
from
23:55
cobblestone
23:56
streets
23:56
to
23:57
castle
23:57
walls
23:58
to
23:58
create
23:58
the
23:58
feeling
23:59
of
23:59
a
23:59
sunny
24:00
Mediterranean
24:00
climate
24:01
in
24:01
a
24:02
fairy
24:02
tale
24:02
setting.
24:03
They
24:03
took
24:04
inspiration
24:04
from
24:05
15th
24:05
and
24:05
16th
24:06
century
24:06
classical
24:07
paintings,
24:08
including
24:08
by
24:08
Gustav
24:09
Door,
24:10
the
24:10
renowned
24:10
19th
24:11
century
24:11
French
24:12
illustrator
24:12
and
24:12
engraver
24:13
who
24:13
himself
24:14
inspired
24:15
the
24:15
classic
24:15
Disney
24:16
animated
24:16
fairy
24:17
tales.
24:17
Production
24:18
designer
24:18
Guillem
24:19
Aratos
24:19
and
24:20
his
24:20
colleagues
24:20
used
24:21
a
24:21
lot
24:21
more
24:21
displacement
24:22
and
24:22
global
24:23
illumination
24:23
in
24:24
obtaining
24:24
a
24:24
greater
24:25
realistic
24:25
bounce
24:26
light.
24:26
For
24:27
Shrek
24:27
2,
24:27
they
24:28
used
24:28
global
24:28
illumination
24:29
for
24:29
80%
24:30
of
24:30
the
24:30
shots,
24:31
which
24:31
is
24:31
a
24:31
proprietary
24:32
renderer
24:33
and
24:33
has
24:33
been
24:33
rewritten
24:34
since
24:34
the
24:35
first
24:35
Shrek.
24:36
The
24:37
King
24:37
and
24:37
Queen's
24:37
castle
24:38
design
24:38
drew
24:38
inspiration
24:39
from
24:39
multiple
24:40
real
24:40
European
24:40
castles,
24:41
but
24:41
incorporated
24:42
Hollywood
24:42
Hills
24:43
mansion
24:43
elements,
24:44
creating
24:44
a
24:45
hybrid
24:45
that
24:45
suggested
24:46
both
24:46
ancient
24:46
royalty
24:47
and
24:48
modern
24:48
celebrity.
24:49
The
24:49
interior
24:50
design
24:50
followed
24:50
the
24:51
same
24:51
principle,
24:51
mixing
24:52
medieval
24:52
tapestries
24:53
and
24:54
throne
24:54
rooms
24:54
with
24:54
modern
24:55
luxury
24:55
amenities.
24:57
Fiona's
24:58
parents,
24:58
Queen
24:58
Lillian
24:59
and
24:59
King
24:59
Harold
25:00
were
25:00
named
25:01
after
25:01
Harold
25:01
and
25:02
Lillian
25:02
Michelson,
25:03
an
25:03
extraordinary
25:04
couple
25:05
that
25:05
maybe
25:05
you've
25:06
never
25:06
heard
25:06
of.
25:07
Harold
25:07
Michelson
25:08
was
25:08
an
25:08
Oscar
25:09
nominated
25:09
production
25:10
designer
25:10
and
25:10
art
25:10
director
25:11
working
25:12
on
25:12
west
25:12
side
25:13
Story,
25:13
the
25:13
Birds
25:14
and
25:14
Cleopatra.
25:15
Lillian
25:16
Michelson
25:17
was
25:17
a
25:17
film
25:17
scholar
25:18
and
25:18
researcher
25:19
who
25:20
sometimes
25:20
experienced
25:21
danger
25:21
doing
25:22
said
25:22
research.
25:23
It's
25:23
said
25:24
that
25:24
she
25:24
had
25:24
to
25:24
interview
25:25
drug
25:25
lords
25:25
and
25:26
DEA
25:26
agents
25:27
to
25:27
have
25:27
accurate
25:28
material
25:29
for
25:29
the
25:29
movie
25:29
Scarface,
25:30
for
25:30
example.
25:32
Lillian
25:32
Michelson
25:33
also
25:33
built
25:34
and
25:34
managed
25:35
Hollywood's
25:35
most
25:36
famous
25:36
research
25:37
library,
25:37
the
25:38
Michelson
25:39
Cinema
25:39
Research
25:39
Library.
25:40
She
25:41
made
25:41
deals
25:41
for
25:41
the
25:41
library
25:42
to
25:42
be
25:42
housed
25:42
with
25:43
the
25:43
American
25:43
Film
25:43
Institute
25:44
and
25:45
then
25:45
the
25:45
Pantagious
25:46
Theatre.
25:46
She
25:47
was
25:47
so
25:47
passionate
25:48
about
25:48
this
25:48
library
25:49
that
25:49
the
25:49
materials
25:50
contained
25:50
within
25:50
it
25:51
were
25:51
under
25:51
her
25:52
almost
25:52
constant
25:53
watch.
25:54
Francis
25:54
Ford
25:54
Coppola
25:55
asked
25:55
her
25:55
to
25:56
join
25:56
ZoeTrope
25:57
Studios
25:57
in
25:57
1980
25:58
and
25:59
she
25:59
at
26:00
the
26:00
library
26:01
stayed
26:01
there
26:01
till
26:01
1986
26:02
when
26:03
Michelson
26:03
was
26:04
let
26:04
go
26:04
from
26:04
the
26:04
studio
26:05
for
26:05
financial
26:05
reasons.
26:07
Dreamworks
26:08
Pictures
26:09
then
26:09
became
26:09
the
26:10
steward
26:10
of
26:10
the
26:10
library
26:11
when
26:11
Lillian
26:12
Michelson
26:13
retired
26:13
and
26:13
in
26:14
December
26:14
2020
26:15
the
26:15
library
26:16
was
26:16
donated
26:17
to
26:17
the
26:17
Internet
26:18
archive.
26:19
Harold
26:20
Michelson
26:21
died
26:21
in
26:21
2007
26:22
at
26:22
the
26:22
age
26:23
of
26:23
87
26:23
and
26:24
Lillian
26:24
Michelson
26:25
is
26:25
currently
26:26
96
26:26
and
26:27
living
26:27
in
26:27
the
26:27
retirement
26:28
community
26:29
set
26:29
up
26:29
by
26:29
the
26:30
Motion
26:30
Picture
26:30
and
26:31
Television
26:31
Fund
26:31
in
26:32
Los
26:32
Angeles.
26:33
In
26:34
2017,
26:35
Harold
26:35
and
26:36
Lillian
26:36
Michelson
26:37
were
26:37
given
26:37
a
26:38
lifetime
26:38
achievement
26:39
award
26:39
by
26:40
the
26:40
American
26:40
Academy
26:41
of
26:41
Dramatic
26:41
Arts
26:42
for
26:42
their
26:43
contributions,
26:44
making
26:44
them
26:45
the
26:45
first
26:45
behind
26:46
the
26:46
scenes
26:47
non
26:47
actors
26:48
to
26:48
ever
26:48
receive
26:49
that
26:49
award.
26:50
Queen
26:51
Lillian
26:51
and
26:51
King
26:52
Harold
26:52
were
26:53
named
26:53
after
26:53
them
26:54
in
26:54
Shrek
26:54
2
26:55
as
26:55
a
26:55
tribute
26:56
to
26:56
everything
26:56
they've
26:57
done
26:57
for
26:57
the
26:58
Hollywood
26:58
film
26:58
industry.
27:00
And
27:00
while
27:00
Dragon
27:01
shows
27:02
up
27:02
at
27:02
the
27:02
end
27:02
of
27:02
the
27:02
movie
27:03
and
27:03
it's
27:03
discovered
27:03
that
27:04
her
27:04
and
27:04
Donkey
27:05
have
27:05
had
27:05
quote
27:06
unquote
27:06
mutant
27:07
babies,
27:07
she
27:08
was
27:08
originally
27:08
going
27:09
to
27:09
have
27:09
a
27:09
much
27:09
bigger
27:10
role
27:10
in
27:10
the
27:10
movie
27:11
that
27:11
when
27:11
the
27:11
potion
27:12
is
27:12
taken,
27:13
Donkey
27:14
turns
27:14
into
27:14
a
27:14
stallion,
27:15
baby
27:16
dragon
27:17
would
27:17
have
27:17
turned
27:18
into
27:18
a
27:18
Pegasus.
27:19
The
27:19
sequence
27:20
was
27:20
reportedly
27:21
storyboarded
27:21
but
27:22
ultimately
27:22
cut
27:23
from
27:23
the
27:23
final
27:23
film.
27:25
And
27:25
one
27:25
of
27:25
the
27:25
things
27:26
that
27:26
the
27:26
original
27:26
Schweppe
27:27
and
27:27
this
27:27
sequel
27:28
do
27:28
so
27:28
well
27:29
are
27:29
the
27:29
pop
27:30
culture
27:30
parodies.
27:30
There
27:31
are
27:31
so
27:31
many
27:32
of
27:32
them,
27:32
I
27:33
can't
27:33
possibly
27:33
list
27:33
them
27:34
all.
27:34
However,
27:35
here's
27:35
some
27:35
very
27:36
obvious
27:36
ones.
27:36
We
27:37
have
27:37
parodies
27:37
of
27:38
Mission
27:38
Impossible
27:39
in
27:39
the
27:39
castle
27:40
break
27:40
in
27:40
sequence.
27:41
Spider
27:42
man,
27:42
the
27:42
upside
27:43
down
27:43
kiss,
27:43
Lord
27:44
of
27:44
the
27:44
Rings,
27:44
the
27:45
forging
27:45
of
27:45
Fiona's
27:46
wedding
27:46
ring,
27:46
the
27:47
Little
27:47
Mermaid
27:48
when
27:48
Fiona
27:49
throws
27:49
an
27:49
aerial
27:50
lookalike
27:50
into
27:51
the
27:51
sea,
27:51
Alien,
27:52
the
27:52
scene
27:52
where
27:53
Puss
27:53
emerges
27:53
from
27:54
Shrek's
27:54
stomach,
27:55
Cops,
27:56
the
27:56
night
27:56
chase
27:57
sequence.
27:57
And
27:58
also
27:58
the
27:58
O.J.
27:59
simpson
27:59
Bronco
28:00
Chase.
28:01
And
28:01
obviously
28:02
Zorro
28:03
in
28:03
Puss
28:03
in
28:03
Boots
28:04
character
28:04
and
28:05
fighting
28:05
style.
28:06
It
28:06
also
28:07
parodies
28:07
general
28:08
Hollywood
28:08
elements
28:09
like
28:09
red
28:09
carpet
28:09
culture,
28:10
celebrity
28:11
lifestyle,
28:11
awards
28:12
shows,
28:12
and
28:13
Hollywood's
28:14
obsession
28:14
with
28:14
youth,
28:15
luxury
28:15
and
28:16
beauty.
28:17
Here
28:17
in
28:17
the
28:17
uk,
28:18
the
28:18
Joan
28:19
Rivers
28:19
and
28:19
Larry
28:20
King
28:20
characters
28:21
were
28:21
redubbed
28:22
with
28:22
Kate
28:23
Thornton
28:23
and
28:24
Jonathan
28:24
Ross,
28:25
but
28:25
they
28:26
are
28:26
never
28:26
credited
28:27
for
28:27
these
28:27
roles.
28:29
It
28:29
similarly
28:30
doesn't
28:30
make
28:30
much
28:30
sense
28:31
for
28:31
the
28:31
Joan
28:31
Rivers
28:32
character
28:32
because
28:33
she
28:33
is
28:34
modeled
28:34
on
28:34
Joan
28:35
Rivers.
28:35
The
28:36
role
28:36
was
28:36
designed
28:37
exclusively
28:37
for
28:38
Joan
28:38
Rivers
28:39
and
28:39
she
28:39
is
28:39
also
28:40
credited
28:40
on
28:40
IMDb
28:41
as
28:41
Joan
28:42
Rivers.
28:43
So
28:43
to
28:43
not
28:43
have
28:44
Joan
28:44
Rivers
28:45
voice,
28:45
that
28:45
role
28:46
just
28:47
does
28:48
not
28:48
work.
28:49
And
28:49
Joan
28:50
Rivers
28:50
would
28:51
be
28:51
the
28:51
first
28:51
time
28:52
that
28:52
anyone
28:52
would
28:52
essentially
28:53
be
28:53
playing
28:54
themselves
28:55
in
28:55
the
28:55
Shrek
28:56
universe
28:57
exclusively
28:58
to
28:58
this
28:58
podcast
28:59
is
28:59
the
28:59
obligatory
29:00
Keanu
29:00
reference.
29:01
It
29:01
is
29:01
part
29:01
of
29:01
this
29:02
podcast
29:02
where
29:02
I
29:02
try
29:02
and
29:03
link
29:03
the
29:03
movie
29:03
that
29:03
I'm
29:03
featuring
29:04
with
29:04
Keanu
29:05
Reeves,
29:06
and
29:06
it's
29:07
always
29:07
very
29:07
difficult
29:08
to
29:08
link
29:08
Keanu
29:08
to
29:09
animation.
29:09
I've
29:10
always
29:10
found
29:10
it
29:10
really
29:11
tough.
29:11
However,
29:12
Keanu
29:13
Reeves
29:13
first
29:13
worked
29:14
with
29:14
Princess
29:14
Fiona,
29:15
aka
29:15
Cameron
29:16
Diaz
29:16
in
29:17
Feeling
29:17
Minnesota
29:18
back
29:18
in
29:18
1996,
29:20
but
29:20
teaming
29:21
up
29:21
again
29:21
next
29:21
year
29:22
for
29:22
Jonah
29:23
Hill's
29:24
second
29:24
feature
29:24
film
29:25
as
29:25
director
29:26
the
29:26
black
29:26
comedy
29:27
Outcome.
29:28
And
29:28
I
29:28
have
29:28
to
29:29
say,
29:29
I'm
29:29
so
29:29
happy
29:29
to
29:29
see
29:30
Cameron
29:30
Diaz
29:30
back.
29:31
She
29:31
has
29:32
effectively
29:32
been
29:33
retired
29:33
from
29:33
acting
29:34
for
29:34
about
29:34
10
29:34
years
29:35
at
29:35
this
29:35
point,
29:36
and
29:36
she
29:36
has
29:36
recently
29:37
returned.
29:38
She
29:38
has
29:38
obviously
29:38
just
29:39
been
29:39
in
29:39
the
29:39
Netflix
29:40
action
29:41
movie
29:41
Back
29:41
in
29:41
Action,
29:42
which
29:42
is
29:42
fine,
29:43
she's
29:43
good
29:44
in
29:44
it,
29:44
but
29:44
the
29:44
overall
29:45
the
29:45
movie
29:45
is
29:45
fine
29:46
and
29:46
she
29:47
is
29:47
obviously
29:47
going
29:47
to
29:47
be
29:48
returning
29:48
in
29:49
Shrek
29:49
5
29:50
as
29:50
well.
29:51
But
29:51
yeah,
29:51
Cameron
29:52
Diaz
29:52
is
29:52
the
29:52
easiest
29:53
way
29:53
to
29:53
link
29:53
Keanu
29:54
Reeves
29:54
to
29:54
this
29:54
movie.
29:56
Somebody
29:58
might
29:58
tell
29:58
you
29:59
that
29:59
Shrek
30:00
is
30:00
synonymous
30:01
with
30:01
smash
30:01
mouth's
30:02
All
30:02
Star,
30:03
although
30:03
I
30:03
would
30:04
argue
30:04
that
30:04
Mystery
30:05
Men
30:05
got
30:05
there
30:05
first.
30:06
But
30:06
when
30:06
it
30:06
came
30:07
to
30:07
the
30:07
soundtrack
30:08
for
30:08
Shrek
30:09
2,
30:09
Shrek
30:10
2
30:10
basically
30:11
saw
30:11
the
30:11
Shrek
30:12
soundtrack
30:12
and
30:13
said
30:13
hold
30:13
my
30:14
beer
30:14
because
30:15
we've
30:15
got
30:15
the
30:15
Counting
30:16
Crows
30:16
penned
30:16
Accidentally
30:17
in
30:17
Love,
30:18
which
30:18
was
30:18
written
30:18
especially
30:19
for
30:19
this
30:19
movie.
30:20
A
30:20
cover
30:21
of
30:21
David
30:21
Bowie's
30:22
Changes,
30:23
a
30:24
cover
30:24
so
30:24
good
30:25
that
30:25
David
30:25
Bowie
30:26
offered
30:26
to
30:26
record
30:27
new
30:27
vocals
30:27
for
30:28
it.
30:28
There
30:29
are
30:29
two
30:29
covers
30:30
of
30:30
holding
30:30
up
30:30
for
30:31
a
30:31
Hero,
30:31
first
30:31
recorded
30:32
by
30:32
the
30:33
Incredible
30:34
Bonnie
30:34
Tyler,
30:35
including
30:36
a
30:36
cover
30:36
song
30:37
by
30:37
the
30:37
inimitable
30:38
Jennifer
30:38
Saunders,
30:39
who
30:39
is
30:40
a
30:40
comedy
30:40
legend
30:41
here
30:41
in
30:41
the
30:41
uk.
30:42
There
30:42
is
30:43
a
30:43
cover
30:43
of
30:43
Living
30:44
La
30:44
Vida
30:44
Loca,
30:44
which
30:45
is
30:45
about
30:45
as
30:45
early
30:46
2000s
30:47
as
30:47
you
30:47
can.
30:47
Early
30:48
2000s.
30:49
There's
30:49
Tom
30:49
Waits,
30:50
Little
30:50
Drop
30:50
of
30:51
Poison
30:51
and
30:52
Funky
30:52
Town
30:52
by
30:53
Lips
30:53
Inc.
30:54
The
30:54
score
30:55
and
30:55
soundtrack
30:55
is
30:55
also
30:56
credited
30:56
with
30:57
helping
30:57
to
30:57
tell
30:57
the
30:57
story,
30:58
with
30:58
composer
30:59
Harry
30:59
Gregson
31:00
Williams
31:01
crediting
31:01
Director
31:02
Andrew
31:02
Adamson
31:02
with
31:03
picking
31:03
most
31:03
of
31:03
Shrek
31:04
2
31:04
songs,
31:05
and
31:05
he
31:06
specifically
31:06
chose
31:07
tracks
31:07
that
31:07
worked
31:08
best
31:08
within
31:08
the
31:09
narrative.
31:10
And
31:10
so
31:10
obviously
31:10
fan
31:11
anticipation
31:12
for
31:12
a
31:12
sequel
31:13
to
31:13
Shrek
31:14
was
31:14
high.
31:15
And
31:15
so
31:16
they
31:16
did
31:16
a
31:16
lot
31:17
when
31:17
it
31:17
came
31:17
to
31:17
marketing
31:18
this
31:18
movie.
31:19
It
31:19
was
31:19
actually
31:20
one
31:20
of
31:20
the
31:20
most
31:20
extensive
31:21
and
31:21
innovative
31:22
marketing
31:22
efforts
31:23
for
31:23
an
31:23
animated
31:24
film
31:24
at
31:24
that
31:24
time.
31:26
They
31:26
obviously
31:26
had
31:27
the
31:27
traditional
31:28
deals
31:28
like
31:29
M&M's,
31:30
Burger
31:30
King,
31:31
Ben
31:31
and
31:31
Jerry's.
31:32
They
31:33
had
31:33
Shrek
31:33
2
31:33
cereals,
31:34
they
31:35
had
31:35
Shrek
31:35
2
31:36
Pepsi
31:36
and
31:37
Shrek
31:37
2
31:37
crisps,
31:38
aka
31:39
chips.
31:40
They
31:40
also
31:41
had
31:41
a
31:41
toy
31:41
in
31:42
video
31:42
game,
31:42
which
31:43
was
31:43
released
31:43
on
31:43
the
31:44
PlayStation
31:44
2
31:45
Xbox
31:46
and
31:46
GameCube,
31:47
which
31:47
allowed
31:47
players
31:48
to
31:48
experience
31:48
the
31:48
movie
31:49
story
31:49
interactively.
31:50
It
31:51
received
31:51
mixed
31:52
reviews,
31:52
but
31:52
then
31:53
most
31:53
movie
31:54
video
31:54
game
31:54
tie
31:54
ins
31:55
tend
31:55
to
31:55
do
31:55
that.
31:56
But
31:56
the
31:56
viral
31:57
Marketing
31:57
for
31:57
Shrek
31:58
2
31:58
in
31:58
2004
31:59
was
31:59
innovative
32:00
for
32:00
its
32:00
time.
32:01
And
32:01
you've
32:01
got
32:01
to
32:01
remember
32:02
as
32:02
well,
32:02
this
32:02
was
32:03
before
32:03
the
32:03
advent
32:04
of
32:04
social
32:05
media.
32:05
It
32:05
was
32:06
before
32:07
YouTube,
32:07
which
32:08
came
32:08
out
32:08
in
32:08
2005,
32:09
it
32:10
was
32:10
before
32:10
Facebook
32:11
went
32:11
public
32:12
in
32:12
2006,
32:13
and
32:13
it
32:14
was
32:14
before
32:14
Twitter
32:15
as
32:15
well.
32:15
That
32:16
came
32:16
out
32:16
in
32:16
2006.
32:18
The
32:18
official
32:18
website,
32:19
Shrek2.com
32:21
featured
32:21
interactive
32:22
character
32:22
profiles,
32:23
desktop
32:24
wallpapers
32:25
and
32:25
screensavers
32:26
for
32:26
download.
32:27
Browser
32:28
based
32:28
mini
32:29
games,
32:29
behind
32:30
the
32:30
scenes
32:30
videos
32:31
and
32:31
AOL
32:32
and
32:32
MSN
32:33
messenger
32:33
icons.
32:35
Most
32:35
Internet
32:35
users
32:36
were
32:36
actually
32:37
still
32:37
on
32:37
Dial
32:37
Up
32:38
Connections
32:38
at
32:38
the
32:38
time,
32:39
if
32:39
you
32:40
remember
32:40
Dial
32:40
Up
32:40
Connection,
32:41
because
32:41
I
32:42
certainly
32:42
do.
32:43
And
32:43
because
32:44
of
32:44
this,
32:44
the
32:44
interactive
32:45
features
32:45
had
32:45
to
32:45
be
32:46
relatively
32:46
simple
32:47
to
32:47
accommodate
32:48
those
32:48
slower
32:49
download
32:49
speeds.
32:50
And
32:50
if
32:50
you're
32:51
of
32:51
that
32:51
vintage
32:52
where
32:52
you
32:52
remember,
32:53
those
32:53
were
32:53
the
32:54
days
32:54
of
32:54
Internet
32:55
Explorer
32:56
6
32:56
and
32:56
Medscape
32:57
Navigator,
32:59
I
32:59
mentioned
33:00
AOL
33:00
and
33:00
MSN
33:01
Messenger.
33:02
The
33:02
movie
33:02
also
33:02
had
33:03
an
33:03
official
33:03
presence
33:04
on
33:04
those
33:05
platforms.
33:05
And
33:06
these
33:06
were
33:06
basically
33:07
very,
33:07
very
33:08
early
33:08
versions
33:09
of
33:09
social
33:09
media
33:10
presences.
33:11
There
33:11
were
33:11
also
33:12
email
33:12
newsletter
33:13
campaigns
33:13
and
33:14
promotional
33:14
content
33:15
on
33:15
very
33:16
early
33:16
social
33:16
platforms
33:17
like
33:18
friends
33:18
stuff.
33:19
You
33:19
could
33:19
also
33:19
create
33:20
your
33:20
own
33:20
fairy
33:21
tale
33:21
on
33:21
the
33:21
Shrek
33:22
2
33:22
website,
33:22
where
33:22
users
33:23
could
33:23
mix
33:23
and
33:24
match
33:24
characters
33:25
and
33:25
scenarios.
33:26
And
33:26
there
33:26
was
33:27
also
33:27
Far
33:27
Far
33:28
Away
33:28
Idol,
33:29
which
33:29
was
33:29
an
33:29
interactive
33:30
feature
33:30
that
33:30
tied
33:31
into
33:31
the
33:31
DVD
33:31
release
33:32
starring
33:33
Simon
33:33
Cowell
33:34
as
33:34
himself,
33:35
but
33:35
an
33:35
animated
33:36
version
33:36
of
33:37
himself.
33:38
In
33:38
May
33:39
2004,
33:39
Shrek
33:40
2
33:40
competed
33:41
for
33:41
the
33:41
prestigious
33:42
Palme
33:42
d'or
33:43
at
33:43
the
33:43
Cannes
33:43
Film
33:44
Festival
33:44
alongside
33:45
films
33:46
like
33:46
Oldboy,
33:47
the
33:47
Lady
33:47
killers
33:48
and
33:48
Fahrenheit
33:49
9
33:49
11,
33:49
the
33:50
latter
33:50
of
33:50
which
33:51
won
33:51
the
33:51
award
33:52
and
33:52
is
33:52
so
33:53
far
33:53
the
33:53
first
33:53
and
33:54
only
33:54
documentary
33:55
to
33:55
win
33:55
the
33:56
festival's
33:56
main
33:57
prize.
33:57
Nevertheless,
33:58
the
33:58
fact
33:59
Shrek
33:59
2
33:59
was
33:59
up
34:00
there
34:00
with
34:01
some
34:01
of
34:01
the
34:01
best
34:01
movies
34:02
from
34:02
across
34:02
the
34:03
world
34:03
that
34:03
year.
34:04
Spoke
34:04
wonders
34:05
and
34:05
audience
34:06
anticipation
34:07
was
34:07
high.
34:08
Shrek
34:08
2
34:09
was
34:09
originally
34:09
scheduled
34:09
for
34:10
release
34:10
on
34:10
18
34:11
June
34:12
2004.
34:12
It
34:12
was
34:13
then
34:13
moved
34:13
forward
34:13
to
34:14
21
34:15
May
34:15
2004.
34:16
However,
34:17
due
34:17
to
34:17
fan
34:18
demand,
34:18
it
34:18
was
34:19
released
34:19
two
34:19
days
34:20
earlier
34:20
on
34:20
19
34:21
May
34:22
2004.
34:23
It
34:23
opened
34:23
at
34:24
third
34:24
due
34:25
to
34:25
its
34:25
early
34:25
release,
34:26
but
34:26
then
34:27
jumped
34:27
up
34:27
to
34:27
number
34:27
one
34:28
at
34:28
the
34:28
weekly
34:28
box
34:29
office
34:29
where
34:29
it
34:30
stayed
34:30
for
34:30
two
34:31
weeks
34:31
and
34:31
then
34:32
stayed
34:32
in
34:32
the
34:32
top
34:33
10
34:33
for
34:33
11
34:34
weeks.
34:35
On
34:36
its
34:36
eventual
34:36
$150
34:37
million
34:38
budget,
34:38
Shrek
34:37
2
34:39
would
34:39
make
34:39
$441.6
34:41
million
34:42
domestically
34:43
and
34:42
$487.5
34:45
million
34:46
internationally
34:47
for
34:47
a
34:47
total
34:48
worldwide
34:48
gross
34:49
of
34:45
$929.1
34:49
million.
34:52
It
34:53
became
34:53
the
34:53
highest
34:54
grossing
34:54
movie
34:54
of
34:55
2004
34:55
worldwide,
34:56
beating
34:57
its
34:57
nearest
34:57
rivals
34:58
Harry
34:58
Potter
34:59
and
34:59
the
34:59
Prisoner
34:59
of
34:59
azkaban
35:00
and
35:00
Spider
35:01
Man
35:01
2
35:01
by
35:02
130
35:03
to
35:03
140
35:04
million
35:05
dollars.
35:06
Shrek
35:06
2
35:06
was
35:07
the
35:07
highest
35:07
grossing
35:07
animated
35:08
film
35:08
globally
35:09
until
35:09
the
35:09
release
35:09
of
35:09
Toy
35:10
Story
35:10
3
35:10
in
35:10
2010.
35:11
It
35:12
also
35:12
held
35:12
the
35:12
title
35:13
of
35:13
highest
35:13
grossing
35:14
animated
35:14
film
35:15
in
35:15
North
35:15
America
35:16
until
35:16
Finding
35:16
Dory
35:17
was
35:17
released
35:17
in
35:18
2016.
35:19
It
35:19
was
35:19
the
35:20
highest
35:20
grossing
35:20
non
35:21
Disney
35:21
animated
35:22
film
35:22
at
35:22
the
35:22
US
35:22
box
35:23
office
35:23
until
35:24
the
35:24
Super
35:24
Mario
35:25
Bros
35:25
movie
35:25
in
35:25
2023
35:27
and
35:27
it
35:27
was
35:27
the
35:27
highest
35:28
grossing
35:29
non
35:29
Disney
35:29
animated
35:30
film
35:30
worldwide
35:31
until
35:31
2013
35:32
when
35:33
Despicable
35:33
Me
35:34
Too
35:34
overtook
35:34
it.
35:35
When
35:36
the
35:36
Shrek
35:36
2
35:36
DVD
35:37
released,
35:37
it
35:37
became
35:38
one
35:38
of
35:38
the
35:38
best
35:38
selling
35:39
DVD
35:39
releases
35:39
of
35:40
all
35:40
time
35:40
with
35:41
over
35:41
37
35:42
million
35:42
copies
35:43
being
35:43
sold
35:43
grossing
35:44
$458
35:45
million.
35:47
Well,
35:47
purportedly
35:49
investors
35:50
would
35:50
sue
35:50
DreamWorks
35:51
with
35:51
a
35:51
class
35:51
action
35:52
lawsuit
35:53
over
35:53
misrepresented
35:54
DVD
35:55
sales.
35:55
Jeffrey
35:56
Katzenberg
35:56
and
35:57
Chairman
35:57
Roger
35:57
Enrico
35:58
were
35:58
accused
35:59
of
35:59
failing
35:59
to
36:00
Disclose
36:00
in
36:00
the
36:01
first
36:01
quarter
36:01
that
36:01
sales
36:02
of
36:02
the
36:02
DVD
36:03
were
36:03
declining
36:03
more
36:04
than
36:04
expected.
36:04
Expected
36:05
that
36:05
DreamWorks
36:06
continued
36:06
to
36:06
ship
36:07
DVDs
36:07
far
36:08
in
36:08
excess
36:08
of
36:08
demand
36:09
and
36:09
hid
36:09
the
36:10
fact
36:10
that
36:10
retailers
36:11
were
36:11
then
36:11
returning
36:12
unsold
36:12
DVDs.
36:13
The
36:14
lawsuit
36:14
over
36:15
the
36:15
Shrek
36:15
2
36:15
DVD
36:16
sales
36:16
was
36:17
undermined
36:17
by
36:17
the
36:18
documents
36:18
presented
36:19
by
36:19
the
36:19
plaintiffs.
36:20
The
36:21
plaintiffs
36:21
arguments
36:22
were
36:22
that
36:22
the
36:22
defendants
36:23
were
36:23
aware
36:23
of
36:23
a
36:23
trend
36:24
that
36:24
would
36:24
have
36:25
a
36:25
material
36:25
impact
36:26
on
36:26
the
36:26
DVD
36:26
sales,
36:27
but
36:27
the
36:27
documents
36:28
did
36:29
not
36:29
support
36:29
this
36:29
claim
36:30
and
36:30
the
36:30
lawsuit
36:31
was
36:31
thrown
36:31
out.
36:33
Despite
36:33
the
36:34
lawsuit
36:34
being
36:35
thrown
36:35
out,
36:35
DreamWorks
36:36
Animation
36:36
would
36:37
deliver
36:37
two
36:37
profit
36:38
warnings
36:38
in
36:39
three
36:39
months
36:39
in
36:40
2005
36:41
which
36:41
saw
36:41
its
36:41
stock
36:42
price
36:42
crash
36:43
after
36:44
surprise
36:44
surprise
36:45
lower
36:45
than
36:45
expected
36:46
DVD
36:46
sales.
36:47
And
36:48
this
36:48
was
36:48
despite
36:48
the
36:49
financial
36:49
success
36:50
of
36:50
the
36:50
movie
36:50
Madagascar
36:51
which
36:51
came
36:52
out
36:52
in
36:52
2005.
36:53
But
36:54
back
36:54
to
36:54
Shrek
36:55
too,
36:55
because
36:55
it
36:55
was
36:56
also
36:56
praised
36:56
critically
36:57
as
36:57
well.
36:58
It
36:58
has
36:58
an
36:58
89%
36:59
of
36:59
rotten
36:59
tomatoes
37:00
with
37:00
the
37:00
consensus
37:01
reading
37:02
it
37:02
may
37:02
not
37:02
be
37:02
as
37:02
fresh
37:03
as
37:03
the
37:03
original,
37:03
but
37:04
topical
37:04
humor
37:05
and
37:05
colorful
37:05
secondary
37:06
characters
37:07
make
37:07
Shrek
37:07
2
37:08
a
37:08
winner
37:08
in
37:08
its
37:09
own
37:09
right.
37:10
Shrek
37:10
2
37:11
was
37:11
also
37:11
nominated
37:12
for
37:12
the
37:12
Academy
37:12
Award
37:13
for
37:13
Best
37:13
Animated
37:14
Feature,
37:14
but
37:15
it
37:15
lost
37:15
to
37:16
the
37:16
Incredibles.
37:17
It
37:17
was
37:17
also
37:17
nominated
37:18
for
37:18
Best
37:18
Original
37:19
Song
37:19
at
37:19
the
37:19
Academy
37:20
Awards
37:20
for
37:20
Accidentally
37:21
in
37:21
Love,
37:22
which
37:22
it
37:22
lost
37:23
to
37:23
Al
37:23
Otro
37:24
Lado
37:24
del
37:25
Rio
37:25
from
37:25
the
37:25
Motorcycle
37:26
Diaries.
37:27
Accidentally
37:27
in
37:28
Love
37:28
also
37:28
received
37:29
a
37:29
Golden
37:29
Globe
37:30
nomination
37:30
for
37:30
Best
37:31
Original
37:31
Song
37:32
and
37:32
a
37:32
Grammy
37:33
Award
37:33
nomination
37:34
for
37:34
Best
37:34
Song
37:34
Written
37:35
for
37:35
a
37:35
Motion
37:35
Picture,
37:36
Television
37:37
or
37:37
Other
37:37
Visual
37:37
Media.
37:38
But
37:39
we
37:39
need
37:39
to
37:39
talk
37:39
about
37:39
sequels
37:40
because
37:41
Shrek
37:41
the
37:42
Third
37:42
and
37:42
Shrek
37:43
Forever
37:43
after
37:45
exist.
37:47
Yay.
37:48
I
37:49
have
37:49
seen
37:49
Shrek
37:50
the
37:50
third.
37:51
I
37:51
have
37:52
seen
37:52
a
37:52
bit
37:52
of
37:52
Shrek
37:53
Forever
37:53
after
37:54
and
37:54
I
37:54
turned
37:55
it
37:55
off
37:55
because
37:56
I
37:56
was
37:57
not
37:57
enjoying
37:57
myself.
37:58
I
37:59
probably
37:59
should
37:59
actually
38:00
give
38:00
that
38:00
movie
38:00
a
38:00
chance,
38:01
especially
38:01
with
38:01
Shrek
38:02
5
38:02
on
38:03
its
38:03
way.
38:03
But
38:04
it
38:04
is
38:04
really
38:04
funny
38:05
that
38:05
Shrek
38:05
made
38:05
its
38:06
name
38:06
on
38:06
parodying
38:07
Disney,
38:08
Disney's
38:08
repetitive
38:09
messages
38:09
and
38:09
inferior
38:10
sequels.
38:11
And
38:11
then
38:12
it
38:12
basically
38:12
does
38:13
exactly
38:13
the
38:13
same
38:14
thing.
38:14
Shrek5,
38:15
as
38:16
I
38:16
mentioned,
38:16
has
38:16
been
38:17
confirmed
38:17
it
38:17
will
38:17
be
38:17
arriving
38:18
in
38:18
December
38:19
2026
38:20
with
38:20
the
38:20
main
38:21
three
38:21
principal
38:21
cast
38:22
returning.
38:23
And
38:23
from
38:24
this
38:24
movie
38:24
we
38:24
got
38:24
a
38:24
Puss
38:25
in
38:25
Boots
38:25
spin
38:25
off
38:26
in
38:26
2011,
38:27
but
38:27
really
38:28
the
38:28
only
38:28
movie
38:28
that
38:28
we
38:29
care
38:29
about
38:29
from
38:30
the
38:30
Shrek
38:30
universe
38:31
other
38:31
than
38:31
the
38:32
original
38:32
Shrek
38:32
and
38:33
this
38:33
one
38:33
is
38:34
Puss
38:34
in
38:34
Boots
38:35
the
38:35
Last
38:35
Wish,
38:36
which
38:36
didn't
38:37
have
38:37
to
38:37
go
38:37
as
38:37
hard
38:37
as
38:38
it
38:38
did,
38:38
but
38:39
it
38:39
really
38:39
did
38:39
and
38:40
it
38:40
is
38:40
a
38:40
truly
38:41
stunningly
38:42
beautiful
38:42
and
38:42
poignant
38:43
movie.
38:44
I
38:44
highly
38:44
recommend
38:45
you
38:45
watch
38:45
it.
38:45
If
38:45
you
38:46
haven't,
38:46
I
38:46
believe
38:46
it's
38:46
on
38:47
Netflix
38:47
at
38:47
the
38:47
moment
38:48
here
38:48
in
38:48
the
38:48
uk.
38:49
And
38:50
the
38:50
lasting
38:50
legacy
38:50
of
38:51
Shrek
38:51
is
38:52
simply
38:52
this.
38:53
When
38:54
my
38:54
dad
38:54
goes
38:55
off
38:55
on
38:55
a
38:55
bit
38:55
of
38:56
a
38:56
rant
38:56
about
38:57
something,
38:58
my
38:58
mom
38:59
will
38:59
tell
38:59
him
38:59
to
39:00
stop
39:00
being
39:00
a
39:01
drama
39:01
king.
39:03
And
39:03
if
39:03
something
39:04
permeates
39:04
pop
39:05
culture
39:05
to
39:05
the
39:05
extent
39:06
that
39:06
my
39:06
parents
39:07
are
39:07
quoting
39:09
really
39:09
has
39:10
properly
39:10
permeated
39:11
pop
39:11
culture.
39:13
And
39:13
one
39:13
of
39:13
the
39:13
reasons
39:14
animation
39:14
is
39:14
so
39:15
great
39:15
and
39:16
two
39:17
kind
39:17
of
39:17
epitomizes
39:18
this
39:19
is
39:19
that
39:19
animation
39:20
works
39:20
on
39:20
a
39:21
multi
39:21
generational
39:22
level.
39:22
It
39:23
has
39:23
kid
39:23
friendly
39:24
humor
39:24
and
39:25
it
39:25
has
39:25
adult
39:26
humor
39:26
as
39:26
well.
39:27
And
39:27
yes,
39:28
some
39:28
of
39:28
the
39:28
references
39:29
are
39:29
a
39:29
bit
39:29
dated
39:30
because
39:30
this
39:31
is
39:31
a
39:31
movie
39:31
from
39:31
the
39:31
mid-2000s.
39:33
There's
39:33
also
39:34
more
39:34
than
39:34
a
39:34
little
39:34
bit
39:35
transphobia
39:36
in
39:36
this
39:36
movie
39:36
as
39:36
well.
39:37
Again,
39:37
this
39:38
was
39:38
the
39:38
case
39:38
in
39:39
the
39:39
2000s.
39:40
There
39:40
is
39:40
a
39:40
particular
39:41
line
39:41
that
39:41
fairy
39:42
Godmother
39:42
says
39:42
that's
39:43
often
39:43
cut
39:43
out.
39:44
I'm
39:44
not
39:44
going
39:45
to
39:45
repeat
39:45
the
39:45
line,
39:46
but
39:46
it
39:46
is
39:46
often
39:47
cut
39:47
out
39:47
because
39:48
it
39:48
might
39:49
cause
39:49
offense
39:49
to
39:49
some
39:50
people.
39:51
And
39:51
the
39:51
ridiculing
39:52
of
39:52
Pinocchio
39:52
for
39:53
wearing
39:53
a
39:53
thong
39:54
is
39:54
a
39:54
funny
39:54
joke,
39:55
but
39:55
it
39:55
just
39:56
goes
39:56
on
39:56
a
39:56
bit
39:56
too
39:57
long.
39:57
And
39:57
who
39:58
cares
39:58
that
39:58
he's
39:58
wearing
39:58
a
39:59
thong
39:59
again?
40:00
Thongs
40:00
were
40:00
very
40:00
much
40:00
a
40:01
thing
40:01
in
40:01
the
40:01
early
40:01
2000s,
40:02
and
40:02
I
40:02
remember
40:02
using
40:03
that
40:03
line
40:04
whenever
40:04
you
40:04
could
40:04
see
40:05
a
40:05
friend's
40:05
thong
40:05
poking
40:06
out
40:06
from
40:06
behind
40:06
her
40:07
jeans.
40:07
And
40:08
just
40:08
like
40:08
Shrek,
40:09
this
40:09
movie
40:10
created
40:10
lasting
40:11
memes
40:11
and
40:11
quotable
40:12
moments.
40:13
While
40:13
Shrek
40:14
popularized
40:14
pop
40:15
culture
40:15
references
40:15
and
40:16
modern
40:16
music
40:16
in
40:17
animated
40:17
films,
40:18
Shrek
40:18
Too
40:19
just
40:19
takes
40:19
it
40:19
one
40:20
step
40:20
further
40:20
by
40:21
elaborating
40:21
on
40:21
the
40:22
story
40:22
we've
40:22
seen
40:22
and
40:23
we
40:23
know
40:23
and
40:24
carrying
40:24
it
40:24
on
40:24
in
40:25
a
40:25
natural
40:25
way.
40:26
We
40:26
know
40:27
he's
40:27
married
40:27
to
40:27
the
40:27
princess
40:28
now,
40:28
he
40:29
has
40:29
to
40:29
meet
40:29
the
40:29
parents,
40:30
and
40:31
this
40:31
may
40:31
be
40:31
bold,
40:32
but
40:32
I
40:32
think
40:32
Far
40:33
Far
40:33
Away
40:33
is
40:33
one
40:33
of
40:34
the
40:34
best
40:34
parodies
40:34
of
40:35
Hollywood
40:35
ever
40:36
put
40:36
to
40:36
screen
40:36
because
40:37
the
40:37
attention
40:37
to
40:38
detail
40:38
is
40:39
absolutely
40:39
phenomenal.
40:40
But
40:41
this
40:41
is
40:41
also
40:41
a
40:41
movie
40:41
with
40:42
hearts.
40:42
It
40:42
has
40:43
a
40:43
great
40:43
central
40:43
villain
40:44
who's
40:45
clearly
40:45
been
40:45
in
40:45
it
40:45
for
40:45
the
40:46
long
40:46
run,
40:46
and
40:46
all
40:47
Fairy
40:47
Godmother
40:47
wants
40:48
is
40:48
her
40:48
boy
40:49
on
40:49
the
40:49
throne.
40:50
The
40:50
idea
40:50
that
40:50
he
40:51
was
40:51
the
40:51
prince
40:51
destined
40:52
to
40:52
free
40:52
Fiona
40:53
from
40:53
the
40:53
tower
40:53
but
40:54
just
40:54
got
40:54
there
40:55
a
40:55
bit
40:55
late
40:56
does
40:56
make
40:56
you
40:56
wonder
40:57
how
40:57
Lord
40:57
Farquaad
40:58
didn't
40:59
know
40:59
that
40:59
Fiona
41:00
was
41:00
technically
41:00
already
41:01
off
41:01
the
41:01
market.
41:02
But
41:02
I
41:02
guess
41:03
Lord
41:03
Farquaad
41:04
doesn't
41:05
really
41:05
care.
41:06
We
41:06
know
41:06
that
41:06
he's
41:07
compensating
41:07
for
41:07
something.
41:08
If
41:09
you
41:09
think
41:09
about
41:10
this
41:10
movie
41:10
a
41:10
little
41:10
bit
41:10
too
41:11
much,
41:11
it
41:12
starts
41:12
to
41:12
not
41:12
make
41:13
sense.
41:13
Like
41:14
the
41:14
toadstool
41:15
turning
41:15
into
41:15
a
41:15
rose
41:16
pretty
41:16
much
41:16
immediately,
41:17
but
41:17
it
41:17
takes
41:17
overnight
41:18
for
41:18
Shrek
41:18
and
41:18
Donkey.
41:19
And
41:20
why
41:20
didn't
41:20
Fiona
41:21
question
41:21
Prince
41:22
Charming
41:22
as
41:23
Shrek
41:23
more?
41:24
I
41:24
don't
41:24
know.
41:24
Maybe
41:25
ask
41:25
if
41:26
you're
41:26
Shrek,
41:26
then
41:27
where
41:27
did
41:27
we
41:27
spend
41:27
our
41:28
honeymoon?
41:29
Stuff
41:29
that
41:29
Charming
41:30
wouldn't
41:30
know.
41:31
I
41:31
realized
41:31
the
41:31
plot
41:32
would
41:32
crumble,
41:32
but
41:33
her
41:33
voice
41:33
and
41:33
demeanor
41:34
didn't
41:34
change.
41:34
So
41:35
why
41:35
would
41:35
his
41:37
Shrek
41:37
2
41:37
is
41:38
seen
41:38
by
41:38
many
41:38
as
41:39
a
41:39
perfect
41:39
sequel.
41:40
Not
41:40
a
41:40
perfect
41:41
movie,
41:41
but
41:42
a
41:42
perfect
41:42
sequel
41:43
by
41:43
expanding
41:43
on
41:44
the
41:44
original's
41:44
themes
41:45
and
41:45
story
41:46
while
41:46
maintaining
41:46
quality,
41:47
balancing
41:48
comedy
41:48
with
41:48
emotional
41:49
depth,
41:49
deepening
41:50
the
41:50
character
41:51
development
41:51
of
41:51
Shrek,
41:52
Fiona,
41:53
and
41:53
Donkey
41:54
giving
41:54
us
41:54
Puss
41:55
in
41:55
Boots.
41:55
Look
41:56
at
41:56
his
41:56
eyes.
41:57
Aww.
41:58
The
41:58
themes
41:59
of
41:59
the
41:59
original
41:59
Shrek
42:00
are
42:00
about
42:01
self
42:01
confidence,
42:02
accepting
42:02
yourself
42:02
for
42:03
who
42:03
you
42:03
are
42:03
and
42:04
that
42:04
you
42:04
are
42:04
worthy
42:05
of
42:05
love
42:05
no
42:05
matter
42:06
what
42:06
you
42:06
look
42:06
like
42:07
or
42:07
what
42:07
your
42:07
background
42:08
is.
42:09
That
42:09
you
42:09
shouldn't
42:09
judge
42:10
a
42:10
book
42:10
by
42:10
its
42:11
cover.
42:11
Regardless
42:12
of
42:12
what
42:12
the
42:12
torches
42:13
and
42:13
pitchforks
42:14
say
42:14
in
42:15
Shrek
42:15
2,
42:15
they
42:15
really
42:16
expand
42:16
on
42:16
this
42:16
theme
42:17
and
42:17
how
42:17
the
42:17
character
42:17
of
42:18
Shrek
42:18
deals
42:19
with
42:19
this
42:19
in
42:19
a
42:20
really
42:20
effective
42:20
way.
42:21
With
42:21
both
42:21
Shrek
42:22
and
42:22
Fiona
42:22
now
42:23
ogres
42:23
and
42:24
her
42:24
parents
42:24
accepting
42:25
her
42:25
for
42:25
who
42:25
she
42:25
is,
42:26
but
42:26
her
42:26
father
42:27
refusing
42:27
to
42:27
give
42:28
Shrek
42:28
his
42:28
blessing
42:29
because
42:29
of
42:30
who
42:30
he
42:30
is.
42:31
Shrek
42:32
has
42:32
likely
42:32
never
42:32
had
42:32
a
42:33
family,
42:33
so
42:33
this
42:33
seemingly
42:34
happy
42:34
family
42:35
dynamic
42:36
is
42:36
completely
42:36
new
42:37
to
42:37
him,
42:37
not
42:37
to
42:38
mention
42:38
the
42:38
fact
42:38
they
42:39
are
42:39
the
42:39
literal
42:40
royal
42:40
family
42:41
of
42:41
Far
42:41
Far
42:41
Away.
42:42
So
42:42
of
42:42
course
42:43
he
42:43
begins
42:43
to
42:43
doubt
42:44
how
42:44
deserving
42:44
he
42:45
is
42:45
of
42:45
Fiona,
42:46
especially
42:46
when
42:46
he
42:47
discovers
42:47
she
42:47
had
42:48
dreams
42:48
of
42:48
marrying
42:49
the
42:49
stereotypically
42:50
handsome
42:51
but
42:51
total
42:52
mummy's
42:52
boy
42:53
Prince
42:53
Charming.
42:54
He
42:54
worries
42:54
about
42:55
not
42:55
being
42:55
good
42:55
enough
42:56
to
42:56
the
42:56
point
42:56
where
42:57
he
42:57
takes
42:57
a
42:57
potion
42:58
to
42:58
become
42:58
handsome,
42:59
believing
43:00
that
43:00
that's
43:00
all
43:00
that
43:01
Fiona
43:01
really
43:02
wants.
43:03
The
43:03
potion,
43:04
obviously
43:05
from
43:05
Fairy
43:05
Godmother,
43:06
and
43:06
Fairy
43:07
Godmother
43:08
is
43:08
just
43:08
an
43:08
exceptional
43:09
villain.
43:10
Jennifer
43:10
Saunders
43:11
plays
43:11
her
43:11
perfectly,
43:12
and
43:12
holding
43:13
out
43:13
for
43:13
a
43:13
hero
43:14
is
43:14
downright
43:14
the
43:15
best
43:15
song
43:15
and
43:16
scene
43:16
in
43:17
this
43:17
entire
43:17
franchise.
43:19
It
43:19
has
43:19
action,
43:20
it
43:20
has
43:20
humor,
43:21
it
43:21
has
43:21
Fiona
43:22
trying
43:22
desperately
43:23
to
43:23
avoid
43:23
Prince
43:23
Charming
43:24
kissing
43:24
her,
43:25
and
43:25
it
43:25
has
43:25
Mongo,
43:26
go
43:27
bongo,
43:28
be
43:29
good.
43:30
That
43:31
gets
43:31
me
43:31
every
43:31
time.
43:32
In
43:32
many
43:32
ways,
43:33
the
43:33
success
43:33
of
43:33
Shrek
43:34
would
43:34
ultimately
43:34
lead
43:35
to
43:35
the
43:35
downfall
43:36
of
43:36
DreamWorks.
43:37
Nothing
43:37
ever
43:38
reached
43:38
these
43:39
highest
43:39
heights
43:39
again.
43:40
And
43:40
in
43:40
2004,
43:41
DreamWorks
43:42
Animation
43:42
LLC
43:43
became
43:44
a
43:44
publicly
43:44
traded
43:45
company.
43:45
And
43:46
with
43:46
them
43:46
not
43:46
having
43:46
a
43:47
distribution
43:47
arm,
43:48
they
43:48
entered
43:48
deals
43:49
with
43:49
other
43:49
companies
43:50
like
43:50
Paramount
43:51
and
43:51
20th
43:52
Century
43:52
Fox.
43:53
The
43:53
studio
43:54
was
43:54
ultimately
43:54
acquired
43:54
by
43:55
Universal
43:55
Pictures
43:56
in
43:56
2016,
43:57
now
43:57
headed
43:58
up
43:58
by
43:58
Chris
43:58
Meledandri
43:59
of
43:59
Illumination
44:00
Studios.
44:01
This
44:01
deal
44:02
is
44:02
what
44:02
gave
44:02
us
44:03
Puss
44:03
in
44:03
Boots,
44:04
the
44:04
Last
44:04
Wish.
44:05
But
44:05
it's
44:06
safe
44:06
to
44:06
say
44:06
that
44:06
DreamWorks
44:07
Animation
44:08
peaked
44:08
in
44:08
the
44:08
early
44:09
2000s,
44:10
and
44:10
then
44:10
the
44:10
late
44:11
2000s
44:11
saw
44:12
an
44:12
evolution
44:12
of
44:13
Disney
44:13
animation.
44:14
When
44:14
Bob
44:15
Iger
44:15
replaced
44:15
Michael
44:16
Eisner
44:16
at
44:16
Disney
44:17
in
44:17
2005,
44:18
he
44:18
said
44:18
that
44:19
one
44:19
of
44:19
his
44:19
main
44:19
goals
44:20
was
44:20
to
44:20
restore
44:21
Disney's
44:21
animation.
44:22
One
44:22
of
44:22
Iger's
44:23
first
44:23
act
44:24
was
44:24
to
44:24
buy
44:24
Pixar
44:25
outright
44:26
rather
44:26
than
44:26
just
44:27
partnering
44:27
with
44:27
the
44:27
company.
44:28
In
44:29
his
44:29
tenure,
44:29
Iger
44:30
was
44:30
also
44:30
responsible
44:31
for
44:31
Disney
44:31
paying
44:32
billions
44:32
for
44:32
Lucasfilm
44:33
and
44:33
Marvel.
44:34
Iger
44:35
also
44:35
pushed
44:35
Pixar's
44:36
storytelling
44:37
brain
44:37
trust
44:37
into
44:37
the
44:38
rest
44:38
of
44:38
Disney
44:38
animation,
44:39
which
44:39
led
44:40
to
44:40
a
44:40
whole
44:40
new
44:40
renaissance
44:41
with
44:41
Tangled,
44:42
Wreck
44:43
It
44:43
Ralph
44:43
and
44:44
Frozen
44:45
and
44:45
everything
44:45
that's
44:46
come
44:46
after
44:46
that.
44:47
And
44:47
if
44:48
ogres
44:48
can
44:48
live
44:49
happily
44:49
ever
44:49
after,
44:50
there
44:50
is
44:50
hope
44:51
for
44:51
the
44:51
rest
44:51
of
44:51
us.
44:52
We
44:52
can
44:52
only
44:53
hope
44:53
though,
44:53
that
44:53
Shrek
44:54
5
44:54
brings
44:55
back
44:55
some
44:55
of
44:55
the
44:55
Shrek
44:56
magic
44:57
and
44:58
for
44:58
a
44:58
sequel,
44:59
it
44:59
is
44:59
genuinely
45:00
one
45:00
of
45:00
the
45:00
best
45:01
sequels.
45:02
It's
45:02
also
45:03
one
45:03
hell
45:03
of
45:04
a
45:04
middle
45:04
finger
45:04
to
45:04
Disney.
45:05
Thank
45:06
you
45:06
for
45:06
listening.
45:06
As
45:06
always,
45:07
I
45:07
would
45:07
love
45:07
to
45:07
hear
45:07
your
45:07
thoughts
45:08
on
45:08
Shrek
45:08
too.
45:09
And
45:09
thank
45:10
you
45:10
for
45:10
your
45:10
continued
45:11
support
45:11
of
45:11
this
45:12
podcast.
45:12
If
45:13
you
45:13
want
45:13
to
45:13
get
45:13
involved
45:14
and
45:14
help
45:14
this
45:14
podcast
45:14
grow,
45:15
you
45:15
can
45:15
find
45:16
this
45:16
podcast
45:16
on
45:17
social
45:17
media.
45:18
I
45:18
am@VerbalDiorama.
45:20
You
45:20
can
45:20
find
45:21
me,
45:21
you
45:21
can
45:21
follow
45:22
me,
45:22
you
45:22
can
45:22
like
45:23
posts,
45:23
you
45:23
can
45:24
share
45:24
posts
45:25
wherever
45:25
you
45:25
go.
45:26
Social
45:26
media
45:26
ring,
45:27
Verbal
45:27
Diorama
45:28
is
45:28
there.
45:29
You
45:29
can
45:30
tell
45:30
your
45:30
friends
45:30
and
45:30
family
45:31
about
45:31
this
45:31
podcast
45:32
or
45:32
you
45:32
could
45:32
leave
45:33
a
45:33
rating
45:33
or
45:33
review
45:33
wherever
45:34
you
45:34
found
45:35
this
45:35
podcast.
45:36
And
45:36
if
45:36
you
45:36
like
45:36
this
45:37
episode
45:37
on
45:37
Shrek,
45:38
the
45:38
only
45:38
episode
45:38
I
45:38
can
45:39
really
45:39
Recommend
45:39
is
45:40
episode
45:40
79
45:41
on
45:41
the
45:41
original
45:42
Shrek.
45:43
So
45:43
the
45:44
next
45:44
episode
45:44
of
45:44
this
45:45
podcast
45:45
I'm
45:45
going
45:45
to
45:46
tell
45:46
you
45:46
about
45:46
the
45:46
next
45:46
three
45:47
episodes
45:48
of
45:48
this
45:48
podcast
45:49
because
45:50
they
45:50
are
45:50
for
45:50
this
45:51
podcast
45:51
sixth
45:51
birthday,
45:52
so
45:52
they're
45:53
kind
45:53
of
45:53
a
45:53
big
45:53
deal.
45:54
So
45:55
for
45:55
the
45:55
sixth
45:55
birthday
45:56
of
45:56
this
45:56
podcast
45:57
I
45:57
wanted
45:58
to
45:58
focus
45:58
on
45:59
Disney
46:00
and
46:00
I
46:00
have
46:00
obviously
46:01
covered
46:01
a
46:01
lot
46:01
of
46:01
Disney
46:02
movies
46:02
in
46:02
the
46:02
past,
46:03
but
46:03
I
46:03
wanted
46:04
to
46:04
specifically
46:05
cover
46:05
the
46:06
pre
46:06
Renaissance
46:07
Renaissance
46:08
and
46:09
post
46:09
Renaissance
46:10
eras
46:10
of
46:10
Disney.
46:11
So
46:11
let's
46:12
go
46:12
through
46:12
all
46:12
three.
46:13
For
46:13
the
46:13
pre
46:14
Renaissance,
46:14
I'm
46:15
going
46:15
to
46:15
be
46:15
talking
46:15
about
46:16
the
46:16
history
46:16
and
46:16
legacy
46:17
of
46:17
the
46:18
Great
46:18
Mouse
46:18
Detective,
46:19
AKA
46:19
Basil
46:20
the
46:20
Great
46:20
Mouse
46:21
Detective,
46:21
which
46:21
is
46:22
what
46:22
it
46:22
was
46:22
released
46:22
here
46:23
in
46:23
the
46:23
UK
46:23
as.
46:24
And
46:24
that
46:24
movie
46:25
was
46:25
actually
46:26
fundamental
46:27
to
46:27
the
46:27
Renaissance
46:28
because
46:28
without
46:29
the
46:29
success
46:29
of
46:29
the
46:29
Great
46:30
Mouse
46:30
Detective,
46:31
it's
46:31
likely
46:32
that
46:32
the
46:32
Disney
46:32
Renaissance
46:34
never
46:34
have
46:34
happened.
46:35
But
46:35
moving
46:35
into
46:36
the
46:36
Renaissance,
46:37
I'm
46:37
then
46:37
going
46:38
to
46:38
do
46:38
an
46:38
episode
46:38
on
46:38
the
46:39
History
46:39
and
46:39
Legacy
46:40
of
46:40
Hercules,
46:41
which
46:42
is
46:42
a
46:42
Disney
46:42
Renaissance
46:43
movie
46:43
that
46:44
doesn't
46:44
feel
46:44
like
46:45
a
46:45
Disney
46:45
Renaissance
46:46
movie,
46:46
but
46:46
it's
46:46
an
46:47
interesting
46:48
Disney
46:48
Renaissance
46:49
movie.
46:49
It
46:49
has
46:49
a
46:50
very
46:50
unique
46:51
and
46:51
interesting
46:52
animation
46:52
style
46:53
and
46:54
let's
46:54
be
46:54
honest,
46:55
some
46:55
of
46:55
the
46:55
best
46:56
songs
46:57
in
46:58
Disney
46:58
movies.
46:59
Full
46:59
stop.
47:00
The
47:00
Muses.
47:01
That's
47:02
all
47:02
I
47:02
need
47:02
to
47:02
say.
47:03
The
47:03
Muses.
47:04
Also,
47:05
I
47:05
believe
47:05
the
47:05
Muses
47:06
are
47:06
the
47:07
first
47:07
black
47:07
women
47:08
to
47:08
appear
47:09
in
47:09
Disney
47:09
animation,
47:10
which
47:10
is
47:11
quite
47:11
astonishing
47:12
really,
47:12
considering
47:12
Hercules
47:13
came
47:13
out
47:13
in
47:14
1997.
47:15
And
47:15
then
47:15
the
47:15
final
47:16
episode
47:16
for
47:16
the
47:17
Birthday
47:17
is
47:18
going
47:18
to
47:18
be
47:18
on
47:19
the
47:19
Post
47:20
Renaissance
47:21
and
47:21
I'm
47:21
going
47:21
to
47:21
be
47:21
doing
47:22
an
47:22
episode
47:22
on
47:22
Atlantis,
47:23
the
47:23
Lost
47:24
Empire,
47:25
which
47:25
is
47:26
technically
47:27
stunningly
47:28
beautiful
47:29
but
47:29
really,
47:30
really,
47:30
really
47:31
struggles.
47:31
And
47:32
it's
47:32
such
47:32
a
47:32
shame
47:33
because
47:33
there's
47:33
such
47:33
great
47:34
stuff
47:34
in
47:34
Atlantis
47:35
and
47:35
it's
47:35
got
47:36
such
47:36
a
47:36
fervent
47:37
fan
47:37
base
47:37
as
47:37
well,
47:38
and
47:38
you
47:38
can
47:38
really
47:39
see
47:39
what
47:39
they
47:39
were
47:39
trying
47:40
to
47:40
do
47:40
with
47:40
the
47:40
movie.
47:41
But
47:41
I
47:41
want
47:41
to
47:41
go
47:41
into
47:42
the
47:42
history
47:42
and
47:42
legacy
47:43
of
47:43
Atlantis,
47:44
the
47:44
Lost
47:44
Empire.
47:45
So
47:45
those
47:45
three
47:46
movies
47:47
are
47:47
going
47:47
to
47:47
form
47:47
the
47:47
basis
47:48
of
47:48
the
47:48
sixth
47:48
birthday
47:49
of
47:49
this
47:49
podcast.
47:50
I
47:50
hope
47:50
you
47:50
listen
47:50
to
47:51
one
47:51
of
47:51
them.
47:51
I
47:51
hope
47:52
you
47:52
listen
47:52
to
47:52
all
47:52
of
47:53
them.
47:53
But
47:53
if
47:53
you
47:53
do,
47:54
I
47:54
hope
47:54
you
47:54
enjoy
47:55
them.
47:55
They're
47:55
going
47:56
to
47:56
be
47:56
released
47:57
spread
47:58
over
47:58
a
47:58
week's
47:59
period.
47:59
But
48:00
please
48:00
join
48:00
me
48:01
for
48:01
the
48:01
next
48:01
episodes
48:02
of
48:02
this
48:02
podcast
48:03
on
48:03
the
48:03
history
48:03
and
48:04
legacy
48:04
of
48:05
the
48:05
great
48:05
mouse
48:06
detective,
48:07
Hercules
48:08
and
48:08
Atlantis,
48:09
the
48:09
Lost
48:09
Empire.
48:10
Now,
48:11
I
48:11
always
48:11
say
48:12
this
48:12
podcast
48:12
is
48:12
free
48:13
and
48:13
it
48:13
always
48:13
will
48:13
be
48:13
free.
48:14
However,
48:14
it
48:14
is
48:15
not
48:15
free
48:15
to
48:15
make
48:15
a
48:16
podcast.
48:16
So
48:17
I
48:17
rely
48:17
on
48:18
some
48:18
incredibly
48:19
generous
48:19
human
48:19
beings
48:20
to
48:20
help
48:20
fund
48:21
Verbal
48:21
Diorama
48:22
to
48:22
help
48:23
me
48:23
pay
48:23
for
48:23
things
48:24
like
48:24
subscriptions
48:25
and
48:25
software
48:26
and
48:26
equipment
48:26
and
48:27
hosting
48:28
and
48:28
all
48:28
of
48:29
the
48:29
stuff
48:29
that
48:29
you
48:29
need
48:30
to
48:30
run
48:30
a
48:30
podcast.
48:32
You
48:32
are
48:32
under
48:32
no
48:32
obligation
48:33
to
48:34
financially
48:34
support
48:34
this
48:35
podcast
48:35
and
48:35
you
48:35
never
48:36
will
48:36
be
48:36
under
48:36
any
48:37
financial
48:37
obligation.
48:38
However,
48:38
if
48:39
you
48:39
have
48:39
some
48:39
spare
48:40
pennies
48:40
and
48:40
you
48:41
want
48:41
to
48:41
help
48:41
support
48:42
an
48:42
indie
48:42
creator
48:43
who
48:43
does
48:44
all
48:44
of
48:44
this
48:45
every
48:45
week
48:46
on
48:46
her
48:46
own,
48:47
you
48:47
can
48:47
do
48:47
that
48:47
one
48:48
of
48:48
two
48:48
ways.
48:48
You
48:49
go
48:49
to
48:49
verbaldiorama.com
48:50
tips
48:51
and
48:51
give
48:51
a
48:52
one
48:52
off
48:52
tip.
48:53
Or
48:53
you
48:53
can
48:53
go
48:53
to
48:53
verbaldiorama.Com
48:55
Patreon
48:56
and
48:56
you
48:56
can
48:56
join
48:57
the
48:57
amazing
48:57
patrons
48:58
of
48:58
this
48:58
podcast.
48:59
They
48:59
are
48:59
Sade,
49:00
Claudia,
49:01
Simon,
49:02
Laurel,
49:02
Derek,
49:03
Kat,
49:03
Andy,
49:04
Mike,
49:04
Luke,
49:05
Michael,
49:05
Scott,
49:06
Brendan,
49:06
Lisa,
49:07
Sam,
49:07
Jack,
49:08
Dave,
49:08
Stuart,
49:09
Nicholas,
49:09
Zoe,
49:10
Kev,
49:10
Pete,
49:11
Heather,
49:11
Danny,
49:12
Ali,
49:12
Stuart,
49:13
Brett,
49:13
Philip
49:14
M,
49:14
Michelle,
49:15
Xenos,
49:16
Sean,
49:16
Rhino,
49:17
Philip
49:17
K,
49:18
Adam,
49:18
Elaine,
49:19
Kyle
49:19
and
49:19
Aaron.
49:20
If
49:21
you
49:21
want
49:21
to
49:21
get
49:21
in
49:21
touch,
49:22
you
49:22
can
49:22
email
49:22
verbaldioramail.com
49:24
or
49:25
you
49:25
can
49:25
go
49:25
to
49:25
my
49:25
website,
49:26
verbaldiorama.com
49:27
and
49:27
you
49:27
can
49:28
fill
49:28
out
49:28
the
49:28
little
49:28
contact
49:29
form.
49:29
You
49:30
can
49:30
also
49:30
find
49:30
bits
49:31
that
49:31
I
49:31
do@filmstories.co.uk
49:33
and
49:34
finally,
53:46
Bye.