Latest / Ryder Lee / Showtime with the Cube The Last of Us S2 EP5 Review

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Showtime with the Cube The Last of Us S2 EP5 Review · Ryder Lee

• 0:00
  Speaker 1: This would call me home guard because he easily has account name.
• 0:04
  Speaker 1: We're to change.
• 0:07
  Speaker 2: I've got the immaculate one with us once again, Lady.
• 0:14
  Speaker 1: What are you doing? Man?
• 0:16
  Speaker 3: What's up? Brother? I'm so glad that this thing is
• 0:18
  Speaker 3: about to be over with Brown, we only got two
• 0:20
  Speaker 3: more episodes, Thank god.
• 0:22
  Speaker 1: Bro.
• 0:22
  Speaker 3: This thing is complete and utter dog shit trash, and
• 0:27
  Speaker 3: I am ready for it to be over.
• 0:31
  Speaker 1: A crash and burn? Are you saying that we were
• 0:34
  Speaker 1: kind of face and burn on this one?
• 0:36
  Speaker 3: Crash and burn running off of a cliff, hit it
• 0:39
  Speaker 3: with a train, a meteor, a fucking moon claps the
• 0:45
  Speaker 3: moon in on a super nova. This ship. Just get
• 0:48
  Speaker 3: rid of it, dude, is garbage.
• 0:53
  Speaker 1: Uh?
• 0:53
  Speaker 2: And if you guys are not aware of what we're
• 0:56
  Speaker 2: speaking about, of course, righter here with us the last
• 1:00
  Speaker 2: of Us?
• 1:01
  Speaker 1: Episode five? Okay, episode fine.
• 1:06
  Speaker 2: We had to do three and four and into into
• 1:08
  Speaker 2: one one big show, so if you haven't caught.
• 1:13
  Speaker 1: That yet, definitely go check that out. Okay, check out
• 1:17
  Speaker 1: all of this.
• 1:18
  Speaker 2: All right, Maybe the show is not as great as
• 1:22
  Speaker 2: it should be, but I believe our commentary as will work,
• 1:25
  Speaker 2: so that.
• 1:27
  Speaker 1: Scope that out.
• 1:28
  Speaker 2: But episode five, okay, we've got a little bit of
• 1:34
  Speaker 2: action here.
• 1:37
  Speaker 1: It's kind of feeling of a little bit of action
• 1:39
  Speaker 1: going on its steel. I still can't fully now.
• 1:47
  Speaker 2: They tried to grasp it at the end, which you know,
• 1:51
  Speaker 2: it started moving us towards that, but I'm really missing,
• 1:56
  Speaker 2: like Allie's complete psychotic break to where anything is in
• 2:01
  Speaker 2: their way is getting put down nothing but unfiltered, unmitigated,
• 2:07
  Speaker 2: unregulated rates. I think that's what I was looking all right,
• 2:15
  Speaker 2: I'm not quite all right, not quite net.
• 2:20
  Speaker 3: Yeah, that is what I want to do. That is
• 2:22
  Speaker 3: what I wanted from the very beginning. And it's too
• 2:24
  Speaker 3: little too late. It's too little too late, cubed for
• 2:29
  Speaker 3: this to happen at the end of this episode. And
• 2:32
  Speaker 3: the next episode is going to be one giant freaking flashback,
• 2:35
  Speaker 3: which is a whole other story which is completely retarded.
• 2:39
  Speaker 3: But okay, this whole triangulating the radio signals and like
• 2:46
  Speaker 3: all that, like that should have been the first thing
• 2:50
  Speaker 3: that they did, Okay, But instead they've made this entire
• 2:54
  Speaker 3: show about the relationship between Dina and Ellie, and I
• 2:58
  Speaker 3: still don't know exactly what the main mission of this
• 3:02
  Speaker 3: entire thing is. They have hardly brought up Joel at all.
• 3:07
  Speaker 3: Joel being murdered. They didn't. They screwed all this up
• 3:10
  Speaker 3: with the three month time jump and from the second
• 3:14
  Speaker 3: to third episode. They should not have done a three
• 3:15
  Speaker 3: month time jump. They's screwed everything out. Okay, should not
• 3:19
  Speaker 3: have done it, but that should have been the first
• 3:21
  Speaker 3: thing that they did. But instead we went into this
• 3:24
  Speaker 3: whole romantic relationship finger bang, last of the finger Bang
• 3:29
  Speaker 3: of the Last of Us. Okay, And they should have.
• 3:34
  Speaker 3: They should have immediately went instead of doing this relationship nonsense, garbage.
• 3:39
  Speaker 3: They should have went to the WLF facility where they
• 3:42
  Speaker 3: found the walkie talkie. They should have brought it back.
• 3:46
  Speaker 3: Ellie should have. We should have already have ran into
• 3:49
  Speaker 3: somebody by now. We should have already have ran into
• 3:52
  Speaker 3: someone in the third episode from Abby's Crew. Okay, you
• 4:00
  Speaker 3: didn't have to be old girl shaved Head. Which there's
• 4:02
  Speaker 3: a lot of controversy rolling on about her right now
• 4:05
  Speaker 3: with this new game by Naughty Dog that's coming out
• 4:08
  Speaker 3: that's called Intergalactic or whatever. There's like this whole other
• 4:12
  Speaker 3: big controversy with her. Okay, So not only do you
• 4:17
  Speaker 3: have the controversy with her being in the show, with
• 4:20
  Speaker 3: a new game by Naughty Dog, which Naughty Dog was
• 4:23
  Speaker 3: the one that created the Last of Us games. But
• 4:26
  Speaker 3: you also have the big controversy with Ellie in the
• 4:29
  Speaker 3: Last of Us. So you have two different people with
• 4:31
  Speaker 3: two different controversies going on, and the show getting supposedly
• 4:37
  Speaker 3: review bombed. Okay, that's what they're calling it, is that
• 4:41
  Speaker 3: these toxic masculinity people are going in and review bombing
• 4:50
  Speaker 3: the show to drop the rating on Metacritic, IMBB and
• 4:55
  Speaker 3: Rotten Tomatoes. Okay, that's what they're They're they're putting it
• 4:58
  Speaker 3: out for the public that's going on, and they never think, Oh,
• 5:01
  Speaker 3: maybe we're just making a complete shit show. Maybe this
• 5:06
  Speaker 3: show is just garbage, Maybe the writing sucks, maybe we
• 5:10
  Speaker 3: made a mistake by killing off Joel. Everything from the
• 5:14
  Speaker 3: knowledge that I've gained from looking into this is the
• 5:18
  Speaker 3: exact same complaints that people have with season two of
• 5:22
  Speaker 3: the show. Is the exact same complaints that everybody had
• 5:26
  Speaker 3: with the second game. And what they did with the
• 5:30
  Speaker 3: second game is they tried to say that it was
• 5:33
  Speaker 3: a bunch of inceel people like gamers that didn't like
• 5:39
  Speaker 3: the second game, so then they just kept re releasing
• 5:42
  Speaker 3: the entire thing. But now they're realizing that their writing
• 5:44
  Speaker 3: just fucking sucks. The show just sucks. They should have
• 5:48
  Speaker 3: rewritten it to be better. They should have taken all
• 5:51
  Speaker 3: the complaints from all the people from the second Game
• 5:54
  Speaker 3: and fixed them in the writing of the second season.
• 5:59
  Speaker 3: But they didn't, and they somehow made it worse. From
• 6:02
  Speaker 3: what I've gardnered from everybody that's been talking about this,
• 6:08
  Speaker 3: the even the things that they liked about the Second
• 6:11
  Speaker 3: Game are not in the second season of the of
• 6:15
  Speaker 3: the Last.
• 6:16
  Speaker 1: Of Ox right now.
• 6:19
  Speaker 2: One of one of the things that I'm saying different
• 6:24
  Speaker 2: themes across the board, you know, you could say game.
• 6:30
  Speaker 2: The thing about the stake of Game is that you
• 6:33
  Speaker 2: you never knew what the hell uh you know why
• 6:39
  Speaker 2: Abby did what.
• 6:40
  Speaker 1: She did until like way down the line in the game.
• 6:46
  Speaker 2: Also, if I'm correct, Billy never really knows why Abby
• 6:52
  Speaker 2: killed Joe. But that's she she never really knows. She's
• 6:59
  Speaker 2: no it happened, but they never get into the details.
• 7:03
  Speaker 2: Nora didn't tell her, you know, down there while they're
• 7:07
  Speaker 2: in the basement at the hospital.
• 7:10
  Speaker 1: It's like, you know, you know, Joel killed her father,
• 7:13
  Speaker 1: like you didn't know that.
• 7:16
  Speaker 2: Now, the biggest complaint that some of the complaints that
• 7:19
  Speaker 2: people had about the end of the stately Woman's fact. Uh,
• 7:23
  Speaker 2: the Elie didn't kill she let her go, let her live,
• 7:27
  Speaker 2: they said, after all, you didn't keep you didn't got
• 7:30
  Speaker 2: to the and it's not a cliche and a whole
• 7:35
  Speaker 2: lot of films, you know, Uh, if if I killed
• 7:40
  Speaker 2: them and I keep the cycle of violence going, and
• 7:44
  Speaker 2: I'm just as bad as they are, well, I mean,
• 7:48
  Speaker 2: you didn't already kill they were like abby, you didn't
• 7:50
  Speaker 2: kill hundreds of people on the way too, like you know,
• 7:55
  Speaker 2: you know so well.
• 7:57
  Speaker 3: The whole thing is just I don't know what direction
• 8:00
  Speaker 3: they're trying to go. Is this supposed to be woman power?
• 8:03
  Speaker 3: Is this supposed to be the freaking muffing for surviving
• 8:08
  Speaker 3: the apocalypse? Is all that you got to be is lesbian?
• 8:11
  Speaker 3: Is that? It is? That? What they're trying to tell
• 8:13
  Speaker 3: us how you survived apocalypse ex cube is you just
• 8:18
  Speaker 3: gotta be gay? That's it. But okay, let's just tell
• 8:21
  Speaker 3: you even if we were to take the gay stuff
• 8:23
  Speaker 3: out of it, and honestly, I really don't care that
• 8:26
  Speaker 3: too much about the gay stuff whatever it is, what
• 8:28
  Speaker 3: it is, But even if you were to take look
• 8:31
  Speaker 3: past all of that stuff within the show, what are
• 8:35
  Speaker 3: you left with You're left with nothing. You're left with
• 8:40
  Speaker 3: a very lacking story that has horrible writing that makes
• 8:46
  Speaker 3: absolutely no sense with this mission to them going to
• 8:50
  Speaker 3: Washington to get revenge for Joel. It's not even about that.
• 8:54
  Speaker 3: And then we get toward the end of the episode
• 8:57
  Speaker 3: we finally see her kind of like rage oob. But
• 9:00
  Speaker 3: that's the main thing. Like, I don't even know why
• 9:03
  Speaker 3: I'm continuing to watch the show. If we weren't doing
• 9:05
  Speaker 3: this doing the show on this, I wouldn't even watch it.
• 9:10
  Speaker 3: I wouldn't, but I would have watched the first season
• 9:13
  Speaker 3: because this first season was freaking great. But I don't
• 9:16
  Speaker 3: understand their angle. They've spent the last two episodes building
• 9:22
  Speaker 3: up Ellie and Dina as like this power couple that
• 9:27
  Speaker 3: can survive this and go in and take out all
• 9:30
  Speaker 3: of these people and get revenge for Joel's death. Okay,
• 9:36
  Speaker 3: and then they come in and completely undercut that entire
• 9:39
  Speaker 3: thing with Jesse showing up and saving.
• 9:41
  Speaker 1: Them at the perfect time.
• 9:45
  Speaker 3: So what are they? Are they badass lesbian people that
• 9:48
  Speaker 3: can handle themselves no matter what the situation is and
• 9:51
  Speaker 3: find Joel's killer and take her out, or are they
• 9:55
  Speaker 3: helpless and stupid I mean the first ten minutes of
• 9:58
  Speaker 3: this entire episode setting up how stupid elliotts.
• 10:04
  Speaker 2: Yeah, they got her as like a dumb ass, like
• 10:06
  Speaker 2: she didn't know how to do anything, She can't read
• 10:08
  Speaker 2: a map, she doesn't have.
• 10:10
  Speaker 1: A plan, you know. And and actually then I had to.
• 10:18
  Speaker 4: Had to give her the reason why she was going
• 10:20
  Speaker 4: to find Abby to kill her, you know, because she
• 10:25
  Speaker 4: she then it talks about the first people she had
• 10:27
  Speaker 4: to keep for the first person she had to keep, and.
• 10:30
  Speaker 3: Then I always like, let's just go back to Jackson,
• 10:33
  Speaker 3: Like what the fuck, like, are you kidding me?
• 10:36
  Speaker 1: Right now?
• 10:37
  Speaker 2: I was supposed to see unfiltered rage by unfiltered like
• 10:41
  Speaker 2: and look, some people are like.
• 10:44
  Speaker 1: When they see in the movies, what do they look?
• 10:48
  Speaker 1: You don't even care about that.
• 10:49
  Speaker 2: If they gave me some unrealistic Ellie going through slicing folks, Achilles,
• 10:54
  Speaker 2: cutting the throat, shoot another person in the face, almost.
• 10:58
  Speaker 1: John wick s you know type thing, I would.
• 11:01
  Speaker 2: Be completely fine with it, because you know, it would
• 11:03
  Speaker 2: it would be the concept that like this this amount
• 11:06
  Speaker 2: of rage and revenge, uh, that she that's on her
• 11:10
  Speaker 2: mind and it's kind of taken over her soul and
• 11:13
  Speaker 2: her whole spirit to where anything that's in her way,
• 11:16
  Speaker 2: she's looking to smish it out.
• 11:17
  Speaker 1: I mean, that would even make it more exciting. You
• 11:19
  Speaker 1: know what I'm saying.
• 11:20
  Speaker 2: You can put her in some dangerous situations and tussles,
• 11:22
  Speaker 2: but you know what I'm saying, her, her unfiltered range
• 11:26
  Speaker 2: would be able to overcome those situations.
• 11:29
  Speaker 1: Dude.
• 11:29
  Speaker 3: I read this article, okay, from the producers of the
• 11:32
  Speaker 3: show that said that they purposely, purposely, purposefully whatever people
• 11:39
  Speaker 3: will get yell I mean, for my pronunciation of words
• 11:41
  Speaker 3: here XQB, so I don't know what the fuck the
• 11:43
  Speaker 3: name of the word is. Purposely or purposely who knows.
• 11:47
  Speaker 3: I want to go with purpose because I'm from the
• 11:50
  Speaker 3: South and that's the way that I'm going to say it.
• 11:52
  Speaker 3: But I read an article, okay that said that the
• 11:57
  Speaker 3: producers of the show took out the scenes of Eli
• 12:02
  Speaker 3: going through and murking people on purpose. They took the
• 12:06
  Speaker 3: they didn't want that in there, and they took all
• 12:10
  Speaker 3: of that out for the relationship aspect between her and Dina.
• 12:15
  Speaker 3: So they fevered Elie going through her vacation romance with
• 12:21
  Speaker 3: Dina over Ellie being a badass and murking and killing
• 12:26
  Speaker 3: people and trying to find Abby.
• 12:29
  Speaker 2: We need we need the murk, Like that's what I
• 12:32
  Speaker 2: was looking for. I was like, okay, Joe died. It
• 12:35
  Speaker 2: was it was you know, I mean, you want to
• 12:38
  Speaker 2: talk about a life alter a moment right near in
• 12:40
  Speaker 2: front of your eyes, you see him get beaten to death.
• 12:42
  Speaker 1: They stabbed in the neck, like I was looking.
• 12:44
  Speaker 2: Would saying, Okay, so you know, folks are going down,
• 12:47
  Speaker 2: you know, fasten in a herb, and you know for
• 12:51
  Speaker 2: the most part, hey, she's going to take it out
• 12:55
  Speaker 2: one person.
• 12:56
  Speaker 1: That's the that's the person that when they were in
• 12:58
  Speaker 1: the theater, she stabbed him in the neck.
• 13:00
  Speaker 3: What she struggled to do that to begin with, Okay,
• 13:03
  Speaker 3: let's get into some of the things that I did
• 13:05
  Speaker 3: like about it, because we're gonna shoot on this thing
• 13:07
  Speaker 3: for the whole hour. But I want to get into
• 13:08
  Speaker 3: a few things that I did like because some people
• 13:10
  Speaker 3: will be like, oh, well, you're just sure, you guys
• 13:12
  Speaker 3: are sing almost took them the whole time. One of
• 13:14
  Speaker 3: the things that I did like was from the cult
• 13:16
  Speaker 3: religious people whenever they went into the forest. But again,
• 13:23
  Speaker 3: that didn't even really make any sense either, because you're
• 13:25
  Speaker 3: telling me all these serahphite people that is part of
• 13:29
  Speaker 3: this religious cult or just out in the woods with
• 13:32
  Speaker 3: giant freaking torches immediately alerting everybody to their exact location.
• 13:38
  Speaker 3: And they got bunted bows and guns and sticks and
• 13:42
  Speaker 3: knives and shit, they don't have any guns, broy could
• 13:47
  Speaker 3: the military dudes that are prepared that has guns could
• 13:49
  Speaker 3: literally go into that forest and murk all those fools
• 13:52
  Speaker 3: right then and there.
• 13:55
  Speaker 2: You heard what they say, Oh shit, in the park.
• 13:56
  Speaker 2: Don't go in the park. I mean, it's just funny
• 14:00
  Speaker 2: because they're there. They've got that what that they got
• 14:03
  Speaker 2: that cellingar because they whistled and somehow it bounces all
• 14:06
  Speaker 2: objects kin be able to see ship.
• 14:10
  Speaker 3: Yeah, so you're telling me that fifty people out in
• 14:13
  Speaker 3: the middle of the woods with torches are going to
• 14:16
  Speaker 3: be able to get those torches out in a quick
• 14:19
  Speaker 3: enough time period when soldiers are moving in and has guns.
• 14:24
  Speaker 3: I don't think so, brother, That's just the ridiculous part.
• 14:27
  Speaker 3: But the cool scene was whenever he's stuck that it
• 14:32
  Speaker 3: was a sickle or whatever, Yeah, and ripped them out
• 14:37
  Speaker 3: from the thing. That was a badass scene. But again,
• 14:39
  Speaker 3: we don't we don't understand anything about them. We don't
• 14:45
  Speaker 3: know what their deal is other than that they're worrying
• 14:48
  Speaker 3: with the w L LEFT people. That's all that we know.
• 14:51
  Speaker 3: And then we had the introduction of the new big
• 14:54
  Speaker 3: bad guy, new Big balls. Do we haven't seen Abby
• 14:58
  Speaker 3: since he's since episode two? We haven't you know, we
• 15:03
  Speaker 3: don't know what. And then they introduced this new guy
• 15:05
  Speaker 3: in the beginning of the last episode.
• 15:10
  Speaker 1: And he went in five and.
• 15:11
  Speaker 3: He wasn't in five, Like, what is going on? Bro?
• 15:15
  Speaker 3: This this ship makes zero sense. What are they doing?
• 15:20
  Speaker 1: Yeah?
• 15:20
  Speaker 4: Because uh, yeah, it is weird.
• 15:24
  Speaker 2: Because okay, so Isaac is in the game, all right,
• 15:28
  Speaker 2: kind of pseudo leader.
• 15:30
  Speaker 1: Of w l A. And and I do I do
• 15:35
  Speaker 1: that that the particular actor I can't think of his name.
• 15:38
  Speaker 2: I love him as far as in his uh, in
• 15:41
  Speaker 2: his roles in movies, he's got like a I don't know,
• 15:44
  Speaker 2: like a certain aura to him that just like I don't.
• 15:47
  Speaker 1: Know, just atract like I don't know.
• 15:49
  Speaker 2: He he has camera prinsence, you know, you can certain
• 15:51
  Speaker 2: actors have camra princes and so uh. One one of
• 15:55
  Speaker 2: my favorite roles that he played in was a born
• 16:00
  Speaker 2: Walk Empire.
• 16:02
  Speaker 1: He was one of the he was one of the
• 16:05
  Speaker 1: bootlegger king pins. He was on the Black Side. Uh.
• 16:09
  Speaker 1: And I still remember this to today, all right.
• 16:12
  Speaker 2: He walked up to one of the black guys who
• 16:16
  Speaker 2: supposedly UH had sexually assaulted a woman that they knew,
• 16:24
  Speaker 2: and he.
• 16:24
  Speaker 1: Said, it's just a Negro in question, right up, man,
• 16:32
  Speaker 1: Like that's a free press. Uh.
• 16:35
  Speaker 2: But HBO uses him a lot. He's he's been in
• 16:38
  Speaker 2: Warlwalk Empire, his hb A.
• 16:40
  Speaker 1: He was in Westboro with his hb A. He's in
• 16:43
  Speaker 1: this show. So I think I don't know if HBOS
• 16:45
  Speaker 1: just got the rights to it. Look, we read all right,
• 16:49
  Speaker 1: when we make up, we're gonna call you up. Uh.
• 16:51
  Speaker 1: But I thought I was gonna see a little bit more.
• 16:54
  Speaker 2: Of Isaac uh in this particular episode, whatever his motives are.
• 16:58
  Speaker 1: Maybe a little bit of more of the warn with
• 17:01
  Speaker 1: the stars. Maybe I figure out what we got going
• 17:03
  Speaker 1: on there.
• 17:04
  Speaker 2: But I really feel like this this season is uh,
• 17:09
  Speaker 2: it's drowning now really quickened.
• 17:12
  Speaker 1: But it's a little thing, you know. Uh. The only
• 17:15
  Speaker 1: thing we've really gotten is that uh, you know, Alien
• 17:18
  Speaker 1: lost the virginity okay to the pin taking virgin all right,
• 17:24
  Speaker 1: and Na's not Does that count you?
• 17:28
  Speaker 2: I don't know if the So it's an insertion. Well,
• 17:31
  Speaker 2: I don't know, was it just the second is that
• 17:34
  Speaker 2: the Mormons somebody can move the bed. He can bounce
• 17:40
  Speaker 2: the bed, but they're thrusting. You can put it in.
• 17:45
  Speaker 1: You can't thrust it, but you can kind of bounce
• 17:48
  Speaker 1: the bed and have it moving.
• 17:51
  Speaker 3: Like what.
• 17:56
  Speaker 1: I'm just like, I mean, if I'm already in like that,
• 17:59
  Speaker 1: I mean, I mean, it's hand in. Okay, so are
• 18:02
  Speaker 1: we going to let this thing happen?
• 18:09
  Speaker 2: But uh but yeah, we kind of got a mismatch
• 18:14
  Speaker 2: of stuff going on.
• 18:16
  Speaker 1: And you know, we've seen Isaac.
• 18:20
  Speaker 2: We're like, okay, he's obviously a prominent character leader wlft.
• 18:24
  Speaker 1: And then there's an episode five and we don't see
• 18:28
  Speaker 1: him in life. I was like, well, why why don't
• 18:32
  Speaker 1: we see him?
• 18:35
  Speaker 3: You know, why don't we see him? Why don't we
• 18:38
  Speaker 3: see Abby? Like this is not a traditional way to
• 18:44
  Speaker 3: tell a story. The plot points are all over the place.
• 18:47
  Speaker 3: They have absolutely no idea what they're doing. The writers
• 18:51
  Speaker 3: on this thing suck giant, huge clips. Okay, And as
• 19:01
  Speaker 3: well as the audience being lost, they are just one lost.
• 19:05
  Speaker 3: They don't know where to go, and everything seems so rushed.
• 19:10
  Speaker 3: It's so rushed. I mean, this episode was only like
• 19:12
  Speaker 3: forty five minutes long.
• 19:13
  Speaker 1: Bro, that's what my girlfriend did.
• 19:16
  Speaker 2: She's like, is that it's not never short.
• 19:19
  Speaker 3: It was s I was like, I was thinking to say, like, bro,
• 19:23
  Speaker 3: if you're going to do a seven episode season, you
• 19:27
  Speaker 3: got to make every one of those episodes almost feature
• 19:30
  Speaker 3: the movie long.
• 19:32
  Speaker 1: Yeah.
• 19:33
  Speaker 3: Okay, that's the makeup for the other three episodes that
• 19:38
  Speaker 3: you're not putting into the series. Okay, So they're severely
• 19:43
  Speaker 3: rushing this entire thing. They have no idea where they're
• 19:46
  Speaker 3: going with the story. They're they're making everything about the
• 19:49
  Speaker 3: relationship between Dina and Ali when that should be secondary
• 19:54
  Speaker 3: to the main plot, the main story. But then when
• 19:56
  Speaker 3: you find out that Ali doesn't even freaking kill Dina, Like,
• 20:00
  Speaker 3: what's the point? What's the point of this whole thing?
• 20:06
  Speaker 2: Yeah, And you know what's crazy about the episode thing
• 20:10
  Speaker 2: is that I Mean and and Or even got twelve episodes.
• 20:17
  Speaker 2: It's like, you know what I'm saying, it's I means
• 20:22
  Speaker 2: has been atracious, but Angor is good.
• 20:25
  Speaker 1: But it's like, so this this season needs five more episodes.
• 20:33
  Speaker 1: It needs twelve episodes.
• 20:35
  Speaker 2: With what we've gotten so far, so we can just
• 20:37
  Speaker 2: kind of triangulate on what we're what we got and
• 20:41
  Speaker 2: what season three is going like, or season three needs
• 20:44
  Speaker 2: to be fifteen episodes.
• 20:46
  Speaker 1: I don't know.
• 20:46
  Speaker 2: I don't know which one it's gonna be, but you know,
• 20:49
  Speaker 2: I feel I feel like we're gonna be We're gonna
• 20:51
  Speaker 2: be leaving a whole lot on the table here.
• 20:53
  Speaker 3: See, whenever you do something like this and whenever you
• 20:56
  Speaker 3: rush it and you have a limited amount of time
• 20:59
  Speaker 3: and everything feel really discombobulated. There's not really any singular
• 21:03
  Speaker 3: plot that's all over the place. You can't set up
• 21:07
  Speaker 3: any of the characters properly. That was my main complaint
• 21:12
  Speaker 3: of the very first episode. We don't know who an
• 21:17
  Speaker 3: Abby is. Okay, I have no idea who Abby is.
• 21:21
  Speaker 3: She just shows up at the grave, and you're supposed
• 21:23
  Speaker 3: to put two and two together on your own, that
• 21:28
  Speaker 3: Abby's that this has something to do with the hospital
• 21:32
  Speaker 3: and Joel going through Joel going through there and murking everybody, Okay,
• 21:37
  Speaker 3: you're you have to put that together on your own.
• 21:39
  Speaker 3: If you're just a if you never played the games,
• 21:43
  Speaker 3: you got to put this shit together on your own.
• 21:44
  Speaker 3: And I don't like that when it comes to this
• 21:47
  Speaker 3: style of this type of story, that they're doing this
• 21:52
  Speaker 3: apocalyptic story. It's just supposed to immerse you, and you're
• 21:56
  Speaker 3: supposed to understand these characters. You're supposed to have good
• 21:59
  Speaker 3: could can character development and character background and character story
• 22:04
  Speaker 3: or building. But you do wrote any of that in
• 22:08
  Speaker 3: this in this show, in this season, they just put
• 22:11
  Speaker 3: these characters in there and then expect you to know
• 22:15
  Speaker 3: who they are and figure out that they're the bad guy.
• 22:19
  Speaker 3: They're the ones that you're supposed to hate. You're supposed
• 22:21
  Speaker 3: to root for Ellie. And at this point, dude, I
• 22:23
  Speaker 3: want the Clickers to kill a Dina and in Freaking Ellie,
• 22:27
  Speaker 3: I want the Clickers to win. Bro, I want Isaac
• 22:32
  Speaker 3: to kill Ellie. I want Happy to win.
• 22:38
  Speaker 2: Uh we had we got somebody on Get for comedy
• 22:42
  Speaker 2: and shout out to Bill Ramsey for her stellar performance.
• 22:45
  Speaker 1: She had demonic eyes murdering more and then.
• 22:48
  Speaker 2: Look at the end, I thought that's when they really
• 22:50
  Speaker 2: tapped into the psychotic nature of her.
• 22:52
  Speaker 1: And I don't think the actual problem is Bella Ramsey herself.
• 22:55
  Speaker 2: It is just more of how how they're trying to
• 22:57
  Speaker 2: write this this particular season.
• 23:01
  Speaker 3: I got nothing against ball Fine, I have everything to
• 23:06
  Speaker 3: do with the writers and what they've given her to
• 23:09
  Speaker 3: work with, she can have that.
• 23:11
  Speaker 2: I feel like they're tip toeing, like they don't want
• 23:13
  Speaker 2: to put too much over the top violence in I
• 23:15
  Speaker 2: think that's that's how it feels. I don't know if
• 23:19
  Speaker 2: you feel the same way. And at this point in time,
• 23:24
  Speaker 2: like that's what it should be. We should already have
• 23:28
  Speaker 2: a lot of the characters have flushed down. We also
• 23:31
  Speaker 2: need to need to have some type of interactions with
• 23:34
  Speaker 2: and with Abby and just seeing what her everyday life's
• 23:37
  Speaker 2: looking like.
• 23:37
  Speaker 1: Because in the game, you actually play as.
• 23:40
  Speaker 2: Abby like but you don't even know why Abby kills
• 23:46
  Speaker 2: Yo like this.
• 23:49
  Speaker 1: That's the way this thing, this thing kind of plays out.
• 23:52
  Speaker 3: Well, they set this whole thing up cube for us
• 23:54
  Speaker 3: to be sympathetic against Abby, but we know absolutely nothing
• 23:58
  Speaker 3: about Abby. She has not had any character development. We
• 24:01
  Speaker 3: don't know what's going on with her. We don't know
• 24:02
  Speaker 3: where she is. We don't even know if she's in Washington.
• 24:05
  Speaker 3: We haven't even seen her since the second episode. Okay,
• 24:07
  Speaker 3: so how are we supposed to fill anything for her?
• 24:13
  Speaker 3: And what people are theorizing is that the whole third
• 24:16
  Speaker 3: season is going to be from Abby's perspective.
• 24:22
  Speaker 1: Four season.
• 24:26
  Speaker 3: I don't know, but you should be setting these people up,
• 24:30
  Speaker 3: but they're not. They're focusing on the relationship between Dina
• 24:34
  Speaker 3: and Ali, which makes this zero sense to do. I
• 24:37
  Speaker 3: do not care about the relationship. If you're gonna have
• 24:40
  Speaker 3: the relationship in there, make it secondary to the main plot.
• 24:43
  Speaker 3: But instead it is the main focus of the entire show,
• 24:46
  Speaker 3: which detracts from the main purpose, which is revenge for Joel. Okay,
• 24:54
  Speaker 3: we have very little setup for Isaac. They threw in
• 24:58
  Speaker 3: one scene that was a two minute scene of them
• 25:01
  Speaker 3: in the back of the van, and then he throws
• 25:03
  Speaker 3: the grenade into the tank and blows everybody up, and
• 25:07
  Speaker 3: then we're just supposed to believe that he's a he's
• 25:09
  Speaker 3: a bad guy, when we don't even really know the
• 25:12
  Speaker 3: reason that he even did that. And then we have
• 25:14
  Speaker 3: the next scene is him torturing that other dude, which
• 25:18
  Speaker 3: he's a black guy and he's torturing a white guy.
• 25:21
  Speaker 3: It just seems just like all this fucking like like
• 25:26
  Speaker 3: propagandist type shit. And then you have the like supposedly
• 25:34
  Speaker 3: the entire second game is in reference to the Palestinians
• 25:38
  Speaker 3: and like Israel, like that's the guy that created and
• 25:45
  Speaker 3: wrote the second game that that was like his whole
• 25:49
  Speaker 3: like his influences was the Palestinians in Israel. Like he
• 25:54
  Speaker 3: sees the Palestinians as like this religious like cult, this
• 25:58
  Speaker 3: religious Zelots cult. And and that's of the people in
• 26:01
  Speaker 3: the woods that are at war with the with the Israel,
• 26:05
  Speaker 3: and the Israel is the w all.
• 26:07
  Speaker 2: Off to to respond to, hey, hey, we love people
• 26:14
  Speaker 2: leaving continence in there. That that makes the everything more liable.
• 26:19
  Speaker 2: Respond to callum up here. Yeah, yeah, we we understand
• 26:24
  Speaker 2: the about the about Abby and the dad because it
• 26:28
  Speaker 2: kind of it kind of just lays it out directly
• 26:30
  Speaker 2: in front of you. I was making some connections with
• 26:32
  Speaker 2: the game because there's a couple of people when.
• 26:34
  Speaker 1: The last of the season's come out, all of a sudden,
• 26:36
  Speaker 1: it's all over ten.
• 26:37
  Speaker 2: You know, people compared it to the game. Uh, and
• 26:40
  Speaker 2: so in the game, you don't really know, like it's
• 26:42
  Speaker 2: you're left in the dark, uh until kind of near
• 26:46
  Speaker 2: the end. But uh, the issue that I have right
• 26:50
  Speaker 2: now is that Abby has barely been in it.
• 26:55
  Speaker 1: Uh.
• 26:55
  Speaker 2: So, I mean I don't know how she's dealing with
• 26:58
  Speaker 2: things or anything when she feels relieved and she's still
• 27:03
  Speaker 2: in grief.
• 27:04
  Speaker 1: If she like.
• 27:07
  Speaker 2: Because in a way, shows are supposed to make you
• 27:10
  Speaker 2: love and hate them, all right, and.
• 27:14
  Speaker 1: You're so disconnected from.
• 27:17
  Speaker 2: When Joel's died up until right now that you're like,
• 27:22
  Speaker 2: Abby's almost an afterthought just with the way they're approaching things.
• 27:26
  Speaker 1: I know they mentioned her name, but.
• 27:30
  Speaker 2: In practice of how they've actually constructed the season.
• 27:35
  Speaker 1: It hasn't really given you anything to hold on too
• 27:40
  Speaker 1: if you don't know anything about the game, you know, uh, and.
• 27:43
  Speaker 2: I take this from there's my girlfriend's or son in law. Ah,
• 27:51
  Speaker 2: he was, he's been watching it. He's like, man, I'm
• 27:53
  Speaker 2: kind of lost interest because it's just like, like what's happening?
• 27:57
  Speaker 2: You know, it's just like, okay, Joel's doing and it's just.
• 28:01
  Speaker 1: Like we've got episode three, four and five and just
• 28:06
  Speaker 1: it just an't leak.
• 28:07
  Speaker 2: It's not a whole lot of need on them.
• 28:12
  Speaker 3: The entire the entire thing is hinging upon Ali and
• 28:15
  Speaker 3: Dina's relationship. That's that. That's the entire show. That's all that.
• 28:19
  Speaker 3: It is like that, and they think that that is
• 28:21
  Speaker 3: a big enough plot point to keep people coming back
• 28:24
  Speaker 3: every week. But it's been diminishing reviews every single episode
• 28:28
  Speaker 3: since the second episode, Like some some reports are saying
• 28:35
  Speaker 3: that a fifty percent drop between episode one and episode two,
• 28:39
  Speaker 3: and then subsequent fifty percent drops after episode two. So
• 28:43
  Speaker 3: every new episode of this show has seen a fifty
• 28:48
  Speaker 3: percent drop in viewership. That's just reported. I don't know
• 28:54
  Speaker 3: if there's any fact, but it has to be. Everyone's
• 28:57
  Speaker 3: feeling this this type of thing. Unless you're like freaking
• 28:59
  Speaker 3: like super hardcore and freaking love this shit, then you
• 29:06
  Speaker 3: have lost interest. Because I was willing to give it
• 29:10
  Speaker 3: a shot. After Joel died, I was like, Okay, they're
• 29:15
  Speaker 3: going to have to bring out the big guns. Were
• 29:17
  Speaker 3: really going to have to get people invested in Alie.
• 29:22
  Speaker 3: But instead they've done the complete opposite. They've pushed everybody
• 29:26
  Speaker 3: away from Elie. And that's not because of the way
• 29:30
  Speaker 3: that she looks. Though they want to claim that it
• 29:34
  Speaker 3: has something to do with her and her being bisexual
• 29:39
  Speaker 3: or whatever in like real life, but it doesn't have anything,
• 29:41
  Speaker 3: not for me personally, has nothing to do with what
• 29:45
  Speaker 3: the actor is going. It's the writing of the show.
• 29:48
  Speaker 3: The writing of the show is complete and utter, total garbage,
• 29:52
  Speaker 3: and they don't know what they're doing. They don't know
• 29:53
  Speaker 3: what direction. There's too many plot points We have no
• 29:56
  Speaker 3: backstory on any of these characters. Everyone that is current
• 30:00
  Speaker 3: in the show that we've seen has besides Ellie we
• 30:07
  Speaker 3: have just met this season.
• 30:10
  Speaker 1: Were just like it almost okay.
• 30:16
  Speaker 2: So the tone is all because a lot of signs
• 30:20
  Speaker 2: that it almost seems like Ellie has too much.
• 30:22
  Speaker 1: Joy, you know what I'm saying.
• 30:26
  Speaker 2: And that's the fact that you know, her love interest
• 30:28
  Speaker 2: is right there and she you know how it in.
• 30:33
  Speaker 1: So like I think I think that's what I think.
• 30:36
  Speaker 1: That's one of the issues is the is the tone and.
• 30:39
  Speaker 3: Not only that excute Oh my god, this one made
• 30:42
  Speaker 3: me roll my eyes so freaking hard. The one in
• 30:44
  Speaker 3: the last episode was the eye roller, which was that
• 30:50
  Speaker 3: Ellie said that I'm going to be a dad okay whatever,
• 30:53
  Speaker 3: big eye roll. Probably one of the most cry that's
• 30:55
  Speaker 3: gonna go down as one of the most cringest moments
• 30:57
  Speaker 3: of But other than that, in this episode, whenever Jesse
• 31:05
  Speaker 3: shows up. Okay. So in the beginning of the episode,
• 31:09
  Speaker 3: uh Dina is triangulating the thing with the ruler or whatever,
• 31:13
  Speaker 3: and she's trying to figure out where the signals are
• 31:14
  Speaker 3: coming from so they can locate them and go there. Right. Well,
• 31:17
  Speaker 3: then Ellie shows up and was like, oh, yay, I
• 31:23
  Speaker 3: got the lights on. Well, one, why the fuck would
• 31:27
  Speaker 3: you want lights on in Washington when there's enemies all
• 31:33
  Speaker 3: around you and clickers and zombies and shit, you do
• 31:36
  Speaker 3: not want the lights on. Now, apparently that is from
• 31:40
  Speaker 3: the game too. They had lights on in the game. Okay, whatever,
• 31:43
  Speaker 3: that's a pass, it's a pass whatever. Okay. But then
• 31:47
  Speaker 3: later on whenever they get into the hoard, right whenever
• 31:51
  Speaker 3: they're trying to make their way to the hospital, and
• 31:53
  Speaker 3: they get into some trouble because every single time, this
• 31:57
  Speaker 3: is the second time. This is only their second out
• 32:00
  Speaker 3: with any kind of trouble. Okay, the first one they
• 32:03
  Speaker 3: narrowly escaped. They narrowly escaped that down in the subway. Okay.
• 32:07
  Speaker 3: If it wouldn't have been for all those clickers, they
• 32:08
  Speaker 3: had been gone. They'd been dead or captured or tortured
• 32:11
  Speaker 3: or whatever, Isaac would have them right now, Okay, So
• 32:14
  Speaker 3: they needed another plot point to get them out of
• 32:17
  Speaker 3: any trouble that they're getting in, which I did not
• 32:19
  Speaker 3: think that they were going to do this. I thought
• 32:21
  Speaker 3: that that was going to be Tommy, but it turned
• 32:22
  Speaker 3: out to be Jesse. So Jesse shows up and then
• 32:25
  Speaker 3: they give you that angle like it's kind of like
• 32:27
  Speaker 3: what Joel was doing, Like whenever Joel would come in
• 32:30
  Speaker 3: and savor, they kind of give you like the silhouette
• 32:32
  Speaker 3: of like what Joel would look like. And I was like,
• 32:35
  Speaker 3: hell yeah, right, hell yeah, this is fucking Tommy. Okay,
• 32:38
  Speaker 3: cool Tommy, somebody that looks like Joel. That is Joel's brother. Sweet,
• 32:41
  Speaker 3: But it turned out to be Jesse. Okay, no big deal.
• 32:44
  Speaker 3: But the thing that is a big deal. Okay, cute
• 32:48
  Speaker 3: and you're gonna one agree with me. Whenever Jesse explains
• 32:53
  Speaker 3: to them how he found where they were, do you
• 32:58
  Speaker 3: remember this? Whenever he's like, whenever Dina or Ellie was like,
• 33:03
  Speaker 3: how did you find us? Okay, he said that he
• 33:08
  Speaker 3: went to.
• 33:08
  Speaker 1: The fucking man.
• 33:10
  Speaker 3: Yeah, he went to the lit up theater that has
• 33:14
  Speaker 3: all the fucking lights on, that had a detailed planned
• 33:19
  Speaker 3: map out on the table of exactly where they were
• 33:22
  Speaker 3: going and what they were doing.
• 33:27
  Speaker 1: Yet, Eddy straight, I forgot. I tried to. I think
• 33:30
  Speaker 1: in my mind tried to erase that. I think that's
• 33:35
  Speaker 1: what happened. Really, these people are stret.
• 33:39
  Speaker 3: These two the one hundred and no more than two
• 33:42
  Speaker 3: one hundred and twenty pound girls are so dumb. They
• 33:48
  Speaker 3: left the lights onto the theater whenever they left, and
• 33:51
  Speaker 3: they left the map detailing all their plans in the
• 33:55
  Speaker 3: precise location, out on the table with enemies all around them.
• 34:02
  Speaker 3: Anyone could have stumbled into that theater and found that, yeah.
• 34:11
  Speaker 1: This is true, this is this is absolutely true. And
• 34:18
  Speaker 1: that's I think.
• 34:19
  Speaker 2: Yeah, so yeah, it almost it's like bird for brains,
• 34:22
  Speaker 2: you know what I'm saying, Bird for brain now right,
• 34:25
  Speaker 2: And we said we were gonna talk about what we liked.
• 34:31
  Speaker 2: They will flow back now I here, okay, so let
• 34:34
  Speaker 2: me let me go. I did, like, all right, the
• 34:38
  Speaker 2: interaction with the stalkers all right, h every how short
• 34:43
  Speaker 2: lived it was, but it's like, okay.
• 34:45
  Speaker 1: This one, we got a plan here what we're gonna do.
• 34:47
  Speaker 1: And then it's like, oh, there's like ten of them
• 34:50
  Speaker 1: for fuck okay, so uh dena run and hide?
• 34:54
  Speaker 2: Uh in this case, And I didn't realize that the
• 34:58
  Speaker 2: stalkers could just rip.
• 34:59
  Speaker 4: The ca Jason, I'm like, uh, I mean, this ain't
• 35:05
  Speaker 4: got no strength like that.
• 35:07
  Speaker 2: I mean, even if you use it, you know, to
• 35:09
  Speaker 2: the maximum capability.
• 35:11
  Speaker 1: I mean, you ain't ripping a still okage A part
• 35:16
  Speaker 1: I didn't think you would be, but.
• 35:17
  Speaker 2: Obviously they can because they were ripping apart and get
• 35:20
  Speaker 2: the Dina. So I did like to see the stalkers again.
• 35:25
  Speaker 2: It was kind of weird when Jesse showed up. He
• 35:27
  Speaker 2: shot one and the rest of them was like, oh ship,
• 35:28
  Speaker 2: there's a man here, you know, and so.
• 35:32
  Speaker 1: They babe, they were like two women, we got this.
• 35:35
  Speaker 1: Oh oh shit, a man, let's get out. Uh. Now,
• 35:38
  Speaker 1: Jesse did say that Tommy was there and they split up,
• 35:41
  Speaker 1: which makes no sense because you you don't you don't
• 35:48
  Speaker 1: know who I was here, So the last thing you
• 35:52
  Speaker 1: do is split up. We've seen too many horror movies.
• 35:55
  Speaker 2: Let's split up with a couple more grounds. It's just like, no,
• 35:58
  Speaker 2: don't split up. That's that's the worst thing you can do.
• 36:03
  Speaker 2: It's actually split up, all right?
• 36:08
  Speaker 1: What else I like? They did introduce the spores.
• 36:12
  Speaker 2: People weren't sure if they were going to introduce the
• 36:13
  Speaker 2: sports that was actually big in the game. They had
• 36:16
  Speaker 2: to wear gas masks all the time because the areas
• 36:18
  Speaker 2: they went through has spores, and uh, that is a
• 36:21
  Speaker 2: particular evolution of the courtyceps. It actually assimilates people into
• 36:28
  Speaker 2: it and and they remain alive.
• 36:30
  Speaker 1: They don't.
• 36:31
  Speaker 2: Actually, they're almost like on a life support and they
• 36:34
  Speaker 2: continually blow out these spores that effect other people. And
• 36:40
  Speaker 2: I guess they had the same thing corterceps start growing
• 36:43
  Speaker 2: around and then they start blowing out sports, which they
• 36:46
  Speaker 2: had a whole area blocked off, and we've seen the
• 36:50
  Speaker 2: the actual I guess one of the lieutenants, and she
• 36:54
  Speaker 2: had to lock her son down there, and uh, they
• 36:57
  Speaker 2: guess it's back into the bad once again, because you've
• 36:59
  Speaker 2: got this chick. She's crying and you're like, okay, she
• 37:02
  Speaker 2: like her son down there, so what like you don't
• 37:04
  Speaker 2: know who she is. So it's just like like I
• 37:08
  Speaker 2: maybe that was supposed to be a heartfelt moment or something,
• 37:10
  Speaker 2: but then she was crying. But I was just kind
• 37:13
  Speaker 2: of sitting there like that they want no emotion there
• 37:17
  Speaker 2: because who the hell is this, you know, this Asian chick, Like.
• 37:25
  Speaker 1: Okay, I mean, and that was kind of it, you know,
• 37:30
  Speaker 1: and you know, one of the dumbest things. And I
• 37:33
  Speaker 1: guess that you know, this happened to be in a
• 37:35
  Speaker 1: game as well. But it's.
• 37:38
  Speaker 2: I that the spores are down there, so it's just
• 37:40
  Speaker 2: like I'm gonna run down there now. If I'm thinking
• 37:43
  Speaker 2: about what she's thinking, She's like, Okay, I don't have
• 37:45
  Speaker 2: a weapon.
• 37:46
  Speaker 1: I can't kill Heley, but at least.
• 37:48
  Speaker 2: I can kill her by taking her down here to
• 37:50
  Speaker 2: these spards will both die. Probably she didn't know that
• 37:53
  Speaker 2: she was so that she.
• 37:57
  Speaker 1: Didn't work out well.
• 38:00
  Speaker 3: Of the things that I didn't like about the part
• 38:05
  Speaker 3: where they're getting ready to get to encounter to the
• 38:08
  Speaker 3: stalkers was that they did a two to three minute
• 38:10
  Speaker 3: dialogue between Dina and Ali about how not to not
• 38:16
  Speaker 3: to fire the gun. Okay, don't shoot the gun because
• 38:20
  Speaker 3: it's going to alert the soldiers to where we are.
• 38:25
  Speaker 3: And then Ellie is like, oh, you think that in
• 38:29
  Speaker 3: any situation that I'm in, I'm just going to start shooting,
• 38:34
  Speaker 3: and Dina is like yeah, and then immediately she starts shooting,
• 38:40
  Speaker 3: Like what was the purpose of having that conversation if
• 38:46
  Speaker 3: you were immediately start shooting, Like, it doesn't huh.
• 38:54
  Speaker 1: They got They've had all their stalks and they got nice.
• 39:00
  Speaker 3: And that reminds me of that Danny DeVito always Sonny
• 39:03
  Speaker 3: in Philadelphia, I mean, where he's like, anyways, I just
• 39:06
  Speaker 3: started shooting. And it also reminds me of that that
• 39:10
  Speaker 3: that an old Boondocks episode where the guy was like
• 39:16
  Speaker 3: selling go to the grocery store, get the milk, get
• 39:19
  Speaker 3: the eggs, get the butter, but don't go near that hospital.
• 39:25
  Speaker 3: And then the next scene was I immediately went to the hospital.
• 39:31
  Speaker 3: It's crazy. It doesn't make any sense. Why even have
• 39:35
  Speaker 3: that scene in there if you're just going to do
• 39:38
  Speaker 3: the opposite, Just do the opposite. What we're trying to
• 39:46
  Speaker 3: do is like subvert people's expectations. But it's just completely
• 39:49
  Speaker 3: falling flat. The whole thing is just falling flat. We
• 39:54
  Speaker 3: don't know who these people are, We don't know these characters,
• 39:57
  Speaker 3: and we and they expect the audience to feel for
• 40:00
  Speaker 3: these characters when we have absolutely no attachment to these characters.
• 40:06
  Speaker 3: The only person that anybody had an attachment to was Joel,
• 40:12
  Speaker 3: and they killed him in the second episode. That's it.
• 40:18
  Speaker 3: No one cares about any of these other people.
• 40:25
  Speaker 5: Nobody relationships and then now and what they would do
• 40:33
  Speaker 5: for each other.
• 40:34
  Speaker 3: Yeah, the big deal about they're putting out articles now
• 40:39
  Speaker 3: about Joel's big return to UH to the last of Us.
• 40:46
  Speaker 3: He's coming back. You know, we killed them, but UH,
• 40:50
  Speaker 3: but he's coming back. His big return in in episode
• 40:53
  Speaker 3: six which is just a flashback.
• 41:00
  Speaker 1: Wich, I'm getting to hook people back. What were you saying?
• 41:08
  Speaker 1: Go ahead?
• 41:10
  Speaker 3: They're trying to hook people back in with the with
• 41:15
  Speaker 3: the with the Joel stuff. But again it's it's too little,
• 41:19
  Speaker 3: too late, Like they had two decisions to go with
• 41:22
  Speaker 3: this whole thing, okay, is that they couldn't They didn't
• 41:26
  Speaker 3: have to follow the game, which we know that that
• 41:32
  Speaker 3: wasn't going to happen because Neil Druckman, he's an executive
• 41:34
  Speaker 3: producer on the series, and he's the one that wrote
• 41:37
  Speaker 3: the first one and the second one, and he's trying
• 41:40
  Speaker 3: to convince everybody that the second game is in this magnificent,
• 41:43
  Speaker 3: amazing game. When no one liked it, a lot of
• 41:48
  Speaker 3: people hated it, they keep re releasing it, keep putting
• 41:51
  Speaker 3: it out. They're trying and shoehorn it down people's throats, like,
• 41:54
  Speaker 3: oh no, this is really a masterpiece of a game.
• 41:57
  Speaker 3: It's really great when he's trying to force feed it
• 42:01
  Speaker 3: down people's throats. So the only way that they could
• 42:03
  Speaker 3: have cured this entire thing is by not killing Joel.
• 42:07
  Speaker 3: In the second episode, like I mentioned in the previous episodes,
• 42:13
  Speaker 3: is that Ellie gets captured, taken to Washington, Joel has
• 42:17
  Speaker 3: to go after her, and then he ends up dying
• 42:19
  Speaker 3: in Washington. Right, that would have been able to flesh
• 42:22
  Speaker 3: out all the other characters in the story, Like, no
• 42:27
  Speaker 3: matter how many times you hear about Joel dying in
• 42:31
  Speaker 3: the second game, everyone hated that. Nobody liked that. Okay,
• 42:40
  Speaker 3: no one liked that even when they were playing the games. Okay,
• 42:43
  Speaker 3: So they should have course corrected and done it differently
• 42:49
  Speaker 3: because they knew that the same thing was going to
• 42:51
  Speaker 3: happen here. And they've given us literally nothing to root
• 42:56
  Speaker 3: for any of the characters. The only thing that was
• 43:00
  Speaker 3: rooting for Ellie was getting revenge for Joel. But we
• 43:04
  Speaker 3: haven't even gotten that. We've gotten a freaking vacation love
• 43:10
  Speaker 3: romance trip to Washington, and up until this episode have
• 43:20
  Speaker 3: we gotten any type of little sliver of that revenge.
• 43:29
  Speaker 1: She should have already said.
• 43:34
  Speaker 3: They should have done this from the jump. They should
• 43:38
  Speaker 3: have been if they're trying to speed up this whole
• 43:39
  Speaker 3: thing and she hoorn all this garbage in there. This
• 43:41
  Speaker 3: should have happened in the third episode. We should have
• 43:44
  Speaker 3: had Ellie find her or somebody from that gang. How
• 43:48
  Speaker 3: many of them were there, like seven, like seven.
• 43:51
  Speaker 1: Of them the way.
• 44:00
  Speaker 3: Some woman should have been found in the third episode,
• 44:05
  Speaker 3: and then that could have given her more information on
• 44:09
  Speaker 3: where to find the others, okay, instead of Dina doing
• 44:13
  Speaker 3: her fucking stupid ass triangulation of the war. Oh then
• 44:21
  Speaker 3: that's another thing about the walkie talkies. Okay, Well, Dina
• 44:27
  Speaker 3: mentioned that they talk like no one's listening, right, and
• 44:30
  Speaker 3: then Ellie comes in and is like, oh, well, the
• 44:34
  Speaker 3: other group, the sterophytes or whatever, they don't use technology, okay, right,
• 44:41
  Speaker 3: they whistle, they do a little whistling and it alerts
• 44:47
  Speaker 3: everyone whatever. Okay, that's fine, but should you still not
• 44:51
  Speaker 3: as a precaution not say give away all of the
• 44:58
  Speaker 3: information through the walkie talkie. Just because that the Serapis
• 45:02
  Speaker 3: don't use technology and can't find where you are doesn't
• 45:05
  Speaker 3: mean that no other human they're operating like that. They're
• 45:09
  Speaker 3: the only other human group in the freaking right, bro,
• 45:16
  Speaker 3: They're stupid. Everyone's stupid in this show.
• 45:22
  Speaker 2: Now that somebody's a damn get shot and somehow in
• 45:26
  Speaker 2: the think of the Night, denn't get shot in the
• 45:28
  Speaker 2: leg with a air I said, how the are that
• 45:35
  Speaker 2: they in the bushes? Think of the Night? I said,
• 45:40
  Speaker 2: that's impressed. Sir was like that that that is absolutely impressed.
• 45:47
  Speaker 1: I was impressed on that.
• 45:49
  Speaker 2: I was like, okay, letskay, I hear y'all ser fights Hey,
• 45:54
  Speaker 2: like I said, they got that whistle and they got
• 45:55
  Speaker 2: that sonar.
• 45:57
  Speaker 1: That's what they got.
• 45:57
  Speaker 3: Okay. I don't know if you've ever been I'm sure
• 46:00
  Speaker 3: you have executed. I'm sure other people have been in
• 46:03
  Speaker 3: the like camping at night and like have a fire,
• 46:08
  Speaker 3: have like a bright light around Whenever you have a
• 46:11
  Speaker 3: bright light source in the middle of the night, you
• 46:16
  Speaker 3: cannot see any amount of distance other than what's immediately No,
• 46:24
  Speaker 3: you're right.
• 46:24
  Speaker 1: You're right.
• 46:26
  Speaker 3: If you have a freaking torch or if you have
• 46:28
  Speaker 3: a like any kind of light source that's around you,
• 46:32
  Speaker 3: like you can't see freaking more than five to ten
• 46:37
  Speaker 3: feet in front of you. The torch of fire is
• 46:43
  Speaker 3: meant to light up your just your immediate surrounding area.
• 46:49
  Speaker 3: The torch doesn't serve as a giant freaking flashlight like
• 46:52
  Speaker 3: a spotlight, to where you can see freaking hundreds of
• 46:57
  Speaker 3: feet in the distance.
• 47:00
  Speaker 1: Mm hmm.
• 47:01
  Speaker 3: If everyone's got they can literally only see five to
• 47:04
  Speaker 3: six feet in front of them at any given time.
• 47:08
  Speaker 1: Yeah, you're right about that. You've thought on about it.
• 47:13
  Speaker 1: It's bought only, but I thinks a little bit different
• 47:16
  Speaker 1: to right. It's the whistling. They were whistling back and forth,
• 47:20
  Speaker 1: and somehow that was triangulating the position. You know what
• 47:24
  Speaker 1: I'm saying.
• 47:25
  Speaker 3: You got the whistling triangulating the positions of them. You
• 47:28
  Speaker 3: got the freaking walkie talkie radio ham radios triangulating the
• 47:32
  Speaker 3: positions of the other ones. It's just like, what are
• 47:35
  Speaker 3: we doing here, guys, what are we even doing?
• 47:43
  Speaker 1: Yeah, I'm not you.
• 47:45
  Speaker 3: And then we don't even know the motivations of these people.
• 47:47
  Speaker 3: We don't even know the motivations of the freaking cult
• 47:51
  Speaker 3: religious zolots.
• 47:55
  Speaker 1: We're not really by And this not gonna be explained
• 48:01
  Speaker 1: not this season because episode six is gonna be a
• 48:04
  Speaker 1: total flashback.
• 48:06
  Speaker 2: Now when uh, when Nora, when Ellie was talking to
• 48:13
  Speaker 2: Nora right before she beat her to death, and uh,
• 48:18
  Speaker 2: they said, hey, you know what, Joel, did you know
• 48:22
  Speaker 2: he killed Abby's father?
• 48:24
  Speaker 1: And She's like, yeah, I know. In the game she
• 48:26
  Speaker 1: doesn't know.
• 48:27
  Speaker 2: But this episode six is gonna be the whole premise
• 48:31
  Speaker 2: of Allie finding out or Joel telling Ellie that, yeah,
• 48:38
  Speaker 2: you know, I killed all the people at the hospital,
• 48:40
  Speaker 2: the safe and I'm assuming that we're gonna see some
• 48:46
  Speaker 2: of Eugene because they made it seem like he was
• 48:48
  Speaker 2: a big deacon.
• 48:50
  Speaker 1: So I mean, you got to you got to see
• 48:52
  Speaker 1: some Eugene in this one. I'm assuming we're gonna see
• 48:55
  Speaker 1: Joel have to shoot Eugene, That's what I.
• 49:02
  Speaker 3: Mean. I hope so, But even then, it doesn't redeem
• 49:05
  Speaker 3: these last three episodes that we've had. I don't think
• 49:10
  Speaker 3: that there's anything that they can do at this point
• 49:13
  Speaker 3: two redeem what's happened so far, not in my eyes
• 49:20
  Speaker 3: at least, like they're gonna have to pull some magic
• 49:23
  Speaker 3: freaking Jude ju the like.
• 49:31
  Speaker 1: There ain't much magically unless they's gonna be two hours
• 49:33
  Speaker 1: of piece.
• 49:36
  Speaker 3: They gotta be. They have to be longer. They can't
• 49:39
  Speaker 3: do two more forty five minute episodes.
• 49:43
  Speaker 1: Oh, this is too much to come the gang.
• 49:47
  Speaker 2: You want you want to you want people to feel
• 49:49
  Speaker 2: like that maybe they want to watch.
• 49:50
  Speaker 1: It next week. You want you want to give that feeling.
• 49:56
  Speaker 1: So uh, I think mean you can.
• 49:57
  Speaker 2: Both agree that it's been it's been a missed opportunity
• 50:02
  Speaker 2: like this, like this, there's so much potential here like,
• 50:06
  Speaker 2: I don't know, coming off the heels of the paint
• 50:09
  Speaker 2: which gave you, which gave you a full spectrum of emotion,
• 50:13
  Speaker 2: you can't you go from you know, the pain would
• 50:15
  Speaker 2: be a trans individual and you kind of sorry for him,
• 50:18
  Speaker 2: then you kind of reform. Then at the end where
• 50:20
  Speaker 2: he strangles Victor deaths boiler alert, you like your piece
• 50:23
  Speaker 2: of shit? Where's Batman? And whook their way as right now,
• 50:25
  Speaker 2: you know what I'm saying, Like you get the full
• 50:27
  Speaker 2: spectrum of emotion, and he's a feeling, you know, and
• 50:31
  Speaker 2: you know he's a feeling. But God, but the way
• 50:35
  Speaker 2: they did that, the way they did that whole that
• 50:37
  Speaker 2: whole series, it was like it was perfect.
• 50:41
  Speaker 3: It was it had it to range it did, and
• 50:46
  Speaker 3: you understood it, and you understood the characters' motivations. Like
• 50:50
  Speaker 3: if you're gonna make people root for a bad guy,
• 50:53
  Speaker 3: you have to understand where they're coming from and understand
• 50:56
  Speaker 3: their perspective. Okay, you just can't shoehorn a person in
• 51:00
  Speaker 3: there like Abby and then expect people to root for
• 51:03
  Speaker 3: Abby that just came in and killed your most beloved
• 51:08
  Speaker 3: character of the entire franchise. Nobody is going to like
• 51:12
  Speaker 3: her and she hasn't been in three episodes so far,
• 51:16
  Speaker 3: and if you the entire next season with from her perspective,
• 51:20
  Speaker 3: no one is going to care. They're going to hate
• 51:22
  Speaker 3: it even more because you've done screwed up this entire thing, right.
• 51:28
  Speaker 1: Right right, she has no nuance at all.
• 51:30
  Speaker 2: So that I mean, that's that, that's a That's the
• 51:32
  Speaker 2: number one issue is that even even villains need screen time,
• 51:39
  Speaker 2: you know, the flesh out their character.
• 51:45
  Speaker 3: Amazingly. Is the way that they did Game of Thrones. Hey,
• 51:50
  Speaker 3: the way that they did Game of Thrones was freaking brilliant. Okay.
• 51:55
  Speaker 3: You had all these other characters that had already been
• 51:58
  Speaker 3: set up perfectly, and then they killed ned Stark at
• 52:03
  Speaker 3: the end of the first season. Okay, he was my
• 52:07
  Speaker 3: favorite character. He was everyone's favorite character in the first
• 52:12
  Speaker 3: season of Game of Thrones. Okay, off with his head
• 52:18
  Speaker 3: at the end of the first season, and you're like,
• 52:21
  Speaker 3: what the fuck. I can't believe they just did that?
• 52:25
  Speaker 3: Holy shit. Okay, but you came back. You came back
• 52:32
  Speaker 3: again because the show did nothing but get better, and
• 52:36
  Speaker 3: they had already set up all these other people. You
• 52:39
  Speaker 3: had Danny, you had the John snow up at the wall,
• 52:44
  Speaker 3: you had Rob Stark, which was the new you know,
• 52:50
  Speaker 3: King of the North. Okay, you had all these other people.
• 52:53
  Speaker 3: You had Jamie Lanister, and you had Taiwan Lanister that
• 52:57
  Speaker 3: was on his road trip. You had me those bike
• 53:00
  Speaker 3: in kings Land, and you had Sirus. You had all
• 53:02
  Speaker 3: these other people, and it was they knew that it
• 53:06
  Speaker 3: was safe to do it then because they'd already built
• 53:10
  Speaker 3: out the all these other characters then and then your
• 53:15
  Speaker 3: attention falls to Rob Stark, which is would be the
• 53:20
  Speaker 3: new King, and then you're like, okay, he's my favorite character.
• 53:22
  Speaker 3: Now he's great. But all the while they're building up
• 53:26
  Speaker 3: John Snow in the background at freaking at the Wall. Okay.
• 53:31
  Speaker 3: Then they're also building up Danny, and then they're also
• 53:34
  Speaker 3: building up Jamie. So then when it was time to
• 53:37
  Speaker 3: kill off Rob at the Red Wedding in season four,
• 53:41
  Speaker 3: it was like, okay, this is great, this this is cool.
• 53:45
  Speaker 3: It was very shocking. Everyone was shocked whenever that happened,
• 53:48
  Speaker 3: but we'd already learned that they kill off main characters
• 53:52
  Speaker 3: like that. They're like essentially nothing, right, But that's okay
• 53:57
  Speaker 3: because they have all these other characters that people are
• 54:00
  Speaker 3: growing to love within the show with the last of us.
• 54:04
  Speaker 3: Nobody loved Elli. They were like, Okay, she's there, she's
• 54:09
  Speaker 3: okay's she's likable, but we don't love her. She's not
• 54:14
  Speaker 3: the main driving force behind this show. And then the
• 54:18
  Speaker 3: Shoehorn and all these other characters that we know nothing
• 54:22
  Speaker 3: about in the second season that wasn't even in the
• 54:24
  Speaker 3: first season. Besides, like Tommy and some of the people
• 54:28
  Speaker 3: in Jackson, the time jumps killed this show. The time
• 54:36
  Speaker 3: jump screwed this entire freaking show wrecked it. They should
• 54:42
  Speaker 3: not have done any of the time jumps. There should
• 54:44
  Speaker 3: have been ten episodes and if it wasn't. If it's
• 54:47
  Speaker 3: not ten episodes, then it should have been uhur at
• 54:51
  Speaker 3: least an hour and a half seven episode series, And
• 54:55
  Speaker 3: there shouldn't have been What was the first time jump was?
• 54:57
  Speaker 3: It wasn't it like three years or something like.
• 55:00
  Speaker 1: That, three or five.
• 55:04
  Speaker 3: That's where they And it also gave no way to
• 55:09
  Speaker 3: the Joel character, Like, honestly, I didn't even feel really
• 55:14
  Speaker 3: anything for him whenever Abby was killing it because.
• 55:19
  Speaker 1: He didn't see we didn't see his transformation.
• 55:22
  Speaker 3: We didn't we didn't see any of it. We didn't
• 55:25
  Speaker 3: know what was freaking going on because they didn't explain it,
• 55:28
  Speaker 3: they didn't show it. They immediately did a three to
• 55:30
  Speaker 3: five year time jump in the first episode, and then
• 55:33
  Speaker 3: they did another three month time jump after Joel died.
• 55:39
  Speaker 3: We didn't get to see any of that. We didn't
• 55:41
  Speaker 3: get to see any of that character arc, any of
• 55:43
  Speaker 3: that character development. I literally gave two shits about Joel
• 55:47
  Speaker 3: whenever he died. I really did not care because we
• 55:53
  Speaker 3: didn't get to see him do anything, and it had
• 55:55
  Speaker 3: been two years since we had seen the last season.
• 56:00
  Speaker 3: Anything that I felt for him was two years ago.
• 56:05
  Speaker 3: I would have had to rewatch the entire first season.
• 56:08
  Speaker 3: And then, yeah, is that everybody had this remnant, this
• 56:18
  Speaker 3: thought in this memory of Joel being a super badass
• 56:20
  Speaker 3: and like everyone loving Joel, and then we get to
• 56:24
  Speaker 3: him and he's like this. They portray him like an
• 56:29
  Speaker 3: old man that like doesn't do anything now.
• 56:33
  Speaker 1: That he just builds.
• 56:34
  Speaker 3: He just builds houses and and is in a in
• 56:38
  Speaker 3: a strange relationship with his daughter that's living in his garage.
• 56:47
  Speaker 3: That might sound super nippicky and whatever, but it's just
• 56:51
  Speaker 3: the way that I feel about the about the show.
• 56:53
  Speaker 3: They screwed everything up that they possibly could have screwed up.
• 56:58
  Speaker 3: In this show right from the right from the first episode.
• 57:01
  Speaker 3: If you remember me talking about the first episode, if
• 57:04
  Speaker 3: you guys want to go back and listen to the
• 57:06
  Speaker 3: first episode that we did of this season two, episode one.
• 57:09
  Speaker 3: I was like, this is garbage. This is garbage. I
• 57:15
  Speaker 3: said that I didn't like it. I said that I
• 57:17
  Speaker 3: hated it. If you remember, so, this is shit, this
• 57:22
  Speaker 3: is dog hit, And it has been only redeeming quality
• 57:28
  Speaker 3: of the entire season has been episode two. And that
• 57:32
  Speaker 3: was just because of the cinematography and a photo photography
• 57:37
  Speaker 3: and everything that was going on and how it was directed.
• 57:40
  Speaker 3: Didn't even have anything to do with the characters. It
• 57:42
  Speaker 3: just looked really good.
• 57:50
  Speaker 1: All right. So Episode six is coming out one hundred
• 57:54
  Speaker 1: percent sure, it's going to be an entire flast man
• 57:57
  Speaker 1: of the entirety of the episode.
• 57:59
  Speaker 2: And to be honest, if he wanted a more of
• 58:02
  Speaker 2: a let's say, you could you know what they could
• 58:07
  Speaker 2: have did Wright, I'm gonna let this out there if
• 58:10
  Speaker 2: foks can get off our ass, the Nectu record shit.
• 58:13
  Speaker 1: But it's an issue because everybody wants to put Pedro
• 58:16
  Speaker 1: Pascal and every.
• 58:17
  Speaker 2: Every fucking project and they have so, so we can't
• 58:22
  Speaker 2: become just a character like like you used to twenty
• 58:25
  Speaker 2: thirty years ago.
• 58:26
  Speaker 1: Let's see you were known ass. But what they could
• 58:31
  Speaker 1: have did you know?
• 58:32
  Speaker 2: We could have picked up immediately following them standing on
• 58:36
  Speaker 2: that mountain saying that you know, I swear that you know.
• 58:41
  Speaker 1: This is what happened and I ain't hurt about it.
• 58:44
  Speaker 2: We could go immediately from that, and you could if
• 58:46
  Speaker 2: you wanted some downtown to build the tension up to
• 58:50
  Speaker 2: this point.
• 58:51
  Speaker 1: You know what you could have did with the second season.
• 58:54
  Speaker 1: We could have not had a time jump.
• 58:56
  Speaker 2: We could have seen the deteriorations of Joel and Hilly's character,
• 59:00
  Speaker 2: and then we could have seen the build up of
• 59:02
  Speaker 2: Abby come and find jobs.
• 59:08
  Speaker 3: Yep, that's the way they should have done it. It
• 59:10
  Speaker 3: would have made everything so much better, so much easier.
• 59:13
  Speaker 3: We would have understood Abby Moore would not have been
• 59:16
  Speaker 3: this complete and utter shit show of a season that
• 59:20
  Speaker 3: we've gotten so far. That it would have really have
• 59:22
  Speaker 3: fixed everything. And if they would have waited until like
• 59:26
  Speaker 3: episode three or four to kill him at least three
• 59:31
  Speaker 3: at least give us two. At least pick up right
• 59:35
  Speaker 3: after season one in episode one, and then after the
• 59:39
  Speaker 3: first episode of season two, pick up right out and
• 59:42
  Speaker 3: then do the time jump in episode two, then you
• 59:46
  Speaker 3: can do the time jump. Okay, all right, but immediately
• 59:50
  Speaker 3: starting with a time jump, it's like, what is going
• 59:53
  Speaker 3: on here? We don't understand that. I don't understand any
• 59:55
  Speaker 3: of this ship.
• 59:56
  Speaker 1: I don't know.
• 59:59
  Speaker 3: These things have happened off screen. Every single thing has
• 1:00:03
  Speaker 3: happened off screen.
• 1:00:07
  Speaker 1: Right right, So that's the number one issue.
• 1:00:10
  Speaker 3: Then you don't even have to do an entire episode
• 1:00:13
  Speaker 3: of the Joel flashback. You wouldn't even have.
• 1:00:16
  Speaker 1: To do exactly because we've had a season of seeing
• 1:00:20
  Speaker 1: what exactly happened. We had a season of seeing that.
• 1:00:24
  Speaker 2: We had a season of seeing how this is a
• 1:00:27
  Speaker 2: fake that Abby and we could actually see how maybe
• 1:00:30
  Speaker 2: she's making some poor decisions as because they were the
• 1:00:33
  Speaker 2: last of the Fireflies, how to making the poor decisions,
• 1:00:37
  Speaker 2: and maybe how she had to end up joining the
• 1:00:40
  Speaker 2: w W because of the poor decision making, because she.
• 1:00:44
  Speaker 1: Had some trade that you wanted to go find John
• 1:00:46
  Speaker 1: to kill. We could have seen some intricacies with the
• 1:00:51
  Speaker 1: w L.
• 1:00:51
  Speaker 2: An maybe of the Scars and you know, the Sarapits
• 1:00:56
  Speaker 2: and Isaac and all that stuff.
• 1:00:57
  Speaker 1: So that's a whole lot.
• 1:00:58
  Speaker 2: If he flushed out, if like, oh, we need to
• 1:01:01
  Speaker 2: rush in, but then we've rushed in, but we have
• 1:01:04
  Speaker 2: no substance.
• 1:01:06
  Speaker 3: Exactly, that's exactly right. They tried to do the most
• 1:01:09
  Speaker 3: shocking thing, which was to kill Joel in the second episode,
• 1:01:14
  Speaker 3: and it didn't work. They lost it. They lost the plot,
• 1:01:22
  Speaker 3: and they lost the plot hard, and it's driving right
• 1:01:26
  Speaker 3: over a cliff into his demise.
• 1:01:31
  Speaker 1: Right right, So guys, that's that.
• 1:01:34
  Speaker 2: We're gonna stop banging on it for to day. Episode five.
• 1:01:39
  Speaker 2: Uh maybe at least episode six, it might be you know,
• 1:01:42
  Speaker 2: at least a good class back.
• 1:01:44
  Speaker 1: Maybe. I guess that's all we can hope for. That's
• 1:01:48
  Speaker 1: all we can hope for.
• 1:01:49
  Speaker 4: Uh.
• 1:01:50
  Speaker 2: So we'll be back without next week. Make sure you're
• 1:01:53
  Speaker 2: checking out all of Rider Lee's content. He's on YouTube
• 1:01:56
  Speaker 2: Raids by Giants also has a couple of documentary documentaries
• 1:02:00
  Speaker 2: on TV as well, so support for him would be great.
• 1:02:05
  Speaker 1: We'll appreciate him.
• 1:02:06
  Speaker 2: For being with us doing a review on the Last
• 1:02:10
  Speaker 2: of Us, and we plan on having him in the future,
• 1:02:14
  Speaker 2: you know, because he's a movie buff, movie bove TV buff,
• 1:02:17
  Speaker 2: so we'll be able to.
• 1:02:18
  Speaker 1: Discuss some things in the future as well.
• 1:02:21
  Speaker 2: All this stuff can be found YouTube, Twitter, Rumble all
• 1:02:25
  Speaker 2: podcast platforms in the showtime with the queue, so we
• 1:02:28
  Speaker 2: appreciate everybody for checking us out.
• 1:02:30
  Speaker 1: We'll catch y'all next week. Shuretime with the cue m