Latest / Vanity Farah with Chris Farah / 90 Day The Single Life Season 5, Episode 7 “The Art of Meddling”

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90 Day The Single Life Season 5, Episode 7 “The Art of Meddling” · Vanity Farah with Chris Farah

0:03
Speaker 1: Hello, everyone, Welcome back to Vanity Fair. I'm your host,
0:06
Speaker 1: Chris fare I am going to talk to you personally today,
0:10
Speaker 1: just me about ninety day. It's the Single Life season five.
0:14
Speaker 1: I think it's episode seven. It's called the Art of Meddling,
0:18
Speaker 1: and every episode is an art. So you know how
0:22
Speaker 1: at the end of all of my episodes, I say,
0:25
Speaker 1: make art. That's literally what every episode of Single Life is,
0:30
Speaker 1: says Sharp producers. I find that funny. I think it's
0:34
Speaker 1: an inside joke just between us. But what do you
0:35
Speaker 1: guys think? Okay, I'm excited to talk to you about
0:38
Speaker 1: this episode. I thought it was really really good. It's
0:40
Speaker 1: interesting because I'm going to start with Sophie and Pedro
0:44
Speaker 1: and then I guess Julia. You know, God Bless, there
0:47
Speaker 1: is no Liz. There's been no Liz for the past
0:49
Speaker 1: two episodes of their dynamic, and I find it interesting
0:55
Speaker 1: that the producers think we don't care about what's happening
0:58
Speaker 1: with her or how she feels about the situation with
1:01
Speaker 1: the mean girls. Like, to me, you would have also
1:05
Speaker 1: had to have given us like last episode, like when
1:07
Speaker 1: Sophie and Pedro were like on their weird dat or
1:09
Speaker 1: when they kissed and it looked so not romantic, not hot.
1:13
Speaker 1: I would have loved to just like have a just
1:16
Speaker 1: cut away scene to like what's happening with Liz and
1:19
Speaker 1: Villa and listen, Liz and Villa's kisses that we saw
1:23
Speaker 1: were hot hot. Liz is getting it in in a
1:28
Speaker 1: hot ass way with a hot ass guy with actual
1:31
Speaker 1: chemistry right now, but we're not watching it, right we
1:34
Speaker 1: have to watch I mean, Sophie and Pedro's really awkward kisses,
1:38
Speaker 1: I mean not sexy at all. And that's what's also interesting, right,
1:43
Speaker 1: Like Pedro is sexy and in definitely Sophie's sexy at
1:48
Speaker 1: least like by the way they look, but when you
1:52
Speaker 1: actually see them together, it's limp, it's weak. I wouldn't
1:57
Speaker 1: want that vibe. I wouldn't want like even those kisses
2:00
Speaker 1: or even like this sexual spark of them. There's nothing there.
2:04
Speaker 1: It's really awkward, weird, vain, uncomfortable. I don't know. It's
2:09
Speaker 1: so and again, like juxtaposed with how hot Liz's situation is,
2:14
Speaker 1: I'm like, why are the producers not seeing that's the
2:16
Speaker 1: fucking watchable storyline. I don't know, but don't worry, we'll
2:20
Speaker 1: talk about it. So again, like Liz and Ville are
2:23
Speaker 1: just enjoying their lives. And then we get this weird
2:25
Speaker 1: thing where Sophie's like, yeah, it's still weird between uh
2:29
Speaker 1: Liz and I. So Julie and I haven't talked to her,
2:31
Speaker 1: but then I had Julia call her to be like, hey,
2:34
Speaker 1: we're gonna be going for a couple of days, so
2:35
Speaker 1: just fucking have fun by yourself in this land. And
2:38
Speaker 1: that's what happened. I'm like, was Liz's response. I want
2:42
Speaker 1: to see Liz get that text. Like that's another thing.
2:45
Speaker 1: It's like I want to see Liz get a text
2:47
Speaker 1: like from these bitches being like, hey, we're going away,
2:50
Speaker 1: have just deal with yourself. And also I want her
2:54
Speaker 1: to be like great, rollover, enjoy another lava flow, and
2:58
Speaker 1: have like the best time because the other part of
3:01
Speaker 1: this is like Liz is enjoying her life, right, She's
3:05
Speaker 1: not gonna have to go to some you know, two
3:07
Speaker 1: hour drive to get yelled at by family members, you know,
3:10
Speaker 1: like which is the best part anyway, So for her,
3:13
Speaker 1: we love that for her and she deserves it, and
3:16
Speaker 1: that's what's called karma. And that's what's interesting. It's like
3:20
Speaker 1: when you're watching all of this, it certainly feels like
3:23
Speaker 1: Sophie and Julia like are like, we are right. But
3:28
Speaker 1: as it goes on, and if you really sat in
3:31
Speaker 1: how they feel about what's happening with them, and I
3:34
Speaker 1: assume that they would have realized the universe is not
3:36
Speaker 1: on their side just by like what happens if you
3:39
Speaker 1: are going to put yourself in a position to get
3:40
Speaker 1: yelled at by a bunch of people, Like, I think
3:44
Speaker 1: that's the universe wanting to sort of yell at you.
3:47
Speaker 1: I find it fun. Okay, So honey, you know, Pedro's
3:50
Speaker 1: trying to make them feel good. He's like, I got
3:52
Speaker 1: you some fresh coconuts. Oh my god. Yeah, need the
3:55
Speaker 1: hydration great for electrolytes. Then Sophie's like, I put on
4:00
Speaker 1: my most conservative outfit. It's a brown two piece, low
4:05
Speaker 1: cut titty outfit. And in those moments where I'm like, oh,
4:07
Speaker 1: how darcy of her? This is the most conservative thing
4:11
Speaker 1: I own, Like, the most conservative thing you own is
4:13
Speaker 1: just like a really low cut top with you. I
4:17
Speaker 1: get that she's a hot girl. So she's like, yeah,
4:19
Speaker 1: I went to a beach style town and this is
4:21
Speaker 1: all I brought. I'm always surprised though it's like you
4:25
Speaker 1: didn't consider though that you're going to meet your boyfriend's
4:30
Speaker 1: sister and mom and like maybe they would be like
4:33
Speaker 1: I don't know if I if I have to assume
4:35
Speaker 1: that Sophie does not know Pedro's family and backstory, which
4:39
Speaker 1: is what she wants us to believe. She wants us
4:42
Speaker 1: to believe that she didn't even know Pedro was part
4:44
Speaker 1: of the ninety day universe. Honey, she just met him online.
4:47
Speaker 1: She doesn't know about Nicole, she doesn't know about his mom.
4:49
Speaker 1: She doesn't know is what she is wanting us to believe.
4:53
Speaker 1: Then the opposite is what I would assume, Like I
4:55
Speaker 1: would assume that if I was going to the DR
4:58
Speaker 1: to meet like my hot boyfriend and his I'm going
5:01
Speaker 1: to assume that his family's a little conservative, if not religious,
5:04
Speaker 1: if not like, you know, not wanting my titties in
5:06
Speaker 1: their face. I would try and make it like an
5:07
Speaker 1: impression rom like I'm gonna bring this one like just
5:10
Speaker 1: scoop neck top. But now, Liz, I'm sorry. Uh, Sophie
5:16
Speaker 1: is really imprinting a habit loop on to me her behavior,
5:23
Speaker 1: which is just I manipulate the world through the way
5:26
Speaker 1: I look so it's chiefly important that the way I
5:29
Speaker 1: look like is priority. It's not gonna be a good look,
5:32
Speaker 1: you know, honeymoon. Things change inevitably and also just steals
5:37
Speaker 1: the value you might find and other things that you have,
5:39
Speaker 1: like intelligence or creativity or art. Okay, So basically, Pedro
5:47
Speaker 1: tells Sophie that his mom and his sister are savages,
5:50
Speaker 1: are really hard to deal with our intents, and half
5:52
Speaker 1: of me is like bathing to tell her because she
5:55
Speaker 1: is going to be like, I don't really have to
5:57
Speaker 1: deal with them, because even Pedro himself knows that they're
6:00
Speaker 1: like wild, crazy people. And that's interesting too, because when
6:05
Speaker 1: she disrespects his mom, it didn't seem to him like
6:10
Speaker 1: that was a possibility or that he would care, because
6:14
Speaker 1: he doesn't really come with any sort of like these
6:16
Speaker 1: are this is my family, and I really would love
6:19
Speaker 1: you guys to get along and for them to make
6:22
Speaker 1: a good impression on you and you on them, vice versa.
6:26
Speaker 1: He sets it up as like, listen, they're wild. I
6:28
Speaker 1: won't leave you. I know you're nervous, and she starts
6:31
Speaker 1: to be like real victimy, like, don't leave my side,
6:34
Speaker 1: I get anxious, you know. Meanwhile, Julia is there, like, hey, guys, hey,
6:40
Speaker 1: Like Nicole sees Julia and they ki key. And the
6:42
Speaker 1: way that Nicole says hi to Julia is one hundred
6:45
Speaker 1: percent one of those weird girl politic ways where you
6:49
Speaker 1: see two people one person you hate, and that if
6:52
Speaker 1: you see okay, this is a girl politic thing. You
6:55
Speaker 1: see two girls, girl A, girl be. Now you hate
6:58
Speaker 1: girl be. So when you see girl a, you honey,
7:01
Speaker 1: put you throw it up there, You're like, person A,
7:06
Speaker 1: Oh my god, hay, person A, You're so cute. Look
7:09
Speaker 1: at you, Hay, PERSONA. We're getting along. We have a vibe. Median.
7:14
Speaker 1: PERSONA are normal, fun playing people. Let's go over to
7:17
Speaker 1: person Hey, hey, person B cool, you're famous. Yeah, I
7:21
Speaker 1: heard a lot about you, person b U, person A,
7:25
Speaker 1: back at you, best best friend, person B. I heard
7:28
Speaker 1: a lot about how you're making my brother suffer. You know, now,
7:32
Speaker 1: Sophie is right, it's not a great open. But the
7:35
Speaker 1: thing about it is, in that moment, I think Pedro's there,
7:39
Speaker 1: and I think that there's a part of me that
7:41
Speaker 1: would be like part of me. The one thing you
7:43
Speaker 1: know is that I make him suffer. Pedro. Can you
7:45
Speaker 1: talk about that? Just because obviously, Pedro, you just got
7:48
Speaker 1: done saying you're not gonna leave me, and you got
7:50
Speaker 1: done telling me how harsh your sister is. So in
7:53
Speaker 1: this first moment, she's saying, I made you suffer, So
7:55
Speaker 1: let's talk about it. What does she mean by that?
7:58
Speaker 1: Am I making you suffer? Because she did? And Pedro
8:02
Speaker 1: said that to his sister, And at some point some
8:04
Speaker 1: accountability is going to be taken. Whose fault is it,
8:08
Speaker 1: who you know and why? Because Sophie wants to be like, yeah,
8:12
Speaker 1: no pressure, I'm just here. But the truth of the
8:14
Speaker 1: matter is if you've flown all the way to like
8:16
Speaker 1: a foreign country to meet someone's family and then be like, yeah,
8:19
Speaker 1: there just no pressure, it's a weird vibe. It's a
8:22
Speaker 1: weird look. You have no reason to go to his
8:24
Speaker 1: sister's party if it's like a no pressure situation. You
8:27
Speaker 1: don't meet family unless you know you're into each other
8:31
Speaker 1: and want to explore that. So Sophie makes a great move,
8:36
Speaker 1: and I love this for her, and you know great
8:39
Speaker 1: Sophie can speak Spanish, and so when she speaks Spanish
8:42
Speaker 1: to Nicole and like Pedro's mom, you know they're into it.
8:46
Speaker 1: Except for Pedro's mom, who low key later says about Sophie,
8:51
Speaker 1: I saw a normal woman, a common woman, common woman.
8:56
Speaker 1: Not much there, nothing in the cabasa. Sure, she's Piedro type,
9:00
Speaker 1: a lot in the rear, nothing upstairs. I found that
9:03
Speaker 1: interesting because, you know, truly, of course, Sophie does, unfortunately
9:07
Speaker 1: look vapid in vain. Now, whether she is or whether
9:11
Speaker 1: she's not, that's her choice to like always lead with,
9:14
Speaker 1: you know, titties out and like never lead with like
9:18
Speaker 1: any sort of emotional maturity. But at this moment, I'm
9:21
Speaker 1: gonna give her some grace because Sophie just showed up,
9:24
Speaker 1: started speaking a different language. She's not Spanish, and so
9:27
Speaker 1: there's like a part of me that's like, you shouldn't
9:29
Speaker 1: hate her yet, you shouldn't hate her quite yet. She's
9:32
Speaker 1: not been horrible to yet. She's soft spoken. For sure,
9:35
Speaker 1: she's trying in this moment. And you know, I wouldn't
9:39
Speaker 1: say that Pedro's family isn't common either, I mean they
9:42
Speaker 1: read common. Nothing reads more common. But it's interesting because
9:47
Speaker 1: Sophie comes from a person named Claire. Now at this time,
9:52
Speaker 1: I don't know if Sophie forgot that we know her mom,
9:55
Speaker 1: like we met Claire over two seasons, we've been seeing
9:58
Speaker 1: Claire like, Claire is a white trash person, like a
10:03
Speaker 1: drug act, drug addict, ye, kind of fucked up teeth,
10:07
Speaker 1: you know, not a great person in the sense of
10:11
Speaker 1: like maturity, elegance, the way she talks to people, all
10:14
Speaker 1: of that. Like, I don't consider her to be top
10:18
Speaker 1: tier upper echelon, doesn't feel like any of these people are.
10:22
Speaker 1: But that's gonna come back into play for this reason.
10:24
Speaker 1: So she gets so Sophie gets called common, which is lol,
10:27
Speaker 1: because you know Nicole is in Pedro's mom are you know,
10:31
Speaker 1: wild Bancheese? And Sophie starts being like, I don't understand
10:36
Speaker 1: how Pedro's family doesn't want the best for him. I
10:39
Speaker 1: cannot imagine how they would just get in and meddle
10:41
Speaker 1: in his business. How could you do that? It's so
10:44
Speaker 1: rude to come up and talk to me and try
10:46
Speaker 1: and like break us up. And meanwhile we're like rob
10:48
Speaker 1: the knob, your mom coming in and saying he's not shit.
10:52
Speaker 1: You're wanting to like have you leave with her? Your
10:55
Speaker 1: mom meddled like nobody's business. Now here's the thing. I'm
10:58
Speaker 1: not saying that she was right or she would wrong.
11:00
Speaker 1: Probably wrong, But Sophie like, we're not dumb. We watch that?
11:06
Speaker 1: Are you dumb? Do you not remember that? Are you
11:09
Speaker 1: not aware that your mom is like that? When you're
11:12
Speaker 1: watching this happen? Aren't you kind of like, oh this
11:14
Speaker 1: is how Rob felt. No, not one part of you.
11:18
Speaker 1: That's crazy. Oh my god, her not making the connection
11:22
Speaker 1: that her mom is as like intense and insane, or
11:28
Speaker 1: at least the producers made her look that way as
11:32
Speaker 1: much as this scene, I mean two things. That's an
11:35
Speaker 1: easter egg for us to get mad about. The producers
11:37
Speaker 1: know it or she is that daf and that dumb
11:40
Speaker 1: and that unaware. I'm not quite sure which one it is,
11:42
Speaker 1: but I want you to tell me. And do you
11:43
Speaker 1: guys get mad at that part? I was like, what? Okay?
11:47
Speaker 1: So at this point Julia is like who knows drunk?
11:51
Speaker 1: And then like Julia starts to try and like sexy
11:53
Speaker 1: dance with Nicole, you know, and then like Pedro and
11:56
Speaker 1: Sophie sexy dance and it's not as sexy as Nicole,
11:59
Speaker 1: and it's funny they literally have more of him, and
12:03
Speaker 1: Nicole pulls Sophie aside to have a talk, and it
12:10
Speaker 1: doesn't go well because Nicole's like, what do you want
12:13
Speaker 1: with my brother? You're hot and cold and he likes
12:15
Speaker 1: you a lot. And Sophie a doesn't like Pedro and
12:19
Speaker 1: is defensive and wants control over her life and wants
12:22
Speaker 1: to be like Queen Bee. So that's one part of it.
12:25
Speaker 1: She doesn't want to give like, let's just say her
12:28
Speaker 1: boyfriend's sister any sort of peace that she in fact
12:32
Speaker 1: really cares about him, Like that would have been one
12:34
Speaker 1: way to do it. Like let's just say Nicole was like,
12:37
Speaker 1: you don't care about my brother. You make him suffer,
12:39
Speaker 1: And let's just say you didn't want that to be
12:41
Speaker 1: the case. You could have been like Nicole, when we
12:44
Speaker 1: first got through, there was some miscommunication, but I really
12:47
Speaker 1: like your brother. It's why I'm here, It's why I'm
12:49
Speaker 1: meeting you. It's just sometimes hard to communicate. But I
12:53
Speaker 1: think we're getting close and I really like him and
12:56
Speaker 1: I want the best for him. Like that's not what happens, right,
12:59
Speaker 1: It's very defensive, like you came at me hard, you're
13:01
Speaker 1: yelling at me, and then of course it like escalates
13:04
Speaker 1: really fast with two women just yelling at each other,
13:07
Speaker 1: and Sophie is like you meaning Nicole and your fucking
13:13
Speaker 1: mom meaning obviously Pedro Nicole's mom. And when Nicole hears that,
13:18
Speaker 1: she blacks out. She's like, oh, absolutely not, You're not
13:21
Speaker 1: going to disrespect my mom. Blobby Blue, and Sophie didn't
13:26
Speaker 1: understand at first or didn't want to understand what she said,
13:29
Speaker 1: because she's like, I didn't disrespect your mom. I went
13:31
Speaker 1: up to her and spoke Spanish, but like you said,
13:34
Speaker 1: you're a fucking mom and it and Pedro finds out
13:38
Speaker 1: and Pedro's pissed. I love that. I want Pedro to
13:42
Speaker 1: be pissed at her, you know, because I think that
13:45
Speaker 1: what are you looking for in a person A fat ass?
13:48
Speaker 1: Okay one two? Someone kind, someone who respects you, someone
13:54
Speaker 1: who wants to be with you, because those aren't her.
13:56
Speaker 1: And I love anytime anyone figures that out. Like I
13:59
Speaker 1: talk about this last episode of Before the ninety Days
14:03
Speaker 1: that I truly loved it when Lisa was like, you
14:05
Speaker 1: know what, Daniel, fuck you, I'm not evil. I pay
14:08
Speaker 1: for your shit. No, And of course she turns back
14:12
Speaker 1: around and she's like, I love you so much, and
14:13
Speaker 1: that makes me upset. But I do want people to
14:17
Speaker 1: know their worth. It's why I talk about Sophie so much.
14:20
Speaker 1: She surely she surely doesn't. And you know, Pedro certainly
14:25
Speaker 1: has been like, oh, she's so hot. It looks Sophie
14:26
Speaker 1: so much. And she's not giving that buye back at all.
14:30
Speaker 1: She's giving the vibe of, like, I like mail attention,
14:33
Speaker 1: you're here, okay, So again there's contention. He knows that
14:38
Speaker 1: she said your fucking mom. I cannot wait to like
14:40
Speaker 1: actually realize what happens with that. And it's so yeah,
14:43
Speaker 1: it's so great, and I need someone, and I guess
14:46
Speaker 1: it wouldn't be anyone here because no one knows Claire
14:50
Speaker 1: to tell Sophie, your mom is worse than Pedro's mom.
14:55
Speaker 1: To me, Lisa Cole and Pedro's mom have like a
14:59
Speaker 1: good relationship. Sophie says she's close to her mom, but
15:02
Speaker 1: I just don't know if that's true, because like we
15:04
Speaker 1: know that she's I don't know, mom daughter relationships are very,
15:08
Speaker 1: very intense. But there's a reason why we haven't heard
15:10
Speaker 1: of Claire for a long time. And like for Sophie
15:13
Speaker 1: to have a whole single life right now and never
15:16
Speaker 1: talk to her mom, who we know as a character
15:19
Speaker 1: on this show is weird. To me. We think about that.
15:23
Speaker 1: Why isn't Sophie facetiming Claire. It's her mom, she's close
15:26
Speaker 1: to her. She just said, so she's in a foreman
15:28
Speaker 1: foreign land. Why isn't she telling her mom about getting
15:31
Speaker 1: over Rob and Rob the knob and trying to move
15:34
Speaker 1: on and having Claire. I'd be like, hey, bo Bob,
15:36
Speaker 1: hey mom, you know whatever Claire's gonna say in her
15:39
Speaker 1: crazy Cockney accent. I just want to know. I feel
15:41
Speaker 1: like there's a reason why it could be so many reasons. Ay,
15:44
Speaker 1: they're not close, be Claire's not doing well, so many things.
15:46
Speaker 1: But then let's be real. I almost want Sophie to
15:49
Speaker 1: be like, you know what, Pedro, I know what it's
15:51
Speaker 1: like to have a banana Rama's mom. I know what
15:54
Speaker 1: it's like. So you don't have to feel bad. I
15:57
Speaker 1: didn't make it easy for you, and maybe you all
16:00
Speaker 1: so should like have some boundaries of talking about your
16:02
Speaker 1: you know, life with people. If they're going to be
16:05
Speaker 1: so intense, I don't know, but here we are, so
16:07
Speaker 1: let's move on. So the next scene, honey, or the
16:11
Speaker 1: next grouping of scenes has to do with Kim Bally,
16:15
Speaker 1: So again the single life for kim Balie hasn't been
16:19
Speaker 1: that much like single lifing in the sense of like dating,
16:22
Speaker 1: as it's been her sort of redemption tour for her
16:26
Speaker 1: own moral compass for her life, which is great for her.
16:30
Speaker 1: You know, it feels like it almost feels like the
16:32
Speaker 1: franchise cares and they should cares about her as a
16:36
Speaker 1: human and then facilitated this to kind of a have
16:41
Speaker 1: a story and give us this but at the same
16:43
Speaker 1: time maybe help her have some closure in different things.
16:47
Speaker 1: But at the same time, I'm almost like, is this
16:49
Speaker 1: not a show that you should be calling like ninety
16:52
Speaker 1: day Family Issues or ninety day therapy Talk ninety day Yeah,
17:00
Speaker 1: Like it has to be something like ninety day life work,
17:04
Speaker 1: ninety day life coaching, where we are fixing people's souls
17:10
Speaker 1: and like they're maybe like going back and re examining
17:13
Speaker 1: their past mistakes. But I don't quite understand how this
17:15
Speaker 1: is like single life. So we've literally just watched her
17:18
Speaker 1: go on one shitty date and then have like a
17:23
Speaker 1: really awkward hotel encounter with some guy. Maybe the trajectory
17:28
Speaker 1: is if she can get past like these moments, Like
17:30
Speaker 1: maybe if we're led to believe that kim Bally has
17:34
Speaker 1: been secretly carrying the burden of having children and then
17:38
Speaker 1: not being able to take care of them and then
17:41
Speaker 1: putting them up for adoption, if that has weighed on
17:44
Speaker 1: her that I kind of want the storyline to be
17:47
Speaker 1: that she's going through this first so that she can right,
17:52
Speaker 1: like you know, a line, and right the wrongs within
17:54
Speaker 1: her soul or whatever she feels or her own moral compass,
17:58
Speaker 1: and then start dating or to have the opportunity to
18:02
Speaker 1: love herself more so that when she starts dating, she
18:05
Speaker 1: can take better care of herself and make better choices
18:08
Speaker 1: right like b is not a good choice. He doesn't
18:11
Speaker 1: like her, he's weird, and everyone told and everyone tells
18:14
Speaker 1: her that. And from what we can decipher from the
18:19
Speaker 1: relationship that she had with Larry and Jamal's dad and
18:25
Speaker 1: their middle sister, it seemed to be not only back
18:29
Speaker 1: and forth, but he didn't respect her enough as a
18:34
Speaker 1: woman or as a lover of his and she, unfortunately
18:38
Speaker 1: also didn't love herself enough to have like boundaries right
18:41
Speaker 1: because she kept going back to someone who in this
18:43
Speaker 1: episode says that when she found out that she was
18:46
Speaker 1: pregnant again the second time, who made us go back?
18:48
Speaker 1: So let me tell the story. So, just in case
18:50
Speaker 1: you didn't know, Kimberlee has three children, right, we know Jamal.
18:53
Speaker 1: We've been knowing that she has an older son named Larry,
18:56
Speaker 1: and the season has been talking about the fact she
18:59
Speaker 1: found Larry or Larry found her and they are rekindling relationship,
19:04
Speaker 1: and that Jamal had to learn about that, and he
19:07
Speaker 1: is dealing also with the repercussions of realizing he has
19:10
Speaker 1: like a full older brother. Larry has a beautiful family
19:14
Speaker 1: and including grandkids. I mean everyone is like looks like
19:17
Speaker 1: catalog models. I mean, Larry's handsome, his wife is beautiful,
19:20
Speaker 1: the kids gorgeous. You're like, oh my god, Kimmelli and
19:22
Speaker 1: Jamal are gonna have a little picnic for them. They're
19:24
Speaker 1: coming down. They also Kimberly has a grandson, cute as
19:28
Speaker 1: can be. She gets to FaceTime FaceTime him a lot.
19:33
Speaker 1: She's having a panic attack though, because she has to
19:35
Speaker 1: come clean about not only the fact that she lied
19:37
Speaker 1: about Larry, not only about that, but that she also
19:39
Speaker 1: has another child. She did this too. She feels an
19:41
Speaker 1: incredible amount of shame. And you know, if I was
19:45
Speaker 1: to be honest with you this whole past week because
19:47
Speaker 1: of the secret lives of Mormon wives. Drama has put
19:50
Speaker 1: a big emphasis to me on motherhood and the choices
19:55
Speaker 1: and opportunities and that we have as women, and it happens,
20:00
Speaker 1: and like what what are Yeah? What our options are?
20:04
Speaker 1: And society doesn't want you to do anything but be
20:09
Speaker 1: a devoted, perfect mom, selfish, selfless, the whole situation. But
20:14
Speaker 1: some women have personality disorders. Some women have mental disorders.
20:18
Speaker 1: Some women most I mean, every woman is in a
20:22
Speaker 1: patriarchal world where they are told certain things. People get
20:27
Speaker 1: mad at women for having abortions. People get mad at
20:30
Speaker 1: women for having kids out of woodlock. People get mad
20:34
Speaker 1: at women for having for giving up people, you know,
20:37
Speaker 1: giving up kids for adoption. People get mad at women
20:41
Speaker 1: for having kids and not being a good mom to them.
20:43
Speaker 1: You know, people get mad at women for having kids
20:46
Speaker 1: and abandoning them. I'm not saying you shouldn't get mad
20:49
Speaker 1: at someone, especially if you're the victim, like the kid,
20:52
Speaker 1: But to me, there's a certain kind of human understanding
20:57
Speaker 1: that at that time Kimberly made the following choices. She
21:02
Speaker 1: didn't have an abortion for whatever reason. I don't know
21:04
Speaker 1: if it was a moral reason or she's in the
21:06
Speaker 1: army and she can't, or they didn't have them at
21:08
Speaker 1: the time, or religious. I just she didn't do that. Intrinsically,
21:13
Speaker 1: she felt like she couldn't give this child a good upbringing.
21:18
Speaker 1: So what was she supposed to do at that point?
21:21
Speaker 1: Some people would be like, have the kid, have the kid, Okay,
21:25
Speaker 1: is that good for the kid? I guess you'll never know.
21:28
Speaker 1: I guess to me as a child from someone who
21:31
Speaker 1: you know, I think should not have had kids and
21:34
Speaker 1: just got stuck in that situation. I think the most
21:37
Speaker 1: important thing to do is be honest with yourself of
21:41
Speaker 1: what you're capable of and what you aren't, so that
21:44
Speaker 1: people have opportunities to get better, get better parents, get
21:48
Speaker 1: better lives, whatever it is. And to me, Kimberly did that,
21:51
Speaker 1: it's not obviously ideal that she did it twice. I
21:55
Speaker 1: don't know what it's like to be in the army
21:56
Speaker 1: and like be pregnant and then also be in a
21:58
Speaker 1: toxic relationship and see that person around and you think
22:02
Speaker 1: that you might die at one point, and then you know,
22:04
Speaker 1: one night, you guys hook up again. I don't know
22:06
Speaker 1: why condoms aren't there. I mean, you know, I don't
22:09
Speaker 1: know why she was so fertile. I mean, I you know, whatever,
22:11
Speaker 1: But certainly watching Kimberly deal with this, you can tell
22:14
Speaker 1: how much it weighs on her. And she's being really
22:17
Speaker 1: open and honest about this on a television show with
22:20
Speaker 1: a sort of nasty fan base sometimes, so there's like
22:25
Speaker 1: a certain amount of courage and bravery that she has
22:29
Speaker 1: to do this. And I think that she's doing it
22:32
Speaker 1: to free herself. And I feel like predictions allowing it
22:35
Speaker 1: to happen because they care about her, And maybe that's
22:38
Speaker 1: not why it's like super single lifey and that's the
22:40
Speaker 1: only reason why being up like okay? Is this like
22:42
Speaker 1: on a road to her loving herself more because a
22:46
Speaker 1: lot of women don't love themselves. And I think that
22:49
Speaker 1: the journey to loving yourself is like a great one
22:51
Speaker 1: to start. And I think that you have to be
22:55
Speaker 1: real and open with yourself and others of like the
22:59
Speaker 1: shame you feel about things, and if you can name
23:03
Speaker 1: it and share it, I think it loses its grip
23:08
Speaker 1: on you. I know that Kimberly is getting a lot
23:10
Speaker 1: of hate online because of her choices, but I'm also
23:14
Speaker 1: assuming that people out there that put kids up for
23:17
Speaker 1: adoption that are very thankful that someone is sharing a
23:22
Speaker 1: vulnerable story of how hard it is and how they
23:25
Speaker 1: feel about it. I think that she probably is giving
23:27
Speaker 1: a lot of women the space and like the image
23:31
Speaker 1: to grieve and relate to, because a lot of shameful
23:36
Speaker 1: things like this, I mean, I shave put shameful in
23:38
Speaker 1: quotation marks a lot of things that women get shamed for,
23:41
Speaker 1: is what I should say. We don't get to talk
23:43
Speaker 1: about a lot or a lot of the like really challenging, difficult,
23:49
Speaker 1: unmentionable things of womanhood, like miscarriages and all that stuff.
23:54
Speaker 1: How hard certain things are aren't discussed, almost in that
23:57
Speaker 1: Instagram way where it feels like everything should perfect or
24:00
Speaker 1: not and if it's not, you're wrong, You're bad. Everyone
24:03
Speaker 1: else is doing great and you you're the only one,
24:06
Speaker 1: honey on an island doing poorly. And I think it
24:09
Speaker 1: can be obviously very isolating if that is what you're getting.
24:12
Speaker 1: And then the opposite is having someone share their truth
24:14
Speaker 1: and then you being like, oh shit, me too, You're
24:16
Speaker 1: not okay, all right, It's not just me, it's you
24:20
Speaker 1: and probably others. It's the kind of universal feeling of
24:23
Speaker 1: connectedness that I think is the driving force of a
24:26
Speaker 1: my own, my entire life, but also be art and
24:29
Speaker 1: probably c theater, if not storytelling all that stuff. Right,
24:32
Speaker 1: it's the need of being, like humanity exists and it
24:37
Speaker 1: is what connects us, the good and the bad. We're
24:39
Speaker 1: different and yet we're not the same. Sorry, we're different,
24:41
Speaker 1: and yet we're the same. Right, The same things motivate
24:44
Speaker 1: us and the same things scare us, and you'd be
24:46
Speaker 1: surprised how similar people's stories are. So anyway, the picnic
24:52
Speaker 1: goes off without a hitch, and Kimberly again is really
24:57
Speaker 1: antsy and anxious to tell Larry about the sister, and
25:02
Speaker 1: it kind of feels like Larry and his family's like,
25:05
Speaker 1: here's that, and we're like, oh wow, okay, yeah, okay,
25:09
Speaker 1: And they don't seem as shocked as maybe she thought
25:13
Speaker 1: they were going to be. But it's because I think
25:15
Speaker 1: they're still kind of figuring out who Kimberly is, so
25:18
Speaker 1: nothing's going to be super shocking yet because they don't
25:22
Speaker 1: know her. It's hard to like, you know, they're still
25:25
Speaker 1: figuring her out. Thankfully. Also, yeah, Larry, and Larry just
25:30
Speaker 1: seems like an incredibly I hope this is true, emotionally
25:35
Speaker 1: aware person who was like I was adopted, I went
25:40
Speaker 1: on the journey of finding my birth mom. I found
25:42
Speaker 1: cousins first, and that's how I'm at Kimberly. And this
25:46
Speaker 1: happened at a time in my life where I already
25:48
Speaker 1: had a family and I have kids, and so I'm
25:50
Speaker 1: not searching for something as much as I am happy
25:55
Speaker 1: with the person I am and spreading my wings and
25:59
Speaker 1: like seeing what happens. He's been really loving to Kimberly,
26:01
Speaker 1: and Kimberly has a great relationship with his kids, and
26:03
Speaker 1: his wife loves Kimberly. His wife gives Kimberly like really
26:06
Speaker 1: tight ass bear hugs, and Jamal and Larry have a
26:09
Speaker 1: good relationship. So yeah, like now the journey is to
26:12
Speaker 1: find the sister I think, I mean, maybe this is well,
26:16
Speaker 1: I'm not quite sure when I say that, because Kimberly
26:17
Speaker 1: says that her daughter had a close adoption. She is
26:20
Speaker 1: a no the daughter's name, and I'm not a no
26:23
Speaker 1: percent sure what happens in those situations, but they're on
26:27
Speaker 1: the whole television show. I'm assuming Kimberly's daughter lives in America.
26:33
Speaker 1: I wonder if Kimly's daughter is somewhere looking at Jamal
26:37
Speaker 1: looking at Larry again. Kimberly's daughter would have the same
26:41
Speaker 1: birth father, so all these faces might start to ring
26:46
Speaker 1: a bell to someone. I wonder if Kimberly's daughter somewhere
26:50
Speaker 1: being like, oh my god, it's me that's so interesting. Okay,
26:53
Speaker 1: Last and least Gina, I mean, we don't know what
26:59
Speaker 1: to do with ourselves because for some reason, Natalie, who's like, Okay,
27:03
Speaker 1: now I believe you're not shit. You literally had your
27:06
Speaker 1: ex wife attack me, and then like, when I gave
27:08
Speaker 1: you the second chance, you're going to meet all my
27:10
Speaker 1: friends and be like, I don't know if I really
27:11
Speaker 1: like her enough to like stop talking to weird women
27:14
Speaker 1: in my DMS. She leaves, We're like, oh thank god.
27:19
Speaker 1: And then the next scene is that he's bought flowers
27:21
Speaker 1: from her Ralphs and going to go pick her up
27:23
Speaker 1: because why she's come to Michigan. And then she's like,
27:27
Speaker 1: I thought about it. I thought that maybe I was
27:28
Speaker 1: being too harsh on him, and we're like why, She's like,
27:31
Speaker 1: this time's going to be better. No, it's not. He's like,
27:33
Speaker 1: I made a mistake the minute I got on the plane,
27:36
Speaker 1: and I had to call her and be like I'm sorry.
27:38
Speaker 1: I never want to talk to anyone else. When she
27:40
Speaker 1: gets the car and he picks her up with she
27:42
Speaker 1: gives them the kind of kiss that you would give
27:44
Speaker 1: a person that you truly didn't want to touch, but
27:48
Speaker 1: you have to show that you like. Like it's kind
27:51
Speaker 1: of this, like you get into a car and let's
27:53
Speaker 1: say you really like someone, You're like, hey, hi, by,
27:56
Speaker 1: how are you nice to see you? You have to
27:58
Speaker 1: like watch me do this, and you have to assume
27:59
Speaker 1: that looked really good, even though I sniffed in the
28:01
Speaker 1: middle of it. Okay, God bless But she doesn't. She's
28:03
Speaker 1: like this, hey, wlah great, look at those flowers, Like
28:06
Speaker 1: you know, she she gives up wah sound and it's
28:11
Speaker 1: almost as if the hitting of the wah sound was
28:16
Speaker 1: supposed to distract us from how much she doesn't care
28:20
Speaker 1: about him. Like if you really were dating someone and
28:26
Speaker 1: you hadn't seen them in a second and then they
28:27
Speaker 1: pick you up like in their car, you don't kiss
28:30
Speaker 1: them like you kiss like a little kid. So weird. Okay.
28:34
Speaker 1: So then they go to the river front and they
28:38
Speaker 1: start talking about the weather and the weather is supposedly
28:42
Speaker 1: perfect if not too hot, and then like it literally
28:45
Speaker 1: reminds me of jazz and being like it's so coold
28:47
Speaker 1: in Michigan. He must have been so happy that like
28:49
Speaker 1: he got to show off Michigan's weather as being really great. Okay,
28:54
Speaker 1: let's talk about this dress. I see this dress that
28:58
Speaker 1: Natalie is wearing during the river Walk a lot. It's
29:02
Speaker 1: a tankless cotton body con dress that shows a little
29:10
Speaker 1: bit of high tummy and also is like a pencil skirt.
29:14
Speaker 1: It's two pieces. I think, tell me where you get
29:18
Speaker 1: it from. I saw this dress on her and I
29:21
Speaker 1: was like, you know what, it's not expensive. I can
29:23
Speaker 1: tell just by the fabric maybe Amazon or something. But
29:26
Speaker 1: also be it's a great dress to have if you
29:29
Speaker 1: are a Kirby lady, because it feels like, to me,
29:33
Speaker 1: Sophie would look great in this kind of dress. To me,
29:36
Speaker 1: if Sophie wanted to have like a more conservative outfit,
29:40
Speaker 1: put her in this kind of dress. I saw this
29:42
Speaker 1: dress yesterday a girl was wearing at the restaurant. I
29:44
Speaker 1: almost stopped her and being like, where'd you get that dress?
29:47
Speaker 1: So I'm asking you, can you please tell me where
29:48
Speaker 1: this dress is found. I think I would look good
29:50
Speaker 1: in it. I think it just like you know, shows
29:52
Speaker 1: off a little like small part of your like high
29:55
Speaker 1: waist covers a multitude of sins. As my grandma would say, comfortable.
30:00
Speaker 1: I wonder if it comes in different colors. So after
30:04
Speaker 1: frolicking in that fund because it's so hot in Michigane
30:08
Speaker 1: and looking off at Canada and being like, there's Canada,
30:11
Speaker 1: don't blame it, just kidding, they get Coney Island hot
30:16
Speaker 1: dogs with chili. I love chili hot dogs. I just yeah,
30:19
Speaker 1: I just it's so funny to me to think that
30:22
Speaker 1: Gino thinks that Natalie is a Coney hot dog chili
30:25
Speaker 1: girl with her like Gucci bag. He really wants, you know,
30:28
Speaker 1: as Pedro's mom would say, a common woman. He needs
30:32
Speaker 1: a common woman. And I mean that he needs just
30:34
Speaker 1: like assault of the earth lady that's gonna be as
30:37
Speaker 1: happy as a clam with chili hot dogs and him
30:40
Speaker 1: taking her to the thrift store every two weeks for
30:43
Speaker 1: like one new shirt. And I'm not saying that's bad.
30:47
Speaker 1: I can't do that, but you need that kind of
30:51
Speaker 1: lady to be happy with what you would want to do.
30:56
Speaker 1: But definitely Natalie, isn't it. We've been knowing that why
30:58
Speaker 1: we think this is so fake. There's no way Natalie
31:00
Speaker 1: would come back. There's Nore's I said this. There's no
31:03
Speaker 1: way a normal woman would come back from being attacked
31:08
Speaker 1: by Jasmine. So the fact that we're now in like
31:11
Speaker 1: round three of this, I mean, what is this woman
31:13
Speaker 1: getting paid? Is this? I mean, this woman is like
31:17
Speaker 1: I'm assuming getting paid thousands of dollars for this. It's
31:20
Speaker 1: just like I'm hoping this is like her four oh
31:22
Speaker 1: one K. I wonder what she thinks she's gonna do
31:24
Speaker 1: with the fame from this, because the other thing about
31:28
Speaker 1: Natalie is that she's surely not projecting any sort of
31:31
Speaker 1: like content creator, artisty or any sort of like business
31:36
Speaker 1: style woman who wants to use this fame to sell something.
31:39
Speaker 1: She's kind of just like a really hot Italian y
31:42
Speaker 1: looking woman who I guess she had just you know,
31:44
Speaker 1: wanted some money and some fun. I would love there
31:46
Speaker 1: to be like someone to come out and be like
31:49
Speaker 1: this is her deal on the internet, because I can't
31:51
Speaker 1: wrap my mind around the choices that she makes. I
31:55
Speaker 1: like her dress, so why is she doing this? Why
31:59
Speaker 1: is she here? Why would she choose to have that
32:01
Speaker 1: cute dress on? Why would you choose to keep coming
32:04
Speaker 1: back to Gino. You just I cannot believe that he
32:07
Speaker 1: is fun or charming or nice, not enough to be around,
32:09
Speaker 1: and definitely not attractive okay, not enough to like choose
32:14
Speaker 1: being single over. Okay. So then we meet Uncle Marco.
32:18
Speaker 1: You know, Uncle Marco loves meeting Gino's family. I'm sorry,
32:21
Speaker 1: Uncle Marco loves meeting Gino's new ladies. And Uncle Marco
32:25
Speaker 1: is the only member of Juno's family that still likes
32:27
Speaker 1: Gino except maybe one of his nephews. And I mean,
32:30
Speaker 1: Uncle Marco looks at Nataline It's like, oh, you'll never
32:32
Speaker 1: do better, You'll never do better. And Uncle Marco's like,
32:35
Speaker 1: I can tell they really like each other because when
32:37
Speaker 1: they both talk, they smile, and that never happened with
32:40
Speaker 1: the other one. I'm like, the other one, the one
32:42
Speaker 1: that you liked. What is Gino's family think of Jasmine? Now?
32:45
Speaker 1: Is there an update? Are we getting at an update? Okay?
32:47
Speaker 1: What's Dana doing? Okay? So then Uncle Marco goes, well,
32:52
Speaker 1: do you want to have a baby with her? Okay?
32:55
Speaker 1: Gino's like, I've always wanted a baby. And then he's like, Natalie,
32:59
Speaker 1: what do you think? And then she says that's unhinged,
33:03
Speaker 1: and we're like, well, yeah, this is like the Angela thing.
33:06
Speaker 1: I mean, can we talk about the fact that maybe
33:08
Speaker 1: she doesn't have that many eggs left? Can we talk
33:10
Speaker 1: with the fact that it's gonna be a surrogate. Who's
33:11
Speaker 1: gonna pay for the surrogate? Uncle Marco? Do you think
33:13
Speaker 1: it's Gino who's gonna who's gonna pay for the IVF?
33:16
Speaker 1: Uncle Marco? That's so much money. IVF and surrogacy is
33:20
Speaker 1: so much money, and Natalie is forty eight fifty Gino's
33:26
Speaker 1: you know whatever? I mean, what are we talking about?
33:28
Speaker 1: What's real? Okay? I also love this part. So then
33:32
Speaker 1: she's like, I got a question for you. If we're
33:34
Speaker 1: gonna ask crazy ass unhinged questions. Do you think that
33:37
Speaker 1: he's still in love with Jasmine's all? But I yeah,
33:43
Speaker 1: do you think that Gino's in love with Jasmine? Now?
33:45
Speaker 1: I'm gonna say this right now, Gino I don't think
33:47
Speaker 1: has ever been in love with an actual female. He
33:49
Speaker 1: doesn't know what love is. He wants someone hot to
33:55
Speaker 1: suck them, suck them, suck something toes whatever it is,
33:57
Speaker 1: right Like, I don't think he has the wherewithal to
34:01
Speaker 1: be in love to have like the back and forth
34:03
Speaker 1: of caring about someone's soul that way. And certainly I
34:05
Speaker 1: wouldn't say he was ever in love with Jasmine. Maybe
34:08
Speaker 1: like in a traumatic toxic relationship, like a trauma bond,
34:11
Speaker 1: you know, like a that kind of shitty situation. Sure,
34:14
Speaker 1: again not to talk about like Dakota Taylor, Franky Paul,
34:17
Speaker 1: But I mean that's not love. That's just those are
34:20
Speaker 1: people with personality and mental disorders, just processing to me.
34:26
Speaker 1: So I think it would have been great. And Uncle
34:28
Speaker 1: Marco was like, oh, Natalie, he'll never be in love.
34:30
Speaker 1: He can't. Oh that's Gino. No, he's not in love.
34:34
Speaker 1: He was never in love with Jasmine, so don't worry
34:35
Speaker 1: about that. He won't be in love with you. But
34:37
Speaker 1: he does think you're hot, so you know, whatever you
34:39
Speaker 1: want to do with that. Because for some reason, no
34:41
Speaker 1: one except for Dana will be like, Gino, you're not shit,
34:45
Speaker 1: Like even Uncle Marko being like, oh, you guys gonna
34:48
Speaker 1: have a baby. Uncle Marco's been knowing Gino. Uncle Marco
34:51
Speaker 1: knows Gino's not a well person. So it does feel
34:55
Speaker 1: like he's playing along with this too. Maybe that's what
34:58
Speaker 1: it is. Maybe like all of you. You know, his
35:00
Speaker 1: family knows that he's not shit. That's why all of
35:03
Speaker 1: them are like, we can't even pretend, we don't even
35:06
Speaker 1: want to be on television, like, you know, championing this fool,
35:10
Speaker 1: because people in our lives are gonna be weird to
35:12
Speaker 1: not buy our choices, and so instead we're gonna be
35:14
Speaker 1: real that this person isn't it. And Uncle Marco doesn't
35:18
Speaker 1: give a fuck because he's like, I don't care if
35:19
Speaker 1: people think of me. I want to be on TV.
35:21
Speaker 1: It is interesting that no one in his family has
35:25
Speaker 1: ever been able to write genoil for how subissive, beta
35:29
Speaker 1: and weird he is. He is allowed to just like
35:32
Speaker 1: think the way he does and act the way he does,
35:34
Speaker 1: and no one in his family, I guess, has been
35:37
Speaker 1: able to like get to him. It's how you should
35:40
Speaker 1: treat women. You should dress better, you should take care
35:43
Speaker 1: of yourselves better. You should look for women of certain
35:47
Speaker 1: you know, like age and a sort of groundedness about them,
35:51
Speaker 1: because that's what you'll be within the long run. You can't.
35:54
Speaker 1: You can't just keep saying you don't want a sugar
35:57
Speaker 1: baby and then only date sugar babies and then get
35:59
Speaker 1: mad at them. That hold money over them. Like also
36:02
Speaker 1: that's the reason why he was never in love with Jasmine.
36:05
Speaker 1: Transactional relationships are transactional relationships, And I think at my
36:10
Speaker 1: core that if you choose to be in a transactional relationship,
36:17
Speaker 1: there are two things. You are at the bottom of
36:19
Speaker 1: your barrel and you don't have a lot of options
36:21
Speaker 1: or be If you think that the way that you
36:23
Speaker 1: need to move in this world is only through transactional relationships,
36:28
Speaker 1: then I'm going to assume that you have like mental
36:31
Speaker 1: personality disorders and or like emotional maturity situations, that the
36:35
Speaker 1: way you view the world isn't connected to the human experience,
36:39
Speaker 1: and like your actual heart, it's connected to some weird
36:43
Speaker 1: ego like tiny little baby part of you or lizard
36:48
Speaker 1: part of you. You know, because it's funny, it's like
36:50
Speaker 1: you don't you don't you not only like rob yourself
36:54
Speaker 1: of the actual human connection of like being with someone
36:58
Speaker 1: on equal playing field where you both get to discover
37:01
Speaker 1: truths about each other and enjoy them. It's well, it's
37:04
Speaker 1: your hot I'm rich whatever it is I have to
37:07
Speaker 1: be hot for, and I have to be rich the
37:09
Speaker 1: minute I find someone hotter, and may I find someone richer.
37:13
Speaker 1: That's what it's about. And that is an incredibly empty,
37:16
Speaker 1: lonely space. And so if you choose to be in
37:20
Speaker 1: that space, what is its saying about you? Now, I'm
37:23
Speaker 1: gonna say this, there are times in life when you
37:26
Speaker 1: have to do certain things, I guess because your options
37:30
Speaker 1: are limited. So I can understand needing a couple of
37:35
Speaker 1: months of like either equal footing or whatever. But I'm
37:37
Speaker 1: talking about people who live their whole lives in transactional
37:42
Speaker 1: relationships like a Gino. There is no love to be
37:45
Speaker 1: had for Gino in his life and anyone that's going
37:48
Speaker 1: to be with him, he doesn't operate in that world.
37:50
Speaker 1: And I think that, Yeah, I think it's important to
37:53
Speaker 1: sit with It's not a nice thing to say, like,
37:56
Speaker 1: you know, we get a lot of like we had
37:58
Speaker 1: this whole I think upchuck of you know, do what
38:00
Speaker 1: you gotta do or get him or go girl or
38:03
Speaker 1: all of that stuff, especially for like women like to
38:06
Speaker 1: take advantage of metter just get what they want from
38:08
Speaker 1: men or whatnot. And it's funny, it's like you're just
38:13
Speaker 1: going to constantly reinforce the idea that men aren't shit
38:16
Speaker 1: because you only attract men that see women for being X,
38:21
Speaker 1: Y and Z, and I think, yeah, I think that
38:23
Speaker 1: if you can like having an open mind to people
38:28
Speaker 1: and like what they want, I think it's going to
38:30
Speaker 1: be Well. Of course, it's better for everyone to connect
38:32
Speaker 1: to someone in a real way, and Gino isn't going
38:35
Speaker 1: to do that. And that's what brings me to Natalie.
38:37
Speaker 1: What have Natalie's past relationships been, Like, is she sugar
38:41
Speaker 1: baby or all her relationships sugar baby relationships? And the
38:44
Speaker 1: other thing about it is Gino possibly was a sugar
38:49
Speaker 1: daddy to someone in a different country, right Jasmine and
38:54
Speaker 1: Panama got money from Gino sent to her and she
38:58
Speaker 1: got to live off the money converted in Panama. But Gino,
39:02
Speaker 1: to me, can't make a Natalie in America financially happy
39:08
Speaker 1: enough to be a sugar baby. Like she has a
39:10
Speaker 1: designer purse and that's just one. She's going to want
39:13
Speaker 1: someone to pay for things in America and Gino doesn't
39:17
Speaker 1: like to do that. That's why it feels fake and weird.
39:21
Speaker 1: I mean, of course, And I don't know why we
39:23
Speaker 1: have to see it. I want tyree On like I
39:25
Speaker 1: want someone who actually is going through the process of
39:29
Speaker 1: being single and wanting to be with someone like I want, God,
39:33
Speaker 1: I really want like someone who is open and honest
39:35
Speaker 1: about their like insecurities in life and is actually trying
39:39
Speaker 1: to meet someone to share a life with. And I'm
39:42
Speaker 1: sort of sick of obviously sick of Gino. And the
39:45
Speaker 1: only saving grace I guess is that we don't have
39:48
Speaker 1: to hear Jasmine I but I mean, I really wish
39:51
Speaker 1: that we'd have to hear Gino either. I can't imagine
39:53
Speaker 1: that the producers were like, you know what, Jasmin's too toxic,
39:56
Speaker 1: let's not ever see Jasmine again. But Gino isn't but
39:59
Speaker 1: we want to see more, especially because they knew they
40:02
Speaker 1: had nothing to film except Natalie and Gino. It would
40:05
Speaker 1: almost make a better story if Guno has started contacting
40:09
Speaker 1: some other person from a different you know, land, and
40:13
Speaker 1: then that was like what was happening? Because I don't
40:15
Speaker 1: think it's easy for us to believe that Natalie is
40:18
Speaker 1: real in this scenario. I mean, it's not. Okay, I'm
40:22
Speaker 1: done talking. Thank you guys so much for listening. And
40:25
Speaker 1: at the same time, you absolutely can get more of me.
40:28
Speaker 1: I am at Chris el Fara on all your major
40:30
Speaker 1: social medias. I am at you know Chris al Fara
40:33
Speaker 1: on TikTok. I am on Instagram, I am on Facebook.
40:37
Speaker 1: I have a private Facebook group Vanity Fara. I have Patreon.
40:41
Speaker 1: I have substack, and that is where I'm doing writing,
40:44
Speaker 1: and the Patreon goes up visuals before YouTube. But also
40:49
Speaker 1: there's a YouTube subscribe like comment on my videos, give
40:53
Speaker 1: me five stars wherever you can. And let's get to
40:57
Speaker 1: some mindful, groundedness, breathing to get other, trying to know ourselves,
41:05
Speaker 1: trying to feel what is real if not also and
41:08
Speaker 1: this is real, hippie tippy connecting to the present moment
41:13
Speaker 1: for the universe. Maybe if we take two breaths right now,
41:16
Speaker 1: I mean I'm taking them now, and I record them,
41:20
Speaker 1: I would like to think that as people listen to this,
41:22
Speaker 1: there might be a couple listeners listening at the exact
41:24
Speaker 1: same time, and so that your breaths are happening, but
41:27
Speaker 1: at the same time, the entire world exists, which means
41:31
Speaker 1: if you bring yourself into the present moment at any
41:34
Speaker 1: given time, odds are someone else is doing the exact
41:37
Speaker 1: same thing. And then at that point, are we not
41:40
Speaker 1: all connected in some sort of like universal energy? Are
41:44
Speaker 1: we not one breathing together on one planet, feet grounded,
41:52
Speaker 1: experiencing time at the exact same time, breath as one.
41:57
Speaker 1: It's kind of a beautiful thing until we can all
42:01
Speaker 1: be one, my loves, find yourself in your mind with ease,
42:07
Speaker 1: and listen to my voice or the sound of anything
42:10
Speaker 1: else in the room to do. Two breasts. Bring yourself
42:13
Speaker 1: here and just think I am here, I am breathing.
42:17
Speaker 1: Or put your hand on your heart and feel how safe,
42:22
Speaker 1: how easy you are in this present moment because you
42:27
Speaker 1: don't have to think about anything in the future. Just
42:30
Speaker 1: you'll do that later, Okay. Two breaths come, all right,
42:39
Speaker 1: my loves, take care of yourselves and one another. Stand
42:43
Speaker 1: up for what you believe, and make art like an
42:46
Speaker 1: episode of ninety Day, this single life. The art of
42:50
Speaker 1: making art is what it should be called. All right,
42:53
Speaker 1: I'll talk to you later. Bye,