Latest / Vanity Farah with Chris Farah / 90 Day The Single Life Season 5, Episode 10 "The Act of Cobwebbing"

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90 Day The Single Life Season 5, Episode 10 "The Act of Cobwebbing" · Vanity Farah with Chris Farah

0:03
Speaker 1: Hello, everyone, Welcome back to Vanity Fairah. My name is
0:06
Speaker 1: Chris Fare and I'm super pumped to give you, honey,
0:09
Speaker 1: this episode of ninety day. It's Single Life. It's season five.
0:12
Speaker 1: It's episode ten, act of Cobwebbing. I'll tell you right now.
0:18
Speaker 1: I have no idea who this is supposed to be, like,
0:20
Speaker 1: I don't I'm assuming it's like a black widow. Maybe's
0:25
Speaker 1: Sophie for entrapping multiple dead flies into her. I don't know.
0:31
Speaker 1: I don't know, but that's my first guest. I'm excited.
0:36
Speaker 1: I have a lot of pictures for this Single Life.
0:38
Speaker 1: I don't know why I decided to, like really screenshot
0:41
Speaker 1: up a storm. Honey. Listen, I hope that you had
0:44
Speaker 1: a great weekend if you weren't in Coachella. Good ha
0:47
Speaker 1: ha ha. And now we can talk about what's really
0:50
Speaker 1: important in this world. The spinoff of nine at a
0:53
Speaker 1: Fiance this called Single Life, which basically isn't a lot
0:58
Speaker 1: of singling most the time, except for this episode where
1:02
Speaker 1: they finally listened to me and they got back to
1:04
Speaker 1: like what's happening, which is people dating or trying to
1:07
Speaker 1: date or dealing with dating, and you know, watching it,
1:10
Speaker 1: that's what it is. Let's start, shall we with Gino?
1:14
Speaker 1: So this is confusing and they have to like really
1:19
Speaker 1: give us droops of what's happening until we pay I'm sorry,
1:22
Speaker 1: until we piece it all together. Gino says that he
1:26
Speaker 1: is on his way to Lax to meet up with Natalie.
1:29
Speaker 1: We're like, where the F does this bitch live? First
1:33
Speaker 1: she was in Vegas, then she was like in the
1:35
Speaker 1: East Coast in Washington, DC. Honey, Like, why is she
1:39
Speaker 1: in Lax But she doesn't live there? Her daughter Isabella
1:44
Speaker 1: just graduately from cosmetology cosmetology school. We're like, okay, and
1:49
Speaker 1: that's why she's here and why she's decided to invite
1:54
Speaker 1: Gino to meet her daughter. And yeah, like her daughter
2:00
Speaker 1: didn't get that. Memo also hates it. I Don'm not
2:02
Speaker 1: quite sure why her daughter and her didn't have like
2:06
Speaker 1: an actual conversation where her daughter's like, oh no, don't
2:09
Speaker 1: if you're coming with him, don't bring them. She says
2:11
Speaker 1: that the weekend was hijacked. I wonder how many times
2:15
Speaker 1: that's happened for Bella. I wonder how many times her
2:18
Speaker 1: mom has inserted her into an awkward scenario with a
2:22
Speaker 1: really gross guy that she's quote unquote dating for some reason.
2:28
Speaker 1: The only good thing about this is that Bella, Natalie's daughter,
2:34
Speaker 1: is the voice of reason in this entire scenario and
2:38
Speaker 1: at least gives us like someone to be like, Okay,
2:42
Speaker 1: this is horrendous for most people to watch, and I
2:49
Speaker 1: feel really bad for her, and I'm hoping that the
2:51
Speaker 1: cosmetology school really gets her a life, honey where she
2:53
Speaker 1: doesn't feel like worry about bullshit, because it feels like
2:57
Speaker 1: Bella has learned lessons from a very kind of pick
3:00
Speaker 1: me mom. Why do I say pick me? Because oh,
3:03
Speaker 1: I'm sure as you realized, Natalie came back for more
3:08
Speaker 1: from someone who is gross and then starts to say
3:12
Speaker 1: things like I want him to know Gino that I'm
3:15
Speaker 1: not like his ex, and it's like, oh who, okay,
3:20
Speaker 1: So so you're going to do opposite things of Jasmine
3:24
Speaker 1: just to like make him feel like pick you? Oh yeah, yeah, okay.
3:29
Speaker 1: I don't know what Natalie's deal is. It's half of
3:31
Speaker 1: me is like is Natalie Like she gives me like
3:35
Speaker 1: the vibes of someone who like dated mafia people, Like
3:42
Speaker 1: she's some side piece for like different like bad men
3:46
Speaker 1: in her life. So that Gino just being you know,
3:49
Speaker 1: kind of dumb and daft is like representative of someone
3:51
Speaker 1: that She's like, well, he's not going to you know,
3:54
Speaker 1: kill someone when he leaves my house, and so therefore
3:56
Speaker 1: better better than my options. I don't understand it, and
3:59
Speaker 1: neither does Bella. But here we are. So Guino is
4:03
Speaker 1: in La and I hate that for me. I'm in
4:04
Speaker 1: La too. And he has a hotel, and I'm gonna
4:09
Speaker 1: say this, the hotel is by far one of the
4:12
Speaker 1: better hotels we've seen on the show. I can't tell
4:14
Speaker 1: exactly what hotel this is. This is actually is. It
4:18
Speaker 1: looks as they're showing like parts of La that it's
4:21
Speaker 1: off Rossmore or somewhere in Hollywood. It has a red door,
4:25
Speaker 1: and he is staying in a room that's beautifully decorated, right,
4:29
Speaker 1: Like the wallpaper is fancy. It's that like shin wah
4:34
Speaker 1: kind of theme, you know, where like everyone's now into
4:37
Speaker 1: kind of like the European idea of and I mean
4:40
Speaker 1: use this word for a specificness, the European idea of Orientalism.
4:48
Speaker 1: It's like that, you see, It's it's a version of
4:52
Speaker 1: decor where like the blue and white pots and like
4:55
Speaker 1: the cranes, you know, all of that kind of stuff.
4:57
Speaker 1: Is this like shinwa stuff? Anyway, it's having a moment.
5:00
Speaker 1: The wallpaper is gorgeous, like everyone whoever decorated this room
5:04
Speaker 1: put money into it, which means this hotel is expensive,
5:07
Speaker 1: which means how is Gino staying there? You know? My god,
5:12
Speaker 1: does Gino play at being cheap? And or is Gino
5:19
Speaker 1: specifically into spending money on women, like for the first
5:22
Speaker 1: three months and then it just like rapidly goes downhill. Okay,
5:26
Speaker 1: So basically he's in this hotel and he's like, yeah,
5:29
Speaker 1: I'm here. Natalie wanted to spend time, you know, in
5:32
Speaker 1: La and also me to meet her daughter, and she's
5:34
Speaker 1: gonna stay in my room. We're like, oh no, And
5:36
Speaker 1: it's the Betty Davis room, which means that Betty Davis
5:39
Speaker 1: and her eyes have to watch this bullshit, has to
5:42
Speaker 1: watch them together in bed. I mean Betty Davis like
5:44
Speaker 1: turning over in her grave, honey, and I think it's
5:46
Speaker 1: in probably the Hollywood Forever Cemetery and she's probably screaming
5:49
Speaker 1: from her grave like absolutely not not in my room.
5:52
Speaker 1: Oh yeah, yeah, yeah, Okay, So then the best thing
5:58
Speaker 1: happens obviously, which is that Natalie gets dropped off by
6:02
Speaker 1: her daughter who hates him, who hates the fuck out
6:06
Speaker 1: of Gino, I mean so much. So I'm like, is
6:08
Speaker 1: she getting paid by Jasmine? I mean, god bless. But
6:11
Speaker 1: she's like, yeah, my mom said that she was coming
6:14
Speaker 1: from to she was coming to celebrate me graduating cosmetology school,
6:21
Speaker 1: and then it got hijacked by this man. And I'm like,
6:23
Speaker 1: I'm so sorry. I'm so sorry that you have like
6:26
Speaker 1: a weird mom that like doesn't communicate with you and
6:29
Speaker 1: like doesn't understand your wants and needs. That's that's fucked up. Yeah,
6:35
Speaker 1: Bella is like not having it, so you know, Gino's weird.
6:39
Speaker 1: And he's like, oh, nice of you to drive your mom,
6:41
Speaker 1: and she's like, well, yeah, she's my mom. Bit you
6:43
Speaker 1: just got here. Yeah, like I of course I drive
6:45
Speaker 1: my mom. It's a weird thing to say. And she's like, well,
6:48
Speaker 1: will you help get my mom's stuff out of the car,
6:50
Speaker 1: and Gino's like yeah, yeah, like because Gina wouldn't have
6:55
Speaker 1: immediately known to do that, and Bella knows that, and
6:59
Speaker 1: it's like like the subtleness that Bella understands that Gino
7:02
Speaker 1: is not it. So anyways, Gino then gets the luggage
7:06
Speaker 1: out of the car and then it's just gonna leave
7:08
Speaker 1: the door open wide the backseat door, I mean, not
7:11
Speaker 1: the back seat, the trunk. And she's like, yeah, are
7:17
Speaker 1: you gonna close that? Close that too, And Gino's like, oh,
7:23
Speaker 1: I guess, And this is what I feel like it is.
7:30
Speaker 1: There is a subtle energy of are you going to
7:35
Speaker 1: provide and protect from my mom? Do you care about
7:38
Speaker 1: her enough as a person to want to do things
7:42
Speaker 1: for her and do them well? And to completion that
7:46
Speaker 1: you're going to be like a man of your worry.
7:48
Speaker 1: There's subtle words of this right, and it's like, yeah,
7:51
Speaker 1: like you know that she's here, you know that she
7:53
Speaker 1: has bags. That should be like some part of your
7:56
Speaker 1: mind that she's staying with you, she probably has bags
7:58
Speaker 1: to get them out of the car. And then also
8:00
Speaker 1: when you're done, there's a huge like hatchback close that too,
8:05
Speaker 1: Like that's just like it's it's a linear process of
8:11
Speaker 1: thinking that I feel like Bella witnesses that Gino does
8:14
Speaker 1: not have. Gino says, weird ass shit. So then he
8:17
Speaker 1: goes and says like, well, it's a this is a
8:19
Speaker 1: really beautiful suitcase of Natalie's like away luggage. It's like
8:25
Speaker 1: a hard shell purple like carry on, all right, buddy,
8:31
Speaker 1: So he knows that she hates him, and I'm like
8:33
Speaker 1: so happy, you know, uh, Bella, thank God for you, okay,
8:37
Speaker 1: And I really mean this, like if you're not going
8:39
Speaker 1: to ever hear this, because God bless but in this moment,
8:42
Speaker 1: I'm like, you've had to deal with shit from your
8:45
Speaker 1: mom and bad choices, and you have watched it and
8:48
Speaker 1: you are of a generation that's like why what the
8:51
Speaker 1: fuck are you putting up with? And that's always been
8:54
Speaker 1: our question for Natalie. Like half of me is like
8:57
Speaker 1: did Natalie invite Gino because she wanted to free place
9:00
Speaker 1: to stay and there wasn't room in Bella's like you
9:02
Speaker 1: know studio or Bella stays with you know, three other people,
9:06
Speaker 1: three of the roommates. There's something about Natalie that feels
9:10
Speaker 1: kind of like that's why I say the mafia thing,
9:12
Speaker 1: like old school where she's like I want someone, I
9:16
Speaker 1: want a man to pay for me, and I don't
9:21
Speaker 1: I'll take I'll do whatever it takes for that to
9:23
Speaker 1: be like the end goal anyway, and the next the
9:27
Speaker 1: next thing is also a nightmare. So basically, she's like, I,
9:32
Speaker 1: I'm going to take you to a place. It's a
9:34
Speaker 1: combo of your favorite things. And those favorite things are
9:37
Speaker 1: sports and strippers. Strippers and sports, honey. And they go
9:40
Speaker 1: to a place in LA that I had to look up.
9:42
Speaker 1: It's called Dames and Games. It's in like down It's
9:45
Speaker 1: like like a south of downtown, LA. And the reviews
9:50
Speaker 1: are mixed. It's like three point four ha ha, I
9:52
Speaker 1: really did look that up. And Natalie knows her way
9:58
Speaker 1: around a strip club. She feels comfortable there, and she
10:04
Speaker 1: knows how to do all the things with money, like
10:06
Speaker 1: you know, she knows how to make it rain in
10:08
Speaker 1: this specific way that like rappers from like the two
10:11
Speaker 1: thousands did, like did you did a rapper? Who did she?
10:16
Speaker 1: Who did Natalie date to make her the person that
10:19
Speaker 1: she is or was married to? Like a certain And
10:21
Speaker 1: I'm saying, like it's a certain vibe or culture, like yeah,
10:26
Speaker 1: a man that goes to strip clubs and she has
10:28
Speaker 1: to feel comfortable there, and she's witnessed and watched him
10:31
Speaker 1: do that with you know, dolla bills, and she loves
10:35
Speaker 1: it now and does it too. It's like second nature
10:38
Speaker 1: to her right, I wonder what her backstory is because
10:41
Speaker 1: like we don't know, and that would be somewhat interesting
10:45
Speaker 1: because something's there. So Natalie, by the way, we can
10:51
Speaker 1: find out. Obviously we knew that they had sex the
10:53
Speaker 1: last trip. Now Gina was like, it's the best sex ever.
10:56
Speaker 1: I was the best sex I've ever had, you know,
10:58
Speaker 1: lis in a long time. And she's like, well, it's okay.
11:01
Speaker 1: I just need him to unleash the beast. And that's
11:03
Speaker 1: why she's decided to bring him to a strip club.
11:07
Speaker 1: He's overjoyed. He's like, cannot believe that, Like he gets
11:09
Speaker 1: to look at you know, strippers, and you know, gets
11:12
Speaker 1: a woman that's like gonna buy him a lap dance.
11:18
Speaker 1: I mean, yeah, Like what is Natalie's end goal? Like
11:22
Speaker 1: I would be happy with anything so that she is
11:24
Speaker 1: like a bye woman or and or a lesbian, but
11:27
Speaker 1: like has decided that like she wants a man to like,
11:29
Speaker 1: you know, I guess pay for things. I'm not quite
11:31
Speaker 1: sure what it is because she's like from the East
11:34
Speaker 1: Coast and or like she seems Italiany of some kind
11:37
Speaker 1: of she seems like of a culture that is used
11:41
Speaker 1: to a certain traditionalness, even though she's at a strip club. Okay,
11:46
Speaker 1: so the strippers are nice, and you know, they get
11:50
Speaker 1: one to do a lap dance, and we don't see
11:52
Speaker 1: it that much except for interesting moment Natalie gets her
11:56
Speaker 1: first lap dance and Natalie's like, can I touch you?
11:59
Speaker 1: And the strippers like yes, and then like the next
12:02
Speaker 1: shot is like Gino touching the stripper, and I'm like, well,
12:06
Speaker 1: I don't know if she said that, you fucking could,
12:08
Speaker 1: because I feel like if you asked her, she'd be like,
12:11
Speaker 1: that's a thousand more dollars a thousand more. So I
12:14
Speaker 1: looked up, obviously, I said the YEP page of this
12:17
Speaker 1: Dames and Games, and there are like mixed reviews, and
12:20
Speaker 1: obviously people are like, oh, this used to be great
12:22
Speaker 1: and now it's downhill. And one person's like, yeah, I
12:24
Speaker 1: called because I didn't know if I was supposed to
12:26
Speaker 1: wear pants, and I was like what, and I'd like
12:28
Speaker 1: read more and it's like, you know how some strip
12:30
Speaker 1: places like want you to wear pants and they won't
12:32
Speaker 1: let you to wear basketball shorts. So I, yeah, I
12:34
Speaker 1: wore my basketball shorts and I got kicked out and
12:36
Speaker 1: it's like, you know what you're doing if you wear
12:40
Speaker 1: shorts at a strip club and you want to get
12:41
Speaker 1: a lap dance. Basketball shorts are so thin like that
12:46
Speaker 1: weird ass. Then material like you know what you're doing? Okay.
12:50
Speaker 1: So basically they go back to the hotel and in
12:54
Speaker 1: a scene that we've seen one billion times because we
12:58
Speaker 1: saw him with Jasmine, Jasmine and Natalie, even though Natalie
13:02
Speaker 1: wants to be so fucking different from Jasmine, it's like, hey, buddy,
13:04
Speaker 1: do you really need that hat on? Can you just
13:07
Speaker 1: take off the fucking Yeah, we're in bed, we're kissing, like,
13:10
Speaker 1: take off that goddamn hat. And he does. He's like
13:12
Speaker 1: for you, yes, He's like, we've seen that baldhood. Literally
13:16
Speaker 1: you will for the nation. Come on, okay. So I
13:20
Speaker 1: just want to go from one couple to another couple
13:23
Speaker 1: with a picture. The kisses that have been on Single Life,
13:28
Speaker 1: in fact, let's just be honest, the kisses that have
13:30
Speaker 1: been on any ninety day franchise, specifically, you know, before
13:34
Speaker 1: the ninety Days, between Lisa and Daniel and also this
13:37
Speaker 1: Single Life. And I will say between Sophie and Pedro
13:41
Speaker 1: and now Gino and Natalie, awkward would be a word,
13:45
Speaker 1: not kim, not hot. You guys have no vibes I
13:48
Speaker 1: feel like both of you, one of you hates this
13:51
Speaker 1: very much, Lisa and Daniel maybe like no one hated
13:54
Speaker 1: it or whatever, or maybe Daniel, but it was either way,
13:58
Speaker 1: none of these kisses were well, all of them are
14:03
Speaker 1: very unsettling, except for Liz and Villa, who are so
14:08
Speaker 1: hot together. I can't even stand it, like the sexual
14:12
Speaker 1: kim of these two people. God bless them. Like I'm
14:14
Speaker 1: so happy for Liz, even though God bless there's like
14:17
Speaker 1: a lot I don't want to say, God bless us
14:18
Speaker 1: that she's going through it, going through it a on
14:20
Speaker 1: the series, because she had to deal with the mean girls,
14:22
Speaker 1: and like she has this relationship back home, and also
14:25
Speaker 1: you know, the cancer which off you know, off the series.
14:33
Speaker 1: I've read back and forth that like she might be
14:35
Speaker 1: dealing with it again or it might have come back
14:38
Speaker 1: in some way, and she has a tendency to delete
14:42
Speaker 1: her Instagrams somewhat like Britney Spears a little bit. So
14:45
Speaker 1: I can't quite tell what's happening. And I again, I'm
14:49
Speaker 1: if you haven't noticed, I'm like more of a comedian
14:51
Speaker 1: than like an investigative journalist, even though you know I
14:53
Speaker 1: do like to research, so I don't know the whole thing,
14:55
Speaker 1: and plus that's her health history, so I'm not quite
14:57
Speaker 1: sure what she's like put up. But anyway, I've really
15:00
Speaker 1: gotten to appreciate Liz more on Single Life than I
15:05
Speaker 1: have before in any of other previous seasons. Also because
15:07
Speaker 1: straight up I hated big Ed so much that I
15:12
Speaker 1: had no problem fast forwarding his segments and not talking
15:16
Speaker 1: about him as like a protest to the fact that
15:19
Speaker 1: he was on the show and therefore protested Liz, you know.
15:22
Speaker 1: And my only kind of like idea of Liz was
15:25
Speaker 1: sort of Natalie esque, like why the fuck would you
15:27
Speaker 1: be with someone? And there must be something wrong with
15:29
Speaker 1: you too. I mean, I'm just being honest, and that's
15:34
Speaker 1: me saying that because I can toggle between a place
15:38
Speaker 1: of judgment and a place of like curiosity, you know,
15:41
Speaker 1: And I didn't really have a lot of curiosity happening here.
15:43
Speaker 1: I really had a lot of judgment. So here we are,
15:46
Speaker 1: though Liz has not has now told Villa that like
15:48
Speaker 1: this is before that kiss, that she is dating someone
15:53
Speaker 1: back home, and he has like a whole less reaction
15:55
Speaker 1: to it. Now we have just seen them sort of
15:59
Speaker 1: just be hanging out. I know they're in the DR.
16:01
Speaker 1: So I didn't quite understand the jump from like having
16:03
Speaker 1: met someone to hanging out in the DR to like
16:05
Speaker 1: having sexual chem to suddenly being like, I'm going to
16:09
Speaker 1: break your heart because it turns out where I live,
16:14
Speaker 1: I'm dating someone there. Like, even as I'm saying that
16:18
Speaker 1: out loud, I'm assuming that unless you straight up ask
16:25
Speaker 1: someone are you dating anyone like that you've met on vacation,
16:30
Speaker 1: you kind of have to assume they are. Like I
16:32
Speaker 1: don't remember Liz ever being like I'm not dating when
16:35
Speaker 1: I'm totally single and yeah, and I never never didating
16:37
Speaker 1: anyone very much open to not only just dating you, Villa,
16:40
Speaker 1: but also like maybe even changing my life because he
16:43
Speaker 1: lives in a different country. So I guess I never
16:45
Speaker 1: understood why Liz was like taking on so much guilt
16:48
Speaker 1: about this. Anyway, you would have had to show me
16:50
Speaker 1: a conversation where she really lied her pants off. Okay,
16:54
Speaker 1: So but she goes back to the table like after
16:56
Speaker 1: having a break and you know, she's like, I don't
16:59
Speaker 1: have to say I didn't and expect this. I do
17:01
Speaker 1: feel things for you. I am dating someone back home.
17:03
Speaker 1: I wanted to be open about that, but I like you,
17:07
Speaker 1: and I would like to continue to see how this is.
17:10
Speaker 1: I wanted to just be open about that, and he's like, uh,
17:13
Speaker 1: I don't know how I feel about that, and then
17:14
Speaker 1: he's like, I just want you to be more transparent
17:16
Speaker 1: in the future. I'm like, okay, well that's okay. Anyway,
17:22
Speaker 1: they go back to her room and then it's fucking
17:25
Speaker 1: cutie flirtyiness immediately, like they are cute together, like they're
17:29
Speaker 1: sitting by a pool, they like start splashing, and then
17:31
Speaker 1: you know, she gets wet and then he's like, I
17:34
Speaker 1: got to get you out of those wet clothes. Half
17:36
Speaker 1: of me is like, Phylla, do really, Villa, how much
17:39
Speaker 1: of you really were like banking on this being like
17:42
Speaker 1: a forever thing or are you playing at being slightly disappointed?
17:47
Speaker 1: Because it makes a quick turn from him being like, yeah,
17:50
Speaker 1: I just don't know how I feel about this to
17:51
Speaker 1: being like, let's fuck. I mean, you know that happens
17:56
Speaker 1: quite quickly. I'm not saying that they don't have the
17:58
Speaker 1: vibe there, but you know, they've obviously been having fun.
18:00
Speaker 1: So he does, honey, get her out of those wet clothes,
18:03
Speaker 1: and they do get in bed, honey, and they do,
18:05
Speaker 1: like you know, they do make out in a way
18:08
Speaker 1: that feels like two people who want to make out
18:10
Speaker 1: with each other equally, and I like that. I enjoy it. Okay,
18:17
Speaker 1: my babes, Let's move on to Vanya. Okay, So Vanya
18:22
Speaker 1: obviously has a sweet smart cousin and her you know,
18:26
Speaker 1: like they had that she's dealing with, you know, Tony,
18:28
Speaker 1: and it's weird, and her sweet smart cousin hates Tony
18:31
Speaker 1: and you know, as she should. But then she's also married,
18:33
Speaker 1: so she doesn't understand what life is like. So she
18:36
Speaker 1: says the following regarding Tony. I would expect from him
18:43
Speaker 1: to have better communication skills. He's in his forties. Well,
18:50
Speaker 1: share a babe. Yeah that makes sense, doesn't it. Guess what? Nope,
18:56
Speaker 1: just I'm gonna tell you right now. They don't. Maybe
18:59
Speaker 1: some truly some, but de'sn't. Not the single ones right now. No,
19:06
Speaker 1: they don't. They're scared, they're weird, they're scared, they're set
19:09
Speaker 1: in their ways, and they are some people happy to
19:16
Speaker 1: not have any sort of discomfort in their life and
19:20
Speaker 1: will choose the laziest choice, not knowing that the work
19:27
Speaker 1: they're not doing on themselves and like the push they're
19:30
Speaker 1: not doing to get out of their comfort zones and
19:33
Speaker 1: like communicate and have like a clean road between two people.
19:40
Speaker 1: That like signifies the integrity you have for yourself, the
19:44
Speaker 1: dignity you have for your time, as well as like
19:47
Speaker 1: the appreciation you have for communication skills. That's not here, honey,
19:51
Speaker 1: It hasn't been here for a whole last minute. So
19:53
Speaker 1: Vanya has to swallow all of that and be like, well,
19:56
Speaker 1: I don't to say except you have to be happy
19:58
Speaker 1: for me, because right now I'm happy with him, And
20:02
Speaker 1: you know, her cousin's like in her mind like until
20:05
Speaker 1: till you're not, and then you have to come crying
20:07
Speaker 1: to me. And I'm like, yeah, bitch, he's not shit. Yeah,
20:12
Speaker 1: because yes, she's like, he's just too sensitive. He should
20:14
Speaker 1: be able to handle questions, which is true. You know
20:18
Speaker 1: why it's true. I feel like if you got Tony
20:23
Speaker 1: into a business situation, or if you were asking him
20:27
Speaker 1: questions about like work, he's a doctor or something, he
20:31
Speaker 1: certainly would be able to answer them with like without
20:34
Speaker 1: defense and stuff. But he's not able to write and
20:38
Speaker 1: like he's his emotional and or dating life, and it's
20:42
Speaker 1: because he's protecting a false ego, because the damage of
20:49
Speaker 1: having to like look inward and admit that you're thinking
20:56
Speaker 1: is faulty, that your perception of things is like holding
21:00
Speaker 1: you back and definitely going to like ruin this relationship. Well,
21:05
Speaker 1: he doesn't want to do it. It's so weird anyway.
21:10
Speaker 1: So but at this moment, they're setting up for the
21:12
Speaker 1: fourth of July party that's also her birthday, and there's
21:15
Speaker 1: fireworks and then he's like, I have a surprise for you,
21:19
Speaker 1: and he brings her to his room for this surprise
21:21
Speaker 1: for some reason, okay, And it's two pieces of jewelry.
21:26
Speaker 1: One piece looks like it's from Kendri Scott, it's like
21:28
Speaker 1: a blue and Ryan stony looking necklace, and then the
21:33
Speaker 1: other thing looks like it's from a completely different store
21:36
Speaker 1: and it's like not matching earrings. Half of them. Is like,
21:47
Speaker 1: you didn't do this in front of the cousin because
21:50
Speaker 1: you knew the cousin would like have judgment on this.
21:55
Speaker 1: I don't know. Also, why take her away from the
21:58
Speaker 1: party for this? You're staying with him, like you could
22:00
Speaker 1: do this at any other time, like after the party
22:04
Speaker 1: or before the party. But it's also weird to be like,
22:07
Speaker 1: let me take you away from all these people for
22:08
Speaker 1: like some private special thing, which is like mismatched jewelry
22:11
Speaker 1: that you got one at Kendri Scott, which is nice,
22:14
Speaker 1: and one at like you know, a Macy's, like real
22:21
Speaker 1: real mall kind of deals. So at this point he's like, great,
22:26
Speaker 1: I got you these airings now tonight while you sleep
22:28
Speaker 1: in my bed. And she's like, oh, buddy, I don't
22:31
Speaker 1: fuck You don't know that I'm celibate. And again we're
22:34
Speaker 1: supposed to be like, yeah, these people have been frest
22:36
Speaker 1: friends for a long time. And then she's like yeah, no,
22:40
Speaker 1: I'm okay, well you know, and she has to spell
22:42
Speaker 1: it out like I'm not going to have sex for
22:44
Speaker 1: at least three months, if not six months, and he's
22:47
Speaker 1: like yeah, hearing many say that is weird and it's like, oh, well,
22:50
Speaker 1: interesting that you were bff and you didn't know that anyway,
22:57
Speaker 1: Good goodness gracious. So then they leave, thankfully, and we
23:02
Speaker 1: get a two week later like update that now things
23:05
Speaker 1: have been going well, sure girl, Sure, and she's like
23:07
Speaker 1: I'm going to take him to a dance class and
23:09
Speaker 1: he's nervous and we're like okay, you know, and it's
23:13
Speaker 1: but shot up, you know, God bless. So it's like
23:17
Speaker 1: a quick dance lesson in a big room, you know.
23:19
Speaker 1: And the steps aren't hard, right, it's one and a two.
23:23
Speaker 1: It's like step step step step. Now when he does it,
23:31
Speaker 1: he does this extra thing with his ankles that juts
23:35
Speaker 1: them out and away. He certainly looks wildly awkward, and
23:41
Speaker 1: he knows it. He knows that he can't dance, and
23:43
Speaker 1: he's like getting the clemped about it, and he like,
23:45
Speaker 1: I guess, gets weirded out. And then he like doesn't
23:48
Speaker 1: want to stay because you know, when he when push
23:50
Speaker 1: comes to shove for Tony, when he is made to
23:53
Speaker 1: feel like he needs to like lean in and dial
24:01
Speaker 1: in and like kind of get better at something, his
24:07
Speaker 1: natural response is to fucking flee. Now, she loves dancing,
24:12
Speaker 1: she loves makeup, she loves dancing, she loves the idea
24:16
Speaker 1: of being in love. Okay, those are the things we
24:17
Speaker 1: know about Anya. So the dance class stops and they're
24:23
Speaker 1: literally just supposed to dance with each other. And he's like, well,
24:26
Speaker 1: I thought there's gonna be a class, and she's like, bitch,
24:28
Speaker 1: there really was. There was just a class. In fact,
24:30
Speaker 1: we just met the instructor, what are you talking about?
24:32
Speaker 1: And he's like, no, no, no, enough, No, this is a club,
24:35
Speaker 1: you know, Like I don't know if they thought they
24:36
Speaker 1: were like just doing private dance classes, but like who cares,
24:39
Speaker 1: Like just dance, you know, like it's not hard. You're
24:43
Speaker 1: just with a woman. Just you know. It's like he
24:45
Speaker 1: can't get out of his head that he's not good
24:47
Speaker 1: at something. And two things happen here. She's like, this
24:52
Speaker 1: is my favorite fucking thing in the world, and I
24:54
Speaker 1: look hot and I want to have fun. And she
24:57
Speaker 1: is truly also definitely not willing to leave the place.
25:03
Speaker 1: She is somewhat I think, disgusted by his behavior. Now
25:07
Speaker 1: let's just give him some grace. Let's just say that
25:11
Speaker 1: he expressed what he did, that he wasn't comfortable there,
25:14
Speaker 1: he didn't do a good job. He said he didn't
25:16
Speaker 1: want to dance, and then turns around is like, yeah,
25:18
Speaker 1: just do I want to leave? And what he wants
25:20
Speaker 1: is to leave and for her to be like, okay, babe,
25:23
Speaker 1: now she doesn't for good or bad, she doesn't, you know.
25:27
Speaker 1: One part of me is like, well, if you really
25:28
Speaker 1: like this person, and this person was having a freak
25:30
Speaker 1: out and you realize this person truly feels like they are,
25:33
Speaker 1: you know, like embarrassed or having like a panic attack
25:36
Speaker 1: or having social anxiety, and like, you know, is just
25:40
Speaker 1: it's not for them. You might have compassion for them
25:43
Speaker 1: and be like, you know what, maybe we do do
25:45
Speaker 1: a private class so that you get a little more
25:47
Speaker 1: comfortable and we'll come back and try this again. But
25:50
Speaker 1: that's not her attitude, and his attitude is also equally shitty.
25:53
Speaker 1: It's just I don't want to do this, Let's go home.
25:56
Speaker 1: And she's like no. So she goes up to some
25:59
Speaker 1: totally not put there by producer, single hotter ball guy
26:07
Speaker 1: who and she's like can I dance with? Who? Do
26:09
Speaker 1: you want to dance? And that guy's like yeah, and
26:11
Speaker 1: they dance, and then Tony like looks at it and
26:13
Speaker 1: is super fucking angry. So then he walks up to
26:16
Speaker 1: them and he's like, excuse me, excuse me? Do you
26:17
Speaker 1: mind if I dance with her? And the guy's like yeah,
26:20
Speaker 1: and Toni's like what do you say to the guy?
26:22
Speaker 1: As if Tony was expecting there to be like not
26:26
Speaker 1: with this hot lady, You better not, you know. The
26:28
Speaker 1: ball guy's like, yeah, Betty, do whatever. You want. I
26:30
Speaker 1: was just standing here, you know. And then Tony then
26:34
Speaker 1: realizes that he has to now dance with Vanya, the
26:38
Speaker 1: thing he didn't want to do, the thing that made
26:39
Speaker 1: this whole thing happen, and you know, it doesn't go well. Okay,
26:46
Speaker 1: so let's move on. Let's move on to Kim kim Bali.
26:50
Speaker 1: Kim Bali Honey is my favorite opening putting on makeup.
26:54
Speaker 1: You know, I'm looking all the products. She's using a
26:56
Speaker 1: real Techniques brush, you know, the kind the purple metallic
27:00
Speaker 1: like a concealer, touch up rush to really like, you know,
27:02
Speaker 1: get in there. She knows she has that like Victoria's
27:06
Speaker 1: Secret bathroom body where kind of like purple look and
27:08
Speaker 1: spray off to the side. I mean, you know it's plumeria.
27:10
Speaker 1: I'm not quite sure, but dear god. So however, though
27:14
Speaker 1: she has great lighting where she's putting on her makeup,
27:16
Speaker 1: she puts on a little look loss. She brushes an eyebrow.
27:19
Speaker 1: I'm like great. She reveals that she's been talking to
27:22
Speaker 1: Wayne fifty two from the UK, that she met him
27:24
Speaker 1: on social media and they're gonna have their first like
27:28
Speaker 1: FaceTime convo, and so im I. At first, I'm like oh,
27:33
Speaker 1: you have such good lighting, like where you're looking at.
27:34
Speaker 1: I wonder why you don't just use the lighting of
27:37
Speaker 1: your mirror and then like put your computer like on
27:40
Speaker 1: a couple of books and then like really get a
27:42
Speaker 1: great angle. But she's like, I'm gonna go outside. Then
27:44
Speaker 1: she puts her computer down. Now to anyone out there,
27:49
Speaker 1: like right now, if you're watching me, which you can
27:51
Speaker 1: be watching me, by the way, you know that all
27:53
Speaker 1: my visuals of my podcast live first and foremost on
27:57
Speaker 1: Patreon where they people get them, you know, real, real early,
28:00
Speaker 1: and then they show up on YouTube later, like fashionably late.
28:06
Speaker 1: Like my computer right now is on two books, so
28:09
Speaker 1: that it's at an angle that is good for me,
28:11
Speaker 1: you know, Like if I didn't have that, you'd be
28:14
Speaker 1: getting a lot of like lower neck and you know,
28:17
Speaker 1: she's she's lived a life and that lower neck looks
28:19
Speaker 1: a certain way. So I'm just saying, this is me
28:22
Speaker 1: talking about me, Chris Farrah, not Kimberly. But I'm just
28:25
Speaker 1: saying for anyone facetiming, don't be afraid to put that
28:28
Speaker 1: put it at eye level, you know. So basically she
28:31
Speaker 1: starts talking away and she's like, what's your idea of
28:33
Speaker 1: a perfect day. He's like, first of all, Jim. She's like, yeah, yeah, Jim.
28:37
Speaker 1: And I'm like, girl, come on, you don't like Jim's
28:41
Speaker 1: And he's like and family. She's like, oh yeah, family,
28:43
Speaker 1: Family's my thing, you know. And then he's like, what
28:45
Speaker 1: are you most proud of? And she's like, raising my son, Jamal,
28:49
Speaker 1: And that's kind of like a It's an interesting thing
28:52
Speaker 1: to say, you know. Obviously, her whole journey has been
28:55
Speaker 1: that she gave up two children before Jamal, and so
28:58
Speaker 1: it's I guess coincidental. Her proudest moment would have been
29:02
Speaker 1: raising the sun that she did with Jamal, and I
29:06
Speaker 1: wonder like, looking back, like, yeah, she would have how
29:15
Speaker 1: much Like yeah, she would have had two other accomplishments
29:18
Speaker 1: that she's so that she'd be equally proud of, you know.
29:21
Speaker 1: And again I'm not blaming her for giving up her children.
29:24
Speaker 1: It's just it was an interesting thing to say. Right.
29:27
Speaker 1: So he's most proud of and he has two kids,
29:30
Speaker 1: so we're like ready to say his kids. But he's like, yeah,
29:33
Speaker 1: I know, I'm most proud of starting my business. I'm like, oh, okay,
29:35
Speaker 1: what's your business buddy? Anyway, so she's like yeah, I
29:39
Speaker 1: just you know, I really like him. I just want
29:41
Speaker 1: to like lay in bed all day and eat grapes
29:43
Speaker 1: and like read poetry with him. I'm like, oh, how
29:44
Speaker 1: like Shakespearean? What are you like some like Ward Cortison
29:51
Speaker 1: from like the eighteen fifties? Also, that is my dream?
29:53
Speaker 1: So I'm like, oh, same girls saying. Then she goes,
29:57
Speaker 1: I have one question for you. How tall are you?
30:00
Speaker 1: And he says shorter than you? Okay, let's talk about this.
30:06
Speaker 1: He knows that she's tall. Why because he's probably seen
30:09
Speaker 1: her in pictures? B she saw him on social media?
30:13
Speaker 1: Why doesn't she know how tall he is? And they
30:15
Speaker 1: are the pictures like supposed to be confusing for his height. Now,
30:21
Speaker 1: when he says shorter than you, that's an answer, and
30:24
Speaker 1: the answer is I don't want to be specific. I
30:28
Speaker 1: know what you're leading at, and get through this conversation
30:31
Speaker 1: as fast as possible. And she's like, well what does
30:35
Speaker 1: that mean? And he's like five six and then she's like, well,
30:37
Speaker 1: that's a medium flag. Girl, that's not a medium flag.
30:43
Speaker 1: I'm just gonna tell you red flag stuff like that
30:47
Speaker 1: is his behavior and his position and the way that
30:51
Speaker 1: he talks about and what he's doing in his life.
30:56
Speaker 1: Flags should not be the way someone was worn, the
31:06
Speaker 1: way they I'm not I was gonna say, the way
31:07
Speaker 1: they look can be a flag, right, like in the
31:09
Speaker 1: sense of if you meet a guy or a woman,
31:12
Speaker 1: anyone who like you know, dresses poorly or doesn't have
31:15
Speaker 1: proper hygiene or like blah by blue, you know whatever
31:17
Speaker 1: it is. But I think it's like kind of fucked
31:21
Speaker 1: up to be like, oh, your physical being the way
31:24
Speaker 1: that you were born as a medium flag, which means
31:26
Speaker 1: not great. Because she had already said green flag, so
31:29
Speaker 1: we know this is a step back. Now, Kim Bally like,
31:32
Speaker 1: I want you to hear this only because it's mean.
31:36
Speaker 1: It's a mean thing to say. You wouldn't want someone
31:38
Speaker 1: to say that about you, like as a woman. Let's
31:43
Speaker 1: just say, if a man's like, all right, well I
31:45
Speaker 1: met you on social media, let me ask you this,
31:46
Speaker 1: how much do you weigh? And I you know, uh,
31:52
Speaker 1: more than a more than a one hundred and five
31:56
Speaker 1: or whatever you said, And then he'd be like, well
31:58
Speaker 1: how much really, and you like one five and he's
32:04
Speaker 1: like medium flag. I mean, first of all, hopefully if
32:10
Speaker 1: you're listening to this podcast, you would be like, I
32:14
Speaker 1: check the fucking computer. I'd be like, I'll never talk
32:16
Speaker 1: to you again. Right, That's what is a fucking red
32:19
Speaker 1: flag is commenting on that Kimberly surely wants a tall man.
32:24
Speaker 1: I think that, Like, Kimberly, you gonna fucking do that
32:27
Speaker 1: shit on your own. Like, here's the thing about tall men.
32:30
Speaker 1: You know if they're tall, like by seeing them, and
32:33
Speaker 1: there are other ways of finding out if someone's like
32:36
Speaker 1: tall or not. You certainly don't have to ask them,
32:38
Speaker 1: and then you certainly don't have to have a judge
32:41
Speaker 1: conversation and response when they give it to you. It's mean,
32:45
Speaker 1: it's really mean. Okay. So then after that, she's like, well,
32:48
Speaker 1: I still like talking to you. We still have really
32:49
Speaker 1: great banters, so why don't we talk more. He's like, okay,
32:52
Speaker 1: how about a FaceTime a week. She's like, okay, I'm
32:56
Speaker 1: a big pinky swear promise, so you have to pinky
32:58
Speaker 1: swear about that. I'm like some parts of Kimberly, I'm
33:02
Speaker 1: like pinky swear girl, Like no, he yeah, yay. So
33:09
Speaker 1: then but we do get this fun scene where we
33:11
Speaker 1: get to break the fourth wall, and then she talks
33:13
Speaker 1: to a camera person she's like, well, how tall are you?
33:15
Speaker 1: The Kimer person is exactly what he said. Five six.
33:17
Speaker 1: She's like, well, let me go see what that looks like.
33:19
Speaker 1: Often they don't show us this, which is that they
33:21
Speaker 1: know they're shooting a show, and the people that are
33:24
Speaker 1: on the show certainly know they're being filmed. And so
33:26
Speaker 1: I'm happy about this. And it all also speaks to
33:28
Speaker 1: one more thing. Kimbally is a fun normal sorry, is
33:33
Speaker 1: a fun I'm great. I hope she's normal. She's a
33:35
Speaker 1: fun person and she like is a good natured person.
33:37
Speaker 1: So when I'm telling you what she did wrong, it's
33:39
Speaker 1: just because I think hypercritical, but also because I think
33:41
Speaker 1: that we should be cognizant of our words, and sometimes
33:44
Speaker 1: it's confusing to know how our words affect other people.
33:47
Speaker 1: It's why, you know. But at the same time, the cameraman,
33:51
Speaker 1: the camera woman, the production people you can tell like
33:54
Speaker 1: like Kimberly, and she's fun with them and she plays around. Okay,
33:57
Speaker 1: so giving her grace now someone who have no grace too,
34:01
Speaker 1: but I will, uh. In one moment is Sophie, Sophie
34:04
Speaker 1: and Pedro, So we pick up Pedro. Honey is ordering
34:07
Speaker 1: a latte and espresso martini. At first, I'm like, what
34:10
Speaker 1: is for what person? Who is is the espresso martini
34:13
Speaker 1: for Sophie? Are you having the latte? But no, it's
34:16
Speaker 1: the other way around. She gets there and she's wearing
34:19
Speaker 1: the Beverly Hills Hotel wallpaper print palm print, green and white.
34:24
Speaker 1: You've seen it. It's this is a cute outfit. It's
34:26
Speaker 1: like a two piece. She has like, you know, like
34:28
Speaker 1: a titty top and it's like hairum pants like a drawstring.
34:32
Speaker 1: And another thing about her is that she's wearing flats
34:35
Speaker 1: and slides. And also when I see this, I'm like,
34:38
Speaker 1: I feel like those shoes mean that she is given
34:40
Speaker 1: up on Pedro anyway, So another thing, Pedro's like, yeah,
34:48
Speaker 1: you know, I just I want to, you know, see
34:50
Speaker 1: what's happening with her, because we haven't talked in a minute.
34:52
Speaker 1: I'm getting insecure and it's just like we have such
34:55
Speaker 1: good m chemistry and we're like, no, you absolutely do not.
35:01
Speaker 1: You wish you did because you think she's hot, but
35:03
Speaker 1: you don't. If you actually sat in and I mean this,
35:06
Speaker 1: I say this like for a lot, like if you
35:09
Speaker 1: sat in the present moment sematically, what was actually happening,
35:13
Speaker 1: he would have to feel that she's not into him,
35:15
Speaker 1: and she's never been into him, never, she could say
35:18
Speaker 1: whatever she wants, but like, nope, she just I think
35:21
Speaker 1: wanted to be on the show, so God bless. So
35:24
Speaker 1: he's like, are you busy tonight because you're leaving soon.
35:26
Speaker 1: I haven't you know, hung out with you and she's like, yes,
35:29
Speaker 1: I have a yeah, I'm meeting up with someone. And
35:32
Speaker 1: he's upset by that. He's like, oh, so you'd rather
35:34
Speaker 1: just hang out with someone than me, and she's like,
35:37
Speaker 1: I want to hang out with you too, Like that's
35:39
Speaker 1: what's happening right now, I mean, not tonight, No, I
35:41
Speaker 1: want to definitely hang out with this hot guy. And
35:43
Speaker 1: he thankfully realizes what it is and he gets up
35:47
Speaker 1: and leaves, which is exactly what he should do, you know.
35:53
Speaker 1: And that was the end of the episode. Honestly, I
35:56
Speaker 1: think there's only like one or two episodes left of
35:59
Speaker 1: Single Life Interesting season. However, we're thankfully going to get
36:02
Speaker 1: the new season of ninety Day Fiance and I'm so
36:05
Speaker 1: happy about that, really really super stoked. By the way,
36:09
Speaker 1: did you listen to my very fun recap with Ali Duncan,
36:14
Speaker 1: who was my co host for Before the ninety Days.
36:17
Speaker 1: I had such a great time talking with her. She
36:21
Speaker 1: literally is like she is an ad adorable, like super
36:28
Speaker 1: beautifully aesthetic baker that's on Instagram. That followed the podcast,
36:34
Speaker 1: and I realized was a ninety Day fan even though
36:36
Speaker 1: like she's a content creator and what she creates is
36:39
Speaker 1: like a gorgeous world of baking. And also her thing
36:44
Speaker 1: she gets into is micro baking, which is like so niche,
36:49
Speaker 1: you know, it's so interesting. But she is like a
36:52
Speaker 1: huge nine Day lover, and so that episode is so fun.
36:56
Speaker 1: Please go listen to it. Other than that, thank you
36:59
Speaker 1: so much for us spending time with me. Thank you
37:01
Speaker 1: so much for hanging out with me. I will be
37:03
Speaker 1: setting up soon my podcast studio in my new apartment,
37:08
Speaker 1: and I'm super excited to like have some fun. I
37:11
Speaker 1: want fun wallpaper, just like the Betty Davis room that
37:14
Speaker 1: Gino's in, you know, And when you watch the visual
37:19
Speaker 1: of Ali and I, Ali has like one of those
37:21
Speaker 1: Neon lights on her wall that says her Instagram name,
37:27
Speaker 1: which is Sugar Push, Sugar Pusher, and I'm like, I
37:31
Speaker 1: got to get one of those. I guess I wanted
37:33
Speaker 1: to say Vanity ferrap right behind me, like in Neon Lights,
37:36
Speaker 1: and every time you see me, it says that how fun?
37:40
Speaker 1: How are you? I hope all is well. I hope
37:42
Speaker 1: that you are enjoying your mid April. I hope that
37:47
Speaker 1: what's happening in the world. I hope that you are
37:50
Speaker 1: finding a way to make this world better as well
37:53
Speaker 1: as taking care of yourself. And that's kind of like
37:57
Speaker 1: the struggle right at the same time. Please follow me,
38:02
Speaker 1: Please give this podcast five stars if you haven't yet,
38:06
Speaker 1: just give it like a review, tell me your favorite parts,
38:08
Speaker 1: or tell me what's a dumb thing you like, or
38:10
Speaker 1: you know, whatever you want to say. You can also
38:13
Speaker 1: follow me. I am at Chris el Farrah. Do I
38:16
Speaker 1: need two Neon lights? Like should one say Vanity Farrah
38:19
Speaker 1: and should one say at Chris el Farah. I'm not
38:21
Speaker 1: quite sure you tell me. That's what you can comment
38:23
Speaker 1: me about truly. You can though, follow me on Instagram
38:26
Speaker 1: at Chris el Fara, on TikTok at Chris sel Farah.
38:29
Speaker 1: You can pay me five dollars if you like this
38:32
Speaker 1: podcast on Patreon and get all the visuals super fast.
38:35
Speaker 1: Also some special Patreon only lives, especially as I roll
38:40
Speaker 1: out like apartment viewing that's already kind of happened on
38:43
Speaker 1: the Patreon if you care, as well as I'm going
38:45
Speaker 1: to do the rest of Love on the Spectrum on Patreon.
38:49
Speaker 1: So I released episode one of Love on the Spectrum
38:52
Speaker 1: on this feed. Episode two is on psych Legal Pop.
38:57
Speaker 1: They're RSS feed and and the rest will be on
39:00
Speaker 1: the Patreon only. And that's Chris Fair on Patreon. There's
39:04
Speaker 1: also Vanity Fair the private group on Facebook, and you
39:07
Speaker 1: can also like my page Chris Farah on Facebook. So
39:09
Speaker 1: many things I know those are there's like free things,
39:12
Speaker 1: there's like things you can pay for me you can,
39:15
Speaker 1: but truly spending time and listening to this and down
39:18
Speaker 1: learning the podcast, all of that it really means a lot.
39:20
Speaker 1: And so let's do two breaths. And in these two breasts,
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Speaker 1: I am going to focus on being obviously present with you,
39:29
Speaker 1: but also just like then, the immense amount of gratitude
39:32
Speaker 1: that I do have for people listening to this podcast,
39:37
Speaker 1: especially after I launched it after the last podcast. It
39:41
Speaker 1: really it really makes me almost like overwhelmed to think
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Speaker 1: that people have supported me through this. Okay, So I'm
39:50
Speaker 1: just going to sit in that, like my appreciation for
39:52
Speaker 1: the support and yeah, thank you, two breaths, so that
39:59
Speaker 1: we all can like have a good go at relaxing ourselves,
40:04
Speaker 1: freeing our mind of the worries of the past and
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Speaker 1: the planning of the future, and if you want, can
40:11
Speaker 1: feel a moment of gratitude because there is love and
40:15
Speaker 1: support around us and sometimes we just don't see it,
40:19
Speaker 1: but we can tap into it and you know, really
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Speaker 1: marinate it, marinate in it if we do the work,
40:28
Speaker 1: you know, all right, babe, two two breaths, getting it
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Speaker 1: all out, getting it in, just thinking I'm here, this
40:35
Speaker 1: is what's happening. I've listened to this podcast. Other people
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Speaker 1: have listening to it too, and at one point we're
40:42
Speaker 1: all bringing ourselves to the present moment as like a protest,
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Speaker 1: if you will, against the hustle slash social media culture,
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Speaker 1: slash phone culture, slash you know, overwhelming feeling culture without
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Speaker 1: truly sitting in the present. Right, it's a little protest
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Speaker 1: for us. Okay, breath out, all right, my babes, take
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Speaker 1: care of yourselves and one another, stand up for what
41:35
Speaker 1: you believe, and make art, Make art for yourself, make
41:39
Speaker 1: it for the future, make it for the present, and
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Speaker 1: don't even worry about what happens. It's enough, okay, love
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Speaker 1: you all, talk to you later, my hai Yi