Latest / Luke's English Podcast / MC LELE JP - Podpah _1014

Transcript

MC LELE JP - Podpah _1014 · Luke's English Podcast

• 0:28
  Speaker 1: A semana do consumidor, a Amazon já tá rolando.
• 0:31
  Speaker 2: Oferta só até 80% off.
• 0:33
  Speaker 1: Obrigada.
• 0:34
  Speaker 2: Milhões em cupons. E frete grátis. Aproveite.
• 0:38
  Speaker 1: Vai terminar o comercial, então?
• 0:40
  Speaker 2: Brilha, Diva. Isso! Inglês online ao vivo é Wizard On.
• 0:46
  Speaker 2: A gente aprende inglês de qualquer lugar. Nothing will stop me.
• 0:51
  Speaker 3: É o Wizard.
• 0:52
  Speaker 1: É o UAU!
• 0:54
  Speaker 2: Não estude inglês com explosões.
• 0:56
  Speaker 3: Aí!
• 0:58
  Speaker 1: Olha a bonita aí!
• 0:59
  Speaker 2: Tava sumida, hein?
• 1:00
  Speaker 1: Cirurgia de emergência, três dias internada.
• 1:03
  Speaker 2: Credo, imagina o susto na hora de pagar.
• 1:05
  Speaker 1: Nada!
• 1:05
  Speaker 4: Fiz tudo pelo plano de saúde da Pet Love.
• 1:07
  Speaker 1: E eu apostando tudo nas minhas sete vidas.
• 1:09
  Speaker 2: Plano de saúde Pet Love.
• 1:11
  Speaker 5: Se tem pet, tem que ter.
• 1:12
  Speaker 2: Pet Love!
• 1:27
  Speaker 1: Let's do.
• 1:30
  Speaker 2: This.
• 1:31
  Speaker 1: Let's start this thing the right way. I'm going to
• 1:32
  Speaker 1: ask for applause. Let's take advantage of the crowd. I
• 1:34
  Speaker 1: love it when it's crowded.
• 1:35
  Speaker 2: With young people. What's that? Tuesday, right? The week started
• 1:39
  Speaker 2: for Podpá. The week started. How are you at home?
• 1:41
  Speaker 2: I hope you are well.
• 1:42
  Speaker 1: Get cozy, get closer, because Podpá is starting now. Take
• 1:49
  Speaker 1: advantage of it, click on the subscribe button, I don't
• 1:51
  Speaker 1: even want to know. This is good.
• 1:53
  Speaker 3: One to ten million.
• 1:54
  Speaker 1: Let's go. Get ready, like, ask for something to eat.
• 1:56
  Speaker 3: Share.
• 1:56
  Speaker 1: And you, how are you, my Tarzan, my Chiquinho de Liana,
• 2:00
  Speaker 1: my beautiful boy? One more, one more, one more. One more,
• 2:03
  Speaker 1: one more, one more.
• 2:03
  Speaker 2: It didn't come?
• 2:05
  Speaker 1: It didn't come because I was with Tarzan and Chiquinho
• 2:07
  Speaker 1: in my head.
• 2:09
  Speaker 2: Two legends.
• 2:10
  Speaker 1: You're crazy, Chiquinho.
• 2:11
  Speaker 2: I've cried for both. Really? One for Tarzan because it's
• 2:14
  Speaker 2: my favorite movie and Chiquinho, I wanted Melocoton, right, man?
• 2:18
  Speaker 2: And I didn't have the opportunity.
• 2:19
  Speaker 1: But what about Chiquinho and Melocotão?
• 2:21
  Speaker 2: He wasn't... Oh, man, it's the same core there, right?
• 2:24
  Speaker 1: It's the same universe.
• 2:25
  Speaker 2: The same core there.
• 2:26
  Speaker 1: You're right, man.
• 2:26
  Speaker 2: Then Liana went up to her head. She went up
• 2:28
  Speaker 2: to her head, where's Chiquinho, where's Melocotão?
• 2:31
  Speaker 1: It's true. She's on Globo, I forgot about them. She's
• 2:33
  Speaker 1: on Globo, but she took Nabote. On Liana's new show,
• 2:35
  Speaker 1: Nabote is there.
• 2:37
  Speaker 2: Mítico Jove, you're... Like, if you had the Max Tio
• 2:40
  Speaker 2: do Pará, it would be you. I swear to God, man.
• 2:43
  Speaker 1: You're crazy.
• 2:43
  Speaker 3: Look!
• 2:44
  Speaker 2: Leave your like and subscribe to the channel. As the
• 2:47
  Speaker 2: mythical young man said, it's going to 10 million. And
• 2:49
  Speaker 2: before we introduce our wonderful guest, he's already here with
• 2:51
  Speaker 2: us on our table. He brought a troop. My God,
• 2:54
  Speaker 2: what a beautiful thing. We're going to talk about our sponsors.
• 2:57
  Speaker 2: Starting with Pet Love. The biggest pet health plan in Brazil.
• 3:01
  Speaker 2: With free microchipping.
• 3:03
  Speaker 1: Okay?
• 3:03
  Speaker 2: If someone... If someone did something wrong with your dog.
• 3:08
  Speaker 1: Or if he just disappeared.
• 3:09
  Speaker 2: Yeah, and someone takes him to the vet to pass
• 3:11
  Speaker 2: the scanner, he'll say, this dog here is from the
• 3:13
  Speaker 2: mythical one. Mora na rua tal, leva lá. É dele.
• 3:15
  Speaker 2: É a identidade do Domingo. Exatamente, é o RG dos cachorros.
• 3:19
  Speaker 2: E lembrando que são diversos benefícios e 8 mil parceiros
• 3:22
  Speaker 2: entre clínicas e hospitais veterinários, tá bom? Contratação 100% digital
• 3:27
  Speaker 2: no aplicativo, é muito fácil. Ou no site também, como
• 3:31
  Speaker 2: você preferir. Então tem o cupom de desconto na primeira
• 3:33
  Speaker 2: mensalidade que você vai cair pela metade. É 50% de
• 3:37
  Speaker 2: desconto usando o cupom PODPAS50. Só apontar para o QR
• 3:41
  Speaker 2: Code na tela e escanear.
• 3:42
  Speaker 1: You have them in yours, right, Igor?
• 3:44
  Speaker 2: Yes, my three dogs are from the Pet Love convent.
• 3:49
  Speaker 2: They take good care of my dogs.
• 3:50
  Speaker 1: Really, really. It's true.
• 3:52
  Speaker 2: Because we create love, right? They're children. They're children, Mítico.
• 3:57
  Speaker 2: They're children. But mine are out of the house.
• 3:59
  Speaker 1: Look!
• 3:59
  Speaker 2: Can't I put.
• 4:02
  Speaker 1: Them in the bed? No, no, no. You can't. É
• 4:04
  Speaker 1: porque são três jamantas.
• 4:06
  Speaker 2: Os meus cachorros cagam grosso, viado. Não é cachorro que
• 4:10
  Speaker 2: dá pra ter... Eles cagam blocos, né? É, sapatos. Se
• 4:12
  Speaker 2: cagar dentro do quarto, estraga o quarto. Os caras vão
• 4:14
  Speaker 2: largando sapatos por aí. Se mijar em poça... É, né?
• 4:17
  Speaker 3: Não dá.
• 4:17
  Speaker 2: Meus cachorros são sem vergonha. Não dá. Ó, fala... Que
• 4:21
  Speaker 2: papo foda. Falar de Wizard. Inglês que abre portas, viajar,
• 4:26
  Speaker 2: empreender e criar conteúdo pelo mundo todo. Eu costumo dizer
• 4:29
  Speaker 2: que você vira um cara que se comunica onde quer
• 4:32
  Speaker 2: que você esteja. Se você fala inglês, hoje o inglês
• 4:35
  Speaker 2: é falado no mundo inteiro, você é um cara internacional,
• 4:37
  Speaker 2: vai conversar com quem você quiser. Isso é ótimo pro seu...
• 4:41
  Speaker 2: Tanto para a sua carreira, para a sua vida, se
• 4:44
  Speaker 2: você é criador de conteúdo, o que quer que você seja,
• 4:48
  Speaker 2: vai te ajudar.
• 4:49
  Speaker 1: É isso. É bom estudar inglês, né?
• 4:50
  Speaker 2: E lembrando que o foco é no Wizard On, que
• 4:53
  Speaker 2: é um curso totalmente online, em inglês online, ao vivo
• 4:56
  Speaker 2: e com o professor, tá bom?
• 4:58
  Speaker 1: Estude de onde você quiser. Matrícula grátis. A gente está
• 5:01
  Speaker 1: fazendo inglês aqui.
• 5:01
  Speaker 2: Estamos fazendo. Duas vezes na semana, segunda e sexta, as
• 5:05
  Speaker 2: nossas aulas de inglês.
• 5:05
  Speaker 1: Já, já, nós estamos desenrolando nesse inglês, nós estamos destravando tudo, tá?
• 5:09
  Speaker 2: Inclusive, tem um bônus exclusivo, que se você fazer agora isso, ó,
• 5:13
  Speaker 2: vai ganhar o SPEN, que é a caneta que você
• 5:15
  Speaker 2: encosta lá na pochila e ela te fala a pronúncia correta,
• 5:19
  Speaker 2: mas sem aulas de conversação. Que é só aqui, ó, conversation.
• 5:23
  Speaker 2: Só conversando mesmo.
• 5:24
  Speaker 3: Não tem.
• 5:26
  Speaker 2: Vai ter uma provinha ou outra, mas é conversação.
• 5:27
  Speaker 1: Essa conversação só vale até o dia 21 do 3 agora.
• 5:30
  Speaker 3: Exatamente.
• 5:30
  Speaker 1: Então corre.
• 5:31
  Speaker 2: Corre que tá próximo de acabar. Escaneia o QR Code
• 5:34
  Speaker 2: agora e aproveita.
• 5:35
  Speaker 1: Tá bom? Eu tô gostando de fazer aula com a Wizard, viu? Ô,
• 5:38
  Speaker 1: professor Marcelo, um beijo pra você, viu? Seu nerdão. Ele
• 5:41
  Speaker 1: dá aula pra nós. Gosto muito dele. Gente boa. Viciado
• 5:44
  Speaker 1: no Apex Black.
• 5:45
  Speaker 2: Ele gosta mesmo. Look, and talk about Amazon, our sponsor, Master,
• 5:52
  Speaker 2: which is already rolling the offers, has free shipping and
• 5:55
  Speaker 2: up to 40% discount, okay? So, go to the site
• 5:57
  Speaker 2: now or on the app and already see, like, wow,
• 6:01
  Speaker 2: I was needing such a thing, so already enjoy that
• 6:04
  Speaker 2: there is a discount.
• 6:04
  Speaker 1: Ah, there's almost everything there, there's everything there.
• 6:07
  Speaker 2: Really, really, scan the QR code and already guarantee your
• 6:09
  Speaker 2: purchase on the Amazon site, on the app, okay? And
• 6:12
  Speaker 2: remembering that in the description we have a link for
• 6:14
  Speaker 2: you to participate. Do Pó de Paquera, programa da Lívia Rafael,
• 6:17
  Speaker 2: o programa de Paquera, né? E também pra você participar...
• 6:22
  Speaker 2: The guys are reacting, right?
• 6:24
  Speaker 3: That's it.
• 6:26
  Speaker 2: And also for you to participate in the Brino's program,
• 6:28
  Speaker 2: Conflito Total. If you're a lady of 60 years or more,
• 6:31
  Speaker 2: this is your place. Come here, okay? And also our
• 6:35
  Speaker 2: link on WhatsApp, so you can enter the community. Let's go.
• 6:38
  Speaker 1: Know everything that's happening in the basement.
• 6:40
  Speaker 2: Come with us. Know what Kiko Mítico is preparing for
• 6:43
  Speaker 2: the runners.
• 6:44
  Speaker 1: For sure. That's what's going to happen on WhatsApp, on Podpó, okay?
• 6:48
  Speaker 2: Inclusive, também temos link do canal da Podpah Records pra
• 6:51
  Speaker 2: você se inscrever, que é a casa da música aqui
• 6:53
  Speaker 2: no Podpah, entendeu? Vai ter muito conteúdo em breve, né, Alex?
• 6:57
  Speaker 2: Quando estreia?
• 6:57
  Speaker 3: Semana que vem?
• 6:59
  Speaker 2: Final do mês! Final do mês! É igual a Semana
• 7:03
  Speaker 2: do Consumidor, não acaba, não chega!
• 7:05
  Speaker 1: A Semana do Consumidor é toda semana que a gente
• 7:08
  Speaker 1: tá falando isso aqui. But whoever it is, may it
• 7:10
  Speaker 1: be a year of the consumer. Amen. Come on, Marcos.
• 7:13
  Speaker 2: Receive with a lot of affection. Make a lot of noise.
• 7:15
  Speaker 2: Drop this studio. Really, there's a lot of people here.
• 7:19
  Speaker 2: I want an explosion. I want to scream. I want madness.
• 7:22
  Speaker 2: Receive our guest today. O Chatão, Lele JP.
• 7:25
  Speaker 1: Let's go. It's us, Mitko. It's us.
• 7:32
  Speaker 2: This is cool.
• 7:32
  Speaker 1: Do more.
• 7:33
  Speaker 2: A little more. Is everyone from Zona Norte there?
• 7:40
  Speaker 1: Man, it's kind of divided. There's a lot of regions there.
• 7:43
  Speaker 1: Zona Sul, Zona Leste, Zona Oeste. Okay, but from these
• 7:47
  Speaker 1: guys there, does everyone work with you? Do you have friends?
• 7:49
  Speaker 3: Yes, yes, yes.
• 7:50
  Speaker 1: There are two children there from my employer. And a
• 7:57
  Speaker 1: friend of mine who sings there too, who is the
• 7:59
  Speaker 1: biggest prodigy. And this is all guys from my own team.
• 8:02
  Speaker 1: They work.
• 8:03
  Speaker 2: Tell me, Lele, how are you, my brother?
• 8:06
  Speaker 1: Better now, man. Better now, man. I've waited so long
• 8:09
  Speaker 1: for this moment. I'm a fan of your career. Congratulations, bro.
• 8:15
  Speaker 1: Congratulations for your career. What an incredible space. It's a
• 8:19
  Speaker 1: very big show. We're working to make it a.
• 8:21
  Speaker 2: Show, bro. A thousand degrees.
• 8:24
  Speaker 1: Especially for those who come from the low. to do
• 8:34
  Speaker 1: something like this, to take this proportion is to really admire, man, congratulations.
• 8:39
  Speaker 1: Thank you. But you had already arrived here, you had
• 8:41
  Speaker 1: already taken a look at the pod. Yeah, I've already
• 8:43
  Speaker 1: stuck it like this, I've already stuck it. With who
• 8:45
  Speaker 1: did you see? With Iggy, once with Tuto.
• 8:48
  Speaker 2: That, on Tuto's day he was there too.
• 8:51
  Speaker 1: Yeah, that was it. You arrived there on the other one?
• 8:53
  Speaker 1: I arrived three times. You went to the other studios? Yeah,
• 8:57
  Speaker 1: which was in the building there, that's it. But the
• 9:00
  Speaker 1: first of the first I didn't get to stick it, no.
• 9:03
  Speaker 1: That Kev stuck, the team stuck.
• 9:06
  Speaker 2: Wow, that was crazy, bro. It was a pandemic, seven
• 9:10
  Speaker 2: episodes a week. You know that rhythm of working 100
• 9:13
  Speaker 2: and rest?
• 9:14
  Speaker 3: Yes.
• 9:14
  Speaker 2: You've been like this, right? Or you must be now, right?
• 9:17
  Speaker 1: Now I'm like this, bro. I'm like this, bro. I'm
• 9:20
  Speaker 1: sleeping only four hours, five hours a day, and not
• 9:22
  Speaker 1: even melatonin is solving it. Man, sometimes I sleep and
• 9:26
  Speaker 1: I put four melatonin gums there to take a nap.
• 9:30
  Speaker 2: The myth that I slept is just those darts that
• 9:32
  Speaker 2: drop elephants. The guy doesn't sleep, man.
• 9:35
  Speaker 1: Just like that, bro. Are you in that too? Yeah, bro,
• 9:38
  Speaker 1: it's a lot of intensity, right? And I'm in a
• 9:40
  Speaker 1: breeze that I'm like, bro, a lot of studio, a
• 9:42
  Speaker 1: lot of studio. I got into a breeze, right? This
• 9:44
  Speaker 1: time that I was kind of distant from Loforte.
• 9:47
  Speaker 3: Right.
• 9:47
  Speaker 1: I understood that the peteca can't fall, so, bro, it's constancy, bro.
• 9:52
  Speaker 2: Brau says that, right? That, how so? I want to
• 9:55
  Speaker 2: be a musician and I want to stay, I'm not
• 9:57
  Speaker 2: saying it's your case, but Brau has this saying, he says,
• 9:59
  Speaker 2: I want to stay at home just smoking marijuana and
• 10:01
  Speaker 2: waiting for the day of inspiration. No, man. If I'm
• 10:05
  Speaker 2: a musician, I'm a Trump like everyone else. So I'll
• 10:08
  Speaker 2: be in the studio for 8 hours. He said he
• 10:09
  Speaker 2: learned that from Tupac. Because Tupac used to say that
• 10:12
  Speaker 2: to his guys. You have to be in the studio,
• 10:13
  Speaker 2: you have to make at least one song a day.
• 10:15
  Speaker 2: Not everyone will get it right. But by recurrence, you'll
• 10:18
  Speaker 2: get it right more times, right?
• 10:19
  Speaker 3: True.
• 10:19
  Speaker 1: Because you're more in constancy, right? And what's in command
• 10:22
  Speaker 1: is constancy, right? And that's what commands. And the pen, man. Creativity,
• 10:27
  Speaker 1: if you stay a little longer like that, you lose
• 10:29
  Speaker 1: the mood.
• 10:29
  Speaker 2: You have to be sharpening to get better, right?
• 10:31
  Speaker 1: Yeah, you have to be sharpening. You have to understand
• 10:33
  Speaker 1: what the street wants to hear, right? That the new giraffes...
• 10:36
  Speaker 1: I've always been a little bit into these giraffes, right?
• 10:39
  Speaker 1: So I've always tried to be in my community, regardless
• 10:42
  Speaker 1: of the race. I've always tried to be there for
• 10:44
  Speaker 1: a while. To socialize, right? Yeah, I like to be.
• 10:46
  Speaker 2: Close to the crazy ones, man.
• 10:47
  Speaker 1: Because the crazy ones come with the new giraffes, you know?
• 10:50
  Speaker 1: The good giraffes come from the crazy ones. Yeah, it
• 10:52
  Speaker 1: comes from the crazy ones, man. Only the crazy giraffes, man.
• 10:55
  Speaker 2: Man, and it's true, right? The giraffes, they help a lot, because...
• 10:58
  Speaker 2: It's very good for you to get something that's... To explode,
• 11:03
  Speaker 2: let's say, in the dialect of Quebrada, and you use
• 11:06
  Speaker 2: it first and it becomes known, I don't know if
• 11:09
  Speaker 2: you'll remember, the day that Gordão da XJ came here,
• 11:12
  Speaker 2: we looked at him, he's new, right, man? I think
• 11:14
  Speaker 2: he's 20-something years old, very young.
• 11:16
  Speaker 1: Yeah, he's new.
• 11:17
  Speaker 2: I said, Gordão, what's the... The Gira do Momento. Then
• 11:22
  Speaker 2: he said, the Gira do Momento, man, is chapa. We've
• 11:25
  Speaker 2: never heard that name before. We laughed a lot. Then
• 11:28
  Speaker 2: he said, chapa, chapa nelas, man.
• 11:30
  Speaker 1: But get out of there, man! Get out of.
• 11:33
  Speaker 2: There, it's Chapa, man! And Chapa, I think it was
• 11:37
  Speaker 2: a month, it was Chapa, putting on Chapa, I don't
• 11:39
  Speaker 2: know what, Chapa, I said, look.
• 11:40
  Speaker 1: Chapa Máxima.
• 11:41
  Speaker 2: Chapa Máxima, man, everything, everything. And you see, man, the
• 11:45
  Speaker 2: youth has to be connected, man, it has to be
• 11:48
  Speaker 2: on the street, because this little thing, who takes it?
• 11:50
  Speaker 2: For example, the lines that Rinha put in the songs.
• 11:54
  Speaker 3: Ololô, meu sócio.
• 11:55
  Speaker 2: The guys even say that there's a man who says
• 11:57
  Speaker 2: this jargon, I forgot his name. And then he put
• 12:00
  Speaker 2: it in the song, and that was a big difference
• 12:02
  Speaker 2: in Rio's career.
• 12:03
  Speaker 1: Even today, the guys explore this stuff a lot. You
• 12:06
  Speaker 1: see their profiles, Bololo, 7-7. What did Bololo become?
• 12:10
  Speaker 2: It became a Gira like a human. Very crazy. And
• 12:13
  Speaker 2: when you start.
• 12:13
  Speaker 1: Talking about Giras, you have to have confidence. Bololo, at
• 12:17
  Speaker 1: the time you heard Bololo, then it was all that.
• 12:20
  Speaker 1: What are the ones you're using at the moment? Man,
• 12:23
  Speaker 1: at the moment... Passadão, right? Passadão is like Giro.
• 12:29
  Speaker 2: Regional, regional, que é a favela em si, né?
• 12:32
  Speaker 1: Regional tá como? I got it. Favuca, which people in
• 12:40
  Speaker 1: my community are using a lot. Favuca? Favuca is favela.
• 12:43
  Speaker 1: I got it. Foda! I've heard Favuca these days, but
• 12:46
  Speaker 1: I haven't heard much about it yet. It's Adé Vida.
• 12:48
  Speaker 1: What's Adé Vida? What is it? Adé Vê, bro. The
• 12:51
  Speaker 1: motorcycle is Adé Vê. The guys say, damn it, Adé Vida.
• 12:54
  Speaker 1: Adé Vida. It's good too. It's a Brazilian activity. I've
• 12:57
  Speaker 1: already made a song with this theme.
• 12:59
  Speaker 5: Already?
• 12:59
  Speaker 1: Yeah, I've already done it.
• 13:01
  Speaker 2: Bro, let's go back to the beginning, because I think
• 13:04
  Speaker 2: this story is really cool. I want to know, since
• 13:08
  Speaker 2: the beginning, when you were a child, how was it? First,
• 13:12
  Speaker 2: how were you as a child? Did you flirt with
• 13:15
  Speaker 2: music or not? What did you want to be as
• 13:19
  Speaker 2: a child?
• 13:19
  Speaker 1: My first contact with music was within the church. I
• 13:23
  Speaker 1: grew up in an evangelical family, within an evangelical doctrine,
• 13:27
  Speaker 1: and I sang in those little children's groups. You know?
• 13:31
  Speaker 3: I know.
• 13:32
  Speaker 2: The cells, like that?
• 13:32
  Speaker 1: Yeah, yeah. I sang in these little children's groups. How
• 13:36
  Speaker 1: old were they? From my first year of age to
• 13:39
  Speaker 1: my twelfth year of age... It was all inside the church.
• 13:42
  Speaker 1: It was all inside the church. My mom is a
• 13:44
  Speaker 1: missionary now, right? And my first contact with music was there, bro.
• 13:49
  Speaker 1: Then it went crazy in me, bro. I started to
• 13:53
  Speaker 1: listen a lot to MC da Leste, those mediums... Antiga. Antiga.
• 13:58
  Speaker 1: Then I just liked it, I was just listening. Then
• 14:00
  Speaker 1: came Pedrinho. Okay. At the time of Dom Dom Dom.
• 14:03
  Speaker 1: I said, man, I'm going to become MC too, man.
• 14:05
  Speaker 2: He was new, you should also be new.
• 14:07
  Speaker 1: I think I'm the same age as Pedrinho. I'm 2.4, man.
• 14:09
  Speaker 1: I did 2.4 now. Damn, you're very young, man.
• 14:12
  Speaker 3: Yeah, man.
• 14:13
  Speaker 1: But wait a minute. One thing, you're in the church.
• 14:15
  Speaker 1: When you started listening to funk, how was this change?
• 14:17
  Speaker 1: Let's say, especially at home too. You're listening to these
• 14:21
  Speaker 1: songs from the world, boy.
• 14:22
  Speaker 2: Yes.
• 14:28
  Speaker 1: My mom was a bit like that, but I didn't
• 14:30
  Speaker 1: have what to do, right, bro? Even more a don, don, don. Yeah,
• 14:33
  Speaker 1: because I lived inside the huts, inside the cranes, so, bro,
• 14:36
  Speaker 1: there was nowhere to run. The music came.
• 14:37
  Speaker 2: From your house, whether you wanted it or not.
• 14:39
  Speaker 1: Yeah, yeah. My mom was there, praying her prayers, and
• 14:43
  Speaker 1: it was just like that. There was nowhere to run, man.
• 14:47
  Speaker 2: Okay, but when you were little, inside the church, did
• 14:50
  Speaker 2: people notice that you stood out, or you didn't stand out?
• 14:53
  Speaker 1: The first compliment I got was from my sister. I
• 14:57
  Speaker 1: had the opportunity to.
• 14:58
  Speaker 2: She's older than you.
• 15:00
  Speaker 3: Yeah.
• 15:00
  Speaker 1: I had the opportunity to sing with the microphone, right?
• 15:04
  Speaker 1: Because the crowd stays there, as if they were here,
• 15:07
  Speaker 1: just the audience, and there are two with the microphone.
• 15:09
  Speaker 1: I had the opportunity to sing, my sister said, man,
• 15:11
  Speaker 1: you sing well, man, and such. She doesn't even remember that.
• 15:14
  Speaker 1: I said, do you remember that? She said, I don't remember.
• 15:17
  Speaker 1: But I took it to heart, man. It was important, right?
• 15:19
  Speaker 2: I said, man, it already gave that gas. It's very crazy, right?
• 15:22
  Speaker 2: Sometimes when we hear a compliment and keep it.
• 15:25
  Speaker 1: Because that was, yes, it marked us. And it was
• 15:27
  Speaker 1: very striking for me, man. But what, did you have
• 15:29
  Speaker 1: a little highlight? Did you stay in front with the microphone? Yeah,
• 15:31
  Speaker 1: I had the microphone, yeah. Because not everyone has a microphone, right?
• 15:35
  Speaker 1: In the group, it's one or two with the microphone.
• 15:37
  Speaker 1: Then she... She said I was a good singer, and
• 15:41
  Speaker 1: I said, man, it's already a hit.
• 15:42
  Speaker 2: Man, Piseiro's son said that. That he was the only
• 15:46
  Speaker 2: one with a microphone and there was a group of
• 15:47
  Speaker 2: children behind him. And that his voice was so powerful
• 15:50
  Speaker 2: that he sang louder than the microphone guy.
• 15:52
  Speaker 1: But at that time you already imagined, like, man, I'm
• 15:55
  Speaker 1: going to be a singer. Not even a church singer.
• 15:58
  Speaker 1: Not at all, not at all.
• 16:00
  Speaker 2: Nothing.
• 16:00
  Speaker 1: I saw myself far away. It's hard to dream. I
• 16:03
  Speaker 1: saw myself far away from these things. I didn't even
• 16:06
  Speaker 1: have something to say, what I'm going to be when
• 16:08
  Speaker 1: I grow up. I had nothing in mind. So you
• 16:11
  Speaker 1: were singing there because you liked it, it was your universe. Yeah,
• 16:14
  Speaker 1: because I had to be there, man. There was no
• 16:16
  Speaker 1: place to run. My mother kind of forced me, right?
• 16:18
  Speaker 2: It was either church or street, right? I imagine.
• 16:20
  Speaker 1: And there was no way I was going to stay
• 16:22
  Speaker 1: on the street. I come from a family of seven brothers, right?
• 16:27
  Speaker 1: I'm twins, bro. What's that? I'm twins. I'm twins. But
• 16:29
  Speaker 1: is it identical? No, nothing to do, bro. Nothing to do. No,
• 16:32
  Speaker 1: show me a picture.
• 16:34
  Speaker 2: I'm not going to show it, but I want to see.
• 16:35
  Speaker 1: Where is it?
• 16:36
  Speaker 2: I'm going to get it.
• 16:36
  Speaker 1: Is it nothing to do?
• 16:37
  Speaker 2: Nothing to do, bro.
• 16:39
  Speaker 1: Where is my cell phone? Bro, it must be.
• 16:42
  Speaker 2: Very crazy to have a twin brother. Nothing to do, bro.
• 16:44
  Speaker 1: Nothing to do, bro. It doesn't look like it. It's different.
• 16:47
  Speaker 1: You have the notion that he was born first than me. Right.
• 16:49
  Speaker 1: Two minutes. Two minutes, that's it. After two minutes, I
• 16:52
  Speaker 1: was born. Man, nothing to do, bro. Nothing to do.
• 16:56
  Speaker 1: He's smaller than me. Didi, did he sing too? No,
• 16:58
  Speaker 1: he only did beatbox. He played... He played the ball here. Man,
• 17:01
  Speaker 1: nothing to do with it. Nothing to do with it.
• 17:02
  Speaker 1: Nothing to do.
• 17:05
  Speaker 3: With it.
• 17:06
  Speaker 1: It looks like you didn't grow up.
• 17:09
  Speaker 2: It's a miniature, right?
• 17:11
  Speaker 1: It looks like it, but you don't say it's a twin.
• 17:14
  Speaker 3: No.
• 17:14
  Speaker 1: I'll show you a picture of.
• 17:16
  Speaker 2: Us together with the same outfit.
• 17:18
  Speaker 3: Damn, man.
• 17:25
  Speaker 1: Here, me, him and my parents. Man, what a fucking breeze.
• 17:28
  Speaker 1: But it doesn't.
• 17:30
  Speaker 2: Look like it, man. It's from the same family, you say,
• 17:33
  Speaker 2: it's from the same family, they're brothers, but they're not twins.
• 17:35
  Speaker 1: Now, curiosity, it's a different placenta, but there's the same breeze,
• 17:38
  Speaker 1: every twin brother says, that, oh, he feels the same thing.
• 17:40
  Speaker 2: I know he's going to get sick.
• 17:41
  Speaker 1: No, no, I know he's bad. Iggy, yesterday, Iggy asked
• 17:45
  Speaker 1: the same question. I said, no, man, a thing that,
• 17:46
  Speaker 1: for real, if someone were to go over him, bro.
• 17:49
  Speaker 1: Of course. Then the guy would have to turn into
• 17:54
  Speaker 1: the thugs.
• 17:54
  Speaker 2: Because it's as if you were two people, right?
• 17:56
  Speaker 1: There was one time that I saw him fighting, bro.
• 17:59
  Speaker 1: I saw him fighting with a boy, bro. In the
• 18:02
  Speaker 1: little field, in the crack there, bro. The guy said, no,
• 18:04
  Speaker 1: just the two of them. Hold on. I said, yeah?
• 18:07
  Speaker 2: Okay.
• 18:07
  Speaker 1: Then my brother immobilized him. I just sent. I said, go.
• 18:12
  Speaker 1: Turn it on. But what can I do, man? We
• 18:15
  Speaker 1: run together all the time.
• 18:17
  Speaker 2: There's no way, right?
• 18:18
  Speaker 1: There's no way I can run with you. And it's
• 18:20
  Speaker 1: fucking awesome, man. That feeling of neurosis, man. It's hard
• 18:24
  Speaker 1: to explain.
• 18:25
  Speaker 2: But don't you remember, boy, if there was a day
• 18:26
  Speaker 2: when you were pissed? Because, man, our anniversary is something that,
• 18:29
  Speaker 2: when we were kids, I think it's the most expected day.
• 18:31
  Speaker 2: And then you feel that your brother shares the same
• 18:33
  Speaker 2: day as you, and he didn't give you a... Ah,
• 18:35
  Speaker 2: you're going to fuck yourself, man.
• 18:38
  Speaker 1: Nothing, man. Nothing? I was born like that. I've never
• 18:40
  Speaker 1: had anything like that. Me and him, in our childhood,
• 18:43
  Speaker 1: even though we had a lot written between us, we were... Closing. Closing, bro. So,
• 18:46
  Speaker 1: seven brothers, you two, are you in the middle? And
• 18:50
  Speaker 1: I'm the cousin of my brothers. I'm the cousin. Two men, no,
• 18:54
  Speaker 1: two women and five men. I'm the cousin, bro. Brother,
• 18:58
  Speaker 1: you're new. How was it, these days, living in a
• 19:01
  Speaker 1: house with seven brothers, man? Man, it was... It was complicated, man.
• 19:11
  Speaker 1: My mother and my father were fighters. My father owned
• 19:14
  Speaker 1: a bar, right? My mother worked as a housekeeper. And, man,
• 19:18
  Speaker 1: it was kind of complicated. Thank God, I never missed
• 19:21
  Speaker 1: rice and beans at home. But the desire to eat
• 19:24
  Speaker 1: a cookie, go to the beach... Fuck, man.
• 19:28
  Speaker 2: You were crazy to go to the beach, man? Man,
• 19:30
  Speaker 2: I got even excited. It's fucking awesome, right? Do you
• 19:32
  Speaker 2: remember the first time you went to the beach?
• 19:36
  Speaker 1: Damn, man. Don't do this to us. You're breaking us, bro.
• 19:39
  Speaker 1: You're breaking us.
• 19:40
  Speaker 2: Very beautiful, bro. To witness your victory up close. Straight talk.
• 19:43
  Speaker 1: My mother never went to the beach, I took her now.
• 19:49
  Speaker 2: And then?
• 19:50
  Speaker 1: She broke down, bro.
• 19:52
  Speaker 2: She broke down.
• 19:53
  Speaker 1: Where did you go? She said, the water is salty.
• 19:56
  Speaker 1: She broke down.
• 19:57
  Speaker 2: Because the water was salty. It's awesome, right, brother? Sometimes
• 20:00
  Speaker 2: some crazy things, like that, for certain people who are
• 20:05
  Speaker 2: on the edge, right, bro? On the periphery and such.
• 20:07
  Speaker 2: The beach is like an hour and a half from here,
• 20:09
  Speaker 2: but it looks like it's a distance of a lifetime.
• 20:12
  Speaker 2: I took it to Ubatuba. It was a unique experience
• 20:14
  Speaker 2: for me. A unique experience.
• 20:15
  Speaker 1: A few years ago I had a much better financial condition.
• 20:18
  Speaker 1: Now things are getting better again. But I didn't give
• 20:31
  Speaker 1: these moments to my parents, you know? My parents were
• 20:35
  Speaker 1: always like, ah, we'll find a way. One day I
• 20:37
  Speaker 1: put them on the wall, I said, we'll go, we'll go, bro. Ah,
• 20:39
  Speaker 1: and the dogs, we'll take the dogs too, there's no excuse.
• 20:42
  Speaker 1: We'll go to the beach now. We'll go. It was
• 20:47
  Speaker 1: a unique experience for me. And you need to be like.
• 20:50
  Speaker 2: That, because sometimes it's more embarrassing. Sometimes you want to go,
• 20:53
  Speaker 2: but you're like, I won't bother, don't let me. Yes.
• 20:55
  Speaker 2: It's a concern.
• 20:56
  Speaker 1: It's a concern, man. And the old people, like Chucrão,
• 20:59
  Speaker 1: don't want to bother, right, man? Zero. Chucrão. I said, no,
• 21:02
  Speaker 1: we're done. We fixed it there. The dogs, we got
• 21:05
  Speaker 1: my cousin to take care of the dogs. Man, it
• 21:12
  Speaker 1: was an experience... A thousand degrees. A thousand degrees. If
• 21:15
  Speaker 1: tomorrow or after... For me, they would have eternal life.
• 21:19
  Speaker 1: If tomorrow or after God takes them, I already feel fulfilled,
• 21:21
  Speaker 1: you know? Very fucking awesome. With my first little money
• 21:25
  Speaker 1: that I received from Funk, I bought their house, right, bro?
• 21:27
  Speaker 1: I bought their house. And I see that despite so
• 21:30
  Speaker 1: many approvals that I've had in my life, who supported
• 21:40
  Speaker 1: me was the prayers of my mother, and I think
• 21:42
  Speaker 1: that's the action I did. It's biblical, right? A son
• 21:46
  Speaker 1: who honors his mother and father, his days are prolonged
• 21:49
  Speaker 1: on earth. Very cool. But let's go back a little bit,
• 21:53
  Speaker 1: home with seven brothers. How was it for you at school?
• 21:55
  Speaker 1: Did you study in the same room as your brother?
• 21:57
  Speaker 1: At the beginning, yes. Did you get ready together, break
• 21:59
  Speaker 1: the others? How was it? They said, hey, it's not
• 22:02
  Speaker 1: possible anymore. One goes here, the other goes there. You
• 22:04
  Speaker 1: had to separate. Yeah, and I also had a nephew
• 22:06
  Speaker 1: who was from the same room as me, man. My God.
• 22:08
  Speaker 2: What is that?
• 22:09
  Speaker 1: My nephew is the same age as me, man.
• 22:11
  Speaker 2: Wow, it's because he's very young. My mother is already.
• 22:13
  Speaker 1: Turning 60 years old. And my father is already 60
• 22:15
  Speaker 1: and a little, man.
• 22:16
  Speaker 2: So.
• 22:21
  Speaker 1: How did I come? You came late. How old is
• 22:24
  Speaker 1: your older brother? My older brother? Man, he's turning 30
• 22:25
  Speaker 1: or so. He must be close to 40, right? So,
• 22:29
  Speaker 1: how were you at school? I was terrible, bro. I
• 22:31
  Speaker 1: was terrible, bro. He speaks with tranquility, right? I was terrible,
• 22:34
  Speaker 1: but I also speak with regret, right, bro? Because, man...
• 22:37
  Speaker 1: That was the moment I explored knowledge... I wasn't worried
• 22:51
  Speaker 1: about the debt, about anything, you know? My only concern
• 22:54
  Speaker 1: was going to school, waking up in the morning, and
• 22:57
  Speaker 1: that's it. What level was it? Was it messy? It
• 23:02
  Speaker 1: was messy. It was a mess. It was too much, man.
• 23:05
  Speaker 1: There was a bank, and I said, this bank can't
• 23:07
  Speaker 1: be found. I'm going to be.
• 23:08
  Speaker 2: Friends with them. Without any money, right?
• 23:12
  Speaker 1: Yeah, man. Are you going to take one with the
• 23:14
  Speaker 1: first one? It's crazy, man. Then I hung out with
• 23:17
  Speaker 1: the kids, and we were even more busy at school, man. Entendi.
• 23:20
  Speaker 1: Já foi expulso de escola, mas, porra, mano, era demais, mano.
• 23:24
  Speaker 2: Já foi expulso, Bicho, de escola?
• 23:26
  Speaker 1: Não, ainda não.
• 23:27
  Speaker 2: Nem vai. Ainda não.
• 23:29
  Speaker 1: É bom estudar. Você já foi expulso?
• 23:31
  Speaker 3: Nunca também.
• 23:32
  Speaker 1: Isso aí. Estuda, rapaziada, estuda. I'm not proud of that.
• 23:36
  Speaker 1: When you were kicked out, you did a lot of shit, right?
• 23:38
  Speaker 3: Yeah.
• 23:39
  Speaker 1: You know what I did? Can I say it?
• 23:41
  Speaker 2: If you can, go ahead.
• 23:45
  Speaker 1: At the time, I was really terrible.
• 23:47
  Speaker 2: I wanted to use the bathroom.
• 23:48
  Speaker 1: And the kids were messing around. And the school bathrooms
• 23:52
  Speaker 1: were like that. Public school. Five bathrooms. Three in maintenance.
• 24:04
  Speaker 1: Without a toilet paper, right? Yeah, one with a lot
• 24:08
  Speaker 1: of toilet paper, with arms like a dog, like you said,
• 24:11
  Speaker 1: only the super arms, that kind of thing. In short,
• 24:13
  Speaker 1: with the desire to use the bathroom, the kid was rolling, man,
• 24:16
  Speaker 1: to take it off, man. You know what I did, man?
• 24:19
  Speaker 1: I said, yeah, you won't let it go, man. I
• 24:23
  Speaker 1: took a pressure on the thing, it looked like that
• 24:25
  Speaker 1: Bayacu fish, The thing was under pressure. I said, hey, look.
• 24:35
  Speaker 1: He looked. It was all in his face, bro.
• 24:39
  Speaker 2: Wow.
• 24:39
  Speaker 1: All in his face, bro. Don't laugh at this. It's
• 24:42
  Speaker 1: not cool, guys. I regret it, bro. And if he
• 24:44
  Speaker 1: sees this video here, this cut, I'm sorry, bro. Man,
• 24:47
  Speaker 1: you went to ask only today for forgiveness for him? No,
• 24:49
  Speaker 1: it's to ask. I asked forcibly. My father there, that way,
• 24:53
  Speaker 1: with his little crutch there. Go, apologize. I'm sorry for crying.
• 24:59
  Speaker 1: Imagine the principal calling your parents. My father went up
• 25:04
  Speaker 1: the stairs next to the school. My father has a
• 25:07
  Speaker 1: problem with the femur. My mother used.
• 25:11
  Speaker 2: To say this. She said, Igor, I'm going to ask
• 25:14
  Speaker 2: you one thing. When I entered the school, the fifth grade,
• 25:16
  Speaker 2: she said, just don't make your mother feel ashamed. Please,
• 25:19
  Speaker 2: it's the only thing I ask you. Study hard. you
• 25:23
  Speaker 2: don't need to be the best in the room, but
• 25:26
  Speaker 2: it's okay, I don't know what, don't make me feel ashamed, man,
• 25:29
  Speaker 2: because you're going to have two jobs, I'm going to
• 25:31
  Speaker 2: feel ashamed.
• 25:32
  Speaker 1: But you're going to get beaten up, man. At school.
• 25:34
  Speaker 1: At school.
• 25:34
  Speaker 2: And she took me to the meetings, let's go, but
• 25:36
  Speaker 2: I was by the order.
• 25:39
  Speaker 1: But then you were expelled, you went to another school?
• 25:42
  Speaker 1: I went to another school. And then you behaved, right, Lele? Yeah,
• 25:46
  Speaker 1: I behaved, man, I behaved, but then I had to
• 25:49
  Speaker 1: leave school for another reason, that I became a father, man.
• 25:53
  Speaker 1: I became a father. I became a father when I
• 25:56
  Speaker 1: was 15 or 16 years old. It was a shock.
• 25:59
  Speaker 2: It was a shock.
• 26:00
  Speaker 1: It was a blow to my life. And you had
• 26:03
  Speaker 1: to leave, if you could share the logic. I had
• 26:05
  Speaker 1: to turn 30, bro. I had to run for other
• 26:06
  Speaker 1: paths that are not cool. But those who come from
• 26:10
  Speaker 1: the community know that we will look for the easier side.
• 26:14
  Speaker 1: And I don't dive either, bro. But it was the
• 26:16
  Speaker 1: refuge I had. But God was so wonderful in my life,
• 26:24
  Speaker 1: when my daughter was six, seven months old, my songs
• 26:33
  Speaker 1: started to get agitated, they started to grow. But before
• 26:37
  Speaker 1: your first songs.
• 26:38
  Speaker 2: Were released, I want to know when was the first
• 26:39
  Speaker 2: time you released your voice in funk, went to a studio,
• 26:42
  Speaker 2: recorded a song, do you remember? The first time?
• 26:52
  Speaker 1: The first time I went to the studio, bro, I
• 26:56
  Speaker 1: won't remember the year, bro. It was at the studio
• 26:59
  Speaker 1: of DJ Gordinho, bro. DJ Gordinho. He produced that song,
• 27:04
  Speaker 1: Terel Tetel. Hey, buddy, how old are you? Terel Tetel?
• 27:08
  Speaker 3: Terel?
• 27:08
  Speaker 2: Then it's the following, bro.
• 27:11
  Speaker 1: My friends from Quebrada took me to record with this
• 27:14
  Speaker 1: DJ Gordinho. I got there, I didn't even know how
• 27:16
  Speaker 1: to sing on top of a beat, bro. Then a
• 27:18
  Speaker 1: friend of mine, who is already an MC, said to me, bro,
• 27:22
  Speaker 1: I'm going to destroy you. And the DJ, like, impatient, bro,
• 27:26
  Speaker 1: because he had other responses, right? That besides funk, funk
• 27:29
  Speaker 1: was an expectation for him, it wasn't a reality yet,
• 27:31
  Speaker 1: he had other jobs to do, right? Then the DJ
• 27:36
  Speaker 1: was impatient and said, no, bro, breathe, breathe, do this.
• 27:39
  Speaker 1: It's like that, it's like that, the name of this
• 27:42
  Speaker 1: MC is MC Galera, you know? A thousand degrees, bro.
• 27:45
  Speaker 1: Even today we have a great harmony. What a key, bro. Awesome, bro.
• 27:49
  Speaker 1: And what were the first moments? What did you sing?
• 27:51
  Speaker 1: How was the breeze? I sang a lot of shit there, bro.
• 27:53
  Speaker 1: I even feel ashamed of this song, bro. The first one. Yeah,
• 27:55
  Speaker 1: the first one. But at least I have the voice.
• 27:57
  Speaker 1: It was worth it, right? Okay, but do you remember
• 27:59
  Speaker 1: when you said, I'm Lelê.
• 28:00
  Speaker 2: JP, I'm MC. Before the songs happened, when you already
• 28:04
  Speaker 2: thought you were an MC, you thought you were an artist.
• 28:07
  Speaker 2: Do you remember?
• 28:07
  Speaker 1: Mano... That's when I started like this, bro. I started
• 28:17
  Speaker 1: with the partners in a squad, right? That we marked
• 28:20
  Speaker 1: like this to get drunk, give a drink, play a ball,
• 28:25
  Speaker 1: drink a wine. I said, man, do you want to know?
• 28:30
  Speaker 1: I'm MC Lelê JP. It was just MC Lelê. There
• 28:32
  Speaker 1: was already an MC Lelê. Now I'm JP, bro. But
• 28:34
  Speaker 1: why JP? Because I'm from Jardim Peri, bro. Ah, true. Fuck.
• 28:39
  Speaker 1: Zona Norte, Jardim Peri, Gabriel Jesus, Livinho. High or low?
• 28:43
  Speaker 2: Peri, which one?
• 28:44
  Speaker 1: Peri, low. Don't say Peri, low. Say Peri and Peri, high, right? Sorry.
• 28:50
  Speaker 2: Sorry, people from Zona Norte.
• 28:52
  Speaker 1: But you know, you know Peri, high, so you're not
• 28:55
  Speaker 1: lying anymore, right?
• 28:56
  Speaker 2: No, you got it?
• 28:57
  Speaker 1: Yeah.
• 28:57
  Speaker 2: I've been there. Quebrada do Quinhã.
• 28:59
  Speaker 3: Quinhã.
• 29:00
  Speaker 1: There are many legends out there. Yes, many. And there
• 29:02
  Speaker 1: are many more to come. Did you have a relationship.
• 29:05
  Speaker 2: With Gabriel Jesus?
• 29:07
  Speaker 1: No, but my brother, my partner, Cocó, also played with him.
• 29:10
  Speaker 1: That kid is a simplicity class. Whoever talks bad about
• 29:13
  Speaker 1: him is ridiculed. He is a thousand degrees. I studied
• 29:16
  Speaker 1: with his nephew.
• 29:26
  Speaker 2: Let me see. I think it was the Tiger. Okay,
• 29:30
  Speaker 2: I'm Lele JP and I want to know when was...
• 29:34
  Speaker 2: What was your first one? Was it Vitorioso or Tiger,
• 29:37
  Speaker 2: the black Tiger? Let me see, bro. I think it
• 29:39
  Speaker 2: was Tiger, right?
• 29:40
  Speaker 1: I think it was Vitorioso. Really? No, I don't.
• 29:44
  Speaker 3: Know.
• 29:44
  Speaker 1: Tiger. Tiger. Tiger. And go on. Tell the story of
• 29:48
  Speaker 1: that song. When I introduced the songs of... When I
• 29:50
  Speaker 1: introduced Tiger to... I always had something in my heart
• 29:54
  Speaker 1: that I was going to record with Caxeta, right? There
• 29:57
  Speaker 1: was a time, I was already part of GR6 through
• 30:00
  Speaker 1: a businessman there in Antigua, and this businessman, he had
• 30:03
  Speaker 1: a misunderstanding with the guys, then the businessman disappeared, changed
• 30:07
  Speaker 1: numbers and left me... The drift. And as the G6
• 30:14
  Speaker 1: goalkeeper knew who I was, I would go in there
• 30:17
  Speaker 1: and record music. I didn't care about that.
• 30:19
  Speaker 2: But you used to go there? I used to go there.
• 30:22
  Speaker 1: Before your sound burst? Yeah, before that sound burst. Do
• 30:25
  Speaker 1: you have some.
• 30:25
  Speaker 2: Pictures of that time, Alex? Put it on the screen
• 30:28
  Speaker 2: if you have it. It's like the Gugu's show, bro.
• 30:32
  Speaker 1: Damn, you pulled the relic, dude. Then it's like this, man. Once,
• 30:37
  Speaker 1: a friend of mine, who was working there, he's not
• 30:41
  Speaker 1: even alive anymore, Kaka, who was working there with Livinho,
• 30:46
  Speaker 1: you know?
• 30:47
  Speaker 2: God save him.
• 30:47
  Speaker 1: Who did that thing at the bar? Him, Kaka, you know?
• 30:53
  Speaker 1: He came to the guys, it's older than that, bro.
• 30:55
  Speaker 2: Put that Takuig, that Takuig is old. I looked at
• 30:58
  Speaker 2: his face and said, wow, he was new.
• 31:00
  Speaker 1: Then it's like this, I... This.
• 31:07
  Speaker 2: This is from that time, right?
• 31:08
  Speaker 1: You're a boy. Boy, it was from that time. Nescau's
• 31:12
  Speaker 1: mustache only. Nino Abravanel's mustache, man.
• 31:16
  Speaker 2: Iggy too, another carcass, man.
• 31:18
  Speaker 1: Iggy.
• 31:19
  Speaker 2: I've heard his voice. Then, the next.
• 31:23
  Speaker 1: There was a studio... I've seen some of your videos
• 31:27
  Speaker 1: with Cossiello on J6. Do you remember the studio next
• 31:30
  Speaker 1: to the pool, under a little lake?
• 31:34
  Speaker 2: Man, I remember the studio was under the stairs.
• 31:37
  Speaker 1: There's the block.
• 31:40
  Speaker 2: Behind.
• 31:40
  Speaker 1: No, up there, next to the pool. I know. Up there,
• 31:42
  Speaker 1: next to the pool. And it's like this. Kaká came
• 31:46
  Speaker 1: to DJ Lucas Porrestão and said, man, it's like this.
• 31:50
  Speaker 1: Rodrigo said you should record Lele, man. Rodrigo didn't ask
• 31:54
  Speaker 1: for anything, man.
• 31:56
  Speaker 2: He just put his throat in.
• 31:58
  Speaker 1: I went there, recorded and such. But did you already
• 32:02
  Speaker 1: have the song written? Yes, yes. Because this was the
• 32:07
  Speaker 1: time of the notebook. Then I went there and recorded
• 32:10
  Speaker 1: this song with my friends. I went there and recorded
• 32:13
  Speaker 1: this song with Lucas Poirson, man. And that's why. And
• 32:17
  Speaker 1: if I had his number, I said, I'm not going
• 32:19
  Speaker 1: to fill his bag now, I'm going to wait a
• 32:21
  Speaker 1: little longer. After a couple of days, I called him.
• 32:26
  Speaker 1: I called him. I texted him and asked if he
• 32:28
  Speaker 1: was Lelê. I said Lelê JP. I said I was
• 32:31
  Speaker 1: looking for you. I was producing a song here. Hariel
• 32:33
  Speaker 1: had an MC called MC Lelê. In the old days.
• 32:35
  Speaker 1: Hariel told me to produce the artist's song. I ended
• 32:38
  Speaker 1: up producing yours. That's great. Man, it was always a
• 32:54
  Speaker 1: thousand degrees in my life.
• 32:55
  Speaker 2: What was the name of the song?
• 32:57
  Speaker 1: Man, the name of this song is... I want the
• 33:01
  Speaker 1: green one, man. I didn't even release this song, man.
• 33:05
  Speaker 1: It's there, stopped there. I entered the composing business and
• 33:09
  Speaker 1: saw it there, because J.C. registered it there in the 2000s.
• 33:12
  Speaker 1: What a key! In short, this song was for that, man.
• 33:17
  Speaker 1: He was Caxeta's DJ and he was also a music producer.
• 33:21
  Speaker 1: We had to listen to the guides. Caxeta already knew
• 33:25
  Speaker 1: it was me, and I was in the band. He
• 33:29
  Speaker 1: was a celebrity. There was a day when the DJ said, bro,
• 33:31
  Speaker 1: come here so we can do something else. And I came.
• 33:35
  Speaker 1: And who's there? The man. Caxeta, man. Hey, Caxeta, look
• 33:47
  Speaker 1: at the guy I told you about. He said, man,
• 33:51
  Speaker 1: a thousand degrees. What's up, man? How old are you?
• 33:54
  Speaker 1: I said, man, I'm 14 years old. When I was 14,
• 33:55
  Speaker 1: I already had a tattoo on my arm. I was
• 33:56
  Speaker 1: already a madman. You were already a madman. Yeah, I
• 34:00
  Speaker 1: was already a madman, man. Then Caxeta already identified with me,
• 34:03
  Speaker 1: because I had a great idea with him. And now
• 34:05
  Speaker 1: I'm recording, he already sent me the stories. Wow. Then
• 34:10
  Speaker 1: he said to me, I said to him, hey, Caxeta.
• 34:13
  Speaker 1: Do you want to record this song with me? I
• 34:14
  Speaker 1: already paid the fine, bro. He said, bro, I won't
• 34:16
  Speaker 1: guarantee you, bro, that my life is a race, I
• 34:18
  Speaker 1: live there in Baixada, so it's a lot of compromises,
• 34:21
  Speaker 1: but record it there and then in the spa, bro.
• 34:25
  Speaker 1: After a day, he passed the voice and it was
• 34:27
  Speaker 1: for that, you know? The DJ didn't send it forward.
• 34:29
  Speaker 2: But was it already victorious?
• 34:31
  Speaker 5: No.
• 34:31
  Speaker 2: What was it?
• 34:32
  Speaker 1: It was another one, I think. Man, it's a song that...
• 34:36
  Speaker 1: 4M and Nato. This time.
• 34:39
  Speaker 2: This time there.
• 34:40
  Speaker 1: Damn, bro. This time there. But how did it go?
• 34:43
  Speaker 1: Then you called him again? It was because of that. Then,
• 34:46
  Speaker 1: in this one, the guys made a selection to send
• 34:50
  Speaker 1: the MCs that were in volume in the company away.
• 34:52
  Speaker 1: I got into this bond there, bro. I got into
• 34:56
  Speaker 1: this bond. Then, I said, bro, I'm going to give
• 35:00
  Speaker 1: up this thing, bro. And how long were you on
• 35:02
  Speaker 1: the walk? At that time, I was about 14 years old. Man,
• 35:05
  Speaker 1: 14 years old is already full of history, bro. Man,
• 35:07
  Speaker 1: I was about 14 years old. I think I was about....
• 35:12
  Speaker 2: Two years, right?
• 35:12
  Speaker 1: Yeah, about two years. In this age range, bro. Two,
• 35:16
  Speaker 1: three years to Kevin, bro. Cool. His brother works with me, currently.
• 35:22
  Speaker 1: He's the guy in green there, with.
• 35:24
  Speaker 2: The green hat. His brother, bro.
• 35:26
  Speaker 1: Look at Igui there, look at Igui there. Cool, Uncle
• 35:30
  Speaker 1: Igui is there. He's recording.
• 35:31
  Speaker 2: He's there with his little camera.
• 35:33
  Speaker 1: Here's the thing, bro. Then I changed my mind with
• 35:38
  Speaker 1: my partner, I said, man, I'm going to give up.
• 35:40
  Speaker 1: He said, man, Caxeta said that you're good, man, you're
• 35:42
  Speaker 1: going to give up, man? The guy's been in the
• 35:45
  Speaker 1: business for a few years, man, he knows what he's
• 35:46
  Speaker 1: talking about. He's not going to talk to you. No, man,
• 35:49
  Speaker 1: don't give up, man. Then, man, I said, yeah, man, cool,
• 35:52
  Speaker 1: I'm going to get over the problem. Then, my businessman,
• 35:56
  Speaker 1: who is with me until today, who is Du, he said, man,
• 36:00
  Speaker 1: now I'm going to pay attention to you, man. A
• 36:02
  Speaker 1: friend of mine posted a video of me singing, I said, man,
• 36:04
  Speaker 1: now I'm not alone, I'm already in comfort. He said, now,
• 36:08
  Speaker 1: if you're too lazy, if you want to know how
• 36:11
  Speaker 1: to smoke in the favela, with me it's not like that.
• 36:14
  Speaker 1: And was it really like that? It was. It's the following.
• 36:19
  Speaker 1: I'm going to set up a routine for you. You're
• 36:22
  Speaker 1: going to have singing lessons. You're going to have singing lessons.
• 36:26
  Speaker 1: And you're going to have to wake up every morning
• 36:31
  Speaker 1: to go to the gym. Take it. to go to
• 36:34
  Speaker 1: the gym, he put me on the net, you know,
• 36:37
  Speaker 1: he put me on the net. And what did you
• 36:39
  Speaker 1: say at the time? Let's go? No, let's go up, bro,
• 36:42
  Speaker 1: let's go up. Then, it's the following, bro, coming back
• 36:44
  Speaker 1: from the gym, inspired, with the body, when the body,
• 36:48
  Speaker 1: when you do, when you release, release what? Dopamine? Endorphin, dopamine. Yeah, inspiration, bro, summarizing,
• 36:54
  Speaker 1: these crazy things there, bro. It came out victorious, bro.
• 36:57
  Speaker 1: On the street? On the street.
• 37:00
  Speaker 2: Because how.
• 37:02
  Speaker 1: And the determination, bro. Damn, you pulled the relic. This
• 37:09
  Speaker 1: photo is wonderful. Look at Zé de Boa.
• 37:11
  Speaker 2: On the floor.
• 37:12
  Speaker 1: Chave, man.
• 37:13
  Speaker 2: But wait, how was it?
• 37:15
  Speaker 1: You were walking and saw the composition. I saw it
• 37:19
  Speaker 1: on the mic, I already recorded it on a voice recorder. Man,
• 37:24
  Speaker 1: and it wasn't just a coincidence.
• 37:25
  Speaker 2: That you started taking care of yourself.
• 37:28
  Speaker 1: I went there and I passed it clean, you know?
• 37:30
  Speaker 1: Then I threw it in the locker room and I
• 37:33
  Speaker 1: passed it clean. Then, the summary of the situation. What?
• 37:40
  Speaker 1: What I went through back there, having hit him, the
• 37:43
  Speaker 1: advice of my partner, you know? It was on purpose
• 37:45
  Speaker 1: to happen. Otherwise I wouldn't have had Vitorioso, bro. I
• 37:50
  Speaker 1: wouldn't have had Vitorioso. But when you recorded it in
• 37:55
  Speaker 1: your mind, did you feel it? Did you say, man,
• 37:57
  Speaker 1: this song can be a success, it is? Yes, man, yes.
• 38:00
  Speaker 1: Because I said, man, I'm going to trombone it again
• 38:02
  Speaker 1: and I'm going to record this song, man, again with him, man.
• 38:05
  Speaker 1: Because I already had one, right, man? Then it's the following,
• 38:09
  Speaker 1: I started making a little noise in Quebrada. A partner
• 38:12
  Speaker 1: of mine did a show from Cacheta and put me
• 38:15
  Speaker 1: to sing there in the little interval. Then he hit me, bro.
• 38:19
  Speaker 1: I was already bigger. He was crazy, bro. He said, man,
• 38:23
  Speaker 1: you stretched, bro. You're big, bro. You're big. I hadn't
• 38:27
  Speaker 1: released Victorioso yet. He said to me, what's up, bro?
• 38:31
  Speaker 1: Nilson is going up. I said, bro, I'm with the
• 38:33
  Speaker 1: songs he wanted to show you, bro. He said, get
• 38:36
  Speaker 1: my number there, bro. Cacheta is a lot of that, bro.
• 38:39
  Speaker 1: He likes to help, bro. Then I got his number.
• 38:42
  Speaker 2: And he doesn't just show it, right?
• 38:43
  Speaker 1: He helps you. I don't even like to talk about
• 38:45
  Speaker 1: these things. He just does his own thing. And it
• 38:49
  Speaker 1: was already, you know? Then it's the following, I sent
• 38:52
  Speaker 1: him two songs, Tag Preto and Vitorioso. Ah, fuck! Tag
• 38:56
  Speaker 1: Preto and Vitorioso, I said, what's up old man? Which
• 39:00
  Speaker 1: one did you like? Hey, man, I liked this one,
• 39:02
  Speaker 1: it's very current, Tag Preto. Was it already produced? No,
• 39:07
  Speaker 1: I hadn't produced it yet. Only voice and a beat? Nothing, nothing,
• 39:10
  Speaker 1: it was only written, only on paper. Then he said
• 39:14
  Speaker 1: to me, bro, I'm going to leave it up to you, bro,
• 39:17
  Speaker 1: the two are great, bro. I said, bro, this one
• 39:21
  Speaker 1: I consider your name, bro, I think it will make
• 39:23
  Speaker 1: more sense. Then it was, man.
• 39:28
  Speaker 2: Do you remember the day you recorded? Because I imagine
• 39:31
  Speaker 2: how you must have been excited and happy seeing him
• 39:34
  Speaker 2: singing your lyrics.
• 39:35
  Speaker 1: Man, at that time I was already at Sonar, right?
• 39:39
  Speaker 1: I was already at Sonar. I wasn't with him that day,
• 39:45
  Speaker 1: I didn't go to the studio with him. Ah, ok.
• 39:46
  Speaker 2: You left the voice and then he went.
• 39:49
  Speaker 1: Yeah, I recorded with DJ Pedro, I recorded with Taiga
• 39:51
  Speaker 1: and Vitorioso on the same day, bro. What a blessed day, bro.
• 39:53
  Speaker 1: You were inspired, huh? Taiga and Vitorioso. The songs were
• 39:55
  Speaker 1: already written, right? I just recorded, right? Then Pedro sent
• 39:59
  Speaker 1: it to him, he marked his day to record the
• 40:03
  Speaker 1: voice and... Man, you.
• 40:04
  Speaker 2: Used to sing on the bike and you didn't even drive, right?
• 40:07
  Speaker 1: Even today I don't even drive, bro. Not even curiosity?
• 40:11
  Speaker 5: Not at all, man.
• 40:12
  Speaker 2: And the 2Scap Tiger?
• 40:12
  Speaker 3: Is it here?
• 40:13
  Speaker 2: It doesn't exist.
• 40:15
  Speaker 1: I'll tell you, do you know who inspired me to
• 40:17
  Speaker 1: write this song?
• 40:19
  Speaker 2: MC Magal.
• 40:20
  Speaker 3: Yeah.
• 40:20
  Speaker 1: Play the 2Scap Tiger. And today it's going.
• 40:23
  Speaker 2: To be a problem.
• 40:24
  Speaker 1: It's because the boys are bad.
• 40:26
  Speaker 2: This is crazy, this song.
• 40:27
  Speaker 1: But this was a break-up initiative, to say, man, I'm
• 40:29
  Speaker 1: going to launch a Tiger because it can be good, right, man? Yeah, man.
• 40:32
  Speaker 1: To tell the truth, it was my inspiration, it was Magal, man.
• 40:36
  Speaker 1: Nothing comes out of nowhere, right? Everything has an inspiration, right?
• 40:39
  Speaker 2: I saw Magal singing this song in a medley. Like, Taêl,
• 40:43
  Speaker 2: Menã M & R, a lot of keys, man. Do
• 40:45
  Speaker 2: you have any idea?
• 40:47
  Speaker 1: I had the opportunity to meet Pico Iba with Magal
• 40:50
  Speaker 1: at his house, at the time of Barraquinho, at Reciclagem.
• 40:54
  Speaker 2: Did you go there?
• 40:55
  Speaker 1: I went there, man.
• 40:56
  Speaker 2: At his house?
• 40:56
  Speaker 1: He was already a million, he was already on the streets.
• 40:59
  Speaker 1: You were living in Osasco?
• 41:01
  Speaker 2: I was living in Osasco, at.
• 41:03
  Speaker 1: That time I was living at Sonar. Me, Tuto... Joãozinho? Caco, Joãozinho, V7,
• 41:10
  Speaker 1: everyone in the production company. But when you made these
• 41:14
  Speaker 1: two songs, how long did it take you to release them?
• 41:17
  Speaker 1: Did it hit you? How was this process? It hit me.
• 41:20
  Speaker 1: It hit you? I remember. It hit me. It took
• 41:23
  Speaker 1: me a while to do the party of my one-year-old daughter.
• 41:26
  Speaker 1: What a key.
• 41:27
  Speaker 2: What a key.
• 41:28
  Speaker 1: It was bizarre, man. And today what sums me up
• 41:30
  Speaker 1: is the word gratitude, man. Gratitude, in all the details
• 41:35
  Speaker 1: I see that God was present in my life. And
• 41:37
  Speaker 1: how was it in that first phase? The song already hit,
• 41:40
  Speaker 1: you already started to do shows, how was it? I
• 41:42
  Speaker 1: went to the section, man, I went to the section,
• 41:44
  Speaker 1: the dance was great, that day we were seeing there,
• 41:46
  Speaker 1: we did twenty-something dances a week. Jesus Christ, Mary and Joseph. Man, madness, brother, madness, man, madness.
• 41:53
  Speaker 1: There were thousands like that, there was no Fala Vermelho.
• 41:56
  Speaker 2: From one place to another and fuck it.
• 41:57
  Speaker 1: God kept it, brother. God saved it, bro. I'm 16,
• 42:01
  Speaker 1: 17 years old and I'm from that neighborhood. Full of disposition.
• 42:05
  Speaker 1: Let's go get it. Let's go get it. 20 shows
• 42:07
  Speaker 1: a week is a lot of shows. A lot, bro.
• 42:09
  Speaker 1: And you know, in the old days, any little space
• 42:12
  Speaker 1: here was the lounge. Igui was also remembering that there
• 42:15
  Speaker 1: was a lot of dancing.
• 42:16
  Speaker 3: Of.
• 42:21
  Speaker 1: At the edge of the pool.
• 42:23
  Speaker 2: Are you crazy?
• 42:24
  Speaker 1: Where Judas lost his boots.
• 42:25
  Speaker 2: The guys made the parties and hired a MC.
• 42:27
  Speaker 1: It's not possible, bro. There will be people here in
• 42:29
  Speaker 1: this place, bro. It's not possible, bro. The guys from
• 42:31
  Speaker 1: college hired and did, bro. A normal student making a party.
• 42:35
  Speaker 1: It's crazy, bro. It's crazy. Like those parties that have there...
• 42:37
  Speaker 1: That there are a lot of kids sending passes in
• 42:39
  Speaker 1: front of the pool. I've been to several of those.
• 42:43
  Speaker 1: It was a lot of dances like that, bro. You
• 42:44
  Speaker 1: remember a crazy dance you did? You said, damn. Where
• 42:47
  Speaker 1: did you do the dance? It was normal to do
• 42:52
  Speaker 1: it in the lounge, but we already did it. All
• 42:55
  Speaker 1: the dances were crazy, bro. All the dances were crazy, bro.
• 42:57
  Speaker 1: But there's nothing that impacted, that was very striking, no.
• 43:00
  Speaker 1: I just know it was crazy, bro.
• 43:03
  Speaker 2: Okay, and I want to know for you how it
• 43:05
  Speaker 2: was to record the DVD, Vitorioso. Because this song on
• 43:10
  Speaker 2: the DVD, bro, you can see that you're very excited
• 43:13
  Speaker 2: there at that moment, you know?
• 43:14
  Speaker 1: Man, it was very striking. It's... At the same time,
• 43:18
  Speaker 1: it was a lot of realization, man. I had just
• 43:21
  Speaker 1: given the house to my mother. I had just received
• 43:24
  Speaker 1: the invitation to participate in Raul Gil. And the invitation... No, Raul,
• 43:31
  Speaker 1: this one you're laughing at is current. It's current. It's current,
• 43:35
  Speaker 1: right back there. It's the DVD of Cacheta, man. And
• 43:39
  Speaker 1: going to the DVD of Cacheta, I felt a very
• 43:41
  Speaker 1: strong presence of God, bro.
• 43:44
  Speaker 2: And you know that, right?
• 43:45
  Speaker 1: Good, bro. I just cried, bro. I just cried. I
• 43:48
  Speaker 1: just wanted a hug. Then my producer said, bro, what's
• 43:52
  Speaker 1: going on? I said, bro... The thing is crazy.
• 43:55
  Speaker 2: I couldn't explain.
• 43:55
  Speaker 1: I couldn't, bro. I couldn't, you know? When you saw
• 44:00
  Speaker 1: the DVD of Cacheta, we recorded it about two or
• 44:03
  Speaker 1: three times, bro. The first time I was so excited, jumping...
• 44:07
  Speaker 1: The return fell to the ground. It was crazy. Let's
• 44:10
  Speaker 1: do it again. Damn, bro. The second time, bro, it was, bro...
• 44:15
  Speaker 1: It was a thousand degrees, bro. It was a thousand degrees.
• 44:18
  Speaker 1: I just felt in my heart, bro, the knee.
• 44:21
  Speaker 2: And I thank you.
• 44:22
  Speaker 3: What a key, man.
• 44:22
  Speaker 1: I have a tattoo on my back, bro.
• 44:24
  Speaker 3: Really?
• 44:25
  Speaker 2: This moment? Of course, man. Of course.
• 44:30
  Speaker 1: Fuck. Oh, crazy.
• 44:32
  Speaker 2: Fuck, Lele. You're all shivering, man. A lot of keys.
• 44:36
  Speaker 2: God bless you, bro. Did you show this to Caxeta?
• 44:40
  Speaker 1: Yes. And him? He was crazy. He kissed me. I
• 44:42
  Speaker 1: was sweating and he kissed me. He's a monster, right?
• 44:47
  Speaker 2: Besides inspiration, he said, come here, let's go. He believed it.
• 44:50
  Speaker 2: Not only with me, with Leozinho, but also with.
• 44:54
  Speaker 1: The guys he's bringing up now. He's crazy, man. The
• 44:56
  Speaker 1: old man... I'm glad he's still there. I'm glad he
• 45:04
  Speaker 1: passed his approval. You can see that God's purpose is
• 45:07
  Speaker 1: a thousand degrees.
• 45:08
  Speaker 2: It doesn't fail.
• 45:11
  Speaker 1: That monster team... To sum it up, if a NK
• 45:14
  Speaker 1: didn't die, it was God's deliverance. I didn't finish fulfilling
• 45:17
  Speaker 1: my mission in the world. It's true, bro.
• 45:21
  Speaker 2: Lelê is a monster. Lelê, I remember hearing Tiger Preta
• 45:25
  Speaker 2: first with Vitorioso. This song caught my attention. The tone
• 45:31
  Speaker 2: you sang, you know? Very high, man. And I think
• 45:35
  Speaker 2: this is a big difference of yours. You feel that,
• 45:39
  Speaker 2: because you were raised in a church, a mother, a pastor,
• 45:43
  Speaker 2: a missionary, and your first two songs, Tiger blew up,
• 45:49
  Speaker 2: for sure, but Vitorioso went to another place.
• 45:51
  Speaker 3: Yes.
• 45:52
  Speaker 2: You feel that it was kind of your purpose to
• 45:55
  Speaker 2: make that sound, man.
• 45:56
  Speaker 1: Yes, bro.
• 45:56
  Speaker 2: Because I imagine that when you showed your mother that sound,
• 45:58
  Speaker 2: she must have been emotional.
• 46:00
  Speaker 1: Yes, man. I see that Vitorioso was a gift from heaven, man. Because, man,
• 46:03
  Speaker 1: that's a praise, man.
• 46:04
  Speaker 2: If you pay attention, it's cool. Yes, it was a
• 46:07
  Speaker 2: gift from heaven, man.
• 46:08
  Speaker 1: Because... I have a call, right? In the praise, right?
• 46:12
  Speaker 1: Do you still feel that? I feel, brother.
• 46:15
  Speaker 3: I feel.
• 46:16
  Speaker 1: I even have a song with Thales Roberto, man.
• 46:18
  Speaker 2: That's awesome.
• 46:18
  Speaker 1: I have a song with Thales Roberto, man.
• 46:21
  Speaker 2: Awesome.
• 46:22
  Speaker 1: I did an interview with Toguro that I said that
• 46:24
  Speaker 1: my dream was to record with him. It's incredible how
• 46:32
  Speaker 1: God created a situation that made it happen. I recorded
• 46:38
  Speaker 1: with him and he was the one who did it.
• 46:40
  Speaker 1: It had nothing to do with it. How did it happen?
• 46:43
  Speaker 1: A friend of mine posted a video of him in
• 46:44
  Speaker 1: the community. I said, man, I'm a fan of this guy.
• 46:47
  Speaker 1: Do you know what my friend's answer was? I'm going
• 46:49
  Speaker 1: to make you record with him. I'm not even going
• 46:51
  Speaker 1: to make you meet him. He already sent me this answer.
• 46:54
  Speaker 1: I said, no, brother, just to meet you. I'm very
• 46:56
  Speaker 1: down on these things, you know? I'm very close to
• 47:00
  Speaker 1: the ground. I said, bro, just to meet you. A
• 47:03
  Speaker 1: thousand degrees. If it's to record too, amen. It's part
• 47:06
  Speaker 1: of my dream, right? It's an objective that I have
• 47:09
  Speaker 1: for myself. If it's God's will, it will happen. Bro, bro,
• 47:14
  Speaker 1: I met the guy. Then he said, what's up, bro?
• 47:17
  Speaker 1: What do you have there? At the time I was
• 47:19
  Speaker 1: wanting to learn to play the keyboard. I learned only
• 47:21
  Speaker 1: two notes, you know? And I wrote a little praise, bro.
• 47:24
  Speaker 2: On top of those two notes?
• 47:25
  Speaker 1: On top of those two notes. I showed it to
• 47:27
  Speaker 1: him and he liked it, bro. Then he jumped. I
• 47:30
  Speaker 1: have it recorded.
• 47:31
  Speaker 2: But you didn't release it.
• 47:33
  Speaker 1: I didn't release it. I'll only release it at the
• 47:37
  Speaker 1: right time. I take this thing very seriously. God is
• 47:39
  Speaker 1: not a joke. I think I have to position myself
• 47:43
  Speaker 1: and see what I want. Because you can't play with
• 47:47
  Speaker 1: your father. So you'll keep it. You'll come at the
• 47:48
  Speaker 1: right time. For sure. Come at the right time. But
• 47:50
  Speaker 1: I'm a kid who believes.
• 47:52
  Speaker 2: That you don't necessarily need... Stop singing funk to be
• 47:58
  Speaker 2: able to sing a louvor, you know? I see that
• 48:01
  Speaker 2: even a movement that happens, like.
• 48:02
  Speaker 1: Livinho did it, right? Did you see what he did
• 48:04
  Speaker 1: with Tom Carp?
• 48:05
  Speaker 2: Fuck, you guys are artists, bro. If you're feeling in
• 48:07
  Speaker 2: the heart to do it, do it. And if tomorrow
• 48:09
  Speaker 2: or later you make a song talking about.
• 48:12
  Speaker 1: It's because currently I'm very fucked up, right, bro? And
• 48:16
  Speaker 1: I think that for his ministry it won't be cool, no.
• 48:19
  Speaker 2: You know the best moment.
• 48:21
  Speaker 1: It's also because of your work, right? The moment of
• 48:23
  Speaker 1: your career is at that moment, right? But in a
• 48:26
  Speaker 1: few days I'll put the horse in the direction again.
• 48:30
  Speaker 1: Because I had to update myself.
• 48:33
  Speaker 2: One thing that I'm curious about, Lele, is that you're
• 48:36
  Speaker 2: in a sound that is very important and impactful for Senna,
• 48:40
  Speaker 2: which is the pride for the media. And I want
• 48:42
  Speaker 2: to know, I think everyone who recorded this sound has
• 48:45
  Speaker 2: already passed through this table. And each one has a story,
• 48:47
  Speaker 2: and very strong with this song. And I want to know,
• 48:50
  Speaker 2: what is your story for you to be in this song?
• 48:54
  Speaker 2: Because this song was a milestone.
• 48:55
  Speaker 1: Look at the purpose of the song. I had made
• 48:58
  Speaker 1: a commitment with Salvador and I forgot. And I forgot,
• 49:02
  Speaker 1: at that time I was very in ascension. So the
• 49:05
  Speaker 1: vague moments that I had, I wanted to enjoy. Do everything.
• 49:10
  Speaker 1: I wanted to show off. And at that time I
• 49:11
  Speaker 1: was very close to Rian. It was me, Rian and GP.
• 49:14
  Speaker 1: You were living. Yeah, I was that way, a boy,
• 49:18
  Speaker 1: famous in Quebrada. that way.
• 49:19
  Speaker 2: Let's enjoy everything.
• 49:20
  Speaker 1: Yeah, let's enjoy it, bro. Then it's like this, I
• 49:23
  Speaker 1: saw a video of him, at the time there was
• 49:26
  Speaker 1: the pandemic, he said, man, it was already difficult, imagine
• 49:29
  Speaker 1: now with the pandemic and such, bro, I just became
• 49:31
  Speaker 1: a father and such. I said, bro, I'm going to
• 49:33
  Speaker 1: record a song with this boy, bro. I felt like
• 49:35
  Speaker 1: recording a song with him. I made a commitment with him,
• 49:37
  Speaker 1: at the time I lived in Osasco, I forgot. I
• 49:41
  Speaker 1: went to Rihann's house and he called me and said, bro,
• 49:42
  Speaker 1: I'm going to your house. I said, damn, bro, I'm
• 49:44
  Speaker 1: here at Rihann's house. He said, send me the address
• 49:47
  Speaker 1: that I'm going by metro. I said, no, bro, take
• 49:48
  Speaker 1: the bus and come here, bro. Take the bus, no,
• 49:50
  Speaker 1: take the Uber and come here and such. He said, bro,
• 49:55
  Speaker 1: I'm going. And Rihann lived where? He lived in the
• 49:57
  Speaker 1: north zone, in the region, near the GR6. That first P, right?
• 50:00
  Speaker 2: I don't know if it was bought or not, but.
• 50:04
  Speaker 2: He lived there.
• 50:06
  Speaker 1: The first apartment he lived in, you know? We stayed there, bro.
• 50:08
  Speaker 1: The first day was just a joke, the second day too.
• 50:12
  Speaker 1: A little more. Then he said, bro, let's go to
• 50:15
  Speaker 1: the studio. Rian is where he is because of his willpower.
• 50:19
  Speaker 1: Rian has always been a unruly kid.
• 50:21
  Speaker 3: Worker.
• 50:22
  Speaker 1: Always, bro. He's where he is, straight talk, for merit,
• 50:24
  Speaker 1: you know? Nobody gets there straight. Then he said, bro,
• 50:27
  Speaker 1: he already called the boss at dawn, let's go to
• 50:30
  Speaker 1: the studio and such. Let's go to the studio. Then
• 50:35
  Speaker 1: he did his part, his Salvador, I did mine. It
• 50:36
  Speaker 1: was all in time. Yeah, bro, there's someone else missing, bro. Ah,
• 50:42
  Speaker 1: call someone else, call Cicrano. Ah, Cicrano can't pass the voice. Can't,
• 50:46
  Speaker 1: he sent it to Kev, Kev already said, bro, I'll pass. Bro, bro,
• 50:49
  Speaker 1: it was hard. It was hard. Then he said, bro,
• 50:52
  Speaker 1: I need someone from Trap. Because until then.
• 50:55
  Speaker 2: Except for Kevin, all of you, and Nogue, right?
• 50:58
  Speaker 1: Yes.
• 50:58
  Speaker 2: All of you were starting to work on.
• 51:01
  Speaker 1: It, right? Yes, yes. I was already with Taiga and Vitorioso,
• 51:04
  Speaker 1: kind of formalizing, right? Kind of formalizing. Then Rinha said
• 51:09
  Speaker 1: like this, bro, I need someone from Trap, bro. Why
• 51:12
  Speaker 1: did he say that, brother?
• 51:13
  Speaker 2: I think Trap was very high, right?
• 51:14
  Speaker 1: Because there was only Salvador, bro, from the rap movement,
• 51:16
  Speaker 1: you know? He said, bro. Another one. Nogue. I want Nogue, bro.
• 51:22
  Speaker 1: He put Nogue.
• 51:23
  Speaker 2: He gave another weight too.
• 51:24
  Speaker 1: Fuck, bro. Which channel will release? Nobody had a channel.
• 51:27
  Speaker 1: Only Salvador had one. I remember he had 5,000 or 7,000 subscribers.
• 51:30
  Speaker 1: We released it on the kid's channel, bro.
• 51:32
  Speaker 3: Crazy.
• 51:33
  Speaker 1: And that day was so bizarre that we recorded the song,
• 51:35
  Speaker 1: Rian already called the guy and said, man, come here
• 51:41
  Speaker 1: for you to record the clip, bro.
• 51:47
  Speaker 2: At the time.
• 51:48
  Speaker 1: But everything was played. You see the video clip, my
• 51:50
  Speaker 1: part is like this. I'm without a shirt.
• 51:52
  Speaker 2: In the studio, right?
• 51:53
  Speaker 1: Yeah, in the studio of DJ Boy, there at Sonar,
• 51:55
  Speaker 1: in the first studios, you know? And I'm with a
• 51:56
  Speaker 1: lot of simplicity, played. I said, let's go up, let's
• 51:59
  Speaker 1: kill this note.
• 52:00
  Speaker 3: There, bro.
• 52:00
  Speaker 1: But at the time, before recording, you weren't with the feeling, like, bro,
• 52:04
  Speaker 1: this stuff here is like this. No, bro, we just
• 52:06
  Speaker 1: did the mission, bro. Really? We just did the mission.
• 52:09
  Speaker 1: And I see, like, that it was a purpose of
• 52:13
  Speaker 1: God there with Salvador, bro. He says, bro, It was
• 52:17
  Speaker 1: God's will that God wanted to surprise Salvador in some way.
• 52:22
  Speaker 2: He said that for a certain period you left everything
• 52:24
  Speaker 2: that the song yielded to him, because he was in
• 52:27
  Speaker 2: need of more. I had no idea about these things, man.
• 52:30
  Speaker 1: It was just, let's go, let's go up. You saw Rihanna,
• 52:33
  Speaker 1: who invested in the video, did the whole thing and said, bro,
• 52:36
  Speaker 1: I don't know where we're going to release it, bro.
• 52:41
  Speaker 1: Release it on your channel, Salvador. He released it, bro.
• 52:45
  Speaker 1: And this song hit right at the beginning.
• 52:47
  Speaker 2: It really did.
• 52:48
  Speaker 1: But it was from the beginning, it didn't take long
• 52:49
  Speaker 1: for it to hit.
• 52:50
  Speaker 2: It didn't take long at all. I remember the beginning.
• 52:53
  Speaker 1: Of the pandemic. This song reminds me a lot of
• 52:54
  Speaker 1: the pandemic.
• 52:56
  Speaker 2: Salvador's channel has 332 million subscribers.
• 52:58
  Speaker 1: It's a lot. Salvador, you can make a barbecue. Are
• 53:00
  Speaker 1: you crazy? Let me see. Now on Spotify.
• 53:15
  Speaker 2: You can't know how many she has. At the time, Spotify.
• 53:16
  Speaker 1: Wasn't that popular yet.
• 53:17
  Speaker 3: 2020, right? I think so.
• 53:18
  Speaker 1: Let me check. So you were in a great connection, man.
• 53:21
  Speaker 3: It was April 10, 2020.
• 53:23
  Speaker 1: It was great, man. This song was very successful, man.
• 53:37
  Speaker 1: So that's when you were crazy. You were making a
• 53:41
  Speaker 1: lot of shows. I just wanted to be in the studio,
• 53:45
  Speaker 1: just breathing music. I was in a good vibe. I
• 53:48
  Speaker 1: didn't have tickets to pay. I was still in that
• 53:53
  Speaker 1: vibe as a kid. I was going through a transition phase. Brother,
• 53:55
  Speaker 1: and after that period, I remember that.
• 54:05
  Speaker 2: A lot of things happened. We created Podpah. One time,
• 54:07
  Speaker 2: Iggy came to the table and said, I just got
• 54:08
  Speaker 2: back from LLJP, this dude deserves it. I think you
• 54:10
  Speaker 2: must have followed that.
• 54:13
  Speaker 1: Yes.
• 54:13
  Speaker 2: How were you at that moment, bro? Were you thinking
• 54:16
  Speaker 2: about stopping?
• 54:17
  Speaker 5: I was.
• 54:17
  Speaker 2: Why did you get to that point? I was mentally exhausted,
• 54:19
  Speaker 2: you know? With myself. I was fat, I was.
• 54:33
  Speaker 1: I was like, man, this is it. It's not for
• 54:34
  Speaker 1: me anymore, you know? It was with that mentality, and
• 54:38
  Speaker 1: today I'm the pillar of my family, right? As much
• 54:41
  Speaker 1: as I'm a kid, I left home at 16 to
• 54:43
  Speaker 1: 17 years old, right, man? So, to live the dream,
• 54:45
  Speaker 1: you know? Then I said to my mom and my dad,
• 54:47
  Speaker 1: you don't need to work anymore, man. So, man, I
• 54:50
  Speaker 1: was very, very exhausted, you know? I needed a direction,
• 54:59
  Speaker 1: and Iggy came at the right time, bro.
• 55:01
  Speaker 2: How was your approach to him? Where were you? Did
• 55:03
  Speaker 2: he call you? Did he go to you? How was that?
• 55:07
  Speaker 1: Let me remember, bro. Iggy, bro, Iggy was 100,000 degrees, bro.
• 55:12
  Speaker 1: He changed numbers, and out of nowhere he called me.
• 55:15
  Speaker 1: What's up, bro? Out of nowhere? Out of nowhere, bro.
• 55:17
  Speaker 1: Out of nowhere. There was a day when he called
• 55:19
  Speaker 1: me and I was with my Sarapatel.
• 55:21
  Speaker 3: Yes.
• 55:24
  Speaker 1: I started to cry, I was depressed, I was neurotic. Hey, bro,
• 55:26
  Speaker 1: are you okay? I'm not okay, bro. I'm not okay, bro. Hey, bro,
• 55:29
  Speaker 1: hang up, bro. Let's hang up, bro.
• 55:32
  Speaker 2: Let's hang up, bro.
• 55:33
  Speaker 1: Then we went to his mother's house. Then we asked
• 55:36
  Speaker 1: who told us, did they tell us? It was the
• 55:38
  Speaker 1: first song that we played. Ah, you already did a
• 55:41
  Speaker 1: song that day. Yeah.
• 55:41
  Speaker 2: He already called me to hang up and we asked
• 55:43
  Speaker 2: who told us, did.
• 55:44
  Speaker 1: They tell us, bro. Then I went there and... I
• 55:50
  Speaker 1: did my thing, my creativity, and I said, man, it's awesome, man.
• 55:55
  Speaker 1: His intention was just to give me some strength, you know?
• 55:57
  Speaker 1: For me, man. God touched my heart. Then he said, man,
• 56:02
  Speaker 1: and Du, right? Because he's close to my boss. He
• 56:05
  Speaker 1: was always close, like this. He said, man, and Du,
• 56:08
  Speaker 1: and such, man? Are you okay, and such? I said,
• 56:11
  Speaker 1: I'm fine, man. Let's go there with him, man, to
• 56:14
  Speaker 1: do something there, take care of the management of this career. Man,
• 56:17
  Speaker 1: he already gave me another up, man. When was that, man?
• 56:21
  Speaker 1: It's going to be about two years. Two years already, Igor?
• 56:27
  Speaker 1: Two years. So it's only been a year, man. It's
• 56:29
  Speaker 1: at the beginning of the year. And how long did
• 56:31
  Speaker 1: you stay in that period where you were eating Sarapatel?
• 56:35
  Speaker 1: In the neurosis? In the neurosis. Fuck, man. I think
• 56:38
  Speaker 1: I stayed about two, three years, man. Fuck, bro. Two,
• 56:44
  Speaker 1: three years playing with my mind, bro. with my mind,
• 56:48
  Speaker 1: the songs were not hitting, but you know a thousand
• 56:50
  Speaker 1: degree thing in me that I see that God is
• 56:52
  Speaker 1: a thousand degrees, I never stopped going to the studio bro,
• 56:56
  Speaker 1: I never stopped going to the studio, you know, I've
• 57:00
  Speaker 1: always been in the studio bro, you know, and depending
• 57:03
  Speaker 1: on the moment bro, I said bro, I have to
• 57:06
  Speaker 1: be When Mano Brown talked about Tupac, I said that
• 57:13
  Speaker 1: if a worker has the commitment to be there at
• 57:16
  Speaker 1: the right time, I also have to take this thing seriously.
• 57:19
  Speaker 1: Sometimes I used to go to the studio, at that
• 57:22
  Speaker 1: time who hugged me was Love Funk, I'm very grateful
• 57:25
  Speaker 1: to them too. It was a moment that I had
• 57:26
  Speaker 1: to be there, to protect myself, put my head in place.
• 57:34
  Speaker 1: Even if it wasn't cool, I wasn't in a good mood,
• 57:39
  Speaker 1: but it was in execution. It was going on. I
• 57:44
  Speaker 1: participated in the German SESH Dues. We made some songs
• 57:47
  Speaker 1: that made a noise, which was another favela. But it
• 57:50
  Speaker 1: wasn't in this consistency that it is now. In a month,
• 57:52
  Speaker 1: two months, you hit a song of 50, 70, 80 million.
• 57:54
  Speaker 1: What do you think was decisive for you to go
• 57:56
  Speaker 1: back to.
• 58:03
  Speaker 2: Why did you never stop being good? I think, bro, the.
• 58:05
  Speaker 1: Trust with Iggy goes away. You were calm. It was cool, bro.
• 58:10
  Speaker 2: It was cool, bro.
• 58:11
  Speaker 1: It was cool, bro. It's cool, bro. It's cool, bro.
• 58:14
  Speaker 5: Trust me.
• 58:19
  Speaker 1: Go up, man. Did you lose your confidence in yourself?
• 58:21
  Speaker 1: I did, man. I was very disbelieved, brother. Let me
• 58:23
  Speaker 1: show you the picture of the fat man. You were played.
• 58:25
  Speaker 1: I was, brother. I was played, man. Just eating Sarapatel.
• 58:28
  Speaker 1: Just eating Sarapatel, neurotic, full of lineage, of crazy. My God, man.
• 58:37
  Speaker 1: You were upset.
• 58:38
  Speaker 2: Full of crazy lines.
• 58:38
  Speaker 3: I was upset.
• 58:39
  Speaker 1: Do you remember this phase of yours? I also had mine.
• 58:42
  Speaker 3: What?
• 58:42
  Speaker 5: Upset.
• 58:42
  Speaker 2: Everyone has it. You came the whole week with this t-shirt.
• 58:46
  Speaker 1: I was like, fuck. I was like that, bro.
• 58:48
  Speaker 2: Iggy called me to go to some restaurants in the.
• 58:50
  Speaker 1: South Zone of Boisão and I was from Havaianas. T-shirt, bro.
• 59:01
  Speaker 2: But I had the kits.
• 59:02
  Speaker 1: I had the kits, but I wasn't even there for anything.
• 59:05
  Speaker 5: That's crazy, right, man?
• 59:06
  Speaker 1: Having the kits and saying, man, fuck it. I was
• 59:00
  Speaker 1: very fat brother I got fat I got fat I
• 59:04
  Speaker 1: got fat.
• 59:26
  Speaker 2: Give it up for MC Iggy!
• 59:27
  Speaker 1: He's in shape, man! Iggy is there, do you have Iggy?
• 59:37
  Speaker 2: Sit down, sit down, man. Right? Leave him there.
• 59:44
  Speaker 3: Stay there.
• 59:47
  Speaker 2: Are you comfortable? Only in the entrepreneurship? The guy has
• 59:50
  Speaker 2: some properties, I only see him on DM. If you
• 59:52
  Speaker 2: want to buy, read, drink... It's like your belly, man.
• 59:56
  Speaker 2: But without the belly.
• 59:57
  Speaker 1: Only yours.
• 59:58
  Speaker 2: Only yours.
• 59:59
  Speaker 1: There, look.
• 1:00:02
  Speaker 2: The guy thought it was fast.
• 1:00:03
  Speaker 1: Oh, man, Lelê.
• 1:00:05
  Speaker 2: Oh, man, Lelê.
• 1:00:05
  Speaker 6: Okay, bro.
• 1:00:05
  Speaker 2: Can you show this one?
• 1:00:08
  Speaker 1: You can show it. You're talking about overcoming, bro. Play here, Vitica.
• 1:00:12
  Speaker 1: You didn't even post that video there, right?
• 1:00:14
  Speaker 3: No, no.
• 1:00:14
  Speaker 1: In front of his face.
• 1:00:15
  Speaker 2: He's going to make a little figure, bro.
• 1:00:18
  Speaker 1: Look there, look. Annoyed. Tired, all the way down. All
• 1:00:26
  Speaker 1: the way down, bro.
• 1:00:27
  Speaker 2: It's hard, right?
• 1:00:28
  Speaker 1: Yeah, but come on, bro. There, look. No, not there,
• 1:00:32
  Speaker 1: you're crazy. At least I was taking a couple of breaks, right? Here, then,
• 1:00:36
  Speaker 1: Iggy kind of rescued you from the bottom. He said, hey, boring,
• 1:00:39
  Speaker 1: wake up for life, boring.
• 1:00:41
  Speaker 3: Let's go up.
• 1:00:41
  Speaker 2: He told you to go to the gym too, like
• 1:00:42
  Speaker 2: the other one?
• 1:00:43
  Speaker 1: To tell you the truth, yes. I'll take advantage of
• 1:00:46
  Speaker 1: the fact that Iggy is here.
• 1:00:47
  Speaker 3: But why did you stay?
• 1:00:48
  Speaker 2: He said that you exchanged numbers and gave a greeting.
• 1:00:51
  Speaker 1: Why did you do that, man? Did you know that
• 1:00:52
  Speaker 1: he had a future? How was that vision of yours?
• 1:00:55
  Speaker 1: He's a partner, this kid is cool. Regardless of the.
• 1:00:57
  Speaker 3: Music, he's cool. You can ask the guys who are
• 1:01:00
  Speaker 3: all on his side. He's a cool kid. And I
• 1:01:01
  Speaker 3: have something with him that I told him. Twice in
• 1:01:03
  Speaker 3: my career, he crashed in different moments. It was at
• 1:01:13
  Speaker 3: the beginning, it was three times actually, the point. Kev
• 1:01:16
  Speaker 3: was crazy, he was very close to Kev and Kev
• 1:01:19
  Speaker 3: was a big friend of his employer, who is now
• 1:01:21
  Speaker 3: my partner. Then there was a day when we were
• 1:01:24
  Speaker 3: hanging out and he said, this guy here, Kev, he
• 1:01:26
  Speaker 3: had a lot of freedom with Kev. He said, I'm
• 1:01:28
  Speaker 3: going to get him here, you're going to give me
• 1:01:30
  Speaker 3: some strength, man. He showed his video singing a song
• 1:01:33
  Speaker 3: on a black motorcycle, I don't even remember what song
• 1:01:35
  Speaker 3: it is. But it's in my head.
• 1:01:39
  Speaker 1: The determination with the V7. Damn! This song blew up.
• 1:01:43
  Speaker 3: At least in Quebraça. Even this video went viral at
• 1:01:45
  Speaker 3: the time. I think it was on Facebook.
• 1:01:47
  Speaker 1: It was also the time that WhatsApp had just created
• 1:01:50
  Speaker 1: the status of WhatsApp.
• 1:01:51
  Speaker 2: So it went viral a lot like that.
• 1:01:53
  Speaker 1: A lot, a lot.
• 1:01:53
  Speaker 2: You were at the beginning.
• 1:01:55
  Speaker 3: I already sang, I already had some songs. But it
• 1:02:01
  Speaker 3: was different, right? Kev was already famous, Pedrinho, the guys
• 1:02:04
  Speaker 3: were already very famous. So it was a different level, right?
• 1:02:08
  Speaker 3: To summarize the idea, he showed his sound, you know?
• 1:02:11
  Speaker 3: I already had a few songs, I already had Domingueira,
• 1:02:14
  Speaker 3: I already had others, but I hadn't connected much to
• 1:02:17
  Speaker 3: my face, you know? Like 3G turned on, that I
• 1:02:19
  Speaker 3: see that it was connected. Anyway, he showed, we said, damn,
• 1:02:23
  Speaker 3: it's a thousand degrees. Then after a while he broke
• 1:02:28
  Speaker 3: this song, we met him personally, you know? And that's
• 1:02:30
  Speaker 3: how it was. Then I go to the pandemic part,
• 1:02:36
  Speaker 3: You know, in the middle of the pandemic, almost two
• 1:02:40
  Speaker 3: years of pandemic, I was almost a year and a
• 1:02:43
  Speaker 3: little without hitting a sound. Then he had a song
• 1:02:45
  Speaker 3: there that we made at the beginning of the pandemic,
• 1:02:47
  Speaker 3: it was at the beginning of the pandemic, this tape,
• 1:02:50
  Speaker 3: that we were going to release, we made the song
• 1:02:53
  Speaker 3: of Jim, I'm going to stop taking Jim 2, it
• 1:02:55
  Speaker 3: was his lyrics, right? And I have two lyrics only
• 1:02:58
  Speaker 3: in my career that I... He re-recorded it, it wasn't his.
• 1:03:01
  Speaker 3: I interpreted it. These three, this one, one from Davi,
• 1:03:05
  Speaker 3: and one that I recorded with Safadão. It's a guy
• 1:03:07
  Speaker 3: who composes some songs for PH, you know? Something like that.
• 1:03:10
  Speaker 3: What's Davi's song that you recorded?
• 1:03:11
  Speaker 2: I arrived and didn't mess with anyone.
• 1:03:13
  Speaker 3: I'm with my partners. This song is from Davi, man. Fuck,
• 1:03:15
  Speaker 3: I had no idea. But okay, you're a great composer.
• 1:03:18
  Speaker 3: But I had a hard time with that, right?
• 1:03:20
  Speaker 2: A guy who really composes, like Pique, there are some....
• 1:03:28
  Speaker 3: Nowadays it's even more free, there are people who write,
• 1:03:31
  Speaker 3: buy lyrics. I don't buy lyrics, it's something that stays
• 1:03:34
  Speaker 3: in my head.
• 1:03:34
  Speaker 1: It's what happened, right?
• 1:03:35
  Speaker 2: You liked it a lot.
• 1:03:36
  Speaker 3: I liked it too. I wanted it or not, I said, damn,
• 1:03:39
  Speaker 3: it's the lyrics of another person. I said, but that's it.
• 1:03:41
  Speaker 3: Then Nas sang the thing, it was a song that
• 1:03:43
  Speaker 3: was very famous, right? Then he came with K2. I'm
• 1:03:46
  Speaker 3: going to stop drinking.
• 1:03:47
  Speaker 1: Gin, I don't think so, seven days... It.
• 1:03:50
  Speaker 3: Was heavy, you can stop. Then he sang, I said, damn,
• 1:03:52
  Speaker 3: you can stop, let's record. Then Nas recorded it. Then
• 1:03:58
  Speaker 3: the pandemic, boom, the thing went down. But I was
• 1:04:01
  Speaker 3: already kind of needing to burst a sound there, because
• 1:04:04
  Speaker 3: it's career, we're talking about career here, right?
• 1:04:05
  Speaker 1: Yes, you have to feed, right?
• 1:04:07
  Speaker 3: Then, okay, then, like, I got into the pandemic, I
• 1:04:08
  Speaker 3: remember that I had bought a Porsche at the beginning
• 1:04:10
  Speaker 3: of the pandemic, I bought a Cayenne, pa. I said, ah,
• 1:04:13
  Speaker 3: I'll go, pa, in the first rallies of the pandemic,
• 1:04:15
  Speaker 3: it was, it was beautiful and such. Then I would
• 1:04:18
  Speaker 3: talk to Gugu, Gugu would say like this, bro, you're
• 1:04:20
  Speaker 3: traveling with this car there, with this Porsche there in
• 1:04:22
  Speaker 3: the pandemic, pa. Then I said, man, no, you're crazy,
• 1:04:26
  Speaker 3: the thing was financed, it was crazy, but it was...
• 1:04:29
  Speaker 3: I finished paying for the pandemic, in short, the ports fell,
• 1:04:32
  Speaker 3: the songs, the stuff, there was no show, there was nothing. Then, man,
• 1:04:36
  Speaker 3: there was this song with him that saved my songs
• 1:04:39
  Speaker 3: a little bit in digital, then later we recorded the
• 1:04:43
  Speaker 3: set of the W in the middle of the pandemic.
• 1:04:45
  Speaker 2: What happened?
• 1:04:46
  Speaker 3: I came with the marginal, then his part was already
• 1:04:49
  Speaker 3: in the sequence, just a little bit of fire, no pep,
• 1:04:52
  Speaker 3: no record. Then it was already, I did several dances
• 1:04:55
  Speaker 3: in the pandemic. Then he helped me, I was like,
• 1:04:57
  Speaker 3: let's go, and then he disappeared, I never rang him again.
• 1:05:00
  Speaker 2: But that stayed in your head, right?
• 1:05:01
  Speaker 3: Ah, I have this thing in my head, right? I say, man,
• 1:05:04
  Speaker 3: I say that to him personally. I say, sometimes, if
• 1:05:06
  Speaker 3: I hadn't recorded those sounds, I don't even know if
• 1:05:09
  Speaker 3: I would be here today. Yeah, because it's a career, right?
• 1:05:13
  Speaker 3: One song leads to another.
• 1:05:15
  Speaker 2: And so on. As Lelê also said, in the meantime, Iggy,
• 1:05:18
  Speaker 2: after Domingueira, after you had already blown some, in this
• 1:05:22
  Speaker 2: moment that you go through this difficulty in the pandemic,
• 1:05:24
  Speaker 2: did you also think about stopping?
• 1:05:26
  Speaker 3: Because Lelê thought twice, right, brother? Ah, there was no choice, bro.
• 1:05:30
  Speaker 3: I was here for my son to be born.
• 1:05:33
  Speaker 2: The boy is very pretty, man.
• 1:05:34
  Speaker 3: Congratulations. Today he understands that he also had no choice. Yeah, right. Yeah,
• 1:05:40
  Speaker 3: that's true. Now he can understand. He doesn't have the
• 1:05:43
  Speaker 3: option to say, ah, I'm going to stop, I'm going to,
• 1:05:45
  Speaker 3: you know?
• 1:05:45
  Speaker 1: But, Lele, at that moment when he said, bro, I
• 1:05:47
  Speaker 1: want to take care of the management, how was it
• 1:05:50
  Speaker 1: for you? Did you accept it on time? Let's start, then.
• 1:05:53
  Speaker 1: It was a light at the end of the tunnel, bro.
• 1:05:54
  Speaker 1: I said, man, this bridge here, will there be water?
• 1:05:57
  Speaker 1: It's out.
• 1:05:58
  Speaker 5: It exploded.
• 1:05:58
  Speaker 1: Yeah, bro. Then, for me, it was, bro, I was
• 1:06:01
  Speaker 1: very anxious, bro. At that time, as a businessman, I
• 1:06:03
  Speaker 1: was also running with other things, because he messes with
• 1:06:05
  Speaker 1: football too, right, bro? It was a rush, I was anxious,
• 1:06:09
  Speaker 1: I pressed here, I said, bro, let's go, let's go,
• 1:06:11
  Speaker 1: let's go. Because Negão, he has intensity, right? How was
• 1:06:14
  Speaker 1: the beginning of the work with them? How were the musicians?
• 1:06:17
  Speaker 1: How was it? Man, it was.
• 1:06:19
  Speaker 3: You know what, he already got it right, that's what
• 1:06:21
  Speaker 3: I'm saying, he has the light, right? Who has the
• 1:06:23
  Speaker 3: shine himself is comfortable, who has the shine himself shines.
• 1:06:26
  Speaker 1: Go, you know?
• 1:06:26
  Speaker 3: It's to shine, man.
• 1:06:27
  Speaker 2: The confidence was that way, right, bro?
• 1:06:29
  Speaker 1: The confidence was already there, right?
• 1:06:30
  Speaker 3: Because the first songs we recorded, it was the one
• 1:06:32
  Speaker 3: who told, told. Then you recorded Saca da Twin with Tuto.
• 1:06:40
  Speaker 3: Then you recorded Chapa do Chatão. Do you want to
• 1:06:45
  Speaker 3: see which one you recorded? Do you want to see, bro?
• 1:06:50
  Speaker 3: Good one too. I think, anyway, in my head it
• 1:06:52
  Speaker 3: was these first songs. Chapa do Chatão, Datuinha. Then we
• 1:06:56
  Speaker 3: recorded Novinha Mídia in a time when there was little
• 1:06:58
  Speaker 3: solo music. The MCs, Storato too. There's Nego Misha, right?
• 1:07:01
  Speaker 3: It's the PRT, it's him and the PRT. This song, like,
• 1:07:04
  Speaker 3: in a month.
• 1:07:04
  Speaker 7: In a month he got 15 million and we were
• 1:07:06
  Speaker 7: already making his album.
• 1:07:07
  Speaker 3: Then after his album, like, Piqui, the thing, you know?
• 1:07:10
  Speaker 3: His album, out of nowhere, he got his. And it's
• 1:07:21
  Speaker 3: there the way it is.
• 1:07:22
  Speaker 2: This one about him, you snorted, because no one had
• 1:07:24
  Speaker 2: talked about him yet, right? About this thing there. I
• 1:07:27
  Speaker 2: saw that it's the thing of the moment.
• 1:07:29
  Speaker 1: Geralt has him.
• 1:07:30
  Speaker 2: Asmina, everyone has him.
• 1:07:31
  Speaker 1: It's a profile that Asmina likes to post some more stuff.
• 1:07:33
  Speaker 1: Just for followers. Yeah, just for followers. Do you have him, Mítico? No,
• 1:07:37
  Speaker 1: I don't have him.
• 1:07:38
  Speaker 2: Do you have him?
• 1:07:39
  Speaker 3: Do you have him?
• 1:07:40
  Speaker 2: No, but.
• 1:07:40
  Speaker 1: Are you inserted in someone's daily?
• 1:07:42
  Speaker 3: No, no.
• 1:07:51
  Speaker 2: And if not, it was kind of... No, no, no,
• 1:07:53
  Speaker 2: at the moment, no, I'm not, no, without him.
• 1:07:55
  Speaker 3: Are you pure? You're not going to take any today?
• 1:07:58
  Speaker 3: Are you good?
• 1:07:59
  Speaker 2: I'm good, thank God, God is with me. And you,
• 1:08:01
  Speaker 2: aren't you caught that you can't go today?
• 1:08:07
  Speaker 3: You're not going to take anything?
• 1:08:09
  Speaker 2: The throat is closed, man.
• 1:08:10
  Speaker 1: He has to have his cut, charred here, right? But
• 1:08:14
  Speaker 1: that's really cool, bro. You spent three years there in Sarapatel.
• 1:08:17
  Speaker 1: Just eating Sarapatel with farofa and pepper. And when you
• 1:08:21
  Speaker 1: came back, you came back really cool. And everyone in
• 1:08:24
  Speaker 1: the scene was like, look at Lele, bro. Look at Lele.
• 1:08:25
  Speaker 1: He's coming back. He's strong, right? Man, it's cool for
• 1:08:28
  Speaker 1: him to talk too.
• 1:08:29
  Speaker 3: And obviously let him talk. About the Lele JP effect.
• 1:08:32
  Speaker 3: That's what I say to him. Because his stuff was
• 1:08:34
  Speaker 3: so good. Not only for him, but for his partners, for...
• 1:08:42
  Speaker 3: For the guys in the scene, I think he'll be
• 1:08:44
  Speaker 3: able to say more. Like he recorded a song, he
• 1:08:46
  Speaker 3: put a song that made a lot of noise, with
• 1:08:48
  Speaker 3: the MCs, with all due respect, PQH, the general audience,
• 1:08:53
  Speaker 3: was not giving anything, you know? It was not giving attention, right?
• 1:08:56
  Speaker 1: No, no.
• 1:08:56
  Speaker 3: It brought a relevance, let's say, I see the GH
• 1:08:58
  Speaker 3: post there with.
• 1:09:04
  Speaker 3: With his father there, I say, damn, what a breeze,
• 1:09:07
  Speaker 3: it was already a moment, you know? Like, the joy
• 1:09:09
  Speaker 3: wasn't just.
• 1:09:10
  Speaker 1: It was a transbordant blessing, right, bro?
• 1:09:11
  Speaker 2: But that makes a difference.
• 1:09:13
  Speaker 1: It was a transbordant blessing, also with Machatão, too. That's
• 1:09:15
  Speaker 1: what I was going to say, why Machatão? Tell us.
• 1:09:17
  Speaker 3: Bro.
• 1:09:17
  Speaker 1: You're the one with the gírias. In Quebrada, bro, it
• 1:09:19
  Speaker 1: was very, ah, let's go too much, you're boring, right?
• 1:09:22
  Speaker 1: Which is the best Desabrava Anel, right, bro? Which is the...
• 1:09:25
  Speaker 1: You're there from Quebrada, right? He's an influence, boy. Let's
• 1:09:29
  Speaker 1: go too much, you're boring, let's go too much, you're boring.
• 1:09:31
  Speaker 1: Then Trombeiro Negão... You're too good, you're boring. Then the
• 1:09:35
  Speaker 1: nigga went and said, bro, you're boring. He caught me
• 1:09:40
  Speaker 1: being boring. Let's go up then. I hugged this cause
• 1:09:43
  Speaker 1: and said, bro, now I'm going to be marreting this thing. Man,
• 1:09:46
  Speaker 1: Igor is a genius, bro. He knows how to do the.
• 1:09:49
  Speaker 2: He's a genius. All of his records.
• 1:09:51
  Speaker 3: Yeah, he's a genius. He's always talking, he's always living,
• 1:09:54
  Speaker 3: you know? Man, he's crazy.
• 1:09:56
  Speaker 1: About these things, you know? He's like, man, you're the
• 1:09:58
  Speaker 1: boring one now. It's good to hug this house.
• 1:10:01
  Speaker 3: He's the funniest, he can't do these things. It's like
• 1:10:04
  Speaker 3: I said to Gê, he even has a video here
• 1:10:06
  Speaker 3: that he showed with half a million likes. I always
• 1:10:08
  Speaker 3: tell them both, I was eating a caia and they said, man,
• 1:10:11
  Speaker 3: if you get to post it, the public will know more.
• 1:10:14
  Speaker 3: Today is a very important day, because that people are... listening,
• 1:10:17
  Speaker 3: watching his story, you know? They post little, that's why
• 1:10:20
  Speaker 3: I say that you are really killing it, because you
• 1:10:23
  Speaker 3: don't use the internet tools as you have the potential
• 1:10:27
  Speaker 3: to use, you use less. And even so, it works, right?
• 1:10:29
  Speaker 3: It works a lot, actually. It's entertaining, you know? And
• 1:10:32
  Speaker 3: the chatão, for you to translate.
• 1:10:33
  Speaker 1: More, for those who don't know, what does the chatão mean? Man, chatão,
• 1:10:35
  Speaker 1: I think, what it symbolizes today, chatão is like, man.
• 1:10:46
  Speaker 1: Chatão na picadinha roncando roncador roncaria daquele jeito a escolinha
• 1:10:54
  Speaker 1: do Tio Higg aquelas crocâncias né aí é o seguinte
• 1:10:57
  Speaker 1: também é chatão vende também no Pará de Xucresa né
• 1:11:02
  Speaker 1: poucas ideias mano comédia é comédia e poucas ideias entendeu
• 1:11:06
  Speaker 1: não leva no que é mano.
• 1:11:08
  Speaker 2: Mano essa a toma Poc Poc me postou no I
• 1:11:12
  Speaker 2: think both of you released together, right? There's no time difference.
• 1:11:16
  Speaker 2: It's been two months, bro. We released the album, and
• 1:11:21
  Speaker 2: this week.
• 1:11:22
  Speaker 1: It's cool, let's breathe now. We released the album, let's breathe.
• 1:11:27
  Speaker 1: Iggy did a camp in Maresias, you know? This house
• 1:11:31
  Speaker 1: is blessed, bro. Is it the same?
• 1:11:32
  Speaker 3: GP Floyd said this, bro.
• 1:11:37
  Speaker 1: I'm with the song here, bro. It's a hit, bro.
• 1:11:39
  Speaker 1: And GP has said that to me several times. And
• 1:11:42
  Speaker 1: I already stopped passing the voice. Like, ah, I'm tired, bro.
• 1:11:44
  Speaker 1: I'm not going to pass it. I said, bro, I'm
• 1:11:46
  Speaker 1: going to pass it, bro. That's it. I didn't even
• 1:11:49
  Speaker 1: break my idea, bro. And in this one, I'm in
• 1:11:51
  Speaker 1: tune here with my filmmaker.
• 1:11:53
  Speaker 5: What?
• 1:11:53
  Speaker 1: He made a song. It's going to record the clip.
• 1:11:56
  Speaker 1: It leaks. It leaks, bro.
• 1:11:58
  Speaker 2: Ah, it leaks the song.
• 1:11:59
  Speaker 1: It leaks at the time. The thing already plays there.
• 1:12:01
  Speaker 1: Because if it's good, it's good. Yeah, if it's good, it's.
• 1:12:03
  Speaker 5: Good, bro.
• 1:12:03
  Speaker 1: I said to him, go, leak this tape there, bro.
• 1:12:05
  Speaker 1: It leaked. Then he said to me, brother, here are
• 1:12:10
  Speaker 1: 800 videos. 1,000 videos. So many videos. Then I called
• 1:12:16
  Speaker 1: the GPS and said, wait, let's release this song. No, brother,
• 1:12:18
  Speaker 1: calm down, calm down, calm down. Let's go, brother, let's
• 1:12:22
  Speaker 1: release this song.
• 1:12:23
  Speaker 2: Calm down, life.
• 1:12:23
  Speaker 1: You have no idea, I was there, one time I
• 1:12:25
  Speaker 1: heard it and I said, no, bro, I didn't break
• 1:12:27
  Speaker 1: this song. Which one was it? His?
• 1:12:29
  Speaker 3: His. His.
• 1:12:29
  Speaker 1: I said, I didn't break this tape, no, I'm going
• 1:12:31
  Speaker 1: to see if I can change these ideas, bro. But
• 1:12:35
  Speaker 1: you were.
• 1:12:36
  Speaker 2: In a very good moment, because the melody that you
• 1:12:39
  Speaker 2: sang of... It's inspired to send something like that.
• 1:12:42
  Speaker 1: Creativity was already.
• 1:12:43
  Speaker 2: More confident, I had just released the album.
• 1:12:45
  Speaker 1: And this thing, you talked about Gira, but also about
• 1:12:48
  Speaker 1: using the things that are very current, right, man? His,
• 1:12:50
  Speaker 1: the girls, everything is pumping with this thing of his. Yeah,
• 1:12:53
  Speaker 1: today everything is his, man. I said, I already brought
• 1:13:02
  Speaker 1: this thing there, I said, I'm going to talk about
• 1:13:05
  Speaker 1: this thing there, it's on air. And no one had
• 1:13:08
  Speaker 1: spoken yet.
• 1:13:09
  Speaker 2: Ah, Koski came here and said he had a fight
• 1:13:11
  Speaker 2: with him.
• 1:13:12
  Speaker 1: Why?
• 1:13:12
  Speaker 2: Because he keeps saying that.
• 1:13:13
  Speaker 1: His mother's name is Vilma, right? Oh, bro, but Vilma
• 1:13:16
  Speaker 1: is a broken one, bro. I'll leave even a affectionate
• 1:13:19
  Speaker 1: hug to your mother, a kiss on her heart. It's
• 1:13:22
  Speaker 1: a trick or something, bro.
• 1:13:28
  Speaker 2: Do you know R.J., who does live? He's with a
• 1:13:30
  Speaker 2: boy now, Loirinho. His name is Cosque. This boy is
• 1:13:33
  Speaker 2: very funny.
• 1:13:33
  Speaker 1: Yeah, he's funny, man. He's like a wild animal.
• 1:13:35
  Speaker 2: Yeah, he's funny.
• 1:13:36
  Speaker 1: Like a wild animal. Yeah, you can see it. I
• 1:13:38
  Speaker 1: don't want to fight with you, man. Ah, I've seen it.
• 1:13:40
  Speaker 1: I don't want to fight with you, man.
• 1:13:43
  Speaker 3: You saw my name in a big way, man.
• 1:13:45
  Speaker 1: For those people from Panta, Zona Leste, you know? Nothing
• 1:13:52
  Speaker 1: with you, boss. Leave your aunt in her corner. Nothing
• 1:13:56
  Speaker 1: with you, bro. You're from the north, but you quote
• 1:13:59
  Speaker 1: a lot.
• 1:13:59
  Speaker 2: Do you go to a lot of places? Nothing. I'm
• 1:14:01
  Speaker 2: your type of guy, bro. If I'm in a moment
• 1:14:04
  Speaker 2: of creativity.
• 1:14:05
  Speaker 1: You say... If it's good, I'll absorb it. I'm in
• 1:14:19
  Speaker 1: a creative phase, I'm not able to unwind a lot
• 1:14:21
  Speaker 1: in writing. Nowadays my stuff is more on the free,
• 1:14:24
  Speaker 1: you know? My concern is the flow, bro. I can
• 1:14:25
  Speaker 1: say anything, but if the flow is good, the stuff
• 1:14:28
  Speaker 1: will go, bro.
• 1:14:38
  Speaker 2: Are you preparing new tracks?
• 1:14:40
  Speaker 1: A new album or not yet?
• 1:14:42
  Speaker 2: Yes, yes, man.
• 1:14:42
  Speaker 1: There's no way, right? Tio Iggy's little school is the activity.
• 1:14:46
  Speaker 1: It's an antidote, right? We're going to release an album now,
• 1:14:50
  Speaker 1: at the beginning of April, right? Man, already? O Poderoso Chatão.
• 1:14:56
  Speaker 2: Very good, man.
• 1:14:57
  Speaker 1: The 18th edition, with the partnership of Pose do Rô,
• 1:14:59
  Speaker 1: MC Iggy... Who can you say? Rian SP.
• 1:15:06
  Speaker 1: Léozinho ZS, Oruan, Menoka. Man, there's a lot of people.
• 1:15:13
  Speaker 1: Neguinho do Caxeta, Hariel. We got to fight, bro.
• 1:15:17
  Speaker 3: We got to fight.
• 1:15:18
  Speaker 1: We got to fight. No, but you really have to fight.
• 1:15:22
  Speaker 2: I think that all this time of walking, you've been
• 1:15:25
  Speaker 2: making friends, partners and.
• 1:15:29
  Speaker 2: Deserves an album with so many fucking artists, you know?
• 1:15:33
  Speaker 1: And I'm more confident than the first one. The first
• 1:15:35
  Speaker 1: one was an experience, right? You know, when the thing
• 1:15:38
  Speaker 1: started to hit 20, 30 million, I was like, hey, dude, hey, dude.
• 1:15:41
  Speaker 2: I was sending it.
• 1:15:42
  Speaker 3: To him, I thought it was a big breeze.
• 1:15:44
  Speaker 1: I was sending it to him, I thought it was
• 1:15:46
  Speaker 1: a big breeze. He said, man, go up, it's cool, man.
• 1:15:49
  Speaker 1: I'm happy for you. There's a lot to come, man.
• 1:15:53
  Speaker 2: There really is.
• 1:15:54
  Speaker 1: There's a lot to come, man.
• 1:15:55
  Speaker 3: For example, he's already serious? he will automatically get more numbers.
• 1:16:01
  Speaker 3: If he gets 50, he gets 100. It goes on, right?
• 1:16:04
  Speaker 3: It does. And if you're listening, it's not a cybernetical album.
• 1:16:09
  Speaker 3: It's something that's... Plausible, right?
• 1:16:11
  Speaker 2: It's palpable, you know?
• 1:16:13
  Speaker 3: I remember, bro, when you released.
• 1:16:15
  Speaker 2: What Igor Guilherme was thinking, and then the next year
• 1:16:19
  Speaker 2: he released another one, and another one, and another one.
• 1:16:21
  Speaker 2: I think you must have gone through that same moment
• 1:16:23
  Speaker 2: of looking at the numbers and not believing it. Like,
• 1:16:25
  Speaker 2: damn it.
• 1:16:26
  Speaker 3: Yeah, he lives in this loop. And in what sense
• 1:16:28
  Speaker 3: of management? Because it was all very natural, right? So
• 1:16:31
  Speaker 3: when something happens, we look at it like a carnivore.
• 1:16:34
  Speaker 3: It was a Sunday there at my mother's house. So
• 1:16:36
  Speaker 3: that's what I get confused about. Then he said, oh,
• 1:16:38
  Speaker 3: Jacaré sent this one, dude. Then he went, stopped, did,
• 1:16:41
  Speaker 3: did there. The boys helped him too. They made the
• 1:16:44
  Speaker 3: sound there. Anyway... He sent it to Jacaré, and then
• 1:16:53
  Speaker 3: you see the song playing, you see it from the outside.
• 1:16:57
  Speaker 3: Even though we already know a lot of MCs, I've
• 1:16:59
  Speaker 3: already done this with Trapilado too. The speed, the power
• 1:17:01
  Speaker 3: he reached, I think it's fucking awesome. And without putting
• 1:17:04
  Speaker 3: so much.
• 1:17:04
  Speaker 2: Effort, like you said. Yeah, that's the thing.
• 1:17:06
  Speaker 3: Yeah, now I have to appear more.
• 1:17:08
  Speaker 1: There's brother, there's.
• 1:17:10
  Speaker 2: Brother, because that's it. You need to say, like, who
• 1:17:13
  Speaker 2: sings these songs is me, man.
• 1:17:14
  Speaker 1: You're shy. Like, I am, man.
• 1:17:18
  Speaker 2: But you unwind, man.
• 1:17:18
  Speaker 3: Straight talk.
• 1:17:19
  Speaker 2: You're very shy. The guys are.
• 1:17:20
  Speaker 5: Enjoying the show.
• 1:17:21
  Speaker 3: In any case, the show is very good. What the fuck, man?
• 1:17:23
  Speaker 3: The guy is capuloso.
• 1:17:25
  Speaker 1: He's capuloso. The guy is capuloso. And then he said.
• 1:17:29
  Speaker 2: But do you feel that your shyness is decreasing over time?
• 1:17:41
  Speaker 1: To tell you the truth, the process I went through
• 1:17:43
  Speaker 1: left me like this, now I'm finding myself again, man.
• 1:17:46
  Speaker 1: And you understand that it's important, right? It's important, it's important.
• 1:17:51
  Speaker 2: If I were you, I would go to Menauká and say,
• 1:17:54
  Speaker 2: let's do a collaborative album.
• 1:17:55
  Speaker 1: We won't do it. We won't do it. You know?
• 1:17:56
  Speaker 3: We won't do it.
• 1:17:57
  Speaker 2: You're ending everything, man. We won't do it.
• 1:18:00
  Speaker 1: This is going to be explosive. This day we were
• 1:18:02
  Speaker 1: exchanging these ideas. We're going to fortify with Iggy and Rian, right?
• 1:18:06
  Speaker 1: And GP, who represents us. to do something more directed.
• 1:18:11
  Speaker 2: And then came the.
• 1:18:11
  Speaker 3: I talk about what they do together, because... Union, bro. Yeah,
• 1:18:15
  Speaker 3: besides the natural, that they already like each other, the unique,
• 1:18:19
  Speaker 3: the professional, bro, it comes from the front. I have
• 1:18:22
  Speaker 3: a book with Gordinho joining, there's 800 million of play.
• 1:18:25
  Speaker 1: You know?
• 1:18:26
  Speaker 2: Bad Boys. Bad Boys gave 800 million?
• 1:18:28
  Speaker 3: Yes, there's 350 on Spotify and the rest is... YouTube.
• 1:18:31
  Speaker 1: We're already rich, Bad Boys. We're already rich. I'll let
• 1:18:35
  Speaker 1: my fruit be rich. Vomitata.
• 1:18:39
  Speaker 2: No, inspired. Inspired too much, man. But that's it. And
• 1:18:43
  Speaker 2: after you do this collaborative with Menorca, then you make the.
• 1:18:47
  Speaker 3: Make the launch here, huh?
• 1:18:49
  Speaker 2: Oxi.
• 1:18:49
  Speaker 1: Concerto. I'm going to do the audition here huh I'm
• 1:18:52
  Speaker 1: sure I'm going to do the audition here dude you're
• 1:18:54
  Speaker 1: a thousand degrees bro here.
• 1:18:56
  Speaker 2: It's for that bro so it represents.
• 1:18:58
  Speaker 1: A lot of our movement let's go 4 right here you're.
• 1:19:01
  Speaker 3: Crazy let's go 4 400k.
• 1:19:06
  Speaker 2: I remember he was at Barra Funda. He said, I'm
• 1:19:08
  Speaker 2: going to sing one here. He was with a t-shirt.
• 1:19:10
  Speaker 2: It's a blue t-shirt.
• 1:19:11
  Speaker 3: He's already released some songs. You're crazy, bro.
• 1:19:13
  Speaker 1: I think Wig was one of the most popular ones here.
• 1:19:16
  Speaker 2: He said, like, I'm going to keep the tradition.
• 1:19:19
  Speaker 3: Here's a tool, right? He already sent a stick.
• 1:19:22
  Speaker 1: No, not yet.
• 1:19:22
  Speaker 2: He prepared everything, he's going to send it.
• 1:19:25
  Speaker 1: When you say the moment, he's going to send it.
• 1:19:27
  Speaker 2: And you're going to have to leave one of yours too, right?
• 1:19:29
  Speaker 2: To keep the tradition.
• 1:19:30
  Speaker 3: You know, right, my boy?
• 1:19:32
  Speaker 1: We were talking about the camiara, but how are you, bro?
• 1:19:35
  Speaker 1: You today, your head, the shows, you're beautiful, you're taking
• 1:19:38
  Speaker 1: care of the appearance too, right? Yes. How is life nowadays, bro? Man, today,
• 1:19:43
  Speaker 1: thank God, bro, nothing broken, nothing out of place, you know?
• 1:19:49
  Speaker 1: Who had to move away, moved away, thank God. Currently,
• 1:19:53
  Speaker 1: I'm meeting a person who is being a base for me,
• 1:19:59
  Speaker 1: you know? Cool, bro. On the sentimental side, you know?
• 1:20:02
  Speaker 1: I'll even send a kiss to my baby, a kiss
• 1:20:04
  Speaker 1: on your heart. Ah, how cool, how cool. But you
• 1:20:09
  Speaker 1: can't stop... to talk about who is with you, who
• 1:20:14
  Speaker 1: is really helping you. When the boat balances, we see
• 1:20:16
  Speaker 1: who is who. And today, thank God, I have a
• 1:20:18
  Speaker 1: cool mind. I'm training, but that training makes me crazy,
• 1:20:23
  Speaker 1: but I'm going. At least you're doing this, it's important.
• 1:20:26
  Speaker 1: It's been a year since I stopped drinking, I don't
• 1:20:29
  Speaker 1: feel like it anymore. Was it a promise or just... Nothing, man.
• 1:20:33
  Speaker 1: I started with the treatment that Iggy paid for me.
• 1:20:36
  Speaker 1: I said, man, the guy has children. This money could
• 1:20:41
  Speaker 1: be being invested in something for his son. And the
• 1:20:44
  Speaker 1: guy is trying to help me. And we were going
• 1:20:47
  Speaker 1: to break it, brother. Regardless of what, bro. You're not
• 1:20:51
  Speaker 1: going to see a Orgut bullet here. You're going to
• 1:20:53
  Speaker 1: pay R $ 1,000 for a bullet from Orgut. You
• 1:20:55
  Speaker 1: know the value of R $ 1,000, brother. So, those
• 1:20:59
  Speaker 1: who come from the community who have already missed it,
• 1:21:01
  Speaker 1: know the value of things. I said, I'm going to
• 1:21:05
  Speaker 1: take this thing seriously. I put in my mind that
• 1:21:09
  Speaker 1: I wouldn't drink anymore. Maturity, right, brother? I don't drink anymore, brother.
• 1:21:12
  Speaker 1: I don't feel like it anymore, you know?
• 1:21:14
  Speaker 3: He's a very determined boy about the things he wants.
• 1:21:16
  Speaker 3: That's what I tell him. A good part of him
• 1:21:19
  Speaker 3: is sitting here today and.
• 1:21:24
  Speaker 3: It's his responsibility to say that it was a thing
• 1:21:26
  Speaker 3: and follow a line, you know? He's very focused.
• 1:21:30
  Speaker 1: That's cool, man.
• 1:21:31
  Speaker 3: And how are the shows, the schedule?
• 1:21:32
  Speaker 1: The thing is serious, bro. As I told you, I
• 1:21:35
  Speaker 1: slept four hours of rest. Gratitude for that. Where are
• 1:21:43
  Speaker 1: you doing the show? You said it was awesome. Man,
• 1:21:46
  Speaker 1: I'm starting to go to other states now. It's not
• 1:21:48
  Speaker 1: cool when you start to go to other states. You
• 1:21:52
  Speaker 1: go to the south, to the north. I've never been
• 1:21:55
  Speaker 1: to Brasilia. I'm going to Brasilia now. I've never been to...
• 1:22:03
  Speaker 1: Have you been to the northeast? I've been to BH.
• 1:22:05
  Speaker 1: BH is the key. I've been to Cadu these days.
• 1:22:08
  Speaker 1: I've been to a house there with... Only me and
• 1:22:15
  Speaker 1: Kadu on the line. What a monster. I was like, damn.
• 1:22:19
  Speaker 1: A lot of cuts on TikTok. The guys were like,
• 1:22:22
  Speaker 1: what a great show. I was like, damn. It's very
• 1:22:25
  Speaker 1: good to leave the stadium. Which other stadiums have you
• 1:22:28
  Speaker 1: been to? Now? Let me see.
• 1:22:32
  Speaker 3: And you went to Monche, you caught him in this
• 1:22:35
  Speaker 3: part of the States.
• 1:22:36
  Speaker 1: Of the States, you know. But up to Brazil, to
• 1:22:38
  Speaker 1: the Northeast, down to the South.
• 1:22:40
  Speaker 3: Not yet, not yet to the Northeast. He's going a
• 1:22:42
  Speaker 3: lot to the South now. At the end of the week,
• 1:22:43
  Speaker 3: I think.
• 1:22:44
  Speaker 1: He's going to.
• 1:22:44
  Speaker 2: There's a tour now in Santa Catarina.
• 1:22:46
  Speaker 1: The South really likes funk, right? I like it, man.
• 1:22:47
  Speaker 1: The guys there are from the South. It's a kind
• 1:22:50
  Speaker 1: of SP footprint, man. I feel that there, you know?
• 1:22:52
  Speaker 1: In the South, man. They like it a lot, man.
• 1:22:54
  Speaker 1: The guys consume our movement a lot, man.
• 1:22:56
  Speaker 3: We did an event on Saturday for 10,000 people.
• 1:22:59
  Speaker 2: It was.
• 1:23:01
  Speaker 3: It was me, him, Paulinho da Capital, Hariel, Livinho.
• 1:23:06
  Speaker 1: But Jesus too, right? What is this? Look at this event.
• 1:23:08
  Speaker 1: And who else?
• 1:23:09
  Speaker 3: Who was there?
• 1:23:09
  Speaker 1: Where was it?
• 1:23:10
  Speaker 3: It was that, right?
• 1:23:12
  Speaker 1: Me and my dad. Wow. South of Curitiba. Wow, Curitiba
• 1:23:15
  Speaker 1: is so good. Man, people, for fuck's sake, man.
• 1:23:18
  Speaker 2: Before you sing, I wanted to know, is it true
• 1:23:20
  Speaker 2: that you have a relationship with Ronaldinho Gaúcho?
• 1:23:24
  Speaker 1: Yes, I recorded Tropa do Bruxo, man.
• 1:23:26
  Speaker 2: But besides that... Tell me if you have.
• 1:23:30
  Speaker 3: Is there.
• 1:23:31
  Speaker 1: Something you can share about this experience with a man?
• 1:23:34
  Speaker 1: Because men like it, right? It's like this, man. There
• 1:23:38
  Speaker 1: was a day when we were at Ronaldinho Gaúcho, we
• 1:23:41
  Speaker 1: killed each other, we made a video. A thousand degrees.
• 1:23:46
  Speaker 1: A moment to relax. There was a girl who started
• 1:23:48
  Speaker 1: to pull ass with me. It was awesome, man. A
• 1:23:50
  Speaker 1: thousand degrees. I said, awesome, man. But until then, nothing evil,
• 1:23:56
  Speaker 1: you know? Nothing evil. Hey, didn't the girl ask for
• 1:23:58
  Speaker 1: a Teleco for me, bro?
• 1:24:00
  Speaker 3: Really?
• 1:24:00
  Speaker 2: In the middle of the clip in the Rio de Janeiro?
• 1:24:02
  Speaker 1: She asked for a Teleco. She asked for a Teleco
• 1:24:05
  Speaker 1: for me, bro. I said, yeah, I know who has it.
• 1:24:07
  Speaker 1: I know who has it. I said, ask that boy
• 1:24:10
  Speaker 1: over there. Who was the boy? No, I didn't... Hariel, boy. Wow!
• 1:24:15
  Speaker 1: She went and asked for a Teleco for Hariel. Just
• 1:24:19
  Speaker 1: for him? No, you already said for Mular, right?
• 1:24:21
  Speaker 2: I said, she has it, he has it. Hey, friend.
• 1:24:27
  Speaker 1: A play for me? He said, what? A play for me? Man,
• 1:24:33
  Speaker 1: this guy got crazy, man. He got crazy and said
• 1:24:36
  Speaker 1: a lot of things to this girl, man. Then she said, no, man,
• 1:24:40
  Speaker 1: but your friend Kipá. Who said, man? Man, I was
• 1:24:45
  Speaker 1: crying laughing, bro. I was crying laughing, bro.
• 1:24:47
  Speaker 2: I was crying laughing, bro.
• 1:24:49
  Speaker 1: Wow, I was very crazy, bro. I was very crazy. Damn, bro,
• 1:24:51
  Speaker 1: I'm going to play with Hariel, our master, bro. I
• 1:24:54
  Speaker 1: was very crazy. Then he said, bro, I went crazy.
• 1:24:56
  Speaker 1: I said, Hariel, bro, I can't take it anymore, bro.
• 1:24:59
  Speaker 1: Take me to sleep, bro. Then I went to sleep, bro.
• 1:25:02
  Speaker 2: I'm crazy, bro.
• 1:25:03
  Speaker 1: I'm a real wizard, bro. I'll tell you, I'm a
• 1:25:05
  Speaker 1: real wizard. The name, make the name, bro. The guy, man,
• 1:25:13
  Speaker 1: you're crazy, the bottle, the fridge of the guy full
• 1:25:15
  Speaker 1: of Heineken, there was a bottle, there was a bottle.
• 1:25:18
  Speaker 2: There were eight.
• 1:25:18
  Speaker 1: Oh, I already saw, there were eight bottles inside the thing, man.
• 1:25:21
  Speaker 1: I said, what the fuck is this, man? It's the
• 1:25:23
  Speaker 1: sponsor of Podpá, man. Crazy stuff, man. Then there was
• 1:25:27
  Speaker 1: an hour, man, that I'm there on the couch, lying
• 1:25:31
  Speaker 1: down there, man. The guys took me to rest. I said, man,
• 1:25:34
  Speaker 1: I'm doing a bad job, man. I'm at Ronaldinho's house, man,
• 1:25:36
  Speaker 1: doing a bad job, man. I said, straight talk, man.
• 1:25:40
  Speaker 1: I don't even know if you'll remember me, I'm going
• 1:25:43
  Speaker 1: to sleep, damn it, I'm going back there, I stayed
• 1:25:46
  Speaker 1: in the procedure. I went to Gordinha, get out of
• 1:25:48
  Speaker 1: my way, there's no dust, bro. There's no dust. So
• 1:25:51
  Speaker 1: it was a crazy experience, bro. I woke up broken, bro, later, bro,
• 1:25:56
  Speaker 1: I went to sleep, I went to the hotel, I
• 1:25:58
  Speaker 1: woke up broken, bro.
• 1:26:00
  Speaker 3: But it was a unique experience.
• 1:26:02
  Speaker 1: It was, bro, Ariel and Ronaldinho Gaúcho, bro. Unique experiences. Unique, bro,
• 1:26:07
  Speaker 1: it's for life, bro. No, very good. It's for life.
• 1:26:13
  Speaker 2: Lele Jataveu, what's on the beach with the letter S?
• 1:26:15
  Speaker 2: That was phenomenal, bro. Man, I got nervous.
• 1:26:18
  Speaker 1: You got nervous? I got nervous, bro. But there was
• 1:26:22
  Speaker 1: a lot of memes. It was good.
• 1:26:24
  Speaker 3: And in the future it doesn't stop making sense, right?
• 1:26:27
  Speaker 1: There's beer.
• 1:26:27
  Speaker 3: That beer with S here.
• 1:26:31
  Speaker 1: I'm not going to say her name, just if she
• 1:26:33
  Speaker 1: wants to make a partnership with us. She wasn't called
• 1:26:36
  Speaker 1: to make a partnership.
• 1:26:37
  Speaker 2: Give him a shout out there, man. But if you
• 1:26:39
  Speaker 2: enter with 2.4, you can't yet. It's only with 2.5
• 1:26:41
  Speaker 2: that you can make alcoholic beverages. Did you know that?
• 1:26:45
  Speaker 2: And you have to parent.
• 1:26:46
  Speaker 3: From 25 years old, you can invest in alcoholic beverages.
• 1:26:51
  Speaker 3: Before the 25th.
• 1:26:52
  Speaker 1: Yeah, next year. Hold this meme until next year. I
• 1:26:55
  Speaker 1: have to show it off. You have to show it off.
• 1:26:57
  Speaker 3: You're crazy, I showed off 30.
• 1:26:58
  Speaker 1: No, no, calm down.
• 1:26:58
  Speaker 2: You're fine, Brizola.
• 1:27:04
  Speaker 1: Brizola, Roblox, those guys are awesome. What about that friend of.
• 1:27:09
  Speaker 5: That.
• 1:27:09
  Speaker 1: Bodipok? No. Bodipok is a friend of Orochi. Which one? Bodiaski. Basladir.
• 1:27:13
  Speaker 5: Basladir.
• 1:27:14
  Speaker 1: Basladir. Basladir. Basladir. Boja Ski? That's not it!
• 1:27:30
  Speaker 2: Buzz Lightyear!
• 1:27:32
  Speaker 1: Buzz Lightyear!
• 1:27:34
  Speaker 3: Buzz Lightyear with Jet Ski!
• 1:27:36
  Speaker 1: That's the guy, bro! Soon I'll look like him too!
• 1:27:39
  Speaker 1: I was without a neck, bro! I was without a neck,
• 1:27:43
  Speaker 1: I said, bro, I have to lift this chin here,
• 1:27:46
  Speaker 1: I've already been to Dr. Paulo. Oh, you've already had
• 1:27:48
  Speaker 1: a syringe there! Yeah, that's it! The neck started to appear! Monjaros?
• 1:27:52
  Speaker 3: Mon, Mon!
• 1:27:53
  Speaker 1: Mon, Mon! Mon, Mon! Those crunches! Now it's... It's a repaginated, bro. No,
• 1:27:59
  Speaker 1: it's already... It's a square neck here, look. It reappeared again,
• 1:28:04
  Speaker 1: the thing is that way. Buzz Lightyear. Buzz Lightyear, man.
• 1:28:08
  Speaker 1: Buzz Lightyear. Roblox. Look. Throw some, right?
• 1:28:14
  Speaker 2: Damn, Chatao, could you sing what you've been making noise
• 1:28:18
  Speaker 2: in the city, the whole of Brazil? Do you want
• 1:28:19
  Speaker 2: me to talk about what?
• 1:28:21
  Speaker 1: Detachment?
• 1:28:25
  Speaker 2: I want you to do whatever you want, it's your moment.
• 1:28:28
  Speaker 1: Let's talk about detachment, then.
• 1:28:30
  Speaker 2: Sing Tiger Preta, sing Vitorioso, sing all of them. Sing
• 1:28:34
  Speaker 2: whatever you want, let's stand up. What is this? If
• 1:28:38
  Speaker 2: you're going to sing, I want the friends here singing together. Hey, hey, hey.
• 1:28:41
  Speaker 1: Calm down.
• 1:28:42
  Speaker 2: It's Menopê.
• 1:28:43
  Speaker 3: Menopê?
• 1:28:43
  Speaker 2: Yeah.
• 1:28:44
  Speaker 1: Say it, man. Menopê, this is Lele's son. Really?
• 1:28:50
  Speaker 3: My 10-year-old friend. Why are you calling him that?
• 1:28:53
  Speaker 1: I've been friends with this guy for 10 years. There
• 1:28:58
  Speaker 1: was a time when Noinha saw Panaminha. We were going
• 1:29:02
  Speaker 1: to the singing class, right? Noinha was getting scared. You
• 1:29:05
  Speaker 1: were going to let me fight alone. It was like that.
• 1:29:07
  Speaker 1: You were going to need it. Noinha was getting scared.
• 1:29:10
  Speaker 1: He said, bro.
• 1:29:16
  Speaker 1: Bro, I didn't even have the R $ 2, 50 of the
• 1:29:19
  Speaker 1: bus ticket, the guy gave me a lot, I said
• 1:29:21
  Speaker 1: I didn't have it, he kept taking it with me. Man,
• 1:29:24
  Speaker 1: the money for his ticket appeared at the time, I
• 1:29:27
  Speaker 1: don't know what I told him, bro, he paid the ticket,
• 1:29:29
  Speaker 1: the thing passed, I said, I'm the one who ends
• 1:29:33
  Speaker 1: the pill, bro, he already saw the Panaminha already peiting,
• 1:29:36
  Speaker 1: I already closed my hand, I said, go, come to Panaminha,
• 1:29:39
  Speaker 1: favela is like this, right? Give the first, right?
• 1:29:42
  Speaker 2: Who's going to hit first? Who's going to make the mistake?
• 1:29:44
  Speaker 1: I was the first one, but I was in shock.
• 1:29:47
  Speaker 1: I was in contention. I was in contention.
• 1:29:49
  Speaker 3: I was in contention.
• 1:29:50
  Speaker 1: I was in contention. I was in contention. I was
• 1:29:53
  Speaker 1: in contention. I was in contention. I was in contention.
• 1:29:56
  Speaker 1: I was in contention. I was in contention. I was
• 1:29:59
  Speaker 1: in contention.
• 1:29:59
  Speaker 2: I was in contention. I was in contention.
• 1:30:08
  Speaker 1: It's nothing, it's nothing. I was just going to punch
• 1:30:10
  Speaker 1: you in the face, bro.
• 1:30:11
  Speaker 2: Did you see the story of Cadu? That Cadu hit
• 1:30:12
  Speaker 2: the guy on the marginal, said he wanted to go
• 1:30:15
  Speaker 2: back to his land, I don't know what and such.
• 1:30:18
  Speaker 2: Cadu went and helped. Then Cadu went there again, he
• 1:30:20
  Speaker 2: was still there. He said, oh man, you're a big bastard.
• 1:30:23
  Speaker 1: He didn't go back to the land.
• 1:30:25
  Speaker 2: Go, son of a bitch. Cadu in the Old Testament,
• 1:30:29
  Speaker 2: because now he's another man.
• 1:30:30
  Speaker 1: Cadu is another man. Say it, Chato. Send it. Let's go.
• 1:30:33
  Speaker 2: Is it coming out already, Alex?
• 1:30:35
  Speaker 5: Oh, oh, oh.
• 1:30:38
  Speaker 1: Amon doesn't pay the bills. Let's go. What are you doing?
• 1:30:41
  Speaker 2: Stay there, Pekka. He knows nothing.
• 1:30:44
  Speaker 3: Can you let my return?
• 1:30:46
  Speaker 1: I can't hear you. Bring more volume. Is it here?
• 1:30:48
  Speaker 1: We need a return. It's here for me. Not for you? Now, yes.
• 1:30:50
  Speaker 3: Can you let my return a little higher? I can't.
• 1:31:06
  Speaker 1: I'm going to leave this phonic popping for everyone outside
• 1:31:15
  Speaker 1: the room. I'm thinking she blocked.
• 1:31:20
  Speaker 3: Me.
• 1:31:21
  Speaker 1: Big hug to DJ Ore, our monster. You heard that?
• 1:31:27
  Speaker 1: I know I sent bad, but I didn't expect it
• 1:31:29
  Speaker 1: to end.
• 1:31:30
  Speaker 5: If I count these notes, I want to see them
• 1:31:32
  Speaker 5: not come back. Acertei o trampo e lancei a toinha
• 1:31:38
  Speaker 5: Segue pelo fake só pra me salqueia Camarote cheio, coração
• 1:31:44
  Speaker 5: frio Ela foi embora e me deixou sozinho Cheio de dinheiro,
• 1:31:51
  Speaker 5: modo bandoleiro Perdido na noite, casputado trecho Que se foda amor.
• 1:31:59
  Speaker 8: O amor não paga as porra Se mostra a fé
• 1:32:03
  Speaker 8: até lá dentro e até lá fora Que porra de amiga,
• 1:32:06
  Speaker 8: tudo a brincar na roça Me deu.
• 1:32:09
  Speaker 1: Na escondida, agora quer pagar de.
• 1:32:12
  Speaker 4: Sorte Que se foda agora, o amor não paga as
• 1:32:15
  Speaker 4: costas Se mostra a fé até lá dentro e até
• 1:32:19
  Speaker 4: lá fora Que porra de amiga, tudo a brincar na
• 1:32:23
  Speaker 4: roça Me deu na escondida, agora quer pagar de sorte
• 1:32:28
  Speaker 4: I swear.
• 1:32:28
  Speaker 1: It wasn't my intention. We'll be right back.
• 1:33:07
  Speaker 9: We'll see you next time. DJ, let's do carnival tomorrow.
• 1:33:27
  Speaker 5: You can do whatever you want.
• 1:33:30
  Speaker 1: For the love of God.
• 1:33:53
  Speaker 2: You can come in to record, man, enjoy it here,
• 1:33:54
  Speaker 2: make the video, go, damn it!
• 1:33:57
  Speaker 1: If you don't come, I'll kick your ass! Look at the.
• 1:34:26
  Speaker 5: Me desculpa se eu fui astuto É que eu te
• 1:34:31
  Speaker 5: mostrei meu lado mal.
• 1:34:32
  Speaker 6: Cê não quer as puta que eu já tô.
• 1:34:34
  Speaker 5: Metendo o pé Se ela larga outras pego O que
• 1:34:38
  Speaker 5: não falta é mulher Pronto ao que der e vier
• 1:34:41
  Speaker 5: Me joguei no cabaré Aqui me sinto em casa volta
• 1:34:46
  Speaker 5: a hora Oh, for.
• 1:34:47
  Speaker 6: Love, I wasn't lucky. I was zero love.
• 1:34:51
  Speaker 5: You'll see me in stories only with the babies of
• 1:34:54
  Speaker 5: the job.
• 1:34:54
  Speaker 6: For love, I wasn't lucky. I was zero love.
• 1:34:58
  Speaker 5: You'll see me in stories only with the babies of
• 1:35:00
  Speaker 5: the job.
• 1:35:02
  Speaker 1: Let's go, man.
• 1:35:24
  Speaker 2: Mandei mensagem, só chegou uma flechinha.
• 1:35:27
  Speaker 5: A querida me bloqueou Deu famoso o fulolo.
• 1:35:32
  Speaker 1: E agora, moleque?
• 1:35:33
  Speaker 2: Eu só tenho um.
• 1:35:35
  Speaker 5: Minuto Aonde quer que eu vá, vou te levar pra
• 1:35:39
  Speaker 5: sempre Vou deitar por mais uma Ando meio vazio e
• 1:35:45
  Speaker 5: triste Mas eu vou seguir com você nos pensamentos.
• 1:35:52
  Speaker 6: Ooh, ooh, ooh, ooh, ooh, ooh.
• 1:36:17
  Speaker 1: Hey, hey.
• 1:36:19
  Speaker 5: Hey.
• 1:36:46
  Speaker 3: The voice is not coming.
• 1:36:47
  Speaker 1: Is it coming now? This one is, right? It's coming,
• 1:36:50
  Speaker 1: it's coming.
• 1:36:50
  Speaker 2: This one is, okay.
• 1:36:51
  Speaker 1: It's coming.
• 1:36:52
  Speaker 2: It's a live show, right?
• 1:36:54
  Speaker 3: Those things, right, brother?
• 1:36:56
  Speaker 1: The voice is not coming.
• 1:36:59
  Speaker 2: Nathan, you can stay loose, man.
• 1:37:02
  Speaker 1: Whoever wants to come here with the man can come here, guys,
• 1:37:05
  Speaker 1: to farm Aura.
• 1:37:06
  Speaker 3: Hey, Amorelo, call Amorelo.
• 1:37:11
  Speaker 7: I'm with a new media, but I can't show it
• 1:37:16
  Speaker 7: If your.
• 1:37:17
  Speaker 6: Friends find out, every time.
• 1:37:20
  Speaker 1: They give me.
• 1:37:28
  Speaker 7: Vai dar um problema, imagina a cena Minha preferida, seu
• 1:37:34
  Speaker 7: assunto a sentar Abre o teto da nave, nós vai
• 1:37:39
  Speaker 7: no peão Se tem blitz, desvia que eu tô trepadão
• 1:37:44
  Speaker 7: Tá de vissolão, realçando o bocão Tá toda pra dar jogada,
• 1:37:50
  Speaker 7: só pensa em diversão Bem-vindo ao mundo moderno, baby É
• 1:37:55
  Speaker 7: impossível dizer que a nossa brisa é mais do que
• 1:37:59
  Speaker 7: só sexo No celular tá ficando influente, ficando rica Vários países,
• 1:38:06
  Speaker 7: festinha com as preferidas Onde elas veem a neve, rebola
• 1:38:10
  Speaker 7: e fica doidinha Mas o resumo sabe quem que patrocina.
• 1:38:17
  Speaker 3: Igor Guilherme in the house. Make some noise for LJP, guys.
• 1:38:20
  Speaker 3: I'm in the.
• 1:38:21
  Speaker 8: Middle of the media, but I can't show you.
• 1:38:26
  Speaker 6: Your friends eat you.
• 1:38:20
  Speaker 3: JPE, rapaziada.
• 1:38:40
  Speaker 5: I can't show it to the media, but I can't
• 1:38:42
  Speaker 5: show it to you.
• 1:38:44
  Speaker 1: Your friends find out.
• 1:38:45
  Speaker 6: Every time they see me. But the problem is, imagine
• 1:38:49
  Speaker 6: the scene. You're my favorite.
• 1:38:51
  Speaker 1: I don't have anything. Again, the chorus.
• 1:38:59
  Speaker 5: Minha descobre toda vez que vem me dar Vai dar
• 1:39:03
  Speaker 5: mó problema Imagina a cena, cê é minha preferida.
• 1:39:11
  Speaker 6: Eu não tenho nada com.
• 1:39:14
  Speaker 5: Ninguém Mesmo assim não quero me arrasar Se ela diz
• 1:39:20
  Speaker 5: que eu te como.
• 1:39:21
  Speaker 1: Também Let's go, guys.
• 1:39:43
  Speaker 5: Sobe na garupa do chatão Tipo Lampuzão, mó cabelão 24k
• 1:39:50
  Speaker 5: na cara, muito xavi Releva uma armadilha pra um baile Procurar.
• 1:39:58
  Speaker 3: Uma novinha mídia Mas não posso mostrar Se as amiguinhas descobrem.
• 1:40:03
  Speaker 7: Toda vez que vem ligar Vai dar mau problema Imagine.
• 1:40:08
  Speaker 1: The scene, the favorite scene of the.
• 1:40:12
  Speaker 2: 60's, 2025.
• 1:40:13
  Speaker 6: Applause!
• 1:40:14
  Speaker 1: Applause!
• 1:40:14
  Speaker 5: Another one, there's me posting on him, take a pocky pocky, victorious, tiger.
• 1:40:22
  Speaker 2: Don't worry, it's a lot of success. I'm just following here.
• 1:40:25
  Speaker 2: Posting on him.
• 1:40:26
  Speaker 1: Feel free, man.
• 1:40:35
  Speaker 3: Oh, I was about to say, hey, Barney, let's do
• 1:40:37
  Speaker 3: a show together.
• 1:40:40
  Speaker 1: I was about to say, hey, Barney.
• 1:40:49
  Speaker 5: We'll be right back.
• 1:41:17
  Speaker 1: Right, right, right.
• 1:41:49
  Speaker 6: Senta, senta, senta pro.
• 1:41:51
  Speaker 10: Patrão Senta, senta Mostra que tu tem disposição Desce, desce
• 1:41:56
  Speaker 10: Ela que já nasceu com esse dom Te rouba coração
• 1:42:02
  Speaker 10: de ladrão Vai, vai, vai Senta, senta, senta pro patrão Senta,
• 1:42:07
  Speaker 10: senta Mostra que tu tem disposição Desce, desce Ela.
• 1:42:12
  Speaker 6: Que já nasceu com esse.
• 1:42:13
  Speaker 1: Dom Nice, nice. Saca da tuim, moleque?
• 1:42:34
  Speaker 6: Nossa senhora.
• 1:42:35
  Speaker 1: Absurdo.
• 1:42:35
  Speaker 6: É isso aí, MC Tutu. Beijão no seu coração, moleque.
• 1:42:39
  Speaker 1: Te amo muito.
• 1:42:41
  Speaker 6: Esse é monstro. Nosso irmão.
• 1:43:01
  Speaker 1: Chilla puta.
• 1:43:01
  Speaker 6: Chilla puta.
• 1:43:16
  Speaker 5: Minha copa tá lá, pode falar de mim.
• 1:43:19
  Speaker 1: Eu só faço a minha, fumando IC. Só pra tesourinha.
• 1:43:26
  Speaker 5: Fico fala, mais que senóis. Os comédia deixam na voz.
• 1:43:33
  Speaker 6: Na minha quebra.
• 1:43:35
  Speaker 5: Faço o feroz. Bora pra casa já do Diogo Móis.
• 1:43:39
  Speaker 5: Me dá nóis capa, Diogo Móis. Hoje é nóis de
• 1:43:44
  Speaker 5: novo É nóis no asfalto E também é nóis morro
• 1:43:49
  Speaker 5: Levo quem que eu quiser Se eu tiver de foguetão
• 1:43:53
  Speaker 5: Só quem já sofreu de a pé Foi na sola
• 1:43:56
  Speaker 5: pro bailão Mas eu não perdi minha fé Quem tem
• 1:43:59
  Speaker 5: fé se abala não Chamando como é que é Só
• 1:44:03
  Speaker 5: peixinho de navão Que é minha sona Só as montadona
• 1:44:09
  Speaker 5: Hoje a bebê sona Thank you. Põe pra desbicar Bailão
• 1:44:33
  Speaker 5: num peri Minha tropa tá lá Pode falar de mim
• 1:44:38
  Speaker 5: Eu só faço a minha Fumando IC Tá na tesourinha
• 1:44:44
  Speaker 5: vai Sacada tui Põe pra desbicar Bailão num peri Minha
• 1:44:50
  Speaker 5: tropa tá lá Pode falar de mim.
• 1:44:54
  Speaker 1: Eu só faço a minha.
• 1:44:56
  Speaker 6: Fumando IC Tá na tesourinha vai.
• 1:45:01
  Speaker 1: Are you talking about the meme? It's boring, I don't
• 1:45:05
  Speaker 1: get it. Black tag, go.
• 1:45:07
  Speaker 2: For the Igao's relic.
• 1:45:09
  Speaker 1: That's right. Hello, Igao. Hello, Mítico.
• 1:45:13
  Speaker 2: Thank you very much for the invitation. Look at Tapa's
• 1:45:15
  Speaker 2: goal for Catuaba.
• 1:45:17
  Speaker 8: He pulled the relic.
• 1:45:18
  Speaker 6: Catuaba's little goal, dude.
• 1:45:21
  Speaker 1: That's it.
• 1:45:22
  Speaker 2: I remembered Catuaba, Narguile. I played the.
• 1:45:25
  Speaker 6: Black tag twice.
• 1:45:28
  Speaker 1: My robot is small.
• 1:45:29
  Speaker 2: I dance, I don't have.
• 1:45:32
  Speaker 5: A way, I go without a car.
• 1:45:34
  Speaker 1: I live in the north and in the east, I dance.
• 1:45:37
  Speaker 1: 30 minutes, 5, 15, I repart.
• 1:45:38
  Speaker 5: I passed a boutique and 7 will take 10.
• 1:45:46
  Speaker 6: Thank you.
• 1:45:47
  Speaker 1: Thank you.
• 1:46:11
  Speaker 6: O Lelê conduz o bicho.
• 1:46:13
  Speaker 5: Brother, parte a camarão É bailão, bailão, não bailar Vou
• 1:46:19
  Speaker 5: só pra não perder o instinto, meu caninho faz canção Então, bololo,
• 1:46:26
  Speaker 5: tom-tom Bololo, bololo, bololo, tom-tom Ai, ai, ai, ai.
• 1:46:32
  Speaker 1: Ai, ai.
• 1:46:42
  Speaker 2: He sang Toma Poc Poc?
• 1:46:44
  Speaker 1: Put this one there, asking for mine.
• 1:46:47
  Speaker 5: I'm going to ask him.
• 1:46:48
  Speaker 2: To end it, bro. This one is too much. Are
• 1:46:50
  Speaker 2: you with him, Lele?
• 1:46:50
  Speaker 1: I'm not, bro.
• 1:46:53
  Speaker 2: Don't say that, bro.
• 1:46:56
  Speaker 1: It's going to be bad.
• 1:47:05
  Speaker 5: Parece até que eu tô com imã Depois que eu
• 1:47:09
  Speaker 5: lancei meu robozão, ah, ah Ela vem pro trecho e
• 1:47:13
  Speaker 5: traz amiga Tá com as duas no meu garopão, ah,
• 1:47:19
  Speaker 5: ah Sobe e fica todo empelão, ah, ah I'm going
• 1:47:23
  Speaker 5: to spend it in the Pantaina, Vilmar.
• 1:47:26
  Speaker 6: But you know it's just a pass.
• 1:47:28
  Speaker 5: If you see it in the Velocimbo, who has a motor,
• 1:47:32
  Speaker 5: fuck it. Today this bitch is going to take a little.
• 1:47:35
  Speaker 5: If you see it in the Velocimbo, who has a motor,
• 1:47:39
  Speaker 5: fuck it. Today this bitch is going to take a little.
• 1:47:43
  Speaker 6: If you see it in the Velocimbo. Hello, Leozinho ZS.
• 1:47:48
  Speaker 6: Gordinho da VF.
• 1:47:48
  Speaker 1: Penalzeres. That was awesome. That was awesome. That was awesome.
• 1:48:10
  Speaker 1: Let's go, guys.
• 1:48:19
  Speaker 6: Hello, Zona Norte! I'm from Capão, but today I'm from Elisa.
• 1:48:26
  Speaker 5: Crazy shot, thief's dance. If there's a motor, she'll take it.
• 1:48:29
  Speaker 5: If there's a motor, she'll take it.
• 1:48:51
  Speaker 1: Where, Victorioso?
• 1:48:52
  Speaker 2: Bro, to end it the right way, are you enjoying
• 1:48:54
  Speaker 2: this day? You're crazy, the greatest.
• 1:48:56
  Speaker 1: Realization is here with the legend, with Higão. Very key,
• 1:48:59
  Speaker 1: thank you. You have to produce a song of mine,
• 1:49:01
  Speaker 1: have you thought? I'm going to be the smallest car
• 1:49:03
  Speaker 1: in a big fit. Legendary DJ, there you go! It's
• 1:49:05
  Speaker 1: a relic.
• 1:49:06
  Speaker 2: Did you produce a Duvini.
• 1:49:08
  Speaker 1: By Dani Russo, bro? Bro, no. It was Pati Guarujá there.
• 1:49:17
  Speaker 1: Did Vinny produce any?
• 1:49:19
  Speaker 2: Who knows?
• 1:49:19
  Speaker 1: Vinny is coming strong. He's coming strong. A big hug
• 1:49:22
  Speaker 1: to Vinny. He's a monster. Vinny, you're awesome, bro. You're awesome.
• 1:49:25
  Speaker 1: I hope you enjoyed it. Leave a like, subscribe to
• 1:49:29
  Speaker 1: the channel, follow Lili on.
• 1:49:30
  Speaker 2: All social networks. It'll be in the description, right? Go
• 1:49:32
  Speaker 2: to the shows, listen a lot on Spotify, on digital media.
• 1:49:35
  Speaker 2: And soon, in April, if I'm not mistaken, will come.
• 1:49:46
  Speaker 1: The album.
• 1:49:47
  Speaker 2: What's the name of the album?
• 1:49:48
  Speaker 1: O Poderoso Chatão. Bro, it's Chatão.
• 1:49:49
  Speaker 2: End it the right way. This song is wonderful.
• 1:49:53
  Speaker 1: Subscribe, we're together.
• 1:49:54
  Speaker 2: Thank you very much, Father in Heaven, for.
• 1:49:57
  Speaker 1: Everything you've done for us so far. The grandeur of
• 1:50:00
  Speaker 1: the second house will be greater.
• 1:50:02
  Speaker 3: Than that of the first.
• 1:50:04
  Speaker 1: And we follow the symbol of the gift of faith.
• 1:50:05
  Speaker 1: And the grandeur is all His.
• 1:50:14
  Speaker 5: Passando o nosso foco, parado o pobre louco.
• 1:50:19
  Speaker 6: A mamita era 15, não tinha um real no bolso.
• 1:50:23
  Speaker 5: Me ajuda seu moço, respondeu virando o rosto. Viu quanto
• 1:50:27
  Speaker 5: tá lá e vem me falar. O loca vira louco,
• 1:50:33
  Speaker 5: loca vira louco, é que os relógio em opção, solução
• 1:50:37
  Speaker 5: é ir pra boca. Eu fui diferente, o lele era
• 1:50:42
  Speaker 5: a mente, se esperava no.
• 1:50:44
  Speaker 6: Cacheta, no facinha de frente. É que o jogo.
• 1:50:48
  Speaker 5: Virou, Deus abençoou, todos tem o livre-habito, eu escolhi ser cantor,
• 1:50:55
  Speaker 5: o jogo virou. I went step by step in the battle.
• 1:51:02
  Speaker 5: It's in the time of.
• 1:51:07
  Speaker 6: The Lord.
• 1:51:07
  Speaker 1: I'll take the beat of the new.
• 1:51:10
  Speaker 5: I'll take the beat of the new.
• 1:51:13
  Speaker 6: I'm victorious. I'm victorious. Thank you, guys.
• 1:51:28
  Speaker 1: Thank you for the lives of each one of you.
• 1:51:32
  Speaker 1: And let's go.
• 1:51:32
  Speaker 6: Only faith is equal.
• 1:51:33
  Speaker 1: Hello, Mythico. Thank you, brother.
• 1:51:53
  Speaker 3: Thank you, Mexico.
• 1:51:54
  Speaker 1: Thank you.
• 1:51:54
  Speaker 2: Thank you, brother.
• 1:51:55
  Speaker 1: You're the light, man. Thank you very much, Iggy. Rodrigo, GR6.
• 1:51:58
  Speaker 1: Two Luz Records.
• 1:51:59
  Speaker 6: Let's go.
• 1:52:20
  Speaker 1: A semana do consumidor, a Amazon já tá rolando. Ofertas
• 1:52:23
  Speaker 1: com até 80% off.
• 1:52:25
  Speaker 2: Obrigada. Milhões em cupons. E frete grátis.
• 1:52:29
  Speaker 1: Aproveite. Vai terminar o comercial, então?
• 1:52:32
  Speaker 2: Brilha, Diva. Isso! Inglês online ao vivo é Wizard On.
• 1:52:38
  Speaker 2: A gente aprende inglês de qualquer lugar. Nothing will stop me.
• 1:52:43
  Speaker 2: É o Wizard.
• 1:52:44
  Speaker 1: É o UAU!
• 1:52:46
  Speaker 2: Não estude inglês com explosões.
• 1:52:48
  Speaker 9: Olha isso!
• 1:52:50
  Speaker 1: Pet Love!