Latest / The Bald Brothers Podcast / 86: Top 10 Black Celebrities You Would Let Cook The Mac n Cheese At Thanksgiving / Top 10 Best Tarantino Characters | #thebaldbrotherspodcas

Transcript

86: Top 10 Black Celebrities You Would Let Cook The Mac n Cheese At Thanksgiving / Top 10 Best Tarantino Characters | #thebaldbrotherspodcas · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all?
• 0:01
  Speaker 2: Boy Kevin on stage before we get into the Bob Brothers.
• 0:03
  Speaker 1: We are going on the road with the Freestyle Comedy Show.
• 0:07
  Speaker 1: First stop Nate Jackson's Comedy Clubs. Come on Washington November
• 0:11
  Speaker 1: twenty second and twenty third. Visit Kevin Stage dot com.
• 0:14
  Speaker 1: Click on tour to get your tickets. We'll see there.
• 0:18
  Speaker 3: Let's kick off the show, all right, what up y'all?
• 0:21
  Speaker 3: Walk to the Ball Brothers podcast.
• 0:23
  Speaker 1: Me and my good friend Tony Baker. Tony Baker, we
• 0:27
  Speaker 1: like to talk about anything. It's really excuse to talk
• 0:29
  Speaker 1: about movies. But we know we put that in the title.
• 0:30
  Speaker 1: Y'all ain't gonna click, so we put different stuff in there.
• 0:33
  Speaker 1: And sometimes we do that in the title, but just
• 0:35
  Speaker 1: such and watch it.
• 0:36
  Speaker 4: I'm not always cranky and fussing man, y'all be activating me.
• 0:40
  Speaker 1: That Tony ain't always cranking, fussing low key. As Tony's friend,
• 0:44
  Speaker 1: it's gone too fuck. I think social media, yeah, Tony
• 0:49
  Speaker 1: is a good especially in person.
• 0:51
  Speaker 4: Tony ain't really never cranky and person be ruining. Cranky
• 0:55
  Speaker 4: fussy people be ruined in the night.
• 1:00
  Speaker 1: As part of your content strategy, you be ratting yeah
• 1:05
  Speaker 1: and then people beat they start to think that's your
• 1:07
  Speaker 1: actual disposition.
• 1:09
  Speaker 4: Meanwhile, bypassing all the other stuff where I'll be tranquil,
• 1:12
  Speaker 4: I'll be like, yo, I love this and this. They
• 1:14
  Speaker 4: no forget that.
• 1:16
  Speaker 1: The video of Tony sitting criss cross eating pineapple is
• 1:20
  Speaker 1: his natural disce.
• 1:21
  Speaker 4: That's me.
• 1:22
  Speaker 1: That's Tony at home. I'm the game eighty seven of
• 1:27
  Speaker 1: the time. But if you go to the grocery store
• 1:30
  Speaker 1: and the and the carts ain't in there, he gonna
• 1:32
  Speaker 1: be fussing.
• 1:32
  Speaker 4: And that's what they highlight, and the he gonna.
• 1:34
  Speaker 1: Be fussing then because he's gonna be fussing, y'all. That's
• 1:37
  Speaker 1: just the truth of the matter. I'm having a soda
• 1:39
  Speaker 1: when I go to Jersey Mikes. You have what asda?
• 1:41
  Speaker 1: You really going to Jersey Mikes?
• 1:42
  Speaker 4: One? What you get?
• 1:43
  Speaker 3: It probably didn't.
• 1:46
  Speaker 1: May names with the stubborn soda they got. They got
• 1:48
  Speaker 1: the black cherry terra gone, man, I got to have
• 1:52
  Speaker 1: it some food.
• 1:53
  Speaker 4: Just go back. You had Jersey Mics on your mind
• 1:55
  Speaker 4: the whole time. That's why you kept bringing it up.
• 1:57
  Speaker 1: Jersey Mix is over here. They took that other rest
• 2:00
  Speaker 1: are out. Get it out of here. Get Jersey Michaels
• 2:02
  Speaker 1: in here also, you know some way is honest. They're
• 2:04
  Speaker 1: they're struggling, but.
• 2:06
  Speaker 4: They still the number one, Uh franchise Are they struggling?
• 2:11
  Speaker 1: I don't think they're number one. I think Jersey might
• 2:13
  Speaker 1: if Jersey, if they are, it might just because there's
• 2:15
  Speaker 1: be because there's so many. But I think per restaurant
• 2:19
  Speaker 1: they're not doing as well because remember that that they're
• 2:22
  Speaker 1: taking bad press hits.
• 2:24
  Speaker 4: Yeah, this ain't real crab, This ain't real chicken, These
• 2:28
  Speaker 4: ain't real napkins.
• 2:29
  Speaker 1: Jared the bread is fake Jared moleiss kids.
• 2:34
  Speaker 3: And a five dollars five no more inflation killed that they.
• 2:39
  Speaker 4: Don't have to five dollar no.
• 2:41
  Speaker 1: And the franchisees were like, bro, we can't sell this
• 2:43
  Speaker 1: at that price. They were like shut up. Five dollars
• 2:47
  Speaker 1: for the Black Force amp, like we can't make no money.
• 2:51
  Speaker 4: Shut out, and.
• 2:53
  Speaker 1: They like revolted against it.
• 2:54
  Speaker 4: It was never truly five dollars.
• 2:56
  Speaker 1: Like five fifty five. Man, No, I was I live
• 3:00
  Speaker 1: coming that in college for sure, Like.
• 3:02
  Speaker 4: I don't they don't only have like select subs.
• 3:04
  Speaker 1: That was done for sure, selection okay, because like they
• 3:08
  Speaker 1: was like noah, oh no, no, you wouldn't let me
• 3:10
  Speaker 1: get the sag of cheese. That's regular pride. What you
• 3:13
  Speaker 1: say about.
• 3:16
  Speaker 4: I don't want em t that was out because I
• 3:21
  Speaker 4: never ate poor.
• 3:22
  Speaker 3: Well too bad man. You can't have pre yourselves for
• 3:24
  Speaker 3: five dollars.
• 3:25
  Speaker 4: Breakfast sing which is on the flat breadge all right, Speaking.
• 3:28
  Speaker 1: Of food, today's topic is black celebrities that you would
• 3:33
  Speaker 1: let cook the macaroni and cheese on Thanksgiving, just by
• 3:38
  Speaker 1: how they look, how they be in movies, who they are.
• 3:42
  Speaker 1: I'm gonna kick it off.
• 3:43
  Speaker 4: Oh it's just black celebrities or just celebrities.
• 3:46
  Speaker 3: Oh if you trust the white person to make the
• 3:47
  Speaker 3: mac and cheese.
• 3:48
  Speaker 4: Because I just see celebrities. So I got no.
• 3:50
  Speaker 1: I mean I thought it was given.
• 3:52
  Speaker 4: Oh no, I got a white in there.
• 3:53
  Speaker 1: I'd love to hear the white man kick it off.
• 3:56
  Speaker 1: Kick it off with the white for Thanksgiving? You eating
• 3:58
  Speaker 1: this John Favro.
• 4:01
  Speaker 4: Hell no, John Favreau be cooking in real life. It's
• 4:05
  Speaker 4: not just Shiv. It's not just chef.
• 4:08
  Speaker 3: He really be cooking, but black baked mac and cheese,
• 4:10
  Speaker 3: the way we eat it.
• 4:11
  Speaker 4: I would trust him with the with the mac and cheese.
• 4:13
  Speaker 1: Thanksgiving, No talk, that's the super Bowl giving, not September
• 4:18
  Speaker 1: twenty third.
• 4:19
  Speaker 4: I'm trusting John Favreau to cook the mac and cheese?
• 4:25
  Speaker 1: Are you okay? Let me ask you this. Let me
• 4:26
  Speaker 1: ask you this because this might be a key difference
• 4:28
  Speaker 1: between you and I. Are you okay with non traditional
• 4:31
  Speaker 1: versions of dishes on the big holiday? Because he might
• 4:37
  Speaker 1: have like a mac and cheese?
• 4:37
  Speaker 4: I don't. I don't like it when people get too
• 4:39
  Speaker 4: experimental during Thanksgiving. I'm not signing enough for experiments on Thanksgiving.
• 4:46
  Speaker 4: That's not my in my mind, I got to I
• 4:49
  Speaker 4: got to try and truth. Even even with me mostly
• 4:52
  Speaker 4: being vegans stuff like that, I still be like, all right, too, ferky,
• 4:57
  Speaker 4: that's gonna be like the turkey, the yams is the
• 5:00
  Speaker 4: the dressing, gonna be the dressing. The mac and cheese
• 5:02
  Speaker 4: is gonna be vegan. But it's gonna be right. So
• 5:05
  Speaker 4: I don't like know too many remixes. I'll be like,
• 5:10
  Speaker 4: then I go in the fuss mood that you'll bringing
• 5:12
  Speaker 4: up because they always cranky. But yeah, so I'm throwing him.
• 5:22
  Speaker 1: That I'm not eating his but I why not?
• 5:25
  Speaker 4: Why why not?
• 5:25
  Speaker 3: Because I don't think he would do it right?
• 5:27
  Speaker 1: Well, why he's white, but he's a big white he's
• 5:31
  Speaker 1: big white, and I don't I'm not saying it, you.
• 5:33
  Speaker 4: Know, I mean big like big white. I mean he's larger.
• 5:36
  Speaker 1: No, no, he is on Thanksgiving.
• 5:38
  Speaker 3: I would trust him on most other days, but on Thanksgiving,
• 5:42
  Speaker 3: I'm like.
• 5:42
  Speaker 4: Think about the grilled cheese he made and shift.
• 5:45
  Speaker 1: No, well, that's first of all, think about this. Looked
• 5:50
  Speaker 1: that good it took. It was like a three minute see.
• 5:54
  Speaker 4: Think about that grilled cheese.
• 5:55
  Speaker 1: But she here's the difference. Macaroni is culturally made a
• 5:58
  Speaker 1: certain way in the black community, for sure. So and
• 6:02
  Speaker 1: I don't know that a chef who don't, you know,
• 6:05
  Speaker 1: make it like that couldn't make it like that. I'm
• 6:08
  Speaker 1: not saying they couldn't make good mac and cheese. I
• 6:09
  Speaker 1: would take I would trust him.
• 6:11
  Speaker 4: Here's the thing about the big mac and cheese. It's
• 6:14
  Speaker 4: not hard to make.
• 6:16
  Speaker 1: It's not it's not hard. I'm not gonna say it
• 6:19
  Speaker 1: is that. I'm saying they don't be making it.
• 6:22
  Speaker 4: Like but to make the truly fire big mac and cheese,
• 6:27
  Speaker 4: it's not hard.
• 6:29
  Speaker 1: I don't disagree. However, if the mac and cheese is wrong,
• 6:34
  Speaker 1: the whole thing is right.
• 6:35
  Speaker 4: Well, yeah, if it's wrong, the whole night is.
• 6:37
  Speaker 1: So it ain't hard, but it ain't easy, you know
• 6:40
  Speaker 1: what I'm saying. Like I trust a lot of people
• 6:44
  Speaker 1: the turkey, but the mac and cheese select few.
• 6:45
  Speaker 4: So you've had somebody that can really cook just mess
• 6:49
  Speaker 4: up some mac and cheese.
• 6:53
  Speaker 1: Absolutely, really, yes, many times. And I also believe mac
• 7:01
  Speaker 1: and cheese it's one of those things that's not made
• 7:04
  Speaker 1: good in bulk. So soul food restaurants often mess it
• 7:07
  Speaker 1: up because.
• 7:08
  Speaker 4: Eight times out of ten, I'm not feeling the macon.
• 7:10
  Speaker 1: It got to be made pan by pan. You can't
• 7:13
  Speaker 1: make huge amounts that you need for a restaurants. I
• 7:16
  Speaker 1: mean you could, but you need not go personal making
• 7:18
  Speaker 1: mac and cheese.
• 7:19
  Speaker 4: It's like step doing Heroin exactly.
• 7:22
  Speaker 1: It ain't greens. You can make it a big pot yams,
• 7:25
  Speaker 1: you know what I'm saying. But mac and cheese, yeah, definitely,
• 7:31
  Speaker 1: you know the black I mean, we're judging you based
• 7:34
  Speaker 1: on the mac.
• 7:34
  Speaker 4: The mac and cheese to me is the headliner of
• 7:38
  Speaker 4: Thanksgiving for sure. I can deal with turkey in the
• 7:43
  Speaker 4: front if it was a movie poster Thanksgiving, mac and cheese, yams, turkey, rolls.
• 7:53
  Speaker 1: And greens Thanksgiving. I have said. I told the listen
• 7:58
  Speaker 1: to this. She thought I was joking. I could eat
• 8:01
  Speaker 1: only sides on Thanksgiving and be happy me too. I
• 8:04
  Speaker 1: don't have to have I like me. I like turkey
• 8:07
  Speaker 1: and ham or whatever or the sides of But the
• 8:10
  Speaker 1: sides are it's the four top. If you give me
• 8:12
  Speaker 1: the yams, the mac, the dressing and the greens. If
• 8:17
  Speaker 1: that's all I had, and a roll, just you know
• 8:19
  Speaker 1: what I'm saying, I'm living the dream. I'll be happy
• 8:22
  Speaker 1: because I usually have that as the four corners of
• 8:24
  Speaker 1: my plate. Throw a roll on one side and whatever
• 8:27
  Speaker 1: meat on top of that. But the base is the side.
• 8:30
  Speaker 1: The sides is king also, And do you think I've
• 8:32
  Speaker 1: been thinking about this?
• 8:33
  Speaker 3: Christmas and Thanksgiving we make the same stuff.
• 8:37
  Speaker 4: Christmas meal is just the reup of things, just the reup.
• 8:40
  Speaker 3: They might switch out the turkey for something else, like
• 8:42
  Speaker 3: them besides coming back to play.
• 8:44
  Speaker 4: Low key Easter too, Easter too, They just dough the
• 8:48
  Speaker 4: ham in there instead of the turkey. Gets a potato salad.
• 8:51
  Speaker 1: Got potatoes out for the.
• 8:52
  Speaker 4: Spring, but overall for the spring.
• 8:56
  Speaker 1: My next one or my first one. Loretta divine, of course,
• 9:00
  Speaker 1: she on my list, Loretta Divine, and she was only
• 9:03
  Speaker 1: helped by that scene in the waiting to Exhale and
• 9:08
  Speaker 1: the walk off.
• 9:09
  Speaker 4: Once she said that and walked off, I was like,
• 9:12
  Speaker 4: she can cook henceforth. I cannot shake that image. I
• 9:16
  Speaker 4: can't shake the image. Once she said that she laid
• 9:20
  Speaker 4: the bath. That's how you get me, is a man. Ladies,
• 9:27
  Speaker 4: you run down the hole. I'm gonna make this this,
• 9:29
  Speaker 4: that in this for you and walk off. I'm be like,
• 9:31
  Speaker 4: and if your walk is good, gotta have a good walk.
• 9:35
  Speaker 1: Her walk was funny.
• 9:36
  Speaker 4: It was funny. Yeah, it was like, you gotta have
• 9:39
  Speaker 4: a good walk off. Gotta have a good walk if
• 9:41
  Speaker 4: you're gonna say the menu and then walk off. But
• 9:43
  Speaker 4: then I look at your walk and I'll.
• 9:44
  Speaker 1: Be like, Also, man, baked bread. My grandma bakes bread
• 9:53
  Speaker 1: for Thanksgiving. Top three smells ever fresh baked.
• 10:00
  Speaker 4: I love it, man, I could bathe and the smell
• 10:04
  Speaker 4: of baked breads. I love it. Man. I wish my
• 10:08
  Speaker 4: house smelled like baked breads. At twenty four seven, I
• 10:12
  Speaker 4: wish when I came home after a long weekend on
• 10:15
  Speaker 4: the road, big breads, cats, wh y'all in here, bacon.
• 10:21
  Speaker 1: Like Maron, Yes, Brad, is it need to do that?
• 10:27
  Speaker 4: Yeah?
• 10:28
  Speaker 1: Man, all right, what you got?
• 10:30
  Speaker 4: Okay, so I got, of course I got Gladys night
• 10:34
  Speaker 4: up in this thing.
• 10:35
  Speaker 1: Yeah she had. She had a restaurant.
• 10:36
  Speaker 4: Come on, man, Gladys, nice chicken and waffle. That's you
• 10:40
  Speaker 4: got the chicken and water with restaurant. You're serious about
• 10:42
  Speaker 4: your craft. Gladys is a is a baked macaroni and
• 10:45
  Speaker 4: cheese name. Absolutely you don't want to mac who Gladys,
• 10:48
  Speaker 4: Gladys open the see.
• 10:50
  Speaker 3: Glad right, glad I'm with the mac as a baby.
• 10:53
  Speaker 4: Come on, man. She was born in the mac of
• 10:56
  Speaker 4: cheese pot. A lot of people didn't know that. When
• 10:59
  Speaker 4: her mom delve her, she fell into the mac and
• 11:01
  Speaker 4: cheese pie. Because times was hard. They was in the
• 11:04
  Speaker 4: South and then boom, here's your daughter. They had to
• 11:09
  Speaker 4: foil on the South. Gladys Gladys could night.
• 11:15
  Speaker 1: Gladys cadnight for show. I'm digging in. I'm going tamla man.
• 11:20
  Speaker 3: Okay, church the church, church, women singing church.
• 11:25
  Speaker 4: Will Jesus sprinkle on the top.
• 11:27
  Speaker 5: Man?
• 11:28
  Speaker 4: I know her. I take me to the kid Sanduel
• 11:31
  Speaker 4: seasoning Queen of Mac.
• 11:34
  Speaker 1: She's just been she's been singing for a long time.
• 11:36
  Speaker 1: She loved God for a long time. I know she
• 11:38
  Speaker 1: didn't have her share of three thirty services. We're like,
• 11:40
  Speaker 1: you don't want to back tom Oh, we're good, then
• 11:45
  Speaker 1: we'll set it off.
• 11:46
  Speaker 3: You could have lived with that, You could have lived
• 11:47
  Speaker 3: with Tamala man.
• 11:48
  Speaker 4: That might get me in the church.
• 11:50
  Speaker 3: On some niggas, It probably would, because the word, the.
• 11:52
  Speaker 4: Word ain't enough. The word alone ain't enough for me,
• 11:57
  Speaker 4: Like we had mac and cheese. Oh who tabala or
• 12:04
  Speaker 4: word ain't any time?
• 12:05
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• 14:12
  Speaker 4: Because I feel like I can get the word elsewhere,
• 14:14
  Speaker 4: but I can't get the mac and cheese elsewhere. That's
• 14:16
  Speaker 4: what that's because I can. I can talk to the
• 14:18
  Speaker 4: Lord about myself. Bible right here, Bible right here, God's
• 14:24
  Speaker 4: up here. What I need, y'all?
• 14:25
  Speaker 1: For God ain't making a maca cheese with.
• 14:28
  Speaker 4: The maca cheese. And then that's when I show up
• 14:32
  Speaker 4: toes here. Hey, praise God. I'm looking for the macon cheese.
• 14:37
  Speaker 4: Praise God.
• 14:38
  Speaker 1: Jam got y'all. Let me get that corner, Okay? For
• 14:44
  Speaker 1: show said better the word. I'll get the word.
• 14:46
  Speaker 4: Anywhere, but the mac that's the one, all right?
• 14:50
  Speaker 1: Who you got?
• 14:51
  Speaker 4: All right? So I'm gonna throw in. I'm gonna go younger,
• 14:56
  Speaker 4: But I feel like I want to try it Calice.
• 15:01
  Speaker 4: I want to try her mac and cheese because she'd
• 15:03
  Speaker 4: be making Thanksgiving meals to sell cook. She'd be cooking.
• 15:08
  Speaker 4: She's a chef for real.
• 15:10
  Speaker 1: I don't know. Yeah, and so I want to try
• 15:12
  Speaker 1: her mac and cheese. Really, and I know she looked
• 15:15
  Speaker 1: good and people were like your tone.
• 15:17
  Speaker 4: I mean they're not wrong, but but.
• 15:24
  Speaker 1: Cooking.
• 15:24
  Speaker 4: You want to try that mac and cheese from Khalise,
• 15:27
  Speaker 4: from Khalise.
• 15:28
  Speaker 1: Her milkshap brings the boys to the yard. Listen, but
• 15:30
  Speaker 1: the mac and cheese is while they stay. She looks
• 15:33
  Speaker 1: like just a hook.
• 15:34
  Speaker 4: She getting better looking with time. Mac and cheese.
• 15:37
  Speaker 1: All right, I'm with you. I'm gonna go Patty. I
• 15:41
  Speaker 1: knew Patty was coming. I knew, I knew the usual
• 15:43
  Speaker 1: suspects was coming. They gotten to come to I knew
• 15:45
  Speaker 1: they was coming. She got we got Sweepingtato Pie, she
• 15:49
  Speaker 1: got apple pie.
• 15:51
  Speaker 4: Did she say something else that pumpkin Pie was the
• 15:54
  Speaker 4: one that went viral.
• 15:55
  Speaker 3: No, that was sweeping tato It wasn't pumpkin Niggas wasn't
• 15:59
  Speaker 3: going for them.
• 16:00
  Speaker 4: You're crazy.
• 16:01
  Speaker 1: The thing is pumpkin pie is good, y'all. Yeah, tell
• 16:03
  Speaker 1: the black let's cut the horse. Ain't no way it
• 16:05
  Speaker 1: was gonna go viral. It's cut the horse.
• 16:09
  Speaker 4: That's what it was.
• 16:10
  Speaker 1: Waffle she got super tato pie, limonberry pie, suddn buttermilk pie.
• 16:13
  Speaker 1: She got pancake mixed, she got banana pudding. Hold on,
• 16:16
  Speaker 1: she done expanded the brand.
• 16:18
  Speaker 4: Yeah, she's like, listen, man, I need that money.
• 16:20
  Speaker 1: Patty's good luck. This also is a perfect thing for her.
• 16:24
  Speaker 4: Man. The pancakes as good as she just looked.
• 16:27
  Speaker 1: Like, Man, you imagine she was your aunt. Oh my god,
• 16:29
  Speaker 1: you spend the night at her. Crazy is my favorite genre.
• 16:35
  Speaker 4: Yeah, that's my favorite.
• 16:36
  Speaker 1: Wait, she got many pancakes with peanut butter and jam inside.
• 16:41
  Speaker 4: That that quest love story about him trying to get
• 16:44
  Speaker 4: paid little Bell's food. That is so funny. I got
• 16:47
  Speaker 4: to send it to you, man, because it was like
• 16:49
  Speaker 4: she had promised that she was gonna cook and he
• 16:51
  Speaker 4: was holding it to it, and so he kept coming
• 16:53
  Speaker 4: back around to it. He long story. Sure he never
• 16:56
  Speaker 4: got the meal. He was like, He's like, so, Paddy,
• 17:01
  Speaker 4: you're gonna gonna cook it? You said, yeah, yeah, I
• 17:03
  Speaker 4: got you. She was ducking and dodging them. It was
• 17:06
  Speaker 4: mad funny. Doug, who you got, Jennifer Lewis?
• 17:12
  Speaker 1: I said, Jeniffer Lopez. I was like, nah, I give
• 17:14
  Speaker 1: you John faith Bro. I'm not giving you that, Jennifer.
• 17:16
  Speaker 1: Jennifer Lewis, I feel like her kitchen would be fun. Yeah,
• 17:21
  Speaker 1: give me a good time. She'd probably be singing and laughing.
• 17:23
  Speaker 4: She don't wants you up in there.
• 17:24
  Speaker 1: If you know, you gotta get.
• 17:26
  Speaker 4: The funk on out of my kitchen for the hard
• 17:29
  Speaker 4: mab about she cussed out tupacing poetic juster, don't be
• 17:32
  Speaker 4: cussing in my house boy to put the goddamn cigarette out.
• 17:34
  Speaker 4: I was like, damn who She cussed him out so
• 17:39
  Speaker 4: smooth in that scene. I was like, damn No. But yes,
• 17:42
  Speaker 4: Jennifer Lewis, I feel like.
• 17:44
  Speaker 1: You could be in the next room over listening, but
• 17:47
  Speaker 1: you just can't be in there in the way too much. Man. Now,
• 17:50
  Speaker 1: people don't be playing a lot of.
• 17:51
  Speaker 4: People don't want a lot of traffick in that kitchen. Move.
• 17:54
  Speaker 3: You know what's funny about that?
• 17:55
  Speaker 1: I feel like, uh, my grandma and people like her,
• 18:01
  Speaker 1: they don't like the open kitchen concept because it feels
• 18:04
  Speaker 1: like people are in the space even though the kitchen
• 18:06
  Speaker 1: is just like technically it's right there. Yeah, but she
• 18:09
  Speaker 1: liked it, like, now I really need y'all to move.
• 18:12
  Speaker 1: You're gonna make my cake you're gonna make this breath
• 18:15
  Speaker 1: you breathing, just hovering. Just it' stop. You're gonna be
• 18:18
  Speaker 1: opening the oven and stuff. So she'd be like, you
• 18:21
  Speaker 1: know you looking over the camera. Man, watch y'all get
• 18:23
  Speaker 1: up the living room. But the living room is in
• 18:25
  Speaker 1: the in the same area. That's what the TV is.
• 18:27
  Speaker 3: Man, watch it upstairs, watching this for realal me the
• 18:31
  Speaker 3: whole face.
• 18:32
  Speaker 4: And I have that gene. I have that gene of
• 18:34
  Speaker 4: just like, you know, get out the way. Yeah, you'a
• 18:37
  Speaker 4: don't like to be hovered over it.
• 18:39
  Speaker 1: Just you got the open concept. Yeah, it's like you
• 18:43
  Speaker 1: got no door in your kitchen. No, it's open. People
• 18:46
  Speaker 1: want to come with what you got going on?
• 18:49
  Speaker 3: What's in there?
• 18:49
  Speaker 1: And see now you're mad.
• 18:51
  Speaker 4: The Thanksgiving I want to say, Thanksgiving twenty twenty who
• 18:56
  Speaker 4: twenty twenty one. Uh, I was cooking the dressing, but
• 19:00
  Speaker 4: I cooked it in the garage just so you would
• 19:04
  Speaker 4: be because because Sabrina had the you know that, she
• 19:06
  Speaker 4: had the stuff going in the main kitchen. So I
• 19:09
  Speaker 4: got the stove in the garage.
• 19:10
  Speaker 1: So I was just in there.
• 19:12
  Speaker 4: Nobody in there. It was just me in cars people
• 19:16
  Speaker 4: like it. Yeah, I was just like, man, this is
• 19:18
  Speaker 4: great than it. It was me and some crickets. I
• 19:20
  Speaker 4: was like, man, I got crickets in my garage. Oh,
• 19:23
  Speaker 4: they be in there, tough.
• 19:24
  Speaker 3: Byby in Manti's food. He'd be like, I would eat.
• 19:26
  Speaker 1: I do not care put that. Put that stuff in there.
• 19:29
  Speaker 4: It's a good protest.
• 19:30
  Speaker 3: So when I put his food in there, and it'd
• 19:31
  Speaker 3: be like, tught me, like I got to get out
• 19:37
  Speaker 3: of here.
• 19:40
  Speaker 1: You put it down and then he be licking it
• 19:42
  Speaker 1: on the ground. You're looking on the garage, flying on
• 19:45
  Speaker 1: the salty man. Man, stop eating like that. I can't
• 19:48
  Speaker 1: never been fed. I don't give you a little pizza
• 19:50
  Speaker 1: all day.
• 19:51
  Speaker 4: That's how the cats at when I give him wet food.
• 19:54
  Speaker 4: When when you get midnight wet food, it's like he
• 19:58
  Speaker 4: never ate a day in his life. I'm like, bro, man,
• 20:05
  Speaker 4: I'll be feeding just aggressive. Man, hit me with the
• 20:10
  Speaker 4: fancy feast when they when they hear the can open
• 20:12
  Speaker 4: the little slide back. And then I opened the door
• 20:15
  Speaker 4: because I don't like to I don't like to prepare
• 20:18
  Speaker 4: the food while they're in there because midnight just be
• 20:21
  Speaker 4: in the way, just be aggressive. So I closed the
• 20:23
  Speaker 4: door and they be outside of the door as soon
• 20:26
  Speaker 4: as I open it.
• 20:32
  Speaker 1: His face down, I'm like, man, show up, man, you
• 20:36
  Speaker 1: ain't gotta do all that like you starving, shoot sick.
• 20:40
  Speaker 1: I'm gonna go. I need a baker. Oh. I grew
• 20:44
  Speaker 1: up on her music. I loved her from life. You
• 20:48
  Speaker 1: know her music week we clean up the house to
• 20:50
  Speaker 1: it caught up in the rapture.
• 20:53
  Speaker 3: Guys, everybody knows it.
• 20:57
  Speaker 5: Up. Man, when you bake, always knew that macaroni and
• 21:06
  Speaker 5: cheese be good to you. You know what I'm say constantly,
• 21:11
  Speaker 5: Black people, Hey, if you don't know her from when
• 21:13
  Speaker 5: you're young, glad that ain't me anyway. Anita Baker probably
• 21:16
  Speaker 5: kills on the mac and cheese.
• 21:20
  Speaker 4: I don't even think you really believe that she's gonna
• 21:22
  Speaker 4: kill on the mac and cheese. You're already in a
• 21:24
  Speaker 4: bed of line.
• 21:27
  Speaker 5: Now.
• 21:27
  Speaker 4: I feel like this whole, this whole selection is for
• 21:31
  Speaker 4: from Detroit, R and B.
• 21:35
  Speaker 1: She had to bake for show.
• 21:38
  Speaker 4: I feel like she would hire somebody to do it.
• 21:42
  Speaker 4: I feel like she's not gonna get in there giving
• 21:44
  Speaker 4: it the best that I got. You know what I'm saying, Breathe,
• 21:49
  Speaker 4: you don't bother me. That's all that's all I had.
• 21:53
  Speaker 1: That's all you have.
• 21:53
  Speaker 4: My list is done.
• 21:54
  Speaker 3: All right, I'm done too.
• 21:55
  Speaker 1: Let's move on. All right, Next thing, best Aarrantino characters,
• 22:02
  Speaker 1: the Quentin Tarantino, best Quarantino characters. I think I went
• 22:06
  Speaker 1: first on this one, so up.
• 22:07
  Speaker 4: First, okay, alright, I'm gonna go Jewels, Pole Fix Jewels
• 22:16
  Speaker 4: from Pole Fiction. I heard Jackson.
• 22:19
  Speaker 1: Sam Jackson before, and I remember him from.
• 22:24
  Speaker 4: When did he first read?
• 22:25
  Speaker 1: He registered? Didn't come to America? For sure he did.
• 22:28
  Speaker 1: He did not ask Sam Jackson, but I remember thinking
• 22:31
  Speaker 1: I noticed him, but like maybe a soft register, but
• 22:36
  Speaker 1: but as jewels. That's when it was like he he
• 22:40
  Speaker 1: put his foot down and was like when he turned
• 22:43
  Speaker 1: around with the that whole Bible's story scene and when
• 22:48
  Speaker 1: he pulled the gun and when they shot, they shot
• 22:51
  Speaker 1: Marvin by mistake.
• 22:52
  Speaker 4: Oh my god, well John did that?
• 22:55
  Speaker 1: Yeah for sure. Yeah, it was just like she was
• 22:59
  Speaker 1: like the way he looked at him, like no, they
• 23:03
  Speaker 1: told you, would you do that? And it was so
• 23:07
  Speaker 1: funny because the car bumped, but you're not supposed to
• 23:10
  Speaker 1: have your hand on.
• 23:10
  Speaker 4: The He was casually with the gun talking, So you
• 23:14
  Speaker 4: mean to tell me that the big Man totally could
• 23:18
  Speaker 4: happen in real life.
• 23:20
  Speaker 1: You're supposed to have your hands straight if you don't
• 23:23
  Speaker 1: want to kill nobody. They call it the royalwench Man.
• 23:27
  Speaker 4: That whole argument. But yeah, Jewels and polt Fiction iconic.
• 23:32
  Speaker 1: Yeah, that's also a really good movie. We did a
• 23:36
  Speaker 1: bother by the Shoulder Lady. She broke up with a
• 23:39
  Speaker 1: dude because he was mad. She didn't appreciate quinin Tarantino.
• 23:43
  Speaker 4: Movie, right, the dude could not fasten.
• 23:46
  Speaker 1: But no, that that's just such a good movie. I
• 23:51
  Speaker 1: remember the first time.
• 23:52
  Speaker 4: I was like, why is it?
• 23:53
  Speaker 1: Why is he doing it?
• 23:54
  Speaker 4: It was crazy?
• 23:55
  Speaker 1: Yeah, and I couldn't put the Bruce Willie's storyline wasn't connecting.
• 24:00
  Speaker 3: They put it together at the end, but at the beginning,
• 24:01
  Speaker 3: I was like, what is Marcellus Why?
• 24:04
  Speaker 4: It took me a while to warm up to his
• 24:06
  Speaker 4: portion of the story.
• 24:08
  Speaker 1: It felt in the way. Yeah, I was just like,
• 24:10
  Speaker 1: I want the John Travolta Umaderman Jewels. All that was good.
• 24:16
  Speaker 1: Even the guy in the dinner with the with the
• 24:19
  Speaker 1: girl was it pretty bunny or something bunny? I forget
• 24:22
  Speaker 1: what something bunny whatever, But I was like, Okay, I'm
• 24:25
  Speaker 1: with this, but one of us in Marcella's whe was
• 24:28
  Speaker 1: except the briefcase that was cool.
• 24:30
  Speaker 4: Yeah, you know what I'm saying. What this guy to
• 24:32
  Speaker 4: do with anything? When he was cupcake in with his girl?
• 24:35
  Speaker 4: I was like why who?
• 24:36
  Speaker 1: What?
• 24:38
  Speaker 4: And then I was like, oh, okay, yeah, the piece
• 24:42
  Speaker 4: together beautiful?
• 24:43
  Speaker 1: Uh blanking her name Thurman's character and kill Bill what
• 24:49
  Speaker 1: was her name?
• 24:50
  Speaker 4: Uh? I know it? Her name was? Uh he says
• 24:59
  Speaker 4: it too.
• 25:00
  Speaker 1: Yeah, the bride but Beatrix kiddos, kiddo, they called it
• 25:06
  Speaker 1: the Bride for a long time.
• 25:08
  Speaker 4: And then they finally reveal it.
• 25:09
  Speaker 1: Yeah at the end. Yeah, October is the season for
• 25:12
  Speaker 1: wearing masks and costume, but some of us feel like
• 25:15
  Speaker 1: we wear a mask and hide more than we want
• 25:17
  Speaker 1: to at work, in social settings, around our family.
• 25:20
  Speaker 2: Therapy can help you learn to accept all parts of yourself.
• 25:22
  Speaker 1: So you can take off the mask, because masks should
• 25:26
  Speaker 1: be for Halloween fun, not our emotions. I'm a better
• 25:30
  Speaker 1: man because of therapy. I'm a better husband, I'm a
• 25:32
  Speaker 1: better father, but most of all, I'm a better person
• 25:35
  Speaker 1: for myself. It starts with me, Kevin. Everybody else can benefit,
• 25:39
  Speaker 1: but if I don't, then it's all for not. If
• 25:42
  Speaker 1: you're thinking of starting therapy, get better help with try.
• 25:45
  Speaker 1: It's entirely online, designed to be commedia flexible and suited
• 25:48
  Speaker 1: to your schedule. Just fill out a brief questionnaire to
• 25:50
  Speaker 1: get matched with the licensed therapist and switch therapists anytime
• 25:54
  Speaker 1: for no additional charge. Take off the mask with better
• 25:57
  Speaker 1: Help visit Betterhelp dot com slash Ball Brothers today to
• 26:01
  Speaker 1: get ten percent off your first month. That's Better Help
• 26:05
  Speaker 1: b E t t e r h e l p
• 26:07
  Speaker 1: dot com slash Bad Brothers once again, Better Help b
• 26:11
  Speaker 1: E T t E r h e l p dot
• 26:13
  Speaker 1: com slash Ball Brothers. And now back to the show.
• 26:16
  Speaker 3: First of all, I've been meaning to say this.
• 26:19
  Speaker 4: That's my favorite Quinn movie by the way, Yeah.
• 26:21
  Speaker 1: Me too. It is time for Vivica Fox's daughter to
• 26:25
  Speaker 1: be an adult woman, yes, and come back for her revenge.
• 26:28
  Speaker 1: She's got the great origin story, like had her reasons.
• 26:34
  Speaker 4: This girl got a legit reason. She had killed my mother.
• 26:36
  Speaker 3: You killed my mom?
• 26:38
  Speaker 4: I wanted at the crib.
• 26:39
  Speaker 1: She's old.
• 26:40
  Speaker 4: I was what was killed Bill Tom I was upset.
• 26:43
  Speaker 4: That's two thousand and three four, so she's mid thirties.
• 26:47
  Speaker 1: She was like probably five in that movie, six or whatever,
• 26:51
  Speaker 1: almost forty this time. Man, I didn't on my third probably.
• 26:55
  Speaker 4: Still that's perfect though. Yeah, she could be the old
• 26:58
  Speaker 4: weather assassin and then she coming for everything because Bill
• 27:02
  Speaker 4: was old.
• 27:02
  Speaker 1: Bill was old, and plus you got to go through
• 27:04
  Speaker 1: the people to get to her to the bride, you
• 27:07
  Speaker 1: know what I'm saying, or or you.
• 27:09
  Speaker 4: Know, because because Beatrix has a daughter, so her daughter's
• 27:12
  Speaker 4: gonna try to defend the mom, so she gonna have
• 27:15
  Speaker 4: to go through her daughter.
• 27:17
  Speaker 3: Yeah, oh that's good.
• 27:19
  Speaker 1: Yeah, so you know, No, that's good.
• 27:21
  Speaker 4: I need Quentin to get get to work.
• 27:23
  Speaker 1: And you have no reason to say nigga in there.
• 27:27
  Speaker 4: Oh yeah, he didn't say it and kill Bill though I.
• 27:29
  Speaker 1: Don't think he did.
• 27:30
  Speaker 4: Just keep going.
• 27:31
  Speaker 1: Yeah, I feel he made he more than made that
• 27:33
  Speaker 1: for it in other movies.
• 27:34
  Speaker 4: Oh yeah, for sure.
• 27:35
  Speaker 1: You know, you go ahead.
• 27:38
  Speaker 4: So I like that pick because it was definitely on
• 27:40
  Speaker 4: my list. I'm gonna go Sam Jackson again, unchained. I
• 27:45
  Speaker 4: hated him so much. We just talked about ones that
• 27:48
  Speaker 4: I like.
• 27:49
  Speaker 1: Yeah, you could.
• 27:49
  Speaker 3: He was a good character, though, I'm gonna go no,
• 27:56
  Speaker 3: you can hate him and.
• 27:57
  Speaker 4: Still be good, all right. Yeah, yeah, Sam Jackson.
• 27:59
  Speaker 1: Still a character. If you hate the character that you're
• 28:02
  Speaker 1: supposed to hate it's a good character.
• 28:03
  Speaker 4: Sam Jackson is good every time he's in the Quentin
• 28:06
  Speaker 4: Tarantino movie. Yeah, and Hateful Lady was good and uh
• 28:11
  Speaker 4: Jango Unchain pop fiction. Jackie Brown, he's always good. He
• 28:15
  Speaker 4: was really good Jackie Brown. But I'm gonna go. Somebody
• 28:18
  Speaker 4: says Sissa as the daughter, that's crazy.
• 28:22
  Speaker 1: She's old enough.
• 28:23
  Speaker 4: She is old and has got the field video, she
• 28:27
  Speaker 4: got the gymnastics video, she got we got the movie
• 28:30
  Speaker 4: coming out. Did she do good in that movie? Hopefully
• 28:34
  Speaker 4: Quentin sees it that be like Sissa can be Vernita's daughter.
• 28:40
  Speaker 1: I would buy it signed therm enough to.
• 28:44
  Speaker 4: I feel like I ain't seeing her who ain't been
• 28:46
  Speaker 4: she ain't been.
• 28:47
  Speaker 1: Doing a lot. She's probably available for them.
• 28:50
  Speaker 4: This is perfect. Yeah, we're shooting in the summer, and
• 28:52
  Speaker 4: Quentin is good for bringing actors that are in obscurity
• 28:55
  Speaker 4: back into the fold.
• 28:56
  Speaker 1: For sure.
• 28:58
  Speaker 5: For sure?
• 29:00
  Speaker 1: All right is me?
• 29:02
  Speaker 4: Yeah, because I did Sam Jackson, Jangle and Chain.
• 29:05
  Speaker 1: I'm gonna go. And this is tough. Mister Blonde, I
• 29:12
  Speaker 1: got him to Reservoir Dogs that Michael Man. I wrote
• 29:16
  Speaker 1: him down and I love mister Pink is my guy.
• 29:19
  Speaker 4: He's great. But Michael Madsen made it. He made an impression.
• 29:24
  Speaker 1: I love Reservoir Dogs.
• 29:26
  Speaker 4: He made an impression to the way he watched that Policeman.
• 29:31
  Speaker 1: He was enjoying a.
• 29:35
  Speaker 4: Man chill loud man.
• 29:41
  Speaker 1: He had a great day.
• 29:44
  Speaker 5: Yeah.
• 29:44
  Speaker 4: I was like, bro man, you having too much fun,
• 29:47
  Speaker 4: too much fun. This just took a turn.
• 29:52
  Speaker 1: It was so dark.
• 29:55
  Speaker 4: I love that movie though.
• 29:57
  Speaker 1: Reservoir Yeah, made that for cheap and then he like,
• 30:00
  Speaker 1: there's a fun funk, a good story behind that. He
• 30:02
  Speaker 1: like made it a cheap and then tricked them and
• 30:03
  Speaker 1: they gave him some more money to finish it.
• 30:05
  Speaker 4: Yeah, because he needed uh. Once he got Harvey Kottail involved. Yep,
• 30:09
  Speaker 4: he was able to get more funding for it.
• 30:11
  Speaker 1: Yep, because I think they shot less of the Bake
• 30:15
  Speaker 1: Robbery because he had the movie. A lot of that
• 30:17
  Speaker 1: movie is in that d because the budgets that location
• 30:21
  Speaker 1: one Sirens and it worked out.
• 30:25
  Speaker 4: There as so many creative ways you can do budget cuts.
• 30:28
  Speaker 1: Listen. Game of Thrones did it?
• 30:30
  Speaker 4: Did it?
• 30:31
  Speaker 1: Yes? In this last season when the when the Blackwoods
• 30:35
  Speaker 1: and the Backings were fit a fight, they smashed cut
• 30:39
  Speaker 1: and the dude has a soward through his neck and
• 30:41
  Speaker 1: they have all the dead bodies. They did not shoot
• 30:43
  Speaker 1: no battle. They were like, you get it dead makeup
• 30:48
  Speaker 1: because the battle seas are expensive, and like to get it,
• 30:51
  Speaker 1: you don't need that battle scene, right. They were like,
• 30:53
  Speaker 1: cut dad, and they cut to the people in the
• 30:57
  Speaker 1: small council. You see how many was dead. It was crazy.
• 31:00
  Speaker 1: That's budget cuts.
• 31:01
  Speaker 4: Man, budget cuts.
• 31:03
  Speaker 1: They talking about war. You see what happened over there.
• 31:06
  Speaker 1: Even when burned that.
• 31:07
  Speaker 4: Town down, we lost thousands of people.
• 31:09
  Speaker 1: They're not showing the dragon doing it. Episode start Town's
• 31:12
  Speaker 1: on fire. This is wild anyway, y'all see what anyone did?
• 31:16
  Speaker 1: They not finna show that dragon fight around one hundred
• 31:19
  Speaker 1: thousand dollars a minute for the dragon flew on.
• 31:21
  Speaker 4: The dragon burned everybody's lives. It's crazy. Here's a picture
• 31:24
  Speaker 4: somebody drew.
• 31:25
  Speaker 1: A kid drew it.
• 31:26
  Speaker 4: It's just hand drunk with kids.
• 31:28
  Speaker 1: It's crazy show all that stuff. Man, We had a
• 31:30
  Speaker 1: dragon fighting episode three, But next time somebody told you
• 31:34
  Speaker 1: about it, yeah, they gonna put a little picture.
• 31:36
  Speaker 4: Of the puzzle. They definitely cut the corners on that season. Now.
• 31:38
  Speaker 1: Yeah. They was like when the dude was supposed to
• 31:40
  Speaker 1: burn him, he was like, we choose fire, and he
• 31:42
  Speaker 1: was like, no, never mind. Dragon didn't even he turned
• 31:46
  Speaker 1: on the fire. That's that's fifty thousand the flame. We're
• 31:49
  Speaker 1: just not finna be burning people this. Ah, you're not
• 31:52
  Speaker 1: finna be burning people in this episode.
• 31:54
  Speaker 4: Budget Cuts. They need a movie called budget Cuts. All right,
• 32:00
  Speaker 4: I'm gonna go. Uh Christophe and the Glorious Best.
• 32:05
  Speaker 1: I love that movie. Man, that's character.
• 32:09
  Speaker 4: No, that's a Christoph Walts.
• 32:11
  Speaker 1: Oh Christoph.
• 32:13
  Speaker 4: Yeah, when he showed up to the farmhouse in the
• 32:15
  Speaker 4: opening credits. He was a fantastic villain from top, from
• 32:19
  Speaker 4: top to bottom.
• 32:20
  Speaker 1: I was gonna say that one the milk scene. Yeah,
• 32:24
  Speaker 1: the story of the Yeah, Christoph Watts. He had a
• 32:29
  Speaker 1: couple of years there where he was he wasn't at all.
• 32:32
  Speaker 4: He got two oscars from Quentin Tarantino. Wait, what do
• 32:36
  Speaker 4: you get the other one for Django.
• 32:39
  Speaker 1: He played that same character basically basically, but then scooped
• 32:43
  Speaker 1: up to uh quick. He was he was on some diabolities.
• 32:48
  Speaker 4: Yeah, but he was. He was so like none one note,
• 32:54
  Speaker 4: and Quentin's great at creating characters that are not one note. Yeah. Yeah,
• 32:59
  Speaker 4: that's like his strong Yeah. It's a lot of dialogue,
• 33:02
  Speaker 4: it's a lot of gapping, but you get you get
• 33:06
  Speaker 4: so much more richness and character.
• 33:08
  Speaker 2: Yeah.
• 33:08
  Speaker 1: I actually might watch that again because I remember the
• 33:10
  Speaker 1: first time I watched it, I was like, they killed
• 33:13
  Speaker 1: hitting it for real in his version, so I'm like, oh,
• 33:16
  Speaker 1: that's not gonna happen. And they was just.
• 33:20
  Speaker 4: Whoa, hello, shooters ass something and like the Flame. I
• 33:25
  Speaker 4: like it when he could change up history like that.
• 33:27
  Speaker 4: Even in Once One Time with America, I liked the
• 33:29
  Speaker 4: switch because we know how tragic the real ship was. Like, nah,
• 33:34
  Speaker 4: man flip it, Charles Man, some crazy ass crew gad
• 33:38
  Speaker 4: got horribly and.
• 33:40
  Speaker 1: I was like, man, I'm ana go Harvey Cottel in
• 33:44
  Speaker 1: Reservoir though, oh I love as a kid. When I
• 33:51
  Speaker 1: first watched that, I remember thinking, oh no, this probably
• 33:54
  Speaker 1: somebody probably exists, like somebody does that. And the way
• 33:58
  Speaker 1: they set him up was good understanding. He came in
• 34:00
  Speaker 1: with theday trash bags and this and that.
• 34:03
  Speaker 4: I was like, oh, this is very efficient. It was good.
• 34:07
  Speaker 1: I was like, okay, man.
• 34:10
  Speaker 4: The dialogue, man, good man.
• 34:12
  Speaker 1: They was in the clothes. Yeah, they had a change
• 34:15
  Speaker 1: out of the clothes. And I loved about that movie,
• 34:17
  Speaker 1: like taking place over like a day day or two whatever.
• 34:21
  Speaker 1: I just like the movies have that realistic like twenty
• 34:24
  Speaker 1: four Stevens.
• 34:24
  Speaker 4: I love. Yeah, Friday is just one day, just one Friday,
• 34:30
  Speaker 4: literally Friday, Lucy low and killed Bill. I liked her
• 34:35
  Speaker 4: a lot and kill Bill.
• 34:37
  Speaker 1: She had the ball chain.
• 34:38
  Speaker 4: No, that was her chement.
• 34:40
  Speaker 1: What does she have a sword?
• 34:41
  Speaker 4: Yeah, she had a sword. She was the main. She
• 34:43
  Speaker 4: was the main. Get gat Yeah she gotta. She got
• 34:47
  Speaker 4: a top of her head.
• 34:49
  Speaker 3: It was good.
• 34:50
  Speaker 4: She was just she was just like cold, no emotion.
• 34:52
  Speaker 4: But it was like she was dope at the same time.
• 34:55
  Speaker 4: And then even though her backstore was animated, which I
• 34:58
  Speaker 4: thought was fire, yeah, it was just I just like
• 35:02
  Speaker 4: how she just and she showed no emotion even though
• 35:06
  Speaker 4: you know Beatrix was coming back for that revenge. She
• 35:09
  Speaker 4: was just like, well, fuck it. Then you got through
• 35:11
  Speaker 4: all my henchman, let's get it. Let's get after it.
• 35:13
  Speaker 4: Because you know, Ernita Green's vehicle was dope too. But
• 35:16
  Speaker 4: she she had those moments and just like my daughter
• 35:19
  Speaker 4: come home from school and then she would go, oh
• 35:22
  Speaker 4: my god, she was man.
• 35:27
  Speaker 3: And Independance Day when I was like, oh my god,
• 35:31
  Speaker 3: the fox was the one and Independence Day tone, I
• 35:35
  Speaker 3: was like, oh.
• 35:36
  Speaker 4: My god, I was the Bee's knees, then, how can
• 35:42
  Speaker 4: you be this five? I couldn't get enough.
• 35:47
  Speaker 1: Ninety six I was thirteen, coming into my own seeing
• 35:51
  Speaker 1: her biggest the world on that TV. I said, laurd
• 35:57
  Speaker 1: lor hi rhyme. You want me to go through puberty
• 36:00
  Speaker 1: with this from my heart on my conscience.
• 36:03
  Speaker 4: And she was working too, so she was always just
• 36:05
  Speaker 4: in our face. She was and said it all, what's
• 36:09
  Speaker 4: the procedure? Booty call?
• 36:11
  Speaker 1: I was like, man calls seven million.
• 36:14
  Speaker 4: Times, dang man esus. It made no sense.
• 36:20
  Speaker 1: Man.
• 36:21
  Speaker 3: Even on the around the Way girl with the kid
• 36:24
  Speaker 3: on the normal, with the with the oversized shirt, didn't matter.
• 36:27
  Speaker 3: You can't be that fine.
• 36:29
  Speaker 4: It ain't right that face, that face car you got to.
• 36:33
  Speaker 3: Give that to somebody else. She can't have all of that.
• 36:35
  Speaker 3: It's not fair.
• 36:36
  Speaker 4: And then the way she would just be talking in
• 36:38
  Speaker 4: the movie, just like please, oh, soul food is just
• 36:41
  Speaker 4: I was just like please please.
• 36:44
  Speaker 1: Everybody in soul Food.
• 36:46
  Speaker 4: Man. I was like, soul food was overload. Soul food
• 36:51
  Speaker 4: was fineess overload. And I was like, man, let me
• 36:58
  Speaker 4: get my eyeballs together, man.
• 37:00
  Speaker 1: But Vanessa Williams alone, me alone, the cousin cousin fate.
• 37:06
  Speaker 4: I was like cousin Fate was fine too.
• 37:08
  Speaker 1: I understand.
• 37:09
  Speaker 4: I know y'all mad at her, but I don't give
• 37:11
  Speaker 4: a damn. There's a reason why he smashed. You have
• 37:16
  Speaker 4: a woman looking like that supporting your hopes and dreams.
• 37:23
  Speaker 4: Hey man, no nobody else believe in me what you do.
• 37:28
  Speaker 1: She was dancing. She was a dancer.
• 37:31
  Speaker 4: Man, You believe it in me.
• 37:36
  Speaker 1: Looking like that.
• 37:37
  Speaker 3: And but that's a will spent the whole by being mad,
• 37:40
  Speaker 3: you so.
• 37:40
  Speaker 4: Beautiful, mad with them old bright eyes, just pissed.
• 37:44
  Speaker 3: Even Big Mama. I was like, okay, irma peet when
• 37:46
  Speaker 3: you was young.
• 37:48
  Speaker 1: You know.
• 37:50
  Speaker 4: You not taking my lag no disrespect. That's where you.
• 37:56
  Speaker 1: You ain't want to see any want to see what
• 37:58
  Speaker 1: was working with on so food.
• 38:00
  Speaker 4: I can't see it as young work back there. I
• 38:07
  Speaker 4: can't see that's big Mama. Man.
• 38:09
  Speaker 1: Imagine if it was three sisters, that fine as for real.
• 38:13
  Speaker 4: That's what I'm saying. It was like that. That's why
• 38:15
  Speaker 4: that's why what's his name couldn't decide he got both
• 38:19
  Speaker 4: the sisters. Come on, man, ladies, y'all got to realize
• 38:24
  Speaker 4: one thing, whether it's your family members or your friend's circle,
• 38:28
  Speaker 4: cut us some slack when y'all just be multiple fines.
• 38:33
  Speaker 5: Man.
• 38:33
  Speaker 4: Come on, man, don't fault to us from getting confusing.
• 38:39
  Speaker 4: Come on, man, give us a chance. That's funny.
• 38:44
  Speaker 1: I feel like we already talked about fan Nedda Green.
• 38:47
  Speaker 1: She wasn't a huge character.
• 38:49
  Speaker 4: She made an impression though she did.
• 38:50
  Speaker 1: I would go django. It was so good to watch
• 38:53
  Speaker 1: a character get revenge. Yeah, you know, look, I can't
• 38:58
  Speaker 1: do too but that trio of him, Sam Jackson and
• 39:01
  Speaker 1: Leonardo Dicapriole was a.
• 39:03
  Speaker 3: Good little you know, Leo was he was good.
• 39:06
  Speaker 4: Leo was killing in that.
• 39:08
  Speaker 1: It was good. But I'm gonna go jangle because I
• 39:09
  Speaker 1: was like, I remember that scene where the blood was
• 39:11
  Speaker 1: on the flowers. Yeah, I was like, that was a
• 39:14
  Speaker 1: good shot, quick right, that was a good I was
• 39:17
  Speaker 1: like because it tells such a great story on the
• 39:21
  Speaker 1: white and it was like individual blood. There was no
• 39:25
  Speaker 1: pull it was.
• 39:27
  Speaker 4: It was very like, oh, it's something on that. So yeah,
• 39:35
  Speaker 4: I'm gonna go with Brad Pitton once upon a time
• 39:37
  Speaker 4: in Hollywood. I really liked his character in that it's
• 39:40
  Speaker 4: good like he his his side of the story was
• 39:44
  Speaker 4: very compelling to me, and I was like, I was
• 39:46
  Speaker 4: all in when he went to that little weird trailer park.
• 39:49
  Speaker 4: My nerves was on edge. He was charming, he was cool,
• 39:53
  Speaker 4: and then when he saved the day at the end,
• 39:55
  Speaker 4: it was just like, you know, I really liked this
• 39:57
  Speaker 4: character right here, like the Leonardo Dicaprios out of it.
• 40:00
  Speaker 4: I wasn't as invested in his struggles with the with
• 40:04
  Speaker 4: the acting game, but anytime Brad Pitt would go on
• 40:08
  Speaker 4: his little quests or whatever, I was like, I'm all
• 40:10
  Speaker 4: in now, yeah, on the side of the road. I
• 40:18
  Speaker 4: also like Bill.
• 40:20
  Speaker 3: Oh, Bill was good.
• 40:21
  Speaker 4: I liked Bill.
• 40:22
  Speaker 3: I forgot about Bill because he wasn't in that much,
• 40:24
  Speaker 3: but when he was in he was a real what
• 40:26
  Speaker 3: was he?
• 40:27
  Speaker 1: Uh? Yeah, he was like a real martial artist, right.
• 40:31
  Speaker 4: Yeah. He used to be in a show called Kung
• 40:32
  Speaker 4: Fu back in the day. Was like the lead or whatever.
• 40:35
  Speaker 4: So he passed. It was like a suicide. I think
• 40:40
  Speaker 4: he hung himself, did he really? It was like I
• 40:43
  Speaker 4: think he was was he was he doing that thing
• 40:45
  Speaker 4: where you jerk off and your your you kind of
• 40:50
  Speaker 4: choke yourself out and then you yeah, whatever that's called.
• 40:55
  Speaker 4: I think it was like that.
• 40:58
  Speaker 1: Yeah, that's how already auto erotic exphyxiation.
• 41:02
  Speaker 4: Yeah, I would hate to go out like that because
• 41:04
  Speaker 4: they got to come and collect me like this soft
• 41:07
  Speaker 4: as well, on the soft dead, like Tony was into
• 41:11
  Speaker 4: some wild ship and they unplugging me from there. You
• 41:16
  Speaker 4: know what I'm saying, Like, that's in your Wikipedia. That's
• 41:19
  Speaker 4: how I'm going out. It's Tony Baker's house man. Look
• 41:23
  Speaker 4: at him because I'm just up there dead. Cenis out.
• 41:28
  Speaker 1: They says he had to roup around his meat and
• 41:30
  Speaker 1: his neck. Somebody had to.
• 41:34
  Speaker 4: That's how you find that's your final the final vision.
• 41:40
  Speaker 1: Embarrassed.
• 41:41
  Speaker 3: Oh my god, if you had to ghost down and
• 41:44
  Speaker 3: you just I.
• 41:45
  Speaker 4: Would hate to down the toilet in the shower, like
• 41:48
  Speaker 4: you know, I don't want to go out like that.
• 41:51
  Speaker 4: My uncle passed away, my uncle Crawdon, and he's but
• 41:53
  Speaker 4: ass naked man fresh out the shower.
• 41:57
  Speaker 1: I'm just like, damn man, I slipped on the stairs,
• 42:04
  Speaker 1: remember that, and if I what if I had hit
• 42:06
  Speaker 1: my head and died he was naked.
• 42:13
  Speaker 4: I better at least your dreams.
• 42:15
  Speaker 3: Yeah, but it's a dumb way to die though. Oh
• 42:17
  Speaker 3: yeah he slipped.
• 42:18
  Speaker 4: But it's just something where it's just like I'm compromised.
• 42:24
  Speaker 4: I'm on the toilets on no bottoms on, butt ass,
• 42:29
  Speaker 4: naked in the shower, or I'm choking myself while I'm
• 42:32
  Speaker 4: jerking off. Those are the three ways I don't want
• 42:36
  Speaker 4: you to find me. Those are the three ways. At
• 42:42
  Speaker 4: least if I passed out during sex, at least it
• 42:44
  Speaker 4: was like, you know, that's how you go out.
• 42:46
  Speaker 1: Yeah, he died on top of me.
• 42:47
  Speaker 4: She's gonna be devastated. But for me, you know, for
• 42:50
  Speaker 4: the image, man, Tony went out. That's how you die.
• 42:53
  Speaker 1: But asphyxiations by myself just miscalculated. I'm gonna say something
• 43:00
  Speaker 1: bout at your eulogy. Lord Now I'm just a big
• 43:05
  Speaker 1: joke on the way out. But anyway, Bill though, what
• 43:09
  Speaker 1: I liked about Bill is that Bill was charming.
• 43:13
  Speaker 4: It was like he gave you elements of I can
• 43:16
  Speaker 4: see why the bride was attracted to him. I could see,
• 43:20
  Speaker 4: you know, I could see the nurturing side of him.
• 43:22
  Speaker 4: I could see the cold blooded side of him as well.
• 43:24
  Speaker 4: And then he made the sandwich when she was there,
• 43:27
  Speaker 4: and I was watching him make the sandwich for the
• 43:29
  Speaker 4: for the little girl, and I was just like he
• 43:32
  Speaker 4: was just cool.
• 43:32
  Speaker 1: Yeah for sure, So yeah, I got the building it
• 43:36
  Speaker 1: all right, man. Bye,